1 00:00:05,000 --> 00:00:39,493 ♪ 2 00:00:39,493 --> 00:00:55,873 [SILENCE] 3 00:00:55,873 --> 00:01:45,355 [SEA WAVES] 4 00:01:45,355 --> 00:01:58,334 ♪ 5 00:01:58,334 --> 00:02:17,149 [SHIP ENGINE] 6 00:02:17,149 --> 00:02:27,094 ♪ 7 00:02:27,094 --> 00:02:28,324 [BIP] 8 00:02:28,324 --> 00:02:31,498 [MAN] [ELECTRONIC VOICE] [PACKED] 9 00:02:31,498 --> 00:02:35,800 THE SUSPECT IS AN EXILE ACTIVIST AND IT MUST BE IN THE REGION. 10 00:02:35,800 --> 00:02:38,620 [SWEET CLOSE] 11 00:02:38,620 --> 00:02:40,366 [MAN] YOU CAN ALREADY TAKE THIS ONE. 12 00:02:40,366 --> 00:02:46,327 [PSI SPEED] 13 00:02:46,327 --> 00:02:48,453 [VEHICLE IN MOTION] 14 00:02:48,453 --> 00:02:51,061 [MAN] [ELECTRONIC VOICE] ATTENTION, APPEARANCE, AMATEURS. 15 00:02:51,061 --> 00:02:54,875 FIGHT FOLLOWED BY AGGRESSION. [DALBERTO] LET'S GO. 16 00:02:54,875 --> 00:02:56,749 [MAN] TWO MORE HOURS PEOPLE QUIT, MAN. 17 00:02:56,749 --> 00:03:00,645 [DALBERTO] IN TWO MINUTES PEOPLE ARE HERE. AMATEURS ARE CLOSE. 18 00:03:00,645 --> 00:03:02,094 [DOOR CLOSED] 19 00:03:02,094 --> 00:03:12,330 [CRICKET CRICKET] 20 00:03:12,330 --> 00:03:13,806 [APPLAUSE] 21 00:03:13,806 --> 00:03:16,287 [DALBERTO] WE HAVE INVITED. 22 00:03:16,287 --> 00:03:17,811 [MERCEDES] THERE'S NOTHING HERE, NO. 23 00:03:17,811 --> 00:03:18,950 [GROAN] 24 00:03:18,950 --> 00:03:20,729 [MERCEDES] ALREADY SAID THERE IS NOTHING HERE. 25 00:03:20,729 --> 00:03:21,969 [GROAN] 26 00:03:21,969 --> 00:03:24,138 [NATURAL ENVIRONMENT] 27 00:03:24,138 --> 00:03:27,902 [STEPS] 28 00:03:27,902 --> 00:03:29,312 [METAL PIECE OF BRAN] 29 00:03:29,312 --> 00:03:38,387 [STEPS] 30 00:03:42,189 --> 00:03:43,268 [ANAÍRA] BUT. 31 00:03:43,268 --> 00:03:45,835 [STEPS] 32 00:03:45,835 --> 00:03:47,516 [GROAN] 33 00:03:47,516 --> 00:03:50,612 [MAN] [ELECTRONIC VOICE] 34 00:03:50,612 --> 00:04:06,657 ♪DRAMATIC MUSIC♪ 35 00:04:06,657 --> 00:04:08,449 [DELEGATE] HOW LONG? THE LADY IS FROM THE DEW 36 00:04:08,449 --> 00:04:10,440 WITH YOUR DIONYSIUS? [MERCEDES] A YEAR AND A HALF, 37 00:04:10,440 --> 00:04:12,616 LESS OR MORE. [DELEGATE] FIRST TIME 38 00:04:12,616 --> 00:04:14,190 WHAT DO YOU APPRECIATE? [ANAÍRA] IT WASN'T HER, 39 00:04:14,190 --> 00:04:16,451 DELEGATE, I CORRECTED IT THAT DOG. 40 00:04:16,451 --> 00:04:20,252 TODAY IS MOM'S BIRTHDAY, PEOPLE CELEBRATED 41 00:04:20,252 --> 00:04:24,271 DANCE. HE CAME FROM BEHIND, PUT I HAVE A BLOUSE IN MY HAND, 42 00:04:24,271 --> 00:04:25,858 HE PRESSED MY CHEST. TAKE A BOTTLE, 43 00:04:25,858 --> 00:04:29,325 I BREAKED IT AND HIT IT IN THE BELLY. 44 00:04:29,325 --> 00:04:31,929 I HAVE NO REGRETS IT WAS ADDED TO THE SENIOR. 45 00:04:31,929 --> 00:04:33,924 [PHONE RINGING] 46 00:04:33,924 --> 00:04:36,427 [ANAÍRA] That's it. 47 00:04:36,427 --> 00:04:38,964 [NATURAL ENVIRONMENT] 48 00:04:38,964 --> 00:04:40,445 [ANAÍRA] COMES TO EAT PIECE OF CAKE. 49 00:04:40,445 --> 00:04:42,594 [DALBERTO] NO, I DON'T I WANT TO INSTALL. 50 00:04:42,594 --> 00:04:46,245 [MERCEDES] ENTER. UNITE THE BAD BEFORE YOU GO, REST. 51 00:04:46,245 --> 00:04:48,056 [NATURAL ENVIRONMENT] 52 00:04:48,056 --> 00:04:50,016 [DALBERTO] UNDER LICENSE, [MERCEDES] STAY AWAY. 53 00:04:50,016 --> 00:04:53,777 [STEPS] 54 00:04:53,777 --> 00:04:59,131 [OPEN DOOR] 55 00:04:59,131 --> 00:05:00,811 [ANAÍRA] WAIT DO I NEED TO CHANGE? 56 00:05:00,811 --> 00:05:02,736 [SALBERTO] HUM, OF COURSE. 57 00:05:02,736 --> 00:05:05,464 [BIRD SONG] 58 00:05:05,464 --> 00:05:24,535 [STEPS] 59 00:05:24,535 --> 00:05:26,811 [DALBERTO] [SIGHS] 60 00:05:26,811 --> 00:05:35,752 [STEPS] 61 00:05:35,752 --> 00:05:37,741 [DALBERTO] YOU SURE ARE TIRED, RIGHT? I'm leaving. 62 00:05:37,741 --> 00:05:41,700 [STEPS] 63 00:05:41,700 --> 00:05:43,152 [DALBERTO] SHE'S CRAZY, RIGHT? 64 00:05:43,152 --> 00:05:46,833 [ANAÍRA] [SIGHS] I'M TIRED THIS HEAT OF THIS PLACE. 65 00:05:48,500 --> 00:05:50,346 READY TO GET OUT OF HERE RIGHT NOW. 66 00:05:50,346 --> 00:05:52,693 [DALBERTO] WHERE TO GO? 67 00:05:52,693 --> 00:05:56,078 [ANAÍRA] I WILL PARTICIPATE IN THE COMPETITION FOR FLIGHT STEWARDS, WAKE UP EVERY DAY 68 00:05:56,078 --> 00:05:57,357 IN THE OTHER CORNER, YOU KNOW? 69 00:05:57,357 --> 00:06:00,950 [NATURAL ENVIRONMENT] 70 00:06:00,950 --> 00:06:02,615 [DALBERTO] [SIGHS] 71 00:06:05,136 --> 00:06:08,751 SO I'M TIRED OF THIS TOO LIFE IN THE POLICE. 72 00:06:08,751 --> 00:06:10,684 [ANAÍRA] HUM. 73 00:06:10,684 --> 00:06:11,949 [DALBERTO] ONE DAY WE WILL CLEAN UP THING, 74 00:06:11,949 --> 00:06:14,672 ANOTHER DAY IS DIRTY AGAIN. I HARD. 75 00:06:14,672 --> 00:06:21,882 [NATURAL ENVIRONMENT] 76 00:06:21,882 --> 00:06:23,529 [DALBERTO] I WILL DO THIS. 77 00:06:23,529 --> 00:06:26,174 [NATURAL ENVIRONMENT] 78 00:06:26,174 --> 00:06:29,600 [STEPS] 79 00:06:29,600 --> 00:06:31,314 [DALBERTO] [SIGHS] 80 00:06:31,314 --> 00:06:33,200 [NATURAL ENVIRONMENT] 81 00:06:33,200 --> 00:06:35,575 [DALBERTO] I LIKED YOU, MORENA. 82 00:06:35,575 --> 00:06:37,575 [ANAÍRA] I WANT TO SEE YOU AT NIGHT. 83 00:06:37,575 --> 00:06:39,238 [DALBERTO] HUM. 84 00:06:41,024 --> 00:06:42,989 [Slap for a kiss] 85 00:06:42,989 --> 00:06:44,339 [GROAN] 86 00:06:44,339 --> 00:06:46,050 [Slap for a kiss] 87 00:06:46,050 --> 00:06:49,180 [GROAN] 88 00:06:49,180 --> 00:06:52,526 ♪ 89 00:06:52,526 --> 00:06:56,238 [HARD BREATH] 90 00:06:56,238 --> 00:07:08,141 ♪ 91 00:07:08,141 --> 00:07:09,988 [GROAN] 92 00:07:09,988 --> 00:07:13,058 [HARD BREATH] 93 00:07:13,058 --> 00:07:14,504 [DALBERTO] COME. 94 00:07:14,504 --> 00:07:15,800 [GROAN] 95 00:07:15,800 --> 00:07:17,315 [DALBERTO] COME. 96 00:07:17,315 --> 00:07:19,114 [HARD BREATH] 97 00:07:19,114 --> 00:07:27,500 ♪ 98 00:07:27,500 --> 00:07:32,290 [DALMO] LOVE... LOVE... 99 00:07:32,290 --> 00:07:36,973 THERE... READY. READY. 100 00:07:38,500 --> 00:07:41,000 [LUCIANE] YOU DON'T WANT TO TAKE IT OFF ANOTHER ONE JUST FOR INSURANCE? 101 00:07:41,000 --> 00:07:42,198 [DALMO] NO NEED. 102 00:07:42,198 --> 00:07:45,438 [RUNNING IN THE BACKGROUND] 103 00:07:45,438 --> 00:07:47,444 [DALMO] TOMORROW IS DONE, SEE? 104 00:07:47,444 --> 00:07:48,683 [DALBERT] Oops! 105 00:07:48,683 --> 00:07:50,010 [DALMO] WHAT'S UP, BROTHER? 106 00:07:50,010 --> 00:07:51,100 [LUCIANE] THANK YOU. 107 00:07:51,100 --> 00:07:52,227 [DALMO] Nothing. [DALBERTO] TO THIS? 108 00:07:54,745 --> 00:07:59,836 I WAS THINKING, I'LL GO. CORPORATION. 109 00:07:59,836 --> 00:08:02,589 [DALMO] [LAUGHTER] THIS AGAIN CONVERSATION? 110 00:08:02,589 --> 00:08:03,945 [DALBERTO] YES, BUT NOW IT'S OUT ROCK. 111 00:08:05,757 --> 00:08:07,046 GET TIRED OF THIS LIFE. 112 00:08:07,046 --> 00:08:09,007 [DALMO] HUM? 113 00:08:09,007 --> 00:08:11,126 [DALBERTO] I'M BUYING SHIP. 114 00:08:11,126 --> 00:08:13,400 [DALMO] HOW IS IT? [DALBERT] BOAT. 115 00:08:13,400 --> 00:08:14,400 [DALMO] SHIP? 116 00:08:14,400 --> 00:08:15,400 [DALBERT] From. 117 00:08:18,200 --> 00:08:20,348 I NEED A LOAN. 118 00:08:20,348 --> 00:08:22,322 THE BANK REQUESTED THE TRADE GUARANTEE. 119 00:08:22,322 --> 00:08:25,600 [RUNNING IN THE BACKGROUND] 120 00:08:25,600 --> 00:08:28,557 [DALMO] WAIT, WAIT, WAIT. DAD BROUGHT IT HERE 121 00:08:28,557 --> 00:08:29,891 WITH SHAMEFUL SWEAT, ANIMALS... 122 00:08:29,891 --> 00:08:31,200 [DALBERTO] IT'S NOT MADNESS, NO. [DALMO] MADNESS! 123 00:08:31,200 --> 00:08:35,012 [DALBERTO] NO, NO. FOR THREE I'VE BEEN PAYING FOR YEARS, I'VE ALREADY DONE THE BILLS. 124 00:08:37,548 --> 00:08:39,200 TRUST ME. 125 00:08:39,200 --> 00:08:40,299 [DALMO] [Frk] 126 00:08:40,299 --> 00:08:42,000 [STEPS] 127 00:08:42,000 --> 00:08:43,000 [ARMANDO] Oh, fuck! THAT'S IT? 128 00:08:43,000 --> 00:08:44,774 [DALBERTO] IT'S TIME FOR YOU TO TAKE POWER COFFEE, BOYFRIEND? 129 00:08:44,774 --> 00:08:46,008 [DALVA] LEAVE HIM! 130 00:08:46,008 --> 00:08:47,676 [DALBERTO] DONA DALVA, DONA DALVA, LADY 131 00:08:47,676 --> 00:08:49,169 You're spoiling this boy too much. 132 00:08:49,169 --> 00:08:50,737 [ARMANDO] ARE YOU JEALOUS? 133 00:08:50,737 --> 00:08:52,108 [DALBERTO] JEALOUS OF WHAT? 134 00:08:52,108 --> 00:08:53,662 [DALVA] AND THEN, YOU DON'T WANT TO FOR COFFEE, NO? 135 00:08:53,662 --> 00:08:55,088 [DALBERTO] NO, LET'S GO TO REST. 136 00:08:57,700 --> 00:09:00,000 [ARMANDO] WOW, WHAT, BROTHER? BEAUTIFUL. 137 00:09:00,000 --> 00:09:01,800 [DALMO] THE IMAGE IS BRAND NEW THE SAME, IS IT TRUE? 138 00:09:01,800 --> 00:09:02,800 [RIVER ENVIRONMENT] 139 00:09:02,800 --> 00:09:06,455 [ENLARGING ON WOOD] 140 00:09:06,455 --> 00:09:09,971 [ARMANDO] [LAUGHS] HANDSOME. 141 00:09:09,971 --> 00:09:19,300 [RIVER ENVIRONMENT] 142 00:09:19,300 --> 00:09:22,780 [DALMO] MADEIRAME IS KIND ROTTEN. 143 00:09:22,780 --> 00:09:24,403 YOU WILL HAVE TO CHANGE, HEIN, DALBERT? 144 00:09:25,500 --> 00:09:28,100 [DALBERT] From... 145 00:09:28,100 --> 00:09:29,236 [ARMANDO] YOU KNOW WHAT PEOPLE COULD 146 00:09:29,236 --> 00:09:30,368 OPEN SHIP? 147 00:09:30,368 --> 00:09:32,013 [DALBERTO] Huh? 148 00:09:32,013 --> 00:09:33,241 [ARMANDO] HAS FUN HERE AND FOUND YOUR OWN BAND 149 00:09:33,241 --> 00:09:34,477 PLAY, HEIN? 150 00:09:36,500 --> 00:09:38,247 [DALBERTO] START WORKING SOON, 151 00:09:38,247 --> 00:09:40,476 RUN AWAY FROM THIS INJURY. 152 00:09:40,476 --> 00:09:42,552 [ARMING] BEFORE WORKING. 153 00:09:42,552 --> 00:09:45,079 [DALBERTO] [LAUGHTER] 154 00:09:47,200 --> 00:09:49,701 [Sigh] ONE MORE THING... 155 00:09:53,200 --> 00:09:54,753 I KNEW A GIRL THERE. 156 00:09:57,300 --> 00:10:00,209 [LAUGH] I'M GETTING MARRIED. 157 00:10:03,200 --> 00:10:04,328 [DALBERTO] WHY THE HURRY? 158 00:10:04,328 --> 00:10:08,777 [RIVER ENVIRONMENT] 159 00:10:08,777 --> 00:10:09,842 [DALBERTO] MY JOB. 160 00:10:10,969 --> 00:10:13,028 [DALMO] NOW, FROM STORE WITH WARRANTY THAT WAS OUR JOB, RIGHT? 161 00:10:13,028 --> 00:10:19,678 [SHIP ENGINE] 162 00:10:19,678 --> 00:10:23,125 [ARMANDO] HOW IS THAT? WILL YOU DO IT? 163 00:10:23,125 --> 00:10:26,680 [DALBERTO] AT THE BEGINNING, LIFE IN THE HOUSE. 164 00:10:28,379 --> 00:10:29,839 IN MY FATHER'S ROOM. 165 00:10:29,839 --> 00:10:32,091 ♪ 166 00:10:32,091 --> 00:10:33,236 [DALMO] ARE YOU CRAZY? 167 00:10:34,513 --> 00:10:36,013 NOT GOOD. THE FATHER IS BURIED. 168 00:10:36,013 --> 00:10:39,696 ♪ 169 00:10:39,696 --> 00:10:42,946 [ARMANDO] GET MARRIED, GALLERIES! 170 00:10:42,946 --> 00:10:45,401 [Slap for a kiss] 171 00:10:45,401 --> 00:10:46,587 ♪ 172 00:10:46,587 --> 00:10:48,687 [ARMANDO] [LAUGH] FOR YOU. 173 00:10:48,687 --> 00:10:51,076 ♪ 174 00:10:51,076 --> 00:10:56,227 [MOVING IN WATER] 175 00:10:56,227 --> 00:10:58,799 [ANAÍRA] [LAUGHTER] 176 00:10:58,799 --> 00:11:03,225 [MOVING IN WATER] 177 00:11:03,225 --> 00:11:04,386 [DALBERTO] [LAUGHTER] 178 00:11:04,386 --> 00:11:05,889 [ANAÍRA] [LAUGHTER] 179 00:11:05,889 --> 00:11:36,936 ♪ 180 00:11:41,560 --> 00:11:43,234 [ROUGH FOR CLOTHES] 181 00:11:43,234 --> 00:11:45,685 [WEAPON HANDLING] 182 00:11:47,609 --> 00:11:48,738 [DALBERTO] WATCH THIS HERE, oh. 183 00:11:48,738 --> 00:11:55,207 [WEAPON HANDLING] 184 00:11:55,207 --> 00:11:56,280 [ARMANDO] LET'S PLAY FROM THESE PATHS. 185 00:11:56,280 --> 00:11:57,734 [DALBERTO] HEIN? [DALMO] NO. 186 00:11:57,734 --> 00:11:59,700 [ARMANDO] WE'RE SAVING EVERYTHING IN THE CORNER. 187 00:12:03,058 --> 00:12:06,159 [DALBERTO] [SIGHS] 188 00:12:06,159 --> 00:12:08,584 [LOCK] 189 00:12:10,823 --> 00:12:11,838 [GIVE] [SIGH] 190 00:12:11,838 --> 00:12:13,609 ♪ 191 00:12:13,609 --> 00:12:15,208 [ARMANDO] WHAT IS THAT? 192 00:12:15,208 --> 00:12:21,933 ♪ 193 00:12:21,933 --> 00:12:23,886 [ARMANDO] MOM? [DALBERT] From. 194 00:12:23,886 --> 00:12:40,885 ♪ 195 00:12:40,885 --> 00:12:43,584 [GUN ROCK] 196 00:12:43,584 --> 00:12:57,157 [CRICKET CRICKET] 197 00:12:57,157 --> 00:12:59,107 [DALMO] FAR PAN HE LOOKS LIKE THE GHOST OF HIS FATHER. 198 00:12:59,107 --> 00:13:02,662 [LAUGHTER] 199 00:13:02,662 --> 00:13:05,955 [GIVE] [SIGH] 200 00:13:05,955 --> 00:13:08,885 [DALBERTO] THE MEMORY GUARDIAN. 201 00:13:08,885 --> 00:13:11,437 [COOKING POT] 202 00:13:14,059 --> 00:13:16,646 [DALMO] YOU CAN DO IT NO SLEEP? 203 00:13:16,646 --> 00:13:19,417 [CRICKET CRICKET] 204 00:13:19,417 --> 00:13:20,770 [IMPACT ON THE TABLE] 205 00:13:20,770 --> 00:13:22,770 [DALBERTO] I THOUGHT HE THROWED EVERYTHING AWAY. 206 00:13:22,770 --> 00:13:24,996 [GIVE] [SIGH] 207 00:13:25,971 --> 00:13:28,249 TAKE ONE, GO. 208 00:13:28,249 --> 00:13:30,288 [DALBERTO] GO. [DALMO] ARE YOU GOING OR NOT GOING? 209 00:13:30,288 --> 00:13:31,417 [DALBERTO] [LAUGHTER] GO. 210 00:13:31,417 --> 00:13:32,670 [DRINK] 211 00:13:32,670 --> 00:13:33,720 [DALBERTO] HEALTH. 212 00:13:33,720 --> 00:13:35,842 [TAKES CUP] 213 00:13:35,842 --> 00:14:01,193 [CRICKET CRICKET] 214 00:14:01,193 --> 00:14:04,913 [MERCEDES] THERE WILL BE ONE HERE EMPTY. BE CAREFUL, DAUGHTER. 215 00:14:04,913 --> 00:14:06,841 [CRICKET CRICKET] 216 00:14:06,841 --> 00:14:13,139 [KNIFE CLINGS ON PLATE] 217 00:14:14,764 --> 00:14:16,939 [ANAÍRA] Damn it. [LAUGHTER] ENOUGH. 218 00:14:19,212 --> 00:14:22,297 [SHIP ENGINE] 219 00:14:22,297 --> 00:14:24,361 [DALBERTO] THANK YOU. 220 00:14:24,361 --> 00:14:29,263 [COOKING POT] 221 00:14:29,263 --> 00:14:31,410 [GIVE] [SIGH] 222 00:14:31,410 --> 00:14:35,060 [COOKING POT] 223 00:14:35,060 --> 00:14:37,011 [ANAÍRA] WHAT DID YOU COOK? 224 00:14:37,011 --> 00:14:40,485 [DALMO] AHAM. FATHER'S RECIPE. 225 00:14:40,485 --> 00:14:42,267 [COOKING POT] 226 00:14:42,267 --> 00:14:44,875 [DALBERTO] DALMO COOKS IT COOKS WELL FROM CURUMIM. 227 00:14:47,625 --> 00:14:49,622 [ANAÍRA] IT'S BEAUTIFUL. 228 00:14:49,622 --> 00:14:51,338 [DALMO] I HOPE YOU LIKE IT. 229 00:14:51,338 --> 00:14:56,035 [COOKING POT] 230 00:14:56,035 --> 00:15:00,310 [ARMANDO] GOOD NIGHT. PLEASANT A BEAUTIFUL FACE THAT. IT'S SIMPLY NOT 231 00:15:00,310 --> 00:15:02,784 FORGET TO PRAISE THE FISH BROTHER AFTER HIM 232 00:15:02,784 --> 00:15:04,237 SENSITIVE, CRY. 233 00:15:04,237 --> 00:15:05,560 [DALMO] GO WASH HIS HANDS. 234 00:15:05,560 --> 00:15:06,752 [ARMANDO] I'M FINISHED EATING. 235 00:15:06,752 --> 00:15:08,971 [DALBERTO] BUT GET THERE. SIT HERE PEOPLE... 236 00:15:08,971 --> 00:15:11,234 [ARMANDO] NO, BROTHER, I'M DONE FOR FOOD, BAND REHEARSAL 237 00:15:11,234 --> 00:15:12,338 I FINISHED MY MEAL LATE. WITH GUYS... 238 00:15:12,338 --> 00:15:13,806 [DALBERTO] OK, BUT SIT DOWN... [ARMANDO] BUT I'M NOT HUNGRY, 239 00:15:13,806 --> 00:15:15,459 DUST! 240 00:15:15,459 --> 00:15:16,538 [DALMO] SIT, ARMANDO. 241 00:15:20,711 --> 00:15:22,121 [PULLS A CHAIR] 242 00:15:22,121 --> 00:15:26,051 [RANGLING OF CUTLERY] 243 00:15:26,051 --> 00:15:28,539 [FILLING THE CUP] 244 00:15:28,539 --> 00:15:34,001 [MOTORCYCLE ENGINE] 245 00:15:34,001 --> 00:15:35,769 [FILLING THE CUP] 246 00:15:39,335 --> 00:15:42,102 [ANAÍRA] I WANT TO SAY YOU ARE BEND? 247 00:15:42,102 --> 00:15:43,179 [ARMANDO] JUDGMENT. 248 00:15:46,293 --> 00:15:47,301 [DALBERTO] RULES. 249 00:15:48,542 --> 00:15:52,353 [LAUGHTER] HE SAYS HE IS THE BUSINESSMAN SAYS THAT. 250 00:15:54,992 --> 00:15:58,932 BUSINESS MAN. [LAUGHTER] 251 00:15:58,932 --> 00:16:01,928 GALEROSO. [LAUGHTER] 252 00:16:01,928 --> 00:16:08,805 [RANGLING OF CUTLERY] 253 00:16:08,805 --> 00:16:11,646 [ANAÍRA] THAT'S FATHER RIGHT THERE yours? 254 00:16:11,646 --> 00:16:12,728 [DALMO] Yes. 255 00:16:16,123 --> 00:16:21,135 [ANAÍRA] JUST LIKE YOU. AND WHERE IS THE PICTURE OF THE MOTHER? 256 00:16:21,135 --> 00:16:22,513 [RANGLING OF CUTLERY] 257 00:16:23,673 --> 00:16:25,050 [ARMANDO] HERE'S A PHOTO OF THE MOTHER AT HOME, NO. 258 00:16:27,213 --> 00:16:29,921 WHEN THE TWO OF THEM WERE HERE CHILDREN STILL, 259 00:16:29,921 --> 00:16:32,301 MOTHER MET A GRINGO WHO CAME HERE TO TOWN, 260 00:16:32,301 --> 00:16:35,523 HE FELL IN LOVE AND LEFT. LEAVE OUR FATHER, 261 00:16:35,523 --> 00:16:37,093 LEAVE IT HERE... [DALBERTO] HELLO, HELLO, HELLO. 262 00:16:37,093 --> 00:16:38,747 [ARMANDO] "HEY, HEY, HEY" WHAT? SHE WILL NOT ENTER. 263 00:16:38,747 --> 00:16:40,033 FOR THE FAMILY, HUH? 264 00:16:40,033 --> 00:17:05,033 [RANGLING OF CUTLERY] 265 00:17:05,033 --> 00:17:08,613 [SUPPRESSION] 266 00:17:08,613 --> 00:17:10,366 [DALBERTO] ANAÍRA, ANAÍRA. 267 00:17:10,366 --> 00:17:12,582 [PULLS A CHAIR] 268 00:17:12,582 --> 00:17:13,589 [DALBERTO] IT'S THE SPINE. 269 00:17:13,589 --> 00:17:15,684 [NARRATION] 270 00:17:15,684 --> 00:17:16,920 [ARMANDO] TAKE THE OLD BREAD. [DALBERTO] ANAÍRA. 271 00:17:16,920 --> 00:17:18,002 [ARMANDO] WAIT, I'LL GET ONE PIECE OF BREAD. 272 00:17:18,002 --> 00:17:19,002 [DALBERTO] FLOUR, FLOUR, FLOUR. 273 00:17:19,002 --> 00:17:20,059 [DALMO] THERE IS Stale BREAD HERE. [DALBERTO] HERE, HERE. 274 00:17:20,059 --> 00:17:21,258 JUST EAT THE FLOUR. [ANAÍRA] [LAUGHTER] 275 00:17:21,258 --> 00:17:22,637 [ARMANDO] FLOUR... 276 00:17:22,637 --> 00:17:26,866 [ANAÍRA] [LAUGHTER] 277 00:17:26,866 --> 00:17:28,242 [ARMANDO] WHAT WAS THAT? 278 00:17:28,242 --> 00:17:29,684 [ANAÍRA] [LAUGHTER] [DALBERTO] YOU ARE KIDDING. 279 00:17:29,684 --> 00:17:32,954 [ANAÍRA] [LAUGHTER] 280 00:17:32,954 --> 00:17:34,016 [DALBERTO] LOOK HERE. SIT DOWN. 281 00:17:34,016 --> 00:17:35,835 [ANAÍRA] [LAUGHTER] 282 00:17:35,835 --> 00:17:39,652 [DALBERTO] I HAVE NEVER SEEN THIS. [ANAÍRA] [LAUGHTER] 283 00:17:39,652 --> 00:17:41,957 [DALBERTO] I HAVE NEVER SEEN THIS. [LAUGHTER] 284 00:17:41,957 --> 00:17:43,138 [ANAÍRA] THAT WAS A THORN, PEOPLE. 285 00:17:43,138 --> 00:17:44,180 [DALBERTO] [LAUGHTER] 286 00:17:44,180 --> 00:17:45,748 [ANAÍRA] [PACKED] FAROFA. 287 00:17:45,748 --> 00:17:51,187 [LAUGHTER] 288 00:17:51,187 --> 00:17:52,287 [ANAÍRA] IT WAS GOOD, WASN'T IT? 289 00:17:52,287 --> 00:17:53,334 [LAUGHTER] 290 00:17:53,334 --> 00:17:54,372 [ARMANDO] EVERYONE BELIEVED. 291 00:17:54,372 --> 00:17:56,071 [LAUGHTER] 292 00:17:56,071 --> 00:17:58,233 [ARMING] ALL. [DALMO] [LAUGHTER] 293 00:17:58,233 --> 00:17:59,812 ♪ 294 00:17:59,812 --> 00:18:02,951 [INALDO] COME ON GUYS. Urucurituba, Manacapuru. 295 00:18:02,951 --> 00:18:07,131 LET'S GO! THE PRINCESS IS ALREADY GOING OUT, HUH! 296 00:18:07,131 --> 00:18:10,059 BORA, BORA, WHO'S GOING? IN HERE PRINCESS ANAÍRA, HAHA? 297 00:18:10,059 --> 00:18:13,495 ♪OH BABY♪ 298 00:18:13,495 --> 00:18:14,827 ♪YOU DON'T KNOW THE PRICE♪ 299 00:18:14,827 --> 00:18:15,868 ♪WHAT WILL YOU PAY♪ 300 00:18:15,868 --> 00:18:17,692 [ANAÍRA] TAPEREBA, BEETLE. 301 00:18:17,692 --> 00:18:19,795 [INALDO] GIVE ME ONE, RIGHT HERE. [ANAÍRA] WHAT IS THAT? 50 CENTS. 302 00:18:19,795 --> 00:18:21,207 [LAUGHTER] 303 00:18:21,207 --> 00:18:22,410 [NARRATION] 304 00:18:22,410 --> 00:18:25,520 [ANAÍRA] WHO WANTS DINDIM? DINDIM DE BUBU, 305 00:18:25,520 --> 00:18:28,570 TAPEREBA, BURITI. DO YOU WANT? 306 00:18:28,570 --> 00:18:34,033 [SHIP ENVIRONMENT] 307 00:18:34,033 --> 00:18:35,446 [DALBERTO] [LAUGHTER] 308 00:18:35,446 --> 00:18:36,524 [ANAÍRA] BEHIND YOU. 309 00:18:36,524 --> 00:18:38,158 [SHIP ENVIRONMENT] 310 00:18:38,158 --> 00:18:39,505 [MOVING IN WATER] 311 00:18:39,505 --> 00:18:55,117 ♪SINGING IN ANOTHER LANGUAGE♪ 312 00:18:55,117 --> 00:19:16,482 ♪GUITAR♪ 313 00:19:16,482 --> 00:19:22,815 [GROAN] 314 00:19:22,815 --> 00:19:27,238 [MOVING IN WATER] 315 00:19:27,238 --> 00:19:29,059 [ANAÍRA] DO YOU WANT ANOTHER ONE? 316 00:19:29,059 --> 00:19:31,256 [MAN] SIT DOWN TO TALK TO S NATION, MORENA. 317 00:19:31,256 --> 00:19:32,755 [ANAÍRA] I CAN'T, I'M WORKING. 318 00:19:32,755 --> 00:19:36,287 [SHIP ENVIRONMENT] 319 00:19:36,287 --> 00:19:38,394 [MAN] WOW, STOP WORKING LITTLE FUCKING, RELAX. 320 00:19:38,394 --> 00:19:41,961 [ANAÍRA] [LAUGHTER] NO, NO. 321 00:19:41,961 --> 00:19:43,060 The price is 15 Brazilian reals. 322 00:19:43,060 --> 00:19:48,372 [SHIP ENVIRONMENT] 323 00:19:48,372 --> 00:19:49,729 [MAN] MAY STOP WORKING A LITTLE NO? 324 00:19:52,578 --> 00:19:54,058 [MAN] JUST SIT DOWN TO TAKE IT ANOTHER ONE WITH US. 325 00:19:54,058 --> 00:19:55,458 [ANAÍRA] I DON'T WANT THAT, I SAID IT ALREADY WHAT I DON'T WANT. 326 00:19:55,458 --> 00:19:57,738 [MAN] COME HERE MY LOVE IS THAT IT? 327 00:19:57,738 --> 00:19:58,750 [ANAÍRA] TAKE YOUR HAND OFF, BOY. 328 00:19:58,750 --> 00:19:59,786 [MAN] WHAT IS THAT? COME HERE, MY LOVE. 329 00:19:59,786 --> 00:20:03,346 [ANAÍRA] I ALREADY SAID NO, FUCKING! 330 00:20:03,346 --> 00:20:07,176 [MOVING IN WATER] 331 00:20:07,176 --> 00:20:08,949 [Slap for a kiss] 332 00:20:08,949 --> 00:20:28,178 ♪ 333 00:20:28,178 --> 00:20:31,354 [ANAÍRA] PEOPLE CAN POST ONE CRACK IS PLAYED LOUD, YOU KNOW? 334 00:20:31,354 --> 00:20:33,325 LIKE THE PARTY HERE SHIP AT NIGHT, 335 00:20:33,325 --> 00:20:37,418 FOR PEOPLE TO ENJOY, TO DRINK THE MORE HE DRINKS, THE MORE HE SPENDS. 336 00:20:37,418 --> 00:20:40,601 ♪ 337 00:20:40,601 --> 00:20:41,618 [DALBERTO] LET ME HELP YOU. 338 00:20:41,618 --> 00:20:59,982 ♪ 339 00:20:59,982 --> 00:21:01,701 [ANAÍRA] WHEN WE FINISH I WANT TO PAY FOR THE SHIP 340 00:21:01,701 --> 00:21:07,125 TAKE MONEY FROM HIM, DO IT ALL IN ONE NIGHT. 341 00:21:07,125 --> 00:21:09,226 I WANT TO BUY A DRESS I WANT TO GO TO A RESTAURANT 342 00:21:09,226 --> 00:21:11,701 I WANT TO GO TO A HOTEL, I WANT TO DRINK 343 00:21:11,701 --> 00:21:13,615 I want to fuck all night EVERYONE IS WITH YOU. 344 00:21:13,615 --> 00:21:16,209 ♪ 345 00:21:16,209 --> 00:21:17,690 [DALBERTO] BUT THEN IT'S OVER MONEY. 346 00:21:17,690 --> 00:21:20,593 [ANAÍRA] WHAT ENDS IT IS HOME, CAR, BOAT. 347 00:21:20,593 --> 00:21:23,966 ♪ 348 00:21:23,966 --> 00:21:25,571 [ANAÍRA] ONE NIGHT THIS REMAINS FOREVER. 349 00:21:25,571 --> 00:21:32,269 ♪ 350 00:21:32,269 --> 00:21:33,309 [DALBERTO] ON YOUR BIRTHDAY. 351 00:21:33,309 --> 00:21:36,512 ♪ 352 00:21:36,512 --> 00:21:37,528 [DALBERTO] Shall we go? 353 00:21:37,528 --> 00:21:39,780 ♪ 354 00:21:39,780 --> 00:21:40,818 [ANAÍRA] LET'S GO. 355 00:21:40,818 --> 00:21:44,177 ♪ 356 00:21:44,177 --> 00:21:55,165 [STEPS] 357 00:21:55,165 --> 00:22:00,970 [JEWELRY BOX HANDLING] 358 00:22:00,970 --> 00:22:10,658 [SILENCE] 359 00:22:10,658 --> 00:22:26,971 ♪ 360 00:22:26,971 --> 00:22:29,524 ♪WHEN YOU GET OLD♪ 361 00:22:29,524 --> 00:22:31,605 ♪ 362 00:22:31,605 --> 00:22:34,356 [ANAÍRA] COME DANCE WITH ME. [DALBERTO] ANA, DON'T GO, BRODICE. 363 00:22:34,356 --> 00:22:37,104 [ANAÍRA] THAT'S OUR MUSIC. [DALBERTO] NO, AND NOT HERE. 364 00:22:37,104 --> 00:22:40,656 [ANAÍRA] COME. [DALBERTO] WAIT... ANAÍRA... 365 00:22:40,656 --> 00:22:41,904 ♪AND MAKING LOVE♪ 366 00:22:41,904 --> 00:22:43,703 ♪ 367 00:22:43,703 --> 00:22:47,536 ♪LOVE, LOVE, LOVE♪ 368 00:22:47,536 --> 00:22:51,048 ♪AND I WHO WAS AN ADVENTURER♪ 369 00:22:51,048 --> 00:22:52,735 ♪I BECAME YOUR PRISONER♪ 370 00:22:52,735 --> 00:22:54,730 ♪FROM YOUR BODY, FROM YOUR KISS♪ 371 00:22:54,730 --> 00:22:56,397 ♪ FROM MADNESS, FROM DESIRE♪ 372 00:22:56,397 --> 00:23:00,037 ♪I FOUND IT IN YOUR BODY♪ 373 00:23:00,037 --> 00:23:03,683 ♪EVERYTHING, EVERYTHING I DREAMED ABOUT♪ 374 00:23:03,683 --> 00:23:05,399 ♪ 375 00:23:05,399 --> 00:23:06,612 ♪I PRAISE YOU♪ 376 00:23:06,612 --> 00:23:09,161 ♪TOO CRAZY, TOO CRAZY♪ 377 00:23:09,161 --> 00:23:10,977 ♪WITHOUT PREJUDICE♪ 378 00:23:10,977 --> 00:23:13,378 ♪NO RESTRICTIONS, NO RIGHTS♪ 379 00:23:13,378 --> 00:23:14,877 ♪BREAK THE BARRIER♪ 380 00:23:14,877 --> 00:23:16,955 ♪ ABOUT MORALITY AND DIGNITY ♪ 381 00:23:16,955 --> 00:23:19,731 ♪WHEN PEOPLE MAKE LOVE♪ 382 00:23:19,731 --> 00:23:21,780 ♪ 383 00:23:21,780 --> 00:23:23,146 ♪YOU AND YOUR FIREPLACE♪ 384 00:23:23,146 --> 00:23:26,027 ♪IT BURNED ME DOWN♪ 385 00:23:26,027 --> 00:23:27,916 ♪ I CRIED IN THE CLUB♪ 386 00:23:27,916 --> 00:23:29,896 ♪FROM YOUR WEBSITE♪ 387 00:23:29,896 --> 00:23:31,512 ♪ CRAZY MOMENTS ♪ 388 00:23:31,512 --> 00:23:33,596 ♪THIS IS HOW THEY LIVED♪ 389 00:23:33,596 --> 00:23:36,544 [HARD BREATH] 390 00:23:36,544 --> 00:23:40,377 [GROAN] 391 00:23:40,377 --> 00:23:47,696 [HARD BREATH] 392 00:23:47,696 --> 00:23:52,271 [GROAN] 393 00:23:52,271 --> 00:23:59,855 [HARD BREATH] 394 00:23:59,855 --> 00:24:00,972 [GROAN] 395 00:24:00,972 --> 00:24:02,808 [BUSHES] 396 00:24:02,808 --> 00:24:15,024 [RAIN] 397 00:24:15,024 --> 00:24:18,745 ♪ 398 00:24:18,745 --> 00:24:20,398 [BUSHES] 399 00:24:20,398 --> 00:24:35,199 ♪ 400 00:24:35,199 --> 00:24:38,399 [BUSHES] 401 00:24:38,399 --> 00:24:44,917 ♪ 402 00:24:44,917 --> 00:24:47,901 [BOAT HIT] 403 00:24:47,901 --> 00:24:52,742 [RAIN] 404 00:24:52,742 --> 00:24:55,858 [MAN] CONFIRMATION. [ANAÍRA] WHAT WAS THAT? 405 00:24:55,858 --> 00:24:59,854 [RAIN] 406 00:24:59,854 --> 00:25:03,386 [DALBERTO] I DON'T KNOW. [ANAÍRA] CALM. 407 00:25:03,386 --> 00:25:07,158 [BELL RINGING] 408 00:25:07,158 --> 00:25:12,122 [DALBERTO] DO YOU WANT WHAT TO DO NOW? 409 00:25:12,155 --> 00:25:16,998 YOU GAVE A WARRANTY FOR THE TRADE. YOU SHOULD SELL THAT BOAT. 410 00:25:16,998 --> 00:25:19,929 [NATURAL ENVIRONMENT] 411 00:25:19,929 --> 00:25:22,119 [DALBERTO] FOR SALE, I DON'T HAVE ANY I CAN BUY ANOTHER ONE. 412 00:25:22,119 --> 00:25:24,092 [ANAÍRA] NO ONE WILL SELL OUR SHIP, NO. 413 00:25:24,092 --> 00:25:28,246 [NATURAL ENVIRONMENT] 414 00:25:28,246 --> 00:25:30,146 [BILLIARD BALL IMPACT] 415 00:25:30,146 --> 00:25:36,669 [ATMOSPHERE IN THE BAR] 416 00:25:36,669 --> 00:25:37,968 [BILLIARD BALL IMPACT] 417 00:25:37,968 --> 00:25:41,220 [MARIANO] AND THEN, MY BROTHER, HOW WHAT IS THE STORY ABOUT THE SHIP? 418 00:25:41,220 --> 00:25:46,783 [DALBERTO] 6 THOUSAND BRL FOR REPAIR. THE PIECE COMES FROM SÃO PAUL. 419 00:25:46,783 --> 00:25:48,075 [MAMEDE] BUT STAY WITH THE SHIP STOPPED 420 00:25:48,075 --> 00:25:49,484 THIS WHOLE TIME IS CRAP, ISN'T IT? 421 00:25:49,484 --> 00:25:50,908 [MARIANO] TRUE. 422 00:25:50,908 --> 00:25:53,096 [ATMOSPHERE IN THE BAR] 423 00:25:53,096 --> 00:25:54,596 [MARIANO] I THINK I AM A way out for you, my brother. 424 00:25:54,596 --> 00:25:57,728 [BILLIARD BALL IMPACT] 425 00:25:57,728 --> 00:26:00,084 [MARIANO] JUST TAKE IT THERE ARE SOME GOODS FOR PEOPLE. 426 00:26:00,084 --> 00:26:04,353 [ATMOSPHERE IN THE BAR] 427 00:26:04,353 --> 00:26:05,555 [DALBERTO] ARE YOU CRAZY, MAN? 428 00:26:05,555 --> 00:26:06,822 [MARIANO] FREAKING, I AM PUTTING IT IN YOUR HANDS 429 00:26:06,822 --> 00:26:09,683 BECAUSE I BELIEVE YOU, VEI. WERE YOU AFRAID? 430 00:26:09,683 --> 00:26:11,374 [DALBERTO] GOING Fuck you, Mariano. 431 00:26:11,374 --> 00:26:13,963 [MARIANO] BOY, PEOPLE TAKE A SHIP, 432 00:26:13,963 --> 00:26:15,677 BUT YOU HAVE TO TRAVEL AT NIGHT. 433 00:26:15,677 --> 00:26:17,223 [ATMOSPHERE IN THE BAR] 434 00:26:17,223 --> 00:26:19,926 [MARIANO] THE GUYS PAY 4 THOUSAND FOR GOODS, OLD MAN. 435 00:26:19,926 --> 00:26:22,663 YOU DON'T HAVE TO KNOW WHAT'S UP MAN? 436 00:26:22,663 --> 00:26:24,319 [BILLIARD BALL IMPACT] 437 00:26:24,319 --> 00:26:31,499 [MOTORCYCLE ENGINE] 438 00:26:31,499 --> 00:26:33,319 [ARMANDO] DALBERTO? 439 00:26:33,319 --> 00:26:34,552 [MOTORCYCLE ENGINE] 440 00:26:34,552 --> 00:26:37,825 [ARMANDO] WHAT WAS THAT, BROTHER? [DALBERTO] Huh? 441 00:26:37,825 --> 00:26:41,363 [ARMANDO] HEY, YOU AT LUNCH, MAN? GET ON THE MOTORCYCLE, COME ON. 442 00:26:41,363 --> 00:26:45,170 [MOTORCYCLE ENGINE] 443 00:26:45,170 --> 00:26:48,015 [HARD BREATH] 444 00:26:48,015 --> 00:26:50,948 [ARMANDO] BROTHER, WHAT WAS THAT, MAN? 445 00:26:52,583 --> 00:26:53,987 BROTHER, GO HOME. 446 00:26:53,987 --> 00:26:55,281 [CRICKET CRICKET] 447 00:26:55,281 --> 00:26:56,939 [ANAÍRA] CAN GO I TAKE THAT. 448 00:26:56,939 --> 00:26:59,275 [GROAN] 449 00:26:59,275 --> 00:27:01,489 [CRICKET CRICKET] 450 00:27:01,489 --> 00:27:03,200 [ARMANDO] GO. 451 00:27:03,200 --> 00:27:04,713 [DALBERT] [GRUNT] 452 00:27:04,713 --> 00:27:09,514 [CRICKET CRICKET] 453 00:27:09,514 --> 00:27:14,775 [GROAN] 454 00:27:14,775 --> 00:27:17,609 [BIRD SONG] 455 00:27:17,609 --> 00:27:19,786 [DALBERTO] IT WILL BE FIVE, A MAXIMUM OF SIX DAYS. 456 00:27:19,786 --> 00:27:21,247 [ANAÍRA] I'M GOING WITH YOU. 457 00:27:22,318 --> 00:27:23,776 [DALBERTO] DESSA NO TIME, NO. 458 00:27:27,759 --> 00:27:29,157 [ANAÍRA] Why? 459 00:27:31,871 --> 00:27:35,320 [DALBERTO] THE SHIP IS SMALL. [ANAÍRA] SO WHAT? 460 00:27:37,021 --> 00:27:38,679 LET ME GO WITH YOU. 461 00:27:40,898 --> 00:27:42,497 [DALBERTO] NO, EGG NO TIME, NO. 462 00:27:42,497 --> 00:27:44,384 [Slap for a kiss] 463 00:27:44,384 --> 00:27:47,089 [BIRD SONG] 464 00:27:47,089 --> 00:27:49,084 [DALBERTO] I'LL TAKE YOU LEAVE THE MONEY 465 00:27:49,084 --> 00:27:51,033 FOR PURCHASE, PAYING FOR THINGS. 466 00:27:51,033 --> 00:27:52,530 [ANAÍRA] ALWAYS HAD MY MONEY. 467 00:27:52,530 --> 00:27:53,826 [DALBERTO] [LAUGHTER] 468 00:27:53,826 --> 00:28:00,766 [RIVER ENVIRONMENT] 469 00:28:00,766 --> 00:28:02,289 [DALBERTO] GO THERE IN THE PORT WITH ME? 470 00:28:02,289 --> 00:28:06,298 [RIVER ENVIRONMENT] 471 00:28:06,298 --> 00:28:07,944 [ANAÍRA] I WILL STAY. 472 00:28:07,944 --> 00:28:32,220 [RIVER ENVIRONMENT] 473 00:28:32,220 --> 00:28:33,971 [IMPACT ON OBJECT] 474 00:28:33,971 --> 00:28:36,861 [STEPS] 475 00:28:36,861 --> 00:28:38,341 [IMPACT ON CASH] 476 00:28:38,341 --> 00:28:46,894 [COW DISTRIBUTION] 477 00:28:46,894 --> 00:28:57,956 ♪TENSION MUSIC♪ 478 00:28:57,956 --> 00:29:01,253 [DALBERTO] [SIGHS] 479 00:29:01,253 --> 00:29:15,710 ♪ 480 00:29:15,710 --> 00:29:17,518 [ANAÍRA] [SIGHS] 481 00:29:17,518 --> 00:29:34,014 ♪ 482 00:29:34,014 --> 00:29:42,634 [FRICTION BETWEEN METAL] 483 00:29:42,634 --> 00:29:47,112 [ANAÍRA] DONA DALVA, HOW DID THE BOYS HAVE A MOTHER? 484 00:29:48,757 --> 00:29:50,909 [DALVA] THE BOY'S MOTHER? 485 00:29:52,354 --> 00:29:58,460 SHE WAS A VERY BEAUTIFUL WOMAN. SHE IT HAD, LIKE,... A LIGHT. 486 00:29:58,460 --> 00:30:03,748 IF YOU HAVE BEEN LOOKING FOR A LONG TIME, YOUR EYES WERE BURNING. 487 00:30:03,748 --> 00:30:10,092 [KYIV] 488 00:30:10,092 --> 00:30:12,762 [ANAÍRA] HOW WAS IT WHEN SHE WAS LEFT? 489 00:30:12,762 --> 00:30:18,094 [DALVA] ARMANDO, THAT WAS IT NEWER, IT DIDN'T SEEM LIKE A LOT. 490 00:30:18,094 --> 00:30:20,211 [CUTTING FOOD] 491 00:30:20,211 --> 00:30:24,068 [DALVA] DALMO WAS ALMOST ONE YEAR OLD FOR YEARS WITHOUT WORDS. 492 00:30:24,068 --> 00:30:26,711 NOW, DALBERTO, I HAD TO GET OUTSIDE 493 00:30:26,711 --> 00:30:29,231 RUN AFTER HIM NO 494 00:30:29,231 --> 00:30:31,072 IF YOU PLAY UNDER THE CAR. 495 00:30:31,072 --> 00:30:36,001 ♪DRAMATIC MUSIC♪ 496 00:30:36,001 --> 00:30:40,082 [SHIP ENGINE] 497 00:30:40,082 --> 00:30:55,832 ♪DRAMATIC MUSIC♪ 498 00:30:55,832 --> 00:31:05,000 [STEPS] 499 00:31:05,000 --> 00:31:06,072 [DALBERTO] IN GEL? 500 00:31:06,072 --> 00:31:07,102 [MARIANO] HERE, oh. 501 00:31:07,102 --> 00:31:14,900 [SHIP ENGINE] 502 00:31:14,900 --> 00:31:16,798 [MARIANO] PAINTED THE WORK THE NEW YOU. 503 00:31:16,798 --> 00:31:21,300 [SHIP ENGINE] 504 00:31:21,300 --> 00:31:23,900 [DALBERTO] [FRAZ FRIZE] IT'S TIME RETURN HOME. 505 00:31:23,900 --> 00:31:25,300 [MARIANO] BIG STUFF, MAN. 506 00:31:25,300 --> 00:31:27,085 [DALBERTO] THANK YOU. 507 00:31:27,085 --> 00:31:32,100 [MARIANO] CARGO FOR IQUITOS, 25, 30 THOUSAND, MY BROTHER. 508 00:31:32,100 --> 00:31:35,342 [MAMEDE] IQUITOS? OR WASH? 509 00:31:35,342 --> 00:31:37,894 [BELL RINGING] 510 00:31:37,894 --> 00:31:40,110 [MARIANO] THINK ABOUT IT, MAN. 511 00:31:40,110 --> 00:31:42,381 [DALBERTO] [SIGHS] 512 00:31:42,381 --> 00:31:43,882 [LIGHTING THE LIGHTER] 513 00:31:43,882 --> 00:31:47,048 [MARIANO] YOU WILL WITH THAT MONEY GET OUT OF YOUR BOAT. 514 00:31:47,048 --> 00:31:48,081 WITH MONEY LEFT, 515 00:31:48,081 --> 00:31:50,201 TAKE YOUR WIFE AND A NEW LIFE, MY BROTHER. 516 00:31:50,201 --> 00:31:52,500 [PSI SPEED] 517 00:31:52,500 --> 00:31:53,531 [NARRATION] 518 00:31:53,531 --> 00:31:55,137 [BABY CRYING] 519 00:31:55,137 --> 00:31:58,291 [PHONE RINGING] 520 00:32:01,776 --> 00:32:05,050 [PHONE RINGING] 521 00:32:08,516 --> 00:32:10,700 [PHONE RINGING] 522 00:32:10,700 --> 00:32:12,316 [OPEN DOOR] 523 00:32:12,316 --> 00:32:15,146 [STEPS] 524 00:32:15,146 --> 00:32:17,607 [PHONE RINGING] 525 00:32:17,607 --> 00:32:19,000 [ANAÍRA] HELLO? 526 00:32:19,000 --> 00:32:21,000 [DALBERTO] [ELECTRONIC VOICE] HELLO? HELLO... [SOUND ERROR] 527 00:32:21,000 --> 00:32:22,000 [ANAÍRA] HELLO? 528 00:32:22,000 --> 00:32:23,393 [DALBERTO] [ELECTRONIC VOICE] Hi, MY LOVE. 529 00:32:23,393 --> 00:32:24,640 [ANAÍRA] LOVE! 530 00:32:24,640 --> 00:32:27,834 [DALBERTO] LOOK, I'VE GOT ONE GOOD NEWS. I HAVE ACHIEVED 531 00:32:27,834 --> 00:32:30,595 MONEY FOR SHIP REPAIRS, I DID IT. 532 00:32:30,595 --> 00:32:34,131 [ANAÍRA] [ELECTRONIC VOICE] Ah, HOW WONDERFUL. WHEN ARE YOU COMING? 533 00:32:34,131 --> 00:32:36,451 [DALBERTO] YES... HE PAINTED IT UNEXPECTED, 534 00:32:36,451 --> 00:32:38,346 I WILL HAVE TO MAKE ANOTHER ONE THE JOURNEY. 535 00:32:38,346 --> 00:32:40,100 [ELECTRONIC VOICE] Yes, BUT yes... Yes ONE MONTH. 536 00:32:40,100 --> 00:32:41,114 [ANAÍRA] A MONTH OF DAYS? 537 00:32:41,114 --> 00:32:42,300 [DALBERTO] [ELECTRONIC VOICE] ME ACCOUNTS ALREADY CREATED HERE, 538 00:32:42,300 --> 00:32:44,621 YOUR BIRTHDAY IS IN A MONTH AND A DAY TEN DAYS, 539 00:32:44,621 --> 00:32:46,922 I WILL COME EARLY. THERE WILL BE ONE ONLY A MONTH. 540 00:32:46,922 --> 00:32:49,929 IF YOU NEED MONEY, TALK TO ME With DALM, okay? 541 00:32:49,929 --> 00:32:55,549 EVERYTHING WILL BE OKAY. I LOVE YOU. 542 00:32:55,549 --> 00:32:58,845 HALO? HELLO... [ERROR IN SOUND] 543 00:32:58,845 --> 00:32:59,860 [ANAÍRA] HELLO? 544 00:32:59,860 --> 00:33:07,619 [CALL CLOSED] 545 00:33:07,619 --> 00:33:09,117 [PHONE PHONE] 546 00:33:09,117 --> 00:33:18,566 [CUTTING FOOD] 547 00:33:18,566 --> 00:33:23,202 [PSI SPEED] 548 00:33:23,202 --> 00:33:26,601 [SHIP ENGINE] 549 00:33:26,601 --> 00:33:29,400 [PSI SPEED] 550 00:33:29,400 --> 00:33:32,740 [DALBERTO] FUCKING MAN, I THOUGHT WHO DIDN'T COME. 551 00:33:32,740 --> 00:33:34,677 [MARIANO] IT TOOK A LONG TIME FOR THE OLD MAN KEEP YOUR BAGS. 552 00:33:34,677 --> 00:33:35,704 [DALBERTO] HOW OLD ARE YOU? 553 00:33:40,122 --> 00:33:41,900 [MARIANO] YOU WILL GET OLD CONNECT WITH THE ROAD. 554 00:33:41,900 --> 00:33:43,111 [DALBERTO] NO, NO, NO. WAIT WAIT. 555 00:33:43,111 --> 00:33:44,192 THIS WAS NOT COMBINED... 556 00:33:44,192 --> 00:33:47,467 [MARIANO] BUT YOU'RE FREAKING SICK, YOU HAVE TO COME BACK HOME. 557 00:33:47,467 --> 00:33:49,156 [DALBERTO] FUCK YOU, GET OUT OF THERE PLANE, GO WHERE YOU ARE... 558 00:33:49,156 --> 00:33:50,720 [MARIANO] WANTED BRAZIL, PERU, 559 00:33:50,720 --> 00:33:53,433 TO THE DEVIL THAT STOPPED. HE IS DAMN GOOD SALARY. 560 00:33:59,503 --> 00:34:03,600 [MOVING IN WATER] 561 00:34:03,600 --> 00:34:05,464 [DALBERTO] I WANT 50%. 562 00:34:07,434 --> 00:34:09,557 [DALBERTO] NO, NO, 50%. 563 00:34:17,717 --> 00:34:20,002 [MOVING IN WATER] 564 00:34:20,002 --> 00:34:24,436 [BELL RINGING] 565 00:34:24,436 --> 00:34:28,650 [PSI SPEED] 566 00:34:28,650 --> 00:34:32,705 [STEPS] 567 00:34:32,705 --> 00:34:35,295 [HARD BREATH] 568 00:34:39,554 --> 00:34:41,344 [Click on the camera] 569 00:34:44,283 --> 00:34:46,772 [Click on the camera] 570 00:34:46,772 --> 00:35:02,004 [HARD BREATH] 571 00:35:02,004 --> 00:35:04,000 [STEPS] 572 00:35:04,000 --> 00:35:05,098 [ANAÍRA] WANTED TO STUDY. 573 00:35:05,098 --> 00:35:07,602 [STEPS] 574 00:35:07,602 --> 00:35:10,595 [DALMO] Oh... NO, I SAID THAT... 575 00:35:10,595 --> 00:35:12,219 THERE IS A MYSTERY, NO. 576 00:35:12,219 --> 00:35:13,403 [CLEAR] 577 00:35:13,403 --> 00:35:16,575 [NATURAL ENVIRONMENT] 578 00:35:16,575 --> 00:35:17,845 [ANAÍRA] HOW CAN I GIVE YOU POWER IN TRADE, 579 00:35:17,845 --> 00:35:18,922 ARE YOU TEACHING ME? 580 00:35:18,922 --> 00:35:27,056 [NATURAL ENVIRONMENT] 581 00:35:27,056 --> 00:35:28,414 [ANAÍRA] DO YOU WANT THAT? 582 00:35:28,414 --> 00:35:29,629 [DALMO] [LAUGHTER] NO, NO. THANKS. 583 00:35:29,629 --> 00:35:31,329 [NATURAL ENVIRONMENT] 584 00:35:31,329 --> 00:35:49,573 ♪ 585 00:35:49,573 --> 00:35:53,373 [SHIP ENGINE] 586 00:35:53,373 --> 00:35:54,495 [ANAÍRA] [GREEK] 587 00:35:54,495 --> 00:35:58,290 ♪ 588 00:35:58,290 --> 00:36:01,330 [NATURAL ENVIRONMENT] 589 00:36:01,330 --> 00:36:02,391 [ANAÍRA] [SIGHS] 590 00:36:02,391 --> 00:36:08,851 [NATURAL ENVIRONMENT] 591 00:36:11,082 --> 00:36:12,149 [DALMO] SIT. 592 00:36:17,221 --> 00:36:20,382 [ANAÍRA] I DREAMED ABOUT ONE BEAUTIFUL WOMAN IN RED 593 00:36:20,382 --> 00:36:23,080 CANOEING WITH ME. 594 00:36:23,080 --> 00:36:25,422 I KNEW HE WON'T. MAKE ME BAD. 595 00:36:25,422 --> 00:36:29,185 SHE WANTED TO TELL ME SOMETHING, BUT I COULDN'T UNDERSTAND 596 00:36:29,185 --> 00:36:31,384 BECAUSE I HAD A BOAT HURT PEOPLE. 597 00:36:31,384 --> 00:36:35,480 ♪TENSION MUSIC♪ 598 00:36:35,480 --> 00:36:38,598 [ANAÍRA] [BREATHES] Shit. 599 00:36:38,598 --> 00:36:40,897 [SIGH] 600 00:36:40,897 --> 00:36:46,574 ♪TENSION MUSIC♪ 601 00:36:46,574 --> 00:36:49,263 [SHIP ENGINE] 602 00:37:03,439 --> 00:37:04,515 [LAUGHTER] 603 00:37:04,515 --> 00:37:06,308 [MAMEDE] ROLE OF A CLOWN. FOR DALBERT. 604 00:37:06,308 --> 00:37:07,368 [LAUGHTER] 605 00:37:07,368 --> 00:37:08,674 [SHIP ENGINE] 606 00:37:08,674 --> 00:37:11,284 [DALBERTO] WHO THE HELL IS THIS? PUT THAT THERE. 607 00:37:11,284 --> 00:37:12,915 [MAMEDE] COME ON, MAN. GO. 608 00:37:12,915 --> 00:37:17,325 [SHIP ENGINE] 609 00:37:41,914 --> 00:37:44,290 [MOM] WHAT ARE YOU? TALK THERE? 610 00:37:44,290 --> 00:37:46,631 [DALBERTO] I HAVE TO WAIT A LITTLE HERE IN COLOMBIA. 611 00:37:46,631 --> 00:37:49,405 [MAMEDE] WHAT TO EXPECT? LET'S GO HOME, MAN. 612 00:37:49,405 --> 00:37:51,558 LEAVE THIS MAN SOMEWHERE AND WE'RE GOING HOME. 613 00:37:51,558 --> 00:37:54,461 [SHIP ENGINE] 614 00:37:55,568 --> 00:37:57,054 [Click on the camera] 615 00:37:57,054 --> 00:38:00,578 [PHONE RINGING] 616 00:38:00,578 --> 00:38:03,001 [DALBERTO] HELLO, ANAÍRA? 617 00:38:03,001 --> 00:38:04,696 MY LOVE, I WAS DYING HEALTH. 618 00:38:04,696 --> 00:38:08,120 [ANAÍRA] DALBERTO? where are you? 619 00:38:08,120 --> 00:38:09,216 [DALBERTO] [ELECTRONIC VOICE] PEOPLE HAD A PROBLEM 620 00:38:09,216 --> 00:38:12,156 HERE ON THE BORDER, BUT IT'S ALREADY OK, WE'RE FIXING IT. 621 00:38:12,156 --> 00:38:13,888 [ANAÍRA] PERU BORDER? 622 00:38:13,888 --> 00:38:15,616 [DALBERTO] [ELECTRONIC VOICE] FROM COLOMBIA. 623 00:38:15,616 --> 00:38:18,857 [ANAÍRA] WHEN ARE YOU COMING BACK? 624 00:38:18,857 --> 00:38:21,158 [DALBERTO] I'M COMING NEAR YOUR BIRTHDAY. 625 00:38:21,158 --> 00:38:22,296 I WILL TRY TO LEAVE EARLY. 626 00:38:24,993 --> 00:38:27,382 [ELECTRONIC VOICE] HOW ARE YOU? All right? How is it? 627 00:38:27,382 --> 00:38:34,713 ♪TENSION MUSIC♪ 628 00:38:34,713 --> 00:38:42,818 [MOVING IN WATER] 629 00:38:42,818 --> 00:38:45,593 [GIVE] [SIGH] 630 00:38:47,391 --> 00:38:49,249 [DALMO] SEE IF THERE IS AN EXHIBITION OK. 631 00:38:49,249 --> 00:38:50,298 [ANAÍRA] HUM! 632 00:38:50,298 --> 00:38:51,332 [Click on the camera] 633 00:38:51,332 --> 00:38:52,332 [ANAÍRA] IT'S BEAUTIFUL. 634 00:38:53,420 --> 00:38:54,420 READY FOR. 635 00:38:54,420 --> 00:38:55,570 [DALMO] WAS IT? [ANAÍRA] WAS. 636 00:38:55,570 --> 00:38:57,202 [CURTAIN OPENS] 637 00:38:57,202 --> 00:38:59,835 [STEPS] 638 00:38:59,835 --> 00:39:01,173 [DALMO] THIS SHOP HERE LIVE IN FULL RECORD. 639 00:39:03,566 --> 00:39:05,867 THERE ARE PEOPLE WHO GO OUT MANAUS FOR PHOTOGRAPHING HERE. 640 00:39:05,867 --> 00:39:06,896 [ANAÍRA] [LAUGHTER] 641 00:39:09,326 --> 00:39:10,765 [DALMO] FROM THE MOTHER LEFT... 642 00:39:13,085 --> 00:39:18,367 FATHER SOMEHOW... ABANDONED. 643 00:39:18,367 --> 00:39:19,606 HE LEFT EVERYTHING HALFWAY. 644 00:39:25,466 --> 00:39:27,122 [ANAÍRA] YOU SHOW ME HER PICTURE? 645 00:39:29,417 --> 00:39:31,686 I ASKED DALBERT, HE DIDN'T SHOW ME. 646 00:39:35,312 --> 00:39:36,394 SHOWING ME? 647 00:39:36,394 --> 00:39:44,209 [STILLNESS] 648 00:39:44,209 --> 00:39:46,578 [DALMO] PEOPLE THOUGHT THAT THE FATHER THROWN EVERYTHING AWAY, 649 00:39:48,575 --> 00:39:50,179 BUT THEN PEOPLE FOUND THEMSELVES THIS BOX HERE. 650 00:39:50,179 --> 00:39:54,230 [HANDLING WITH BOXES] 651 00:39:54,230 --> 00:40:03,396 [SILENCE] 652 00:40:03,396 --> 00:40:04,510 [ANAÍRA] HOW BEAUTIFUL. 653 00:40:09,501 --> 00:40:18,090 ♪ 654 00:40:18,090 --> 00:40:19,105 [ANAÍRA] IS THAT HER? 655 00:40:19,105 --> 00:40:49,057 ♪ 656 00:40:49,057 --> 00:40:51,189 [DALMO] I HAVE TOMORROW TO GO TO THE PLACE WHICH WAS HIS FATHER'S. 657 00:40:53,953 --> 00:40:55,158 IF YOU WANT TO GO WITH ME. 658 00:40:58,895 --> 00:41:01,813 [CHEST CLOSING] 659 00:41:01,813 --> 00:41:16,427 ♪ 660 00:41:16,427 --> 00:41:17,593 [DALMO] BEAUTIFUL, ISN'T IT? 661 00:41:17,593 --> 00:41:47,044 ♪ 662 00:41:47,044 --> 00:41:50,976 [NATURAL ENVIRONMENT] 663 00:41:50,976 --> 00:41:52,842 [ANAÍRA] FUNNY FEELING, 664 00:41:52,842 --> 00:41:54,355 AS IF I ALREADY HAVE IT COME HERE. 665 00:41:54,355 --> 00:41:59,684 [NATURAL ENVIRONMENT] 666 00:41:59,684 --> 00:42:02,124 [ANAÍRA] IT IS ABANDONED, RIGHT? [DALMO] Yes. 667 00:42:02,124 --> 00:42:05,607 [ANAÍRA] Why? [DALMO] BECAUSE IT WAS HERE 668 00:42:05,607 --> 00:42:06,925 WHAT MOTHER FOUND WITH THE GRINGO. 669 00:42:08,258 --> 00:42:09,791 MY FATHER HAS GONE CRAZY WHEN I KNEW. 670 00:42:11,553 --> 00:42:13,455 YOU NEVER WANT TO STOP AGAIN HERE, DO YOU BELIEVE IT? 671 00:42:13,455 --> 00:42:17,521 [NATURAL ENVIRONMENT] 672 00:42:17,521 --> 00:42:23,742 [WIND] 673 00:42:23,742 --> 00:42:30,194 [NATURAL ENVIRONMENT] 674 00:42:30,194 --> 00:42:31,465 [ANAÍRA] LET'S THROW HIM OUT YOUR PHOTO. 675 00:42:31,465 --> 00:42:32,758 [DALMO] HUM... HUM. 676 00:42:32,758 --> 00:42:36,950 [NATURAL ENVIRONMENT] 677 00:42:36,950 --> 00:42:38,235 [DALMO] [LAUGHTER] 678 00:42:38,235 --> 00:42:45,498 [NATURAL ENVIRONMENT] 679 00:42:45,498 --> 00:42:48,088 [Click on the camera] 680 00:42:48,088 --> 00:42:50,087 [NATURAL ENVIRONMENT] 681 00:42:50,087 --> 00:42:53,271 [DALMO] MORNING LIGHT HERE IT IS SO BEAUTIFUL TO PHOTOGRAPH. 682 00:42:53,271 --> 00:42:57,320 A LOT COMING IN THE AFTERNOON SINCE HE WAS A BIRD, MOTHER LOVED HIM. 683 00:42:57,320 --> 00:43:01,304 [NATURAL ENVIRONMENT] 684 00:43:01,304 --> 00:43:04,210 ♪ 685 00:43:04,210 --> 00:43:06,223 [DALMO] IF YOU WANT, PEOPLE CAN SLEEP HERE. 686 00:43:06,223 --> 00:43:10,832 ♪ 687 00:43:10,832 --> 00:43:12,732 [BIRD SONG] 688 00:43:12,732 --> 00:43:15,016 ♪ 689 00:43:26,734 --> 00:43:38,253 [BIRD SONG] 690 00:43:38,253 --> 00:43:39,701 ♪ 691 00:43:39,701 --> 00:43:41,256 [DALBERTO] MY MOTHER LOVED IT. 692 00:43:58,039 --> 00:44:05,841 [JURA WINGS] 693 00:44:05,841 --> 00:44:09,775 ♪ 694 00:44:11,310 --> 00:44:12,335 [MAMED] Oh! ON! 695 00:44:12,335 --> 00:44:14,040 ♪ 696 00:44:17,441 --> 00:44:21,124 [JURA WINGS] 697 00:44:21,124 --> 00:44:26,925 ♪ 698 00:44:26,925 --> 00:44:30,572 [THE FIRES CROWD] 699 00:44:30,572 --> 00:44:32,347 [DALMO] DALBERTO He loved coming here. 700 00:44:32,347 --> 00:44:34,114 [THE FIRES CROWD] 701 00:44:34,114 --> 00:44:36,524 [ANAÍRA] Is it? [DALMO] HUM, YEAH. 702 00:44:36,524 --> 00:44:37,793 HE LIKED THAT THE MOST. 703 00:44:37,793 --> 00:44:47,010 [THE FIRES CROWD] 704 00:44:47,010 --> 00:44:50,471 [DALMO] THERE WAS ONE DAY, He was still very small, 705 00:44:50,471 --> 00:44:53,100 He wanted to cross THIS RIVER THERE. 706 00:44:53,100 --> 00:44:54,433 [ANAÍRA] CRAZY. [DALMO] AND THE FATHER SAID: 707 00:44:54,433 --> 00:44:57,834 "NO, IT WILL NOT, NO, IT IS DANGEROUS". THE MOTHER SAID: 708 00:44:57,834 --> 00:45:01,712 "NO, LEAVE THE BOY." "GO". [LAUGHTER] 709 00:45:01,712 --> 00:45:08,211 [THE FIRES CROWD] 710 00:45:08,211 --> 00:45:10,081 [DALMO] YOU LOOK SMALL WITH HER, DID YOU KNOW? 711 00:45:10,081 --> 00:45:16,896 [CRICKET CRICKET] 712 00:45:16,896 --> 00:45:19,175 [ANAÍRA] I AM TIRED. I'm going to lie down. 713 00:45:19,175 --> 00:45:20,240 [DALMO] YES. 714 00:45:20,240 --> 00:45:28,937 [CRICKET CRICKET] 715 00:45:28,937 --> 00:45:39,719 [THE FIRES CROWD] 716 00:45:39,719 --> 00:45:46,376 [CRICKET CRICKET] 717 00:45:46,376 --> 00:45:53,905 [STEPS] 718 00:45:53,905 --> 00:46:46,345 ♪TENSION MUSIC♪ 719 00:46:46,345 --> 00:47:18,331 [HARD BREATH] 720 00:47:18,331 --> 00:47:32,206 ♪TENSION MUSIC♪ 721 00:47:32,206 --> 00:47:33,773 [ANAÍRA] I'M GOING TO TAKE A BATH. 722 00:47:33,773 --> 00:47:36,019 I THINK YOU SHOULD WASH THERE TOO. 723 00:47:36,019 --> 00:47:41,837 [STEPS] 724 00:47:41,837 --> 00:47:43,445 [DALMO] QUESTIONS FOR THE OWNER DALVA SERVES LUNCH. 725 00:47:43,445 --> 00:47:45,011 [DOOR CLOSED] 726 00:47:45,011 --> 00:47:47,197 [PHONE RINGING] 727 00:47:47,197 --> 00:47:52,658 [SILENCE] 728 00:47:52,658 --> 00:47:55,411 [PHONE RINGING] 729 00:47:57,501 --> 00:48:04,502 [CALL WAITING] 730 00:48:04,502 --> 00:48:05,639 [PHONE RINGING] 731 00:48:07,984 --> 00:48:10,444 [PHONE RINGING] 732 00:48:13,716 --> 00:48:15,215 [DALMO] HELLO? 733 00:48:15,215 --> 00:48:17,107 [DALBERTO] [ELECTRONIC VOICE] DALMA? IS EVERYTHING OK? 734 00:48:19,319 --> 00:48:21,976 [DALMO] HELLO, DALBERTO. EVERYONE EXACTLY. 735 00:48:21,976 --> 00:48:24,045 [DALBERTO] [ELECTRONIC VOICE] EVERYTHING VERY GOOD? 736 00:48:24,045 --> 00:48:27,389 TIME IS RUNNING OUT GET THERE. IS ANAÍRA THERE? 737 00:48:27,389 --> 00:48:34,178 [SHOW ON] 738 00:48:34,178 --> 00:48:37,493 [DALMO] SHE... ENDURED HER MOTHER'S HOUSE. 739 00:48:37,493 --> 00:48:40,446 [PORT ENVIRONMENT] 740 00:48:40,446 --> 00:48:42,646 [DALBERTO] OK, TELL HER THAT I LOVE HER SO MUCH. 741 00:48:42,646 --> 00:48:43,697 [DALMO] SPEAK. 742 00:48:43,697 --> 00:48:44,744 [DALBERTO] [ELECTRONIC VOICE] COME ON HUG THE WHOLE WORLD. 743 00:48:44,744 --> 00:48:46,630 O ARMANDO, KISS DON DALV, In ANAIRA... 744 00:48:46,630 --> 00:48:47,929 [DALMO] All right, DAM. 745 00:48:47,929 --> 00:48:49,075 [DALBERTO] [ELECTRONIC VOICE] BIG HUG, BROTHER. 746 00:48:49,075 --> 00:48:50,416 [DALMO] YES. HE TAKES CARE OF HIMSELF. 747 00:48:50,416 --> 00:48:51,704 [DALBERTO] [ELECTRONIC VOICE] BE CAREFUL OUT THERE BROTHER. 748 00:48:51,704 --> 00:48:53,459 SEE YOU LATER. 749 00:48:53,459 --> 00:48:54,929 [ARMANDO] WHAT WAS THAT? IS THAT TRUE BROTHER? 750 00:48:54,929 --> 00:48:56,203 [PHONE PHONE] 751 00:48:56,203 --> 00:48:57,284 [GIVE] WHAT? 752 00:49:00,113 --> 00:49:01,482 OH NO IT WAS HERE AN ACCIDENT. 753 00:49:04,881 --> 00:49:09,431 [STEPS] 754 00:49:12,303 --> 00:49:19,450 [MOVING IN WATER] 755 00:49:19,450 --> 00:49:30,006 [HARD BREATH] 756 00:49:30,006 --> 00:49:33,399 ♪TENSION MUSIC♪ 757 00:49:33,399 --> 00:49:46,674 ♪ 758 00:49:46,674 --> 00:49:50,003 [ANAÍRA] I AM CONCERNED ABOUT THIS DALBERTO DOES NOT SEND NEWS. 759 00:49:50,003 --> 00:49:55,254 [ARMANDO] STAY BRO, bro, it's okay. CENTRAL AMAZONIA. THAT'S WHAT WE REMEMBER. 760 00:49:55,254 --> 00:49:57,127 [ANAÍRA] PROMISED TO GO COME BACK TO MY BIRTHDAY. 761 00:49:57,127 --> 00:50:05,528 ♪ 762 00:50:05,528 --> 00:50:06,544 [ANAÍRA] IS MISSING. 763 00:50:07,908 --> 00:50:11,509 [ARMANDO] WAS IN BELÉM, SA THE BAND, THE CONCERT WAS GOOD, PEOPLE 764 00:50:11,509 --> 00:50:14,661 JUST KEEP DANCING FINALLY. MANY ENJOYED IT. 765 00:50:14,661 --> 00:50:20,084 [CRICKET CRICKET] 766 00:50:20,084 --> 00:50:22,984 [ANAÍRA] LOOKS AT ME IN A FUNNY WAY. [LAUGHTER] 767 00:50:22,984 --> 00:50:25,708 [CRICKET CRICKET] 768 00:50:25,708 --> 00:50:28,396 [ARMANDO] YOU CAN BE TWO. [ANAÍRA] [LAUGHTER] WHAT IS THAT? 769 00:50:28,396 --> 00:50:34,643 [CRICKET CRICKET] 770 00:50:34,643 --> 00:50:35,926 [ARMANDO] YOU CAN BE TWO. 771 00:50:38,397 --> 00:50:40,549 THREE. [LAUGHTER] 772 00:50:40,549 --> 00:50:42,673 [ANAÍRA] WHAT DO YOU KNOW? 773 00:50:42,673 --> 00:50:46,448 [ARMANDO] I'M TRAVELING, I... I THINK ONE LIFE IS NOT ENOUGH. 774 00:50:49,408 --> 00:50:51,547 A LITTLE THING. I'M SURE OF IT 775 00:50:51,547 --> 00:50:56,547 OTHERS ARE SPREAD THERE TOO ARMANDOS. AS IF I WAS ARMANDO 776 00:50:56,547 --> 00:50:59,724 OFFICIALLY, NUMBER ONE, HERE'S ONE ARMANDO NA BAHIA, 777 00:50:59,724 --> 00:51:04,777 HERE'S ARMAND THE SECOND ANOTHER WORLD. IN AUSTRALIA. 778 00:51:04,777 --> 00:51:06,573 [ANAÍRA] TWIN PEAK? 779 00:51:06,573 --> 00:51:11,021 [ARMANDO] A DIFFERENT KIND OF YOU THE SAME, ONLY IN A DIFFERENT PLACE. 780 00:51:11,021 --> 00:51:12,802 YOU NEVER THOUGHT ABOUT THAT, DID YOU? 781 00:51:12,802 --> 00:51:14,179 [CRICKET CRICKET] 782 00:51:14,179 --> 00:51:15,392 [ANAÍRA] [LAUGHTER] 783 00:51:15,392 --> 00:51:18,306 [CRICKET CRICKET] 784 00:51:18,306 --> 00:51:21,839 [ANAÍRA] THERE IS ONE ANAÍRA CHINA. COLOR YOUR HAIR 785 00:51:21,839 --> 00:51:25,308 EVERY DAY IN A DIFFERENT COLOR, PUT ON YOUR DAMN DRESS. [LAUGHTER] 786 00:51:25,308 --> 00:51:26,668 [ARMANDO] LET ME SEE. 787 00:51:26,668 --> 00:51:31,837 [CRICKET CRICKET] 788 00:51:31,837 --> 00:51:33,361 [ARMANDO] HELLO, ANAÍLA. 789 00:51:33,361 --> 00:51:35,887 [CRICKET CRICKET] 790 00:51:35,887 --> 00:51:39,536 [ARMANDO] [LAUGHTER] SINGING. 791 00:51:39,536 --> 00:51:48,257 [CRICKET CRICKET] 792 00:51:48,257 --> 00:51:53,820 [ARMANDO] HUM, LET ME TELL YOU THE SECRET. IT DOES NOT EXIST ALONE. 793 00:51:53,820 --> 00:51:57,407 THE SECOND ARMANDOS OF THE PEOPLE, I HAVE AN ANIMAL. 794 00:51:57,407 --> 00:51:59,530 [ANAÍRA] [LAUGHTER] 795 00:51:59,530 --> 00:52:02,565 [ARMANDO] YOU WON'T LEAD ME SERIOUSLY? YOU THINK YOU DON'T HAVE IT 796 00:52:02,565 --> 00:52:04,952 ARMANDO CARAPANÃ, A ARMANDO THE DOG... 797 00:52:04,952 --> 00:52:07,252 [ANAÍRA] I HAVE NEVER SEEN ANYONE AN ALLIGATOR JUST LIKE YOU. 798 00:52:07,252 --> 00:52:08,549 [ARMANDO] YES, I HAVE A GOOD EYE IN THIS ROUGH ALLIGATOR, 799 00:52:08,549 --> 00:52:10,374 KUCHA'S SON. [ANAÍRA] FROM PAPO YELLOW. 800 00:52:10,374 --> 00:52:11,722 [ARMANDO] [LAUGHTER] 801 00:52:11,722 --> 00:52:15,054 [RIVER ENVIRONMENT] 802 00:52:15,054 --> 00:52:17,951 [COUGH] 803 00:52:17,951 --> 00:52:19,750 [MAMEDE] WELL, BROTHER, DID YOU SEE IT? CATINGA WHO'S IN THIS CABIN 804 00:52:19,750 --> 00:52:23,078 THERE? THIS OLD THIEF ALL INSIDE. 805 00:52:30,089 --> 00:52:32,514 [DALBERTO] GO HELP HIM, GIVE HIM STRENGTH. 806 00:52:32,514 --> 00:52:33,905 [MAMEDE] Wow, you're going, wow. 807 00:52:33,905 --> 00:52:35,709 [DALBERTO] I AM THE COMMANDER, IT'S NOT GOING WELL, NO. 808 00:52:35,709 --> 00:52:37,658 [MAMEDE] YOU DON'T PAY ME NOT FOR THAT, BOY. 809 00:52:37,658 --> 00:52:38,988 [DALBERTO] [LAUGHTER] 810 00:52:38,988 --> 00:52:41,503 [Ask] 811 00:52:41,503 --> 00:52:51,101 [SHIP ENGINE] 812 00:52:51,101 --> 00:52:52,583 [MOVING IN WATER] 813 00:53:00,552 --> 00:53:01,937 [DALBERTO] LET'S GO, LET'S GO, LET'S GO. 814 00:53:05,560 --> 00:53:14,683 ♪ 815 00:53:14,683 --> 00:53:16,088 [OPEN DOOR] 816 00:53:16,088 --> 00:53:19,664 [MAN] [ELECTRONIC VOICE] “SHE SEE THE RABBIT. RABBIT 817 00:53:19,664 --> 00:53:24,306 IT HAS A SOFT SHAPE. she SEE THE GORILLA..." 818 00:53:24,306 --> 00:53:25,458 [REWIND THE TAPE] 819 00:53:26,928 --> 00:53:28,775 [ARMANDO] "WOW!" [ANAÍRA] OH! WHAT IS YOUR... 820 00:53:30,050 --> 00:53:31,348 Are you crazy, Heine? 821 00:53:31,348 --> 00:53:33,527 [ARMANDO] [LAUGHTER] THIS IS HERE NEW HIT FROM MY BAND. 822 00:53:33,527 --> 00:53:35,321 [ANAÍRA] What? 823 00:53:35,321 --> 00:53:37,664 [ARMANDO] WE FINISHED RECORDING. [ANAÍRA] [LAUGHTER] 824 00:53:37,664 --> 00:53:39,840 [ARMANDO] I CLOSED THE BIG SHOW BAND HERE FOR ITACOATIARA. 825 00:53:39,840 --> 00:53:41,312 Jesus! 826 00:53:41,312 --> 00:53:43,264 [ARMANDO] A BIG PLACE, LIKE THIS, I'LL BEAT THE HEAVY DOLLAR, 827 00:53:43,264 --> 00:53:47,336 RADIO DISCOVERY, CAR SOUND. I THINK HE WILL UNDERSTAND. 828 00:53:49,887 --> 00:53:50,909 [ANAÍRA] DO YOU HEAR? 829 00:53:54,238 --> 00:53:58,921 [OPERATING THE RADIO] 830 00:53:58,921 --> 00:54:03,470 ♪ 831 00:54:03,470 --> 00:54:05,193 [ARMANDO] GROUP OF GUITARISTS, MARINJA, KABOKLINJO DE OVO 832 00:54:05,193 --> 00:54:08,356 SIZE HERE, GIVE IT NO ONE DOES ANYTHING FOR HIM. 833 00:54:08,356 --> 00:54:09,542 YOU WILL LISTEN. 834 00:54:09,542 --> 00:54:12,766 ♪ 835 00:54:12,766 --> 00:54:14,694 ♪YOU KNOW♪ 836 00:54:14,694 --> 00:54:15,840 ♪WHAT I WILL REPORT♪ 837 00:54:15,840 --> 00:54:17,400 ♪ALL THIS FEELING♪ 838 00:54:17,400 --> 00:54:19,667 ♪WHAT I SAW FOR YOU TODAY♪ 839 00:54:19,667 --> 00:54:21,140 ♪YOU KNOW♪ 840 00:54:21,140 --> 00:54:22,440 ♪WITH ALL THE MAGIC♪ 841 00:54:22,440 --> 00:54:23,868 ♪YOUR LOOK IS BEAUTIFUL TOO♪ 842 00:54:23,868 --> 00:54:26,042 ♪I CAN NEVER FORGET AGAIN♪ 843 00:54:26,042 --> 00:54:27,566 ♪YOU KNOW♪ 844 00:54:27,566 --> 00:54:29,042 ♪I WILL DECLARE TOO♪ 845 00:54:29,042 --> 00:54:30,492 ♪ALL THIS FEELING♪ 846 00:54:30,492 --> 00:54:32,619 ♪WHAT I SAW FOR YOU TODAY♪ 847 00:54:32,619 --> 00:54:33,962 ♪YOU KNOW♪ 848 00:54:33,962 --> 00:54:35,439 ♪WITH ALL THE MAGIC♪ 849 00:54:35,439 --> 00:54:37,116 ♪YOUR LOOK IS BEAUTIFUL TOO♪ 850 00:54:37,116 --> 00:54:39,215 ♪I CAN NEVER FORGET AGAIN♪ 851 00:54:39,215 --> 00:54:42,215 ♪YOU KNOW♪ 852 00:54:42,215 --> 00:54:44,814 ♪IN EVERY SONG I SPEAK♪ 853 00:54:44,814 --> 00:54:46,880 ♪ 854 00:54:46,880 --> 00:54:50,314 ♪IN EVERY SONG I WILL TELL YOU♪ 855 00:54:50,314 --> 00:54:51,583 ♪I'M LOOKING FOR YOU♪ 856 00:54:51,583 --> 00:54:53,079 ♪IN EVERYTHING I DO♪ 857 00:54:53,079 --> 00:54:54,383 ♪THIS IS YOUR SMILE♪ 858 00:54:54,383 --> 00:54:56,678 ♪ON EVERY LIPS♪ 859 00:54:56,678 --> 00:54:58,781 ♪ THERE ARE OTHER EYES IN MY VIEW ♪ 860 00:54:58,781 --> 00:55:00,057 [ANAÍRA] IT'S GOOD. 861 00:55:00,057 --> 00:55:01,856 ♪AND YOUR VOICE THAT SPEAKS TO ME♪ 862 00:55:01,856 --> 00:55:03,457 ♪ I WANT YOU ♪ 863 00:55:03,457 --> 00:55:05,047 ♪AND IF YOU DON'T WANT♪ 864 00:55:05,047 --> 00:55:06,663 ♪MORE BACK♪ 865 00:55:06,663 --> 00:55:08,741 ♪I swear I will sing♪ 866 00:55:08,741 --> 00:55:10,075 ♪WITH ALL THE POWER THAT EXISTS♪ 867 00:55:10,075 --> 00:55:11,876 ♪IN MY HEART♪ 868 00:55:11,876 --> 00:55:13,540 ♪WITH ALL THE WORDS♪ 869 00:55:13,540 --> 00:55:15,476 ♪WHAT I DID IN THIS SONG♪ 870 00:55:15,476 --> 00:55:16,791 ♪IN THIS SONG♪ 871 00:55:16,791 --> 00:55:18,659 ♪I WILL TALK TO THE WORLD♪ 872 00:55:18,659 --> 00:55:20,301 ♪I WILL SING TO THE WHOLE WORLD♪ 873 00:55:20,301 --> 00:55:21,749 ♪IF YOU DON'T WANT TO HEAR ME♪ 874 00:55:21,749 --> 00:55:23,793 ♪I WILL SCREAM TO THE WHOLE WORLD♪ 875 00:55:23,793 --> 00:55:26,493 ♪I NEVER STOPPED LOVING YOU♪ 876 00:55:26,493 --> 00:55:29,834 ♪I WANT YOU AND I'M BEGGING YOU TO COME BACK♪ 877 00:55:29,834 --> 00:55:32,450 ♪ 878 00:55:32,450 --> 00:55:35,006 [LAUGHTER] 879 00:55:35,006 --> 00:55:38,262 ♪ BECAUSE I'VE ALWAYS WANTED TO TALK TO YOU ♪ 880 00:55:38,262 --> 00:55:39,995 [ANAÍRA] COME HERE. 881 00:55:39,995 --> 00:55:42,118 ♪PLEASE COME BACK♪ 882 00:55:42,118 --> 00:55:43,918 [ANAÍRA] COME ON, DALMO. 883 00:55:43,918 --> 00:55:46,869 ♪ 884 00:55:46,869 --> 00:55:48,485 [ANAÍRA] [LAUGHTER] 885 00:55:48,485 --> 00:56:05,238 ♪ 886 00:56:05,238 --> 00:56:07,668 ♪SENSUAL FRUIT BAND♪ 887 00:56:07,668 --> 00:56:11,639 ♪NOW IT'S REAL ♪ 888 00:56:11,639 --> 00:56:15,104 ♪IT'S ON, AH, AH♪ 889 00:56:15,104 --> 00:56:16,708 ♪IN EVERY SONG I SPEAK♪ 890 00:56:16,708 --> 00:56:20,060 ♪IT'S ON, AH, AH♪ 891 00:56:20,060 --> 00:56:22,742 ♪IN EVERY SONG I WILL TELL YOU♪ 892 00:56:22,742 --> 00:56:24,642 ♪I'M LOOKING FOR YOU EVERYWHERE♪ 893 00:56:24,642 --> 00:56:26,102 ♪WHAT I'M DOING♪ 894 00:56:26,102 --> 00:56:27,269 ♪I SEE YOUR SMILE♪ 895 00:56:27,269 --> 00:56:29,435 ♪ON EVERY LIPS♪ 896 00:56:29,435 --> 00:56:30,583 ♪IN OTHER EYES♪ 897 00:56:30,583 --> 00:56:32,706 ♪YOUR LOOK♪ 898 00:56:32,706 --> 00:56:34,702 ♪AND YOUR VOICE THAT SPEAKS TO ME♪ 899 00:56:34,702 --> 00:56:36,059 ♪ I WANT YOU ♪ 900 00:56:36,059 --> 00:56:37,725 ♪AND IF YOU DON'T WANT♪ 901 00:56:37,725 --> 00:56:39,460 ♪MORE BACK♪ 902 00:56:39,460 --> 00:56:41,411 ♪I swear I will sing♪ 903 00:56:41,411 --> 00:56:42,514 ♪ WITH ALL YOUR MIGHT♪ 904 00:56:42,514 --> 00:56:44,218 ♪WHAT IS IN ME♪ 905 00:56:44,218 --> 00:56:59,048 [SILENCE] 906 00:56:59,048 --> 00:57:01,239 [ANAÍRA] [CGHSCRAP] 907 00:57:01,239 --> 00:57:04,577 [CRICKET CRICKET] 908 00:57:30,334 --> 00:57:35,123 [SHIP ENGINE] 909 00:57:35,123 --> 00:57:55,434 [CRICKET CRICKET] 910 00:57:55,434 --> 00:57:57,115 [ANAÍRA] HOW FAR? 911 00:57:57,115 --> 00:58:21,417 [SILENCE] 912 00:58:21,417 --> 00:58:23,669 [ANAÍRA] [SIGHS] 913 00:58:23,669 --> 00:58:31,394 [SILENCE] 914 00:58:31,394 --> 00:58:34,838 [STEPS] 915 00:58:34,838 --> 00:58:50,971 ♪ 916 00:58:50,971 --> 00:58:52,653 [DALMO] SORRY. 917 00:58:56,478 --> 00:58:58,210 [ANAÍRA] NO. 918 00:58:58,210 --> 00:59:01,134 ♪TENSION MUSIC♪ 919 00:59:01,134 --> 00:59:03,052 [ANAÍRA] WAIT. 920 00:59:03,052 --> 00:59:21,701 ♪TENSION MUSIC♪ 921 00:59:21,701 --> 00:59:35,137 ♪ 922 00:59:35,137 --> 00:59:50,911 [MOAN] 923 00:59:50,911 --> 01:00:02,175 [HARD BREATH] 924 01:00:02,175 --> 01:00:04,954 [LIGHTING THE LIGHTER] 925 01:00:04,954 --> 01:00:06,518 [WOMAN] YOU'LL WANT THAT OVERTIME PAYMENT? 926 01:00:06,518 --> 01:00:11,817 [HARD BREATH] 927 01:00:11,817 --> 01:00:13,362 [DALMO] STAY A LITTLE LONGER. 928 01:00:13,362 --> 01:00:20,457 [HARD BREATH] 929 01:00:20,457 --> 01:00:25,982 [SILENCE] 930 01:00:25,982 --> 01:00:31,866 [HARD BREATH] 931 01:00:31,866 --> 01:00:56,571 ♪ 932 01:00:56,571 --> 01:00:57,728 [DALBERTO] [SIGHS] 933 01:00:57,728 --> 01:01:02,657 [SHIP ENGINE] 934 01:01:02,657 --> 01:01:03,680 [MAMEDE] DO YOU WANT COFFEE? 935 01:01:03,680 --> 01:01:05,825 [SHIP ENGINE] 936 01:01:05,825 --> 01:01:06,877 [MAMEDE] COFFEE? 937 01:01:06,877 --> 01:01:09,924 [SHIP ENGINE] 938 01:01:09,924 --> 01:01:10,926 [MAMEDE] ARE YOU OK? 939 01:01:10,926 --> 01:01:12,010 [SHIP ENGINE] 940 01:01:12,010 --> 01:01:13,462 [MAMEDE] Ô DALBERTO, THIS OLD MAN IT'S HOT AS FUCKING 941 01:01:13,462 --> 01:01:15,366 HE HAS A TEMPERATURE, BROTHER. [DALBERTO] GIVE HIM WATER. 942 01:01:15,366 --> 01:01:17,221 [SHIP ENGINE] 943 01:01:17,221 --> 01:01:18,371 [DALBERTO] PUT IT DOWN. 944 01:01:18,371 --> 01:01:19,861 [SHIP ENGINE] 945 01:01:19,861 --> 01:01:21,766 [DALBERTO] GOING THERE, BROTHER. [MAMEDE] WE'RE GOING ACROSS THE HUT. 946 01:01:21,766 --> 01:01:24,363 [SHIP ENGINE] 947 01:01:24,363 --> 01:01:25,783 [STEPS] 948 01:01:25,783 --> 01:01:27,874 [ANAÍRA] [SIGHS] 949 01:01:27,874 --> 01:01:36,988 [TV IN THE BACKGROUND] 950 01:01:36,988 --> 01:01:39,086 [ANAÍRA] DO YOU KNOW HER? DALBERTO CALL? 951 01:01:39,086 --> 01:01:40,180 [DALVA] HE CALLED NO. 952 01:01:40,180 --> 01:01:41,347 [TV IN THE BACKGROUND] 953 01:01:41,347 --> 01:01:43,733 [ANAÍRA] [MUXOXO] [SIGHS] 954 01:01:43,733 --> 01:01:45,308 [TV IN THE BACKGROUND] 955 01:01:45,308 --> 01:01:51,439 [WILL FLY] 956 01:01:51,439 --> 01:01:54,732 [HARD BREATH] 957 01:01:54,732 --> 01:01:55,752 [MAMEDE] BREATHE, LET'S GO. 958 01:01:55,752 --> 01:01:57,619 [STEPS] 959 01:01:57,619 --> 01:01:58,848 [MAMEDE] HEY BROTHER IT'S SERIOUS HURRY THERE 960 01:01:58,848 --> 01:01:59,905 The guy isn't breathing there. 961 01:01:59,905 --> 01:02:01,708 [DALBERTO] WE'RE COMING NOW, MAN IT'S IQUITOS BUT, OH. 962 01:02:01,708 --> 01:02:02,793 [MAMEDE] IS IT SERIOUS? 963 01:02:02,793 --> 01:02:06,436 [SHIP ENGINE] 964 01:02:06,436 --> 01:02:09,468 [CRICKET CRICKET] 965 01:02:09,468 --> 01:02:18,233 ♪ 966 01:02:18,233 --> 01:02:19,755 [ANAÍRA] [SIGHS] 967 01:02:19,755 --> 01:02:36,120 ♪ 968 01:02:36,120 --> 01:02:37,383 [OPEN DOOR] 969 01:02:37,383 --> 01:02:40,002 [BUSHES] 970 01:02:40,002 --> 01:02:47,144 ♪ 971 01:02:49,830 --> 01:02:53,171 [STEPS] 972 01:02:53,171 --> 01:02:55,367 [PHONE RINGING] 973 01:02:58,674 --> 01:03:00,467 [PHONE RINGING] 974 01:03:00,467 --> 01:03:03,857 [URBAN ENVIRONMENT] 975 01:03:03,857 --> 01:03:06,081 [DALBERTO] HELLO? DON DALVO? 976 01:03:06,081 --> 01:03:07,706 [URBAN ENVIRONMENT] 977 01:03:07,706 --> 01:03:09,280 [DALBERTO] DONA DALVA, ANAÍRA ARE YOU THERE? 978 01:03:09,280 --> 01:03:12,959 [URBAN ENVIRONMENT] 979 01:03:12,959 --> 01:03:13,998 [DALBERTO] HOW DID YOU "GO"? 980 01:03:13,998 --> 01:03:15,930 [URBAN ENVIRONMENT] 981 01:03:15,930 --> 01:03:17,192 [DALBERTO] OK, TELL HER THAT I called. 982 01:03:17,192 --> 01:03:19,227 [URBAN ENVIRONMENT] 983 01:03:19,227 --> 01:03:20,250 [DALBERTO] A KISS. 984 01:03:20,250 --> 01:03:21,945 [URBAN ENVIRONMENT] 985 01:03:21,945 --> 01:03:22,978 [PHONE PHONE] 986 01:03:22,978 --> 01:03:41,423 ♪ 987 01:03:41,423 --> 01:03:46,048 ♪ HELLO! MORENO♪ 988 01:03:46,048 --> 01:03:50,646 ♪ book! MORENO♪ 989 01:03:50,646 --> 01:03:55,184 ♪IEIEIEIE MORENO♪ 990 01:03:55,184 --> 01:03:56,805 ♪You let me suck your mouth♪ 991 01:03:56,805 --> 01:03:58,538 ♪EARLY POISON♪ 992 01:03:58,538 --> 01:03:59,717 [ARMANDO] FREAKING, RIGHT? 993 01:03:59,717 --> 01:04:01,275 ♪WHAT DO YOU LIKE♪ 994 01:04:01,275 --> 01:04:03,719 [ARMANDO] JUST THROW ONE IT IS RAINING SO PEOPLE ARE ALREADY DRIVING. 995 01:04:03,719 --> 01:04:05,129 [WOMAN] WOW! 996 01:04:05,129 --> 01:04:06,856 [ARMANDO] IS BURNER THAN US PLAYED ON THE RADIO... 997 01:04:08,181 --> 01:04:10,562 THERE'S A CAR WITH A SOUND SYSTEM ALL OVER THE TOWN. 998 01:04:10,562 --> 01:04:12,748 ♪ THAT SILENT LOOK OF YOURS♪ 999 01:04:12,748 --> 01:04:14,891 ♪ MAKES ME THINK ♪ 1000 01:04:14,891 --> 01:04:17,449 ♪THE THINGS IN THESE TEXTS OF MINE ♪ 1001 01:04:17,449 --> 01:04:19,660 ♪BANNING CONVERSATION♪ 1002 01:04:19,660 --> 01:04:23,966 ♪AI AI user interface user interface user interface ♪ 1003 01:04:23,966 --> 01:04:26,536 ♪AIUIUIUIUI♪ 1004 01:04:26,536 --> 01:04:28,193 ♪ AH HHH HHH♪ 1005 01:04:28,193 --> 01:04:40,374 ♪ 1006 01:04:40,374 --> 01:04:44,930 ♪AI AI user interface user interface user interface ♪ 1007 01:04:44,930 --> 01:04:49,644 ♪ HELLO! MORENO♪ 1008 01:04:49,644 --> 01:04:54,153 ♪ book! MORENO♪ 1009 01:04:54,153 --> 01:04:58,770 ♪IEIEIEIE MORENO♪ 1010 01:04:58,770 --> 01:05:00,663 ♪You let me suck your mouth♪ 1011 01:05:00,663 --> 01:05:03,413 ♪EARLY POISON♪ 1012 01:05:03,413 --> 01:05:05,183 ♪You let me suck your mouth♪ 1013 01:05:05,183 --> 01:05:07,528 ♪EARLY POISON♪ 1014 01:05:07,528 --> 01:05:09,088 ♪ 1015 01:05:09,088 --> 01:05:11,248 ♪SUN BODY♪ 1016 01:05:11,248 --> 01:05:12,335 ♪MALICE♪ 1017 01:05:12,335 --> 01:05:14,866 [CRICKET CRICKET] 1018 01:05:14,866 --> 01:05:16,781 [HARD BREATH] 1019 01:05:16,781 --> 01:05:18,395 [ARMANDO] I THINK I'LL GO THIS CRAP FROM THIS BAND. 1020 01:05:18,395 --> 01:05:20,228 AWESOME THIS! 1021 01:05:20,228 --> 01:05:23,929 [ANAÍRA] WHAT IS THAT? THERE ARE PEOPLE WHO IS WAITING FOR THIS CHANCE? 1022 01:05:23,929 --> 01:05:27,219 YOUR WHOLE LIFE ISN'T. DO YOU WANT? TAKE YOUR CHANCE 1023 01:05:27,219 --> 01:05:28,359 ARE YOU GOING TO THROW IT AWAY? 1024 01:05:28,359 --> 01:05:29,785 [CRICKET CRICKET] 1025 01:05:29,785 --> 01:05:31,956 [ANAÍRA] YOU ARE CRAZY. 1026 01:05:31,956 --> 01:05:34,329 [ARMANDO] DID NOT GIVE MONEY PAY FOR THE RETURN TRIP 1027 01:05:34,329 --> 01:05:35,633 MUSICIAN, PÔ. 1028 01:05:35,633 --> 01:05:40,775 [CRICKET CRICKET] 1029 01:05:40,775 --> 01:05:44,606 [ANAÍRA] Oh, I don't want to today. KNOW ABOUT CRYING 1030 01:05:44,606 --> 01:05:47,438 FROM ME, TODAY IS MY BIRTHDAY. 1031 01:05:47,438 --> 01:05:49,369 ♪MUFFLED MUSIC♪ 1032 01:05:49,369 --> 01:05:50,651 [ARMANDO] [LAUGHS] REALLY? 1033 01:05:50,651 --> 01:05:52,805 ♪MUFFLED MUSIC♪ 1034 01:05:52,805 --> 01:05:54,101 [ARMANDO] JEBOTTA... 1035 01:05:54,101 --> 01:06:02,725 ♪MUFFLED MUSIC♪ 1036 01:06:02,725 --> 01:06:06,698 [ARMANDO] CONGRATULATIONS. [LAUGHTER] 1037 01:06:06,698 --> 01:06:10,801 ♪MUFFLED MUSIC♪ 1038 01:06:10,801 --> 01:06:13,371 [ARMANDO] [PANTS] 1039 01:06:13,371 --> 01:06:16,333 ♪MUFFLED MUSIC♪ 1040 01:06:16,333 --> 01:06:21,233 [HARD BREATH] 1041 01:06:21,233 --> 01:06:39,811 ♪MUFFLED MUSIC♪ 1042 01:06:39,811 --> 01:07:08,732 [SEA WAVES] 1043 01:07:08,732 --> 01:07:10,785 [ANAÍRA] [SIGHS] 1044 01:07:10,785 --> 01:07:13,397 [DOOR CLOSED] 1045 01:07:13,397 --> 01:07:17,222 [SEA WAVES] 1046 01:07:17,222 --> 01:07:27,551 [HARD BREATH] 1047 01:07:27,551 --> 01:07:29,825 [ARMANDO] [Frk] 1048 01:07:29,825 --> 01:07:34,510 ♪ 1049 01:07:34,510 --> 01:07:39,536 [HARD BREATH] 1050 01:07:39,536 --> 01:08:36,751 ♪ 1051 01:08:36,751 --> 01:09:01,841 ♪TENSION MUSIC♪ 1052 01:09:01,841 --> 01:09:04,100 [MOVING IN WATER] 1053 01:09:04,100 --> 01:09:06,055 [MAMEDE] I WILL MISS YOU FROM A MAN, UNDERSTAND? 1054 01:09:10,166 --> 01:09:13,643 And YOU? HE WILL NOT TAKE ANY A GIFT FOR YOUR PRINCESS, 1055 01:09:13,643 --> 01:09:19,243 NO? THERE IS A GOOD PERFUME. I WILL OFFER YOU A FAVORABLE PRICE. 1056 01:09:19,243 --> 01:09:21,962 [DALBERTO] [LAUGHTER] EVERYTHING FAKE, BOY. 1057 01:09:21,962 --> 01:09:23,604 [MAMEDE] It smells the same, Wow. 1058 01:09:23,604 --> 01:09:25,580 [LAUGHTER] 1059 01:09:25,580 --> 01:09:29,411 [DALBERTO] I AGREE WITH HER AND ANOTHER. LET'S GET THIS BALL 1060 01:09:29,411 --> 01:09:33,444 AND SPEND JUST ONE NIGHT. RESTAURANTS, MOTELS. 1061 01:09:33,444 --> 01:09:34,828 [MOTHER] GREAT! 1062 01:09:34,828 --> 01:09:36,145 [SHIP ENGINE] 1063 01:09:36,145 --> 01:09:37,524 [MAMEDE] GRAND OLD STUPID. 1064 01:09:37,524 --> 01:09:39,231 [LAUGHTER] 1065 01:09:39,231 --> 01:09:40,698 [MAMEDE] That's it. 1066 01:09:40,698 --> 01:09:46,773 [SHIP ENGINE] 1067 01:09:46,773 --> 01:09:48,995 [WATER RESEARCH] 1068 01:09:50,523 --> 01:09:51,827 [IMPACT ON THE TABLE] 1069 01:09:53,631 --> 01:09:56,313 [MERCEDES] WHAT A PLANET WHAT ARE YOU, DAUGHTER? 1070 01:09:56,313 --> 01:10:05,284 [WILL FLY] 1071 01:10:05,284 --> 01:10:06,910 [ANAÍRA] Nothing. 1072 01:10:06,910 --> 01:10:08,246 [TYPE] 1073 01:10:08,246 --> 01:10:09,591 [MERCEDES] WHAT WHAT DO YOU HAVE ONE, DAUGHTER? 1074 01:10:09,591 --> 01:10:16,823 [RURAL ENVIRONMENT] 1075 01:10:16,823 --> 01:10:18,216 [ANAÍRA] TIRED ALONE. 1076 01:10:18,216 --> 01:10:26,617 [STEPS] 1077 01:10:26,617 --> 01:10:30,169 [ANAÍRA] I THINK I AM GO CRAZY. 1078 01:10:30,169 --> 01:10:33,153 YOU CAN LOVE TWO PERSONS AT THE SAME TIME? 1079 01:10:33,153 --> 01:10:34,781 [CRYING] MOM! 1080 01:10:34,781 --> 01:10:39,005 [MERCEDES] CALM, MY LOVE, MIRNA. 1081 01:10:39,005 --> 01:10:43,262 [RURAL ENVIRONMENT] 1082 01:10:43,262 --> 01:11:00,664 [STEPS] 1083 01:11:00,664 --> 01:11:04,646 [ANAÍRA] AREN'T YOU SLEEPING AT HOME? [ARMANDO] I WENT, I HAD TO... 1084 01:11:04,646 --> 01:11:07,618 I HAD A JOB TO DO WITH THE BAND BOYS. 1085 01:11:11,467 --> 01:11:13,599 [ANAÍRA] BUT IS EVERYTHING OK? 1086 01:11:13,599 --> 01:12:01,592 [SILENCE] 1087 01:12:01,592 --> 01:12:02,828 [ARMANDO] GO... 1088 01:12:05,858 --> 01:12:08,963 RUBBER BANDAGES ON THE TOP WHAT HAPPENED YESTERDAY. 1089 01:12:08,963 --> 01:12:16,000 [SILENCE] 1090 01:12:16,000 --> 01:12:18,642 [ARMANDO] BETTER. 1091 01:12:18,642 --> 01:12:24,952 [ANAÍRA] OF COURSE, LET'S GO. ERASER. RIGHT. 1092 01:12:24,952 --> 01:12:28,000 [ARMANDO] WAIT. 1093 01:12:28,000 --> 01:12:29,583 [ANAÍRA] It's okay. 1094 01:12:29,583 --> 01:12:37,712 [STEPS] 1095 01:12:37,712 --> 01:12:42,702 [CRYING] 1096 01:12:42,702 --> 01:12:51,663 [STEPS] 1097 01:12:51,663 --> 01:13:21,085 [HARD BREATH] 1098 01:13:21,085 --> 01:13:50,788 ♪ 1099 01:13:50,788 --> 01:13:56,312 [ARMING] THE PEOPLE PASS THIS ROUND, 1100 01:13:56,312 --> 01:14:02,471 WHEN PEOPLE OPEN THEIR EYES LEAVE THIS HOTEL ROOM, 1101 01:14:02,471 --> 01:14:05,001 IT IS AVAILABLE EVERYWHERE IN THE WORLD. 1102 01:14:05,001 --> 01:14:21,500 ♪ 1103 01:14:21,500 --> 01:14:23,323 [ARMANDO] GOOD MORNING. [ANAÍRA] GOOD MORNING. 1104 01:14:23,323 --> 01:15:09,597 ♪ 1105 01:15:09,597 --> 01:15:20,400 [SILENCE] 1106 01:15:20,400 --> 01:15:21,716 [DALBERTO] MANUAL SKILL. 1107 01:15:21,716 --> 01:15:25,226 [DALMO] THAT'S WHAT I THOUGHT HE HAS NOT ARRIVED. [LAUGHTER] 1108 01:15:25,226 --> 01:15:27,127 [DALBERTO] A SAILOR IN LOVE DON'T FORGET THE ROAD. 1109 01:15:27,127 --> 01:15:31,542 [DALMO] THAT'S IT. [DALBERTO] AH, DONA DALVA! 1110 01:15:31,542 --> 01:15:38,440 DONA DALVA! [LAUGHTER] 1111 01:15:38,440 --> 01:15:40,422 HOW LONG, THE HELL? [DALVA] YES, IT IS HERE. 1112 01:15:40,422 --> 01:15:42,722 WAS THE TRIP GOOD? [DALBERTO] WAS. 1113 01:15:42,722 --> 01:15:45,555 A GOOD MEMORANDUM IS COMING. [SAH] 1114 01:15:45,555 --> 01:15:49,504 [ANAÍRA] TAKE IT OUT, IT'S HARD. [DALBERTO] OH I'M FINE. 1115 01:15:49,504 --> 01:15:52,435 [DOOR CLOSED] 1116 01:15:52,435 --> 01:15:56,972 [DALBERTO] IT WAS 50 DAYS, SEEMS LIKE TEN YEARS. [LAUGHTER] 1117 01:16:00,295 --> 01:16:04,311 [ANAÍRA] 57 DAYS. [DALBERT] 57. 1118 01:16:07,744 --> 01:16:10,418 [COOKING POT] 1119 01:16:10,418 --> 01:16:14,963 [DALBERTO] BYE, MRS. DALVA. THE HEALTH OF THIS TEMPERAMENT. 1120 01:16:16,411 --> 01:16:18,862 [BOARD RATTLING] 1121 01:16:18,862 --> 01:16:20,311 [DALBERTO] [SIGHS] 1122 01:16:21,577 --> 01:16:22,739 GO? [DALMO] GO. 1123 01:16:24,414 --> 01:16:26,170 [DALMO] There. 1124 01:16:26,170 --> 01:16:28,599 [FILLING THE CUP] 1125 01:16:28,599 --> 01:16:31,405 [PSI SPEED] 1126 01:16:31,405 --> 01:16:33,284 [DALBERTO] [SIGHS] [GIVE] HEALTH. 1127 01:16:33,284 --> 01:16:34,370 [DALBERTO] HEALTH. 1128 01:16:37,525 --> 01:16:41,733 [DALBERTO] Oh! HERE, THE FIX THE SHIP WILL BE TOTAL, 1129 01:16:41,733 --> 01:16:45,514 BUT IT WILL BE WORTH IT. IT WILL BE BEAUTIFUL. 1130 01:16:45,514 --> 01:16:48,513 [COOKING POT] 1131 01:16:48,513 --> 01:16:49,851 [DALBERTO] GIVE ME THAT START AGAIN. 1132 01:16:51,426 --> 01:16:55,110 EARN MONEY. [ANAÍRA] [LAUGHTER] 1133 01:16:55,110 --> 01:17:05,349 [COOKING POT] 1134 01:17:05,349 --> 01:17:08,268 [DALBERTO] TOMORROW MORNING WITH ANAÍRA THERE TO SEE THE SMALL HOUSE. 1135 01:17:08,268 --> 01:17:10,824 [DALMO] Wow, how nice. [DALBERTO] WILL HAVE 1136 01:17:10,824 --> 01:17:11,992 THERE IS SPACE FOR CURUMIM. 1137 01:17:11,992 --> 01:17:14,003 [LAUGHTER] 1138 01:17:14,003 --> 01:17:15,018 [DALBERTO] A YEAR FROM HERE. 1139 01:17:17,596 --> 01:17:21,700 WE WILL FILL THAT HOUSE. [ARMANDO] [LAUGHTER] 1140 01:17:21,700 --> 01:17:23,403 [DALBERTO] THE HOUSE IS GOOD. [DALMO] Is it? 1141 01:17:23,403 --> 01:17:25,915 [DALBERTO] THERE'S WOOD WHERE YOU HAVE TO AGREE. 1142 01:17:25,915 --> 01:17:28,086 I WILL ASK INALDA TO HELP ME TAKE PICTURES. 1143 01:17:28,086 --> 01:17:31,470 [COOKING POT] 1144 01:17:31,470 --> 01:17:34,673 [DALBERTO] YOU CAN TIE HIM BOAT, RIVER VIEW, VERY AFFORDABLE. 1145 01:17:34,673 --> 01:17:45,526 ♪TENSION MUSIC♪ 1146 01:17:45,526 --> 01:17:47,871 [DALBERTO] KNOWS THAT IT IS NECESSARY TO GET OLD, IF I CLIMBED WITH HIM THERE IN PERU, 1147 01:17:47,871 --> 01:17:49,527 THE GUY IS A FIGURE... 1148 01:17:49,527 --> 01:17:51,865 ♪TENSION MUSIC♪ 1149 01:17:51,865 --> 01:17:52,972 [DALBERTO] GO MAKE CURUMIM... 1150 01:17:52,972 --> 01:17:54,961 [ANAÍRA] [LAUGHTER] 1151 01:17:54,961 --> 01:17:56,988 ♪TENSION MUSIC♪ 1152 01:17:56,988 --> 01:17:59,631 [ANAÍRA] [COUGH] [DALBERTO] BEWARE 1153 01:17:59,631 --> 01:18:02,882 THERE WITH A SPIN. [ANAÍRA] [COUGH] 1154 01:18:02,882 --> 01:18:05,165 [DALBERTO] I REMEMBER THAT TIME. [ANAÍRA] [COUGH] 1155 01:18:05,165 --> 01:18:07,212 [DALBERTO] PASSED A WEIRD AMONG THE PEOPLE. 1156 01:18:07,212 --> 01:18:08,954 [DALMO] IT WAS FUNNY. [DALBERTO] DO YOU REMEMBER THAT? 1157 01:18:08,954 --> 01:18:11,237 ♪TENSION MUSIC♪ 1158 01:18:11,237 --> 01:18:12,588 [ANAÍRA] [TYPE] 1159 01:18:12,588 --> 01:18:18,504 ♪TENSION MUSIC♪ 1160 01:18:18,504 --> 01:18:29,504 [RUNNING WATER] 1161 01:18:29,504 --> 01:18:31,034 [STEPS] 1162 01:18:31,034 --> 01:18:32,525 [ANAÍRA] ARE YOU CRAZY, ARE YOU? 1163 01:18:32,525 --> 01:18:35,028 [STEPS] 1164 01:18:36,681 --> 01:18:40,681 [ANAÍRA] LOOK AT ME. LOOK AT THAT WE! WHY DID YOU DO THAT? 1165 01:18:42,928 --> 01:18:45,111 [TYPE] [ARMANDO] LET'S GET OUT OF HERE. 1166 01:18:45,111 --> 01:18:48,992 [URBAN ENVIRONMENT] 1167 01:18:48,992 --> 01:18:51,209 [ARMANDO] COME WITH ME. GET OUT OF HERE. 1168 01:18:51,209 --> 01:18:53,600 [ANAÍRA] STOP, YOU'RE CRAZY. [ARMANDO] IF YOU DON'T COME 1169 01:18:53,600 --> 01:18:55,106 I WILL DO IT WITH MYSELF. CRAZY. 1170 01:18:55,106 --> 01:18:56,922 [HARD BREATH] 1171 01:18:56,922 --> 01:18:57,982 [ARMANDO] CAN YOU HEAR ME? 1172 01:18:57,982 --> 01:19:00,285 [HARD BREATH] 1173 01:19:00,285 --> 01:19:01,968 [URBAN ENVIRONMENT] 1174 01:19:01,968 --> 01:19:09,163 [HARD BREATH] 1175 01:19:09,163 --> 01:19:12,648 [ARMANDO] COME. [SNIFFING] [ANAÍRA] ARMANDO, I'M SORRY. 1176 01:19:12,648 --> 01:19:22,329 ♪TENSION MUSIC♪ 1177 01:19:22,329 --> 01:19:24,915 [ANAÍRA] [COUGH] 1178 01:19:24,915 --> 01:19:44,147 ♪TENSION MUSIC♪ 1179 01:19:44,147 --> 01:19:50,864 [ARMANDO] [SCREAM] 1180 01:19:50,864 --> 01:19:52,396 [SKIDING] 1181 01:19:52,396 --> 01:19:53,798 [ANAÍRA] [GREEK] 1182 01:19:53,798 --> 01:19:59,986 ♪TENSION MUSIC♪ 1183 01:19:59,986 --> 01:20:02,102 [DALBERTO] ANAÍRA. [ANAÍRA] HUH? 1184 01:20:02,102 --> 01:20:05,000 [DALBERTO] WHAT WAS THAT? [ANAÍRA] HUG ME. 1185 01:20:05,000 --> 01:20:06,291 [DALBERTO] It's okay, love. 1186 01:20:06,291 --> 01:20:07,298 [ANAÍRA] HUM. 1187 01:20:07,298 --> 01:20:10,514 [CRICKET CRICKET] 1188 01:20:10,514 --> 01:20:14,831 [DEEP Sigh] 1189 01:20:14,831 --> 01:20:19,019 [BIRD SONG] 1190 01:20:19,019 --> 01:20:24,264 [CRICKET CRICKET] 1191 01:20:24,264 --> 01:20:25,836 [ARMANDO] [SIGHS] 1192 01:20:25,836 --> 01:20:31,134 [CRICKET CRICKET] 1193 01:20:31,134 --> 01:20:34,166 [DRINKING WATER] 1194 01:20:38,994 --> 01:20:40,034 [DALMO] YOU AND ANAÍRA... 1195 01:20:40,034 --> 01:20:48,176 [CRICKET CRICKET] 1196 01:20:48,176 --> 01:20:49,323 [DALBERTO] CAN'T. 1197 01:20:49,323 --> 01:21:09,340 [CRICKET CRICKET] 1198 01:21:09,340 --> 01:21:10,656 [DALMO] I UNDERSTAND YOU. 1199 01:21:10,656 --> 01:21:15,878 [CRICKET CRICKET] 1200 01:21:15,878 --> 01:21:17,202 [ARMANDO] TELL DALBERT. [DALMO] NO. 1201 01:21:17,202 --> 01:21:29,217 [CRICKET CRICKET] 1202 01:21:29,217 --> 01:21:30,498 [DALMO] OUT. [ARMANDO] NO. 1203 01:21:30,498 --> 01:21:37,377 [DALMO] GO TO THE PAGE, COME ON TIME. GO, GO. YOU WILL. 1204 01:21:37,377 --> 01:21:40,432 [ARMANDO] [GRIJ] 1205 01:21:43,149 --> 01:21:44,527 [SIGH] 1206 01:21:44,527 --> 01:21:50,639 [CRICKET CRICKET] 1207 01:21:50,639 --> 01:21:53,374 [CRYING] 1208 01:21:53,374 --> 01:21:57,835 [DALMO] "SHHH"... CALM. Hey, hey. 1209 01:21:59,993 --> 01:22:01,291 TRUST ME. 1210 01:22:01,291 --> 01:22:03,910 [CRYING] 1211 01:22:03,910 --> 01:22:07,032 ♪TENSION MUSIC♪ 1212 01:22:07,032 --> 01:22:08,034 [DALMO] TRUST ME. 1213 01:22:08,034 --> 01:22:11,516 ♪TENSION MUSIC♪ 1214 01:22:11,516 --> 01:22:14,602 [DALBERTO] MADEIRA I WILL GO REPLACE. 1215 01:22:14,602 --> 01:22:16,430 THE STEPS, THESE ARE HERE. 1216 01:22:16,430 --> 01:22:20,116 [STEPS] 1217 01:22:20,116 --> 01:22:22,660 [DALBERTO] I HAVE TO GET ON YOUR WAY, SPRAY A LITTLE, 1218 01:22:22,660 --> 01:22:24,033 ADD WAX. 1219 01:22:24,033 --> 01:22:25,173 [OPEN DOOR] 1220 01:22:25,173 --> 01:22:27,265 [DALBERTO] YOU WALLS HE CAN... 1221 01:22:27,265 --> 01:22:29,922 YOU CHOOSE THE COLOR, I PAINT IT. 1222 01:22:29,922 --> 01:22:32,839 [STEPS] 1223 01:22:32,839 --> 01:22:36,273 [DALBERTO] LET'S GO TOO MAY OUR NIGHT 1224 01:22:36,273 --> 01:22:39,600 THE ONE YOU'VE ALWAYS DREAMED ABOUT GOOD RESTAURANT, HOTEL... 1225 01:22:39,600 --> 01:22:42,894 [ANAÍRA] IT WILL BE FINE. [LAUGHTER] 1226 01:22:42,894 --> 01:22:47,670 [DALBERTO] FUCKING NIGHT THE WHOLE. hmm? hmm? 1227 01:22:47,670 --> 01:22:53,828 [LAUGHTER] INÁCIO IS ALREADY WATCHING TICKETS ARE SOLD THERE, 1228 01:22:53,828 --> 01:22:56,125 YOU ARE SELLING OUR LOG CABIN... CHECK IT OUT THIS BALCONY. 1229 01:22:56,125 --> 01:23:07,289 [RIVER ENVIRONMENT] 1230 01:23:07,289 --> 01:23:08,992 [Slap for a kiss] 1231 01:23:11,312 --> 01:23:13,694 [ANAÍRA] AS YOU LIKE IT, I won't do it this time, no. 1232 01:23:13,694 --> 01:23:16,259 I WILL STAY. I'D PREFER TO STAY HERE. 1233 01:23:18,946 --> 01:23:22,188 [DALBERTO] AREN'T YOU GOING? WHAT? 1234 01:23:22,188 --> 01:23:24,237 [ANAÍRA] LIVE... I HAVE TO CLEAN THE HOUSE, DON'T I? 1235 01:23:24,237 --> 01:23:27,313 CLEAR EVERYTHING. LOTS OF THINGS TO DO. 1236 01:23:27,313 --> 01:23:32,084 [SHIP BELL] 1237 01:23:32,084 --> 01:23:33,084 [DALBERT] From. 1238 01:23:33,084 --> 01:23:43,094 ♪ 1239 01:23:43,094 --> 01:23:53,020 [WOOD SAWING] 1240 01:23:53,020 --> 01:23:54,780 [INALDO] HEY, NEIGHBORHOOD REFORM IT'S A FILE, RIGHT? 1241 01:23:54,780 --> 01:23:57,223 ANAÍRA WILL BE BOUND, BROTHER. 1242 01:23:57,223 --> 01:23:58,677 [WOOD SAWING] 1243 01:23:58,677 --> 01:23:59,981 [PSI SPEED] 1244 01:23:59,981 --> 01:24:03,511 [DALBERTO] ANAÍRA TA DIFFERENTLY. QUIET. 1245 01:24:03,511 --> 01:24:08,464 [INALDO] NORMAL, RIGHT, BROTHER? WOMAN, POOP. IT'S SIMPLY TRUE. 1246 01:24:08,464 --> 01:24:13,669 [WOOD SAWING] 1247 01:24:13,669 --> 01:24:15,394 [DALBERTO] YOU MEET HER WHILE I WAS OUT? 1248 01:24:15,394 --> 01:24:17,757 [INALDO] I WENT TO THE SHOPPING CENTER TAKE A PHOTO AND IT WAS THERE 1249 01:24:17,757 --> 01:24:20,116 COLLABORATION WITH DALMO, Ohio. SUPER, BIG, BROTHER, 1250 01:24:20,116 --> 01:24:23,337 SHOULD WE WORK TOGETHER? MY PHOTO HAS BEEN CONSIDERED, 1251 01:24:23,337 --> 01:24:24,700 okay? You're the only one selling bro. 1252 01:24:24,700 --> 01:24:26,861 THEN I'LL TAKE SOMETHING ELSE I'M NOT A BEAST, AM I? 1253 01:24:29,485 --> 01:24:31,585 GO TO THE PORTRAITIST I ANAIRA, is that right? 1254 01:24:33,010 --> 01:25:52,399 ♪TENSION MUSIC♪ 1255 01:25:52,399 --> 01:25:56,840 [HARD BREATH] 1256 01:25:56,840 --> 01:26:36,082 ♪TENSION MUSIC♪ 1257 01:26:36,082 --> 01:26:37,254 [ASSOPRO] 1258 01:26:37,254 --> 01:26:45,416 ♪TENSION MUSIC♪ 1259 01:26:45,416 --> 01:26:46,802 [DALBERTO] A THING TO CHOKE IN HERE. 1260 01:26:49,588 --> 01:26:50,863 I WANTED TO ASK YOU. 1261 01:26:50,863 --> 01:26:54,419 [PSI SPEED] 1262 01:26:54,419 --> 01:27:00,260 [HARD BREATH] 1263 01:27:00,260 --> 01:27:01,742 [DALBERTO] SOMETHING HAPPENED A THING IN THIS HOUSE 1264 01:27:01,742 --> 01:27:02,917 WHILE I WAS OUT? 1265 01:27:02,917 --> 01:27:08,831 [SILENCE] 1266 01:27:08,831 --> 01:27:09,849 [DALBERTO] Huh? 1267 01:27:09,849 --> 01:27:13,242 [BIRD SONG] 1268 01:27:13,242 --> 01:27:14,664 [DALBERTO] YOU WILL NOT LIE FOR ME, WILL YOU? 1269 01:27:14,664 --> 01:27:21,644 [PSI SPEED] 1270 01:27:21,644 --> 01:27:25,179 [DALBERTO] SPEAK. [DALMO] WHAT? WHAT ARE YOU SAYING? 1271 01:27:25,179 --> 01:27:28,058 [DALBERTO] YOU AND ANAÍRA. [DALMO] HUM? 1272 01:27:28,058 --> 01:27:29,184 [DALBERTO] YOU AND ANAÍRA. [DALMO] HUM. 1273 01:27:29,184 --> 01:27:30,415 [DALBERTO] YOU AND ANAÍRA. [DALMO] NO... 1274 01:27:30,415 --> 01:27:31,417 [DALBERTO] YOU AND ANAÍRA. [DALMO] NO! 1275 01:27:31,417 --> 01:27:34,095 [DALBERTO] YOU AND ANAÍRA! [DALMO] NO! 1276 01:27:34,095 --> 01:27:35,422 [DALBERTO] FREAKING STORIES! 1277 01:27:35,422 --> 01:27:38,750 [HARD BREATH] 1278 01:27:38,750 --> 01:27:40,627 [DALBERTO] SPEAK, SPEAK. 1279 01:27:40,627 --> 01:27:44,071 [DALMO] YOUR WIFE... 1280 01:27:44,071 --> 01:27:45,633 YOUR WIFE LIKES OTHER FUCKERS! 1281 01:27:45,633 --> 01:27:48,287 [HARD BREATH] 1282 01:27:48,287 --> 01:27:49,337 [DALBERTO] WHO? 1283 01:27:49,337 --> 01:27:53,556 [HARD BREATH] 1284 01:27:53,556 --> 01:27:54,578 [DALMO] [BREATHING] ARMING... 1285 01:27:56,718 --> 01:27:57,831 YOUR WIFE LOVES ARMAND. 1286 01:27:57,831 --> 01:27:59,691 [DALBERTO] NO. [DALMO] LOVE. LOVE. 1287 01:27:59,691 --> 01:28:08,268 [STEPS] 1288 01:28:08,268 --> 01:28:10,506 [DALMO] ARMANDO... [DALBERTO] NO, THAT'S A LIE. 1289 01:28:10,506 --> 01:28:11,826 [DALMO] IS STRONGER THAN THEM. 1290 01:28:11,826 --> 01:28:14,486 [DALBERTO] NO, NO, NO. LIE. 1291 01:28:14,486 --> 01:28:19,910 [STEPS] 1292 01:28:19,910 --> 01:28:21,839 [DALBERTO] [WHISPERS] CA... FREAKING. 1293 01:28:21,839 --> 01:28:25,591 [SHOCK ON THE GROUND] 1294 01:28:25,591 --> 01:28:26,933 [DALBERTO] THAT'S A LIE, MAN! 1295 01:28:26,933 --> 01:28:29,870 [DALMO] "LIE"? SHE LEFT A TICKET. 1296 01:28:29,870 --> 01:28:35,366 [PAPER HANDLING] 1297 01:28:35,366 --> 01:28:40,524 [HARD BREATH] 1298 01:28:40,524 --> 01:28:43,327 [PSI SPEED] 1299 01:28:43,327 --> 01:28:44,371 [DALBERTO] WHERE IS HE? 1300 01:28:44,371 --> 01:28:45,982 [DALMO] I DON'T KNOW, MAN. 1301 01:28:45,982 --> 01:28:47,227 [DALBERTO] WHERE IS HE? [DALMO] I DON'T KNOW! 1302 01:28:47,227 --> 01:28:48,357 [DALBERTO] WHERE IS HE? [DALMO] I DON'T KNOW... 1303 01:28:48,357 --> 01:28:49,489 [DALBERTO] WHERE IS HE! [DALMO] [SCREAMING] IN MANAUS, 1304 01:28:49,489 --> 01:28:51,350 SPERM! 1305 01:28:51,350 --> 01:28:53,157 [DALBERTO] WHERE IN MANAUUS? 1306 01:28:53,157 --> 01:28:55,134 [HARD BREATH] 1307 01:28:55,134 --> 01:28:57,094 [DALBERTO] WHERE IN MANAUUS? MANAUS IS A TREE OF ANTS. 1308 01:28:57,094 --> 01:28:58,177 [DALMO] FUCK YOU! 1309 01:28:58,177 --> 01:28:59,383 [DALBERTO] WHERE IN MANAUUS? [DALMO] I WILL NOT TALK... 1310 01:28:59,383 --> 01:29:00,398 [DALBERTO] [SCREAMING] TELL ME FREAKING! 1311 01:29:00,398 --> 01:29:01,594 [DALMO] I WILL NOT TALK... [DALBERTO] YOU ARE MY BROTHER! 1312 01:29:01,594 --> 01:29:02,677 [DALMO] [SCREAMING] HIM TOO THAT'S MY BROTHER! 1313 01:29:02,677 --> 01:29:03,745 [DALBERTO] [SCREAMING] YOU ARE MINE CONSIDER! 1314 01:29:03,745 --> 01:29:06,000 [DALMO] FUCK YOU! FOR, FOR... [DALBERTO] WHERE IS HE? 1315 01:29:06,000 --> 01:29:07,834 TELL ME WHERE IT IS! I WILL FIND OUT! 1316 01:29:07,834 --> 01:29:10,642 [DALMO] CALM, CALM. QUIET. 1317 01:29:10,642 --> 01:29:11,834 [DALBERTO] SAYS WHERE HE'S GOING Okay, I'll find out. 1318 01:29:11,834 --> 01:29:15,063 [DALMO] [WHISPERS] CALM, CALM, CALM, CALM. 1319 01:29:15,063 --> 01:29:16,273 [DALBERTO] WHERE IS HE? [DALMO] CALM, 1320 01:29:16,273 --> 01:29:18,304 I SENT IT TO THE SITE. KEEP CALM. 1321 01:29:18,304 --> 01:29:19,881 ♪TENSION MUSIC♪ 1322 01:29:19,881 --> 01:29:21,005 [DALBERTO] I WILL TALK WITH HIM. 1323 01:29:21,005 --> 01:29:22,233 [DALMO] PEACE, PEACE, PEACE, CALM. 1324 01:29:22,233 --> 01:29:27,912 [DALBERTO] I AM CALM, LEAVE IT. I NEED TO TALK TO HIM. GO AWAY. 1325 01:29:27,912 --> 01:29:29,559 ♪TENSION MUSIC♪ 1326 01:29:29,559 --> 01:29:31,267 [DALBERTO] NO, WE'RE GOING THERE... [DALMO] NO, NO, NO. 1327 01:29:31,267 --> 01:29:32,697 [DALBERTO] WE NEED TO TALK WITH HIM, MAN. 1328 01:29:32,697 --> 01:29:35,017 [DALMO] [WHISPER] STAY HERE. STAY WITH ME, STAY HERE. 1329 01:29:35,017 --> 01:29:37,790 [DALBERTO] [SCREAMING] LET ME GO SPERM! 1330 01:29:37,790 --> 01:30:14,162 ♪TENSION MUSIC♪ 1331 01:30:14,162 --> 01:30:23,596 [HARD BREATH] 1332 01:30:23,596 --> 01:31:06,903 ♪TENSION MUSIC♪ 1333 01:31:06,903 --> 01:31:08,641 [DALBERTO] [SIGHS] 1334 01:31:08,641 --> 01:31:15,267 ♪TENSION MUSIC♪ 1335 01:31:15,267 --> 01:31:17,165 [DALBERTO] [SIGHS] 1336 01:31:17,165 --> 01:31:54,652 ♪TENSION MUSIC♪ 1337 01:31:54,652 --> 01:32:00,309 [DALBERTO] [SIGHS] 1338 01:32:00,309 --> 01:32:06,663 [GUN ROCK] 1339 01:32:06,663 --> 01:32:14,132 [DALBERTO] [SIGHS] 1340 01:32:14,132 --> 01:32:40,600 ♪TENSION MUSIC♪ 1341 01:32:40,600 --> 01:32:41,812 [ANAÍRA] HAVE YOU SEEN DALBERT TODAY? 1342 01:32:41,812 --> 01:32:43,419 [MAN] I SAW NO, HE LEFT EARLY. 1343 01:32:43,419 --> 01:32:52,686 [SHIP ENGINE] 1344 01:32:52,686 --> 01:33:01,624 [STEPS] 1345 01:33:01,624 --> 01:33:02,751 [ANAÍRA] HAVE YOU SEEN DALBERT? 1346 01:33:04,784 --> 01:33:07,391 HE DIDN'T SLEEP AT HOME, I WAS IN PORT, 1347 01:33:07,391 --> 01:33:08,731 I ASKED, NO ONE KNOWS. 1348 01:33:08,731 --> 01:33:10,983 [STEPS] 1349 01:33:10,983 --> 01:33:12,607 [DALMO] HE ALREADY KNOWS. 1350 01:33:12,607 --> 01:33:14,381 [ANAÍRA] WHAT? 1351 01:33:14,381 --> 01:33:15,500 [DALMO] I ARM YOU. 1352 01:33:15,500 --> 01:33:20,477 [STEPS] 1353 01:33:20,477 --> 01:33:21,482 [ANAÍRA] HOW? 1354 01:33:21,482 --> 01:33:26,582 [SILENCE] 1355 01:33:26,582 --> 01:33:27,906 [DALMO] DALBERTO followed him. FROM ARMAND. 1356 01:33:27,906 --> 01:33:30,548 [ANAÍRA] YOU LEFT HIM TOO? 1357 01:33:30,548 --> 01:33:32,369 [DALMO] I DID EVERYTHING TO PREVENT IT, EVERYONE. 1358 01:33:32,369 --> 01:33:34,198 [ANAÍRA] I WILL FOLLOW THEM. [DALMO] CALM, CALM. 1359 01:33:34,198 --> 01:33:36,927 [ANAÍRA] I WILL. [DALMO] CALM, CALM. QUIET. 1360 01:33:36,927 --> 01:33:37,972 [ANAÍRA] I HAVE TO GO. 1361 01:33:37,972 --> 01:33:39,490 [DALMO] CALM. [ANAÍRA] WHERE ARE THEY? 1362 01:33:39,490 --> 01:33:41,094 [DALMO] NO, NO. PEACE PEACE. [ANAÍRA] WHERE ARE THEY? 1363 01:33:41,094 --> 01:33:43,536 [DALMO] I KNOW, I WILL UNDERSTAND THE SHIP AND I WILL FOLLOW THEM. 1364 01:33:43,536 --> 01:33:44,686 [ANAÍRA] I'M GOING WITH YOU. [DALMO] NO, 1365 01:33:44,686 --> 01:33:48,945 IT'S DANGEROUS. DANGEROUS FOR YOU. DANGEROUS FOR THEM. 1366 01:33:48,945 --> 01:34:16,028 ♪TENSION MUSIC♪ 1367 01:34:16,028 --> 01:34:26,559 [CRYING] 1368 01:34:26,559 --> 01:34:33,655 ♪TENSION MUSIC♪ 1369 01:34:33,655 --> 01:34:38,444 [HARD BREATH] 1370 01:34:38,444 --> 01:34:40,679 [PIG GROWS] 1371 01:34:40,679 --> 01:34:43,085 [HARD BREATH] 1372 01:34:43,085 --> 01:34:49,887 [PIG GROWS] 1373 01:34:49,887 --> 01:35:01,897 [HARD BREATH] 1374 01:35:01,897 --> 01:35:08,529 [NATURAL ENVIRONMENT] 1375 01:35:08,529 --> 01:35:20,241 ♪TENSION MUSIC♪ 1376 01:35:20,241 --> 01:35:21,318 [DALBERTO] [SHOUTS] ARMANDO! 1377 01:35:24,770 --> 01:35:25,880 ARMING! 1378 01:35:25,880 --> 01:35:37,630 ♪TENSION MUSIC♪ 1379 01:35:37,630 --> 01:35:42,841 [CIKADO BRUSH] 1380 01:35:42,841 --> 01:35:47,456 [DALBERTO] PUTTING A GRAPE INTO MY SKIN BACK, IT'S DONE WITH ME NOW. 1381 01:35:47,456 --> 01:35:50,888 FUCK ME, GO! 1382 01:35:50,888 --> 01:35:55,217 GO! TAKE MY LIFE, GO. RECORD! GO! 1383 01:35:55,217 --> 01:35:57,690 [CIKADO BRUSH] 1384 01:35:57,690 --> 01:35:59,172 [ARMANDO] STOP, DALBERTO. [DALBERTO] FUCK ME! 1385 01:35:59,172 --> 01:36:00,631 [ARMING] STOP THE FUCKING... [DALBERTO] FUCK ME MAN... 1386 01:36:00,631 --> 01:36:03,790 [ARMING] [SHOUTING] AT, FREAKING! FOR! 1387 01:36:03,790 --> 01:36:06,608 [DALBERT] YOU TWO... 1388 01:36:06,608 --> 01:36:08,957 [CIKADO BRUSH] 1389 01:36:08,957 --> 01:36:10,580 [ARMANDO] PROMISES NOT TO GO DO NOT DO ANYTHING WITH HER! 1390 01:36:10,580 --> 01:36:17,212 [CIKADO BRUSH] 1391 01:36:17,212 --> 01:36:18,735 [ARMANDO] PROMISES NOT TO GO DO NOT DO ANYTHING WITH HER! 1392 01:36:18,735 --> 01:36:19,833 [DALBERTO] DO YOU MEAN THAT? AM I A COWARD? 1393 01:36:19,833 --> 01:36:21,157 [ARMANDO] [SCREAMING] I LOVE IT ANAIRA! 1394 01:36:21,157 --> 01:36:25,699 [CIKADO BRUSH] 1395 01:36:25,699 --> 01:36:30,925 [HARD BREATH] 1396 01:36:30,925 --> 01:36:35,579 [CIKADO BRUSH] 1397 01:36:35,579 --> 01:36:37,538 [ARMANDO] [BUILT-IN GLASS] I LOVE ANAÍRA, BROTHER. 1398 01:36:37,538 --> 01:36:38,729 [DALBERTO] FINISH ME. 1399 01:36:40,889 --> 01:36:44,154 PLEASE FINISH WITH ME. 1400 01:36:44,154 --> 01:36:45,988 [ARMANDO] [BUILT-IN GLASS] I'M FORGIVE, MAN. 1401 01:36:45,988 --> 01:36:47,525 [DALBERTO] TAKE IT HERE, IT BREAKS ME. 1402 01:36:47,525 --> 01:36:48,754 [ARMANDO] [BUILT-IN GLASS] I'M FORGIVE, MAN. 1403 01:36:48,754 --> 01:36:51,349 [CIKADO BRUSH] 1404 01:36:51,349 --> 01:36:53,969 [ARMANDO] [EMBARGOED VOICE] ME I'M FORGIVE, MAN. I'M FORGIVE, MAN. 1405 01:36:53,969 --> 01:36:55,297 [DALBERTO] STOP! 1406 01:36:55,297 --> 01:37:04,729 ♪TENSION MUSIC♪ 1407 01:37:04,729 --> 01:37:15,788 [ARMANDO] [COUGH] 1408 01:37:15,788 --> 01:37:20,528 ♪DRAMATIC MUSIC♪ 1409 01:37:20,528 --> 01:37:27,773 [BIRD SONG] 1410 01:37:27,773 --> 01:37:40,813 ♪DRAMATIC MUSIC♪ 1411 01:37:40,813 --> 01:37:50,907 [BIRD SONG] 1412 01:37:50,907 --> 01:38:13,009 ♪DRAMATIC MUSIC♪ 1413 01:38:13,009 --> 01:38:32,145 [SILENCE] 1414 01:38:32,145 --> 01:39:01,965 ♪ 1415 01:39:01,965 --> 01:39:08,834 [CRYING] 1416 01:39:08,834 --> 01:39:15,193 ♪DRAMATIC MUSIC♪ 1417 01:39:15,193 --> 01:39:30,588 [CRYING] 1418 01:39:30,588 --> 01:39:31,745 [ANAÍRA] [FORBIDDEN VOICE] OPEN. 1419 01:39:35,545 --> 01:39:36,811 [SIGH] 1420 01:39:36,811 --> 01:39:51,257 [SILENCE] 1421 01:39:51,257 --> 01:39:55,187 [ANAÍRA] [SIGHS] 1422 01:39:55,187 --> 01:40:02,467 [SILENCE] 1423 01:40:02,467 --> 01:40:03,533 [DALBERTO] IT'S ME IT SHOULD BE HERE. 1424 01:40:06,938 --> 01:40:08,013 [ANAÍRA] [TYPE] 1425 01:40:10,704 --> 01:40:13,654 [VOICE OBJECTION] I DIDN'T WANT TO HAVE IT RADIO TWO. [KINDLY] 1426 01:40:17,400 --> 01:40:18,536 [DALBERTO] TAKE CARE OF YOU TWO, 1427 01:40:18,536 --> 01:40:20,145 I'M GOING TO THE POLICE TO SURRENDER. 1428 01:40:20,145 --> 01:40:21,243 [MAMEDE] WE'RE GOING WITH YOU. [DALBERTO] NO, NO, NO, 1429 01:40:21,243 --> 01:40:22,458 I WILL GO ALONE. 1430 01:40:24,793 --> 01:40:28,413 [CRYING] 1431 01:40:28,413 --> 01:42:35,365 ♪DRAMATIC MUSIC♪ 1432 01:42:35,365 --> 01:44:38,192 ♪ 1433 01:44:38,192 --> 01:44:39,610 ♪I'M DYING OF HEALTH♪ 1434 01:44:39,610 --> 01:44:42,211 ♪ IT DOESN'T STOP HERE ♪ 1435 01:44:42,211 --> 01:44:44,028 ♪MY WISH♪ 1436 01:44:44,028 --> 01:44:45,563 ♪BABY, MY JOY♪ 1437 01:44:45,563 --> 01:44:47,953 ♪MY LIFE IS TO STAY HERE♪ 1438 01:44:47,953 --> 01:44:50,180 ♪NEAR YOU, MY SOUL♪ 1439 01:44:50,180 --> 01:44:51,877 ♪DEAR, DON'T WAIT♪ 1440 01:44:51,877 --> 01:44:54,029 ♪I NEED YOUR KISS♪ 1441 01:44:54,029 --> 01:44:55,868 ♪AND THAT'S YOU♪ 1442 01:44:55,868 --> 01:44:57,869 ♪YOUR MOUTH, YOUR MYSTERY♪ 1443 01:44:57,869 --> 01:44:59,137 ♪I WANT YOU♪ 1444 01:44:59,137 --> 01:45:00,677 ♪INSIDE AND OUTSIDE ME♪ 1445 01:45:00,677 --> 01:45:02,680 ♪NEAR YOU, BABY♪ 1446 01:45:02,680 --> 01:45:05,693 ♪ 1447 01:45:05,693 --> 01:45:10,150 ♪LOVE DOES THIS ♪ 1448 01:45:10,150 --> 01:45:12,769 ♪ GET ME OUT OF HERE ♪ 1449 01:45:12,769 --> 01:45:16,234 ♪IN THE ENDLESS DANCE♪ 1450 01:45:16,234 --> 01:45:19,027 ♪I WANT TO BE YOUR COUPLE♪ 1451 01:45:19,027 --> 01:45:21,682 ♪LOVE DOES THIS ♪ 1452 01:45:21,682 --> 01:45:23,086 ♪ 1453 01:45:23,086 --> 01:45:25,329 ♪GET HIM OUT♪ 1454 01:45:25,329 --> 01:45:28,768 ♪I WANT YOU FOR MYSELF♪ 1455 01:45:28,768 --> 01:45:30,017 ♪SURRENDER♪ 1456 01:45:30,017 --> 01:45:32,758 ♪ TAKE ME IN FLIGHT ♪ 1457 01:45:32,758 --> 01:45:51,020 ♪ 1458 01:45:53,314 --> 01:46:12,038 ♪ 1459 01:46:12,038 --> 01:46:14,585 ♪I KNOW♪ 1460 01:46:14,585 --> 01:46:18,063 ♪ I STILL REMEMBER ♪ 1461 01:46:18,063 --> 01:46:20,186 ♪ 1462 01:46:20,186 --> 01:46:24,294 ♪EVERYTHING THAT MOVES♪ 1463 01:46:24,294 --> 01:46:28,633 ♪MY FEELING♪ 1464 01:46:28,633 --> 01:46:30,567 ♪BURNING♪ 1465 01:46:30,567 --> 01:46:32,334 ♪I KNOW♪ 1466 01:46:32,334 --> 01:46:34,479 ♪ 1467 01:46:34,479 --> 01:46:37,863 ♪WHAT MOVES ME♪ 1468 01:46:37,863 --> 01:46:41,394 ♪MY WILL♪ 1469 01:46:41,394 --> 01:46:43,319 ♪ 1470 01:46:43,319 --> 01:46:45,793 ♪​LET ME SEE YOUR CLOTHES♪ 1471 01:46:45,793 --> 01:46:47,762 ♪SLOWDOWN♪ 1472 01:46:47,762 --> 01:46:49,654 ♪ 1473 01:46:49,654 --> 01:46:50,839 ♪I TRIED ♪ 1474 01:46:50,839 --> 01:46:53,890 ♪SO LONG♪ 1475 01:46:53,890 --> 01:46:57,623 ♪​TO UNDERSTAND YOUR SILENCE♪ 1476 01:46:57,623 --> 01:46:59,273 ♪ 1477 01:46:59,273 --> 01:47:00,715 ♪LIFE IS CREATED♪ 1478 01:47:00,715 --> 01:47:03,265 ♪MOMENTS♪ 1479 01:47:03,265 --> 01:47:07,008 ♪AND LEAVES A TRAIL OF ILLUSION♪ 1480 01:47:07,008 --> 01:47:08,831 ♪AND SUFFERING♪ 1481 01:47:08,831 --> 01:47:29,189 ♪ 1482 01:47:29,189 --> 01:47:31,439 ♪ TODAY♪ 1483 01:47:31,439 --> 01:47:34,266 ♪Catch me singing♪ 1484 01:47:34,266 --> 01:47:38,267 ♪ 1485 01:47:38,267 --> 01:47:40,427 ♪LOVE RHYMES♪ 1486 01:47:40,427 --> 01:47:43,451 ♪WITHOUT SAYING YOUR NAME♪ 1487 01:47:43,451 --> 01:47:47,784 ♪ 1488 01:47:47,784 --> 01:47:52,466 ♪YET I ASK A QUESTION♪ 1489 01:47:52,466 --> 01:47:55,172 ♪ 1490 01:47:55,172 --> 01:47:57,342 ♪LET ME SAY I STILL LIKE HIM♪ 1491 01:47:57,342 --> 01:47:59,583 ♪​YOU CAN SEE♪ 1492 01:47:59,583 --> 01:48:03,440 ♪LIVING CRY♪ 1493 01:48:09,177 --> 01:48:09,178 .