1 00:00:23,457 --> 00:00:24,658 HEY, ANDY. 2 00:00:24,692 --> 00:00:26,127 HEY, ANDY. 3 00:00:26,160 --> 00:00:27,461 WHAT'S UP, HOWARD? 4 00:00:27,495 --> 00:00:30,098 BOY, HAVE I GOT A SURPRISE FOR YOU. 5 00:00:30,131 --> 00:00:31,232 YEAH? 6 00:00:31,265 --> 00:00:32,500 BRACE YOURSELF. 7 00:00:32,533 --> 00:00:33,667 OOP, I'M BRACED. 8 00:00:33,701 --> 00:00:36,104 AN OLD FRIEND OF YOURS IS BACK IN TOWN. 9 00:00:36,137 --> 00:00:37,105 NO KIDDING. 10 00:00:37,138 --> 00:00:38,106 GET SET. 11 00:00:38,139 --> 00:00:39,207 WHO? I'M SET. 12 00:00:39,240 --> 00:00:40,341 ALICE HARPER. 13 00:00:40,374 --> 00:00:41,742 ALICE HARPER? 14 00:00:41,775 --> 00:00:43,077 YEAH. 15 00:00:43,111 --> 00:00:44,778 NO KIDDING. 16 00:00:44,812 --> 00:00:46,280 YEAH. I RAN INTO HER. 17 00:00:46,314 --> 00:00:48,516 SHE SAID SHE CAME BY HERE TO SEE YOU 18 00:00:48,549 --> 00:00:49,617 BUT YOU WERE OUT. 19 00:00:49,650 --> 00:00:50,684 OH. 20 00:00:50,718 --> 00:00:52,453 GEE, ALICE HARPER. 21 00:00:52,486 --> 00:00:54,688 THAT'S BEEN A LONG TIME. 22 00:00:54,722 --> 00:00:56,157 YEAH. 23 00:00:56,190 --> 00:00:58,826 ALMOST TEN YEARS SINCE SHE LEFT TOWN. 24 00:00:58,859 --> 00:01:00,561 SHE'S PRETTY AS EVER. 25 00:01:00,594 --> 00:01:02,696 PUT ON A POUND OR TWO, TOO. 26 00:01:02,730 --> 00:01:04,498 IN THE RIGHT PLACES? 27 00:01:04,532 --> 00:01:06,734 OH, WELL... 28 00:01:08,769 --> 00:01:12,106 GEE, IT'LL BE GOOD TO SEE ALICE AGAIN. 29 00:01:12,140 --> 00:01:14,108 YEAH, SHE WAS GOING BY YOUR HOUSE. 30 00:01:14,142 --> 00:01:16,210 SHE WANTED TO SAY HELLO TO AUNT BEE. 31 00:01:16,244 --> 00:01:18,346 OH. 32 00:01:18,379 --> 00:01:20,448 HEY, ANDY, YOU KNOW WHO'S BACK IN TOWN? 33 00:01:20,481 --> 00:01:21,715 YOU'LL NEVER GUESS. 34 00:01:21,749 --> 00:01:23,184 ALICE HARPER. 35 00:01:23,217 --> 00:01:24,452 ALICE HARPER. 36 00:01:24,485 --> 00:01:25,719 OH, YOU KNOW. 37 00:01:25,753 --> 00:01:26,854 YEAH. 38 00:01:26,887 --> 00:01:28,322 I JUST TOLD HIM. 39 00:01:28,356 --> 00:01:29,857 BET I KNOW WHY SHE'S BACK. 40 00:01:29,890 --> 00:01:30,891 IT'S A FREE COUNTRY. 41 00:01:30,924 --> 00:01:32,193 SHE WAS BORN HERE. 42 00:01:32,226 --> 00:01:33,761 SHE CAN COME BACK IF SHE WANTS TO. 43 00:01:33,794 --> 00:01:35,229 THAT AIN'T THE REASON. 44 00:01:35,263 --> 00:01:36,530 YOU OLD DOG, YOU. 45 00:01:36,564 --> 00:01:38,732 I REMEMBER HOW FRIENDLY YOU TWO USED TO BE. 46 00:01:38,766 --> 00:01:40,568 NEVER SEEN ONE WITHOUT THE OTHER. 47 00:01:40,601 --> 00:01:41,835 ANDY AND ALICE. 48 00:01:41,869 --> 00:01:44,338 THEY USED TO SAY THE TWO LOVEBIRDS. 49 00:01:44,372 --> 00:01:45,606 RIGHT, HOWARD? 50 00:01:45,639 --> 00:01:47,875 WELL, THERE DID SEEM TO BE A BOND THERE. 51 00:01:47,908 --> 00:01:49,443 HEY... HEY, HOWARD. 52 00:01:49,477 --> 00:01:50,511 HOWARD... 53 00:01:50,544 --> 00:01:51,912 COME TO THINK OF IT 54 00:01:51,945 --> 00:01:55,183 I REMEMBER YOU USED TO HAVE A CRUSH ON HER, TOO. 55 00:01:55,216 --> 00:01:58,219 WELL, I ALWAYS HAD THE UTMOST RESPECT FOR HER. 56 00:01:58,252 --> 00:01:59,320 YOU HAD A CRUSH. 57 00:01:59,353 --> 00:02:00,621 AW, COME ON, GOOBER. 58 00:02:00,654 --> 00:02:01,855 YES, YOU DID. 59 00:02:01,889 --> 00:02:03,491 WELL, I GOT TO GO NOW. 60 00:02:03,524 --> 00:02:05,459 I'LL, UH, I'LL SEE YOU LATER. 61 00:02:05,493 --> 00:02:06,794 I'LL SEE YOU, HOWARD. 62 00:02:06,827 --> 00:02:08,429 CRUSH. 63 00:02:08,462 --> 00:02:10,498 YOU KNOW, HE WAS CRAZY ABOUT HER 64 00:02:10,531 --> 00:02:12,800 BUT HE ALWAYS KNEW SHE WAS YOUR GIRL. 65 00:02:12,833 --> 00:02:14,802 GOOB, DID ANYBODY EVER TELL YOU 66 00:02:14,835 --> 00:02:16,270 YOU GOT A BIG MOUTH? 67 00:02:16,304 --> 00:02:18,906 YEAH, BUT I DON'T PAY NO ATTENTION TO 'EM. 68 00:02:18,939 --> 00:02:20,374 HEY, ANDY 69 00:02:20,408 --> 00:02:22,643 DO YOU THINK THIS MIGHT CAUSE ANY TROUBLE 70 00:02:22,676 --> 00:02:24,512 BETWEEN, UH, YOU AND HELEN? 71 00:02:24,545 --> 00:02:26,580 WHY SHOULD IT CAUSE ANY TROUBLE 72 00:02:26,614 --> 00:02:27,948 BETWEEN ME AND HELEN? 73 00:02:27,981 --> 00:02:30,484 WELL, WITH ALICE BEING BACK IN TOWN 74 00:02:30,518 --> 00:02:32,386 IT'S ONE OF THEM RECTANGLES. 75 00:02:32,420 --> 00:02:34,655 TRIANGLES. YEAH. 76 00:02:34,688 --> 00:02:37,558 YOU BEEN READING THOSE STORIES AGAIN, HAVEN'T YOU? 77 00:02:37,591 --> 00:02:39,393 WELL, I READ THIS ONE WHERE THIS WIFE WAS JEALOUS 78 00:02:39,427 --> 00:02:40,861 OVER HER HUSBAND'S OLD GIRLFRIEND. 79 00:02:40,894 --> 00:02:43,264 GOOB, ALICE AND I DON'T MEAN ANYTHING 80 00:02:43,297 --> 00:02:44,465 TO ONE ANOTHER ANYMORE. 81 00:02:44,498 --> 00:02:46,967 I KNOW THAT, YOU KNOW THAT, 82 00:02:47,000 --> 00:02:49,803 BUT WHAT ABOUT HELEN? 83 00:02:49,837 --> 00:02:52,273 BOY, I BET IT'S FUN LIVING IN NEW YORK. 84 00:02:52,306 --> 00:02:53,741 OH, IT IS FOR A WHILE, OPIE. 85 00:02:53,774 --> 00:02:56,744 BUT I DON'T THINK YOU'D LIKE IT AS MUCH AS MAYBERRY. 86 00:02:56,777 --> 00:02:58,779 HEY, ALICE! 87 00:03:00,914 --> 00:03:02,216 ANDY! 88 00:03:02,250 --> 00:03:03,484 WELL... ALICE. 89 00:03:03,517 --> 00:03:04,752 LET ME LOOK. 90 00:03:06,387 --> 00:03:07,621 HOWARD WAS RIGHT. 91 00:03:07,655 --> 00:03:09,223 YOU'RE AS PRETTY AS EVER. 92 00:03:09,257 --> 00:03:10,891 AUNT BEE HAD TO GO TO THE MARKET. 93 00:03:10,924 --> 00:03:13,294 I WAS SUPPOSED TO ENTERTAIN MISS HARPER. 94 00:03:13,327 --> 00:03:14,962 HE'S BEEN DOING A FINE JOB OF IT. 95 00:03:14,995 --> 00:03:17,965 MISS HARPER'S GOING TO STAY IN MAYBERRY FOR GOOD. 96 00:03:17,998 --> 00:03:20,968 UH-HUH. I'M HAVING THE OLD HOUSE CLEANED AND PAINTED. 97 00:03:21,001 --> 00:03:22,470 WELL, HOW ABOUT THAT? 98 00:03:22,503 --> 00:03:24,838 IN THREE OR FOUR DAYS, I'LL BE ABLE TO MOVE IN 99 00:03:24,872 --> 00:03:27,775 AND SETTLE DOWN AND BECOME A REAL MAYBERRYITE AGAIN. 100 00:03:27,808 --> 00:03:29,810 WELL, COME OVER HERE AND SIT DOWN 101 00:03:29,843 --> 00:03:31,279 AND TELL ME ABOUT IT. 102 00:03:31,312 --> 00:03:32,480 WHAT MADE YOU DECIDE 103 00:03:32,513 --> 00:03:33,947 TO COME BACK TO MAYBERRY? 104 00:03:33,981 --> 00:03:35,516 OH, I DON'T KNOW, ANDY. 105 00:03:35,549 --> 00:03:36,984 WELL, I'VE GOT THE HOUSE. 106 00:03:37,017 --> 00:03:39,520 I'VE GOT ENOUGH TO HOLD ME FOR A WHILE. 107 00:03:39,553 --> 00:03:41,855 SO I THOUGHT I'D COME BACK AND TRY IT. 108 00:03:41,889 --> 00:03:42,856 WELL, WHY NOT? 109 00:03:42,890 --> 00:03:44,325 WHERE ARE YOU STAYING 110 00:03:44,358 --> 00:03:45,726 UNTIL THE HOUSE IS READY? 111 00:03:45,759 --> 00:03:46,860 AT THE HOTEL. 112 00:03:46,894 --> 00:03:48,929 AUNT BEE SAID YOU'RE STAYING HERE. 113 00:03:48,962 --> 00:03:49,963 HERE? 114 00:03:49,997 --> 00:03:51,699 I DON'T REALLY THINK SO, OPIE. 115 00:03:51,732 --> 00:03:54,735 AUNT BEE SAID FOR YOU TO GO GET MISS HARPER'S BAGS 116 00:03:54,768 --> 00:03:57,305 AND NOT LET HER GIVE YOU ANY ARGUMENTS. 117 00:03:57,338 --> 00:04:00,040 WELL, YOU HEARD WHAT AUNT BEE SAID. 118 00:04:00,073 --> 00:04:02,876 WE BETTER GO. 119 00:04:02,910 --> 00:04:04,512 AND AUNT BEE SAID TO BE SURE 120 00:04:04,545 --> 00:04:06,680 THEY DON'T CHARGE HER ANYTHING FOR THE ROOM 121 00:04:06,714 --> 00:04:08,982 BECAUSE SHE HASN'T EVEN TAKEN A NAP ON THE BED. 122 00:04:12,653 --> 00:04:14,755 WELL, EVERYTHING'S ALL SET. 123 00:04:14,788 --> 00:04:17,391 YOU CAN STAY AS LONG AS YOU LIKE. 124 00:04:17,425 --> 00:04:18,826 OH, THANK YOU, ANDY. 125 00:04:20,328 --> 00:04:23,631 OH, THE HOUSE IS JUST THE WAY I REMEMBER IT. 126 00:04:23,664 --> 00:04:26,667 WELL, I GUESS THINGS DON'T CHANGE MUCH 127 00:04:26,700 --> 00:04:28,936 IN A LITTLE TOWN LIKE THIS. 128 00:04:28,969 --> 00:04:30,003 I GUESS SO. 129 00:04:30,037 --> 00:04:31,372 THERE YOU ARE. 130 00:04:31,405 --> 00:04:32,506 NO, NOT MUCH. 131 00:04:32,540 --> 00:04:33,741 NO, NO. 132 00:04:33,774 --> 00:04:36,477 YOU KNOW, IT'S AWFULLY NICE OF YOU, ANDY 133 00:04:36,510 --> 00:04:38,912 LETTING ME BARGE IN LIKE THIS. 134 00:04:38,946 --> 00:04:41,782 OH, COME ON, YOU'RE NOT BARGING IN. 135 00:04:41,815 --> 00:04:44,385 YOU'RE JUST MORE THAN WELCOME. 136 00:04:44,418 --> 00:04:46,720 WELL, IT'S BEEN A LONG TIME. 137 00:04:46,754 --> 00:04:49,423 WELL, IT HASN'T BEEN THAT LONG. 138 00:04:50,691 --> 00:04:53,494 NO, IT HASN'T BEEN THAT LONG. 139 00:04:53,527 --> 00:04:54,828 ANDY... 140 00:04:54,862 --> 00:04:57,665 WE DID HAVE SOME GOOD TIMES TOGETHER, DIDN'T WE? 141 00:04:57,698 --> 00:04:58,932 YES, WE DID. 142 00:04:58,966 --> 00:05:01,735 WE HAD SOME FINE TIMES TOGETHER. 143 00:05:05,105 --> 00:05:06,740 REMEMBER... REMEMBER... 144 00:05:08,776 --> 00:05:13,814 REMEMBER THE FIRST TIME I EVER TOOK YOU TO THE FAIR? 145 00:05:13,847 --> 00:05:15,816 UH-HUH. AND WE WERE UP IN THE FERRIS WHEEL 146 00:05:15,849 --> 00:05:17,518 AND IT GOT STUCK AT THE VERY TOP 147 00:05:17,551 --> 00:05:19,553 AND YOU STARTED SCREAMING YOUR HEAD OFF. 148 00:05:19,587 --> 00:05:20,821 OH, YEAH. OH, YEAH. 149 00:05:20,854 --> 00:05:23,090 WELL, I DIDN'T LIKE TO BE UP THAT HIGH. 150 00:05:23,123 --> 00:05:25,726 REMEMBER THE TIME THAT I RENTED THAT CANOE 151 00:05:25,759 --> 00:05:28,729 AND TOOK YOU RIGHT OUT IN THE MIDDLE OF THE LAKE? 152 00:05:28,762 --> 00:05:31,031 AND YOU STOOD UP IN IT. 153 00:05:31,064 --> 00:05:32,666 SEEMED LIKE THE THING TO DO. 154 00:05:32,700 --> 00:05:34,101 DINGDONG. ANYBODY...? 155 00:05:34,134 --> 00:05:35,569 OH! HI, HELEN! 156 00:05:35,603 --> 00:05:36,837 I'M SORRY, ANDY. 157 00:05:36,870 --> 00:05:38,972 I DIDN'T KNOW YOU HAD COMPANY. 158 00:05:39,006 --> 00:05:40,508 NO, NO, COME ON IN. 159 00:05:40,541 --> 00:05:41,742 COME ON IN. 160 00:05:41,775 --> 00:05:44,578 HELEN, I'D LIKE YOU TO MEET ALICE HARPER. 161 00:05:44,612 --> 00:05:46,547 SHE'S AN OLD FRIEND OF MINE. 162 00:05:46,580 --> 00:05:48,416 HI. HOW DO YOU DO, ALICE? 163 00:05:48,449 --> 00:05:49,717 THIS IS HELEN CRUMP. 164 00:05:49,750 --> 00:05:50,918 UH-HUH. 165 00:05:50,951 --> 00:05:52,953 SHE'S OPIE'S SCHOOLTEACHER. 166 00:05:52,986 --> 00:05:54,555 Alice: OH! 167 00:05:54,588 --> 00:05:56,657 OH, IF ALL YOUR STUDENTS ARE LIKE OPIE 168 00:05:56,690 --> 00:05:58,459 YOU REALLY MUST ENJOY TEACHING. 169 00:05:58,492 --> 00:05:59,727 OH, I DO. 170 00:05:59,760 --> 00:06:02,530 YOU'RE HERE FOR A VACATION, ALICE? 171 00:06:02,563 --> 00:06:04,965 NO. NO, I'VE COME BACK HERE TO LIVE. 172 00:06:04,998 --> 00:06:08,402 ALICE IS STAYING HERE WITH US. 173 00:06:08,436 --> 00:06:10,971 TILL HER PLACE IS READY. 174 00:06:11,004 --> 00:06:12,473 ANDY WAS KIND ENOUGH 175 00:06:12,506 --> 00:06:14,842 TO INSIST THAT I USE THE GUEST ROOM. 176 00:06:16,477 --> 00:06:18,612 ALICE IS AN OLD FRIEND. 177 00:06:18,646 --> 00:06:20,481 YES, YOU MENTIONED THAT. 178 00:06:20,514 --> 00:06:23,517 UH, I WONDERED 179 00:06:23,551 --> 00:06:26,620 IF THERE WASN'T SOMETHING ELSE YOU'D LIKE TO MENTION. 180 00:06:29,623 --> 00:06:31,124 UH... WE... 181 00:06:31,158 --> 00:06:35,429 WE WERE JUST REMINISCING BECAUSE SHE IS AN OLD FRIEND 182 00:06:35,463 --> 00:06:39,132 AND I HOPE YOU TWO WILL GET TO KNOW EACH OTHER. 183 00:06:39,166 --> 00:06:41,101 I'M SURE WE WILL. 184 00:06:41,134 --> 00:06:44,805 IT LOOKS LIKE WE ALREADY HAVE SOMETHING IN COMMON. 185 00:06:44,838 --> 00:06:46,440 YEAH, WELL... 186 00:06:46,474 --> 00:06:48,008 PLEASE TELL YOUR AUNT BEE 187 00:06:48,041 --> 00:06:49,810 THAT OPIE'S SCHOOLTEACHER 188 00:06:49,843 --> 00:06:51,579 RETURNED HER MUFFIN TIN. 189 00:06:58,652 --> 00:07:01,855 UH-OH. 190 00:07:01,889 --> 00:07:04,592 YOU BETTER KNOW, UH-OH. 191 00:07:04,625 --> 00:07:07,160 HELEN, HELEN, HELEN, YOU'VE GOT TO LISTEN TO ME. 192 00:07:07,194 --> 00:07:09,797 THE WHOLE THING WAS JUST A MISUNDERSTANDING. 193 00:07:09,830 --> 00:07:11,064 ON WHOSE PART? 194 00:07:11,098 --> 00:07:12,666 WELL, ON EVERYBODY'S PART. 195 00:07:12,700 --> 00:07:16,069 OH, YOU MEAN I WAS JUST IMAGINING THE WHOLE THING? 196 00:07:16,103 --> 00:07:17,571 OF COURSE YOU WERE. 197 00:07:17,605 --> 00:07:20,474 OH, THEN THERE REALLY IS NO ALICE HARPER. 198 00:07:20,508 --> 00:07:21,742 OH, NO, NO, NO. 199 00:07:21,775 --> 00:07:23,911 THERE IS... THERE IS AN ALICE HARPER. 200 00:07:23,944 --> 00:07:26,914 IT'S JUST THAT ALICE IS JUST AN OLD FRIEND OF MINE 201 00:07:26,947 --> 00:07:28,215 THAT'S ALL. 202 00:07:28,248 --> 00:07:30,718 OH, AND I'M JUST OPIE'S OLD SCHOOLTEACHER 203 00:07:30,751 --> 00:07:31,819 THAT'S ALL. 204 00:07:31,852 --> 00:07:33,220 THAT'S NOT WHAT I MEANT. 205 00:07:33,253 --> 00:07:35,823 IS THAT REALLY THE WAY YOU THINK OF ME? 206 00:07:35,856 --> 00:07:37,124 OH, NO, NO. 207 00:07:37,157 --> 00:07:40,828 IT'S JUST... WHEN... I MEAN... NO! 208 00:07:40,861 --> 00:07:42,262 HEY, I HAVE... 209 00:07:42,295 --> 00:07:43,897 I HAVE AN I... 210 00:07:43,931 --> 00:07:45,633 WELL, I DO HAVE AN IDEA. 211 00:07:45,666 --> 00:07:46,667 I HAVE AN IDEA. 212 00:07:46,700 --> 00:07:48,135 I'LL GET ALICE A DATE 213 00:07:48,168 --> 00:07:50,604 AND THEN ALL FOUR OF US WILL GO OUT 214 00:07:50,638 --> 00:07:53,273 AND YOU'LL SEE THAT EVERYTHING IS ALL RIGHT. 215 00:07:53,306 --> 00:07:56,777 AND I KNOW JUST WHO I'LL GET, TOO-- HOWARD SPRAGUE 216 00:07:56,810 --> 00:07:59,980 BECAUSE HOWARD HAS ALWAYS HAD A CRUSH ON ALICE. 217 00:08:00,013 --> 00:08:02,750 AND SHE IS PRETTY AND GOT A FINE FIGURE 218 00:08:02,783 --> 00:08:05,986 AND A GOOD SENSE OF HUMOR AND SHE'S INTELLIGENT. 219 00:08:06,019 --> 00:08:09,056 WELL, YOU TAKE HER, AND I'LL GO WITH HOWARD. 220 00:08:09,089 --> 00:08:10,891 OH, NO, NO. NO. NO. 221 00:08:10,924 --> 00:08:12,926 NO. HOWARD AND ALICE. 222 00:08:12,960 --> 00:08:14,127 HOWARD AND ALICE. 223 00:08:14,161 --> 00:08:16,997 THEY'LL GET ALONG FINE. 224 00:08:28,909 --> 00:08:31,278 SEE? I TOLD YOU THEY'D GET ALONG. 225 00:08:31,311 --> 00:08:32,680 MM-HMM. 226 00:08:32,713 --> 00:08:34,081 I KNEW THEY WOULD 227 00:08:34,114 --> 00:08:38,752 BECAUSE HOWARD'S ALWAYS HAD A CRUSH ON HER. 228 00:08:38,786 --> 00:08:40,921 EVER SINCE I TOLD HIM WE WERE COMING TO MORELLI'S, 229 00:08:40,954 --> 00:08:46,093 HE GOT A BOOK AND STARTED PRACTICING UP ON HIS DANCING. 230 00:08:46,126 --> 00:08:48,829 WOULDN'T IT BE NICE 231 00:08:48,862 --> 00:08:54,234 IF HOWARD AND ALICE REALLY DID GET TO LIKE ONE ANOTHER? 232 00:08:54,267 --> 00:08:56,637 YES, IT REALLY WOULD. 233 00:09:08,348 --> 00:09:11,919 HEY! YOU TWO WERE REALLY DOING ALL RIGHT OUT THERE. 234 00:09:11,952 --> 00:09:13,186 OH, INDEED. 235 00:09:13,220 --> 00:09:14,788 THAT WAS REALLY SOMETHING. 236 00:09:14,822 --> 00:09:17,124 WELL, ALICE IS AN EXCELLENT DANCER. 237 00:09:17,157 --> 00:09:18,592 THANK YOU, HOWARD. 238 00:09:18,626 --> 00:09:20,027 YOU'RE PRETTY GOOD YOURSELF. 239 00:09:20,060 --> 00:09:22,763 WELL, I DO ENJOY THOSE LATIN RHYTHMS. 240 00:09:22,796 --> 00:09:24,665 THIS HAS REALLY BEEN FUN TONIGHT. 241 00:09:24,698 --> 00:09:25,766 HASN'T IT? 242 00:09:25,799 --> 00:09:27,067 WE OUGHT TO GET TOGETHER 243 00:09:27,100 --> 00:09:28,936 AND HAVE A PICNIC OR SOMETHING. 244 00:09:28,969 --> 00:09:30,070 SOUNDS MARVELOUS. 245 00:09:30,103 --> 00:09:31,204 LET'S DO THAT. 246 00:09:31,238 --> 00:09:32,906 YEAH, THAT'S A FINE IDEA. 247 00:09:32,940 --> 00:09:34,307 I'VE GOT A BETTER IDEA. 248 00:09:34,341 --> 00:09:36,243 ANDY, YOU REMEMBER THAT CABIN 249 00:09:36,276 --> 00:09:37,978 THAT MY FAMILY HAD NEAR THE LAKE? 250 00:09:38,011 --> 00:09:38,979 YEAH, YEAH. 251 00:09:39,012 --> 00:09:40,380 WELL, NOBODY'S USING IT. 252 00:09:40,413 --> 00:09:42,983 WHY DON'T WE GO UP THERE FOR THE WEEKEND? 253 00:09:43,016 --> 00:09:44,818 THERE'S ONE BEDROOM BIG ENOUGH 254 00:09:44,852 --> 00:09:45,986 FOR YOU AND HOWARD 255 00:09:46,019 --> 00:09:48,255 AND HELEN AND I CAN USE THE OTHER ONE. 256 00:09:48,288 --> 00:09:49,790 THAT'S A WONDERFUL IDEA. 257 00:09:49,823 --> 00:09:51,191 WELL, LET'S DO THAT THEN. 258 00:09:51,224 --> 00:09:53,193 I GOT JUST A LITTLE SOMETHING TO DO 259 00:09:53,226 --> 00:09:54,862 BUT I CAN LEAVE AROUND NOON. 260 00:09:54,895 --> 00:09:55,996 IS THAT OKAY? 261 00:09:56,029 --> 00:09:57,230 FINE. FINE. 262 00:09:57,264 --> 00:09:58,666 TO OUR WEEKEND. 263 00:09:58,699 --> 00:09:59,900 TO OUR WEEKEND. 264 00:09:59,933 --> 00:10:01,068 THERE WE ARE. 265 00:10:03,103 --> 00:10:05,338 * THERE'S NOTHING YOU CAN TAKE * 266 00:10:05,372 --> 00:10:07,975 * TO RELIEVE THAT PLEASANT ACHE * 267 00:10:08,008 --> 00:10:12,646 * YOU'RE NOT SICK, YOU'RE JUST IN LOVE * 268 00:10:12,680 --> 00:10:15,649 Andy: * I HEAR SINGING AND THERE'S NO ONE THERE * 269 00:10:15,683 --> 00:10:18,151 * YOU DON'T NEED ANALYZING, IT'S NOT SO SURPRISING * 270 00:10:18,185 --> 00:10:20,320 * THAT YOU FEEL VERY STRANGE, BUT NICE * 271 00:10:20,353 --> 00:10:24,391 * I SMELL BLOSSOMS AND THE TREES ARE BARE * 272 00:10:24,424 --> 00:10:26,093 * YOUR HEART GOES PITTER-PATTER * 273 00:10:26,126 --> 00:10:27,427 * ALL DAY LONG, I SEEM TO WALK ON AIR * 274 00:10:27,460 --> 00:10:30,430 * I KNOW JUST WHAT'S THE MATTER * 275 00:10:30,463 --> 00:10:31,699 * BECAUSE I'VE BEEN THERE ONCE OR TWICE * 276 00:10:31,732 --> 00:10:35,135 * I WONDER WHY 277 00:10:35,168 --> 00:10:37,170 * PUT YOUR HEAD ON MY SHOULDER * 278 00:10:37,204 --> 00:10:38,338 * I KEEP TOSSING IN MY SLEEP AT NIGHT * 279 00:10:38,371 --> 00:10:41,108 * I NEED SOMEONE WHO'S OLDER * 280 00:10:41,141 --> 00:10:42,810 * A RUBDOWN WITH A VELVET GLOVE * 281 00:10:42,843 --> 00:10:46,246 * AND ONCE MORE, I'VE LOST MY APPETITE * 282 00:10:46,279 --> 00:10:50,684 * STARS THAT USED TO TWINKLE IN THE SKIES * 283 00:10:50,718 --> 00:10:52,019 * ARE TWINKLING IN MY EYES * 284 00:10:52,052 --> 00:10:53,821 * YOU'RE NOT SICK, YOU'RE JUST IN LOVE * 285 00:10:53,854 --> 00:10:57,157 * I WONDER WHY. 286 00:10:58,859 --> 00:11:01,862 YOU WAS REALLY BEATING IT OUT THERE, HOWARD. 287 00:11:01,895 --> 00:11:03,764 OH, YEAH, WELL. 288 00:11:03,797 --> 00:11:05,365 WE OUGHT TO GO ON THE ROAD, YOU KNOW? 289 00:11:05,398 --> 00:11:06,767 MARVELOUS! 290 00:11:06,800 --> 00:11:08,168 LET'S DO ANOTHER ONE. 291 00:11:08,201 --> 00:11:10,003 OH, WHAT WE OUGHT TO BE SINGING IS 292 00:11:10,037 --> 00:11:11,772 "GOODNIGHT, LADIES." 293 00:11:11,805 --> 00:11:14,174 YEAH, WE GOT A PRETTY BIG DAY AHEAD OF US TOMORROW. 294 00:11:14,207 --> 00:11:15,809 YEAH, LET'S GET A GOOD NIGHT'S SLEEP AND, 295 00:11:15,843 --> 00:11:17,310 TOMORROW, WE'LL CLIMB UP CHIMNEY ROCK. 296 00:11:17,344 --> 00:11:19,379 THERE'S A PLACE UP THERE I WANT TO SHOW YOU. 297 00:11:19,412 --> 00:11:21,048 THAT SOUNDS NICE. 298 00:11:21,081 --> 00:11:22,349 MMM! 299 00:11:22,382 --> 00:11:24,151 GOODNIGHT, ANDY. 300 00:11:24,184 --> 00:11:25,252 GOODNIGHT, HOWARD. 301 00:11:25,285 --> 00:11:30,157 NIGHT. 302 00:11:30,190 --> 00:11:32,926 WELL, GOODNIGHT. 303 00:11:32,960 --> 00:11:35,929 GOODNIGHT, HOWARD. 304 00:12:02,790 --> 00:12:07,160 HOWARD, HOW LONG DO YOU GENERALLY BRUSH YOUR TEETH? 305 00:12:07,194 --> 00:12:08,929 WELL, I USUALLY GIVE IT 306 00:12:08,962 --> 00:12:12,465 15 MINUTES IN THE MORNING AND 15 AT NIGHT. 307 00:12:12,499 --> 00:12:15,068 ANY CHANCE OF CUTTING IT A LITTLE SHORT TONIGHT? 308 00:12:15,102 --> 00:12:18,071 WELL, I WAS JUST FINISHING. 309 00:12:18,105 --> 00:12:19,339 OH, I KNOW THERE ARE 310 00:12:19,372 --> 00:12:21,975 LOTS OF TOOTHPASTES THAT PREVENT CAVITIES 311 00:12:22,009 --> 00:12:24,044 BUT I LIKE TO WAGE MY OWN BATTLE. 312 00:12:24,077 --> 00:12:25,846 GOOD. 313 00:12:37,190 --> 00:12:39,226 SOMETIMES MY THROAT HAS A TENDENCY 314 00:12:39,259 --> 00:12:41,428 TO DRY UP IN THE MIDDLE OF THE NIGHT. 315 00:12:41,461 --> 00:12:43,430 OH, THAT CAN HAPPEN, YEAH. 316 00:12:45,465 --> 00:12:47,034 WELL... 317 00:12:48,401 --> 00:12:50,437 HIT THE OLD SACK. 318 00:12:50,470 --> 00:12:51,771 YEAH. 319 00:12:58,078 --> 00:13:00,180 I USUALLY SLEEP ON MY STOMACH. 320 00:13:00,213 --> 00:13:01,915 GOOD. 321 00:13:01,949 --> 00:13:03,316 NIGHT. 322 00:13:03,350 --> 00:13:04,784 NIGHT. 323 00:13:56,069 --> 00:13:57,170 ALICE... 324 00:13:58,605 --> 00:14:01,308 ANDY... WELL, YOU SCARED THE HECK OUT OF ME. 325 00:14:01,341 --> 00:14:04,311 WHAT ARE YOU DOING OUT HERE IN THE MIDDLE OF THE NIGHT? 326 00:14:04,344 --> 00:14:05,913 OH, I COULDN'T SLEEP. 327 00:14:05,946 --> 00:14:07,915 THE QUIET KEPT WAKING ME UP. 328 00:14:07,948 --> 00:14:10,450 OH... WELL, THAT WASN'T MY PROBLEM. 329 00:14:10,483 --> 00:14:12,585 ISN'T IT A BEAUTIFUL NIGHT? 330 00:14:12,619 --> 00:14:14,487 YEAH, IT REALLY IS. 331 00:14:20,227 --> 00:14:21,494 WELL... 332 00:14:21,528 --> 00:14:23,196 I GUESS WE BETTER BE GETTING BACK 333 00:14:23,230 --> 00:14:24,297 AND GET SOME SLEEP. 334 00:14:24,331 --> 00:14:25,899 GOT A BIG DAY TOMORROW. 335 00:14:27,400 --> 00:14:30,337 ANDY TAYLOR, YOU'RE ACTUALLY AFRAID HELEN MIGHT CATCH US. 336 00:14:30,370 --> 00:14:31,905 OH, NO, NO, NO. 337 00:14:31,939 --> 00:14:33,907 THAT'S-THAT'S NOT... THAT'S NOT IT, NO. 338 00:14:33,941 --> 00:14:34,908 OH, YES, IT IS. 339 00:14:34,942 --> 00:14:35,909 NO, NO, IT'S NOT. 340 00:14:35,943 --> 00:14:37,377 YES, IT IS. 341 00:14:37,410 --> 00:14:40,380 NO, YOU... YOU ALWAYS DID LIKE TO MAKE JOKES, DIDN'T YOU? 342 00:14:40,413 --> 00:14:42,049 COME ON, WE BETTER GET BACK. 343 00:14:42,082 --> 00:14:43,183 OKAY. 344 00:14:43,216 --> 00:14:44,584 WHICH WAY? 345 00:14:46,419 --> 00:14:47,520 DON'T YOU KNOW? 346 00:14:49,089 --> 00:14:50,190 NO. 347 00:14:50,223 --> 00:14:52,059 WELL, YOU CAME... 348 00:14:52,092 --> 00:14:53,193 AND I CAME IN OVER... 349 00:14:53,226 --> 00:14:54,461 THIS... NO, IT'S THIS WAY. 350 00:14:54,494 --> 00:14:55,462 IT'S THIS WAY. 351 00:14:55,495 --> 00:14:56,629 I'M SURE IT'S THIS WAY. 352 00:14:56,663 --> 00:14:58,198 YEAH, I'M SURE IT'S THIS WAY. 353 00:14:58,231 --> 00:14:59,266 GO THIS WAY. 354 00:15:06,373 --> 00:15:07,941 HUH? 355 00:15:15,648 --> 00:15:17,350 ANDY? 356 00:15:57,624 --> 00:15:58,725 HI, HOWARD. 357 00:16:00,360 --> 00:16:02,295 I THOUGHT I'D FIND ALICE HERE. 358 00:16:02,329 --> 00:16:04,197 GEE, I THOUGHT I'D FIND AN... 359 00:16:04,231 --> 00:16:07,200 YOU MEAN ANDY ISN'T IN HIS ROOM, EITHER? 360 00:16:07,234 --> 00:16:09,769 UH... W-W-WELL, WHAT PROBABLY HAPPENED WAS 361 00:16:09,802 --> 00:16:13,673 HE PROBABLY COULDN'T SLEEP AND WENT FOR A WALK... PROBABLY. 362 00:16:13,706 --> 00:16:15,375 OH. 363 00:16:15,408 --> 00:16:16,576 OF COURSE. 364 00:16:16,609 --> 00:16:18,678 THAT MIGHT BE WHAT HAPPENED TO ALICE... 365 00:16:18,711 --> 00:16:21,181 PROBABLY COULDN'T SLEEP AND TOOK A WALK. 366 00:16:22,215 --> 00:16:23,550 UH, PROBABLY. 367 00:16:25,385 --> 00:16:27,020 WELL... 368 00:16:27,054 --> 00:16:31,491 NO SENSE IN OUR LOSING SLEEP JUST BECAUSE THEY'RE AWAKE. 369 00:16:31,524 --> 00:16:34,161 MIGHT AS WELL GO BACK TO BED. 370 00:16:34,194 --> 00:16:37,030 YEAH, JUST BECAUSE THEY'LL BE TIRED IN THE MORNING 371 00:16:37,064 --> 00:16:39,199 IS NO REASON FOR O NOT BEING RESTED. 372 00:16:39,232 --> 00:16:41,601 THAT'S RIGHT. 373 00:16:41,634 --> 00:16:43,470 OH, WELL... 374 00:16:43,503 --> 00:16:45,505 I AM SLEEPY. 375 00:16:47,240 --> 00:16:48,741 ME, TOO. 376 00:16:48,775 --> 00:16:51,478 MIGHT AS WELL JUST GO ON BACK TO BED. 377 00:16:51,511 --> 00:16:53,346 NO USE WAITING UP FOR THEM. 378 00:16:53,380 --> 00:16:54,614 NO. NO. NO. 379 00:16:54,647 --> 00:16:57,084 WELL... GOODNIGHT, HOWARD. 380 00:16:57,117 --> 00:16:58,218 GOODNIGHT. 381 00:17:09,262 --> 00:17:14,834 PHEW! 382 00:17:14,867 --> 00:17:18,071 ANDY, I'M SURE THE CABIN MUST BE IN THAT DIRECTION. 383 00:17:18,105 --> 00:17:20,073 IT CAN'T BE IN THAT DIRECTION. 384 00:17:20,107 --> 00:17:22,209 WE TRIED THAT DIRECTION TWO TIMES. 385 00:17:22,242 --> 00:17:25,378 DO YOU KNOW WHAT TIME IT IS? 4:30. 386 00:17:25,412 --> 00:17:27,814 4:30, FANCY THAT. 387 00:17:27,847 --> 00:17:29,616 THAT'S NOT FUNNY. THAT'S JUST NOT FUNNY. 388 00:17:29,649 --> 00:17:31,718 COME ON. 389 00:18:16,929 --> 00:18:18,398 GOOD. GOOD. GOOD. GOOD. 390 00:18:18,431 --> 00:18:20,500 GOOD. GOOD. GOOD. GOOD. GOOD. GOOD. 391 00:18:23,403 --> 00:18:24,771 WHAT TIME IS IT, ANDY? 392 00:18:24,804 --> 00:18:26,573 Oh, I don't know what time it is. 393 00:18:26,606 --> 00:18:28,208 It's, uh, ooh, 6:30. 394 00:18:28,241 --> 00:18:29,376 OH, BOY. 395 00:18:29,409 --> 00:18:30,843 You better know, oh, boy. 396 00:18:30,877 --> 00:18:34,781 Now, listen, we both know how innocent that was 397 00:18:34,814 --> 00:18:36,583 and that nothing happened, 398 00:18:36,616 --> 00:18:38,651 but it might be a little difficult to explain. 399 00:18:38,685 --> 00:18:40,387 What do you want me to say? 400 00:18:40,420 --> 00:18:41,388 Stop that. 401 00:18:41,421 --> 00:18:42,655 Just stop that. Stop that. 402 00:18:42,689 --> 00:18:44,357 Okay. 403 00:18:44,391 --> 00:18:47,594 Okay, now, stop that. Now, here's what we'll say. 404 00:18:47,627 --> 00:18:50,530 Um... Uh, yeah, W-we'll-We'll say... 405 00:18:50,563 --> 00:18:51,531 We'll say... 406 00:18:51,564 --> 00:18:52,665 Stop it. 407 00:18:52,699 --> 00:18:55,335 We'll say that we both woke up early 408 00:18:55,368 --> 00:18:57,337 and wanted to surprise them 409 00:18:57,370 --> 00:18:59,839 and-and have breakfast ready for them. 410 00:18:59,872 --> 00:19:01,308 OH, F... 411 00:19:05,378 --> 00:19:07,580 OH, GOOD MORNING, HELEN. 412 00:19:07,614 --> 00:19:08,715 MORNING, ALICE... 413 00:19:08,748 --> 00:19:10,817 ANDY. 414 00:19:10,850 --> 00:19:12,852 OH, HI THERE, SLEEPYHEAD. 415 00:19:12,885 --> 00:19:15,522 WE THOUGHT YOU WERE GOING TO SPEND ALL DAY IN BED. 416 00:19:15,555 --> 00:19:17,424 WELL, YOU TWO ARE CERTAINLY UP EARLY. 417 00:19:17,457 --> 00:19:18,425 WELL... 418 00:19:18,458 --> 00:19:19,726 ALICE IS THE EARLY BIRD. 419 00:19:19,759 --> 00:19:21,961 SHE WAS FIXING BREAKFAST WHEN I CAME IN. 420 00:19:21,994 --> 00:19:22,962 WEREN'T YOU, ALICE? 421 00:19:22,995 --> 00:19:23,963 YES. SEE? 422 00:19:23,996 --> 00:19:24,964 HOW DID YOU SLEEP? 423 00:19:24,997 --> 00:19:26,199 GOOD, HUH? 424 00:19:26,233 --> 00:19:27,567 OH, FINE. 425 00:19:27,600 --> 00:19:28,901 AND YOU? 426 00:19:28,935 --> 00:19:29,969 GREAT. 427 00:19:30,002 --> 00:19:31,238 GREAT, GREAT, GREAT. 428 00:19:31,271 --> 00:19:32,605 SLEPT JUST LIKE A BABY. 429 00:19:32,639 --> 00:19:33,706 NEVER HEARD A SOUND. 430 00:19:33,740 --> 00:19:35,775 DON'T THINK I TURNED OVER ONE TIME. 431 00:19:35,808 --> 00:19:36,843 HOW'D YOU SLEEP? 432 00:19:36,876 --> 00:19:37,844 FINE. 433 00:19:37,877 --> 00:19:39,379 SEE IT'S THE AIR. 434 00:19:39,412 --> 00:19:41,581 I DON'T BELIEVE I'VE EVER SLEPT QUITE AS SOUND. 435 00:19:41,614 --> 00:19:42,749 DID NOT MOVE A MUSCLE. 436 00:19:42,782 --> 00:19:43,916 HOW ABOUT YOU, ALICE? 437 00:19:43,950 --> 00:19:44,951 YOU ASKED HER THAT. 438 00:19:44,984 --> 00:19:45,952 OH. 439 00:19:45,985 --> 00:19:46,953 EXCUSE ME. 440 00:19:46,986 --> 00:19:48,221 WELL... 441 00:19:56,028 --> 00:19:57,464 GOOD MORNING, HOWARD. 442 00:19:57,497 --> 00:19:58,731 HOWARD... 443 00:19:58,765 --> 00:20:00,667 HOW'D YOU SLEEP? GREAT, HUH? 444 00:20:00,700 --> 00:20:02,001 WHAT'D I TELL YOU ABOUT IT? 445 00:20:02,034 --> 00:20:03,236 IT'S THE AIR. 446 00:20:03,270 --> 00:20:04,271 AIR. 447 00:20:04,304 --> 00:20:05,305 WE GOT UP EARLY 448 00:20:05,338 --> 00:20:06,606 AND STARTED FIXING BREAKFAST. 449 00:20:06,639 --> 00:20:08,007 WE DIDN'T WANT TO DISTURB YOU 450 00:20:08,040 --> 00:20:09,776 AND, SO, THAT'S WHAT WE WERE DOING 451 00:20:09,809 --> 00:20:10,877 FIXING BREAKFAST. 452 00:20:10,910 --> 00:20:13,746 MAY I SEE YOU FOR A MINUTE, ANDY? 453 00:20:13,780 --> 00:20:16,616 WELL, SURE. 454 00:20:16,649 --> 00:20:18,851 EX-EXCUSE US... ALICE. 455 00:20:18,885 --> 00:20:20,487 EXCUSE US, ALICE. 456 00:20:25,592 --> 00:20:28,495 OH, BOY, DID I SLEEP, DID I EVER SLEEP. 457 00:20:28,528 --> 00:20:31,631 I DON'T BELIEVE I MOVED A MUSCLE ALL NIGHT. 458 00:20:34,367 --> 00:20:36,369 ANDY, YOU DID MOVE A MUSCLE. 459 00:20:39,772 --> 00:20:42,709 I WOKE UP LAST NIGHT, AND YOU WERE GONE. 460 00:20:44,777 --> 00:20:47,314 IT NEVER PAYS TO LIE. 461 00:20:47,347 --> 00:20:52,519 HOWARD, I COULDN'T SLEEP AND I-I WENT OUTSIDE 462 00:20:52,552 --> 00:20:54,954 AND NOTHING HAPPENED. 463 00:20:54,987 --> 00:20:57,624 I JUST RAN INTO HER IN THE WOODS AND... 464 00:20:58,791 --> 00:20:59,926 WE GOT LOST. 465 00:20:59,959 --> 00:21:01,861 OH, SURE, SURE. 466 00:21:01,894 --> 00:21:03,430 IT'S THE TRUTH, HOWARD. 467 00:21:03,463 --> 00:21:04,664 IT'S-IT'S THE TRUTH. 468 00:21:04,697 --> 00:21:05,965 I... NOTHING. NOTHING. 469 00:21:05,998 --> 00:21:07,534 IT'S-IT'S THE TRUTH... 470 00:21:07,567 --> 00:21:08,668 AND-AND, BOY... 471 00:21:08,701 --> 00:21:10,770 JUST AS LONG AS HELEN DOESN'T KNOW... 472 00:21:10,803 --> 00:21:12,305 HELEN KNOWS. 473 00:21:13,373 --> 00:21:14,841 WHAT? 474 00:21:14,874 --> 00:21:18,745 SHE WOKE UP LAST NIGHT, TOO, AND FOUND YOU AND ALICE GONE. 475 00:21:18,778 --> 00:21:20,380 OH, BOY. 476 00:21:23,783 --> 00:21:24,751 HELEN... 477 00:21:24,784 --> 00:21:25,952 YOU HAVE TO LISTEN TO ME. 478 00:21:25,985 --> 00:21:27,820 HOWARD, WILL YOU DRIVE ME INTO TOWN? 479 00:21:27,854 --> 00:21:29,356 I-I CAN EXPLAIN EVERYTHING. 480 00:21:29,389 --> 00:21:30,823 I'LL BE WAITING IN THE CAR. 481 00:21:30,857 --> 00:21:31,958 I'M INNOCENT! 482 00:21:31,991 --> 00:21:33,960 MAYBE I CAN TALK TO HER, ANDY. 483 00:21:33,993 --> 00:21:35,828 YOU BETTER TALK TO HOWARD. 484 00:21:40,500 --> 00:21:42,669 NOW, HELEN, HELEN, YOU... HELEN, HELEN... 485 00:21:42,702 --> 00:21:44,437 HELEN, YOU'VE GOT TO BELIEVE ME. 486 00:21:44,471 --> 00:21:46,573 ALL WE DID WAS WE GOT LOST, THAT'S ALL. 487 00:21:46,606 --> 00:21:49,108 IF HOWARD WON'T DRIVE ME HOME, I'LL DRIVE MYSELF. 488 00:21:49,141 --> 00:21:50,977 NOT WITHOUT THE KEYS, YOU WON'T. 489 00:21:52,144 --> 00:21:53,913 ALL RIGHT, ALL RIGHT... 490 00:21:53,946 --> 00:21:55,448 LET GO OF ME! 491 00:21:55,482 --> 00:21:58,385 NOW, THIS IS ONE ARGUMENT YOU'RE NOT GONNA WIN. 492 00:21:58,418 --> 00:22:00,853 NOW, HELEN, YOU'VE GOT TO LISTEN TO ME. 493 00:22:00,887 --> 00:22:03,456 NOTHING YOU HAVE TO SAY COULD INTEREST ME. 494 00:22:03,490 --> 00:22:04,857 WELL... NOW, HELEN... 495 00:22:09,962 --> 00:22:11,364 HELEN. 496 00:22:12,965 --> 00:22:14,066 HELEN. 497 00:22:14,100 --> 00:22:15,067 HEL... 498 00:22:15,101 --> 00:22:16,403 WAIT A MINUTE. 499 00:22:19,572 --> 00:22:20,940 HELEN, WHERE ARE YOU? 500 00:22:20,973 --> 00:22:23,042 OH, I'M OVER HERE. 501 00:22:26,846 --> 00:22:28,080 OH, THERE YOU ARE. 502 00:22:29,582 --> 00:22:30,683 ARE YOU ALL RIGHT? 503 00:22:30,717 --> 00:22:31,951 OH, Y... WELL, Y-YEAH. 504 00:22:31,984 --> 00:22:32,952 OH, GOOD, GOOD. 505 00:22:32,985 --> 00:22:34,387 GOOD. UH, WELL 506 00:22:34,421 --> 00:22:36,623 I-I-I JUST WANTED TO BE SURE YOU WERE SAFE 507 00:22:36,656 --> 00:22:38,691 AND FINE, SO I BELIEVE I'LL SEE 508 00:22:38,725 --> 00:22:40,927 IF I CAN FIND MY WAY BACK TO THE CABIN. 509 00:22:40,960 --> 00:22:42,729 I'LL SEE YOU. 510 00:22:42,762 --> 00:22:45,732 ANDY TAYLOR, DON'T YOU DARE LEAVE ME OUT HERE IN THESE WOODS! 511 00:22:45,765 --> 00:22:46,999 WELL, IF YOU DON'T BELIEVE 512 00:22:47,033 --> 00:22:48,835 IT'S POSSIBLE TO GET LOST OUT HERE 513 00:22:48,868 --> 00:22:50,069 WELL, LAND SAKES ALIVE, 514 00:22:50,102 --> 00:22:52,439 YOU OUGHT TO BE ABLE TO FIND YOUR WAY BACK. 515 00:22:52,472 --> 00:22:53,840 ANDY! 516 00:22:53,873 --> 00:22:55,908 WELL, WHAT'S THE MATTER? 517 00:22:58,745 --> 00:23:01,514 ARE YOU TRYING TO TELL ME THAT IT IS POSSIBLE 518 00:23:01,548 --> 00:23:03,916 TO COME OUT IN THESE WOODS AND GET LOST 519 00:23:03,950 --> 00:23:07,854 AND THAT IT IS BARELY POSSIBLE THAT SOME FELLA AND SOME GIRL 520 00:23:07,887 --> 00:23:11,190 MIGHT NOT BE ABLE TO SLEEP AND THAT THEY ACCIDENTALLY 521 00:23:11,223 --> 00:23:14,427 RAN INTO ONE ANOTHER IN THE WOODS AND GOT LOST? 522 00:23:14,461 --> 00:23:16,796 IS THAT WHAT YOU'RE TRYING TO TELL ME? 523 00:23:16,829 --> 00:23:19,932 YES, SIR, THAT'S WHAT I'M TRYING TO TELL YOU. 524 00:23:19,966 --> 00:23:21,568 YEAH... 525 00:23:24,236 --> 00:23:28,941 IN THAT CASE, MISS CRUMP, IT'LL BE MY PLEASURE. 526 00:23:28,975 --> 00:23:31,844 THANK YOU, SHERIFF TAYLOR. 527 00:23:34,080 --> 00:23:35,214 SO YOU HAD A GOOD TRIP, HUH, ANDY? 528 00:23:35,247 --> 00:23:36,549 YEAH, GREAT. 529 00:23:36,583 --> 00:23:38,017 EVERYTHING GO ALL RIGHT? 530 00:23:38,050 --> 00:23:40,119 I MEAN, BETWEEN THE TWO GIRLS. 531 00:23:40,152 --> 00:23:42,555 EVERYTHING WENT FINE. SO, YOU SEE, GOOB? 532 00:23:42,589 --> 00:23:44,624 ALL THOSE SPICY STORIES YOU WERE READING 533 00:23:44,657 --> 00:23:46,025 ARE JUST FICTION. 534 00:23:46,058 --> 00:23:48,761 IN A NICE GROUP OF PEOPLE, THOSE THINGS DON'T HAPPEN. 535 00:23:48,795 --> 00:23:50,763 WELL, I GUESS NOT. 536 00:23:50,797 --> 00:23:52,699 WELL, I'M NOT READING THAT KIND OF STORY ANYMORE. 537 00:23:52,732 --> 00:23:54,066 I'M READING A DIFFERENT KIND. 538 00:23:54,100 --> 00:23:57,169 OH, WELL, THAT'S GOOD. 539 00:24:01,207 --> 00:24:02,575 ANDY. 540 00:24:02,609 --> 00:24:03,776 MM 541 00:24:03,810 --> 00:24:05,177 HOW LONG HAVE YOU KNOWN HELEN? 542 00:24:05,211 --> 00:24:06,946 ABOUT FIVE YEARS. 543 00:24:06,979 --> 00:24:09,582 DID YOU KNOW HER BEFORE SHE COME TO MAYBERRY? 544 00:24:09,616 --> 00:24:11,117 NO, WHY? 545 00:24:11,150 --> 00:24:12,885 WHERE DOES SHE SAY SHE COMES FROM? 546 00:24:12,919 --> 00:24:15,655 SHE COMES FROM KANSAS. 547 00:24:15,688 --> 00:24:16,823 WELL, I WAS READING THIS STORY -- 548 00:24:16,856 --> 00:24:18,758 NOW, THIS IS TRUE, ANDY -- 549 00:24:18,791 --> 00:24:20,960 IT'S ABOUT THIS REAL NORMAL WOMAN 550 00:24:20,993 --> 00:24:23,195 AND SHE WAS A SCHOOLTEACHER, TOO, 551 00:24:23,229 --> 00:24:26,232 AND THEY FOUND OUT SHE COMES FROM ANOTHER PLANET. 552 00:24:26,265 --> 00:24:29,035 NOW, NOW, I'M NOT SAYING HELEN DOES, 553 00:24:29,068 --> 00:24:31,804 BUT IT MIGHT BE SOMETHING TO LOOK INTO, 554 00:24:31,838 --> 00:24:33,472 JUST TO BE ON THE SAFE SIDE.