1 00:00:03,633 --> 00:00:05,103 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,100 --> 00:00:07,300 - SO SATURDAY NIGHT, I'M HAVING A DINNER AT MY HOUSE. 3 00:00:07,300 --> 00:00:08,870 - THAT'D BE REALLY NICE. 4 00:00:08,867 --> 00:00:09,827 AND IT'D BE A COMPLETELY DIFFERENT VIBE THIS TIME. 5 00:00:09,834 --> 00:00:12,934 [all greeting at once] 6 00:00:12,934 --> 00:00:16,404 - CAMILLE BROUGHT HER SIDEKICK. I MEAN, PSYCHIC. 7 00:00:16,400 --> 00:00:18,630 - YOU ARE ENTIRELY WASHED-UP. 8 00:00:18,633 --> 00:00:19,803 ENJOY YOUR LIFE. 9 00:00:19,800 --> 00:00:21,900 - EXCUSE ME, YOU'RE BORING ME. 10 00:00:21,900 --> 00:00:24,400 - I MEAN, IT WAS A FEW CLOWNS SHORT OF A CIRCUS. 11 00:00:24,400 --> 00:00:27,570 - CAMILLE, YOU SAT THERE THE ENTIRE NIGHT LIKE THIS... 12 00:00:27,567 --> 00:00:29,297 YOU KNOW, WITH YOUR HAND THERE LIKE THAT. 13 00:00:29,300 --> 00:00:31,170 - THAT'S WHO I AM, KYLE. 14 00:00:31,166 --> 00:00:32,566 - THAT'S NOT WHO YOU ARE, CAMILLE, 15 00:00:32,567 --> 00:00:35,967 THAT'S WHO YOU ARE PRETENDING TO BE. 16 00:00:35,967 --> 00:00:38,197 [upbeat music] 17 00:00:38,200 --> 00:00:39,770 - IT MAY LOOK LIKE I HAVE IT ALL 18 00:00:39,767 --> 00:00:41,167 BUT I WANT MORE. 19 00:00:41,166 --> 00:00:43,626 ♪♪ ♪♪ 20 00:00:43,633 --> 00:00:45,603 - IN BEVERLY HILLS, IT'S WHO YOU KNOW, 21 00:00:45,600 --> 00:00:46,670 AND I KNOW EVERYONE. 22 00:00:46,667 --> 00:00:48,867 ♪♪ ♪♪ 23 00:00:48,867 --> 00:00:51,597 - MONEY IS WHAT I HAVE, NOT WHO I AM. 24 00:00:51,600 --> 00:00:54,230 ♪♪ ♪♪ 25 00:00:54,233 --> 00:00:55,503 - I WAS A CHILD STAR, 26 00:00:55,500 --> 00:00:57,770 AND NOW MY MOST IMPORTANT ROLE IS BEING A MOM. 27 00:00:57,767 --> 00:01:00,327 ♪♪ ♪♪ 28 00:01:00,333 --> 00:01:02,103 - IN A TOWN FULL OF PHONIES, 29 00:01:02,100 --> 00:01:03,500 I'M NOT AFRAID TO BE ME. 30 00:01:03,500 --> 00:01:05,800 ♪♪ ♪♪ 31 00:01:05,800 --> 00:01:07,170 - IT'S TIME FOR ME TO COME OUT OF 32 00:01:07,166 --> 00:01:09,026 MY HUSBAND'S SHADOW AND SHINE. 33 00:01:09,033 --> 00:01:12,033 ♪♪ ♪♪ 34 00:01:20,700 --> 00:01:23,930 - HEY, WANT SOME JUICE? 35 00:01:23,934 --> 00:01:26,274 - MORNING. - HI, HONEY. 36 00:01:26,266 --> 00:01:28,296 - HOW ARE YOU? - I'M GOOD, HOW ARE YOU? 37 00:01:28,300 --> 00:01:30,400 - WHAT'S GOING ON? 38 00:01:30,400 --> 00:01:32,430 - NOTHING. - GOOD MORNING! 39 00:01:32,433 --> 00:01:34,903 - SAY GOOD MORNING. 40 00:01:34,900 --> 00:01:37,230 OH, MY GOD, HOW WAS LAST NIGHT? 41 00:01:37,233 --> 00:01:38,903 - HEH. 42 00:01:38,900 --> 00:01:40,300 DON'T EVEN ASK. 43 00:01:40,300 --> 00:01:42,170 - WHY? WHAT HAPPENED? 44 00:01:42,166 --> 00:01:44,726 - IT WAS A DISASTER. 45 00:01:44,734 --> 00:01:46,034 YOU HAVE NO IDEA HOW BAD IT WAS, 46 00:01:46,033 --> 00:01:49,003 I'M NOT EVEN JOKING. - WHAT HAPPENED? 47 00:01:49,000 --> 00:01:50,570 - MORNING, MORNING. 48 00:01:50,567 --> 00:01:51,867 - HELLO, DARLING. 49 00:01:51,867 --> 00:01:54,727 SO YOU GOT HOME VERY, VERY LATE LAST NIGHT. 50 00:01:54,734 --> 00:01:56,234 HOW WAS IT? 51 00:01:56,233 --> 00:01:58,473 - HEH. 52 00:01:58,467 --> 00:02:01,827 YOU REALLY WANNA KNOW? 53 00:02:01,834 --> 00:02:03,674 - WHAT DO YOU MEAN? - [sigh] 54 00:02:03,667 --> 00:02:05,697 - DO YOU REALLY WANNA KNOW? WHAT DOES THAT MEAN? 55 00:02:05,700 --> 00:02:07,900 NOW WHAT HAPPENED? 56 00:02:07,900 --> 00:02:10,000 - THERE WAS THIS GIRL, ALLISON. 57 00:02:10,000 --> 00:02:13,070 SHE CLAIMS TO BE A PSYCHIC, OR A MEDIUM, 58 00:02:13,066 --> 00:02:14,396 OR SOMETHING LIKE THAT. - RIGHT. 59 00:02:14,400 --> 00:02:17,330 - CAMILLE'S FRIEND, SHE SITS THERE, 60 00:02:17,333 --> 00:02:20,803 SHE'S GOT THIS, LIKE, ELECTRONIC CIGARS, CIGARETTES. 61 00:02:20,800 --> 00:02:23,330 THING THAT SHE, LIKE, WAS PUFFING ON, AND... 62 00:02:23,333 --> 00:02:25,473 - SHE'S LIKE... [inhales, exhales] 63 00:02:25,467 --> 00:02:27,127 AND MAKING ALL THESE WEIRD FACES. 64 00:02:27,133 --> 00:02:28,803 SHE WAS DRINKING A LITTLE TOO MUCH. 65 00:02:28,800 --> 00:02:31,070 - SHE JUST BASICALLY POINTED AROUND THE ROOM AT ONE POINT, 66 00:02:31,066 --> 00:02:32,496 AND SHE WAS LIKE, "I CAN TELL YOU WHEN 67 00:02:32,500 --> 00:02:34,070 YOU'RE GONNA GET DIVORCED," AND... 68 00:02:34,066 --> 00:02:37,766 - THEN SHE STARTS SAYING HOW YOU DON'T FULFILL MY NEEDS 69 00:02:37,767 --> 00:02:40,327 AND ALL THIS STUFF. - [laughing] 70 00:02:40,333 --> 00:02:42,433 - HE WILL NEVER EMOTIONALLY FULFILL YOU. 71 00:02:42,433 --> 00:02:45,673 EVER. KNOW THAT. 72 00:02:45,667 --> 00:02:48,597 - THERE WAS AN EXPLOSION BETWEEN, UH, 73 00:02:48,600 --> 00:02:50,530 CAMILLE AND-- AND KYLE. 74 00:02:50,533 --> 00:02:51,733 - WHAT ELSE IS NEW? 75 00:02:51,734 --> 00:02:53,334 - [giggles] YEAH, EXACTLY. 76 00:02:53,333 --> 00:02:55,773 - AND NEXT THING YOU KNOW... 77 00:02:55,767 --> 00:02:57,967 ALL THE WOMEN WERE, LIKE, FIGHTING. 78 00:02:57,967 --> 00:03:00,927 - I HAD ALSO HEARD THAT THINGS WERE SAID AT THE AIRPORT. 79 00:03:00,934 --> 00:03:02,734 - THEY WERE TELLING ME THAT-- 80 00:03:02,734 --> 00:03:04,604 - I WASN'T TELLING YOU ANYTHING, YOU WERE BAITING ME. 81 00:03:04,600 --> 00:03:07,130 - THIS IS ALL BULL[bleep] TO ME, OKAY? 82 00:03:08,400 --> 00:03:09,930 - WHAT DID YOU DO? 83 00:03:09,934 --> 00:03:12,074 - WELL, YOU KNOW, WHEN YOU'VE GOT LITTLE KIDS 84 00:03:12,066 --> 00:03:14,566 FIGHTING ALL THE TIME, IT WASN'T A BIG DEAL TO ME. 85 00:03:14,567 --> 00:03:16,167 - SO YOU DIDN'T DO ANYTHING? 86 00:03:16,166 --> 00:03:18,496 - WELL, I JUST--I THOUGHT IT WAS UNNECESSARY DRAMA. 87 00:03:18,500 --> 00:03:19,900 NO, I DIDN'T DO ANYTHING. 88 00:03:19,900 --> 00:03:21,730 WHAT WAS I SUPPOSED TO DO, PUT THEM IN TIME-OUT? 89 00:03:21,734 --> 00:03:23,234 - AND KYLE'S ANGRY AT ME 90 00:03:23,233 --> 00:03:24,973 BECAUSE SHE FEELS LIKE I DIDN'T HAVE HER BACK, 91 00:03:24,967 --> 00:03:26,127 SO I DON'T KNOW THAT... 92 00:03:26,133 --> 00:03:27,973 - IF I'M ALREADY HAVING A PROBLEM WITH CAMILLE, 93 00:03:27,967 --> 00:03:29,697 AND THERE'S ALREADY PROBLEMS AND FIGHTING, 94 00:03:29,700 --> 00:03:31,370 WHY DO YOU BRING THAT UP? 95 00:03:31,367 --> 00:03:33,197 - I DIDN'T BRING IT UP! - IN NEW YORK, YOU DID! 96 00:03:33,200 --> 00:03:34,270 AND THEN I JUST SAID TO HER, 97 00:03:34,266 --> 00:03:36,196 "YOU KNOW, YOU TAKE YOUR OWN CAR." 98 00:03:36,200 --> 00:03:38,200 AND I FELT BAD BECAUSE SHE ENDED UP GOING HOME ALONE. 99 00:03:38,200 --> 00:03:39,630 AND THEN WE ALL RODE TOGETHER. 100 00:03:39,633 --> 00:03:41,403 - SO ARE YOU GONNA SEE THESE GIRLS AGAIN SOON? 101 00:03:41,400 --> 00:03:42,870 LIKE, AFTER LAST NIGHT? 102 00:03:42,867 --> 00:03:44,367 - BROOKE, I DON'T-- LIKE, HONESTLY, I DON'T KNOW 103 00:03:44,367 --> 00:03:46,567 IF I CAN HANDLE ALL THESE WOMEN ALL TOGETHER. 104 00:03:46,567 --> 00:03:48,597 I KNOW LISA'S GOT A FUNDRAISER COMING UP AND-- 105 00:03:48,600 --> 00:03:49,970 - I THINK IT'D BE GOOD FOR YOU TO GO. 106 00:03:49,967 --> 00:03:51,797 - FIRST OF ALL, THE FUNDRAISER IS WAY TOO SOON FOR ME, 107 00:03:51,800 --> 00:03:54,330 AFTER EVERY TIME THESE GIRLS GET TOGETHER, THERE'S A DRAMA. 108 00:03:54,333 --> 00:03:55,803 I'M NOT READY, NO. 109 00:03:55,800 --> 00:03:57,700 I'M NOT GONNA GO TO THE FUNDRAISER, FOR SURE. 110 00:03:57,700 --> 00:04:00,200 - WE HAVE TO GO TO LISA'S FUNDRAISER, 111 00:04:00,200 --> 00:04:02,100 AND TAYLOR HAS THE ROARING TWENTIES PARTY. 112 00:04:02,100 --> 00:04:04,430 SO...THEY'RE ALL GONNA BE THERE. 113 00:04:04,433 --> 00:04:05,773 - WHAT HAPPENS IF CAMILLE'S THERE 114 00:04:05,767 --> 00:04:07,097 AND BRINGS ALLISON? 115 00:04:07,100 --> 00:04:08,570 - OH. 116 00:04:08,567 --> 00:04:09,827 I WOULD LOVE TO MEET HER. 117 00:04:09,834 --> 00:04:11,104 WHAT DO YOU THINK ABOUT MOMMY'S 118 00:04:11,100 --> 00:04:14,130 LITTLE PROBLEMAS WITH CAMILLE? 119 00:04:14,133 --> 00:04:16,433 - NOT GOOD. - NOT GOOD, RIGHT? 120 00:04:16,433 --> 00:04:18,903 - [giggles] BUGGY-BOO. 121 00:04:29,300 --> 00:04:31,030 - I NEED EXTRA FLOWERS FOR OUTSIDE. 122 00:04:31,033 --> 00:04:32,433 - SI. 123 00:04:32,433 --> 00:04:34,433 - ARMANDO, DID YOU WATER ALL THESE FLOWERS? 124 00:04:34,433 --> 00:04:35,833 YOU PUT WATER IN HERE? 125 00:04:35,834 --> 00:04:37,274 ARMANDO? 126 00:04:37,266 --> 00:04:38,596 VILLA BLANCA, HELLO? 127 00:04:38,600 --> 00:04:40,600 I'M SO SORRY, BUT TODAY WE'RE CLOSED. 128 00:04:40,600 --> 00:04:43,200 UM, WE'RE CLOSED FOR A CHARITY EVENT. 129 00:04:43,200 --> 00:04:46,230 I'M DOING THIS FUNDRAISER AT VILLA BLANCA 130 00:04:46,233 --> 00:04:48,773 FOR THIS YOUNG GIRL THAT WAS SET ON FIRE 131 00:04:48,767 --> 00:04:53,067 IN HER BED BY THIS GUY THAT ASKED HER FOR A DATE. 132 00:04:53,066 --> 00:04:54,726 - TABLE HERE FOR FIVE. - CEDRIC, DO YOU REALIZE 133 00:04:54,734 --> 00:04:57,234 THAT YOUR ASS IS HANGING OUT HERE? 134 00:04:57,233 --> 00:04:59,403 THAT YOU'VE GOT A HOLE IN YOUR TROUSERS THE SIDE OF THAT. 135 00:04:59,400 --> 00:05:00,770 WOULD YOU PULL YOUR T-SHIRT DOWN? 136 00:05:00,767 --> 00:05:01,867 IT'S A FASHION SHOW. 137 00:05:01,867 --> 00:05:03,397 AND WE'RE TRYING TO DRAW ATTENTION 138 00:05:03,400 --> 00:05:04,830 TO THE CHILDREN'S BURN FOUNDATION 139 00:05:04,834 --> 00:05:07,234 AND RAISE MONEY FOR THIS YOUNG LADY. 140 00:05:07,233 --> 00:05:08,803 CLEAN THIS UP, 141 00:05:08,800 --> 00:05:10,000 THIS DOESN'T LOOK GOOD. 142 00:05:10,000 --> 00:05:11,430 THERE'S SO MANY THINGS THAT CAN GO WRONG 143 00:05:11,433 --> 00:05:13,373 BECAUSE IT'S A FASHION SHOW 144 00:05:13,367 --> 00:05:14,497 WITH THE GIRLS WALKING THROUGH, 145 00:05:14,500 --> 00:05:16,000 SO I'M A LITTLE ANXIOUS. 146 00:05:16,000 --> 00:05:17,930 I WANT TO MAKE SURE THE KITCHEN'S UP TO SPEED 147 00:05:17,934 --> 00:05:19,334 TO GET THE FOOD OUT. - LET ME CHECK. 148 00:05:19,333 --> 00:05:21,433 - EVERYTHING'S POTENTIALLY FANTASTIC, 149 00:05:21,433 --> 00:05:23,233 BUT WHO KNOWS WITH THESE KIND OF THINGS 150 00:05:23,233 --> 00:05:25,703 BECAUSE THERE'S ALWAYS POTENTIAL FOR DISASTER. 151 00:05:25,700 --> 00:05:28,130 YOU NEED TO PUT ALL THE GIFT BAGS ON THE CHAIRS. 152 00:05:28,133 --> 00:05:29,273 I--UGH... 153 00:05:29,266 --> 00:05:30,766 - MY GOD, IT'S SO MUCH, ISN'T IT? 154 00:05:30,767 --> 00:05:32,927 - THAT'S OKAY. WELL, KEEP GOING. 155 00:05:32,934 --> 00:05:35,074 BUT CEDRIC, IF I ASK YOU TO DO SOMETHING, 156 00:05:35,066 --> 00:05:37,626 I'M SORRY--ASKING YOU FOR 15 MINUTES OF YOUR TIME... 157 00:05:37,633 --> 00:05:39,003 AND YOU WERE SUPPOSED TO BE HERE AT 9:00. 158 00:05:39,000 --> 00:05:41,000 - THAT WAS A MISUNDERSTANDING. 159 00:05:41,000 --> 00:05:42,430 - YOU LIVE IN MY HOUSE, DRIVE MY CAR, 160 00:05:42,433 --> 00:05:44,203 THAT'S NOT COOL. I'M SORRY, IT'S NOT COOL. 161 00:05:44,200 --> 00:05:49,600 I HAD ASKED CEDRIC IF HE WOULD GET HIS LAZY ASS 162 00:05:49,600 --> 00:05:52,500 DOWN TO VILLA BLANCA 15 MINUTES EARLY 163 00:05:52,500 --> 00:05:54,570 BECAUSE WE HAD A VERY IMPORTANT EVENT. 164 00:05:54,567 --> 00:05:57,097 HE DECLINED, SO I WAS IRRITATED, 165 00:05:57,100 --> 00:05:58,470 TO SAY THE LEAST. 166 00:05:58,467 --> 00:06:00,697 - WHO'S BEEN WRITING THAT LAST NIGHT UNTIL 11:00 167 00:06:00,700 --> 00:06:01,870 WITH ALL THE NAMES? ME. 168 00:06:01,867 --> 00:06:03,067 - AND CEDRIC... - FOR YOU. 169 00:06:03,066 --> 00:06:04,596 - YOU'VE BEEN LIVING WITH ME FOR A YEAR. 170 00:06:04,600 --> 00:06:06,270 IF I ASK YOU TO DO SOMETHING FOR 15 MINUTES, 171 00:06:06,266 --> 00:06:07,766 - I WAS DOING IT. - OKAY. 172 00:06:07,767 --> 00:06:09,167 - I UNDERSTAND WHAT YOU'RE SAYING, IT'S FINE. 173 00:06:09,166 --> 00:06:10,766 - IT'S NOT RIGHT FOR YOU TO SAY WE'RE MOVING ON, 174 00:06:10,767 --> 00:06:13,827 I SAY WHEN WE'RE MOVING ON. 175 00:06:21,066 --> 00:06:22,826 - LET'S GO. 176 00:06:22,834 --> 00:06:24,174 [gasps] LOOK AT THAT DOG. 177 00:06:24,166 --> 00:06:26,466 TODAY IS LISA'S FUNDRAISER. 178 00:06:26,467 --> 00:06:28,867 AND HONESTLY, AFTER THE BIG, UH, 179 00:06:28,867 --> 00:06:30,967 COMMOTION AT CAMILLE'S THE OTHER NIGHT, 180 00:06:30,967 --> 00:06:32,567 I REALLY DON'T FEEL LIKE 181 00:06:32,567 --> 00:06:34,597 PUTTING MYSELF BACK IN THAT SITUATION. 182 00:06:34,600 --> 00:06:36,270 - YOU NEED TO STAND UP AND SAY STOP. 183 00:06:36,266 --> 00:06:37,726 - WHY DON'T YOU STAND UP AND SAY STOP? 184 00:06:37,734 --> 00:06:39,934 - I CAN'T STOP YOU BECAUSE YOU'RE OFF YOUR [bleep] ROCKER. 185 00:06:39,934 --> 00:06:42,604 - GIRLS, ENOUGH, ENOUGH, ENOUGH, ENOUGH! 186 00:06:42,600 --> 00:06:44,830 - COME ON, LET'S GO. 187 00:06:44,834 --> 00:06:47,374 TAYLOR AND I GO AT IT FOR SOME REASON. 188 00:06:47,367 --> 00:06:48,627 I HAVE NO IDEA WHY. 189 00:06:48,633 --> 00:06:49,773 I REALLY SHOULDN'T HAVE SAID THOSE THINGS 190 00:06:49,767 --> 00:06:51,497 ABOUT HER LIPS. 191 00:06:51,500 --> 00:06:52,970 I THINK I'M GONNA MAKE THE FIRST MOVE 192 00:06:52,967 --> 00:06:54,297 AND REACH OUT TO HER. 193 00:06:54,300 --> 00:06:57,530 COME ON, SILLY. 194 00:07:03,266 --> 00:07:06,696 [chatter overlaps] 195 00:07:06,700 --> 00:07:09,530 - HEY, DARLING, HOW ARE YOU? 196 00:07:09,533 --> 00:07:11,333 OH, I'M GLAD TO SEE YOU, AND THANK YOU FOR COMING. 197 00:07:11,333 --> 00:07:13,503 - I'M SO HAPPY TO BE HERE. - HI. 198 00:07:13,500 --> 00:07:14,730 - GREET YOUR HUBBY FIRST. 199 00:07:14,734 --> 00:07:17,304 - HOW ARE YOU? MWAH. 200 00:07:17,300 --> 00:07:19,470 - HI, HOW ARE YOU? - GOOD. 201 00:07:19,467 --> 00:07:21,597 - OH, YOU LOOK GORGEOUS. 202 00:07:21,600 --> 00:07:23,000 ARE YOU OKAY NOW? - OKAY. 203 00:07:23,000 --> 00:07:24,900 MWAH, MWAH. SO THIS IS THE DESIGNER? 204 00:07:24,900 --> 00:07:26,130 - YES. - I CAN TELL. 205 00:07:26,133 --> 00:07:27,473 BECAUSE I'M STARTING TO RECOGNIZE HER WORK. 206 00:07:27,467 --> 00:07:29,097 - HEY, DARLING, HOW ARE YOU? 207 00:07:29,100 --> 00:07:31,970 I'VE INVITED AS MANY WEALTHY WOMEN THAT I KNOW. 208 00:07:31,967 --> 00:07:35,097 IT'S A SOLD-OUT EVENT, SO FINGERS CROSSED, 209 00:07:35,100 --> 00:07:37,030 WE'LL RAISE MONEY FOR THIS YOUNG LADY. 210 00:07:37,033 --> 00:07:39,373 DID YOU SPEAK TO CAMILLE? 211 00:07:39,367 --> 00:07:40,767 - I TEXTED WITH HER, BUT... 212 00:07:40,767 --> 00:07:42,297 - I FEEL BAD. - SHE'S PRETTY DISTRAUGHT. 213 00:07:42,300 --> 00:07:43,800 - I MEAN, I KNOW. - I FEEL HORRIBLE. 214 00:07:43,800 --> 00:07:45,270 - I MEAN, I WANTED TO PHONE AND SAY THANK YOU 215 00:07:45,266 --> 00:07:47,066 FOR THE OTHER NIGHT, BUT... 216 00:07:47,066 --> 00:07:49,826 - TO HAVE US IN HER HOME AND THEN SOMETHING GO AWRY, 217 00:07:49,834 --> 00:07:51,434 I FEEL REALLY BAD-- - WELL, MAYBE SHE'LL SHOW UP. 218 00:07:51,433 --> 00:07:52,773 - YOU THINK SHE MIGHT? 219 00:07:52,767 --> 00:07:53,927 - WELL, SHE SAID SHE WAS COMING, 220 00:07:53,934 --> 00:07:55,474 BUT I JUST FEEL, AFTER WHAT WENT DOWN-- 221 00:07:55,467 --> 00:07:56,767 I JUST DON'T WANT ANY PROBLEMS 'CAUSE 222 00:07:56,767 --> 00:07:58,567 THIS EVENT IS SO MUCH MORE IMPORTANT THAN THAT. 223 00:07:58,567 --> 00:08:00,227 I MEAN, IT'S TWO LINES THEY'RE ARGUING OVER. 224 00:08:00,233 --> 00:08:01,333 YOU KNOW, IT'S RIDICULOUS. 225 00:08:01,333 --> 00:08:02,773 IT'S GOTTA BE PUT TO BED AND DONE. 226 00:08:02,767 --> 00:08:04,167 - YEAH, THAT'S WHAT I THINK TOO. 227 00:08:04,166 --> 00:08:05,466 I THINK WE GOTTA PUT THIS THING TO SLEEP. 228 00:08:05,467 --> 00:08:06,597 NO DRAMA TODAY. 229 00:08:06,600 --> 00:08:09,700 DO WE NEED TO SEPARATE EVERYONE? 230 00:08:09,700 --> 00:08:11,230 - HOW ARE YOU? 231 00:08:11,233 --> 00:08:12,503 - HAVE YOU JUST ARRIVED? 232 00:08:12,500 --> 00:08:13,800 - WELL, YES. - [chuckles] 233 00:08:13,800 --> 00:08:15,600 - GOOD TO SEE YOU. - GOOD TO SEE YOU. 234 00:08:15,600 --> 00:08:17,170 YOU LOOK GORGEOUS. - I LOVE THAT. 235 00:08:17,166 --> 00:08:19,296 - OH, MY GOSH. - CHRISTINA MAKOWSKY, YEAH. 236 00:08:19,300 --> 00:08:20,970 - I LOVE IT. - EVERYTHING GOOD? 237 00:08:20,967 --> 00:08:22,497 - PRETTY GOOD. 238 00:08:26,100 --> 00:08:27,230 - ADRIENNE. 239 00:08:27,233 --> 00:08:28,703 AH-HA! - HI. 240 00:08:28,700 --> 00:08:30,130 HOW ARE YOU? - HOW ARE YOU, DARLING? 241 00:08:30,133 --> 00:08:31,633 YOU LOOK GORGEOUS. - THANK YOU, THANK YOU. 242 00:08:31,633 --> 00:08:32,873 - I DON'T THINK CAMILLE'S COMING, I DON'T KNOW. 243 00:08:32,867 --> 00:08:34,397 - WELL, UNDERSTANDABLY. 244 00:08:34,400 --> 00:08:36,030 YOU KNOW, THE AFTERMATH IS A LITTLE HEAVY. 245 00:08:36,033 --> 00:08:38,673 - YEAH. - THE WHOLE THING WAS LIKE-- 246 00:08:38,667 --> 00:08:40,627 LIKE WATCHING A BAD CAR ACCIDENT. 247 00:08:40,633 --> 00:08:42,033 - IT WAS TERRIBLE. - IT WAS AWFUL. 248 00:08:42,033 --> 00:08:45,233 - TERRIBLE. THIS IS SO...NOT WHO I AM. 249 00:08:45,233 --> 00:08:46,903 - 'CAUSE I THINK YOU WERE BOTH READY TO PUT IT BEHIND YOU 250 00:08:46,900 --> 00:08:48,370 BUT HAVING OTHER PEOPLE IN THE ROOM, 251 00:08:48,367 --> 00:08:50,197 I THINK, INCREASED THE TENSION. 252 00:08:50,200 --> 00:08:52,370 BUT WE'RE GONNA TURN THIS TRAIN AROUND. 253 00:08:52,367 --> 00:08:53,827 - YEAH, LET'S TURN THIS TRAIN AROUND. 254 00:08:53,834 --> 00:08:56,404 I'VE HAD A PIT IN MY STOMACH ALL DAY. 255 00:08:56,400 --> 00:08:58,230 HI, GIRLS. 256 00:08:58,233 --> 00:09:00,103 - KYLE, DO YOU WANT TO JOIN US? 257 00:09:00,100 --> 00:09:02,170 - I CAN'T, I'VE GOT ALL MY OTHER FRIENDS OVER THERE. 258 00:09:02,166 --> 00:09:04,266 I DIDN'T SIT WITH LISA, AND TAYLOR, AND ADRIENNE, 259 00:09:04,266 --> 00:09:07,226 BECAUSE I INVITED A BUNCH OF MY FRIENDS FROM CHILDHOOD 260 00:09:07,233 --> 00:09:08,373 AND BOUGHT A TABLE. 261 00:09:08,367 --> 00:09:10,197 HELLO, GIRLS. 262 00:09:12,500 --> 00:09:15,370 - EVERYBODY WANTS TO KNOW IF THEY CAN TALK TO YOU. 263 00:09:15,367 --> 00:09:17,027 - AYE, AYE, AYE, AYE, AYE. 264 00:09:17,033 --> 00:09:18,473 - AYE, AYE, AYE IS EXACTLY CORRECT. 265 00:09:18,467 --> 00:09:21,127 - WELL, GOSH, I CAN LAUGH NOW, BUT I MEAN... 266 00:09:21,133 --> 00:09:22,733 - KYLE, THAT WAS ONE OF THE WORST NIGHTS 267 00:09:22,734 --> 00:09:24,774 I THINK I'VE EVER HAD IN MY ENTIRE LIFE. 268 00:09:24,767 --> 00:09:26,227 HONESTLY. - IT WAS HORRIBLE. 269 00:09:26,233 --> 00:09:28,003 - I'VE NEVER SEEN YOU SO DEVASTATED EITHER. 270 00:09:28,000 --> 00:09:30,870 I MEAN, THAT WAS AWFUL IN EVERY WAY, SHAPE, OR FORM. 271 00:09:30,867 --> 00:09:32,367 - FIRST EVERYTHING WAS GREAT. 272 00:09:32,367 --> 00:09:33,497 AND THEN I DON'T KNOW WHAT HAPPENED. 273 00:09:33,500 --> 00:09:35,900 IT JUST STARTED TUR-- GETTING UGLY. 274 00:09:35,900 --> 00:09:42,570 I NEED TO LEARN HOW TO, LIKE, GET MY POINT, BUT CALMLY. 275 00:09:42,567 --> 00:09:44,527 IT JUST STARTED TUR-- GETTING UGLY.CONFRONTATIONS LIKE THAT OFTEN. 276 00:09:44,533 --> 00:09:46,633 - AND NOW I FEEL LIKE I CAN'T FIX IT. 277 00:09:46,633 --> 00:09:49,073 I JUST FEEL LIKE I SHOULD HAVE... 278 00:09:49,066 --> 00:09:50,796 I JUST WANNA BE CIVIL. 279 00:09:50,800 --> 00:09:53,430 SHE DOESN'T HAVE TO LIKE ME. THAT HAPPENS IN LIFE. 280 00:09:53,433 --> 00:09:54,873 I GUESS IF WE DON'T LIKE EACH OTHER, 281 00:09:54,867 --> 00:09:57,467 WE CAN BE CIVIL AND MOVE ON. 282 00:09:57,467 --> 00:10:00,397 - LADIES, WE'RE ABOUT TO BEGIN OUR FASHION SHOW 283 00:10:00,400 --> 00:10:03,270 WITH CLOTHES DESIGNED BY CHRISTINA MAKOWSKY. 284 00:10:03,266 --> 00:10:06,196 [applause] 285 00:10:11,300 --> 00:10:14,770 - AH. - YEAH, THAT'S REALLY NICE. 286 00:10:14,767 --> 00:10:16,667 LOOK AT YOU TWO. - THAT'S BEAUTIFUL. 287 00:10:16,667 --> 00:10:18,697 - THAT'S CUTE. 288 00:10:24,934 --> 00:10:27,574 - I'M SO UPSET THAT CAMILLE DIDN'T COME. 289 00:10:27,567 --> 00:10:28,997 - YEAH. 290 00:10:29,000 --> 00:10:30,930 - WELL, SHE SAID SHE WAS COMING INITIALLY WHEN I INVITED HER. 291 00:10:30,934 --> 00:10:32,374 AND THEN ALL THAT WENT DOWN. 292 00:10:32,367 --> 00:10:35,267 AND IT'S ALL GOING OVER THE SAME THING AGAIN AND AGAIN. 293 00:10:35,266 --> 00:10:37,496 - IT'S A VERY RIDICULOUS ISSUE. 294 00:10:37,500 --> 00:10:38,800 THAT'S THE PROBLEM. 295 00:10:38,800 --> 00:10:41,700 IT'S NOT ABOUT FAMILY, IT'S NOT ABOUT FRIENDS. 296 00:10:41,700 --> 00:10:43,300 - I KNOW, IT'S IRRELEVANT NOW. 297 00:10:43,300 --> 00:10:44,670 - THEN THERE'S ALSO PEOPLE, 298 00:10:44,667 --> 00:10:46,467 LIKE THE WOMAN WE'RE HERE TO SUPPORT TODAY, 299 00:10:46,467 --> 00:10:48,797 WHO HAVE REAL PROBLEMS, THAT MAKE THINGS LIKE THIS, 300 00:10:48,800 --> 00:10:50,800 LIKE, ABSOLUTELY RIDICULOUS. - ABSOLUTELY. 301 00:10:50,800 --> 00:10:52,830 - RIDICULOUS, I AGREE. - RIDICULOUS. 302 00:10:52,834 --> 00:10:56,204 I'M NOT REALLY USED TO TOO MUCH 303 00:10:56,200 --> 00:10:57,770 DRAMA AMONGST WOMEN. 304 00:10:57,767 --> 00:10:59,797 I'M NOT REALLY GOOD WITH THAT. 305 00:10:59,800 --> 00:11:03,130 I THINK IT DEFEATS THE PURPOSE OF EMPOWERING WOMEN. 306 00:11:03,133 --> 00:11:05,233 YOU KNOW, IT KIND OF SETS US BACK ABOUT 50 YEARS. 307 00:11:06,500 --> 00:11:08,230 - DANIEL KNOWS HIM FROM MEXICO CITY. 308 00:11:08,233 --> 00:11:11,203 [chatter overlapping] 309 00:11:14,467 --> 00:11:18,067 - UH-OH, WHAT'S GOING ON? 310 00:11:18,066 --> 00:11:21,526 - WHAT'S WRONG? 311 00:11:21,533 --> 00:11:26,573 - SO HERE I WAS, LOOKING TO HAVE A GREAT AFTERNOON 312 00:11:26,567 --> 00:11:29,567 AND I RECEIVED THIS TEXT FROM CAMILLE. 313 00:11:35,066 --> 00:11:36,666 - COMING UP... 314 00:11:36,667 --> 00:11:39,097 - AND THEN ALL OF A SUDDEN, CAMILLE AND E AND I CLASH 315 00:11:39,100 --> 00:11:40,500 AND THIS HAPPENED. 316 00:11:40,500 --> 00:11:43,070 - IT'S SO UNLIKE YOU TO ACT LIKE THAT. 317 00:11:52,300 --> 00:11:55,800 - UH-OH, WHAT'S GOING ON? 318 00:11:55,800 --> 00:11:59,170 - WHAT'S WRONG? 319 00:11:59,166 --> 00:12:03,626 - I RECEIVED THIS TEXT FROM CAMILLE. 320 00:12:03,633 --> 00:12:05,273 - I SAID, "WE WILL NO LONGER BE 321 00:12:05,266 --> 00:12:07,996 WORKING WITH YOUR HUSBAND, THANK YOU VERY MUCH." 322 00:12:08,000 --> 00:12:09,530 I THINK MAURICIO IS GREAT. 323 00:12:09,533 --> 00:12:11,273 WE'VE BEEN WORKING WITH HIM FOR MANY YEARS. 324 00:12:11,266 --> 00:12:14,696 BUT HIS WIFE, THE WAY SHE ATTACKS ME, 325 00:12:14,700 --> 00:12:18,100 I JUST CAN'T WORK WITH THAT FAMILY RIGHT NOW. 326 00:12:18,100 --> 00:12:20,430 I CAN'T BE KYLE'S TARGET. 327 00:12:20,433 --> 00:12:22,203 THAT'S JUST-- ENOUGH'S ENOUGH. 328 00:12:22,200 --> 00:12:25,770 - I DON'T KNOW WANT TO DO. 329 00:12:25,767 --> 00:12:27,727 I FELT DEVASTATED. 330 00:12:27,734 --> 00:12:29,934 - YOU OKAY, HONEY? 331 00:12:29,934 --> 00:12:32,134 - USUALLY, I FEEL LIKE I KNOW HOW TO FIX SOMETHING, 332 00:12:32,133 --> 00:12:35,273 OR HANDLE IT, OR SIT DOWN AND GET IT OUT ON THE TABLE. 333 00:12:35,266 --> 00:12:37,566 BUT WITH CAMILLE, I HAVE TRIED A NUMBER OF TIMES 334 00:12:37,567 --> 00:12:39,867 AND IT JUST ENDS UP WORSE EVERY TIME. 335 00:12:39,867 --> 00:12:42,167 I JUST FELT LIKE THERE WAS NO HOPE. 336 00:12:46,300 --> 00:12:48,470 - ALL RIGHT, LADIES. 337 00:12:48,467 --> 00:12:52,297 LET'S PUT OUR HANDS TOGETHER FOR CHRISTINE MAKOWSKY 338 00:12:52,300 --> 00:12:55,130 AND HER FANTASTIC FASHIONS. 339 00:12:55,133 --> 00:12:56,503 OH, MY GOODNESS. 340 00:12:56,500 --> 00:12:59,330 WERE THEY BEAUTIFUL OR WHAT? 341 00:13:03,300 --> 00:13:05,200 - THE EVENT WAS SUCCESSFUL. 342 00:13:05,200 --> 00:13:07,470 EVERYTHING WENT PERFECTLY. 343 00:13:07,467 --> 00:13:11,367 WE DID MANAGE TO RAISE $25,000. 344 00:13:11,367 --> 00:13:12,797 SO I WAS VERY HAPPY. 345 00:13:12,800 --> 00:13:14,870 I'M REALLY GLAD YOU CAME, THOUGH. 346 00:13:14,867 --> 00:13:17,297 YOU KNOW, ESPECIALLY AFTER THE WEEKEND WAS SO TRAUMATIC. 347 00:13:17,300 --> 00:13:19,300 - THANK YOU FOR HAVING ME, AND FOR INVOLVING ME. 348 00:13:19,300 --> 00:13:22,200 AND ANYTHING I CAN DO FOR WOMEN IN NEED, YOU KNOW? 349 00:13:22,200 --> 00:13:23,470 I'M RIGHT THERE. - ALL RIGHT. 350 00:13:23,467 --> 00:13:27,267 - I LOVE YOU. - THANK YOU FOR COMING. 351 00:13:36,533 --> 00:13:38,773 - I'M SO PSYCHED FOR THIS. 352 00:13:38,767 --> 00:13:41,027 - ARE YOU COOL IF I DO, LIKE, UH, WHEELIES? 353 00:13:41,033 --> 00:13:43,003 - [giggles] NO. 354 00:13:43,000 --> 00:13:44,300 - NO? NO WHEELIES FOR CAMILLE? 355 00:13:44,300 --> 00:13:45,530 - NO WHEELIES FOR ME. - OKAY. 356 00:13:45,533 --> 00:13:47,703 - I HAVE TWO CHILDREN, I'D LIKE TO STAY ALIVE. 357 00:13:47,700 --> 00:13:49,430 LISA INVITED ME TO HER FUNDRAISER, 358 00:13:49,433 --> 00:13:51,573 BUT THE THOUGHT OF RUNNING INTO KYLE... 359 00:13:51,567 --> 00:13:53,427 AFTER THAT EVENING, I JUST, UH, 360 00:13:53,433 --> 00:13:55,073 DECIDED TO PASS ON THAT EVENT. 361 00:13:55,066 --> 00:13:57,296 - WEAR THAT. - THANK YOU. 362 00:13:57,300 --> 00:13:59,270 - GET YOUR HAIR OUTTA THERE. 363 00:13:59,266 --> 00:14:01,066 THERE WE GO. 364 00:14:01,066 --> 00:14:04,126 - OKAY. 365 00:14:04,133 --> 00:14:06,403 I USUALLY RIDE KELSEY'S, BUT HE'S GOT THAT BIG 366 00:14:06,400 --> 00:14:08,030 HARLEY OF HIS, YOU KNOW... - DIFFERENT. 367 00:14:08,033 --> 00:14:11,103 - YEAH, IT'S SO DIFFERENT. - JUST DIFFERENT. 368 00:14:11,100 --> 00:14:12,330 - SHH, I DIDN'T SAY THAT. 369 00:14:12,333 --> 00:14:13,833 AFTER MY DINNER, ALLISON SAID, 370 00:14:13,834 --> 00:14:15,834 "CAMILLE, THOSE WOMEN WILL EAT THEIR OWN." 371 00:14:15,834 --> 00:14:19,534 SO WHEN THEY LEFT, I REALLY-- IN MY HEART, I FELT LIKE 372 00:14:19,533 --> 00:14:22,133 I JUST CAN'T BE AROUND THEM. 373 00:14:22,133 --> 00:14:23,703 [engine turns over] 374 00:14:23,700 --> 00:14:26,630 [motorcycle revs loudly] 375 00:14:30,333 --> 00:14:33,903 I BELIEVE THAT ALLISON WAS STANDING UP FOR ME. 376 00:14:33,900 --> 00:14:36,500 I MEAN, OF COURSE, I LIKE TAYLOR AND ADRIENNE, 377 00:14:36,500 --> 00:14:39,330 BUT I JUST THOUGHT THAT KYLE WAS JUST 378 00:14:39,333 --> 00:14:42,633 AWFUL AND VILE. 379 00:14:42,633 --> 00:14:45,033 I HAVE NO INTEREST IN MAKING AMENDS WITH KYLE. 380 00:14:45,033 --> 00:14:46,633 THERE'S NO POINT. 381 00:14:46,633 --> 00:14:49,503 IT'D BE A WASTE OF MY TIME. 382 00:15:08,333 --> 00:15:10,403 - GOOD MORNING. - MORNING. 383 00:15:10,400 --> 00:15:11,970 I'M HERE TO SEE JULIE WALDORF. - OKAY. 384 00:15:11,967 --> 00:15:13,597 - IF YOU WANNA KEEP PACE IN BEVERLY HILLS, 385 00:15:13,600 --> 00:15:15,570 YOU HAVE TO THROW PARTIES THAT PEOPLE TALK ABOUT. 386 00:15:15,567 --> 00:15:18,227 SO I'M THROWING A ROARING TWENTIES COSTUME PARTY. 387 00:15:18,233 --> 00:15:19,303 - HI! - HI. 388 00:15:19,300 --> 00:15:21,200 HOW ARE YOU? WOW, LOOK AT THAT. 389 00:15:21,200 --> 00:15:22,770 MWAH! - GOOD TO SEE YOU. 390 00:15:22,767 --> 00:15:24,497 - I HOPE THIS ISN'T FOR ME. I DON'T KNOW WHY. 391 00:15:24,500 --> 00:15:26,530 I JUST CANNOT RESIST A THEME PARTY THIS YEAR. 392 00:15:26,533 --> 00:15:28,103 THAT'S MY THING. - ISN'T THIS AMAZING? 393 00:15:28,100 --> 00:15:31,130 - MY GOSH, LOOK AT ALL THESE COSTUMES! 394 00:15:36,100 --> 00:15:38,000 LOOK, LITTLE HOUSE ON THE PRAIRIE. 395 00:15:38,000 --> 00:15:39,400 KYLE, AND KIM. - YES, YES. 396 00:15:39,400 --> 00:15:41,570 - AT THE FUNDRAISER AT VILLA BLANCA, 397 00:15:41,567 --> 00:15:43,767 BOTH CAMILLE AND KIM HAD SAID THEY WERE GONNA COME, 398 00:15:43,767 --> 00:15:45,197 BUT NEITHER OF THEM SHOWED. 399 00:15:45,200 --> 00:15:46,700 AND NOW I'M GETTING A LITTLE CONCERNED WHETHER 400 00:15:46,700 --> 00:15:48,700 THEY'RE GOING TO SHOW UP FOR MY ROARING TWENTIES PARTY. 401 00:15:48,700 --> 00:15:51,270 YOU CAN REALLY TELL THIS IS 100 YEARS OLD, 402 00:15:51,266 --> 00:15:53,566 JUST BY THE WAY THAT IT'S WORN. 403 00:15:53,567 --> 00:15:55,267 AND IT'S SO INCREDIBLE. 404 00:15:55,266 --> 00:15:57,926 - THIS IS JUST ALL CRYSTAL. LET'S COMPARE. 405 00:15:57,934 --> 00:16:00,074 - OOH, THAT'S NICE. - THIS REALLY DRESSES IT UP. 406 00:16:00,066 --> 00:16:02,426 AND YOU'RE OKAY WEARING JEWELRY--COSTUME JEWELRY? 407 00:16:03,967 --> 00:16:05,967 - SURE. - YEAH, I KNOW YOU NORMALLY-- 408 00:16:05,967 --> 00:16:07,297 - IT'S A COSTUME PARTY. 409 00:16:07,300 --> 00:16:09,170 THIS IS KIND OF CUTE. - THAT ONE I LOVE TOO. 410 00:16:09,166 --> 00:16:11,366 - I HAVE A BIG HEAD, JULIE. - YEAH. 411 00:16:11,367 --> 00:16:13,227 NO, NO. THAT CAME OUT WRONG. 412 00:16:13,233 --> 00:16:14,673 - [giggles] 413 00:16:14,667 --> 00:16:16,697 - KIND OF LOOKS LIKE A PEACOCK ON THE TOP OF YOUR HEAD. 414 00:16:16,700 --> 00:16:18,570 - [giggles] - [gasp] 415 00:16:18,567 --> 00:16:21,027 THIS IS GORGEOUS. I LOVE IT! 416 00:16:21,033 --> 00:16:23,003 THIS IS THE ONE! YAY, I'M SERIOUS! 417 00:16:23,000 --> 00:16:24,830 I AM SO EXCITED. - YOU ARE SO CUTE. 418 00:16:24,834 --> 00:16:26,474 - THIS IS PERFECTION. - OKAY, THIS IS IT. 419 00:16:26,467 --> 00:16:27,767 - HOW DO YOU FEEL? - I FEEL GOOD. 420 00:16:27,767 --> 00:16:29,067 - YOU LOOK GORGEOUS. - SO WE'LL MAKE THIS WORK. 421 00:16:29,066 --> 00:16:31,426 - WE'LL MAKE IT WORK. 422 00:16:39,600 --> 00:16:40,970 - SO WHAT'S GOING ON? - HI. 423 00:16:40,967 --> 00:16:42,197 - GREAT SEEING YOU. - NICE TO SEE YOU, 424 00:16:42,200 --> 00:16:43,630 WHAT'S HAPPENING? - WONDERFUL. 425 00:16:43,633 --> 00:16:47,503 WHAT'S HAPPENING WITH YOU? - ALL GOOD, ALL GOOD. 426 00:16:47,500 --> 00:16:48,870 I OWE YOU A PHONE CALL. - BYE. 427 00:16:48,867 --> 00:16:51,467 - UH. - [sighs] 428 00:16:51,467 --> 00:16:53,697 - WOULD YOU LIKE TO ORDER? - YEAH, WE'RE READY. 429 00:16:53,700 --> 00:16:55,030 DO YOU KNOW WHAT YOU WANT, HONEY? 430 00:16:55,033 --> 00:16:56,373 - WHICH IS MY FAVORITE SALAD, HONEY? 431 00:16:56,367 --> 00:16:58,527 - THE, UH, YOU KNOW, TRECCIOLINA, I THINK IT IS. 432 00:16:58,533 --> 00:16:59,903 - I'LL HAVE THAT WITH SHRIMP. 433 00:16:59,900 --> 00:17:01,570 - ALL RIGHT, I'M GONNA HAVE THE SALMON 434 00:17:01,567 --> 00:17:03,427 AND THE, UH, TRECCIOLINA, PLEASE. 435 00:17:03,433 --> 00:17:04,733 THANK YOU SO MUCH. - PLEASURE. 436 00:17:04,734 --> 00:17:07,374 ENJOY. - THANK YOU, THANK YOU. 437 00:17:07,367 --> 00:17:09,227 MY HUSBAND'S CLIENTS ARE VERY IMPORTANT TO HIM, 438 00:17:09,233 --> 00:17:11,373 AND I WOULD NEVER WANT IT TO GET AROUND 439 00:17:11,367 --> 00:17:12,667 THAT HE HAD A PROBLEM BECAUSE OF ME. 440 00:17:12,667 --> 00:17:14,067 IT'S A SMALL TOWN, 441 00:17:14,066 --> 00:17:16,066 AND HIS BUSINESS, VERY IMPORTANT TO HIM. 442 00:17:16,066 --> 00:17:19,396 THE WHOLE THING WITH CAMILLE'S BEEN WEIGHING VERY HEAVY. 443 00:17:19,400 --> 00:17:20,600 - RIGHT. 444 00:17:20,600 --> 00:17:23,130 - AFTER THE ARGUMENT THE OTHER NIGHT, 445 00:17:23,133 --> 00:17:25,733 WE'VE HAD TWO VERY BAD FIGHTS. 446 00:17:25,734 --> 00:17:27,704 SO NOW OBVIOUSLY WE'RE NOT GETTING ALONG. 447 00:17:27,700 --> 00:17:29,530 AND SHE WROTE ME THIS LONG TEXT 448 00:17:29,533 --> 00:17:31,433 JUST KIND OF, LIKE, PARTING WAYS. 449 00:17:31,433 --> 00:17:33,733 THEN SHE SAID SOMETHING LIKE, 450 00:17:33,734 --> 00:17:35,804 "BY THE WAY, WE WON'T BE DOING BUSINESS 451 00:17:35,800 --> 00:17:38,130 WITH YOUR HUSBAND ANYMORE." 452 00:17:42,200 --> 00:17:44,170 ANYWAY, I DIDN'T SAY ANYTHING TO YOU ABOUT THAT 453 00:17:44,166 --> 00:17:46,896 BECAUSE I FEEL REALLY BAD BECAUSE-- 454 00:17:46,900 --> 00:17:49,170 BECAUSE HERE, YOU KNOW, YOU HAVE A GREAT RELATIONSHIP 455 00:17:49,166 --> 00:17:52,126 WITH KELSEY AND CAMILLE, LIKE BUSINESS AND FRIENDSHIP. 456 00:17:52,133 --> 00:17:55,003 AND THEN ALL OF A SUDDEN CAMILLE AND I CLASH, 457 00:17:55,000 --> 00:17:59,300 AND THIS HAPPENS. SO I FEEL BAD THAT I'M... 458 00:17:59,300 --> 00:18:00,830 I FEEL GUILTY ABOUT THAT. 459 00:18:00,834 --> 00:18:02,634 - I MEAN, THE ONLY THING I CAN DO IS JUST 460 00:18:02,633 --> 00:18:04,573 TRY TO, UH... 461 00:18:04,567 --> 00:18:07,997 REGAIN KELSEY AND CAMILLE'S TRUST. 462 00:18:08,000 --> 00:18:11,170 I THINK THAT THAT'S JUST A CHILDISH, UH, REASON 463 00:18:11,166 --> 00:18:13,396 TO NOT WANT TO DO BUSINESS WITH SOMEBODY. 464 00:18:13,400 --> 00:18:16,500 AND SO YOU KNOW, I DON'T KNOW HOW I COULD REALLY BE ANGRY 465 00:18:16,500 --> 00:18:19,100 AT SOMEBODY THAT, YOU KNOW, WANTS TO DO A CHILDISH DECISION. 466 00:18:19,100 --> 00:18:21,000 IT JUST FEELS, YOU KNOW, 467 00:18:21,000 --> 00:18:23,630 IT'S SO UNLIKE YOU TO ACT LIKE THAT. 468 00:18:23,633 --> 00:18:25,433 I MEAN, TO HAVE THOSE FIGHTS WITH PEOPLE, 469 00:18:25,433 --> 00:18:27,403 THAT'S SO NOT LIKE YOU. - I KNOW THAT. 470 00:18:27,400 --> 00:18:29,230 - YOU KNOW, I HAVE CLIENTS, 471 00:18:29,233 --> 00:18:31,233 AND I...YOU KNOW, I NEED TO PROTECT THEM. 472 00:18:31,233 --> 00:18:34,773 SO I DON'T WANNA LOSE MY CLIENTS. 473 00:18:34,767 --> 00:18:36,627 - I MEAN, I... 474 00:18:36,633 --> 00:18:39,473 I WOULD LIKE TO BE ABLE TO FIX THINGS WITH CAMILLE. 475 00:18:39,467 --> 00:18:40,967 I'M GONNA REACH OUT TO HER, 476 00:18:40,967 --> 00:18:42,827 AND THEN, I GUESS TIME WILL TELL, I DON'T KNOW. 477 00:18:44,900 --> 00:18:46,630 I DON'T KNOW WHERE YOU GO FROM HERE. 478 00:18:46,633 --> 00:18:48,773 WHERE DO YOU GO FROM HERE? 479 00:18:55,400 --> 00:18:56,870 - COMING UP... 480 00:18:56,867 --> 00:18:58,427 - SHE'S ALMOST LIKE A CHILD 481 00:18:58,433 --> 00:18:59,803 THAT YOU'VE GOTTA SMACK ON THE HAND AND SAY, 482 00:18:59,800 --> 00:19:01,430 "NO, IT'S TIME TO GROW UP NOW, KYLE." 483 00:19:01,433 --> 00:19:03,203 - LIKE, YOU ALMOST WANNA PUT... 484 00:19:03,200 --> 00:19:06,200 YOU BOTH IN TIME-OUT AT THAT POINT. 485 00:19:17,300 --> 00:19:20,270 - LET'S CHECK THIS OUT. 486 00:19:20,266 --> 00:19:21,896 HEY. - HEY. 487 00:19:21,900 --> 00:19:23,200 - HEY, HEY, HEY, HEY. - HEY, GUYS. 488 00:19:23,200 --> 00:19:24,700 - HI, BRIAN, HOW ARE YOU? - HEY. 489 00:19:24,700 --> 00:19:25,900 GOOD TO SEE YOU. 490 00:19:25,900 --> 00:19:27,930 - WE HAVE A RECORD DIVISION, 491 00:19:27,934 --> 00:19:29,974 AND IT'S CALLED MALOOF RECORDS. 492 00:19:29,967 --> 00:19:31,427 - HEY, TROY. - HEY, MAN. 493 00:19:31,433 --> 00:19:34,203 [chatter overlaps] 494 00:19:34,200 --> 00:19:36,930 - MY PERSONAL TASTE IN MUSIC IS SO DIVERSIFIED. 495 00:19:36,934 --> 00:19:39,904 USHER, TIMBALAND, JAY-Z. 496 00:19:39,900 --> 00:19:41,470 I'M KIND OF ALL OVER THE PLACE. 497 00:19:41,467 --> 00:19:43,827 - THE FIRST SONG THAT WE'RE GONNA PLAY IS, UH, 498 00:19:43,834 --> 00:19:45,034 IF I SAY GOOD-BYE. 499 00:19:45,033 --> 00:19:46,933 IT'S KIND OF LIKE A POWER BALLAD FOR US. 500 00:19:46,934 --> 00:19:48,334 - ALL RIGHT, LET'S HEAR IT. - LET'S GO. 501 00:19:48,333 --> 00:19:49,573 - YEAH. 502 00:19:49,567 --> 00:19:51,697 OUR FAMILY'S A LITTLE INTERESTING IN THAT-- 503 00:19:51,700 --> 00:19:53,070 THAT WE ALL WORK TOGETHER. 504 00:19:53,066 --> 00:19:55,966 [loud rock music] 505 00:19:55,967 --> 00:19:59,767 ♪♪ ♪♪ 506 00:19:59,767 --> 00:20:01,367 - PEOPLE WILL ALWAYS ASK US 507 00:20:01,367 --> 00:20:03,397 "WELL, HOW DO YOU MAKE A FAMILY BUSINESS WORK?" 508 00:20:03,400 --> 00:20:06,400 WELL, YOU DON'T ALWAYS AGREE, OF COURSE. 509 00:20:06,400 --> 00:20:08,700 YOU HAVE YOUR DISAGREEMENTS. 510 00:20:08,700 --> 00:20:10,770 BUT AT THE END OF THE DAY, 511 00:20:10,767 --> 00:20:13,227 WE FIND A WAY TO, TO REALLY WORK IT OUT. 512 00:20:13,233 --> 00:20:15,503 AND THAT'S WHAT'S MADE US, YOU KNOW, 513 00:20:15,500 --> 00:20:16,770 SUCCESSFUL AS A FAMILY BUSINESS. 514 00:20:16,767 --> 00:20:20,397 ♪♪ ♪♪ 515 00:20:20,400 --> 00:20:22,270 THE BLOW-UP BETWEEN CAMILLE AND KYLE 516 00:20:22,266 --> 00:20:24,566 WAS ACTUALLY RIDICULOUS. 517 00:20:24,567 --> 00:20:27,367 I MEAN, IT JUST DIDN'T SEEM AT THAT TIME TO MATTER. 518 00:20:27,367 --> 00:20:29,667 THE FAMILY BUSINESS, THAT'S WHAT'S IMPORTANT TO ME. 519 00:20:29,667 --> 00:20:34,167 ♪♪ ♪♪ 520 00:20:34,166 --> 00:20:35,866 - THAT'S WHAT WE'VE BEEN WORKING ON. 521 00:20:35,867 --> 00:20:38,767 [cheers and applause] 522 00:20:38,767 --> 00:20:41,867 - THANK YOU. 523 00:20:46,734 --> 00:20:47,934 [phone ringing] 524 00:20:47,934 --> 00:20:49,534 - HELLO? - HI, THERE. 525 00:20:49,533 --> 00:20:51,033 MAY I SPEAK TO CAMILLE? THIS IS TAYLOR. 526 00:20:51,033 --> 00:20:52,203 - HEY, TAYLOR. LET ME GET HER. 527 00:20:52,200 --> 00:20:53,670 HOLD ON ONE MOMENT. 528 00:20:53,667 --> 00:20:55,967 - EVEN THOUGH I'VE ALREADY INVITED CAMILLE TO THE PARTY, 529 00:20:55,967 --> 00:20:57,397 I JUST WANNA REACH OUT TO HER 530 00:20:57,400 --> 00:20:59,570 AND LET HER KNOW THAT I'D REALLY LIKE FOR HER TO BE THERE. 531 00:20:59,567 --> 00:21:03,227 - HOW ARE YOU? - I'M GOOD, I'M GOOD. 532 00:21:03,233 --> 00:21:05,203 WELL, I WANTED TO JUST FOLLOW UP WITH YOU 533 00:21:05,200 --> 00:21:06,730 REGARDING THE ROARING TWENTIES 534 00:21:06,734 --> 00:21:07,904 BECAUSE I KNOW I INVITED YOU, 535 00:21:07,900 --> 00:21:09,230 BUT I REALLY WANT YOU TO COME. 536 00:21:09,233 --> 00:21:10,903 I WANT US TO BE ABLE TO SPEND SOME TIME TOGETHER 537 00:21:10,900 --> 00:21:12,200 AND HAVE SOME FUN. 538 00:21:12,200 --> 00:21:13,370 AND YOU KNOW, 539 00:21:13,367 --> 00:21:14,897 WE CAN KIND OF JUST MINGLE AND MOVE AROUND 540 00:21:14,900 --> 00:21:16,800 AND NOT GET INTO ANY SERIOUS DISCUSSIONS. 541 00:21:16,800 --> 00:21:18,200 - UH, I DON'T KNOW. 542 00:21:18,200 --> 00:21:20,770 YOU KNOW, IT'S BEEN DIFFICULT. 543 00:21:20,767 --> 00:21:23,297 KYLE AND I JUST DON'T SEEM TO HIT IT OFF. 544 00:21:23,300 --> 00:21:25,870 AND I'M A LITTLE RELUCTANT. 545 00:21:25,867 --> 00:21:28,197 MAYBE IT WOULD BE A GOOD IDEA IF I GO. 546 00:21:28,200 --> 00:21:31,230 YOU KNOW, SOMETIMES IT'S BETTER TO FACE YOUR ENEMY. 547 00:21:31,233 --> 00:21:32,633 THANK YOU FOR THE INVITATION. 548 00:21:32,633 --> 00:21:34,873 IT SOUNDS AMAZING. I-- 549 00:21:34,867 --> 00:21:36,497 LET ME THINK ABOUT IT, OKAY? 550 00:21:36,500 --> 00:21:37,800 - PROMISE ME YOU'LL TRY TO MAKE IT. 551 00:21:37,800 --> 00:21:39,800 - YES. I WILL TRY TO MAKE IT. 552 00:21:39,800 --> 00:21:41,470 OKAY, I'LL TRY. WE'LL SEE. 553 00:21:41,467 --> 00:21:42,697 - GOOD. - OKAY. BYE. 554 00:21:42,700 --> 00:21:45,630 - BYE-BYE. 555 00:21:57,333 --> 00:21:58,633 - HI. - HELLO. 556 00:21:58,633 --> 00:22:00,603 WELCOME TO THE PAINTED NAIL. - HI. I'M KIM. 557 00:22:00,600 --> 00:22:02,170 - SARAH. 558 00:22:02,166 --> 00:22:03,866 - NICE TO MEET YOU. - NICE TO MEET YOU. 559 00:22:03,867 --> 00:22:05,267 WHAT DID YOU WANNA GET DONE TODAY? 560 00:22:05,266 --> 00:22:07,096 - UM, I'D JUST LIKE TO GET A MANICURE. 561 00:22:07,100 --> 00:22:09,700 - HI. - HEY! 562 00:22:09,700 --> 00:22:11,300 - HOW ARE YOU, GIRL? 563 00:22:11,300 --> 00:22:13,130 - I THINK IF TAYLOR AND I SPENT MORE TIME TOGETHER, 564 00:22:13,133 --> 00:22:14,533 WE WOULD GET OVER OUR ISSUES. 565 00:22:14,533 --> 00:22:16,333 - GOOD, WHAT ARE YOU GETTING? MANICURE? 566 00:22:16,333 --> 00:22:17,703 - THE ICE CREAM SUNDAE MANICURE. 567 00:22:17,700 --> 00:22:19,770 OH, OKAY, I DON'T KNOW WHAT IT IS BUT IT SOUNDS GOOD. 568 00:22:19,767 --> 00:22:21,227 - I REALLY LIKE KYLE, 569 00:22:21,233 --> 00:22:23,103 AND KIM AND I HAVE HAD SO MUCH FRICTION, 570 00:22:23,100 --> 00:22:24,800 AND I FEEL LIKE THAT'S KIND OF BEEN 571 00:22:24,800 --> 00:22:28,400 AN AWKWARD PIECE OF MY FRIENDSHIP WITH KYLE. 572 00:22:28,400 --> 00:22:31,400 SO I'M HAVING A 1920s PARTY, A COSTUME PARTY. 573 00:22:31,400 --> 00:22:32,770 - OH, MY GOD, WHEN? - YEAH. 574 00:22:32,767 --> 00:22:35,227 UM, THURSDAY NIGHT. YEAH, YOU SHOULD COME. 575 00:22:35,233 --> 00:22:36,603 EVERYONE'S GONNA DRESS UP, AND... 576 00:22:36,600 --> 00:22:37,930 - I WOULD LOVE TO. 577 00:22:37,934 --> 00:22:39,104 I HAVE SOMETHING GOING ON ON THURSDAY. 578 00:22:39,100 --> 00:22:40,270 - OH, DO YOU? 579 00:22:40,266 --> 00:22:41,966 IT'S KIND OF LAST MINUTE, SO... 580 00:22:41,967 --> 00:22:43,867 - WAIT, CAN I ASK YOU A QUESTION? 581 00:22:43,867 --> 00:22:45,767 - YEAH. - AM I A LAST-MINUTE INVITATION 582 00:22:45,767 --> 00:22:47,597 'CAUSE YOU WERE DEBATING WHETHER 583 00:22:47,600 --> 00:22:49,070 YOU WERE GONNA INVITE ME? - HA-HA-HA! 584 00:22:49,066 --> 00:22:51,866 [laughing] 585 00:22:51,867 --> 00:22:53,727 YES. [giggles] 586 00:22:53,734 --> 00:22:55,634 ACTUALLY, YES. - YEAH. 587 00:22:55,633 --> 00:22:57,803 I DON'T HAVE ANYTHING AGAINST TAYLOR. 588 00:22:57,800 --> 00:23:01,870 I ACTUALLY BEGAN TO REALLY LIKE TAYLOR. 589 00:23:01,867 --> 00:23:03,467 UNFORTUNATELY, PEOPLE SAY THINGS 590 00:23:03,467 --> 00:23:05,297 THAT THEY DON'T MEAN, 591 00:23:05,300 --> 00:23:07,630 AND THINGS JUST FLY OUT. 592 00:23:07,633 --> 00:23:09,733 WELL, TAYLOR, YOU'RE THE ONE THAT SAID THAT. 593 00:23:09,734 --> 00:23:12,174 - WHY WOULD I EVER SAY CAMILLE WAS INSECURE? 594 00:23:12,166 --> 00:23:14,066 DON'T--DO NOT [bleep] DRAG ME INTO THIS. 595 00:23:14,066 --> 00:23:16,796 'CAUSE I GUARANTEE YOU'RE BARKING UP THE WRONG TREE HERE. 596 00:23:16,800 --> 00:23:19,000 - I THINK WHAT HAPPENS WITH YOU AND I, 597 00:23:19,000 --> 00:23:23,830 IS THAT WHEN EVERYBODY'S FIGHTING, 598 00:23:23,834 --> 00:23:26,404 YOU AND I DON'T DO WELL WITH IT. - MM-MM. 599 00:23:26,400 --> 00:23:28,730 - SO IT'S LIKE, YOU GO THERE, AND I GO THERE, 600 00:23:28,734 --> 00:23:31,074 'CAUSE THE SITUATION'S SO UNCOMFORTABLE. 601 00:23:31,066 --> 00:23:33,226 - I'M REALLY HOPING IT'S BEHIND ALL OF US. 602 00:23:33,233 --> 00:23:34,803 THAT, YOU KNOW, KYLE-- 603 00:23:34,800 --> 00:23:36,470 - THEN AGAIN, WHERE WOULD THE FUN BE? 604 00:23:36,467 --> 00:23:39,197 [giggles] 605 00:23:39,200 --> 00:23:41,970 NO, I DON'T LIKE TO SEE ANYBODY FIGHT. 606 00:23:41,967 --> 00:23:43,167 IT WENT NICE, WE HAD A GOOD TIME, 607 00:23:43,166 --> 00:23:45,496 AND THERE WAS NO FIGHTING. 608 00:23:45,500 --> 00:23:47,170 I COULD BE TAYLOR'S FRIEND, EASILY. 609 00:23:47,166 --> 00:23:48,826 - AND IT'S REALLY OVER NOTHING. 610 00:23:48,834 --> 00:23:50,904 - I DON'T KNOW HOW IT HAPPENS. 611 00:23:50,900 --> 00:23:53,530 - I CANNOT FIGURE KIM OUT. 612 00:23:53,533 --> 00:23:55,003 SHE IS AN ENIGMA TO ME. 613 00:23:55,000 --> 00:23:56,500 SHE SHOULD HAVE, LIKE, A SUPERHERO COSTUME 614 00:23:56,500 --> 00:23:57,830 WITH A BIG QUESTION MARK ON IT. 615 00:23:57,834 --> 00:24:01,274 'CAUSE I DO NOT UNDERSTAND THE GIRL. 616 00:24:10,867 --> 00:24:12,167 - OH, THIS IS NICE. 617 00:24:12,166 --> 00:24:15,096 I LOVE DINING OUTSIDE. - THANK YOU. THANK YOU. 618 00:24:15,100 --> 00:24:18,130 - PERFECT. - YEAH, IT'S GREAT. 619 00:24:18,133 --> 00:24:20,133 THANKS. 620 00:24:21,900 --> 00:24:24,170 THANK YOU. 621 00:24:24,166 --> 00:24:25,396 - HOW ARE WE DOING? DOING GOOD? 622 00:24:25,400 --> 00:24:26,670 - HI, YEAH. - ARE YOU READY? 623 00:24:26,667 --> 00:24:27,927 HAVE YOU LOOKED AT THE MENU? 624 00:24:27,934 --> 00:24:29,074 - I'M GONNA GO FOR A SALAD. 625 00:24:29,066 --> 00:24:30,196 - WE HAVE A NICE ARUGULA SALAD 626 00:24:30,200 --> 00:24:31,700 WITH SOME RUSTIC TOMATO ON TOP. 627 00:24:31,700 --> 00:24:33,130 - OH, THAT SOUNDS GOOD. - DO YOU LIKE LEMON DRESSING? 628 00:24:33,133 --> 00:24:34,573 - I LOVE LEMON DRESSING. - LEMON DRESSING? 629 00:24:34,567 --> 00:24:36,097 - THAT SOUNDS FANTASTIC. - THAT'S PERFECT. 630 00:24:36,100 --> 00:24:37,470 - I'LL HAVE THAT, AS WELL. - THE SAME THING FOR YOU? 631 00:24:37,467 --> 00:24:38,897 - FANTASTIC. - THANK YOU SO MUCH. 632 00:24:38,900 --> 00:24:41,370 ENJOY. - THANK YOU. 633 00:24:41,367 --> 00:24:42,927 - TAYLOR'S PARTY. - YEAH. 634 00:24:42,934 --> 00:24:44,334 - I'M SO EXCITED, I CAN'T WAIT. 635 00:24:44,333 --> 00:24:46,033 IT WAS HARD TO DECIDE WHETHER I WOULD GO TO 636 00:24:46,033 --> 00:24:47,133 TAYLOR'S PARTY OR NOT. 637 00:24:47,133 --> 00:24:48,473 BUT I LIKE TAYLOR. 638 00:24:48,467 --> 00:24:50,627 AND IT'S ABOUT TAYLOR, NOT ABOUT THE OTHER GIRLS. 639 00:24:50,633 --> 00:24:52,403 - I STILL HAVEN'T GOTTEN A COSTUME. 640 00:24:52,400 --> 00:24:53,530 I DON'T KNOW WHAT I'M GONNA DO. 641 00:24:53,533 --> 00:24:54,973 - I RENTED A COSTUME. 642 00:24:54,967 --> 00:24:56,927 SHOULD BE A LOT OF FUN. - IT WILL BE. 643 00:24:56,934 --> 00:24:58,574 - AND THIS WILL BE THE FIRST TIME I SEE KYLE. 644 00:24:58,567 --> 00:24:59,997 I DON'T THINK IT'S APPROPRIATE 645 00:25:00,000 --> 00:25:02,930 FOR SOMEBODY TO COME INTO MY HOUSE 646 00:25:02,934 --> 00:25:04,974 AND THEN VERBALLY ASSAULT ME THAT WAY. 647 00:25:04,967 --> 00:25:08,327 YEAH, IT JUST KIND OF THREW ME FOR A LOOP, 648 00:25:08,333 --> 00:25:09,873 I DIDN'T EXPECT IT. - YEAH. 649 00:25:09,867 --> 00:25:12,127 - I JUST THINK IT WAS TWO DIFFERENT PERSONALITIES THAT-- 650 00:25:12,133 --> 00:25:13,403 - RIGHT, RIGHT, JUST TWO DIFFERENT WAYS OF-- 651 00:25:13,400 --> 00:25:14,730 - SHE DOESN'T UNDERSTAND ME. 652 00:25:14,734 --> 00:25:16,134 IT'S LIKE, I CAN'T WRITE A BOOK ABOUT MYSELF, 653 00:25:16,133 --> 00:25:17,803 BUT I CAN GIVE HER SOME LITERATURE AND SAY, 654 00:25:17,800 --> 00:25:19,770 "HEY, THIS IS THE PERSON THAT I AM, AND THIS IS YOU." 655 00:25:23,066 --> 00:25:26,196 - IT'S JUST A RESPONSE TO THINGS THAT HAVE HAPPENED 656 00:25:26,200 --> 00:25:27,870 OVER AN EXTENDED PERIOD OF TIME. 657 00:25:27,867 --> 00:25:29,967 - YEAH, I MEAN-- - DO YOU THINK? 658 00:25:29,967 --> 00:25:32,127 - WHY DO I HAVE TO BE THE TARGET? 659 00:25:32,133 --> 00:25:34,603 - ADRIENNE, SHE ALWAYS PLAYS THE PEACEMAKER. 660 00:25:34,600 --> 00:25:36,800 SHE JUST THINKS IT WAS JUST A GRAVE MISUNDERSTANDING 661 00:25:36,800 --> 00:25:38,170 BETWEEN THE BOTH OF US 662 00:25:38,166 --> 00:25:40,166 'CAUSE SHE KNOWS BOTH OF US AND OUR PERSONALITIES. 663 00:25:40,166 --> 00:25:42,226 AND I JUST THINK I DON'T UNDERSTAND 664 00:25:42,233 --> 00:25:44,503 OR GET KYLE'S PERSONALITY. 665 00:25:44,500 --> 00:25:46,430 - WOULD YOU LIKE TO-- - DO YOU WANT SOME DESSERT? 666 00:25:46,433 --> 00:25:48,333 - I'M FINE, THANK YOU. I'M QUITE PERFECT, THANK YOU. 667 00:25:48,333 --> 00:25:49,533 - I MIGHT JUST GET A CAPPUCCINO. 668 00:25:49,533 --> 00:25:50,773 - CAPPUCCINO? - NON-FAT. 669 00:25:50,767 --> 00:25:52,327 - NO FAT CAPPUCCINO. - OH, YOU KNOW WHAT? 670 00:25:52,333 --> 00:25:54,373 I'LL HAVE A CAPPUCCINO ALSO. THAT SOUNDS PERFECT. 671 00:25:54,367 --> 00:25:56,197 - NO FAT FOR YOU TOO? - YES, THAT SOUNDS GREAT. 672 00:25:56,200 --> 00:25:58,830 IT'S ALMOST LIKE A CHILD THAT YOU GOTTA SMACK ON THE HAND 673 00:25:58,834 --> 00:26:00,634 AND SAY "NO, IT'S TIME TO GROW UP NOW, KYLE." 674 00:26:00,633 --> 00:26:02,903 - LIKE YOU ALMOST WANNA PUT... - BEHAVE LIKE-- 675 00:26:02,900 --> 00:26:06,270 - YOU BOTH IN TIME-OUT AT THAT POINT. 676 00:26:06,266 --> 00:26:10,826 - IT'S HARD TO EXPLAIN. 677 00:26:10,834 --> 00:26:13,674 BECAUSE THE WAY SHE VERBALLY LASHES OUT, 678 00:26:13,667 --> 00:26:15,267 IT'S VERY IMMATURE, I THINK. 679 00:26:15,266 --> 00:26:16,596 - I WOULD HOPE THAT CAMILLE WOULD MAKE 680 00:26:16,600 --> 00:26:18,570 A LITTLE BIT MORE EFFORT TOWARDS KYLE 681 00:26:18,567 --> 00:26:21,027 TO KIND OF MAKE AMENDS AND BURY THE HATCHET. 682 00:26:21,033 --> 00:26:24,773 UM, YOU KNOW, I HAVE TO GO PICK UP MY SON. 683 00:26:24,767 --> 00:26:26,897 PAUL AND I ARE GOING TO A DINNER FOR HIS SCHOOL, SO. 684 00:26:26,900 --> 00:26:30,130 - MM-HMM. OKAY. 685 00:26:30,133 --> 00:26:32,333 - I JUST DIDN'T REALLY WANNA TALK ABOUT KYLE AND CAMILLE. 686 00:26:32,333 --> 00:26:33,903 I HAD ENOUGH OF IT. 687 00:26:33,900 --> 00:26:35,770 - I AM SO GLAD THAT WE HAD THIS CONVERSATION. 688 00:26:35,767 --> 00:26:37,967 - ABSOLUTELY. 689 00:26:48,900 --> 00:26:51,800 - WHAT ARE YOU DOING? - [giggles] 690 00:26:56,166 --> 00:26:57,666 - HELLO? 691 00:26:57,667 --> 00:26:59,397 HI. 692 00:26:59,400 --> 00:27:01,870 HI, WHERE ARE YOU? - I'M UP IN MY ROOM, COME UP. 693 00:27:01,867 --> 00:27:04,527 - HI, GIGGY. - HEY, PORTIA. 694 00:27:04,533 --> 00:27:05,903 - LOOK, CHLOE'S GETTING JEALOUS. 695 00:27:05,900 --> 00:27:07,370 - HELLO, DARLING. - HOW ARE YOU? 696 00:27:07,367 --> 00:27:08,697 - GOOD. HI, GIGGY. 697 00:27:08,700 --> 00:27:10,070 OH, I'M GONNA KISS GIGGY. 698 00:27:10,066 --> 00:27:11,396 - WHAT ARE YOU UP TO? - [laughing] 699 00:27:11,400 --> 00:27:13,000 - NOTHING, I'M TRYING TO FIND SOMETHING 700 00:27:13,000 --> 00:27:14,630 TO WEAR TO THE ROARING TWENTIES PARTY. 701 00:27:14,633 --> 00:27:17,273 - OH, I HATE THE IDEA OF THE ROARING TWENTIES PARTY. 702 00:27:17,266 --> 00:27:18,396 I DON'T KNOW WHAT TO WEAR. 703 00:27:18,400 --> 00:27:19,900 - LOOK, I RENTED THIS. 704 00:27:19,900 --> 00:27:23,130 I DIDN'T WANNA TELL YOU WHAT HAPPENED AT THE FUNDRAISER 705 00:27:23,133 --> 00:27:25,003 BECAUSE I DIDN'T WANNA TAKE AWAY FROM YOUR EVENT 706 00:27:25,000 --> 00:27:26,300 AND WHAT WE WERE REALLY THERE FOR, 707 00:27:26,300 --> 00:27:28,630 BUT YOU HAVE NO IDEA THE TEXT SHE SENT ME. 708 00:27:28,633 --> 00:27:30,873 - WHY? 709 00:27:30,867 --> 00:27:33,397 - I'M SITTING THERE, AND I GET A TEXT FROM HER 710 00:27:33,400 --> 00:27:34,730 BASICALLY SAYING THAT 711 00:27:34,734 --> 00:27:36,174 SHE DOESN'T WANT ANYTHING TO DO WITH ME, 712 00:27:36,166 --> 00:27:38,266 AND THAT WE'RE NOT DOING BUSINESS TOGETHER ANYMORE. 713 00:27:38,266 --> 00:27:40,396 MEANING, OF COURSE, WITH MAURICIO. 714 00:27:40,400 --> 00:27:42,100 - OH, THAT'S RIDICULOUS. 715 00:27:42,100 --> 00:27:44,330 - I WAS SO UPSET, LISA. 716 00:27:44,333 --> 00:27:46,673 I COULD NOT STOP CRYING, I WAS SO UPSET. 717 00:27:46,667 --> 00:27:48,397 - YOU CAN'T LET HER GET TO YOU. 718 00:27:48,400 --> 00:27:50,400 - I DON'T KNOW HOW NOT TO. 719 00:27:50,400 --> 00:27:52,100 I WILL NEVER BE ABLE TO TRUST HER. 720 00:27:52,100 --> 00:27:53,700 NEVER BE ABLE TO TRUST HER AGAIN. 721 00:27:53,700 --> 00:27:55,400 - SHE DIDN'T SHOW UP AT THE FUNDRAISER, 722 00:27:55,400 --> 00:27:58,400 SO MAYBE SHE WON'T BE THERE TONIGHT. 723 00:27:58,400 --> 00:27:59,770 - WELL, I HOPE SHE'S NOT. 724 00:27:59,767 --> 00:28:01,367 JUST BECAUSE IT WILL BE A LOT EASIER. 725 00:28:01,367 --> 00:28:03,797 I DON'T WANT ANY MORE PROBLEMS. 726 00:28:03,800 --> 00:28:06,670 I JUST DON'T WANT ANY REPEAT PROBLEMS. 727 00:28:06,667 --> 00:28:09,197 I KNOW. 728 00:28:09,200 --> 00:28:10,630 LET'S JUST HOPE SHE DOESN'T COME. 729 00:28:10,633 --> 00:28:12,233 - COMING UP... 730 00:28:18,934 --> 00:28:22,504 [high-pitched barking] 731 00:28:22,500 --> 00:28:24,170 - READY? GO! 732 00:28:24,166 --> 00:28:27,226 [barks, pants] 733 00:28:27,233 --> 00:28:29,773 - WE NEED TO GET DRESSED, WE'RE GOING OUT. 734 00:28:29,767 --> 00:28:32,527 AND WE CANNOT HAVE THIS LITTLE BALD ASS HANGING OUT. 735 00:28:32,533 --> 00:28:35,573 GIGGY HAS ALOPECIA. YOU POOR LITTLE THING! 736 00:28:35,567 --> 00:28:37,567 I DON'T CARE IF HE DOESN'T HAVE HIS FUR. 737 00:28:37,567 --> 00:28:39,667 I MEAN, IT'S LIKE I'M NOT GONNA TRADE KENNY IN 738 00:28:39,667 --> 00:28:41,197 WHEN HE LOSES HIS HAIR, AM I? 739 00:28:41,200 --> 00:28:44,630 THAT FEELS GOOD, I KNOW THAT FEELS GOOD. 740 00:28:44,633 --> 00:28:47,273 - HE'S A LITTLE FLUFF BALL. 741 00:28:47,266 --> 00:28:49,526 THE PRETTIEST DOG I'VE EVER SEEN IN MY LIFE. 742 00:28:49,533 --> 00:28:50,933 [high-pitched barking] 743 00:28:50,934 --> 00:28:52,734 OH, YOU WANNA WEAR YOUR SANTA CLAUS OUTFIT? 744 00:28:52,734 --> 00:28:54,934 [high-pitched barking] PAJAMAS... 745 00:28:54,934 --> 00:28:56,774 MEXICAN HAT... 746 00:28:56,767 --> 00:28:59,267 COME ON, YOU KNOW YOU LOOK GOOD IN THIS. 747 00:28:59,266 --> 00:29:01,196 - LISA'S WITH HIM DAY AND NIGHT. 748 00:29:01,200 --> 00:29:02,300 - COME ON, GIGSTER. 749 00:29:02,300 --> 00:29:05,370 - DOESN'T PUT HIM DOWN. - HMM? 750 00:29:05,367 --> 00:29:06,767 - I THINK HE'S TAKEN MY PLACE. 751 00:29:06,767 --> 00:29:08,267 - THAT'S GOOD, THAT'S GOOD, THAT'S GOOD, 752 00:29:08,266 --> 00:29:09,796 THAT'S GOOD! GOOD BOY! 753 00:29:09,800 --> 00:29:11,430 GIGGY HAS THE EASY LIFE. 754 00:29:11,433 --> 00:29:14,433 I'M COMING BACK AS GIGGY, THAT'S FOR SURE. 755 00:29:33,734 --> 00:29:35,034 - HEY. - HOW ARE YOU? 756 00:29:35,033 --> 00:29:36,203 - HEY, HOW ARE YOU? MWAH. 757 00:29:36,200 --> 00:29:39,030 THIS IS REAL VINTAGE, FROM THE 1920s. 758 00:29:39,033 --> 00:29:40,633 I'D REALLY LOVE TO WEAR THIS ONE. 759 00:29:40,633 --> 00:29:41,933 BUT WE'RE JUST GONNA HAVE TO SEE IF 760 00:29:41,934 --> 00:29:43,474 WE CAN MAKE IT WORK WITH MY-- - WE CAN MAKE IT WORK. 761 00:29:43,467 --> 00:29:46,067 - BUT THAT'S OUT BACK-UP. - YEAH, WE'LL MAKE THAT WORK. 762 00:29:46,066 --> 00:29:47,766 - AND THAT'S THE DRESS THAT I'M WEARING. 763 00:29:47,767 --> 00:29:50,897 SO IT HAS, LIKE, THE HIGH NECKLINE... 764 00:29:50,900 --> 00:29:52,370 - HOW WONDERFUL. - LIKE THIS, RIGHT? 765 00:29:52,367 --> 00:29:54,097 - PERFECT. - GONNA BE, LIKE, '20s CHICK? 766 00:29:54,100 --> 00:29:56,370 - FLAPPER. - [giggles] 767 00:30:05,300 --> 00:30:07,200 I THOUGHT IT WOULD BE FUN TO DO THE '20s 768 00:30:07,200 --> 00:30:08,400 BECAUSE THE WHOLE PROHIBITION THING. 769 00:30:08,400 --> 00:30:09,700 - IS THERE GONNA BE BOOZE AT THE PARTY? 770 00:30:09,700 --> 00:30:12,300 - WHAT DO YOU THINK? [giggles] 771 00:30:12,300 --> 00:30:14,870 HOW LONG HAVE YOU KNOWN ME? 772 00:30:14,867 --> 00:30:16,167 YES, IT SHOULD BE FUN TONIGHT. 773 00:30:16,166 --> 00:30:18,396 I THINK ALL THE--ALL MY GIRLS ARE COMING IN COSTUME. 774 00:30:18,400 --> 00:30:20,300 - COOL, I'M EXCITED. - YEAH. 775 00:30:20,300 --> 00:30:21,870 - SPRAY IT. 776 00:30:21,867 --> 00:30:23,567 JUST SO THAT YOU GET THAT RIGHT THERE. 777 00:30:23,567 --> 00:30:24,727 YOU KNOW WHAT I MEAN? 778 00:30:24,734 --> 00:30:26,334 YEAH, SO THAT THERE'S A DEFINED CURL. 779 00:30:26,333 --> 00:30:27,703 - BECAUSE THEN-- 'CAUSE ALL OF THIS 780 00:30:27,700 --> 00:30:29,070 IS JUST GONNA GET TUCKED UP LIKE THAT. 781 00:30:29,066 --> 00:30:30,866 - I LOVE IT. - OKAY, RIGHT. 782 00:30:30,867 --> 00:30:32,227 - EE! [claps] 783 00:30:32,233 --> 00:30:35,533 THANK YOU! I FEEL HOLLYWOOD GLAM-Y. 784 00:30:44,567 --> 00:30:46,967 - WHIT? - HEY, MOM. 785 00:30:46,967 --> 00:30:49,767 - WHAT YOU DOING? - PACKING. 786 00:30:49,767 --> 00:30:51,227 - BROUGHT YOU A SANDWICH. 787 00:30:51,233 --> 00:30:54,103 - THANK YOU. - YOU'RE WELCOME. 788 00:30:55,367 --> 00:30:56,427 OH, MY GOSH. 789 00:30:56,433 --> 00:30:57,573 - I JUST--I... [scoffs] 790 00:30:57,567 --> 00:30:58,697 I DON'T EVEN KNOW WHAT TO BRING. 791 00:30:58,700 --> 00:31:01,500 I'M GONNA BE THERE FOR SO LONG. 792 00:31:01,500 --> 00:31:02,630 - I DON'T WANT YOU TO GO. 793 00:31:02,633 --> 00:31:03,733 - I KNOW. 794 00:31:03,734 --> 00:31:05,134 - WHITNEY'S DECIDED THAT 795 00:31:05,133 --> 00:31:07,173 SHE'S GONNA GO TO HOUSTON FOR THE SUMMER. 796 00:31:07,166 --> 00:31:08,696 AND SHE'S GOT FRIENDS THERE, HER DAD'S THERE... 797 00:31:08,700 --> 00:31:11,230 SO YOU KNOW, I UNDERSTAND. 798 00:31:11,233 --> 00:31:13,873 BUT I WAS ABSOLUTELY TERRIFIED 799 00:31:13,867 --> 00:31:17,427 THAT SHE WASN'T GOING TO COME BACK. 800 00:31:17,433 --> 00:31:18,933 - I KNOW YOU DON'T WANT ME TO GO, 801 00:31:18,934 --> 00:31:20,434 BUT, YOU KNOW, IT'LL BE GOOD FOR ME. 802 00:31:20,433 --> 00:31:22,133 - YOU WANNA STAY ONE EXTRA DAY AND HAVE 803 00:31:22,133 --> 00:31:23,673 AN EXTRA LITTLE GOOD-BYE PARTY FOR YOU? 804 00:31:23,667 --> 00:31:25,027 - NO. 805 00:31:25,033 --> 00:31:26,633 I MEAN, I WOULD, BUT MAYBE-- 806 00:31:26,633 --> 00:31:28,933 I DON'T KNOW, I JUST WON'T HAVE ENOUGH TIME. 807 00:31:28,934 --> 00:31:30,834 I HAVE TO GET THERE ALREADY. 808 00:31:30,834 --> 00:31:32,334 - I KNOW, BUT... 809 00:31:32,333 --> 00:31:35,833 I WANNA REALLY, LIKE, DO A LITTLE, LIKE... 810 00:31:35,834 --> 00:31:37,404 "SEE YOU IN A MONTH AND A HALF." 811 00:31:37,400 --> 00:31:39,700 I FEEL LIKE I JUST GOT HER BACK AFTER, YOU KNOW, 812 00:31:39,700 --> 00:31:41,400 SHE'S BEEN AT COLLEGE AND SHE'S BEEN AWAY. 813 00:31:41,400 --> 00:31:43,030 AND I WAS SO EXCITED TO HAVE HER HOME THIS YEAR. 814 00:31:43,033 --> 00:31:44,473 - I'M GONNA COME BACK. 815 00:31:44,467 --> 00:31:47,927 AND IT'LL BE AS IF I NEVER EVEN LEFT. 816 00:31:47,934 --> 00:31:51,334 BUT ALSO I'M GONNA BE NOT LIVING AT HOME 817 00:31:51,333 --> 00:31:52,973 FOR NOT TOO MUCH LONGER. 818 00:31:52,967 --> 00:31:54,327 - WHY NOT? WHAT DO YOU MEAN? 819 00:31:54,333 --> 00:31:56,233 - I MEAN, I KNOW I'M TAKING A YEAR OFF FROM SCHOOL, 820 00:31:56,233 --> 00:31:58,233 BUT I'M GONNA GO BACK THIS COMING SCHOOL YEAR. 821 00:31:58,233 --> 00:31:59,903 BEFORE YOU KNOW IT I'M GONNA BE OUT ON MY OWN, 822 00:31:59,900 --> 00:32:01,600 LIKE, LIVING IN MY OWN APARTMENT. 823 00:32:01,600 --> 00:32:03,470 - I FIGURED THOUGH, IF YOU WENT TO A SCHOOL CLOSE ENOUGH, 824 00:32:03,467 --> 00:32:04,827 THAT YOU'D STILL WANNA LIVE AT HOME. 825 00:32:04,834 --> 00:32:06,004 NO? 826 00:32:06,000 --> 00:32:08,870 - UM, I DON'T KNOW ABOUT THAT. 827 00:32:08,867 --> 00:32:10,527 - SO WHITNEY... 828 00:32:10,533 --> 00:32:12,173 YOU'RE COMING BACK FOR SURE, RIGHT? 829 00:32:12,166 --> 00:32:13,496 - YES. 830 00:32:13,500 --> 00:32:15,800 PEOPLE CAN GO AWAY FOR THE SUMMER AND COME HOME. 831 00:32:15,800 --> 00:32:17,170 I'M GOING FOR, LIKE, THREE MONTHS. 832 00:32:17,166 --> 00:32:18,626 - THREE? YOU KNOW, THIS STARTED OUT 833 00:32:18,633 --> 00:32:20,503 WHEN YOU FIRST SAID, "I'M GOING TO HOUSTON," 834 00:32:20,500 --> 00:32:21,800 YOU WERE GONNA GO FOR, LIKE, A MONTH. 835 00:32:21,800 --> 00:32:23,000 - WELL, I HAVE TO TELL YOU LESS. 836 00:32:23,000 --> 00:32:25,300 - NOW IT'S THREE MONTHS? 837 00:32:28,467 --> 00:32:31,867 - MOM, I GAVE YOU THIS DRESS TO WEAR TO TAYLOR'S PARTY. 838 00:32:31,867 --> 00:32:33,567 - YOU KNOW WHAT, THE PARTY'S TONIGHT TOO. 839 00:32:33,567 --> 00:32:36,267 AND I'D RATHER JUST BE WITH YOU. 840 00:32:36,266 --> 00:32:38,426 - I DON'T CARE IF YOU GO. - THANKS A LOT. 841 00:32:38,433 --> 00:32:39,803 - OBVIOUSLY, I CARE FOR YOU 842 00:32:39,800 --> 00:32:42,400 TO STAY HOME AND NOT GO TO A PARTY FOR ME, 843 00:32:42,400 --> 00:32:44,470 BUT YOU NEED TO KEEP THE RELATIONSHIP 844 00:32:44,467 --> 00:32:45,797 WITH YOUR GIRLFRIENDS. 845 00:32:45,800 --> 00:32:48,100 - BECAUSE YOU'RE LEAVING OR SOMETHING? 846 00:32:48,100 --> 00:32:49,830 IT WAS MY DAUGHTER'S LAST NIGHT IN TOWN 847 00:32:49,834 --> 00:32:51,534 BEFORE GOING AWAY FOR THE SUMMER, 848 00:32:51,533 --> 00:32:54,933 AND I NEVER WOULD HAVE LEFT HER ON THAT NIGHT. 849 00:32:54,934 --> 00:32:57,434 MY "THING" IS MY KIDS. 850 00:32:57,433 --> 00:33:00,033 SO I WAS HAPPY TO BE HERE AT HOME WITH HER. 851 00:33:00,033 --> 00:33:02,433 - MOM, WILL YOU COME BACK UP IN A LITTLE BIT? 852 00:33:02,433 --> 00:33:03,833 BECAUSE I'M REALLY BAD AT FOLDING. 853 00:33:03,834 --> 00:33:05,334 - I WILL HELP YOU. 854 00:33:05,333 --> 00:33:06,903 EVEN THOUGH I DON'T WANT YOU TO GO, I'LL HELP YOU PACK. 855 00:33:06,900 --> 00:33:08,230 - I LOVE YOU. 856 00:33:08,233 --> 00:33:11,533 - STILL THINK ABOUT IF YOU WANNA STAY FOR A PARTY, OR-- 857 00:33:11,533 --> 00:33:12,973 I'M JUST TEASING. - MOM! 858 00:33:12,967 --> 00:33:14,267 - JOKING! OKAY, I LOVE YOU. 859 00:33:14,266 --> 00:33:17,326 - LOVE YOU. 860 00:33:21,000 --> 00:33:22,530 - HEY, GUYS. HURRY UP. 861 00:33:22,533 --> 00:33:24,603 - HOLD ON A SECOND, OKAY, ALREADY? 862 00:33:24,600 --> 00:33:26,500 - OKAY, WE'RE GONNA BE LATE. - OKAY. 863 00:33:26,500 --> 00:33:29,230 OKAY, IT'S NOT EASY BEING ME, YOU KNOW? 864 00:33:29,233 --> 00:33:31,703 - UGH. IT TOOK FOREVER. 865 00:33:31,700 --> 00:33:34,470 - UH! WE MUST BE JOKING! 866 00:33:34,467 --> 00:33:35,627 - WHAT? - WHAT ARE YOU DOING? 867 00:33:35,633 --> 00:33:37,133 - WHAT DO YOU THINK? 868 00:33:37,133 --> 00:33:38,673 YOU KNOW, WELL, THE DRESS DIDN'T LOOK GOOD ON ME. 869 00:33:38,667 --> 00:33:40,927 - IT LOOKED BETTER ON ME, LET US FACE IT. 870 00:33:40,934 --> 00:33:42,104 - WHAT DO YOU THINK, DARLING? 871 00:33:42,100 --> 00:33:43,530 - OH, MY GOD. 872 00:33:43,533 --> 00:33:45,773 - DON'T [bleep] WITH MR. PINKY TONIGHT, OKAY? 873 00:33:45,767 --> 00:33:47,797 - PLEASE DON'T HIT ME AGAIN. - COME ON, LET'S DO IT. 874 00:33:47,800 --> 00:33:49,430 COME ON, KEN. GET USED TO IT. 875 00:33:49,433 --> 00:33:53,173 - JESUS. 876 00:33:53,166 --> 00:33:55,026 - KEN, YOU KNOW WHAT? 877 00:33:55,033 --> 00:33:57,273 CEDRIC REALLY FANCIED ME UPSTAIRS IN THE BATHROOM. 878 00:33:57,266 --> 00:33:58,866 HE SAID, "FOR THE FIRST TIME, LISA, 879 00:33:58,867 --> 00:34:00,927 I FIND YOU ATTRACTIVE." - [chuckles] 880 00:34:00,934 --> 00:34:02,934 - I'M NOT WALKING 'CROSS THE ROAD, 881 00:34:02,934 --> 00:34:05,304 I HAVE HEELS ON. - OH, DON'T BE RIDICULOUS. 882 00:34:05,300 --> 00:34:07,900 - LOOK AT THIS. - OH, FOR GOODNESS SAKE. 883 00:34:07,900 --> 00:34:10,030 THEY'RE RUNNING SHOES, AS FAR AS I'M CONCERNED. 884 00:34:19,734 --> 00:34:23,974 [doorbell rings] 885 00:34:23,967 --> 00:34:28,067 - [laughing] HEY. 886 00:34:28,066 --> 00:34:29,966 - I SAID, "BOY, LISA GOT TALL." 887 00:34:29,967 --> 00:34:32,427 - HA-HA! - OH, MY GOD! 888 00:34:32,433 --> 00:34:34,203 - GOD, OH, YOU LOOK GREAT. 889 00:34:34,200 --> 00:34:37,130 - LITTLE SHOCK TO SEE CEDRIC DRESSED AS A WOMAN. 890 00:34:37,133 --> 00:34:39,773 AND SEEING LISA AS A MAN... 891 00:34:39,767 --> 00:34:41,097 SHE'S TOO PRETTY TO BE A MAN. 892 00:34:41,100 --> 00:34:42,770 - WE'RE READY. - MY GOD, LOOK AT THIS GUY. 893 00:34:42,767 --> 00:34:44,367 - WE'VE BEEN WAITING FOR YOU TO DRESS. 894 00:34:44,367 --> 00:34:45,627 - I'M A LADY. 895 00:34:45,633 --> 00:34:47,003 - [chuckles] ALMOST. 896 00:34:47,000 --> 00:34:49,300 - DO YOU WANT SOME PADS FOR THOSE SHOULDERS, PAUL? 897 00:34:50,734 --> 00:34:52,634 - SMARTASS. - [laughing] 898 00:35:08,567 --> 00:35:10,767 - WHAT WE HAVE HERE IS THE PINK PEARL. 899 00:35:10,767 --> 00:35:12,227 IT'S SORT OF A GRAPEFRUIT-DRIVEN COCKTAIL. 900 00:35:12,233 --> 00:35:13,473 - LET'S DO THAT. - WILL DO, SIR. 901 00:35:13,467 --> 00:35:14,467 - WE'LL TRY THAT. - OKAY. 902 00:35:14,467 --> 00:35:17,927 - THERE YOU GO. HI. - WOW. 903 00:35:17,934 --> 00:35:20,104 - I CUT ALL MY HAIR OFF. 904 00:35:20,100 --> 00:35:22,130 - I HOPE NOT. - [giggles] 905 00:35:22,133 --> 00:35:23,773 - I HOPE IT'S IN THERE SOMEWHERE. 906 00:35:23,767 --> 00:35:25,327 - IT IS, IT IS. - SO IS THIS MY-- 907 00:35:25,333 --> 00:35:26,933 - HI, DARLING, HAPPY BIRTHDAY! - THANK YOU FOR MY PARTY. 908 00:35:26,934 --> 00:35:29,304 YOU LOOK AMAZING. EXCEEDING ALL EXPECTATIONS. 909 00:35:29,300 --> 00:35:30,570 - AW, THANK YOU. - TURN AROUND. 910 00:35:30,567 --> 00:35:32,567 STUNNING. - HOW DOES MY HAT LOOK? 911 00:35:32,567 --> 00:35:33,797 - I LOVE IT. - PERFECT. 912 00:35:33,800 --> 00:35:35,070 - DOWN A LITTLE MORE IN FRONT. 913 00:35:35,066 --> 00:35:36,826 - DO I LOOK LIKE A GANGSTER? - RUSS THE GANGSTER. 914 00:35:36,834 --> 00:35:38,804 - YOU GUYS ALL LOOK SO HANDSOME. 915 00:35:38,800 --> 00:35:41,370 THE '20s ARE WORKING. 916 00:35:41,367 --> 00:35:43,727 - [laughing] I LOVE IT. 917 00:35:43,734 --> 00:35:45,334 WELL, EVERYONE LOOKS GREAT. 918 00:35:45,333 --> 00:35:47,033 THE ROOM LOOKS SO GOOD-- HI, GIRLS! 919 00:35:47,033 --> 00:35:49,303 - YOUR LIPS ARE RED. - I KNOW. 920 00:35:49,300 --> 00:35:51,100 - IS IT... IS IT SMEARABLE? 921 00:35:51,100 --> 00:35:52,700 - I DON'T KNOW. 922 00:35:52,700 --> 00:35:55,100 GIVE ME A COCKTAIL FIRST AND THEN WE'LL FIND OUT. 923 00:35:59,433 --> 00:36:01,403 - OH, RIGHT. - [laughing] 924 00:36:01,400 --> 00:36:03,200 YOU GUYS LOOK AMAZING. 925 00:36:03,200 --> 00:36:06,170 [gasp] WHOO-HOO! 926 00:36:06,166 --> 00:36:07,826 AH! LOOK AT YOU! 927 00:36:07,834 --> 00:36:09,474 MWAH, MWAH! 928 00:36:09,467 --> 00:36:11,797 YOU LOOK GOOD. - SO DO YOU. 929 00:36:11,800 --> 00:36:12,900 - GIVE ME THE SPIN. 930 00:36:12,900 --> 00:36:15,630 GIRL, YOU LOOK HOT AS ALWAYS. 931 00:36:15,633 --> 00:36:17,573 I LOVE YOU. - IS THIS FROM YOUR WARDROBE? 932 00:36:17,567 --> 00:36:19,327 OR IS THIS-- - NO, NO, NO, THIS IS NOT. 933 00:36:19,333 --> 00:36:21,073 THIS IS FAKE. 934 00:36:21,066 --> 00:36:22,496 THESE ARE REAL. - I MEAN, THE DRESS. 935 00:36:22,500 --> 00:36:24,430 - OH, NO. FROM MY WARDROBE, NO. 936 00:36:24,433 --> 00:36:25,573 - DID YOU RENT IT, OR-- 937 00:36:25,567 --> 00:36:26,967 - KELSEY AND I, WE ARE THAT KINKY. 938 00:36:26,967 --> 00:36:28,597 YOU KNOW, WE LIKE TO DRESS UP A LOT. NO. 939 00:36:28,600 --> 00:36:30,870 WE'LL SEE WHAT HAPPENS WHEN I SEE KYLE. 940 00:36:30,867 --> 00:36:33,327 I DON'T WANNA BE ON THE RECEIVING END 941 00:36:33,333 --> 00:36:34,973 OF HER SLINGS AND ARROWS. 942 00:36:34,967 --> 00:36:37,367 LIKE I SAID, WITH OUR PERSONALITIES, YOU NEVER KNOW. 943 00:36:37,367 --> 00:36:39,497 'CAUSE WE HAVE STRONG PERSONALITIES. 944 00:36:39,500 --> 00:36:41,030 EVEN THOUGH I'M QUIET. 945 00:36:41,033 --> 00:36:42,573 BUT THAT DOESN'T MEAN I DON'T HAVE A STUBBORN, 946 00:36:42,567 --> 00:36:43,897 STRONG PERSONALITY. 947 00:36:43,900 --> 00:36:46,630 BECAUSE I'M NICE AND SWEET AND KIND TO EVERYBODY. 948 00:36:46,633 --> 00:36:48,203 I'M VERY SWEET, AND I'M VERY GENEROUS, 949 00:36:48,200 --> 00:36:51,000 THEY TAKE ADVANTAGE. 950 00:36:57,333 --> 00:37:06,773 - AH! - WHAT! 951 00:37:09,233 --> 00:37:10,903 - YEAH, NICE TO SEE YOU. 952 00:37:10,900 --> 00:37:12,900 - I'M NOT INTIMIDATED BY KYLE. 953 00:37:12,900 --> 00:37:17,270 SHE'S ALL BARK. 954 00:37:17,266 --> 00:37:19,496 IT'S A VERY OBNOXIOUS, LOUD BARK, 955 00:37:19,500 --> 00:37:21,270 - THIS IS, LIKE, A GORGEOUS DRESS. 956 00:37:21,266 --> 00:37:22,826 - THIS IS REAL. - OH, YOU FOUND THE SHOES. 957 00:37:22,834 --> 00:37:24,174 - YES! - YOU FOUND THEM. 958 00:37:24,166 --> 00:37:25,726 - I FOUND THE TEXTURED ONES THAT YOU LOVE. 959 00:37:25,734 --> 00:37:27,104 - I LOVE THEM. - LOOK WHO'S HERE! 960 00:37:27,100 --> 00:37:28,900 - HI! - WOW! 961 00:37:28,900 --> 00:37:30,430 [laughing] - HEY, BUDDY. 962 00:37:30,433 --> 00:37:33,003 - AH...HA! - WOW! 963 00:37:33,000 --> 00:37:35,200 [chatter overlaps] 964 00:37:35,200 --> 00:37:37,530 - THAT'S BRILLIANT. 965 00:37:37,533 --> 00:37:39,173 - WHO ARE YOU? 966 00:37:39,166 --> 00:37:41,796 I HAD TO TAKE A DOUBLE TAKE WHEN CEDRIC WALKED IN. 967 00:37:41,800 --> 00:37:45,130 AND I REALLY THOUGHT THERE WAS A STRANGE PERSON, 968 00:37:45,133 --> 00:37:46,303 LIKE, CRASHING OUR PARTY. 969 00:37:46,300 --> 00:37:49,530 I MEAN, THE WHOLE THING WAS HYSTERICAL. 970 00:37:49,533 --> 00:37:51,733 - CEDRIC... LET'S SEE YOUR ARMS. 971 00:37:51,734 --> 00:37:53,704 CHECK OUT THOSE GUNS. 972 00:37:53,700 --> 00:37:57,370 - [silent laughing] 973 00:37:57,367 --> 00:37:59,467 - CEDRIC, YOU AND I ARE LIKE TWINS TONIGHT. 974 00:37:59,467 --> 00:38:00,567 - RIGHT. 975 00:38:00,567 --> 00:38:01,667 WE COULD DO THE, UH-- 976 00:38:01,667 --> 00:38:03,527 - THIS LOOKS LIKE YOU EVERY DAY-- 977 00:38:03,533 --> 00:38:05,133 DAPPER AND WELL PUT TOGETHER. 978 00:38:05,133 --> 00:38:08,033 [giggles] 979 00:38:08,033 --> 00:38:09,173 - SO HOW YOU DOIN', MAN? 980 00:38:09,166 --> 00:38:10,626 - I'M GOOD. YOU? 981 00:38:10,633 --> 00:38:12,173 - YOU HAVING A GOOD TIME? - I'M GREAT, YOU? 982 00:38:12,166 --> 00:38:13,626 [glass shatters distantly] 983 00:38:13,633 --> 00:38:15,303 - HAVE YOU MET MY BOYFRIEND? 984 00:38:15,300 --> 00:38:17,970 - OH, YOU TWO LOOK AMAZING TOGETHER! 985 00:38:17,967 --> 00:38:19,867 - MM! [giggles] 986 00:38:19,867 --> 00:38:22,797 - I DON'T FANCY IT AT ALL! 987 00:38:22,800 --> 00:38:24,200 [all laughing] 988 00:38:24,200 --> 00:38:35,770 - CEDRIC'S DREAM COME TRUE. 989 00:38:35,767 --> 00:38:37,697 [all laughing] 990 00:38:37,700 --> 00:38:40,030 - HI, CAMILLE. - YOU LOOK SO HANDSOME. 991 00:38:40,033 --> 00:38:43,473 - WELL, I TRIED HARD. 992 00:38:43,467 --> 00:38:46,367 THIS KEYCHAIN IS MY GRANDFATHER'S. 993 00:38:46,367 --> 00:38:49,027 - OH, IS IT? - AND IT'S ACTUALLY FROM 1922. 994 00:38:49,033 --> 00:38:51,033 SO I'M LIKE, I HAVE TO WEAR IT TONIGHT. 995 00:38:51,033 --> 00:38:53,133 - TYPICAL MAURICIO. 996 00:38:53,133 --> 00:38:54,703 FORGETS EVERYTHING THAT'S HAPPENED, 997 00:38:54,700 --> 00:38:57,500 AND WALKS UP TO CAMILLE AND SAYS, "HEY, HOW ARE YOU?" 998 00:38:57,500 --> 00:38:58,830 AND GIVES A BIG KISS. 999 00:38:58,834 --> 00:39:00,034 THAT'S HOW HE IS. 1000 00:39:00,033 --> 00:39:01,803 LETTING EVERYTHING ROLL OFF HIS SHOULDER. 1001 00:39:01,800 --> 00:39:02,970 - LET ME SHOW YOU THIS. 1002 00:39:02,967 --> 00:39:04,867 MY OTHER GRANDFATHER GAVE ME THIS. 1003 00:39:04,867 --> 00:39:06,497 AND THIS IS FROM-- I THINK, 1004 00:39:06,500 --> 00:39:08,730 LIKE, '29 OR '30. - '29 OR '30. 1005 00:39:08,734 --> 00:39:10,634 - SO YOU HAVE REAL PIECES. 1006 00:39:10,633 --> 00:39:12,333 - HOW COOL IS THAT? - CRAZY. 1007 00:39:12,333 --> 00:39:15,433 - I WOULD LIKE TO THINK THAT WE CAN BE FRIENDLY. 1008 00:39:15,433 --> 00:39:18,173 I JUST CAN'T TELL. 1009 00:39:21,934 --> 00:39:23,674 - COMING UP... 1010 00:39:23,667 --> 00:39:24,997 - CAMILLE. 1011 00:39:25,000 --> 00:39:26,500 I REALLY JUST WANNA GO OVER AND SAY HI 1012 00:39:26,500 --> 00:39:32,000 AND GET THIS OVER WITH. 1013 00:39:34,800 --> 00:39:50,170 - YOU KNOW WHAT, IT'S GR-- IT'S BETTER LIKE THAT. 1014 00:39:50,166 --> 00:39:51,626 LOOK AT YOU. MY GOD. 1015 00:39:51,633 --> 00:39:53,273 EVERYBODY HAS, LIKE, REAL DRESSES 1016 00:39:53,266 --> 00:39:57,496 AND MINE'S, LIKE, FROM A COSTUME SHOP. 1017 00:39:57,500 --> 00:39:58,830 CAMILLE... 1018 00:39:58,834 --> 00:40:00,374 I REALLY JUST WANNA GO OVER AND SAY HI 1019 00:40:00,367 --> 00:40:01,627 AND GET THIS OVER WITH. 1020 00:40:01,633 --> 00:40:03,903 DID YOU MEET JUSTIN? - HI. 1021 00:40:03,900 --> 00:40:05,430 - JUSTIN. - HI, IT'S NICE TO MEET YOU. 1022 00:40:05,433 --> 00:40:07,333 - DO THE CHARLESTON? I'LL TEACH YOU SOME DANCES. 1023 00:40:07,333 --> 00:40:09,903 I BET HE CAN DANCE. - OH, MY GOSH. 1024 00:40:09,900 --> 00:40:11,870 - CAMILLE AND I JUST SORT OF SAID TO EACH OTHER 1025 00:40:11,867 --> 00:40:13,727 "HOW ARE YOU?" "IT'S GOOD TO SEE YOU." 1026 00:40:13,734 --> 00:40:16,274 AND...YOU KNOW, KIND OF SMALL TALK. 1027 00:40:16,266 --> 00:40:27,866 - I LOVE THIS OUTFIT, IT'S BRILLIANT. 1028 00:40:27,867 --> 00:40:29,297 AND...YOU KNOW, KIND OF SMALL TALK. 1029 00:40:29,300 --> 00:40:31,300 - I DON'T KNOW WHAT I'D DO WITHOUT HIM. 1030 00:40:31,300 --> 00:40:33,100 - I LOVE HAVING THOSE PEOPLE IN MY LIFE TOO. 1031 00:40:33,100 --> 00:40:34,430 - [chuckles] 1032 00:40:34,433 --> 00:40:35,873 - I JUST WANNA GIVE YOU A HUG. 1033 00:40:35,867 --> 00:40:36,927 CAN I GIVE YOU A HUG? 1034 00:40:39,066 --> 00:40:41,066 I ALWAYS TAKE THE HIGH ROAD. I TRY. 1035 00:40:41,066 --> 00:40:42,996 I MEAN, YOU KNOW, TRY AS I MAY. 1036 00:40:43,000 --> 00:40:44,670 BUT I ALWAYS TAKE THE HIGH ROAD. 1037 00:40:44,667 --> 00:40:47,027 THAT'S MY MOTTO HERE. 1038 00:40:47,033 --> 00:40:48,833 - I SWEAR TO GOD, EVERY TIME I SEE YOU-- 1039 00:40:48,834 --> 00:40:50,274 I'M NOT JUST SAYING THIS-- 1040 00:40:50,266 --> 00:40:52,326 I ALWAYS THINK "I LOVE YOU, YOU'RE SO SWEET," 1041 00:40:52,333 --> 00:40:53,673 AND I DON'T KNOW WHAT HAPPENS. 1042 00:40:53,667 --> 00:40:55,967 - AND THEN WE GET INTO IT, AND WE'RE LIKE AH! 1043 00:40:55,967 --> 00:40:57,567 AND SHE'S AH! - I'M SERIOUS. 1044 00:40:57,567 --> 00:40:59,427 YOU KNOW, SOME PEOPLE HAVE, LIKE, A CONNECTION... 1045 00:40:59,433 --> 00:41:00,803 - YES. - AND OTHER PEOPLE HAVE, LIKE-- 1046 00:41:00,800 --> 00:41:02,100 I DON'T KNOW WHAT IT IS, BECAUSE EVERY TIME 1047 00:41:02,100 --> 00:41:03,200 I FEEL LIKE THAT, AND THEN I DON'T KNOW WHAT HAPPENS. 1048 00:41:03,200 --> 00:41:04,600 - I KNOW, AND WITH US WE GET CLOSE, 1049 00:41:04,600 --> 00:41:06,270 AND THEN SOMETHING HAPPENS, AND THEN... 1050 00:41:06,266 --> 00:41:08,126 - I KNOW, I KNOW. - AND THEN--I KNOW. 1051 00:41:08,133 --> 00:41:09,233 - LET'S GET PAST IT. 1052 00:41:09,233 --> 00:41:10,433 THE WAY WE SPOKE TO EACH OTHER 1053 00:41:10,433 --> 00:41:11,773 AND THE THINGS THAT WE SAID, 1054 00:41:11,767 --> 00:41:12,997 I THINK THAT WE WERE BOTH TRYING 1055 00:41:13,000 --> 00:41:14,370 TO PUT THIS BEHIND US AND MOVE ON. 1056 00:41:14,367 --> 00:41:16,097 I KNOW THAT I'VE SAID THIS TO YOU BEFORE, 1057 00:41:16,100 --> 00:41:18,070 THAT EVENTUALLY YOU'LL GET TO KNOW ME AND UNDERSTAND... 1058 00:41:18,066 --> 00:41:19,966 - I GUESS I DON'T UNDERSTAND IT. 1059 00:41:19,967 --> 00:41:21,467 - ALL RIGHT. 1060 00:41:21,467 --> 00:41:23,367 NOW ARE YOU TWO GETTING ALONG? 1061 00:41:23,367 --> 00:41:25,027 - YES, WE ARE. - BECAUSE I BROUGHT BACK-UP. 1062 00:41:25,033 --> 00:41:26,373 - [laughing] 1063 00:41:26,367 --> 00:41:27,927 - IT'S JUST BEEN A MISUNDERSTANDING. 1064 00:41:27,934 --> 00:41:29,274 - YES. - WE GOT A BAD START. 1065 00:41:29,266 --> 00:41:30,996 I MEAN, IF WE WERE, LIKE, BEING SET UP, 1066 00:41:31,000 --> 00:41:32,470 WE WOULD NEVER GO ON A DATE AGAIN. 1067 00:41:32,467 --> 00:41:34,267 - NO, I KNOW. I KNOW. 1068 00:41:34,266 --> 00:41:36,366 - BUT SINCE WE'RE NOT ON A DATE, 1069 00:41:36,367 --> 00:41:37,667 WE CAN GIVE IT ANOTHER SHOT. 1070 00:41:37,667 --> 00:41:38,997 - BUT SINCE WE'RE NOT ON A DATE, 1071 00:41:40,533 --> 00:41:42,203 - OH, ABSOLUTELY. - [chuckles] 1072 00:41:42,200 --> 00:41:44,430 - WE NEED TO, LIKE, FIGURE OUT A WAY TO START FROM SCRATCH. 1073 00:41:44,433 --> 00:41:46,773 - OH, YEAH, ABSOLUTELY. I WOULD LOVE TO START. 1074 00:41:46,767 --> 00:41:48,367 - ME TOO, I REALLY MEAN THAT. 1075 00:41:48,367 --> 00:41:51,727 - EVEN FROM THIS NIGHT ON, I WANNA PUT IT ALL BEHIND US. 1076 00:41:51,734 --> 00:41:55,774 - ME TOO. - AW, YAY! 1077 00:41:55,767 --> 00:41:57,427 - GOOD, GOOD, GOOD, GOOD. - GOOD, GOOD. 1078 00:41:57,433 --> 00:41:59,133 - I DON'T WANT NO TROUBLE TONIGHT, OKAY? 1079 00:41:59,133 --> 00:42:00,573 - NO TROUBLE, I PROMISE. - I WANT YOU TO KNOW... 1080 00:42:00,567 --> 00:42:02,867 CAMILLE AND KYLE MADE UP. - OKAY, THAT'S GOOD. 1081 00:42:02,867 --> 00:42:04,267 WE CAN MOVE ON. - WAIT... 1082 00:42:04,266 --> 00:42:06,596 - TONIGHT THEY SAID "FOR SURE, IT'S BEHIND US." 1083 00:42:06,600 --> 00:42:09,070 AND UH, HERE'S TO THAT. - YEAH, CHEERS. 1084 00:42:09,066 --> 00:42:11,766 - NO MORE SLEEPLESS NIGHTS. 1085 00:42:11,767 --> 00:42:13,327 SIR. 1086 00:42:13,333 --> 00:42:14,603 - WELL, WE'LL SEE, WON'T WE? 1087 00:42:14,600 --> 00:42:15,800 I MEAN, WE SAID THAT LAST TIME 1088 00:42:15,800 --> 00:42:17,400 SO WE'LL SEE WHERE THIS ONE GOES. 1089 00:42:17,400 --> 00:42:20,100 CAMILLE AND KYLE, THEY HUG AND THEY KISS, 1090 00:42:20,100 --> 00:42:22,970 LIKE NOTHING HAS HAPPENED. 1091 00:42:22,967 --> 00:42:24,967 SO IS THIS OVER AND DONE WITH? 1092 00:42:24,967 --> 00:42:26,627 I WOULDN'T PUT MY MONEY ON IT. 1093 00:42:26,633 --> 00:42:29,203 I DON'T THINK THERE'S A SMOOTH ROAD AHEAD. 1094 00:42:33,400 --> 00:42:35,370 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1095 00:42:35,367 --> 00:42:37,527 - HE'S BEEN WITH US OVER A YEAR. 1096 00:42:37,533 --> 00:42:39,073 - YOU'RE RUINING MY NICE, PLEASANT AFTERNOON 1097 00:42:39,066 --> 00:42:40,326 CUTTING ROSES. 1098 00:42:40,333 --> 00:42:42,073 - A YEAR IS ENOUGH. 1099 00:42:42,066 --> 00:42:43,396 [upbeat Latin music] 1100 00:42:43,400 --> 00:42:44,530 - WHAT IS THIS? 1101 00:42:44,533 --> 00:42:45,933 A BOOK. 1102 00:42:45,934 --> 00:42:48,174 HOW TO BEHAVE AND WHY. 1103 00:42:48,166 --> 00:42:49,696 [laughter] 1104 00:42:49,700 --> 00:42:52,470 [overlapping chatter] 1105 00:42:54,233 --> 00:42:56,933 - [screams] [laughter] 1106 00:42:56,934 --> 00:43:00,004 - PAYBACKS ARE A... 1107 00:43:00,000 --> 00:43:01,970 YOU'RE GONNA HAVE A FAT LIP. 1108 00:43:03,033 --> 00:43:04,533 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1109 00:43:04,533 --> 00:43:06,203 GO TO BRAVOTV.COM. 1110 00:43:06,200 --> 00:43:08,970 Captioning by CaptionMax www.captionmax.com