1 00:00:03,500 --> 00:00:05,130 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,133 --> 00:00:06,373 - WHAT MANY OF YOU MAY NOT KNOW 3 00:00:06,367 --> 00:00:09,067 IS THAT I'M A CHILD OF DOMESTIC VIOLENCE. 4 00:00:09,066 --> 00:00:12,166 I WANT EVERYONE WHO'S BEEN THROUGH THAT EXPERIENCE 5 00:00:12,166 --> 00:00:14,026 TO KNOW THAT THEY CAN LIVE IN BEVERLY HILLS 6 00:00:14,033 --> 00:00:15,203 JUST LIKE I DO. 7 00:00:15,200 --> 00:00:16,370 [cheers and applause] 8 00:00:16,367 --> 00:00:18,997 - KYLE AND I LEFT ON AN UNCOMFORTABLE NOTE. 9 00:00:19,000 --> 00:00:21,400 SHE SAID, "WHY WOULD ANYBODY BE INTERESTED IN YOU 10 00:00:21,400 --> 00:00:22,670 WITHOUT KELSEY THERE?" 11 00:00:22,667 --> 00:00:24,897 - I WOULD NEVER SAY SOMETHING LIKE THAT. 12 00:00:24,900 --> 00:00:26,330 FIRST OF ALL, I DON'T THINK THAT. 13 00:00:26,333 --> 00:00:28,503 - I DON'T KNOW WHY YOU JUST CAN'T COP TO IT. 14 00:00:28,500 --> 00:00:32,470 - YOU'RE SUCH A [bleep] LIAR, CAMILLE. 15 00:00:32,467 --> 00:00:34,427 [upbeat music] 16 00:00:34,433 --> 00:00:36,273 - IT MAY LOOK LIKE I HAVE IT ALL 17 00:00:36,266 --> 00:00:40,226 BUT I WANT MORE. 18 00:00:40,233 --> 00:00:42,103 - IN BEVERLY HILLS, IT'S WHO YOU KNOW, 19 00:00:42,100 --> 00:00:45,470 AND I KNOW EVERYONE. 20 00:00:45,467 --> 00:00:48,467 - MONEY IS WHAT I HAVE, NOT WHO I AM. 21 00:00:50,734 --> 00:00:52,234 - I WAS A CHILD STAR, 22 00:00:52,233 --> 00:00:56,603 BUT NOW MY MOST IMPORTANT ROLE IS BEING A MOTHER. 23 00:00:56,600 --> 00:00:58,600 - IN A TOWN FULL OF PHONIES, 24 00:00:58,600 --> 00:01:02,200 I'M NOT AFRAID TO BE ME. 25 00:01:02,200 --> 00:01:03,470 - IT'S TIME FOR ME TO COME OUT OF 26 00:01:03,467 --> 00:01:07,097 MY HUSBAND'S SHADOW AND SHINE. 27 00:01:19,300 --> 00:01:20,900 - KEN? 28 00:01:20,900 --> 00:01:21,970 - YEAH? 29 00:01:21,967 --> 00:01:23,027 - COME ON, WE GOTTA GO. 30 00:01:23,033 --> 00:01:24,373 - YOU OKAY TO DRIVE? 31 00:01:24,367 --> 00:01:25,667 - YEAH. 32 00:01:25,667 --> 00:01:27,797 NOW I HAVE AN AMERICAN DRIVING LESSON, 33 00:01:27,800 --> 00:01:29,700 SO EVERY TIME I GET STOPPED, 34 00:01:29,700 --> 00:01:32,530 I'M GOING TO HAVE A MUCH HARDER TIME 35 00:01:32,533 --> 00:01:34,173 TALKING MY WAY OUT OF IT. 36 00:01:34,166 --> 00:01:36,926 - WHY ARE YOU GOING SO FAST? 37 00:01:36,934 --> 00:01:38,474 - I'M NOT GOING FAST. 38 00:01:38,467 --> 00:01:39,667 - OH, DEAR. 39 00:01:39,667 --> 00:01:41,097 - DARLING, I LOVE YOU, 40 00:01:41,100 --> 00:01:42,970 BUT YOU ARE PROBABLY ONE OF THE WORST DRIVERS I KNOW. 41 00:01:42,967 --> 00:01:45,967 - REALLY? - YOU ARE NOT ONE TO TALK. 42 00:01:45,967 --> 00:01:47,597 I HAVE NEVER HAD A TICKET. 43 00:01:47,600 --> 00:01:48,730 - NO, BECAUSE THEY CAN'T CATCH YOU. 44 00:01:48,734 --> 00:01:50,274 - [laughs] 45 00:01:50,266 --> 00:01:51,966 IN LONDON, WE DRIVE MUCH MORE AGGRESSIVELY. 46 00:01:51,967 --> 00:01:54,227 IN CALIFORNIA, YOU'VE GOT ALL THIS SPACE 47 00:01:54,233 --> 00:01:57,903 AND EVERYBODY DRIVES AT, LIKE, YOU KNOW, TEN MILES AN HOUR. 48 00:01:57,900 --> 00:02:02,000 WHAT IS THIS GUY'S PROBLEM? 49 00:02:02,000 --> 00:02:04,000 CAN YOU BELIEVE THAT? 50 00:02:06,000 --> 00:02:08,100 [horn honks] 51 00:02:08,100 --> 00:02:10,530 [both laugh] 52 00:02:10,533 --> 00:02:13,073 [horn honks] 53 00:02:24,533 --> 00:02:26,373 - MY DAUGHTER'S ON THE DANCE SQUAD NOW 54 00:02:26,367 --> 00:02:27,967 AND SHE'S EIGHT-- SHE'S BUSY. 55 00:02:27,967 --> 00:02:31,197 - IT GOES FROM THEM HAVING, UM, LIKE, A LOT OF FREE TIME 56 00:02:31,200 --> 00:02:33,000 AND YOU CAN BE WITH THEM WHENEVER YOU WANT, 57 00:02:33,000 --> 00:02:34,530 TO THEN THEY HAVE REAL SCHEDULES. 58 00:02:34,533 --> 00:02:35,903 - AND TAKE ADVANTAGE OF THAT TIME 59 00:02:35,900 --> 00:02:37,370 THAT YOU HAVE NOW WITH YOUR DAUGHTER, 60 00:02:37,367 --> 00:02:39,327 YOU KNOW, 'CAUSE ONCE THEY'RE IN SCHOOL, 61 00:02:39,333 --> 00:02:40,733 YOU DON'T SEE THEM AS OFTEN. 62 00:02:40,734 --> 00:02:42,904 I HAVEN'T SEEN A LOT OF THE LADIES SINCE NEW YORK. 63 00:02:42,900 --> 00:02:45,070 TAYLOR'S PLAYFUL, SHE'S FUNNY, 64 00:02:45,066 --> 00:02:46,966 SHE SEEMS REAL. 65 00:02:46,967 --> 00:02:48,597 I TRUST WHAT SHE HAS TO SAY. 66 00:02:48,600 --> 00:02:51,070 SHE SEEMS GENUINE. 67 00:02:51,066 --> 00:02:53,166 - WOULD YOU CARE FOR ANYTHING TO DRINK TO START OFF WITH? 68 00:02:53,166 --> 00:02:54,366 - SURE. 69 00:02:54,367 --> 00:02:55,797 I'M GONNA TRY THE STRAWBERRY, THE FIRST, 70 00:02:55,800 --> 00:02:56,930 THE ORIGINAL WITH VODKA. 71 00:02:56,934 --> 00:02:58,474 - AND I'll TRY THE MOJITO. - OKAY. 72 00:02:58,467 --> 00:03:00,197 - SO SATURDAY NIGHT, 73 00:03:00,200 --> 00:03:01,830 I'M HAVING A DINNER AT MY HOUSE. 74 00:03:01,834 --> 00:03:03,004 - OKAY. 75 00:03:03,000 --> 00:03:04,970 - I WANTED TO TAKE A BREAK FROM THE DRAMA 76 00:03:04,967 --> 00:03:06,427 IN NEW YORK CITY. 77 00:03:06,433 --> 00:03:08,333 BUT I THOUGHT IT WAS REALLY IMPORTANT FOR ME 78 00:03:08,333 --> 00:03:12,033 TO REUNITE US AND MAYBE, UH, YOU KNOW, 79 00:03:12,033 --> 00:03:15,273 ME OPENING UP MY HOME TO THEM, 80 00:03:15,266 --> 00:03:16,426 THEY'LL FEEL MORE COMFORTABLE. 81 00:03:16,433 --> 00:03:18,333 IT'LL BE NICE. 82 00:03:18,333 --> 00:03:19,673 AND WE HAVE A PIZZA OVEN, SO WHAT I'M GONNA DO 83 00:03:19,667 --> 00:03:21,567 IS I'M GONNA HAVE A CHEF COME. 84 00:03:21,567 --> 00:03:23,167 - THAT'D BE REALLY NICE. 85 00:03:23,166 --> 00:03:24,696 AND IT'LL BE A COMPLETELY DIFFERENT VIBE THIS TIME. 86 00:03:24,700 --> 00:03:28,700 - UM, I THINK I'M GONNA BE, UM, CAUTIOUSLY OPTIMISTIC. 87 00:03:28,700 --> 00:03:30,970 - I LIKE THAT. ALL RIGHT. 88 00:03:30,967 --> 00:03:32,567 - SO WE'LL SEE. 89 00:03:32,567 --> 00:03:35,027 IT'S HARD FOR ME TO FORGIVE PEOPLE ANYWAY. 90 00:03:35,033 --> 00:03:36,903 I'M WORKING THROUGH THAT. 91 00:03:36,900 --> 00:03:38,470 READING MY BOOK OF FORGIVENESS. 92 00:03:38,467 --> 00:03:40,667 SOME OF MY BOOKS. - OKAY. 93 00:03:40,667 --> 00:03:43,197 - AND MY STACK OF, LIKE, SELF-HELP BOOKS, AND, UH... 94 00:03:43,200 --> 00:03:44,770 - AND IT'LL BE JUST THE SIX OF US? 95 00:03:44,767 --> 00:03:45,997 - UM, NO. 96 00:03:46,000 --> 00:03:47,170 I HAVE A GIRLFRIEND JOINING ME, 97 00:03:47,166 --> 00:03:48,366 AND YOU KNOW THE SHOW MEDIUM, 98 00:03:48,367 --> 00:03:49,697 THE TV SHOW MEDIUM? - I DO. 99 00:03:49,700 --> 00:03:51,470 - WELL, WE PRODUCE THAT SHOW. - OH, GOOD. 100 00:03:51,467 --> 00:03:53,667 - AND IT'S THE REAL LIFE STORY BASED ON MY GIRLFRIEND, 101 00:03:53,667 --> 00:03:54,827 ALLISON DUBOIS. 102 00:03:54,834 --> 00:03:57,574 AND SHE'S GONNA BE MY GUEST. 103 00:03:57,567 --> 00:03:58,927 - SHE'S AN ACTUAL MEDIUM? 104 00:03:58,934 --> 00:04:00,304 - SHE'S AN ACTUAL MEDIUM. - OH, OKAY. 105 00:04:00,300 --> 00:04:02,300 - A REAL LIVE PSYCHIC/MEDIUM. 106 00:04:02,300 --> 00:04:03,630 SHE'S FANTASTIC. 107 00:04:03,633 --> 00:04:05,203 AND, YOU KNOW, WHEN I INVITE HER TO ANYTHING, 108 00:04:05,200 --> 00:04:06,770 I DON'T ASK HER TO READ ANYBODY BECAUSE 109 00:04:06,767 --> 00:04:08,567 THAT'S NOT WHY SHE'S COMING, 'CAUSE SHE'S MY FRIEND. 110 00:04:08,567 --> 00:04:09,727 SHE'S COMING JUST TO BE A GUEST. 111 00:04:09,734 --> 00:04:11,274 - I SEE. OKAY. 112 00:04:11,266 --> 00:04:12,726 - YOU KNOW, IT'S INTERESTING HAVING HER AROUND 113 00:04:12,734 --> 00:04:15,404 BECAUSE SHE DOES GET MANY DIFFERENT HITS 114 00:04:15,400 --> 00:04:17,230 ON DIFFERENT PEOPLE AND DIFFERENT THINGS AND, 115 00:04:17,233 --> 00:04:19,803 YOU KNOW, I'll MAKE SURE-- I WAS LIKE, "KEEP IT LIGHT." 116 00:04:19,800 --> 00:04:21,030 - YEAH, RIGHT. NOTHING TOO HEAVY. 117 00:04:21,033 --> 00:04:22,433 - NOTHING TOO HEAVY. 118 00:04:22,433 --> 00:04:23,833 YOU KNOW, YOU JUST NEVER KNOW WHAT'S GONNA GO DOWN. 119 00:04:23,834 --> 00:04:25,274 - MM-MM. 120 00:04:25,266 --> 00:04:27,596 - I JUST GOTTA MAKE SURE SHE DOESN'T GET DRUNK. 121 00:04:27,600 --> 00:04:29,530 MY GIRLFRIEND, ALLISON, DOES LIKE TO DRINK. 122 00:04:29,533 --> 00:04:31,033 SHE ENJOYS A COCKTAIL 123 00:04:31,033 --> 00:04:33,873 AND WHEN SHE HAS TOO MANY, 124 00:04:33,867 --> 00:04:37,197 SHE MAY HIT BELOW THE BELT A BIT. 125 00:04:52,066 --> 00:04:56,696 - 126 00:05:01,600 --> 00:05:06,630 ADRIENNE. - YES? 127 00:05:10,166 --> 00:05:14,496 I HEARD. BITS--SORRY. 128 00:05:14,500 --> 00:05:16,330 BITS AND PIECES. 129 00:05:19,100 --> 00:05:20,570 - [sighs] - WHAT HAPPENED WITH COLIN? 130 00:05:20,567 --> 00:05:22,897 WAS HE OKAY? DID HE GO, "DADDY, I'M SORRY?" 131 00:05:22,900 --> 00:05:24,670 I HOPE YOU DIDN'T MAKE HIM FEEL BAD. 132 00:05:24,667 --> 00:05:28,167 - NO, I JUST--I JUST SAID, "JUST STOP JUMPING ON MY BACK." 133 00:05:28,166 --> 00:05:30,496 - YEAH, BUT KIDS DON'T KNOW THE DIFFERENCE-- 134 00:05:30,500 --> 00:05:32,130 YOU WERE WRESTLING WITH HIM, RIGHT? 135 00:05:32,133 --> 00:05:34,773 - YEAH, BUT DON'T JUMP ON SOMEONE'S FACE. 136 00:05:34,767 --> 00:05:36,167 - YOU'RE SO DRAMATIC. 137 00:05:36,166 --> 00:05:38,566 - I MEAN, HE LAUNCHED HIS KNEE INTO MY NOSE. 138 00:05:38,567 --> 00:05:40,967 - YEAH, LIKE, A FOUR-YEAR-OLD DID THAT ON PURPOSE. 139 00:05:40,967 --> 00:05:43,027 ARE YOU KIDDING ME? - NO, I DIDN'T SAY THAT. 140 00:05:43,033 --> 00:05:46,433 ADRIENNE, MY NOSE WAS COLLAPSED IN. 141 00:05:46,433 --> 00:05:48,103 DID YOU SEE INSIDE? LOOK AT--LOOK AT MY NOSE. 142 00:05:48,100 --> 00:05:49,870 - I CAN TELL NOW. - HOLD ON. COME HERE. 143 00:05:49,867 --> 00:05:51,067 - I'M JUST SAYING "ARE YOU SURE, DEANNA--" 144 00:05:51,066 --> 00:05:53,796 - LOOK. LOOK AT THOSE SPLINTS INSIDE MY NOSE. 145 00:05:53,800 --> 00:05:55,000 THOSE ARE BIG PIECES OF SILICONE. 146 00:05:55,000 --> 00:05:56,970 - I DON'T REALLY WANT TO SEE THAT. 147 00:05:56,967 --> 00:05:59,197 - ADRIENNE THINKS SHE'S A LOT TOUGHER THAN ME. 148 00:05:59,200 --> 00:06:00,670 YOU KNOW, SHE'S MISS MARTIAL ARTIST 149 00:06:00,667 --> 00:06:02,027 AND MISS BOXER. 150 00:06:02,033 --> 00:06:04,133 I'VE NEVER FELT PAIN LIKE THAT IN MY LIFE. 151 00:06:04,133 --> 00:06:08,503 - HE'S GOT A GREAT FRONT KICK THOUGH. 152 00:06:08,500 --> 00:06:09,800 IT WAS NO BIG DEAL TO ME. 153 00:06:09,800 --> 00:06:12,570 ROUGHHOUSING IS JUST PART OF GROWING UP. 154 00:06:12,567 --> 00:06:14,797 - WHAT ABOUT A LITTLE NECK MASSAGE OR A LITTLE-- 155 00:06:14,800 --> 00:06:16,970 - OH, HERE WE GO. - LITTLE TLC TONIGHT. 156 00:06:16,967 --> 00:06:19,897 - OH, MY GOD, YOU'RE GONNA MILK ME FOR THIS ONE. 157 00:06:19,900 --> 00:06:21,400 - I CAN'T BREATHE THOUGH. 158 00:06:21,400 --> 00:06:25,800 [raspy nose breathing] 159 00:06:32,867 --> 00:06:37,227 - MY 4-YEAR-OLD SON WAS MORE MATURE 160 00:06:37,233 --> 00:06:39,673 THAN MY 40-SOMETHING-YEAR-OLD HUSBAND. 161 00:06:39,667 --> 00:06:41,397 - WHERE'S THE LITTLE ZIPLOC BAGS? 162 00:06:41,400 --> 00:06:44,970 - HE DIDN'T DO IT ON PURPOSE. LET'S MOVE ON. 163 00:06:44,967 --> 00:06:48,167 - OKAY. - SUCH A BABY. 164 00:06:56,166 --> 00:06:58,796 [phone trilling] 165 00:06:58,800 --> 00:07:01,170 - YES, IT'S CAMILLE GRAMMER FOR ADRIENNE. 166 00:07:01,166 --> 00:07:02,826 - SHE'S NOT HERE RIGHT NOW. MAY I TAKE A MESSAGE? 167 00:07:02,834 --> 00:07:04,434 - YES. JUST TELL HER THAT CAMILLE CALLED. 168 00:07:04,433 --> 00:07:07,203 I WANTED TO INVITE HER TO DINNER SATURDAY NIGHT. 169 00:07:07,200 --> 00:07:09,570 SO IF SHE CAN GIVE ME A CALL, THAT WOULD BE WONDERFUL. 170 00:07:09,567 --> 00:07:10,627 - I'LL GIVE HER THE MESSAGE. 171 00:07:12,233 --> 00:07:14,303 [phone trilling] - HELLO. 172 00:07:14,300 --> 00:07:17,570 - KIM. - HI, CAMILLE, HOW ARE YOU? 173 00:07:17,567 --> 00:07:20,427 - I WANTED TO INVITE YOU OVER FOR A COCKTAIL PARTY. 174 00:07:20,433 --> 00:07:22,433 - WELL, ALL RIGHT. WHAT TIME? 175 00:07:22,433 --> 00:07:23,833 - UM, 7:00. 176 00:07:23,834 --> 00:07:26,404 AND I'M GOING TO HAVE-- UM, I'M GOING TO START UP 177 00:07:26,400 --> 00:07:27,400 MY PIZZA OVEN. 178 00:07:27,400 --> 00:07:28,770 I HAVE A CHEF HERE. 179 00:07:28,767 --> 00:07:30,627 WE'RE GONNA MAKE DIFFERENT PIZZAS FOR APPETIZERS. 180 00:07:30,633 --> 00:07:32,103 AND THEN I'M GONNA HAVE A PLATED DINNER. 181 00:07:32,100 --> 00:07:33,370 - OKAY. 182 00:07:33,367 --> 00:07:34,527 - TELL YOUR SISTER TOO. 183 00:07:34,533 --> 00:07:35,833 I LEFT-- I'M GONNA CALL HER NOW. 184 00:07:35,834 --> 00:07:37,104 BUT IF I CAN'T GET IN TOUCH WITH HER, 185 00:07:37,100 --> 00:07:39,270 PLEASE GIVE HER THIS MESSAGE, OKAY? 186 00:07:39,266 --> 00:07:41,966 - I WILL. I WILL. - OKAY. OKAY, SEE YOU SOON. BYE. 187 00:07:41,967 --> 00:07:44,527 [phone trilling] - HELLO. 188 00:07:44,533 --> 00:07:47,203 - LISA, IT'S CAMILLE. HOW ARE YOU? 189 00:07:47,200 --> 00:07:49,670 - CAN'T HEAR YOU. CAN YOU SPEAK UP A BIT? 190 00:07:49,667 --> 00:07:51,997 - CAN YOU HEAR ME NOW? - HOLD ON A SECOND. 191 00:07:52,000 --> 00:07:55,830 - OKAY. - OKAY, THAT'S BETTER. 192 00:07:55,834 --> 00:07:58,574 - CAN YOU HEAR ME? - WHAT'S THAT AGAIN? 193 00:07:58,567 --> 00:08:01,597 - CAN YOU HEAR ME? - NO, BUT I CAN'T HEAR YOU. 194 00:08:01,600 --> 00:08:03,070 - IS THAT BETTER? 195 00:08:03,066 --> 00:08:04,826 HEY, LISA, CAN YOU HEAR ME NOW? 196 00:08:04,834 --> 00:08:06,504 IT'S CAMILLE. HI. HI. 197 00:08:06,500 --> 00:08:08,670 I WANTED TO INVITE YOU TO MY HOUSE SATURDAY NIGHT. 198 00:08:08,667 --> 00:08:10,927 OH, CAN YOU HEAR ME NOW? 199 00:08:10,934 --> 00:08:15,334 NO? IT'S CAMILLE. 200 00:08:15,333 --> 00:08:17,533 OH, MY GOD, IT'S HER ANSWERING MACHINE. 201 00:08:17,533 --> 00:08:18,973 OH, MY GOD. THAT IS SO FUNNY. 202 00:08:18,967 --> 00:08:21,567 THAT'S BRILLIANT. 203 00:08:21,567 --> 00:08:23,697 LISA, THAT'S BRILLIANT. THAT'S YOUR ANSWERING MACHINE. 204 00:08:23,700 --> 00:08:25,100 I TOTALLY BOUGHT INTO IT. 205 00:08:25,100 --> 00:08:28,430 I THOUGHT YOU WEREN'T-- I THOUGHT YOU COULDN'T HEAR ME. 206 00:08:28,433 --> 00:08:31,303 - [laughs] 207 00:08:33,166 --> 00:08:35,196 - THIS SHOULD BE INTERESTING. 208 00:08:35,200 --> 00:08:38,670 - HELLO. - KYLE, IT'S CAMILLE. 209 00:08:38,667 --> 00:08:40,327 - HEY, CAMILLE. HOW ARE YOU? 210 00:08:40,333 --> 00:08:42,203 [dog barking] - FINE. GREAT. 211 00:08:42,200 --> 00:08:43,870 EXCUSE MY DOG IN THE BACKGROUND. 212 00:08:43,867 --> 00:08:47,327 [laughs] UM, I WAS CALLING ALL THE GIRLS 213 00:08:47,333 --> 00:08:48,603 'CAUSE I WANTED TO INVITE YOU OVER 214 00:08:48,600 --> 00:08:52,170 TO DINNER AT MY HOUSE SATURDAY NIGHT. 215 00:08:52,166 --> 00:08:53,726 - OH. 216 00:08:53,734 --> 00:08:54,874 I WAS ACTUALLY A LITTLE NERVOUS 217 00:08:54,867 --> 00:08:56,027 WHEN SHE CALLED. 218 00:08:56,033 --> 00:08:57,003 MY HEART KIND OF, LIKE, DROPPED. 219 00:08:57,000 --> 00:08:58,000 LIKE... [gasps] 220 00:08:58,000 --> 00:08:59,930 UH, THIS SATURDAY? - YEAH. 221 00:08:59,934 --> 00:09:03,934 UM, I WAS SUPPOSED TO HAVE DINNER WITH MY FRIEND. 222 00:09:03,934 --> 00:09:06,134 AND LET ME TRY TO GET OUT OF IT. 223 00:09:06,133 --> 00:09:08,133 IF I COULDN'T GET OUT OF IT, COULD SHE COME WITH ME? 224 00:09:08,133 --> 00:09:09,403 I CAN TRY TO GET OUT OF IT. 225 00:09:09,400 --> 00:09:10,700 - YEAH. I MEAN, I DON'T MIND IF SHE-- 226 00:09:10,700 --> 00:09:12,770 OF COURSE SHE COULD COME. 227 00:09:12,767 --> 00:09:14,097 - OH, OKAY. 228 00:09:14,100 --> 00:09:15,930 - I MEAN, I HAVE EIGHT PEOPLE NOW. 229 00:09:15,934 --> 00:09:18,534 MY TABLE--MY DINNING ROOM TABLE FITS TEN. 230 00:09:18,533 --> 00:09:21,233 SO I MEAN, OF COURSE. OF COURSE. 231 00:09:21,233 --> 00:09:22,873 - OH, OKAY. - AND, LIKE, COCKTAIL ATTIRE. 232 00:09:22,867 --> 00:09:25,567 - BY MYSELF OR WITH MY FRIEND. - YEAH, THAT'S FINE. 233 00:09:25,567 --> 00:09:27,327 BUT, LIKE, COCKTAIL ATTIRE. LIKE, LOOK NI-- 234 00:09:27,333 --> 00:09:29,333 YOU KNOW, OF COURSE, COCKTAIL. - OH, COCKTAIL ATTIRE. 235 00:09:29,333 --> 00:09:30,673 - YEAH. - OKAY, SOUNDS GOOD. 236 00:09:30,667 --> 00:09:32,097 THANKS, CAMILLE. - OKAY, YOU'RE WELCOME. 237 00:09:32,100 --> 00:09:33,430 SEE YOU THEN. 238 00:09:33,433 --> 00:09:35,573 I'M HAPPY ABOUT PUTTING TOGETHER THIS DINNER. 239 00:09:35,567 --> 00:09:38,927 BUT, UM, I HOPE THAT I'M MAKING THE RIGHT DECISION. 240 00:09:41,467 --> 00:09:42,797 COMING UP... 241 00:09:42,800 --> 00:09:44,370 - YOU KNOW THAT SHOW MEDIUM ON TV? 242 00:09:44,367 --> 00:09:46,827 THAT'S HER. - PATRICIA ARQUETTE PLAYS ME. 243 00:09:46,834 --> 00:09:49,174 - OH, GOSH, I MUST WATCH IT. 244 00:09:59,233 --> 00:10:01,003 - DID THOSE SHOES ARRIVE YET? - YEAH. 245 00:10:01,000 --> 00:10:03,000 - OH, THEY ARRIVED. 246 00:10:03,000 --> 00:10:04,800 DID HE SIGN THEM? - YEAH, HE DID. 247 00:10:04,800 --> 00:10:07,130 - OH, GREAT. 248 00:10:07,133 --> 00:10:09,573 "TO PINKY, LOVE CHRISTIAN LOUBOUTIN." 249 00:10:09,567 --> 00:10:11,097 FANTASTIC. 250 00:10:11,100 --> 00:10:12,900 LOOKS LIKE I'VE GOT GRAFFITI ON THE BOTTOM. 251 00:10:12,900 --> 00:10:14,630 NEVER MIND. 252 00:10:14,633 --> 00:10:18,133 CAMILLE CALLED ME, INVITING ME FOR DINNER. 253 00:10:18,133 --> 00:10:21,373 I'M, LIKE, A LITTLE WARY 254 00:10:21,367 --> 00:10:23,297 BECAUSE OF WHAT WENT DOWN IN NEW YORK. 255 00:10:23,300 --> 00:10:25,000 - I WOULD NEVER SAY SOMETHING LIKE THAT. 256 00:10:25,000 --> 00:10:26,670 FIRST OF ALL, I DON'T THINK THAT. 257 00:10:26,667 --> 00:10:28,127 YOU THINK THAT. 258 00:10:28,133 --> 00:10:32,933 - YOU SAID IT TO ME. - GET YOUR STORY STRAIGHT. 259 00:10:32,934 --> 00:10:35,204 - HOPEFULLY WE CAN BE CIVILIZED. 260 00:10:35,200 --> 00:10:37,270 AND I THINK IT'S GENEROUS OF HER TO INVITE US ALL 261 00:10:37,266 --> 00:10:38,266 FOR DINNER. 262 00:10:38,266 --> 00:10:39,766 I HAVE TO LEAVE YOU TONIGHT, 263 00:10:39,767 --> 00:10:41,767 YOU LITTLE SEX MONSTER. 264 00:10:41,767 --> 00:10:44,267 GIVE ME A KISS. [kissing] GIVE ME A KISS. 265 00:10:44,266 --> 00:10:47,096 [kissing] GIVE ME A KISS. 266 00:10:59,467 --> 00:11:02,067 - MOM! - YES! 267 00:11:04,133 --> 00:11:06,373 - OKAY, HONEY, SEND HER UP! 268 00:11:07,834 --> 00:11:09,974 HEY, HOW ARE YOU? - HI. 269 00:11:09,967 --> 00:11:12,567 HOW ARE YOU? MY HAIR'S WET. 270 00:11:12,567 --> 00:11:13,997 BUT IT MIGHT NEED TO BE-- 271 00:11:14,000 --> 00:11:15,270 I DON'T KNOW. IS IT WET ENOUGH? 272 00:11:15,266 --> 00:11:16,866 - IT'S PERFECT. - IT IS? 273 00:11:16,867 --> 00:11:18,327 - BLOW IT OUT AND ADD SOME BODY, RIGHT? 274 00:11:18,333 --> 00:11:20,073 - WELL, I DON'T KNOW. I DON'T KNOW IF I WANT BODY. 275 00:11:20,066 --> 00:11:21,066 JUST, LIKE, I MEAN-- 276 00:11:21,066 --> 00:11:22,266 - OKAY, MAYBE JUST A REGULAR BLOW 277 00:11:22,266 --> 00:11:23,466 AND THEN WE'LL DECIDE. 278 00:11:23,467 --> 00:11:24,867 - YEAH. - WHAT'S GOING ON? WHAT'S NEW? 279 00:11:24,867 --> 00:11:27,797 - JUST, UM, I'M GOING OVER TO CAMILLE'S TONIGHT. 280 00:11:27,800 --> 00:11:30,300 - REALLY? 281 00:11:30,300 --> 00:11:32,470 HOW DID SHE SOUND WHEN SHE INVITED YOU? 282 00:11:32,467 --> 00:11:34,667 - REALLY NICE. - NOT FAKE? 283 00:11:34,667 --> 00:11:36,127 - NO. SHE SOUNDED REALLY SWEET. 284 00:11:36,133 --> 00:11:37,403 AND, LIKE, "OH, YEAH." 285 00:11:37,400 --> 00:11:39,270 I FELT BAD BECAUSE I ALREADY HAD PLANS 286 00:11:39,266 --> 00:11:40,926 WITH FAYE THAT I'VE HAD FOR, LIKE, TWO WEEKS. 287 00:11:40,934 --> 00:11:41,934 I DIDN'T WANT TO CANCEL. 288 00:11:41,934 --> 00:11:43,374 I'VE BEEN SO BUSY, 289 00:11:43,367 --> 00:11:45,397 I FEEL LIKE I'VE BEEN CANCELING SO MANY PLANS WITH PEOPLE. 290 00:11:45,400 --> 00:11:46,730 - YEAH, SHE'S SUCH A SWEETHEART. 291 00:11:46,734 --> 00:11:48,104 - SO I SAID "DO YOU MIND IF I BRING MY FRIEND?" 292 00:11:48,100 --> 00:11:49,700 AND SHE SAID, "NO, THE MORE, THE MERRIER," 293 00:11:49,700 --> 00:11:50,700 WHICH WAS NICE. 294 00:11:50,700 --> 00:11:51,700 - THAT'S GREAT. 295 00:11:51,700 --> 00:11:52,700 - SO, UM-- 296 00:11:52,700 --> 00:11:53,900 - WELL, SHE'LL FIT RIGHT IN. 297 00:11:53,900 --> 00:11:56,030 - FAYE RESNICK IS ONE OF MY CLOSEST FRIENDS. 298 00:11:56,033 --> 00:11:59,803 I SHARE EVERYTHING THAT'S GOING ON IN MY LIFE WITH HER. 299 00:11:59,800 --> 00:12:01,300 I'M SURE IT'S GONNA BE FINE. 300 00:12:01,300 --> 00:12:03,800 BUT I'M ACTUALLY HAPPY THAT I HAD PLANS WITH FAYE 301 00:12:03,800 --> 00:12:05,600 BECAUSE IT MAKES ME FEEL BETTER. 302 00:12:05,600 --> 00:12:08,000 YOU KNOW WHEN YOU'RE NOT EXPECTING SOMETHING, IT JUST-- 303 00:12:08,000 --> 00:12:09,730 - TOTALLY GOT YOU OFF GUARD. - YEAH. 304 00:12:09,734 --> 00:12:11,434 NOW IT'S HAPPENED TO ME TWO TIMES. 305 00:12:11,433 --> 00:12:12,533 I'M PREPARED. 306 00:12:20,600 --> 00:12:21,930 - I'M KIND OF SURPRISED, ACTUALLY, 307 00:12:21,934 --> 00:12:23,674 THAT YOU DECIDED TO DO THIS TONIGHT. 308 00:12:23,667 --> 00:12:24,997 BUT I GUESS IT'S ON YOUR OWN TURF. 309 00:12:25,000 --> 00:12:26,770 SO YOU CAN CONTROL IT A LITTLE BIT MORE. 310 00:12:26,767 --> 00:12:27,897 - [laughs] 311 00:12:27,900 --> 00:12:30,200 - D.D.'s ONE OF MY CLOSEST FRIENDS. 312 00:12:30,200 --> 00:12:32,970 AND, UH, SHE WANTED TO MEET ALL THE GIRLS. 313 00:12:32,967 --> 00:12:36,027 NOW THIS CLOSET, I NEED SOMEBODY TO COME IN HERE 314 00:12:36,033 --> 00:12:38,733 AND ORGANIZE THIS FOR ME, BECAUSE IT'S A MESS! 315 00:12:38,734 --> 00:12:40,104 - SOMEBODY COLOR-- - I LOVE THIS. 316 00:12:40,100 --> 00:12:41,500 LOOK AT THIS. THAT'S A SCREW. 317 00:12:41,500 --> 00:12:42,930 AND THE BACK, IT SAYS "YOU." 318 00:12:42,934 --> 00:12:44,834 - I LOVE THAT. MAYBE YOU SHOULD WEAR THAT TONIGHT. 319 00:12:44,834 --> 00:12:47,134 - NO, NO. THAT'S FOR ANOTHER NIGHT. 320 00:12:47,133 --> 00:12:49,033 - THAT'S FOR ANOTHER NIGHT. THAT'S MONDAY NIGHT. 321 00:12:49,033 --> 00:12:50,973 THIS BLUE DRESS IS ALWAYS PRETTY. 322 00:12:50,967 --> 00:12:52,527 - I WORE THAT ALREADY. - YOU ALREADY WORE THAT. 323 00:12:52,533 --> 00:12:53,573 OKAY, SO THAT'S AN OUTER. 324 00:12:53,567 --> 00:12:54,667 - OKAY. THIS: AWESOME. 325 00:12:54,667 --> 00:12:55,797 - THAT I LOVE. 326 00:12:55,800 --> 00:12:57,270 YOU KNOW WHAT, EVERY SINCE YOU GOT THAT-- 327 00:12:57,266 --> 00:12:58,996 - IT'S A CHLOE DRESS. - I LOVE IT. 328 00:12:59,000 --> 00:13:00,530 - AND IT'S LACY, AND IT'S DELICATE, 329 00:13:00,533 --> 00:13:01,873 AND IT'S VERY GIRLY. 330 00:13:01,867 --> 00:13:03,467 THE ONLY THING IS IT'S SEE-THROUGH. 331 00:13:03,467 --> 00:13:04,867 SO I'M GONNA HAVE TO FIND THE RIGHT-- 332 00:13:04,867 --> 00:13:06,367 - THAT'S OKAY. 333 00:13:06,367 --> 00:13:08,167 YOU HAVE, I'M SURE IN YOUR THOUSANDS OF BRA-- 334 00:13:08,166 --> 00:13:10,166 - I KNOW. I COLLECT LINGERIE, BY THE WAY. 335 00:13:10,166 --> 00:13:12,596 I REALLY DO. FOR ME, IT'S LIKE CANDY. 336 00:13:12,600 --> 00:13:14,170 BUT I CAN PRANCE AROUND BY MYSELF 337 00:13:14,166 --> 00:13:16,296 IN FRONT OF MY MIRROR IN IT AND MAKE MYSELF FEEL GOOD 338 00:13:16,300 --> 00:13:18,130 'CAUSE I'M ALONE ALL THE TIME ANYWAY. 339 00:13:18,133 --> 00:13:20,633 - OKAY. WELL, WE FEEL REALLY BAD FOR YOU RIGHT NOW. 340 00:13:20,633 --> 00:13:24,973 - [laughs] OKAY. NOT. - NOT. 341 00:13:35,333 --> 00:13:37,403 - HELLO, MY DEAR. - HI. 342 00:13:37,400 --> 00:13:39,000 - HI, YOU. YOU LOOK GORGEOUS. 343 00:13:39,000 --> 00:13:40,630 - THANK YOU. SO DO YOU, AS ALWAYS. 344 00:13:40,633 --> 00:13:42,003 - AS ALWAYS. 345 00:13:42,000 --> 00:13:43,770 - SO WHAT, WE'RE GONNA GO GET LISA? 346 00:13:43,767 --> 00:13:45,227 - YEAH. IT'S A LONG DRIVE. 347 00:13:45,233 --> 00:13:46,633 - SHE COULDN'T WALK ACROSS THE STREET. 348 00:13:46,633 --> 00:13:50,273 - I KNOW. - OH, MY GOSH. 349 00:13:50,266 --> 00:13:53,066 - HEY, YOU. - YOU SEXY GIRL. 350 00:13:53,066 --> 00:13:55,166 - YOU LOOK LO--LOVELY. 351 00:13:55,166 --> 00:13:56,696 [kisses] 352 00:14:00,133 --> 00:14:02,503 - HI. HOW ARE YOU? [dog barking] 353 00:14:02,500 --> 00:14:04,630 - GOOD CHOICE. - THAT'S BEAUTIFUL. 354 00:14:04,633 --> 00:14:07,803 - KIM, THE HOUSE IS GORGEOUS. - THANK YOU. 355 00:14:11,867 --> 00:14:13,297 - CHEERS. 356 00:14:14,934 --> 00:14:16,304 - ISN'T THAT THE EXIT FOR THE CANYON? 357 00:14:16,300 --> 00:14:18,000 - WE'RE GONNA TAKE THE LITTLE--THE WINDY ROAD. 358 00:14:18,000 --> 00:14:20,000 - WHICH ONE WAS CLOSED? - I HAVEN'T BEEN OUT THERE. 359 00:14:21,867 --> 00:14:23,467 - IS IT ON THE BEACH? 360 00:14:23,467 --> 00:14:25,867 OH. [laughs] 361 00:14:27,500 --> 00:14:28,870 - I DON'T REALLY-- 362 00:14:28,867 --> 00:14:29,897 - I DON'T CARE IF YOU DO, BY THE WAY. 363 00:14:29,900 --> 00:14:31,170 - NO, I WOULDN'T. 364 00:14:31,166 --> 00:14:32,226 I DON'T DO LUNCH WITH CAMILLE. 365 00:14:32,233 --> 00:14:33,333 WE DON'T HANG OUT. 366 00:14:33,333 --> 00:14:34,803 MY LOYALTY'S TO MY SISTER. 367 00:14:37,734 --> 00:14:39,734 - SO YOU'RE READY FOR A COCKTAIL AS WELL? 368 00:14:39,734 --> 00:14:41,574 - OH, I AM SO READY FOR A COCKTAIL. 369 00:14:41,567 --> 00:14:44,697 - I WAITED UNTIL I GOT HERE. - I KNOW. I GOT YOUR TEXT. 370 00:14:44,700 --> 00:14:46,300 - GET YOURSELF ALL NICE AND READY. 371 00:14:46,300 --> 00:14:48,470 - WE'RE PREPARED. - YEAH. 372 00:14:48,467 --> 00:14:50,197 - ONE OF THE GIRLS WHO'S GOING TO BE THERE TONIGHT, 373 00:14:50,200 --> 00:14:52,470 THE SHOW MEDIUM IS BASED AROUND HER. 374 00:14:52,467 --> 00:14:54,727 CAMILLE SAID THE MORE A-- MORE SHE DRINKS, 375 00:14:54,734 --> 00:15:00,004 THE MORE LIKELY SHE IS TO HAVE A--A FEELING. 376 00:15:00,000 --> 00:15:02,070 - HERE. CHEERS. - CHEERS. 377 00:15:02,066 --> 00:15:03,696 - HERE'S TO OLD FRIENDS AND NEW FRIENDS. 378 00:15:03,700 --> 00:15:06,700 - I KNOW. MY NEW FRIENDS THAT YOU'LL MEET TONIGHT. 379 00:15:06,700 --> 00:15:09,030 - AND NEW FRIENDS THAT MAY END UP BEING OLD FRIENDS. 380 00:15:09,033 --> 00:15:10,273 - OH, YES, THEY'RE READY. 381 00:15:10,266 --> 00:15:11,426 SOME OF THEM ARE OUT THE DOOR ALREADY. 382 00:15:11,433 --> 00:15:12,573 [laughter] 383 00:15:12,567 --> 00:15:15,697 BY CHOICE. MY CHOICE. BUT-- 384 00:15:15,700 --> 00:15:17,430 - WOW. 385 00:15:17,433 --> 00:15:19,073 - I JUST WANT IT TO BE A FUN NIGHT. 386 00:15:19,066 --> 00:15:20,996 I DON'T WANT ANY PROBLEMS OR DRAMA. 387 00:15:21,000 --> 00:15:22,730 I DON'T WANT IT TO BE-- 388 00:15:22,734 --> 00:15:24,234 I WANTED IT TO BE NICE IN NEW YORK TOO. 389 00:15:24,233 --> 00:15:27,973 I DON'T KNOW WHAT HAPPENED. [sighs] 390 00:15:27,967 --> 00:15:30,427 I DIDN'T WANT FAYE TO GO WITH A CLOSED MIND. 391 00:15:30,433 --> 00:15:32,073 I KEPT TELLING HER, YOU KNOW, "BE OPEN-MINDED. 392 00:15:32,066 --> 00:15:33,796 "I KNOW IT'S HARD BECAUSE YOU KNOW WHAT HAPPENED 393 00:15:33,800 --> 00:15:34,870 IN NEW YORK." 394 00:15:34,867 --> 00:15:37,767 AND BELIEVE ME, CAMILLE'S LIKABLE. 395 00:15:37,767 --> 00:15:38,897 - BUT IF SHE'S MEAN TO YOU, 396 00:15:38,900 --> 00:15:40,600 OBVIOUSLY I'M NOT GOING TO WATCH HER. 397 00:15:40,600 --> 00:15:41,970 - I DON'T KNOW. 398 00:15:41,967 --> 00:15:43,397 MAYBE IT WAS JUST TWO FLUKE THINGS. 399 00:15:43,400 --> 00:15:44,870 WE'LL SEE. 400 00:15:44,867 --> 00:15:46,467 - ALL I KNOW IS EVERYBODY ADORES YOU. 401 00:15:46,467 --> 00:15:49,527 YOU'VE HAD YOUR FRIENDS FOREVER. 402 00:15:51,867 --> 00:15:52,867 - ADRIENNE. - YES? 403 00:15:52,867 --> 00:15:54,067 - ARE YOU PREPARED? 404 00:15:54,066 --> 00:15:55,326 - THERE'S NO WAY THINGS ARE GOING 405 00:15:55,333 --> 00:15:56,933 TO GO AWRY WITH ADRIENNE IN TOW. 406 00:15:56,934 --> 00:15:59,774 - NO, I KNOW. 407 00:15:59,767 --> 00:16:01,497 - SHE MIGHT TURN OUT TO BE ONE OF YOUR BEST FRIENDS 408 00:16:01,500 --> 00:16:02,900 AND I'M GONNA BE TOTALLY JEALOUS. 409 00:16:02,900 --> 00:16:05,330 - YOU WOULD NOT BE JEAL-Y. - YES, I WOULD. 410 00:16:05,333 --> 00:16:07,273 - BELIEVE ME, SHE'S NOT GONNA BE MY BEST FRIEND. 411 00:16:07,266 --> 00:16:09,596 - I'M NOT ABOVE BEING JEALOUS. 412 00:16:09,600 --> 00:16:12,000 - I WILL BE NICE. SHE'S NOT GONNA BE MY BEST FRIEND. 413 00:16:12,000 --> 00:16:18,000 HER REALITY AND MY REALITY ARE TWO VERY DIFFERENT THINGS. 414 00:16:39,500 --> 00:16:41,030 - WE STILL HAVE HORSES. YEAH. 415 00:16:41,033 --> 00:16:42,403 WE BRING OUR HORSES HERE ONCE IN A WHILE. 416 00:16:42,400 --> 00:16:43,930 I MIGHT TAKE UP RIDING AGAIN. 417 00:16:43,934 --> 00:16:45,904 - YOU SHOULD. REMEMBER HOW GOOD YOUR BUTT WAS GETTING TOO? 418 00:16:45,900 --> 00:16:47,700 - YEAH. THANK YOU FOR THAT. 419 00:16:47,700 --> 00:16:49,570 - SHE SURFS TOO. YOU CAN BOUNCE A QUARTER OFF HER ASS. 420 00:16:49,567 --> 00:16:50,597 - YEAH, HERE WE GO. 421 00:16:50,600 --> 00:16:52,200 - OH, LOOK, YOUR FRIENDS ARE HERE. 422 00:16:52,200 --> 00:16:53,730 - HI, GUYS! 423 00:16:53,734 --> 00:16:55,104 - THIS IS STUNNING. WOW. 424 00:16:55,100 --> 00:16:57,530 - THANK YOU SO MUCH FOR COMING. 425 00:16:57,533 --> 00:16:59,203 MWAH. MWAH. 426 00:16:59,200 --> 00:17:02,730 - I CAN SEE WHY YOU NEVER LEAVE. IT'S SO GORGEOUS. 427 00:17:02,734 --> 00:17:04,074 MWAH. MWAH. 428 00:17:04,066 --> 00:17:05,926 I HAVEN'T SEEN YOU IN SO LONG. 429 00:17:05,934 --> 00:17:09,004 - THIS IS ALLISON DUBOIS. THIS IS LISA. 430 00:17:09,000 --> 00:17:12,200 IT'S MY GIRLFRIEND ADRIENNE. AND THIS IS TAYLOR. 431 00:17:12,200 --> 00:17:13,530 [greetings] 432 00:17:13,533 --> 00:17:15,933 AND THIS IS ONE OF MY BEST FRIENDS. 433 00:17:15,934 --> 00:17:17,274 - TELL ME YOUR NAME? - DEIRDRE. 434 00:17:17,266 --> 00:17:18,466 - DEIRDRE. TAYLOR. NICE TO MEET YOU. 435 00:17:18,467 --> 00:17:20,197 - NICE TO MEET YOU TOO. - NICE TO MEET YOU. 436 00:17:20,200 --> 00:17:21,700 - YOU KNOW THAT SHOW MEDIUM? 437 00:17:21,700 --> 00:17:23,570 - HUH? - THE SHOW MEDIUM ON TV. 438 00:17:23,567 --> 00:17:26,227 - YEAH, I'VE NEVER SEEN IT. - THAT'S HER. THAT'S HER. 439 00:17:26,233 --> 00:17:28,833 THAT SHOW IS ABOUT HER. - IT'S BASED ON HER LIFE. 440 00:17:28,834 --> 00:17:32,004 - PATRICIA ARQUETTE PLAYS ME. 441 00:17:32,000 --> 00:17:33,700 - SO YOU CONSULT ON IT? - YES. 442 00:17:33,700 --> 00:17:35,330 BUT I HAVE THIS WHOLE OTHER LIFE 443 00:17:35,333 --> 00:17:38,233 OF ACTUALLY HAVING A JOB-- LIKE DOING SOMETHING REAL. 444 00:17:38,233 --> 00:17:41,473 I'M PROFILING SERIAL KILLERS. - OH, REALLY? 445 00:17:41,467 --> 00:17:43,297 - BUT THE SHOW IS A NICE ADDITION. 446 00:17:43,300 --> 00:17:46,070 IT SHOWS PEOPLE WHAT I DO. 447 00:17:46,066 --> 00:17:49,466 - OH, GOSH, I MUST WATCH IT. 448 00:17:49,467 --> 00:17:51,997 - CAMILLE HAD TWO OF HER FRIENDS THERE. 449 00:17:52,000 --> 00:17:54,630 ONE WAS HER BEST FRIEND AND ONE WAS HER SIDEKICK. 450 00:17:54,633 --> 00:17:55,873 I MEAN, PSYCHIC. 451 00:17:55,867 --> 00:17:57,097 - WHEN I GO OUT INTO THE FIELD, 452 00:17:57,100 --> 00:17:59,200 I HAVE A GUN IN MY HOLSTER ON MY HIP. 453 00:17:59,200 --> 00:18:01,630 - HUH. WHERE IS--I BET THEY'VE GONE SOMEWHERE ELSE. 454 00:18:01,633 --> 00:18:03,973 - WE--KIM'S ALWAYS LATE. - THEY'VE CHICKENED OUT. 455 00:18:03,967 --> 00:18:06,967 THEY'VE CHICKENED OUT. 456 00:18:06,967 --> 00:18:09,367 - HI. - HEY, KIM. 457 00:18:09,367 --> 00:18:11,097 THANK YOU FOR COMING. - THANK YOU. 458 00:18:11,100 --> 00:18:13,200 - IT'S SO GOOD TO SEE YOU. - YOUR HOUSE IS BEAUTIFUL. 459 00:18:13,200 --> 00:18:15,400 - THANK YOU. KYLE. - HI. 460 00:18:15,400 --> 00:18:16,970 HOW ARE YOU? - THANK YOU SO MUCH FOR COMING. 461 00:18:16,967 --> 00:18:18,597 - THANK YOU FOR HAVING ME. 462 00:18:18,600 --> 00:18:20,230 HERE'S A LITTLE SOMETHING FOR HAVING US HERE. 463 00:18:20,233 --> 00:18:22,273 - THANK YOU. - THANK YOU. 464 00:18:22,266 --> 00:18:23,426 WHEN I FIRST GOT THERE. 465 00:18:23,433 --> 00:18:25,133 THERE WAS, OF COURSE, THAT INITIAL, 466 00:18:25,133 --> 00:18:26,803 AWKWARD MOMENT AGAIN. 467 00:18:26,800 --> 00:18:28,630 HERE WE GO AGAIN. 468 00:18:28,633 --> 00:18:32,073 BUT EVERYBODY SEEMED TO BE GETTING ALONG GREAT. 469 00:18:32,066 --> 00:18:34,666 - HEY. CAMILLE GRAMMER. WELCOME TO MY HOUSE. 470 00:18:34,667 --> 00:18:35,897 - THANK YOU. - THANK YOU FOR COMING. 471 00:18:35,900 --> 00:18:38,070 - VERY SWEET. 472 00:18:40,033 --> 00:18:41,803 - CHEERS, LISA. 473 00:18:41,800 --> 00:18:43,730 THANK YOU FOR TAKING THE DRIVE UP. 474 00:18:43,734 --> 00:18:45,174 - YOU'RE WELCOME. 475 00:18:45,166 --> 00:18:46,466 - I KNOW. ARE YOU GONNA BE ABLE--? 476 00:18:46,467 --> 00:18:47,967 - LOOKS LIKE I COULD SWIM IN THIS. 477 00:18:47,967 --> 00:18:49,897 THE CAMILLE COCKTAIL WAS LIKE A BOWL OF SOUP. 478 00:18:49,900 --> 00:18:51,230 IT WAS HUGE. 479 00:18:51,233 --> 00:18:52,403 YUMMY. 480 00:18:52,400 --> 00:18:53,900 AND I TOOK A COUPLE OF SIPS 481 00:18:53,900 --> 00:18:56,770 AND IT WAS OBVIOUSLY DESIGNED TO KIND OF BLOW YOUR SOCKS OFF. 482 00:18:56,767 --> 00:19:01,797 - THESE ARE GINORMOUS. - CHEERS. 483 00:19:01,800 --> 00:19:04,270 - CAMILLE, YOUR EVENT ON MONDAY, IS EVERYBODY GOING? 484 00:19:04,266 --> 00:19:05,366 - YEAH. - OKAY, YOU'RE ALL-- 485 00:19:05,367 --> 00:19:06,597 OKAY, GOING, GOING. 486 00:19:06,600 --> 00:19:07,870 AND I DON'T MIND COMING TO TOWN. 487 00:19:07,867 --> 00:19:10,467 ANY EXCUSE I CAN, I WILL. - YEAH. 488 00:19:10,467 --> 00:19:12,827 - OKAY, I THINK WE'RE GOING TO MAKE OUR WAY 489 00:19:12,834 --> 00:19:15,004 OVER TO THE DINNING ROOM. 490 00:19:15,000 --> 00:19:16,700 - I HOPE THEY'RE BRINGING THE PITCHER FOR US. 491 00:19:16,700 --> 00:19:19,000 WE'RE HAVING A GIRLS' NIGHT, RIGHT? 492 00:19:19,000 --> 00:19:20,730 [laughs] 493 00:19:20,734 --> 00:19:22,204 - MY TWO GUESTS OF HONOR, SIT HERE. 494 00:19:22,200 --> 00:19:23,600 BUT YOU'RE ALL MY GUESTS OF HONOR. 495 00:19:23,600 --> 00:19:26,500 BUT I'M GONNA HAVE D.D. AND ALLISON SIT NEXT TO ME. 496 00:19:26,500 --> 00:19:28,270 AND THEN YOU GUYS SIT WHEREVER YOU WANT. 497 00:19:28,266 --> 00:19:31,826 - LET US CHAT, AND LAUGH, AND HAVE FUN. 498 00:19:36,433 --> 00:19:37,533 - OH, MY GOD. 499 00:19:37,533 --> 00:19:39,573 [all speaking at once] 500 00:19:39,567 --> 00:19:41,797 - [laughs] 501 00:19:41,800 --> 00:19:43,600 - FLOWERS ARE AMAZING, CAMILLE. 502 00:19:43,600 --> 00:19:46,070 YOU DID A GREAT JOB WITH THE FLOWERS. 503 00:19:46,066 --> 00:19:48,096 CHEERS. 504 00:19:48,100 --> 00:19:49,370 - IT'S SATURDAY. 505 00:19:49,367 --> 00:19:50,867 SEE, I'M STILL YOUNG, 506 00:19:50,867 --> 00:19:53,027 SO WHEN SATURDAY HITS, I GET ALL EXCITED. 507 00:19:53,033 --> 00:19:56,303 I'M, LIKE, "YEAH. WHAT ARE WE GOING TO DO," RIGHT? 508 00:19:56,300 --> 00:19:57,930 AND THAT PART OF ME STILL COMES OUT. 509 00:19:57,934 --> 00:19:59,204 AND IT'S A GIRLS' NIGHT. 510 00:19:59,200 --> 00:20:05,200 SO WE'RE NOT SUPPOSED TO BE GOOD. 511 00:20:05,200 --> 00:20:07,200 WE'RE SUPPOSED TO BE REALLY, REALLY BAD 512 00:20:07,200 --> 00:20:10,530 IN A CONTROLLED SETTING. 513 00:20:10,533 --> 00:20:12,173 - [laughs nervously] 514 00:20:14,433 --> 00:20:16,303 - COMING UP... - AND YOU KNOW HOW I KNOW HER? 515 00:20:16,300 --> 00:20:17,970 I SAW HER NAKED IN PLAYBOY. 516 00:20:17,967 --> 00:20:20,367 I REALIZED, "OH, MY GOD, THAT'S WHO IT IS." 517 00:20:20,367 --> 00:20:21,797 THE MORALLY CORRUPT FAYE RESNICK. 518 00:20:34,867 --> 00:20:37,567 [soft chatter] 519 00:20:37,567 --> 00:20:40,067 - [laughs] 520 00:20:40,066 --> 00:20:42,126 - MY ANGEL OF MERCY. 521 00:20:42,133 --> 00:20:45,073 [laughter] 522 00:20:55,700 --> 00:20:57,830 - I ACTUALLY SAT NEXT TO ALLISON, 523 00:20:57,834 --> 00:20:59,234 WHO HAPPENS TO BE THE MEDIUM. 524 00:20:59,233 --> 00:21:01,173 AND, OF COURSE, WHEN I FIRST MET HER, 525 00:21:01,166 --> 00:21:02,566 I THOUGHT SHE WAS A LITTLE STRANGE. 526 00:21:02,567 --> 00:21:04,567 - THE LOVE THAT THEY HAVE AFTER THEY DIED 527 00:21:04,567 --> 00:21:06,597 IS STRONGER THAN ANYTHING WE CAN IMAGINE. 528 00:21:06,600 --> 00:21:08,600 - RIGHT. 529 00:21:08,600 --> 00:21:10,200 BUT I GUESS IF YOU'RE TALKING TO DEAD PEOPLE, 530 00:21:10,200 --> 00:21:11,530 YOU WOULD BE. 531 00:21:11,533 --> 00:21:14,103 - I HAVE ONE BIG BROTHER. NO SISTERS. 532 00:21:14,100 --> 00:21:17,470 IT'S WHY I LIKE HANGING OUT WITH ALPHA FEMALES, 533 00:21:17,467 --> 00:21:20,397 'CAUSE YOU'RE KIND OF INTELLIGENT AND PRETTY. 534 00:21:20,400 --> 00:21:23,800 LIKE, YOU'RE ALPHA. 535 00:21:23,800 --> 00:21:25,870 - I THINK WE SHOULD TOAST TO THAT. 536 00:21:25,867 --> 00:21:28,027 - ALPHA FEMALES. - ALPHA FEMALES. 537 00:21:28,033 --> 00:21:31,473 [all speaking at once] 538 00:21:31,467 --> 00:21:35,567 - CHEERS TO THE ALPHAS. WAIT, ARE WE ALPHAS? 539 00:21:35,567 --> 00:21:37,497 WE'RE JUST ASSUMING. "OH, THANK YOU. 540 00:21:37,500 --> 00:21:39,330 OH, WAS THAT US?" [laughs] 541 00:21:39,333 --> 00:21:41,403 - I WOULD SAY EVERYBODY HERE IS AN ALPHA FEMALE. 542 00:21:41,400 --> 00:21:43,730 I WOULD SAY THAT. I THINK THAT'S VERY COOL. 543 00:21:43,734 --> 00:21:45,104 - IN THEIR OWN WAY. 544 00:21:45,100 --> 00:21:46,400 - AND YOU KNOW WHAT, HERE'S THE THING, 545 00:21:46,400 --> 00:21:49,900 PEOPLE PUT ALPHA FEMALES DOWN SO MUCH IN OUR SOCIETY. 546 00:21:49,900 --> 00:21:51,870 - WELL, THEY NORMALLY CALL THEM BITCHES, DARLING. 547 00:21:51,867 --> 00:21:52,927 - YEAH, EXACTLY. 548 00:21:56,133 --> 00:22:02,033 - SO NOW HOW DO YOU KNOW FAYE? AND WHO IS FAYE? 549 00:22:02,033 --> 00:22:04,533 I KNOW--I MEAN, THIS IS-- I KNOW SHE LOOKS FAMILIAR. 550 00:22:04,533 --> 00:22:06,273 BUT I DON'T KNOW WHO FAYE IS. 551 00:22:06,266 --> 00:22:08,266 - SHE'S A VERY CLOSE FAMILY FRIEND. 552 00:22:08,266 --> 00:22:12,496 I CONSIDER HER LIKE A SISTER. - OH, THAT'S NICE. 553 00:22:12,500 --> 00:22:13,570 AND YOU KNOW HOW I KNOW HER? 554 00:22:13,567 --> 00:22:15,197 I SAW HER NAKED IN PLAYBOY. 555 00:22:15,200 --> 00:22:19,100 THAT'S HOW I KNOW FAYE. 556 00:22:19,100 --> 00:22:22,600 - "OH...FAYE... 557 00:22:22,600 --> 00:22:24,270 I JUST REALIZED," 558 00:22:24,266 --> 00:22:26,066 LIKE SHE JUST OPENED UP A MAGAZINE LAST WEEK 559 00:22:26,066 --> 00:22:27,496 AND HAPPENED TO SEE IT. 560 00:22:27,500 --> 00:22:30,430 - SHE POSED NAKED IN PLAYBOY AFTER THE O.J. TRIAL. 561 00:22:30,433 --> 00:22:34,573 THAT'S HER. 562 00:22:34,567 --> 00:22:36,227 - I DON'T KNOW IF IT WAS A CALCULATED SENTENCE 563 00:22:36,233 --> 00:22:37,633 ON CAMILLE'S PART. 564 00:22:37,633 --> 00:22:40,103 I FIND CAMILLE DIFFICULT TO READ. 565 00:22:40,100 --> 00:22:43,370 BUT I DO KNOW, AS THE HOST OF A DINNER PARTY, 566 00:22:43,367 --> 00:22:45,667 I WOULDN'T HAVE SAID IT. 567 00:22:45,667 --> 00:22:47,367 - AND I THOUGHT YOU LOOKED AMAZING. 568 00:22:47,367 --> 00:22:50,367 - THANK YOU. 569 00:22:50,367 --> 00:22:51,767 - I RECOGNIZED DURING THE DINNER-- 570 00:22:51,767 --> 00:22:53,427 IT WAS THE HAIR. 571 00:22:53,433 --> 00:22:55,503 I THINK IT'S THE EXTENSIONS AND THE BLOWN UP FAKE LIPS. 572 00:22:55,500 --> 00:22:58,730 BUT, UM, AND THEN I REALIZED, "OH, MY GOD, THAT'S WHO IT IS. 573 00:22:58,734 --> 00:23:00,374 IT'S FAYE RESNICK." 574 00:23:00,367 --> 00:23:02,297 THE MORALLY CORRUPT FAYE RESNICK. 575 00:23:02,300 --> 00:23:05,030 AND I HAVE TO SAY THAT I LOVED YOUR SPREAD. 576 00:23:05,033 --> 00:23:06,503 - LITERALLY. 577 00:23:06,500 --> 00:23:08,830 [laughter] 578 00:23:08,834 --> 00:23:11,734 - ACTUALLY, I DIDN'T SPREAD. 579 00:23:11,734 --> 00:23:14,734 I DIDN'T SPREAD. - NO, YOU DIDN'T. 580 00:23:14,734 --> 00:23:18,304 - CAMILLE... DIDN'T YOU DO PLAYBOY? 581 00:23:18,300 --> 00:23:19,770 - YES. - YOU DID. 582 00:23:19,767 --> 00:23:20,867 WHEN DID YOU DO PLAYBOY? - YEARS AGO. 583 00:23:20,867 --> 00:23:23,097 THAT'S WHEN I MET KELSEY. 584 00:23:23,100 --> 00:23:25,200 I DIDN'T DO THE MAIN-- 585 00:23:25,200 --> 00:23:28,230 IT'S JUST LIKE A SUPPLEMENT. 586 00:23:28,233 --> 00:23:31,403 I WASN'T--I DID THE, UM, PLAYBOY BOOK OF LINGERIE. 587 00:23:31,400 --> 00:23:33,970 - IT'S CLOTHES. 588 00:23:36,033 --> 00:23:38,133 - WHAT? 589 00:23:38,133 --> 00:23:39,973 - LINGERIE? I THOUGHT THE WHOLE POINT OF PLAYBOY 590 00:23:39,967 --> 00:23:42,227 WAS NO LINGERIE. 591 00:23:42,233 --> 00:23:44,473 - I MEAN, OKAY, WE GOT INTO THIS CONVERSATION 592 00:23:44,467 --> 00:23:46,067 HOW I POSED FOR PLAYBOY TOO. 593 00:23:46,066 --> 00:23:47,526 BUT I WAS IN MY EARLY 20s 594 00:23:47,533 --> 00:23:49,473 AND WASN'T COMING OFF OF A BIG MURDER TRIAL 595 00:23:49,467 --> 00:23:51,627 THAT MY GIRLFRIEND WAS KILLED. 596 00:23:51,633 --> 00:23:54,073 YOU KNOW, THAT'S JUST A WHOLE DIFFERENT-- 597 00:23:54,066 --> 00:23:56,226 I CAN'T--THOSE KIND OF PEOPLE I DON'T UNDERSTAND 598 00:23:56,233 --> 00:23:57,973 AND I DON'T WANT TO ASSOCIATE WITH. 599 00:23:57,967 --> 00:24:01,467 - THOSE WHO LIVE IN GLASS HOUSES SHOULD NOT THROW STONES. 600 00:24:01,467 --> 00:24:03,867 AND SHE THREW A BIG BOULDER. 601 00:24:03,867 --> 00:24:06,197 - THEY WANT KYLE AND I TO DO IT AS SISTERS. 602 00:24:06,200 --> 00:24:10,570 [laughter] - EEW. BLECH. 603 00:24:10,567 --> 00:24:15,027 [laughter continues] 604 00:24:15,033 --> 00:24:17,833 - THE, UH, MEDIUM NEXT TO ME TO MY LEFT 605 00:24:17,834 --> 00:24:19,204 WAS REALLY ENJOYING HERSELF, 606 00:24:19,200 --> 00:24:22,870 BECAUSE I SAW HER DOWN, I THINK, TWO OR THREE COCKTAILS. 607 00:24:22,867 --> 00:24:24,927 AND THESE WERE VERY STRONG COCKTAILS. 608 00:24:24,934 --> 00:24:27,634 I ACTUALLY TOOK TWO SIPS AND I WAS, LIKE, "WOW." 609 00:24:27,633 --> 00:24:30,433 - AAH! 610 00:24:30,433 --> 00:24:32,103 - AND THEN ALLISON DUBOIS 611 00:24:32,100 --> 00:24:34,770 PULLS OUT THIS ELECTRONIC CIGARETTE. 612 00:24:34,767 --> 00:24:37,427 I THINK IT'S, LIKE, A PROP FROM SOME MOVIE OR SOMETHING. 613 00:24:37,433 --> 00:24:39,833 - AND SHE WAS, LIKE... [inhales] 614 00:24:39,834 --> 00:24:42,034 [exhales] 615 00:24:42,033 --> 00:24:44,733 AND I'M THINKING "THAT'S JACK NICHOLSON 616 00:24:44,734 --> 00:24:47,104 FROM THE SHINING." 617 00:24:47,100 --> 00:24:48,570 THAT'S ALL I COULD SEE WAS JACK NICHOLSON 618 00:24:48,567 --> 00:24:51,127 IN THE SHINING. 619 00:24:51,133 --> 00:24:53,133 [soft chattering] 620 00:24:53,133 --> 00:24:54,603 - ALLISON, I NEED TO ASK YOU. 621 00:24:54,600 --> 00:24:56,930 DO YOU KIND OF FEEL LIKE PEOPLE THAT HAVE PASSED 622 00:24:56,934 --> 00:24:58,434 ARE AROUND? 623 00:24:58,433 --> 00:25:00,473 - I DEFINITELY MAKE SURE WITH PEOPLE WHO DIED, 624 00:25:00,467 --> 00:25:02,667 LIKE, IF I'M AT A DINNER PARTY WITH Y'ALL, 625 00:25:02,667 --> 00:25:05,667 THEY GOT TO TAKE A SECOND CHAIR BECAUSE YOU ARE THE ONES 626 00:25:05,667 --> 00:25:07,197 THAT I'M FOCUSED ON. 627 00:25:07,200 --> 00:25:09,830 BUT I HEAD TAP PEOPLE TOO. SO I PULL THOUGHTS. 628 00:25:09,834 --> 00:25:12,034 BUT, LIKE, I'LL BE ABLE TO, LIKE, TAP INTO SOMEBODY 629 00:25:12,033 --> 00:25:13,673 AND BE, LIKE, "SHE HAS FATHER ISSUES. 630 00:25:13,667 --> 00:25:14,967 "HER MOTHER KEPT HER MOUTH CLOSED. 631 00:25:14,967 --> 00:25:16,167 "DIDN'T STAND UP TO THE FATHER. 632 00:25:16,166 --> 00:25:17,526 "THAT'S WHY SHE HAS MOTHER ISSUES. 633 00:25:17,533 --> 00:25:18,703 "AND THE DADDY ISSUES. 634 00:25:18,700 --> 00:25:20,730 DADDY WAS, LIKE, NEVER THERE." 635 00:25:20,734 --> 00:25:22,334 AND SO I START PULLING THAT INFORMATION. 636 00:25:22,333 --> 00:25:25,073 - ARE YOU HEAD TAPPING ME NOW? - NO. 637 00:25:25,066 --> 00:25:27,466 - OH, GO ON. 638 00:25:27,467 --> 00:25:31,397 - I HAD BROUGHT ALLISON BASICALLY AS A GUEST. 639 00:25:31,400 --> 00:25:35,600 AND I DIDN'T WANT HER TO FEEL LIKE SHE HAD TO PERFORM 640 00:25:35,600 --> 00:25:36,930 FOR ANYBODY THAT NIGHT. 641 00:25:36,934 --> 00:25:38,434 - DON'T THINK I'M DOING THIS TO YOU LADIES 642 00:25:38,433 --> 00:25:39,733 'CAUSE WE'RE HAVING A GIRLS' NIGHT. 643 00:25:39,734 --> 00:25:40,734 AND I RESPECT. 644 00:25:40,734 --> 00:25:42,274 - AND WE RESPECT YOU 645 00:25:42,266 --> 00:25:43,896 BECAUSE YOU WANT TO HAVE YOUR GIRLS' NIGHT TOO. 646 00:25:43,900 --> 00:25:45,200 EXACTLY. 647 00:25:45,200 --> 00:25:46,530 - CAN'T YOU DO SOMETHING? 648 00:25:46,533 --> 00:25:48,133 - I THINK I'VE BEEN HAVING A GREAT CONVERSATION 649 00:25:48,133 --> 00:25:49,373 WITH YOU ALL. 650 00:25:49,367 --> 00:25:50,167 - NO, BUT I MEAN, CAN'T YOU-- 651 00:25:50,166 --> 00:25:51,696 IS MY GRANDMOTHER HERE? 652 00:25:51,700 --> 00:25:53,370 - I MEAN, TO ME IT'S LIKE A DOCTOR 653 00:25:53,367 --> 00:25:54,527 AT A DINNER PARTY. 654 00:25:54,533 --> 00:25:56,073 YOU'RE ALWAYS LIKE "OH, CAN YOU TELL ME 655 00:25:56,066 --> 00:25:57,296 WHAT'S WRONG WITH ME HERE?" 656 00:25:57,300 --> 00:25:59,130 SO NATURALLY I'M GOING TO ASK HER 657 00:25:59,133 --> 00:26:01,233 ABOUT HER CHOSEN PROFESSION. 658 00:26:01,233 --> 00:26:03,533 - I WAS STUDIED BY A SCIENTIST FOR SEVERAL YEARS 659 00:26:03,533 --> 00:26:06,273 AND ON OPRAH IN FRONT OF 70 MILLION PEOPLE. 660 00:26:06,266 --> 00:26:07,596 I'M KIND OF LIKE A DRUG. 661 00:26:07,600 --> 00:26:09,530 ONCE YOU GET ONE, YOU WANT IT AGAIN. 662 00:26:09,533 --> 00:26:11,433 - OOH. - OOH. 663 00:26:11,433 --> 00:26:13,903 - I'M JUST--I'M JUST PUTTING IT OUT THERE. 664 00:26:13,900 --> 00:26:15,630 I'M JUST BEING HONEST. 665 00:26:15,633 --> 00:26:18,333 AND, YOU KNOW WHAT, I HATE TO SAY IT, 666 00:26:18,333 --> 00:26:22,833 BUT WE'RE HAVING A GIRLS' NIGHT, SO I'M OFF THE CLOCK. 667 00:26:22,834 --> 00:26:24,534 - WE'RE JUST CURIOUS. 668 00:26:24,533 --> 00:26:25,673 - THIS IS WHY VODKA IS... 669 00:26:25,667 --> 00:26:26,897 - YOU DIDN'T EAT DINNER 670 00:26:26,900 --> 00:26:28,500 SO I'M GONNA HAVE TO WATCH YOU ON THESE. 671 00:26:28,500 --> 00:26:30,070 - OH, YEAH, YOU'RE GONNA HAVE TO WATCH ME. 672 00:26:30,066 --> 00:26:31,566 - DID YOU EAT? - NO. 673 00:26:31,567 --> 00:26:32,627 - SHE'S OFF THE CLOCK. 674 00:26:32,633 --> 00:26:34,273 MAYBE I SHOULD WHIP OUT MY CREDIT CARD. 675 00:26:34,266 --> 00:26:36,296 - [chuckles] 676 00:26:38,200 --> 00:26:40,000 - SHOULD I DO THAT AND SAY "HOW ABOUT NOW? 677 00:26:40,000 --> 00:26:44,130 CAN I ASK YOU A QUESTION NOW?" 678 00:26:44,133 --> 00:26:47,973 - SO, ALLISON, CAN WE JUST HAVE ONE PERSON? 679 00:26:47,967 --> 00:26:51,627 EVERYBODY IS SO EXCITED ABOUT THE FACT 680 00:26:51,633 --> 00:26:55,703 THAT YOU ARE SO GIFTED. 681 00:26:55,700 --> 00:26:57,770 - DON'T TEMPT ME. REALLY. 682 00:26:57,767 --> 00:26:59,167 - OOH. 683 00:26:59,166 --> 00:27:00,726 - WHO ARE YOU LOOKING AT WHEN YOU SAY THAT? 684 00:27:00,734 --> 00:27:03,174 - TOUCHE, BABY. 685 00:27:03,166 --> 00:27:06,566 - WHAT DOES THAT MEAN: "DON'T TEMPT ME"? 686 00:27:06,567 --> 00:27:10,897 - OH, NO. NO, DON'T, KYLE. SAVE YOURSELF. 687 00:27:10,900 --> 00:27:13,770 I'M TELLING YOU. I FEEL THIS IS NOT A GOOD SITUATION. 688 00:27:13,767 --> 00:27:18,567 - DON'T GET ME STARTED. 689 00:27:18,567 --> 00:27:21,397 - BE HONEST. DO YOU REALLY WANT TO GO THERE? 690 00:27:21,400 --> 00:27:22,770 'CAUSE SHE MIGHT PULL STUFF 691 00:27:22,767 --> 00:27:25,597 THAT SOME PEOPLE WANT NOT WANT TO HEAR. 692 00:27:25,600 --> 00:27:27,800 - YOU KNOW, IT'S BEST FOR HER TO PERFORM A READING 693 00:27:27,800 --> 00:27:30,330 ONE-ON-ONE BECAUSE A LOT OF PERSONAL STUFF COMES UP. 694 00:27:30,333 --> 00:27:32,733 SO IF SOMEBODY'S HUSBAND'S CHEATING ON THEM OR SOMETHING, 695 00:27:32,734 --> 00:27:34,074 SHE'LL KNOW IT. 696 00:27:34,066 --> 00:27:36,196 AND YOU JUST DON'T-- - I LOVE IT. 697 00:27:36,200 --> 00:27:39,700 - DO YOU WANT TO HEAR THAT? NO, BUT DO YOU WANT TO? 698 00:27:39,700 --> 00:27:41,400 - WELL, COULDN'T YOU JUST TELL US STUFF 699 00:27:41,400 --> 00:27:43,170 WITHOUT TELLING US ANYTHING SCARY? 700 00:27:43,166 --> 00:27:46,866 - SOMETHING THAT'S NOT SCARY? OH, MY GOD. 701 00:27:46,867 --> 00:27:49,727 BUT WHAT I WANT TO TELL YOU MIGHT BE IRRITATING TO YOU. 702 00:27:49,734 --> 00:27:50,934 - TELL ME. I DON'T CARE. 703 00:27:50,934 --> 00:27:53,104 - JUST SAY IT. JUST SAY IT. - I DON'T CARE. 704 00:27:53,100 --> 00:27:55,630 - OKAY. OKAY. 705 00:27:55,633 --> 00:27:57,433 HAVE YOU BEEN MARRIED TWICE? 706 00:27:57,433 --> 00:27:58,433 - UH-HUH. 707 00:27:58,433 --> 00:27:59,603 - OH. 708 00:27:59,600 --> 00:28:01,000 - WELL, THEN THAT'S THE LAST ONE YOU HAVE. 709 00:28:01,000 --> 00:28:03,070 I GUESS THAT'S GOOD NEWS. [laughs] 710 00:28:03,066 --> 00:28:05,866 I WAS THINKING SHE WAS GOING TO HAVE TO GET MARRIED AGAIN. 711 00:28:05,867 --> 00:28:07,827 WHICH MEANING YOU'D HAVE A DIVORCE. 712 00:28:10,166 --> 00:28:12,266 - IF MY HUSBAND EVER LEAVES ME, I'M GOING WITH HIM. 713 00:28:12,266 --> 00:28:16,526 - HE WILL NEVER EMOTIONALLY FULFILL YOU. EVER. KNOW THAT. 714 00:28:16,533 --> 00:28:18,273 AS SOON AS THE KIDS ARE BIGGER, 715 00:28:18,266 --> 00:28:19,596 YOU'LL HAVE NOTHING IN COMMON. 716 00:28:26,333 --> 00:28:28,333 - OKAY. - OH, MY GOSH. 717 00:28:28,333 --> 00:28:29,673 HERE WE GO. 718 00:28:29,667 --> 00:28:34,167 I WAS WAITING FOR KYLE TO FLY ACROSS THE TABLE. 719 00:28:34,166 --> 00:28:36,996 - I DISAGREE. - I DON'T KNOW ABOUT THAT. 720 00:28:37,000 --> 00:28:39,630 - BUT WHAT I DO, PEOPLE DON'T SEE. 721 00:28:39,633 --> 00:28:41,303 THEY DON'T SEE IT. 722 00:28:41,300 --> 00:28:43,100 AND THEN WHEN IT HAPPENS, THEY'RE, LIKE, "OH, MY GOD." 723 00:28:43,100 --> 00:28:44,870 - NO, I UNDERSTAND THAT. 724 00:28:44,867 --> 00:28:46,267 KYLE PUSHED FOR THAT READING. 725 00:28:46,266 --> 00:28:48,026 ALLISON ALREADY HAD A FEW DRINKS. 726 00:28:48,033 --> 00:28:49,703 KYLE PUSHED FOR IT. 727 00:28:49,700 --> 00:28:51,370 I BEGGED THEM NOT TO GO THERE 728 00:28:51,367 --> 00:28:53,097 BECAUSE I THINK IT'S A PERSONAL READING. 729 00:28:53,100 --> 00:28:54,930 - ANYTHING ELSE? 730 00:28:54,934 --> 00:28:57,004 - MAKE SURE THAT YOU PUT THE WALLS DOWN 731 00:28:57,000 --> 00:28:58,670 FOR OTHER FEMALES COMING INTO THE LIFE. 732 00:28:58,667 --> 00:29:01,827 I FEEL LIKE YOU TALK TO MALES MORE EASILY THAN FEMALES. 733 00:29:01,834 --> 00:29:03,174 - THAT'S ME. 734 00:29:03,166 --> 00:29:04,526 - I THINK YOU'RE MIXING HER UP WITH KYLE. 735 00:29:04,533 --> 00:29:05,673 - THAT'S ME. 736 00:29:05,667 --> 00:29:07,127 - THAT'S-- YEAH, MAYBE--I AM-- 737 00:29:07,133 --> 00:29:09,073 I AM MUCH MORE A GIRL'S GIRL. 738 00:29:09,066 --> 00:29:12,566 - I AM DEFINITELY MORE COMFORTABLE AROUND MEN. 739 00:29:12,567 --> 00:29:14,497 - I AM TOO. - I JUST DON'T. 740 00:29:14,500 --> 00:29:16,500 - I FEEL ALSO WOMEN ARE VERY CATTY TO ME. 741 00:29:16,500 --> 00:29:18,530 WOMEN HAVE ALWAYS BEEN REALLY CATTY. 742 00:29:18,533 --> 00:29:20,233 - THEY ALWAYS WILL BE. THEY ALWAYS WILL BE. 743 00:29:20,233 --> 00:29:22,073 - I KNOW THAT. SO I'VE ALWAYS BEEN GUARDED. 744 00:29:22,066 --> 00:29:23,696 - WHY? THEY DON'T HAVE TO BE. 745 00:29:23,700 --> 00:29:28,200 - GIRLS ARE VERY CATTY WITH HER AND INSECURE. 746 00:29:28,200 --> 00:29:29,470 - IN NEW YORK-- 747 00:29:29,467 --> 00:29:32,627 - MAYBE THAT'S WHY WE HAD AN ISSUE. 748 00:29:32,633 --> 00:29:34,333 - OH NO, NOT NEW YORK. 749 00:29:34,333 --> 00:29:35,903 - MAYBE YOU'RE MORE DEFENSIVE. 750 00:29:35,900 --> 00:29:38,500 AND I WAS-- - YEAH. THAT COULD BE IT. 751 00:29:38,500 --> 00:29:41,130 MAYBE I FELT I HAD TO BE DEFENSIVE. 752 00:29:41,133 --> 00:29:43,633 - YOU'RE OFFENSIVE. 753 00:29:43,633 --> 00:29:45,773 - ANY ISSUES THAT CAME ABOUT IN NEW YORK 754 00:29:45,767 --> 00:29:48,097 WAS NO ILL--NO. 755 00:29:48,100 --> 00:29:49,830 NO--I HAD NO ILL INTENTIONS. 756 00:29:49,834 --> 00:29:52,234 - I THINK--I GUESS IT WAS A MISUNDERSTANDING. 757 00:29:52,233 --> 00:29:53,633 SHE KNOWS NOTHING. 758 00:29:53,633 --> 00:29:54,873 I DIDN'T TELL YOU ANYTHING ABOUT THAT. 759 00:29:54,867 --> 00:29:55,897 - NO, YOU HESITATED. 760 00:29:55,900 --> 00:29:57,070 - I JUST SAID 761 00:29:57,066 --> 00:29:58,296 "I'M NOT GOING TO SAY ANYTHING. 762 00:29:58,300 --> 00:29:59,570 BEFORE SHE GOT HERE, I SAID "I DON'T-- 763 00:29:59,567 --> 00:30:00,727 I'M NOT GOING TO SAY ANYTHING" 764 00:30:00,734 --> 00:30:02,404 'CAUSE I DON'T WANT IT TO FEEL-- 765 00:30:02,400 --> 00:30:04,770 - THAT'S HARD FOR ME TO BELIEVE, HONESTLY. 766 00:30:04,767 --> 00:30:08,027 THE REALITY-- THE REALITY OF IT-- 767 00:30:08,033 --> 00:30:10,573 AND I AM LIKE, HONEST GIRL BEYOND BELIEF. 768 00:30:10,567 --> 00:30:13,067 - THAT'S DISMISSING WHAT I'M SAYING. 769 00:30:13,066 --> 00:30:16,066 - I JUST SAY WHAT I FEEL. 770 00:30:16,066 --> 00:30:17,896 - FAYE WAS LIKE A PANTHER 771 00:30:17,900 --> 00:30:19,670 PROWLING THROUGH THE JUNGLE. 772 00:30:19,667 --> 00:30:22,567 - BY YOU SAYING THAT IS SAYING THAT I'M NOT TELLING THE TRUTH. 773 00:30:22,567 --> 00:30:25,727 - GIRLFRIENDS TELL EACH OTHER WHAT'S REALLY GOING ON. 774 00:30:25,734 --> 00:30:27,774 KYLE TELLS ME WHAT'S HAPPENING IN HER LIFE. 775 00:30:27,767 --> 00:30:29,627 AND IF YOU WERE HER GOOD GIRLFRIEND, 776 00:30:29,633 --> 00:30:32,133 YOU WOULD KNOW WHAT'S HAPPENING IN HER LIFE. 777 00:30:32,133 --> 00:30:33,833 - SHE KIND OF SAID "OH, I DON'T BELIEVE THAT 778 00:30:33,834 --> 00:30:35,174 FOR A SECOND." 779 00:30:35,166 --> 00:30:36,996 I THOUGHT, "HERE WE GO." 780 00:30:37,000 --> 00:30:38,670 - SO YOU'RE SAYING WE'RE NOT GOOD GIRLFRIENDS 781 00:30:38,667 --> 00:30:40,727 BECAUSE SHE DIDN'T TELL ME WHAT WAS HAPPENING? 782 00:30:40,734 --> 00:30:43,034 - MY PSYCHIC ABILITY TELLS ME, "NO." 783 00:30:43,033 --> 00:30:44,173 - [gasps] 784 00:30:48,200 --> 00:30:49,270 - COMING UP... 785 00:30:49,266 --> 00:30:50,796 - YOU'RE OFF YOUR [bleep] ROCKER. 786 00:30:50,800 --> 00:30:51,800 - OH, REALLY? 787 00:30:51,800 --> 00:30:53,100 - THAT IS A [bleep] UP THING TO SAY. 788 00:30:53,100 --> 00:30:54,700 - WHY DON'T YOU GO BLOW UP YOUR LIPS SOME MORE? 789 00:30:54,700 --> 00:30:55,870 - ENOUGH! ENOUGH! 790 00:31:00,467 --> 00:31:02,197 - SO YOU'RE SAYING WE'RE NOT GOOD GIRLFRIENDS 791 00:31:02,200 --> 00:31:04,130 BECAUSE SHE DIDN'T TELL ME WHAT WAS HAPPENING? 792 00:31:04,133 --> 00:31:06,903 - MY PSYCHIC ABILITY TELLS ME, "NO." 793 00:31:06,900 --> 00:31:08,970 - IF SHE NEEDS MY HELP, SHE WILL TELL ME. 794 00:31:08,967 --> 00:31:12,797 SHE DOESN'T RELY ON ME. SHE CAN FIGHT HER ON BATTLES. 795 00:31:12,800 --> 00:31:14,270 IF SHE CAN'T FIGHT HER OWN BATTLES 796 00:31:14,266 --> 00:31:15,466 AND YOU HAVE TO BE THERE, SO BE IT, 797 00:31:15,467 --> 00:31:17,267 BUT DON'T SAY I'M NOT THERE FOR CAMILLE. 798 00:31:17,266 --> 00:31:20,126 - DID YOU COME HERE TO DEFEND KYLE? 799 00:31:20,133 --> 00:31:23,633 'CAUSE THE WAY YOU'RE TALKING SOUNDS LIKE SHE CUED YOU IN 800 00:31:23,633 --> 00:31:25,673 AND YOU CAME TO DEFEND HER. 801 00:31:25,667 --> 00:31:27,127 IS THAT WHY YOU CAME HERE, FAYE, HONESTLY? 802 00:31:27,133 --> 00:31:28,533 - NO, I CAME HERE TO BE WITH MY GIRLFRIEND. 803 00:31:28,533 --> 00:31:29,633 - DID YOU COME HERE-- 804 00:31:29,633 --> 00:31:32,573 NO, I DON'T THINK SO AT THIS POINT. 805 00:31:32,567 --> 00:31:35,497 - I DON'T DO WELL WITH CONFRONTATION. 806 00:31:35,500 --> 00:31:37,800 AND IT WAS JUST COMING EVERY DIRECTION. 807 00:31:37,800 --> 00:31:41,630 - OH, MY GOD, 808 00:31:41,633 --> 00:31:43,173 THAT'S NOT TRUE. 809 00:31:43,166 --> 00:31:44,426 - YOU'RE USED TO THAT. 810 00:31:44,433 --> 00:31:45,933 - ALL I KNOW IS THERE WAS AN ATTACK 811 00:31:45,934 --> 00:31:47,174 MADE ON MY FRIEND. 812 00:31:47,166 --> 00:31:49,426 - WAIT A SECOND. ATTACK? 813 00:31:49,433 --> 00:31:52,603 WAIT A SECOND. WAIT A SECOND. WAIT A SECOND. 814 00:31:52,600 --> 00:31:54,330 DID I THINK IT WAS A SETUP? ABSOLUTELY. 815 00:31:54,333 --> 00:31:59,603 YEAH. I THOUGHT FAYE WAS THERE TO BE KYLE'S WINGMAN. 816 00:31:59,600 --> 00:32:00,930 - CAMILLE, THAT'S THE WAY SHE SEES IT. 817 00:32:00,934 --> 00:32:01,974 PLEASE, WE DON'T HAVE TO GO-- 818 00:32:01,967 --> 00:32:03,097 - HOW DID I ATTACK YOU? 819 00:32:03,100 --> 00:32:04,170 I WAS AT THE TABLE-- 820 00:32:04,166 --> 00:32:06,196 - LET'S NOT HEAD BACKWARDS, PLEASE. 821 00:32:06,200 --> 00:32:08,000 - FAYE, YOU WEREN'T THERE. 822 00:32:08,000 --> 00:32:10,570 D.D. WAS IN NEW YORK, SO SHE KNOWS WHAT HAPPENED. 823 00:32:10,567 --> 00:32:13,997 - BUT SHE DOESN'T KNOW THE BACKSTORY, CAMILLE. 824 00:32:14,000 --> 00:32:16,370 - DID I ATTACK KYLE? - NO. 825 00:32:16,367 --> 00:32:17,867 HONESTLY, I WALKED IN AND ALL I SAW WAS-- 826 00:32:17,867 --> 00:32:19,367 - OF COURSE, BECAUSE, CAMILLE, 827 00:32:19,367 --> 00:32:21,967 YOU SAT THERE THE ENTIRE NIGHT LIKE THIS, 828 00:32:21,967 --> 00:32:23,727 YOU KNOW, WITH YOUR HAND THERE LIKE THAT. 829 00:32:23,734 --> 00:32:25,134 - BUT THAT'S WHO I AM, KYLE. 830 00:32:25,133 --> 00:32:26,803 - NO, THAT'S NOT WHO YOU ARE, CAMILLE. 831 00:32:26,800 --> 00:32:30,600 THAT'S WHO YOU ARE PRETENDING TO BE. 832 00:32:30,600 --> 00:32:31,870 - SHE'S NOT PRETENDING TO BE THAT. 833 00:32:31,867 --> 00:32:33,027 THAT'S WHO SHE IS. 834 00:32:33,033 --> 00:32:34,473 - OH, ALLISON, 835 00:32:34,467 --> 00:32:36,297 I'M NOT TALKING TO YOU. - OH, BUT I'M TALKING TO YOU. 836 00:32:36,300 --> 00:32:38,330 - I'M NOT TALKING TO YOU. - BUT I'M TALKING TO YOU. 837 00:32:38,333 --> 00:32:39,733 - 'SCUSE ME, YOU'RE BORING ME. 838 00:32:39,734 --> 00:32:41,574 - ALLISON WAS STANDING UP FOR ME. 839 00:32:41,567 --> 00:32:46,467 AND I--LISTEN, I'M GLAD BECAUSE SHE'S-- 840 00:32:46,467 --> 00:32:48,067 OUT OF ALL THE GIRLS THAT ARE THERE, 841 00:32:48,066 --> 00:32:49,566 SHE'S THE ONLY ONE THAT STOOD UP FOR ME. 842 00:32:49,567 --> 00:32:51,367 - CAMILLE, I WAS HAVING A CONVERSATION WITH YOU. 843 00:32:51,367 --> 00:32:54,167 - YOU ARE ENTIRELY WASHED UP. ENJOY YOUR LIFE. 844 00:32:54,166 --> 00:32:56,266 - I CAME HERE BRINGING ALLISON 845 00:32:56,266 --> 00:32:58,996 'CAUSE ALLISON'S FOR INTERESTING CONVERSATION. 846 00:32:59,000 --> 00:33:00,430 IT WAS FOR INTERESTING CONVERSATION-- 847 00:33:00,433 --> 00:33:01,933 - WE'RE NOT ALLOWED TO TALK TO HER ABOUT IT 848 00:33:01,934 --> 00:33:03,404 'CAUSE SHE'S NOW "OFF THE CLOCK." 849 00:33:03,400 --> 00:33:06,000 - YOU'RE NOT HIRING ME. I'M A DINNER GUEST. 850 00:33:06,000 --> 00:33:07,600 I WAS BEING POLITE. 851 00:33:07,600 --> 00:33:11,430 WHEN Y'ALL WERE IRRITATING ME, I APPEASED YOU. 852 00:33:11,433 --> 00:33:13,373 BE CLEAR ON THAT. 853 00:33:13,367 --> 00:33:15,767 I HAVE BOOKS WRITTEN ON ME AND BY ME 854 00:33:15,767 --> 00:33:18,627 AND HAD TELEVISION SHOWS BASED ON MY LIFE. 855 00:33:18,633 --> 00:33:22,073 SO YOU CAN JUST, LIKE, TAKE A FLYING LEAP. 856 00:33:22,066 --> 00:33:25,226 - I THINK THE PSYCHIC WAS WAY MORE PROVOCATIVE 857 00:33:25,233 --> 00:33:27,303 THAN ANYBODY AT THE TABLE. 858 00:33:27,300 --> 00:33:28,900 SHE'S NOT A PSYCHIC THAT I WOULD FEEL, 859 00:33:28,900 --> 00:33:31,070 OH, YEAH, I'M GOING TO OPEN MY HEART TO. 860 00:33:31,066 --> 00:33:32,726 NO. ABSOLUTELY NOT. 861 00:33:32,734 --> 00:33:37,134 SHE--YEAH, SHE DEFINITELY WAS STARTING TO PISS ME OFF. 862 00:33:37,133 --> 00:33:39,133 - YOU ARE. YOU ARE. 863 00:33:39,133 --> 00:33:40,633 - I'M SO BORED WITH THIS CONVERSATION. 864 00:33:40,633 --> 00:33:42,633 - THEN LEAVE. - I'M TOTALLY OVER IT. 865 00:33:42,633 --> 00:33:45,633 - THEN LEAVE. IF YOU'RE OVER IT, THEN LEAVE. 866 00:33:45,633 --> 00:33:49,473 WALK. YOU'VE GOT TWO LEGS THE LAST TIME WE CHECKED. 867 00:33:49,467 --> 00:33:50,727 - OOH. - [gasps] 868 00:33:50,734 --> 00:33:52,904 IS THAT WHAT YOU DO IS JUST ATTACK PEOPLE? 869 00:33:52,900 --> 00:33:56,530 AND THEN WHEN THEY GET REAL, YOU JUST, LIKE, BECOME EVEN-- 870 00:33:56,533 --> 00:33:58,533 - THAT IS SO RICH COMING FROM SOMEBODY 871 00:33:58,533 --> 00:34:00,703 THAT CAME HERE TO STIR UP [bleep]. 872 00:34:00,700 --> 00:34:02,100 - ALLISON, YOU'VE BEEN SITTING HERE 873 00:34:02,100 --> 00:34:03,730 WITH A WEIRD ATTITUDE ALL NIGHT. 874 00:34:03,734 --> 00:34:06,904 - A WEIRD ATTITUDE ALL NIGHT? WOW. 875 00:34:06,900 --> 00:34:08,800 THEN WHY WERE YOU TALKING TO ME SO MUCH? 876 00:34:08,800 --> 00:34:10,330 - I WAS CURIOUS ABOUT YOU. 877 00:34:10,333 --> 00:34:11,403 - WELL, YOU KNOW WHAT, 878 00:34:11,400 --> 00:34:13,000 YOU ARE NOT INTERESTING TO ME AT ALL. 879 00:34:13,000 --> 00:34:14,330 - WELL, YOU'RE NOT TO MET EITHER. 880 00:34:14,333 --> 00:34:16,003 - SO YOU CONTINUE BEING INTERESTED BY ME. 881 00:34:16,000 --> 00:34:18,800 THAT'S AWESOME. YOU HAVE TWO LEGS TOO. 882 00:34:18,800 --> 00:34:21,670 THEY CAN WALK. - EEW. 883 00:34:21,667 --> 00:34:23,967 WHAT IS THIS? THIS WHAT SHE DOES? 884 00:34:23,967 --> 00:34:26,067 IS THIS WHAT YOU DO? 885 00:34:26,066 --> 00:34:27,896 - I FELT THAT IT STARTED OUT POSITIVE 886 00:34:27,900 --> 00:34:29,530 AND IT WENT DOWN IN FLAMES. 887 00:34:29,533 --> 00:34:31,203 - OH, THIS IS RIDICULOUS. 888 00:34:31,200 --> 00:34:34,800 - I JUST FELT LIKE IT WASN'T REALLY WORTH MY TIME 889 00:34:34,800 --> 00:34:37,330 TO GET INVOLVED WITH THIS PETTY NONSENSE. 890 00:34:37,333 --> 00:34:42,003 [all speaking at once] 891 00:34:42,000 --> 00:34:44,870 - ALLISON, ALL I CARE-- 892 00:34:44,867 --> 00:34:46,697 LET ME TELL YOU SOMETHING RIGHT NOW. 893 00:34:46,700 --> 00:34:48,600 ALL OF THIS IS UNIMPORTANT TO ME. 894 00:34:48,600 --> 00:34:50,100 I HAVE FOUR BEAUTIFUL CHILDREN. 895 00:34:50,100 --> 00:34:51,930 LOOK HOW SHE TURNS HER HEAD LIKE THIS. 896 00:34:51,934 --> 00:34:54,274 WHAT, ARE WE IN ELEMENTARY SCHOOL? 897 00:34:54,266 --> 00:34:57,926 - ALLISON WAS... [inhales] 898 00:34:57,934 --> 00:34:59,334 [whispers] PUFFING AWAY. 899 00:34:59,333 --> 00:35:00,603 - I HAD ALSO HEARD 900 00:35:00,600 --> 00:35:02,600 THAT THINGS WERE SAID AT THE AIRPORT. 901 00:35:02,600 --> 00:35:04,200 - AND THAT'S WHEN I CAME TO YOU AND I SAID 902 00:35:04,200 --> 00:35:06,270 TO YOU, "WHERE DID THIS ALL COME FROM?" 903 00:35:06,266 --> 00:35:09,566 AND YOU SAID, "TAYLOR, YOU WERE TELLING ME--" 904 00:35:09,567 --> 00:35:12,297 - I WASN'T TELLING YOU ANYTHING. YOU WERE BAITING ME. 905 00:35:12,300 --> 00:35:14,630 - I WASN'T BAITING. - YOU WERE 100% BAITING ME. 906 00:35:14,633 --> 00:35:15,903 I WASN'T THERE. 907 00:35:15,900 --> 00:35:17,070 - ALL OF THE SUDDEN, 908 00:35:17,066 --> 00:35:19,066 I HEAR KIM AND TAYLOR FIGHTING AGAIN. 909 00:35:19,066 --> 00:35:20,766 WHAT IS THIS? CONTAGIOUS? 910 00:35:20,767 --> 00:35:22,627 I SAW YOU-- - PLEASE. 911 00:35:22,633 --> 00:35:24,673 DO ME A FAVOR AND DON'T. 912 00:35:24,667 --> 00:35:26,467 [all arguing] 913 00:35:26,467 --> 00:35:28,797 - THIS IS ALL [bleep] TO ME, OKAY? 914 00:35:28,800 --> 00:35:34,400 - I FEEL LIKE THE DINNER TABLE WAS JUST A SWIRLING TORNADO. 915 00:35:34,400 --> 00:35:38,200 YOU NEED TO STAND UP AND SAY, "STOP." 916 00:35:38,200 --> 00:35:39,670 - WHY DON'T YOU STAND UP AND SAY "STOP"? 917 00:35:39,667 --> 00:35:40,827 - I CAN'T STOP YOU, 918 00:35:40,834 --> 00:35:42,234 BECAUSE YOU'RE OFF YOUR [bleep] ROCKER. 919 00:35:42,233 --> 00:35:43,973 - OH, REALLY? - THAT'S THE PROBLEM WITH YOU. 920 00:35:43,967 --> 00:35:45,297 - OH, THAT'S WHAT I THINK ABOUT YOU. 921 00:35:45,300 --> 00:35:47,530 - OKAY, ENOUGH. GIRLS, ENOUGH. ENOUGH. 922 00:35:47,533 --> 00:35:50,603 ENOUGH! ENOUGH! ENOUGH. ENOUGH. 923 00:35:50,600 --> 00:35:51,870 WE'RE NOT DOING THIS ANYMORE. 924 00:35:51,867 --> 00:35:53,997 I'M NOT HAVING THIS ANYMORE. ENOUGH. 925 00:35:54,000 --> 00:35:55,730 GET UP. 926 00:35:55,734 --> 00:36:00,374 THESE ARE NOT THE LADIES THAT WE ARE. ENOUGH. 927 00:36:03,433 --> 00:36:04,773 - I DON'T GET IT. 928 00:36:04,767 --> 00:36:05,667 I'VE NEVER HAD A PROBLEM LIKE THIS 929 00:36:05,667 --> 00:36:06,767 WITH A WOMAN IN MY LIFE. 930 00:36:06,767 --> 00:36:08,097 I DON'T GET IT. 931 00:36:08,100 --> 00:36:10,370 - I DON'T HAVE A PROBLEM WITH YOU, KYLE. 932 00:36:10,367 --> 00:36:14,467 THAT'S THE WHOLE THING. I--I JUST... 933 00:36:14,467 --> 00:36:17,297 WELL, AFTER NEW YORK, I KIND OF FELT BAD. 934 00:36:17,300 --> 00:36:19,530 YOU DID CALL ME A DELUSIONAL BITCH. 935 00:36:22,700 --> 00:36:26,070 THERE'S GOT TO BE SOMETHING ELSE GOING ON WITH HER 936 00:36:26,066 --> 00:36:30,226 THAT MAYBE SHE DOESN'T EVEN KNOW OR REALIZE. 937 00:36:30,233 --> 00:36:31,833 I HONESTLY THINK IT'S JEALOUSY. 938 00:36:31,834 --> 00:36:33,874 I THINK THERE'S SOME KIND OF JEALOUSY THERE. 939 00:36:33,867 --> 00:36:36,027 I MEAN, I HATE TO SAY THAT. I HATE SAYING THAT. 940 00:36:36,033 --> 00:36:41,733 BUT I THINK THAT IT'S A BIG PART OF THIS. 941 00:36:41,734 --> 00:36:43,534 CAMILLE, IF SOMEONE SAYS TO YOU 942 00:36:43,533 --> 00:36:45,203 "IS KELSEY GOING WITH YOU TO HAWAII?" 943 00:36:45,200 --> 00:36:46,900 AND YOU SAY "NO" AND THEN YOU HEAR 944 00:36:46,900 --> 00:36:49,670 "WHO WANTS YOU WITHOUT KELSEY?" THEN THAT'S DELUSIONAL. 945 00:36:49,667 --> 00:36:52,327 - THAT IS A [bleep] UP THING TO SAY. 946 00:36:52,333 --> 00:36:54,473 THAT'S A [bleep] UP THING TO SAY. 947 00:36:54,467 --> 00:36:56,167 - WE CAN'T GO DOWN THAT ROAD AGAIN. 948 00:36:56,166 --> 00:36:58,326 - SHE'S CAN'T SAY WHAT CAMILLE THOUGHT. 949 00:36:58,333 --> 00:37:00,603 SHE DOESN'T KNOW THAT. SHE'S NOT CAMILLE. 950 00:37:00,600 --> 00:37:01,930 - I'M NOT TALKING TO YOU, ALLISON. 951 00:37:01,934 --> 00:37:03,604 - OH, YOU ARE 'CAUSE YOU'RE LOOKING AT ME. 952 00:37:03,600 --> 00:37:05,100 - GET OVER IT. GO. WHATEVER. 953 00:37:05,100 --> 00:37:07,230 SMOKE YOUR ELECTRONIC CIGARETTE AND DRINK YOUR MARTINI. 954 00:37:07,233 --> 00:37:08,703 I'M TALKING TO CAMILLE. 955 00:37:08,700 --> 00:37:11,200 - YOU SAID THAT. - NO. NO, YOU HEARD THAT. 956 00:37:11,200 --> 00:37:14,300 YOU HEARD THAT. - YOU SAID THAT. 957 00:37:14,300 --> 00:37:16,530 IF SHE SAYS YOU SAID THAT, YOU SAID THAT. 958 00:37:16,533 --> 00:37:18,133 - OH, REALLY? 959 00:37:18,133 --> 00:37:20,103 - YOU SAVE YOUR STORIES AND YOU TWEAK THEM. 960 00:37:20,100 --> 00:37:21,530 - NO YOU JUST LOST ALL CREDIBILITY. 961 00:37:21,533 --> 00:37:23,073 - ALL RIGHT. - ALL CREDIBILITY. 962 00:37:23,066 --> 00:37:25,266 - I COULD GIVE A [bleep] WITH YOU, REALLY. 963 00:37:25,266 --> 00:37:26,796 - IT'S ONE THING FOR US IF WE'RE DEALING 964 00:37:26,800 --> 00:37:27,800 WITH A SITUATION. 965 00:37:27,800 --> 00:37:29,130 - I COULD GIVE A [bleep]. 966 00:37:29,133 --> 00:37:30,673 - YOU AS A PSYCHIC SAYS "OH, YOU SAID THAT 967 00:37:30,667 --> 00:37:31,967 BECAUSE CAMILLE SAID SO." 968 00:37:31,967 --> 00:37:33,967 OH, THAT'S VERY PROFOUND. 969 00:37:33,967 --> 00:37:35,297 - YOU'RE NOTHING. - YOU'RE DONE. 970 00:37:35,300 --> 00:37:37,370 - YOU'VE DONE NOTHING. YOU'RE NOTHING. 971 00:37:37,367 --> 00:37:39,027 - ALLISON, THAT'S OKAY. - YOU'VE DONE NOTHING. 972 00:37:39,033 --> 00:37:40,373 - OH, COME ON, ALLISON. THAT'S ENOUGH. 973 00:37:40,367 --> 00:37:42,167 - YOU'VE DONE NOTHING. - ALLISON, SHH. 974 00:37:42,166 --> 00:37:44,526 - YOU KNOW WHAT? LET'S GO. 975 00:37:44,533 --> 00:37:46,903 - SUCH A BITCH. - LET'S GO, GUYS. 976 00:37:46,900 --> 00:37:49,570 COME ON. COME ON. PLEASE. 977 00:37:49,567 --> 00:37:52,027 - MY DAD SAID, "LIVE LIFE LARGE AND MAKE NO APOLOGIES 978 00:37:52,033 --> 00:37:53,303 FOR WHO YOU ARE." 979 00:37:53,300 --> 00:37:55,300 [bleep] THEM. - ALLISON-- 980 00:37:55,300 --> 00:37:57,000 - I DON'T GIVE A [bleep] WHAT SHE THINKS ABOUT ME. 981 00:37:57,000 --> 00:37:58,330 SHE CAN [bleep] OFF. 982 00:37:58,333 --> 00:38:01,633 I CAN--I CAN TELL YOU WHEN SHE WILL DIE 983 00:38:01,633 --> 00:38:03,103 AND WHAT WILL HAPPEN TO HER FAMILY. 984 00:38:03,100 --> 00:38:05,300 I LOVE THAT ABOUT ME. 985 00:38:05,300 --> 00:38:08,100 - I--I'M REALLY UPSET WITH THE WAY YOU-- 986 00:38:08,100 --> 00:38:09,300 - NO, I'M UPSET WITH YOU. 987 00:38:09,300 --> 00:38:10,530 - I'M UPSET WITH YOU. 988 00:38:10,533 --> 00:38:11,603 TAYLOR AND I JUST-- 989 00:38:11,600 --> 00:38:12,870 WHEN THERE'S CONFLICT, 990 00:38:12,867 --> 00:38:14,467 JUST SEEM TO, LIKE, LOOK AT EACH OTHER 991 00:38:14,467 --> 00:38:16,597 AND IT'S, LIKE, "MEOW." 992 00:38:16,600 --> 00:38:18,600 - SHE'S STRESSING ME OUT SO BADLY. 993 00:38:18,600 --> 00:38:20,100 - ME TOO. THAT'S HOW IT STARTED TONIGHT. 994 00:38:20,100 --> 00:38:21,670 - UGH. 995 00:38:21,667 --> 00:38:25,627 - THANK YOU FOR HAVING US. UM--OH, GOD. 996 00:38:25,633 --> 00:38:27,603 - WATCH--WATCH YOUR STEP. 997 00:38:27,600 --> 00:38:28,970 - BUT SHE'S GOT TO FIGHT WITH SOMEBODY. 998 00:38:28,967 --> 00:38:31,067 SO IT'S GONNA BE ME, I GUESS. 999 00:38:31,066 --> 00:38:32,926 - WE ALREADY HAVE SOMETHING GOING ON WITH CAMILLE. 1000 00:38:32,934 --> 00:38:35,204 AND THEN YOU GUYS START-- I DON'T UNDERSTAND THIS. 1001 00:38:35,200 --> 00:38:36,470 - SHE BROUGHT UP THE WORD "INSECURE" 1002 00:38:36,467 --> 00:38:37,627 AND SHE SAID-- 1003 00:38:37,633 --> 00:38:39,133 AND YOU SAID YOU BROUGHT IT UP IN THE AIRPORT. 1004 00:38:39,133 --> 00:38:40,903 - IF I'M ALREADY HAVING A PROBLEM WITH CAMILLE, 1005 00:38:40,900 --> 00:38:42,500 AND THERE'S ALREADY PROBLEMS AND FIGHTING, 1006 00:38:42,500 --> 00:38:43,630 WHY DO YOU BRING THAT UP? 1007 00:38:43,633 --> 00:38:44,633 - I DIDN'T BRING IT UP. 1008 00:38:44,633 --> 00:38:45,903 - IN NEW YORK, YOU DID. 1009 00:38:45,900 --> 00:38:47,070 - OH, MY GOD. 1010 00:38:47,066 --> 00:38:48,226 - WE'RE HAVING A HORRIBLE NIGHT. 1011 00:38:48,233 --> 00:38:49,733 WE'RE HAVING ALL THIS FIGHTING. 1012 00:38:49,734 --> 00:38:50,734 ALL OF THE SUDDEN, YOU DECIDE 1013 00:38:50,734 --> 00:38:52,004 TO ATTACK TAYLOR OUT OF THE BLUE. 1014 00:38:52,000 --> 00:38:53,370 THIS IS JUST ADDING FUEL TO THE FIRE. 1015 00:38:53,367 --> 00:38:54,827 PUT YOUR GASOLINE AND MATCHES AWAY. 1016 00:38:54,834 --> 00:38:56,504 FLIPPIN' HAUNTED HOUSE AT DISNEYLAND. 1017 00:38:56,500 --> 00:38:57,670 I JUST WANT TO GET OUT OF HERE. 1018 00:38:57,667 --> 00:38:58,997 I CANNOT DEAL WITH THIS CRAP. 1019 00:38:59,000 --> 00:39:04,300 - I MEAN, IT WAS A FEW CLOWNS SHORT OF A CIRCUS. 1020 00:39:04,300 --> 00:39:05,600 - COMING UP... 1021 00:39:05,600 --> 00:39:07,400 - DO I HAVE ANY INTENTIONS OF BEING THEIR FRIENDS? 1022 00:39:07,400 --> 00:39:08,570 NO. - THEIR FRIENDS? 1023 00:39:08,567 --> 00:39:10,367 THEY CAN'T EVEN SPELL "FRIENDS." 1024 00:39:10,367 --> 00:39:12,197 SO THAT'D BE A NEGATIVE. 1025 00:39:16,834 --> 00:39:18,434 - KYLE'S A LITTLE BITCH. 1026 00:39:18,433 --> 00:39:19,903 SHE'S A LITTLE BITCH. SHE IS. 1027 00:39:19,900 --> 00:39:21,000 SHE'S THE RINGLEADER. 1028 00:39:21,000 --> 00:39:22,270 SHE'S ALL, "YAP, YAP, YAP, YAP, YAP." 1029 00:39:22,266 --> 00:39:24,226 KYLE WAS EVERY GIRL AT A HIGH SCHOOL 1030 00:39:24,233 --> 00:39:25,873 THAT MADE SOMEBODY KILL THEMSELVES. 1031 00:39:25,867 --> 00:39:27,027 SHE'S THAT CHICK. 1032 00:39:27,033 --> 00:39:29,303 SHE'S THAT-- NO, SHE'S THAT GIRL 1033 00:39:29,300 --> 00:39:33,200 THAT'S SO MEAN AND PROFOUNDLY BANKRUPT-- 1034 00:39:33,200 --> 00:39:35,430 - YEAH, NO, I THINK SHE'S MORALLY BANKRUPT. 1035 00:39:35,433 --> 00:39:36,903 - I ALMOST SHOVED THIS UP HER [bleep] ASS 1036 00:39:36,900 --> 00:39:39,300 JUST TO PROVE A POINT. 1037 00:39:39,300 --> 00:39:42,300 EXCEPT I THINK SHE'D NEED A BIGGER ONE THAN THIS 1038 00:39:42,300 --> 00:39:43,570 TO EVEN FEEL IT. 1039 00:39:43,567 --> 00:39:47,027 - OH. - OH, YEAH, I WENT THERE. 1040 00:39:47,033 --> 00:39:50,033 - [laughs] YOU DON'T WANT TO GO THERE ANYMORE. 1041 00:39:50,033 --> 00:39:53,433 - GIRL, BITCH IS A ONE-SYLLABLE WORD FOR A REASON. 1042 00:39:53,433 --> 00:39:54,873 IT'S ALL THEY UNDERSTAND. 1043 00:39:54,867 --> 00:39:57,197 - YOU STARTED THIS! - WHAT? 1044 00:39:57,200 --> 00:39:58,570 - WAIT! NOW SHE'S-- 1045 00:39:58,567 --> 00:39:59,567 - NEW YORK WAS WORSE. 1046 00:39:59,567 --> 00:40:00,667 - LET ME JUST SAY THIS, OKAY? 1047 00:40:00,667 --> 00:40:02,167 - YEAH. - IT MAY SEEM LIKE A-- 1048 00:40:02,166 --> 00:40:04,166 - THE SPRINKLER'S COMING ON. - OH, [bleep]. 1049 00:40:04,166 --> 00:40:06,266 - DID SHE TURN THEM ON? DID SHE TURN THEM ON? 1050 00:40:06,266 --> 00:40:08,566 - THE PSYCHIC TURNED THEM ON. [laughter] 1051 00:40:18,066 --> 00:40:20,396 - SO WEIRD. THE WHOLE SITUATION. 1052 00:40:20,400 --> 00:40:22,400 - IT WAS JUST A DISASTER. 1053 00:40:22,400 --> 00:40:24,930 I ACTUALLY RIGHT NOW DON'T KNOW 1054 00:40:24,934 --> 00:40:28,274 THAT THOSE TWO CAN EVER BE IN THE SAME ROOM AGAIN. 1055 00:40:28,266 --> 00:40:30,326 - KYLE SET THAT UP 1056 00:40:30,333 --> 00:40:32,703 BECAUSE KYLE BROUGHT FAYE. 1057 00:40:32,700 --> 00:40:35,530 - KYLE IS A CONSPIRATOR. - YEAH, I NOTICED THAT TOO. 1058 00:40:35,533 --> 00:40:36,873 - KNOW THAT. 1059 00:40:36,867 --> 00:40:40,427 - SHE CAME INTO MY HOME AND VERBALLY ASSAULTED ME. 1060 00:40:40,433 --> 00:40:43,103 UM, YOU KNOW, FOOL ME ONCE, SHAME ON-- 1061 00:40:43,100 --> 00:40:44,470 YOU KNOW--HOW'S IT? 1062 00:40:44,467 --> 00:40:45,867 - WE'RE THE ONLY SANE PEOPLE IN HERE. 1063 00:40:45,867 --> 00:40:48,067 YOU AND I NEED TO STICK TOGETHER, OKAY? 1064 00:40:48,066 --> 00:40:49,796 - WE'RE GONNA RIDE IN ONE CAR AND YOU CAN TAKE THIS CAR 1065 00:40:49,800 --> 00:40:51,100 BECAUSE I CAN'T-- I DON'T WANT TO GO 1066 00:40:51,100 --> 00:40:52,200 OUT OF THE WAY AND THIS AND THAT. 1067 00:40:52,200 --> 00:40:53,430 I JUST WANT TO GET HOME NOW. 1068 00:40:53,433 --> 00:40:54,803 - OH, THAT'S GOOD, ALL YOU RIDE TOGETHER 1069 00:40:54,800 --> 00:40:56,100 AND TALK ABOUT-- 1070 00:40:56,100 --> 00:40:57,830 - I'M SORRY, BUT YOU'RE NEIGHBORS WITH CAMILLE. 1071 00:40:57,834 --> 00:40:59,104 - CAN I JUST SAY THIS? 1072 00:40:59,100 --> 00:41:00,500 IF ANY OF THEIR CHILDREN DISAPPEARED, 1073 00:41:00,500 --> 00:41:02,270 THEY WOULDN'T BE, LIKE, "YOU WERE WRONG." 1074 00:41:02,266 --> 00:41:04,126 THEY'D BE, LIKE, "CAN YOU HELP--" 1075 00:41:04,133 --> 00:41:08,673 [bleep] THEM. 1076 00:41:08,667 --> 00:41:10,967 - I NEED A DRINK! 1077 00:41:13,834 --> 00:41:16,204 - THAT WAS HORRIFYING. - HORRIBLE. 1078 00:41:16,200 --> 00:41:18,400 - DID YOU NOT FEEL LIKE YOU WERE IN THE HOUSE OF HORRORS 1079 00:41:18,400 --> 00:41:20,330 BETWEEN THE PERSON SERVING THE DRINKS-- 1080 00:41:20,333 --> 00:41:22,903 AND "WOULD YOU LIKE A DRINK?"-- 1081 00:41:22,900 --> 00:41:25,070 TO THE GIRL WITH THE... [sucking] 1082 00:41:25,066 --> 00:41:26,696 - AND THE BAD DECOR. 1083 00:41:26,700 --> 00:41:28,370 - WITH THE ELECTRONIC CIGARETTE. 1084 00:41:28,367 --> 00:41:32,497 - KYLE'S AN ANGRY BITCH. SHE JUST IS. 1085 00:41:32,500 --> 00:41:36,630 IT'S ALL SHE WILL BE. KNOW THAT. 1086 00:41:36,633 --> 00:41:38,103 SHE ISN'T HAPPY WITH HER LIFE. 1087 00:41:38,100 --> 00:41:39,670 - I THINK YOU'RE MORE ON TO HER PERSONAL LIFE 1088 00:41:39,667 --> 00:41:42,327 WITH HER HUSBAND THAN SHE WANTS TO ACCEPT 1089 00:41:42,333 --> 00:41:44,133 AND SHE WAS EVEN WILLING TO ACCEPT IT. 1090 00:41:44,133 --> 00:41:45,733 - HE LOVES HIS NANNIES. YOU CAN'T FAULT HIM. 1091 00:41:45,734 --> 00:41:47,904 SHE'S AN ICY BITCH. 1092 00:41:47,900 --> 00:41:51,730 - HE LOVES MORE THAN HIS NANNIES. 1093 00:41:51,734 --> 00:41:53,234 - OH, YOU GUYS. 1094 00:41:53,233 --> 00:41:56,073 - I JUST--BUT-- [laughter] 1095 00:41:56,066 --> 00:41:58,766 HE LOVE WOMEN IN GENERAL. LET'S JUST SAY THAT. 1096 00:41:58,767 --> 00:41:59,967 LET'S BE NICE. 1097 00:41:59,967 --> 00:42:01,697 I'M NOT SAYING HE'S CHEATING ON HER. 1098 00:42:01,700 --> 00:42:04,030 - GIRL, I DIDN'T SAY YOU SAID THAT AT ALL. 1099 00:42:04,033 --> 00:42:07,033 - I JUST KNOW THAT HE REALLY LOVES WOMEN. 1100 00:42:10,266 --> 00:42:12,026 - THEY ALL LEFT AND WENT IN ONE CAR 1101 00:42:12,033 --> 00:42:15,303 AND LEFT ME TO GO HOME BY MYSELF. 1102 00:42:15,300 --> 00:42:17,530 [phone trilling] 1103 00:42:17,533 --> 00:42:20,803 - I MISSED THE PART OF... - KIM. 1104 00:42:20,800 --> 00:42:22,670 - WHAT SHE SAID ABOUT YOU AND LISA. 1105 00:42:22,667 --> 00:42:27,067 [phone trilling] 1106 00:42:28,767 --> 00:42:30,927 - BOY, THEY ALL SURE LOVE EACH OTHER, DON'T THEY? 1107 00:42:30,934 --> 00:42:33,274 - NO. IT'S BECAUSE IT'S EASY TO PICK ON ME 1108 00:42:33,266 --> 00:42:34,696 BECAUSE I'M THE NICE GUY. 1109 00:42:34,700 --> 00:42:35,970 BUT IF I WAS OUT OF THE SITUATION, 1110 00:42:35,967 --> 00:42:37,297 THEY WOULD TEAR EACH OTHER APART. 1111 00:42:37,300 --> 00:42:38,770 [cell phone rings] 1112 00:42:38,767 --> 00:42:40,567 - WELL, THAT GIRL-- THAT WOMAN WAS VERY STRANGE. 1113 00:42:40,567 --> 00:42:42,897 - THAT ALLISON WAS DISGUSTING. - SHE WAS VERY STRANGE. 1114 00:42:42,900 --> 00:42:44,800 - I FELT LIKE I WAS IN THE HOUSE OF HORRORS. 1115 00:42:44,800 --> 00:42:46,670 - BUT, HONESTLY, I WOULD--I WOULD'VE THOUGHT 1116 00:42:46,667 --> 00:42:47,997 THEY WOULD'VE BEEN A LOT CLASSIER. 1117 00:42:48,000 --> 00:42:49,730 - THEM? YOU THOUGHT THEY'D BE CLASSIER. 1118 00:42:49,734 --> 00:42:51,974 - NO, I AGREE. - NO, IT IS A SLIGHT AGAINST ME. 1119 00:42:51,967 --> 00:42:53,127 - I THOUGHT TAYLOR WAS YOUR FRIEND. 1120 00:42:53,133 --> 00:42:54,633 BUT SHE'S NOT YOUR FRIEND. 1121 00:42:54,633 --> 00:42:55,933 - SHE'S A SACRIFICIAL LAMB. THAT'S NOT OKAY. 1122 00:42:55,934 --> 00:42:57,534 - NO, SHE'S NOT YOUR FRIEND. 1123 00:42:57,533 --> 00:42:59,033 - WHO WANTS TO GO TO THE BEVERLY HILLS HOTEL AND POLO LOUNGE? 1124 00:42:59,033 --> 00:43:00,773 - I DO! - YOO-HOO! 1125 00:43:00,767 --> 00:43:03,367 [phone trilling] 1126 00:43:03,367 --> 00:43:04,767 - I WAS REALLY FRUSTRATED WITH KIM 1127 00:43:04,767 --> 00:43:06,327 BECAUSE SHE DID NOT HAVE MY BACK 1128 00:43:06,333 --> 00:43:07,333 AND SHE KNEW THAT. 1129 00:43:07,333 --> 00:43:08,433 POLO LOUNGE. - YES. 1130 00:43:08,433 --> 00:43:10,033 - POLO LOUNGE! 1131 00:43:10,033 --> 00:43:12,303 - DO I HAVE ANY INTENTIONS OF BEING THEIR FRIENDS? NO. 1132 00:43:12,300 --> 00:43:13,470 - THEIR FRIENDS? 1133 00:43:13,467 --> 00:43:15,127 THEY CAN'T EVEN SPELL "FRIENDS." 1134 00:43:15,133 --> 00:43:17,173 SO THAT'D BE A NEGATIVE. 1135 00:43:17,166 --> 00:43:19,096 - CAMILLE, SHE'S MEAN. 1136 00:43:19,100 --> 00:43:20,800 SHE SEEMS SWEET, 1137 00:43:20,800 --> 00:43:22,600 BUT SHE'S LIKE ONE OF THOSE CHEERLEADERS IN HIGH SCHOOL 1138 00:43:22,600 --> 00:43:25,170 THAT--RRR-- RIP YOUR--YEAH--YOUR HEART OUT. 1139 00:43:25,166 --> 00:43:27,926 [phone trilling] 1140 00:43:31,834 --> 00:43:35,234 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1141 00:43:35,233 --> 00:43:37,233 [applause] 1142 00:43:41,233 --> 00:43:44,333 - UH-OH, WHAT'S GOING ON? 1143 00:43:44,333 --> 00:43:46,773 - THEN SHE SAID "WE WON'T BE DOING BUSINESS 1144 00:43:46,767 --> 00:43:49,067 WITH YOUR HUSBAND ANYMORE." 1145 00:43:49,066 --> 00:43:50,096 [cheers] 1146 00:43:50,100 --> 00:43:52,030 - CHECK OUT THOSE GUNS. 1147 00:43:52,033 --> 00:43:55,003 - AH. 1148 00:43:55,000 --> 00:43:56,400 - CAMILLE AND KYLE, 1149 00:43:56,400 --> 00:43:59,070 I DON'T THINK THERE'S A SMOOTH ROAD AHEAD. 1150 00:44:01,867 --> 00:44:03,467 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1151 00:44:03,467 --> 00:44:05,867 GO TO BRAVOTV.COM. 1152 00:44:08,867 --> 00:44:11,867 Captioning by CaptionMax www.captionmax.com