1
00:02:20,750 --> 00:02:27,370
the ocean and i couldn't find a bed i

2
00:02:27,370 --> 00:02:33,210
went to the sea and i couldn't find the
day

3
00:02:33,210 --> 00:02:38,970
i couldn't find again

4
00:02:58,920 --> 00:03:05,520
But she didn't like to say what she
really wanted.

5
00:03:05,600 --> 00:03:09,240
I know something that way.

6
00:03:12,880 --> 00:03:14,940
I know it was.

7
00:03:37,380 --> 00:03:39,280
That was a pretty neat trick.

8
00:03:40,640 --> 00:03:43,380
Uh, uh, yeah, thanks.

9
00:03:44,020 --> 00:03:45,840
Pretty simple stuff.

10
00:03:46,400 --> 00:03:48,180
Well, give yourself the credit you
deserve.

11
00:03:48,980 --> 00:03:50,140
That's a unique talent.

12
00:03:51,360 --> 00:03:52,500
I'm Donna Albee.

13
00:03:55,460 --> 00:03:56,460
Decibel?

14
00:03:56,900 --> 00:04:00,820
Yeah. Oh, oh, um, the chin splits,
right?

15
00:04:01,600 --> 00:04:03,720
They're recording at my studio as we
speak.

16
00:04:04,080 --> 00:04:05,760
And you came to see my show?

17
00:04:07,580 --> 00:04:12,920
That is so cool. I'm sorry, I'm Scout.
How did you even find me? Have you ever

18
00:04:12,920 --> 00:04:16,740
considered how your sound might improve
in a new setting?

19
00:04:17,920 --> 00:04:21,540
Oh, I mean, I don't know. I usually make
stuff in my own space.

20
00:04:21,920 --> 00:04:24,680
I'd like to invite you to record at
Decibel Studios.

21
00:04:25,760 --> 00:04:27,760
We'll call it an experiment.

22
00:04:28,340 --> 00:04:32,440
And if we're successful, you can expect
more than 60 bucks and a drink.

23
00:04:34,120 --> 00:04:36,180
I guess I just think of it as paying my
dues.

24
00:04:37,000 --> 00:04:39,040
You need to be working at the next
level, Scout.

25
00:04:39,980 --> 00:04:42,780
And I have the tools to make that
happen.

26
00:04:46,240 --> 00:04:47,240
Think about it.

27
00:04:48,240 --> 00:04:50,260
Don't let your talent go to waste.

28
00:04:52,320 --> 00:04:54,100
I have a good feeling about this, Scout.

29
00:04:55,660 --> 00:04:56,660
I'm glad we met.

30
00:05:20,620 --> 00:05:25,600
about resident dues, and there's a lot
of talk about raising rent, and it ain't

31
00:05:25,600 --> 00:05:29,760
good. Anyway, call me or come over. We
should talk.

32
00:05:53,610 --> 00:05:54,610
We should talk.

33
00:05:54,990 --> 00:05:56,470
Whatever. Talk.

34
00:05:57,410 --> 00:05:59,070
Whatever. Listen.

35
00:05:59,390 --> 00:06:00,390
Listen. Whatever.

36
00:06:00,830 --> 00:06:02,750
Listen. Listen. Whatever.

37
00:06:02,990 --> 00:06:03,990
We should talk.

38
00:06:04,330 --> 00:06:05,330
Raising rent.

39
00:06:05,750 --> 00:06:07,490
Dudes. Raising rent.

40
00:06:07,960 --> 00:06:10,180
Naked.

41
00:06:11,160 --> 00:06:12,560
Naked.

42
00:08:36,390 --> 00:08:37,570
Welcome to Decibel.

43
00:08:39,730 --> 00:08:41,530
I'm so glad you decided to come.

44
00:08:42,330 --> 00:08:44,510
Wow, it's gorgeous here.

45
00:08:46,530 --> 00:08:47,530
Certainly remote.

46
00:08:52,530 --> 00:08:53,530
Come on in.

47
00:08:55,210 --> 00:08:56,210
I'll give you the tour.

48
00:09:10,000 --> 00:09:11,000
How long have you lived here?

49
00:09:11,340 --> 00:09:12,340
Not long.

50
00:09:13,120 --> 00:09:15,600
I needed some space after leaving Ville.

51
00:09:17,720 --> 00:09:19,680
Figured 150 acres would do.

52
00:09:24,460 --> 00:09:25,700
Can't wait to get out there.

53
00:09:27,080 --> 00:09:28,500
Record some desert sounds.

54
00:09:34,780 --> 00:09:36,660
I'm so excited that you're here.

55
00:09:39,530 --> 00:09:42,630
You made the right choice accepting my
invitation.

56
00:09:44,830 --> 00:09:46,310
I can't wait to get to work.

57
00:09:47,230 --> 00:09:54,190
Your room is right down there, but first
there's some people I think you'll want

58
00:09:54,190 --> 00:09:55,190
to meet.

59
00:10:03,430 --> 00:10:05,010
I'd like you to meet a friend of mine.

60
00:10:06,870 --> 00:10:07,870
This is Scout.

61
00:10:10,090 --> 00:10:11,250
I loved your last record.

62
00:10:15,930 --> 00:10:16,930
I'm sorry, Donna.

63
00:10:17,990 --> 00:10:19,150
He's just mad we have to leave.

64
00:10:20,630 --> 00:10:22,390
You're going to join us for dinner
tonight, right?

65
00:10:22,910 --> 00:10:23,910
Of course.

66
00:10:24,370 --> 00:10:25,750
I'm just showing her her room now.

67
00:10:26,230 --> 00:10:27,490
I'll let you know when dinner's ready.

68
00:10:33,990 --> 00:10:35,370
This room is beautiful.

69
00:10:35,810 --> 00:10:37,610
I like my artists to be comfortable.

70
00:10:38,350 --> 00:10:39,350
Thank you.

71
00:10:43,720 --> 00:10:45,360
Oh, this is one of yours, right?

72
00:10:47,060 --> 00:10:48,060
Yes.

73
00:10:50,720 --> 00:10:52,120
The Velie Monitor.

74
00:10:53,180 --> 00:10:55,360
The decibel was founded on her success.

75
00:10:57,080 --> 00:10:59,320
When was the last time you had your
breasts examined?

76
00:11:03,500 --> 00:11:04,500
Excuse me?

77
00:11:05,420 --> 00:11:06,560
A mammogram.

78
00:11:07,840 --> 00:11:08,840
It's important.

79
00:11:20,780 --> 00:11:21,780
All clear.

80
00:11:26,740 --> 00:11:28,020
No wonder you're a billionaire.

81
00:11:33,120 --> 00:11:37,560
So, then, why music?

82
00:11:39,420 --> 00:11:41,880
About as far away from healthcare as you
can get.

83
00:11:42,480 --> 00:11:44,900
They're more closely related than you'd
think.

84
00:11:46,380 --> 00:11:49,740
When I was at V -League, we were making
real headway into how...

85
00:11:50,140 --> 00:11:52,280
Sound impacts physical health.

86
00:11:53,340 --> 00:11:54,340
I could find.

87
00:11:57,860 --> 00:12:01,460
The board of directors let me go before
I had much of a chance to figure it out.

88
00:12:02,660 --> 00:12:05,680
I know I did good work at Vili.

89
00:12:06,620 --> 00:12:11,480
Touchless cancer screenings, and a patch
to my needleless anesthetic, and new

90
00:12:11,480 --> 00:12:12,480
vaccines.

91
00:12:15,480 --> 00:12:17,700
I gave everything for my company.

92
00:12:21,320 --> 00:12:27,620
But being pushed out helped me find the
essence of what I always wanted to do.

93
00:12:29,740 --> 00:12:30,740
Music.

94
00:12:31,960 --> 00:12:34,240
A good song can be venison as well.

95
00:12:36,360 --> 00:12:39,000
In a way, it saved my life.

96
00:12:39,940 --> 00:12:43,340
I don't know if music saved my life.

97
00:12:45,720 --> 00:12:47,840
But I'd die to keep making it.

98
00:12:50,710 --> 00:12:51,710
Scorch of scalp.

99
00:12:53,850 --> 00:12:55,690
That's the type of dedication we need.

100
00:12:58,890 --> 00:13:00,550
And we'll have a little fun too, right?

101
00:13:02,370 --> 00:13:03,890
I'll come collect you when it's time for
dinner.

102
00:14:51,650 --> 00:14:53,430
Oh, come on.

103
00:14:54,310 --> 00:14:55,310
Really?

104
00:14:57,100 --> 00:15:00,320
Your first record, right? I love this
one.

105
00:15:01,880 --> 00:15:07,160
Last night I dreamed I was a radio

106
00:15:07,160 --> 00:15:14,120
You were coming through me like my
favorite song

107
00:15:14,120 --> 00:15:20,980
Dreamed I was a radio You were coming
through

108
00:15:20,980 --> 00:15:23,920
me like my favorite song

109
00:15:25,690 --> 00:15:32,210
You were coming through me like my
favorite song You were coming through

110
00:15:32,210 --> 00:15:35,410
me like my favorite song

111
00:16:14,030 --> 00:16:18,090
What's it been like working with Donna?

112
00:16:22,890 --> 00:16:24,470
She's a bit intense.

113
00:16:25,130 --> 00:16:26,170
Like how?

114
00:16:27,410 --> 00:16:29,110
I'm so worried.

115
00:16:29,530 --> 00:16:31,990
She's cool.

116
00:16:32,430 --> 00:16:36,010
Think of it like she's a bit eccentric.

117
00:16:46,250 --> 00:16:47,250
Hey.

118
00:16:48,690 --> 00:16:49,690
Pick him up.

119
00:16:50,490 --> 00:16:51,490
Griff.

120
00:16:52,370 --> 00:16:54,550
You're right on time.

121
00:16:55,350 --> 00:16:56,350
Kimo Sabe.

122
00:16:56,610 --> 00:16:57,610
It's you, people.

123
00:16:58,290 --> 00:16:59,290
Griffin?

124
00:17:00,450 --> 00:17:01,450
This is Scout.

125
00:17:04,230 --> 00:17:08,589
Griff. Scout. We are so lucky to have
her here.

126
00:17:09,390 --> 00:17:12,630
Her music will lead us into the future.

127
00:17:13,130 --> 00:17:14,270
To the future, huh?

128
00:17:15,500 --> 00:17:16,500
No pressure.

129
00:17:17,440 --> 00:17:20,619
Griffin will be your engineer for the
week.

130
00:17:21,300 --> 00:17:26,640
Oh, I wasn't planning on using an
engineer. I don't, usually.

131
00:17:27,119 --> 00:17:28,240
Nice to meet you, too.

132
00:17:28,740 --> 00:17:31,980
When you see the studio tomorrow, you'll
understand.

133
00:17:32,740 --> 00:17:34,440
Griff settled an argument for us.

134
00:17:34,760 --> 00:17:39,340
Donna's been talking about this all
night. Do you think there's such a thing

135
00:17:39,340 --> 00:17:40,340
a perfect sound?

136
00:17:42,440 --> 00:17:43,440
Silence?

137
00:17:45,480 --> 00:17:46,760
That wasn't the question.

138
00:17:47,500 --> 00:17:54,040
The question was whether there's a
perfect frequency, right? An

139
00:17:54,040 --> 00:17:56,040
undiscovered waveform.

140
00:17:56,920 --> 00:17:58,560
I want no part of this conversation.

141
00:17:59,480 --> 00:18:03,980
You know, songs aren't just waveforms or
whatever the fuck.

142
00:18:04,480 --> 00:18:06,000
I don't think you get it.

143
00:18:06,580 --> 00:18:08,380
You don't even play an instrument,
right?

144
00:18:10,380 --> 00:18:11,640
No, you're right, Lee.

145
00:18:12,820 --> 00:18:13,980
No, I don't play.

146
00:18:14,380 --> 00:18:15,319
I am.

147
00:18:15,320 --> 00:18:22,140
played since I was a child but I'm not
pretending

148
00:18:22,140 --> 00:18:27,960
to still be a rock star excuse

149
00:18:27,960 --> 00:18:30,460
me

150
00:18:30,460 --> 00:18:38,340
Lee

151
00:18:38,340 --> 00:18:43,560
give me a break Jack she doesn't give a
shit she's kicking us out tomorrow

152
00:18:43,560 --> 00:18:44,560
anyway

153
00:18:49,630 --> 00:18:50,630
Who needs a refill?

154
00:19:19,950 --> 00:19:21,050
Is she always that tough?

155
00:19:23,910 --> 00:19:24,910
She's got a lot to prove.

156
00:19:25,830 --> 00:19:26,830
She's invested.

157
00:19:29,670 --> 00:19:31,330
How long have you worked for her?

158
00:19:32,910 --> 00:19:34,310
On and off for a couple years.

159
00:19:34,910 --> 00:19:36,630
It's all freelance, but it pays well.

160
00:19:38,950 --> 00:19:41,550
Donna's a lot of things, but cheap ain't
one of them.

161
00:19:44,650 --> 00:19:45,710
Do you like her?

162
00:19:46,690 --> 00:19:47,910
Yeah, sure.

163
00:19:50,540 --> 00:19:51,540
She's kind of mean.

164
00:19:52,320 --> 00:19:56,700
But, uh, she's the only billionaire I've
ever met. Maybe that's just how they

165
00:19:56,700 --> 00:19:57,700
all are.

166
00:20:01,320 --> 00:20:03,020
I don't know what I'm doing here.

167
00:20:05,380 --> 00:20:06,980
It's a cool opportunity, right?

168
00:20:08,160 --> 00:20:11,860
It's early days for the studio, but
Donna's a successful person.

169
00:20:13,020 --> 00:20:14,480
She'll win out here too, I think.

170
00:20:14,980 --> 00:20:18,860
Eventually. But, like, this is once. I
mean...

171
00:20:22,530 --> 00:20:24,470
Am I taking their studio time?

172
00:20:25,730 --> 00:20:26,810
Tune that shit out.

173
00:20:27,430 --> 00:20:28,430
They'll be alright.

174
00:20:29,610 --> 00:20:30,870
Donna sees something in you.

175
00:20:32,990 --> 00:20:34,910
Best case scenario, you get a record
deal.

176
00:20:36,150 --> 00:20:39,790
Worst case scenario, you get a few good
songs out of it.

177
00:20:43,210 --> 00:20:44,210
Yeah?

178
00:20:46,310 --> 00:20:48,690
Hey, do you want to see the studio?

179
00:21:12,750 --> 00:21:14,130
This is the fancy studio?

180
00:21:16,450 --> 00:21:17,450
Uh -huh.

181
00:21:23,030 --> 00:21:24,030
Where's the gear?

182
00:21:24,990 --> 00:21:27,950
I know it sounds crazy, but the room is
the gear.

183
00:21:29,410 --> 00:21:30,650
Everything in here is connected.

184
00:21:31,190 --> 00:21:35,310
You have a thousand individual
microphones, two thousand speakers, all

185
00:21:35,310 --> 00:21:37,070
walls, all communicating with each
other.

186
00:21:37,450 --> 00:21:38,770
No need for any wires.

187
00:21:39,390 --> 00:21:40,690
Don't need to plug in any instruments.

188
00:21:41,640 --> 00:21:43,020
I don't even see any instruments.

189
00:21:43,660 --> 00:21:45,520
It's so much more than that, Scout.

190
00:21:46,120 --> 00:21:47,120
Here.

191
00:21:48,560 --> 00:21:49,560
Put these on.

192
00:21:49,700 --> 00:21:52,420
They connect you to the studio. Makes
everything streamlined.

193
00:21:53,440 --> 00:21:54,440
Really?

194
00:21:56,900 --> 00:21:57,900
Step in.

195
00:21:58,060 --> 00:21:59,160
Sing. Anything.

196
00:22:00,660 --> 00:22:01,940
Promise you're not going to be
disappointed.

197
00:22:14,000 --> 00:22:20,720
Give me a vocal literally anything
anything you like Okay

198
00:22:20,720 --> 00:22:23,680
Well,

199
00:22:26,760 --> 00:22:32,220
I have been working on like one thing,
but it's not really ready yet no

200
00:22:32,220 --> 00:22:38,480
I'm an

201
00:22:38,480 --> 00:22:39,480
anarchist

202
00:22:40,650 --> 00:22:45,110
Give me chaos, give me fury, and a late
night kiss.

203
00:22:47,090 --> 00:22:48,390
Something like that, I don't know.

204
00:22:49,310 --> 00:22:50,450
Okay, take a listen.

205
00:22:51,470 --> 00:22:53,090
I'm an anarchist.

206
00:22:54,170 --> 00:22:58,690
Give me chaos, give me fury, and a late
night kiss.

207
00:22:59,030 --> 00:23:00,070
Can I add to it?

208
00:23:00,530 --> 00:23:02,530
Yeah, anything you like.

209
00:23:02,990 --> 00:23:06,730
Think of it this way. Those bracelets
connect you to all the equipment in the

210
00:23:06,730 --> 00:23:08,110
walls, those mics and speakers.

211
00:23:08,940 --> 00:23:11,640
And that touchscreen functions like any
instrument you can imagine.

212
00:23:12,040 --> 00:23:15,360
It's a keyboard, horn, sampler, drum
machine.

213
00:23:15,660 --> 00:23:16,800
You swipe through it.

214
00:23:17,640 --> 00:23:18,980
Donna programmed it herself.

215
00:23:52,840 --> 00:23:59,500
i'm an anarchist give me chaos give me
fury and a late night kiss

216
00:23:59,500 --> 00:24:06,420
from a man i know who's not the best for
me i'm a cynic when i'm

217
00:24:06,420 --> 00:24:13,240
in it i'm a witness to my own
destructive thoughts overwritten

218
00:24:13,240 --> 00:24:20,080
i want the best for you if it's the
worst for me i want the best for

219
00:24:20,080 --> 00:24:21,080
you

220
00:24:21,210 --> 00:24:22,930
If it's the worst for me.

221
00:24:24,990 --> 00:24:26,950
Wait, that is so intuitive.

222
00:24:27,350 --> 00:24:28,390
It sounds great.

223
00:24:30,070 --> 00:24:31,250
I'm going to loop it, okay?

224
00:24:34,170 --> 00:24:35,730
I'm annihilated.

225
00:24:36,330 --> 00:24:38,370
I'm sick of trying it.

226
00:24:39,010 --> 00:24:41,230
I'm getting high on this.

227
00:24:42,050 --> 00:24:45,850
It's a feeling that I like. I won't come
down.

228
00:24:46,910 --> 00:24:48,450
If it's the worst.

229
00:25:10,540 --> 00:25:12,560
I wanted to be here when you met.

230
00:25:14,260 --> 00:25:16,980
Yeah, I'm really sorry. I should have
asked.

231
00:25:17,200 --> 00:25:19,780
I know this is your baby.

232
00:25:20,559 --> 00:25:22,200
I was just really excited.

233
00:25:22,400 --> 00:25:24,240
And so when Griff said that we could
come... Do you like it?

234
00:25:25,440 --> 00:25:26,440
Studio?

235
00:25:28,220 --> 00:25:30,020
This is the coolest thing I've ever
seen.

236
00:25:31,560 --> 00:25:32,560
Good.

237
00:25:34,120 --> 00:25:36,220
Now, tell me.

238
00:25:37,780 --> 00:25:41,460
What is your first memory of music,
Scout?

239
00:25:46,460 --> 00:25:47,460
Oh.

240
00:25:50,380 --> 00:25:51,380
I don't know.

241
00:25:55,580 --> 00:25:57,960
Sitting in the pew with my grandparents,
I guess.

242
00:26:00,080 --> 00:26:04,120
Yeah. They built this old organ in the
back of the sanctuary.

243
00:26:07,000 --> 00:26:09,060
Sometimes the sermons were pretty
boring.

244
00:26:12,140 --> 00:26:13,260
But I like the hymns.

245
00:26:14,960 --> 00:26:15,960
Ave Maria.

246
00:26:17,600 --> 00:26:18,780
How great thou art.

247
00:26:19,690 --> 00:26:20,690
Every Sunday.

248
00:26:22,530 --> 00:26:27,530
Well, we are creatures of habit, aren't
we?

249
00:26:30,950 --> 00:26:32,910
What about you? First memory of music?

250
00:26:34,970 --> 00:26:37,270
My mother, she was a piano teacher.

251
00:26:37,710 --> 00:26:38,710
Did she teach you how to play?

252
00:26:40,590 --> 00:26:41,910
She certainly tried.

253
00:26:44,790 --> 00:26:46,690
Can you do me a favor, Scout?

254
00:26:49,070 --> 00:26:51,150
Can you tell me what that is?

255
00:26:54,650 --> 00:26:55,650
This chord?

256
00:26:57,030 --> 00:26:58,030
B flat.

257
00:26:58,630 --> 00:27:00,850
Is this a church organ?

258
00:27:02,430 --> 00:27:03,470
You messing with me?

259
00:27:03,830 --> 00:27:04,830
And this?

260
00:27:07,150 --> 00:27:08,350
What is this, like a test?

261
00:27:08,670 --> 00:27:09,730
Don't think of it that way.

262
00:27:11,250 --> 00:27:12,250
Please.

263
00:27:13,090 --> 00:27:14,090
Humor me.

264
00:27:15,210 --> 00:27:17,510
Um, F sharp, but this is...

265
00:27:17,820 --> 00:27:18,960
Grade school shit.

266
00:27:19,180 --> 00:27:23,140
Oh, if it's so easy, then what comes
next?

267
00:27:23,840 --> 00:27:25,620
Scale? No.

268
00:27:26,660 --> 00:27:29,340
What chord should come next?

269
00:27:30,160 --> 00:27:32,120
What is the best decision?

270
00:27:33,080 --> 00:27:34,080
Musically.

271
00:27:34,500 --> 00:27:36,160
Use the monitor in front of you.

272
00:27:38,520 --> 00:27:40,440
B flat.

273
00:27:42,920 --> 00:27:43,920
F sharp.

274
00:27:46,860 --> 00:27:47,860
D -sharp minor.

275
00:27:48,640 --> 00:27:49,640
F -major.

276
00:27:49,680 --> 00:27:50,680
Eh.

277
00:27:51,060 --> 00:27:52,060
Like this.

278
00:28:01,820 --> 00:28:07,680
Did I pass your test?

279
00:28:09,100 --> 00:28:10,800
I told you it's not a test.

280
00:28:11,300 --> 00:28:15,560
But if it was... What's flying colors?

281
00:29:37,800 --> 00:29:38,860
Can't wait to get out there.

282
00:30:11,180 --> 00:30:12,180
You're up early.

283
00:30:12,920 --> 00:30:14,440
Yeah, yeah, you too.

284
00:30:15,580 --> 00:30:17,140
Okay, have you seen Donna?

285
00:30:18,120 --> 00:30:19,120
Not this morning.

286
00:30:19,440 --> 00:30:20,800
I think she's avoiding us.

287
00:30:21,820 --> 00:30:25,820
Did you have a session with her
yesterday? I thought I heard someone

288
00:30:25,820 --> 00:30:26,820
the studio.

289
00:30:27,360 --> 00:30:29,420
She wouldn't let us back in the studio
if we asked.

290
00:30:31,860 --> 00:30:37,240
And look, I know last night ended sort
of weird or whatever, but...

291
00:30:37,240 --> 00:30:39,760
Leah, too much to drink.

292
00:30:40,250 --> 00:30:41,250
You know how it goes.

293
00:30:41,710 --> 00:30:43,390
He's in the car right now, so hungover.

294
00:30:44,810 --> 00:30:45,850
All good, all good.

295
00:30:46,270 --> 00:30:47,270
I get it.

296
00:30:48,090 --> 00:30:51,130
I just don't know why you think that
Donna's worse than she is.

297
00:30:51,850 --> 00:30:52,850
Hey.

298
00:30:54,450 --> 00:30:56,130
I think we'd see you again, Griffey.

299
00:30:56,650 --> 00:30:58,310
Think I'd miss this pathetic send -off.

300
00:31:00,050 --> 00:31:01,250
It was fun working with you, Jack.

301
00:31:01,510 --> 00:31:02,930
Wish your boss felt the same.

302
00:31:03,650 --> 00:31:05,190
Yeah. Tough job.

303
00:31:05,930 --> 00:31:07,010
But we made some good shit.

304
00:31:07,670 --> 00:31:09,670
You guys made some good shit. Be sure of
that.

305
00:31:10,120 --> 00:31:11,900
I'll send you master versions in a few
weeks.

306
00:31:19,540 --> 00:31:22,820
Remember, you're making your record,
okay?

307
00:31:23,320 --> 00:31:24,320
Nobody else's.

308
00:31:25,140 --> 00:31:26,140
Put my health down.

309
00:31:36,000 --> 00:31:38,340
Well, we have some time before our
session.

310
00:31:39,020 --> 00:31:40,240
I have some hangover beers.

311
00:31:41,140 --> 00:31:42,140
You want to go for a walk?

312
00:31:43,160 --> 00:31:44,160
Hell yeah.

313
00:31:51,380 --> 00:31:53,080
So, you make your own music?

314
00:31:53,980 --> 00:31:55,880
Nah, just a lowly sound tech.

315
00:31:56,580 --> 00:31:57,580
Oh, whatever.

316
00:31:59,100 --> 00:32:00,440
I had a band for a while.

317
00:32:01,600 --> 00:32:02,820
Got tired of eating ramen.

318
00:32:03,960 --> 00:32:06,420
Having six roommates, had to get a real
job.

319
00:32:07,160 --> 00:32:08,400
Trust me, I get it.

320
00:32:09,800 --> 00:32:11,320
I'll never totally stop playing, though.

321
00:32:11,840 --> 00:32:13,880
I have a little studio up here,
actually, just for fun.

322
00:32:14,100 --> 00:32:15,100
No shit?

323
00:32:15,560 --> 00:32:16,560
Wait, I want to see it.

324
00:32:16,720 --> 00:32:18,980
We should be getting back. Donna's
pretty fucking punctual.

325
00:32:19,660 --> 00:32:21,460
Do you have actual instruments in your
studio?

326
00:32:39,660 --> 00:32:40,820
So you're a hoarder.

327
00:32:42,120 --> 00:32:44,420
These are all left over from Studio 1
.0.

328
00:32:50,400 --> 00:32:53,480
I can't imagine that studio having
instruments.

329
00:32:54,440 --> 00:32:58,540
Yeah, it didn't last long. She pulled
them all out when she started

330
00:32:58,540 --> 00:32:59,540
the new system.

331
00:33:13,360 --> 00:33:14,119
really get going.

332
00:33:14,120 --> 00:33:15,560
Sit your ass down and play.

333
00:33:50,890 --> 00:33:56,830
You could love me too Or I could hate
you, oh

334
00:33:56,830 --> 00:34:03,190
If you want me to You could

335
00:34:03,190 --> 00:34:08,790
hate me too Whatever you want or need

336
00:34:08,790 --> 00:34:14,650
Whatever you wish I'll be I'll be
anything

337
00:34:14,650 --> 00:34:17,170
I'll be anything

338
00:34:22,960 --> 00:34:24,420
that you got from Palm Springs.

339
00:34:25,280 --> 00:34:27,239
I'll be anything.

340
00:34:28,340 --> 00:34:30,300
I'll be anything.

341
00:34:31,820 --> 00:34:33,860
Savor across the world.

342
00:34:34,360 --> 00:34:36,940
I'll do anything I'm told.

343
00:35:08,430 --> 00:35:09,430
who I work with, an engineer.

344
00:35:12,350 --> 00:35:13,350
Fuck off.

345
00:35:15,610 --> 00:35:16,690
You should really get back.

346
00:35:17,050 --> 00:35:18,270
I don't want to keep Donna waiting.

347
00:35:19,530 --> 00:35:20,590
Okay. Bye.

348
00:35:30,030 --> 00:35:35,950
I've got to be at least 50 years. I
actually got it from this shot.

349
00:35:37,070 --> 00:35:40,610
Down the street, it needs some love, but
that's the trick. How nice of you to

350
00:35:40,610 --> 00:35:41,610
show.

351
00:35:44,350 --> 00:35:45,970
You're 15 minutes late.

352
00:35:47,130 --> 00:35:53,650
So that was my fault. I was asking for a
tour. The time for tours was yesterday.

353
00:35:55,650 --> 00:35:56,650
Well, we're here now.

354
00:35:58,670 --> 00:36:02,610
It was kind of like an inspiration thing
to start my day.

355
00:36:03,130 --> 00:36:06,090
It got me a little warmed up.

356
00:36:07,080 --> 00:36:12,780
When you're a guest in my studio, I
decide how you warm up.

357
00:36:14,600 --> 00:36:15,600
Is that fair?

358
00:36:18,000 --> 00:36:19,000
Yeah.

359
00:36:21,660 --> 00:36:22,660
No, absolutely.

360
00:36:26,920 --> 00:36:27,920
Good.

361
00:36:29,300 --> 00:36:30,520
You two get to work.

362
00:36:31,220 --> 00:36:33,640
Who knows what exciting discoveries
we'll make today.

363
00:36:54,350 --> 00:36:56,090
I see your face.

364
00:36:58,570 --> 00:37:01,410
I feel the same.

365
00:37:03,210 --> 00:37:06,050
I see your face.

366
00:37:08,930 --> 00:37:10,750
It's all...

367
00:37:35,850 --> 00:37:36,850
Goddamn chorus.

368
00:37:40,010 --> 00:37:41,010
You'll figure it out.

369
00:37:41,870 --> 00:37:44,090
Come on back. Let's take a little break.
We can listen in here.

370
00:37:58,290 --> 00:37:59,410
So that's it right there.

371
00:38:00,690 --> 00:38:04,950
Just not melding. I know. I can hear it.
I don't need a fucking...

372
00:38:05,390 --> 00:38:06,390
PowerPoint.

373
00:38:07,030 --> 00:38:08,150
Just trying to help.

374
00:38:09,430 --> 00:38:11,450
This is why I work alone, you know?

375
00:38:11,810 --> 00:38:15,330
I can spend a whole week on a sound if I
want to.

376
00:38:15,770 --> 00:38:17,670
This is too stressful.

377
00:38:17,890 --> 00:38:19,690
Trying to get a whole fucking song in a
day.

378
00:38:20,250 --> 00:38:21,710
And with you watching me.

379
00:38:23,090 --> 00:38:24,330
All right, we'll get there.

380
00:38:26,390 --> 00:38:27,390
Sorry.

381
00:38:27,610 --> 00:38:28,610
Do you want to call it?

382
00:38:29,350 --> 00:38:30,610
Oh, yeah, I'm starving.

383
00:38:31,030 --> 00:38:32,030
Totally cool.

384
00:38:35,820 --> 00:38:36,880
We'll finish your track tomorrow.

385
00:38:39,780 --> 00:38:40,800
I won't be late.

386
00:38:42,260 --> 00:38:43,218
Good night, Cal.

387
00:38:43,220 --> 00:38:44,220
Sleep well.

388
00:39:05,260 --> 00:39:06,280
Are you taking a break?

389
00:39:07,940 --> 00:39:09,960
We're calling it for the day, actually.

390
00:39:12,620 --> 00:39:14,360
It's a little early, don't you think?

391
00:39:16,200 --> 00:39:17,700
We've been at it for 12 hours.

392
00:39:17,960 --> 00:39:18,960
She's tired.

393
00:39:19,300 --> 00:39:20,300
I'm tired.

394
00:39:21,000 --> 00:39:22,700
We almost finished an entire song.

395
00:39:23,220 --> 00:39:25,080
No, it's not only about the song!

396
00:39:36,780 --> 00:39:37,980
You should know that by now.

397
00:39:38,780 --> 00:39:43,400
I need you to get more output from her.

398
00:39:44,380 --> 00:39:46,980
Twelve hours is more than enough output,
Donna.

399
00:39:47,600 --> 00:39:48,960
You can't force this shit.

400
00:39:58,780 --> 00:40:00,780
I think you need to take some time off.

401
00:40:01,220 --> 00:40:02,220
Oh, come on.

402
00:40:02,460 --> 00:40:03,460
Please lay yourself.

403
00:40:05,220 --> 00:40:06,220
You're tired.

404
00:40:08,200 --> 00:40:09,400
I'll finish with her.

405
00:40:09,780 --> 00:40:12,800
How? Pack your things, Griffin. Clear
the studio.

406
00:40:16,560 --> 00:40:17,560
You know what?

407
00:40:18,660 --> 00:40:19,660
Good luck.

408
00:40:20,980 --> 00:40:22,020
Good fucking luck.

409
00:40:23,820 --> 00:40:26,160
You can't do this on your own.

410
00:40:28,480 --> 00:40:29,960
I won't have to.

411
00:42:12,330 --> 00:42:18,710
I could love you more without loving you

412
00:44:40,560 --> 00:44:41,560
Good morning.

413
00:44:49,400 --> 00:44:51,460
Putting the microphone to good use, I
see.

414
00:44:52,080 --> 00:44:53,080
Oh, yeah.

415
00:44:54,080 --> 00:44:55,080
Why is it scratched?

416
00:44:56,060 --> 00:44:59,540
Oh, I accidentally dropped it a couple
times.

417
00:45:00,500 --> 00:45:03,760
If I had known you were going to be so
careless, I would have gotten you a less

418
00:45:03,760 --> 00:45:04,760
expensive one.

419
00:45:06,440 --> 00:45:08,920
Uh... Sorry?

420
00:45:10,090 --> 00:45:12,530
Most of my stuff is kind of scraped up.

421
00:45:13,650 --> 00:45:15,030
I use it.

422
00:45:15,790 --> 00:45:16,709
You know?

423
00:45:16,710 --> 00:45:17,990
There's breakfast set out.

424
00:45:18,730 --> 00:45:19,730
Just over there.

425
00:45:21,150 --> 00:45:22,150
Please eat.

426
00:45:23,490 --> 00:45:24,590
You'll need your energy.

427
00:45:26,310 --> 00:45:27,229
That's great.

428
00:45:27,230 --> 00:45:28,230
Thanks.

429
00:45:30,750 --> 00:45:36,270
You know, I accidentally dropped a mic
yesterday when I was trying to record a

430
00:45:36,270 --> 00:45:37,270
coyote.

431
00:45:44,910 --> 00:45:47,810
Do you mind if I put something on from
your session yesterday?

432
00:45:49,450 --> 00:45:52,810
I'd love for you to hear it. It's
gorgeous.

433
00:45:55,110 --> 00:45:56,110
Yeah.

434
00:45:56,870 --> 00:45:57,870
Sure.

435
00:46:22,890 --> 00:46:23,890
What is that?

436
00:46:25,430 --> 00:46:27,070
It's you, Scout.

437
00:46:32,690 --> 00:46:33,690
I'm sorry.

438
00:46:34,190 --> 00:46:40,270
What? Well, our studio measures your
biorhythm. Your breath,

439
00:46:40,650 --> 00:46:44,930
your heartbeat, even your blood flow.

440
00:46:46,490 --> 00:46:49,510
Music comes from within, wouldn't you
agree?

441
00:46:56,080 --> 00:46:57,960
That... That's really weird.

442
00:46:58,440 --> 00:46:59,900
Will you turn that off?

443
00:47:06,480 --> 00:47:08,620
Breakthroughs come from total self
-alignment.

444
00:47:09,200 --> 00:47:13,280
You have to listen closely to yourself.
That's how we learn.

445
00:47:14,440 --> 00:47:16,440
Um... Okay.

446
00:47:17,380 --> 00:47:20,140
Thank you. This was a great...

447
00:47:20,410 --> 00:47:25,150
breakfast, but I should probably head to
the studio. I promised Griff that I

448
00:47:25,150 --> 00:47:27,310
wouldn't be late. It's just you and me
today, Scout.

449
00:47:28,190 --> 00:47:29,190
Where's Griff?

450
00:47:29,330 --> 00:47:33,070
I don't need anyone distracting me. No,
he wasn't distracting me. Well, try

451
00:47:33,070 --> 00:47:34,570
something different today.

452
00:47:34,810 --> 00:47:35,810
Different how?

453
00:47:36,050 --> 00:47:39,070
I understand this might feel a bit
unconventional.

454
00:47:40,850 --> 00:47:43,110
The future always is.

455
00:47:44,250 --> 00:47:48,510
I believe your time is valuable.

456
00:47:49,420 --> 00:47:50,640
I'm willing to prove it.

457
00:47:52,340 --> 00:47:54,220
$15 ,000 for a session?

458
00:47:54,760 --> 00:47:57,180
Do I need a lawyer or something for
this?

459
00:47:57,400 --> 00:47:58,400
It's this simple.

460
00:47:59,160 --> 00:48:04,200
I'm offering my studio for you to record
in.

461
00:48:05,160 --> 00:48:07,800
And I'm paying you for your time.

462
00:48:08,540 --> 00:48:11,220
Think of it as a way for us to explore
our relationship.

463
00:48:12,280 --> 00:48:14,500
If we get to the point where we need
contracts...

464
00:48:15,200 --> 00:48:16,200
get you representation.

465
00:48:16,660 --> 00:48:20,040
Okay, that's really generous. Who do I
make the check out to? A scout clearly

466
00:48:20,040 --> 00:48:21,260
isn't your given name.

467
00:48:32,340 --> 00:48:33,660
Let's start with a warm -up.

468
00:48:36,200 --> 00:48:37,320
What kind of warm -up?

469
00:48:38,460 --> 00:48:40,300
Let's do some scales.

470
00:48:41,820 --> 00:48:42,820
You're kidding, right?

471
00:48:43,600 --> 00:48:44,600
Not at all.

472
00:48:45,290 --> 00:48:47,390
It's important to build from basics.

473
00:48:49,510 --> 00:48:50,710
Are you embarrassed?

474
00:48:57,230 --> 00:49:03,450
Do, re, mi, fa, sol, la, ti, do.

475
00:49:04,130 --> 00:49:09,710
Okay, once more, but harmonize this
time. Give me a fourth.

476
00:49:21,670 --> 00:49:22,670
Okay,

477
00:49:22,870 --> 00:49:27,030
now this time, I don't know how long I'm
going to be here, and I'd like to make

478
00:49:27,030 --> 00:49:28,190
as many songs as I can.

479
00:49:28,490 --> 00:49:31,470
So, do you think we could get back to my
song soon?

480
00:49:33,130 --> 00:49:36,430
Let's do one more, for good measure.

481
00:49:38,170 --> 00:49:39,710
F again, please.

482
00:49:44,990 --> 00:49:45,990
Bravo.

483
00:49:49,010 --> 00:49:50,010
Awesome.

484
00:49:50,830 --> 00:49:55,410
So I wanted to revisit the harmonies
from the track that we did yesterday and

485
00:49:55,410 --> 00:49:56,890
then move on to the bridge.

486
00:49:57,670 --> 00:50:02,550
If that's where you'd like to begin,
then that's where we'll begin.

487
00:50:24,620 --> 00:50:25,620
Very good. Moving on.

488
00:50:26,060 --> 00:50:29,720
What? I wanted to add some more layers
and then I was going to get to the...

489
00:50:29,720 --> 00:50:30,720
We've got what we need.

490
00:50:31,460 --> 00:50:32,980
Replication is not creation.

491
00:50:34,180 --> 00:50:39,240
Look, Donna, I know that you're paying
me for my time and I appreciate that.

492
00:50:40,180 --> 00:50:43,040
Really, but I know what my songs need.

493
00:50:46,100 --> 00:50:50,500
Oh, I keep forgetting you've never
worked with a producer before.

494
00:50:51,860 --> 00:50:53,280
That's not what I'm talking about.

495
00:50:55,220 --> 00:50:58,080
We've spent too much time on this song
already.

496
00:50:59,780 --> 00:51:01,140
You don't know that.

497
00:51:02,640 --> 00:51:03,640
Actually, I do.

498
00:51:04,780 --> 00:51:06,000
Now let's move on.

499
00:51:06,580 --> 00:51:09,680
I actually have a little treat for you.

500
00:51:10,180 --> 00:51:15,360
I wonder if you'd like to find the vocal
melody for this.

501
00:51:17,200 --> 00:51:18,200
What is that?

502
00:51:19,120 --> 00:51:21,040
Something that we've been working on.

503
00:51:22,220 --> 00:51:23,220
You made this?

504
00:51:24,440 --> 00:51:25,540
Inspired by you.

505
00:51:26,020 --> 00:51:31,000
This isn't my song. Please, find the
melody.

506
00:51:38,660 --> 00:51:39,660
Louder.

507
00:51:44,060 --> 00:51:45,060
Good.

508
00:51:46,600 --> 00:51:48,040
Now let's find the lyrics.

509
00:51:59,280 --> 00:52:00,280
Well, don't stop.

510
00:52:00,560 --> 00:52:03,620
Um, I'd like to get back to my music.

511
00:52:04,240 --> 00:52:08,500
This is your music. I want my track back
up.

512
00:52:09,760 --> 00:52:11,920
Your biorhythms are giving you away.

513
00:52:12,380 --> 00:52:16,280
I can see from my monitor here that
you're frustrated with me.

514
00:52:16,500 --> 00:52:17,379
No shit.

515
00:52:17,380 --> 00:52:18,900
What's upsetting you so much?

516
00:52:19,500 --> 00:52:23,600
Respectfully, Donna, this just, this
isn't what I came here for.

517
00:52:31,340 --> 00:52:32,340
Unlock the door.

518
00:52:33,760 --> 00:52:37,120
I know you found one of my speakers in
the desert this morning.

519
00:52:39,440 --> 00:52:40,860
Why didn't you say anything?

520
00:52:47,160 --> 00:52:49,340
Honey, Donna, let me out, now!

521
00:52:53,340 --> 00:52:58,640
My mother used to lock me in our music
room.

522
00:52:59,500 --> 00:53:01,960
The week before every recital.

523
00:53:03,700 --> 00:53:04,820
And you know what?

524
00:53:06,880 --> 00:53:08,400
It worked every time.

525
00:53:08,700 --> 00:53:10,000
Donna, let me out! Now!

526
00:53:31,720 --> 00:53:33,000
You're on to it now.

527
00:54:49,610 --> 00:54:50,610
Just me.

528
00:54:51,050 --> 00:54:52,530
I want to talk.

529
00:54:53,130 --> 00:54:55,490
There's so much for us to do.

530
00:54:56,110 --> 00:54:57,790
Get out of my way!

531
00:54:59,750 --> 00:55:03,590
You remember my anapatch, right?

532
00:55:05,150 --> 00:55:06,990
My needleless anesthetic?

533
00:55:08,150 --> 00:55:09,150
Perfectly safe.

534
00:55:11,390 --> 00:55:14,190
I'll keep calm, and you should too.

535
00:55:15,710 --> 00:55:16,890
It's better that way.

536
00:55:31,120 --> 00:55:32,880
Eight. Seven.

537
00:55:34,520 --> 00:55:35,520
Six.

538
00:55:37,680 --> 00:55:38,680
Five.

539
00:56:31,990 --> 00:56:32,990
Donna. Donna!

540
00:56:34,810 --> 00:56:35,810
What do you want?

541
00:56:37,490 --> 00:56:39,650
I'll do whatever you want. Just please
let me go.

542
00:56:40,950 --> 00:56:43,830
Please. We have work to do first.

543
00:56:48,970 --> 00:56:50,330
Why are you doing this?

544
00:56:51,050 --> 00:56:55,230
Something revolutionary is happening
here, Scout.

545
00:57:01,260 --> 00:57:02,880
I'm trying to help you see it.

546
00:57:07,240 --> 00:57:08,580
Just let me go.

547
00:57:09,360 --> 00:57:10,800
Here's the problem.

548
00:57:11,940 --> 00:57:15,740
Recently, my computer stopped advancing.

549
00:57:17,420 --> 00:57:23,920
She stopped learning, even though I was
feeding her all kinds of music. But you.

550
00:57:30,510 --> 00:57:31,510
You can have my music.

551
00:57:32,450 --> 00:57:33,510
You can keep it.

552
00:57:33,890 --> 00:57:34,930
Anything you want.

553
00:57:35,130 --> 00:57:38,090
It is so much bigger than your music.

554
00:57:38,470 --> 00:57:44,010
Imagine a world where all music is
tailor -made, auto -generated from a

555
00:57:44,010 --> 00:57:49,170
listener's biorhythms. Everyone will
have their own custom compositions based

556
00:57:49,170 --> 00:57:55,210
their preferences, their mood, their
most personal feelings. On demand,

557
00:57:55,530 --> 00:58:00,750
anywhere, never to be replicated. That
is where... We are headed.

558
00:58:02,830 --> 00:58:03,950
And you get to be first.

559
00:58:06,710 --> 00:58:07,710
I don't want to.

560
00:58:10,250 --> 00:58:11,390
I don't want to.

561
00:58:12,050 --> 00:58:13,790
It's non -negotiable, I'm afraid.

562
00:58:17,790 --> 00:58:18,790
So?

563
00:58:22,450 --> 00:58:23,830
Are you ready to play with us?

564
00:58:41,040 --> 00:58:42,340
the experiments at Velie.

565
00:58:42,840 --> 00:58:49,520
The radial defibrillator didn't quite
pan out, but works

566
00:58:49,520 --> 00:58:50,920
beautifully here, I'm afraid.

567
00:58:52,460 --> 00:58:53,960
Are you ready now?

568
00:58:56,560 --> 00:58:57,560
Good.

569
00:58:58,700 --> 00:59:02,360
Let's go back to basics.

570
00:59:02,760 --> 00:59:03,760
Where it all started.

571
00:59:04,680 --> 00:59:09,340
I'm sure you'll recognize this one from
all those years as a child wriggling

572
00:59:09,340 --> 00:59:10,720
around in the pews.

573
00:59:20,340 --> 00:59:21,600
I don't know this one.

574
00:59:22,740 --> 00:59:24,380
I don't want to hurt you again.

575
00:59:40,430 --> 00:59:41,430
Give me more.

576
00:59:41,850 --> 00:59:43,190
She needs to feel it.

577
00:59:45,270 --> 00:59:46,270
Well,

578
00:59:48,130 --> 00:59:49,310
that's not very pretty.

579
00:59:51,550 --> 00:59:52,550
Let's...

580
01:00:23,580 --> 01:00:26,120
Beautiful. She loves the emotion. Keep
going.

581
01:00:55,340 --> 01:00:56,840
I think she has your voice now.

582
01:01:28,170 --> 01:01:30,410
What did you think of those ultra -low
frequencies?

583
01:01:31,390 --> 01:01:37,830
I'm so glad you were willing to listen.
They're a little intense for me, but the

584
01:01:37,830 --> 01:01:38,830
computer loves them.

585
01:01:42,850 --> 01:01:44,170
Can I have some water?

586
01:01:45,990 --> 01:01:46,990
Anything?

587
01:01:48,630 --> 01:01:50,630
I have something better.

588
01:01:51,990 --> 01:01:53,970
Green tea.

589
01:01:55,010 --> 01:01:56,550
Good for the vocal cords.

590
01:02:04,360 --> 01:02:07,520
You shouldn't be so eager. Let it cool a
moment.

591
01:02:14,600 --> 01:02:17,380
Please. I can't keep going like this.

592
01:02:18,000 --> 01:02:19,000
I know.

593
01:02:19,700 --> 01:02:24,120
It's been such a long day and you've
given us so much.

594
01:02:24,660 --> 01:02:26,060
You must be exhausted.

595
01:02:26,420 --> 01:02:27,640
I can't feel my arms.

596
01:02:29,420 --> 01:02:32,600
I have a special song I'd like to play
for you.

597
01:02:45,660 --> 01:02:46,940
Those are my lyrics.

598
01:02:48,120 --> 01:02:51,880
It looked like you couldn't quite finish
them before.

599
01:02:53,740 --> 01:02:56,060
But my computer had no problem.

600
01:02:59,200 --> 01:03:00,260
Turn it off.

601
01:03:16,159 --> 01:03:19,240
It's an imitation.

602
01:03:21,160 --> 01:03:22,640
A cover band.

603
01:03:23,780 --> 01:03:26,120
Fucking wedding singer.

604
01:03:33,700 --> 01:03:35,120
Replication isn't creation.

605
01:03:36,280 --> 01:03:37,880
Isn't that what you told me?

606
01:03:39,050 --> 01:03:41,950
I can help you, Donna, but not like
this. I need space.

607
01:03:42,150 --> 01:03:45,290
I need instruments. I need something
tangible.

608
01:03:46,470 --> 01:03:49,070
Do you want a song? I'll give you a real
fucking song.

609
01:03:51,930 --> 01:03:54,250
Now be careful if I were you, Scout.

610
01:03:56,110 --> 01:03:57,750
She's the only reason you're still
alive.

611
01:04:37,780 --> 01:04:40,100
Thank you.

612
01:05:38,510 --> 01:05:39,510
Can I help you?

613
01:05:40,490 --> 01:05:41,890
Hi, Griff. How's it going?

614
01:05:44,150 --> 01:05:46,130
I left some shit here. I just want to
grab it.

615
01:05:46,470 --> 01:05:48,370
My laptop and some cables, that's it.

616
01:05:50,950 --> 01:05:52,590
This isn't a good time.

617
01:05:54,590 --> 01:05:56,470
Scout's in the middle of a creative
breakthrough.

618
01:05:57,490 --> 01:05:59,190
Oh, that's great.

619
01:05:59,590 --> 01:06:00,590
It is.

620
01:06:01,690 --> 01:06:03,310
And she doesn't need any distractions.

621
01:06:06,890 --> 01:06:08,470
I just want my fucking laptop.

622
01:06:08,890 --> 01:06:10,650
I'll lend you your things, okay?

623
01:06:11,730 --> 01:06:14,350
This is a business based on
relationships, Donna.

624
01:06:15,290 --> 01:06:16,390
Did you forget that?

625
01:06:19,390 --> 01:06:22,350
It used to be... Griffin.

626
01:07:25,580 --> 01:07:26,580
Thank you.

627
01:08:27,689 --> 01:08:28,689
Happy now, Scout.

628
01:08:36,529 --> 01:08:38,790
I brought you your precious instruments.

629
01:08:50,630 --> 01:08:51,630
Oh.

630
01:08:53,210 --> 01:08:54,630
What a happy accident.

631
01:08:56,300 --> 01:08:57,660
You even have your engineer.

632
01:09:04,120 --> 01:09:05,120
Come on, Donna.

633
01:09:05,600 --> 01:09:06,600
Let him go.

634
01:09:07,660 --> 01:09:08,740
You don't need him.

635
01:09:10,960 --> 01:09:11,960
I'll stay.

636
01:09:12,840 --> 01:09:13,840
I promise.

637
01:09:14,859 --> 01:09:16,060
He's not going to tell anyone.

638
01:09:17,479 --> 01:09:18,620
I'm sorry, Scout.

639
01:09:20,540 --> 01:09:22,740
But I think it's a package deal now.

640
01:09:34,279 --> 01:09:36,420
And you promised me a real song.

641
01:09:38,620 --> 01:09:39,660
So let's hear it.

642
01:09:42,439 --> 01:09:43,680
And I want to be impressed.

643
01:09:47,399 --> 01:09:49,000
Griffin's life depends on it.

644
01:10:07,080 --> 01:10:10,700
Falling from the light

645
01:10:10,700 --> 01:10:16,840
Falling from the light

646
01:10:16,840 --> 01:10:21,380
You saw You

647
01:10:21,380 --> 01:10:28,140
couldn't contain yourself Cause

648
01:10:28,140 --> 01:10:29,540
you were broke

649
01:10:45,430 --> 01:10:48,550
Falling from the lie.

650
01:10:51,030 --> 01:10:53,770
Falling from the lie.

651
01:10:54,150 --> 01:10:56,150
You saw.

652
01:10:58,890 --> 01:11:02,190
You couldn't contain yourself.

653
01:11:03,410 --> 01:11:06,150
Cause you were broken.

654
01:14:01,040 --> 01:14:03,740
The heart of the world is yours.

655
01:15:00,360 --> 01:15:05,680
You couldn't compare me to the

656
01:15:05,680 --> 01:15:19,880
clouds.

