1 00:00:05,830 --> 00:00:08,130 (male narrator) It began with "Westworld." 2 00:00:08,170 --> 00:00:11,370 (male 'Three, two, one. Activate now.' 3 00:00:13,780 --> 00:00:15,670 A futuristic playground. 4 00:00:15,710 --> 00:00:19,110 Where people could act out their fantasies with robots 5 00:00:19,150 --> 00:00:21,410 so sophisticated, it was impossible so sophisticated it was impossible 6 00:00:21,450 --> 00:00:23,720 to tell them from humans. 7 00:00:23,750 --> 00:00:25,080 Your move. 8 00:00:26,960 --> 00:00:29,160 Suddenly, the robots changed. 9 00:00:29,190 --> 00:00:31,120 Turned into the deadly servants 10 00:00:31,160 --> 00:00:35,390 of their creators, Simon Quaid, who took them beyond Westworld. 11 00:00:35,430 --> 00:00:37,430 I have an impregnable army of loyal 12 00:00:37,470 --> 00:00:41,230 and unquestioning troops, I've placed robots over the world. 13 00:00:41,270 --> 00:00:42,700 He wants it all. 14 00:00:42,740 --> 00:00:45,840 He has a good chance of getting it with those robots. 15 00:00:45,870 --> 00:00:49,380 Delos, builders of Westworld must stop Quaid. 16 00:00:49,410 --> 00:00:52,510 Assigned is Security Chief John Moore 17 00:00:52,550 --> 00:00:54,450 and Special Agent Pam Williams. 18 00:00:54,480 --> 00:00:57,080 Let's face it, John, it's your wits against Quaid's machines. 19 00:00:57,120 --> 00:00:59,650 [theme music] 20 00:01:15,770 --> 00:01:17,840 [rock music] 21 00:01:17,870 --> 00:01:20,410 [indistinct singing] 22 00:01:32,390 --> 00:01:35,120 [singing continues] 23 00:01:47,740 --> 00:01:50,270 [singing continues] 24 00:02:02,720 --> 00:02:07,820 [singing continues] 25 00:02:07,860 --> 00:02:10,390 [music continues] 26 00:02:17,000 --> 00:02:19,530 [indistinct singing] 27 00:02:32,750 --> 00:02:35,280 [singing continues] 28 00:02:53,100 --> 00:02:55,640 [singing continues] 29 00:03:07,350 --> 00:03:09,880 [singing continues] 30 00:03:14,020 --> 00:03:15,450 [alarm blaring] 31 00:03:15,490 --> 00:03:17,160 (male on PA) 'First stage alert.' 32 00:03:17,190 --> 00:03:19,090 'First stage alert.' 33 00:03:19,130 --> 00:03:25,060 'We've been hit. Uranium 235, two canisters, gone.' 34 00:03:25,100 --> 00:03:26,900 'See you at the plant.' 35 00:03:30,610 --> 00:03:33,470 All of us are here for only one purpose 36 00:03:33,510 --> 00:03:36,910 and that is we must stop nuclear power plants. 37 00:03:38,510 --> 00:03:41,050 (male 'And I wanna thank Power and Ruth' 38 00:03:41,080 --> 00:03:44,420 'for bringing their fantastic musical chorus here.' 39 00:03:46,820 --> 00:03:49,620 (Up) 'This is obviously the mode of entry into the plant.' 40 00:03:49,660 --> 00:03:52,060 'And the rock group's bus was parked right there.' 41 00:03:52,090 --> 00:03:53,990 '- 'The perfect screen.' - 'We checked their schedule.' 42 00:03:54,030 --> 00:03:57,660 (Up) 'They were on a tour and stop at the demonstration on the way' 43 00:03:57,700 --> 00:03:59,000 'to the Sagittarian theater.' 44 00:03:59,030 --> 00:04:00,600 (Pam) 'One of Quaid's robots.' 45 00:04:00,640 --> 00:04:03,740 Had to be, who else could've infiltrated tight security 46 00:04:03,770 --> 00:04:06,010 overcome the armed guards, carried off two led bottles 47 00:04:06,040 --> 00:04:08,440 of uranium that weigh about 400 pounds. 48 00:04:08,480 --> 00:04:10,080 Not to mention the fatal radiation 49 00:04:10,110 --> 00:04:11,610 had it been a human being. 50 00:04:11,650 --> 00:04:14,880 How much time do we have before they make it a bomb? 51 00:04:14,920 --> 00:04:16,720 It's hard to say. 52 00:04:16,750 --> 00:04:18,720 (Opp) 'There's two charges of uranium 235' 53 00:04:18,750 --> 00:04:20,750 'one on the top, one on the bottom.' 54 00:04:20,790 --> 00:04:22,550 'When these two are brought together' 55 00:04:22,590 --> 00:04:24,690 'with this triggering device...' 56 00:04:24,730 --> 00:04:25,690 '...boom.' 57 00:04:25,730 --> 00:04:28,160 Then Quaid's in business. Why? 58 00:04:28,200 --> 00:04:30,460 According to government intelligence, Quaid has been 59 00:04:30,500 --> 00:04:32,600 having meetings with Hakim Fader. 60 00:04:32,630 --> 00:04:36,300 The North African General who wants to be president. 61 00:04:36,340 --> 00:04:38,340 With a little help from an atomic bomb 62 00:04:38,370 --> 00:04:40,370 he just might be able to do it. 63 00:04:40,410 --> 00:04:42,410 What does Quaid get out of the deal? 64 00:04:42,440 --> 00:04:44,440 Safe haven, once Fader takes over the country. 65 00:04:44,480 --> 00:04:46,280 Where he'd be outta reach of legal authorities. 66 00:04:46,310 --> 00:04:50,150 If we know the group's involved why not have them brought in? 67 00:04:50,190 --> 00:04:53,450 We can't risk tipping them off and either losing the bomb 68 00:04:53,490 --> 00:04:56,090 or having the robot exploded to avoid capture. 69 00:04:56,120 --> 00:04:58,890 Then there's a possibility that the bomb is still there. 70 00:04:58,930 --> 00:05:00,860 We're not sure. We gotta start somewhere. 71 00:05:00,900 --> 00:05:04,430 We can infiltrate the group, we can find him before he finds us. 72 00:05:04,470 --> 00:05:06,830 ♪ I don't know ♪ 73 00:05:06,870 --> 00:05:10,370 ♪ How to take love without abusing ♪ 74 00:05:12,510 --> 00:05:14,610 ♪ I don't know ♪ 75 00:05:14,640 --> 00:05:20,080 ♪ How to give respect without losing it ♪ 76 00:05:20,120 --> 00:05:22,180 ♪ I don't know ♪ 77 00:05:22,220 --> 00:05:26,720 ♪ How to take a fall without using it ♪ 78 00:05:28,690 --> 00:05:32,490 ♪ Sometimes I think I'm driven ♪ 79 00:05:32,530 --> 00:05:36,330 ♪ Driven like a piece of snow ♪ 80 00:05:36,360 --> 00:05:40,170 ♪ Driven like a piston ♪ 81 00:05:40,200 --> 00:05:43,400 ♪ Driven out of control ♪ 82 00:05:43,440 --> 00:05:47,140 ♪ Like a loved one that's missing ♪ 83 00:05:47,180 --> 00:05:48,970 ♪ I'm driven ♪ 84 00:05:54,320 --> 00:05:56,680 ♪ I don't know ♪ 85 00:05:56,720 --> 00:06:03,090 ♪ How to break a bond without bruising it... ♪ 86 00:06:03,120 --> 00:06:04,720 - 'It's weird.' - What? 87 00:06:04,760 --> 00:06:07,430 Standing and listening to rock music knowing half the state 88 00:06:07,460 --> 00:06:09,800 could blow up in one big mushroom. 89 00:06:09,830 --> 00:06:13,100 Now, put that possibility right out of your mind. 90 00:06:13,130 --> 00:06:15,400 You really think it's that easy to do? 91 00:06:15,440 --> 00:06:17,500 No, it sounds good. 92 00:06:17,540 --> 00:06:20,110 Pam, I'm gonna go try and find that uranium 93 00:06:20,140 --> 00:06:22,110 while everybody's busy. 94 00:06:22,140 --> 00:06:23,640 ♪ ...driven ♪ 95 00:06:23,680 --> 00:06:26,280 ♪ Like piece of sand ♪ 96 00:06:26,310 --> 00:06:29,720 ♪ Driven like a whirlwind ♪ 97 00:06:29,750 --> 00:06:31,280 ♪ I'm driven ♪ 98 00:06:31,320 --> 00:06:33,020 ♪ By a stranger's hands ♪ 99 00:06:33,050 --> 00:06:36,420 ♪ Like a loved one that's missing ♪ 100 00:06:36,460 --> 00:06:38,460 ♪ I'm driven... ♪ 101 00:06:40,630 --> 00:06:43,160 [intense music] 102 00:06:46,940 --> 00:06:51,940 ♪ ...the morning I lie awake and blink ♪ 103 00:06:53,240 --> 00:06:56,610 ♪ Into the early light ♪ 104 00:06:56,640 --> 00:07:00,350 ♪ I'm young enough to think ♪ 105 00:07:00,380 --> 00:07:01,880 ♪ To think... ♪ 106 00:07:04,620 --> 00:07:07,750 ♪ Ay... ♪ 107 00:07:16,360 --> 00:07:17,700 [ticking] 108 00:07:21,470 --> 00:07:24,000 [intense music] 109 00:07:28,510 --> 00:07:29,840 [ticking intensifies] 110 00:07:32,610 --> 00:07:34,680 ♪ ...driven ♪ 111 00:07:34,720 --> 00:07:38,720 ♪ Driven like a piece of snow ♪ 112 00:07:38,750 --> 00:07:42,320 ♪ Driven like a piston ♪ 113 00:07:42,360 --> 00:07:45,190 ♪ Driven out of control ♪ 114 00:07:45,230 --> 00:07:49,060 ♪ Like a loved one that's missing ♪ 115 00:07:49,100 --> 00:07:51,500 ♪ I am driven ♪ 116 00:07:55,940 --> 00:07:58,340 Are you Moore or Williams? 117 00:07:58,370 --> 00:08:00,070 - Williams. - Follow me. 118 00:08:02,140 --> 00:08:04,680 [rock music] 119 00:08:07,880 --> 00:08:10,380 (Pam) 'John's checking their bus for the uranium canisters now.' 120 00:08:10,420 --> 00:08:14,950 I feel bad with you two sitting right on top of that stuff. 121 00:08:14,990 --> 00:08:16,220 What's happening at your end? 122 00:08:16,260 --> 00:08:18,060 I got pressure from the federal boys. 123 00:08:18,090 --> 00:08:20,260 They're getting antsy plugging up the airports 124 00:08:20,300 --> 00:08:21,790 and twiddling their thumbs 125 00:08:21,830 --> 00:08:23,630 waiting for Quaid to make his moves. 126 00:08:23,670 --> 00:08:25,260 'They wanna move in right now.' 127 00:08:25,300 --> 00:08:29,130 If they did, they could blow the whole thing. No pun intended. 128 00:08:29,170 --> 00:08:32,100 'Well, don't worry about that, I'll keep them at bay.' 129 00:08:32,140 --> 00:08:33,970 I hope we're on the right track. 130 00:08:34,010 --> 00:08:36,010 You don't have to worry about that either. 131 00:08:36,040 --> 00:08:38,440 Now, while you were en route, the triangulation came together 132 00:08:38,480 --> 00:08:42,550 at the concert and Quaid was transmitting to his robot. 133 00:08:42,580 --> 00:08:44,580 Opp, there are over a thousand people here now. 134 00:08:44,620 --> 00:08:48,120 We were right in the first place let's concentrate on the group. 135 00:08:48,160 --> 00:08:50,690 [indistinct singing] 136 00:08:54,300 --> 00:08:57,960 ♪ Driven ♪♪ 137 00:08:58,000 --> 00:08:59,930 [crowd cheering] 138 00:09:10,310 --> 00:09:12,850 [indistinct singing] 139 00:09:13,820 --> 00:09:16,550 [singing continues] 140 00:09:28,830 --> 00:09:31,160 [singing continues] 141 00:09:43,850 --> 00:09:46,580 [singing continues] 142 00:09:58,860 --> 00:10:01,590 [singing continues] 143 00:10:04,300 --> 00:10:06,830 [intense music] 144 00:10:33,900 --> 00:10:36,630 [music continues] 145 00:11:03,930 --> 00:11:06,660 [music continues] 146 00:11:09,230 --> 00:11:11,760 [rock music] 147 00:11:26,810 --> 00:11:29,350 [indistinct singing] 148 00:11:42,460 --> 00:11:45,000 [singing continues] 149 00:11:47,270 --> 00:11:49,800 [intense music] 150 00:12:16,030 --> 00:12:18,760 [singing continues] 151 00:12:35,450 --> 00:12:37,980 [singing continues] 152 00:12:45,030 --> 00:12:46,790 - Any luck? - Yes and no. 153 00:12:46,830 --> 00:12:49,330 I found the canisters, they were empty. 154 00:12:49,360 --> 00:12:50,530 There's no uranium. 155 00:12:50,570 --> 00:12:52,300 It's gone. How about you? 156 00:12:52,330 --> 00:12:55,030 Opp called, there was a triangulation. 157 00:12:55,070 --> 00:12:58,200 One of them is our man...I think. 158 00:12:58,240 --> 00:13:00,770 [intense music] 159 00:13:21,830 --> 00:13:24,360 [rock music] 160 00:13:27,900 --> 00:13:30,440 [indistinct singing] 161 00:13:43,080 --> 00:13:45,820 [singing continues] 162 00:13:59,600 --> 00:14:00,930 [singing continues] 163 00:14:03,400 --> 00:14:05,940 [crowd cheering] 164 00:14:14,380 --> 00:14:16,380 I wanna take that number outta the show. 165 00:14:16,420 --> 00:14:18,220 - 'Why? They love it.' - I hate it. 166 00:14:18,250 --> 00:14:20,650 If something's bugging you don't lay the trip on me. 167 00:14:20,690 --> 00:14:23,090 - Something is bugging me, okay? - What my new toy? 168 00:14:23,120 --> 00:14:24,590 Yeah, your new toy. 169 00:14:24,630 --> 00:14:27,430 Do you know how many people get killed racing stock cars? 170 00:14:27,460 --> 00:14:31,100 You know me, I try something a few times, I get bored, I quit. 171 00:14:31,130 --> 00:14:32,600 Not this time, I quit. 172 00:14:32,630 --> 00:14:34,830 You can go out, kill yourself if you wanna. 173 00:14:34,870 --> 00:14:37,470 I'd rather be a divorced lady than a widowed lady. 174 00:14:37,510 --> 00:14:40,440 What happened to the lady, who went along with anything? 175 00:14:40,470 --> 00:14:41,910 She grew up. 176 00:14:41,940 --> 00:14:44,410 How many times do we have to go out skydiving 177 00:14:44,450 --> 00:14:46,340 'tobogganing, racing speedboats?' 178 00:14:46,380 --> 00:14:50,050 How many kicks do we have to get? What do we have to prove? 179 00:14:50,080 --> 00:14:51,520 How much money? How much success? 180 00:14:51,550 --> 00:14:53,950 You're forgetting how hard we fought to get here. 181 00:14:53,990 --> 00:14:56,590 - Where are we? - We're at the top of the heap. 182 00:14:56,620 --> 00:14:58,060 Heap of what? 183 00:14:58,090 --> 00:15:00,690 If you're trying to kill yourself, what are we doing? 184 00:15:00,730 --> 00:15:01,990 We're out doin' one-nighters 185 00:15:02,030 --> 00:15:04,460 recording in a studio, doing interviews. 186 00:15:04,500 --> 00:15:06,830 We don't have any time together anymore. 187 00:15:06,870 --> 00:15:09,000 (Ruth) 'What kinda life is that, huh?' 188 00:15:09,040 --> 00:15:10,300 Who are you? 189 00:15:10,340 --> 00:15:12,240 '- 'What are you doing?' - 'Name's John Moore.' 190 00:15:12,270 --> 00:15:15,070 Your manager sent me here to take over your public relations. 191 00:15:15,110 --> 00:15:16,510 - He did, did he? - Yes, ma'am. 192 00:15:16,540 --> 00:15:18,340 I'm supposed to slow the train down 193 00:15:18,380 --> 00:15:20,380 to get everybody back on the track. 194 00:15:20,410 --> 00:15:23,750 Turn the image around so we look like a big, happy family. 195 00:15:23,780 --> 00:15:25,350 One big, happy family, huh? 196 00:15:25,390 --> 00:15:27,390 Well, I wish you a lot of luck. 197 00:15:27,420 --> 00:15:29,590 - I'll go get some group shots. - That's good. 198 00:15:31,490 --> 00:15:35,090 Now, that little lady has a big talent, short fuse. 199 00:15:35,130 --> 00:15:36,930 She just needs to be handled right. 200 00:15:36,960 --> 00:15:38,360 Now, Mr. Power, you're in luck. 201 00:15:38,400 --> 00:15:41,730 That's my specialty, soft music and kid gloves. 202 00:15:41,770 --> 00:15:44,400 I handle the music, loud or soft 203 00:15:44,440 --> 00:15:47,470 as for kid gloves, keep your hands in your pockets. 204 00:15:47,510 --> 00:15:51,110 Lady's still my wife, no matter what you read in the papers. 205 00:15:52,850 --> 00:15:54,310 Alright, let's settle it, guys. 206 00:15:54,350 --> 00:15:56,750 That's 15 minutes I want you back on the button. 207 00:15:56,780 --> 00:15:59,620 - Oh, the master speaks. - You got problem, Lingo? 208 00:15:59,650 --> 00:16:03,860 Me? Oh, no way, Jose, but your wife now she's got the problem. 209 00:16:03,890 --> 00:16:07,360 Back off, man. Ruth's okay, she's just a little beat. 210 00:16:07,400 --> 00:16:10,930 Slap hands with John Moore he's our new paper hanger. 211 00:16:10,970 --> 00:16:12,260 (together) Hey! 212 00:16:12,300 --> 00:16:14,430 '- 'Nice to meet ya.' - 'Good to meet ya.' 213 00:16:14,470 --> 00:16:18,840 Oh, oh, hey, catch ya later, John boy, them 15's down to 12. 214 00:16:18,870 --> 00:16:21,270 - See ya. - See ya. 215 00:16:21,310 --> 00:16:23,110 If you need anything give a holler. 216 00:16:23,140 --> 00:16:24,480 Thank you, Power. 217 00:16:29,620 --> 00:16:31,220 Howdy. The name's Moore. 218 00:16:31,250 --> 00:16:33,820 I heard, the new PR. 219 00:16:33,850 --> 00:16:35,190 I'm Ryder. 220 00:16:36,890 --> 00:16:38,620 You a sound jockey here? 221 00:16:38,660 --> 00:16:39,920 Yeah, me and Mace there. 222 00:16:39,960 --> 00:16:43,360 And the people movers, you name it, we go for it. 223 00:16:59,580 --> 00:17:01,750 It's more effective behind the ears. 224 00:17:01,780 --> 00:17:03,880 Especially at $50 an ounce. 225 00:17:03,920 --> 00:17:06,950 Especially since it is my $50. 226 00:17:06,990 --> 00:17:08,320 'Come on in.' 227 00:17:08,360 --> 00:17:10,760 'Now, that's something I'll never understand.' 228 00:17:10,790 --> 00:17:14,560 How a beautiful lady like you, has to buy her own perfume. 229 00:17:14,600 --> 00:17:17,530 Oh, you'd understand, if you had a husband whose only concern 230 00:17:17,570 --> 00:17:19,960 was you being on stage and you being in tune. 231 00:17:20,000 --> 00:17:24,200 (Ruth) 'I guess that's why our friendship means so much to me.' 232 00:17:24,240 --> 00:17:25,570 Terrific. 233 00:17:27,680 --> 00:17:28,740 (Ruth) 'Power.' 234 00:17:30,240 --> 00:17:33,550 Story of my life, always being hung for sheep. 235 00:17:40,090 --> 00:17:42,620 [intense music] 236 00:18:09,350 --> 00:18:11,420 [music continues] 237 00:18:14,260 --> 00:18:16,220 (Ryder) 'Mace!' 238 00:18:16,260 --> 00:18:18,060 What're you trying to do? Kill somebody? 239 00:18:18,090 --> 00:18:19,790 If he wasn't he could've fooled me. 240 00:18:19,830 --> 00:18:22,490 I found him in the truck. He-he was snoopin' around-- 241 00:18:22,530 --> 00:18:24,630 His name's Moore, he's the new PR. 242 00:18:26,000 --> 00:18:28,230 How was I supposed to know? 243 00:18:28,270 --> 00:18:29,900 The last gig we played 244 00:18:29,940 --> 00:18:32,740 'some joker made off with ten grand worth of equipment.' 245 00:18:32,770 --> 00:18:35,710 Mace nearly got fired. 246 00:18:35,740 --> 00:18:37,380 Hey, Moore... 247 00:18:37,410 --> 00:18:39,510 ...no hard feelings... 248 00:18:39,550 --> 00:18:42,280 I mean, you're not gonna tell Power about this? 249 00:18:42,320 --> 00:18:44,780 I was only trying to do my job. 250 00:18:44,820 --> 00:18:45,880 It's alright. 251 00:18:45,920 --> 00:18:49,250 Just forget it, I won't tell anybody. 252 00:18:54,760 --> 00:18:56,430 (Moore) 'Anything on the radio scan?' 253 00:18:56,460 --> 00:18:59,030 We picked up this transmission about two hours ago. 254 00:18:59,070 --> 00:19:00,870 [indistinct radio chatter] 255 00:19:00,900 --> 00:19:04,440 I don't speak gibberish, at least not that dialect. 256 00:19:04,470 --> 00:19:07,210 (Moore) 'Can you fill me in on what it means?' 257 00:19:07,240 --> 00:19:08,640 We couldn't break the scramble code 258 00:19:08,680 --> 00:19:10,680 but Oppenheimer did a visual on the tracings 259 00:19:10,710 --> 00:19:12,910 and one of them matched up with Quaid. 260 00:19:12,950 --> 00:19:14,150 How about the other one? 261 00:19:14,180 --> 00:19:16,380 Nothing in the file we could match up with 262 00:19:16,420 --> 00:19:19,220 but it must be Quaid's robot. 263 00:19:19,250 --> 00:19:20,720 Triangulation give us anything? 264 00:19:20,750 --> 00:19:23,720 Point of origin is somewhere off the coast of North Africa. 265 00:19:23,760 --> 00:19:28,230 So, Quaid's on his way to meet with Fader. 266 00:19:32,970 --> 00:19:34,470 [instrumental music] 267 00:19:34,500 --> 00:19:36,130 ♪ Mama said ♪ 268 00:19:36,170 --> 00:19:37,770 ♪ I'd get everything I wanted ♪ 269 00:19:37,810 --> 00:19:41,040 ♪ Mama said I could get it if I tried ♪ 270 00:19:41,080 --> 00:19:45,740 ♪ Mama said the world would be my oyster but ♪ 271 00:19:47,510 --> 00:19:50,720 ♪ But I can't have you my mama lied ♪ 272 00:19:50,750 --> 00:19:53,950 ♪ No I can't have you mama lied mama lied ♪ 273 00:19:53,990 --> 00:19:57,220 ♪ I can't have you my mama lied ♪ 274 00:19:57,260 --> 00:19:58,760 ♪ I can't have you ♪ 275 00:19:58,790 --> 00:20:00,660 ♪ Now I've tried and tried ♪ 276 00:20:00,690 --> 00:20:03,560 ♪ I can't have you my mama lied ♪ 277 00:20:03,600 --> 00:20:06,800 ♪ I can't have you my mama lied ♪ 278 00:20:06,830 --> 00:20:09,870 ♪ I can't have you my mama lied ♪ 279 00:20:09,900 --> 00:20:14,540 ♪ I can't have you my mama lied ♪♪ 280 00:20:15,110 --> 00:20:16,870 [clapping] 281 00:20:16,910 --> 00:20:19,310 Thank you. 282 00:20:19,350 --> 00:20:21,150 Candy. 283 00:20:21,180 --> 00:20:22,510 [Moore clapping] 284 00:20:24,790 --> 00:20:27,790 (female 'I'm sorry, children, we have to leave now.' 285 00:20:27,820 --> 00:20:30,390 'Oh, now Ms. Avery will be back again.' 286 00:20:30,420 --> 00:20:33,560 'Form a double line and walk back to the bus.' 287 00:20:33,590 --> 00:20:34,930 - Bye! - Bye, hon. 288 00:20:36,360 --> 00:20:39,860 (Ruth) 'Oh, bye. How's school going on?' 289 00:20:41,340 --> 00:20:42,670 - Good. - How about with... 290 00:20:44,910 --> 00:20:47,140 Sixth grade okay? 291 00:20:47,170 --> 00:20:48,710 Good. 292 00:20:48,740 --> 00:20:53,410 The children, all of us, we enjoy your visits very much. 293 00:20:53,450 --> 00:20:55,780 - Thank you, sister. - Please, come back again soon. 294 00:20:55,820 --> 00:20:58,220 I will the next time I'm in town. 295 00:20:58,250 --> 00:20:59,880 - Goodbye. - Bye-bye. 296 00:21:01,890 --> 00:21:04,060 Well, that was mighty pretty, Ms. Avery. 297 00:21:04,090 --> 00:21:06,160 What are you doing here? 298 00:21:06,190 --> 00:21:09,790 I saw you leave, and followed, figured it'd make a good story. 299 00:21:09,830 --> 00:21:11,530 You breathe a word of this 300 00:21:11,570 --> 00:21:14,030 and you're gonna be looking for another job. 301 00:21:14,070 --> 00:21:17,500 The band doesn't have anything to do with this, I'm on my own. 302 00:21:17,540 --> 00:21:19,100 That's nothing to be ashamed of. 303 00:21:19,140 --> 00:21:22,610 It's something I want to take any bows for either. 304 00:21:22,640 --> 00:21:25,840 I learned a long time ago, never say no to a lady. 305 00:21:27,310 --> 00:21:28,380 What's the catch? 306 00:21:28,420 --> 00:21:30,150 - Just one. - What? 307 00:21:30,180 --> 00:21:32,550 No story, one condition. 308 00:21:33,720 --> 00:21:35,950 You let me take you to lunch, deal? 309 00:21:39,160 --> 00:21:40,490 Deal. 310 00:21:45,970 --> 00:21:49,100 - Alright, so how much is that? - Two dollars each. 311 00:21:49,140 --> 00:21:51,870 Okay, here you go. 312 00:21:51,910 --> 00:21:53,040 Thank you. 313 00:21:57,210 --> 00:22:00,040 Come on! Come on! Around here. 314 00:22:00,080 --> 00:22:02,610 [indistinct chattering] 315 00:22:05,820 --> 00:22:09,390 Sure, could you give me a pen? 316 00:22:09,420 --> 00:22:13,060 (Ruth) 'Yeah, that's a good one. What's your name?' 317 00:22:13,090 --> 00:22:14,990 'Beautiful name, yeah.' 318 00:22:16,930 --> 00:22:18,060 Desiree? 319 00:22:21,030 --> 00:22:22,270 'Got a pen?' 320 00:22:22,300 --> 00:22:24,570 (Moore) 'Excuse me.' 321 00:22:24,610 --> 00:22:28,470 Special delivery, for Ms. Avery, two cold dogs. 322 00:22:28,510 --> 00:22:31,510 (Moore on screen) 'Got some food for a hungry lady.' 323 00:22:31,550 --> 00:22:33,510 'Come on. Let me get through here.' 324 00:22:33,550 --> 00:22:37,180 (Quaid on radio) 'Alright, Roberta, make your move on Moore, now.' 325 00:22:37,220 --> 00:22:39,750 '- 'Excuse me, I've got some--' - 'Howard. Howard.' 326 00:22:39,790 --> 00:22:42,350 '- 'Oh.' - 'Excuse me, ma'am.' 327 00:22:42,390 --> 00:22:45,120 'Personally, I would've thought that a knife' 328 00:22:45,160 --> 00:22:48,390 rather than a bug would've been more effective planted there. 329 00:22:48,430 --> 00:22:50,800 Foley, for a man with your background 330 00:22:50,830 --> 00:22:53,770 you have all the sensitivity of Attila the Hun. 331 00:22:53,800 --> 00:22:56,070 A murder involving Ruth will bring the police 332 00:22:56,100 --> 00:22:58,000 swarming in and around the group. 333 00:22:58,040 --> 00:23:00,540 My first priority is the bomb. 334 00:23:00,570 --> 00:23:02,410 A safe country. 335 00:23:02,440 --> 00:23:04,440 Things must progress in their natural order. 336 00:23:04,480 --> 00:23:07,040 You're not Power. 337 00:23:07,080 --> 00:23:11,250 Boy, I sure see the advantage of being a rock star. 338 00:23:11,290 --> 00:23:13,120 Tell me about it. 339 00:23:13,150 --> 00:23:15,690 [intense music] 340 00:23:19,160 --> 00:23:20,760 (Ruth on screen) 'Where was I?' 341 00:23:20,790 --> 00:23:23,930 'You were telling me about how you and Power got together.' 342 00:23:23,960 --> 00:23:25,200 'Oh, yeah.' 343 00:23:25,230 --> 00:23:28,570 Well, Power already had the band when I got to know him. 344 00:23:28,600 --> 00:23:31,040 They were makin' noise around the town. 345 00:23:31,070 --> 00:23:34,110 I started hangin' out, finally gave me an audition. 346 00:23:34,140 --> 00:23:37,010 (Moore) 'You two have been living high cotton ever since, huh?' 347 00:23:37,040 --> 00:23:38,910 'Sounds good. What's the problem?' 348 00:23:38,950 --> 00:23:41,650 Seems like when you can finally have anything you want 349 00:23:41,680 --> 00:23:44,520 you just don't have the time to afford it. 350 00:23:44,550 --> 00:23:46,020 (Ruth) Plus, Power's changed. 351 00:23:46,050 --> 00:23:48,050 (Moore) How-how do you figure he's changed? 352 00:23:48,090 --> 00:23:51,460 (Ruth) He's like a machine, can't get through to him. 353 00:23:51,490 --> 00:23:53,020 (Moore) 'What about the others?' 354 00:23:53,060 --> 00:23:55,460 (Ruth) 'They've been together as long as I remember.' 355 00:23:55,500 --> 00:23:57,860 'Except for Ryder, he's new.' 356 00:23:57,900 --> 00:24:01,400 'Mace, he's just muscle all the way up to his hair.' 357 00:24:01,440 --> 00:24:05,440 Moore, is checking out each of the group's backgrounds. 358 00:24:05,470 --> 00:24:07,510 All fine musicians. 359 00:24:07,540 --> 00:24:09,970 Not if he digs too deep. 360 00:24:10,010 --> 00:24:11,110 True. 361 00:24:11,140 --> 00:24:14,780 Well, when he gets to six feet, we'll stop him. 362 00:24:14,820 --> 00:24:18,720 Bobby Joe, he's a real loner type. 363 00:24:18,750 --> 00:24:21,820 - But what about you? - Oh, nothing much to tell. 364 00:24:21,860 --> 00:24:23,920 Oh, I don't buy that for a second. 365 00:24:23,960 --> 00:24:26,190 You don't sound like the typical PR guy. 366 00:24:26,230 --> 00:24:28,830 That's what the rest of my clients are gonna say 367 00:24:28,860 --> 00:24:31,260 if I don't get the cows in before sundown. 368 00:24:31,300 --> 00:24:33,430 Cows? Sundown? 369 00:24:33,470 --> 00:24:35,900 - Back to work. - Work. Work. Work. 370 00:24:54,860 --> 00:24:56,860 - Thanks. - Alright. 371 00:24:59,260 --> 00:25:00,590 Bye. 372 00:25:02,060 --> 00:25:05,000 (Power) 'Real friendly fella.' 373 00:25:05,030 --> 00:25:07,270 - Hi. - For a while it was Ryder. 374 00:25:07,300 --> 00:25:09,300 Now, it's Moore. 375 00:25:09,340 --> 00:25:11,670 They're just friends, people I can talk to. 376 00:25:11,710 --> 00:25:12,940 Oh, really? 377 00:25:12,970 --> 00:25:15,140 I don't believe it, you're jealous? 378 00:25:16,610 --> 00:25:18,180 Look, Ruth... 379 00:25:18,210 --> 00:25:22,110 ...this is crazy. I mean, we had such a great thing going. 380 00:25:22,150 --> 00:25:24,220 Going. 381 00:25:24,250 --> 00:25:25,820 'Going gone.' 382 00:25:25,850 --> 00:25:29,550 - Is that how you want it? - We don't want the same things. 383 00:25:29,590 --> 00:25:32,090 I want a husband and you want a playmate. 384 00:25:32,130 --> 00:25:34,860 'I want a partner, you want a co-star.' 385 00:25:34,900 --> 00:25:38,030 I want a family and you want fans. 386 00:25:40,230 --> 00:25:41,770 So... 387 00:25:41,800 --> 00:25:43,200 Where do we go from here? 388 00:25:43,240 --> 00:25:45,540 We got a tour to finish, remember? 389 00:25:59,820 --> 00:26:02,120 Pam, how you doin' with that Geiger counter? 390 00:26:02,160 --> 00:26:04,090 I've been through almost every guy's room. 391 00:26:04,120 --> 00:26:06,560 And you still look as fresh as a daisy. 392 00:26:06,590 --> 00:26:08,890 You have a one-track mind. 393 00:26:08,930 --> 00:26:11,000 You never complained before. 394 00:26:11,030 --> 00:26:12,960 - Anything exciting? - Nothing. 395 00:26:13,000 --> 00:26:15,000 Including one of them dressed in a towel 396 00:26:15,040 --> 00:26:16,800 acting like I was some groupie. 397 00:26:18,940 --> 00:26:20,610 Don't worry, I handled it. 398 00:26:20,640 --> 00:26:22,040 I'm sure you did. 399 00:26:22,080 --> 00:26:24,780 But one of them has got to be the robot. 400 00:26:24,810 --> 00:26:26,340 If it's Spooner or Lingo 401 00:26:26,380 --> 00:26:29,250 Quaid's come up with some very unusual programming. 402 00:26:29,280 --> 00:26:32,220 So you don't think it's either one of them? 403 00:26:32,250 --> 00:26:33,590 Trust me. 404 00:26:39,890 --> 00:26:41,230 [indistinct radio chatter] 405 00:27:03,650 --> 00:27:06,650 (Quaid) 'Quite an impressive array of force, General Fader.' 406 00:27:06,690 --> 00:27:09,350 (Fader) 'For the ordinary type of equipment...' 407 00:27:09,390 --> 00:27:13,020 '...yes, only the best in all of North Africa.' 408 00:27:13,060 --> 00:27:14,430 Mr. Quaid. 409 00:27:14,460 --> 00:27:17,260 We've been alerted to stand by to receive a transmission. 410 00:27:17,300 --> 00:27:19,230 Oh, fine, thank you, Foley. 411 00:27:19,270 --> 00:27:20,670 (Quaid over radio) 'Yes, Ryder.' 412 00:27:20,700 --> 00:27:22,330 The triggering device is completed. 413 00:27:22,370 --> 00:27:25,170 All I've to do now, is insert it into the bomb. 414 00:27:25,210 --> 00:27:27,170 Then, you're right on schedule, good. 415 00:27:27,210 --> 00:27:29,470 The ETA will be 12 noon tomorrow. 416 00:27:29,510 --> 00:27:31,540 If he's ready, why do you wait? 417 00:27:31,580 --> 00:27:34,380 Because of the cover I've arranged to get the bomb out. 418 00:27:34,410 --> 00:27:36,410 How else can we carry out this plan 419 00:27:36,450 --> 00:27:39,620 with every airport in the country alerted? 420 00:27:39,650 --> 00:27:42,090 Now, Ryder, about Mr. Moore. 421 00:27:42,120 --> 00:27:44,720 The bomb is of the utmost importance 422 00:27:44,760 --> 00:27:47,060 nothing must stop it's delivery. 423 00:27:47,090 --> 00:27:49,160 (Quaid) 'I'm sure I make myself clear.' 424 00:27:49,200 --> 00:27:50,190 Perfectly. 425 00:27:50,230 --> 00:27:52,300 Thank you, Ryder. 426 00:27:52,330 --> 00:27:54,470 Within 24 hours you will have your bomb 427 00:27:54,500 --> 00:27:57,330 and you will be appointing ambassadors. 428 00:27:57,370 --> 00:27:59,770 I will look forward to that. 429 00:27:59,810 --> 00:28:01,040 But... 430 00:28:01,070 --> 00:28:02,740 ...you have certain reservations. 431 00:28:02,780 --> 00:28:04,840 Being the intelligent man you are 432 00:28:04,880 --> 00:28:06,740 you can't help but wonder 433 00:28:06,780 --> 00:28:08,810 Why is Quaid willing to turn over 434 00:28:08,850 --> 00:28:11,680 such an awesome weapon as this to me? 435 00:28:11,720 --> 00:28:14,750 And not retain control of it himself?" 436 00:28:14,790 --> 00:28:16,550 And rightly so. 437 00:28:16,590 --> 00:28:19,360 A man could not have made such a spectacular rise 438 00:28:19,390 --> 00:28:23,230 to power as you have, without possessing a logical mind. 439 00:28:23,260 --> 00:28:26,060 A mind that quickly grasped the ramifications of having 440 00:28:26,100 --> 00:28:30,200 such an awesome weapon, at his disposal. 441 00:28:30,240 --> 00:28:32,400 Well, the takeover of your present government 442 00:28:32,440 --> 00:28:34,510 would be instantaneous. 443 00:28:34,540 --> 00:28:37,880 Overnight, your nation would be propelled into 444 00:28:37,910 --> 00:28:40,440 the brotherhood of nuclear powers. 445 00:28:40,480 --> 00:28:42,110 And you, general... 446 00:28:42,150 --> 00:28:46,150 ...an international figure to be reckoned with. 447 00:28:46,190 --> 00:28:47,690 Respected. 448 00:28:47,720 --> 00:28:48,950 Feared. 449 00:28:48,990 --> 00:28:50,420 And you, Mr. Quaid? 450 00:28:50,460 --> 00:28:52,820 It always gets down to it, doesn't it? 451 00:28:52,860 --> 00:28:55,360 What's in it for me? 452 00:28:56,730 --> 00:28:58,230 A home, general. 453 00:28:58,270 --> 00:29:01,000 A place where I can continue my work unmolested 454 00:29:01,030 --> 00:29:02,600 and at the same time... 455 00:29:02,640 --> 00:29:06,970 ...the opportunity of serving a man of your caliber as advisor. 456 00:29:07,010 --> 00:29:09,010 Providing you with council. 457 00:29:09,040 --> 00:29:10,940 Scientific knowledge. 458 00:29:10,980 --> 00:29:15,480 And of course the total and loyal support of my robots. 459 00:29:15,520 --> 00:29:18,850 I am speaking of absolute... 460 00:29:18,890 --> 00:29:20,220 ...power. 461 00:29:21,490 --> 00:29:24,160 'But what happens if...' 462 00:29:24,190 --> 00:29:26,390 General, you surprise me. 463 00:29:26,430 --> 00:29:29,930 'You're too perfect to be replaced.' 464 00:29:29,960 --> 00:29:32,660 As flawless as my robots might be... 465 00:29:32,700 --> 00:29:35,730 ...none could serve as such a... 466 00:29:35,770 --> 00:29:38,270 ...such a fiery leader as yourself. 467 00:29:38,310 --> 00:29:42,040 - Perhaps you, yourself, might... - No. 468 00:29:42,080 --> 00:29:44,780 I'm a man of science. I... 469 00:29:44,810 --> 00:29:48,010 I will remain in the shadows and you... 470 00:29:48,050 --> 00:29:49,950 ...you will have the spotlight. 471 00:29:49,980 --> 00:29:51,520 You will have the power, general. 472 00:29:51,550 --> 00:29:56,050 And together we will serve each others needs. 473 00:29:56,090 --> 00:29:58,920 I am a man who believes in living in the present. 474 00:29:58,960 --> 00:30:02,760 But in this case, I can't wait for our future. 475 00:30:02,800 --> 00:30:05,400 I wait for that moment with pleasure. 476 00:30:05,430 --> 00:30:07,230 Thank you, sir. 477 00:30:07,270 --> 00:30:09,800 [intense music] 478 00:30:13,910 --> 00:30:16,440 [instrumental music] 479 00:30:43,800 --> 00:30:45,140 [ominous music] 480 00:30:50,080 --> 00:30:51,280 [high pitch whistle] 481 00:30:51,310 --> 00:30:53,310 (Moore) 'You listening, Quaid?' 482 00:30:53,350 --> 00:30:56,080 I assume you wanna know what I'm up to. 483 00:30:56,120 --> 00:30:57,920 Well, I'll tell you. 484 00:30:57,950 --> 00:31:00,650 (Moore) 'Don't be disappointed after all you went to. 485 00:31:00,690 --> 00:31:04,720 I'm gonna find your robot, and then I'm gonna find your bomb 486 00:31:04,760 --> 00:31:06,390 and then I'm gonna find you. 487 00:31:12,330 --> 00:31:13,460 [static] 488 00:31:18,610 --> 00:31:21,140 [intense music] 489 00:31:46,900 --> 00:31:49,430 [music continues] 490 00:32:02,980 --> 00:32:04,320 [device ticking] 491 00:32:16,930 --> 00:32:19,460 [music continues] 492 00:32:33,650 --> 00:32:35,150 Stop! 493 00:32:37,150 --> 00:32:39,680 [dramatic music] 494 00:32:50,100 --> 00:32:51,430 [grunting] 495 00:32:53,400 --> 00:32:54,630 [grunting] 496 00:33:06,150 --> 00:33:07,480 You alright? 497 00:33:10,980 --> 00:33:13,520 [siren wailing] 498 00:33:21,030 --> 00:33:23,160 - How is she? - A broken arm. 499 00:33:23,200 --> 00:33:25,400 The young man died before he hit the ground. 500 00:33:25,430 --> 00:33:27,630 It must have come as quite a surprise. 501 00:33:27,670 --> 00:33:31,040 - Are you the father? - She's having a baby? 502 00:33:31,070 --> 00:33:32,900 You did know she was pregnant, right? 503 00:33:32,940 --> 00:33:34,270 What about Ryder? 504 00:33:34,310 --> 00:33:35,810 I've seen people electrocuted before. 505 00:33:35,840 --> 00:33:38,840 He didn't strike me as any different than any other human. 506 00:33:38,880 --> 00:33:40,710 Wait a minute, human? 507 00:33:40,750 --> 00:33:43,880 Of course he was human. What was he supposed to be? 508 00:33:43,920 --> 00:33:46,680 Doctor, I'd like to take a look at the body. 509 00:33:49,190 --> 00:33:52,890 You were right. I didn't want to see that. 510 00:33:52,930 --> 00:33:56,460 Well, I'm glad we share the same physiological diagnosis. 511 00:33:56,500 --> 00:33:58,800 You had me worried there for a minute. 512 00:34:08,640 --> 00:34:11,080 (female 'Professor, red line, John Moore.' 513 00:34:11,110 --> 00:34:12,840 (Up) 'John.' 514 00:34:12,880 --> 00:34:15,480 'What did the computer check turn up on the group?' 515 00:34:15,520 --> 00:34:17,410 - 'Only one name surfaced.' - Ryder. 516 00:34:17,450 --> 00:34:19,980 - How did you find out? - The hard way. 517 00:34:20,020 --> 00:34:23,850 He tried to kill me a while ago. What I don't understand is why. 518 00:34:23,890 --> 00:34:27,620 'But I know for certain Ryder is not one of the robots.' 519 00:34:27,660 --> 00:34:30,860 - He didn't steal the uranium. - But he is on Quaid's payroll. 520 00:34:30,900 --> 00:34:33,430 Look, Ryder is a brilliant nuclear scientist 521 00:34:33,470 --> 00:34:36,130 with an insatiable taste for the good life but universities 522 00:34:36,170 --> 00:34:37,800 'don't pay as well as Quaid.' 523 00:34:37,840 --> 00:34:41,540 Yeah, but Ryder paid more. He's dead. 524 00:34:41,570 --> 00:34:45,310 Too bad, he could've led us to the bomb. He obviously built it. 525 00:34:45,350 --> 00:34:47,780 And he's probably handed it over to a robot 526 00:34:47,810 --> 00:34:49,250 for delivery to Fader. 527 00:34:49,280 --> 00:34:52,080 The question is, why is the robot in a holding pattern? 528 00:34:52,120 --> 00:34:54,120 Why hasn't he moved with it by now? 529 00:34:54,150 --> 00:34:56,290 Well, he's probably on a schedule. 530 00:34:56,320 --> 00:34:58,760 And has to wait for a pre-arranged time for delivery. 531 00:34:58,790 --> 00:35:00,860 We can't let that delivery take place. 532 00:35:07,130 --> 00:35:08,470 Ryder's dead. 533 00:35:12,540 --> 00:35:13,670 How? 534 00:35:14,170 --> 00:35:15,510 Moore. 535 00:35:19,450 --> 00:35:20,980 Humans. 536 00:35:21,010 --> 00:35:23,180 They always create such a problem. 537 00:35:24,350 --> 00:35:27,690 Patch me into Roberta at operations, please. 538 00:35:36,230 --> 00:35:38,100 Ryder was a gentle person. 539 00:35:38,130 --> 00:35:40,160 Sweet, kind. 540 00:35:40,200 --> 00:35:42,200 I'm sure when John gets back, he'll explain. 541 00:35:42,240 --> 00:35:44,900 [phone ringing] 542 00:35:44,940 --> 00:35:46,270 Hello. 543 00:35:47,470 --> 00:35:49,540 Yes, Power. I'll see. 544 00:35:52,010 --> 00:35:53,940 - 'Hello.' - Ruth? 545 00:35:53,980 --> 00:35:55,250 Babe, are you okay? 546 00:35:55,280 --> 00:35:58,520 I got my arm in a cast but it's a clean break. 547 00:35:58,550 --> 00:36:00,580 Listen, I'm on my way there right away. 548 00:36:00,620 --> 00:36:04,920 (Ruth) 'No, we have to make that gig in Jamaica.' 549 00:36:04,960 --> 00:36:07,660 See you at the plane, okay? 550 00:36:13,000 --> 00:36:14,330 That's that. 551 00:36:15,000 --> 00:36:16,500 So how you feelin'? 552 00:36:16,540 --> 00:36:17,630 Okay. 553 00:36:17,670 --> 00:36:20,070 I think one of you owes me an explanation 554 00:36:20,110 --> 00:36:21,810 about what's been going down. 555 00:36:25,140 --> 00:36:27,840 Well, it's a little complicated. 556 00:36:27,880 --> 00:36:31,050 Give me the punchline and I'll figure out the rest. 557 00:36:31,080 --> 00:36:32,550 Alright. 558 00:36:32,590 --> 00:36:35,820 We have to find out which member of your group is a robot 559 00:36:35,860 --> 00:36:39,520 and where he's hiding a nuclear bomb. 560 00:36:39,560 --> 00:36:40,690 What? 561 00:36:42,300 --> 00:36:43,830 Ready. 562 00:36:43,860 --> 00:36:45,200 Oh, good. 563 00:36:47,930 --> 00:36:51,270 (Quaid) 'Please advance 5-14 Stage 7.' 564 00:36:51,300 --> 00:36:53,300 'And alter second stripe to minus 30.' 565 00:36:53,340 --> 00:36:54,740 You're moving up the schedule? 566 00:36:54,770 --> 00:36:56,640 I can't chance any further interference. 567 00:36:56,680 --> 00:36:59,810 I want that bomb on the plane and I want it armed. 568 00:36:59,850 --> 00:37:03,480 Once it's in place no one would dare get in the way. 569 00:37:03,520 --> 00:37:06,250 [instrumental music] 570 00:37:16,700 --> 00:37:18,900 Where would the bus and the equipment be? 571 00:37:18,930 --> 00:37:20,660 Probably still at the hall. 572 00:37:20,700 --> 00:37:22,530 Mace needs a replacement for Ryder. 573 00:37:22,570 --> 00:37:24,970 Pam, help her pack and get to the airport. 574 00:37:25,000 --> 00:37:26,300 Where are you going? 575 00:37:26,340 --> 00:37:28,810 Going to have a little chat with Mace. 576 00:37:31,310 --> 00:37:33,840 [intense music] 577 00:37:39,290 --> 00:37:40,820 Hey, whatcha doing? 578 00:37:43,290 --> 00:37:44,990 [intense music] 579 00:37:46,930 --> 00:37:49,460 [ticking] 580 00:37:57,070 --> 00:37:59,600 [pulsating] 581 00:38:22,330 --> 00:38:24,030 Mace! 582 00:38:24,060 --> 00:38:25,860 Mace, you here? 583 00:38:31,270 --> 00:38:33,800 [intense music] 584 00:38:35,380 --> 00:38:36,710 [device ticking] 585 00:39:03,240 --> 00:39:04,370 How do you feel? 586 00:39:04,400 --> 00:39:07,000 Just like on opening night. 587 00:39:07,040 --> 00:39:09,170 Scared to death. 588 00:39:09,210 --> 00:39:12,340 Spooner? One hour. 589 00:39:12,380 --> 00:39:14,010 (Spooner) 'I hear you.' 590 00:39:15,380 --> 00:39:17,380 Just don't let on that you suspect anything. 591 00:39:17,420 --> 00:39:18,850 Try to act normally. 592 00:39:18,890 --> 00:39:21,250 I'll try but my heart's not in it. 593 00:39:21,290 --> 00:39:24,250 It's in my throat, choking me. 594 00:39:24,290 --> 00:39:27,220 Wengel, it's Ruth. 595 00:39:27,260 --> 00:39:28,490 Plane leaves in an hour. 596 00:39:28,530 --> 00:39:30,990 (Wengel) 'No sweat. I'll be there.' 597 00:39:39,540 --> 00:39:41,240 Bobby Lee. 598 00:39:41,270 --> 00:39:43,140 Plane leaves in an hour. 599 00:39:45,580 --> 00:39:48,080 Bobby Lee, it's Ruth. 600 00:39:51,220 --> 00:39:53,750 [intense music] 601 00:39:56,520 --> 00:39:58,420 (Ruth) 'What are you doing here?' 602 00:40:01,230 --> 00:40:03,930 Waiting for you. 603 00:40:03,960 --> 00:40:05,660 [pulsating] 604 00:40:05,700 --> 00:40:08,170 We're leaving a little ahead of schedule. 605 00:40:10,500 --> 00:40:11,840 [device ticking] 606 00:40:13,540 --> 00:40:16,210 Hey! What do you think you're doing? 607 00:40:16,240 --> 00:40:18,840 He knows exactly what he's doing. 608 00:40:18,880 --> 00:40:20,010 He's the bomb. 609 00:40:21,280 --> 00:40:23,810 [intense music] 610 00:40:30,420 --> 00:40:32,790 - Oh! - No! 611 00:40:32,830 --> 00:40:35,460 - Uh. - Shall we go? 612 00:40:35,500 --> 00:40:38,500 And quietly if you wanna stay alive. 613 00:40:44,400 --> 00:40:46,940 [intense music] 614 00:40:59,150 --> 00:41:00,580 (Moore) Pam! 615 00:41:00,620 --> 00:41:02,850 Pam! Pam! 616 00:41:02,890 --> 00:41:05,220 - What happened? - I'm okay. 617 00:41:07,930 --> 00:41:10,660 - It's Bobby Lee. - What? 618 00:41:10,700 --> 00:41:12,460 The bomb is built into him. 619 00:41:12,500 --> 00:41:14,000 What happened to Ruth? 620 00:41:14,030 --> 00:41:16,570 He knocked me out and grabbed her. 621 00:41:18,700 --> 00:41:20,500 I think they went to the plane. 622 00:41:20,540 --> 00:41:22,070 That's how they're getting out. 623 00:41:23,610 --> 00:41:25,880 Hey, what's going on? 624 00:41:25,910 --> 00:41:27,950 Take care of your pretty head. 625 00:41:29,020 --> 00:41:31,150 (Moore) Get her to a doctor. 626 00:41:31,180 --> 00:41:34,680 From what you've described the robot is a model G-147. 627 00:41:34,720 --> 00:41:36,320 Yeah, I'm listening. 628 00:41:36,360 --> 00:41:38,790 Alright the miniaturization re-sectioning 629 00:41:38,820 --> 00:41:41,160 is directly behind the bi-visionay quad. 630 00:41:41,190 --> 00:41:44,090 Those shades Bobby always wears aren't just gone Hollywood. 631 00:41:44,130 --> 00:41:46,130 It's a flaw, but I don't see how 632 00:41:46,170 --> 00:41:48,400 it'll stop that bomb once it's armed. 633 00:41:48,430 --> 00:41:49,730 I'll talk to you later. 634 00:41:49,770 --> 00:41:53,970 [phone buzzes] Yeah. 635 00:41:54,010 --> 00:41:58,110 Power, this is Moore. Now just listen to me. 636 00:41:58,140 --> 00:42:01,280 (Power) 'Moore, what the hell happened to your accent?' 637 00:42:01,310 --> 00:42:03,710 (Moore) 'Forget the questions or you and Ruth won't' 638 00:42:03,750 --> 00:42:06,220 'be around to see that baby she's carrying.' 639 00:42:06,250 --> 00:42:07,820 Baby? 640 00:42:07,850 --> 00:42:10,720 '- Ba...Ruth's... - 'Yeah, congratulations.' 641 00:42:13,630 --> 00:42:15,160 (Moore) 'Power, this is crucial.' 642 00:42:15,190 --> 00:42:17,790 'Ruth and Bobby Lee are on their way right now.' 643 00:42:17,830 --> 00:42:20,660 Take off. Stay in the air. I'll fill you in later. 644 00:42:20,700 --> 00:42:24,100 '- Right. - 'Do just as the man says.' 645 00:42:24,140 --> 00:42:26,170 Take off now. 646 00:42:26,210 --> 00:42:27,870 Your lives depend on it. 647 00:42:27,910 --> 00:42:29,140 Would somebody tell me what-- 648 00:42:29,180 --> 00:42:31,310 Power, don't argue with him. 649 00:42:31,340 --> 00:42:32,940 Do just as he says. 650 00:42:32,980 --> 00:42:35,410 I'll need Ruth in the co-pilot's seat. 651 00:42:35,450 --> 00:42:37,350 She stays inside with me. 652 00:42:37,380 --> 00:42:39,950 (Bobby) 'Now, call the tower and get your clearance.' 653 00:42:42,050 --> 00:42:44,520 (Power) 'Black hound 6-5 Charlie. Ready to taxi.' 654 00:42:44,560 --> 00:42:46,560 (male on radio) 'Roger 6-5 Charlie.' 655 00:42:46,590 --> 00:42:49,190 'Clear to taxi. Runway 2-5.' 656 00:42:49,230 --> 00:42:50,630 Roger, 6-5 Charlie. 657 00:42:51,400 --> 00:42:53,930 [dramatic music] 658 00:43:07,780 --> 00:43:09,110 [pulsating] 659 00:43:22,800 --> 00:43:25,660 [music continues] 660 00:43:25,700 --> 00:43:28,060 6-5 Charlie ready to go on runway 2-0-5... 661 00:43:28,100 --> 00:43:30,970 (male on radio) '6-5 Charlie, clear for take off.' 662 00:43:38,040 --> 00:43:40,040 There's no place to go, Moore. 663 00:43:50,790 --> 00:43:53,320 [dramatic music] 664 00:44:22,490 --> 00:44:25,020 [music continues] 665 00:44:31,930 --> 00:44:33,830 (Moore) 'Ruth, get in the cockpit.' 666 00:44:39,070 --> 00:44:40,670 (Quaid) 'He's immobilized.' 667 00:44:40,710 --> 00:44:43,240 Move the robot from visionary to sensory. 668 00:44:44,540 --> 00:44:47,080 [intense music] 669 00:44:53,620 --> 00:44:54,950 [wind whooshing] 670 00:45:08,030 --> 00:45:10,770 [whooshing continues] 671 00:45:27,250 --> 00:45:29,790 [dramatic music] 672 00:45:36,230 --> 00:45:37,730 Bombs away! 673 00:45:43,740 --> 00:45:45,070 [explosion] 674 00:45:51,910 --> 00:45:53,880 It's too late, Mr. Quaid. 675 00:46:03,320 --> 00:46:07,520 'You know, you always did have a great sense of timing.' 676 00:46:07,560 --> 00:46:10,090 [instrumental music] 677 00:46:17,370 --> 00:46:19,800 [theme music]