1 00:00:02,084 --> 00:00:03,461 PREVIOUSLY ON "THE 100"... 2 00:00:03,544 --> 00:00:04,754 [RUSSELL] NO MORE FIGHTING, CLARKE. 3 00:00:04,921 --> 00:00:08,716 BE AT PEACE, A BETTER PLACE, JUST LIKE YOU SAID YOU WANTED. 4 00:00:09,967 --> 00:00:11,719 [JOSEPHINE] NOW, THIS I CAN WORK WITH. 5 00:00:12,553 --> 00:00:13,471 WHO ARE YOU? 6 00:00:14,013 --> 00:00:16,432 JOSEPHINE LIGHTBOURNE. NICE TO MEET YOU. 7 00:00:16,641 --> 00:00:17,433 YOU'RE NOT CLARKE. 8 00:00:17,600 --> 00:00:19,060 [ABBY] THAT WOMAN WAS A MONSTER. 9 00:00:19,477 --> 00:00:20,603 WHAT'S THE MATTER, LEE-LEE? 10 00:00:20,937 --> 00:00:22,480 YOU DON'T RECOGNIZE YOUR BEST FRIEND? 11 00:00:22,688 --> 00:00:24,649 - JOSEPHINE? - SURPRISE. 12 00:00:24,815 --> 00:00:26,859 YOURS WAS THE LAST FACE I SAW BEFORE I FELL. 13 00:00:27,401 --> 00:00:28,236 NOW WE'RE EVEN. 14 00:00:28,402 --> 00:00:30,196 [ECHO] BELLAMY, WHAT'S GOING ON? 15 00:00:30,821 --> 00:00:31,781 CLARKE'S DEAD. 16 00:00:35,076 --> 00:00:36,285 [GASPS] 17 00:00:36,452 --> 00:00:40,581 [ECHOING VOICES] 18 00:00:41,415 --> 00:00:43,251 [CLARKE'S VOICE] I BLAMED YOU BECAUSE MY FATHER'S DEAD, 19 00:00:43,417 --> 00:00:44,877 AND IT'S MY MOTHER'S FAULT. 20 00:00:45,336 --> 00:00:46,712 - [CLARKE'S VOICE] WELLS? - [WELLS] WELCOME BACK. 21 00:00:46,879 --> 00:00:48,673 [LEXA] I DON'T HAVE TO PRETEND ANYMORE. 22 00:00:48,798 --> 00:00:50,383 AAH! 23 00:00:50,550 --> 00:00:51,592 [FINN] THE TRUTH HURTS. 24 00:00:53,094 --> 00:00:54,929 [LEXA] THIS IS THE ENERGY. 25 00:00:57,431 --> 00:00:58,266 [MADI] I'M THE COMMANDER. 26 00:00:58,432 --> 00:00:59,767 [BELLAMY] HOW MANY HAVE TO DIE? 27 00:01:00,476 --> 00:01:03,688 [VOICES CONTINUE] 28 00:01:05,773 --> 00:01:07,066 [CLARKE'S VOICE] I'M SORRY, LEXA. 29 00:01:07,233 --> 00:01:09,610 IF I WAS WITH BELLAMY, I NEVER WOULD HAVE MET YOU. 30 00:01:09,777 --> 00:01:11,904 [VOICES CONTINUE] 31 00:01:17,159 --> 00:01:19,620 [GUARD] PRISONER 319, FACE THE WALL. 32 00:01:20,705 --> 00:01:23,165 [VOICES CONTINUE] 33 00:01:30,756 --> 00:01:32,466 [WOMAN] THEY'RE ALL TAKING THEM. 34 00:01:33,092 --> 00:01:34,093 JAHA... 35 00:01:56,991 --> 00:01:57,783 HUH. 36 00:01:59,577 --> 00:02:00,328 DAD? 37 00:02:05,625 --> 00:02:06,876 HELLO, SWEETHEART. 38 00:02:07,168 --> 00:02:09,712 HUH...HUH. 39 00:02:16,010 --> 00:02:20,014 HOW IS THIS POSSIBLE? HOW ARE WE HERE? 40 00:02:21,015 --> 00:02:22,975 WHAT'S THE LAST THING YOU REMEMBER? 41 00:02:31,067 --> 00:02:32,234 I DIED. 42 00:02:34,445 --> 00:02:37,573 COME HERE A SECOND. COME ON. 43 00:02:40,826 --> 00:02:42,203 NOW YOU REST. 44 00:02:45,748 --> 00:02:46,957 IT'S OVER. 45 00:02:48,834 --> 00:02:50,628 I'VE BEEN FIGHTING FOR SO LONG. 46 00:02:51,087 --> 00:02:52,338 I KNOW YOU HAVE. 47 00:02:54,715 --> 00:02:56,258 I NEVER THOUGHT I'D SEE YOU AGAIN. 48 00:03:01,180 --> 00:03:02,973 I DIDN'T GET TO SAY GOOD-BYE 49 00:03:04,642 --> 00:03:07,978 TO MADI, TO MOM. 50 00:03:08,979 --> 00:03:11,732 [THUNDER RUMBLING] 51 00:03:11,899 --> 00:03:13,275 WHAT THE HELL? 52 00:03:13,943 --> 00:03:16,612 [RAIN FALLING] 53 00:03:16,779 --> 00:03:17,863 HUH. 54 00:03:18,447 --> 00:03:20,282 IT STARTED WHEN I GOT UPSET. 55 00:03:21,659 --> 00:03:24,578 CLARKE, LISTEN. WHAT DO YOU HEAR? 56 00:03:26,205 --> 00:03:28,332 - RAIN? - HA! I'M SERIOUS. 57 00:03:28,499 --> 00:03:31,544 FOCUS. BETWEEN THE RAINDROPS, 58 00:03:32,712 --> 00:03:33,921 WHAT ELSE DO YOU HEAR? 59 00:03:34,088 --> 00:03:39,135 [HEARTBEAT] 60 00:03:39,301 --> 00:03:40,302 A HEARTBEAT. 61 00:03:44,974 --> 00:03:46,225 I'M STILL ALIVE. 62 00:03:48,436 --> 00:03:50,354 NO. NO. 63 00:03:50,521 --> 00:03:53,149 | SAW IT. HE KILLED ME. 64 00:03:53,774 --> 00:03:54,775 DIDN'T. 65 00:03:57,611 --> 00:03:59,155 YOU'RE JUST IN MY HEAD. 66 00:04:00,823 --> 00:04:02,908 I LOVED BEING HERE WITH MADI, 67 00:04:03,075 --> 00:04:06,662 AND I LOVE YOU, SO HERE YOU ARE. 68 00:04:09,206 --> 00:04:11,125 OH, SWEETHEART... 69 00:04:14,670 --> 00:04:16,881 I DON'T UNDERSTAND. AM I DREAMING? 70 00:04:17,047 --> 00:04:19,884 THIS PLACE IS REACTING TO YOU, 71 00:04:20,092 --> 00:04:24,680 SO WE'RE JUST IN YOUR SUBCONSCIOUS SOMEHOW, 72 00:04:25,347 --> 00:04:27,016 BUT BEYOND THAT, 73 00:04:28,142 --> 00:04:30,561 THERE ARE NO ANSWERS FOR YOU HERE, CLARKE, 74 00:04:31,270 --> 00:04:33,314 SO GO ON. 75 00:04:33,773 --> 00:04:35,399 GO FIGURE THIS OUT. 76 00:04:37,026 --> 00:04:38,736 I'll BE HERE IF YOU NEED ME. 77 00:04:40,070 --> 00:04:41,113 [KISS] 78 00:04:43,282 --> 00:04:44,366 I LOVE YOU, DAD. 79 00:04:44,992 --> 00:04:46,160 FOREVER. 80 00:04:47,828 --> 00:04:48,996 GO ON. 81 00:05:36,961 --> 00:05:38,128 [DOOR CLOSES] 82 00:05:38,254 --> 00:05:40,297 [GUNSHOTS] 83 00:05:40,589 --> 00:05:42,466 [RUSSELL] SANCTUM IS MINE! 84 00:05:43,968 --> 00:05:45,386 WHAT THE HELL IS GOING ON? 85 00:05:46,178 --> 00:05:47,263 [DOOR OPENS] 86 00:05:49,098 --> 00:05:50,933 IT IS REACTING TO ME. 87 00:05:57,606 --> 00:05:59,024 [ECHOING VOICES] 88 00:06:04,321 --> 00:06:05,531 HELLO, CLARKE. 89 00:06:06,365 --> 00:06:07,283 NO. 90 00:06:09,243 --> 00:06:11,579 I PULLED THE KILL SWITCH. I DESTROYED YOU. 91 00:06:11,787 --> 00:06:13,581 AND I SAVED YOU. 92 00:06:13,914 --> 00:06:15,708 WHY DO YOU THINK YOU'RE STILL HERE? 93 00:06:16,208 --> 00:06:17,543 I MAY BE GONE, 94 00:06:18,168 --> 00:06:19,795 BUT THIS PRECIOUS REPOSITORY 95 00:06:19,962 --> 00:06:21,797 OF YOUR MEMORIES IS HERE 96 00:06:22,131 --> 00:06:23,257 BECAUSE OF ME. 97 00:06:24,008 --> 00:06:24,884 YOU'RE WELCOME. 98 00:06:25,551 --> 00:06:27,469 THE NEURAL MESH IS STILL IN MY HEAD. 99 00:06:27,636 --> 00:06:29,138 IT MUST HAVE INTERFERED WITH THE DRUG 100 00:06:29,305 --> 00:06:30,389 THEY USED TO WIPE MY MIND. 101 00:06:30,556 --> 00:06:32,892 CORRECT. AND SO, YOU SEE, 102 00:06:33,392 --> 00:06:36,395 YOU EXIST BECAUSE OF ME, 103 00:06:37,271 --> 00:06:39,064 BUT YOU WON'T IF THEY FIGURE OUT 104 00:06:39,231 --> 00:06:40,482 HOW YOU FREED RAVEN. 105 00:06:43,360 --> 00:06:44,945 WE EMP'D THE CHIP 106 00:06:45,321 --> 00:06:48,449 BUT ONLY IN RAVEN AND MOM, NOT ME. 107 00:06:49,783 --> 00:06:52,620 - UH! - AAH! 108 00:06:57,875 --> 00:07:00,920 IF I WERE YOU-- AND, IN A WAY, I AM-- 109 00:07:02,129 --> 00:07:04,715 I'D KEEP THIS MEMORY SAFE. 110 00:07:09,929 --> 00:07:11,889 THANK YOU, BUT FOR THE RECORD, 111 00:07:12,056 --> 00:07:13,140 YOU TRIED TO STEAL 112 00:07:13,307 --> 00:07:15,225 ALL THOSE MEMORIES YOU'RE NOW SAVING. 113 00:07:15,392 --> 00:07:18,020 I TRIED TO SPARE YOU THE PAIN AND HORROR 114 00:07:18,187 --> 00:07:20,064 OF YOUR EXISTENCE. 115 00:07:21,231 --> 00:07:22,733 THERE IS NO JOY WITHOUT PAIN. 116 00:07:22,900 --> 00:07:25,319 I NEVER DID UNDERSTAND HUMANS. 117 00:07:25,778 --> 00:07:28,405 THOSE PAINFUL MEMORIES AREN'T EVEN HERE. 118 00:07:28,822 --> 00:07:30,866 THEY'RE CAST AWAY DEEP IN YOUR MIND, 119 00:07:31,492 --> 00:07:33,619 WHERE YOU DON'T HAVE TO FACE THEM, 120 00:07:33,994 --> 00:07:35,371 AND YET... 121 00:07:37,164 --> 00:07:38,666 YOU CAN'T LET THEM GO. 122 00:07:38,832 --> 00:07:41,001 WAIT. YOU SAID THIS IS A REPOSITORY 123 00:07:41,168 --> 00:07:43,295 - OF MY MEMORIES... - YES. 124 00:07:43,963 --> 00:07:45,714 BUT THERE'S SOMETHING THERE I'VE NEVER SEEN. 125 00:07:45,923 --> 00:07:49,802 - [RUSSELL] SANCTUM IS MINE! - [COMPUTER] PROXIMITY ALERT. 126 00:07:49,927 --> 00:07:52,805 [GUNSHOTS] 127 00:07:53,013 --> 00:07:55,933 [PEOPLE SCREAMING] 128 00:07:56,100 --> 00:07:57,726 [GUNSHOT] 129 00:07:57,893 --> 00:07:59,645 [WOMAN] AAH! 130 00:08:03,232 --> 00:08:06,402 CLARKE GRIFFIN. IT'S NICE TO MEET YOU. 131 00:08:06,568 --> 00:08:08,445 I'VE HEARD SO MANY THINGS, 132 00:08:08,821 --> 00:08:10,614 MOST OF THEM MURDERY, BUT, YOU KNOW, 133 00:08:11,323 --> 00:08:12,199 NO JUDGMENT. 134 00:08:12,366 --> 00:08:14,493 - JOSEPHINE? - IN THE FLESH, 135 00:08:15,202 --> 00:08:16,537 BUT YOU SHOULDN'T HAVE OPENED THAT DOOR. 136 00:08:17,162 --> 00:08:19,873 THIS BODY IS NOT BIG ENOUGH FOR BOTH OF US. 137 00:08:26,463 --> 00:08:30,342 RUSSELL REALLY DID IT. HE STOLE MY BODY. 138 00:08:30,509 --> 00:08:33,220 AND CLEARLY MADE A MESS OF IT. 139 00:08:33,804 --> 00:08:36,557 IT'S BEEN HUNDREDS OF YEARS SINCE A MIND WIPE FAILED, 140 00:08:36,932 --> 00:08:39,101 BUT I GOT TO SAY, THIS ISN'T BAD, 141 00:08:39,268 --> 00:08:41,311 NOT AS ORGANIZED AS MY MINDSPACE, OF COURSE, 142 00:08:41,562 --> 00:08:44,523 BUT MILDLY IMPRESSIVE. 143 00:08:45,524 --> 00:08:46,650 MINDSPACE? 144 00:08:46,817 --> 00:08:48,318 THE BRAIN CREATES THESE CONSTRUCTS 145 00:08:48,485 --> 00:08:49,820 WHEN TWO MINDS SHARE A BODY, 146 00:08:50,029 --> 00:08:52,197 LIKE LUCID DREAMING, ONLY NOT AS FUN. 147 00:08:52,364 --> 00:08:54,074 IT'S A SELF-PRESERVATION THING, TRYING TO KEEP 148 00:08:54,199 --> 00:08:57,202 THE MINDS SEPARATE SO THE BODY DOESN'T DIE. 149 00:08:57,911 --> 00:08:59,580 YOU KIND OF MESSED THAT UP WHEN YOU OPENED THE DOOR, 150 00:08:59,788 --> 00:09:01,206 SO, YOU KNOW, THANKS 151 00:09:01,415 --> 00:09:03,333 FOR THE ACCELERATED BRAIN DETERIORATION. 152 00:09:03,459 --> 00:09:05,586 WAIT. YOU'VE BEEN THROUGH THIS BEFORE? 153 00:09:05,753 --> 00:09:07,463 NEVER ANYTHING AS ADVANCED AS THIS, 154 00:09:07,546 --> 00:09:09,423 BUT, YEAH, BACK IN THE DAY 155 00:09:09,590 --> 00:09:11,550 BEFORE GABRIEL PERFECTED THE MIND WIPE, 156 00:09:12,176 --> 00:09:13,343 THERE WERE A FEW MISHAPS. 157 00:09:13,510 --> 00:09:14,970 I GOT JACKED INTO SOME PEOPLE'S MINDS 158 00:09:15,095 --> 00:09:16,764 WHILE THE LIGHTS WERE STILL ON. 159 00:09:16,930 --> 00:09:19,308 - THEY WERE SO AVERAGE. - WHAT HAPPENED? 160 00:09:19,475 --> 00:09:21,226 THE FIRST WAS A 6-MONTH-OLD. 161 00:09:21,435 --> 00:09:24,063 HER MIND WAS UNFORMED, FULL OF CHAOS, 162 00:09:24,229 --> 00:09:25,564 SHAPES AND SOUNDS. 163 00:09:26,440 --> 00:09:27,399 THEN THERE WAS SAVANNAH. 164 00:09:27,566 --> 00:09:30,819 I SWEAR I WAS NOT THAT OBNOXIOUS AT 15. 165 00:09:31,445 --> 00:09:32,196 AND THEN THEY DIED. 166 00:09:32,362 --> 00:09:33,739 BRAIN HEMORRHAGING LEADS TO STROKE, 167 00:09:33,906 --> 00:09:35,157 AND WE ALL FALL DOWN. 168 00:09:35,324 --> 00:09:38,452 IT'S MESSY AND HURTS LIKE A MOTHER, 169 00:09:38,702 --> 00:09:40,037 WOULD NOT RECOMMEND IT. 170 00:09:40,204 --> 00:09:43,707 TWO MINDS, ONE BRAIN NEVER ENDS WELL. 171 00:09:44,124 --> 00:09:48,003 SO THIS, IT'S A PROBLEM. 172 00:09:49,088 --> 00:09:50,297 HOW DID YOU EVEN SURVIVE? 173 00:09:50,756 --> 00:09:51,673 YOU JUST WANT TO KNOW SO YOU 174 00:09:51,840 --> 00:09:53,258 CAN FIGURE OUT HOW TO GET RID OF ME. 175 00:09:53,425 --> 00:09:54,510 OK. WEREN'T YOU LISTENING? 176 00:09:54,676 --> 00:09:56,887 IF WE DON'T DO SOMETHING, THIS BODY DIES. 177 00:09:57,054 --> 00:09:58,639 - THAT WHAT YOU WANT? - OF COURSE NOT. 178 00:09:58,806 --> 00:10:00,557 WHY CAN'T YOU JUST FIND A NEW BODY 179 00:10:00,724 --> 00:10:02,101 AND GIVE MINE BACK? 180 00:10:02,267 --> 00:10:05,104 I COULD, I SUPPOSE, BUT IT'S RISKY. 181 00:10:05,270 --> 00:10:07,481 THE LAST PRIMES WHO WENT ON ICE DIED FOREVER. 182 00:10:07,606 --> 00:10:08,982 I'M NOT REALLY INTO THAT. 183 00:10:09,191 --> 00:10:11,527 BESIDES, POSSESSION IS 9/10 OF THE LAW, 184 00:10:12,486 --> 00:10:14,279 AND, JUST BETWEEN US GIRLS, 185 00:10:15,197 --> 00:10:16,824 I KIND OF LIKE YOUR BODY. 186 00:10:17,533 --> 00:10:18,659 YOU'RE A SOCIOPATH. 187 00:10:20,327 --> 00:10:23,205 JUDGY. BESIDES, LIKE YOU'RE ONE TO TALK, 188 00:10:23,705 --> 00:10:24,790 WANHEDA. 189 00:10:27,876 --> 00:10:29,503 THE WAY I SEE IT, YOU HAVE TWO OPTIONS-- 190 00:10:29,711 --> 00:10:31,547 TELL ME HOW YOU SURVIVED SO 1 CAN FIX IT, 191 00:10:31,755 --> 00:10:32,756 AND I'll MAKE SURE YOUR PEOPLE 192 00:10:32,923 --> 00:10:35,926 LIVE HAPPILY EVER AFTER OR DON'T, 193 00:10:36,093 --> 00:10:37,594 AND EVENTUALLY, WE'LL BOTH DIE, ANYWAY. 194 00:10:37,761 --> 00:10:40,139 THE DIFFERENCE IS, I'll BE REBORN IN SOMEONE ELSE, 195 00:10:40,305 --> 00:10:41,765 TELL MY FATHER WHAT HAPPENED, 196 00:10:41,932 --> 00:10:43,642 AND HE'LL KICK YOUR PEOPLE OUT TO DIE IN THE WOODS. 197 00:10:44,184 --> 00:10:45,477 GO FLOAT YOURSELF. 198 00:10:46,145 --> 00:10:47,437 I HAVE NO IDEA WHAT THAT MEANS. 199 00:10:47,604 --> 00:10:50,023 IT MEANS THAT I'M NOT TELLING YOU ANYTHING, 200 00:10:50,566 --> 00:10:52,693 AND I DON'T GO DOWN EASY. 201 00:10:53,443 --> 00:10:57,739 WOW. YOU'RE SELFISH, NOT TO MENTION DUMB. 202 00:10:57,990 --> 00:11:00,325 YOUR MINDSPACE CONTAINS ALL YOUR MEMORIES, 203 00:11:01,034 --> 00:11:03,412 SO TRY NOT TO THINK OF WHERE YOU KEEP THEM. 204 00:11:04,121 --> 00:11:05,914 [DOOR OPENS] 205 00:11:08,792 --> 00:11:09,835 HELLO. 206 00:11:11,879 --> 00:11:13,881 YOU CONTROL YOUR MINDSPACE, CLARKE. 207 00:11:14,464 --> 00:11:16,425 TOO BAD YOU CAN'T CONTROL YOUR THOUGHTS. 208 00:11:16,967 --> 00:11:19,261 [ECHOING VOICES] 209 00:11:19,553 --> 00:11:23,724 I RESCIND MY COMPLIMENTS. THIS IS A DISASTER. 210 00:11:24,183 --> 00:11:25,267 DIDN'T ANYONE EVER TEACH YOU 211 00:11:25,434 --> 00:11:26,810 ABOUT ORGANIZATIONAL STRUCTURE? 212 00:11:27,019 --> 00:11:28,896 GET OUT OF MY HEAD. 213 00:11:30,397 --> 00:11:33,400 NOW, NOW, CLARKE. SHARING IS CARING. 214 00:11:33,567 --> 00:11:35,694 [VOICES CONTINUE] 215 00:11:37,905 --> 00:11:40,073 [MADI'S VOICE] CLARKE! WATCH OUT! 216 00:11:40,240 --> 00:11:41,825 AAH! 217 00:11:41,950 --> 00:11:44,453 [CLARKE'S VOICE] I WILL NOT LET YOU DIE IN THIS WAR. 218 00:11:44,828 --> 00:11:48,790 CHILD ABUSE DRESSED UP AS PROTECTION. COOL. 219 00:11:49,333 --> 00:11:51,210 - [FINN] CLARKE, WAIT. - [CLARKE'S VOICE] REALLY? 220 00:11:51,376 --> 00:11:53,420 ARE YOU HIDING A MEMORY FROM ME, CLARKE? 221 00:11:56,506 --> 00:11:58,550 - RUDE. - YOU'LL NEVER FIND IT. 222 00:11:58,717 --> 00:12:01,887 YOU KNOW, I STUDY ALL LIFE, BUT INSECTS 223 00:12:02,012 --> 00:12:04,723 ALWAYS FASCINATED ME MOST. 224 00:12:04,932 --> 00:12:07,893 THEY'RE MERCILESS, RUTHLESS. 225 00:12:08,560 --> 00:12:09,811 I RESPECT THAT. 226 00:12:10,062 --> 00:12:15,567 PEOPLE ARE SO MESSY, SO EMOTIONAL. 227 00:12:16,193 --> 00:12:18,737 BECAUSE OF THAT, THEY GIVE THEMSELVES AWAY. 228 00:12:19,071 --> 00:12:20,864 I COULD ALWAYS FIGURE PEOPLE OUT, 229 00:12:21,240 --> 00:12:22,199 EVEN AS A KID. 230 00:12:22,366 --> 00:12:23,909 I COULD TELL WHEN THEY WERE NERVOUS. 231 00:12:24,076 --> 00:12:25,953 THEIR PULSES WOULD BEAT FASTER. 232 00:12:26,119 --> 00:12:28,789 EYES WOULD DART. BREATH WOULD QUICKEN. 233 00:12:29,164 --> 00:12:30,666 IT'S PHYSIOLOGICAL. 234 00:12:31,708 --> 00:12:32,834 YOU KNOW WHAT MY SPIDEY SENSES 235 00:12:33,001 --> 00:12:34,878 ARE TELLING ME ABOUT YOU RIGHT NOW? 236 00:12:35,170 --> 00:12:37,005 THAT I'll NEVER HELP YOU WIPE MY MIND? 237 00:12:37,172 --> 00:12:38,632 YOU THINK YOU'RE A BADASS, 238 00:12:38,757 --> 00:12:40,509 BUT YOUR BRAVADO COVERS SELF-DOUBT. 239 00:12:40,676 --> 00:12:42,177 YOU'D PHYSICALIZE YOUR SECRET 240 00:12:42,344 --> 00:12:44,888 SO YOU COULD KEEP IT CLOSE, WHERE YOU HAVE CONTROL. 241 00:12:46,223 --> 00:12:49,184 I BET YOU HAVE IT ON YOU RIGHT NOW. 242 00:12:49,434 --> 00:12:50,811 NOW LET ME HAVE IT. 243 00:12:51,019 --> 00:12:53,355 [BOTH GRUNTING] 244 00:13:04,574 --> 00:13:05,784 OH, SH-- 245 00:13:06,910 --> 00:13:07,828 OH! 246 00:13:12,791 --> 00:13:13,917 UH! 247 00:13:21,883 --> 00:13:23,760 [CLARKE PANTING] 248 00:13:25,971 --> 00:13:27,264 [ZAP] 249 00:13:27,431 --> 00:13:30,642 [ALARM SOUNDING] 250 00:13:30,934 --> 00:13:33,770 [COMPUTER] WARNING. COLLISION ALERT, 251 00:13:43,196 --> 00:13:45,407 [JOSEPHINE] WE'RE BACK, BITCHES. 252 00:13:45,866 --> 00:13:47,451 - HOW? - COME ON. 253 00:13:47,617 --> 00:13:48,744 YOU'RE SMARTER THAN THAT. 254 00:13:49,369 --> 00:13:50,579 HOW DO YOU THINK WE'RE RESURRECTED? 255 00:13:50,829 --> 00:13:52,789 MY MIND DRIVE BACKS UP MY CONSCIOUSNESS. 256 00:13:53,248 --> 00:13:54,833 I CAN'T DIE IN THE MINDSPACE. 257 00:13:55,042 --> 00:13:57,586 BUT YOU CAN, UNLESS WHATEVER FLUKE 258 00:13:57,753 --> 00:13:59,588 KEPT YOU HERE CAN BRING YOU BACK. 259 00:13:59,755 --> 00:14:01,715 YOU, MY FRIEND, ARE PLAYING FOR KEEPS. 260 00:14:02,132 --> 00:14:03,633 I TOOK A SEDATIVE ABOUT AN HOUR AGO, 261 00:14:03,800 --> 00:14:05,218 SO THAT GIVES ME ALL NIGHT 262 00:14:05,385 --> 00:14:07,929 TO KILL YOU IN HERE OR FIND THE MEMORY 263 00:14:08,096 --> 00:14:09,389 OF HOW I CAN KILL YOU OUT THERE. 264 00:14:09,681 --> 00:14:10,766 GOT A PREFERENCE? 265 00:14:15,854 --> 00:14:19,775 EASY OR HARD WAY, CLARKE. EITHER WAY, YOU DIE. 266 00:14:39,586 --> 00:14:40,921 [DOOR OPENS] 267 00:14:42,047 --> 00:14:43,799 WHAT ARE YOU DOING HERE? 268 00:14:45,342 --> 00:14:46,968 I JUST HAVE TO STAY AHEAD OF HER. 269 00:14:47,803 --> 00:14:49,137 - IF 1 CAN HIDE-- - YOU'RE GOOD AT THAT, 270 00:14:49,304 --> 00:14:53,683 AREN'T YOU? HIDING, WHILE OTHER PEOPLE FIGHT. 271 00:14:54,434 --> 00:14:55,102 WHAT? 272 00:14:55,310 --> 00:14:56,853 YOU DID THAT DURING THE CONCLAVE. 273 00:14:57,521 --> 00:14:59,689 WHILE I WAS UP THERE FIGHTING FOR EVERYONE'S LIVES, 274 00:14:59,856 --> 00:15:03,527 YOU WERE DOWN HERE, STEALING WHAT I BLED FOR. 275 00:15:05,737 --> 00:15:08,698 WHATEVER. FINE. YOU WROTE ME OFF, 276 00:15:09,366 --> 00:15:12,327 THE CONCLAVE AT TONDC--I GET IT-- 277 00:15:13,370 --> 00:15:15,539 BUT THE THING IS, I REALLY THOUGHT 278 00:15:15,705 --> 00:15:17,833 YOU CARED ABOUT BELLAMY. 279 00:15:19,501 --> 00:15:22,003 I CARE ABOUT BOTH OF YOU. 280 00:15:22,170 --> 00:15:24,089 BUT YOU LEFT HIM IN THE PITS TO DIE, ANYWAY. 281 00:15:24,256 --> 00:15:27,634 I HAD TO, AND HE UNDERSTANDS. 282 00:15:27,843 --> 00:15:30,345 HE FORGAVE ME. 283 00:15:30,929 --> 00:15:31,888 DID HE? 284 00:15:34,182 --> 00:15:36,852 THEN WHY ISN'T HE HERE IN THIS MEMORY? 285 00:15:37,894 --> 00:15:39,062 I'll TELL YOU WHY. 286 00:15:39,229 --> 00:15:40,981 BECAUSE YOU'RE TOO AFRAID TO FACE HIM 287 00:15:41,148 --> 00:15:43,358 BECAUSE YOU KNOW HE THINKS YOU'RE A MONSTER 288 00:15:43,608 --> 00:15:45,193 WHO WILL ABANDON ANYONE. 289 00:15:45,819 --> 00:15:47,112 THAT IS NOT WHO I AM. 290 00:15:47,237 --> 00:15:49,739 I DON'T KNOW WHY YOU'RE ARGUING WITH ME, CLARKE. 291 00:15:51,074 --> 00:15:51,950 AFTER ALL, I'M JUST 292 00:15:52,117 --> 00:15:54,161 A SUBCONSCIOUS PROJECTION OF YOU. 293 00:15:54,327 --> 00:15:56,413 [COMPUTER] WARNING. COLLISION ALERT. 294 00:15:56,580 --> 00:15:58,415 [ALARM SOUNDING] 295 00:16:01,501 --> 00:16:02,669 [SCOFFS] 296 00:16:05,338 --> 00:16:07,132 - HELP ME. - THAT'LL HAPPEN. 297 00:16:09,926 --> 00:16:11,970 HA HA! YOU LOOK FUN. 298 00:16:12,762 --> 00:16:13,763 HAVE AT HER. 299 00:16:16,892 --> 00:16:19,686 EVEN YOUR PROJECTIONS HATE YOU, CLARKE. 300 00:16:45,921 --> 00:16:46,796 MAYA? 301 00:16:47,923 --> 00:16:48,840 [EXHALES] 302 00:16:54,346 --> 00:16:55,430 HI, CLARKE. 303 00:16:55,597 --> 00:16:58,600 NO. I DON'T WANT THIS. I DON'T WANT ANY OF THIS. 304 00:16:59,851 --> 00:17:01,144 THAT'S THE THING, CLARKE. 305 00:17:01,770 --> 00:17:03,730 SOME PART OF YOU DOES WANT THIS, 306 00:17:03,980 --> 00:17:05,690 OR I WOULDN'T BE HERE. 307 00:17:05,899 --> 00:17:07,234 I HAVE A QUESTION FOR YOU. 308 00:17:07,609 --> 00:17:11,071 WHY ARE YOU FIGHTING SO HARD TO STAY ALIVE? 309 00:17:11,238 --> 00:17:13,865 - I HAVE TO-- - SAVE YOUR PEOPLE. YES. I KNOW. 310 00:17:16,451 --> 00:17:18,370 TOO BAD I WASN'T IN THAT GROUP, HUH? 311 00:17:19,579 --> 00:17:21,498 I NEVER MEANT TO HURT YOU, MAYA. 312 00:17:23,375 --> 00:17:24,334 I'M SORRY. 313 00:17:26,211 --> 00:17:28,380 YOU KEEP SAYING THAT. 314 00:17:29,965 --> 00:17:33,468 TELL ME, ARE YOU SORRY ABOUT JASPER, TOO? 315 00:17:34,386 --> 00:17:35,512 AFTER ALL, KILLING ME IS WHAT SENT HIM 316 00:17:35,679 --> 00:17:37,055 OFF THE DEEP END. 317 00:17:37,681 --> 00:17:39,683 - JASPER MADE HIS CHOICE. - WRONG. 318 00:17:39,849 --> 00:17:41,810 HIS DEATH IS ON YOU, TOO. 319 00:17:42,477 --> 00:17:45,438 YOU DO THINGS, BUT OTHER PEOPLE PAY THE PRICE. 320 00:17:45,605 --> 00:17:46,731 OK. THAT'S ENOUGH. 321 00:17:46,940 --> 00:17:49,067 YOU'VE KILLED MORE PEOPLE THAN YOU'VE SAVED. 322 00:17:49,693 --> 00:17:51,319 DO YOU REALIZE THAT? 323 00:17:51,486 --> 00:17:53,029 IF YOU ACTUALLY CARED 324 00:17:53,572 --> 00:17:55,865 ABOUT SAVING PEOPLE'S LIVES, 325 00:17:56,032 --> 00:17:57,158 YOU'D WALK AWAY. 326 00:17:58,827 --> 00:18:00,453 YOU KNOW WHAT I THINK? 327 00:18:00,620 --> 00:18:02,414 YOU LIKE BEING THE SAVIOR. 328 00:18:02,706 --> 00:18:04,374 YOU LIKE PLAYING GOD. 329 00:18:04,791 --> 00:18:07,252 YOU'RE NOT SO DIFFERENT FROM THE PRIMES, YOU KNOW. 330 00:18:09,546 --> 00:18:11,256 [COMPUTER] RADIATION ALERT. 331 00:18:11,423 --> 00:18:12,799 SHE'S COMING. 332 00:18:13,008 --> 00:18:14,801 WHY DON'T YOU JUST GIVE IN TO HER? 333 00:18:15,051 --> 00:18:17,137 JUST GIVE UP CONTROL FOR ONCE. 334 00:18:17,304 --> 00:18:19,264 [ALARM SOUNDING] 335 00:18:20,223 --> 00:18:21,141 CONTROL. 336 00:18:22,142 --> 00:18:25,478 I'M IN CONTROL. HUH. 337 00:18:29,524 --> 00:18:30,817 I HAVE AN IDEA. 338 00:18:36,406 --> 00:18:37,407 [DOOR OPENS] 339 00:18:42,203 --> 00:18:42,996 WHOA. 340 00:18:43,288 --> 00:18:46,041 YOU HAVE A LITTLE SOMETHING-- 341 00:18:47,250 --> 00:18:48,126 OH. HEH. 342 00:18:49,502 --> 00:18:51,254 SHE HID IT IN THE CAVE. 343 00:18:51,421 --> 00:18:52,505 ARE YOU KIDDING ME? 344 00:18:54,257 --> 00:18:56,718 I MEAN, YOUR PROJECTIONS ARE THE BEST. 345 00:18:58,219 --> 00:18:59,846 - CARE TO TAKE US? - MM-HMM. 346 00:19:03,808 --> 00:19:05,852 [JOSEPHINE] THANK YOU, MELTY GIRL. 347 00:19:06,603 --> 00:19:08,229 NICE PARKING SPOT. 348 00:19:12,025 --> 00:19:13,401 [ELECTRICITY CRACKLING] 349 00:19:13,568 --> 00:19:14,944 UGH! UHH... 350 00:19:15,111 --> 00:19:16,237 GOTCHA. 351 00:19:16,571 --> 00:19:19,366 YOU HAVE NO CONTROL HERE. THIS IS MY MINDSPACE. 352 00:19:19,783 --> 00:19:22,077 TURNS OUT, I CAN CREATE WHATEVER I WANT, 353 00:19:22,702 --> 00:19:23,828 INCLUDING HER. 354 00:19:26,956 --> 00:19:28,041 CUTE. 355 00:19:29,459 --> 00:19:30,377 I WOULDN'T BOTHER. 356 00:19:32,212 --> 00:19:34,130 THE COLLAR IS GEOTAGGED TO THE CAVE. 357 00:19:35,715 --> 00:19:38,885 OK. WHAT'S YOUR PLAN HERE, STALL UNTIL I WAKE UP? 358 00:19:39,177 --> 00:19:43,390 I'll JUST TRY AGAIN, NIGHT AFTER NIGHT, 359 00:19:43,556 --> 00:19:45,225 AND THE MORE TIME I SPEND HERE, 360 00:19:45,433 --> 00:19:47,852 THE FASTER YOU DIE, AND LET ME TELL YOU, 361 00:19:48,186 --> 00:19:50,146 THAT DEATH AIN'T FUN OR PRETTY. 362 00:19:50,689 --> 00:19:52,440 YOU CAN'T WIN, SO WHY BOTHER? 363 00:19:52,607 --> 00:19:54,359 TO MAKE SURE YOU LOSE. 364 00:19:54,734 --> 00:19:57,278 ME, I'll FIND A WAY TO SURVIVE. 365 00:19:57,862 --> 00:19:58,822 I ALWAYS DO. 366 00:19:59,948 --> 00:20:02,867 YOU GOT SPUNK. I'll GIVE YOU THAT. 367 00:20:03,785 --> 00:20:06,246 THINGS WERE DIFFERENT, WE COULD HAVE BEEN FRIENDS, 368 00:20:06,538 --> 00:20:07,706 BUT I'M BORED NOW. 369 00:20:08,790 --> 00:20:09,833 [ELECTRICITY CRACKLING] 370 00:20:09,999 --> 00:20:13,128 NNGH! UGH! AAGH! 371 00:20:13,294 --> 00:20:17,882 UGH! AAGH! AAH! 372 00:20:18,049 --> 00:20:19,884 UGH! UGH! 373 00:20:22,595 --> 00:20:24,389 HEY, CLARKE, I MAY NOT BE ABLE 374 00:20:24,556 --> 00:20:26,266 TO CREATE ANYTHING IN YOUR MINDSPACE, 375 00:20:26,433 --> 00:20:27,934 BUT I CAN SURE BRING SOMETHING IN. 376 00:20:28,101 --> 00:20:30,645 LET'S SPLIT UP AND STOP PLAYING GAMES. 377 00:20:30,770 --> 00:20:32,439 YOU'RE NOT A CAT TOYING WITH A MOUSE. 378 00:20:32,522 --> 00:20:36,067 SHE'S DANGEROUS. KILL HER. 379 00:20:54,586 --> 00:20:56,671 [RUSSELL] EVER TAKE ZOOLOGY 101, CLARKE-- 380 00:20:56,838 --> 00:20:59,215 HUNTING TACTICS OF PREDATOR SPECIES? 381 00:20:59,382 --> 00:21:01,718 NO? HOW ABOUT A QUICK LESSON, THEN? 382 00:21:01,885 --> 00:21:03,303 - THE MOST COMMON... - ...PURSUIT PREDATORS 383 00:21:03,470 --> 00:21:05,805 EXPEND ENERGY RUNNING DOWN SLOWER PREY, 384 00:21:05,889 --> 00:21:08,433 OR THEY PACE THEMSELVES AND LET THEIR PREY TIRE OUT. 385 00:21:09,017 --> 00:21:10,643 I'M PROPOSING A THIRD OPTION-- 386 00:21:10,810 --> 00:21:12,020 JUST SHOW ME WHERE YOU HID IT 387 00:21:12,270 --> 00:21:14,147 SO WE CAN BOTH KICK BACK AND REST. 388 00:21:14,314 --> 00:21:16,566 ALL THIS RUNNING IS PLAIN UNDIGNIFIED. 389 00:21:32,582 --> 00:21:35,710 WHY DID YOU AVOID THIS? 390 00:21:36,211 --> 00:21:37,170 HEH. 391 00:21:38,797 --> 00:21:40,340 "GO FLOAT YOURSELF." 392 00:21:43,301 --> 00:21:45,512 A-PLUS ZOOLOGY 101, CLARKE. 393 00:21:45,720 --> 00:21:48,181 THAT WAS VERY EFFECTIVE DISTRACTION DISPLAY, 394 00:21:48,890 --> 00:21:49,933 BUT I KNOW BETTER. 395 00:21:57,232 --> 00:21:58,233 YAHTZEE. 396 00:22:08,451 --> 00:22:10,161 LET ME GUESS. 397 00:22:12,330 --> 00:22:13,373 [CLARKE] GET AWAY FROM THAT. 398 00:22:14,833 --> 00:22:16,042 YOU'RE GONNA BE OK. 399 00:22:19,420 --> 00:22:20,255 OH, HEY, CLARKE. 400 00:22:21,381 --> 00:22:23,508 THIS IS THE PLACE YOU WERE AVOIDING? 401 00:22:24,592 --> 00:22:25,885 IT'S NOT EVEN THAT SCARY. 402 00:22:28,096 --> 00:22:30,223 HUH. IT'S A LITTLE OMINOUS. 403 00:22:30,431 --> 00:22:31,474 YOU SHOULDN'T BE HERE. 404 00:22:31,641 --> 00:22:33,393 IT WAS CLEVER HIDING IT HERE, 405 00:22:33,768 --> 00:22:35,270 THE PLACE YOU WOULDN'T GO 406 00:22:35,436 --> 00:22:36,771 SO THE PLACE I WOULDN'T LOOK. 407 00:22:37,063 --> 00:22:39,315 MEMORY IS FUNNY, YOU KNOW? 408 00:22:39,732 --> 00:22:41,234 THE FORMATIVE STUFF-- THE TRAUMAS, 409 00:22:41,401 --> 00:22:44,320 THE THINGS WE CAN'T MOVE PAST-- 410 00:22:44,779 --> 00:22:46,489 THEY LIVE DEEP IN THE BRAIN STEM. 411 00:22:46,656 --> 00:22:49,450 THESE ARE THE WOUNDS WE PAY SHRINKS NOT TO FIX. 412 00:22:50,493 --> 00:22:52,287 THESE PLACES CONTROL US, 413 00:22:52,662 --> 00:22:54,247 MAKE US WHO WE ARE. 414 00:22:54,372 --> 00:22:56,374 IT'S ACTUALLY CONNECTED TO THE LOWER BRAIN FUNCTION-- 415 00:22:56,541 --> 00:22:58,543 BREATHING, REFLEXES. 416 00:22:59,627 --> 00:23:01,588 IT'S WHY YOU CRY WHEN YOU THINK OF LEXA. 417 00:23:02,255 --> 00:23:02,922 SHUT UP. 418 00:23:03,089 --> 00:23:06,384 ALL OF THIS IS GUILT FOR THE DEATHS YOU'VE CAUSED, 419 00:23:06,551 --> 00:23:08,344 BUT I DON'T GET IT. 420 00:23:09,470 --> 00:23:11,014 WHY ARE YOU SO TORN UP? 421 00:23:11,764 --> 00:23:13,683 EVERYTHING YOU DID WAS TO SAVE YOUR PEOPLE. 422 00:23:14,309 --> 00:23:16,394 - I'D DO THE SAME THING. - A RINGING ENDORSEMENT. 423 00:23:16,561 --> 00:23:20,773 THE THING I DON'T GET IS WHY YOU DON'T CARE 424 00:23:20,940 --> 00:23:22,191 ABOUT SAVING YOUR PEOPLE NOW. 425 00:23:22,734 --> 00:23:23,401 WHAT? 426 00:23:23,568 --> 00:23:25,945 LET'S SAY YOU COULD SOMEHOW FIGHT ME OFF 427 00:23:26,112 --> 00:23:28,114 AND GET YOUR BODY BACK. 428 00:23:28,656 --> 00:23:30,533 WHAT WOULD THAT DO TO YOUR FRIENDS AND FAMILY? 429 00:23:30,783 --> 00:23:33,453 DO YOU THINK MY FATHER WOULD JUST LET ME GO? 430 00:23:34,329 --> 00:23:36,998 WHAT YOU'RE DOING RIGHT NOW 431 00:23:37,582 --> 00:23:39,459 LEADS TO THE GENOCIDE OF YOUR PEOPLE, 432 00:23:39,667 --> 00:23:42,045 WHICH, I GUESS, IS PAR FOR THE COURSE WITH YOU. 433 00:23:42,211 --> 00:23:44,505 - I JUST WANT TO LIVE. - DO YOU, THOUGH? 434 00:23:44,672 --> 00:23:47,926 BECAUSE YOUR MIND SURE DOESN'T SEEM TO. 435 00:23:48,343 --> 00:23:51,220 HAVE YOU EVER EVEN ONCE CONSIDERED THAT 436 00:23:51,387 --> 00:23:53,640 THE SOLUTION IS TO SACRIFICE YOURSELF? 437 00:23:54,682 --> 00:23:57,477 YOUR PEOPLE ARE SAFE. BELLAMY MADE SURE OF IT. 438 00:23:58,603 --> 00:24:00,647 I MEAN, HE TOOK YOUR DEATH HARD, SURE, 439 00:24:00,855 --> 00:24:03,232 BUT HE KNEW THE ONLY THING A LEADER COULD DO 440 00:24:03,399 --> 00:24:05,234 WAS TO STRIKE A DEAL FOR PEACE. 441 00:24:05,818 --> 00:24:07,904 NOW IT'S TIME FOR YOU TO STEP UP. 442 00:24:08,071 --> 00:24:10,281 BOW OUT GRACEFULLY, AND YOUR PEOPLE 443 00:24:10,448 --> 00:24:12,158 GET TO LIVE HAPPILY EVER AFTER. 444 00:24:12,325 --> 00:24:13,368 YOU'RE LYING. 445 00:24:14,035 --> 00:24:16,746 BELLAMY WOULD NEVER MAKE A DEAL LIKE THAT. 446 00:24:17,080 --> 00:24:19,415 THE LACK OF TRUST HURTS ME, CLARKE, 447 00:24:20,416 --> 00:24:21,626 SO THAT'S WHY I BROUGHT THIS. 448 00:24:22,961 --> 00:24:25,713 YOU HAVE DRAWINGS. I HAVE BOOKS. DON'T JUDGE. 449 00:24:26,255 --> 00:24:28,299 HERE. TAKE IT. 450 00:24:30,259 --> 00:24:34,013 IT'S NOT A TRICK. I DON'T PLAY THAT WAY. 451 00:24:39,602 --> 00:24:41,854 I CAN GUARANTEE SAFETY FOR THE REST OF YOUR PEOPLE. 452 00:24:42,146 --> 00:24:43,731 WE'LL SHARE EVERYTHING WE'VE LEARNED 453 00:24:43,898 --> 00:24:45,024 ABOUT SURVIVING ON THIS MOON. 454 00:24:46,150 --> 00:24:49,821 I'll TAKE YOUR DEAL BECAUSE IT'S THE SMART PLAY 455 00:24:50,279 --> 00:24:52,281 AND IT'S THE MOVE SHE WOULD HAVE MADE. 456 00:24:55,743 --> 00:24:56,995 IT'S TIME FOR YOU TO SACRIFICE 457 00:24:57,161 --> 00:24:58,746 FOR YOUR PEOPLE, CLARKE. 458 00:24:59,580 --> 00:25:02,500 DON'T START ANOTHER WAR THEY'LL HAVE TO FIGHT. 459 00:25:08,881 --> 00:25:10,091 I NEED THEM TO BE OK. 460 00:25:10,258 --> 00:25:12,844 BY MY WORD, YOUR PEOPLE WILL BE SAFE. 461 00:25:13,219 --> 00:25:14,637 BELLAMY IS MEETING WITH MY FATHER 462 00:25:14,804 --> 00:25:16,014 FIRST THING IN THE MORNING 463 00:25:16,139 --> 00:25:17,557 TO DISCUSS BUILDING THEM A COMPOUND. 464 00:25:17,724 --> 00:25:19,934 THEY'LL HAVE A NEW HOME, A NEW LIFE. 465 00:25:20,184 --> 00:25:22,770 MADI CAN GO TO SCHOOL JUST LIKE ANY OTHER KID. 466 00:25:23,813 --> 00:25:25,064 YOUR FRIENDS CAN SETTLE DOWN. 467 00:25:25,231 --> 00:25:28,776 EVERYONE CAN STOP FIGHTING, INCLUDING YOU. 468 00:25:40,496 --> 00:25:42,165 TELL MADI I LOVE HER... 469 00:25:44,042 --> 00:25:45,418 AND TELL ALL OF THEM. 470 00:25:56,387 --> 00:25:57,555 [SOBS] 471 00:25:58,931 --> 00:26:00,767 YOU FORGOT BELLAMY AND RAVEN. 472 00:26:13,696 --> 00:26:15,156 [JAKE] SENIOR ENVIRONMENTAL ENGINEER, 473 00:26:15,323 --> 00:26:17,116 DEPUTY RESOURCE OFFICER. 474 00:26:18,201 --> 00:26:20,328 THAT MEANS I'M IN CHARGE OF THE MACHINES 475 00:26:20,495 --> 00:26:23,122 THAT KEEP OUR WATER SAFE TO DRINK 476 00:26:23,289 --> 00:26:26,125 AND OUR FOOD SAFE TO EAT. 477 00:26:28,753 --> 00:26:31,923 - UH! - AAH! 478 00:26:35,051 --> 00:26:36,302 AN EMP. 479 00:26:38,221 --> 00:26:39,222 COOL. 480 00:26:42,809 --> 00:26:43,976 IT'LL BE OVER SOON... 481 00:26:47,605 --> 00:26:48,773 I PROMISE. 482 00:27:04,956 --> 00:27:06,916 [SOBS] 483 00:27:09,627 --> 00:27:12,255 [SOBBING] 484 00:27:15,133 --> 00:27:16,050 [SNIFFLES] 485 00:27:26,602 --> 00:27:27,645 [BIRD TWITTERS] 486 00:27:35,611 --> 00:27:37,947 [BIRDS SINGING] 487 00:27:38,156 --> 00:27:39,907 [DOOR OPENS] 488 00:27:42,201 --> 00:27:42,952 [DOOR CLOSES] 489 00:27:43,119 --> 00:27:44,120 DAD? 490 00:27:56,340 --> 00:27:57,383 OH, MONTY... 491 00:27:59,510 --> 00:28:00,261 HEH. 492 00:28:01,512 --> 00:28:03,389 YOU CALL THIS DOING BETTER? 493 00:28:07,476 --> 00:28:09,395 GIVING UP ISN'T BETTER. 494 00:28:09,604 --> 00:28:10,771 THAT'S NOT WHAT I'M-- 495 00:28:12,773 --> 00:28:14,567 I'M DOING THIS FOR THE OTHERS. 496 00:28:15,943 --> 00:28:18,404 - THEY'LL LIVE. -"IT'S ALL FOR MY PEOPLE"? 497 00:28:18,571 --> 00:28:20,072 LOOK. I'VE HEARD THAT BEFORE, CLARKE. 498 00:28:20,489 --> 00:28:21,741 IT'S JUST AN EXCUSE. 499 00:28:21,908 --> 00:28:24,202 YOU'RE THE ONE WHO TOLD ME I'M NOT GOD, 500 00:28:24,744 --> 00:28:27,288 THAT I DON'T GET TO DECIDE WHO LIVES OR DIES. 501 00:28:28,956 --> 00:28:30,082 WELL, YOU GOT YOUR WISH. 502 00:28:30,875 --> 00:28:32,376 I'M NOT DECIDING FOR ANYONE ELSE... 503 00:28:36,672 --> 00:28:37,840 JUST FOR ME. 504 00:28:40,927 --> 00:28:41,928 LOOK. 505 00:28:42,762 --> 00:28:44,722 I GET IT. IT'S BEEN ENDLESS. 506 00:28:45,181 --> 00:28:46,515 BEARING IT SO WE DON'T HAVE TO, 507 00:28:46,682 --> 00:28:47,767 ANYONE WOULD BE TIRED... 508 00:28:50,937 --> 00:28:52,396 BUT ARE YOU REALLY GONNA LEAVE HER? 509 00:28:57,443 --> 00:28:58,778 SHE'S BETTER OFF WITHOUT ME. 510 00:28:59,070 --> 00:29:00,529 I DON'T THINK THAT'S TRUE. 511 00:29:03,199 --> 00:29:05,034 MY MOM WILL TAKE CARE OF HER, 512 00:29:05,952 --> 00:29:07,662 AND BELLAMY ALREADY MADE A DEAL 513 00:29:07,870 --> 00:29:08,746 THAT KEEPS THEM ALL SAFE. 514 00:29:08,913 --> 00:29:11,874 THIS IS ABOUT BEING THE GOOD GUYS. YEAH, 515 00:29:12,041 --> 00:29:13,459 THAT DEAL MEANS OUR SIDE GETS TO LIVE, 516 00:29:13,626 --> 00:29:15,002 BUT AT WHAT COST? 517 00:29:15,169 --> 00:29:16,003 YOU'RE GIVING IN TO PEOPLE WHO 518 00:29:16,170 --> 00:29:17,755 MURDER HUMAN BEINGS TO LIVE FOREVER. 519 00:29:17,922 --> 00:29:21,842 THAT'S EASY TO SAY, BUT IN THE REAL WORLD, 520 00:29:22,593 --> 00:29:24,428 WE HAVE TO DO WHAT'S BEST FOR OUR PEOPLE. 521 00:29:24,595 --> 00:29:26,555 DOING THE WRONG THING IS NEVER WHAT'S BEST. 522 00:29:26,889 --> 00:29:28,307 THE ENDS DON'T JUSTIFY THE MEANS. 523 00:29:28,474 --> 00:29:29,141 YOU KNOW THAT. 524 00:29:29,308 --> 00:29:30,559 WHAT DO YOU WANT FROM ME, MONTY? 525 00:29:31,352 --> 00:29:32,478 IT'S TOO LATE. 526 00:29:32,645 --> 00:29:34,939 JOSEPHINE ALREADY HAS THE MEMORY. 527 00:29:35,982 --> 00:29:36,899 AS SOON AS SHE WAKES UP, 528 00:29:37,066 --> 00:29:38,901 SHE'LL KNOW HOW TO GET ME OUT OF MY HEAD. 529 00:29:42,071 --> 00:29:43,281 IT'S OVER. 530 00:29:50,204 --> 00:29:51,289 WE'LL SEE ABOUT THAT. 531 00:29:58,796 --> 00:30:01,424 [ECHOING VOICES] 532 00:30:06,637 --> 00:30:08,639 [CLARKE] THIS IS JOSEPHINE'S MINDSPACE. 533 00:30:08,806 --> 00:30:09,682 SHE CONTROLS IT. 534 00:30:10,599 --> 00:30:12,435 WHAT SHE GONNA DO, KILL YOU? 535 00:30:13,060 --> 00:30:16,022 [VOICES CONTINUE] 536 00:30:19,150 --> 00:30:21,277 [VOICES CONTINUE] 537 00:30:40,171 --> 00:30:41,047 WOW., 538 00:30:42,256 --> 00:30:44,300 230 YEARS OF MEMORIES. 539 00:30:46,010 --> 00:30:47,511 [EXPLOSION] 540 00:30:49,263 --> 00:30:50,097 [RATTLING] 541 00:30:52,266 --> 00:30:53,225 GOOD NEWS IS, 542 00:30:53,392 --> 00:30:54,769 WE CAN AFFECT HER BODY IN HERE. 543 00:30:55,186 --> 00:30:56,103 BAD NEWS IS, 544 00:30:56,645 --> 00:30:58,105 JOSEPHINE SEEMS TO SENSE IT. 545 00:30:58,397 --> 00:31:00,149 COME ON. LET'S FIND SOMETHING WE CAN USE. 546 00:31:00,733 --> 00:31:02,985 [VOICES CONTINUE] 547 00:31:12,870 --> 00:31:14,705 [CLARKE] THEY'RE ALL IN CHRONOLOGICAL ORDER. 548 00:31:14,955 --> 00:31:16,916 I LIKE YOUR DRAWINGS BETTER. 549 00:31:27,510 --> 00:31:28,177 LOOK. 550 00:31:28,803 --> 00:31:30,721 THIS MUST BE WHERE SHE KEEPS HER PRIMAL WOUNDS. 551 00:31:30,888 --> 00:31:32,431 SHE SAID THEY CREATE A PHYSICAL RESPONSE. 552 00:31:36,727 --> 00:31:38,562 WE COULD CONTROL MY BODY FROM THERE. 553 00:31:40,439 --> 00:31:42,149 ON IT. THIS'LL TAKE A MINUTE. 554 00:31:43,609 --> 00:31:45,111 FIND OUT WHO SHE IS WHILE I GET THIS OPEN. 555 00:31:45,277 --> 00:31:46,278 [RUSSELL'S VOICE] ONE MORE TIME. 556 00:31:46,445 --> 00:31:51,659 [JOSEPHINE'S VOICE] B-O-R-N-E-O. 557 00:31:54,954 --> 00:31:57,081 [KAYLEE] YOU CAN ADMIT IT, JOSEPHINE. 558 00:31:57,248 --> 00:31:58,833 YOU HAVE A FIXATION. 559 00:31:58,916 --> 00:32:00,501 [CHUCKLES] 560 00:32:01,043 --> 00:32:02,545 IT'S CALLED APPRECIATION. 561 00:32:02,711 --> 00:32:03,587 OH. 562 00:32:03,754 --> 00:32:05,464 DON'T YOU MISS YOUR FIRST BODY? 563 00:32:06,465 --> 00:32:08,259 I'M ALL ABOUT LIVING IN THE NOW, 564 00:32:08,467 --> 00:32:09,760 FOCUSING ON THE PEOPLE THAT ARE HERE, 565 00:32:09,885 --> 00:32:12,388 NOT THOSE FADED INTO DUST. 566 00:32:12,888 --> 00:32:15,141 MAYBE IT'S TIME FOR YOU TO REFOCUS 567 00:32:16,058 --> 00:32:17,226 ON YOUR OWN KIND. 568 00:32:17,643 --> 00:32:18,686 SOME OF THESE PEOPLE AREN'T WORTH 569 00:32:18,853 --> 00:32:19,854 YOUR ATTENTION, LEE-LEE. 570 00:32:20,187 --> 00:32:23,607 WELL, WHAT CAN I SAY? I AM OPEN-MINDED. 571 00:32:24,358 --> 00:32:26,694 OHH! HUH! 572 00:32:26,944 --> 00:32:30,614 THIS JO JUICE IS REALLY GETTING ME TONIGHT. 573 00:32:31,407 --> 00:32:32,408 IS IT? HMM. 574 00:32:35,536 --> 00:32:36,454 [KAYLEE] HUH. 575 00:32:45,713 --> 00:32:48,424 THIS ISN'T JUST J-JUICE. 576 00:32:49,967 --> 00:32:52,553 SHUIMIAN JIANGGUO? 577 00:32:54,930 --> 00:32:57,057 I THOUGHT IT WAS FITTING, GIVEN YOU CATALOGED THEM, 578 00:32:57,766 --> 00:32:59,435 THOUGH I STILL THINK THAT YOU COULD'VE BEAT 579 00:32:59,685 --> 00:33:01,020 "SLEEPING BERRIES." 580 00:33:01,520 --> 00:33:04,607 - HMM. - TELL ME WHY. 581 00:33:07,026 --> 00:33:09,612 YOU HAVE TO UNDERSTAND, LEE-LEE, 582 00:33:10,488 --> 00:33:11,614 ISAAC WAS A THREAT. 583 00:33:11,780 --> 00:33:14,700 HE'D NEVER HURT ANYONE, AND HE WAS MINE. 584 00:33:14,867 --> 00:33:16,744 WHAT, YOU COULDN'T STAND TO SEE ME HAPPY? 585 00:33:16,911 --> 00:33:18,454 HE DEFIED THE WILL OF THE PRIMES. 586 00:33:18,621 --> 00:33:20,122 HE DEFIED OBLATION. 587 00:33:20,539 --> 00:33:22,333 THAT'S NOT THE WILL OF THE PRIMES. 588 00:33:22,708 --> 00:33:23,792 THAT'S JUST YOU. 589 00:33:24,543 --> 00:33:27,505 ONLY TWO HOSTS HAVE BEEN BORN IN THE PAST 20 YEARS. 590 00:33:27,880 --> 00:33:29,715 THE NULLS ARE MUDDYING THE BLOODLINE. 591 00:33:29,882 --> 00:33:32,635 WITHOUT OBLATION, WE GO EXTINCT. 592 00:33:32,801 --> 00:33:35,429 HELL, YOU HELPED ME SPREAD THE WORD 593 00:33:36,096 --> 00:33:38,974 BEFORE YOU DECIDED TO HOP IN THE SACK WITH ISAAC. 594 00:33:39,141 --> 00:33:40,518 NOW YOU'RE SOUNDING LIKE RYKER. 595 00:33:40,684 --> 00:33:41,769 PEOPLE ARE MORE THAN THEIR BLOOD. 596 00:33:42,019 --> 00:33:43,562 I'M TALKING ABOUT THE BIGGER PICTURE HERE. 597 00:33:43,729 --> 00:33:45,397 YOUR ANSWER IS MURDER? 598 00:33:45,814 --> 00:33:47,525 DID YOU THINK I WOULDN'T NOTICE? 599 00:33:47,942 --> 00:33:49,193 I DON'T KNOW WHAT HAPPENED TO YOU, 600 00:33:49,360 --> 00:33:51,612 BUT THIS IS NOT WHO YOU ARE. 601 00:33:51,862 --> 00:33:53,656 I'M GETTING BORED. WHY THE HELL DID YOU DRUG ME? 602 00:33:53,822 --> 00:33:55,616 SO THEY BELIEVE THIS WAS AN ACCIDENT! 603 00:33:55,783 --> 00:33:57,159 LET GO OF ME. UH! 604 00:33:57,326 --> 00:33:58,577 AAH! 605 00:33:58,953 --> 00:34:02,790 [ECHOING VOICES] 606 00:34:06,001 --> 00:34:08,337 [BABY CRYING] 607 00:34:24,144 --> 00:34:26,855 [JOSEPHINE] YOU MUST THINK VERY LITTLE OF ME, ISAAC. 608 00:34:30,150 --> 00:34:32,111 DID YOU THINK I WOULDN'T NOTICE 609 00:34:32,319 --> 00:34:34,154 MY OFFERING WAS GOING MISSING? 610 00:34:34,530 --> 00:34:36,532 THE FOREST DOESN'T FEED THAT QUICKLY. 611 00:34:36,949 --> 00:34:38,450 ARE YOU GIVING THEM TO GABRIEL? 612 00:34:39,326 --> 00:34:41,495 [ISAAC] JOSEPHINE, I CAN EXPLAIN. 613 00:34:41,662 --> 00:34:42,413 OH, I GET IT. 614 00:34:42,580 --> 00:34:44,206 YOU THINK BECAUSE YOU'RE KAYLEE'S PET, 615 00:34:44,498 --> 00:34:46,125 YOU'RE MORE THAN WHAT YOU ARE. 616 00:34:47,001 --> 00:34:49,420 I AM. WE ALL ARE. 617 00:34:49,628 --> 00:34:50,879 JUST BECAUSE WE CAN'T BEAR A HOST 618 00:34:51,046 --> 00:34:52,339 DOESN'T MEAN WE'RE WORTHLESS. 619 00:34:52,506 --> 00:34:53,424 I AGREE. 620 00:34:54,425 --> 00:34:55,092 REALLY? 621 00:34:55,467 --> 00:34:58,512 WORTHLESS IMPLIES A SORT OF NEUTRALITY, 622 00:34:59,096 --> 00:35:01,432 SOMETHING WITH NO POSITIVE VALUE, 623 00:35:01,599 --> 00:35:05,477 BUT NULLS, YOU ARE LESS THAN USELESS. 624 00:35:06,020 --> 00:35:07,229 YOU DILUTE THE BLOODLINE. 625 00:35:07,396 --> 00:35:08,272 YOU MAKE IT LESS LIKELY 626 00:35:08,439 --> 00:35:09,898 THAT ANYONE WOULD BEAR A HOST. 627 00:35:10,065 --> 00:35:11,692 I CAN'T LET THAT HAPPEN. 628 00:35:12,526 --> 00:35:13,777 I HAVE TO THINK OF MY PEOPLE. 629 00:35:14,778 --> 00:35:16,488 [ISAAC] WE ARE YOUR PEOPLE. 630 00:35:17,197 --> 00:35:18,198 WE COULD BE SO MUCH MORE. 631 00:35:18,365 --> 00:35:20,743 WE COULD DO SO MUCH MORE, IF ONLY WE WERE ALLOWED 632 00:35:20,909 --> 00:35:22,870 TO TRULY LIVE, IF YOU WOULD LET US 633 00:35:23,037 --> 00:35:25,205 BE MORE THAN JUST YOUR JANITORS OR GUARDS. 634 00:35:25,372 --> 00:35:27,708 THAT ARGUMENT WOULD CARRY A LOT MORE WEIGHT 635 00:35:27,875 --> 00:35:30,669 IF YOU WEREN'T DELIVERING SOLDIERS TO OUR ENEMIES. 636 00:35:31,545 --> 00:35:33,756 TELL ME, HOW IS GABRIEL? 637 00:35:34,214 --> 00:35:37,176 HIS LATEST HOST MUST BE 95 BY NOW. 638 00:35:37,718 --> 00:35:40,512 I'M JUST TRYING TO KEEP OUR PEOPLE ALIVE. 639 00:35:41,221 --> 00:35:42,473 OBLATION IS WRONG. 640 00:35:43,140 --> 00:35:44,767 WHY SHOULD THIS CHILD BE SACRIFICED? 641 00:35:44,933 --> 00:35:46,101 - HE'S DONE NOTH-- - MM! 642 00:35:46,810 --> 00:35:50,105 [ISAAC GAGGING] 643 00:35:52,983 --> 00:35:55,027 [BABY CRYING] 644 00:35:55,277 --> 00:35:56,487 DON'T WORRY, ISAAC. 645 00:35:56,695 --> 00:35:58,989 YOUR SPIRIT SHALL LIVE ETERNAL. 646 00:36:08,374 --> 00:36:10,834 YOU WERE RIGHT. WE CAN'T LET HER WIN. 647 00:36:13,796 --> 00:36:15,339 ALMOST GOT IT. 648 00:36:15,506 --> 00:36:16,382 [BEEP] 649 00:36:16,757 --> 00:36:17,466 YES! 650 00:36:21,970 --> 00:36:23,055 [BELL RINGS] 651 00:36:23,222 --> 00:36:27,601 [WOMAN] GOD REST YE, MERRY GENTLEMEN 20 652 00:36:27,768 --> 00:36:30,896 LET NOTHING YOU DISMAY 653 00:36:31,313 --> 00:36:34,149 REMEMBER, CHRIST OUR SAVIOR... 654 00:36:34,316 --> 00:36:36,026 [CLARKE] EARTH BEFORE THE BOMBS. 655 00:36:37,486 --> 00:36:39,196 HEY, CHECK IT OUT. 656 00:36:43,659 --> 00:36:45,077 NICE PLACE. 657 00:36:48,831 --> 00:36:50,624 WHY WOULD SHE KEEP THIS MEMORY LOCKED AWAY? 658 00:36:51,291 --> 00:36:52,418 MORE IMPORTANTLY, 659 00:36:52,751 --> 00:36:54,253 HOW DO WE GET CONTROL FROM HERE? 660 00:37:03,011 --> 00:37:03,971 COME ON. 661 00:37:06,390 --> 00:37:09,226 [JOSEPHINE] UGH, I SWEAR, I'M TAKING HANLEN NEXT SEMESTER. 662 00:37:09,393 --> 00:37:11,520 I CAN'T DEAL WITH SILVESTRI ANYMORE. 663 00:37:12,855 --> 00:37:14,189 [WOMAN] DOES THAT MEAN YOU'RE NOT GOING 664 00:37:14,356 --> 00:37:15,899 ON YOUR LITTLE, SECRET FAMILY PROJECT? 665 00:37:16,066 --> 00:37:17,276 I TOLD THEM NO. 666 00:37:18,861 --> 00:37:20,571 WELL, IF YOUR SIGNING UP FOR HANLEN, 667 00:37:20,738 --> 00:37:22,448 PULL OUT YOUR MINISKIRTS. 668 00:37:22,614 --> 00:37:24,742 HE GIVES A HALF-GRADE BUMP TO GIRLS HE LIKES TO LOOK AT. 669 00:37:24,908 --> 00:37:25,868 OH... 670 00:37:26,034 --> 00:37:27,911 [WIND WHISTLES] 671 00:37:28,078 --> 00:37:28,996 [DOOR CLOSES] 672 00:37:29,163 --> 00:37:29,955 HEY. 673 00:37:34,918 --> 00:37:36,086 I WAS LOOKING FOR YOU 674 00:37:36,253 --> 00:37:37,880 AT THE WATER RATIONING PROTEST, 675 00:37:39,298 --> 00:37:40,841 THOUGHT YOU POSTED SOMETHING ABOUT GOING. 676 00:37:43,802 --> 00:37:46,263 TOO MANY PEOPLE, YOU KNOW. 677 00:37:46,805 --> 00:37:49,016 AND IT'S REALLY DUSTY OUTSIDE. 678 00:37:51,393 --> 00:37:52,936 YEAH. SURE. 679 00:37:55,731 --> 00:37:57,733 UH, I ASKED, AND THERE'S PLENTY OF ROOM 680 00:37:57,900 --> 00:37:59,234 AT THE COMPARATIVE LINGUISTICS THING 681 00:37:59,401 --> 00:38:00,110 IF YOU WANT TO GO. 682 00:38:01,153 --> 00:38:01,904 I DON'T KNOW. 683 00:38:02,070 --> 00:38:04,907 I'M NOT REALLY FEELING THAT SOCIAL LATELY. 684 00:38:06,408 --> 00:38:07,409 HEH. 685 00:38:12,080 --> 00:38:13,540 YOU STILL THINK YOU'RE TOO GOOD FOR ME, HUH? 686 00:38:16,710 --> 00:38:19,505 - THAT'S NOT WHAT I-- - DON'T LIE. 687 00:38:20,380 --> 00:38:21,632 JUST ADMIT IT. 688 00:38:21,965 --> 00:38:25,344 STOP TOYING WITH ME AND JUST ADMIT WHAT YOU ARE. 689 00:38:25,636 --> 00:38:26,470 I--1 DON'T -- 690 00:38:26,637 --> 00:38:29,389 I MEAN, I TRIED-- CALLS, TEXTS, 691 00:38:29,807 --> 00:38:31,350 YOU KNOW, BEING THOUGHTFUL. 692 00:38:33,268 --> 00:38:34,228 AND WHAT DO I GET? 693 00:38:36,146 --> 00:38:37,064 [GASPS] 694 00:38:38,649 --> 00:38:39,566 NOTHING. 695 00:38:41,735 --> 00:38:42,653 WHAT ARE YOU DOING? 696 00:38:42,820 --> 00:38:44,446 THINKING YOU SHOULD SHUT THE HELL UP. 697 00:38:45,364 --> 00:38:47,616 MESSAGE RECEIVED, YOU STUCK-UP BITCH. 698 00:38:47,783 --> 00:38:48,992 YOU DON'T WANT TO SEE ME. 699 00:38:51,078 --> 00:38:52,079 YOU CAN SEE THIS. 700 00:38:52,287 --> 00:38:53,080 [GUNSHOT] 701 00:38:53,372 --> 00:38:57,709 [PEOPLE SCREAM] 702 00:38:59,545 --> 00:39:00,712 [MAN] LET'S GET OUT OF HERE! 703 00:39:01,880 --> 00:39:03,966 THIS IS THE THING SHE COULDN'T FACE. 704 00:39:05,050 --> 00:39:07,135 NO WONDER SHE CHANGED HER MIND ABOUT LEAVING. 705 00:39:07,719 --> 00:39:09,304 WE NEED TO USE IT TO CONTROL YOUR BODY. 706 00:39:11,265 --> 00:39:12,015 I HAVE AN IDEA. 707 00:39:12,182 --> 00:39:12,891 [SIREN] 708 00:39:13,058 --> 00:39:14,977 [WOMAN ON P.A.] ALERT. INCOMING BOMBSHELLS. 709 00:39:15,143 --> 00:39:16,687 TAKE COVER IMMEDIATELY. 710 00:39:18,647 --> 00:39:20,107 QUICK, HIDE. 711 00:39:25,153 --> 00:39:27,197 YOU NEVER SHOULD HAVE COME HERE! 712 00:39:27,531 --> 00:39:29,700 GET OUT! 713 00:39:31,368 --> 00:39:32,077 [DOOR OPENS] 714 00:39:34,204 --> 00:39:37,833 AAH! I GAVE YOU THE CHANCE TO GO QUIETLY. 715 00:39:38,000 --> 00:39:39,501 I SAID I'D HELP YOUR PEOPLE. 716 00:39:39,877 --> 00:39:40,878 DEAL'S OFF. 717 00:39:42,379 --> 00:39:45,257 [GASPING] 718 00:39:45,799 --> 00:39:47,342 [COUGHS] 719 00:39:49,511 --> 00:39:50,596 SHE'S AWAKE. 720 00:39:55,309 --> 00:39:57,060 [CHUCKLES] 721 00:39:59,104 --> 00:40:00,147 I WIN. 722 00:40:01,857 --> 00:40:02,774 [BELLAMY] ALL RIGHT. 723 00:40:02,941 --> 00:40:05,152 IN EXCHANGE FOR IGNORING THAT YOU MURDERED CLARKE... 724 00:40:06,153 --> 00:40:07,154 [DOOR CLOSES] 725 00:40:08,405 --> 00:40:09,781 YOU BUILD US A COMPOUND. 726 00:40:13,201 --> 00:40:15,412 WHAT ABOUT THE MOTHER AND CHILD? WILL THEY AGREE? 727 00:40:15,662 --> 00:40:17,039 I'll HANDLE OUR PEOPLE. 728 00:40:18,165 --> 00:40:19,583 HOW LONG WILL IT TAKE TO BUILD? 729 00:40:19,750 --> 00:40:20,584 [CLEARS THROAT] 730 00:40:21,168 --> 00:40:22,586 JUST A MOMENT, SWEETHEART. 731 00:40:23,795 --> 00:40:25,172 WITH ALL OF OUR PEOPLE HELPING YOU, 732 00:40:25,339 --> 00:40:26,757 IT WILL GO MUCH FASTER. 733 00:40:27,132 --> 00:40:28,800 TALK TO RYKER ABOUT A WORK SCHEDULE, 734 00:40:29,009 --> 00:40:31,261 AND YOU'LL NEED A DETAIL OF ABOUT 50 OF YOUR OWN PEOPLE. 735 00:40:31,428 --> 00:40:32,429 YOU'LL BUILD A WALL THAT-- 736 00:40:53,575 --> 00:40:54,660 [RUSSELL] BELLAMY. 737 00:40:57,287 --> 00:40:59,748 BELLAMY, ARE WE AGREED? 738 00:41:01,917 --> 00:41:02,751 YEAH. 739 00:41:03,627 --> 00:41:05,587 WE'RE GOOD FOR NOW. 740 00:41:06,380 --> 00:41:07,923 I'll ORDER CONSTRUCTION TO BEGIN. 741 00:41:08,924 --> 00:41:10,050 LET'S GO. 742 00:41:13,261 --> 00:41:14,388 [DOOR OPENS] 743 00:41:20,185 --> 00:41:21,019 JOSIE... 744 00:41:22,229 --> 00:41:23,939 DID SOMETHING GO WRONG WITH THE TRANSFER? 745 00:41:24,523 --> 00:41:25,607 YOU COULD SAY THAT. 746 00:41:26,441 --> 00:41:29,027 SHE'S STILL IN MY HEAD, BUT DON'T WORRY. 747 00:41:30,362 --> 00:41:33,240 I KNOW HOW TO KILL HER ONCE AND FOR ALL. 748 00:41:34,616 --> 00:41:38,495 HEY, REMEMBER WHEN PIKE TAUGHT US MORSE CODE? 749 00:41:39,579 --> 00:41:41,790 I SLEPT THROUGH MOST OF EARTH SKILLS, SO-- 750 00:41:41,999 --> 00:41:45,919 OK. JOSEPHINE WAS TAPPING OUT MORSE CODE 751 00:41:46,086 --> 00:41:47,462 ON HER ARM. 752 00:41:52,426 --> 00:41:53,427 WHAT DOES IT MEAN? 753 00:41:53,593 --> 00:41:57,973 IT MEANS CLARKE'S ALIVE, AND WE'RE GONNA GET HER BACK.