1 00:01:11,900 --> 00:01:14,100 - Two? - Two. 2 00:01:14,200 --> 00:01:15,700 Here. 3 00:01:22,000 --> 00:01:23,900 Damn! 4 00:01:34,100 --> 00:01:37,500 - Whoo! 5 00:01:53,300 --> 00:01:57,900 - Hi, hi, hi. - Where you been? You were supposed to be here at midnight. 6 00:01:57,900 --> 00:02:01,700 Girl, you can't rush perfection. Hurry up and finish so we can get on out there. 7 00:02:01,700 --> 00:02:04,900 - Okay, one more minute. - Okay.Just in time for a drink on the house? 8 00:02:04,900 --> 00:02:07,300 - You know it. - Make that two. 9 00:02:09,300 --> 00:02:12,500 - Tonight's your lucky night. - You are my new favorite bartender. 10 00:02:12,500 --> 00:02:15,900 Sweetie, she's not gonna be here much longer. 11 00:02:16,100 --> 00:02:18,500 l don't know why you're so eager for me to quit this gig. 12 00:02:18,600 --> 00:02:21,700 As long as l work here, we both get to dance and drink for free. 13 00:02:21,800 --> 00:02:24,700 Girl, when you make it, they gonna let us in anywhere we want. 14 00:02:24,700 --> 00:02:28,100 - What she gonna make it as? - You'll see. 15 00:02:28,200 --> 00:02:30,500 Thank you. 16 00:02:30,600 --> 00:02:33,200 Time's up. 17 00:02:33,300 --> 00:02:35,200 Bye. See ya, Honey. 18 00:02:47,900 --> 00:02:49,900 Hey! Hey, girl. 19 00:02:50,000 --> 00:02:52,900 How are you? l'm good. 20 00:02:55,400 --> 00:02:58,600 Ah, look who's here-- Katrina. 21 00:03:04,000 --> 00:03:07,400 Go, go, go, go, go, go. 22 00:03:07,400 --> 00:03:10,800 That's hot. Come on. Let's go. 23 00:03:21,900 --> 00:03:23,800 Ooh! l don't like them, bitch. 24 00:03:50,700 --> 00:03:52,700 Damn, girl! 25 00:03:52,700 --> 00:03:55,900 - Yeah! 26 00:04:04,700 --> 00:04:08,100 Oh! Look at that bitch, y'all. 27 00:04:15,500 --> 00:04:18,500 Yo, she's takin' our shit! l told you. 28 00:04:22,200 --> 00:04:24,800 - Oh, man! 29 00:04:43,100 --> 00:04:45,800 Listen, girl, you got talent. You bottle that shit up, 30 00:04:45,900 --> 00:04:49,700 sell it, get paid, paid, paid. 31 00:04:49,700 --> 00:04:52,700 - Excuse me would work. - Hold up, Katrina. 32 00:04:52,800 --> 00:04:56,200 - l think you owe her an apology. - l don't owe anybody anything, 33 00:04:56,200 --> 00:05:00,700 especially not some section eight, no-rhythm-having club ho. 34 00:05:00,800 --> 00:05:03,800 People pay me to dance. Be gone. Whoo.! 35 00:05:03,900 --> 00:05:06,500 Bitch! Gina.! Gina.! 36 00:05:06,600 --> 00:05:10,500 - Let me go! - What? What? That ain't your hair anyway. 37 00:05:11,700 --> 00:05:13,700 Get off me. 38 00:05:13,700 --> 00:05:16,500 Gina, that's my job. You can't be wilding out in there. 39 00:05:16,600 --> 00:05:19,600 Please. She started it. 40 00:05:19,600 --> 00:05:22,800 That shit was unbelievable. 41 00:05:35,100 --> 00:05:38,000 Whoo! 42 00:05:38,100 --> 00:05:39,900 Oooh. 43 00:05:58,000 --> 00:06:00,900 Huh, huh! 44 00:06:02,600 --> 00:06:05,700 Huh, huh! 45 00:06:05,800 --> 00:06:09,100 - Hey, hey, hey. - Go, Benny. 46 00:06:09,200 --> 00:06:11,700 Go, Benny. Go, Benny. 47 00:06:11,800 --> 00:06:14,000 Go, Benny. Go, Benny. 48 00:06:14,100 --> 00:06:17,800 Hey. Hey. Hey. 49 00:06:17,900 --> 00:06:20,400 Hey. Hey. Hey. 50 00:06:27,900 --> 00:06:30,500 That was hot. 51 00:06:33,200 --> 00:06:36,800 Look at him, checking you out like he all grown. 52 00:06:36,900 --> 00:06:40,400 - Your mama know you're out here? - His mother ain't lookin' for nothin' but her crackhead boyfriend. 53 00:06:40,400 --> 00:06:42,900 - Don't you talk about her. 54 00:06:43,000 --> 00:06:46,300 Oooh. 55 00:06:46,400 --> 00:06:48,300 Hey. 56 00:06:49,400 --> 00:06:51,800 l like that. Your flavor's hot. 57 00:06:51,900 --> 00:06:54,800 Okay, l got it. You're a biter now. 58 00:06:54,800 --> 00:06:57,800 - Oooh! 59 00:06:57,800 --> 00:07:00,300 - You guys should come to my class. - Your class? 60 00:07:00,400 --> 00:07:03,600 - l teach hip-hop at the center. - The center? 61 00:07:05,500 --> 00:07:08,200 l ain't feelin' that mommy and me hip-hop. None of that. 62 00:07:08,300 --> 00:07:11,900 - l'll come. - Oh, okay, cutie. 63 00:07:11,900 --> 00:07:13,800 All right, kids. Clear out. Get outta here.! 64 00:07:13,800 --> 00:07:17,100 - Come on. Come on. - Hurry up! 65 00:07:17,200 --> 00:07:20,800 - lt's cool, Officer. - These kids are always hustling people back here. 66 00:07:20,900 --> 00:07:22,900 Be careful, ladies. 67 00:07:28,200 --> 00:07:30,900 Hey, Miss Jones. Honey. 68 00:07:36,200 --> 00:07:38,200 Yo! 69 00:07:40,200 --> 00:07:42,900 You dropped your paper. Ah, you're lookin' out, Honey. 70 00:07:59,300 --> 00:08:00,900 Shoot,John. 71 00:08:06,700 --> 00:08:09,200 Yo, Chaz, you're the one , man. 72 00:08:17,300 --> 00:08:19,900 Hey, everybody. 73 00:08:20,400 --> 00:08:21,900 Listen up. Hey, guys. 74 00:08:22,000 --> 00:08:26,000 - l got a new remix from D.J. Scratch at the Overdrive. 75 00:08:26,200 --> 00:08:29,000 All right! Come on, guys. 76 00:08:29,100 --> 00:08:31,400 Let's loosen up. 77 00:08:31,500 --> 00:08:33,400 Five, six, seven, eight. 78 00:08:46,300 --> 00:08:49,200 - Oooh! 79 00:08:50,600 --> 00:08:52,900 ls she all right? She slipped on some water. 80 00:08:52,900 --> 00:08:54,900 You okay? 81 00:08:54,900 --> 00:08:56,900 Quit it. 82 00:08:57,000 --> 00:09:00,000 lt doesn't matter how you mess up, as long as you keep countin'. All right? 83 00:09:00,200 --> 00:09:04,300 Watch this. One and two, three and four. 84 00:09:08,100 --> 00:09:11,600 See, Letitia, baby, you're my inspiration. 85 00:09:11,600 --> 00:09:13,700 Okay, let's throw that in after the clap. 86 00:09:36,900 --> 00:09:39,000 l'm glad you could make it. 87 00:09:39,100 --> 00:09:43,100 Come on. This isn't a pageant. Step in the back and fall in. All right? 88 00:09:43,200 --> 00:09:46,000 We'll break it down for you. Come on, y'all. Let's go. 89 00:09:46,000 --> 00:09:48,200 Fall in. 90 00:09:48,300 --> 00:09:52,800 Come on, little man. You're in front. So, let's break it down, all right? 91 00:09:52,800 --> 00:09:55,300 From the top.! Five, six, 92 00:09:55,400 --> 00:09:57,000 seven, eight. 93 00:09:57,000 --> 00:09:59,100 One and two, three, four, 94 00:09:59,200 --> 00:10:02,000 five, six, seven and eight. 95 00:10:02,100 --> 00:10:04,900 Elbows. One, two, three, four. 96 00:10:05,000 --> 00:10:08,100 - We'll just take it that far. - Suckers. 97 00:10:08,200 --> 00:10:11,200 - Let's see it.Joey, count 'em in. - Five, six, seven, eight. 98 00:10:11,200 --> 00:10:13,900 - One and two, three, four, - Why we come here? 99 00:10:14,000 --> 00:10:15,900 five, six, seven and eight. 100 00:10:16,000 --> 00:10:19,900 One, two, three, four. 101 00:10:20,000 --> 00:10:22,700 - lf you wanna learn, keep with the counts. - Learn? 102 00:10:22,800 --> 00:10:26,800 Lady, l'm schooling you. Whoa.! 103 00:10:33,100 --> 00:10:35,100 All right. 104 00:10:35,100 --> 00:10:38,100 - Pay no mind to them. - You like that? 105 00:10:49,500 --> 00:10:53,400 Okay, okay, comedy hour's over. Let's get back to it. 106 00:10:53,500 --> 00:10:56,100 lt's not you. My brother Benny and them just wanna show off. 107 00:10:56,200 --> 00:10:58,700 l know, sweetie. 108 00:10:58,800 --> 00:11:01,100 - Take care, all right? - Okay. 109 00:11:02,300 --> 00:11:04,900 Bye. Bye. 110 00:11:04,900 --> 00:11:08,400 - All right, let's start from the top. 111 00:11:19,600 --> 00:11:23,600 Okay. There. That didn't hurt, did it? 112 00:11:23,700 --> 00:11:26,500 Okay, all set to go. 113 00:11:26,600 --> 00:11:29,200 - All right, later. - Bye, Honey. 114 00:11:29,300 --> 00:11:34,700 Oh, sweetie. l don't know why you can't just teach ballet at a nice uptown studio. 115 00:11:34,800 --> 00:11:37,800 Haven't you seen my hip-hop class? They love it. 116 00:11:37,900 --> 00:11:42,300 But hip-hop can't take you the places ballet can. All that real dance training. 117 00:11:42,400 --> 00:11:45,500 Ah, here are my girls. Hi, Dad. 118 00:11:45,700 --> 00:11:47,400 Hi, baby. Honey. 119 00:11:47,500 --> 00:11:51,500 There's so many beautiful things in the world, and l just want you to see 'em. 120 00:11:51,600 --> 00:11:55,400 Ma. So, can we make it to midtown in 20 minutes? 121 00:11:55,500 --> 00:12:00,000 - Not another video audition? - As a matter of fact, l was just heading that way. 122 00:12:03,100 --> 00:12:05,600 And don't worry so much. 123 00:12:23,100 --> 00:12:27,500 Two, three, four, five, six, seven, eight. 124 00:12:27,600 --> 00:12:29,700 Next. 125 00:12:32,000 --> 00:12:35,500 - Honey Daniels. And you're with? - No one right now. 126 00:12:35,600 --> 00:12:39,300 Sorry. The open audition was this morning. We're not seeing any more unsolicited dancers. 127 00:12:39,400 --> 00:12:43,800 But the ad said the audition was all day. lt is, but the open part ended at noon. 128 00:12:43,900 --> 00:12:46,500 l have a job and couldn't get off before noon. 129 00:12:46,500 --> 00:12:50,300 Unfortunately, there were about a thousand girls who could. Can't l just audition? 130 00:12:50,500 --> 00:12:53,400 Next. 131 00:13:11,100 --> 00:13:13,400 Check it. That's what l'm talkin' about. 132 00:13:13,500 --> 00:13:17,800 l should be dancing in videos like this. You're right,you should. 133 00:13:17,900 --> 00:13:20,800 But sometimes you gotta start in the back door if you wanna get in the front. 134 00:13:20,900 --> 00:13:23,200 You already gave me that lecture. 135 00:13:23,400 --> 00:13:26,800 l'm gonna keep giving it you. 'Cause if you would have listened to me, 136 00:13:26,900 --> 00:13:29,800 your ass would have been famous by now. For what? 137 00:13:32,700 --> 00:13:34,800 Michael Ellis Productions. 138 00:13:34,900 --> 00:13:38,500 Yes, that video is shooting next Thursday. 139 00:13:38,500 --> 00:13:41,600 You seen Michael? He's over there. 140 00:13:43,700 --> 00:13:45,900 Ellis Productions. 141 00:13:46,000 --> 00:13:48,300 Yes, he is. One moment, please. 142 00:13:53,700 --> 00:13:55,900 Who is that? That's Katrina. 143 00:13:56,000 --> 00:13:59,200 She in a lot of joints. Works a lot. She was at the Overdrive. 144 00:13:59,300 --> 00:14:01,300 No, no, not her. 145 00:14:03,100 --> 00:14:05,000 Her. 146 00:14:12,500 --> 00:14:15,700 What up? What up? You're getting her drunk. 147 00:14:15,800 --> 00:14:18,600 Come on. Keep it coming. Keep it coming. 148 00:14:20,300 --> 00:14:22,700 Excuse me. Are you a dancer? 149 00:14:22,800 --> 00:14:25,100 Yeah. l thought so. 150 00:14:25,200 --> 00:14:27,900 Look, l want you to dance for me. 151 00:14:30,200 --> 00:14:32,200 Come on, Gina. 152 00:14:33,300 --> 00:14:35,300 No, no, look. Seriously. Seriously. 153 00:14:35,400 --> 00:14:39,900 l'm a-- l'm a video director, and l'm shooting next week. 154 00:14:40,000 --> 00:14:44,500 Oh, and you wanna offer me the privilege of slapping on a thong and shaking my ass in your camera? 155 00:14:44,600 --> 00:14:48,400 Thanks, but l'll pass. Let's go. 156 00:14:48,400 --> 00:14:50,400 What are you doing? He's a director. 157 00:14:50,500 --> 00:14:55,000 Every guy's a director when he wants some booty. Look, look, listen. 158 00:14:55,100 --> 00:14:59,500 lt's a little loud down here, so let's go talk about it up in the V.l.P. lounge. 159 00:14:59,500 --> 00:15:01,400 All right. l heard that. 160 00:15:01,500 --> 00:15:03,600 lt don't matter where we are. l'm not taking my clothes off. 161 00:15:03,700 --> 00:15:06,700 Who said anything about taking your clothes off? 162 00:15:06,900 --> 00:15:09,400 Yeah, who said anything about that? 163 00:15:09,500 --> 00:15:12,900 The only one who's gonna take anything off is Jadakiss, if he's so moved. 164 00:15:13,000 --> 00:15:16,400 -Jadakiss? - Wait. Who did you say you were again? 165 00:15:16,500 --> 00:15:19,100 - My name is Michael. - Michael Ellis? 166 00:15:19,200 --> 00:15:22,600 Michael.! All right, you the man,you the man. 167 00:15:22,700 --> 00:15:25,300 - See, l'm the man. - Yeah, you're all right. 168 00:15:25,400 --> 00:15:27,400 And you are? 169 00:15:27,500 --> 00:15:30,700 Honey Daniels. Nice to meet you, Honey. 170 00:15:30,800 --> 00:15:33,500 Gina. lt's nice to meet you, Gina. 171 00:15:33,500 --> 00:15:35,800 Look, Honey. 172 00:15:35,900 --> 00:15:39,900 l want you to come down and try out for my video. Here's my card, if you're interested. 173 00:15:40,100 --> 00:15:43,300 You know, give me a call. Okay, cool. 174 00:15:43,300 --> 00:15:45,600 l'll give you a call. 175 00:15:54,700 --> 00:15:59,100 10:05, that's not too early, is it? l mean, l don't wanna seem desperate. 176 00:16:07,600 --> 00:16:11,700 Hey, this is Honey Daniels calling for Michael Ellis. 177 00:16:12,800 --> 00:16:15,800 Honey Daniels. Sure, l can hold. 178 00:16:19,000 --> 00:16:21,200 Um, yeah, he can call back. 179 00:16:21,300 --> 00:16:23,600 Wait. Don't you need my number? 180 00:16:24,900 --> 00:16:28,200 555-9720. 181 00:16:33,200 --> 00:16:35,300 lt's not good when they don't ask for your number. 182 00:16:41,100 --> 00:16:44,600 - Yo, heads up. - Cut it. Cut it. 183 00:16:51,400 --> 00:16:55,200 Why don't you take a break, come play some ball? Show me some of them moves. 184 00:16:56,700 --> 00:16:59,400 l got a class to teach. Mm-hmm. 185 00:16:59,500 --> 00:17:01,900 Hey,yo, Chaz. Come on, man. Let's play. 186 00:17:02,000 --> 00:17:05,700 That was fun. l'll see you tomorrow. 187 00:17:05,700 --> 00:17:08,000 See you guys later. 188 00:17:13,700 --> 00:17:15,700 l really like your class. 189 00:17:15,800 --> 00:17:18,000 Thanks, Raymond. 190 00:17:18,200 --> 00:17:20,700 Lucky for you, l'm not goin' anywhere. 191 00:17:20,900 --> 00:17:23,700 Well, see you next week. 192 00:17:34,300 --> 00:17:36,400 What's up? What's up, B.? 193 00:17:42,600 --> 00:17:46,400 Raymond, what are you doing here, dog? Lookin' for you. 194 00:17:52,700 --> 00:17:56,000 Look, you can't be here right now, okay? 195 00:17:57,300 --> 00:17:59,800 What? Are you deaf? Get on. 196 00:17:59,900 --> 00:18:01,900 Go. 197 00:18:02,000 --> 00:18:03,900 Get! 198 00:18:19,700 --> 00:18:21,800 What's up, Otis? Hey, B.B. 199 00:18:21,800 --> 00:18:24,900 How's your stash? All right. l'm set for today. 200 00:18:25,000 --> 00:18:28,200 Make sure you got his back, all right? He's my baby brother. 201 00:18:32,900 --> 00:18:36,700 Yo, you want a smoke? Right here. Right here. 202 00:19:03,500 --> 00:19:05,300 Hey, Honey, it's me Dad. 203 00:19:05,400 --> 00:19:09,700 Just calling to see how those auditions are going. 204 00:19:09,800 --> 00:19:12,900 Hey, girl, it's me. Just checking in. 205 00:19:13,000 --> 00:19:15,900 Remember, this is a temporary situation. That's all. 206 00:19:15,900 --> 00:19:20,100 So holler when you get in. 207 00:19:20,200 --> 00:19:22,500 Honey Daniels, this is Mike Ellis. 208 00:19:22,500 --> 00:19:24,500 Sorry l missed you. lt's kind of crazy here. 209 00:19:24,500 --> 00:19:27,200 Um, anyway, we start shooting day after tomorrow. 210 00:19:27,200 --> 00:19:30,100 Call Lenny's cell. He'll give you all the information. 211 00:19:35,100 --> 00:19:38,500 Dancer, right? Okay, please follow me to Hair and Makeup. 212 00:19:38,600 --> 00:19:42,500 l need your Social Security card or a passport for your time card. l'll get that from you later. 213 00:19:42,600 --> 00:19:45,800 We're gonna be here till about 4:00 a.m. After that, it's time and a half. 214 00:19:45,800 --> 00:19:47,800 Okay? Okay, guys. 215 00:19:47,800 --> 00:19:50,500 This is the last one. Yes, yes, l know. 216 00:19:50,600 --> 00:19:54,600 Please make it fast or it's my ass. Thank you. 217 00:19:59,400 --> 00:20:01,500 You can do this. 218 00:20:12,200 --> 00:20:14,600 Ready in there? 219 00:20:14,700 --> 00:20:17,500 Yes. Yeah. l-- l'm ready. 220 00:20:17,600 --> 00:20:19,700 Coming. l'm coming. 221 00:20:35,200 --> 00:20:38,500 Cut! Cut! Cut! Cut. 222 00:20:41,000 --> 00:20:43,100 See, it's not working here. 223 00:20:43,200 --> 00:20:47,000 Well, hold that down, baby. l'm gonna try, man. l'm gonna try. 224 00:20:49,600 --> 00:20:53,500 The girls look too choreographed. Right. 225 00:20:53,500 --> 00:20:57,400 l can make 'em more freestyle, but we gotta get 'em together eventually. 226 00:21:01,200 --> 00:21:02,800 Hey. 227 00:21:04,200 --> 00:21:06,300 You came? 228 00:21:06,400 --> 00:21:09,100 Yeah, you know, had some free time, so-- 229 00:21:10,500 --> 00:21:12,500 Wait. Come here. Come here. 230 00:21:12,600 --> 00:21:14,800 l want you to try and work in with the girls. Michael, who is this? 231 00:21:14,900 --> 00:21:17,200 - Honey. - Hey. 232 00:21:17,200 --> 00:21:22,300 This is Honey. Show her the steps. Everybody else, take five. 233 00:21:22,300 --> 00:21:25,100 l think l got the first eight counts, okay? Unbelievable. 234 00:21:25,100 --> 00:21:27,200 All right, fellas, let's take a break. 235 00:21:27,300 --> 00:21:29,400 Hi. We gotta work in another girl. 236 00:21:29,500 --> 00:21:33,400 - Where would you like me? -Just find yourself a spot in the center row, okay? 237 00:21:33,500 --> 00:21:36,000 Take it from the top. You in the second row? 238 00:21:36,100 --> 00:21:39,400 Yeah. Playback.! 239 00:21:56,400 --> 00:21:59,500 - No! Cut. Cut! 240 00:21:59,600 --> 00:22:01,900 lt'll be better. lt was just my first time through. 241 00:22:02,000 --> 00:22:05,400 lt's all right. 242 00:22:05,500 --> 00:22:09,100 lt's good choreography, though. lt's good. 243 00:22:09,200 --> 00:22:13,200 All right, still not working here. 244 00:22:13,300 --> 00:22:15,200 Um-- 245 00:22:15,200 --> 00:22:17,300 lt is just, uh-- 246 00:22:19,200 --> 00:22:22,600 Okay, l'm gonna try something. l'm gonna try something. 247 00:22:24,100 --> 00:22:26,400 Hi. How are you doing? Hi. 248 00:22:26,500 --> 00:22:28,400 Good. Good, good. 249 00:22:28,500 --> 00:22:32,700 Um, l want you to pretend that you're in a club. 250 00:22:32,800 --> 00:22:37,700 - Excuse me, Michael. What are you doing? - Directing. You have a problem with that? 251 00:22:37,800 --> 00:22:40,100 Okay, so you're in a club. 252 00:22:40,200 --> 00:22:43,800 And the music's gonna come on. And l'm gonna want you to move. 253 00:22:43,900 --> 00:22:46,200 Now, don't be nervous. 254 00:22:46,200 --> 00:22:48,500 You're great. l saw you at the Overdrive and you're great. 255 00:22:48,600 --> 00:22:51,100 Okay. 256 00:23:19,900 --> 00:23:24,700 - Nice. - All right. Now, see, that-- that is sexy. 257 00:23:24,800 --> 00:23:28,100 - Thank you! - That is sexy. That is sexy! 258 00:23:28,200 --> 00:23:31,500 - Everybody else, follow what she's doing. - You're kidding, right? 259 00:23:31,500 --> 00:23:34,600 l am not. Playback. 260 00:23:36,800 --> 00:23:39,200 Jadakiss. 261 00:23:39,300 --> 00:23:41,200 Sheek. 262 00:23:41,300 --> 00:23:43,300 Whoo! 263 00:23:43,300 --> 00:23:46,700 D-block. Dark child. 264 00:24:00,000 --> 00:24:02,500 Wonderful. Wonderful. 265 00:24:03,500 --> 00:24:06,000 Was it all right? Yeah, yeah. 266 00:24:06,100 --> 00:24:09,700 All right, we're moving in for a close-up, everyone. 267 00:24:09,800 --> 00:24:12,900 What do you think? What you doing next week? 268 00:24:14,200 --> 00:24:17,400 Working at the record store? No. 269 00:24:17,400 --> 00:24:19,600 Working at the club? 270 00:24:21,600 --> 00:24:23,500 Not working at the club? 271 00:24:23,600 --> 00:24:26,000 Not unless you're doing it for fun. 272 00:24:28,300 --> 00:24:31,000 Two of anything, on me. 273 00:24:31,100 --> 00:24:33,200 Anything? l'm liking this. 274 00:24:35,000 --> 00:24:38,000 And you know what else l've been thinking about? Your birthday. 275 00:24:38,100 --> 00:24:41,700 Twenty-five's a big one. We gotta do it up right. Uh-huh, uh-huh, uh-huh. 276 00:24:41,700 --> 00:24:46,400 So l'm thinking we should rent a big old car, roll on down to Atlantic City. 277 00:24:46,400 --> 00:24:49,500 You sure you wanna spend all your big faces like that on me? 278 00:24:49,600 --> 00:24:52,900 Are you kidding? l wouldn't even have these big faces if it weren't for you. 279 00:24:53,000 --> 00:24:56,200 lt's true, it's true. l should be your manager. 280 00:25:02,400 --> 00:25:05,400 l don't really care, to tell you the truth. 281 00:25:10,700 --> 00:25:12,600 Who's that? 282 00:25:12,700 --> 00:25:15,900 l don't know. Some guy from the center. 283 00:25:15,900 --> 00:25:19,200 - What's wrong with you? He's fine. Why you duckin'? - l'm not duckin'. 284 00:25:19,300 --> 00:25:22,900 You duckin'. You duckin' like a bobblehead. 285 00:25:24,800 --> 00:25:27,200 So, manager, am l bookin' the limo, or what? 286 00:25:27,300 --> 00:25:29,300 Hell, yeah, you gettin' the limo. 287 00:25:29,400 --> 00:25:31,600 You gettin' the limo, the room, 288 00:25:31,600 --> 00:25:33,900 the Cristal with caviar, the male strippers-- 289 00:25:34,400 --> 00:25:37,200 Oh, my God! lt's you! Turn it up! Turn it up! 290 00:25:37,300 --> 00:25:41,300 That's my girl. That's my girl. Turn it up.! Turn it up.! 291 00:25:41,500 --> 00:25:44,700 That's right, y'all. That's my friend. Check it out. Check it out. 292 00:25:44,800 --> 00:25:47,400 Check it out. She's good, you know what l mean? 293 00:25:59,400 --> 00:26:02,700 Hey! Hey, look! lt's Honey. She's on TV. 294 00:26:05,400 --> 00:26:09,200 Yo, check it out, man. 295 00:26:09,300 --> 00:26:11,600 See? 296 00:26:13,000 --> 00:26:14,900 - That's Jadakiss and Sheek. - Those are my boys. 297 00:26:15,000 --> 00:26:17,400 She dances with them? Mm-hmm. 298 00:26:19,400 --> 00:26:22,300 Yo, that's my move. 299 00:26:22,300 --> 00:26:25,300 - For real. - That's what l'm talkin' about. 300 00:26:25,400 --> 00:26:27,400 My move. 301 00:26:30,900 --> 00:26:32,700 Hey, yo, biter. 302 00:26:32,800 --> 00:26:36,300 Oh, hey. We caught you on TV. 303 00:26:36,300 --> 00:26:40,600 - Benny saw that you used his move. - Yeah. Shouldn't l get a check or something for that? 304 00:26:40,700 --> 00:26:43,800 l haven't even got a check for it yet. You here for the class? 305 00:26:44,000 --> 00:26:47,300 Yeah. Once Benny saw you with Jadakiss, 306 00:26:47,400 --> 00:26:49,300 he said maybe you were cool after all. 307 00:26:50,900 --> 00:26:53,500 Nah. l just figured you might need some more moves to jack. 308 00:26:53,600 --> 00:26:58,100 - Well, you can show 'em toJoey and he'll pass 'em along. - You're not teaching? 309 00:26:58,200 --> 00:27:00,700 No. l got this video and l'm supposed to be there like now. 310 00:27:00,700 --> 00:27:03,100 You gonna be here tomorrow? 311 00:27:03,200 --> 00:27:06,800 l don't know. This director guy's got a fewjobs lined up, so-- 312 00:27:06,800 --> 00:27:10,500 - That's cool. Whatever. - You should still take the class. Joey's great. 313 00:27:10,600 --> 00:27:14,800 Who, me? l wasn't gonna go. l was just dropping off Raymond. 314 00:27:16,200 --> 00:27:18,400 Go on, dog. Go to your little class. 315 00:27:18,500 --> 00:27:20,500 l'm outta here. 316 00:27:28,600 --> 00:27:30,900 Can we see this with playback? 317 00:28:12,400 --> 00:28:14,800 l swear to goodness. 318 00:28:41,100 --> 00:28:43,900 What up? What up? 319 00:28:44,000 --> 00:28:48,200 Ah, shoot. Now look at you. ln your bustier and your hooker heels. 320 00:28:48,300 --> 00:28:52,100 Where we goin'tonight? Oh, l'm goin' to Papi Chulos. 321 00:28:52,100 --> 00:28:54,700 Oh, word? The gay club? Shoot, l love the kids. 322 00:28:54,700 --> 00:28:58,000 But l didn't have to wear my heels for that. l could have worn my sneakers. 323 00:28:58,100 --> 00:29:01,600 - Actually, l'm goin' with Michael. - Oh, you can't bring me? 324 00:29:01,800 --> 00:29:06,900 lt's kind of a work thing. You know, charity fund-raiser with tickets and all. 325 00:29:07,000 --> 00:29:09,700 - Sorry. - Hmm. 326 00:29:09,800 --> 00:29:13,400 - Sounds like somebody's trying to dip their fingers in the Honey jar. - Gina, he's my boss. 327 00:29:13,500 --> 00:29:15,600 You say that like you never heard of Monica Lewinsky. 328 00:29:15,600 --> 00:29:20,000 lt's the video world. You know, they do their meet-and-greets at night in clubs. 329 00:29:20,000 --> 00:29:21,700 Oh, okay. 330 00:29:21,800 --> 00:29:26,300 Well, there's only one world-- the real world-- and in that world... 331 00:29:26,400 --> 00:29:30,100 if a man is taking a woman out on a Friday night in her hooker heels... 332 00:29:30,200 --> 00:29:34,100 and she can't bring her homegirl, he tryin'to get some booty. 333 00:29:34,200 --> 00:29:36,100 You're nuts. 334 00:29:36,200 --> 00:29:38,900 All right, that's him. 335 00:29:38,900 --> 00:29:41,400 How do l look? Gorgeous. 336 00:29:41,400 --> 00:29:46,000 Yes, children, it's just another night at Papi Chulos. 337 00:29:46,100 --> 00:29:49,400 l'm the mother of the house, Harmonica Sunbeam. 338 00:29:49,400 --> 00:29:52,900 Yes.! Drama, drama, drama, attitude. 339 00:29:53,000 --> 00:29:56,100 Judges, score. 340 00:29:56,200 --> 00:30:00,400 Ten, ten, ten, ten. Ow.! Yes.! 341 00:30:00,500 --> 00:30:04,100 Make some noise! 342 00:30:04,200 --> 00:30:07,100 Excuse me. Excuse me. Come on up here. How you doing, miss? 343 00:30:07,200 --> 00:30:09,600 Hi. Good to see you. What up, B.? 344 00:30:09,700 --> 00:30:12,300 What's happening, my man? How you doin', man? Lenny's got your spot. 345 00:30:16,800 --> 00:30:18,400 What's up? 346 00:30:18,500 --> 00:30:20,400 What's up? What's up? 347 00:30:20,500 --> 00:30:23,300 Ginuwine, how you doing? What's going on, baby? How you doing? 348 00:30:23,300 --> 00:30:25,300 How you doing? Good to see you. 349 00:30:25,300 --> 00:30:28,700 Ginuwine, this is Honey. How you doing? Pleasure to meet you. 350 00:30:30,600 --> 00:30:33,400 Rodney, Honey. What's up, man? Nice to meet you. 351 00:30:33,500 --> 00:30:36,700 - Honey, from theJadakiss video, right? - Yeah. 352 00:30:36,800 --> 00:30:39,800 l caught that. You was doin' your thing in there. You was real hot. 353 00:30:39,900 --> 00:30:42,900 - Thanks. - l hear Mikey's gonna make you super colossal. 354 00:30:43,100 --> 00:30:45,900 l thought l was making him look good, but, you know. 355 00:30:46,000 --> 00:30:49,300 You hear that Mikey? You got to watch her. Better get them contracts tight. 356 00:30:49,400 --> 00:30:53,700 - So you gonna be in the next one, right? - Oh, for sure, for sure. 357 00:30:53,700 --> 00:30:55,900 'Cause the next one gotta be crazy. 358 00:30:56,000 --> 00:30:59,300 No doubt, no doubt. That's why l got you a new choreographer for this one. 359 00:30:59,400 --> 00:31:02,600 - For real? Who? - This girl right here. 360 00:31:02,600 --> 00:31:05,700 For real? l mean, you ever done the wholejoint before? 361 00:31:07,300 --> 00:31:09,600 No, but it's all right. We got two more to do before yours. 362 00:31:09,700 --> 00:31:12,100 So she'll be a pro by the time we get to you, you know. 363 00:31:12,200 --> 00:31:14,800 Right? Right. 364 00:31:14,900 --> 00:31:18,600 Cool. Well, you know, Mikey knows best, you know what l'm saying? 365 00:31:18,700 --> 00:31:22,600 - Okay, sure. - l don't know what to say. 366 00:31:22,700 --> 00:31:25,200 Thank you, Mikey. You're the best. 367 00:31:25,300 --> 00:31:27,600 Thank you, Michael. You're the best. 368 00:31:28,700 --> 00:31:32,400 - You better get them contracts tight now. 369 00:31:33,700 --> 00:31:37,100 Thank you. 370 00:31:50,500 --> 00:31:52,500 Raymond, is that you? Honey! 371 00:31:54,400 --> 00:31:58,900 What are you doing out here? My mama says l have to do something with my hair. 372 00:31:58,900 --> 00:32:03,800 Your mama's right about that. You wanna do this on your own, or should l come with you? 373 00:32:03,900 --> 00:32:07,800 You can come with me. Cool. So, what are you thinking? Some braids? 374 00:32:07,900 --> 00:32:11,700 Snoop Doggy Dogg silky-fine press and curl? 375 00:32:11,800 --> 00:32:14,700 Or maybe do like Mike and shave it all off? 376 00:32:14,800 --> 00:32:17,400 Hmm, how 'bout braids? Braids? 377 00:32:17,500 --> 00:32:19,600 All right, cool. Come on. 378 00:32:19,700 --> 00:32:22,800 Come on. They won't bite. 379 00:32:30,000 --> 00:32:33,500 Whoa. Look who's here. l thought l was gonna have to watch cable to see you again. 380 00:32:33,600 --> 00:32:37,900 Raymond needs a little trim and some braids. 381 00:32:40,200 --> 00:32:44,000 Look, little guy. You see that guy right there? 382 00:32:44,100 --> 00:32:47,000 Yeah. 383 00:32:47,100 --> 00:32:49,700 l know he has a stupid-looking face, but what's his hair look like? 384 00:32:49,800 --> 00:32:53,300 All right. Just all right or a little more than all right? 385 00:32:55,700 --> 00:32:59,400 A little more. That's right. And you know why? 'Cause he gets his hair cut by me. 386 00:32:59,400 --> 00:33:01,800 l spent a whole 20 minutes on him. 387 00:33:01,900 --> 00:33:06,000 l'm gonna send you over there to Stacey to get braided up. 388 00:33:06,000 --> 00:33:09,300 And when you're done, l'm gonna spend 22 minutes on you. 389 00:33:09,400 --> 00:33:11,300 Now how does that sound? 390 00:33:11,400 --> 00:33:13,400 That's cool. 391 00:33:13,400 --> 00:33:16,600 All right, now you just chill, shorty. Don't worry about nothin'. 392 00:33:16,700 --> 00:33:18,900 Besides, l never mess up a kid's head, 393 00:33:18,900 --> 00:33:21,000 especially when his mom's in the shop. 394 00:33:21,100 --> 00:33:24,700 He's eight. That would have made me 14. 395 00:33:24,800 --> 00:33:27,000 - l'm not that kind of girl. - My bad. 396 00:33:27,200 --> 00:33:29,300 We just peoples. 397 00:33:29,500 --> 00:33:31,300 Yeah, we peoples. You peoples? 398 00:33:31,400 --> 00:33:35,100 Player, how'd you swing that? l've been trying to be her peoples for weeks. Ain't had no luck. 399 00:33:35,100 --> 00:33:38,100 - l got flow. 400 00:33:39,400 --> 00:33:43,200 - l got flow too. You don't think l got some flow? - Maybe not as much as me. 401 00:33:43,300 --> 00:33:47,000 Whoa. See, now you better be careful, little man. 402 00:33:47,100 --> 00:33:51,500 You don't watch yourself, l'm gonna have you runnin' out of here lookin' like a poodle. 403 00:33:58,500 --> 00:34:01,300 All right, youngblood, holler at your boy. 404 00:34:02,700 --> 00:34:05,000 lt's tight. 405 00:34:05,100 --> 00:34:07,400 Let me ask you something else. 406 00:34:07,400 --> 00:34:12,000 What if l was to take Honey out to dinner? You think that'd be tight too? 407 00:34:12,000 --> 00:34:14,400 That'd be all right. 408 00:34:14,500 --> 00:34:16,900 How's Friday? Friday l'm working. 409 00:34:17,000 --> 00:34:22,000 Friday night? These shoots go late. l never know when l'm gonna get off. 410 00:34:22,100 --> 00:34:25,600 Saturday? Saturday l'm workin' too. 411 00:34:25,600 --> 00:34:29,200 You're not working all day Saturday. 412 00:34:29,200 --> 00:34:31,200 Listen, l'll tell you what. 413 00:34:31,300 --> 00:34:34,400 You find out when you're not working, you get at me. 414 00:34:34,500 --> 00:34:38,600 l'm a busy woman. l may never have the time. Baby, that'd be a tragedy. 415 00:34:43,300 --> 00:34:45,400 All right, little cat. 416 00:34:45,500 --> 00:34:48,200 Come on. 417 00:34:53,400 --> 00:34:57,600 - Let us pray. 418 00:34:57,700 --> 00:35:00,800 Heavenly Father, please bless Chaz... 419 00:35:00,900 --> 00:35:02,700 with game immediately. 420 00:35:06,300 --> 00:35:10,400 So when you gonna get picked up? l don't know. 421 00:35:11,500 --> 00:35:13,500 But someone's comin', right? 422 00:35:13,500 --> 00:35:15,900 l don't know. 423 00:35:19,900 --> 00:35:22,900 Hey, l'm fiending for a milk shake. Me too! 424 00:35:22,900 --> 00:35:26,700 Yeah? All right, then. How 'bout we go get one, and then you can show me where you live. 425 00:35:26,700 --> 00:35:29,600 Okay. Cool. Come on. 426 00:35:44,800 --> 00:35:46,800 Do you live there? Yes. 427 00:35:46,900 --> 00:35:48,900 Let's go. 428 00:36:06,300 --> 00:36:08,500 You gonna knock? 429 00:36:10,000 --> 00:36:12,200 You don't have to wait. 430 00:36:12,300 --> 00:36:15,800 Y'all, shut that noise up now! Where you been? 431 00:36:15,900 --> 00:36:18,800 l got my hair braided like you said. 432 00:36:18,900 --> 00:36:22,800 - Who the hell are you? - l'm his dance teacher. 433 00:36:22,800 --> 00:36:26,400 - Dance teacher? - Marisol, shut up and close the damn door.! 434 00:36:26,500 --> 00:36:30,400 Come on. Get on inside before you piss him off. 435 00:36:31,700 --> 00:36:35,900 l just wanted to walk him home. You know, tough world out there. 436 00:36:36,000 --> 00:36:39,100 Oh. Well, thank you for letting me know that. 437 00:36:39,200 --> 00:36:43,200 You know, l would just love to spend my day going here and there... 438 00:36:43,300 --> 00:36:45,400 with my kids instead of workin', 439 00:36:45,500 --> 00:36:49,700 which is what l've been doin' for the last 12 hours! 440 00:37:27,000 --> 00:37:29,400 Five, six, seven, eight. 441 00:37:29,500 --> 00:37:31,800 One, two, three, four, 442 00:37:31,900 --> 00:37:34,100 five, six, seven, eight. 443 00:37:34,200 --> 00:37:36,300 One, two, three, four, 444 00:37:36,400 --> 00:37:39,300 five, six, seven, eight. 445 00:37:48,000 --> 00:37:50,000 Cut. 446 00:37:50,100 --> 00:37:52,200 Cut. 447 00:37:52,400 --> 00:37:56,900 Uh, l want you two girls to switch in the back. 448 00:37:57,000 --> 00:38:00,500 You guys are great, though. All right? You guys are really good. 449 00:38:09,800 --> 00:38:13,600 Um, there's somethin' missing. 450 00:38:13,700 --> 00:38:16,000 What? 451 00:38:17,300 --> 00:38:20,400 l don't know. Somethin'. 452 00:38:24,200 --> 00:38:26,400 Fix it. 453 00:38:26,600 --> 00:38:28,500 Okay. 454 00:38:31,800 --> 00:38:33,700 Go to lunch. 455 00:38:33,900 --> 00:38:37,100 What? All right. 456 00:38:42,000 --> 00:38:45,200 Come on, man. Don't be a hog, yo. Hold that right there. 457 00:38:45,300 --> 00:38:48,700 Lay up, man. What up? Lay up. 458 00:38:50,600 --> 00:38:53,200 Son, take your game home. Oh! 459 00:39:00,800 --> 00:39:02,500 D. up. 460 00:41:04,900 --> 00:41:07,700 Rise and shine, sleepy head. 461 00:41:07,700 --> 00:41:09,800 What are you doing? 462 00:41:09,900 --> 00:41:13,300 Gettin' you up. lt's Sunday. So? 463 00:41:13,400 --> 00:41:16,000 So? We gonna get my birthday dress today. You forgot? 464 00:41:16,100 --> 00:41:18,800 No, it's just-- What are you doing in bed in the middle of the day? 465 00:41:18,900 --> 00:41:22,000 l didn't get home till 6:00. 466 00:41:22,100 --> 00:41:24,900 You work until 6:00 in the morning? l hope you gettin' overtime. 467 00:41:25,000 --> 00:41:29,600 - Girl, l'm dead. - l don't care if you're cold and buried. l got off work special for this. 468 00:41:29,700 --> 00:41:33,400 So, get up! Come on. Get up! 469 00:41:33,500 --> 00:41:35,900 We gotta get ready for Atlantic City. Gina. 470 00:41:36,000 --> 00:41:38,200 Oh, look. Take this. 471 00:41:38,300 --> 00:41:41,800 What? What's that? 472 00:41:46,000 --> 00:41:48,700 Ooh, Dolce. 473 00:41:48,800 --> 00:41:50,700 Stop. Do you like? 474 00:41:50,800 --> 00:41:54,300 Ay, que linda, mami. l love it. 475 00:41:54,400 --> 00:41:56,500 What kind of money you makin'? 476 00:41:56,500 --> 00:42:00,400 Oh, l didn't pay for it. l got it for free at the shoot. 477 00:42:00,500 --> 00:42:04,400 You givin' me some sweaty leftovers instead of taking me shopping like a real friend? 478 00:42:05,700 --> 00:42:09,300 lt's not sweaty leftovers. lt's brand-new. lt's still got a tag on it. 479 00:42:09,400 --> 00:42:11,700 Hmm. l thought you'd like it. 480 00:42:11,800 --> 00:42:16,600 Look at Miss Thing. Too ''bougie'' to shop at the bargain stores. lt's not even like that. 481 00:42:16,700 --> 00:42:20,300 No, it's cool. lf you don't wanna go shopping with me, l'll go by myself. 482 00:42:20,400 --> 00:42:24,400 - Only person l can depend on anyway. - Gina. 483 00:42:25,900 --> 00:42:28,700 Oh, God. 484 00:42:42,000 --> 00:42:44,900 Thank you. 485 00:42:52,200 --> 00:42:55,100 Hey, Raymond. What's up? 486 00:42:56,100 --> 00:42:59,100 Benny ain't been in school. 487 00:42:59,100 --> 00:43:01,500 Well, where is he at? 488 00:43:01,600 --> 00:43:05,400 Mama's boyfriend got all into it with him. Busted Benny's lip. 489 00:43:08,400 --> 00:43:12,300 - Has he ever hit you? - Not me. 490 00:43:13,800 --> 00:43:16,700 Okay. Come on. Let's go find him. 491 00:43:16,800 --> 00:43:18,900 Okay? Okay. 492 00:43:19,000 --> 00:43:21,300 Come on. 493 00:44:26,700 --> 00:44:30,700 Hey, Benny. We've been lookin' for you all over. 494 00:44:30,800 --> 00:44:33,000 Don't. l don't need your help. 495 00:44:33,200 --> 00:44:36,000 Let me handle it. You shouldn't have to handle it. 496 00:44:38,700 --> 00:44:41,200 You guys can't go back to that apartment for a while. 497 00:44:41,300 --> 00:44:44,100 We can go to my UncleJessie's. All right. 498 00:44:44,200 --> 00:44:46,200 l'll take you over there, okay? 499 00:44:46,300 --> 00:44:50,500 - What do you care? - l care because you're a good kid. 500 00:44:50,500 --> 00:44:52,600 So? lt's not like you're around. 501 00:44:52,700 --> 00:44:56,100 Don't even teach anymore. Why don't you just roll out? 502 00:44:59,900 --> 00:45:02,200 Huh. 503 00:45:02,300 --> 00:45:06,000 Then l guess l'm just gonna have to find someone else to help me out with Tweet's video then. 504 00:45:06,100 --> 00:45:09,100 Tweet? The Tweet? 505 00:45:09,200 --> 00:45:12,800 l'm doin' the choreography for her video next week, 506 00:45:12,900 --> 00:45:16,100 and, you know, l could use some help in the afternoons and the evenings. 507 00:45:16,100 --> 00:45:19,800 But if you don't wanna kick it, 'cause, you know-- l could come. No joke? 508 00:45:19,900 --> 00:45:24,900 No joke. lf you get your butt to school every day, yes, l promise. 509 00:45:25,000 --> 00:45:27,000 Promises don't mean nothin'. 510 00:45:27,100 --> 00:45:29,400 Mine do. 511 00:45:39,400 --> 00:45:42,400 All right, girls,you ready? 512 00:45:42,500 --> 00:45:44,900 Set? Okay. 513 00:45:45,000 --> 00:45:47,900 Five, six, seven. Fly! 514 00:45:48,000 --> 00:45:50,400 One, two, three. Fly! 515 00:45:50,500 --> 00:45:53,000 Go down. Think dancer. 516 00:45:53,100 --> 00:45:56,500 - Okay. - And just work your arms, okay? 517 00:45:56,600 --> 00:45:59,800 And once you land, plié. Give a sexy pose. 518 00:46:03,600 --> 00:46:05,900 Thanks, guys. 519 00:46:06,000 --> 00:46:09,000 Okay. All right. Ready? 520 00:46:12,500 --> 00:46:14,700 Tweet, you look great. Thank you. 521 00:46:14,900 --> 00:46:19,600 - Okay, let's try this. - You takin' notes for me? 522 00:46:19,700 --> 00:46:23,400 You're gonna get fired if you're not takin' notes. Security. 523 00:46:23,400 --> 00:46:25,900 Oh, he's just playin'. 524 00:47:20,300 --> 00:47:23,200 Michael, thank you so much. 525 00:47:25,400 --> 00:47:27,700 l can do that. You know l can do that. 526 00:47:28,700 --> 00:47:31,000 Maybe you will someday. 527 00:47:31,100 --> 00:47:34,900 Look, yo. There's people that good things happen to. 528 00:47:34,900 --> 00:47:38,200 And there's people that good things don't happen to. That's just the way it goes. 529 00:47:43,700 --> 00:47:46,900 The gods made no mistakes when they created their-- So what are they? 530 00:47:46,900 --> 00:47:48,900 Fresh Air Fund kids or something? 531 00:47:49,000 --> 00:47:52,400 Fresh air? Michael, this is New York. 532 00:47:52,500 --> 00:47:54,900 l, uh-- l taught them at the center. 533 00:47:55,000 --> 00:47:56,600 ln fact, uh, 534 00:47:56,700 --> 00:47:59,700 seeing them on the set there today gave me an idea for Ginuwine's video. 535 00:47:59,700 --> 00:48:01,900 What are you thinking? Okay. 536 00:48:02,000 --> 00:48:05,300 New York, the hood. Ginuwine's doing his thing. 537 00:48:05,300 --> 00:48:09,700 But instead of the usual hoochies, you get a posse of kids, dancers. 538 00:48:09,800 --> 00:48:12,200 They bust out, all G'd up, just like Ginuwine-- 539 00:48:12,300 --> 00:48:14,400 same hair, same bling. Like a-- 540 00:48:14,500 --> 00:48:18,000 - Like a hip-hop pied piper? - Right. 541 00:48:19,500 --> 00:48:22,200 l like it. Really? 542 00:48:22,300 --> 00:48:24,200 Yeah. 543 00:48:24,300 --> 00:48:27,500 l'll pitch it to him. Cool, cool. 544 00:48:27,600 --> 00:48:30,700 You know, if he goes for it, l'd like to audition my kids. Oh, l see. 545 00:48:30,800 --> 00:48:33,300 You just wanna get those Fresh Air Fund kids into show biz. 546 00:48:33,500 --> 00:48:35,400 That's not true. 547 00:48:35,500 --> 00:48:38,500 Their flavor's hot. You know. 548 00:48:38,600 --> 00:48:41,700 lf it gets a couple of them off the street, so much the better. 549 00:48:43,800 --> 00:48:47,300 All right, guys. Let's do it one more time, but clean it up. One, two, 550 00:48:47,400 --> 00:48:51,600 three, four, five and six and seven, eight. 551 00:48:51,700 --> 00:48:55,000 Oh, hold on. Hold on. Look who's here. 552 00:48:55,000 --> 00:48:58,400 Honey, what's up, girl? 553 00:48:59,900 --> 00:49:01,900 Hey, guys. l got a surprise for you. 554 00:49:14,000 --> 00:49:16,700 Which one of you can tell me who that is? 555 00:49:16,700 --> 00:49:20,800 - Ginuwine. - So which one of you wants to audition for his video? 556 00:49:20,900 --> 00:49:22,400 What video? 557 00:49:22,500 --> 00:49:26,000 Open calls are in two weeks, and l'll rehearse with anybody who's up to it. 558 00:49:26,000 --> 00:49:29,300 - So which one of you wants to audition for Ginuwine's video? 559 00:49:29,400 --> 00:49:31,600 All right. 560 00:49:48,200 --> 00:49:51,000 Can l help you? You're the dance teacher, right? 561 00:49:52,100 --> 00:49:55,500 l'm Otis's brother. You're the one his little man's been hanging out with, right? 562 00:49:55,500 --> 00:49:57,300 You mean Benny? Yeah, Benny. 563 00:49:57,400 --> 00:50:01,700 We ain't seen Benny around in a while and we miss him. He's been busy. 564 00:50:01,800 --> 00:50:05,600 Check this out. He's part of my crew. 565 00:50:05,700 --> 00:50:07,700 And when you're in my crew, you don't mess with other shit. 566 00:50:07,900 --> 00:50:11,400 So you tell him l'm looking for him. l'm not gonna do that. 567 00:50:11,500 --> 00:50:13,400 What? 568 00:50:14,500 --> 00:50:16,400 Why not? 569 00:50:16,500 --> 00:50:21,000 - l asked you a question! - Yo, Honey. Hey. 570 00:50:21,100 --> 00:50:26,300 B.B., what's poppin'? Am l interrupting? Well, if it ain't Floyd the Barber. 571 00:50:26,400 --> 00:50:30,600 How are things in that cute little barbershop of yours, B.? 572 00:50:30,700 --> 00:50:33,200 You making ends meet? Oh, you know. l'm definitely doing me. 573 00:50:33,300 --> 00:50:35,200 Getting this paper. ''Getting this paper.'' 574 00:50:35,300 --> 00:50:38,900 Check this out. When you're tired of nickel-and-diming,just give me a holler. 575 00:50:39,000 --> 00:50:41,000 l'm gonna hook you up. 576 00:50:41,000 --> 00:50:46,500 Well, you ever get tired of wearin' those bum-ass do-rags, you give me a holler. l'll hook you up. 577 00:50:50,300 --> 00:50:52,400 l wanna see that kid. 578 00:50:59,100 --> 00:51:02,300 You okay? Yeah, l'm cool. 579 00:51:02,400 --> 00:51:04,500 What was that all about? How did you get on B.B.'s bad side? 580 00:51:04,500 --> 00:51:06,900 l made the wrong friend, l guess. 581 00:51:07,000 --> 00:51:09,300 Well, you know, you should stay away from him. 582 00:51:09,300 --> 00:51:11,700 He's dangerous. Seriously. 583 00:51:11,800 --> 00:51:16,800 Yeah. Thinking of picking up some pepper spray tomorrow or something. 584 00:51:30,300 --> 00:51:33,000 Did l say thank you? 585 00:51:33,100 --> 00:51:36,100 You sure you don't want me to walk you upstairs and make sure you're safe? 586 00:51:36,200 --> 00:51:38,700 No. l can handle myself. 587 00:51:38,800 --> 00:51:42,100 Thanks again. 588 00:51:49,300 --> 00:51:51,800 Uh-- 589 00:51:52,800 --> 00:51:55,600 Bye. 590 00:52:06,000 --> 00:52:07,600 Come on. 591 00:52:16,000 --> 00:52:20,000 Mom, what happened? Another pipe burst. You can't be in here. 592 00:52:20,100 --> 00:52:25,600 How long will it take to fix? Oh, who knows? Building codes, inspections. 593 00:52:25,700 --> 00:52:29,000 Now the city wants to do a full assessment, see if the building's even worth reopening. 594 00:52:29,100 --> 00:52:31,900 Ma, you can't let them shut you down. Honey, 595 00:52:32,000 --> 00:52:36,700 your telling me what l can and cannot do is not gonna improve my mood right now. 596 00:52:39,600 --> 00:52:44,300 l don't know what to do about this. lf there's a danger to the kids-- 597 00:52:44,400 --> 00:52:48,200 He's one of those kids, you know, trying to act all bad. 598 00:52:48,200 --> 00:52:51,500 But 10 seconds into a routine, l catch a glimpse of him. 599 00:52:51,700 --> 00:52:54,600 lt's like l can just see this light shining out of him. 600 00:52:54,600 --> 00:52:56,900 He's a kid again. Yeah. 601 00:52:57,000 --> 00:52:59,700 lt's the best feeling l know seeing that. 602 00:52:59,800 --> 00:53:01,700 lt's scary though. 603 00:53:01,800 --> 00:53:05,400 'Cause when l think of him hanging out with B.B., it's like l can watch that light get dimmer and dimmer. 604 00:53:05,500 --> 00:53:07,900 Well, you know, when a thug joint's the hottest spot in the hood, 605 00:53:07,900 --> 00:53:10,100 it's hard for a kid not to want to be down. 606 00:53:10,200 --> 00:53:13,300 l know. l'm over here. 607 00:53:13,300 --> 00:53:15,400 Nah, nah, nah. l wanna show you something. 608 00:53:15,400 --> 00:53:18,300 All right. All right, sexy? 609 00:53:19,700 --> 00:53:21,600 Stop with that. 610 00:53:29,200 --> 00:53:32,100 You know, most of the kids l came up with werejust like that. 611 00:53:32,100 --> 00:53:34,600 Trying to be thugged out, and wanting to fit in. 612 00:53:34,700 --> 00:53:36,800 'Cause that's what everybody else was doing. 613 00:53:36,800 --> 00:53:39,600 Where are they now,jail? 614 00:53:39,600 --> 00:53:44,800 Most of them, or headed that way like B.B., or dead. 615 00:53:44,900 --> 00:53:46,800 Listen, this is bad date talk. 616 00:53:46,900 --> 00:53:50,300 We should change the subject. What's your favorite color? 617 00:53:50,400 --> 00:53:52,300 How come you turned out so good? 618 00:53:52,400 --> 00:53:54,800 She thinks l turned out good. 619 00:53:54,900 --> 00:53:58,600 l'm serious. l don't know. l got lucky. 620 00:53:58,700 --> 00:54:01,100 What happened? 621 00:54:02,200 --> 00:54:06,400 Well, the guy that used to own this shop lived right next door to me and my mom. 622 00:54:06,500 --> 00:54:09,500 And when he saw me get into some bad things, 623 00:54:09,600 --> 00:54:12,400 he gave me a job here sweeping up the floors. 624 00:54:12,500 --> 00:54:14,400 lt's crazy 'cause he couldn't even afford it. 625 00:54:14,500 --> 00:54:16,400 He paid me right out of his own pocket. 626 00:54:16,500 --> 00:54:18,800 l worked for him for 10 years. 627 00:54:18,900 --> 00:54:22,500 And when he passed, he left this place to me. 628 00:54:23,600 --> 00:54:26,400 See, B.B. likes to talk shit like l'm the one that's losing, 629 00:54:26,400 --> 00:54:28,400 like l'm missing something out there on the streets, 630 00:54:28,500 --> 00:54:30,500 but he and l both know who's winning. 631 00:54:30,600 --> 00:54:34,500 l've found something that l truly love, that truly makes me happy. 632 00:54:34,700 --> 00:54:38,200 And that's a million times better than finding something that makes you rich. 633 00:54:39,400 --> 00:54:42,900 So, it's just someone believing in you. 634 00:54:44,200 --> 00:54:48,800 Well, that and having a place to go where l could stay out of trouble, yeah. 635 00:54:54,300 --> 00:54:56,000 What? 636 00:54:56,000 --> 00:54:59,200 Nothing.Just thinking. 637 00:54:59,300 --> 00:55:01,300 About what? 638 00:55:01,400 --> 00:55:04,000 About what makes me happy. 639 00:55:09,000 --> 00:55:13,500 Well, you know, l would really love to be a part of that. What? 640 00:55:13,600 --> 00:55:17,000 Making you happy. 641 00:56:10,300 --> 00:56:12,300 477 Castle Hill Avenue... 642 00:56:12,400 --> 00:56:17,100 will go for about $170,000. 643 00:56:17,200 --> 00:56:19,200 So 17 down? 644 00:56:19,300 --> 00:56:22,700 Seventeen thousand down, yes. ln cash. 645 00:56:26,700 --> 00:56:29,400 How about l give you half the down payment now, 646 00:56:29,400 --> 00:56:31,900 and you give me 30 days to come up with the rest? 647 00:56:32,000 --> 00:56:34,500 lf l don't, you put it back on the market. 648 00:56:34,500 --> 00:56:36,500 Why do you even want this property? 649 00:56:36,500 --> 00:56:38,800 lt's just an empty storefront on a bad block. 650 00:56:38,800 --> 00:56:41,300 lt's perfect for a dance studio. 651 00:56:42,800 --> 00:56:45,300 Maybe even a dance school for the whole neighborhood. 652 00:56:46,900 --> 00:56:49,900 - So am l writing a check or not? - By all means. 653 00:56:53,100 --> 00:56:55,400 Five, six, seven, eight. 654 00:57:17,100 --> 00:57:20,300 - Cut. 655 00:57:26,000 --> 00:57:28,800 You have no idea what this means to them. Oh, sure, l do. 656 00:57:28,800 --> 00:57:30,600 l had a first job too once. 657 00:57:32,300 --> 00:57:35,000 Oh, uh, we have a meeting later. 658 00:57:35,100 --> 00:57:40,600 With who? Uh, it's, uh, the big guys. 659 00:57:40,700 --> 00:57:44,400 Downtown. l'll pick you up. We'll go together. 660 00:57:45,800 --> 00:57:48,400 l can't. l'm going to Atlantic City. 661 00:57:48,400 --> 00:57:52,100 No, you are not. Absolutely not. 662 00:57:52,200 --> 00:57:55,700 You gotta be there, Honey. l'm gonna pick you up around 5:00. 663 00:57:55,800 --> 00:57:59,800 l know. l gotta go to some wack meeting instead of A.C. 664 00:58:02,900 --> 00:58:05,800 lt's boss man. 665 00:58:05,900 --> 00:58:08,200 Well, you girls have a good time, okay, Gina? 666 00:58:08,200 --> 00:58:10,400 Who is it? lt's Michael. Let me up. 667 00:58:15,000 --> 00:58:17,500 All right. l gotta go. 668 00:58:17,500 --> 00:58:20,400 You wild out. Tear that place up. Okay. 669 00:58:27,300 --> 00:58:29,200 Hey. Hey, sweetie. 670 00:58:30,600 --> 00:58:32,600 Oh, this is-- 671 00:58:32,600 --> 00:58:34,600 Well, this is where you live here. 672 00:58:34,600 --> 00:58:36,800 What's with the threads? 673 00:58:39,600 --> 00:58:45,200 Q. Walker's black-and-white party? Yeah, that's the shit right there. That's the biggest party of the year. 674 00:58:45,200 --> 00:58:47,900 Got anyjuice? l thought we were going to a meeting. 675 00:58:48,000 --> 00:58:50,800 Business and pleasure are the same thing. You know that, Honey. 676 00:58:52,700 --> 00:58:56,500 lf l knew it was a party, l wouldn't have canceled on my best friend's birthday. 677 00:58:56,500 --> 00:58:58,700 You would rather go to Atlantic City, 678 00:58:58,800 --> 00:59:02,400 which will always be there, with friends you always see, 679 00:59:02,500 --> 00:59:05,500 instead of going to the hottest party in town with me? 680 00:59:07,300 --> 00:59:09,600 Look. 681 00:59:09,600 --> 00:59:11,700 Everybody is gonna be there. 682 00:59:11,700 --> 00:59:14,900 All right? Artists, producers, other choreographers. 683 00:59:15,000 --> 00:59:17,300 lt would be career suicide if you didn't go. 684 00:59:20,000 --> 00:59:22,600 All right. Change into that, 685 00:59:22,700 --> 00:59:25,000 and, uh, l'll meet you downstairs. 686 00:59:25,100 --> 00:59:27,000 Okay? 687 00:59:27,100 --> 00:59:28,800 Okay. 688 00:59:56,800 --> 00:59:59,900 Hey, uh, can l use your phone? 689 01:00:00,000 --> 01:00:02,800 Yeah, yeah. Hold on. 690 01:00:02,800 --> 01:00:06,400 l'm gonna go upstairs and find a quiet room, so-- 691 01:00:06,500 --> 01:00:09,600 You heard her, B. She's gonna find a quiet room upstairs. 692 01:00:14,400 --> 01:00:20,300 Remember, stake if it's 16. lf it's less, hit or something like that. 693 01:00:20,400 --> 01:00:23,900 All right. Well, uh, l miss you. 694 01:00:24,900 --> 01:00:27,800 Happy birthday. 695 01:00:27,800 --> 01:00:29,900 This is a nice crib, huh? 696 01:00:29,900 --> 01:00:32,800 Oh. Hey, Michael. You scared me. 697 01:00:32,800 --> 01:00:36,300 - What are you doing? - l'm just looking. 698 01:00:36,300 --> 01:00:39,800 - At the house? 699 01:00:39,900 --> 01:00:42,700 No, l'm looking at you. 700 01:00:43,700 --> 01:00:48,300 That's the cognac speaking. Here. Thanks. 701 01:00:48,400 --> 01:00:53,000 You know, the first time l ever saw you, l said to myself, 702 01:00:53,100 --> 01:00:55,000 ''That girl is so fine.'' 703 01:00:55,100 --> 01:00:58,100 Quit playin'. Who's playing? l'm not playing. 704 01:00:58,200 --> 01:01:00,000 No, seriously. No, seriously. 705 01:01:00,100 --> 01:01:02,800 Come on. Stop. Stop! Stop! 706 01:01:02,900 --> 01:01:05,100 Get off of me. 707 01:01:09,700 --> 01:01:13,300 Bitch, how you gonna play me like that? 708 01:01:15,300 --> 01:01:18,700 Oh. Oh, l see. l see. You're one of those. 709 01:01:18,700 --> 01:01:22,100 l'm not one of anything. l'm just not up for this. 710 01:01:22,200 --> 01:01:26,700 What about, ''l owe you so much, Michael''? ''You're the best thing that ever happened to me, Michael. '' 711 01:01:26,800 --> 01:01:29,000 Professionally, yeah. 712 01:01:32,100 --> 01:01:35,200 All right. That was all talk. That was all talk, right? 713 01:01:37,400 --> 01:01:41,000 Just so you could get ahead in life? No, no, stay. Don't leave. 714 01:01:41,100 --> 01:01:43,300 You made it. You're here. Stay. 715 01:01:43,400 --> 01:01:47,300 Look, it's a fancy party. You came in a fancy car. 716 01:01:47,400 --> 01:01:49,400 You're drunk. 717 01:01:56,100 --> 01:01:58,400 l'm gonna do you a favor. 718 01:01:58,500 --> 01:02:01,400 l'm gonna pretend like none of this happened. 719 01:02:01,500 --> 01:02:03,500 See you on Monday. 720 01:02:09,400 --> 01:02:11,700 - One and two, three and four. 721 01:02:11,800 --> 01:02:14,000 Five, six, nice. 722 01:02:19,900 --> 01:02:22,600 Okay, Ginuwine, come through. 723 01:02:22,800 --> 01:02:24,900 Okay, Raymond. 724 01:02:30,000 --> 01:02:32,300 Shaker boys, in front. 725 01:02:32,300 --> 01:02:34,300 Come on, shake it up. 726 01:02:36,500 --> 01:02:39,400 Go, shake it. Come on. 727 01:02:39,400 --> 01:02:41,700 Come on. Shake it good, boys. 728 01:02:41,700 --> 01:02:45,800 Oh, oh, oh, oh! 729 01:02:48,300 --> 01:02:50,800 Oh, oh, oh, oh! 730 01:02:50,900 --> 01:02:53,000 Oh! 731 01:02:57,400 --> 01:02:59,300 That was great. You guys were terrific. 732 01:02:59,400 --> 01:03:03,300 l'm lovin' it. Hey, hey, yo! 733 01:03:03,500 --> 01:03:05,600 Good job! 734 01:03:05,700 --> 01:03:07,900 That was hot. Where is he? 735 01:03:07,900 --> 01:03:09,900 l don't know. Ginuwine! 736 01:03:20,800 --> 01:03:22,800 We're ready for a rehearsal, sir. 737 01:03:31,200 --> 01:03:33,700 lt's all set for you. Hey, Mike. Hi, how you doin'? 738 01:03:33,700 --> 01:03:37,100 Hold that for a while. All right, let's see this. 739 01:03:37,200 --> 01:03:40,300 Playback.! All right, guys. Just like we rehearsed. 740 01:03:40,400 --> 01:03:43,700 - Five, six, seven, eight. 741 01:03:45,100 --> 01:03:47,900 Cut. Cut! Cut. 742 01:03:49,300 --> 01:03:51,600 Go get the car or something. 743 01:03:57,000 --> 01:03:59,800 Nah, it's not-- it's not working. Which part? 744 01:03:59,900 --> 01:04:02,500 The whole part. The whole kid thing. 745 01:04:02,700 --> 01:04:04,600 lt's horrible. 746 01:04:07,600 --> 01:04:10,500 No, Michael. Don't do this. 747 01:04:10,500 --> 01:04:13,900 l was thinking l wanted to make it a little more sexy, you know. A little more real. 748 01:04:14,000 --> 01:04:16,700 What's more real than these kids? 749 01:04:21,600 --> 01:04:23,700 Oh, no. 750 01:04:23,700 --> 01:04:26,100 Michael, don't do this. 751 01:04:26,100 --> 01:04:30,100 lf you want to get back at me, do that, but don't take it out on these kids. Katrina, baby. 752 01:04:32,100 --> 01:04:34,000 Hey. 753 01:04:35,500 --> 01:04:38,500 - All right, now l'm gonna give you some music. - Okay. 754 01:04:38,500 --> 01:04:41,400 And l want you to listen and then move. Got you. 755 01:04:42,700 --> 01:04:44,600 Go do your thing. 756 01:04:46,400 --> 01:04:50,700 Do not take away the one thing they have to be excited about. 757 01:04:50,800 --> 01:04:54,100 Look. l have a lot to do today, all right? 758 01:04:54,200 --> 01:04:56,100 So if you want to get paid, 759 01:04:56,200 --> 01:05:00,100 pack up your shit and take your little friends out of here. 760 01:05:02,700 --> 01:05:06,800 l want you to fire 'em. l want you to tell them why you're not using 'em. 761 01:05:06,900 --> 01:05:09,500 What's going on? Don't worry about it. 762 01:05:09,600 --> 01:05:12,900 What makes you think l care what you want? 763 01:05:14,000 --> 01:05:16,900 Yeah, the label called. They're not into the kid thing at all. 764 01:05:17,000 --> 01:05:19,300 For real? Aw, man. All right. 765 01:05:26,000 --> 01:05:28,700 - l'm so sorry. - So it's not gonna happen? 766 01:05:28,800 --> 01:05:31,700 No. He changed his mind about what he wants. 767 01:05:31,800 --> 01:05:35,400 - Why? -Just because. 768 01:05:35,500 --> 01:05:38,700 - You made him mad, didn't you? - Not intentionally. 769 01:05:38,800 --> 01:05:41,800 Look,you guys. There will be other opportunities. 770 01:05:42,000 --> 01:05:45,400 No, there won't. Let's go, y'all. This is wack. 771 01:06:14,400 --> 01:06:17,400 Oh, you're funny, right? Okay. 772 01:06:17,500 --> 01:06:20,000 What happened to your big dance career? 773 01:06:20,100 --> 01:06:24,100 lt's weak, man. Thug life, baby. 774 01:06:24,200 --> 01:06:26,300 Yo. That's what it is. 775 01:06:27,700 --> 01:06:30,100 l like those. 776 01:06:32,300 --> 01:06:34,200 Yo. Go cop those for me, man. 777 01:07:02,900 --> 01:07:04,800 Let's move. Come on, go. 778 01:07:09,200 --> 01:07:12,300 Come on, ladies. Let me see it. 779 01:07:12,400 --> 01:07:15,300 Five, six, seven, eight. Turn. 780 01:07:17,800 --> 01:07:21,900 Front. Back. lf that's the girl we heard about, then no way. 781 01:07:30,200 --> 01:07:33,400 l can't get a job anywhere. Michael's blackballing me. You sure about that? 782 01:07:33,500 --> 01:07:36,300 Yeah, and all he has to do is mention he doesn't want me working. 783 01:07:36,400 --> 01:07:38,700 What kind of clown would do that, stop somebody from earning a living? 784 01:07:38,700 --> 01:07:42,400 l guess he figures since he gave me my career, he can take it away. 785 01:07:42,400 --> 01:07:44,600 Hey. He didn't give you anything. 786 01:07:44,700 --> 01:07:49,200 You get hired because you've got drive, talent and love for what you do. 787 01:07:49,300 --> 01:07:52,600 That's a gift from God, not some video director. 788 01:07:53,700 --> 01:07:55,700 The thing is, l was counting on that money. 789 01:07:55,800 --> 01:07:57,800 Not for me, for the kids. 790 01:07:58,000 --> 01:08:01,200 That studio could be unbelievable. 791 01:08:01,300 --> 01:08:03,100 lt could change their life. 792 01:08:50,800 --> 01:08:53,000 Hmm, paying off that balance? 793 01:08:54,400 --> 01:08:59,000 Actually, l came for an extension. l need more time. How much? 794 01:08:59,100 --> 01:09:04,400 l don't know. l sort of hit a financial snag. Miss Daniels, 795 01:09:04,500 --> 01:09:06,500 if l could help you, l would. 796 01:09:06,600 --> 01:09:10,900 But l've already agreed to keep this property off the market for two full weeks for you. 797 01:09:10,900 --> 01:09:13,300 That's the best l can do. 798 01:09:18,200 --> 01:09:22,400 l know it's a lot of money. l'm sorry, Honey. We just don't have it. 799 01:09:22,500 --> 01:09:24,700 And even if we did-- Evelyn, don't. 800 01:09:24,800 --> 01:09:27,300 Even if you did what, Ma? 801 01:09:27,300 --> 01:09:30,300 Honey, a commitment like that, 802 01:09:30,400 --> 01:09:33,200 you take that on, you are gonna be stuck here forever. 803 01:09:33,300 --> 01:09:35,400 You'll never leave. 804 01:09:35,500 --> 01:09:39,200 Oh, l forgot. l'm supposed to see all the beautiful things in this world. 805 01:09:39,300 --> 01:09:42,900 Well, there's nothing wrong with my wanting that for you. 806 01:09:43,000 --> 01:09:45,000 No, but what about what l want? 807 01:09:45,000 --> 01:09:48,500 You're 22 years old. You don't know what you want. 808 01:09:51,200 --> 01:09:53,800 You know what l see living in this neighborhood? 809 01:09:53,800 --> 01:09:57,500 l see kids go from bad homes to bad schools and back again. 810 01:09:57,500 --> 01:10:01,200 And l've seen you unlock a door to a place where those kids can feel safe. 811 01:10:04,300 --> 01:10:08,500 Maybe l'm dumb because l haven't been to Paris or Milan or wherever, 812 01:10:08,600 --> 01:10:11,200 but to me, 813 01:10:11,300 --> 01:10:14,400 it doesn't get much better than that. 814 01:10:58,800 --> 01:11:01,700 lt was everything l always wanted. 815 01:11:01,800 --> 01:11:05,800 But when l had got it, it felt like nothing, less than nothing. 816 01:11:07,400 --> 01:11:09,900 And now losing it feels even worse. 817 01:11:11,100 --> 01:11:13,300 l'm not looking for sympathy. 818 01:11:13,500 --> 01:11:15,900 l just need someone to talk to, 819 01:11:16,000 --> 01:11:18,500 someone l know and trust. 820 01:11:19,700 --> 01:11:23,000 l'm so sorry, Gina. l totally let you down. 821 01:11:24,500 --> 01:11:26,400 Do you think you could ever trust me again? 822 01:11:26,500 --> 01:11:29,900 l don't know. 823 01:11:30,000 --> 01:11:31,800 Maybe. 824 01:11:33,500 --> 01:11:35,800 You're my girl. 825 01:11:36,800 --> 01:11:40,100 You know the first thing l thought when l saw that picture in the paper? 826 01:11:40,200 --> 01:11:43,200 - That hood rat lied to me. - No, that was the second. 827 01:11:43,300 --> 01:11:46,600 - That hood rat skipped out on my birthday. - No, that was the third. 828 01:11:46,700 --> 01:11:48,700 What was the first? 829 01:11:48,800 --> 01:11:52,900 That hood rat went to the black-and-white party and she did not bring me. 830 01:11:54,900 --> 01:11:58,800 l know you're in a jam right now, but, Honey,you got skills. 831 01:11:58,900 --> 01:12:01,000 And that's gonna take you places. 832 01:12:01,100 --> 01:12:02,900 l just thought that, you know, 833 01:12:03,000 --> 01:12:05,000 being your girl and all, l'd get to go too. 834 01:12:05,000 --> 01:12:07,400 You can. No, l can't. 835 01:12:08,700 --> 01:12:11,900 l'm just your friend. You're the one with the goods. 836 01:12:12,000 --> 01:12:14,500 You're the one that people want. You don't need me. 837 01:12:14,600 --> 01:12:18,900 You just need to trust and believe in yourself. 838 01:12:18,900 --> 01:12:20,900 Like l do. 839 01:12:27,700 --> 01:12:29,600 Come here. 840 01:12:34,900 --> 01:12:38,600 Don't worry, baby, you'll find work real soon. You're too good not to get hired. 841 01:12:38,600 --> 01:12:40,600 All right? 842 01:12:40,700 --> 01:12:44,000 l just don't have the time to wait for people to wake up to that. 843 01:12:44,100 --> 01:12:46,100 l'm gonna lose the building at the end of the month. 844 01:12:46,200 --> 01:12:51,500 lf l can't earn it, and l can't borrow it, and l can't steal it, 845 01:12:53,100 --> 01:12:56,800 l could raise it. What do you mean? 846 01:12:56,900 --> 01:12:59,500 Well, l'm trying to get a space for kids, right? 847 01:12:59,600 --> 01:13:03,000 lf people knew about it, they'd want to help, wouldn't they? Yeah, probably. 848 01:13:03,100 --> 01:13:05,000 l could put on a benefit performance. 849 01:13:05,000 --> 01:13:07,700 Charge a cover. Get some donated food. 850 01:13:07,800 --> 01:13:11,700 Put on a great show. l could do that. Why couldn't l do that? 851 01:13:11,800 --> 01:13:16,000 'Cause l don't have a space, that's why. Damn it! 852 01:13:16,100 --> 01:13:18,300 Come here, mami. l got an idea. 853 01:13:18,400 --> 01:13:21,200 That's love. Nah, baby, l got you on my Christmas list. 854 01:13:21,200 --> 01:13:23,300 All right? One, one. 855 01:13:24,600 --> 01:13:27,200 lt's just off the B.Q.E. lt used to be a church. 856 01:13:27,400 --> 01:13:30,700 The cat l was just on the phone with, he used to own it. 857 01:13:30,800 --> 01:13:34,200 But in three weeks they're converting it to office space, so it's empty now. 858 01:13:34,400 --> 01:13:36,300 lf you want it, you better jump on it. 859 01:13:36,400 --> 01:13:38,300 What's it like? 860 01:13:38,400 --> 01:13:40,300 lt's dirty. lt's old. 861 01:13:40,400 --> 01:13:43,100 But it has a floor, right? Yeah. 862 01:13:43,100 --> 01:13:45,900 l'll take it. Thank you. 863 01:13:56,200 --> 01:13:59,800 Hey, guys. Hi, Honey. What's up? 864 01:13:59,900 --> 01:14:03,500 l know what you're thinking, ''What the hell we doing here?'' Don't worry, it's temporary. 865 01:14:03,600 --> 01:14:05,700 This is what we call a means to an end. 866 01:14:05,800 --> 01:14:09,200 Nobody's gonna give us a space, that much is clear. 867 01:14:09,300 --> 01:14:12,600 So we're gonna raise the money and buy it, straight up and legal. 868 01:14:12,700 --> 01:14:14,700 Y'all ever heard of a benefit performance? 869 01:14:14,800 --> 01:14:18,100 - What do you mean? LikeJerry Lewis? - Sort of. 870 01:14:18,100 --> 01:14:20,700 l'm Jerry. You're the kids. Let's get to work. 871 01:16:02,000 --> 01:16:04,000 Orange. Good color for you. 872 01:16:04,000 --> 01:16:07,700 l spoke to your moms. She said you're getting out tomorrow. 873 01:16:07,800 --> 01:16:09,700 That's right. 874 01:16:09,800 --> 01:16:12,000 When you do, l want you to come hang with me. 875 01:16:12,100 --> 01:16:15,200 Nah. 876 01:16:15,400 --> 01:16:17,700 You could have a good life, Benny. lt doesn't have to be like this. 877 01:16:17,800 --> 01:16:21,800 What do you know? You ain't got no job. You ain't got no money. 878 01:16:22,000 --> 01:16:25,700 - Matter of fact, you ain't got nothing. - What l got is a clear conscience. 879 01:16:25,800 --> 01:16:27,700 Yeah? What you gonna buy with that? 880 01:16:27,800 --> 01:16:30,700 lt breaks my heart seeing you selling yourself short like this. 881 01:16:30,700 --> 01:16:33,000 So leave. Get. 882 01:16:37,400 --> 01:16:39,600 Let me ask you something. 883 01:16:39,600 --> 01:16:41,700 You know your homies, those guys that got your back? 884 01:16:43,900 --> 01:16:47,400 - Yeah? - How many times they come to visit you? 885 01:16:50,800 --> 01:16:53,100 You think about that. 886 01:16:58,800 --> 01:17:00,700 l don't know if this is gonna work, Missy. 887 01:17:00,800 --> 01:17:04,000 But, uh, nah, Katrina's gonna make this so sexy, it's not gonna matter. 888 01:17:04,100 --> 01:17:07,700 Katrina? Who the hell is Katrina? 889 01:17:07,700 --> 01:17:09,900 - That's Katrina. - Hey. 890 01:17:09,900 --> 01:17:14,000 Katrina is the shit. She just did Ginuwine's new video. 891 01:17:14,000 --> 01:17:16,700 l don't care if she just showed MichaelJackson how to Harlem shake. 892 01:17:16,800 --> 01:17:20,500 l said l want Honey. Honey Daniels. Duh. 893 01:17:20,700 --> 01:17:23,300 Let's just try it once. And if you like it, we keep it. 894 01:17:23,500 --> 01:17:25,900 lf not, then we fix it. So there's no problem. 895 01:17:26,000 --> 01:17:28,000 Let me see what you got. What you gonna do? 896 01:17:28,000 --> 01:17:31,000 l was thinking something a little more sexy, maybe in the hips. Lenny. 897 01:17:44,500 --> 01:17:46,900 - No. No, no, no. 898 01:17:47,900 --> 01:17:52,300 What is this, this? 899 01:17:52,400 --> 01:17:56,000 Look, let me tell you something. l don't backup dance for Heather Hunter. 900 01:17:56,100 --> 01:17:59,800 l don't know what kind of pornography y'all got going on here. This has gotta be a joke. 901 01:17:59,900 --> 01:18:02,400 Anyway, when you get in touch with Honey Daniels, you call me. 902 01:18:02,500 --> 01:18:06,700 You, you need to call M.C. Hammer, let him know you're stealing his stuff. 903 01:18:06,800 --> 01:18:10,100 Y'all two crazy people in here. Give me my phone. 904 01:18:10,200 --> 01:18:12,700 Don't make no sense. That's ridiculous. 905 01:18:14,100 --> 01:18:16,400 Missy, hold up. l got an idea. 906 01:18:19,200 --> 01:18:21,900 Honey, what you been up to? 907 01:18:22,000 --> 01:18:24,100 Bye, Michael. Wait, come on. Honey, come on. 908 01:18:24,200 --> 01:18:26,800 Hold on. l came to apologize. l'm not interested. 909 01:18:26,900 --> 01:18:28,600 Give me a break. 910 01:18:29,700 --> 01:18:31,700 What l did, 911 01:18:31,700 --> 01:18:36,400 the way l handled things was uncool, and l am so sorry. 912 01:18:36,500 --> 01:18:38,500 Hey, and l want to make it up to you. 913 01:18:38,600 --> 01:18:40,500 ls that so? 914 01:18:40,600 --> 01:18:42,700 l've got you three new jobs. 915 01:18:42,800 --> 01:18:45,500 And you want me to do the choreography? 916 01:18:45,600 --> 01:18:47,600 l am begging you. 917 01:18:50,000 --> 01:18:52,600 Oh, l get it. 918 01:18:52,600 --> 01:18:55,600 The artist asked for me, and if you don't deliver, they're walkin'. 919 01:18:55,700 --> 01:18:57,900 Am l right? 920 01:18:58,000 --> 01:19:01,100 They want you, sure. But so do l. 921 01:19:01,200 --> 01:19:04,400 Michael, you got yourself in such a bind. 922 01:19:04,500 --> 01:19:06,400 Good luck getting out of it. 923 01:19:06,500 --> 01:19:11,000 l'll pay. You know l got the money. 924 01:19:11,100 --> 01:19:13,300 l don't want your money. 925 01:19:13,400 --> 01:19:16,300 Are you sure? You sure about that? 926 01:19:17,800 --> 01:19:21,800 Because, uh, l could buy you a little dance studio. 927 01:19:21,800 --> 01:19:25,100 What about that? What about you come back to work for me, 928 01:19:25,200 --> 01:19:27,000 and l'll get you this. 929 01:19:29,400 --> 01:19:31,300 You know what's funny? 930 01:19:31,400 --> 01:19:36,000 When l first met you, you were 10 feet tall. 931 01:19:37,400 --> 01:19:40,300 And now l look at you, you're this big. 932 01:19:41,600 --> 01:19:45,800 l don't need your help. l'm gonna get that dance studio on my own. 933 01:19:47,800 --> 01:19:50,200 Five, six, seven, eight. 934 01:19:53,400 --> 01:19:55,300 Hey. 935 01:19:58,000 --> 01:20:00,600 - So you came. - l had to. 936 01:20:00,700 --> 01:20:04,100 l can't let these bustas get in front of an audience doin' no-- 937 01:20:05,100 --> 01:20:07,300 - That's wack. - ls that so? 938 01:20:07,500 --> 01:20:11,200 l'm gonna give you something better. 'Cause it breaks my heart to see you selling yourself short. 939 01:20:11,300 --> 01:20:13,400 Oh. 940 01:20:13,600 --> 01:20:16,000 - Let's see you bust. - Let's do this. 941 01:20:16,000 --> 01:20:18,400 Five, six, seven, eight. 942 01:20:26,000 --> 01:20:27,800 So you pick that up in juvie? 943 01:20:27,900 --> 01:20:32,000 That's right. l believe in making every experience educational. 944 01:20:34,000 --> 01:20:36,300 All right, guys, let's clump it up. 945 01:20:36,400 --> 01:20:38,300 We only got a few rehearsal days left. 946 01:20:38,400 --> 01:20:40,500 Let's make it count. 947 01:20:40,600 --> 01:20:43,300 Music. Okay. 948 01:20:43,400 --> 01:20:45,700 - Count 'em in. 949 01:20:45,700 --> 01:20:50,200 Five, six. Five, six, seven, eight. 950 01:20:54,400 --> 01:20:56,500 Good. 951 01:20:56,500 --> 01:20:59,000 Nice. 952 01:20:59,100 --> 01:21:01,300 One more time. Keep it tight, okay? 953 01:21:18,400 --> 01:21:22,100 Can you see the stage all right? Yeah? Okay. 954 01:21:24,700 --> 01:21:26,500 Hey, chica. 955 01:21:26,600 --> 01:21:28,200 Gina. 956 01:21:28,200 --> 01:21:30,800 Oh, you know my homegirl Mrs. Strom, right? 957 01:21:30,900 --> 01:21:34,200 Your friend came by the bank and told me what you're trying to do here. 958 01:21:34,300 --> 01:21:37,900 l do banking for some nonprofit arts foundations. 959 01:21:38,000 --> 01:21:40,600 - l know some people. - Some rich people. 960 01:21:40,700 --> 01:21:45,200 Some people who would find the opportunity of funding a project like yours very interesting. 961 01:21:45,300 --> 01:21:48,500 Are you serious? l've invited them tonight. 962 01:21:48,600 --> 01:21:51,000 Oh, my goodness. Thank you so much. 963 01:21:51,100 --> 01:21:54,900 Don't thank me yet.Just go out there and put on a good show. 964 01:21:54,900 --> 01:21:58,600 How am l supposed to know if l'm dressed right if you won't tell me where we're going? 965 01:21:58,700 --> 01:22:00,800 What you're wearing is fine. 966 01:22:00,800 --> 01:22:03,800 Are you sure? l'm sure we're late. 967 01:22:03,900 --> 01:22:05,800 Where are we going? l'm not telling. 968 01:22:05,800 --> 01:22:08,900 You better tell me something. l'm not telling. 969 01:22:12,300 --> 01:22:14,200 Here you go. 970 01:22:14,300 --> 01:22:16,500 Does the set look okay? Yeah, it's cool. 971 01:22:16,600 --> 01:22:21,400 l don't know. l feel like l should've had brighter lights, or a different backdrop, or colors. 972 01:22:21,600 --> 01:22:24,100 l don't know. Here. 973 01:22:24,200 --> 01:22:28,500 Yo, Honey. lt's good. Just chill out. We got your back. 974 01:22:30,400 --> 01:22:32,500 Now get out of here. We got a show to do. 975 01:22:46,800 --> 01:22:48,900 Wow. 976 01:22:49,000 --> 01:22:51,100 You have no idea how beautiful y'all look. 977 01:22:52,600 --> 01:22:54,600 Thank you for coming. 978 01:22:54,700 --> 01:22:56,700 This means a lot to me. 979 01:22:56,800 --> 01:22:58,700 This means a lot to all of us. 980 01:23:00,200 --> 01:23:04,400 These kids are good kids, and, man, do they love to dance. 981 01:23:05,500 --> 01:23:09,200 Dancing isn't what they do, it's who they are. 982 01:23:10,400 --> 01:23:13,700 And you coming here tonight says you wanna get to know 'em. 983 01:23:15,600 --> 01:23:17,600 That means more than you could imagine. 984 01:23:18,900 --> 01:23:21,600 So, thanks again. 985 01:23:21,700 --> 01:23:23,600 Peace. 986 01:23:23,700 --> 01:23:26,300 And l hope you like it. 987 01:23:35,400 --> 01:23:38,100 That was beautiful, baby. Beautiful. 988 01:27:18,100 --> 01:27:21,100 Encore, encore! 989 01:27:31,500 --> 01:27:35,300 - Beautiful, beautiful. - Come on. 990 01:27:35,400 --> 01:27:39,100 Honey, Honey, Honey! 991 01:27:57,600 --> 01:28:00,000 lt's Tweet.! 992 01:28:36,500 --> 01:28:38,500 You stupid.! 993 01:28:38,500 --> 01:28:40,900 Man, open this damn door. Open the door. l'm late. 994 01:28:41,900 --> 01:28:43,900 Open the door. Open the door. 995 01:28:46,400 --> 01:28:49,300 You big dummy, how the hell y'all don't know how to get to the B.Q. E.? 996 01:28:49,300 --> 01:28:53,300 Let me explain something to you. lf you make me miss my hookup with Miss Honey Daniels, 997 01:28:53,300 --> 01:28:56,000 l'm gonna straight barbecue your Big Bird-lookin', 998 01:28:56,100 --> 01:28:59,200 Men in Black wannabe, Driving Miss Daisy ass. 999 01:29:08,500 --> 01:29:12,800 Subripped And Fixed By Pacman 1000 01:29:17,800 --> 01:29:19,700 What's up, girl? Hey, Missy. 1001 01:29:19,800 --> 01:29:21,600 Man, good to see you. You too. 1002 01:29:21,700 --> 01:29:25,300 Honey, this is Blaque right here. And Blaque, this is Honey Daniels. 1003 01:29:25,300 --> 01:29:27,100 She's the choreographer l was telling y'all about. 1004 01:29:27,200 --> 01:29:30,000 They got a video coming up, so they'll need some hot stuff. 1005 01:29:30,100 --> 01:29:31,800 Some ''oom-pah-pay,'' you know. 1006 01:29:31,900 --> 01:29:35,100 So, uh, we're gonna get it poppin'. l'm sure y'all-- 1007 01:29:35,200 --> 01:29:38,500 - Come on, girls. l heard your record's hot. - Thanks. 1008 01:29:38,600 --> 01:29:41,900 Two over here. One on this side. Let's line it up. 1009 01:29:42,900 --> 01:29:45,700 Right leg first, okay? 1010 01:29:45,800 --> 01:29:49,000 Seven, eight. One, two, three, four. 1011 01:29:49,100 --> 01:29:51,300 Three, four. Seven and eight. 1012 01:29:51,400 --> 01:29:55,700 One, two, three and four. Five, six.