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There are a lot of people creating hype.

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We've all heard the story.

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NFT could make you a millionaire
overnight.

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The crypto bro, the get rich fast, the
let's party.

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The global crypto space can seem packed
full of ego. There's a lot of people

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making very quick dollars without
understanding what they're even doing.

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I was just seeing a bunch of cowboys
coming in and going, we can get rich

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But who are the local innovators
smashing those NFT stereotypes?

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Scratch beneath the surface.

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And there are wonderful communities
across New Zealand putting in the

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We're seeing more people coming into
this with good values.

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We meet the Kiwis killing it in the NFT
scene and proving it's not all about the

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cash. We really believe it can be a part
of the change in this industry.

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There are a lot of New Zealand creators
who are trying to create something

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bigger.

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Maybe from the inside, we can start to
turn it into something more accessible.

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For Luke Ryan, the road to creating a
sellout collection of NFTs was far from

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easy, and it all started with his own
journey of self -discovery.

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I was born here in Tamaki Makaurau.

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As a kid, I was definitely introverted.

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And my big dream was to have my own
computer. And I used to think to myself,

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I've got a computer, I've made it. My
identity was really tied to my Pākehā

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side. I was essentially cut off from
Māoridom for the first two decades of my

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life.

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I decided to go to university, and I
thought that I should probably do

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in corporate business.

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So I went and studied business.

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And that was the beginning of 10 years
that I spent at university, actually,

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work at the same time.

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After a decade working in corporate, I
realized that maybe something else is

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calling me.

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I decided to start a content agency.

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And as that evolved, I started to work
with artists.

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And I felt a lot of reflection around
this world.

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I was like, there's something rich
there.

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I started to have this urge to know more
about who I was.

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And then I got this opportunity to go
onto this board for a charity where I

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up in Glendale, GI.

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And a lot of the protocols that the
charity had were Māori.

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That's where I met Bill.

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Luke came onto the board of Te Waipuna
Porowai.

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I would describe him as one of those
people who still waters Monday.

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Bill started to show me things at my own
pace.

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It became my safe space where I could
learn about what Māoridom meant to me.

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The more I got to know Luke, I
recognised that he had the skills of a

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the ability to see things before they
occur or to be able to say that's where

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the issue is.

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I've seen brilliant Māori leaders and he
was someone younger that had that

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ability to think like that.

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It was around the same time that Luke
also discovered the world of crypto.

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My first experience with Bitcoin was in
2018.

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I had heard that it was this asset that
you could invest in. It's just so cool,

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but it's also quite unregulated.

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I was trying to work out for myself
what's going on. I need to learn about

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industry. I need to make as many
mistakes.

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as I possibly can so that I can learn
faster.

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I managed to lose a lot of my crypto
trading because I didn't know what I was

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doing. I had an allocation of money that
I put into some digital assets and I

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got it really wrong. And so now they're
worth nothing.

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Great! I just actually have to laugh at
how bad I did.

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But it was almost like that was my
training.

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While Luke knew crypto was a world he
wanted to keep on exploring, it took a

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backseat when whānau called.

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COVID came.

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My brother had been quite unwell.

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He passed away.

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I was very shocked.

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My brother's wishes were that I was to
run the tangi.

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Bill came and helped to give that
grounding of protocols and it was such a

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living curve for me.

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My brother had a plan.

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It's time for you to really accept te ao
Māori.

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But I was fearful to actually understand
who I am. And as I started to unpack

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who I was, I started to have this deep
urge to connect.

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The most pressing question that people
ask all the time is, who am I?

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In Te Ao Māori, your knowledge of your
own whakapapa is your ticket and pathway

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to your connections to everything in Te
Ao Māori.

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And so knowing who I am, where I belong,
where I come from, it allows you to

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connect with others.

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I just had this calling, and so we
jumped in a car.

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Every two or three months, we'll drive
somewhere, and we'll talk about the

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history of the land.

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There's a saying.

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And that's what he needs you to do.

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Let those winds blow in your face.

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To my soul.

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I realised there was a piece of me that
was never actually acknowledged.

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Over there is Taurere Taurere, famous
for where they beach the canoes, being a

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river that goes directly out of the sea.
Luke started to grow. I saw

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the growth in him and his own knowledge

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of his identity.

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I started wanting to draw.

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I wanted to try different things like
carving.

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I went from being an observer to wanting
to be more than that.

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I was also trying to find my place in
crypto. Do I buy crypto? Do

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I create crypto stuff?

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Andy creates crypto stuff.

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The local coffee shop where I live,
that's where I started to meet Paul.

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He'd probably not want to be known as
this, but I call him OG.

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He definitely has been around longer
than most.

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I first heard of Bitcoin in 2011.

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Being in Europe at that time, it was
actually incredibly easy to buy Bitcoin.

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I was shocked when I moved back to New
Zealand and it was so hard here.

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Being that there was nobody really
outside of techies or forums, there was

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nobody talking about Bitcoin in a
commercial sense or in a business sense.

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I'll try to consult with businesses and
banks so they can understand Bitcoin and

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cryptocurrencies.

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Paul is considered one of the pioneers
of crypto in Aotearoa, and with a career

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immersed in the blockchain industry,
that chance meeting with Luke then

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new door.

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With us both being tangata whenua, it
was just a really nice connection, and

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had the answers that I'd been searching
for. And that's where I saw the spark.

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I actually realised that my place in
crypto was building things.

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We actually found we both share the same
iwi, the Ngapuhi, and it was a great

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place for us to start. The protocols
from a te ao Māori perspective, the

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protocols from a technology perspective,
the same principles of integrity and

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trust.

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After I realised where our respective
experiences could combine, I said, let's

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try a few projects.

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I really had this deep feeling in me to
create something Māori. But I also was,

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like, really tempted.

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NFTs were such a radical idea.

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I was very hesitant at first.

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what really opened my mind is the
communities that were behind them people

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who are purchasing nfts are so different
than people purchasing client art see

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the young people having fun nfts are
opening a door for a younger demographic

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to start to love art i had seen some
maori

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appropriation happening in space you
can't squash all of the cultural

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appropriation but what you can do is
produce a genuine authentic article so

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can drown out the scammy projects by
having something that is true to

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cultures when we were looking at
creating an nft project we started with

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we were looking at the concepts and
something just didn't feel right it

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have the flow and it started to feel
forced so we just stopped

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And we said, fine, then we won't do it.

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And if you look at Māoridom, the birds
are the ones that weave change before

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create something.

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That's when the next format started to
show itself with the Heitiki.

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And I thought, really?

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Is this really what wants to start to
come to life?

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Was it such a velocity that I couldn't
say no, it was just meant to be?

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It really started to feel like I was on
a rollercoaster with them.

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We decided that we wanted to bring Te Ao
Māori into the Metaverse.

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And we wanted to create NFTs with the
Hei Tiki.

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So Paul and I were working through this
kind of creative process.

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OK, if we really respect the protocols,
who should we be talking to? And that's

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where we started to connect with Bill.

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My understanding of NFTs and crypto is
very limited.

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I went on my knowledge of Luke and his
integrity and the need to be honest and

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sincere about Te Ao Māori and how we do
things.

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He goes, well, what's your intention?

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To share our culture and to let anyone
around the world...

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connect with it in their own way.

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Do it with the right intent, do it with
sincerity, do it with honesty, aroha,

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and you can go there.

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But aren't all the heitiki tapu?

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The heitiki are considered sacred and
tapu, and they have their own mauri,

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its life force, and they have their own
ihi, its own power, and mana being its

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own prestige.

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But it never said that you can't adapt
it over time, as long as you keep the

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fundamentals of the life force, the ehi,
the fierceness, that keeps the tiki in

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its form.

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Bill really gave her the...

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which we needed to work with them. The
metaverse is like this new universe that

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is being explored, and these tiki are on
a mission to go and navigate the new

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waters of the metaverse.

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I'm not up to play with the metaverse in
the full sense, but I do know Māori

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have a part to play in that world.

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So I think it's really important that
Māori take their own art to the

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because they are the authors of their
own creation.

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Our people have always been innovative,
our people have always been navigators

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by the stars, and it's a natural
extension of our thinking in a

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digital world.

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Very much came from Luke's head. He
created some very simple Tiki shapes,

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but it was then a reference point for
when we approached an established artist

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who had experience with Tiki.

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The first sketches that came back were
far more intricate than I was expecting.

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They almost came out to life in a 3D
form. That really was the genesis.

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Taitantiki was real.

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So this funny edge called Karaka, and
Karaka Tarawhiti was part of the wider

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Tainui Waikato iwi.

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The whakapapa behind Taitantiki started
with Tainui.

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We actually worked with multiple
artists, so we had one...

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coming up with a different kind of
tamoko, ensuring that they had consent.

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And then we had another artist just
bring all the colours to life.

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It was this beautiful weaving happening.

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It was like we were moving up the
country.

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Different iwi going through, but
definitely the roots were in Tainui.

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So we did a thousand, there were
different types, but every one of the

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were individual.

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You know, what is their role?

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And you know there's different roles in
Te Ao Māori within our tribes and our

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whānau. And we came up with the
hierarchy of a tribe and the roles that

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do. A chief, a priest, we had a
gatherer, a navigator, and really

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think about what that looks like.

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My personal journey into Te Ao Māori was
exhilarating. I was learning quickly.

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We were running on adrenaline to get
things done. There was a lot of late

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Our wives wondered, why are we spending
so much time with someone that's not

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even going to pay?

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This for us has always been a passion
project.

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Any value or wealth that we generated
from the project, we would reinvest into

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creating additional things in the
future.

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The perception that NFTs were something
that could make you a millionaire

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overnight was something we just kept
dispelling and just kept going, nope,

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is another form of artistry and
creation, culture and community that we

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realise with this.

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The mint date was on the 10th of October
in 2021.

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Thinking back to that day, yeah, I was
very nervous.

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We had a karakia from Bill blessing the
launch.

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Okay, you're going to receive this, but
you're also going to get a karakia,

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which is part of a blessing, which will
accompany this particular taonga or this

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particular tikit.

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So it keeps within Te Ao Māori. I think
that keeps it safe, but also something

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that belongs to you. That's part of
sharing our culture.

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We did our mint in phases, and we called
them wakau.

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We had the first waka going out and it
sold out and we went, oh my gosh, this

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amazing. Oh, the next waka is coming.

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And then it sold.

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We're like, shit, this is happening.

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We got, I think, to the end of the
night. It was something like midnight.

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did the last waka. We fully sold out.

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You know, like we were kind of stunned.

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Now we've got this community that we
need to...

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Talk to. You now have this community
that has all of these expectations of

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you'll do.

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When you're buying an NFT, you're a
shareholder in a way.

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So if you buy an NFT worth $10, they
would like it to be worth $100.

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So you have a voice and you want to be a
part of things.

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It came in wave.

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So there was a lot of desire to make
their NFT worth more. We held our

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did what we believed was right, and that
value has gone through different

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stages.

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And so what it really took was
understanding where to find the right

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and actually what made us happy so we
could continue to share Te Ao Māori.

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We have released two phases so far. One
has been the 2D version.

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And then we did a 3D version.

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It was quite interesting to try
different mediums out because 3D moving

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are being used on different
marketplaces.

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And we are now working with different
mediums for our oral culture.

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So we're definitely at that stage. We're
back weaving our net, getting ready to

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go fishing.

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So there's a lot of hope there around
what we could do and what we could

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And so that's where we are right now.

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With the deep connection with Te Ao
Māori, with doing the work and getting

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know who I am, I feel like life's just
starting.

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His growth has been huge, and I'm very
proud of where he is at the moment. I

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know there's more to do, and I know his
mind is always looking to the next

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challenge.

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I see so much change yet to come, and
we're tired and ticky.

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continuing to be present in the
Metaverse community and sharing Te Ao

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We've explored bringing Te Ao Māori into
the Metaverse, but what other work has

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been created across Aotearoa that
smashes the NFT stereotype?

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I am a big fan of new technology. Love
trying new things out and seeing how it

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works. In 2018, we created Beyond with a
vision of designing

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accessible, fun, wow VR experiences.

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One of the things that we've focused on
is how do we make worlds where everyone

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feels like they can belong with goodness
at the heart of it.

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I met Sam, she was an early innovator in
the VR, AR space and I had a

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lot of respect for the work she'd been
doing and it was kind of exciting at the

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time because there were a few of us
females in this space.

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We've been running our Creative Tech
Studio method for just over 19 years.

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Tech to me is always best when it's
invisible, when it's actually the story

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that's doing the job and you forget that
you're immersed in this experience.

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Jess and I would occasionally text each
other and talk about projects. And we'd

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recently been briefed on an NFT range.

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So kind of started thinking about, well,
we're doing all of this for other

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people. Why couldn't we do it for
ourselves?

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When she messaged me and said, have you
seen what's happening in this kind of

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digital avatar ownership NFT space?

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Because it's fascinating.

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We're like, we specialize in this. We
make beautiful 3D characters all the

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We just felt like there was a big
opportunity.

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The market for NFTs at the moment is
crypto growth.

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It's such a derogatory term, so I'm
sorry for those people who are genuinely

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this, but the market is very targeted
and heavily dominated by men.

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The huge egos, the let's party, drive
fast cars.

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I was just seeing a bunch of cowboys
coming in and going, we can get rich

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Female characters, people of colour,
NFTs that there are in here, were valued

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lower.

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But it's a self -fulfilling prophecy
because...

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If you're white and male in the space,
it's a version of you, right? So you're

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not going to necessarily buy a female
character.

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If I wanted to change, I kind of have to
be part of that change. So maybe from

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the inside.

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We can start to turn it into something
more accessible.

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If we could reduce the tech terms, if we
could show that women were in this

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space, if we could show people of colour
in this space, you might gravitate more

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towards it. So we decided to collaborate
on a collection that focused on

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diversity, inclusion and accessibility.

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We looked at our own upbringing and we
very quickly got to kind of this idea of

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doing a generational range, so the 80s,
90s and the zeros, and thought, well,

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00:20:42,890 --> 00:20:44,950
there's something pretty nostalgic about
that.

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So we started thinking about all the
things we loved collecting, because

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are collectible. I collected garbage
pail kits. They were one of my favourite

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things.

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We talked about how could we potentially
bring some of that collectible card

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quirkiness aspect.

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They're a little repressed. They're a
little bit misunderstood.

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And they've gone through some hardship,
you know, so they've come out of it on

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the other side.

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They're a little bit rebellious, but
with good heart.

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None of us are perfect.

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00:21:15,740 --> 00:21:19,920
When we first started looking at the
art, we're like, they look too nice.

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00:21:20,160 --> 00:21:24,600
We want the quality to be great, but
they all look like plastic models.

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00:21:24,820 --> 00:21:26,480
How can we change that up?

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00:21:29,520 --> 00:21:34,700
We had one of our artists come up with
some ideas around these tattoo -y type

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00:21:34,700 --> 00:21:37,160
pieces of art on their vase.

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00:21:37,520 --> 00:21:42,680
That's when things started to feel
really good for us and started to draw

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00:21:42,680 --> 00:21:47,680
this idea around superpowers and how we
all have a superpower.

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And that's not about being able to fly.

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It's just about who we are as humans.

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And we're all a little bit messy.

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00:21:58,670 --> 00:22:02,030
We're all a little bit unique, and
that's what makes us special.

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We're living in a world where gender is
very fluid, and so just having a female

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00:22:08,270 --> 00:22:12,250
-male collection didn't feel quite right
for us. What if we just took that out

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00:22:12,250 --> 00:22:16,010
of the picture? What if there just isn't
one? And you get to decide what you

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00:22:16,010 --> 00:22:17,010
want that to be.

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00:22:18,000 --> 00:22:21,960
It was really important for us that we
had a 3D character because we can do

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00:22:21,960 --> 00:22:26,040
with 3D characters. We could take them
across different platforms.

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00:22:26,380 --> 00:22:29,160
So if you want to use it in a game, then
you'll be able to.

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00:22:31,240 --> 00:22:35,820
There's a new audience who are really
interested in having their own avatars,

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their own characters, which they can
bring into new worlds, whether it's for

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00:22:39,360 --> 00:22:40,360
work or play.

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00:22:41,060 --> 00:22:46,560
If we took a little refresh into that
metaverse space or game space, it's your

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00:22:46,560 --> 00:22:47,560
bespoke character.

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There won't be anyone else like you in
that space.

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00:22:50,600 --> 00:22:53,260
And so I think that's where the beauty
of NFT lies.

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This idea that I have something that is
wholly mine, that no one else has access

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00:22:59,000 --> 00:23:03,640
to. Now, it's less about the show -off
nature and more about how I can showcase

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00:23:03,640 --> 00:23:04,680
a little bit of myself.

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00:23:06,640 --> 00:23:11,640
We hope that the audience who want to be
represented by these will be people who

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00:23:11,640 --> 00:23:15,540
have good values, who want to do good
things in the world, and they'll feel

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00:23:15,540 --> 00:23:18,300
proud of how they look because we think
they look pretty cool.

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00:23:19,780 --> 00:23:24,520
The intention behind Little Riff Raff is
not to make a whole lot of money. We

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00:23:24,520 --> 00:23:27,920
really want them to be accessible, to
open up a new audience.

335
00:23:29,180 --> 00:23:33,380
One of the biggest factors in creating
this was actually how could we put it

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00:23:33,380 --> 00:23:35,160
back into either charity or society.

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00:23:35,840 --> 00:23:40,040
And so how can we do good from it was a
real driver for us. So out of that came

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00:23:40,040 --> 00:23:44,520
up this idea of Little Riff Raff
Academy, which is all about upskilling

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00:23:44,520 --> 00:23:47,660
training the next generation in the
creative tech sector.

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00:23:48,960 --> 00:23:53,180
So the Little Riff Raff Academy is still
a little bit work in progress, but the

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00:23:53,180 --> 00:23:57,920
idea is that it will be a platform where
people can be a part of learning

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00:23:57,920 --> 00:24:02,340
sessions, mentorship, as well as real
-world events, workshops.

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00:24:03,950 --> 00:24:08,670
It can feel a really daunting thing to
come into an industry, be it virtual

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00:24:08,670 --> 00:24:10,570
reality or 3D creation.

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00:24:10,950 --> 00:24:14,250
How do we enable as many people as
possible to be involved?

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00:24:15,410 --> 00:24:20,310
We want more women in the game sector,
in coding, in creative tech, more people

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00:24:20,310 --> 00:24:22,030
of colour, people from different
backgrounds.

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00:24:22,250 --> 00:24:25,830
So that's the first goal, is to see how
we can level that playing field.

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We really believe in what we're doing
and how we can be a part of the change

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00:24:32,190 --> 00:24:33,190
this industry.

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00:24:34,000 --> 00:24:38,260
The characters we've made are really
empowering. They all have a strength to

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00:24:38,260 --> 00:24:39,780
them. They all have a superpower.

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00:24:40,400 --> 00:24:45,180
And I resonate with that, and I hope
that an audience will resonate with that

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00:24:45,180 --> 00:24:46,180
too.

355
00:24:50,120 --> 00:24:53,140
Bitcoin absolutely consumes a lot of
energy.

356
00:24:53,540 --> 00:24:55,660
Mining is big news when it comes to
Bitcoin.

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00:24:56,000 --> 00:24:58,480
A lot of people talk about how dirty
Bitcoin is.

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00:24:58,820 --> 00:25:01,040
But what if the narrative we've been
told is huge?

359
00:25:01,870 --> 00:25:05,610
The mining process and Bitcoin shouldn't
be feared by the public.

360
00:25:05,810 --> 00:25:09,850
Could crypto actually help solve global
warming? I do believe that Bitcoin

361
00:25:09,850 --> 00:25:12,810
mining could revolutionize the energy
industry.

362
00:25:13,050 --> 00:25:19,110
Bitcoin mining is actually the number
one most viable solution to solve some

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00:25:19,110 --> 00:25:21,070
our major methane issues.

