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You've probably heard of NFTs, but what
exactly are they? With NFTs, we found a

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medium that people really connected
with. What they brought us felt alive.

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A team from Non -Fungible Labs tell the
story of how they created a multi

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-million dollar NFT business right here
in Aotearoa. It was a runaway hit.

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Around $15 million in sales through
First Day Alone.

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They're now collaborating with
international superstars. There's only

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Gianni. I got to hang with the DOWG.

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And bringing the metaverse to the
masses.

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It's going to blow people's minds where
we're heading to now.

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To find out how non -fungible labs
became such a success, we need to rewind

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the 80s.

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when a family got their first computer
and fell in love with technology.

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I'm one of five kids.

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Grew up in a rural setting.

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We had a pretty basic life.

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My hobby as a kid was building stuff and
solving problems, trying to figure out

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how things worked.

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And when we were young, we saved and
bought a computer, an Amiga 500.

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I don't think other kids had computers
in the neighborhood, as long as we were

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particularly fancy.

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It was probably the flashiest computer
around at the time. It never felt like

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that before, so it was kind of a special
thing, and maybe that helped create the

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emotional connection to technology.

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The sense of invention and adventure was
pretty strong in our childhood. We were

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building a pig shed, and we had to haul
a lot of stuff down there. So me and

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Aaron spent the entire day inventing a
very complicated pulley system.

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And by the time we built the system, our
other brother had just used the

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wheelbarrow and kind of shoveled it down
there.

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But it worked. So that was all that me
and Aaron really cared about at the

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I was 16 or 17 when I finished high
school, saved up some money and went

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travelling.

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I came back and started working and I
did a lot of my learning on the job.

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from the ground up really literally in
some cases i started in technology

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digging trenches and laying cables for a
telecommunications company and then

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more technical roles and then more
business decision roles and eventually

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out from there into startup land i first
heard about bitcoin in around 2015

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i was interested in it from a technology
perspective, but I didn't really click

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at the time to how fundamental a change
it could make in society.

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The thing that really got me interested
in crypto was when I discovered

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Ethereum.

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Earlier in the series, we talked about
why Ethereum was such a game changer.

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Its programmable blockchain means you
can do things like build decentralized

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apps on its platform and create
currencies, tokens, and NFTs.

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They describe Ethereum as the world
computer.

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It has something called a smart contract
scripting language.

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So it's a whole new language for
programming that allows for creating

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contracts. Smart contracts are able to
move the currency around depending on

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conditions that are set and if met, the
transaction will go through. If you buy

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a piece of art off of me, I send the art
to you, then the money is immediately

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transferred. Smart contracts are kind of
like the robot lawyer of the crypto

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world. Through code they automatically
enforce the rules of a contract without

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the need for any human involvement.

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It's kind of like having your very own
RoboLawyer 3000 and they are the

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blocks of Ethereum.

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One of the most important things about
Ethereum is that it means applications

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can be owned by a global community and
you are in control of your own data

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instead of major corporations.

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But why is this such a big deal?

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Back in 2015 to 2020, you're seeing the
rise of these huge mega tech

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corporations, social media in full
swing. There was this massive amount of

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information being captured and being
concentrated into a small group of

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technology companies.

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There's an old adage that if you're not
paying for the product, you are the

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product.

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And that's very much the case with
social media platforms where people

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realise that actually the sheer amount
of data that they're handing over is the

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reason that they get these services for
free. There's a digital you that exists

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on the internet today and that data is
being used by government agencies,

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corporations.

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Data is an extremely important thing and
these big companies have it all and

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they're using it in ways that we
probably holistically as a society don't

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with.

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If we can put tools in the hands of
people that allow them to be in control

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their digital self, then we can change
everything.

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It's really undoing the last 20 years of
technology.

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And I started thinking about how we
could change the way that we as society

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interact with technology.

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In mid -2016, we formed Centrality, and
the idea was to build a venture studio

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which would incubate a company that
would build a collection of applications

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technology together and put the customer
back in control of their data. You

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couldn't do that without this underlying
blockchain and crypto infrastructure.

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Social media marketing was an area that
lots of businesses didn't have

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capability in, and so we could see this
need for some kind of expert to help

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them on that journey.

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Aaron and I really bonded about the
creator economy and understanding that

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was definitely going to change the
traditional media landscape.

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And so we brought Brooke's agency into
the portfolio, and Brooke and I were

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having these conversations about the NFT
craze.

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He said, you need to learn about these
things now. I hadn't ever heard the word

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fungible. It was a deep dive.

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You can think of an NFT or non -fungible
token as a digital version of a one -of

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-a -kind collectible. But instead of,
say, an autographed basketball card,

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a digital image, video or even tweet.

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And just like those rare cards, NFTs can
be incredibly valuable.

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because they can't be replicated.

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It's essentially a method of verifying
ownership of a unique digital asset, and

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that could be a piece of art, it could
be a weapon in a video game, it could

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even be an event ticket.

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If you've got children or you yourself
play games, you're already buying a lot

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of digital items, skins, characters,
cool outfits.

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But they're not really yours. You're
just renting them in the game. And if

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game disappears, all of your investment
is gone.

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Now, with NFTs, you can truly own that
skin because that has become a part of

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the blockchain.

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And you can on -sell it. It puts the
power in your pocket.

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One of the cool things about...

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The NFT world is that smart contracts
enable us to automate the process of

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royalties. The artists not only earn up
front, but whenever that piece of art is

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sold down the line, they still take a
small cut of that profit.

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With NFTs, they're not just about the
content itself.

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It's about ownership of your identity
inside a community.

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We found a medium that people really
connected with.

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We both realised that NFTs were clearly
connected to communities, content, the

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creator economy, and so we built non
-fungible labs to explore them.

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We brought on Alex Smaler, who's a
really brilliant young guy. We had a

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of great, interesting experiments, but
it did not make us a lot of money.

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Enter Jesse Metcalf.

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Jesse Metcalf and I met late high
school.

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I had a lot of appreciation for his...

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artistic talent.

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Jesse and I started exploring half a
dozen different project ideas.

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Jesse actually had a pet rabbit called
Fu, a Flemish giant, and we decided to

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take inspiration from Jesse's rabbit, an
avatar that people can embody.

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Everything that was being produced at
the time was largely this two

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cartoonish art, and what they brought us
was this.

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vibrant 3D animated bunny that felt more
alive.

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Every great world starts with a great
story.

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Alex had really thought about the story
behind these characters.

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These creatures, they've seen the
horrors of mankind. They have decided

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they're just going to basically be new
age hippies.

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They'd had a cataclysmic event that had
started to awaken the community.

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We were like, whoa, this is...

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bigger than anything that we've been
thinking of.

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We didn't realise how big at the time.

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One of the great watershed moments is
when you realise that you're not the

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smartest person in the room.

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It was clear that they were geniuses.
And Aaron pulled me aside and said,

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guys are the real deal.

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We gave 60 % of the company to Alex and
Jesse and got behind them to help build

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the Fluff World vision out.

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Everything they did was five, six steps
ahead of anything that anyone in the

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industry was doing. We already saw that
this was all heading towards the

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metaverse. So why would we ever make
something 2D? If this is all going to

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in immersive environments, then they
should be 3D.

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Then they should also be animated so
they feel alive.

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Well, if they're going to be animated,
then let's make them dance to original

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music. Over time, they started to come
more and more to life.

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It was important for the collection to
represent society at large.

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And we wanted to create a space that
felt welcoming to different genders,

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different races, and to try and embody
the kind of society that we want to live

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in through these characters.

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We definitely had an ambitious roadmap
from the characters themselves into

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building out the rest of the world.

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It was incredibly risky to build this
production, this pipeline that was so

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complex. As we got close to the launch,
it all felt a bit surreal.

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I could see it all coming together, but
that still didn't remove the nerves as

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we got close to launch date and just
knowing that there's always a myriad of

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factors that can go wrong that could
jeopardise all the hard work that we had

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done.

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We launched on the 8th of August 2021
and we had the full collection of 10

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plus and within 40 minutes we sold out
the entire collection.

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Aaron called me to say that it's sold
out and also that probably our lives

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changed.

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Seeing how stoked everyone was in the
community with what we'd built was

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actually such an incredible feeling.

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It's kind of like seeing your baby walk
for the first time. It's that moment of

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joy and elation and pride and euphoria
all mixed together.

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When someone bought a fluff, they paid
$300 US for it. We sold 10 ,000 digital

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bunnies. People paid us $5 million -odd
for those.

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Then people started to trade them. Those
people have sold them twice or three

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times. So there was around $15 million
in sales the very first day alone.

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It was a runaway hit. It came down to
Jesse and Alex's brilliance.

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It was just an incredible moment.

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but also I was under no illusion as to
the amount of work that was coming down

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the pipeline.

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Let's get to work in delivering
everything that we said we're going to

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community.

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The first thing you could customise was
the name and the backstory.

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Then we released the ability to change
the music and the background scenes so

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people were able to be a participant in
creating the content they wanted to

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represent themselves in the metaverse.

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OK, hang on. I've heard this word a lot.
But what actually is the metaverse?

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The first thing is the metaverse is
already here. The metaverse exists. It's

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just the internet going through its next
evolution.

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It's taking what have often been quite
separate web -based experiences, social

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media, gaming, shopping.

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and breaking those walls down so that
you can shop while you're in a game and

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communicating with your friends.

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It's about user -owned content and
applications and data being able to be

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portable between different applications.

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Each of us will have an avatar that
starts to extend further and further

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these metaverse activities.

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People are already creating their own
digital avatars of how they represent

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themselves online, but they don't truly
own that identity.

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Whereas now with... nfts you have all of
that ability we were constantly looking

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at how we could introduce new characters
with unique stories and one of the

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first things we did was release thingies
3d animated game ready spiders

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very cute ones we trained an ai to paint
10 000 pictures for us

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and then we used those pictures as a
base for the patterns on the spiders

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They are themselves AI artists. They
have their own little brain. It's

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incredible. But who would have made
spiders? Only Jesse Metcalf.

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He crazy.

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We had lots of people approach us at the
time wanting to collaborate with us,

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and one of those stood out from the
pack, and that was the party beers.

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We wanted to bring a character in that
was kind of just the lovable life of a

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party. And for us...

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Music being a massive part of our
community and to make them the DJs of

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metaverse.

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And it fitted into the world of fluffy.

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9 ,669 unique beers.

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The entire NFT community giggles when
they say 69.

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None of them have ever done 69.

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69 is the apex of ambitions.

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They only knew how.

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It's not that great, guys.

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As we continued to introduce different
characters, we also needed to start

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building up the world itself.

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The bunnies had been hibernating
underground, so the first space that we

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to create for these characters to exist
in was the burrows, the underground

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world that the lore was originated from.

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I'd known Jessica from beyond for a
while, and I knew she was kind of a

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specialist in the VR domain.

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There was obviously a high demand for
their community to have something to do

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with these characters.

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We started off with the idea of having
three different burrows of different

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sizes and different looks.

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It's highly complicated to design
something like this and to make this

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platform that people could then
integrate their characters in and they

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actually play and explore the space.

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Some of them are a little bit grungier.
They have a graffiti wall.

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The high roller has a party space with a
big disco ball.

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One of the features we did was have art
that came from your wallet. So if you

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had other NFTs, you could customize your
burrow by having your art gallery

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showing off. off your NFTs. They turned
it into these incredible spaces.

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When everyone else was creating these
quite stark square boxes in the

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to come back with this rich and textured
organic world was pretty incredible.

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Community is such an important part of
this NFT digital character space.

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What NFTs do is they allow a community
to exist that is passionate about an

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or an experience.

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And ownership changes the way people
interact. People take on a different

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connectivity and then they get that
sense, that real, it's mine now, I'm

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this.

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One of the really early community
members was a guy called Nick Adler. And

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has been working with Snoop for a long
time.

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We started discussing the Burrows and we
came up with the idea that we could

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theme one with Snoop.

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Snoop is right into the space. He is
everywhere.

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He's got a bunch of his own NFT
projects, so he's big on this.

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The opportunity to collaborate with
Snoop Dogg definitely was a bit of a

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yourself moment.

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He helped provide some design cues,
which we took back to the Beyond team.

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It's pretty cool being...

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A relatively small studio here in
Wellington, working with such a big

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I'm an old -time Snoop fan. That was
exciting.

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I think you'll see some leaves down
there that you might recognise.

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It has an incredible Snoop sculpture in
there, and then a full music studio.

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It's pretty dope. And we built a Snoop
dog party there.

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It's got his vibe as if he was a bear.

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For me, it's like a Kiwi kid grew up on
a farm meeting someone who you'd listen

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to their music and was the Hollywood
celebrity.

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It was a pretty surreal experience. And
I got to hang with the D .O .W .G. a

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couple of times, and he's actually just
an awesome person.

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One of the biggest paradigm shifts is
that we've built the exoskeleton of

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World, but then it's up to those...

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own it to really flesh out their
character once you have that avatar it's

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you can monetize it if you want to
because all of that infrastructure

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and contracts is now handled by smart
contracts one of the

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icons in our wider fluff world ecosystem
would be angel baby

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The team behind Angel Baby, they're a
songwriter and music producer that works

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with some of the biggest artists in the
world.

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They took a fluff and they named it
Angel Baby and started to build the

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around this character and have grown
that up into a $100 million business in

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own right.

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But the idea didn't stop there.

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I really wanted to see what would happen
when we...

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created a space where our community
could actually meet in real life.

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We thought it was really important, even
though we're in this virtual space, not

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to forget that we live in the physical
world. So Fluff House is the brand

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the physical experiences that we
interact with our community through.

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And so at Basel 2021, we built our first
party and it was like off the chain.

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We had artists perform alongside Angel
Baby doing Angel Baby's first live

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performance as a metastar.

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And then it culminated with the biggest
clubhouse so far, which was at South by

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Southwest. Two days, 18 ,000 people.
That really has defined the next phase

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entertainment, which is far more
experiential and immersive, community

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-oriented, token -gated experiences.

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Fluff wall that is expanding now, it's
just completely and utterly going to

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people's mind where we're heading to
now.

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Non -fungible labs is now part of a
collective of companies working within

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McDonald's Futureverse.

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These innovators are working towards a
user -controlled metaverse.

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We bring the full force of that last
six.

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of work and the vision that we have for
creating a better internet to life.

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The future -verse is at the very heart
of it, people that believe in an open

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metaverse, an open, inclusive, fair and
even free metaverse.

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The type of environment that we think
can be transformative and bring positive

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change to people all over the world.

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To understand where the future -verse is
heading, it's important to understand

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the concept of Web3.

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So what is it?

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Web3 is really the collection of
technologies that enable a world where

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internet is owned by society.

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When we talk about Web3, we can take a
step back and look at the journey of the

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internet to date.

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If you remember websites you went to,
you could just read the website. That's

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Web1. Then came the ability to leave
comments and then write blogs, and

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it was read and write. That's Web2.

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When we look at Web3, we've moved from
just read and write to read, write and

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own. In Web3, you'll be able to see
content from your favourite creators and

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them directly.

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And that direct payment is via smart
contracts.

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It's putting content in the hands of the
people.

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It's completely transformative.

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As tanga te whenua, it's been a really
important part of our journey to try and

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connect. What we're doing in the
metaverse through outcomes that we can

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change in the real world. There's no
point building this awesome metaverse if

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the real physical world we exist in is
going to hell.

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The things that we're focused on are
both climate impact as well as impact

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indigenous communities.

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The Futureverse Foundation came together
through making some connections to

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Keanu Reeves and his partner Alexandra
Grant.

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There's only one Keanu and it turns out
there's only one Alexandra Grant who is

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in her own right an amazing artist.

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She has this real vision for providing
the opportunity for indigenous artists

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be in mainstream galleries and having
their art become part of the economy

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there. So now Alexandra and Keanu are
the patrons of the foundation and also

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part of the Futureverse itself.

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We're already working now with young
women in Afghanistan that are learning

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code and do digital art.

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We're looking at some amazing projects
with First Nation cultures here and in

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the Pacific.

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This next internet, Web3, needs
contributions from the thousands of

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beautiful cultures that exist out there
right now. They have incredible stories

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that have been missing.

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And so the next internet, we hope, is
going to be rich.

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People don't realize the difference in
the world that we'll live in if it is

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controlled by a few tech billionaires
and we are just effectively products or

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an open and inclusive metathesis where
cultures from around the world are

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contributing and there's a distribution
of wealth that's a lot more fair.

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That's what we're battling for and so
I'm so proud that we sit in that camp.

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I'm extremely excited for the future. I
think the technology has come a long way

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since those early days of Bitcoin.

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And when you're trying to change as much
as the Web3 community is trying to

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change about society, no doubt there'll
be ups and downs. But I think we've

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reached a precipice now where the future
is definitely in sight. And that makes

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me excited that it is possible that we
can change the future.

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We're actually building something that
even transcends the existing Fluffworld

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collection. The Third Kingdom is the
world beyond the Burrows where all of

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characters plus lots of characters
across the metaverse can come and enjoy

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social experience and explore other
parts of that Third Kingdom environment.

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We always had great ambitions of how far
we could take this but never in my

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00:24:19,320 --> 00:24:22,960
wildest dreams did I think it would be
anywhere near where it's gotten to now.

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For me this is a dream come true.

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Next time, we meet the innovators
bringing Te Ao Māori into the metaverse.

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NFT is such a radical idea.

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00:24:40,800 --> 00:24:42,640
I was very hesitant first.

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These tiki are on a mission to go and
navigate the new waters of the

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And the disruptive, smashing crypto
stereotype.

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We really believe in what we're doing
and how we can be a part of the change

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this industry.

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maybe from the inside we can start to
turn it into something more accessible.

