1 00:00:44,578 --> 00:00:47,778 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 2 00:01:39,433 --> 00:01:40,833 DONALD. 3 00:01:43,837 --> 00:01:45,437 CATHERINE... 4 00:01:47,675 --> 00:01:51,145 THIS JUST ISN'T WORKING OUT, ALL RIGHT? 5 00:02:46,066 --> 00:02:51,136 * NEVER BEEN A DAY WHEN I DOUBT FOR A MOMENT * 6 00:02:51,138 --> 00:02:56,276 * MAYBE ONCE OR TWICE AIN'T SO BAD * 7 00:02:56,277 --> 00:02:58,377 * BUT DEEP INSIDE, I ALWAYS KNEW * 8 00:02:58,379 --> 00:03:01,214 * MY TIME WOULD COME MY WAY, SURE * 9 00:03:01,215 --> 00:03:05,545 * NOW IT'S ON ME TO MAKE IT LAST * 10 00:03:05,553 --> 00:03:10,257 * THERE'S NOTHING I WON'T DO * 11 00:03:10,258 --> 00:03:15,828 * NOTHING I WON'T TRY * 12 00:03:15,829 --> 00:03:18,865 * FOR A CHANGE TO SOMETHING NEW * 13 00:03:18,866 --> 00:03:21,334 * AIN'T NO EXCUSE * 14 00:03:21,335 --> 00:03:30,305 * THERE'S NOTHING... YEAH, I WON'T DO * 15 00:03:30,311 --> 00:03:33,481 * NOTHING I WON'T DO * 16 00:03:36,149 --> 00:03:39,018 * FOR A CHANGE TO SOMETHING NEW * 17 00:03:39,019 --> 00:03:41,519 * WHAT'S THERE TO LOSE? * 18 00:03:41,522 --> 00:03:45,858 * THERE'S NOTHING... I WON'T DO ** 19 00:03:45,859 --> 00:03:48,459 YOU SEE, IT DOESN'T MATTER 20 00:03:48,462 --> 00:03:51,062 WHETHER IT'S PAINTING OR SCULPTURE 21 00:03:51,064 --> 00:03:53,074 OR COMPUTER-GENERATED GRAPHICS. 22 00:03:53,075 --> 00:03:55,066 AND IT DOESN'T MATTER 23 00:03:55,068 --> 00:03:58,068 WHAT STYLE YOU CHOOSE TO WORK IN, 24 00:03:58,071 --> 00:03:59,671 WHETHER IT'S NEO-PRIMITIVISM 25 00:03:59,673 --> 00:04:02,083 OR ROMANTIC REALISM OR POSTMODERN DECONSTRUCTIONISM. 26 00:04:02,084 --> 00:04:03,605 THE SAME RULES APPLY. 27 00:04:03,611 --> 00:04:06,679 EVERYTHING IS GOVERNED BY THE LAWS OF NATURE, 28 00:04:06,680 --> 00:04:09,716 AND NOWHERE ARE THE PRINCIPLES OF PROPORTION 29 00:04:09,717 --> 00:04:13,686 MORE PERFECTLY MANIFESTED THAN IN THE HUMAN FORM. 30 00:04:13,687 --> 00:04:15,617 EXCUSE ME. 31 00:04:15,623 --> 00:04:18,024 UM, IS THIS THE, UH... 32 00:04:18,025 --> 00:04:20,225 LIFE STUDY. 33 00:04:20,227 --> 00:04:22,727 WAIT A MINUTE. DON'T TELL ME. 34 00:04:22,730 --> 00:04:24,096 LET ME GUESS. 35 00:04:24,097 --> 00:04:25,727 LILY LEONETTI. 36 00:04:27,100 --> 00:04:29,869 YOU'RE 2 WEEKS AND 30 MINUTES LATE. 37 00:04:29,870 --> 00:04:31,638 SORRY. FAMILY EMERGENCY. 38 00:04:31,639 --> 00:04:33,506 IT'S ALL RIGHT. COME ON IN. 39 00:04:33,507 --> 00:04:35,907 YOU CAN GET SET UP OVER HERE. 40 00:04:35,909 --> 00:04:37,979 I DON'T THINK CATHERINE'S COMING BACK. 41 00:04:37,980 --> 00:04:41,714 ALL RIGHT, LET'S TRY TO STAY FOCUSED, FOLKS. 42 00:04:41,715 --> 00:04:45,115 I'M TALKING ABOUT LEARNING THE RULES 43 00:04:45,118 --> 00:04:46,918 BEFORE YOU BREAK THEM-- 44 00:04:46,920 --> 00:04:50,520 SPECIFICALLY, PERSPECTIVE AND PROPORTION 45 00:04:50,524 --> 00:04:54,126 AS IT RELATES TO THE HUMAN BODY. 46 00:04:54,127 --> 00:04:58,067 WHICH BRINGS US BACK TO ISABEL. 47 00:05:00,133 --> 00:05:03,135 SO, SEE IF YOU CAN DISCOVER 48 00:05:03,136 --> 00:05:04,536 THE HIDDEN TRUTHS 49 00:05:04,538 --> 00:05:06,768 IN THE SHADOWS AND THE LIGHT. 50 00:05:06,774 --> 00:05:09,314 TRANSLATE WHAT YOU SEE THROUGH YOUR ARMS 51 00:05:09,315 --> 00:05:11,744 AND FINGERTIPS ONTO THE PAGE. 52 00:05:11,745 --> 00:05:13,145 HI. 53 00:05:13,146 --> 00:05:14,746 HI. 54 00:06:10,203 --> 00:06:12,405 IS THIS 508 ALTA? 55 00:06:12,406 --> 00:06:13,606 YEP. 56 00:06:13,607 --> 00:06:16,476 * SHE COULD TELL BY THE WAY * 57 00:06:16,477 --> 00:06:20,177 * THE LIGHT HIT YOUR FACE... ** 58 00:06:20,180 --> 00:06:21,948 I'M GREDIN. 59 00:06:21,949 --> 00:06:23,816 I'M LILY. 60 00:06:23,817 --> 00:06:25,817 I KNOW. 61 00:06:27,821 --> 00:06:29,561 THANK YOU. 62 00:06:34,828 --> 00:06:36,428 FOLLOW ME. 63 00:06:41,635 --> 00:06:44,435 THE ENTRANCE IS IN THE BACK. 64 00:07:11,264 --> 00:07:12,874 BYE, LILY. 65 00:07:40,894 --> 00:07:41,804 YES? 66 00:07:41,805 --> 00:07:44,564 I'M LILY, THE NEW ROOMMATE. 67 00:07:44,565 --> 00:07:47,765 OH, YOU'RE HERE. 68 00:07:47,768 --> 00:07:49,435 YEAH. 69 00:07:49,436 --> 00:07:51,136 I'M TANYA, BY THE WAY. 70 00:07:51,138 --> 00:07:52,668 HI. 71 00:07:53,974 --> 00:07:57,184 UM, ANYTHING IN THIS CUPBOARD IS MINE. 72 00:07:58,712 --> 00:08:01,714 AND THE LIVING ROOM IS OFF LIMITS 73 00:08:01,715 --> 00:08:03,515 BECAUSE THAT'S WHERE I PRACTICE. 74 00:08:03,517 --> 00:08:06,717 BRIDGETTE, LILY. 75 00:08:06,720 --> 00:08:08,220 ENGLISH MAJOR, RIGHT? 76 00:08:08,221 --> 00:08:11,121 NO. ART. PAINTING. 77 00:08:11,124 --> 00:08:14,026 THAT'S FUNNY. I NEVER WOULD HAVE GUESSED. 78 00:08:14,027 --> 00:08:18,127 WELL, I CAN SEE WE'RE OFF TO A GOOD START. 79 00:08:18,131 --> 00:08:19,899 HA HA HA! 80 00:08:19,900 --> 00:08:21,540 COME ON. 81 00:08:26,039 --> 00:08:29,779 * I WISH YOU WERE HERE * 82 00:08:32,512 --> 00:08:35,915 * I WISH YOU WERE HERE * 83 00:08:35,916 --> 00:08:38,816 * GOD, GOD, I... * 84 00:08:38,819 --> 00:08:41,249 * WISH YOU WERE HERE * 85 00:08:44,024 --> 00:08:48,064 * I WISH YOU WERE HERE ** 86 00:08:49,963 --> 00:08:52,364 IS SHE ALWAYS LIKE THAT? 87 00:08:52,365 --> 00:08:54,365 UNFORTUNATELY, YES. 88 00:08:54,367 --> 00:08:56,367 WHAT ABOUT THAT GUY GREDIN? 89 00:08:56,369 --> 00:08:57,939 OH, GREDIN'S REALLY COOL 90 00:08:57,940 --> 00:08:59,768 AND AN AMAZING SCULPTOR. 91 00:08:59,773 --> 00:09:01,574 AND THAT'S ROBERT, 92 00:09:01,575 --> 00:09:03,135 A MAJOR TALENT. 93 00:09:09,783 --> 00:09:11,993 WELL, HERE WE ARE. 94 00:09:13,654 --> 00:09:16,789 IT'S NOT EXACTLY THE BEL AIRE. 95 00:09:16,790 --> 00:09:21,390 IN FACT, IT'S NOT EVEN THE RAMADA. 96 00:09:21,394 --> 00:09:22,795 IT'S NICE. 97 00:09:22,796 --> 00:09:25,665 WHERE DID YOU SAY YOU WERE FROM AGAIN? 98 00:09:25,666 --> 00:09:27,796 MICHIGAN. 99 00:09:27,801 --> 00:09:30,801 OH. FIRST TIME TO L.A.? 100 00:09:30,804 --> 00:09:33,539 FIRST TIME ANYWHERE, REALLY. 101 00:09:33,540 --> 00:09:37,009 WELL, THE WORLD OF BYTES IS CALLING. 102 00:09:37,010 --> 00:09:39,280 GOT TO RUN. 103 00:11:42,135 --> 00:11:43,395 HELLO. 104 00:11:43,403 --> 00:11:45,404 HOW'S L.A., KIDDO? 105 00:11:45,405 --> 00:11:47,405 HI, DAD. IT'S GOOD. 106 00:11:47,407 --> 00:11:48,807 IT'S NICE. 107 00:11:48,809 --> 00:11:51,809 WELL, THIS PLACE FEELS PRETTY EMPTY WITHOUT YOU. 108 00:11:51,812 --> 00:11:55,014 HOLD ON. YOUR MOM WANTS TO TALK TO YOU. 109 00:11:55,015 --> 00:11:56,015 O.K. 110 00:11:56,016 --> 00:11:56,816 LILY? 111 00:11:56,817 --> 00:11:57,984 HI, MOM. 112 00:11:57,985 --> 00:12:00,145 DID YOU FIND THE SURPRISE? 113 00:12:00,153 --> 00:12:03,163 HOLD ON A SEC. 114 00:12:11,765 --> 00:12:14,095 WHAT IS IT? 115 00:12:14,101 --> 00:12:16,568 IT'S JUST A LITTLE SOMETHING 116 00:12:16,569 --> 00:12:18,439 TO REMIND YOU OF US. 117 00:12:19,572 --> 00:12:21,312 YOU KNOW, I DON'T KNOW WHY 118 00:12:21,313 --> 00:12:23,838 YOU HAVE TO GO ALL THE WAY TO L.A. 119 00:12:23,844 --> 00:12:25,077 TO BE AN ARTIST. 120 00:12:25,078 --> 00:12:27,446 WE COULD HAVE BOUGHT YOU A CAR 121 00:12:27,447 --> 00:12:28,977 IF YOU WENT TO STATE. 122 00:12:28,982 --> 00:12:30,352 MARY JANE, KATHERINE'S DAUGHTER, 123 00:12:30,353 --> 00:12:33,250 SHE WENT TO STATE, AND SHE'S VERY HAPPY 124 00:12:33,253 --> 00:12:36,255 MAKING ALL SORTS OF ARTS AND CRAFTS. 125 00:12:36,256 --> 00:12:39,856 MOM, DO WE HAVE TO HAVE THIS CONVERSATION AGAIN? 126 00:12:39,860 --> 00:12:42,060 WHERE'S DADDY? 127 00:12:42,062 --> 00:12:43,262 BOB! 128 00:12:43,263 --> 00:12:45,865 OH, HE'S GONE OFF SOMEWHERE. 129 00:12:45,866 --> 00:12:48,866 O.K., WELL, UM, I GOT TO GO. 130 00:12:48,869 --> 00:12:50,869 GO? WE JUST GOT ON. 131 00:12:50,871 --> 00:12:54,271 MOM, I'M GOING TO BE LATE FOR CLASS. 132 00:12:54,274 --> 00:12:57,476 O.K., WELL, WILL WE SEE YOU AT THANKSGIVING? 133 00:12:57,477 --> 00:12:59,277 I DON'T KNOW YET, MOM. 134 00:12:59,279 --> 00:13:01,479 I HAVEN'T LOOKED AT MY SCHEDULE. 135 00:13:01,481 --> 00:13:02,881 LILY! 136 00:13:02,883 --> 00:13:04,683 I'LL TRY, O.K.? 137 00:13:04,684 --> 00:13:06,685 BYE. DON'T FORGET TO CALL ME. 138 00:13:06,686 --> 00:13:08,086 BYE. 139 00:16:36,496 --> 00:16:38,496 THAT'S PETER THE PERFORMANCE ARTIST, 140 00:16:38,498 --> 00:16:41,698 OR AS HE LIKES TO REFER TO IT-- 141 00:16:41,701 --> 00:16:43,369 SELF AS SHOW. 142 00:16:43,370 --> 00:16:45,104 SOMEDAY, WITH ANY LUCK, 143 00:16:45,105 --> 00:16:47,705 SOMEBODY WILL PUT HIM OUT OF HIS MISERY. 144 00:17:32,552 --> 00:17:36,222 LOOK AT HER, LILY. WHAT DO YOU SEE? 145 00:17:38,158 --> 00:17:43,758 I SEE...A FACE... AND A BODY. 146 00:17:43,763 --> 00:17:45,773 AND WHAT ELSE? 147 00:17:48,168 --> 00:17:50,168 I SEE A NAKED WOMAN. 148 00:17:50,170 --> 00:17:52,770 RIGHT. THE WHOLE NAKED WOMAN, 149 00:17:52,772 --> 00:17:54,640 NOT JUST PARTS. 150 00:17:54,641 --> 00:17:57,309 NOT JUST THE HEAD... 151 00:17:57,310 --> 00:18:01,710 GET THAT... SO LET'S GO... 152 00:18:01,714 --> 00:18:04,616 INCLUDE THE BREAST... 153 00:18:04,617 --> 00:18:06,585 AND THE WAIST, 154 00:18:06,586 --> 00:18:09,355 THE LEG, AND THE WHOLE THING. 155 00:18:09,356 --> 00:18:11,616 GET IT ALL ON THE PAGE. 156 00:18:11,624 --> 00:18:13,994 JUST KEEP GOING OVER AND OVER AGAIN, 157 00:18:13,995 --> 00:18:15,161 AND EVENTUALLY-- 158 00:18:15,162 --> 00:18:17,402 TECHNIQUE WILL GIVE WAY TO EXPRESSION. 159 00:18:20,200 --> 00:18:22,200 THANK YOU. 160 00:18:22,202 --> 00:18:24,202 OR EXPRESSION... 161 00:18:24,204 --> 00:18:27,414 WILL GIVE WAY TO EXPRESSION. 162 00:18:29,342 --> 00:18:33,212 YOU HAVE SOME THOUGHTS YOU'D LIKE TO SHARE WITH US? 163 00:18:33,213 --> 00:18:36,553 ME? THOUGHTS? SHARE? 164 00:18:38,084 --> 00:18:40,219 NO. I COULDN'T POSSIBLY. 165 00:18:40,220 --> 00:18:43,820 I'M HERE TO LISTEN AND LEARN, 166 00:18:43,823 --> 00:18:45,491 COPY AND CONFORM. 167 00:18:45,492 --> 00:18:47,861 FROM THIS MASTERPIECE YOU'VE JUST CREATED, 168 00:18:47,862 --> 00:18:50,000 IT'S OBVIOUS THAT YOU'VE TRANSCENDED ALL NEED 169 00:18:50,001 --> 00:18:51,556 FOR TRADITIONAL FORMS. 170 00:18:51,564 --> 00:18:53,874 NO. 171 00:18:54,701 --> 00:18:58,237 THIS, MY FELLOW STUDENTS, WAS CREATED 172 00:18:58,238 --> 00:19:01,838 OUT OF NO OTHER TRADITION BUT THAT OF BOREDOM. 173 00:19:08,515 --> 00:19:12,345 THIS...THIS IS AN A-PLUS. 174 00:19:12,352 --> 00:19:16,222 THIS IS A PERFECT EXAMPLE 175 00:19:16,223 --> 00:19:19,658 OF 100% SURRENDER TO THE PROCESS 176 00:19:19,659 --> 00:19:21,659 OF TRADITION. 177 00:19:21,661 --> 00:19:23,461 IT'S SO LIFELIKE 178 00:19:23,463 --> 00:19:25,903 THAT YOU COULD ALMOST FUCK IT. 179 00:19:33,806 --> 00:19:35,874 YOU THROUGH? 180 00:19:35,875 --> 00:19:38,275 CAN WE GET BACK TO WORK? 181 00:19:50,022 --> 00:19:51,622 JACKASS. 182 00:20:01,768 --> 00:20:03,034 LILY? 183 00:20:03,035 --> 00:20:05,305 YOU O.K.? 184 00:20:06,506 --> 00:20:07,766 YEAH. 185 00:20:22,922 --> 00:20:24,922 LILY? 186 00:20:24,924 --> 00:20:26,325 YEAH? 187 00:20:26,326 --> 00:20:28,326 CAN I COME IN? 188 00:20:28,328 --> 00:20:30,328 NO. I'M NOT DRESSED. 189 00:20:30,330 --> 00:20:32,730 I'M SORRY ABOUT EARLIER. 190 00:20:32,732 --> 00:20:35,942 IT HAD NOTHING TO DO WITH YOU. 191 00:20:59,759 --> 00:21:03,759 "JANUARY 28th. IT'S LATE. I'M WIDE-AWAKE. 192 00:21:03,763 --> 00:21:07,366 "BURNING UP. BORED. FEEL LIKE DANCING. 193 00:21:07,367 --> 00:21:11,767 "HAVING SOME FUN, LIKE TURNING SOMEONE ON, 194 00:21:11,771 --> 00:21:18,977 "TEASE, TAUNT, TWIST HIM AROUND MY LITTLE FINGER. 195 00:21:18,978 --> 00:21:23,778 "TAKE HIM TO PLACES HE NEVER KNEW HE WANTED TO GO. 196 00:21:23,783 --> 00:21:30,593 BAD PLACES. DARK PLACES. GREAT PLACES." 197 00:21:35,395 --> 00:21:39,395 "FEBRUARY 1st. SELF-PORTRAITS. 198 00:21:39,399 --> 00:21:41,399 "TO EXPOSE IT ALL. 199 00:21:41,401 --> 00:21:44,401 "TO SEE MYSELF THE WAY A LOVER WOULD. 200 00:21:44,404 --> 00:21:47,406 "NO SHAME. NO FEAR. 201 00:21:47,407 --> 00:21:50,607 NOT A FEAR IN THE WORLD." 202 00:21:54,414 --> 00:21:56,281 "NOTHING HIDDEN. 203 00:21:56,282 --> 00:21:58,022 NO SECRETS." 204 00:22:56,075 --> 00:22:57,675 NOTHING HIDDEN. 205 00:22:59,078 --> 00:23:01,078 NO SECRETS. 206 00:23:19,532 --> 00:23:22,501 "WITH YOU, I'M SO FOOLISH IT HURTS. 207 00:23:22,502 --> 00:23:24,502 "MY MOUTH WANTS TO SPEAK 208 00:23:24,504 --> 00:23:27,506 "BUT ONLY KNOWS THE WRONG THINGS TO SAY. 209 00:23:27,507 --> 00:23:29,507 "WITHOUT YOU, THERE IS NO FLOWER, 210 00:23:29,509 --> 00:23:33,149 AND NOTHING GOOD GROWS IN THE GARDEN OF MY HEART." 211 00:23:37,717 --> 00:23:38,917 HELLO. 212 00:23:38,918 --> 00:23:41,118 HELLO. LILY LEONETTI? 213 00:23:41,120 --> 00:23:42,520 YEAH. 214 00:23:42,522 --> 00:23:44,522 I UNDERSTAND YOU'RE LOOKING 215 00:23:44,524 --> 00:23:46,734 FOR A BABYSITTING JOB. 216 00:23:47,794 --> 00:23:50,434 BRIDGETTE! SHUT THAT SHIT OFF! 217 00:23:52,031 --> 00:23:53,431 BRIDGETTE! 218 00:23:56,435 --> 00:23:58,435 I'M GOING TO KILL HER. 219 00:23:58,437 --> 00:24:00,437 YOU WANT TO HELP? GOOD. 220 00:24:00,439 --> 00:24:02,239 I WAS THINKING FAT PILLS. 221 00:24:02,241 --> 00:24:05,441 SHE'S ALWAYS SAYING IF SHE GAINS ONE MORE POUND, 222 00:24:05,444 --> 00:24:07,054 SHE'S GOING TO KILL HERSELF. 223 00:24:07,055 --> 00:24:08,446 SUICIDE'S VERY GOOD. 224 00:24:08,447 --> 00:24:10,447 THANK YOU. THANK YOU VERY MUCH. 225 00:24:10,449 --> 00:24:12,049 HEY, YOU KNOW WHAT? 226 00:24:12,051 --> 00:24:13,051 WHAT? 227 00:24:13,052 --> 00:24:14,452 I GOT A JOB. 228 00:24:14,453 --> 00:24:16,054 DOING WHAT? 229 00:24:16,055 --> 00:24:16,855 BABYSITTING. 230 00:24:16,856 --> 00:24:19,056 WELL, HOW TOTALLY SWEET. 231 00:24:19,058 --> 00:24:20,058 HEY! 232 00:24:20,059 --> 00:24:21,659 IT IS. 233 00:24:23,462 --> 00:24:27,866 SHE HATES ME. I'M AN INSENSITIVE MALE. 234 00:24:27,867 --> 00:24:29,867 YOU TWO KNOW EACH OTHER? 235 00:24:29,869 --> 00:24:34,669 WE DO, BUT SHE MIGHT NOT WANT TO KNOW ME NOW. 236 00:24:36,475 --> 00:24:39,044 TELL HER I'M NOT HALF BAD, TANYA. 237 00:24:39,045 --> 00:24:43,075 I WISH I WERE HALF AS GOOD AS YOU, GREDIN. 238 00:24:45,685 --> 00:24:48,085 COME ON. I'LL MAKE IT UP TO YOU. 239 00:24:49,488 --> 00:24:52,088 NOTHING VENTURED, NOTHING GAINED, RIGHT? 240 00:25:10,509 --> 00:25:12,309 I GOT CARRIED AWAY WITH DONALD. 241 00:25:12,311 --> 00:25:15,914 I SHOULDN'T HAVE PUT YOU IN THE MIDDLE OF IT. 242 00:25:15,915 --> 00:25:17,915 YEAH, WELL, I PROBABLY OVERREACTED. 243 00:25:17,917 --> 00:25:20,917 I CAN SOMETIMES BE HYPERSENSITIVE. 244 00:25:20,920 --> 00:25:24,520 YOU SHOULDN'T BE. YOU GOT IT. 245 00:25:24,523 --> 00:25:28,927 YEAH. I'M THE ONLY PERSON IN CLASS 246 00:25:28,928 --> 00:25:33,128 WHOSE HAND THE TEACHER HAS TO HOLD--LITERALLY. 247 00:25:34,533 --> 00:25:36,534 WELL, FALK HAS A WEAKNESS 248 00:25:36,535 --> 00:25:38,535 FOR HIS FEMALE UNDERGRADS, 249 00:25:38,537 --> 00:25:40,737 ESPECIALLY WHEN THEY LOOK LIKE YOU. 250 00:25:42,541 --> 00:25:43,941 WHAT IS THIS? 251 00:25:43,943 --> 00:25:46,144 THIS IS MY MAGICAL CRAP. 252 00:25:46,145 --> 00:25:47,745 I'M SORT OF HOPING 253 00:25:47,747 --> 00:25:50,277 IT WILL WIN ME A GUGGENHEIM. 254 00:25:50,282 --> 00:25:53,151 YOU'LL GET IT. 255 00:25:53,152 --> 00:25:56,154 YOU PSYCHIC? 256 00:25:56,155 --> 00:25:58,755 NO. YOU DESERVE IT. 257 00:26:00,559 --> 00:26:02,189 SO WHERE WERE YOU 258 00:26:02,194 --> 00:26:03,964 THE FIRST TWO WEEKS? 259 00:26:05,564 --> 00:26:08,967 WELL... WHEN I APPLIED, 260 00:26:08,968 --> 00:26:12,168 I NEVER THOUGHT I'D GET ACCEPTED. 261 00:26:12,171 --> 00:26:14,571 THEN I WAS, 262 00:26:14,573 --> 00:26:17,008 AND I JUST FREAKED. 263 00:26:17,009 --> 00:26:19,978 NO BIG FAMILY EMERGENCY. 264 00:26:19,979 --> 00:26:24,179 JUST MY OWN LITTLE PRIVATE ONE. 265 00:26:24,183 --> 00:26:26,193 THAT'S ALL. 266 00:26:27,586 --> 00:26:28,986 THAT'S ENOUGH. 267 00:26:28,988 --> 00:26:32,588 YOU, UH, SEE THAT HILL OVER THERE? 268 00:26:32,591 --> 00:26:33,991 MM-HMM. 269 00:26:33,993 --> 00:26:36,995 THAT'S BEVERLY HILLS. THAT'S MY HOME. 270 00:26:36,996 --> 00:26:40,996 MIGHT AS WELL BE TIMBUKTU. 271 00:26:41,000 --> 00:26:44,600 MY FATHER AND I-- WE DON'T TALK ANYMORE. 272 00:26:57,016 --> 00:26:59,616 WHAT ARE YOU THINKING? 273 00:26:59,618 --> 00:27:01,948 I'M MAKING A WISH. 274 00:27:04,623 --> 00:27:07,225 WHAT ARE YOU WISHING? 275 00:27:07,226 --> 00:27:10,026 THAT I COULD JUST... 276 00:27:10,029 --> 00:27:14,229 OPEN MY EYES AND BE DIFFERENT. 277 00:27:16,235 --> 00:27:18,235 LISTEN TO ME. 278 00:27:18,237 --> 00:27:20,237 I'M LISTENING. 279 00:27:27,646 --> 00:27:29,846 AND I LIKE DOING THAT. 280 00:27:31,650 --> 00:27:34,650 YOU'RE BEAUTIFUL. 281 00:27:34,653 --> 00:27:36,654 NO, I'M NOT. 282 00:27:36,655 --> 00:27:39,055 YES, YOU ARE. 283 00:27:39,058 --> 00:27:43,858 YOU'RE SWEET, YOU'RE BEAUTIFUL... 284 00:27:45,664 --> 00:27:47,274 AND DIFFERENT. 285 00:27:56,275 --> 00:27:57,875 UM... 286 00:27:59,278 --> 00:28:00,878 LILY. 287 00:28:16,729 --> 00:28:18,129 "MARCH 1st. 288 00:28:18,130 --> 00:28:21,730 "HOW DO YOU KNOW WHAT YOU CAN DO 289 00:28:21,734 --> 00:28:23,735 "UNTIL YOU DO IT? 290 00:28:23,736 --> 00:28:26,736 "HOW DO YOU KNOW WHO YOU CAN HAVE 291 00:28:26,739 --> 00:28:28,739 "UNTIL YOU HAVE THEM? 292 00:28:28,741 --> 00:28:31,741 "I DIDN'T KNOW HIM FROM ADAM, 293 00:28:31,744 --> 00:28:35,146 "BUT I KNEW EXACTLY WHAT HE NEEDED. 294 00:28:35,147 --> 00:28:37,777 WHAT HE NEEDED WAS ME." 295 00:28:38,985 --> 00:28:41,715 "A DARK CLUB, LOUD MUSIC, 296 00:28:41,720 --> 00:28:44,320 "A CORNER TO OURSELVES. 297 00:28:44,323 --> 00:28:46,324 "ANONYMOUS... 298 00:28:46,325 --> 00:28:48,325 "SHAMELESS. 299 00:28:48,327 --> 00:28:51,327 NO PAST. NO FUTURE." 300 00:30:05,804 --> 00:30:11,943 * NEVER SEEN MYSELF THIS WAY BEFORE * 301 00:30:11,944 --> 00:30:13,544 * WHAT'S COME OVER... * 302 00:30:13,545 --> 00:30:14,945 OH! 303 00:30:14,947 --> 00:30:17,077 * ME? * 304 00:30:17,083 --> 00:30:22,220 * ALL I KNOW IS THAT I NEED TO EXPLORE * 305 00:30:22,221 --> 00:30:27,959 * THIS FEELING THAT'S COME OVER ME * 306 00:30:27,960 --> 00:30:31,560 * I CAN'T CONTROL * 307 00:30:31,563 --> 00:30:33,231 * THIS NEW BEGINNING * 308 00:30:33,232 --> 00:30:39,837 * AM I COMING UP OR GOING INTO A TRANCE? * 309 00:30:39,838 --> 00:30:42,974 * DEEP INSIDE * 310 00:30:42,975 --> 00:30:44,775 * I FEEL THE HEARTBEAT * 311 00:30:44,776 --> 00:30:51,846 * OF THE PART OF ME THAT'S COME TO LIFE AT LAST * 312 00:30:51,850 --> 00:30:58,020 * NEVER SEEN MYSELF THIS WAY BEFORE * 313 00:30:58,024 --> 00:31:02,194 * WHAT'S COME OVER ME? * 314 00:31:03,395 --> 00:31:08,465 * ALL I KNOW IS THAT I MUST EXPLORE * 315 00:31:08,467 --> 00:31:17,875 * THIS FEELING THAT'S COME OVER ME * 316 00:31:17,876 --> 00:31:20,476 * WHAT'S COME OVER ME? ** 317 00:31:20,479 --> 00:31:21,879 TEASE. 318 00:31:21,880 --> 00:31:24,080 TAUNT. 319 00:31:25,284 --> 00:31:28,494 TWIST HIM AROUND MY LITTLE FINGER. 320 00:31:29,488 --> 00:31:32,288 "NO SHAME. NO FEAR. 321 00:31:32,291 --> 00:31:36,061 NOT A FEAR IN THE WORLD." 322 00:31:52,244 --> 00:31:55,084 HA HA! 323 00:32:01,520 --> 00:32:03,420 HA HA! LOOKING GOOD! 324 00:32:03,422 --> 00:32:06,992 THAT GUY'S A LOSER. IT'S ME YOU WANT. 325 00:32:08,194 --> 00:32:10,334 BESIDES, I HAVE A LOT MORE TO OFFER 326 00:32:10,335 --> 00:32:12,529 THAN JUST MY FINE YOUNG BODY. 327 00:32:12,531 --> 00:32:14,531 I HAVE IT UP HERE. 328 00:32:14,533 --> 00:32:15,933 THAT'S, UH, TOO BAD 329 00:32:15,934 --> 00:32:18,936 BECAUSE ALL I WAS REALLY INTERESTED IN 330 00:32:18,937 --> 00:32:21,137 WAS YOUR BODY. 331 00:32:24,343 --> 00:32:26,644 SAME TIME, SAME PLACE? 332 00:32:26,645 --> 00:32:28,245 MAYBE. 333 00:32:55,574 --> 00:32:56,974 HEY THERE. 334 00:32:56,975 --> 00:32:58,575 HI. 335 00:32:59,978 --> 00:33:01,978 WELL, WHAT DO YOU THINK? 336 00:33:03,115 --> 00:33:04,575 IT'S, UH... 337 00:33:05,984 --> 00:33:08,194 INTENSE. HA HA! 338 00:33:20,799 --> 00:33:23,399 EITHER SOMETHING VERY TRAGIC OR TERRIBLY EXCITING 339 00:33:23,402 --> 00:33:25,602 IS HAPPENING IN YOUR LIFE. 340 00:33:30,809 --> 00:33:34,379 WOMEN ONLY CHANGE THEIR HAIR WHEN IT'S ONE OF THE TWO. 341 00:33:34,380 --> 00:33:35,780 OH. 342 00:33:35,781 --> 00:33:37,781 I DON'T KNOW. 343 00:33:37,783 --> 00:33:40,585 I--I THINK I WAS JUST BORED. 344 00:33:40,586 --> 00:33:42,616 I BET IT WAS SOMETHING EXCITING. 345 00:33:42,621 --> 00:33:43,688 LIKE WHAT? 346 00:33:43,689 --> 00:33:46,489 I CONFESS. I'M NOT REALLY A FORTUNETELLER. 347 00:33:47,426 --> 00:33:49,026 YOU HAVE A PRETTY FACE. 348 00:33:49,027 --> 00:33:50,427 YOU SHOULDN'T HIDE IT 349 00:33:50,429 --> 00:33:52,029 BEHIND THAT NEW HAIR STYLE. 350 00:33:52,030 --> 00:33:53,630 DONALD? 351 00:33:53,632 --> 00:33:54,572 HEY. 352 00:33:54,573 --> 00:33:57,766 HEY! I THOUGHT I'D FIND YOU HERE. 353 00:33:57,769 --> 00:33:59,569 LILY, MEET ANGELA, MY WIFE. 354 00:33:59,571 --> 00:34:02,511 ANGELA, THIS IS LILY, YOUR NEW BABYSITTER. 355 00:34:03,375 --> 00:34:06,705 HI. NICE TO MEET YOU, LILY. 356 00:34:08,114 --> 00:34:10,254 12 MISSISSIPPI. 357 00:34:11,217 --> 00:34:13,717 13 MISSISSIPPI. 358 00:34:14,920 --> 00:34:17,060 14 MISSISSIPPI. 359 00:34:22,828 --> 00:34:25,058 15 MISSISSIPPI. 360 00:34:25,063 --> 00:34:26,764 I'M READY! 361 00:34:26,765 --> 00:34:29,665 16 MISSISSIPPI. 362 00:34:29,668 --> 00:34:32,068 LILY, HURRY UP! 363 00:34:32,070 --> 00:34:34,670 17, 18, 364 00:34:34,673 --> 00:34:37,283 19, 20! 365 00:34:39,678 --> 00:34:41,678 DAPHNA. 366 00:34:43,081 --> 00:34:46,081 OH, DAPHNA. 367 00:34:58,364 --> 00:35:00,531 BOO! 368 00:35:00,532 --> 00:35:02,066 AAH! 369 00:35:02,067 --> 00:35:03,467 GOTCHA. 370 00:35:03,469 --> 00:35:05,469 OH, I MUST SAY, DAPHNA. 371 00:35:05,471 --> 00:35:07,671 YOU ARE A GREAT HIDER. 372 00:35:07,673 --> 00:35:09,073 THANK YOU. 373 00:35:09,074 --> 00:35:10,714 OH, YOU'RE WELCOME. 374 00:35:13,245 --> 00:35:16,245 THOSE ARE PICTURES OF DADDY'S OLD PAINTINGS. 375 00:35:16,248 --> 00:35:18,878 HE DOESN'T LIKE TO PAINT ANYMORE. 376 00:35:23,121 --> 00:35:24,721 WHY? 377 00:35:25,924 --> 00:35:29,727 MAMMA SAYS IT'S BECAUSE PAINTING MAKES HIM CRAZY. 378 00:35:29,728 --> 00:35:31,728 HA HA HA! 379 00:35:34,733 --> 00:35:36,133 DAPHNA? 380 00:35:36,134 --> 00:35:38,135 I'M GOING TO HIDE AGAIN. 381 00:35:38,136 --> 00:35:39,636 OH, WAIT, DAPHNA. 382 00:35:43,475 --> 00:35:44,835 HI. 383 00:35:45,911 --> 00:35:47,481 Hi. 384 00:35:50,148 --> 00:35:51,748 HELLO! 385 00:35:53,752 --> 00:35:55,152 HELLO? 386 00:35:55,153 --> 00:35:56,621 HI. 387 00:35:56,622 --> 00:35:57,888 HI, SWEETIE. 388 00:35:57,889 --> 00:35:59,189 HI. HI, LILY. 389 00:35:59,191 --> 00:36:00,631 HI. 390 00:36:01,427 --> 00:36:03,427 WHAT YOU BEEN UP TO? 391 00:36:03,429 --> 00:36:05,629 OH, I DID THE PORTRAIT. 392 00:36:05,631 --> 00:36:06,764 ALL RIGHT. 393 00:36:06,765 --> 00:36:08,765 ANGELA'S GETTING BACK INTO HER PHOTOGRAPHY. 394 00:36:08,767 --> 00:36:11,367 SHE ALWAYS SAID SHE'D GIVE DAPHNA FOUR YEARS, 395 00:36:11,370 --> 00:36:13,640 BUT LUCKY DAPHNA GOT A FULL SEVEN. 396 00:36:13,641 --> 00:36:15,105 HA HA HA! 397 00:36:15,106 --> 00:36:16,506 RIGHT. 398 00:36:16,508 --> 00:36:19,138 WHY DON'T YOU TAKE LILY HOME? 399 00:36:19,144 --> 00:36:20,545 MOM! I'M HIDING! 400 00:36:20,546 --> 00:36:23,176 NO ONE'S COME TO FIND ME! 401 00:36:23,181 --> 00:36:24,581 BYE, LILY. 402 00:36:24,583 --> 00:36:26,884 I'LL GIVE YOU A LIFT. 403 00:36:26,885 --> 00:36:28,885 NOW FROM L.A.'s BEST STATION 404 00:36:28,887 --> 00:36:31,487 FOR THE SOUND OF JAZZ, ANOTHER 30 MINUTES... 405 00:36:31,490 --> 00:36:32,790 SO... HA HA HA! 406 00:36:36,595 --> 00:36:38,195 WHY DON'T YOU TELL ME 407 00:36:38,196 --> 00:36:40,196 A LITTLE BIT ABOUT YOURSELF, LILY? 408 00:36:40,198 --> 00:36:42,798 WHERE WAS IT YOU SAID YOU WERE FROM? 409 00:36:42,801 --> 00:36:44,401 YOU'LL LAUGH. 410 00:36:47,205 --> 00:36:49,205 KALAMAZOO, MICHIGAN. 411 00:36:49,207 --> 00:36:50,807 HA HA! 412 00:36:50,809 --> 00:36:52,209 BORN AND BRED... 413 00:36:52,210 --> 00:36:54,078 AND STIFLED. 414 00:36:54,079 --> 00:36:56,347 WELL, THAT'S A BIG MOVE, HUH? 415 00:36:56,348 --> 00:36:58,918 ALL THE WAY OUT TO CALIFORNIA BY YOURSELF. 416 00:37:00,619 --> 00:37:03,354 I WAS REALLY SCARED AT FIRST, YOU KNOW, 417 00:37:03,355 --> 00:37:06,085 BUT I THINK I MADE THE RIGHT DECISION. 418 00:37:06,091 --> 00:37:07,325 DEFINITELY. 419 00:37:07,326 --> 00:37:08,926 CAN'T AFFORD TO BE AFRAID 420 00:37:08,927 --> 00:37:10,727 AT YOUR STAGE OF THE GAME. 421 00:37:14,833 --> 00:37:16,233 RIGHT UP HERE? 422 00:37:16,234 --> 00:37:17,844 YEAH, THAT'S IT. 423 00:37:19,638 --> 00:37:22,838 WELL, I GUESS I BETTER LET YOU OUT. 424 00:37:22,841 --> 00:37:24,841 THANKS A LOT. 425 00:37:24,843 --> 00:37:26,243 HERE'S YOUR BAG. 426 00:37:26,244 --> 00:37:28,245 THANKS. 427 00:37:28,246 --> 00:37:30,246 IF YOU WANT TO SHOW ME 428 00:37:30,248 --> 00:37:32,248 SOME OF YOUR OTHER WORK SOMETIME, 429 00:37:32,250 --> 00:37:33,650 I'D LOVE TO SEE IT. 430 00:37:33,652 --> 00:37:35,652 LIKE WHEN-- LIKE AFTER CLASS? 431 00:37:35,654 --> 00:37:38,260 YEAH. I'M IN THE STUDIO EVERY AFTERNOON 432 00:37:38,261 --> 00:37:39,856 BY THE FACULTY BUILDING. 433 00:37:39,858 --> 00:37:41,858 O.K. YEAH. 434 00:37:41,860 --> 00:37:43,260 MAYBE I'LL DO THAT. 435 00:37:43,261 --> 00:37:44,501 GREAT. 436 00:38:16,895 --> 00:38:18,695 "JUNE 1st. 437 00:38:18,697 --> 00:38:21,297 "IVY'S PHILOSOPHY NUMBER 21. 438 00:38:21,299 --> 00:38:23,499 NEVER FALL IN LOVE." 439 00:38:24,703 --> 00:38:27,705 "AS LONG AS I CAN BREAK SOMEBODY'S HEART, 440 00:38:27,706 --> 00:38:29,906 THAT'S LOVE ENOUGH FOR ME." 441 00:38:43,355 --> 00:38:45,915 "HOW DO YOU KNOW WHAT YOU CAN DO 442 00:38:45,924 --> 00:38:47,534 UNTIL YOU DO IT?" 443 00:39:00,338 --> 00:39:01,938 HI. 444 00:39:01,940 --> 00:39:03,540 HI. 445 00:39:05,944 --> 00:39:07,554 AHEM. 446 00:39:08,947 --> 00:39:10,347 HOW ARE YOU? 447 00:39:10,348 --> 00:39:12,348 GOOD, AND YOU? 448 00:39:12,350 --> 00:39:14,350 I'M GOOD. 449 00:39:14,352 --> 00:39:16,562 THIRSTY? 450 00:39:17,956 --> 00:39:19,556 SURE. 451 00:40:02,501 --> 00:40:04,701 YOU DON'T LIKE IT. 452 00:40:04,703 --> 00:40:06,203 NO. 453 00:40:07,072 --> 00:40:09,612 NO, I THINK YOU LOOK INCREDIBLY SEXY. 454 00:40:12,077 --> 00:40:14,077 I'M GLAD YOU LIKE IT. 455 00:40:14,079 --> 00:40:15,879 DID DONALD LIKE IT? 456 00:40:19,818 --> 00:40:21,686 I SAW HIM DROP YOU OFF. 457 00:40:21,687 --> 00:40:23,217 SEEMS LIKE YOU'RE BECOMING 458 00:40:23,221 --> 00:40:24,761 A REGULAR TEACHER'S PET. 459 00:40:25,857 --> 00:40:27,257 NO. 460 00:40:27,258 --> 00:40:29,458 JUST HIS BABYSITTER. 461 00:40:44,442 --> 00:40:46,042 DO YOU STILL THINK 462 00:40:46,044 --> 00:40:48,045 THAT I'M DIFFERENT... 463 00:40:48,046 --> 00:40:49,646 BEAUTIFUL? 464 00:40:51,182 --> 00:40:53,182 YEAH. 465 00:40:53,184 --> 00:40:54,785 MMM. 466 00:40:54,786 --> 00:40:56,186 MAY I? 467 00:40:56,187 --> 00:40:58,187 HMM... 468 00:40:58,189 --> 00:40:59,789 O.K. 469 00:41:07,799 --> 00:41:09,199 MAY I? 470 00:41:10,602 --> 00:41:12,202 HA HA HA! 471 00:41:39,965 --> 00:41:41,865 * HEY * 472 00:42:03,722 --> 00:42:06,891 * DON'T GO TOO SLOW * 473 00:42:06,892 --> 00:42:12,262 * DON'T GO TOO FAST * 474 00:42:12,263 --> 00:42:14,932 * BABY * 475 00:42:14,933 --> 00:42:17,802 * I'VE BEEN WAITING SO LONG * 476 00:42:17,803 --> 00:42:23,007 * I WANT IT TO LAST * 477 00:42:23,008 --> 00:42:24,908 * BABY * 478 00:42:25,944 --> 00:42:28,679 * TREMBLING INSIDE * 479 00:42:28,680 --> 00:42:31,548 * WITH BURNING DESIRE * 480 00:42:31,549 --> 00:42:35,619 * I'M 'BOUT TO LOSE MY MIND * 481 00:42:36,822 --> 00:42:39,690 * IT FEELS SO RIGHT * 482 00:42:39,691 --> 00:42:42,426 * TO FEED THIS FIRE * 483 00:42:42,427 --> 00:42:47,564 * ALL THROUGH THE NIGHT * 484 00:42:47,565 --> 00:42:50,434 * I CAN'T DENY * 485 00:42:50,435 --> 00:42:52,835 * DON'T WANT TO HIDE * 486 00:42:52,838 --> 00:42:56,778 * THIS ACHING FOR YOU * 487 00:42:58,443 --> 00:43:00,845 * DEEP IN MY SOUL * 488 00:43:00,846 --> 00:43:03,714 * I NEED YOUR CONTROL * 489 00:43:03,715 --> 00:43:09,315 * ACHING FOR YOU * 490 00:43:09,320 --> 00:43:11,856 * HERE IN YOUR ARMS * 491 00:43:11,857 --> 00:43:14,587 * I FEEL SO WARM * 492 00:43:14,592 --> 00:43:19,864 * ACHING FOR YOU * 493 00:43:19,865 --> 00:43:22,595 * I LOVE YOUR TOUCH * 494 00:43:22,600 --> 00:43:25,335 * IT'S NEVER TOO MUCH * 495 00:43:25,336 --> 00:43:30,936 * THIS ACHING FOR YOU * 496 00:43:33,111 --> 00:43:35,746 * YEAH * 497 00:43:35,747 --> 00:43:40,347 * THIS ACHING FOR YOU ** 498 00:44:06,377 --> 00:44:08,177 "THERE I WAS AGAIN, 499 00:44:08,179 --> 00:44:10,379 "GOING OUT INTO THE UNKNOWN... 500 00:44:10,381 --> 00:44:12,121 JUST BECAUSE." 501 00:44:56,661 --> 00:44:59,731 DO YOU REMEMBER ME? 502 00:45:06,838 --> 00:45:08,908 TAKE ME WITH YOU? 503 00:45:10,441 --> 00:45:12,041 I CAN'T. 504 00:46:03,628 --> 00:46:05,758 YOU DIDN'T THINK I'D COME. 505 00:46:07,899 --> 00:46:09,399 I WASN'T SURE. 506 00:46:10,902 --> 00:46:12,502 BRING IT HERE. 507 00:46:35,526 --> 00:46:38,126 GREAT MIDWEST. 508 00:46:38,129 --> 00:46:39,929 HA HA! 509 00:46:39,931 --> 00:46:42,599 MMM. THAT'S NICE. 510 00:46:42,600 --> 00:46:44,200 THANKS. 511 00:46:46,404 --> 00:46:47,974 GOOD STUDENT. 512 00:46:50,808 --> 00:46:52,408 STUDENT? 513 00:46:53,478 --> 00:46:55,278 WELL... 514 00:46:55,280 --> 00:46:57,480 YOU'RE STILL VERY CAUTIOUS... 515 00:46:57,482 --> 00:46:59,282 CAREFUL. 516 00:47:04,555 --> 00:47:06,215 YOU KNOW, IT'S... 517 00:47:06,224 --> 00:47:08,692 IT'S SORT OF FUNNY TO ME 518 00:47:08,693 --> 00:47:10,928 THE WAY YOU CAN... 519 00:47:10,929 --> 00:47:12,929 TEACH AND JUDGE, 520 00:47:12,931 --> 00:47:14,331 AND YET... 521 00:47:14,332 --> 00:47:16,572 YOU YOURSELF NO LONGER PAINT. 522 00:47:18,970 --> 00:47:20,570 THINK THAT'S FUNNY? 523 00:47:20,571 --> 00:47:21,771 HA HA! 524 00:47:21,772 --> 00:47:24,312 NO. ACTUALLY, I THINK IT'S BULLSHIT. 525 00:47:26,377 --> 00:47:28,877 HMM... 526 00:47:28,880 --> 00:47:31,980 WHAT DO YOU PROPOSE TO DO ABOUT IT? 527 00:47:31,983 --> 00:47:33,583 I DON'T KNOW. 528 00:47:36,988 --> 00:47:38,488 YOU SEE... 529 00:47:39,590 --> 00:47:41,190 TO BE AN ARTIST... 530 00:47:43,394 --> 00:47:46,396 YOU KNOW, TO BE A SERIOUS ARTIST... 531 00:47:46,397 --> 00:47:50,067 YOU HAVE TO BE WILLING TO SACRIFICE EVERYTHING. 532 00:47:50,068 --> 00:47:52,668 YOU HAVE TO CONFRONT YOUR DEMONS 533 00:47:52,670 --> 00:47:55,270 AND GO INTO BATTLE WITH THEM. 534 00:47:57,608 --> 00:47:59,208 THAT'S WHAT I WANT. 535 00:48:00,611 --> 00:48:01,878 I'M READY FOR THAT. 536 00:48:01,879 --> 00:48:03,479 REALLY? 537 00:48:07,418 --> 00:48:11,218 I LOST A FEW BATTLES ALONG THE WAY MYSELF. 538 00:48:12,423 --> 00:48:15,233 THAT'S WHY I STOPPED PAINTING. 539 00:48:20,631 --> 00:48:22,366 WELL, THEN... 540 00:48:22,367 --> 00:48:23,897 MAYBE... 541 00:48:23,901 --> 00:48:26,641 I CAN HELP YOU FACE YOUR FEARS... 542 00:48:27,738 --> 00:48:30,608 AND YOU COULD HELP ME FACE MINE. 543 00:48:32,643 --> 00:48:34,513 ARE YOU SURE? 544 00:48:45,656 --> 00:48:47,256 SIT DOWN. 545 00:48:50,261 --> 00:48:51,661 DO IT. 546 00:49:19,890 --> 00:49:21,790 TAKE OFF YOUR CLOTHES. 547 00:49:21,792 --> 00:49:23,692 HA HA! 548 00:49:26,831 --> 00:49:28,831 DOES THAT PROSPECT FRIGHTEN YOU? 549 00:49:28,833 --> 00:49:32,073 Y-YEAH, A LITTLE. 550 00:49:35,106 --> 00:49:37,706 THEN ALL THE MORE REASON TO DO IT, RIGHT? 551 00:49:51,389 --> 00:49:52,989 O.K. 552 00:50:54,452 --> 00:50:58,922 * SEEKIN' FOR PLEASURE * 553 00:50:58,923 --> 00:51:03,593 * IN ALL THE WRONG PLACES * 554 00:51:03,594 --> 00:51:08,064 * CAN'T TAKE THE PRESSURE * 555 00:51:08,065 --> 00:51:12,935 * TO KEEP GETTIN' WASTED * 556 00:51:12,937 --> 00:51:15,205 * DEEPER AND DEEPER * 557 00:51:15,206 --> 00:51:17,336 * GOIN' DOWN * 558 00:51:17,342 --> 00:51:19,342 * DEEPER AND DEEPER * 559 00:51:19,344 --> 00:51:21,945 * WITHOUT A SOUND * 560 00:51:21,946 --> 00:51:24,076 * DEEPER AND DEEPER * 561 00:51:24,081 --> 00:51:26,216 * GOIN' DOWN * 562 00:51:26,217 --> 00:51:29,817 * DEEPER AND DEEPER * 563 00:51:29,820 --> 00:51:31,688 * OOH, OOH, OOH * 564 00:51:31,689 --> 00:51:34,089 * OOH, OOH, OOH * 565 00:51:34,091 --> 00:51:36,560 * YEAH, YEAH * 566 00:51:36,561 --> 00:51:38,501 YEAH. 567 00:51:39,364 --> 00:51:42,932 * MIND GETS SO TIRED * 568 00:51:42,933 --> 00:51:47,036 * FROM TOO MUCH THINKIN' * 569 00:51:47,037 --> 00:51:51,337 * TRY TO GET HIGHER * 570 00:51:51,342 --> 00:51:55,345 * BUT YOU'RE ALWAYS SINKIN' * 571 00:51:55,346 --> 00:51:58,815 * DEEPER AND DEEPER * 572 00:51:58,816 --> 00:52:00,346 * GOIN' DOWN * 573 00:52:00,351 --> 00:52:03,086 * DEEPER AND DEEPER * 574 00:52:03,087 --> 00:52:04,817 * WITHOUT A SOUND * 575 00:52:04,822 --> 00:52:07,090 * DEEPER AND DEEPER * 576 00:52:07,091 --> 00:52:10,260 * GOIN' DOWN * 577 00:52:10,261 --> 00:52:12,496 * DEEPER AND DEEPER * 578 00:52:12,497 --> 00:52:14,964 * OOH, OOH, OOH * 579 00:52:14,965 --> 00:52:17,895 * OOH, OOH, OOH * 580 00:52:17,902 --> 00:52:20,442 * AHH * 581 00:53:07,618 --> 00:53:09,185 SEE YOU. 582 00:53:09,186 --> 00:53:11,016 * OOH OOH, OOH OOH, OOH OOH * 583 00:53:11,021 --> 00:53:12,491 TOMORROW? 584 00:53:13,391 --> 00:53:16,231 * AH AH, AH AH, AH AH * 585 00:53:17,928 --> 00:53:20,468 * AH AH, AH AH, AH AH * 586 00:53:21,399 --> 00:53:23,629 * AH AH, AH AH, AH AH * 587 00:53:23,634 --> 00:53:25,034 HI. 588 00:53:25,035 --> 00:53:26,435 HI. 589 00:53:26,437 --> 00:53:28,437 UM, I'M REALLY LATE FOR WORK. 590 00:53:28,439 --> 00:53:29,839 I'M STARTING TO FEEL 591 00:53:29,840 --> 00:53:32,510 LIKE ONE OF THOSE SEDUCED AND ABANDONED CASES. 592 00:53:33,444 --> 00:53:36,446 THIS ISN'T A BOY/GIRL THING, GREDIN. 593 00:53:36,447 --> 00:53:38,647 THIS IS A WORK THING. 594 00:53:40,050 --> 00:53:41,650 ARE YOU SURE? 595 00:53:44,455 --> 00:53:46,315 DON'T BE SO INSECURE. 596 00:53:46,324 --> 00:53:48,458 * DEEPER * 597 00:53:48,459 --> 00:53:50,794 * DEEPER * 598 00:53:50,795 --> 00:53:53,025 * DEEPER * 599 00:53:53,030 --> 00:53:54,930 * DEEPER * 600 00:53:54,932 --> 00:53:57,066 * DEEPER * 601 00:53:57,067 --> 00:53:59,336 * DEEPER * 602 00:53:59,337 --> 00:54:01,467 * DEEPER * 603 00:54:01,472 --> 00:54:03,612 * OH, OH, OH, OH, OH, OH, OH, OH * 604 00:54:03,613 --> 00:54:05,938 * DEEPER AND DEEPER * 605 00:54:05,943 --> 00:54:07,944 * GOIN' DOWN * 606 00:54:07,945 --> 00:54:09,945 * DEEPER AND DEEPER * 607 00:54:09,947 --> 00:54:12,215 * WITHOUT A SOUND * 608 00:54:12,216 --> 00:54:14,784 * DEEPER AND DEEPER * 609 00:54:14,785 --> 00:54:16,485 * GOIN' DOWN * 610 00:54:16,487 --> 00:54:19,617 * DEEPER AND DEEPER * 611 00:54:19,624 --> 00:54:21,491 * OOH, OOH, OOH * 612 00:54:21,492 --> 00:54:24,494 * OOH, AHH, AHH * 613 00:54:24,495 --> 00:54:26,695 * AHH, UH ** 614 00:54:41,512 --> 00:54:43,112 HI. THIS IS LILY. 615 00:54:43,113 --> 00:54:44,914 I CAN'T GET TO THE PHONE, 616 00:54:44,915 --> 00:54:47,715 SO LEAVE YOUR MESSAGE AFTER THE BEEP. THANKS. 617 00:55:22,219 --> 00:55:24,754 BOO! HA HA HA! 618 00:55:24,755 --> 00:55:26,455 GOTCHA! 619 00:55:26,457 --> 00:55:28,457 UM, WE'RE HAVING A PARTY TONIGHT. 620 00:55:28,459 --> 00:55:30,694 IT'S GOING TO BE PRETTY LOUD. 621 00:55:30,695 --> 00:55:33,495 I JUST THOUGHT I'D LET YOU KNOW. BYE. 622 00:55:40,771 --> 00:55:42,371 FUCK HER. 623 00:55:48,579 --> 00:55:51,179 GREDIN! GREDIN! 624 00:55:51,181 --> 00:55:53,181 YO! OVER HERE! 625 00:55:53,183 --> 00:55:56,185 HEY, YOU BEAUTIFUL MAN, COME ON! 626 00:55:56,186 --> 00:55:58,186 GREDIN! 627 00:55:58,188 --> 00:56:00,188 STOP WHAT YOU'RE DOING! 628 00:56:00,190 --> 00:56:02,058 OH, GOD, I'M SO TIRED! 629 00:56:02,059 --> 00:56:05,795 WHY DO YOU HAVE TO HAVE THIS SCULPTURE UP HERE? 630 00:56:05,796 --> 00:56:07,666 HERE'S A BEER! 631 00:56:09,199 --> 00:56:12,068 IS THAT LIPSTICK ON YOUR FACE? 632 00:56:12,069 --> 00:56:13,469 IT IS! 633 00:56:13,471 --> 00:56:15,611 YOU BETTER NOT BE KISSING ANYBODY 634 00:56:15,612 --> 00:56:17,206 BUT ME TONIGHT, O.K.? 635 00:56:17,207 --> 00:56:19,707 OH, YOU SEXY MAN. 636 00:56:19,710 --> 00:56:21,910 WE'RE HAVING A PARTY. 637 00:56:21,912 --> 00:56:23,312 FUCK HIM. 638 00:56:23,313 --> 00:56:26,423 OH, IT'S GOING TO BE SO MUCH FUN. 639 00:56:28,819 --> 00:56:30,819 FUCK THEM ALL. 640 00:56:45,870 --> 00:56:49,670 * MAYBE I'LL NEVER BE * 641 00:56:49,674 --> 00:56:52,742 * WHAT YOU WANT ME TO BE * 642 00:56:52,743 --> 00:56:56,079 * MAYBE I'LL FALL APART * 643 00:56:56,080 --> 00:56:59,315 * THERE'S NO SPACE IN YOUR HEART * 644 00:56:59,316 --> 00:57:02,486 * LET'S PRETEND I'M A GOD * 645 00:57:02,487 --> 00:57:05,655 * WHAT ARE YOU WEARING NOW? * 646 00:57:05,656 --> 00:57:08,386 * LOVE'S THE PERFECT DISGUISE * 647 00:57:08,392 --> 00:57:13,962 * I CAN'T BE FOUND THERE ** 648 00:57:33,551 --> 00:57:35,651 ARE YOU OUT OF YOUR MIND? 649 00:57:35,653 --> 00:57:38,254 WHY WOULD YOU WANT TO DO 650 00:57:38,255 --> 00:57:39,955 SOMETHING LIKE THAT? 651 00:57:39,957 --> 00:57:42,257 SELF-EXPRESSION. 652 00:57:42,259 --> 00:57:43,827 WAIT A MINUTE. 653 00:57:43,828 --> 00:57:45,828 FIRST YOU CUT OFF ALL YOUR HAIR. 654 00:57:45,830 --> 00:57:47,400 THEN YOU PIERCE YOUR BELLYBUTTON. 655 00:57:47,401 --> 00:57:48,897 NOW YOU'RE SMOKING? 656 00:57:48,899 --> 00:57:52,335 WHAT THE HELL IS GOING ON WITH YOU? 657 00:57:52,336 --> 00:57:53,736 TANYA... 658 00:57:53,738 --> 00:57:55,938 DON'T YOU HAVE SOME SORT 659 00:57:55,940 --> 00:57:57,340 OF SUPERHIGHWAY 660 00:57:57,341 --> 00:58:00,409 THAT YOU NEED TO GET ON? 661 00:58:00,410 --> 00:58:03,210 WHY DON'T YOU GO HAVE SOME FUN? 662 00:58:07,284 --> 00:58:09,054 I WAS JUST LEAVING. 663 00:58:13,858 --> 00:58:16,928 GUESS I WON'T INTRODUCE YOU TO ROXANNE. 664 00:59:03,240 --> 00:59:04,240 HI. 665 00:59:04,241 --> 00:59:05,241 HI. 666 00:59:05,242 --> 00:59:07,510 HMM, WHAT SHOULD I HAVE? 667 00:59:07,511 --> 00:59:10,411 HOW ABOUT AN ICEBREAKER? 668 00:59:10,414 --> 00:59:13,316 AND WHAT EXACTLY IS AN ICEBREAKER? 669 00:59:13,317 --> 00:59:16,085 TURN AROUND, AND I'LL SHOW YOU. 670 00:59:16,086 --> 00:59:18,316 O.K. 671 00:59:18,322 --> 00:59:20,632 DON'T MOVE. 672 00:59:25,863 --> 00:59:27,263 UH... 673 00:59:42,312 --> 00:59:45,022 HEY, TO ICEBREAKERS. 674 00:59:48,385 --> 00:59:49,985 THANKS. 675 00:59:54,224 --> 00:59:56,159 WHOO! 676 00:59:56,160 --> 00:59:59,000 WHOO HOO HOO! 677 01:00:26,190 --> 01:00:27,990 DANCE WITH ME. 678 01:01:01,625 --> 01:01:03,225 OH, MY GOD. 679 01:01:07,497 --> 01:01:10,527 NO ONE'S SAFE WITH YOU AROUND. 680 01:01:10,534 --> 01:01:13,074 YEAH. YOU GOT A PROBLEM WITH THAT? 681 01:04:34,538 --> 01:04:35,938 HI. THIS IS LILY, 682 01:04:35,940 --> 01:04:37,940 AND I CAN'T GET TO THE PHONE. 683 01:04:37,942 --> 01:04:40,376 LEAVE ME A MESSAGE AFTER THE BEEP. 684 01:04:40,377 --> 01:04:41,777 THANKS. 685 01:04:43,180 --> 01:04:44,780 LILY, IT'S YOUR MOM. 686 01:04:44,781 --> 01:04:46,251 LILY, WE'RE WORRIED ABOUT YOU. 687 01:04:46,252 --> 01:04:48,250 YOUR DAD WANTS TO TALK TO YOU. 688 01:04:48,252 --> 01:04:50,252 HEY, KIDDO. HOW ARE YOU DOING? 689 01:04:50,254 --> 01:04:51,860 PLEASE CALL HOME, DARLING. 690 01:04:51,861 --> 01:04:53,815 YOUR MOTHER'S DRIVING ME CRAZY. 691 01:04:53,823 --> 01:04:56,492 WE'LL SEE YOU AT THANKSGIVING, RIGHT? 692 01:04:56,493 --> 01:04:59,803 AHEM. 693 01:05:07,137 --> 01:05:09,037 IS THAT THE TIME? 694 01:05:12,776 --> 01:05:14,376 WE'RE LATE FOR DONALD'S CLASS. 695 01:05:14,378 --> 01:05:16,608 SO WE'RE LATE FOR PROFESSOR FUCK'S CLASS. 696 01:05:16,613 --> 01:05:18,047 WHAT'S THE BIG DEAL? 697 01:05:18,048 --> 01:05:19,648 I WANT TO GO. 698 01:05:19,649 --> 01:05:21,419 THAT'S WHAT THE BIG DEAL IS. 699 01:05:21,420 --> 01:05:23,648 SO GO. 700 01:05:25,255 --> 01:05:27,485 WHAT DO YOU THINK I'M TRYING TO DO? 701 01:05:43,940 --> 01:05:46,440 SO, WHAT ARE YOU DOING FOR THANKSGIVING? 702 01:05:46,443 --> 01:05:47,843 I DON'T KNOW YET. 703 01:05:49,779 --> 01:05:51,779 UH, BRIDGETTE, TANYA, AND ROBERT 704 01:05:51,781 --> 01:05:53,981 ARE GOING TO GO HOME. 705 01:06:02,292 --> 01:06:05,328 IT'S GOING TO GET RATHER LONELY AROUND HERE. 706 01:06:05,329 --> 01:06:06,929 WHAT ABOUT YOU? 707 01:06:06,930 --> 01:06:09,170 WHAT ARE YOU GOING TO DO? 708 01:06:10,734 --> 01:06:12,404 GREDIN? 709 01:06:47,837 --> 01:06:50,437 HELLO? HELLO? 710 01:06:57,414 --> 01:06:59,684 WHO WAS THAT ON THE PHONE? 711 01:07:03,019 --> 01:07:04,349 GREDIN? 712 01:07:04,354 --> 01:07:07,064 WHO WAS THAT ON THE PHONE? 713 01:07:08,225 --> 01:07:09,625 I DON'T KNOW. 714 01:07:09,626 --> 01:07:11,996 SOMEONE WHO DIDN'T WANT TO TALK TO ME. 715 01:07:11,997 --> 01:07:14,495 THERE SEEMS TO BE A HELL OF A LOT 716 01:07:14,498 --> 01:07:16,068 I DON'T KNOW. 717 01:07:20,770 --> 01:07:22,240 DON'T. 718 01:07:27,611 --> 01:07:30,211 WHAT'S THE MATTER? 719 01:07:30,214 --> 01:07:31,914 WHAT DID I DO? 720 01:07:31,915 --> 01:07:33,515 YOU TELL ME. 721 01:07:35,785 --> 01:07:37,615 WHAT ARE YOU DOING? 722 01:07:40,324 --> 01:07:41,924 I WANT TO KNOW, LILY. 723 01:07:41,925 --> 01:07:43,325 UM, I REALLY CAN'T 724 01:07:43,327 --> 01:07:45,457 HAVE THIS CONVERSATION RIGHT NOW 725 01:07:45,462 --> 01:07:47,702 BECAUSE I'M LATE FOR CLASS. 726 01:08:04,114 --> 01:08:06,582 I DON'T KNOW WHO YOU ARE ANYMORE. 727 01:08:06,583 --> 01:08:08,384 I DON'T KNOW 728 01:08:08,385 --> 01:08:11,315 WHO I'M MAKING LOVE TO ANYMORE. 729 01:08:11,321 --> 01:08:15,158 IF THIS IS SOME KIND OF CONTEST, LILY... 730 01:08:15,159 --> 01:08:17,359 I DON'T WANT TO COMPETE. 731 01:08:56,966 --> 01:08:59,666 I THOUGHT YOU WROTE THESE. 732 01:09:35,639 --> 01:09:37,005 HI. 733 01:09:37,006 --> 01:09:39,406 OH, WHAT A NICE SURPRISE. 734 01:09:39,409 --> 01:09:42,177 THOUGHT YOU MIGHT BE HUNGRY. 735 01:09:42,178 --> 01:09:44,178 AS A MATTER OF FACT, I AM. 736 01:09:44,180 --> 01:09:46,380 SINCE WHEN DO YOU LOCK THE DOOR? 737 01:09:46,383 --> 01:09:48,623 SINCE THE LAST CAMPUS SHOOTING. 738 01:10:00,897 --> 01:10:02,027 PAINTING AGAIN? 739 01:10:02,031 --> 01:10:03,065 MM-HMM. 740 01:10:03,066 --> 01:10:05,466 IT'S DELICIOUS, HONEY. THANKS. 741 01:10:05,469 --> 01:10:06,969 CAN I HAVE A LOOK? 742 01:10:06,970 --> 01:10:08,270 NO. 743 01:10:08,272 --> 01:10:09,672 YOU KNOW NOT TO ASK. 744 01:10:09,673 --> 01:10:11,883 WHEN I HAVE SOMETHING TO SHOW YOU, 745 01:10:11,884 --> 01:10:13,805 I'LL SHOW IT TO YOU. 746 01:10:18,014 --> 01:10:19,014 DONALD... 747 01:10:19,015 --> 01:10:20,015 YEAH? 748 01:10:20,016 --> 01:10:22,746 YOU O.K.? 749 01:10:22,752 --> 01:10:24,487 YEAH. I'M FINE. 750 01:10:24,488 --> 01:10:26,154 WHY? 751 01:10:26,155 --> 01:10:28,355 SO WHO ARE YOU PAINTING? 752 01:10:30,427 --> 01:10:32,397 NO ONE IN PARTICULAR. 753 01:10:34,931 --> 01:10:36,265 O.K. FINE. 754 01:10:36,266 --> 01:10:37,626 WHAT? 755 01:10:37,634 --> 01:10:39,644 DO YOU WANT ME TO YAK ABOUT SOMETHING 756 01:10:39,645 --> 01:10:42,266 I DON'T HAVE THE GUTS TO DO? 757 01:10:42,272 --> 01:10:44,610 THAT'S NOT WHAT WE'RE TALKING ABOUT. 758 01:10:44,611 --> 01:10:46,438 I DON'T WANT TO LOSE YOU AGAIN, 759 01:10:46,443 --> 01:10:47,843 AND ESPECIALLY NOT 760 01:10:47,844 --> 01:10:49,782 TO SOME 20-YEAR-OLD UNDERGRADUATE 761 01:10:49,783 --> 01:10:51,949 WHO LOOKS AT YOU LIKE YOU'RE GOD 762 01:10:51,950 --> 01:10:54,048 AND POSES BETWEEN FUCKS. 763 01:10:54,050 --> 01:10:56,519 YOU AND DAPHNA ARE MY LIFE, 764 01:10:56,520 --> 01:10:59,154 AND I LOVE YOU VERY MUCH. 765 01:10:59,155 --> 01:11:01,155 AND WE'VE BOTH BEEN FOOLED 766 01:11:01,157 --> 01:11:03,826 BY THAT BEFORE, HAVEN'T WE? 767 01:11:03,827 --> 01:11:06,627 LAST TIME NEARLY KILLED US, DONALD. 768 01:11:06,630 --> 01:11:08,570 WHATEVER. 769 01:11:56,312 --> 01:11:58,414 WELL, WHERE WERE YOU TODAY? 770 01:11:58,415 --> 01:12:00,575 WHAT DO YOU MEAN? 771 01:12:01,951 --> 01:12:05,388 YOU WEREN'T IN CLASS. NEITHER WAS GREDIN. 772 01:12:05,389 --> 01:12:08,289 ANY CONNECTION BETWEEN THE TWO? 773 01:12:08,291 --> 01:12:09,961 YOU KNOW, I'M GOING TO GO 774 01:12:09,962 --> 01:12:11,359 BECAUSE THIS IS-- 775 01:12:11,361 --> 01:12:14,397 WAIT. WAIT. JUST TELL ME. 776 01:12:14,398 --> 01:12:16,068 WERE YOU WITH HIM? 777 01:12:18,067 --> 01:12:19,867 YES. 778 01:12:19,869 --> 01:12:22,738 WAIT. 779 01:12:22,739 --> 01:12:25,039 DON'T GO. 780 01:12:25,041 --> 01:12:27,441 I DON'T WANT YOU TO GO. 781 01:12:27,444 --> 01:12:29,084 I CAN'T LET YOU GO. 782 01:12:30,146 --> 01:12:32,915 I CAN'T STOP THINKING ABOUT YOU. 783 01:12:32,916 --> 01:12:34,316 I'M PAINTING AGAIN 784 01:12:34,317 --> 01:12:35,717 FOR THE FIRST TIME IN YEARS, 785 01:12:35,719 --> 01:12:38,019 AND IT'S BECAUSE OF YOU. 786 01:12:40,424 --> 01:12:42,034 I'VE NEVER FELT THIS WAY BEFORE 787 01:12:42,035 --> 01:12:43,455 IN MY LIFE. 788 01:12:43,460 --> 01:12:47,930 YOU HELPED ME OVERCOME MY FEAR. 789 01:12:49,599 --> 01:12:51,399 BIG SCAREDY-CAT. 790 01:12:55,038 --> 01:12:56,908 NOT ANYMORE. 791 01:13:00,109 --> 01:13:01,609 DONALD... 792 01:13:01,611 --> 01:13:04,179 WHAT ARE YOU DOING? 793 01:13:04,180 --> 01:13:06,415 KISSING YOU. 794 01:13:06,416 --> 01:13:09,084 FALLING IN LOVE WITH YOU. 795 01:13:09,085 --> 01:13:10,645 DON'T. 796 01:13:12,155 --> 01:13:14,555 WHY? 797 01:13:14,558 --> 01:13:16,088 JUST DON'T. 798 01:13:19,829 --> 01:13:21,429 COME HERE. 799 01:14:35,905 --> 01:14:37,305 WHAT? 800 01:14:37,306 --> 01:14:39,206 YOUR BEAUTY SCARES ME. 801 01:14:41,177 --> 01:14:43,947 IT TERRIFIES ME. 802 01:16:13,536 --> 01:16:15,166 WAIT. WAIT. 803 01:16:21,778 --> 01:16:23,178 WHO IS IT? 804 01:16:23,179 --> 01:16:24,579 IT'S DIANA. 805 01:16:24,580 --> 01:16:25,980 NOT RIGHT NOW, O.K.? 806 01:16:25,982 --> 01:16:29,092 OH, ALL RIGHT. I'LL COME BACK. 807 01:16:37,060 --> 01:16:40,600 IT'S ALL RIGHT. PLEASE STAY. 808 01:17:58,541 --> 01:18:00,909 I'M REALLY SORRY ABOUT THE WAY 809 01:18:00,910 --> 01:18:04,210 I'VE BEEN ACTING LATELY. 810 01:18:06,382 --> 01:18:07,882 IT'S JUST THIS IS 811 01:18:07,884 --> 01:18:10,485 A REALLY HARD TRANSITION FOR ME, 812 01:18:10,486 --> 01:18:12,086 AND I, UH... 813 01:18:15,658 --> 01:18:17,828 I'VE BEEN CONFUSED. 814 01:18:19,662 --> 01:18:22,232 BUT I'M NOT CONFUSED ANYMORE. 815 01:18:48,657 --> 01:18:51,757 PLEASE DON'T GIVE UP ON ME. 816 01:19:08,677 --> 01:19:10,277 DON'T JUST STAND THERE, DONALD. 817 01:19:10,279 --> 01:19:11,479 INVITE THEM IN. 818 01:19:11,480 --> 01:19:14,380 ANGELA, HI. THIS IS GREDIN. I INVITED HIM. 819 01:19:14,383 --> 01:19:16,084 I HOPE YOU DON'T MIND. 820 01:19:16,085 --> 01:19:18,145 NO, NOT AT ALL. HI, GREDIN. 821 01:19:18,154 --> 01:19:20,755 DO YOU TWO KNOW EACH OTHER? 822 01:19:20,756 --> 01:19:22,786 YEAH. HE'S IN MY CLASS. 823 01:19:22,792 --> 01:19:26,002 OH. WELL, THEN WE'VE GOT THE POSSE. 824 01:19:28,965 --> 01:19:31,565 IT SMELLS GREAT IN HERE. CAN I DO ANYTHING? 825 01:19:31,567 --> 01:19:33,567 YOU CAN SET A PLACE FOR GREDIN. 826 01:19:33,569 --> 01:19:34,569 HI, LILY. 827 01:19:34,570 --> 01:19:35,970 HEY, LITTLE ONE! 828 01:19:35,972 --> 01:19:38,172 CAN I ASK YOU SOMETHING? 829 01:19:38,174 --> 01:19:38,984 WHAT? 830 01:19:38,985 --> 01:19:40,575 IS GREDIN YOUR BOYFRIEND? 831 01:19:40,576 --> 01:19:41,976 MY BOYFRIEND? 832 01:19:41,978 --> 01:19:43,978 IS THAT YOU? 833 01:19:43,980 --> 01:19:46,380 YEAH. YES, IT IS. 834 01:19:46,382 --> 01:19:49,584 DONALD PAINTED THAT A LONG TIME AGO NOW, 835 01:19:49,585 --> 01:19:51,315 BUT THAT'S ME. 836 01:19:52,989 --> 01:19:55,419 UM, COME IN. COME ON. 837 01:19:55,424 --> 01:19:57,334 I'LL SHOW YOU AROUND. 838 01:20:22,485 --> 01:20:23,885 Very good. 839 01:20:23,887 --> 01:20:26,057 Very nice. 840 01:20:36,499 --> 01:20:37,899 WHY DIDN'T YOU TELL ME 841 01:20:37,901 --> 01:20:39,501 YOU WERE INVITING LILY? 842 01:20:39,502 --> 01:20:40,635 THOUGHT I DID. 843 01:20:40,636 --> 01:20:43,236 YOU DIDN'T. 844 01:20:43,239 --> 01:20:45,369 ALL SET. 845 01:20:45,374 --> 01:20:47,509 NEED SOME HELP? 846 01:20:47,510 --> 01:20:48,880 YEAH. THANKS. 847 01:20:54,951 --> 01:20:56,551 WOW. YOU DID GOOD 848 01:20:56,552 --> 01:20:57,952 WITH THIS ONE, LILY. 849 01:20:57,954 --> 01:20:59,121 THANKS. 850 01:20:59,122 --> 01:21:01,262 YOU BRING THE CRANBERRIES FOR ME? 851 01:21:01,263 --> 01:21:02,887 UH-HUH. 852 01:21:04,327 --> 01:21:06,527 LILY, GRAB THE MINERAL WATER, WOULD YOU? 853 01:21:06,529 --> 01:21:07,929 IT'S IN THE FRIDGE. 854 01:21:07,931 --> 01:21:09,171 SURE. 855 01:21:16,805 --> 01:21:20,535 I'M GLAD YOU'RE HERE. I WANTED YOU HERE. 856 01:21:21,744 --> 01:21:23,854 WHAT'S UP? WHERE ARE YOU GOING? 857 01:21:23,855 --> 01:21:25,246 INTO THE OTHER ROOM. 858 01:21:25,248 --> 01:21:28,016 WHERE DO YOU THINK I'M GOING? 859 01:21:28,017 --> 01:21:30,247 WAIT JUST A SECOND. 860 01:21:30,253 --> 01:21:31,286 DON'T. 861 01:21:31,287 --> 01:21:33,957 JUST LET ME LOOK AT YOU. 862 01:21:36,159 --> 01:21:38,159 WHY DID YOU BRING HIM? 863 01:21:38,161 --> 01:21:41,101 BECAUSE HE'S MY BOYFRIEND. 864 01:21:50,106 --> 01:21:53,706 SO, GREDIN, WHY DON'T YOU SIT OVER HERE? 865 01:21:53,709 --> 01:21:55,109 LILY, NEXT TO GREDIN. 866 01:21:55,111 --> 01:21:57,311 DAPHNA, YOU'RE HERE BESIDE LILY. 867 01:22:04,520 --> 01:22:07,920 DONALD, YOU'RE OVER HERE NEXT TO ME. 868 01:22:13,129 --> 01:22:15,729 DO YOU HAVE A KIT FOR JOHNNY? 869 01:22:15,731 --> 01:22:17,331 OF COURSE. 870 01:23:04,647 --> 01:23:06,247 HMM. 871 01:23:15,591 --> 01:23:19,027 I'M FINISHED, MOM. I'M GOING TO HIDE. 872 01:23:19,028 --> 01:23:21,628 FINE, HONEY. YOU GO AHEAD. 873 01:23:33,209 --> 01:23:35,739 LILY TELLS ME YOU'RE A PHOTOGRAPHER. 874 01:23:35,744 --> 01:23:38,946 MMM...I USED TO BE. I'M MAKING A COMEBACK. 875 01:23:38,947 --> 01:23:41,216 AND YOU'RE A PAINTER? 876 01:23:41,217 --> 01:23:42,817 I'M A SCULPTOR, MOSTLY. 877 01:23:42,818 --> 01:23:44,886 AN AMAZING SCULPTOR. 878 01:23:44,887 --> 01:23:47,287 WITH AN AVERSION TO LIFE STUDY. 879 01:23:47,290 --> 01:23:49,890 THAT'S NOT ENTIRELY TRUE. 880 01:23:49,892 --> 01:23:52,232 REALLY? NEWS TO ME. 881 01:23:53,296 --> 01:23:56,466 ME AND DONALD AGREE ON A COUPLE OF THINGS. 882 01:23:58,234 --> 01:24:00,444 LIKE YOUR BEAUTY, FOR EXAMPLE. 883 01:24:02,138 --> 01:24:05,438 I'VE NEVER SEEN YOUR WORK BEFORE. 884 01:24:05,441 --> 01:24:06,708 IT'S GOOD. 885 01:24:06,709 --> 01:24:10,049 IT'S AMAZING WHAT YOU CAN DO WITH THE RIGHT SUBJECT. 886 01:24:13,082 --> 01:24:15,016 DONALD'S PAINTING AGAIN. 887 01:24:15,017 --> 01:24:19,017 FIRST TIME IN A LONG WHILE. QUITE-- 888 01:24:19,021 --> 01:24:20,891 I'M GOING TO GET SOME MORE WINE. 889 01:24:20,892 --> 01:24:22,489 SERIOUS ABOUT IT. 890 01:24:23,892 --> 01:24:25,592 IT'S A SECRET. 891 01:24:27,663 --> 01:24:33,568 SO...UM...HOW DID YOU AND DONALD MEET? 892 01:24:33,569 --> 01:24:34,469 WOW...UH... 893 01:24:34,470 --> 01:24:38,140 I WANTED TO DO A LIFE STUDY CLASS. 894 01:24:38,141 --> 01:24:40,975 I...UM...HEARD ABOUT THIS SINGLE, 895 01:24:40,976 --> 01:24:42,776 BRILLIANT, GOOD- LOOKING PROFESSOR, 896 01:24:42,778 --> 01:24:46,378 AND, UH, WEASELED MY WAY INTO HIS CLASS. 897 01:24:46,382 --> 01:24:47,982 THE REST IS HISTORY. 898 01:24:47,983 --> 01:24:52,223 BIT OF A CLICHE, I KNOW, BUT... 899 01:24:54,223 --> 01:24:55,223 SOME MORE? 900 01:24:55,224 --> 01:24:56,958 YEAH. THANKS. 901 01:24:56,959 --> 01:24:59,359 ANGELA WAS JUST TELLING US 902 01:24:59,362 --> 01:25:02,264 HOW THE TWO OF YOU MET. 903 01:25:02,265 --> 01:25:04,925 LET'S NOT BORE THEM WITH OUR TRIVIA. 904 01:25:04,933 --> 01:25:07,935 NEVER ACTUALLY THOUGHT OF IT 905 01:25:07,936 --> 01:25:10,636 AS TRIVIA, DONALD. 906 01:25:45,341 --> 01:25:46,674 WHERE'S DAPHNA? 907 01:25:46,675 --> 01:25:47,935 SOUND ASLEEP. 908 01:25:48,811 --> 01:25:51,846 SHE SHOULD BE IN BED, SHOULDN'T SHE? 909 01:25:51,847 --> 01:25:52,917 YEAH. 910 01:25:55,951 --> 01:25:57,285 COME ON, SWEETIE. 911 01:25:57,286 --> 01:25:59,786 LET'S GO. 912 01:25:59,788 --> 01:26:00,988 I'LL TAKE HER. 913 01:26:00,989 --> 01:26:06,089 NO. I WANT DADDY AND LILY TO TAKE ME. 914 01:26:06,094 --> 01:26:09,231 OH, WELL. 915 01:26:09,232 --> 01:26:10,832 GOOD NIGHT. 916 01:26:22,445 --> 01:26:24,645 LET ME GIVE YOU A HAND. 917 01:26:24,647 --> 01:26:26,247 YEAH. THANK YOU. 918 01:26:36,992 --> 01:26:39,394 THERE YOU GO. 919 01:26:39,395 --> 01:26:40,995 SLEEP TIGHT NOW, BEAUTIFUL. 920 01:26:40,996 --> 01:26:43,196 O.K. 921 01:26:44,800 --> 01:26:46,468 GOOD NIGHT, LITTLE GIRL. 922 01:26:46,469 --> 01:26:48,669 GOOD NIGHT, BIG GIRL. 923 01:26:58,013 --> 01:26:59,414 WHAT ARE YOU DOING? 924 01:26:59,415 --> 01:27:02,415 WHAT DOES IT FEEL LIKE I'M DOING? 925 01:27:02,418 --> 01:27:04,418 IT FEELS LIKE YOU'RE FUCKING CRAZY. 926 01:27:04,420 --> 01:27:06,360 I'M FUCKING CRAZY ABOUT YOU. 927 01:27:11,660 --> 01:27:12,927 WHAT WAS THAT? 928 01:27:12,928 --> 01:27:14,095 AH. 929 01:27:14,096 --> 01:27:16,296 OW! 930 01:27:16,299 --> 01:27:18,769 AAH! I CUT MYSELF. 931 01:27:21,036 --> 01:27:22,066 HERE. 932 01:27:22,070 --> 01:27:23,570 WHAT ARE YOU GOING TO DO, HUH? 933 01:27:23,572 --> 01:27:25,872 YOU GOING TO FUCK ME RIGHT HERE? 934 01:27:28,210 --> 01:27:30,345 I LOVE YOU. 935 01:27:30,346 --> 01:27:31,946 YOU DON'T LOVE ME. 936 01:27:31,947 --> 01:27:33,315 I DO. 937 01:27:33,316 --> 01:27:35,246 NO, YOU DON'T. 938 01:27:35,250 --> 01:27:37,250 LET ME. LET ME, PLEASE. 939 01:27:37,252 --> 01:27:38,722 NO! NO! 940 01:27:41,724 --> 01:27:42,964 NO! 941 01:27:44,560 --> 01:27:45,827 NO! 942 01:27:45,828 --> 01:27:46,898 LILY, LILY-- 943 01:27:59,241 --> 01:28:03,345 OHH! OH! 944 01:28:03,346 --> 01:28:05,706 GET OFF ME. 945 01:28:12,588 --> 01:28:14,388 DAPHNA! 946 01:28:30,339 --> 01:28:32,439 DAPHNA! 947 01:28:35,944 --> 01:28:37,784 AAH!NO! 948 01:28:52,027 --> 01:28:53,027 DAPHNA! 949 01:28:53,028 --> 01:28:54,828 DAPHNA... 950 01:28:54,830 --> 01:28:57,030 DON'T YOU TOUCH HER! 951 01:28:57,032 --> 01:28:58,432 DON'T YOU-- GET YOUR-- 952 01:28:58,434 --> 01:29:00,444 DON'T YOU TOUCH HER, YOU BASTARD! 953 01:29:01,437 --> 01:29:03,037 WHAT'S THE MATTER WITH YOU? 954 01:29:03,038 --> 01:29:04,038 COME ON. 955 01:29:09,244 --> 01:29:12,647 911, STATE YOUR EMERGENCY... 956 01:29:12,648 --> 01:29:14,378 MAMMA? 957 01:31:14,570 --> 01:31:16,770 FUCK YOU, IVY. 958 01:31:28,951 --> 01:31:30,951 AAH! 959 01:31:56,211 --> 01:31:58,211 SHIT! 960 01:34:18,653 --> 01:34:22,089 DAPHNA'S GOING TO BE FINE. 961 01:34:22,090 --> 01:34:24,730 I DON'T KNOW IF YOU CARE. 962 01:34:25,627 --> 01:34:26,997 AND YOU? 963 01:34:28,363 --> 01:34:31,673 AM I FINE, OR DO I CARE? 964 01:34:37,439 --> 01:34:39,209 OH, GREDIN... 965 01:34:56,591 --> 01:34:59,994 I CAN'T LET YOU GO, LILY. 966 01:34:59,995 --> 01:35:03,095 NOT AFTER EVERYTHING WE'VE BEEN THROUGH. 967 01:35:03,098 --> 01:35:06,968 OH, NO. IT'S OVER, DONALD. 968 01:35:09,671 --> 01:35:12,411 DON'T FIGHT ME, LILY. 969 01:35:20,348 --> 01:35:22,418 DON'T SHUT ME OUT! 970 01:35:25,687 --> 01:35:28,087 I CAN'T LET YOU GO, LILY. 971 01:35:28,090 --> 01:35:30,960 I LOVE YOU TOO MUCH. I-- 972 01:35:48,410 --> 01:35:49,780 GET OFF! 973 01:35:52,414 --> 01:35:54,124 AAH! 974 01:35:57,219 --> 01:35:58,919 NO! 975 01:36:23,145 --> 01:36:25,145 I WON'T HURT YOU. JUST LET ME IN. 976 01:36:25,147 --> 01:36:27,347 THE POLICE ARE ON THEIR WAY. 977 01:36:50,205 --> 01:36:53,674 I NEVER MEANT TO HURT YOU OR YOUR BABY. 978 01:36:53,675 --> 01:36:56,105 YOU HAVE TO BELIEVE ME. 979 01:36:57,145 --> 01:36:58,905 WHAT ARE YOU DOING? 980 01:37:00,048 --> 01:37:01,818 WHAT ARE YOU DOING? 981 01:37:03,385 --> 01:37:05,115 DONALD! 982 01:37:05,120 --> 01:37:06,420 AAH! 983 01:37:15,497 --> 01:37:18,097 AAH! 984 01:37:18,100 --> 01:37:20,100 UH! 985 01:37:21,703 --> 01:37:25,943 NO! NO! NO! 986 01:37:34,950 --> 01:37:38,150 GET AWAY FROM ME! 987 01:37:39,955 --> 01:37:44,155 GO! GO! GO! 988 01:39:34,669 --> 01:39:36,069 I KNOW IT'S POINTLESS 989 01:39:36,071 --> 01:39:38,671 TO ASK YOU TO FORGIVE ME. 990 01:39:40,075 --> 01:39:43,075 O.K., WELL, I'M JUST GOING TO TALK, 991 01:39:43,078 --> 01:39:47,278 AND THEN YOU WON'T HAVE TO DEAL WITH ME ANYMORE. 992 01:39:49,684 --> 01:39:52,086 UM... 993 01:39:52,087 --> 01:39:57,087 MY WHOLE LIFE, I'VE--I'VE FELT LIKE A FREAK. 994 01:39:57,092 --> 01:40:01,095 YOU KNOW, BACK HOME IN MICHIGAN, 995 01:40:01,096 --> 01:40:04,696 I WASN'T ACCEPTED BECAUSE I WAS DIFFERENT. 996 01:40:04,699 --> 01:40:07,099 AND THEN I COME HERE, 997 01:40:07,102 --> 01:40:09,702 AND I'M NOT DIFFERENT ENOUGH. 998 01:40:14,709 --> 01:40:18,109 SO...I DECIDED... 999 01:40:18,113 --> 01:40:22,116 TO BECOME SOMEONE ELSE-- 1000 01:40:22,117 --> 01:40:28,057 SOMEONE...TOUGH AND INFALLIBLE... 1001 01:40:29,724 --> 01:40:33,334 BEAUTIFUL AND SEXY... 1002 01:40:34,729 --> 01:40:36,329 FEARLESS. 1003 01:40:38,133 --> 01:40:39,733 AND IT WORKED. 1004 01:40:41,536 --> 01:40:44,736 FOR THE FIRST TIME IN MY LIFE, 1005 01:40:44,739 --> 01:40:46,739 I WAS ACCEPTED. 1006 01:40:49,944 --> 01:40:54,354 AND I BECAME INTOXICATED BY THE FREEDOM OF IT ALL... 1007 01:40:56,651 --> 01:40:58,651 UNTIL IT WAS TOO LATE. 1008 01:41:01,156 --> 01:41:03,356 IT'S TOO LATE, ISN'T IT? 1009 01:41:12,767 --> 01:41:14,367 WELL... 1010 01:41:15,770 --> 01:41:17,770 FOR WHAT IT'S WORTH... 1011 01:41:20,775 --> 01:41:22,775 I LOVE YOU. 1012 01:41:24,779 --> 01:41:26,779 LILY... 1013 01:41:28,183 --> 01:41:29,783 I LOVE YOU. 1014 01:42:38,653 --> 01:42:41,660 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 1015 01:42:41,661 --> 01:42:44,456 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1016 01:42:44,459 --> 01:42:47,659 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 1017 01:42:47,662 --> 01:42:52,098 * DRIVING, HARD, STINGING RAIN * 1018 01:42:52,099 --> 01:42:56,169 * SLAPPING ME IN MY FACE * 1019 01:42:56,170 --> 01:43:00,240 * JUST LIKE YOU, SCREAMING WORDS * 1020 01:43:00,242 --> 01:43:03,410 * A SIDE OF YOU I NEVER HEARD * 1021 01:43:03,411 --> 01:43:05,979 * I WANT TO GO BACK * 1022 01:43:05,980 --> 01:43:10,350 * I WANT TO GO BACK NOW * 1023 01:43:11,386 --> 01:43:14,216 * I WANT TO GO BACK * 1024 01:43:14,222 --> 01:43:18,532 * I WANT TO GO BACK NOW * 1025 01:43:21,162 --> 01:43:25,131 * BLACK AS PITCH, VICIOUS FIGHTS * 1026 01:43:25,132 --> 01:43:29,336 * ALL THIS PAIN OVERNIGHT * 1027 01:43:29,337 --> 01:43:33,307 * I WON'T CRY, I WON'T FIGHT * 1028 01:43:33,308 --> 01:43:36,538 * BE THE SICKENED AND BE RIGHT * 1029 01:43:36,544 --> 01:43:39,313 * I WANT TO GO BACK * 1030 01:43:39,314 --> 01:43:43,394 * I WANT TO GO BACK NOW * 1031 01:43:44,652 --> 01:43:47,288 * I WANT TO GO BACK * 1032 01:43:47,289 --> 01:43:51,729 * I WANT TO GO BACK NOW * 1033 01:44:02,337 --> 01:44:06,567 * SOAKING WET AND TORN APART * 1034 01:44:06,574 --> 01:44:10,644 * THIS CAN ONLY BE THE START * 1035 01:44:10,645 --> 01:44:14,615 * BROKEN DOWN, SLAPPED AROUND * 1036 01:44:14,616 --> 01:44:17,346 * SILENCE COSTS FREEDOM * 1037 01:44:17,352 --> 01:44:22,222 * I'M RAISED AGAIN * 1038 01:44:22,223 --> 01:44:26,360 * I'M RAISED AGAIN * 1039 01:44:26,361 --> 01:44:30,331 * I'M RAISED AGAIN * 1040 01:44:30,332 --> 01:44:33,572 * I'M RAISED AGAIN * 1041 01:45:16,944 --> 01:45:18,345 * CHANGE OF FACE * 1042 01:45:18,346 --> 01:45:20,416 * IT'S TOO LATE TO GO BACK NOW * 1043 01:45:20,417 --> 01:45:24,985 * GO BACK, NEVER GO BACK * 1044 01:45:24,986 --> 01:45:29,155 * GONE OUR SEPARATE WAYS, AND IT'S TOO LATE * 1045 01:45:29,156 --> 01:45:33,286 * TOO LATE * 1046 01:45:33,294 --> 01:45:34,695 * GROWN APART * 1047 01:45:34,696 --> 01:45:37,364 * IT'S TOO LATE TO GO BACK NOW * 1048 01:45:37,365 --> 01:45:41,265 * GO BACK, NEVER GO BACK * 1049 01:45:41,268 --> 01:45:46,038 * GONE OUR SEPARATE WAYS, AND IT'S TOO LATE **