1 00:00:00,568 --> 00:00:03,536 (cheering) 2 00:00:03,536 --> 00:00:06,674 (men grunting) 3 00:00:15,483 --> 00:00:19,086 (crowd shouting indistinctly) 4 00:00:24,125 --> 00:00:25,925 YES! HIT HIM! 5 00:00:25,925 --> 00:00:27,661 HIT HIM AGAIN! KILL HIM! 6 00:00:27,661 --> 00:00:29,929 KILL THAT SON OF A BITCH! UH, DO YOU WANNA JUST-- 7 00:00:29,929 --> 00:00:33,134 YEAH! BREAK... HIS... FACE! 8 00:00:33,134 --> 00:00:35,802 (crowd cheering) 9 00:00:41,542 --> 00:00:44,478 (squeaking) 10 00:01:02,396 --> 00:01:03,796 UHH! 11 00:01:03,796 --> 00:01:06,367 (crowd cheering) 12 00:01:06,367 --> 00:01:08,269 (body thuds) WHOO! 13 00:01:08,269 --> 00:01:11,671 (bell dings) 14 00:01:18,978 --> 00:01:22,882 SO... YOU MUST HIT A LOT OF GUYS, HUH? 15 00:01:22,882 --> 00:01:25,986 WELL, I'M A COP, SO IT COMES WITH THE JOB SOMETIMES. 16 00:01:25,986 --> 00:01:27,587 IT'S ONLY EVER SELF-- 17 00:01:27,587 --> 00:01:32,825 THAT IS SO HOT. I WOULD LOVE TO SEE YOU HIT SOMEONE. 18 00:01:32,825 --> 00:01:35,462 OH. UH... MAYBE. 19 00:01:35,462 --> 00:01:36,829 (laughs) 20 00:01:36,829 --> 00:01:37,798 (chuckles nervously) 21 00:01:37,798 --> 00:01:39,266 (laughs) 22 00:01:39,266 --> 00:01:41,335 (chuckles) 23 00:01:42,536 --> 00:01:44,972 (bell dings, crowd cheers) 24 00:01:44,972 --> 00:01:46,840 (grunting) 25 00:01:53,614 --> 00:01:56,549 (grunting) 26 00:02:14,967 --> 00:02:17,538 (crowd cheering) 27 00:02:17,538 --> 00:02:19,872 (man grunting) YES! 28 00:02:19,872 --> 00:02:22,776 WHOO! WHOO! 29 00:02:29,081 --> 00:02:32,853 (cheering continues) 30 00:02:39,893 --> 00:02:41,228 (creaks) 31 00:02:53,740 --> 00:02:55,843 (creaks) 32 00:02:55,843 --> 00:02:58,346 (woman screaming) 33 00:03:00,046 --> 00:03:03,950 (continues screaming) 34 00:03:03,950 --> 00:03:08,055 (crowd cheering) 35 00:03:08,055 --> 00:03:09,223 ** 36 00:03:18,765 --> 00:03:20,901 CHARLOTTE MITCHELL WAS HER NAME. SHE WAS A BOOK WRITER, 37 00:03:20,901 --> 00:03:22,902 WRITING A BOOK. GOT CONTROL OF THE CRIME SCENE. 38 00:03:22,902 --> 00:03:25,038 IT'S GONNA BE A WIDE SUSPECT LIST. GET STATEMENTS 39 00:03:25,038 --> 00:03:27,441 FROM ALL THE SECURITY GUARDS, VENDORS, AND ATTENDANTS. 40 00:03:27,441 --> 00:03:30,076 FIND OUT WHO COULD GET BACKSTAGE. RIGHT. IT'S GONNA BE HUNDREDS, AT LEAST. 41 00:03:30,076 --> 00:03:33,045 LOOK, UH, JUST TO BE CLEAR, I DON'T OWN THIS ARENA. 42 00:03:33,045 --> 00:03:37,418 I SIMPLY PROMOTED THE FIGHT. I HAVE NO LIABILITY HERE. 43 00:03:37,418 --> 00:03:40,554 WHAT WAS CHARLOTTE MITCHELL'S CONNECTION TO YOU? 44 00:03:40,554 --> 00:03:42,555 SHE WAS WRITING A BOOK ABOUT THIS FIGHT, 45 00:03:42,555 --> 00:03:44,858 ABOUT MY GUY, MANNY FLACCO, AND ROWDY MERRIMAN. 46 00:03:44,858 --> 00:03:47,895 SHE SAID IT WAS A... MICROCOSM OF WHATEVER. I... 47 00:03:47,895 --> 00:03:52,231 I FIGURED ANY P.R. FOR MY BOY MANNY IS GOOD P.R. 48 00:03:52,231 --> 00:03:54,801 THAT'S THE KIND OF KID HE IS. 49 00:03:54,801 --> 00:03:57,103 GOT THE INITIAL REPORT FROM THE M.E.--SHOT TWICE, 50 00:03:57,103 --> 00:03:59,639 CLOSE RANGE. HAD A PURSE, MONEY, JEWELRY ALL INTACT. 51 00:03:59,639 --> 00:04:01,775 ESTIMATED TIME OF DEATH-- 8:30, 9:00 P.M. 52 00:04:01,775 --> 00:04:04,010 (cell phone rings) THAT WAS RIGHT IN THE MIDDLE OF THE FIGHT. 53 00:04:04,010 --> 00:04:06,913 EXCUSE ME. WHEN WAS THE LAST TIME YOU SAW MS. MITCHELL? 54 00:04:06,913 --> 00:04:10,717 (sighs) WE WERE SUPPOSED TO SIT TOGETHER DURING THE FIGHT. 55 00:04:10,717 --> 00:04:13,853 SHE DIDN'T SHOW UP. SIR... 56 00:04:13,853 --> 00:04:16,790 WHY ARE YOU STARING AT ME LIKE THAT? 57 00:04:16,790 --> 00:04:19,259 I WAS STARING? 58 00:04:19,259 --> 00:04:22,463 OH, I'M SO SORRY. MY MIND WAS ELSEWHERE. 59 00:04:22,463 --> 00:04:25,798 THAT'S CHARLOTTE MITCHELL, RIGHT? AND YOU'RE, UH... 60 00:04:25,798 --> 00:04:28,000 AND YOU'RE LEONARD ARTASH, PROMOTER. 61 00:04:28,000 --> 00:04:31,204 LET'S GO TALK TO THE FIGHTERS, SHALL WE? 62 00:04:31,204 --> 00:04:32,706 REALLY? 63 00:04:32,706 --> 00:04:35,207 WELL, RIGSBY JUST TOLD US IT WASN'T A ROBBERY. 64 00:04:35,207 --> 00:04:37,009 WE KNOW IT WASN'T SEXUAL. 65 00:04:37,009 --> 00:04:40,012 LOOKS LIKE IT WAS IN COLD BLOOD, SO NOT A CRIME OF PASSION. 66 00:04:40,012 --> 00:04:42,750 WHAT'S THAT LEAVE US? I'D BET YOUR PENSION 67 00:04:42,750 --> 00:04:45,752 THIS HAS SOMETHING TO DO WITH THE FIGHT. 68 00:04:45,752 --> 00:04:47,920 BUT MANNY AND MERRIMAN WERE IN THE CAGE 69 00:04:47,920 --> 00:04:50,023 WHEN SHE WAS SHOT. ARE YOU A DETECTIVE? 70 00:04:50,023 --> 00:04:51,492 NO. 71 00:04:51,492 --> 00:04:52,725 WELL, THEN. 72 00:04:52,725 --> 00:04:54,495 (camera shutter clicking) 73 00:04:54,495 --> 00:04:57,497 MANNY FLACCO, YOU'RE THE MAN. YOU WERE FANTASTIC IN THERE. 74 00:04:57,497 --> 00:04:59,500 MESSED HIM UP LIKE HE WAS DOG MEAT. 75 00:04:59,500 --> 00:05:02,035 YOU'RE GONNA BE CHAMPION OF THE WORLD. YOU HEAR ME? 76 00:05:02,035 --> 00:05:05,738 (man) CHAMPION OF THE WORLD. (speaking indistinctly) 77 00:05:05,738 --> 00:05:09,041 YOU GOTTA DEAL WITH THIS NOW? YES, MA'AM, WE DO. 78 00:05:09,041 --> 00:05:12,745 WHAT'S THE PROBLEM, BEA? WHO ARE THOSE GUYS? THEY'RE COPS. 79 00:05:12,745 --> 00:05:16,417 OH, COME ON NOW. CAN IT WAIT? LET THE KID ENJOY HIS WIN. 80 00:05:16,417 --> 00:05:19,452 TALK TO HIM AFTER HE CHECKS IN WITH THE DOCTOR. I DON'T NEED THE DOC. 81 00:05:19,452 --> 00:05:22,288 HEY, BETTER SAFE THAN SORRY, RIGHT? MANNY'S GOT NOTHING TO DO WITH THIS. 82 00:05:22,288 --> 00:05:25,725 NOTHING TO DO WITH WHAT? CHARLOTTE MITCHELL WAS MURDERED EARLIER THIS EVENING. 83 00:05:25,725 --> 00:05:28,795 CHARLOTTE MURDERED? OH, MY GOD. 84 00:05:28,795 --> 00:05:30,963 STAY COOL. DON'T GET EXCITED. 85 00:05:30,963 --> 00:05:33,466 SHE WAS FOUND SHOT TO DEATH IN A SERVICE CORRIDOR 86 00:05:33,466 --> 00:05:36,803 UNDERNEATH THE ARENA. HAPPENED DURING YOUR FIGHT. YOU KNEW AND YOU DIDN'T TELL ME? 87 00:05:36,803 --> 00:05:40,374 MANNY, COME ON. YOU KNOW WE'RE TRYING TO PROTECT YOU. LISTEN, I DIDN'T WANNA SPOIL YOUR NIGHT. 88 00:05:40,374 --> 00:05:43,610 WHO DID THIS? THAT'S WHAT WE'RE LOOKING TO FIND OUT. 89 00:05:43,610 --> 00:05:46,613 YOU LIKED HER A LOT, HUH? THIS LADY, UH, WHAT'S HER NAME? 90 00:05:46,613 --> 00:05:48,915 "WHAT'S HER NAME?" CHARLOTTE MITCHELL. 91 00:05:48,915 --> 00:05:51,018 YEAH, I LIKED HER. 92 00:05:51,018 --> 00:05:53,786 EVERYBODY LIKED HER. SHE WAS GOOD PEOPLE. 93 00:05:53,786 --> 00:05:55,755 YEAH, SHE WAS. YEAH. 94 00:05:55,755 --> 00:05:58,257 ** 95 00:05:58,257 --> 00:06:00,627 OKAY. 96 00:06:00,627 --> 00:06:01,360 GREAT. 97 00:06:01,360 --> 00:06:03,230 WELL, THANK YOU. 98 00:06:03,230 --> 00:06:06,434 UH, WHERE'S MERRIMAN'S ROOM? OH. SO WE'RE DONE NOW, ARE WE? 99 00:06:06,434 --> 00:06:08,735 OH, I'M SORRY. YOU HAVE SOME QUESTIONS. YEAH. 100 00:06:08,735 --> 00:06:11,103 SHE HAS SOME QUESTIONS. 101 00:06:24,918 --> 00:06:26,754 YOU DON'T WANNA GO BACK THERE. 102 00:06:26,754 --> 00:06:29,021 (imitates Alec Guinness as Obi-Wan Kenobi) THESE AREN'T 103 00:06:29,021 --> 00:06:31,459 THE DROIDS YOU'RE LOOKING FOR. 104 00:06:37,598 --> 00:06:39,098 UHH! (crash) 105 00:06:39,098 --> 00:06:42,802 (grunting) 106 00:06:42,802 --> 00:06:44,271 (panting) 107 00:06:44,271 --> 00:06:45,773 TOUGH NIGHT, HUH? 108 00:06:45,773 --> 00:06:47,908 UH... LISTEN. CONSOLATION-WISE, 109 00:06:47,908 --> 00:06:49,643 YOU KNOW WHAT NIETZSCHE SAID. 110 00:06:49,643 --> 00:06:53,279 WAS UNS NICHT UMBRINGT, MACHT UNS STAERKER. 111 00:06:53,279 --> 00:06:55,848 MAN, WHO THE HELL ARE YOU?! YOU KNOW WHAT? 112 00:06:55,848 --> 00:06:58,718 I DON'T EVEN CARE. GET YOUR BUTT OUTTA HERE! 113 00:06:58,718 --> 00:07:00,821 I'M CBI. I'M INVESTIGATING A MURDER. OH, YOU'RE A COP? 114 00:07:00,821 --> 00:07:04,024 WELL, NOT OFFICIALLY. NO, MAN, SCREW MURDER. I GOT A ROBBERY TO REPORT. 115 00:07:04,024 --> 00:07:06,694 THAT LITTLE FANNY-PACK FLACCO WOULDN'T HAVE WON DIP 116 00:07:06,694 --> 00:07:09,896 IF HE DIDN'T HAVE THE STINKIN' REF IN HIS POCKET! 117 00:07:09,896 --> 00:07:11,932 SON OF A BITCH WAS HEAD-BUTTIN' ME THE WHOLE NIGHT! OUCH. 118 00:07:11,932 --> 00:07:14,535 WHO GOT MURDERED? CHARLOTTE MITCHELL. 119 00:07:14,535 --> 00:07:16,970 NO KIDDIN'? THE BOOK WRITER? 120 00:07:16,970 --> 00:07:19,673 (scoffs) DAMN. THAT'S MESSED UP. 121 00:07:19,673 --> 00:07:24,110 AIN'T GONNA BE NO BOOK NOW, I GUESS. HUH. 122 00:07:24,110 --> 00:07:29,016 THEY RAPE HER AS WELL? SHE WAS KINDA HOT. 123 00:07:29,016 --> 00:07:29,882 HELLO? 124 00:07:34,954 --> 00:07:36,757 (chuckles) 125 00:07:36,757 --> 00:07:38,759 EITHER YOU'RE A GENIUS MANIPULATOR 126 00:07:38,759 --> 00:07:41,762 CONCEALING YOUR COMPLICITY IN THE CASE, 127 00:07:41,762 --> 00:07:47,233 OR YOU'RE A... DIMLY LIT CLOWN. 128 00:07:47,233 --> 00:07:48,869 WHICH IS IT? 129 00:07:55,341 --> 00:07:58,444 YOU WERE RIGHT, BIG MAN. SAY THAT AGAIN, YOU SON OF A BITCH! 130 00:07:58,444 --> 00:08:03,449 WHY DON'T YOU GET BACK HERE, SEE WHAT ONE OF YOUR MOUTHS CAN... HEY! HEY! 131 00:08:03,449 --> 00:08:04,985 COME ON. 132 00:08:10,122 --> 00:08:11,791 UH-HUH. UH-HUH. 133 00:08:11,791 --> 00:08:14,026 I'LL GET BACK TO YOU. 134 00:08:14,026 --> 00:08:15,127 (hangs up telephone) 135 00:08:15,127 --> 00:08:16,730 BALLISTICS CAME BACK. 9-MILLIMETER WEAPON. 136 00:08:16,730 --> 00:08:19,031 RIFLING PATTERNS AND STRIATIONS ON THE BULLETS 137 00:08:19,031 --> 00:08:21,735 INDICATE THE GUN USED TO KILL CHARLOTTE MITCHELL 138 00:08:21,735 --> 00:08:24,036 WAS ALSO USED IN A MURDER BACK IN 2001. 139 00:08:24,036 --> 00:08:26,706 THE WEAPON WAS NEVER RECOVERED. 140 00:08:26,706 --> 00:08:28,875 THE KILLER WAS A MAN NAMED JOE REYES. 141 00:08:28,875 --> 00:08:31,377 GOT OUT EIGHT MONTHS AGO. EARLY RELEASE. 142 00:08:31,377 --> 00:08:33,780 CHO'S STILL WORKING THROUGH SUSPECTS FROM THE ARENA. 143 00:08:33,780 --> 00:08:35,649 TAKE RIGSBY AND TALK TO REYES. 144 00:08:35,649 --> 00:08:37,517 FIND OUT WHAT HAPPENED TO THAT GUN. 145 00:08:37,517 --> 00:08:40,721 I'M GONNA GO TALK TO THE VICTIM'S FATHER. RIGSBY'S... BUSY. 146 00:08:40,721 --> 00:08:42,054 WITH WHAT? 147 00:08:42,054 --> 00:08:44,924 MR. LaROCHE IS INTERVIEWING HIM. OH? 148 00:08:44,924 --> 00:08:47,794 A MAN NAMED TODD JOHNSON WAS MURDERED 149 00:08:47,794 --> 00:08:49,129 WHILE IN CBI CUSTODY. 150 00:08:49,129 --> 00:08:52,633 YES. COP KILLER, BURNED TO DEATH IN HIS CELL. 151 00:08:52,633 --> 00:08:55,434 I JUST WANTED TO GET YOUR OPINION ON SOME THINGS. 152 00:08:55,434 --> 00:08:59,807 YOU WERE AN ARSON INVESTIGATOR BEFORE COMING TO CBI, RIGHT? 153 00:08:59,807 --> 00:09:02,341 YEAH, IN SAN DIEGO. 154 00:09:02,341 --> 00:09:07,815 YEAH. ARE YOU FAMILIAR WITH... PYROPHORIC IGNITERS? 155 00:09:07,815 --> 00:09:09,817 SURE. LIQUID OR SOLID? 156 00:09:09,817 --> 00:09:14,221 USED IN CONJUNCTION WITH A XYLENE ACCELERANT? 157 00:09:14,221 --> 00:09:15,722 OVERKILL, I'D SAY. 158 00:09:15,722 --> 00:09:17,791 REALLY? 159 00:09:17,791 --> 00:09:20,092 AND THE FIRE SAFETY SYSTEM HERE IN CBI-- 160 00:09:20,092 --> 00:09:22,730 EASY TO ACCESS AND DEACTIVATE? 161 00:09:22,730 --> 00:09:25,097 TOP-OF-THE-LINE E.S.F.R SYSTEM? NO. 162 00:09:25,097 --> 00:09:27,200 BYPASSING THAT TOOK REAL KNOW-HOW. 163 00:09:27,200 --> 00:09:31,504 YOU COULD DEACTIVATE IT, COULDN'T YOU? 164 00:09:31,504 --> 00:09:33,740 YES, I COULD. 165 00:09:35,107 --> 00:09:37,344 ARE YOU ACCUSING ME? 166 00:09:37,344 --> 00:09:39,312 ARE YOU CONFESSING? 167 00:09:39,312 --> 00:09:41,881 (chuckles) 168 00:09:45,317 --> 00:09:49,155 YOUR FATHER IS STEVEN ROBERT RIGSBY. 169 00:09:49,155 --> 00:09:50,758 YES, HE IS. 170 00:09:50,758 --> 00:09:54,695 WHAT DOES HE GOT TO DO WITH THE INVESTIGATION? USED TO BE AFFILIATED 171 00:09:54,695 --> 00:09:57,330 WITH THE IRON GODS MOTORCYCLE GANG, YES? 172 00:09:57,330 --> 00:09:59,331 WELL, YOU KNOW HE WAS. 173 00:09:59,331 --> 00:10:01,934 YES, I HAVE HIS SHEET HERE. 174 00:10:01,934 --> 00:10:03,803 ROBBERY. 175 00:10:03,803 --> 00:10:05,538 NARCOTICS. 176 00:10:05,538 --> 00:10:07,307 ASSAULT. 177 00:10:07,307 --> 00:10:10,177 MANSLAUGHTER. QUITE THE RASCAL. 178 00:10:10,177 --> 00:10:13,145 LOOK, I HAVE NOTHING TO DO WITH MY FATHER. 179 00:10:13,145 --> 00:10:16,249 NOTHING AT ALL? NO CARD AT CHRISTMAS? 180 00:10:16,249 --> 00:10:18,786 NOPE. WE DON'T TALK. I DON'T KNOW WHERE HE IS. 181 00:10:18,786 --> 00:10:20,788 (door opens) LaROCHE. 182 00:10:20,788 --> 00:10:22,923 YOU'RE SUPPOSED TO INFORM ME 183 00:10:22,923 --> 00:10:26,092 WHEN YOU TALK TO ONE OF MY PEOPLE. THAT'S NOT A RIGHT. 184 00:10:26,092 --> 00:10:28,294 THAT'S A COURTESY WE EXTEND ON OCCASION. 185 00:10:28,294 --> 00:10:29,797 WELL, IN THE FUTURE, 186 00:10:29,797 --> 00:10:33,033 I'D LIKE YOU TO EXTEND THAT COURTESY TO ME. 187 00:10:34,366 --> 00:10:36,102 (pen clicks) 188 00:10:36,102 --> 00:10:39,840 THANK YOU, AGENT RIGSBY. THAT SHOULD DO IT. 189 00:10:45,712 --> 00:10:50,817 (congregation) * ...SHALL HE LEAD 190 00:10:50,817 --> 00:10:53,086 * EVERY FOE IS VANQUISHED 191 00:10:53,086 --> 00:10:56,724 * AND CHRIST IS LORD INDEED 192 00:10:56,724 --> 00:10:58,591 AMEN, AMEN. (congregation) AMEN. 193 00:10:58,591 --> 00:10:59,927 WELCOME. 194 00:10:59,927 --> 00:11:01,794 WE HAVE NEWCOMERS, BROTHERS AND SISTERS. 195 00:11:01,794 --> 00:11:03,831 MAKE 'EM FEEL WELCOME. 196 00:11:03,831 --> 00:11:05,765 (applause) (mouths word) 197 00:11:05,765 --> 00:11:08,134 JOSEPH REYES? 198 00:11:12,438 --> 00:11:15,743 MY GUN. A-A WOMAN WAS KILLED WITH MY GUN? 199 00:11:15,743 --> 00:11:18,544 SAME ONE YOU USED BACK IN 2001. 200 00:11:18,544 --> 00:11:22,883 (sighs) SO YOU JUST CANNOT ESCAPE THE SINS OF THE PAST. 201 00:11:22,883 --> 00:11:25,184 ALL YOU CAN DO IS ASK THE LORD'S GUIDANCE 202 00:11:25,184 --> 00:11:27,187 AND YOU KNOW, KEEP ON, MAN. 203 00:11:27,187 --> 00:11:29,822 DID YOU KNOW CHARLOTTE MITCHELL? NO, MA'AM, I DID NOT, 204 00:11:29,822 --> 00:11:32,158 AND I DON'T HAVE THAT GUN ANYMORE EITHER. 205 00:11:32,158 --> 00:11:34,626 GOT RID OF IT BACK WHEN YOU SHOT THAT GUY? 206 00:11:34,626 --> 00:11:38,164 WHAT DID YOU DO WITH IT? I GAVE IT TO A LADY FRIEND OF MINE AT THE TIME. 207 00:11:38,164 --> 00:11:42,769 WHAT DID SHE DO WITH IT? THAT I DON'T KNOW. I HAVEN'T SEEN HER SINCE MY ARREST. 208 00:11:42,769 --> 00:11:44,937 WHAT WAS THE LADY'S NAME? 209 00:11:44,937 --> 00:11:46,639 UH... DAWN. DAWN MAY. 210 00:11:46,639 --> 00:11:49,009 ADDRESS? DON'T KNOW. LIKE I SAID, 211 00:11:49,009 --> 00:11:51,979 I DIDN'T LOOK FOR HER WHEN I GOT OUT. 212 00:11:51,979 --> 00:11:54,981 AFTER FINDING MY FAITH, I REALIZE I HAD TO TURN MY BACK 213 00:11:54,981 --> 00:11:57,350 ON ALL MY EVIL WAYS AND ALL THE PEOPLE 214 00:11:57,350 --> 00:11:59,787 THAT COULD POSSIBLY LEAD ME BACK THERE. 215 00:11:59,787 --> 00:12:01,053 ALL RIGHT. 216 00:12:01,053 --> 00:12:02,721 THANKS FOR YOUR TIME. 217 00:12:03,923 --> 00:12:06,625 WHY DID YOU KILL THAT MAN BACK IN 2001? 218 00:12:06,625 --> 00:12:09,129 IF YOU DON'T MIND MY ASKING. 219 00:12:09,129 --> 00:12:11,464 (scoffs) 220 00:12:11,464 --> 00:12:13,833 I DON'T KNOW, MA'AM. 221 00:12:13,833 --> 00:12:15,969 IT WAS FOOLISHNESS. 222 00:12:15,969 --> 00:12:19,873 LOOK, I-I DID A LOT OF BAD THINGS BACK IN THE DAY, 223 00:12:19,873 --> 00:12:23,876 AND THAT WAS JUST THE ONE THEY CAUGHT ME FOR. 224 00:12:23,876 --> 00:12:26,278 THIS IS GOD'S PLAN. 225 00:12:33,886 --> 00:12:35,956 (woman laughs) HERE IT IS. I FOUND IT. 226 00:12:35,956 --> 00:12:37,957 (man) GOOD, GOOD, GOOD, GOOD. OKAY. 227 00:12:37,957 --> 00:12:40,159 HOLD IT UP. DAD. (laughs) 228 00:12:40,159 --> 00:12:42,962 NO, COME ON. HOLD IT UP. HIGHER, HIGHER, HIGHER. OKAY. 229 00:12:42,962 --> 00:12:47,700 IT'S JUST A TOWN HALL REPORT. NO, IT'S YOUR FIRST NEWSPAPER ARTICLE-- 230 00:12:47,700 --> 00:12:49,369 (video pauses) 231 00:12:49,369 --> 00:12:51,370 (sighs) 232 00:12:51,370 --> 00:12:53,941 SHE WAS A GOOD GIRL. 233 00:12:53,941 --> 00:12:58,110 A FINE HUMAN BEING. 234 00:12:59,412 --> 00:13:01,881 WE'RE SORRY FOR YOUR LOSS, MR. MITCHELL. 235 00:13:01,881 --> 00:13:03,783 HMM. (whispers) THANK YOU. 236 00:13:03,783 --> 00:13:07,120 WOULD YOU MIND TERRIBLY IF I JUST TOOK A LITTLE LOOK AROUND? 237 00:13:07,120 --> 00:13:09,121 UH, NO, UH, NOT AT ALL. 238 00:13:09,121 --> 00:13:14,927 THE KITCHEN IS, UH, THERE, AND HER OFFICE IS THIS WAY. 239 00:13:17,264 --> 00:13:20,100 THESE... 240 00:13:20,100 --> 00:13:22,769 ARE HER NOTEBOOKS. 241 00:13:22,769 --> 00:13:24,703 SHE KEPT GOOD NOTES. 242 00:13:24,703 --> 00:13:26,840 I TAUGHT HER THAT. 243 00:13:28,942 --> 00:13:31,477 I APOLOGIZED TO HER ONLY LAST WEEK, 244 00:13:31,477 --> 00:13:33,947 TEACHING HER A DYING PROFESSION. 245 00:13:35,148 --> 00:13:37,817 JOURNALISM'S DYING, YOU KNOW. 246 00:13:39,485 --> 00:13:41,754 ALL THIS... 247 00:13:41,754 --> 00:13:43,655 INTERNET. 248 00:13:43,655 --> 00:13:47,293 UH, MAYBE WE SHOULD GO IN THE LIVING ROOM, MR. MITCHELL. 249 00:13:47,293 --> 00:13:50,898 UH, YEAH. THANK YOU. 250 00:13:50,898 --> 00:13:53,633 SURE. 251 00:13:53,633 --> 00:13:55,235 I'LL BE RIGHT THERE. 252 00:13:59,672 --> 00:14:02,642 CAN I GET YOU SOMETHING TO DRINK, MR. MITCHELL? 253 00:14:02,642 --> 00:14:04,443 SOME WATER, MAYBE? 254 00:14:04,443 --> 00:14:07,246 YEAH. THAT WOULD BE VERY NICE, THANK YOU. 255 00:14:14,520 --> 00:14:15,621 (click) 256 00:14:15,621 --> 00:14:18,158 IT'S NEWSPAPER ARTICLES. 257 00:14:18,158 --> 00:14:22,028 NO, I'VE BEEN PUBLISHED IN REAL NEWSPAPERS BEFORE. THOSE WERE NOT REAL NEWSPAPERS. 258 00:14:22,028 --> 00:14:24,030 YES, THEY WERE SO! NO, THEY WEREN'T. 259 00:14:24,030 --> 00:14:26,033 NO, OKAY. ALL RIGHT, ALL RIGHT. 260 00:14:26,033 --> 00:14:29,036 NOW I WANT YOU TO READ FROM IT. 261 00:14:29,036 --> 00:14:31,038 COME ON. READ FROM IT. 262 00:14:31,038 --> 00:14:32,538 I'M READING IT. 263 00:14:32,538 --> 00:14:34,573 OH, HA HA. OUT LOUD! (laughs) GO ON! 264 00:14:34,573 --> 00:14:37,777 (giggles) "GROVE PARK INTERIM MAYOR JOYCE FRANKLIN 265 00:14:37,777 --> 00:14:39,812 "PRESIDED TODAY OVER THE OPENING 266 00:14:39,812 --> 00:14:41,614 "OF A BRAND-NEW SENIOR CENTER 267 00:14:41,614 --> 00:14:44,451 NAMED FOR RETIRING COUNCILMAN SAM CHAPIN." 268 00:14:44,451 --> 00:14:46,452 UH... THERE. 269 00:14:46,452 --> 00:14:48,421 READ THE WHOLE THING. COME ON. 270 00:14:48,421 --> 00:14:51,390 "THE CENTER WILL SERVE THE GROVE PARK COMMUNITY 271 00:14:51,390 --> 00:14:53,826 AND THE SURROUNDING AREAS..." (thud) 272 00:14:53,826 --> 00:14:55,628 "LOCAL RETIREES CAN LOOK FORWARD 273 00:14:55,628 --> 00:14:57,864 TO A WEALTH OF PROGRAMS, INCLUDING WATER AEROBICS..." 274 00:14:57,864 --> 00:15:00,133 JANE! 275 00:15:00,133 --> 00:15:02,402 HEART ATTACK. AMBULANCE. 276 00:15:03,802 --> 00:15:07,139 (cell phone beeps) 277 00:15:07,139 --> 00:15:09,042 (breathing heavily) 278 00:15:12,078 --> 00:15:14,081 (man) MERRIMAN HAS NOT MADE UP ANY GROUND 279 00:15:14,081 --> 00:15:15,648 WITH 2 MINUTES TO GO IN ROUND 3. 280 00:15:15,648 --> 00:15:17,149 THANKS. LET US KNOW. 281 00:15:17,149 --> 00:15:19,451 FLACCO IS CONTINUING TO PUMMEL MERRIMAN... 282 00:15:19,451 --> 00:15:22,855 THE DOCTORS SAY TOM MITCHELL HAD A MAJOR CARDIAC ARREST. HMM. I COULD HAVE TOLD THEM THAT. 283 00:15:22,855 --> 00:15:25,857 THEY WERE ABLE TO STABILIZE HIM, BUT HE'S STILL UNCONSCIOUS. 284 00:15:25,857 --> 00:15:28,961 THEY'RE GONNA KEEP HIM IN I.C.U. UNTIL HE WAKES UP. POOR MAN. 285 00:15:28,961 --> 00:15:30,963 OH! FLACCO WITH A SOLID RIGHT. 286 00:15:30,963 --> 00:15:32,532 OOH. WENT DOWN AND STAYED DOWN. 287 00:15:32,532 --> 00:15:34,067 OH, YEAH. 288 00:15:34,067 --> 00:15:36,135 BUT I'VE BEEN LOOKING THROUGH MITCHELL'S NOTEBOOKS. 289 00:15:36,135 --> 00:15:38,370 ASIDE FROM A WHOLE BUNCH OF STUFF ABOUT THE DANGERS 290 00:15:38,370 --> 00:15:40,539 OF MIXED MARTIAL ARTS FIGHTING AND BLOOD MARKERS, 291 00:15:40,539 --> 00:15:43,043 SHE WAS LOOKING FOR A FIGHT FIXING ANGLE. 292 00:15:43,043 --> 00:15:45,511 WHAT DO YOU THINK? MERRIMAN TOOK A FALL? 293 00:15:45,511 --> 00:15:48,380 AH, I CAN'T SEE IT. IT'S WORTH KILLING OVER, THOUGH. 294 00:15:48,380 --> 00:15:52,619 A LOT OF MONEY TO BE MADE ON A SURE THING. 295 00:15:52,619 --> 00:15:56,222 SEE WHAT HE HAS TO SAY ABOUT FIGHT FIXING. (remote control clatters) 296 00:15:56,222 --> 00:15:59,359 (punches landing) 297 00:16:03,462 --> 00:16:05,999 MR. ARTASH? 298 00:16:05,999 --> 00:16:08,434 ALL RIGHT, 60/40 SPLIT. 299 00:16:08,434 --> 00:16:11,104 AND AN OPTION FOR HIS NEXT THREE FIGHTS. 300 00:16:11,104 --> 00:16:14,541 HEY, ALTERNATIVELY, GO EAT A SHOELACE. 301 00:16:14,541 --> 00:16:18,177 I WANT--HEY. I WANT THE DEAL DONE BY FRIDAY. 302 00:16:18,177 --> 00:16:22,448 CALL ME BACK. (laughs) WE GOT IT! 303 00:16:22,448 --> 00:16:25,118 MANNY FIGHTS FOR THE TITLE, SIX MONTHS' TIME. 304 00:16:25,118 --> 00:16:27,354 $2 MILLION PURSE. 305 00:16:27,354 --> 00:16:29,121 HA. CAN I PICK 'EM OR WHAT? 306 00:16:29,121 --> 00:16:31,557 YOU SEE THAT KID WITH THE LONG HAIR? 307 00:16:31,557 --> 00:16:36,263 HE'S GONNA BE MY NEXT CHAMPION. MARK MY WORDS. FIGHT FIXING--WHAT CAN YOU TELL US ABOUT IT? 308 00:16:36,263 --> 00:16:39,032 NO, THAT DOESN'T HAPPEN. THE BOARD FINDS OUT, 309 00:16:39,032 --> 00:16:42,068 EVERYONE INVOLVED IS DONE FOREVER. 310 00:16:42,068 --> 00:16:45,072 AND YOU NEED A FIGHTER WILLING TO TAKE A DIVE, 311 00:16:45,072 --> 00:16:47,106 WHICH MERRIMAN ISN'T. (Lisbon) NO? 312 00:16:47,106 --> 00:16:48,607 EGOTISTICAL JERK LIKE HIM? 313 00:16:48,607 --> 00:16:52,812 COME ON! STICK THE JAB AND SHOOT IT. 314 00:16:52,812 --> 00:16:56,082 STICK AND SHOOT! (grunting) 315 00:16:56,082 --> 00:16:58,551 GET OFF THE ROPES! 316 00:17:00,287 --> 00:17:02,254 YOUR FIGHTER LOOKS BIGGER AND STRONGER. 317 00:17:02,254 --> 00:17:04,824 SHOULDN'T HE BE WINNING? HE'S SLOWER AND DUMBER. 318 00:17:04,824 --> 00:17:08,228 (continues grunting) 319 00:17:10,130 --> 00:17:12,298 YOU'RE FLOYD BENTON, AREN'T YOU? 320 00:17:12,298 --> 00:17:15,801 DIDN'T YOU TRAIN MANNY FLACCO? USED TO, UNTIL HE GOT TOO BIG AND SMART TO LEARN. 321 00:17:15,801 --> 00:17:20,807 COME ON, SON OF A BITCH. STICK IT! MOVE! COME ON! 322 00:17:20,807 --> 00:17:23,309 AH. POLICE OFFICER. 323 00:17:23,309 --> 00:17:25,444 HOW'D YOU KNOW? 324 00:17:25,444 --> 00:17:28,615 POLICE AND FINE WOMEN ALWAYS THINK THEY GOT A RIGHT 325 00:17:28,615 --> 00:17:33,619 TO BE WHEREVER THEY'RE AT, AND YOU AIN'T NO FINE WOMAN. I'M HERE ABOUT CHARLOTTE MITCHELL. 326 00:17:33,619 --> 00:17:37,589 YEAH. POOR GIRL. 327 00:17:37,589 --> 00:17:39,791 YOU THINK IT WAS ABOUT THE FIGHT? 328 00:17:39,791 --> 00:17:41,094 WHAT DO YOU THINK? 329 00:17:41,094 --> 00:17:44,096 I THINK IF IT WASN'T ABOUT THE FIGHT, 330 00:17:44,096 --> 00:17:45,897 YOU WOULDN'T EVEN BE HERE. 331 00:17:45,897 --> 00:17:49,336 WHAT ASPECT OF THE FIGHT DO YOU THINK WOULD MOTIVATE MURDER? 332 00:17:49,336 --> 00:17:51,337 (chuckles) YOU'RE THE DETECTIVE. 333 00:17:51,337 --> 00:17:54,207 WHAT, AM I SUPPOSED TO DO YOUR JOB FOR YOU? 334 00:17:54,207 --> 00:17:56,909 WHAT IF I DO YOUR JOB FOR YOU? 335 00:17:56,909 --> 00:17:59,077 IS THAT A FAIR EXCHANGE? 336 00:17:59,077 --> 00:18:00,646 SHOOT. 337 00:18:00,646 --> 00:18:02,882 (lowers voice) ARTASH'S PROSPECT HAS A TELL. 338 00:18:02,882 --> 00:18:06,085 HE TAPS HIS FOREHEAD BEFORE HE THROWS A RIGHT UPPERCUT. 339 00:18:06,085 --> 00:18:08,221 WHEN HE DOES THAT, YOUR GUY 340 00:18:08,221 --> 00:18:11,790 SHOULD STEP TO THE RIGHT AND THROW A HOOK. 341 00:18:11,790 --> 00:18:13,692 HUH. 342 00:18:13,692 --> 00:18:16,061 DAMN, IF YOU AIN'T ALMOST CORRECT. 343 00:18:16,061 --> 00:18:18,397 YOU GOT A GOOD EYE. 344 00:18:18,397 --> 00:18:21,334 WELL, THANK YOU. NOW IT'S YOUR TURN. 345 00:18:21,334 --> 00:18:24,136 CHARLOTTE MITCHELL-- WHO KILLED HER? 346 00:18:24,136 --> 00:18:27,273 DON'T KNOW. BUT I WILL SAY THIS. 347 00:18:27,273 --> 00:18:30,876 THERE'S MORE TO MANNY FLACCO THAN MEETS THE EYE. 348 00:18:30,876 --> 00:18:32,679 OH. AND WHAT'S THAT? 349 00:18:32,679 --> 00:18:34,881 JUST A VIBE I GET. 350 00:18:34,881 --> 00:18:38,585 DOES THAT VIBE HAVE ANYTHING TO DO WITH THE FACT 351 00:18:38,585 --> 00:18:41,421 THAT HE FIRED YOU AS HIS TRAINER? 352 00:18:41,421 --> 00:18:43,855 I'M A BIGGER MAN THAN THAT. 353 00:18:43,855 --> 00:18:48,295 OKAY, LISTEN UP. COME HERE. COME HERE, COME HERE, COME HERE. 354 00:18:48,295 --> 00:18:49,895 LISTEN, THE MAN THERE... 355 00:18:55,268 --> 00:18:57,737 THERE SHE IS-- JOE REYES' OLD GIRLFRIEND. 356 00:18:57,737 --> 00:18:59,939 KEEP ON GOING. ALL RIGHT. COME ON NOW. 357 00:18:59,939 --> 00:19:03,108 KEEP MOVIN'. (Cho) DAWN MAY? 358 00:19:03,108 --> 00:19:05,111 WE NEED TO TALK. WHAT'S THIS ABOUT? 359 00:19:05,111 --> 00:19:07,247 YOU REMEMBER A GUY NAMED JOE REYES? 360 00:19:07,247 --> 00:19:10,349 WE NEED TO KNOW WHAT HAPPENED TO A GUN HE GAVE YOU. COULD YOU GUYS KEEP IT DOWN? 361 00:19:10,349 --> 00:19:12,251 PEOPLE AROUND HERE MIGHT GET UPSET, 362 00:19:12,251 --> 00:19:15,755 THEY KNEW ABOUT MY PAST BUSINESS. THE GUN--WHAT'D YOU DO WITH IT? 363 00:19:15,755 --> 00:19:18,089 I GAVE IT TO MY COUSIN BOBBY. 364 00:19:18,089 --> 00:19:20,092 I DON'T KNOW WHAT HE DID WITH IT. 365 00:19:20,092 --> 00:19:21,461 WHERE'S YOUR COUSIN BOBBY? 366 00:19:21,461 --> 00:19:23,663 DEAD. GOT BLOWN UP IN IRAQ. 367 00:19:23,663 --> 00:19:25,765 (cell phone rings) EXCUSE ME. 368 00:19:25,765 --> 00:19:28,500 HELLO? I DON'T KNOW WHAT HE DID WITH IT. 369 00:19:28,500 --> 00:19:31,637 AGENT RIGSBY, THIS IS J.J. LaROCHE. 370 00:19:31,637 --> 00:19:33,940 WHERE ARE YOU? WE NEED TO TALK MORE. 371 00:19:33,940 --> 00:19:36,542 I'M WORKING A CASE. When are you coming back in? 372 00:19:36,542 --> 00:19:38,545 WELL, I COULDN'T SAY. IT'S AN ACTIVE CASE. 373 00:19:38,545 --> 00:19:41,213 I COULD AGENT LISBON TO BRING YOU BACK. 374 00:19:41,213 --> 00:19:42,914 Should I do that? 375 00:19:42,914 --> 00:19:44,884 I'LL BE THERE IN AN HOUR. 376 00:19:49,721 --> 00:19:52,659 ...TWO KIDS I'M TRYING TO RAISE RIGHT WHO DON'T KNOW 377 00:19:52,659 --> 00:19:54,661 THE KIND OF LIFE I USED TO LEAD. MA'AM, WE WON'T SPEAK 378 00:19:54,661 --> 00:19:57,663 TO YOUR CHILDREN ABOUT THIS UNLESS WE NEED TO. YOU READY? 379 00:19:57,663 --> 00:20:01,667 YEAH. THANK YOU, MA'AM. WE'LL BE IN TOUCH. THANK YOU. 380 00:20:01,667 --> 00:20:03,970 SAYS SHE WAS AT A PARENT-TEACHER CONFERENCE 381 00:20:03,970 --> 00:20:06,605 THE NIGHT BEFORE LAST. SHOULD BE EASY TO CHECK. 382 00:20:06,605 --> 00:20:08,941 ANYTHING WRONG? WHO CALLED? 383 00:20:08,941 --> 00:20:10,876 NOTHING. NOBODY. 384 00:20:13,846 --> 00:20:17,450 YOU SAID THERE HAD BEEN NO CONTACT. 385 00:20:17,450 --> 00:20:20,787 BUT PHONE RECORDS SHOW SIX PHONE CALLS FROM YOUR FATHER 386 00:20:20,787 --> 00:20:22,788 BETWEEN JUNE AND JULY OF 2008. 387 00:20:22,788 --> 00:20:25,724 WHAT DOES THIS HAVE TO DO WITH SOMEONE BURNING 388 00:20:25,724 --> 00:20:27,926 A COP KILLER TO DEATH HERE IN CBI? 389 00:20:27,926 --> 00:20:29,628 NOTHING... DIRECTLY. 390 00:20:29,628 --> 00:20:31,631 BUT IT DOES SPEAK TO CHARACTER. 391 00:20:31,631 --> 00:20:33,633 YOU'RE QUESTIONING MY CHARACTER? 392 00:20:33,633 --> 00:20:37,804 DID YOU KNOW THERE ARE CRIMINOLOGICAL STUDIES 393 00:20:37,804 --> 00:20:41,907 THAT POSIT CRIMINALITY AS A HERITABLE TRAIT? 394 00:20:41,907 --> 00:20:44,876 LIKE EYE COLOR OR A BARITONE VOICE. 395 00:20:44,876 --> 00:20:46,177 WH-WHAT? 396 00:20:46,177 --> 00:20:51,083 I JUST MEAN... IT MAY NOT BE YOUR FAULT, AGENT RIGSBY. 397 00:20:51,083 --> 00:20:56,722 YOU MAY SIMPLY BE PREDISPOSED TO CRIMINAL BEHAVIOR, 398 00:20:56,722 --> 00:20:58,724 SCIENTIFICALLY SPEAKING. LOOK, MY FATHER CALLED ME 399 00:20:58,724 --> 00:21:01,227 ABOUT A MIX-UP WITH HIS PAROLE OFFICER. 400 00:21:01,227 --> 00:21:03,496 WAS I SUPPOSED TO IGNORE HIM? HANG UP? 401 00:21:03,496 --> 00:21:05,298 AND DID YOU FORGET THAT CONVERSATION, 402 00:21:05,298 --> 00:21:08,867 OR YOU JUST CHOSE NOT TO SPEAK OF IT? I FORGOT. 403 00:21:10,702 --> 00:21:14,374 ARE WE DONE HERE? I THINK WE'RE DONE. 404 00:21:23,883 --> 00:21:25,884 (knock on door frame) HEY. I GOT SOMETHING. 405 00:21:25,884 --> 00:21:28,387 A SECURITY GUARD HAD A RUN-IN WITH CHARLOTTE MITCHELL 406 00:21:28,387 --> 00:21:29,888 BEFORE THE FIGHT. 407 00:21:29,888 --> 00:21:32,892 SHE WAS TRYING TO GET INTO THE DRESSING ROOM AREA. 408 00:21:32,892 --> 00:21:35,193 DIDN'T HAVE THE RIGHT KIND OF ACCESS LAMINATE, 409 00:21:35,193 --> 00:21:38,197 SO HE WOULDN'T LET HER IN. SHE GOT AGITATED, MADE A SCENE, 410 00:21:38,197 --> 00:21:40,900 AND HE THREW HER OUT. THIS WAS AT APPROXIMATELY 6:30. 411 00:21:40,900 --> 00:21:43,470 6:30? AND THAT PUTS HER IN THE ARENA AN HOUR 412 00:21:43,470 --> 00:21:46,472 BEFORE THE M.E.'s ESTIMATE. YEP, AND THAT MEANS FLACCO AND MERRIMAN 413 00:21:46,472 --> 00:21:48,974 BOTH HAD OPPORTUNITY. THEY'RE SUSPECTS, TOO. BRING 'EM BOTH IN. 414 00:21:48,974 --> 00:21:51,443 SEE WHAT THEY HAVE TO SAY UNDER QUESTIONING. OKAY. 415 00:21:51,443 --> 00:21:53,045 (elevator bell dings) 416 00:21:59,385 --> 00:22:02,588 MR. MERRIMAN, YOUR ASSOCIATES ARE GONNA HAVE TO WAIT OUTSIDE. 417 00:22:02,588 --> 00:22:04,423 OH, THEY'RE COOL. THEY'RE COOL OUTSIDE. 418 00:22:05,857 --> 00:22:09,327 HEY, FLACCO, YOU LITTLE PUNK! YOU USED PLASTER WRAPS, 419 00:22:09,327 --> 00:22:13,799 DIDN'T YOU? I KNOW A LITTLE PUNK LIKE YOU DON'T HIT THAT HARD! MR. AND MRS. FLACCO, WHY DON'T WE TALK IN MY OFFICE? 420 00:22:13,799 --> 00:22:17,903 COME ON, BABE. OH, NOW YOU RUNNING AWAY, MANNY? JUST LIKE YOU DID 421 00:22:17,903 --> 00:22:19,705 IN THE CAGE, HUH? 422 00:22:19,705 --> 00:22:23,442 2 MILLION PEOPLE SAW ME KICK YOUR BUTT. LIVE WITH IT. OH, HELL, NO. COME ON! 423 00:22:23,442 --> 00:22:25,444 CONTROL YOURSELVES, BOTH OF YOU. 424 00:22:25,444 --> 00:22:27,246 LOOK, EITHER OF YOU TRY ANYTHING, 425 00:22:27,246 --> 00:22:31,049 AND I'M GONNA PUT YOU IN CUFFS. SO LET'S JUST CALM DOWN 426 00:22:31,049 --> 00:22:34,119 AND GET BACK TO BUSINESS. 427 00:22:34,119 --> 00:22:35,587 (smacks lips) 428 00:22:35,587 --> 00:22:37,624 I THINK YOU LIKE GETTING BEATEN UP. 429 00:22:37,624 --> 00:22:40,859 A LITTLE MASOCHISTIC STREAK THERE, HUH? 430 00:22:40,859 --> 00:22:42,561 UHH! (men shouting indistinctly) 431 00:22:42,561 --> 00:22:43,863 THANKS FOR THAT. THANKS. 432 00:22:43,863 --> 00:22:45,897 BREAK IT UP, GUYS! THAT IS ENOUGH! 433 00:22:45,897 --> 00:22:49,134 (grunting) (Lisbon) BREAK IT UP! 434 00:22:49,134 --> 00:22:52,638 GET OFF ME! (screaming) 435 00:22:52,638 --> 00:22:54,673 (Lisbon) BREAK IT UP NOW! 436 00:22:58,677 --> 00:23:01,180 DO YOU PEOPLE EVEN KNOW WHAT YOU'RE DOING? 437 00:23:01,180 --> 00:23:03,750 SIT DOWN, MR. LIMA. NO! NOT UNTIL YOU TELL ME 438 00:23:03,750 --> 00:23:06,117 WHY YOU'RE SETTING MANNY UP TO GET JUMPED. 439 00:23:06,117 --> 00:23:09,188 MR. LIMA, HOW WE CONDUCT INTERVIEWS IS NOT YOUR CONCERN. IT IS IF IT ENDANGERS MY FIGHTER. 440 00:23:09,188 --> 00:23:11,289 MANNY SHOULDN'T HAVE BEEN CALLED IN HERE ANYWAY. 441 00:23:11,289 --> 00:23:13,425 HE'S GRIEVING FOR CHARLOTTE. WE JUST NEED TO ASK HIM A FEW QUESTIONS. 442 00:23:13,425 --> 00:23:16,127 NOW, PLEASE, TAKE A SEAT. WHY? I MEAN, YOU GOT THE MAN YOU WANT ALREADY. 443 00:23:16,127 --> 00:23:17,864 YOU MEAN ROWDY MERRIMAN? YOU SAW HIM. HE DOESN'T LIKE IT 444 00:23:17,864 --> 00:23:20,132 WHEN HE DOESN'T GET WHAT HE WANTS, 445 00:23:20,132 --> 00:23:22,868 AND HE DIDN'T GET WHAT HE WANTED FROM CHARLOTTE. AND WHAT DID HE WANT? 446 00:23:22,868 --> 00:23:23,903 GUESS. 447 00:23:23,903 --> 00:23:26,038 NAH, I DIDN'T KILL THE WRITER LADY. 448 00:23:26,038 --> 00:23:28,740 WHY WOULD I? I'VE LOOKED AT YOUR RAP SHEET. 449 00:23:28,740 --> 00:23:31,076 THERE'S A HISTORY OF VIOLENCE AGAINST WOMEN. 450 00:23:31,076 --> 00:23:34,046 PFFT. MAN, IF I SLAP A BITCH, IT'S 'CAUSE SHE ASKED FOR IT. 451 00:23:34,046 --> 00:23:36,347 BITCHES LIKE TO GET SLAPPED. DON'T ASK ME WHY. 452 00:23:36,347 --> 00:23:39,618 DID CHARLOTTE MITCHELL ASK FOR IT? NO, SHE DIDN'T. 453 00:23:39,618 --> 00:23:41,621 BUT I ASKED HER, THOUGH, YOU KNOW? HUH. 454 00:23:41,621 --> 00:23:43,623 YOU KNOW, SHE WAS LIKE... (high-pitched voice) "EW!" 455 00:23:43,623 --> 00:23:45,592 YOU KNOW, I DISGUSTED HER, MAN. 456 00:23:45,592 --> 00:23:49,161 NICE, CLEAN, COLLEGE LADY. SHE REJECTED YOU. HOW'D THAT MAKE YOU FEEL? 457 00:23:49,161 --> 00:23:52,464 LIKE I HAD TO CALL ANOTHER BITCH TO BREAK ME OFF A PIECE, 458 00:23:52,464 --> 00:23:55,768 WHICH I DID. NOW SHE WAS RESEARCHING YOU AND FLACCO. 459 00:23:55,768 --> 00:23:57,769 MAYBE SHE FOUND OUT SOMETHING ABOUT YOU 460 00:23:57,769 --> 00:23:59,771 YOU DIDN'T WANT ANYBODY TO KNOW. 461 00:23:59,771 --> 00:24:02,942 (scoffs) MAN, YOU KNOW WHAT? I GOT NOTHIN' TO HIDE. 462 00:24:02,942 --> 00:24:04,876 I'M STRAIGHT UP THUG, AND I'M PROUD OF IT. 463 00:24:04,876 --> 00:24:06,479 YOU KNOW, WHAT THEY GONNA SAY ABOUT ME THAT 464 00:24:06,479 --> 00:24:08,881 AIN'T ALREADY BEEN SAID, HUH? NAH. LITTLE MR. PERFECT-- 465 00:24:08,881 --> 00:24:12,585 HE'S THE ONE GOT SECRETS TO BE HIDIN'. FLACCO-- WHAT'S HE GOT TO HIDE? 466 00:24:12,585 --> 00:24:14,586 (scoffs) I MEAN, HE WAS KNOCKING BOOTS 467 00:24:14,586 --> 00:24:16,387 WITH THAT WRITER LADY, FOR ONE, 468 00:24:16,387 --> 00:24:19,592 DOGGING ON THAT NASTY LITTLE WIFE OF HIS. YOU GOT PROOF OF THAT? 469 00:24:19,592 --> 00:24:21,827 (scoffs) PROOF, MAN. ASK THE PUNK, DUDE. 470 00:24:21,827 --> 00:24:24,631 HE'LL BE LIKE... (whines in high-pitched voice) 471 00:24:24,631 --> 00:24:27,599 YEAH, GO ASK HIM. 472 00:24:27,599 --> 00:24:29,868 (blinds clatter) 473 00:24:31,570 --> 00:24:33,138 MR. FLACCO? 474 00:24:33,138 --> 00:24:35,642 DO YOU WANT YOUR WIFE PRESENT DURING OUR INTERVIEW? 475 00:24:35,642 --> 00:24:37,644 NORMALLY, WE DO THIS ALONE. 476 00:24:37,644 --> 00:24:40,680 I NEED HER HERE. I GOT NO SECRETS FROM BEA. 477 00:24:40,680 --> 00:24:43,583 OKAY. WHAT WAS YOUR RELATIONSHIP WITH CHARLOTTE MITCHELL? 478 00:24:43,583 --> 00:24:46,618 SHE WAS WRITING A BOOK ABOUT ME AND ROWDY, ABOUT THE FIGHT. 479 00:24:46,618 --> 00:24:49,588 WHICH STARTED WHEN? SINCE I STARTED TRAINING FOR THE FIGHT, 480 00:24:49,588 --> 00:24:51,824 ABOUT SIX MONTHS AGO. 481 00:24:51,824 --> 00:24:54,560 AND HOW ABOUT WHEN YOU WEREN'T TRAINING? 482 00:24:54,560 --> 00:24:56,461 WHAT DOES THAT MEAN? DON'T ACT DUMB, MANNY. 483 00:24:56,461 --> 00:25:00,532 SHE WANTS TO KNOW IF YOU WERE SLEEPING WITH HER. WHAT? NO. 484 00:25:00,532 --> 00:25:04,403 LOOK AT ME WHEN YOU SAY THAT. HONEY, I WASN'T SLEEPING WITH HER. 485 00:25:04,403 --> 00:25:07,038 "HONEY"? (scoffs) PLEASE. 486 00:25:07,038 --> 00:25:09,174 SO HE'S SLEEPING WITH HER? SO WHAT? BEA-- 487 00:25:09,174 --> 00:25:11,176 NO. I DON'T WANNA HEAR IT NOW. 488 00:25:11,176 --> 00:25:13,378 WE'VE BEEN TOGETHER SINCE I'M 13, 489 00:25:13,378 --> 00:25:15,181 MARRIED SINCE 17, 4 KIDS. 490 00:25:15,181 --> 00:25:17,348 YOU THINK I DON'T KNOW WHAT'S GOING ON? 491 00:25:17,348 --> 00:25:18,851 HE'S A PROFESSIONAL ATHLETE. 492 00:25:18,851 --> 00:25:21,519 I BLAME IT ON THE WOMEN. MEN DON'T KNOW ANY BETTER. 493 00:25:21,519 --> 00:25:24,923 BABY, I NEVER S-- AND YOU KNOW WHAT? MANNY'S GOOD. HE DOESN'T GO ALL CRAZY. 494 00:25:24,923 --> 00:25:27,826 BUT WE DO HAVE THE NURSE AT THE PHYSIO CLINIC, 495 00:25:27,826 --> 00:25:30,997 THE TWO WAITRESSES IN VEGAS, THE GIRL AT LEN'S CLUB-- 496 00:25:30,997 --> 00:25:34,032 WHERE WERE YOU THE NIGHT OF THE FIGHT, MS. FLACCO? 497 00:25:34,032 --> 00:25:36,001 BACKSTAGE. 498 00:25:36,001 --> 00:25:39,238 I-I CAN'T TAKE IT WHEN MANNY'S FIGHTING. 499 00:25:39,238 --> 00:25:41,539 I WAIT UNTIL IT'S OVER. 500 00:25:41,539 --> 00:25:43,541 WAS ANYBODY WITH YOU? 501 00:25:43,541 --> 00:25:46,846 YES. PLENTY OF PEOPLE. THERE'S ALWAYS PEOPLE AROUND. 502 00:25:46,846 --> 00:25:49,115 BUT YEAH, YOU KNOW WHAT? 503 00:25:49,115 --> 00:25:52,317 (gasps) I COULD HAVE SNEAKED OFF AND KILLED THE LADY... 504 00:25:52,317 --> 00:25:54,953 ONLY I DIDN'T. WE DONE? 505 00:25:54,953 --> 00:25:56,855 FOR NOW. 506 00:25:57,789 --> 00:25:59,791 BEA, COME ON. NO, NO, NO. 507 00:25:59,791 --> 00:26:02,094 DON'T BE MAD. NOT HERE. 508 00:26:02,094 --> 00:26:04,096 YOU WANT TO TALK TO FLOYD BENTON. 509 00:26:04,096 --> 00:26:06,598 THE LADY WAS GONNA WRITE ABOUT HOW HE DOPES 510 00:26:06,598 --> 00:26:08,601 HIS YOUNG FIGHTERS AT HIS GYM. 511 00:26:08,601 --> 00:26:10,402 THAT'S WHY WE TOOK MANNY OUT OF THERE. 512 00:26:10,402 --> 00:26:13,505 WHERE WERE YOU THE NIGHT OF THE FLACCO/MERRIMAN FIGHT? 513 00:26:13,505 --> 00:26:16,675 AT THE FIGHT. I HAD TO BUY A TICKET. YOU BELIEVE THAT? 514 00:26:16,675 --> 00:26:18,009 CHARLOTTE MITCHELL ASKED YOU 515 00:26:18,009 --> 00:26:20,211 ABOUT STEROID USE AT YOUR GYM, CORRECT? 516 00:26:20,211 --> 00:26:22,381 BEATRIZ FLACCO. 517 00:26:22,381 --> 00:26:25,617 SHE HASN'T LIKED ME SINCE SHE WAS A LITTLE GIRL IN PIGTAILS. 518 00:26:25,617 --> 00:26:28,119 WHAT'S BEATRIZ FLACCO GOT TO DO WITH THIS? 519 00:26:28,119 --> 00:26:31,323 SHE TOLD YOU THAT CRAP. WE HEARD FROM NUMEROUS SOURCES 520 00:26:31,323 --> 00:26:33,291 THAT FLACCO FIRED YOU AS HIS TRAINER 521 00:26:33,291 --> 00:26:35,594 BECAUSE YOU WERE PUSHING STEROIDS ON HIM. 522 00:26:35,594 --> 00:26:39,397 NO ONE WAS PUSHED TO DO ANYTHING. BUT THERE WAS STEROID ABUSE, 523 00:26:39,397 --> 00:26:41,800 AND CHARLOTTE FOUND OUT ABOUT IT, RIGHT? 524 00:26:41,800 --> 00:26:43,802 BIG SCOOP. ATHLETES GET JUICED. 525 00:26:43,802 --> 00:26:45,672 STEROID ABUSE IS A CRIME. 526 00:26:45,672 --> 00:26:48,941 (laughs) SO ARREST ME. I WON'T RESIST. 527 00:26:48,941 --> 00:26:52,478 I'VE DONE FAR WORSE THINGS THAN ABUSE STEROIDS. 528 00:26:52,478 --> 00:26:56,682 I WOULDN'T HURT A LADY OVER SOME PICAYUNE NONSENSE LIKE... 529 00:26:56,682 --> 00:26:59,218 STEROIDS? PLEASE. 530 00:26:59,218 --> 00:27:00,486 (chuckles) 531 00:27:00,486 --> 00:27:03,189 THEY ALL HAD MOTIVE, AND THEY ALL HAD OPPORTUNITY. 532 00:27:03,189 --> 00:27:06,192 HMM. WHAT ABOUT THE NOTEBOOKS? 533 00:27:06,192 --> 00:27:08,193 I READ HER LAST SIX MONTHS OF NOTES. 534 00:27:08,193 --> 00:27:10,628 THERE'S NOTHING USEFUL THAT I COULD SEE. COULD I TAKE A LOOK? 535 00:27:10,628 --> 00:27:12,731 BE MY GUEST. 536 00:27:24,609 --> 00:27:26,746 EXCUSE ME, AGENT. 537 00:27:26,746 --> 00:27:30,682 MR. REYES, WHAT BRINGS YOU HERE? LOOK, I JUST SAW ON TV THAT THAT LADY WHO DIED-- 538 00:27:30,682 --> 00:27:32,518 HER FATHER JUST HAD A HEART ATTACK. 539 00:27:32,518 --> 00:27:35,586 NOW IS HE GONNA BE OKAY? I'M NOT SURE YET. HE'S IN I.C.U. 540 00:27:35,586 --> 00:27:37,655 HMM. 541 00:27:37,655 --> 00:27:39,590 WHAT'S UP, MR. REYES? 542 00:27:39,590 --> 00:27:42,427 LOOK, I-I LIED BEFORE. 543 00:27:42,427 --> 00:27:43,930 TAKE A SEAT. 544 00:27:47,432 --> 00:27:49,035 THANKS. 545 00:27:50,568 --> 00:27:52,270 (clears throat) 546 00:27:52,270 --> 00:27:53,372 (mug clatters) 547 00:27:53,372 --> 00:27:54,740 GO AHEAD. 548 00:27:54,740 --> 00:27:57,042 WHEN I TOLD YOU I DON'T SEE DAWN ANYMORE, 549 00:27:57,042 --> 00:27:59,444 WELL, I-I DO... SEE HER EVERY NOW AND AGAIN. 550 00:27:59,444 --> 00:28:02,480 Y-YOU KNOW, FOR OLD TIMES' SAKE. HEY, WHY NOT? 551 00:28:02,480 --> 00:28:04,983 YOU PEOPLE GOT ME THINKING ABOUT THAT DAMN GUN 552 00:28:04,983 --> 00:28:07,987 AND ALL THE MESS IT'S CAUSED, SO I WENT TO SEE DAWN, 553 00:28:07,987 --> 00:28:10,689 AND SHE TOLD ME SHE TOLD YOU SHE GAVE THAT GUN 554 00:28:10,689 --> 00:28:13,925 TO HER COUSIN BOBBY, WHO PASSED. THAT'S RIGHT. WE CAN'T TRACK THE GUN PAST HIM. 555 00:28:13,925 --> 00:28:16,428 YEAH, WELL, IT'S NOT TRUE WHAT SHE SAID. 556 00:28:16,428 --> 00:28:19,397 SHE DIDN'T GAVE THAT GUN TO BOBBY, GOD REST HIS SOUL. 557 00:28:19,397 --> 00:28:21,200 SHE JUST SAID THAT BECAUSE BOBBY'S DEAD, 558 00:28:21,200 --> 00:28:23,402 AND HE CAN'T DENY IT, YOU KNOW? 559 00:28:23,402 --> 00:28:26,471 SHE DIDN'T WANNA GET INTO TROUBLE. WHAT DID SHE DO WITH THE GUN? 560 00:28:26,471 --> 00:28:30,876 (Spanish hip-hop playing) 561 00:28:30,876 --> 00:28:32,912 (engines rumbling) 562 00:28:32,912 --> 00:28:37,516 FRANK LOPEZ. WE NEED TO TALK TO YOU. 563 00:28:37,516 --> 00:28:42,755 CBI? I AIN'T NEVER BEEN QUESTIONED BY THE CBI. GUYS... 564 00:28:42,755 --> 00:28:46,759 THANK YOU. 565 00:28:46,759 --> 00:28:49,627 (clears throat) 566 00:28:49,627 --> 00:28:51,063 WHAT YOU GOT? 567 00:28:51,063 --> 00:28:53,065 TEN YEARS AGO, A WOMAN NAMED DAWN MAY 568 00:28:53,065 --> 00:28:55,433 GAVE YOU A 9-MILLIMETER HANDGUN. SHE DID? 569 00:28:55,433 --> 00:28:59,005 YOU STILL HAVE THE WEAPON? WHY DO YOU ASK? 570 00:28:59,005 --> 00:29:02,008 WELL, THE GUN WAS USED IN A MURDER TWO DAYS AGO. 571 00:29:02,008 --> 00:29:04,710 OOPS. DAWN MAY. THE NAME'S NOT RINGING ANY BELLS. 572 00:29:04,710 --> 00:29:06,478 WHAT KIND OF GUN WAS IT? 573 00:29:06,478 --> 00:29:08,380 9-MILLIMETER. 574 00:29:08,380 --> 00:29:13,419 OH, YEAH! YEAH, IT WAS A NICE WEAPON. A GLOCK. 575 00:29:13,419 --> 00:29:14,752 YEAH, DAWN. 576 00:29:14,752 --> 00:29:17,655 SKINNY, CRAZY GIRL. (chuckles) WHAT HAPPENED TO DAWN? 577 00:29:17,655 --> 00:29:19,791 OH, SHE'S FINE. AND THE GLOCK? 578 00:29:19,791 --> 00:29:22,028 OH, I LOST IT. YOU LOST IT. 579 00:29:22,028 --> 00:29:25,431 YEAH. FOUR YEARS AGO... AT A CLUB CALLED, UH... 580 00:29:25,431 --> 00:29:26,798 NARCISSUS. YOU KNOW IT? 581 00:29:26,798 --> 00:29:29,035 THERE WAS A SCUFFLE. I HAD TO RUN OUT AFTER SOME PUNK. 582 00:29:29,035 --> 00:29:31,002 NEXT TIME I LOOK, THE 9 WAS GONE. 583 00:29:31,002 --> 00:29:33,672 IT'S A NICE WEAPON, BUT WHAT CAN YOU DO? 584 00:29:33,672 --> 00:29:36,642 UH-HUH. AND, UH, WHERE WERE YOU TWO NIGHTS AGO? 585 00:29:36,642 --> 00:29:39,377 (laughs) 586 00:29:39,377 --> 00:29:40,445 I WAS HERE. 587 00:29:40,445 --> 00:29:43,148 ANY ONE OF THESE GUYS WILL TELL YOU. 588 00:29:43,148 --> 00:29:45,651 YOU DON'T BELIEVE ME? YOU CAN LIE-DETECT ME. 589 00:29:45,651 --> 00:29:48,354 I AIN'T WORRIED. 590 00:29:48,354 --> 00:29:49,721 (cell phone rings) 591 00:29:49,721 --> 00:29:53,625 ** 592 00:29:53,625 --> 00:29:55,594 WHAT'D YOU GET? 593 00:29:55,594 --> 00:29:58,297 THAT GUY LaROCHE-- HE WANTS TO TALK TO ME, 594 00:29:58,297 --> 00:30:01,232 WANTS ME TO COME IN. WHAT'D HE TALK TO YOU ABOUT? 595 00:30:01,232 --> 00:30:04,236 OKAY, LOOK, UH, I HAVE TO TELL YOU SOMETHING. 596 00:30:04,236 --> 00:30:06,505 UM... I SHOULD'VE TOLD YOU BEFORE, BUT I DIDN'T. 597 00:30:06,505 --> 00:30:09,208 (breathes deeply) TWO YEARS AGO, MY DAD CALLED ME, 598 00:30:09,208 --> 00:30:11,509 AND HE WAS GETTING HIT WITH A PAROLE VIOLATION. 599 00:30:11,509 --> 00:30:13,511 SEEN CONSORTING WITH KNOWN CRIMINALS, 600 00:30:13,511 --> 00:30:17,482 AND HE WAS LOOKING AT A FULL 20-YEAR BIT IN FOLSOM. 601 00:30:17,482 --> 00:30:19,518 SO YOU ALIBIED HIM OUT. 602 00:30:19,518 --> 00:30:22,721 YEAH. I SAID HE WAS WITH ME AT THE TIME, BUT... (sighs) 603 00:30:22,721 --> 00:30:24,522 I'M FAMILY. SO THE PAROLE OFFICER 604 00:30:24,522 --> 00:30:27,226 WANTED TO KNOW IF THERE WAS ANYBODY ELSE THERE, 605 00:30:27,226 --> 00:30:30,229 YOU KNOW, WHO COULD VERIFY IT, AND... I SAID YOU. 606 00:30:30,229 --> 00:30:32,763 WHAT? IT JUST CAME OUT OF MY MOUTH. 607 00:30:32,763 --> 00:30:35,968 I SWEAR TO GOD, IF I COULD'VE TAKEN IT BACK, I WOULD'VE. 608 00:30:35,968 --> 00:30:37,769 BUT THEY NEVER CHECKED BACK WITH YOU, 609 00:30:37,769 --> 00:30:40,972 AND EVERYTHING SEEMED FINE, SO I JUST FORGOT ABOUT IT 610 00:30:40,972 --> 00:30:42,407 UNTIL LaROCHE STARTED QUESTIONING ME. 611 00:30:42,407 --> 00:30:44,410 SO YOU INVOLVED ME IN YOUR PERJURY, 612 00:30:44,410 --> 00:30:46,412 AND NOW P.S.U. IS INVESTIGATING IT. 613 00:30:46,412 --> 00:30:48,846 IF LaROCHE FINDS OUT ABOUT THIS, MY CAREER IS OVER. 614 00:30:48,846 --> 00:30:52,117 YEAH, IT IS, UNLESS I LIE AS WELL, BACK YOU UP, RIGHT? LOOK, I'M SORRY, MAN. 615 00:30:52,117 --> 00:30:54,486 I KNOW I'VE PUT YOU IN A BAD SPOT. 616 00:30:54,486 --> 00:30:56,488 I'VE BEEN A COP CLOSE TO TEN YEARS. 617 00:30:56,488 --> 00:30:58,958 NEVER LIED TO ANOTHER COP, NOT ONCE. 618 00:30:58,958 --> 00:31:02,193 LOOK, I'M NOT ASKING FOR YOU TO LIE NOW. 619 00:31:02,193 --> 00:31:05,763 I JUST... I WANT YOU TO DO WHAT YOU THINK IS RIGHT. 620 00:31:05,763 --> 00:31:07,398 YEAH. 621 00:31:15,273 --> 00:31:17,276 (keys turn in ignition, engine starts) 622 00:31:17,276 --> 00:31:20,578 SO WHAT ARE YOU GONNA DO? (gears shift) 623 00:31:20,578 --> 00:31:22,513 I'M NOT LYING FOR YOU. 624 00:31:22,513 --> 00:31:24,516 (Artash) MANNY FLACCO WILL BE FIGHTING 625 00:31:24,516 --> 00:31:27,053 FOR THE MIDDLEWEIGHT CROWN ON CINCO DE MAYO. 626 00:31:27,053 --> 00:31:29,055 IT WILL BE A SECOND AMERICAN REVOLUTION. 627 00:31:29,055 --> 00:31:30,556 WHAT A COUNTRY. 628 00:31:30,556 --> 00:31:32,557 WHERE ELSE CAN A KID FROM THE BARRIO 629 00:31:32,557 --> 00:31:34,692 AND A SON OF ARMENIAN IMMIGRANTS 630 00:31:34,692 --> 00:31:37,563 COME TOGETHER TO MAKE SOMETHING LIKE THIS HAPPEN? 631 00:31:37,563 --> 00:31:40,566 ME, A GUY, WHO FIVE YEARS AGO, OWNED A FEW PARKING LOTS 632 00:31:40,566 --> 00:31:43,269 AND A COUPLE OF RESTAURANTS AND NIGHTCLUBS? 633 00:31:43,269 --> 00:31:45,737 AND A KID WHO NEVER GRADUATED HIGH SCHOOL. 634 00:31:45,737 --> 00:31:49,607 BUT WE HAD A DREAM, AND TODAY THAT DREAM IS A REALITY. 635 00:31:49,607 --> 00:31:51,943 GOD BLESS AMERICA. 636 00:31:51,943 --> 00:31:54,180 ANYTHING ON MITCHELL'S NOTES? 637 00:31:54,180 --> 00:31:55,646 NOT A THING. (click) 638 00:31:55,646 --> 00:31:58,349 MANNY FLACCO IS CHALLENGING FOR THE MIDDLEWEIGHT CROWN. 639 00:31:58,349 --> 00:32:00,551 LEN ARTASH JUST ANNOUNCED IT. 640 00:32:00,551 --> 00:32:01,853 WHAT ARE YOU DOING? 641 00:32:01,853 --> 00:32:05,290 GOING TO TALK TO LEN ARTASH. YOU COMING? 642 00:32:05,290 --> 00:32:06,592 (grunting) 643 00:32:06,592 --> 00:32:08,626 PULL GUARD! 644 00:32:08,626 --> 00:32:11,430 REVERSE, REVERSE, REVERSE. 645 00:32:11,430 --> 00:32:13,832 WATCH THE GUILLOTINE! ARTASH, GOT SOME QUESTIONS FOR YOU. 646 00:32:13,832 --> 00:32:17,435 YOU WERE BORN IN AMERICA, YES? THAT'S RIGHT. 647 00:32:17,435 --> 00:32:20,338 AND YOUR PARENTS ARE ARMENIAN. YES. WHY? 648 00:32:20,338 --> 00:32:22,307 WHAT WAS YOUR FATHER'S NAME? ARIK ARTASHIAN. 649 00:32:22,307 --> 00:32:25,044 WHAT'S YOUR FATHER'S NAME? FLOYD. 650 00:32:25,044 --> 00:32:26,412 UH-HUH. AND YOUR MOTHER? 651 00:32:26,412 --> 00:32:29,548 NANCY. WHAT IS THIS ABOUT? 652 00:32:29,548 --> 00:32:32,284 NANCY--DOESN'T SOUND LIKE AN ARMENIAN NAME. 653 00:32:32,284 --> 00:32:34,619 NO, IT'S NOT. IT'S WHAT SHE CALLED HERSELF 654 00:32:34,619 --> 00:32:37,388 WHEN SHE GOT HERE TO AMERICA. WHAT WAS SHE CHRISTENED? 655 00:32:37,388 --> 00:32:38,624 NARGIZ. 656 00:32:38,624 --> 00:32:39,758 AND DO YOU HAVE-- 657 00:32:39,758 --> 00:32:43,494 NARGIZ. I BET THAT MEANS SOMETHING BEAUTIFUL. 658 00:32:43,494 --> 00:32:44,796 IT'S A FLOWER. 659 00:32:44,796 --> 00:32:47,766 EITHER OF YOU RECOGNIZE THIS? 660 00:32:47,766 --> 00:32:49,335 NO. WHAT IS IT? 661 00:32:49,335 --> 00:32:51,336 IT'S CHARLOTTE MITCHELL'S NOTEBOOK. 662 00:32:51,336 --> 00:32:53,872 YOU KNOW WHAT THAT SAYS? 663 00:32:53,872 --> 00:32:56,075 WHAT ABOUT YOU? 664 00:32:56,075 --> 00:32:57,843 NO. WHAT DO YOU THINK IT IS? 665 00:32:57,843 --> 00:33:02,413 I DON'T KNOW. SOME KIND OF CODED SHORTHAND, MOST LIKELY. 666 00:33:02,413 --> 00:33:05,817 DOESN'T MATTER. UH, I'LL BET HER FATHER KNOWS WHAT IT SAYS. 667 00:33:05,817 --> 00:33:08,519 DOCTORS SAID THAT THOMAS MITCHELL HAS TAKEN A TURN 668 00:33:08,519 --> 00:33:10,455 FOR THE BETTER. UH, EXPECTED TO REGAIN CONSCIOUSNESS 669 00:33:10,455 --> 00:33:13,058 IN 12 TO 24 HOURS, RIGHT? RIGHT. 670 00:33:13,058 --> 00:33:16,261 RIGHT, SO THERE WE HAVE IT. THOMAS MITCHELL WILL TELL US 671 00:33:16,261 --> 00:33:19,265 WHAT THIS SAYS, AND THEN I'LL BET WE WILL FIND OUT 672 00:33:19,265 --> 00:33:21,567 WHAT CHARLOTTE LEARNED THAT GOT HER KILLED. 673 00:33:21,567 --> 00:33:23,568 I WENT THROUGH THAT ENTIRE NOTEBOOK. 674 00:33:23,568 --> 00:33:25,570 THERE WASN'T ANY SHORTHAND IN IT. 675 00:33:25,570 --> 00:33:29,240 REALLY? HOW WEIRD. WONDER WHERE IT CAME FROM. 676 00:33:39,218 --> 00:33:42,221 (clears throat) YOU SERVED IN THE MILITARY, 677 00:33:42,221 --> 00:33:44,690 DIDN'T YOU, AGENT CHO? 678 00:33:46,424 --> 00:33:48,094 YES. 679 00:33:48,094 --> 00:33:50,596 RANGERS, WAS IT? 680 00:33:50,596 --> 00:33:52,064 SPECIAL FORCES. 681 00:33:52,064 --> 00:33:53,298 AH. HMM. 682 00:33:53,298 --> 00:33:58,369 SO... YOU UNDERSTAND THE CONCEPT OF HONOR. 683 00:34:02,574 --> 00:34:06,112 THAT'S AN AFFIDAVIT THAT WAYNE RIGSBY SIGNED 684 00:34:06,112 --> 00:34:09,081 SAYING THAT YOU AND HE SPENT AN AFTERNOON 685 00:34:09,081 --> 00:34:11,317 WITH HIS CRIMINAL FATHER. 686 00:34:11,317 --> 00:34:15,286 YOU REMEMBER THAT DAY, AGENT CHO? 687 00:34:19,958 --> 00:34:23,262 AGENT RIGSBY INITIALLY CLAIMED 688 00:34:23,262 --> 00:34:26,030 TO HAVE NO CONTACT WITH HIS FATHER 689 00:34:26,030 --> 00:34:31,336 THEN BECAME EVASIVE WHEN CONFRONTED WITH HIS FALSEHOOD. 690 00:34:35,106 --> 00:34:39,577 LOOKING INTO IT, I... DISCOVERED THAT... 691 00:34:39,577 --> 00:34:43,981 WAYNE PROVIDED AN ALIBI THAT KEPT HIS FATHER OUT OF JAIL... 692 00:34:43,981 --> 00:34:47,585 AND YOU WERE PART OF THAT ALIBI. 693 00:34:50,489 --> 00:34:53,391 SO... 694 00:34:53,391 --> 00:34:58,063 I JUST NEED YOU TO CONFIRM... 695 00:34:58,063 --> 00:35:00,030 (papers rustle) 696 00:35:00,030 --> 00:35:02,400 ON YOUR HONOR... 697 00:35:02,400 --> 00:35:05,237 THAT YOU WERE INDEED THERE THAT DAY. 698 00:35:08,273 --> 00:35:09,740 YES, I WAS. 699 00:35:09,740 --> 00:35:12,744 I WAS THERE WITH AGENT RIGSBY AND HIS FATHER. 700 00:35:12,744 --> 00:35:15,981 OKAY. 701 00:35:15,981 --> 00:35:17,382 GOOD. 702 00:35:21,786 --> 00:35:23,222 (pen clicks) 703 00:35:25,224 --> 00:35:28,293 WHAT DID YOU DO THAT AFTERNOON... 704 00:35:28,293 --> 00:35:30,262 THE THREE OF YOU? 705 00:35:30,262 --> 00:35:33,164 GIVE ME SOME DETAILS. 706 00:35:33,164 --> 00:35:34,333 (folder sliding) 707 00:35:34,333 --> 00:35:36,467 I DON'T RECALL. 708 00:35:41,773 --> 00:35:43,942 NOTHING AT ALL? 709 00:35:43,942 --> 00:35:45,244 STRANGE. 710 00:35:45,244 --> 00:35:47,846 I WAS THERE. 711 00:35:47,846 --> 00:35:49,414 I'LL SWEAR TO IT. 712 00:35:49,414 --> 00:35:52,617 YOU NEED ME TO SIGN SOMETHING TO MAKE IT OFFICIAL? 713 00:35:52,617 --> 00:35:56,288 NO. 714 00:35:56,288 --> 00:35:57,822 THAT WON'T BE NECESSARY. 715 00:36:05,731 --> 00:36:10,101 THAT'LL BE ALL. THANK YOU, AGENT. 716 00:36:10,101 --> 00:36:11,536 (pen clicks) 717 00:36:13,204 --> 00:36:16,541 (indistinct conversations, telephone ringing in distance) 718 00:36:19,411 --> 00:36:21,413 I TOLD HIM I WAS WITH YOU. 719 00:36:21,413 --> 00:36:24,449 ALL RIGHT, LET'S GO. WE'VE GOTTA GET TO THE HOSPITAL. 720 00:36:24,449 --> 00:36:27,286 JANE AND VAN PELT ARE ALREADY THERE. YOU GUYS OKAY? 721 00:36:27,286 --> 00:36:30,789 LET'S GO. I'LL EXPLAIN ON THE WAY. 722 00:36:33,224 --> 00:36:34,659 (monitor beeping steadily) 723 00:36:34,659 --> 00:36:39,465 (lowered voice) ALL CLEAR IN MITCHELL'S ROOM. 724 00:36:41,766 --> 00:36:43,235 HALLWAY'S CLEAR. 725 00:36:43,235 --> 00:36:45,135 (lowered voice) ALL CLEAR HERE. 726 00:36:45,135 --> 00:36:46,637 (telephone ringing in distance) 727 00:36:46,637 --> 00:36:49,275 WAIT A MINUTE. 728 00:36:49,275 --> 00:36:50,976 (woman over P.A.) PAGING DR. BENDER. 729 00:36:50,976 --> 00:36:53,378 I THINK I SAW REYES. HE'S HEADED YOUR WAY. 730 00:36:53,378 --> 00:36:55,681 PAGING DR. BENDER, PLEASE. 731 00:36:55,681 --> 00:36:57,382 (indistinct conversations) 732 00:37:02,420 --> 00:37:05,257 I SEE HIM, CHO. CUT HIM OFF. 733 00:37:10,661 --> 00:37:11,329 MR. REYES. 734 00:37:11,329 --> 00:37:13,764 WHAT ARE YOU DOING HERE? 735 00:37:13,764 --> 00:37:17,603 UM, I WAS JUST COMING TO PAY MY RESPECTS. NO, YOU CAN'T BE HERE. WE HAVE TO LEAVE NOW. 736 00:37:17,603 --> 00:37:20,105 WAIT. I DIDN'T MEAN ANYTHING. WHAT ARE YOU DOING? 737 00:37:20,105 --> 00:37:22,608 DON'T ARGUE, MR. REYES. RIGHT THIS WAY. COME ON. 738 00:37:22,608 --> 00:37:26,244 (woman speaking indistinctly over P.A.) 739 00:37:26,244 --> 00:37:27,878 (plastic squeaks) 740 00:37:34,251 --> 00:37:36,153 (door closes) 741 00:37:36,153 --> 00:37:39,490 (monitor beeping steadily, ventilator whooshing) 742 00:37:53,572 --> 00:37:55,474 (curtain rings rattle) 743 00:37:58,208 --> 00:38:01,913 (curtain rings rattle) MR. LIMA, PUT YOUR HANDS ON YOUR HEAD WHERE I CAN SEE 'EM. 744 00:38:01,913 --> 00:38:04,148 MR. MITCHELL LEFT THE I.C.U. YESTERDAY, 745 00:38:04,148 --> 00:38:07,251 BUT I'LL BE GLAD TO PASS ON YOUR BEST WISHES. 746 00:38:07,251 --> 00:38:08,719 WHATEVER. YOU GOT NOTHING. 747 00:38:08,719 --> 00:38:11,356 THAT NOTEBOOK SHORTHAND CRAP WON'T FLY IN COURT. 748 00:38:11,356 --> 00:38:13,358 TRUE ENOUGH. I HAPPENED TO WRITE 749 00:38:13,358 --> 00:38:16,695 THAT NOTEBOOK SHORTHAND CRAP MYSELF. 750 00:38:16,695 --> 00:38:19,764 CHARLOTTE MITCHELL WAS MURDERED BECAUSE SHE DISCOVERED A SECRET. 751 00:38:19,764 --> 00:38:21,733 I SIMPLY HAD TO CONVINCE THE KILLER 752 00:38:21,733 --> 00:38:24,570 THAT THE SECRET DIDN'T DIE WITH HER. ET VOILà. 753 00:38:24,570 --> 00:38:27,038 AND THIS SHOULD FLY NICELY IN COURT. 754 00:38:27,038 --> 00:38:30,007 YOU GOT IT ALL WRONG-- SAVE IT. THIS IS THE GUN THAT WAS USED 755 00:38:30,007 --> 00:38:31,309 TO SHOOT CHARLOTTE MITCHELL, 756 00:38:31,309 --> 00:38:33,945 AND YOU'RE THE ONE WHO KILLED HER. 757 00:38:35,646 --> 00:38:39,016 MM-HMM-HMM. (handcuffs clicking) 758 00:38:39,016 --> 00:38:41,853 YOU CAN HAVE THESE BACK NOW, MR. MITCHELL. 759 00:38:41,853 --> 00:38:43,153 I, UH... 760 00:38:43,153 --> 00:38:45,724 I'M SORRY, BUT I-I SCRIBBLED IN ONE OF THOSE. 761 00:38:45,724 --> 00:38:48,927 THAT'S, UH, HOW WE CAUGHT THE MAN THAT SHOT YOUR DAUGHTER. 762 00:38:48,927 --> 00:38:50,728 I HOPE YOU DON'T MIND. 763 00:38:50,728 --> 00:38:53,532 NO, NO. THAT'S, UH... 764 00:38:53,532 --> 00:38:57,802 SO... UM, IT'S OVER? 765 00:38:57,802 --> 00:38:59,971 Y-YOU'VE SOLVED THE CASE? 766 00:38:59,971 --> 00:39:02,708 YES. NOW WE'RE JUST TYING UP SOME LOOSE ENDS. 767 00:39:02,708 --> 00:39:06,277 (monitor beeping steadily) 768 00:39:06,277 --> 00:39:12,349 NEVER--NEVER WOULD'VE FIGURED SUGE LIMA AS A MURDERER. 769 00:39:12,349 --> 00:39:14,552 YEAH, THAT'S TERRIBLE. 770 00:39:14,552 --> 00:39:16,454 SHOCKING. YES, IT IS. 771 00:39:16,454 --> 00:39:18,489 WHAT FOR? 772 00:39:19,990 --> 00:39:23,461 SO, UH... IS THERE ANYTHING I CAN DO TO HELP? 773 00:39:23,461 --> 00:39:25,295 THERE IS, ACTUALLY. 774 00:39:25,295 --> 00:39:29,266 YOUR--YOUR MOTHER'S NAME-- THE, UH, THE FLOWER? YES. NARGIZ. 775 00:39:29,266 --> 00:39:30,568 NARGIZ, WHICH MEANS... 776 00:39:30,568 --> 00:39:33,539 NARCISSUS-- SAME NAME AS YOUR CLUB, 777 00:39:33,539 --> 00:39:35,440 NAMED IT AFTER YOUR MOM. 778 00:39:35,440 --> 00:39:36,907 YEAH. 779 00:39:36,907 --> 00:39:38,108 CLUB NARCISSUS, 780 00:39:38,108 --> 00:39:41,413 WHERE FRANK LOPEZ LOST JOE REYES' GUN. 781 00:39:41,413 --> 00:39:43,313 YEAH, THE ONE HE GOT FROM DAWN MAY. 782 00:39:43,313 --> 00:39:44,949 THAT ONE. 783 00:39:44,949 --> 00:39:46,284 WHO? WHAT? 784 00:39:46,284 --> 00:39:49,253 YOU DON'T KNOW THE GUYS, BUT WE KNOW HOW YOU GOT THE GUN 785 00:39:49,253 --> 00:39:52,056 THAT LIMA USED TO KILL CHARLOTTE MITCHELL, 786 00:39:52,056 --> 00:39:55,226 AND YOU'RE UNDER ARREST. STAND UP. THE ONLY THING WE DON'T KNOW IS WHY YOU HAD TO KILL HER. 787 00:39:55,226 --> 00:39:58,429 AND THAT'S WHAT WE'RE GONNA FIND OUT. (handcuffs clicking) 788 00:40:00,766 --> 00:40:03,268 MR. FLACCO, DO YOU REMEMBER AROUND A YEAR AGO, 789 00:40:03,268 --> 00:40:05,269 GIVING BLOOD TO BE TESTED? 790 00:40:05,269 --> 00:40:06,771 SURE. RESULTS CAME BACK, 791 00:40:06,771 --> 00:40:09,608 SAID I WAS AS HEALTHY AS A HORSE. SUGE TOLD ME. 792 00:40:09,608 --> 00:40:13,110 SUGE LIED. 793 00:40:13,110 --> 00:40:15,112 HE AND ARTASH SUBMITTED THE SAMPLES 794 00:40:15,112 --> 00:40:17,815 UNDER SUGE'S NAME INSTEAD OF YOURS JUST IN CASE. 795 00:40:17,815 --> 00:40:20,885 MARKERS SHOWED A HIGH LEVEL OF PROTEIN 796 00:40:20,885 --> 00:40:24,389 THAT INDICATES CRANIAL BLEEDING AND SPINAL LEAKAGE. 797 00:40:24,389 --> 00:40:26,492 OH, MY GOD. 798 00:40:27,925 --> 00:40:31,463 CHARLOTTE MITCHELL FIGURED OUT THE SWITCH. 799 00:40:33,398 --> 00:40:36,101 I KNOW THAT BLOOD SAMPLE WAS MANNY'S, NOT LIMA'S. 800 00:40:36,101 --> 00:40:38,003 IF MANNY GETS IN THAT CAGE, HE COULD DIE. 801 00:40:38,003 --> 00:40:40,371 WHAT THE HELL ARE YOU TALKING ABOUT, LADY? 802 00:40:40,371 --> 00:40:45,175 AND HOW'D YOU GET YOUR HANDS ON THOSE TESTS? STOP THE FIGHT, LEN, OR ELSE. 803 00:40:45,175 --> 00:40:49,947 ALL RIGHT, ALL RIGHT. I'LL STOP THE FIGHT. CALM DOWN. 804 00:40:49,947 --> 00:40:51,215 (beep) 805 00:40:53,284 --> 00:40:55,452 WE GOT A PROBLEM. 806 00:40:59,123 --> 00:41:01,425 THOSE SONS OF BITCHES. 807 00:41:01,425 --> 00:41:03,128 THEY RISKED MANNY'S LIFE. 808 00:41:03,128 --> 00:41:07,065 NO M.M.A. AUTHORITY WOULD LET HIM IN THE CAGE 809 00:41:07,065 --> 00:41:08,500 IF WORD GOT OUT. 810 00:41:12,237 --> 00:41:14,438 IT'S ONE DOCTOR'S OPINION. HE LOOKS FINE TO ME. 811 00:41:14,438 --> 00:41:17,342 DO YOU REALLY THINK YOU'LL GET AWAY WITH THIS? 812 00:41:17,342 --> 00:41:19,344 I WILL TELL EVERYONE. 813 00:41:19,344 --> 00:41:21,211 LET GO OF ME. 814 00:41:21,211 --> 00:41:23,114 LET GO OF ME. 815 00:41:24,382 --> 00:41:26,351 (gunshot) 816 00:41:26,351 --> 00:41:28,353 (gunshot) 817 00:41:28,353 --> 00:41:30,221 (crowd cheering in distance) 818 00:41:30,221 --> 00:41:33,157 (gasping) 819 00:41:42,333 --> 00:41:45,103 IT'S GONNA BE FINE, BABY. 820 00:41:45,103 --> 00:41:47,304 WE'RE GONNA MAKE IT THROUGH THIS. 821 00:41:47,304 --> 00:41:49,407 (elevator bell dings) 822 00:41:49,407 --> 00:41:52,610 YOU GOTTA FEEL FOR THE GUY. HE LOST HIS LIVELIHOOD. 823 00:41:52,610 --> 00:41:55,380 MEH. LOST A LIFE OF GETTING HIT IN THE HEAD, 824 00:41:55,380 --> 00:41:58,583 BUT HE GOT HIS MARRIAGE BACK. SEEMS LIKE A FAIR TRADE TO ME. 825 00:41:58,583 --> 00:42:00,284 AREN'T YOU THE ROMANTIC. 826 00:42:00,284 --> 00:42:02,086 MAKES THE WORLD GO ROUND. 827 00:42:02,086 --> 00:42:05,757 (indistinct conversations, telephone ringing in distance) 828 00:42:07,425 --> 00:42:08,827 HEY. CHO. 829 00:42:10,295 --> 00:42:12,197 THANK YOU. 830 00:42:26,644 --> 00:42:29,715 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.