1
00:00:07,268 --> 00:00:08,399
PREVIOUSLY ON
"CRIMINAL MINDS"...

2
00:00:08,443 --> 00:00:09,748
EVERYTHING OK?IT'’S ABOUT MY MOTHER.

3
00:00:09,792 --> 00:00:12,577
SHE'’S IN A FULL-TIME
CARE FACILITY NOW,

4
00:00:12,621 --> 00:00:14,101
AND SHE'’S REALLY
BEEN STRUGGLING.

5
00:00:14,144 --> 00:00:16,146
I WANT YOU TO SAY SOMETHING
YOU'’RE AFRAID TO SAY.

6
00:00:16,190 --> 00:00:17,495
OK.

7
00:00:17,539 --> 00:00:20,150
I'’VE ALWAYS LOVED YOU.

8
00:00:20,194 --> 00:00:22,065
PRENTISS: OUR UNSUB
IS EVERETT LYNCH.

9
00:00:22,109 --> 00:00:23,545
HE'’S A CON MAN
AND A MURDERER

10
00:00:23,588 --> 00:00:26,330
WHO SLICES OFF THE FACES
OF THE WOMEN HE SEDUCES.

11
00:00:26,374 --> 00:00:27,331
REID: ROBERTA LYNCH.

12
00:00:27,375 --> 00:00:28,593
HAVING A CON WOMAN
FOR A MOTHER

13
00:00:28,637 --> 00:00:29,942
WOULD HAVE INSTILLED
THE NARCISSISM

14
00:00:29,986 --> 00:00:31,292
AND MISOGYNY
THAT WE PROFILED.

15
00:00:31,335 --> 00:00:33,076
ROSSI: WE ARRESTED
HIS DAUGHTER GRACE,

16
00:00:33,120 --> 00:00:36,427
BUT HE GOT AWAY AND BROKE
GRACE OUT OF JAIL.

17
00:00:36,471 --> 00:00:38,690
FBI, STOP!

18
00:00:38,734 --> 00:00:39,996
ALL RIGHT,
KICK IT OVER.

19
00:00:40,040 --> 00:00:41,258
EVERETT: TAKE IT EASY.

20
00:00:41,302 --> 00:00:42,651
G-LADY, THERE'’S
NO REASON TO GUN DOWN

21
00:00:42,694 --> 00:00:44,566
A DADDY IN FRONT OF
HIS LITTLE GIRL.

22
00:00:46,002 --> 00:00:48,091
[GRUNTING]

23
00:00:48,135 --> 00:00:49,440
[COUGHS]

24
00:00:49,484 --> 00:00:51,312
[GASPING]

25
00:00:51,355 --> 00:00:53,836
[GASPING]

26
00:01:04,542 --> 00:01:06,109
[ENGINE STARTS]

27
00:01:06,153 --> 00:01:09,069
[TIRES SQUEAL]

28
00:01:14,900 --> 00:01:16,554
[COUGHS]

29
00:01:17,990 --> 00:01:19,557
I'’VE GOT EYES ON HIM!

30
00:01:19,601 --> 00:01:21,603
[GUNSHOTS]

31
00:01:24,606 --> 00:01:27,087
EMILY, THEY'’RE HEADING
NORTH ON FOURTH STREET.

32
00:01:27,130 --> 00:01:30,394
VIRGINIA PLATES,
KVC-0253.

33
00:01:30,438 --> 00:01:34,094
I--OK. OK,
I'’VE GOT IT.

34
00:01:41,753 --> 00:01:43,190
GET OUT! HEY, GET OUT.

35
00:01:43,233 --> 00:01:44,582
WAIT, THE CAR
STOPPED MOVING.

36
00:01:44,626 --> 00:01:46,758
NOW! MOVE.

37
00:01:46,802 --> 00:01:48,804
[GRUNTS]

38
00:01:51,589 --> 00:01:53,243
WHY ISN'’T DC METRO
ON SCENE?

39
00:01:53,287 --> 00:01:54,897
GARCIA JUST DIVERTED THEM.

40
00:01:54,940 --> 00:01:56,812
THEY WERE WITH US
OVER ON THE OTHER SIDE
OF THE TRADE PLAZA.

41
00:01:56,855 --> 00:01:58,596
IF THE CAR'’S NOT
MOVING, THAT MEANS
THEY DITCHED IT.

42
00:01:58,640 --> 00:02:00,032
DC METRO JUST LANDED.

43
00:02:00,076 --> 00:02:03,123
THERE'’S BEEN A CARJACKING
AT THAT LOCATION.

44
00:02:03,166 --> 00:02:04,820
DAMMIT.

45
00:02:04,863 --> 00:02:06,996
[PANTING]

46
00:02:07,039 --> 00:02:09,868
JJ, WHAT'’S YOUR LOCATION?

47
00:02:09,912 --> 00:02:11,435
JJ, DO YOU COPY?

48
00:02:11,479 --> 00:02:13,089
JJ?

49
00:02:17,137 --> 00:02:19,313
[GASPING]

50
00:02:21,402 --> 00:02:24,448
[MUFFLED] IT'’S OK.
IT'’S OK. I GOT YOU.

51
00:02:26,276 --> 00:02:27,756
YOU'’RE GONNA BE OK.
JUST STAY WITH ME, OK?

52
00:02:27,799 --> 00:02:29,453
STAY WITH ME
AND KEEP BREATHING.

53
00:02:29,497 --> 00:02:30,802
JJ'’s DOWN.
SHE'’S BEEN HIT.

54
00:02:30,846 --> 00:02:32,152
WE NEED AN AMBULANCE NOW.

55
00:02:32,195 --> 00:02:33,936
[SIREN]

56
00:02:33,979 --> 00:02:36,156
CRASH CART'’S IN 5.
I'’LL MOVE IT OVER.

57
00:02:37,635 --> 00:02:38,680
PARAMEDIC: SPIKE
A ONE-LITER BAG.

58
00:02:38,723 --> 00:02:39,985
PARAMEDIC 2:
AIRWAY'’S UNSTABLE.

59
00:02:40,029 --> 00:02:42,553
CHECK FOR ARTERIAL BLEEDS.

60
00:02:42,597 --> 00:02:43,989
GUNSHOT WOUND TO
THE UPPER TORSO.

61
00:02:44,033 --> 00:02:45,687
BULLET ENTERED
UNDER LEFT ARM.

62
00:02:45,730 --> 00:02:48,864
NO EXIT WOUND.
PULSE IS THREADY,
BREATHING SHALLOW.

63
00:02:52,259 --> 00:02:54,217
[MONITORS BEEPING]

64
00:02:54,261 --> 00:02:56,654
MAN: NEED HER FOR TRANSFER.

65
00:02:58,352 --> 00:02:59,483
WOMAN: STATS ARE DROPPING.

66
00:02:59,527 --> 00:03:02,443
WOMAN 2: HIGH FLOW O2.
15 LITERS.

67
00:03:02,486 --> 00:03:04,053
[RAPID BEEPING]SHE'’S CRASHING.

68
00:03:04,096 --> 00:03:05,097
[FLATLINE]

69
00:03:05,141 --> 00:03:06,838
[MACHINE POWERS UP]

70
00:03:06,882 --> 00:03:09,928
CLEAR.

71
00:03:09,972 --> 00:03:11,974
[MONITOR BEEPING]

72
00:03:12,017 --> 00:03:13,889
I GOT A HEARTBEAT.

73
00:03:13,932 --> 00:03:16,196
ARE YOU HER HUSBAND?

74
00:03:16,239 --> 00:03:18,241
NO, HE'’S NOT HERE.

75
00:03:18,285 --> 00:03:20,243
HE BETTER GET HERE QUICK.

76
00:03:50,665 --> 00:03:54,495
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

77
00:03:58,542 --> 00:04:00,240
ROSSI: "NOTHING HAPPENS
UNTIL SOMETHING MOVES."

78
00:04:00,283 --> 00:04:05,027
ALBERT EINSTEIN.

79
00:04:05,070 --> 00:04:07,159
DAVE, I OWE YOU
AN APOLOGY.

80
00:04:07,203 --> 00:04:08,596
YOU WERE RIGHT.

81
00:04:08,639 --> 00:04:09,814
NOT ABOUT EVERYTHING.

82
00:04:09,858 --> 00:04:11,207
LYNCH WASN'’T OUR UNSUB.

83
00:04:11,251 --> 00:04:13,688
HE WAS THE MASTERMIND.
HE PUSHED HURST OVER THE EDGE.

84
00:04:13,731 --> 00:04:15,907
IT WAS JUST
A SMOKESCREEN

85
00:04:15,951 --> 00:04:17,996
TO THROW US OFF
HIS TRAIL.

86
00:04:18,040 --> 00:04:19,694
THAT SON OF A BITCH
PLAYED ME LIKE A FIDDLE.

87
00:04:19,737 --> 00:04:21,173
I SHOULD HAVE TRUSTED
YOUR INSTINCTS.

88
00:04:21,217 --> 00:04:23,175
HEY, I'’VE BEEN
IN YOUR SHOES.

89
00:04:23,219 --> 00:04:24,699
I WOULDN'’T HAVE
BELIEVED ME, EITHER.

90
00:04:24,742 --> 00:04:26,309
BUT IF I HAD, MAYBE--

91
00:04:26,353 --> 00:04:27,702
NO.

92
00:04:27,745 --> 00:04:29,834
THERE'’S ONLY ONE PERSON
TO BLAME FOR THIS--

93
00:04:29,878 --> 00:04:31,358
EVERETT LYNCH.

94
00:04:31,401 --> 00:04:33,360
HE'’S THE ONE
WHO SHOT JJ,

95
00:04:33,403 --> 00:04:36,580
AND HE'’S THE ONE THAT
WE'’LL MOVE HEAVEN AND EARTH

96
00:04:36,624 --> 00:04:38,930
TO BRING TO JUSTICE.

97
00:04:41,411 --> 00:04:44,501
JJ'’s GOT TO BE
OK, RIGHT?

98
00:04:44,545 --> 00:04:46,982
BUT WHAT IF
SHE'’S NOT OK?
WHAT IF SHE'’S--

99
00:04:47,025 --> 00:04:48,853
JJ'’s STRONG, AND SHE'S
IN GOOD HANDS.

100
00:04:48,897 --> 00:04:50,202
PRENTISS: SPENCE IS
STAYING AT THE HOSPITAL.

101
00:04:50,246 --> 00:04:51,508
HE'’S GONNA KEEP US UPDATED.

102
00:04:51,552 --> 00:04:53,597
IN THE MEANTIME, THE BEST
THING WE CAN DO FOR JJ

103
00:04:53,641 --> 00:04:56,383
IS FIND EVERETT AND GRACE
BEFORE THEY GO DEEP UNDERGROUND.

104
00:04:56,426 --> 00:04:59,734
OK, THIS IS SECURITY
FOOTAGE FROM
EARLIER TODAY.

105
00:04:59,777 --> 00:05:02,911
THAT IS LYNCH POSING
AS GRACE'’S ATTORNEY
ARTHUR TERRELL.

106
00:05:02,954 --> 00:05:04,913
WAIT, LOOK AT GRACE.
SHE HESITATES.

107
00:05:04,956 --> 00:05:06,393
SHE DOESN'’T WANT TO
TAKE THE WEAPON.

108
00:05:06,436 --> 00:05:08,133
BUT SHE TOOK IT.

109
00:05:08,177 --> 00:05:10,135
AND SHE DIDN'’T
HESITATE TO SLICE
ME WITH THAT KNIFE

110
00:05:10,179 --> 00:05:11,267
BACK IN LITTLE ROCK.

111
00:05:11,311 --> 00:05:12,877
TRUE. SHE'’S NO STRANGER
TO VIOLENCE.

112
00:05:12,921 --> 00:05:14,749
IT COULD BE EVERETT
BRINGING IT OUT OF HER.

113
00:05:14,792 --> 00:05:16,881
I MEAN, SHE MAY FEEL
THE NEED TO PROVE
HERSELF TO HIM.

114
00:05:16,925 --> 00:05:19,710
WELL, HE'’S PROBABLY GONNA
WANT GRACE TO CHANGE
HER APPEARANCE.

115
00:05:19,754 --> 00:05:21,016
WELL, THEY'’LL BOTH
NEED TO DO THAT.

116
00:05:21,059 --> 00:05:22,409
LEWIS:
EVERETT IS A PLANNER.

117
00:05:22,452 --> 00:05:24,454
HE SET THIS ESCAPE
IN MOTION MONTHS AGO

118
00:05:24,498 --> 00:05:26,108
WHEN GRACE
WAS ARRESTED.

119
00:05:26,151 --> 00:05:28,110
AND NOW WE'’VE
DISRUPTED HIS PLAN,

120
00:05:28,153 --> 00:05:31,374
SO THE QUESTIONS ARE,
HOW MUCH AND WHAT WILL
HE DO NOW?

121
00:05:31,418 --> 00:05:33,376
I CAN ANSWER PART
OF THAT QUESTION.

122
00:05:33,420 --> 00:05:36,379
THE CAR THAT EVERETT AND
GRACE JACKED DOWNTOWN

123
00:05:36,423 --> 00:05:38,555
WAS ABANDONED IN AN ALLEY
A FEW MILES AWAY.

124
00:05:38,599 --> 00:05:40,383
THERE AREN'’T ANY REPORTS
OF OTHER JACKINGS

125
00:05:40,427 --> 00:05:41,906
IN THAT AREA SINCE.

126
00:05:41,950 --> 00:05:43,125
THEY NEED A CAR.

127
00:05:43,168 --> 00:05:44,518
THEY MUST HAVE STOLEN
SOMETHING ELSE.

128
00:05:44,561 --> 00:05:46,258
STEALING AN
UNOCCUPIED VEHICLE

129
00:05:46,302 --> 00:05:47,738
COULD GO UNNOTICED
FOR A WHILE.

130
00:05:47,782 --> 00:05:49,218
THAT WOULD GIVE THEM
A HEAD START.

131
00:05:49,261 --> 00:05:51,263
I'’M BETTING LYNCH PLANNED
FOR A SAFE HOUSE.

132
00:05:51,307 --> 00:05:52,787
AGREED.

133
00:05:52,830 --> 00:05:55,267
MATT, LUKE, LOOK
INTO STOLEN VEHICLES
IN THAT AREA.

134
00:05:55,311 --> 00:05:57,052
THE REST OF US WILL
WORK UP A GEO PROFILE

135
00:05:57,095 --> 00:05:58,793
BASED ON THEIR LAST
KNOWN LOCATIONS.

136
00:05:58,836 --> 00:06:01,622
IT'’S FROM SPENCE.
JJ'’s IN SURGERY.

137
00:06:01,665 --> 00:06:03,275
WILL'’S ON HIS WAY
TO THE HOSPITAL.

138
00:06:03,319 --> 00:06:06,017
WILL.

139
00:06:06,061 --> 00:06:07,584
HOW DID THIS HAPPEN?

140
00:06:07,628 --> 00:06:09,107
WHY WASN'’T SHE
WEARING A VEST?

141
00:06:09,151 --> 00:06:10,587
SHE WAS. THE BULLET
MISSED THE KEVLAR

142
00:06:10,631 --> 00:06:13,329
AND ENTERED JUST
UNDER HER ARM.

143
00:06:13,373 --> 00:06:14,809
DOCTOR TOLD ME
HER HEART STOPPED.

144
00:06:14,852 --> 00:06:16,463
IT DID, BUT THEY
BROUGHT HER BACK.

145
00:06:16,506 --> 00:06:18,116
I NEED TO SEE HER.

146
00:06:18,160 --> 00:06:20,162
SHE'’S ALREADY IN SURGERY.

147
00:06:21,859 --> 00:06:23,383
IT'’S GONNA BE A WHILE.

148
00:06:23,426 --> 00:06:25,472
WOMAN ON P.A.: CHARGE NURSE
TO NICU.

149
00:06:25,515 --> 00:06:27,474
CHARGE NURSE TO NICU.

150
00:06:27,517 --> 00:06:29,127
IT ALL RIGHT IF
I WAIT WITH YOU?

151
00:06:29,171 --> 00:06:30,607
YEAH, OF COURSE.

152
00:06:30,651 --> 00:06:32,435
SHE'’S GONNA WANT TO
SEE YOU, TOO, WHEN SHE--

153
00:06:32,479 --> 00:06:33,871
WHEN SHE WAKES UP.

154
00:06:38,876 --> 00:06:40,617
WHAT ARE YOU DOING?
WE'’RE ALMOST AT
THE SAFE HOUSE.

155
00:06:40,661 --> 00:06:42,314
YOU DON'’T GET IT.

156
00:06:42,358 --> 00:06:43,533
WE CAN'’T GO THERE NOW.

157
00:06:43,577 --> 00:06:44,795
IT'’S ONLY A MATTER
OF TIME BEFORE THE FBI

158
00:06:44,839 --> 00:06:45,927
ARE ALL OVER IT.

159
00:06:45,970 --> 00:06:47,232
COME ON, LET'’S KEEP GOING.

160
00:06:47,276 --> 00:06:48,451
WE'’LL BE LONG GONE
BY THE TIME THEY FIND IT.

161
00:06:48,495 --> 00:06:49,974
IT'’S TOO RISKY.

162
00:06:50,018 --> 00:06:51,454
FINE. SO WHAT NOW?

163
00:06:51,498 --> 00:06:52,847
WE'’RE GONNA SPLIT UP.

164
00:06:56,154 --> 00:06:57,634
NO. NO WAY.

165
00:06:57,678 --> 00:06:59,070
DON'’T BE RIDICULOUS.

166
00:06:59,114 --> 00:07:00,768
STAYING TOGETHER
IS DANGEROUS.

167
00:07:00,811 --> 00:07:03,031
EVEN WITH DISGUISES,
THEY'’RE GONNA BE LOOKING

168
00:07:03,074 --> 00:07:05,207
FOR A DADDY AND DAUGHTER
TRAVELING TOGETHER.

169
00:07:05,250 --> 00:07:06,556
AFTER EVERYTHING I WENT
THROUGH TO FIND YOU

170
00:07:06,600 --> 00:07:08,340
AND RECONNECT,
YOU CANNOT DO THIS TO ME.

171
00:07:08,384 --> 00:07:10,125
DO WHAT TO YOU?

172
00:07:10,168 --> 00:07:12,693
I BUSTED YOU OUT OF JAIL.

173
00:07:12,736 --> 00:07:14,129
YOU'’RE FREE.

174
00:07:14,172 --> 00:07:16,958
SO...FLY AWAY,
LITTLE BIRDY.

175
00:07:17,001 --> 00:07:19,656
FLY, FLY, FLY.

176
00:07:19,700 --> 00:07:21,484
YOU THINK THAT'’S FUNNY?

177
00:07:21,528 --> 00:07:26,097
LOOK, YOU GO
TO MEXICO, OK?

178
00:07:26,141 --> 00:07:27,882
I'’LL COME MEET YOU
IN A COUPLE OF MONTHS.

179
00:07:27,925 --> 00:07:29,013
MONTHS?
YEAH.

180
00:07:29,057 --> 00:07:30,493
NO. I'’VE ALREADY
WAITED MONTHS FOR YOU,

181
00:07:30,537 --> 00:07:32,800
6 MONTHS, IN PRISON.
YOU THINK THAT WAS EASY?

182
00:07:32,843 --> 00:07:34,366
YOU KNOW WHAT--
YOU KNOW WHAT I HAD

183
00:07:34,410 --> 00:07:36,238
TO DO TO BUST YOU
OUT OF THAT PRISON?

184
00:07:36,281 --> 00:07:37,500
HUH?

185
00:07:37,544 --> 00:07:38,719
YOU THINK THAT WAS EASY?

186
00:07:38,762 --> 00:07:40,460
YOU OWE ME.
HA HA HA.

187
00:07:40,503 --> 00:07:41,635
HOW DO YOU FIGURE?

188
00:07:41,678 --> 00:07:43,027
THE ONLY REASON YOU GOT
AWAY IN LITTLE ROCK

189
00:07:43,071 --> 00:07:45,290
IS BECAUSE I LET MYSELF
GET ARRESTED.

190
00:07:45,334 --> 00:07:47,815
AND YOU OWE ME FOR ALL
THE YEARS YOU STAYED AWAY.

191
00:07:50,774 --> 00:07:52,689
THAT WASN'’T ME.

192
00:07:52,733 --> 00:07:54,082
THAT WAS ROBERTA.

193
00:07:55,692 --> 00:07:58,869
PLEASE, DADDY.
LET ME STAY.

194
00:07:58,913 --> 00:08:00,175
I CAN HELP.

195
00:08:01,568 --> 00:08:02,960
I HAVE A PLAN.

196
00:08:30,640 --> 00:08:32,076
YEAH, THIS IS IT.

197
00:08:32,120 --> 00:08:34,078
THEY JUST LEFT IT OUT HERE
IN THE MIDDLE OF NOWHERE.

198
00:08:34,122 --> 00:08:35,210
GIVE ME SOMETHING.

199
00:08:35,253 --> 00:08:36,559
ALVEZ: WE FOUND THE CAR.

200
00:08:36,603 --> 00:08:37,908
WHEREVER THEY WENT FROM HERE,
THEY WENT ON FOOT.

201
00:08:37,952 --> 00:08:39,780
SO NOW WE NEED TO LOOK
FOR THEIR SAFE HOUSE.

202
00:08:39,823 --> 00:08:42,565
MOST LIKELY A RENTAL
WITHIN A TWO-MILE RADIUS,

203
00:08:42,609 --> 00:08:45,176
PROBABLY RENTED WITHIN
THE LAST 6 WEEKS OR SO.

204
00:08:45,220 --> 00:08:46,656
AIRBNB TENTACLES
ARE MANY.

205
00:08:46,700 --> 00:08:47,918
I'’VE GOT OVER
A DOZEN LISTINGS.

206
00:08:47,962 --> 00:08:49,224
WE NEED TO NARROW
THAT DOWN.

207
00:08:49,267 --> 00:08:51,052
WHAT ABOUT LYNCH ALIASES?

208
00:08:51,095 --> 00:08:52,270
ALIASES.
I LOVE YOU.

209
00:08:52,314 --> 00:08:54,359
UH, I GOT SOMETHING.

210
00:08:54,403 --> 00:08:56,013
I'’VE GOT A HOUSE IN
BALTIMORE COUNTY

211
00:08:56,057 --> 00:08:58,450
RENTED A MONTH AGO UNDER
THE NAME ARTHUR TERRELL.

212
00:08:58,494 --> 00:09:00,452
HE WON'’T USE IT NOW THAT
WE'’RE ONTO HIM.

213
00:09:00,496 --> 00:09:03,543
BUT IT MIGHT TELL US
SOMETHING ABOUT WHAT
HIS NEXT MOVES ARE.

214
00:09:13,683 --> 00:09:15,032
CAN I HELP YOU,
YOUNG LADY?

215
00:09:15,076 --> 00:09:16,599
I REALLY HOPE SO, SIR.

216
00:09:16,643 --> 00:09:18,296
I RAN OUT OF GAS ON
THE ROAD OUT THERE,

217
00:09:18,340 --> 00:09:20,298
AND I WAS WONDERING IF
MAYBE YOU COULD HELP ME OUT.

218
00:09:20,342 --> 00:09:21,996
I ONLY NEED ENOUGH TO
GET TO THE NEAREST STATION.

219
00:09:22,039 --> 00:09:24,215
THERE'’S ONE A COUPLE OF
MILES FROM HERE.

220
00:09:24,259 --> 00:09:25,695
WELL, I THINK I CAN
HELP WITH THAT.

221
00:09:25,739 --> 00:09:27,131
GOT SOME GAS OUT
IN THE SHED.

222
00:09:27,175 --> 00:09:29,481
WOMAN: ROGER?
WHO'’S AT THE DOOR?

223
00:09:33,442 --> 00:09:35,487
COME ON, DADDY, LET'’S GO.

224
00:09:37,533 --> 00:09:41,842
[LAUGHS]
DAMN, DARLING.

225
00:09:41,885 --> 00:09:43,670
I DIDN'’T KNOW YOU
HAD THAT IN YOU.

226
00:09:43,713 --> 00:09:45,323
THERE'’S A LOT YOU
DON'’T KNOW ABOUT ME.

227
00:09:45,367 --> 00:09:47,108
I TOLD YOU I COULD HELP.

228
00:09:47,151 --> 00:09:48,675
AHH.

229
00:09:50,067 --> 00:09:51,808
SHE'’S EXACTLY YOUR TYPE,
ISN'’T SHE?

230
00:09:51,852 --> 00:09:54,158
HMM?

231
00:09:54,202 --> 00:09:56,465
NO, IT'’S--IT'S OK.
I'’M OK.

232
00:09:56,508 --> 00:09:58,249
NO, GO AHEAD.

233
00:10:01,601 --> 00:10:03,211
BUT HURRY UP.

234
00:10:08,564 --> 00:10:09,826
WOMAN ON PA: TRIAGE,
PICK UP TWO.

235
00:10:09,870 --> 00:10:11,480
AGENT JAREAU'’S
OUT OF SURGERY.

236
00:10:11,523 --> 00:10:12,786
IS HER HUSBAND HERE?

237
00:10:12,829 --> 00:10:14,352
HE IS. HE JUST STEPPED
OUT TO CALL THEIR KIDS.

238
00:10:14,396 --> 00:10:15,789
IS SHE OK?

239
00:10:15,832 --> 00:10:18,052
SHE LOST A LOT OF BLOOD,
BUT SHE'’S CURRENTLY STABLE.

240
00:10:18,095 --> 00:10:19,880
IS SHE GONNA BE ALL RIGHT?

241
00:10:19,923 --> 00:10:21,490
WE WON'’T BE ABLE TO
ASSESS WHETHER OR NOT

242
00:10:21,533 --> 00:10:23,274
SHE SUSTAINED ANY
NEUROLOGICAL DAMAGE

243
00:10:23,318 --> 00:10:25,363
UNTIL SHE REGAINS
CONSCIOUSNESS.

244
00:10:25,407 --> 00:10:27,191
COULD SHE HEAR ME
IF I TALK TO HER?

245
00:10:27,235 --> 00:10:29,890
IT'’S UNLIKELY.

246
00:10:33,371 --> 00:10:36,200
I KEEP GOING OVER IT
IN MY HEAD, AND I DON'’T KNOW

247
00:10:36,244 --> 00:10:40,204
HOW I DIDN'’T REALIZE
YOU WERE MISSING SOONER.

248
00:10:40,248 --> 00:10:42,076
I'’M SO SORRY.

249
00:10:44,818 --> 00:10:48,735
I KNOW THINGS BETWEEN
THE TWO OF US HAVE BEEN
KIND OF WEIRD LATELY...

250
00:10:50,606 --> 00:10:52,652
EVER SINCE YOU SAID
YOU LOVE ME.

251
00:10:54,305 --> 00:10:56,568
YOU SAID IT AND I HEARD IT,
AND THE THING IS,

252
00:10:56,612 --> 00:10:59,354
I JUST--I...

253
00:10:59,397 --> 00:11:00,877
I DON'’T KNOW WHAT
TO DO WITH THAT.

254
00:11:00,921 --> 00:11:02,357
I MEAN, I KNOW
WHY YOU SAID IT.

255
00:11:02,400 --> 00:11:05,795
I JUST DON'’T KNOW...
MAYBE YOU MEANT IT.

256
00:11:05,839 --> 00:11:07,667
AND IF YOU DID,
WHAT DOES THAT MEAN?

257
00:11:09,756 --> 00:11:11,888
WHEN YOU DIDN'’T BRING IT
UP AFTER THE WEDDING, I...

258
00:11:11,932 --> 00:11:15,544
I DIDN'’T EITHER
'’CAUSE I JUST...

259
00:11:15,587 --> 00:11:16,937
I DIDN'’T KNOW HOW TO
TALK TO YOU ABOUT IT,

260
00:11:16,980 --> 00:11:20,810
SO INSTEAD I JUST
STOPPED TALKING TO YOU.

261
00:11:20,854 --> 00:11:25,119
AND THAT IS NOT WHAT
I MEANT TO HAPPEN.

262
00:11:28,383 --> 00:11:32,909
AND NOW, ALL THE SUDDEN,
NONE OF THAT MATTERS.

263
00:11:32,953 --> 00:11:36,434
ALL THAT MATTERS IS THAT...

264
00:11:36,478 --> 00:11:39,133
[SNIFFLES]

265
00:11:39,176 --> 00:11:40,612
IS THAT YOU WAKE UP

266
00:11:40,656 --> 00:11:44,834
AND THAT I GET TO HAVE
MORE TIME WITH YOU.

267
00:11:44,878 --> 00:11:46,444
AH, I GUESS...

268
00:11:46,488 --> 00:11:49,926
I CAN'’T IMAGINE MY LIFE
WITHOUT YOU IN IT.

269
00:11:54,670 --> 00:11:56,367
PLEASE DON'’T LEAVE ME.

270
00:11:59,806 --> 00:12:01,633
[EXHALES]

271
00:12:05,202 --> 00:12:06,464
[INDISTINCT CHATTER]

272
00:12:11,339 --> 00:12:13,428
ROGER AND HELEN FOSTER.

273
00:12:13,471 --> 00:12:15,430
EVERETT TOOK HELEN'’S FACE.

274
00:12:15,473 --> 00:12:16,779
I CHECKED OUT
THE SAFE HOUSE.

275
00:12:16,823 --> 00:12:18,433
IT'’S LESS THAN
TWO MILES FROM HERE,

276
00:12:18,476 --> 00:12:19,782
BUT THEY WERE NEVER THERE.

277
00:12:19,826 --> 00:12:22,742
I FOUND $75,000 AND
A STASH OF DISGUISES.

278
00:12:22,785 --> 00:12:24,482
THEN THAT'’S WHAT
HAPPENED HERE.

279
00:12:24,526 --> 00:12:26,267
YOU RUINED HIS
ESCAPE PLAN.

280
00:12:26,310 --> 00:12:27,268
HE'’S WINGING IT NOW.

281
00:12:27,311 --> 00:12:28,486
LEWIS: YEAH, HE'’S
OFF HIS GAME.

282
00:12:28,530 --> 00:12:30,532
I MEAN, LYNCH IS AS
ORGANIZED AS THEY COME.

283
00:12:30,575 --> 00:12:32,969
HE'’S MOST COMFORTABLE WHEN
HE'’S STICKING TO A PLAN.

284
00:12:33,013 --> 00:12:35,493
PLUS, NOW THEY DON'’T
HAVE THE CASH THEY NEED
TO GO OFF THE GRID.

285
00:12:35,537 --> 00:12:37,278
WELL, THEY DIDN'’T
FIND IT HERE.

286
00:12:37,321 --> 00:12:38,670
THEY SCAVENGED
WHAT THEY COULD

287
00:12:38,714 --> 00:12:40,585
FROM ROGER'’S WALLET
AND HELEN'’S PURSE.

288
00:12:40,629 --> 00:12:42,587
BUT HE TOOK HER FACE.

289
00:12:42,631 --> 00:12:43,937
THAT DOESN'’T MAKE SENSE.

290
00:12:43,980 --> 00:12:45,416
WHY GIVE IN NOW

291
00:12:45,460 --> 00:12:48,724
WHEN HE'’S SUBLIMATED
HIS COMPULSION FOR
OVER 6 MONTHS?

292
00:12:48,768 --> 00:12:50,682
HE SUBLIMATED
BECAUSE HE HAD TO,

293
00:12:50,726 --> 00:12:52,989
BECAUSE HE KNOWS
YOU'’RE ONTO HIM.

294
00:12:53,033 --> 00:12:55,470
NOW HE DOESN'’T HAVE
TO HID ANYMORE.

295
00:12:55,513 --> 00:12:57,602
BUT HE SHOULD BE
FOCUSED ON GETTING AWAY.

296
00:12:57,646 --> 00:12:59,169
THIS GUY'’S DEVOLVING.

297
00:12:59,213 --> 00:13:01,432
OR IT MAY HAVE SOMETHING
TO DO WITH THE FACT

298
00:13:01,476 --> 00:13:03,608
THAT HE'’S NO LONGER
FLYING SOLO.

299
00:13:03,652 --> 00:13:06,437
BEFORE LITTLE ROCK,
HE ALWAYS WORKED ON HIS OWN.

300
00:13:06,481 --> 00:13:08,135
BUT NOW HE'’S
RUNNING WITH GRACE.

301
00:13:08,178 --> 00:13:09,658
WE NEED SOME INSIGHT
INTO THE DYNAMICS

302
00:13:09,701 --> 00:13:11,312
OF THAT RELATIONSHIP.

303
00:13:11,355 --> 00:13:13,793
AND I KNOW JUST WHO
WE NEED TO TALK TO.

304
00:13:15,664 --> 00:13:17,231
[DOOR OPENS]

305
00:13:21,322 --> 00:13:23,715
[DOOR CLOSES, LOCKS]

306
00:13:26,893 --> 00:13:29,025
WELL, WELL, WELL.

307
00:13:31,114 --> 00:13:36,076
THE BAU IS JUST
A CORNUCOPIA OF DELICIOUS

308
00:13:36,119 --> 00:13:38,252
MASCULINE GOODNESS,
ISN'’T IT?

309
00:13:38,295 --> 00:13:41,342
I HEARD YOU WERE
A SWEET TALKER.

310
00:13:41,385 --> 00:13:44,911
OH, DID YOU NOW?

311
00:13:44,954 --> 00:13:46,869
WAS IT BROWN EYES?

312
00:13:48,436 --> 00:13:50,351
OR WAS IT MUSCLES
WHO TOLD YOU THAT?

313
00:13:50,394 --> 00:13:51,700
WELL, YOU GOT ME THERE.

314
00:13:51,743 --> 00:13:54,659
AW. YOU ARE...

315
00:13:54,703 --> 00:13:57,140
YOU ARE SOMETHING
SPECIAL, AREN'’T YOU?

316
00:13:58,576 --> 00:14:00,840
UH-HUH.

317
00:14:00,883 --> 00:14:02,885
SILVER FOX.

318
00:14:02,929 --> 00:14:06,280
YOU HAVE THE EXPERIENCE

319
00:14:06,323 --> 00:14:08,717
TO KNOW HOW TO TREAT
A REAL WOMAN,

320
00:14:08,760 --> 00:14:10,719
DON'’T YOU?

321
00:14:10,762 --> 00:14:12,286
OH.

322
00:14:12,329 --> 00:14:15,376
YOU KNOW, I'’D RATHER
TALK ABOUT YOU, BOBBIE.

323
00:14:15,419 --> 00:14:19,467
THAT'’S SWEET OF YOU
TO SAY, BUT...

324
00:14:21,208 --> 00:14:24,428
I KNOW THAT THIS
IS ABOUT EVERETT.

325
00:14:24,472 --> 00:14:28,302
AND I ALREADY TOLD
THOSE YOUNG PUPS

326
00:14:28,345 --> 00:14:30,304
EVERYTHING THAT THEY
NEED TO KNOW.

327
00:14:30,347 --> 00:14:31,783
AND WHAT'’S THAT?

328
00:14:31,827 --> 00:14:34,917
THAT YOU'’LL NEVER
CATCH HIM.

329
00:14:34,961 --> 00:14:39,182
EVERETT HAS GRACE ON
THE RUN WITH HIM.

330
00:14:39,226 --> 00:14:41,706
SHE HELPED HIM
KILL A COUPLE

331
00:14:41,750 --> 00:14:44,405
OUT IN MARYLAND.

332
00:14:50,324 --> 00:14:51,803
GRACE IS NOT LIKE HIM.

333
00:14:51,847 --> 00:14:54,284
IF SHE IS WITH HIM, IT'’S...

334
00:14:54,328 --> 00:14:56,069
IT'’S NOT OUT OF CHOICE.

335
00:14:56,112 --> 00:14:58,419
SHE'’S HIS PARTNER.

336
00:14:58,462 --> 00:15:02,727
DID YOU KNOW THAT SHE
CUT A FEDERAL AGENT?

337
00:15:02,771 --> 00:15:05,643
AND THAT YESTERDAY,

338
00:15:05,687 --> 00:15:07,950
SHE TOOK A GLOCK 19
FROM THE CORPSE

339
00:15:07,994 --> 00:15:11,301
OF A U.S. MARSHALL
WHILE ESCAPING CUSTODY.

340
00:15:14,522 --> 00:15:18,961
HE SAYS YOU
LET HER DROWN.

341
00:15:19,005 --> 00:15:23,226
HE SAYS YOU'’RE THE REASON
HIS DAUGHTER DIED.

342
00:15:23,270 --> 00:15:25,620
I'’M THE REASON THAT
SHE'’S ALIVE.

343
00:15:25,663 --> 00:15:28,188
I'’M THE REASON THAT
SHE'’S NOT LIKE HIM.

344
00:15:28,231 --> 00:15:32,279
SHE GREW UP WITH EVERY...

345
00:15:32,322 --> 00:15:33,976
ADVANTAGE.

346
00:15:34,020 --> 00:15:35,369
BECAUSE OF YOU?

347
00:15:35,412 --> 00:15:37,458
YOU'’RE DAMN RIGHT
BECAUSE OF ME.

348
00:15:37,501 --> 00:15:39,895
YOU THINK EVERETT
CARED ABOUT HER?

349
00:15:42,506 --> 00:15:44,291
HE HAS NO SOUL.

350
00:15:46,423 --> 00:15:50,253
AND HE KILLS '’CAUSE
HE GETS OFF ON IT,

351
00:15:50,297 --> 00:15:53,300
NOT BECAUSE HE HAS TO.

352
00:15:55,867 --> 00:15:58,566
AND I KNEW THAT IF HE--
IF HE GOT HIS HANDS ON HER

353
00:15:58,609 --> 00:16:02,222
THAT HE WOULD JUST USE
HER UP AND TOSS HER AWAY.

354
00:16:03,875 --> 00:16:06,008
SO I MADE SURE THAT
HE WASN'’T IN HER LIFE.

355
00:16:06,052 --> 00:16:08,793
HE'’S IN HER LIFE NOW.

356
00:16:08,837 --> 00:16:12,536
BUT THAT DID NOT
HAPPEN ON MY WATCH.

357
00:16:12,580 --> 00:16:14,321
OK.

358
00:16:14,364 --> 00:16:16,018
HOW DID IT HAPPEN?

359
00:16:19,021 --> 00:16:22,198
HE SHOULD--HE SHOULDN'’T
HAVE BEEN ABLE TO FIND HER.

360
00:16:28,204 --> 00:16:30,946
SPENCE. WAKE UP.
SHE'’S AWAKE.

361
00:16:30,990 --> 00:16:33,340
SHE WANTS TO SEE YOU.
COME ON, IT'’S GOOD.

362
00:16:33,383 --> 00:16:35,429
I'’M GONNA GO
GET THE BOYS, MAN.

363
00:16:46,527 --> 00:16:48,137
I SHOULD HAVE
FOUND YOU SOONER.

364
00:16:48,181 --> 00:16:50,139
SPENCE.

365
00:16:50,183 --> 00:16:52,054
YOU SAVED MY LIFE.

366
00:16:52,098 --> 00:16:54,361
AGAIN.

367
00:16:54,404 --> 00:16:56,406
I'’M GLAD YOU'RE HERE.

368
00:16:57,842 --> 00:16:59,061
YOU'’RE MY BEST FRIEND.

369
00:16:59,105 --> 00:17:00,932
WHERE ELSE WOULD I BE?

370
00:17:03,283 --> 00:17:05,546
I SHOULD GO AND LET
YOU GET SOME REST.

371
00:17:05,589 --> 00:17:09,158
NO. NO, NOT YET.

372
00:17:09,202 --> 00:17:10,725
[SIGHS]
I'’VE MISSED YOU.

373
00:17:10,768 --> 00:17:12,770
ME, TOO.

374
00:17:17,166 --> 00:17:20,430
IT'’S MY FAULT

375
00:17:20,474 --> 00:17:22,215
THAT THINGS
HAVE BEEN WEIRD

376
00:17:22,258 --> 00:17:23,781
BETWEEN THE TWO OF US.

377
00:17:23,825 --> 00:17:25,653
WHAT I SAID,
WE NEED TO TALK ABOUT.

378
00:17:25,696 --> 00:17:27,133
NO, WE DON'’T,

379
00:17:27,176 --> 00:17:28,699
AND I SHOULDN'’T HAVE
LET IT DRIVE A WEDGE
BETWEEN US.

380
00:17:28,743 --> 00:17:31,050
I NEEDED TO SAY
SOMETHING REAL,

381
00:17:31,093 --> 00:17:32,703
AND THAT'’S WHAT CAME OUT.

382
00:17:32,747 --> 00:17:34,183
AND I'’M SO SORRY.

383
00:17:36,533 --> 00:17:39,449
I DIDN'’T--I NEVER MEANT
TO DO THAT TO YOU.

384
00:17:41,277 --> 00:17:44,237
I WAS PREPARED TO TAKE
THAT SECRET TO THE GRAVE.

385
00:17:44,280 --> 00:17:45,977
HEH.

386
00:17:48,284 --> 00:17:51,113
BUT...

387
00:17:51,157 --> 00:17:52,897
NOW IT'’S OUT.

388
00:17:54,682 --> 00:17:56,553
AND I CAN'’T...

389
00:17:56,597 --> 00:17:58,773
[EXHALES]

390
00:17:58,816 --> 00:18:02,168
LIE TO YOU AND SAY
I DIDN'’T MEAN IT.

391
00:18:04,300 --> 00:18:07,260
I DO LOVE YOU.

392
00:18:07,303 --> 00:18:10,089
HEH. YOU WERE
MY FIRST LOVE.

393
00:18:12,961 --> 00:18:15,094
AND I'’LL ALWAYS LOVE YOU.

394
00:18:15,137 --> 00:18:17,835
AND I KNOW THAT'’S NOT FAIR.

395
00:18:22,101 --> 00:18:25,452
BECAUSE I LOVE WILL
AND THE BOYS, TOO.

396
00:18:27,889 --> 00:18:30,457
THEY MADE ME WHO I AM,

397
00:18:30,500 --> 00:18:32,111
BUT SO HAVE YOU.

398
00:18:35,244 --> 00:18:38,334
[SIGHS] YOU'’RE SUCH A BIG--

399
00:18:38,378 --> 00:18:40,467
BIG PIECE OF MY HEART,

400
00:18:40,510 --> 00:18:42,295
AND YOU ALWAYS WILL BE.

401
00:18:45,689 --> 00:18:48,997
MAYBE IF THINGS WERE...

402
00:18:49,040 --> 00:18:51,521
DIFFERENT.

403
00:18:51,565 --> 00:18:53,871
I SOMETIMES THINK
ABOUT THAT.

404
00:18:55,264 --> 00:18:56,483
I JUST WANT YOU TO KNOW

405
00:18:56,526 --> 00:18:58,702
THAT I NEVER MEANT
TO HURT YOU.

406
00:19:01,096 --> 00:19:03,403
I JUST WANT YOU
TO BE HAPPY.

407
00:19:05,492 --> 00:19:08,451
AND I WANT US TO BE OK.

408
00:19:08,495 --> 00:19:10,061
I KNOW YOU DO.

409
00:19:11,672 --> 00:19:13,326
AND WE ARE.

410
00:19:18,244 --> 00:19:19,201
OH, NO.

411
00:19:19,245 --> 00:19:20,246
HI, MOMMY.

412
00:19:20,289 --> 00:19:21,682
HEY.

413
00:19:21,725 --> 00:19:23,814
YOU HAVE TO
HOLD IT THERE.

414
00:19:23,858 --> 00:19:25,294
HEY, BUDDY.

415
00:19:28,079 --> 00:19:29,255
HI.

416
00:19:29,298 --> 00:19:31,213
SHE'’S AWAKE.
EVERYTHING'’S
LOOKING GOOD.

417
00:19:31,257 --> 00:19:32,867
YEAH, I JUST SAW WILL
AND DR. HSU.

418
00:19:32,910 --> 00:19:34,129
THIS IS AMAZING.

419
00:19:34,173 --> 00:19:35,609
BUT I HAVE TO TALK TO HER.

420
00:19:35,652 --> 00:19:37,393
BALLISTICS CAME BACK.
WE THINK IT WAS GRACE

421
00:19:37,437 --> 00:19:38,960
NOT EVERETT WHO SHOT JJ.

422
00:19:39,003 --> 00:19:40,048
YOU SURE?

423
00:19:40,091 --> 00:19:41,441
I NEED JJ TO CONFIRM

424
00:19:41,484 --> 00:19:43,225
BECAUSE IT'’S THE SAME GUN
THAT KILLED THE FOSTERS.

425
00:19:43,269 --> 00:19:45,401
WELL, IF THAT'’S TRUE,
THEN GRACE IS JUST AS
DANGEROUS AS HER FATHER.

426
00:19:45,445 --> 00:19:46,707
[CELLPHONE RINGS]

427
00:19:46,750 --> 00:19:47,969
SORRY, IT'’S BROOKFIELD,
MY MOM'’S FACILITY.

428
00:19:48,012 --> 00:19:49,231
TAKE IT.

429
00:19:49,275 --> 00:19:51,059
HI, THIS IS
SPENCER REID.

430
00:19:51,102 --> 00:19:52,103
YES.

431
00:19:52,147 --> 00:19:54,410
IS SHE ALL RIGHT?

432
00:19:54,454 --> 00:19:56,456
OK, THANK YOU.

433
00:19:56,499 --> 00:19:57,457
IS EVERYTHING OK?

434
00:19:57,500 --> 00:19:59,067
I'’M NOT SURE.

435
00:19:59,110 --> 00:20:02,026
MY MOM'’S NOT
DOING SO GREAT.

436
00:20:02,070 --> 00:20:03,941
THE LAST TIME I
SAW HER SHE DIDN'’T
EVEN RECOGNIZE ME.

437
00:20:03,985 --> 00:20:05,247
NOW THEY'’RE SAYING
I NEED TO GO DOWN THERE

438
00:20:05,291 --> 00:20:06,248
AND SEE HER AS SOON
AS POSSIBLE.

439
00:20:06,292 --> 00:20:08,381
GO.

440
00:20:08,424 --> 00:20:09,556
DO I JUST LEAVE?

441
00:20:09,599 --> 00:20:11,558
SPENCE, IT'’S YOUR MOM.
YOU HAVE TO GO.

442
00:20:11,601 --> 00:20:14,387
JJ'’s OUT OF THE WOODS.
WE'’VE GOT THIS COVERED.

443
00:20:14,430 --> 00:20:16,911
I KNOW IT'’S A LOT.

444
00:20:16,954 --> 00:20:19,827
SOMETIMES EVERYTHING
HAPPENS AT ONCE.

445
00:20:19,870 --> 00:20:22,046
THANKS.

446
00:20:32,361 --> 00:20:36,278
DR. REID, I'’M ADDY KINCAIDE,
DIANA'’S NEW PHYSICIAN.

447
00:20:36,322 --> 00:20:38,454
I RECOGNIZE YOU FROM
THE PHOTOS IN YOUR MOM'’S ROOM.

448
00:20:38,498 --> 00:20:39,977
WHERE IS SHE?
IS SHE ALL RIGHT?

449
00:20:40,021 --> 00:20:42,415
YES, YES, SHE'’S FINE,
BUT I THINK IT'’D BE A GOOD IDEA

450
00:20:42,458 --> 00:20:44,112
FOR US TO TALK BEFORE
YOU GO IN AND SEE HER.

451
00:20:44,155 --> 00:20:45,722
LOOK, I APPRECIATE
YOUR CONCERN,

452
00:20:45,766 --> 00:20:47,028
BUT I DON'’T NEED
TO TALK ABOUT
MY MOTHER'’S CONDITION.

453
00:20:47,071 --> 00:20:48,856
I AM PREPARED FOR
WHAT'’S HAPPENING TO HER.

454
00:20:48,899 --> 00:20:50,640
IS SHE IN THE DAY ROOM?

455
00:20:55,863 --> 00:20:59,040
SPENCER! OH, I'’M
SO GLAD YOU'’RE HERE.

456
00:20:59,083 --> 00:21:00,781
OH! HO HO HO!

457
00:21:05,481 --> 00:21:08,267
THE MOST IMPORTANT THING
TO UNDERSTAND

458
00:21:08,310 --> 00:21:11,313
IS THAT SHE'’S NOT CURED.

459
00:21:11,357 --> 00:21:13,228
THESE IMPROVEMENTS
ARE TEMPORARY.

460
00:21:13,272 --> 00:21:16,492
ADDY'’S RIGHT.
THIS IS AN ABERRATION

461
00:21:16,536 --> 00:21:18,364
OR A FLUKE OF MY DISEASE.

462
00:21:18,407 --> 00:21:19,974
COMBINED WITH
AN ATYPICAL RESPONSE

463
00:21:20,017 --> 00:21:21,976
TO HER NEW MEDS.

464
00:21:22,019 --> 00:21:24,326
I KNOW HOW STRANGE
THIS MUST BE FOR YOU.

465
00:21:24,370 --> 00:21:26,154
LAST TIME I WAS
HERE, YOU DIDN'’T
KNOW WHO I WAS.

466
00:21:26,197 --> 00:21:27,982
I'’M SO SORRY, HONEY.

467
00:21:28,025 --> 00:21:29,723
HOW CAN WE BE SURE
THAT IT WON'’T LAST?

468
00:21:29,766 --> 00:21:31,507
I CAN'’T BE SURE.

469
00:21:31,551 --> 00:21:33,727
BUT I HAVE SEEN THIS BEFORE.

470
00:21:33,770 --> 00:21:36,599
AWAKENINGS LIKE THIS,
THEY CAN LAST

471
00:21:36,643 --> 00:21:38,427
FOR AS LITTLE AS
A FEW DAYS

472
00:21:38,471 --> 00:21:40,386
TO AS MUCH AS SEVERAL WEEKS.

473
00:21:40,429 --> 00:21:43,040
THAT PART IS UNPREDICTABLE.

474
00:21:43,084 --> 00:21:46,653
THE PART THAT IS PREDICTABLE
IS WHAT HAPPENS NEXT.

475
00:21:46,696 --> 00:21:50,004
THIS WILL BE FOLLOWED
BY A VERY SUDDEN

476
00:21:50,047 --> 00:21:52,876
AND VERY STEEP DECLINE
IN COGNITIVE FUNCTIONING.

477
00:21:52,920 --> 00:21:56,271
YOU UNDERSTAND WHAT
THIS MEANS, HONEY?

478
00:21:56,315 --> 00:21:57,794
IT MEANS I'’M GONNA
LOSE YOU ALL OVER AGAIN.

479
00:21:57,838 --> 00:22:00,362
OH, PLEASE DON'’T
LOOK AT IT LIKE THAT.

480
00:22:00,406 --> 00:22:01,624
HOW ELSE SHOULD
I LOOK AT IT?

481
00:22:01,668 --> 00:22:04,671
AS PRECIOUS TIME
FOR BOTH OF US.

482
00:22:06,325 --> 00:22:08,805
ROBERTA WAS GRACE'’S
PRIMARY CARETAKER

483
00:22:08,849 --> 00:22:10,372
DURING HER EARLY YEARS.

484
00:22:10,416 --> 00:22:12,592
AND EVEN WHEN ROBERTA
WENT INTO PRISON,

485
00:22:12,635 --> 00:22:14,158
GRACE DIDN'’T GO TO
LIVE WITH EVERETT.

486
00:22:14,202 --> 00:22:16,857
GARCIA: NOPE.
ROBERTA GOT GRACE

487
00:22:16,900 --> 00:22:19,033
INTO A SUPER EXCLUSIVE
NEW HAMPSHIRE BOARDING SCHOOL,

488
00:22:19,076 --> 00:22:21,470
ST. PETER'’S, ON
A FULL SCHOLARSHIP.

489
00:22:21,514 --> 00:22:23,646
AND THE WAY SHE DID IT
WAS A TOTAL CON JOB.

490
00:22:23,690 --> 00:22:27,084
SHE GAVE GRACE A FAKE NAME,
RACHEL NORTON,

491
00:22:27,128 --> 00:22:29,217
AND SAID HER FATHER
WAS DECEASED.

492
00:22:29,260 --> 00:22:30,653
NICE.

493
00:22:30,697 --> 00:22:32,873
ROBERTA WAS TRYING
TO GET OUT OF
A LIFE OF GRIFTING.

494
00:22:32,916 --> 00:22:35,179
YEAH, BUT GRACE DIDN'’T
FIT IN THERE.

495
00:22:35,223 --> 00:22:36,398
SHE WAS A TOTAL WILD CHILD.

496
00:22:36,442 --> 00:22:38,400
THEY EVENTUALLY ASKED
HER TO LEAVE,

497
00:22:38,444 --> 00:22:40,620
MOSTLY BECAUSE THE WHOLE,
YOU KNOW, HAVING A FAKE NAME

498
00:22:40,663 --> 00:22:42,012
AND NOT HAVING
A DEAD DAD.

499
00:22:42,056 --> 00:22:43,405
THAT WOULD DO IT.

500
00:22:43,449 --> 00:22:46,756
THE SCHOOL DIDN'’T WANT
THE BAD P.R., THOUGH,

501
00:22:46,800 --> 00:22:48,062
SO THEY COVERED IT UP.

502
00:22:48,105 --> 00:22:50,020
NOBODY KNOWS WHY GRACE
DROPPED OUT.

503
00:22:50,064 --> 00:22:52,109
SO SHORTLY AFTER
LEAVING,

504
00:22:52,153 --> 00:22:53,284
SHE MADE CONTACT
WITH EVERETT

505
00:22:53,328 --> 00:22:54,634
AND JOINED HIM
DOWN IN LITTLE ROCK.

506
00:22:54,677 --> 00:22:57,245
ROBERTA SAID EVERETT
COULDN'’T HAVE FOUND HER.

507
00:22:57,288 --> 00:23:00,901
WHAT SHE DIDN'’T COUNT ON
WAS THAT GRACE MIGHT HAVE
WANTED TO FIND HER FATHER.

508
00:23:00,944 --> 00:23:03,077
YEAH, WELL, IF GRACE
WANTED A RELATIONSHIP
WITH HIM,

509
00:23:03,120 --> 00:23:05,471
SHE WOULD HAVE BEEN
WILLING TO DO ANYTHING
TO GET IT,

510
00:23:05,514 --> 00:23:07,647
AND THAT WOULD EXPLAIN
THE ESCALATION OF OUR VIOLENCE.

511
00:23:07,690 --> 00:23:09,126
SHE'’S TRYING TO GET
DADDY'’S APPROVAL

512
00:23:09,170 --> 00:23:11,694
BY SHOWING HIM SHE'’S A
CHIP OFF THE OLD BLOCK.

513
00:23:11,738 --> 00:23:15,263
SHE NEVER FIT INTO THE WORLD
THAT ROBERTA CONNED HER INTO,

514
00:23:15,306 --> 00:23:18,571
BUT SHE FEELS AN AFFINITY
FOR EVERETT AND HIS VIOLENCE.

515
00:23:18,614 --> 00:23:20,094
SHE'’S LEANING INTO IT.

516
00:23:20,137 --> 00:23:21,530
MAYBE HE NEEDS HER?

517
00:23:21,574 --> 00:23:24,272
A LOT OF GRACE'’S
CLASSMATES WERE
ONE-PERCENTERS,

518
00:23:24,315 --> 00:23:26,448
AND NONE OF THEM KNOW
WHY SHE LEFT SCHOOL.

519
00:23:26,492 --> 00:23:29,930
HE LEFT 75K ON THE TABLE
AT THE SAFE HOUSE
HE ABANDONED.

520
00:23:29,973 --> 00:23:32,585
AND HE NEEDS THAT MONEY
TO GO OFF THE GRID
FOR A LONG TIME,

521
00:23:32,628 --> 00:23:34,543
WHICH MEANS HE NEEDS
A BIG SCORE.

522
00:23:34,587 --> 00:23:36,197
LET'’S LOOK INTO
FORMER CLASSMATES OF RACHEL'’S

523
00:23:36,240 --> 00:23:37,503
WHO LIVE IN THE DC AREA.

524
00:23:37,546 --> 00:23:39,809
CHANCES ARE THAT'’S
THEIR NEXT MARK.

525
00:23:41,637 --> 00:23:44,292
[INDISTINCT CHATTER]

526
00:23:44,335 --> 00:23:46,163
I CAN'’T BELIEVE
IT'’S REALLY YOU.

527
00:23:46,207 --> 00:23:48,122
I KNOW. I MISSED
YOU SO MUCH.

528
00:23:48,165 --> 00:23:49,471
I'’M SO GLAD YOU'RE
FREE TODAY.

529
00:23:49,515 --> 00:23:51,647
ARE YOU KIDDING?
I CLEARED MY SCHEDULE.

530
00:23:53,170 --> 00:23:55,303
DO YOU HAVE ANY IDEA
HOW MUCH TIME I SPENT

531
00:23:55,346 --> 00:23:57,044
TRYING TO FIND YOU ONLINE?

532
00:23:57,087 --> 00:23:58,959
KIND OF WENT
OFF THE GRID.

533
00:23:59,002 --> 00:24:01,048
I WAS WORRIED ABOUT YOU.

534
00:24:01,091 --> 00:24:02,876
I'’M SORRY, CHARLOTTE.

535
00:24:02,919 --> 00:24:04,486
I DIDN'’T MEAN TO JUST
LEAVE YOU LIKE THAT.

536
00:24:04,530 --> 00:24:06,793
IT'’S JUST...

537
00:24:06,836 --> 00:24:08,534
IT WAS MY GRANDMOTHER,

538
00:24:08,577 --> 00:24:10,492
THE ONE WHO RAISED ME.

539
00:24:10,536 --> 00:24:12,886
SHE GOT SICK. CANCER.

540
00:24:12,929 --> 00:24:14,409
WHY DIDN'’T YOU TELL ME?

541
00:24:14,453 --> 00:24:16,237
THERE WASN'’T ANYTHING
YOU COULD DO.

542
00:24:16,280 --> 00:24:18,326
YOU DON'’T KNOW THAT.
I MIGHT HAVE BEEN
ABLE TO HELP.

543
00:24:19,806 --> 00:24:21,982
I JUST NEEDED
TO TAKE CARE OF HER.

544
00:24:22,025 --> 00:24:24,680
IN MY OWN WAY.

545
00:24:24,724 --> 00:24:27,291
SHE DIED LAST MONTH.

546
00:24:27,335 --> 00:24:29,380
I'’M SO SORRY.

547
00:24:30,773 --> 00:24:33,123
ARE YOU OK?

548
00:24:33,167 --> 00:24:38,302
HONESTLY, NO,
I'’M NOT.

549
00:24:38,346 --> 00:24:42,176
THINGS HAVE BEEN...
REALLY HARD.

550
00:24:42,219 --> 00:24:44,439
I'’M NOT SURE WHAT
COMES NEXT.

551
00:24:44,483 --> 00:24:45,658
I NEED TO GET
BACK ON TRACK,

552
00:24:45,701 --> 00:24:47,094
BUT I CAN'’T EVEN
MAKE ENDS MEET,

553
00:24:47,137 --> 00:24:49,009
AND MY GRANDMOTHER'’S
HOUSE IS IN FORECLOSURE.

554
00:24:49,052 --> 00:24:51,098
I DON'’T--I DON'T KNOW
WHAT I'’M GONNA DO.

555
00:24:51,141 --> 00:24:52,839
PLEASE.

556
00:24:52,882 --> 00:24:55,581
YOU HAVE TO LET ME
HELP YOU.

557
00:24:59,106 --> 00:25:00,673
THANK YOU.

558
00:25:02,675 --> 00:25:04,633
IT'’S SO GOOD TO SEE YOU.

559
00:25:09,899 --> 00:25:12,206
I'’M STAYING AT A PLACE
NOT FAR FROM HERE.

560
00:25:14,251 --> 00:25:15,862
WILL YOU COME HOME
WITH ME?

561
00:25:17,472 --> 00:25:19,648
I'’D LIKE THAT.

562
00:25:22,085 --> 00:25:24,566
OK, I THINK THIS IS IT.
CHARLOTTE BURKE.

563
00:25:24,610 --> 00:25:26,873
SHE WAS ROOMIES
WITH GRACE, AKA RACHEL,

564
00:25:26,916 --> 00:25:27,961
WHEN THEY WERE
AT ST. PETER'’S.

565
00:25:28,004 --> 00:25:31,355
THEY WERE SUPER CLOSE.

566
00:25:31,399 --> 00:25:32,574
OH, THEY WERE
MORE THAN ROOMMATES.

567
00:25:32,618 --> 00:25:33,749
THEY WERE A COUPLE,

568
00:25:33,793 --> 00:25:35,446
AND THEY WERE OUT.

569
00:25:35,490 --> 00:25:37,884
MAKES SENSE THAT'’S WHO
GRACE WOULD REACH OUT TO.

570
00:25:37,927 --> 00:25:39,233
DOES SHE HAVE MONEY?

571
00:25:39,276 --> 00:25:40,800
OH, YEAH, SHE'’S
A TRUST FUND KID.

572
00:25:40,843 --> 00:25:42,410
IT LOOKS LIKE SHE
TOOK A GAP YEAR.

573
00:25:42,453 --> 00:25:45,674
AND HER DAD SET HER UP
AS AN EXECUTIVE DIRECTOR

574
00:25:45,718 --> 00:25:47,197
OF A NONPROFIT
RIGHT HERE IN DC.

575
00:25:47,241 --> 00:25:48,982
WOW. SOUNDS LIKE
A DADDY'’S GIRL.

576
00:25:49,025 --> 00:25:51,071
SO WHO IS HER DADDY?

577
00:25:51,114 --> 00:25:53,595
ALLEN BURKE.
HEDGE FUND MANAGER.

578
00:25:53,639 --> 00:25:55,466
[WHIMPERING]

579
00:25:55,510 --> 00:25:58,121
OK, WHAT I NEED IS
THE THUMBPRINT FROM
HER RIGHT HAND.

580
00:25:58,165 --> 00:25:59,470
[CHARLOTTE WHIMPERS]

581
00:25:59,514 --> 00:26:03,083
SHH. SHH. SHH.
LOOK, WE CAN DO THIS
THE NICE WAY,

582
00:26:03,126 --> 00:26:05,607
WHICH REALLY WHEN YOU
THINK ABOUT WILL ONLY
HURT FOR A FEW MINUTES.

583
00:26:05,651 --> 00:26:06,826
OR I COULD CHOP OFF
YOUR HAND

584
00:26:06,869 --> 00:26:07,914
AND WE CAN GET WHAT
WE NEED THAT WAY.

585
00:26:07,957 --> 00:26:08,915
[MUFFLED SCREAMS]

586
00:26:08,958 --> 00:26:10,264
UP TO YOU.

587
00:26:10,307 --> 00:26:13,049
[MUFFLED WHIMPERS]

588
00:26:16,139 --> 00:26:17,488
EVERETT: READY?

589
00:26:17,532 --> 00:26:18,794
[MUFFLED SCREAM]

590
00:26:18,838 --> 00:26:19,926
GRACE: DO IT.

591
00:26:19,969 --> 00:26:22,276
[SCREAMING]

592
00:26:27,673 --> 00:26:31,067
SO JJ SAYS SHE
LOVES YOU.

593
00:26:31,111 --> 00:26:34,505
WOW. NOW,
THAT'’S BIG.

594
00:26:34,549 --> 00:26:37,117
AND, UM, WHERE
DOES THAT LEAVE YOU?

595
00:26:37,160 --> 00:26:39,119
HONESTLY, I HAVE NO IDEA.

596
00:26:39,162 --> 00:26:41,600
SHE SAYS SHE
SOMETIMES THINKS ABOUT

597
00:26:41,643 --> 00:26:43,906
WHAT MIGHT HAVE HAPPENED
IF THINGS HAD WORKED OUT
DIFFERENTLY.

598
00:26:43,950 --> 00:26:45,734
SIT.

599
00:26:45,778 --> 00:26:46,996
AND WHAT DID YOU
SAY, HONEY?

600
00:26:47,040 --> 00:26:48,258
TO TELL YOU THE TRUTH,
I THINK ABOUT IT A LOT.

601
00:26:48,302 --> 00:26:50,652
MM-HMM.

602
00:26:50,696 --> 00:26:54,047
I DIDN'’T THINK I'D
EVER GET TO TALK TO YOU
LIKE THIS AGAIN.

603
00:26:54,090 --> 00:26:55,265
THIS IS REALLY NICE.

604
00:26:55,309 --> 00:26:56,397
I KNOW.

605
00:26:56,440 --> 00:26:58,225
AND I KNOW IT'’S
BEEN HARD FOR YOU.

606
00:26:58,268 --> 00:27:01,794
MOM, YOUR DISEASE IS NOT
WHAT DEFINES YOU TO ME.

607
00:27:01,837 --> 00:27:05,493
IT NEVER HAS
AND IT NEVER WILL.

608
00:27:05,536 --> 00:27:06,929
THIS IS PRECIOUS TIME,

609
00:27:06,973 --> 00:27:11,368
AND I AM...SO THANKFUL
FOR EVERY SECOND.

610
00:27:11,412 --> 00:27:14,154
I AM, TOO.
I AM, TOO.

611
00:27:15,895 --> 00:27:19,638
YOU KNOW, I NEVER TALKED
MUCH ABOUT YOUR DAD.

612
00:27:22,336 --> 00:27:24,033
WHEN WILLIAM LEFT,
IT WASN'’T BECAUSE

613
00:27:24,077 --> 00:27:26,383
OF MY SCHIZOPHRENIA
DIAGNOSIS.

614
00:27:28,168 --> 00:27:31,650
YOU KNOW WHAT HE SAID
WHEN I WAS DIAGNOSED?

615
00:27:31,693 --> 00:27:35,044
HE SAID, "DIANA,
WE'’RE IN THIS TOGETHER,

616
00:27:35,088 --> 00:27:37,177
AND I AM WITH YOU
EVERY STEP OF THE WAY."

617
00:27:37,220 --> 00:27:38,352
I DIDN'’T KNOW THAT.

618
00:27:38,395 --> 00:27:39,614
I KNOW YOU DIDN'’T.

619
00:27:39,658 --> 00:27:41,311
AND HE MEANT IT.

620
00:27:43,183 --> 00:27:46,316
BUT THEN THE MEDS,
PFFT, THE MEDS I WAS ON,

621
00:27:46,360 --> 00:27:49,624
THERE WERE SO MANY
AND SO MANY SIDE EFFECTS

622
00:27:49,668 --> 00:27:51,974
THAT I STOPPED
TAKING THEM.

623
00:27:52,018 --> 00:27:54,629
AND OF COURSE,
MY CONDITION GOT
WORSE AND WORSE

624
00:27:54,673 --> 00:27:57,153
UNTIL I FINALLY HAD
TO BE HOSPITALIZED.

625
00:27:57,197 --> 00:27:58,546
AND THEN IT
HAPPENED AGAIN.

626
00:27:58,589 --> 00:27:59,895
AND AGAIN.

627
00:27:59,939 --> 00:28:02,463
IN THE END, IT WAS
THE ROLLER COASTER,

628
00:28:02,506 --> 00:28:04,770
THAT WAS THE PART
HE COULDN'’T DEAL WITH.

629
00:28:07,207 --> 00:28:09,818
AND THE THING IS,

630
00:28:09,862 --> 00:28:12,778
EVEN AFTER HE WAS GONE,

631
00:28:12,821 --> 00:28:16,520
I KEPT THINKING THAT
SOMEHOW WE'’D FIND OUR
WAY BACK TO EACH OTHER.

632
00:28:16,564 --> 00:28:17,521
YOU LOVED HIM.

633
00:28:17,565 --> 00:28:19,741
YES. SO I WAITED.

634
00:28:19,785 --> 00:28:22,613
YEAR AFTER YEAR.

635
00:28:22,657 --> 00:28:25,704
AND AT SOME POINT,
I KNEW IT WOULDN'’T
HAPPEN.

636
00:28:27,923 --> 00:28:30,360
BUT I NEVER
ALLOWED MYSELF

637
00:28:30,404 --> 00:28:32,493
TO EVEN CONSIDER

638
00:28:32,536 --> 00:28:34,756
A RELATIONSHIP
WITH SOMEONE ELSE.

639
00:28:34,800 --> 00:28:38,368
YOU THINK THAT'’S
WHAT I'’M DOING,

640
00:28:38,412 --> 00:28:40,849
CLOSING MYSELF OFF
TO POSSIBILITIES

641
00:28:40,893 --> 00:28:42,764
BECAUSE I'’M WAITING
FOR A LIFE WITH JJ?

642
00:28:42,808 --> 00:28:44,505
I HOPE NOT.

643
00:28:47,726 --> 00:28:51,860
HONEY, LIFE IS LONG,
AND IT'’S HARD.

644
00:28:51,904 --> 00:28:53,557
AND YOU DESERVE
TO HAVE SOMEONE

645
00:28:53,601 --> 00:28:55,777
WHO WILL SHARE ALL
OF IT WITH YOU.

646
00:28:55,821 --> 00:28:58,301
ALL OF IT.

647
00:29:01,914 --> 00:29:04,307
WOMAN: CHARLOTTE IS NOT
ANSWERING MY TEXTS.

648
00:29:04,351 --> 00:29:06,266
SHE ALWAYS TEXTS ME BACK.

649
00:29:06,309 --> 00:29:08,050
I KNOW SOMETHING'’S WRONG.

650
00:29:08,094 --> 00:29:09,443
IS SHE IN DANGER?

651
00:29:09,486 --> 00:29:10,661
WE BELIEVE YOUR
DAUGHTER HAS BEEN

652
00:29:10,705 --> 00:29:12,141
TARGETED BY
GRACE LYNCH.

653
00:29:12,185 --> 00:29:15,144
YOU MIGHT HAVE KNOWN
HER BY HER ALIAS
RACHEL NORTON.

654
00:29:15,188 --> 00:29:17,973
RACHEL?
WE MET HER.

655
00:29:18,017 --> 00:29:19,496
SHE WAS SWEET.

656
00:29:19,540 --> 00:29:21,672
WE THINK SHE SOUGHT
CHARLOTTE OUT

657
00:29:21,716 --> 00:29:24,110
BECAUSE OF THEIR
RELATIONSHIP AT
ST. PETER'’S.

658
00:29:24,153 --> 00:29:25,720
YOU'’RE AWARE
THEY WERE CLOSE?

659
00:29:25,764 --> 00:29:28,331
CHARLOTTE CAME OUT TO US
WHEN SHE WAS 14 YEARS OLD.

660
00:29:28,375 --> 00:29:30,899
WE THINK GRACE IS
MANIPULATING CHARLOTTE

661
00:29:30,943 --> 00:29:32,901
AS A RESULT OF THAT
RELATIONSHIP.

662
00:29:32,945 --> 00:29:34,076
WHAT CAN WE DO?

663
00:29:34,120 --> 00:29:35,817
GRACE AND HER FATHER
ARE FUGITIVES.

664
00:29:35,861 --> 00:29:37,166
THEY NEED MONEY.

665
00:29:37,210 --> 00:29:39,081
AND THEY'’RE TRYING TO
GET IT FROM CHARLOTTE.

666
00:29:39,125 --> 00:29:41,910
WE NEED TO KNOW ABOUT
ALL HER LIQUID ASSETS.

667
00:29:41,954 --> 00:29:45,609
OK. ANYTHING
YOU NEED.

668
00:29:45,653 --> 00:29:48,221
OF COURSE, MISS BURKE,
I'’D BE MORE THAN HAPPY

669
00:29:48,264 --> 00:29:50,614
TO HELP YOU ACCESS
YOUR SAFE DEPOSIT BOX.

670
00:29:50,658 --> 00:29:51,790
I'’LL NEED
SOME PRIVACY.

671
00:29:51,833 --> 00:29:52,878
I UNDERSTAND.

672
00:29:52,921 --> 00:29:54,096
AS YOU KNOW,
YOU'’VE AUTHORIZED

673
00:29:54,140 --> 00:29:55,315
TWO-STEP AUTHENTICATION,

674
00:29:55,358 --> 00:29:57,360
SO I'’LL JUST
ASSIST WITH THAT.

675
00:30:04,150 --> 00:30:06,674
[BEEPING]

676
00:30:09,329 --> 00:30:10,634
[DOOR OPENS]

677
00:30:10,678 --> 00:30:13,724
OK, I'’VE FROZEN ALL
CHARLOTTE'’S ACCOUNTS.

678
00:30:13,768 --> 00:30:15,030
ANY ATTEMPTED
ACTIVITY?

679
00:30:15,074 --> 00:30:16,902
NOPE, AND NONE IN THE
LAST 48 HOURS, EITHER.

680
00:30:16,945 --> 00:30:19,034
DO YOU THINK WE WERE
WRONG ABOUT CHARLOTTE
BEING THE MARK?

681
00:30:19,078 --> 00:30:20,644
NO, SHE'’S THE TARGET.

682
00:30:20,688 --> 00:30:22,777
WE JUST DON'’T KNOW
ABOUT THE RIGHT ACCOUNT.

683
00:30:22,821 --> 00:30:24,910
THAT'’S SOMETHING HER
PARENTS DON'’T KNOW ABOUT.

684
00:30:24,953 --> 00:30:26,433
GARCIA, CAN YOU
SEARCH FOR THAT?

685
00:30:26,476 --> 00:30:28,435
YEAH, OF COURSE.
SOMETHING THEY
WOULDN'’T KNOW ABOUT.

686
00:30:28,478 --> 00:30:31,830
MAYBE IT'’S SOMETHING
THAT DOESN'’T REQUIRE
IRS REPORTING.

687
00:30:31,873 --> 00:30:34,702
IT MAY NOT EVEN BE A BANK
OR INVESTMENT ACCOUNT.

688
00:30:41,361 --> 00:30:42,492
GARCIA: HEY.

689
00:30:42,536 --> 00:30:44,059
WHAT ABOUT A SAFE
DEPOSIT BOX?

690
00:30:44,103 --> 00:30:45,408
BINGO.
WHERE IS IT?

691
00:30:45,452 --> 00:30:47,149
DOWNTOWN DC, JUST A FEW
BLOCKS FROM HER APARTMENT.

692
00:30:47,193 --> 00:30:49,195
MATT AND LUKE ARE
DOWN THERE NOW.

693
00:31:00,380 --> 00:31:02,469
[SIREN]

694
00:31:05,951 --> 00:31:07,343
CAN I HELP YOU?

695
00:31:07,387 --> 00:31:09,693
WE'’RE LOOKING FOR SOMEONE
POSING AS CHARLOTTE BURKE.

696
00:31:09,737 --> 00:31:11,086
POSING AS HER?
WHAT DO YOU MEAN?

697
00:31:11,130 --> 00:31:12,871
IS SHE HERE?
SHE WAS.

698
00:31:12,914 --> 00:31:14,394
SHE WANTED ACCESS
TO HER SAFE DEPOSIT BOX.

699
00:31:14,437 --> 00:31:15,699
AND YOU HELPED HER
WITH THAT?

700
00:31:15,743 --> 00:31:17,876
IT REQUIRED TWO-STEP
AUTHENTICATION, THUMBPRINT.

701
00:31:17,919 --> 00:31:19,181
WE FOLLOW PROTOCOL.

702
00:31:19,225 --> 00:31:20,487
DID SHE GET THE
CONTENTS OF THE BOX?

703
00:31:20,530 --> 00:31:21,923
YES. SHE'’S GONE.

704
00:31:25,971 --> 00:31:27,537
REID: TODAY'’S BEEN AMAZING.
I DON'’T...

705
00:31:27,581 --> 00:31:28,538
I DON'’T WANT IT TO END.

706
00:31:28,582 --> 00:31:31,759
WELL, YOU'’LL COME BACK.

707
00:31:31,802 --> 00:31:34,109
WILL YOU KNOW ME?

708
00:31:34,153 --> 00:31:36,329
I CAN'’T SAY.

709
00:31:36,372 --> 00:31:37,896
BUT WE HAVE TODAY.

710
00:31:37,939 --> 00:31:39,071
WELL, IT'’S NOT ENOUGH.

711
00:31:39,114 --> 00:31:40,724
YOU KNOW WHAT,
IT DOESN'’T MAKE SENSE.

712
00:31:40,768 --> 00:31:42,204
HOW DOES SHE KNOW
IT WON'’T LAST?

713
00:31:42,248 --> 00:31:43,727
WHO, ADDY?
OH, SHE KNOWS.

714
00:31:43,771 --> 00:31:45,077
SHE'’S BEEN THROUGH
THIS BEFORE.

715
00:31:45,120 --> 00:31:46,556
NOT WITH YOU, THOUGH.

716
00:31:46,600 --> 00:31:48,863
YOU'’RE NOT A STATISTIC,
YOU'’RE AN INDIVIDUAL.

717
00:31:48,907 --> 00:31:50,691
I UNDERSTAND THAT.NO, YOU DON'’T KNOW,

718
00:31:50,734 --> 00:31:52,562
AND I DON'’T KNOW,
AND SHE DOESN'’T KNOW, EITHER.

719
00:31:52,606 --> 00:31:54,477
SPENCER, PLEASE DON'’T
GO DOWN THIS PATH.

720
00:31:54,521 --> 00:31:55,609
AND THERE ARE THINGS
THAT WE CAN DO.

721
00:31:55,652 --> 00:31:57,306
I KNOW--I KNOW PEOPLE
AT JOHNS HOPKINS.

722
00:31:57,350 --> 00:31:58,394
I CAN GET YOU INTO A STUDY.

723
00:31:58,438 --> 00:32:00,179
NO MORE STUDIES,
NO MORE DRUG TRIALS.

724
00:32:00,222 --> 00:32:01,571
I DON'’T WANT THAT.

725
00:32:01,615 --> 00:32:03,225
OH, SO YOU'’RE JUST--
YOU'’RE GIVING UP?

726
00:32:03,269 --> 00:32:04,705
I'’M ACCEPTING.

727
00:32:04,748 --> 00:32:06,359
I'’M NOT GOING TO SPEND
THE TIME I HAVE LEFT

728
00:32:06,402 --> 00:32:08,535
CHASING AFTER A CURE
THAT DOES NOT EXIST.

729
00:32:08,578 --> 00:32:10,145
WELL, I THINK
THAT'’S FOOLISH,

730
00:32:10,189 --> 00:32:13,105
AND I DON'’T UNDERSTAND WHY
YOU WON'’T DO THIS FOR ME.

731
00:32:16,456 --> 00:32:17,848
OK, SO NOW THAT
SHE'’S GOT THE MONEY,

732
00:32:17,892 --> 00:32:19,415
THEY'’RE GONNA BLOW
OUT OF TOWN, RIGHT?

733
00:32:19,459 --> 00:32:21,461
LEWIS: SOON.
THEY STILL HAVE TO
DEAL WITH CHARLOTTE.

734
00:32:21,504 --> 00:32:22,549
AND THEY'’LL NEED TO
CHANGE THEIR LOOKS,

735
00:32:22,592 --> 00:32:23,898
AT LEAST GRACE WILL.

736
00:32:23,942 --> 00:32:25,813
THEY HAVE TO BE HOLDING
CHARLOTTE SOMEWHERE.

737
00:32:25,856 --> 00:32:26,945
WELL, THEY'’RE NOT
IN HER APARTMENT.

738
00:32:26,988 --> 00:32:28,990
THERE HAS TO BE SOME
OTHER DC CONNECTION.

739
00:32:29,034 --> 00:32:30,774
WHAT ABOUT THE FOSTERS?

740
00:32:30,818 --> 00:32:32,385
THE COUPLE
THEY MURDERED
OUT IN MARYLAND?

741
00:32:32,428 --> 00:32:34,474
YEAH, WHAT IF THEY
WEREN'’T RANDOM VICTIMS?

742
00:32:34,517 --> 00:32:36,128
WHAT IF THEY WERE
TARGETED?

743
00:32:36,171 --> 00:32:37,999
ROSSI: THAT'’S POSSIBLE.
THERE WERE OTHER
HOUSES IN THE AREA,

744
00:32:38,043 --> 00:32:40,523
SOME WERE EVEN CLOSER
TO WHERE THEY ABANDONED
THEIR VEHICLE.

745
00:32:40,567 --> 00:32:43,048
AND GRACE WAS CALLING
THE SHOTS AT THAT POINT,
NOT EVERETT.

746
00:32:43,091 --> 00:32:44,440
OK, SO WHAT IF
THE FOSTERS HAVE

747
00:32:44,484 --> 00:32:45,920
SOME KIND OF
CONNECTION TO GRACE?

748
00:32:45,964 --> 00:32:48,227
NOT GRACE, BUT RACHEL NORTON,

749
00:32:48,270 --> 00:32:50,098
HER ALIAS FROM PREP SCHOOL,

750
00:32:50,142 --> 00:32:52,709
WAS AWARDED
THE FOSTER SCHOLARSHIP.

751
00:32:52,753 --> 00:32:54,711
THERE'’S NO INDICATION
THAT SHE EVER MET THEM,

752
00:32:54,755 --> 00:32:55,974
BUT SHE CERTAINLY
KNOWS WHO THEY ARE.

753
00:32:56,017 --> 00:32:57,584
DO THEY HAVE ANY KIND
OF PRESENCE IN DC?

754
00:32:57,627 --> 00:32:58,933
PIED-A-TERRE
ON "M" STREET.

755
00:32:58,977 --> 00:33:00,326
PRENTISS: THAT'’S IT.

756
00:33:07,463 --> 00:33:09,074
WE'’RE TOO LATE.

757
00:33:09,117 --> 00:33:10,814
SHE'’S DEAD.

758
00:33:12,338 --> 00:33:14,775
[MUFFLED SCREAM]

759
00:33:14,818 --> 00:33:16,995
[SCREAMING]

760
00:33:19,475 --> 00:33:20,955
HEY.

761
00:33:20,999 --> 00:33:22,304
[SOBS]

762
00:33:22,348 --> 00:33:23,392
WHAT'’S YOUR NAME?

763
00:33:23,436 --> 00:33:25,699
I'’M CHARLOTTE BURKE.
PLEASE HELP ME.

764
00:33:27,701 --> 00:33:29,920
YOU'’RE GONNA BE
ALL RIGHT.

765
00:33:32,097 --> 00:33:34,795
[RADIO STATIC,
ROCK MUSIC PLAYING]

766
00:33:34,838 --> 00:33:38,407
WOMAN: ♪ I AM THE PASSENGER

767
00:33:38,451 --> 00:33:42,150
♪ AND I RIDE AND I RIDE

768
00:33:42,194 --> 00:33:45,893
♪ I RIDE THROUGH THE
CITY'’S BACK SIDES ♪

769
00:33:45,936 --> 00:33:49,636
♪ I SEE THE STARS
COME OUT OF THE SKY... ♪

770
00:34:03,519 --> 00:34:06,087
THE BODY IN
THE APARTMENT IS GRACE.

771
00:34:06,131 --> 00:34:07,610
HE KILLED HIS OWN CHILD.

772
00:34:07,654 --> 00:34:09,134
SHE NEVER MATTER
TO HIM.

773
00:34:09,177 --> 00:34:11,092
THAT'’S WHY ROBERTA
WAS ABLE TO KEEP HIM
AWAY FROM HER.

774
00:34:11,136 --> 00:34:13,355
BUT WHY BOTHER BREAKING
HER OUT OF FEDERAL CUSTODY

775
00:34:13,399 --> 00:34:15,183
IF HE WAS ONLY GONNA
KILL HER?

776
00:34:15,227 --> 00:34:16,967
BECAUSE SHE WAS
A LIABILITY.

777
00:34:17,011 --> 00:34:19,927
HE WAS AFRAID
SHE'’D TURN ON HIM.

778
00:34:19,970 --> 00:34:22,103
SHE HAD DADDY ISSUES.

779
00:34:22,147 --> 00:34:23,757
SHE WOULD HAVE SOUGHT
YOUR APPROVAL

780
00:34:23,800 --> 00:34:25,933
BY VIRTUE OF THE FACT
THAT YOU'’RE A PATERNAL FIGURE,

781
00:34:25,976 --> 00:34:28,109
AND THAT MADE HER
DANGEROUS TO EVERETT.

782
00:34:28,153 --> 00:34:29,632
BUT WHY TAKE HER FACE?

783
00:34:29,676 --> 00:34:32,766
I THINK GRACE BECAME
A SURROGATE FOR ROBERTA,

784
00:34:32,809 --> 00:34:35,682
AND ROBERTA'’S THE ONE
WOMEN HE DESPISES AND FEARS

785
00:34:35,725 --> 00:34:37,379
ABOVE ALL OTHERS.

786
00:34:37,423 --> 00:34:40,426
BUT SHE'’S BEHIND BARS,
WHICH MAKES HER
INACCESSIBLE TO HIM.

787
00:34:40,469 --> 00:34:42,167
BESIDES, EVERETT'’S
A SERIAL KILLER.

788
00:34:42,210 --> 00:34:43,733
HE WORKS ALONE.

789
00:34:43,777 --> 00:34:46,301
ROBERTA KNEW THAT HE WOULD
DO THIS TO GRACE

790
00:34:46,345 --> 00:34:47,824
IF GIVEN THE CHANCE.

791
00:34:47,868 --> 00:34:49,609
THAT'’S WHY SHE WENT
TO SUCH LENGTHS

792
00:34:49,652 --> 00:34:51,001
TO KEEP THEM APART.

793
00:34:51,045 --> 00:34:52,307
SHE UNDERSTANDS HIM.

794
00:34:52,351 --> 00:34:54,135
IT'’S MORE THAN THAT.

795
00:34:54,179 --> 00:34:57,834
SHE'’S THE ONLY WOMAN
WHO SURVIVED HIM.

796
00:35:00,489 --> 00:35:03,231
ROBERTA: YOU'’RE LYING.

797
00:35:03,275 --> 00:35:05,668
HE WOULDN'’T DO THAT.
HE COULDN'’T.

798
00:35:05,712 --> 00:35:08,106
YOU KNOW THAT HE COULD.

799
00:35:08,149 --> 00:35:11,718
PLEASE, DON'’T MAKE ME
PROVE IT TO YOU.

800
00:35:11,761 --> 00:35:13,894
DO YOU HAVE A PHOTO?

801
00:35:15,896 --> 00:35:17,506
YOU SHOW ME.

802
00:35:17,550 --> 00:35:18,986
YOU DON'’T WANT TO
SEE THIS.

803
00:35:19,029 --> 00:35:21,336
SHOW ME.

804
00:35:27,647 --> 00:35:29,170
OH, GOD.

805
00:35:34,697 --> 00:35:37,004
[SOBBING]

806
00:35:42,357 --> 00:35:45,317
THOSE ARE HER HANDS.

807
00:35:47,101 --> 00:35:50,191
I KNOW HER HANDS.
I KNOW...

808
00:35:52,933 --> 00:35:54,891
WHY?

809
00:35:54,935 --> 00:35:56,719
I MEAN, WHY?
HE BROKE HER OUT OF JAIL.

810
00:35:56,763 --> 00:35:57,894
WHY?

811
00:35:57,938 --> 00:35:59,374
HE THOUGHT SHE WOULD
RAT HIM OUT.

812
00:35:59,418 --> 00:36:00,897
SHE WOULD NEVER DO THAT.

813
00:36:00,941 --> 00:36:02,508
EVERETT DIDN'’T KNOW THAT.

814
00:36:04,945 --> 00:36:06,729
OR HE JUST DIDN'’T CARE.

815
00:36:06,773 --> 00:36:08,209
YOU KNEW HE HAD IT IN HIM.

816
00:36:08,253 --> 00:36:11,169
THAT'’S WHY YOU SENT
GRACE TO ST. PETER'’S.

817
00:36:15,042 --> 00:36:18,698
ALL I EVER WANTED WAS
FOR HER TO HAVE A CHANCE.

818
00:36:18,741 --> 00:36:20,743
BOBBIE, LOOK AT ME.

819
00:36:20,787 --> 00:36:22,919
LOOK AT ME.

820
00:36:22,963 --> 00:36:24,747
HE HAS TO BE STOPPED.

821
00:36:24,791 --> 00:36:27,750
AND I NEED YOUR HELP
TO CATCH HIM.

822
00:36:27,794 --> 00:36:32,233
NOW, WILL YOU HELP ME?

823
00:36:39,284 --> 00:36:41,286
YOU SHOULD GO.

824
00:36:41,329 --> 00:36:44,245
THESE BOYS NEED
TO GET SOME SLEEP.

825
00:36:44,289 --> 00:36:46,334
THEY WANT TO BE WITH YOU.

826
00:36:47,814 --> 00:36:50,730
I WANT TO GO HOME.

827
00:36:50,773 --> 00:36:52,340
SOON.

828
00:36:52,384 --> 00:36:55,648
GARCIA: HELLO,
HELLO, HELLO.

829
00:36:55,691 --> 00:36:57,389
PENELOPE.

830
00:36:57,432 --> 00:36:59,391
YOU LOOK AMAZING.

831
00:36:59,434 --> 00:37:00,783
NO, I DON'’T.

832
00:37:00,827 --> 00:37:02,263
YOU KNOW WHAT,
YOU LOOK ALIVE,

833
00:37:02,307 --> 00:37:05,440
AND THAT IS
FRICKIN'’ AMAZING.

834
00:37:05,484 --> 00:37:07,529
THANKS.

835
00:37:07,573 --> 00:37:09,270
WE WERE REALLY
WORRIED.

836
00:37:09,314 --> 00:37:11,272
I KNOW.

837
00:37:11,316 --> 00:37:13,405
HEY, I SAW AN
ICE CREAM SHOP

838
00:37:13,448 --> 00:37:15,450
ON MY WAY IN.

839
00:37:15,494 --> 00:37:17,365
WHAT DO YOU THINK
I TAKE THE BOYS

840
00:37:17,409 --> 00:37:18,975
TO GO GET
ICE CREAM? YES?

841
00:37:19,019 --> 00:37:20,150
YES.
YES?

842
00:37:20,194 --> 00:37:21,978
YEAH!
OK.

843
00:37:22,022 --> 00:37:23,850
LET'’S SEE HOW MANY
SAMPLES WE CAN GET

844
00:37:23,893 --> 00:37:25,460
BEFORE THEY MAKE US
BUY SCOOPS.

845
00:37:25,504 --> 00:37:28,289
HEY, NOT TOO MUCH.

846
00:37:28,333 --> 00:37:29,682
BOY: NOT TOO MUCH.

847
00:37:29,725 --> 00:37:31,510
[CHUCKLES]

848
00:37:36,123 --> 00:37:37,820
THERE'’S A WHOLE LOT
OF PEOPLE OUT THERE

849
00:37:37,864 --> 00:37:40,083
WHO LOVE YOU,

850
00:37:40,127 --> 00:37:42,216
NOT JUST ME AND THE BOYS.

851
00:37:44,349 --> 00:37:48,657
BUT IT'’S YOU
AND THE BOYS I NEED.

852
00:37:50,529 --> 00:37:52,313
YOU KNOW THAT, RIGHT?

853
00:37:52,357 --> 00:37:53,532
MM-HMM.

854
00:37:56,491 --> 00:37:58,276
I LOVE YOU, WILL.

855
00:37:58,319 --> 00:37:59,668
SO MUCH.

856
00:37:59,712 --> 00:38:02,323
AND I LOVE OUR FAMILY.

857
00:38:02,367 --> 00:38:04,282
I KNOW YOU DO.

858
00:38:05,718 --> 00:38:08,677
[EXHALES]

859
00:38:08,721 --> 00:38:12,855
WHEN I THINK HOW CLOSE
I CAME TO...LOSING--

860
00:38:12,899 --> 00:38:16,642
NO, NO, NO.
NO, NO, NO. DON'’T.

861
00:38:16,685 --> 00:38:18,513
DON'’T GO THERE.

862
00:38:35,356 --> 00:38:36,314
I'’M SORRY.

863
00:38:36,357 --> 00:38:38,228
NO, NO, NO.

864
00:38:38,272 --> 00:38:39,708
AND I'’M SORRY.

865
00:38:39,752 --> 00:38:42,363
I AM HAPPY TO
PARTICIPATE IN A STUDY

866
00:38:42,407 --> 00:38:44,017
OR A DRUG TRIAL,
WHATEVER YOU WANT.

867
00:38:44,060 --> 00:38:46,585
I DON'’T WANT THAT.
I WANT YOU TO ABLE

868
00:38:46,628 --> 00:38:51,590
TO SPEND THIS TIME IN
A WAY THAT MAKES YOU
THE MOST HAPPY.

869
00:38:53,026 --> 00:38:54,332
CAN I TELL YOU
SOMETHING, MOM?

870
00:38:54,375 --> 00:38:56,029
OF COURSE.

871
00:38:56,072 --> 00:38:57,944
I'’M AFRAID OF LOSING YOU.

872
00:38:59,380 --> 00:39:01,077
AND IT'’S...

873
00:39:03,428 --> 00:39:05,212
IT'’S NOT JUST
BECAUSE I LOVE YOU.

874
00:39:05,255 --> 00:39:10,348
IT'’S...BECAUSE I DON'T
THINK I KNOW WHO I AM
IN THIS WORLD

875
00:39:10,391 --> 00:39:12,437
IF I'’M NOT YOUR SON...

876
00:39:14,700 --> 00:39:17,355
IF I'’M NOT PROTECTING YOU.

877
00:39:19,008 --> 00:39:22,185
THAT'’S A ROLE THAT YOU'VE
PLAYED FOR A VERY LONG TIME.

878
00:39:22,229 --> 00:39:23,404
IT'’S WHO I AM.

879
00:39:23,448 --> 00:39:25,275
NO, NO, YOU'’RE
SO MUCH MORE THAN THAT.

880
00:39:25,319 --> 00:39:27,321
BUT IT'’S HOW I SEE MYSELF.

881
00:39:27,365 --> 00:39:29,584
AND IT'’S NOT SOMETHING
THAT I'’VE DONE CONSCIOUSLY.

882
00:39:29,628 --> 00:39:32,413
IT JUST...IT JUST IS.

883
00:39:32,457 --> 00:39:34,415
AND IT'’S NOT JUST YOU.
IT'’S JJ, TOO.

884
00:39:34,459 --> 00:39:37,505
I DON'’T KNOW HOW TO BE
IN THIS WORLD

885
00:39:37,549 --> 00:39:41,466
IF I'’M NOT WISHING
FOR A FUTURE WITH HER.

886
00:39:41,509 --> 00:39:44,338
WELL, WHO WE ARE
IN THE WORLD CHANGES.

887
00:39:44,382 --> 00:39:46,296
IT'’S PART OF LIFE.

888
00:39:46,340 --> 00:39:47,907
INTELLECTUALLY,
I KNOW THAT,

889
00:39:47,950 --> 00:39:51,345
AND I KNOW...
I KNOW I SHOULD MOVE ON,

890
00:39:51,389 --> 00:39:53,391
BUT I DON'’T KNOW HOW.

891
00:39:53,434 --> 00:39:55,305
I FEEL STUCK.

892
00:39:55,349 --> 00:39:57,960
I WAS WONDERING IF I
COULD MOVE IN HERE WITH YOU.

893
00:39:58,004 --> 00:39:59,875
NO, NO, YOU CAN'’T.

894
00:39:59,919 --> 00:40:04,010
JUST LIKE YOU CAN'’T
SPEND THE REST OF YOUR
LIFE WAITING FOR JJ.

895
00:40:04,053 --> 00:40:06,316
YOU HAVE TO
MOVE FORWARD.

896
00:40:06,360 --> 00:40:07,579
HOW?

897
00:40:07,622 --> 00:40:08,971
YOU JUST DO IT.

898
00:40:09,015 --> 00:40:12,148
YOU'’VE SPENT
SO MANY YEARS
BEING A BOY WONDER,

899
00:40:12,192 --> 00:40:14,237
AND THAT'’S NOW WHO
YOU ARE ANYMORE.

900
00:40:14,281 --> 00:40:16,414
YOU'’RE AN ADULT NOW.

901
00:40:16,457 --> 00:40:17,502
WHAT DOES THAT MEAN?

902
00:40:17,545 --> 00:40:18,807
[LAUGHS]

903
00:40:18,851 --> 00:40:20,679
WHATEVER YOU
WANT IT TO MEAN.

904
00:40:20,722 --> 00:40:22,463
YOU GET TO CHOOSE.

905
00:40:22,507 --> 00:40:24,944
COME ON,
YOU CAN DO THIS.

906
00:40:24,987 --> 00:40:26,119
IT'’S TIME.

907
00:40:26,162 --> 00:40:27,425
[CLEARS THROAT]

908
00:40:28,904 --> 00:40:30,689
I KNOW.

909
00:40:35,520 --> 00:40:36,912
JUST FOR RIGHT NOW
COULD WE MAYBE DO SOMETHING

910
00:40:36,956 --> 00:40:39,437
WE USED TO DO BACK WHEN
I WAS A BOY WONDER?

911
00:40:39,480 --> 00:40:40,742
WHAT'’S THAT?

912
00:40:42,918 --> 00:40:43,963
GAME OF CHESS?

913
00:40:44,006 --> 00:40:45,530
YEAH, I THINK WE
CAN DO THAT.

914
00:40:51,144 --> 00:40:53,407
REID, VOICE-OVER:
A.A. MILNE WROTE,

915
00:40:53,451 --> 00:40:56,671
"HOW LUCKY I AM
TO HAVE SOMETHING

916
00:40:56,715 --> 00:41:00,588
THAT MAKES SAYING
GOOD-BYE SO HARD."

917
00:41:25,352 --> 00:41:28,311
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

918
00:41:28,355 --> 00:41:31,445
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--