1 00:04:13,230 --> 00:04:15,630 THERE'S JUST NOTHIN' DOWN THERE. 2 00:04:15,630 --> 00:04:16,990 NOTHIN'. I HAVEN'T SEEN A BUILDING 3 00:04:16,990 --> 00:04:19,270 IN, LIKE, 20 MINUTES. 4 00:04:20,100 --> 00:04:21,160 LOOK AT THAT. 5 00:04:21,160 --> 00:04:23,670 WE'RE NOT ON VACATION, HAP, REMEMBER. 6 00:04:23,670 --> 00:04:25,240 CHEER UP, WILL YA? 7 00:04:25,240 --> 00:04:26,370 TELL THAT 8 00:04:26,370 --> 00:04:28,100 TO HER, PARTNER. 9 00:04:28,100 --> 00:04:29,570 BETTER HANG ON, GUYS. 10 00:04:29,570 --> 00:04:30,880 IT'S GONNA GET ROUGH AGAIN. 11 00:04:32,040 --> 00:04:33,440 WHOA. 12 00:04:33,440 --> 00:04:35,350 THERE GOES MY LUNCH. 13 00:05:07,770 --> 00:05:10,370 DETECTIVE ECKHART, I'M DETECTIVE ELLIE BURR. 14 00:05:10,370 --> 00:05:11,810 OH, HI. NICE TO MEET YOU. 15 00:05:11,810 --> 00:05:12,940 HERE, LET ME HELP. 16 00:05:12,940 --> 00:05:14,340 HOW YA DOIN'? GOOD. 17 00:05:14,340 --> 00:05:16,850 HALIBUT FISHING CAPITAL OF THE WORLD. OK. 18 00:05:16,850 --> 00:05:19,380 DETECTIVE DORMER, SUCH AN HONOR TO MEET YOU. 19 00:05:19,380 --> 00:05:20,480 I'M DETECTIVE ELLIE BURR. 20 00:05:20,480 --> 00:05:22,080 WELCOME TO NIGHTMUTE. 21 00:05:22,080 --> 00:05:23,520 GOT THE CAR RIGHT HERE. 22 00:05:36,000 --> 00:05:39,100 IT'S SO INCREDIBLE TO BE WORKING WITH YOU, 23 00:05:39,100 --> 00:05:40,200 DETECTIVE DORMER. 24 00:05:40,200 --> 00:05:42,370 I'VE FOLLOWED ALL OF YOUR CASES-- 25 00:05:42,370 --> 00:05:44,140 THEODORE DINELI, FRANK PRUD'HOMME, 26 00:05:44,140 --> 00:05:46,810 UH, THE OCEAN PARK SHOOTINGS, 27 00:05:46,810 --> 00:05:48,340 AND ESPECIALLY 28 00:05:48,340 --> 00:05:50,840 THE LELAND STREET MURDERS. 29 00:05:50,840 --> 00:05:51,840 IS THAT WHERE, UH, 30 00:05:51,840 --> 00:05:53,510 RONALD LANGLEY CUT YOU 31 00:05:53,510 --> 00:05:55,480 IN THE BASEMENT OF 325 LELAND STREET? 32 00:05:55,480 --> 00:05:57,380 YOU CERTAINLY DID YOUR HOMEWORK, DETECTIVE. 33 00:05:57,380 --> 00:05:58,680 THE LELAND STREET MURDERS 34 00:05:58,680 --> 00:06:00,550 WAS MY CASE STUDY AT THE ACADEMY. 35 00:06:01,420 --> 00:06:02,750 SO, I'M GONNA JUST TAKE YOU GUYS 36 00:06:02,750 --> 00:06:04,520 OVER TO THE LODGE AND DROP YOUR-- 37 00:06:04,520 --> 00:06:06,120 JUST TAKE US TO THE STATION. 38 00:06:06,120 --> 00:06:08,430 RIGHT. WE NEED TO GET STARTED. 39 00:06:08,430 --> 00:06:10,130 MOST HOMICIDES ARE SOLVED 40 00:06:10,130 --> 00:06:12,060 BY WORK DONE IN THE FIRST 72 HOURS. 41 00:06:12,060 --> 00:06:13,960 WELL, IT'S 48 HOURS. 42 00:06:13,960 --> 00:06:16,330 WE'RE A DAY BEHIND. 43 00:06:16,330 --> 00:06:17,640 BUT WHO'S COUNTIN'? 44 00:06:28,480 --> 00:06:30,140 UH, YEAH, COME IN. 45 00:06:30,140 --> 00:06:31,950 THEY GOT YOU BEHIND A DESK, HUH? 46 00:06:31,950 --> 00:06:33,310 CHARLIE BUBBLES. 47 00:06:33,310 --> 00:06:34,650 HOW YA DOIN', MAN? 48 00:06:34,650 --> 00:06:37,250 I HAVEN'T SEEN YOU BOYS SINCE, WELL-- 49 00:06:37,250 --> 00:06:38,250 HEY, CHARLIE. 50 00:06:38,250 --> 00:06:39,620 I DON'T KNOW. 7 YEARS? 51 00:06:39,620 --> 00:06:40,420 8 YEARS. 52 00:06:40,420 --> 00:06:42,820 7 YEARS? I AM OLD. 53 00:06:42,820 --> 00:06:44,120 ELLIE, GET EVERYONE IN THE BULLPEN. 54 00:06:44,120 --> 00:06:45,120 I GOTTA SHOW YOU OFF A LITTLE. 55 00:06:45,120 --> 00:06:46,490 NICE KID. 56 00:06:46,490 --> 00:06:47,690 YEAH, LOVES THE JOB. 57 00:06:47,690 --> 00:06:49,320 YEAH. 58 00:06:49,320 --> 00:06:51,090 YOU KNOW, WHEN I CALLED BUCK FOR ADVICE ON THIS, 59 00:06:51,090 --> 00:06:52,160 I NEVER ACTUALLY EXPECTED 60 00:06:52,160 --> 00:06:55,870 THAT HE'D SEND YOU GUYS UP HERE. 61 00:06:55,870 --> 00:06:57,300 SOMETHING ABOUT THAT BULLSHIT YOU'VE GOT 62 00:06:57,300 --> 00:06:59,000 GOING ON DOWN THERE WITH INTERNAL AFFAIRS? 63 00:06:59,000 --> 00:07:00,300 THEY'RE MOVING IN, CHARLIE. 64 00:07:00,300 --> 00:07:02,340 AW, COME ON, MAN. IT'S NOTHING. 65 00:07:02,340 --> 00:07:04,010 IT'S THE USUAL CRAP. 66 00:07:04,010 --> 00:07:05,110 BUCK JUST FIGURED 67 00:07:05,110 --> 00:07:06,370 YOU COULD USE SOME HELP UP HERE. 68 00:07:06,370 --> 00:07:07,310 THEY GOT FINN AND KENTOR ON NARCOTICS THEFT, 69 00:07:07,310 --> 00:07:08,540 CORELLI ON A BAD SHOOTING. 70 00:07:08,540 --> 00:07:09,680 NOW THE FUCKERS ARE WADING THROUGH FILES 71 00:07:09,680 --> 00:07:11,210 LOOKING FOR HEADLINES, BUT, UH-- 72 00:07:11,210 --> 00:07:12,710 YEAH, IT'S GONNA BLOW OVER. 73 00:07:12,710 --> 00:07:15,740 GOT A MESSAGE HERE FROM A GUY NAMED WARFIELD. 74 00:07:15,740 --> 00:07:17,450 I.A.'S PIT BULL. 75 00:07:17,450 --> 00:07:20,190 HE WANTS TO BE POSTED ON YOUR MOVEMENTS. 76 00:07:20,190 --> 00:07:21,520 I THINK YOU'LL FIND 77 00:07:21,520 --> 00:07:23,460 IT'S A BIT MORE STRAIGHTFORWARD UP HERE. 78 00:07:23,460 --> 00:07:24,520 GOOD GUYS, BAD GUYS, 79 00:07:24,520 --> 00:07:26,430 BUT A LOT LESS PUBLIC RELATIONS. 80 00:07:26,430 --> 00:07:27,660 IT'S SIMPLE... 81 00:07:30,400 --> 00:07:31,770 EXCEPT FOR THIS. 82 00:07:33,000 --> 00:07:34,470 OK, LISTEN UP. 83 00:07:34,470 --> 00:07:37,330 DETECTIVES DORMER AND ECKHART 84 00:07:37,330 --> 00:07:38,740 ON LOAN FROM BUCK LUNDGARD, 85 00:07:38,740 --> 00:07:40,740 LOS ANGELES ROBBERY AND HOMICIDE. 86 00:07:40,740 --> 00:07:42,070 THEY'LL BE HELPING US WITH THE CONNELL CASE. 87 00:07:42,070 --> 00:07:43,070 HELPING? 88 00:07:43,070 --> 00:07:44,270 WE'RE DAMN LUCKY TO HAVE 'EM. 89 00:07:44,270 --> 00:07:45,740 ANYTHING THEY WANT TO SEE, YOU SHOW THEM. 90 00:07:45,740 --> 00:07:48,310 ANYPLACE THEY WANT TO GO, YOU TAKE 'EM. 91 00:07:48,310 --> 00:07:49,480 THIS IS DETECTIVE FRED DUGGAR. 92 00:07:49,480 --> 00:07:50,450 HE'S BEEN HEADING UP THE INVESTIGATION. 93 00:07:50,450 --> 00:07:51,450 WELL, HELLO, FRED. 94 00:07:51,450 --> 00:07:52,620 PLEASURE. NICE TO MEET YOU. 95 00:07:52,620 --> 00:07:54,280 WANT TO GET RIGHT ON IT? 96 00:07:54,280 --> 00:07:55,420 ALL RIGHT. YOU SEEN WHAT WE GOT? 97 00:07:55,420 --> 00:07:56,620 YEAH. I WANT TO START WITH THE BODY. 98 00:07:56,620 --> 00:07:57,820 YOU GOT THE REPORT, RIGHT? 99 00:07:57,820 --> 00:07:59,620 WELL, I WANT TO SEE THE BODY FOR MYSELF. 100 00:07:59,620 --> 00:08:01,320 OK. 101 00:08:01,320 --> 00:08:02,760 CLEAR CAUSE OF DEATH 102 00:08:02,760 --> 00:08:04,260 WAS HERNIATION OF THE BRAIN STEM 103 00:08:04,260 --> 00:08:06,490 DUE TO INTERCEREBRAL HEMORRHAGE. 104 00:08:06,490 --> 00:08:08,030 BEATEN TO DEATH. 105 00:08:08,030 --> 00:08:09,430 THESE CONTUSIONS? 106 00:08:09,430 --> 00:08:10,900 SUPERFICIAL. 107 00:08:10,900 --> 00:08:13,270 MOST OF THE TRAUMA WAS TO HER FACE 108 00:08:13,270 --> 00:08:14,700 AND THE TOP OF HER NECK. 109 00:08:15,870 --> 00:08:17,040 ANY SIGNS OF RIG? 110 00:08:17,040 --> 00:08:18,270 NO. 111 00:08:18,270 --> 00:08:20,810 THIS ONE COVERS AN OLDER BRUISE. 112 00:08:20,810 --> 00:08:23,270 THERE'S AN OLDER ONE HERE, TOO. 113 00:08:23,270 --> 00:08:24,910 THEY'RE BOTH IN THE REPORT. 114 00:08:24,910 --> 00:08:26,380 HE WASHED HER HAIR. 115 00:08:32,620 --> 00:08:35,160 SCRUBBED HER NAILS. 116 00:08:35,990 --> 00:08:37,850 IT'S ALL IN THE REPORT, DETECTIVE. 117 00:08:37,850 --> 00:08:40,620 DOESN'T SAY IN THE REPORT THAT HE CLIPPED 'EM, TOO. 118 00:08:40,620 --> 00:08:42,290 SHE COULD'VE CLIPPED 'EM HERSELF. 119 00:08:42,290 --> 00:08:43,560 NOPE. 120 00:08:43,560 --> 00:08:46,460 NO POLISH ON THE ENDS OF THE NAILS. 121 00:08:46,460 --> 00:08:48,400 SHE PAINTED 'EM HERSELF. 122 00:08:48,400 --> 00:08:50,430 SOMEONE ELSE CUT 'EM SHORTER. 123 00:08:50,430 --> 00:08:53,190 TOES, TOO. 124 00:08:53,190 --> 00:08:54,670 NAKED WHEN YOU FOUND HER? 125 00:08:54,670 --> 00:08:57,410 YEAH. LAST SEEN WEARING A RED PAISLEY DRESS. 126 00:08:57,410 --> 00:08:59,510 NO FIBERS, FLAKES, HAIRS? 127 00:08:59,510 --> 00:09:01,870 WE KNOW ABOUT FORENSICS WORK UP HERE. 128 00:09:01,870 --> 00:09:02,940 I TOLD YOU. 129 00:09:02,940 --> 00:09:03,780 BODY GAVE US NOTHING. 130 00:09:03,780 --> 00:09:06,210 OH, SHE GAVE US PLENTY. 131 00:09:06,210 --> 00:09:08,880 ALL THIS TROUBLE, ALL THIS CARE. 132 00:09:08,880 --> 00:09:09,920 WHY? 133 00:09:12,490 --> 00:09:13,990 HE KNEW HER. 134 00:09:14,890 --> 00:09:17,150 HE KNOWS WE CAN CONNECT HIM TO IT. 135 00:09:17,150 --> 00:09:20,490 THIS ISN'T SOME RANDOM PSYCHO, CRIME OF PASSION? 136 00:09:20,490 --> 00:09:22,090 WELL, I DON'T KNOW. MAYBE. 137 00:09:22,090 --> 00:09:23,290 BUT WHATEVER HAPPENED, 138 00:09:23,290 --> 00:09:26,230 HIS REACTION TO IT WASN'T PASSION. 139 00:09:26,230 --> 00:09:27,600 HE DIDN'T PANIC. 140 00:09:27,600 --> 00:09:29,700 DIDN'T CHOP HER UP OR BURN HER BEYOND RECOGNITION. 141 00:09:29,700 --> 00:09:33,740 HE JUST THOUGHT ABOUT WHAT WE WOULD BE LOOKING FOR 142 00:09:33,740 --> 00:09:38,210 AND THEN CALMLY REMOVED ALL THOSE TRACES. 143 00:09:38,210 --> 00:09:41,240 NO HASTE, NO RUSH. 144 00:09:41,240 --> 00:09:43,080 WHY WOULD HE CLIP THE NAILS 145 00:09:43,080 --> 00:09:44,210 AFTER SCRUBBING THEM? 146 00:09:44,210 --> 00:09:46,450 WELL, MANIPULATING THE BODY. 147 00:09:46,450 --> 00:09:48,040 PROLONGING THE MOMENT. 148 00:09:48,040 --> 00:09:50,880 NO MUTILATION. 149 00:09:50,880 --> 00:09:52,280 NOT THIS TIME. 150 00:09:52,280 --> 00:09:54,120 YOU THINK THERE'S BEEN OTHERS? 151 00:09:54,120 --> 00:09:55,160 NO. 152 00:09:57,190 --> 00:09:58,790 BUT THERE'S GONNA BE. 153 00:09:58,790 --> 00:10:00,090 THIS GUY, 154 00:10:00,090 --> 00:10:01,330 HE CROSSED THE LINE, 155 00:10:01,330 --> 00:10:05,190 AND HE DIDN'T EVEN BLINK. 156 00:10:05,190 --> 00:10:07,930 YOU DON'T COME BACK FROM THAT. 157 00:10:07,930 --> 00:10:13,840 OK, LET'S GO FIND OUT WHO KAY WAS. 158 00:10:16,370 --> 00:10:18,210 FRED SAID NOT TO TOUCH ANYTHING, 159 00:10:18,210 --> 00:10:20,580 SO I HAVEN'T TIDIED UP YET. 160 00:10:20,580 --> 00:10:23,250 SHE HATES IT WHEN I GO INTO HER ROOM ANYWAY. 161 00:10:25,780 --> 00:10:27,150 THANK YOU, MRS. CONNELLY. 162 00:10:31,860 --> 00:10:33,090 MMM. 163 00:10:37,550 --> 00:10:39,930 SO, SHE WENT TO A PARTY FRIDAY NIGHT? 164 00:10:39,930 --> 00:10:41,490 UM, NOT EXACTLY A PARTY. 165 00:10:41,490 --> 00:10:45,000 IT'S, UM, A LOCAL DIVE WHERE THE KIDS HANG OUT. 166 00:10:45,000 --> 00:10:46,770 NO DIARY, HUH? 167 00:10:46,770 --> 00:10:48,230 WE DIDN'T FIND ONE, 168 00:10:48,230 --> 00:10:50,300 BUT HER MOM DID SAY THAT SHE KEEPS A JOURNAL. 169 00:10:50,300 --> 00:10:52,800 FRIENDS SAID SHE ARGUED WITH HER BOYFRIEND FRIDAY, 170 00:10:52,800 --> 00:10:56,740 AND SHE STORMED OFF JUST AFTER MIDNIGHT. 171 00:10:58,010 --> 00:10:59,740 SHE DID, HUH? 172 00:10:59,740 --> 00:11:03,150 THIS IS INTERESTING. 173 00:11:15,130 --> 00:11:16,520 WHO IS THIS? 174 00:11:16,520 --> 00:11:18,390 TANYA FRANCKE, 175 00:11:18,390 --> 00:11:21,100 KAY'S BEST FRIEND. 176 00:11:21,100 --> 00:11:22,770 I WANT TO TALK TO HER. 177 00:11:23,630 --> 00:11:25,530 WHO...IS KAY CONNELL? 178 00:11:25,530 --> 00:11:27,200 WHO IS SHE? 179 00:11:27,200 --> 00:11:29,040 IS SHE POPULAR, 180 00:11:29,040 --> 00:11:30,300 OR IS SHE A LONER? 181 00:11:30,300 --> 00:11:31,400 DID SHE LIKE THIS TOWN? 182 00:11:31,400 --> 00:11:32,670 DID SHE WANT TO BOLT 183 00:11:32,670 --> 00:11:33,670 THE FIRST CHANCE SHE GOT? 184 00:11:33,670 --> 00:11:36,240 DID SHE HAVE, UH, DREAMS? 185 00:11:36,240 --> 00:11:37,640 SHE KNEW THIS GUY. 186 00:11:37,640 --> 00:11:39,950 WE KNOW HER, MAYBE WE CAN KNOW HIM. 187 00:11:39,950 --> 00:11:43,510 THIS IS DESIGNER. THIS IS EXPENSIVE. 188 00:11:43,510 --> 00:11:46,380 THE BOYFRIEND, UH, RANDY-- 189 00:11:46,380 --> 00:11:47,420 RANDY STETZ. 190 00:11:47,420 --> 00:11:48,420 HE COULD AFFORD THIS? 191 00:11:48,420 --> 00:11:49,450 HE'S STILL IN HIGH SCHOOL. 192 00:11:49,450 --> 00:11:51,420 WELL, HER MOTHER DIDN'T BUY IT. 193 00:11:51,420 --> 00:11:52,520 WHAT ARE WE THINKIN'? 194 00:11:52,520 --> 00:11:54,160 OH, I DON'T KNOW. UH, STEPFATHER? 195 00:11:54,160 --> 00:11:56,060 ANY RICH UNCLES? 196 00:11:56,060 --> 00:11:57,900 NO. 197 00:11:59,100 --> 00:12:01,070 AN ADMIRER. 198 00:12:02,900 --> 00:12:03,870 YEAH. 199 00:12:05,070 --> 00:12:07,570 ALL RIGHT, I WANT TO TALK TO THE BOYFRIEND. 200 00:12:07,570 --> 00:12:08,870 I CAN GET HIM TO THE STATION. 201 00:12:08,870 --> 00:12:10,670 NO, NO. NO. I WANT TO GO TO THE SCHOOL, 202 00:12:10,670 --> 00:12:11,810 WHERE HE IS IN HIS CLASS. 203 00:12:11,810 --> 00:12:13,170 PULL HIM OUT IN FRONT OF HIS FRIENDS, 204 00:12:13,170 --> 00:12:14,170 CATCH HIM OFF-GUARD. 205 00:12:14,170 --> 00:12:16,840 I WANT TO, YOU KNOW, GET PEOPLE TALKIN'. 206 00:12:16,840 --> 00:12:19,680 SO, HOW FAR AWAY IS THE SCHOOL? 207 00:12:22,150 --> 00:12:25,020 IT'S 10:00, DETECTIVE DORMER. 208 00:12:25,020 --> 00:12:26,690 YOU BET. 209 00:12:26,690 --> 00:12:29,360 AT NIGHT. 210 00:12:29,360 --> 00:12:30,520 OH. 211 00:12:30,520 --> 00:12:33,160 SO WHEN DOES IT GET DARK AROUND HERE? 212 00:12:33,160 --> 00:12:34,490 UH, IT DOESN'T. 213 00:12:34,490 --> 00:12:36,970 NOT THIS TIME OF YEAR. 214 00:12:38,930 --> 00:12:40,870 YEAH, I HEARD ABOUT THAT. 215 00:12:40,870 --> 00:12:42,700 HOW COME YOU DIDN'T KNOW THAT, HAP? 216 00:12:50,110 --> 00:12:51,710 LOWER 48. 217 00:12:51,710 --> 00:12:53,610 LOWER 48? 218 00:12:53,610 --> 00:12:54,610 YOU'RE NOT FROM HERE. 219 00:12:54,610 --> 00:12:56,310 I CAN TELL BY YOUR WALK. 220 00:12:56,310 --> 00:12:57,380 HOW'S THAT? 221 00:12:57,380 --> 00:12:58,950 UNSURE. 222 00:12:58,950 --> 00:13:00,380 HUH. DORMER AND ECKHART. 223 00:13:00,380 --> 00:13:01,720 WE HAVE A RESERVATION. 224 00:13:01,720 --> 00:13:02,820 DON'T BE FOOLED 225 00:13:02,820 --> 00:13:03,880 BY MY FRIEND'S FRIVOLOUS DEMEANOR. 226 00:13:03,880 --> 00:13:06,860 INSIDE, HE'S ALL BUSINESS. 227 00:13:07,920 --> 00:13:09,290 YOUR RESTAURANT STILL SERVING? 228 00:13:09,290 --> 00:13:11,160 YEAH. KITCHEN'S ABOUT TO CLOSE, THOUGH. 229 00:13:11,160 --> 00:13:13,700 OH. WELL, WE'LL BE QUICK. THANK YOU. 230 00:13:14,700 --> 00:13:16,030 THANKS. 231 00:13:16,030 --> 00:13:18,000 WELL, WE GOT THE HALIBUT CALABRESE, 232 00:13:18,000 --> 00:13:20,600 GOT THE HALIBUT OLYMPIAN. 233 00:13:20,600 --> 00:13:21,900 KEEP GOING. 234 00:13:21,900 --> 00:13:23,770 HALIBUT CAJUN-STYLE. 235 00:13:23,770 --> 00:13:27,380 OH, I CAN'T WAIT TO SEE WHAT THEY GOT FOR DESSERT. 236 00:13:29,110 --> 00:13:30,310 NATIVES ARE GETTING RESTLESS. 237 00:13:31,350 --> 00:13:32,710 WE GOTTA TALK. 238 00:13:32,710 --> 00:13:34,140 NO, WE DON'T. 239 00:13:34,140 --> 00:13:35,480 YOU JUST WANT TO SIT TIGHT, HUH? 240 00:13:35,480 --> 00:13:36,650 NOTHING'S CHANGED. 241 00:13:36,650 --> 00:13:37,910 NOTHING'S CHANGED? 242 00:13:37,910 --> 00:13:39,350 WHAT THE FUCK DO YOU THINK WE'RE DOING 243 00:13:39,350 --> 00:13:42,920 IN THE HALIBUT FISHING CAPITAL OF THE WORLD, WILL? 244 00:13:42,920 --> 00:13:44,950 BUCK FIGURED CHARLIE COULD USE THE HELP-- 245 00:13:44,950 --> 00:13:47,520 BUCK FIGURED I.A. WOULD BE COMING TO ME NEXT, 246 00:13:47,520 --> 00:13:49,160 AND HE WAS RIGHT. 247 00:13:50,990 --> 00:13:52,030 WARFIELD HAD ME LOCKED IN HIS OFFICE 248 00:13:52,030 --> 00:13:53,800 FOR 3 HOURS YESTERDAY, WILL. 249 00:13:53,800 --> 00:13:55,230 3 FUCKIN' HOURS. 250 00:13:55,230 --> 00:13:57,130 HAP, 251 00:13:57,130 --> 00:13:58,430 HE'S RATTLIN' YOUR CAGE, PAL. 252 00:13:58,430 --> 00:13:59,600 THAT'S ALL. 253 00:13:59,600 --> 00:14:01,800 ME AND TRISH TALKED IT THROUGH, 254 00:14:01,800 --> 00:14:04,270 AND, UH, I'M SORRY, 255 00:14:04,270 --> 00:14:05,570 BUT I GOTTA CUT A DEAL. 256 00:14:05,570 --> 00:14:07,640 DON'T EVEN SAY THIS SHIT TO ME, HAP. 257 00:14:07,640 --> 00:14:09,100 YOU'RE NOT GONNA BE INVOLVED. 258 00:14:09,100 --> 00:14:10,010 I'M NOT? NO. 259 00:14:10,010 --> 00:14:11,440 OF COURSE I'M GONNA BE INVOLVED. 260 00:14:11,440 --> 00:14:12,810 YOU'RE A GODDAMN HERO. 261 00:14:12,810 --> 00:14:13,950 WITH YOUR REPUTATION, HE CAN'T TOUCH YOU. 262 00:14:13,950 --> 00:14:18,380 MY REPUTATION'S THE WHOLE PROBLEM. 263 00:14:18,380 --> 00:14:20,410 I MEAN, YOU THINK WARFIELD 264 00:14:20,410 --> 00:14:22,090 GIVES A FLYING FUCK ABOUT YOU 265 00:14:22,090 --> 00:14:24,350 SHAKING DOWN A COUPLE OF DRUG DEALERS? 266 00:14:24,350 --> 00:14:26,960 YOU THINK THAT'S GONNA GET HIM HIS HEADLINES? 267 00:14:26,960 --> 00:14:29,090 HE NEEDS THE BIG FISH. 268 00:14:29,090 --> 00:14:30,560 HE'S PUTTING THE SQUEEZE ON YOU 269 00:14:30,560 --> 00:14:32,600 TO GET TO ME. IT'S VERY SIMPLE, HAP. 270 00:14:32,600 --> 00:14:34,360 BUT YOU'RE CLEAN, WILL. 271 00:14:34,360 --> 00:14:36,300 I'M A GOOD COP, YEAH. 272 00:14:36,300 --> 00:14:38,570 BUT THERE'S ALWAYS SOMETHING THEY CAN USE, 273 00:14:38,570 --> 00:14:39,570 YOU KNOW, TO GET AT YOUR CREDIBILITY. 274 00:14:39,570 --> 00:14:40,810 YOU KNOW THAT. 275 00:14:41,810 --> 00:14:43,300 HAVE YOU ANY IDEA 276 00:14:43,300 --> 00:14:44,570 WHAT THIS IS GONNA DO? 277 00:14:44,570 --> 00:14:46,540 I MEAN, JUST THINK ABOUT ALL MY CASES. 278 00:14:46,540 --> 00:14:49,310 ALL THE CASES DEPENDED ON MY WORD, 279 00:14:49,310 --> 00:14:50,280 MY JUDGMENT. 280 00:14:50,280 --> 00:14:51,850 ALL THOSE FUCKERS BACK ON THE STREET. 281 00:14:51,850 --> 00:14:52,850 NOW, YOU THINK ABOUT THAT. 282 00:14:52,850 --> 00:14:54,050 THAT'S WHAT YOU'D DO. 283 00:14:54,050 --> 00:14:55,120 THAT'S BULLSHIT. THEY GOT NOTHIN' ON YOU 284 00:14:55,120 --> 00:14:56,990 BECAUSE THERE'S NOTHING TO GET. 285 00:14:58,290 --> 00:14:59,490 DOBBS. 286 00:15:01,990 --> 00:15:03,860 WHAT ABOUT DOBBS? 287 00:15:03,860 --> 00:15:05,220 THAT'S DIFFERENT. 288 00:15:05,220 --> 00:15:06,390 IT'S DIFFERENT? 289 00:15:06,390 --> 00:15:08,330 BECAUSE EVEN WARFIELD DOESN'T WANT SHIT LIKE DOBBS 290 00:15:08,330 --> 00:15:09,130 BACK ON THE STREET. 291 00:15:09,130 --> 00:15:10,730 IT'S A HOUSE OF CARDS, MAN. 292 00:15:10,730 --> 00:15:13,300 ONCE IT STARTS, IT'S JUST GONNA TUMBLE. 293 00:15:13,300 --> 00:15:14,200 ALL OF IT. 294 00:15:14,200 --> 00:15:15,840 THAT'S A CHANCE I GOTTA TAKE, PAL. 295 00:15:17,070 --> 00:15:18,140 I GOT FAMILY, WILL. 296 00:15:18,140 --> 00:15:19,670 DON'T GIVE ME THAT FAMILY SHIT. 297 00:15:19,670 --> 00:15:22,770 I GET PROBATION. 298 00:15:22,770 --> 00:15:23,770 WE'RE COPS, MAN. 299 00:15:23,770 --> 00:15:27,140 THIS IS NOT ABOUT US. 300 00:15:27,140 --> 00:15:29,940 THIS IS ABOUT ALL THE PEOPLE WHO DEPEND ON US, 301 00:15:29,940 --> 00:15:31,810 PEOPLE WITH FAMILIES. 302 00:15:31,810 --> 00:15:34,620 I SPENT MY LIFE DOING THIS. MY LIFE. 303 00:15:34,620 --> 00:15:37,450 YOU'RE GONNA DESTROY IT LIKE THAT. 304 00:15:37,450 --> 00:15:40,020 WHY? WHY? 305 00:15:40,020 --> 00:15:42,490 SO SOME I.A. PRICK GETS ONE STEP CLOSER 306 00:15:42,490 --> 00:15:43,920 TO BEING CHIEF OF POLICE 307 00:15:43,920 --> 00:15:46,590 OR PLAYING GOLF WITH THE MAYOR 308 00:15:46,590 --> 00:15:49,930 OR WHATEVER THE FUCK ELSE HE'S AFTER? 309 00:15:49,930 --> 00:15:51,300 YOU FINISHED? 310 00:15:54,740 --> 00:15:57,070 SORRY. I GOTTA CUT A DEAL. 311 00:16:00,440 --> 00:16:02,140 SO, MAKE ANY DECISIONS? 312 00:16:02,140 --> 00:16:04,140 UM, BOY, YOU DO EVERYTHING AROUND HERE? 313 00:16:04,140 --> 00:16:05,610 AFTER 11:00, PRETTY MUCH. 314 00:16:05,610 --> 00:16:08,080 AH. HEH. 315 00:16:08,080 --> 00:16:09,780 OVER TO YOU, WILL. WHAT ARE YOU HAVING? 316 00:16:18,320 --> 00:16:19,430 LOST MY APPETITE. 317 00:16:25,330 --> 00:16:26,900 EXCUSE ME. 318 00:16:49,520 --> 00:16:51,250 MORNING. 319 00:16:52,450 --> 00:16:53,420 HI. 320 00:17:08,300 --> 00:17:10,300 WHAT KIND OF CALLS DO YOU GET AROUND HERE? 321 00:17:10,300 --> 00:17:12,970 MOSTLY DRINKING-RELATED PROBLEMS, 322 00:17:12,970 --> 00:17:15,740 UM, DOMESTIC ABUSE, BAR FIGHTS. 323 00:17:15,740 --> 00:17:16,940 THAT SORT OF STUFF. 324 00:17:16,940 --> 00:17:20,240 PEOPLE HERE, THEY COME FROM ALL OVER. 325 00:17:20,240 --> 00:17:21,610 THEY COME TO LIVE LIFE THE WAY THEY WANT TO, 326 00:17:21,610 --> 00:17:22,610 SO MOST PEOPLE KEEP THEMSELVES 327 00:17:22,610 --> 00:17:24,410 TO THEMSELVES. 328 00:17:24,410 --> 00:17:26,650 CHIEF NYBACK WON'T LET ME HANDLE ANYTHING 329 00:17:26,650 --> 00:17:28,410 OVER A MISDEMEANOR ANYWAY, SO... 330 00:17:28,410 --> 00:17:30,350 YOU SHOULDN'T KNOCK MISDEMEANORS. 331 00:17:30,350 --> 00:17:31,980 NO, BUT IT'S SUCH SMALL STUFF. 332 00:17:31,980 --> 00:17:33,850 IT GETS SO BORING. 333 00:17:33,850 --> 00:17:35,820 WELL, IT'S ALL ABOUT SMALL STUFF. 334 00:17:35,820 --> 00:17:38,390 YOU KNOW, SMALL LIES, SMALL MISTAKES. 335 00:17:38,390 --> 00:17:41,030 PEOPLE GIVE THEMSELVES AWAY SAME IN MISDEMEANORS 336 00:17:41,030 --> 00:17:42,960 AS THEY DO IN MURDER CASES. 337 00:17:42,960 --> 00:17:45,460 IT'S JUST HUMAN NATURE. 338 00:17:45,460 --> 00:17:48,440 WELL, AREN'T YOU GONNA WRITE THAT DOWN? 339 00:18:12,160 --> 00:18:14,460 FRIENDS MAKING YOU NERVOUS, RANDY? 340 00:18:14,460 --> 00:18:15,990 THEY THINK YOU DID IT? 341 00:18:16,890 --> 00:18:18,060 YOU KILLED HER? 342 00:18:18,960 --> 00:18:20,760 NO SMOKING ON SCHOOL PREMISES. 343 00:18:20,760 --> 00:18:23,230 DID YOU LOVE HER? 344 00:18:24,570 --> 00:18:26,630 RANDY, DID YOU LOVE HER? 345 00:18:26,630 --> 00:18:28,770 SURE. SHE WAS NICE. 346 00:18:28,770 --> 00:18:31,300 "SHE WAS NICE." WOW. 347 00:18:31,300 --> 00:18:33,570 WELL, THAT MAKES ME ALL SOFT INSIDE. 348 00:18:33,570 --> 00:18:36,340 EVER OCCUR TO YOU SHE DIDN'T LOVE YOU BACK? 349 00:18:36,340 --> 00:18:38,640 SHE LOVED ME. 350 00:18:38,640 --> 00:18:39,810 WANTED ME EVERY NIGHT. 351 00:18:39,810 --> 00:18:42,150 OH, PROBABLY TO PASS THE TIME, I THINK. 352 00:18:42,150 --> 00:18:43,480 A GIRL LIKE KAY CONNELL, 353 00:18:43,480 --> 00:18:48,090 SHE WAS LOOKING FOR MORE THAN SOME LOSER, RIGHT? 354 00:18:48,950 --> 00:18:50,750 WHAT CAN I SAY, OFFICER? LOVE IS BLIND. 355 00:18:50,750 --> 00:18:51,850 YOU LIVE ON YOUR OWN? 356 00:18:51,850 --> 00:18:53,090 ON TOP OF HIS GRANDPA'S BUILDING. 357 00:18:53,090 --> 00:18:54,260 YOU DON'T HAVE AN ALIBI FOR FRIDAY NIGHT. 358 00:18:54,260 --> 00:18:55,860 DIDN'T KNOW I WAS GONNA NEED ONE. 359 00:18:55,860 --> 00:18:57,160 AT THE PARTY, WHAT'D YOU FIGHT ABOUT? 360 00:18:57,160 --> 00:18:58,630 STUFF. I DON'T KNOW. 361 00:18:58,630 --> 00:18:59,690 IT'S NO BIG DEAL. 362 00:18:59,690 --> 00:19:01,530 OH, I HEARD IT WAS A LOUD FIGHT. 363 00:19:01,530 --> 00:19:02,930 I GUESS. 364 00:19:02,930 --> 00:19:05,530 YEAH, I HEARD IT WAS PRETTY ROUGH. 365 00:19:05,530 --> 00:19:06,660 WASN'T ROUGH. 366 00:19:06,660 --> 00:19:08,370 WELL, NOT LIKE THE OTHER TIMES. 367 00:19:08,370 --> 00:19:11,710 YOU KNOW, THOSE TIMES SHE WOULDN'T LISTEN TO YOU, 368 00:19:11,710 --> 00:19:13,670 COULDN'T KEEP HER MOUTH SHUT. 369 00:19:13,670 --> 00:19:15,210 YOU KEEP FISHING, MAN. 370 00:19:15,210 --> 00:19:16,980 WE SAW THE BRUISES, RANDY. 371 00:19:16,980 --> 00:19:20,080 THEY SAID SHE WAS BEATEN UP. 372 00:19:20,080 --> 00:19:21,410 NOT THOSE BRUISES. 373 00:19:21,410 --> 00:19:22,780 RANDY, COME ON. 374 00:19:22,780 --> 00:19:23,820 THE OLD BRUISES. YOUR BRUISES. 375 00:19:23,820 --> 00:19:24,820 ALL RIGHT, YOU KNOW WHAT? 376 00:19:24,820 --> 00:19:25,950 I'M SICK OF THIS BULLSHIT. 377 00:19:25,950 --> 00:19:27,720 I HAVEN'T DONE ANYTHING WRONG. 378 00:19:27,720 --> 00:19:29,320 YOU HAVEN'T? 379 00:19:31,490 --> 00:19:32,220 HEY, FUCK YOU! 380 00:19:32,220 --> 00:19:33,220 YOU'RE JUST A LITTLE PRICK 381 00:19:33,220 --> 00:19:34,290 IN A LEATHER JACKET. 382 00:19:34,290 --> 00:19:36,690 WHAT THE FUCK DO YOU KNOW? 383 00:19:36,690 --> 00:19:38,960 RANDY. 384 00:19:45,300 --> 00:19:46,330 THIS WHOLE THING YOU'RE DOING, 385 00:19:46,330 --> 00:19:49,140 YOU KNOW, THIS FUCK-THE-WORLD ACT, 386 00:19:49,140 --> 00:19:50,670 NOW, THAT MIGHT WORK WITH YOUR MAMA. 387 00:19:50,670 --> 00:19:52,940 IT MIGHT EVEN WORK WITH A COUPLE OF THESE LOCAL COPS 388 00:19:52,940 --> 00:19:54,340 WHO'VE KNOWN YOU LONG ENOUGH 389 00:19:54,340 --> 00:19:57,180 TO FIGURE YOU'RE TOO DUMB EVER TO KILL ANYONE 390 00:19:57,180 --> 00:19:58,710 WITHOUT LEAVING A COUPLE OF WITNESSES 391 00:19:58,710 --> 00:20:01,310 AND A SIGNED CONFESSION. 392 00:20:01,310 --> 00:20:04,250 IT AIN'T GONNA WORK WITH ME... 393 00:20:04,250 --> 00:20:09,190 BECAUSE I KNOW THINGS, YOU UNDERSTAND? 394 00:20:09,190 --> 00:20:12,990 I KNOW... YOU BEAT YOUR GIRLFRIEND. 395 00:20:12,990 --> 00:20:16,030 I KNOW SHE WAS SEEING SOMEBODY ELSE, 396 00:20:16,030 --> 00:20:18,460 SOMEBODY SHE MIGHT'VE EVEN GONE TO SEE 397 00:20:18,460 --> 00:20:22,130 AFTER SHE WALKED OUT ON YOU FRIDAY NIGHT. 398 00:20:22,130 --> 00:20:23,330 NOW, ARE YOU GONNA TELL US 399 00:20:23,330 --> 00:20:25,300 WHO THAT SOMEBODY MIGHT BE, 400 00:20:25,300 --> 00:20:29,110 OR ARE YOU SO FUCKIN' STUPID 401 00:20:29,110 --> 00:20:30,710 YOU'RE GONNA LEAVE YOURSELF 402 00:20:30,710 --> 00:20:34,350 AS THE LAST PERSON TO SEE KAY CONNELL ALIVE? 403 00:20:38,520 --> 00:20:39,440 I DON'T KNOW. 404 00:20:39,440 --> 00:20:42,050 YOU DON'T KNOW? 405 00:20:42,050 --> 00:20:44,760 I COULDN'T GET HER TO TELL ME. 406 00:20:54,300 --> 00:20:56,730 HOW HARD DID YOU TRY? 407 00:20:57,930 --> 00:20:59,500 PRETTY HARD. 408 00:21:18,720 --> 00:21:20,580 YOU THINK HE, UM-- NO. 409 00:21:20,580 --> 00:21:21,680 HOW'D IT GO? 410 00:21:21,680 --> 00:21:23,050 WE GOTTA FIND OUT WHERE THIS CAME FROM. 411 00:21:23,050 --> 00:21:24,890 I TRIED. UM, MRS. CONNELL DOESN'T KNOW, 412 00:21:24,890 --> 00:21:25,920 HER FRIENDS DIDN'T KNOW. 413 00:21:25,920 --> 00:21:27,730 YOU TRY THE JEWELRY STORES? 414 00:21:28,960 --> 00:21:30,560 SMALL THINGS. REMEMBER? 415 00:21:30,560 --> 00:21:31,360 THE SECOND YOU'RE 416 00:21:31,360 --> 00:21:32,960 ABOUT TO DISMISS SOMETHING, 417 00:21:32,960 --> 00:21:35,100 THINK ABOUT IT. 418 00:21:35,100 --> 00:21:36,670 LOOK AT IT AGAIN. 419 00:21:38,840 --> 00:21:41,030 WANT ME TO WRITE THAT DOWN? 420 00:21:41,030 --> 00:21:42,270 NO, I'LL REMEMBER IT. 421 00:21:44,870 --> 00:21:46,210 ELLIE BURR. 422 00:21:54,320 --> 00:21:55,680 WHERE WAS IT? 423 00:21:55,680 --> 00:21:57,010 IN A FISHING CABIN ON THE BEACH. 424 00:21:57,010 --> 00:21:58,220 THIS IS DEFINITELY KAY'S? 425 00:21:58,220 --> 00:21:59,280 HER BOOKS ARE IN IT. 426 00:21:59,280 --> 00:22:00,280 COUPLE OF KIDS FOUND IT. 427 00:22:00,280 --> 00:22:01,380 CABIN BEEN SECURED? 428 00:22:01,380 --> 00:22:02,290 FRANCIS IS HEADED THERE RIGHT NOW. 429 00:22:02,290 --> 00:22:03,820 WELL, YOU STOP HIM. 430 00:22:03,820 --> 00:22:05,050 TELL HIM TO STAY CLEAR. 431 00:22:05,050 --> 00:22:06,190 RICH. 432 00:22:06,190 --> 00:22:08,920 BIOLOGY AND ALGEBRA. 433 00:22:08,920 --> 00:22:10,490 LET'S FIND OUT WHO SHE STUDIED WITH. 434 00:22:10,490 --> 00:22:13,170 LET'S FIND OUT WHERE SHE BOUGHT THIS. 435 00:22:15,500 --> 00:22:17,800 "OTHERWISE ENGAGED, 436 00:22:17,800 --> 00:22:18,830 ANOTHER J. BRODY MYSTERY." 437 00:22:18,830 --> 00:22:19,970 WHO READS THIS KIND OF CRAP? 438 00:22:19,970 --> 00:22:21,070 I READ THAT KIND OF CRAP. 439 00:22:21,070 --> 00:22:23,770 READ IT AFTER IT'S DUSTED. 440 00:22:23,770 --> 00:22:25,740 FIND ANYTHING THAT STRIKES YOU PLOTWISE, 441 00:22:25,740 --> 00:22:27,070 UNDERLINED PASSAGES. 442 00:22:27,070 --> 00:22:28,780 JUST LET ME KNOW. ANYTHING. 443 00:22:28,780 --> 00:22:30,540 THERE IT IS. DIARY. 444 00:22:30,540 --> 00:22:32,110 EVERY WORD. 445 00:22:35,150 --> 00:22:36,080 THAT'S IT. 446 00:22:36,080 --> 00:22:37,120 PUT IT INTO EVIDENCE? 447 00:22:37,120 --> 00:22:38,120 NO, NO. 448 00:22:38,120 --> 00:22:39,280 WHY? 449 00:22:39,280 --> 00:22:40,750 ELLIE, I WANT YOU TO CALL EVERY RADIO 450 00:22:40,750 --> 00:22:43,220 AND TV STATION FROM HERE TO ANCHORAGE. 451 00:22:43,220 --> 00:22:45,190 YOU TELL 'EM WE'RE LOOKING FOR THE BAG 452 00:22:45,190 --> 00:22:47,660 KAY CONNELL LEFT THE PARTY WITH. 453 00:22:47,660 --> 00:22:49,060 GET IT ON THE AIR IN THE NEXT HOUR. 454 00:22:49,060 --> 00:22:50,460 YOU GOT IT. 455 00:22:51,300 --> 00:22:53,630 YOU FILL THAT BAG UP WITH BOOKS, 456 00:22:53,630 --> 00:22:56,100 PUT IT BACK WHERE IT WAS FOUND. 457 00:22:56,100 --> 00:22:57,470 GONNA EAT THIS SON OF A BITCH ALIVE 458 00:22:57,470 --> 00:23:00,740 KNOWING HE MISSED SOMETHING THIS BIG. 459 00:23:03,910 --> 00:23:05,040 YOU KNOW SOMETHING, CHARLIE, 460 00:23:05,040 --> 00:23:06,410 MAYBE THIS, UH, 461 00:23:06,410 --> 00:23:08,380 THIS ISN'T SUCH A HOT IDEA. 462 00:23:08,380 --> 00:23:11,780 GUY PICKS UP A BAG, THAT DON'T MAKE HIM GUILTY. 463 00:23:11,780 --> 00:23:13,080 WILL, IT'S SOLID. 464 00:23:13,080 --> 00:23:14,180 I DON'T KNOW. 465 00:23:14,180 --> 00:23:16,120 THIS KIND OF THING, I DON'T KNOW. 466 00:23:16,120 --> 00:23:18,620 MAYBE WE DO THIS BY THE NUMBERS. 467 00:23:18,620 --> 00:23:19,490 COME ON, WILL. 468 00:23:19,490 --> 00:23:21,190 HEY, I.A.'S GONNA BE ON MY ASS. 469 00:23:21,190 --> 00:23:22,660 I KNOW I DON'T WANT THIS TURNING UP 470 00:23:22,660 --> 00:23:24,390 IN SOME COURTROOM 6 MONTHS FROM NOW 471 00:23:24,390 --> 00:23:25,820 WHEN MY REP'S IN THE SHIT 472 00:23:25,820 --> 00:23:27,630 AND THEY'RE PULLING APART ALL MY CASES. 473 00:23:27,630 --> 00:23:29,330 COME ON, WILL. THAT'S BULLSHIT. 474 00:23:29,330 --> 00:23:31,370 FUCK YOU CARE? 475 00:23:36,270 --> 00:23:37,370 SOMEONE OUT THERE 476 00:23:37,370 --> 00:23:39,070 JUST BEAT A 17-YEAR-OLD GIRL TO DEATH. 477 00:23:39,070 --> 00:23:40,870 YOUR JOB IS TO FIND HIM. 478 00:23:40,870 --> 00:23:42,310 YOU'RE A COP, NOT A LAWYER. 479 00:23:42,310 --> 00:23:45,700 DON'T LET I.A. CUT YOUR BALLS OFF. 480 00:23:45,700 --> 00:23:47,510 CHARLIE'S RIGHT, WILL. 481 00:24:07,500 --> 00:24:09,000 O.P. ONE, THIS IS O.P. 2. 482 00:24:09,000 --> 00:24:10,960 WE STILL GOT NOTHING. 483 00:24:10,960 --> 00:24:12,030 YEAH, IT'S NICE. LIGHT. 484 00:24:12,030 --> 00:24:13,130 ALL PLASTIC 485 00:24:13,130 --> 00:24:14,130 EXCEPT FOR THE BARREL 486 00:24:14,130 --> 00:24:15,140 AND FIRING PIN. 487 00:24:15,140 --> 00:24:16,500 NEVER RUSTS. 488 00:24:16,500 --> 00:24:18,300 WHAT DO YA CARRY DOWN IN L.A.? 489 00:24:18,300 --> 00:24:20,040 SMITH WESSON .45. 490 00:24:20,040 --> 00:24:21,040 EXCELLENT. 491 00:24:21,040 --> 00:24:22,040 ANYTHING? 492 00:24:22,040 --> 00:24:23,750 NO. 493 00:24:30,750 --> 00:24:33,450 MAYBE THIS GUY DOESN'T LISTEN TO THE RADIO. 494 00:24:33,450 --> 00:24:35,490 PREFERS THE VOICES IN HIS HEAD. 495 00:24:38,360 --> 00:24:40,220 HEY, WILL? 496 00:24:51,100 --> 00:24:52,700 O.P. ONE, THIS IS O.P. 2. 497 00:24:52,700 --> 00:24:53,900 WE GOT SOMEBODY 498 00:24:53,900 --> 00:24:54,940 MOVING TOWARDS THE CABIN. 499 00:24:54,940 --> 00:24:56,340 OK, FAN OUT. 500 00:24:56,340 --> 00:24:58,440 NICE AND EASY. 501 00:25:07,220 --> 00:25:08,580 COME ON, LET'S GO. LET'S GO! 502 00:25:28,900 --> 00:25:30,130 POLICE! 503 00:25:30,130 --> 00:25:31,740 POLICE! 504 00:25:31,740 --> 00:25:32,770 COME OUT! 505 00:25:43,080 --> 00:25:44,520 FUCK. 506 00:25:45,350 --> 00:25:46,550 DOWN THERE, HUH? 507 00:25:47,750 --> 00:25:49,450 ALL RIGHT, DOWN TO THE WATER. 508 00:25:49,450 --> 00:25:51,050 GO! SPREAD OUT. 509 00:25:51,050 --> 00:25:52,520 GO! 510 00:25:55,230 --> 00:25:56,760 FUCK IT. 511 00:26:40,260 --> 00:26:41,500 DORMER. 512 00:26:56,110 --> 00:26:57,140 HOLD IT! 513 00:26:57,140 --> 00:26:58,850 WHO'S THERE?! 514 00:27:01,580 --> 00:27:02,910 YOU OK? OK. 515 00:27:02,910 --> 00:27:03,990 I'M OK. 516 00:28:37,200 --> 00:28:38,430 WILL. 517 00:28:38,430 --> 00:28:39,660 DON'T TALK, DON'T TALK. 518 00:28:39,660 --> 00:28:41,070 WILL. DON'T TALK. 519 00:28:41,070 --> 00:28:42,500 DON'T TALK. DON'T TALK. 520 00:28:42,500 --> 00:28:44,040 HERE. HERE. 521 00:28:44,040 --> 00:28:45,040 YOU--YOU SH-- 522 00:28:45,040 --> 00:28:48,370 YOU--YOU SHOT... 523 00:28:48,370 --> 00:28:50,740 NO, I COULDN'T SEE, HAP. 524 00:28:50,740 --> 00:28:52,210 I COULDN'T SEE IN THE FOG. 525 00:28:52,210 --> 00:28:53,310 HERE. HERE. 526 00:28:53,310 --> 00:28:54,680 ARE YOU TRYING TO-- 527 00:28:54,680 --> 00:28:56,150 ARE YOU TRYING TO KILL ME? 528 00:28:56,150 --> 00:28:58,180 YOU FUCKIN'... 529 00:28:58,180 --> 00:29:00,420 NO. LISTEN, HAP. LISTEN TO ME. 530 00:29:00,420 --> 00:29:02,320 NO, NO, NO. 531 00:29:02,320 --> 00:29:03,950 WHY? WHY? 532 00:29:03,950 --> 00:29:05,820 I COULDN'T SEE YOU IN THE FOG. 533 00:29:05,820 --> 00:29:07,190 I COULDN'T. 534 00:29:07,190 --> 00:29:09,320 COULDN'T SEE YOU, HAP. 535 00:29:11,560 --> 00:29:13,200 NO. COME ON. COME ON. 536 00:29:33,410 --> 00:29:35,380 MAN DOWN! 537 00:29:35,380 --> 00:29:36,620 WHO'S DOWN?! 538 00:29:39,550 --> 00:29:41,620 MAN DOWN HERE! 539 00:29:41,620 --> 00:29:43,260 SPREAD OUT! 540 00:29:47,730 --> 00:29:49,960 DORMER, WHERE'D HE GO? 541 00:29:49,960 --> 00:29:51,990 WHICH WAY? 542 00:29:51,990 --> 00:29:55,500 DORMER, WHICH WAY?! 543 00:29:55,500 --> 00:29:57,140 THAT WAY. 544 00:30:08,310 --> 00:30:09,940 FARRELL WENT DOWN, 545 00:30:09,940 --> 00:30:12,680 YOU GAVE CHASE. 546 00:30:12,680 --> 00:30:14,750 AFTER YOU LEFT FARRELL, 547 00:30:14,750 --> 00:30:17,550 YOU HEARD THE KILLER'S SECOND SHOT. 548 00:30:17,550 --> 00:30:19,280 YOU RAN DOWN TO THE WATER, 549 00:30:19,280 --> 00:30:21,760 YOU FOUND HAP. 550 00:30:23,360 --> 00:30:24,590 WILL? 551 00:30:24,590 --> 00:30:27,030 IS THAT WHAT HAPPENED? 552 00:30:30,430 --> 00:30:31,360 DID HAP SAY ANYTHING? 553 00:30:31,360 --> 00:30:32,630 GODDAMN! 554 00:30:32,630 --> 00:30:35,970 WHY DIDN'T I KNOW ABOUT THE GODDAMN TUNNEL?! 555 00:30:37,000 --> 00:30:38,900 YOU DON'T MOVE IN ON AN ARMED SUSPECT 556 00:30:38,900 --> 00:30:40,370 WITHOUT KNOWING HIS EXITS. 557 00:30:40,370 --> 00:30:43,810 LOOK, WILL, THERE'S A BUNCH OF THOSE TUNNELS OUT THERE. 558 00:30:43,810 --> 00:30:46,610 I MEAN, CLOSED 60 YEARS AGO WHEN THEY WERE MINES. 559 00:30:46,610 --> 00:30:48,240 I DON'T EVEN KNOW MOST OF THEM MYSELF, 560 00:30:48,240 --> 00:30:49,440 AND I GREW UP HERE. 561 00:30:49,440 --> 00:30:52,480 I HAD HIM, CHARLIE. 562 00:30:52,480 --> 00:30:55,010 CLOSE AS YOU ARE NOW. 563 00:30:55,010 --> 00:30:58,550 I COULD SMELL THE SON OF A BITCH. 564 00:31:00,190 --> 00:31:02,150 AND I BLEW IT. 565 00:31:02,150 --> 00:31:04,320 THERE'S NO POINT IN BLAMING YOURSELF, WILL. 566 00:31:04,320 --> 00:31:06,760 I FUCKED UP EVERYTHING. 567 00:31:06,760 --> 00:31:09,600 DON'T YOU COME APART ON ME NOW, YOU UNDERSTAND? 568 00:31:09,600 --> 00:31:11,560 I NEED YOU TO FIND THIS BASTARD. 569 00:31:12,930 --> 00:31:14,070 YEAH? 570 00:31:16,370 --> 00:31:17,770 YOU WANTED TO SEE ME. 571 00:31:17,770 --> 00:31:19,700 YOU'RE ON DETECTIVE ECKHART'S SHOOTING. 572 00:31:19,700 --> 00:31:22,710 BUT WE KNOW WHAT HAPPENED, AND... 573 00:31:22,710 --> 00:31:24,010 I'M ON THE CONNELL CASE. 574 00:31:24,010 --> 00:31:25,840 ANCHORAGE CALLED. THEY WANT TO SEND SOMEONE UP. 575 00:31:25,840 --> 00:31:27,610 I TOLD THEM WE CAN HANDLE IT OURSELVES. 576 00:31:27,610 --> 00:31:28,610 WE CAN, CAN'T WE? 577 00:31:28,610 --> 00:31:29,880 SURE. 578 00:31:29,880 --> 00:31:31,610 WRITE IT UP. DOESN'T HAVE TO BE SHAKESPEARE. 579 00:31:31,610 --> 00:31:33,880 JUST ENOUGH TO FRY THIS SON OF A BITCH FOR 580 00:31:33,880 --> 00:31:35,950 A FEW SECONDS LONGER. AM I RIGHT, WILL? 581 00:31:52,470 --> 00:31:53,400 HELLO? 582 00:31:53,400 --> 00:31:55,430 UH...JENNY. 583 00:31:55,430 --> 00:31:57,640 IT'S WILL. 584 00:31:57,640 --> 00:31:58,970 CAN I, UH-- 585 00:31:58,970 --> 00:32:01,140 CAN YOU PUT YOUR MOTHER ON? 586 00:32:03,380 --> 00:32:05,380 HELLO? 587 00:32:05,380 --> 00:32:08,480 TRISH, UH, IT'S WILL. 588 00:32:08,480 --> 00:32:10,350 WHAT'S HAPPENED? 589 00:32:10,350 --> 00:32:12,420 THEY WON'T TELL ME ANYTHING. 590 00:32:12,420 --> 00:32:16,150 UH, IT-- IT'S HAP, UH... 591 00:32:16,150 --> 00:32:18,020 IS HE OK? 592 00:32:20,830 --> 00:32:22,490 NO, HE'S GONE, TRISH. 593 00:32:22,490 --> 00:32:25,330 HE'S DEAD. 594 00:32:25,330 --> 00:32:26,830 What? 595 00:32:31,600 --> 00:32:34,500 TRISH, I CAN'T TELL YOU HOW SORRY I AM. 596 00:32:34,500 --> 00:32:37,970 WHAT WAS HE DOING, WILL? 597 00:32:37,970 --> 00:32:39,810 THIS GUY KILLED A GIRL. 598 00:32:39,810 --> 00:32:42,950 AND SO WE--WE, UH... 599 00:32:44,510 --> 00:32:46,680 WE HAD HIM, UH... 600 00:32:46,680 --> 00:32:48,110 WE FOUND HIM, AND WE HAD HIM CORNERED. 601 00:32:48,110 --> 00:32:51,150 AND THEN HE RAN AND THEN, UH... 602 00:32:51,150 --> 00:32:53,090 HAP, WELL... 603 00:32:54,590 --> 00:32:56,750 I'M SO SORRY. 604 00:32:56,750 --> 00:32:58,290 I'M JUST SO SORRY. 605 00:32:58,290 --> 00:32:59,760 DID HE SUFFER? 606 00:32:59,760 --> 00:33:02,830 OH, NO, I DON'T-- 607 00:33:02,830 --> 00:33:04,960 DID HE SAY ANYTHING? 608 00:33:11,000 --> 00:33:12,430 WELL, WHEN I FOUND HIM, 609 00:33:12,430 --> 00:33:14,670 HE... 610 00:33:16,510 --> 00:33:18,270 HE WAS PEACEFUL. 611 00:33:18,270 --> 00:33:20,680 DID YOU GET HIM? 612 00:33:20,680 --> 00:33:23,280 NO, NO. NOT YET. 613 00:33:23,280 --> 00:33:25,610 YOU FIND HIM. 614 00:33:25,610 --> 00:33:29,550 AND WHEN YOU DO, YOU DON'T ARREST HIM. 615 00:33:29,550 --> 00:33:32,590 YOU UNDERSTAND ME, WILL DORMER? 616 00:33:32,590 --> 00:33:36,020 DON'T YOU DARE FUCKING ARREST HIM. 617 00:33:36,020 --> 00:33:37,420 OK, TRISH. 618 00:33:37,420 --> 00:33:39,530 UNDERSTAND? 619 00:33:39,530 --> 00:33:40,760 OK. 620 00:33:43,600 --> 00:33:46,300 TRISH, LISTEN, I-I'M-- 621 00:35:03,900 --> 00:35:05,030 Radio Reporter: ...HOMICIDE DIVISION 622 00:35:05,030 --> 00:35:07,270 WAS SHOT AND KILLED EARLIER THIS EVENING 623 00:35:07,270 --> 00:35:09,300 IN AN ABORTIVE ATTEMPT TO APPREHEND THE SUSPECT 624 00:35:09,300 --> 00:35:13,510 IN THE MURDER OF 17-YEAR-OLD LOCAL GIRL KAY CONNELL-- 625 00:35:16,250 --> 00:35:17,240 I'M SORRY. 626 00:35:17,240 --> 00:35:19,310 IT'S BEEN ON THE RADIO FOR HOURS. WE DON'T-- 627 00:35:19,310 --> 00:35:22,450 WE'RE NOT USED TO THIS KIND OF STUFF UP HERE. 628 00:35:25,250 --> 00:35:29,120 HE WAS STANDING RIGHT THERE LAST NIGHT. 629 00:35:32,190 --> 00:35:34,230 I HOPE I WAS NICE TO HIM. 630 00:35:34,230 --> 00:35:36,300 HE LIKED YOU. 631 00:37:48,510 --> 00:37:51,280 DETECTIVE, I'M SORRY TO BOTHER YOU, 632 00:37:51,280 --> 00:37:53,340 BUT COULD YOU JUST POINT OUT HERE 633 00:37:53,340 --> 00:37:56,580 WHERE YOU WERE WHEN YOU HEARD THAT SECOND SHOT? 634 00:37:56,580 --> 00:37:58,720 I'M REALLY SORRY THAT I HAVE TO MAKE YOU 635 00:37:58,720 --> 00:38:00,020 DO THIS RIGHT NOW. 636 00:38:00,020 --> 00:38:01,920 THAT'S ALL RIGHT, ELLIE. YOU'RE DOING YOUR JOB. 637 00:38:01,920 --> 00:38:04,590 WHERE WAS I? THERE. 638 00:38:04,590 --> 00:38:05,520 THANK YOU. 639 00:38:05,520 --> 00:38:08,160 NO SIGN OF FARRELL'S BULLET YET, HUH? 640 00:38:08,160 --> 00:38:10,690 NO, BUT, UH, WE'LL HAVE THE OTHER ONE 641 00:38:10,690 --> 00:38:14,970 FOR BALLISTICS AFTER THE AUTOPSY. 642 00:38:16,170 --> 00:38:17,930 I'M REALLY SORRY. 643 00:38:24,070 --> 00:38:25,010 HOW YOU DOING? 644 00:38:25,010 --> 00:38:26,840 OK. CLEAN THROUGH, HUH? 645 00:38:26,840 --> 00:38:28,510 YEP. NO SOUVENIR. 646 00:38:28,510 --> 00:38:30,180 BULLET GOT LOST IN THE ROCKS, I GUESS. 647 00:38:30,180 --> 00:38:32,350 WELL, BETTER LUCK NEXT TIME. 648 00:38:33,650 --> 00:38:35,350 YOU EVER BEEN SHOT, DETECTIVE DORMER? 649 00:38:35,350 --> 00:38:38,620 YEAH, I HAVE. IT KIND OF ITCHES, DON'T IT? 650 00:38:39,850 --> 00:38:41,390 WE GOTTA CATCH HIM. 651 00:38:41,390 --> 00:38:42,990 DID YOU GET A LOOK AT HIM? 652 00:38:42,990 --> 00:38:44,090 WHEN? 653 00:38:44,090 --> 00:38:46,090 WHEN, UH, I LEFT YOU. 654 00:38:46,090 --> 00:38:47,660 DID YOU SEE ANYTHING? 655 00:38:47,660 --> 00:38:49,030 I WAS IN WHOLE LOT OF PAIN. 656 00:38:49,030 --> 00:38:51,200 AND WHEN I HEARD THAT SECOND SHOT, 657 00:38:51,200 --> 00:38:54,070 I KEPT MY GODDAMN HEAD DOWN. 658 00:38:54,070 --> 00:38:55,760 HEY, I'M-- 659 00:38:55,760 --> 00:38:58,940 I'M SORRY ABOUT DETECTIVE ECKHART. 660 00:38:58,940 --> 00:39:00,940 SORRY ABOUT THAT MEGAPHONE. 661 00:39:00,940 --> 00:39:02,140 MAYBE IF I HADN'T-- 662 00:39:02,140 --> 00:39:03,740 FARRELL, LISTEN. 663 00:39:03,740 --> 00:39:05,380 WHAT WERE WE DOING OUT THERE 664 00:39:05,380 --> 00:39:07,340 RUNNING AROUND IN THE FOG ANYWAY? 665 00:39:07,340 --> 00:39:09,640 WERE WE DOING IT FOR OUR HEALTH? 666 00:39:09,640 --> 00:39:11,480 WE WERE CHASING SOMEONE. 667 00:39:11,480 --> 00:39:14,950 SO ANYTHING THAT HAPPENED ON THAT BEACH 668 00:39:14,950 --> 00:39:16,050 IS NOT YOUR FAULT. 669 00:39:16,050 --> 00:39:18,120 THAT'S THE FAULT OF ONE MAN 670 00:39:18,120 --> 00:39:19,690 AND ONE MAN ONLY. 671 00:39:19,690 --> 00:39:20,890 AND THAT'S THE MAN 672 00:39:20,890 --> 00:39:24,690 WHO BEAT KAY CONNELL TO DEATH. 673 00:39:29,230 --> 00:39:30,430 AT THIS POINT, 674 00:39:30,430 --> 00:39:32,800 DETECTIVE DORMER ENCOUNTERED OFFICER BROOKS. 675 00:39:32,800 --> 00:39:34,630 THE SUSPECT, OBSCURED BY THE FOG, 676 00:39:34,630 --> 00:39:37,100 SHOT OFFICER BROOKS IN THE VASTUS EXTERNUS 677 00:39:37,100 --> 00:39:40,300 OF THE UPPER LEFT THIGH. FRANCIS, YOU'RE FARRELL. 678 00:39:40,300 --> 00:39:41,770 YOU WERE SHOT IN THE LEG. 679 00:39:41,770 --> 00:39:43,340 OH, COME ON, ELLIE. 680 00:39:43,340 --> 00:39:44,340 RICH, WHEN YOU GET THIS SHOT, 681 00:39:44,340 --> 00:39:45,750 MAKE SURE WE GET THE CONE. 682 00:39:47,080 --> 00:39:48,510 IS THIS HIS BLOOD? 683 00:39:48,510 --> 00:39:49,810 KETCHUP MAYBE. 684 00:39:49,810 --> 00:39:51,520 WAS HE EATING A HOT DOG? 685 00:39:57,220 --> 00:39:59,150 AND ANYTHING HE MIGHT HAVE DROPPED 686 00:39:59,150 --> 00:40:02,060 OR STEPPED ON YOU PUT IN A BAG. 687 00:40:02,060 --> 00:40:04,660 CIGARETTE BUTTS, GUM WRAPPERS, 688 00:40:04,660 --> 00:40:05,760 COINS, ANYTHING. 689 00:40:05,760 --> 00:40:09,130 A SUSPECT WILL OFTEN LEAVE SOMETHING BEHIND. 690 00:40:09,130 --> 00:40:12,070 DETECTIVE DORMER GAVE CHASE, 691 00:40:12,070 --> 00:40:14,270 LOSING THE SUSPECT IN THE FOG, 692 00:40:14,270 --> 00:40:15,470 THEN HEARD A SHOT 693 00:40:15,470 --> 00:40:18,770 COMING FROM A NORTHEASTERLY DIRECTION. 694 00:40:18,770 --> 00:40:20,670 HE WASN'T LYING THAT WAY. 695 00:40:20,670 --> 00:40:22,040 HOW DO YOU KNOW? 696 00:40:22,040 --> 00:40:24,980 'CAUSE I SAW HIM. 697 00:40:24,980 --> 00:40:26,650 YOU NEED TO TURN THIS WAY. 698 00:40:26,650 --> 00:40:27,910 ARE WE ALMOST DONE HERE? 699 00:40:27,910 --> 00:40:29,410 MY NADS ARE FREEZING OFF. 700 00:40:29,410 --> 00:40:32,820 ELLIE, I THINK I FOUND SOMETHING! 701 00:40:32,820 --> 00:40:35,020 DO YOU THINK THEY SHOULD START FURTHER OVER? 702 00:40:35,020 --> 00:40:36,420 NO, NO. IT'S A WASTE OF TIME. 703 00:40:36,420 --> 00:40:37,990 HE STAYED DOWN BY THE WATER 704 00:40:37,990 --> 00:40:39,390 AS FAR AS HE COULD. 705 00:40:39,390 --> 00:40:41,290 I SAW HIM OVER THE ROCKS. 706 00:40:41,290 --> 00:40:43,130 HE KNEW HE'D LOSE US DOWN THERE. 707 00:40:47,130 --> 00:40:48,660 DUGGAR. 708 00:40:48,660 --> 00:40:50,970 WHERE'D HE FIND IT? 709 00:40:50,970 --> 00:40:53,540 OK. 710 00:40:53,540 --> 00:40:55,270 YEAH, JUST, UH, LET ME KNOW. 711 00:40:58,210 --> 00:41:00,240 OK. I WILL. 712 00:41:05,820 --> 00:41:07,110 DORMER? 713 00:41:07,110 --> 00:41:09,750 THEY FOUND FARRELL'S BULLET. 714 00:41:09,750 --> 00:41:12,080 LOOKS LIKE A .38. 715 00:41:12,080 --> 00:41:14,290 AFTER THE AUTOPSY, WE'LL GET BOTH BULLETS 716 00:41:14,290 --> 00:41:15,590 TO THE LAB IN ANCHORAGE, 717 00:41:15,590 --> 00:41:17,120 SEE IF WE CAN GET A FIX ON THE MURDER WEAPON. 718 00:41:17,120 --> 00:41:19,530 THAT IS, IF IT'S OK WITH YOU. 719 00:41:22,030 --> 00:41:23,160 A GUY CAME BY TO SEE YOU TODAY. 720 00:41:23,160 --> 00:41:24,900 SAID HE WAS YOUR NEW PARTNER. 721 00:41:24,900 --> 00:41:26,430 DID HE LEAVE A NAME? 722 00:41:26,430 --> 00:41:27,600 NOPE. 723 00:41:28,400 --> 00:41:31,040 CAN I BORROW THIS TAPE HERE? 724 00:41:31,040 --> 00:41:32,300 PIONEER LODGE. 725 00:41:32,300 --> 00:41:33,370 WARFIELD FOR DORMER. 726 00:41:33,370 --> 00:41:35,040 DETECTIVE? JOHN WARFIELD. 727 00:41:35,040 --> 00:41:36,480 HE'S CALLED A COUPLE TIMES. 728 00:41:38,380 --> 00:41:39,980 WANT ME TO LIE? 729 00:41:39,980 --> 00:41:43,380 NO, IT'S ALL RIGHT. I'LL TAKE IT. 730 00:41:44,850 --> 00:41:45,820 THANK YOU. 731 00:41:49,050 --> 00:41:50,150 DORMER HERE. 732 00:41:50,150 --> 00:41:51,290 I WAS SHOCKED TO HEAR ABOUT 733 00:41:51,290 --> 00:41:52,850 YOUR PARTNER THERE, DETECTIVE. 734 00:41:52,850 --> 00:41:54,290 IT'S TERRIBLE. 735 00:41:54,290 --> 00:41:55,890 I WAS ACTUALLY JUST GETTING TO KNOW HIM A LITTLE BIT. 736 00:41:55,890 --> 00:41:57,160 WHAT DO YOU WANT? 737 00:41:57,160 --> 00:41:58,660 I THINK WE BOTH KNOW WHAT I WANT, DETECTIVE, 738 00:41:58,660 --> 00:42:01,060 AND I THINK YOU KNOW ECKHART WAS GONNA GIVE IT TO ME. 739 00:42:01,060 --> 00:42:02,930 YOU KNOW, YOU GOT SOMETHING TO SAY, 740 00:42:02,930 --> 00:42:04,330 WHY DON'T YOU JUST SAY IT? 741 00:42:04,330 --> 00:42:06,030 HE TOLD YOU ABOUT OUR LITTLE CONVERSATION, DIDN'T HE? 742 00:42:06,030 --> 00:42:07,370 SAY IT. 743 00:42:07,370 --> 00:42:10,300 WELL, LET'S JUST SAY I'M VERY, VERY INTERESTED 744 00:42:10,300 --> 00:42:12,670 TO SEE YOUR REPORT ON WHAT HAPPENED THERE YESTERDAY. 745 00:42:12,670 --> 00:42:15,270 DON'T PRESUME TO KNOW WHAT HAPPENED. 746 00:42:15,270 --> 00:42:16,810 YOU WEREN'T HERE. 747 00:42:16,810 --> 00:42:19,140 BUT THEN AGAIN, YOU NEVER ARE, ARE YOU? 748 00:42:19,140 --> 00:42:20,940 I MEAN, YOU'RE ALWAYS SITTING SAFE BEHIND 749 00:42:20,940 --> 00:42:24,350 SOME FUCKIN' DESK READING YOUR BULLSHIT REPORTS. 750 00:42:24,350 --> 00:42:26,150 AND THAT IS WHY I HAVE NOTHING 751 00:42:26,150 --> 00:42:28,620 BUT CONTEMPT FOR YOU. 752 00:42:28,620 --> 00:42:32,720 YOU AND ALL THE ASSHOLES LIKE YOU 753 00:42:32,720 --> 00:42:34,320 RISK NOTHING, 754 00:42:34,320 --> 00:42:37,730 SPEND ALL DAY SUCKING THE MARROW OUT OF REAL COPS 755 00:42:37,730 --> 00:42:41,200 WHEN YOU NEVER HAD THE BALLS TO BE ONE YOURSELF. 756 00:45:04,990 --> 00:45:07,590 DETECTIVE, YOU CAME YOURSELF. 757 00:45:07,590 --> 00:45:08,630 YEAH. 758 00:45:09,790 --> 00:45:11,060 SIGN HERE. 759 00:45:20,700 --> 00:45:22,810 HE DIDN'T SUFFER TOO MUCH. 760 00:45:24,370 --> 00:45:25,300 WHAT'S THE CALIBER? 761 00:45:25,300 --> 00:45:26,510 I DON'T KNOW. 762 00:45:26,510 --> 00:45:27,640 THE GUNSHOT VICTIMS I SEE HERE 763 00:45:27,640 --> 00:45:29,580 ARE FROM HUNTING RIFLES AND SHOTGUNS. 764 00:45:29,580 --> 00:45:31,350 IT WASN'T ONE OF THOSE. 765 00:45:33,140 --> 00:45:34,950 HAD ANY SLEEP, DETECTIVE? 766 00:45:34,950 --> 00:45:36,550 YEAH. 767 00:46:01,700 --> 00:46:04,340 WHAT THE HELL'S WRONG WITH YOU? 768 00:46:04,340 --> 00:46:05,580 SORRY. 769 00:46:10,180 --> 00:46:11,250 NO. NO PROBLEM. 770 00:46:11,250 --> 00:46:12,350 THE BULLET. 771 00:46:12,350 --> 00:46:14,550 I WANT RESULTS BY TOMORROW MORNING. 772 00:46:14,550 --> 00:46:15,550 AYE, AYE, CAPTAIN. 773 00:46:15,550 --> 00:46:16,780 I'M THINKING WE SHOULD CHECK 774 00:46:16,780 --> 00:46:18,720 ON RANDY STETZ'S WHEREABOUTS 2 NIGHTS AGO. 775 00:46:18,720 --> 00:46:20,420 YOU THINK IT WAS RANDY OUT THERE? 776 00:46:20,420 --> 00:46:21,450 WELL, HE STILL DOESN'T HAVE AN ALIBI 777 00:46:21,450 --> 00:46:23,220 FOR THE NIGHT KAY WAS KILLED. 778 00:46:23,220 --> 00:46:24,620 YOU'RE THE ONE SAYING HE BEAT HER UP. 779 00:46:24,620 --> 00:46:26,020 WELL, YOU CHECK IT OUT THEN. 780 00:46:26,020 --> 00:46:27,730 I WILL. 781 00:46:51,710 --> 00:46:53,520 DETECTIVE DORMER? 782 00:46:54,480 --> 00:46:55,950 DETECTIVE DORMER? 783 00:46:59,120 --> 00:47:00,620 MY REPORT. I FINISHED IT. 784 00:47:00,620 --> 00:47:03,060 SO I JUST NEED YOU TO, UM, LOOK IT OVER, 785 00:47:03,060 --> 00:47:04,320 AND, UH, SIGN IT. 786 00:47:04,320 --> 00:47:06,690 IT'S PRETTY SELF-EXPLANATORY. 787 00:47:06,690 --> 00:47:07,490 YEAH? 788 00:47:07,490 --> 00:47:08,630 I'M LOOKING FORWARD 789 00:47:08,630 --> 00:47:09,860 TO GETTING BACK TO WORKING WITH YOU. 790 00:47:09,860 --> 00:47:11,460 I KNOW WE HAVE MORE IMPORTANT THINGS TO DO 791 00:47:11,460 --> 00:47:13,000 THAN PAPERWORK. 792 00:47:22,500 --> 00:47:25,210 UH, A MAN DIED, ELLIE. THIS IS IMPORTANT. 793 00:47:25,210 --> 00:47:26,510 OH, OF COURSE. 794 00:47:26,510 --> 00:47:29,180 I DIDN'T MEAN TO IMPLY THAT THAT WASN'T-- 795 00:47:29,180 --> 00:47:32,550 BE SURE OF ALL YOUR FACTS BEFORE YOU FILE THIS THING. 796 00:47:32,550 --> 00:47:35,560 IT'S YOUR NAME ON THE REPORT. 797 00:48:49,420 --> 00:48:52,150 HE COULDN'T HAVE COME FROM THERE. 798 00:49:03,900 --> 00:49:06,270 DORMER HERE. 799 00:49:08,870 --> 00:49:10,300 HELLO? 800 00:49:10,300 --> 00:49:12,860 CAN'T SLEEP, WILL? 801 00:49:12,860 --> 00:49:14,600 ME NEITHER. 802 00:49:14,600 --> 00:49:15,970 WHO'S THIS? 803 00:49:15,970 --> 00:49:17,840 I GOT A NAP THIS AFTERNOON, 804 00:49:17,840 --> 00:49:20,510 BUT I GUESS YOU HAD TO WORK. 805 00:49:20,510 --> 00:49:22,640 WHO AM I SPEAKING TO? 806 00:49:22,640 --> 00:49:24,310 YOU GET RID OF YOUR CLOCK YET? 807 00:49:24,310 --> 00:49:25,680 WON'T REALLY HELP. 808 00:49:25,680 --> 00:49:28,080 WHEN I FIRST MOVED UP HERE, I ONCE WENT 5 NIGHTS. 809 00:49:28,080 --> 00:49:30,990 CAN YOU BELIEVE THAT? THIS CRAZY LIGHT. 810 00:49:30,990 --> 00:49:32,990 A NAME, OR I'M GONNA HANG UP. 811 00:49:32,990 --> 00:49:35,320 NO, YOU'RE NOT. YOU NEED THE COMPANY. 812 00:49:35,320 --> 00:49:38,090 NOTHING AS LONELY AS NOT SLEEPING. 813 00:49:38,090 --> 00:49:40,660 FEELS LIKE THE WHOLE FUCKING PLANET'S DESERTED. 814 00:49:40,660 --> 00:49:43,460 JUST YOU AND ME. 815 00:49:43,460 --> 00:49:45,660 SO, UH... 816 00:49:45,660 --> 00:49:47,270 WHY DON'T YOU TELL ME WHO I'M TALKING TO, 817 00:49:47,270 --> 00:49:49,330 AND WE CAN CHAT A WHILE. 818 00:49:49,330 --> 00:49:50,600 I CAN'T DO THAT. 819 00:49:50,600 --> 00:49:51,870 WHY NOT? 820 00:49:51,870 --> 00:49:53,870 NOT UNTIL YOU UNDERSTAND A COUPLE OF THINGS. 821 00:49:53,870 --> 00:49:55,070 LIKE WHAT? 822 00:49:55,070 --> 00:49:59,080 I SAW. 823 00:49:59,080 --> 00:50:00,480 SAW WHAT? 824 00:50:00,480 --> 00:50:03,410 SAW YOU SHOOT YOUR PARTNER. 825 00:50:03,410 --> 00:50:06,050 SAW HIM DIE IN YOUR ARMS 826 00:50:06,050 --> 00:50:07,780 ON THAT BEACH. 827 00:50:07,780 --> 00:50:09,720 I THOUGHT YOU MIGHT TRY TO BLAME ME. 828 00:50:09,720 --> 00:50:12,050 THAT'S WHY I DROPPED MY GUN. 829 00:50:12,050 --> 00:50:14,360 MY UNCLE'S OLD .38. 830 00:50:14,360 --> 00:50:15,360 YEAH. 831 00:50:15,360 --> 00:50:16,460 DID YOU PICK IT UP? 832 00:50:16,460 --> 00:50:17,530 I MEAN, WHAT ABOUT THE BALLISTICS-- 833 00:50:17,530 --> 00:50:19,030 LISTEN TO ME NOW. 834 00:50:19,030 --> 00:50:22,630 I DON'T KNOW WHAT YOU THINK YOU SAW, 835 00:50:22,630 --> 00:50:24,500 BUT, UH, WE SHOULD DISCUSS 836 00:50:24,500 --> 00:50:25,570 THIS THING, DON'T YOU THINK, 837 00:50:25,570 --> 00:50:26,830 FACE TO FACE? 838 00:50:26,830 --> 00:50:28,540 THE SITUATION ISN'T YOURS TO CONTROL, WILL. 839 00:50:28,540 --> 00:50:30,540 I SAW YOU DO IT. GET IT? 840 00:50:30,540 --> 00:50:33,910 I'LL CONTROL THIS SITUATION, PAL, 841 00:50:33,910 --> 00:50:35,970 BECAUSE YOU DON'T HIDE FROM ME 842 00:50:35,970 --> 00:50:38,510 IN A TOWN THIS SMALL. GET IT? 843 00:50:38,510 --> 00:50:39,940 YEAH. NO, NOT FOR LONG. 844 00:50:39,940 --> 00:50:42,010 THAT'S WHY I NEED YOUR HELP. 845 00:50:42,010 --> 00:50:44,780 SO DON'T WORRY ABOUT NOT TELLING ANYONE ANYTHING. 846 00:50:44,780 --> 00:50:48,350 WE'RE PARTNERS ON THIS. 847 00:51:21,250 --> 00:51:25,080 ...BUT TO BE REMEMBERED AS THE KAY WE KNEW AND LOVED. 848 00:51:25,080 --> 00:51:29,620 SWIMMING, HIKING THROUGH THE KEBAUGHS, 849 00:51:29,620 --> 00:51:32,020 MEETING AT DARROW'S AFTER SCHOOL, 850 00:51:32,020 --> 00:51:33,090 AND ALWAYS, 851 00:51:33,090 --> 00:51:38,090 ALWAYS WITH A SMILE ON HER FACE. 852 00:51:38,090 --> 00:51:40,130 DETECTIVE DORMER? 853 00:51:41,900 --> 00:51:43,770 I WANT TO CHECK SOMETHING WITH YOU. 854 00:51:43,770 --> 00:51:46,670 UH, I WAS GOING OVER MY REPORT LAST NIGHT, 855 00:51:46,670 --> 00:51:48,800 AND I HAVE A QUESTION ABOUT WHERE YOU THINK 856 00:51:48,800 --> 00:51:51,370 THAT SECOND SHOT CAME FROM. 857 00:51:51,370 --> 00:51:54,280 SEE, YOU SAID YOU HEARD IT FROM THE WATER LINE, 858 00:51:54,280 --> 00:51:57,980 BUT FROM THE WAY DETECTIVE ECKHART'S BODY FELL, 859 00:51:57,980 --> 00:51:59,910 I DON'T THINK IT COULD HAVE COME FROM THE ROCKS 860 00:51:59,910 --> 00:52:02,820 FURTHER UP FROM THE WATER. 861 00:52:02,820 --> 00:52:04,850 SO DO YOU THINK IT'S POSSIBLE 862 00:52:04,850 --> 00:52:05,890 THAT MAYBE YOU HEARD THE SHOT 863 00:52:05,890 --> 00:52:08,460 BEFORE YOU HIT THE WATER LINE? 864 00:52:08,460 --> 00:52:11,320 DETECTIVE DORMER? 865 00:52:11,320 --> 00:52:13,330 YEAH, IT'S POSSIBLE. 866 00:52:13,330 --> 00:52:14,360 YEAH. 867 00:52:21,200 --> 00:52:23,740 WHY DON'T I GIVE HER A RIDE? 868 00:52:23,740 --> 00:52:25,340 I THOUGHT I SMELLED SOMETHING. 869 00:52:25,340 --> 00:52:26,400 HOW YOU DOING, RANDY? 870 00:52:26,400 --> 00:52:27,740 YOU STILL COPING? 871 00:52:27,740 --> 00:52:29,610 YOU'RE THAT COP. YEAH. 872 00:52:29,610 --> 00:52:31,850 ARE YOU COMING OR NOT? 873 00:52:32,980 --> 00:52:33,710 NOT. 874 00:52:33,710 --> 00:52:35,950 OOH. HEY. 875 00:52:43,650 --> 00:52:44,590 YOU WANT A STICK OF GUM? 876 00:52:44,590 --> 00:52:45,590 MM-MMM. 877 00:52:45,590 --> 00:52:48,590 I LOVE CHEWING GUM. 878 00:52:48,590 --> 00:52:50,830 KEEPS ME AWAKE. 879 00:52:52,090 --> 00:52:55,300 I NEVER MET ANYONE FROM L.A. BEFORE. 880 00:52:55,300 --> 00:52:56,700 YOU'RE NOT MISSING MUCH. 881 00:52:56,700 --> 00:52:58,530 SO HOW DO YOU LIKE OUR SHITHOLE TOWN? 882 00:52:58,530 --> 00:53:00,740 OH, IT'S NOT BAD. 883 00:53:01,940 --> 00:53:03,640 WERE YOU GOOD FRIENDS WITH KAY? 884 00:53:03,640 --> 00:53:06,640 YEAH, BEST FRIENDS. SINCE GRADE SCHOOL. 885 00:53:06,640 --> 00:53:07,640 BOY, THAT'S A LONG TIME. 886 00:53:07,640 --> 00:53:10,100 YEAH, WE WERE LIKE SISTERS. 887 00:53:10,100 --> 00:53:11,580 LIKE SISTERS? 888 00:53:11,580 --> 00:53:12,910 MUST BE PRETTY TOUGH FOR YOU 889 00:53:12,910 --> 00:53:14,340 WHAT HAPPENED THEN, HMM? 890 00:53:14,340 --> 00:53:18,220 EVERYONE KEEPS TELLING ME I'M DOING GREAT CONSIDERING. 891 00:53:18,220 --> 00:53:21,050 BUT THEY'RE ALL REAL WORRIED ABOUT ME. 892 00:53:21,050 --> 00:53:23,680 THEY DON'T EVEN CARE IF I SHOW UP FOR SCHOOL OR NOT. 893 00:53:23,680 --> 00:53:28,020 THEY'RE WORRIED I HAVEN'T CRIED YET. 894 00:53:28,020 --> 00:53:31,330 BUT...AIN'T NO LAW SAYS YOU GOTTA CRY, RIGHT? 895 00:53:31,330 --> 00:53:33,260 NO, THERE AIN'T. 896 00:53:37,730 --> 00:53:40,910 WHAT ABOUT HER OTHER FRIENDS? 897 00:53:41,970 --> 00:53:44,410 DO WE HAVE TO TALK ABOUT KAY RIGHT NOW? 898 00:53:44,410 --> 00:53:45,440 GOD. 899 00:53:46,440 --> 00:53:48,510 I JUST DON'T WANT TO THINK ABOUT ALL THAT. 900 00:53:48,510 --> 00:53:49,840 LET'S JUST DRIVE. 901 00:53:49,840 --> 00:53:52,150 I UNDERSTAND. 902 00:53:53,780 --> 00:53:56,080 YOU WANT ME TO TAKE YOU SOMEWHERE? 903 00:53:56,080 --> 00:53:57,720 SURE, AS LONG AS IT'S FUN. 904 00:53:57,720 --> 00:54:00,720 YOUNG, IMPRESSIONABLE GIRL 905 00:54:00,720 --> 00:54:04,120 LEFT ALONE WITH OLDER LOS ANGELES COP. 906 00:54:04,120 --> 00:54:05,790 WHO KNOW WHERE WE MIGHT GO, RIGHT? 907 00:54:05,790 --> 00:54:08,460 WELL, I KNOW A PLACE. 908 00:54:09,300 --> 00:54:11,970 HMM, LET'S JUST DRIFT A WHILE. 909 00:54:13,600 --> 00:54:15,370 OH, LOOK AT THIS. 910 00:54:15,370 --> 00:54:18,130 WHO DOES HE THINK HE IS? 911 00:54:18,130 --> 00:54:20,240 WHAT'S HE THINK HE'S DOING? 912 00:54:21,600 --> 00:54:22,600 HEY, MOVE OVER. 913 00:54:22,600 --> 00:54:23,810 LET HIM MOVE OVER. 914 00:54:23,810 --> 00:54:25,210 HEY, COME ON. MOVE OVER! 915 00:54:25,210 --> 00:54:26,740 WHAT THE FUCK ARE YOU DOING?! 916 00:54:26,740 --> 00:54:28,280 MOVE OVER, YOU CRAZY FUCK! 917 00:54:29,880 --> 00:54:31,550 HOLY SHIT. I MOVED OVER. 918 00:54:35,120 --> 00:54:36,990 JUST A LITTLE VISIT TO THE DUMP. 919 00:54:38,120 --> 00:54:39,690 I MEAN, YOU SHOULD FEEL RIGHT AT HOME HERE, HONEY. 920 00:54:39,690 --> 00:54:42,320 YOU JUST ABOUT FUCKING KILLED US BOTH! 921 00:54:42,320 --> 00:54:44,890 GET OFF OF ME. WHAT THE FUCK IS THIS? 922 00:54:44,890 --> 00:54:46,990 SO YOU AND KAY WERE LIKE SISTERS. 923 00:54:46,990 --> 00:54:48,330 YES. I TOLD YOU ALREADY. 924 00:54:48,330 --> 00:54:50,300 WELL, HOW COME THERE'S TORN PICTURES OF YOU 925 00:54:50,300 --> 00:54:51,260 IN HER BEDROOM? 926 00:54:51,260 --> 00:54:53,900 WHY WAS HER BOYFRIEND'S HANDS CLAMPED 927 00:54:53,900 --> 00:54:56,130 ALL OVER YOUR ASS AT HER FUNERAL? 928 00:54:56,130 --> 00:54:58,200 RANDY STETZ DOESN'T HAVE AN ALIBI FOR FRIDAY NIGHT 929 00:54:58,200 --> 00:54:59,900 BECAUSE HE WAS OUT WITH YOU. 930 00:54:59,900 --> 00:55:04,010 YOU WERE OUT FUCKING YOUR BEST FRIEND'S BOYFRIEND. 931 00:55:04,010 --> 00:55:06,110 THAT WHAT BEST FRIENDS DO? 932 00:55:06,110 --> 00:55:08,610 LOOK, SHE NEVER REALLY LOVED RANDY, OK? 933 00:55:08,610 --> 00:55:10,040 SHE DIDN'T REALLY LOVE HIM? 934 00:55:10,040 --> 00:55:10,850 NO. 935 00:55:10,850 --> 00:55:12,150 THAT'S INTERESTING. 936 00:55:12,150 --> 00:55:13,750 HOW DO YOU FIGURE THAT? SHE HAD SOMEONE ELSE? 937 00:55:13,750 --> 00:55:14,750 I DON'T KNOW. 938 00:55:14,750 --> 00:55:16,120 SOMEONE BOUGHT HER DRESSES, 939 00:55:16,120 --> 00:55:17,990 JEWELRY, ALL THAT SHIT. 940 00:55:17,990 --> 00:55:19,950 HEY, LOOK AROUND. 941 00:55:19,950 --> 00:55:21,460 COME HERE. I WANT TO SHOW YOU SOMETHING. 942 00:55:21,460 --> 00:55:23,490 SEE? MAYBE YOU'LL UNDERSTAND WHY I BROUGHT YOU HERE. 943 00:55:23,490 --> 00:55:26,160 THIS IS THE SPOT 944 00:55:26,160 --> 00:55:29,660 WHERE YOUR BEST FRIEND'S NAKED BODY WAS DUMPED, 945 00:55:29,660 --> 00:55:33,240 WRAPPED UP IN GARBAGE BAGS! 946 00:55:35,940 --> 00:55:37,110 TANYA... 947 00:55:38,270 --> 00:55:40,000 I KNOW YOU DON'T WANT ANYONE KNOWING 948 00:55:40,000 --> 00:55:42,200 THAT YOU BETRAYED YOUR BEST FRIEND 949 00:55:42,200 --> 00:55:43,340 WITH RANDY. 950 00:55:43,340 --> 00:55:45,510 THAT'S WHY YOU WILL NOT GIVE HIM AN ALIBI 951 00:55:45,510 --> 00:55:46,510 FOR FRIDAY NIGHT. 952 00:55:46,510 --> 00:55:48,050 I KNOW THAT. 953 00:55:48,050 --> 00:55:50,050 NOW YOU TELL ME WHO KAY WAS SEEING, 954 00:55:50,050 --> 00:55:52,550 AND WE CAN FORGET THE WHOLE THING. 955 00:55:52,550 --> 00:55:53,680 IT'LL BE OUR LITTLE SECRET. 956 00:55:53,680 --> 00:55:56,290 OUR LITTLE SECRET. BUT I NEED A NAME. 957 00:55:56,290 --> 00:55:57,320 I NEED A NAME. 958 00:55:57,320 --> 00:55:58,890 I DON'T KNOW. SHE WOULDN'T TELL ME, OK? 959 00:55:58,890 --> 00:56:00,460 SHE WOULDN'T TELL YOU? WHAT DO YOU MEAN 960 00:56:00,460 --> 00:56:02,660 SHE WOULDN'T TELL YOU, HER BEST FRIEND? 961 00:56:02,660 --> 00:56:04,590 IT WAS HER BIG FUCKING SECRET. 962 00:56:04,590 --> 00:56:06,190 SECRET? WHY A SECRET? 963 00:56:06,190 --> 00:56:07,330 I DON'T-- 964 00:56:07,330 --> 00:56:11,000 'CAUSE SHE THOUGHT SHE WAS SPECIAL AND... 965 00:56:11,000 --> 00:56:13,130 SHE KEPT SAYING SHE WAS GONNA GET OUT OF HERE 966 00:56:13,130 --> 00:56:14,140 AND HE WAS GONNA HELP HER. 967 00:56:14,140 --> 00:56:14,840 WHO? WHO? WHO IS HE? 968 00:56:14,840 --> 00:56:15,840 I DON'T KNOW. 969 00:56:15,840 --> 00:56:16,740 SHE TALKED ABOUT HIM, THOUGH. 970 00:56:16,740 --> 00:56:17,840 YEAH. 971 00:56:17,840 --> 00:56:18,740 SHE TALKED TO YOU ABOUT HIM THEN? 972 00:56:18,740 --> 00:56:20,070 YEAH. AND--AND--AND-- 973 00:56:20,070 --> 00:56:21,310 WHEN SHE TALKED ABOUT HIM, WHAT DID SHE CALL HIM? 974 00:56:21,310 --> 00:56:23,280 SHE CALLED HIM SOMETHING, RIGHT? SHE WAS-- 975 00:56:23,280 --> 00:56:24,280 YES! 976 00:56:24,280 --> 00:56:26,380 WHAT? WHAT'D SHE CALL HIM? 977 00:56:29,350 --> 00:56:30,320 BRODY. 978 00:56:31,150 --> 00:56:32,980 OK, SHE CALLED HIM FUCKING BRODY. 979 00:56:32,980 --> 00:56:34,080 BUT THAT'S NOT HIS REAL NAME, 980 00:56:34,080 --> 00:56:36,150 SO WHAT'S THE FUCKING DIFFERENCE? 981 00:56:36,150 --> 00:56:40,130 JESUS, YOU HAPPY NOW, YOU FUCKING ASSHOLE?! 982 00:56:47,430 --> 00:56:49,330 OK, YOU DID GOOD, HONEY. COME ON. 983 00:56:49,330 --> 00:56:52,470 I'LL LET YOU DRIVE. YOU WANT TO DRIVE? 984 00:57:00,910 --> 00:57:01,940 IT'S JUST POETRY. 985 00:57:01,940 --> 00:57:04,710 I READ IT LINE BY LINE. 986 00:57:04,710 --> 00:57:06,550 IT'S, UH, NOTHING SPECIFIC. 987 00:57:06,550 --> 00:57:08,920 VERSES ON NATURE, LOVE, THAT SORT OF STUFF. 988 00:57:08,920 --> 00:57:10,980 UH-HUH. 989 00:57:10,980 --> 00:57:12,990 DETECTIVE DORMER? LINE ONE. 990 00:57:12,990 --> 00:57:14,750 DORMER HERE. 991 00:57:14,750 --> 00:57:16,320 HOW YOU HOLDING UP? 992 00:57:16,320 --> 00:57:17,790 CAN'T BE EASY TO KEEP WORKING 993 00:57:17,790 --> 00:57:20,690 AFTER 3 DAYS OF NO SLEEP. 994 00:57:20,690 --> 00:57:22,790 HARD TO KEEP FOCUS. 995 00:57:22,790 --> 00:57:25,060 I MEAN, ARE YOU SEEING THINGS YET? 996 00:57:25,060 --> 00:57:26,800 YOU KNOW, THOSE LITTLE FLASHES, 997 00:57:26,800 --> 00:57:28,370 TRICKS OF LIGHT? 998 00:57:28,370 --> 00:57:29,170 HMM. 999 00:57:29,170 --> 00:57:31,670 SEE YOUR PARTNER? 1000 00:57:31,670 --> 00:57:33,700 I SEE KAY SOMETIMES. 1001 00:57:33,700 --> 00:57:35,640 WHAT CAN I DO FOR YOU, SIR? 1002 00:57:35,640 --> 00:57:39,140 WHY COULDN'T YOU TELL ANYONE YOU SHOT HIM? 1003 00:57:39,140 --> 00:57:43,550 I MEAN, IT WAS AN ACCIDENT, RIGHT? 1004 00:57:43,550 --> 00:57:46,150 WELL, I SHOULD HOPE SO, FOR YOUR SAKE. 1005 00:57:46,150 --> 00:57:47,440 YOU KNOW WHAT I'M SAYING? 1006 00:57:47,440 --> 00:57:49,320 NO NEED FOR THREATS. 1007 00:57:49,320 --> 00:57:50,990 I'M JUST TRYING TO MAKE YOU UNDERSTAND 1008 00:57:50,990 --> 00:57:52,550 MY OWN SITUATION. 1009 00:57:52,550 --> 00:57:54,620 SEE, YOU THOUGHT NO ONE WOULD BELIEVE YOU 1010 00:57:54,620 --> 00:57:56,720 BECAUSE OF THE TROUBLE IN LOS ANGELES, RIGHT? 1011 00:57:56,720 --> 00:58:00,030 I KNOW WHAT THAT'S LIKE, WILL. 1012 00:58:00,030 --> 00:58:01,030 UH-HUH. 1013 00:58:01,030 --> 00:58:03,400 I GOT THE SAME PROBLEM. 1014 00:58:03,400 --> 00:58:04,560 YOU DO, HUH? 1015 00:58:04,560 --> 00:58:05,860 MM-HMM. 1016 00:58:05,860 --> 00:58:08,030 I'M NOT WHO YOU THINK I AM. 1017 00:58:08,030 --> 00:58:09,300 YOU'RE NOT? 1018 00:58:09,300 --> 00:58:12,440 NO. I'M NOT A MURDERER ANY MORE THAN YOU ARE. 1019 00:58:12,440 --> 00:58:14,710 WELL, THEN WHY DON'T WE GET TOGETHER, YOU KNOW? 1020 00:58:14,710 --> 00:58:18,440 JUST--JUST TALK, HAVE A FEW BEERS, WHATEVER. 1021 00:58:18,440 --> 00:58:20,650 YEAH, THROW A LITTLE GAS ON THE FIRE, HUH? 1022 00:58:20,650 --> 00:58:21,650 YEAH. 1023 00:58:34,120 --> 00:58:35,960 I GOTTA GO CHECK SOME THINGS OUT. 1024 00:58:35,960 --> 00:58:38,330 WHY DON'T YOU, UH, PUT THIS STUFF 1025 00:58:38,330 --> 00:58:40,790 BACK INTO EVIDENCE AND TELL, UH-- 1026 00:58:40,790 --> 00:58:42,230 WHAT'S THAT GUY? FRED. 1027 00:58:42,230 --> 00:58:44,230 FRED. YOU TELL HIM, UH, 1028 00:58:44,230 --> 00:58:45,370 I'LL SEE HIM IN THE MORNING. 1029 00:58:45,370 --> 00:58:47,140 OH, AND CAN WE RETURN THIS? 1030 00:58:47,140 --> 00:58:48,700 HER MOTHER MIGHT LIKE IT BACK. 1031 00:58:48,700 --> 00:58:49,740 OH, SURE. 1032 01:00:11,710 --> 01:00:12,580 LOOK AT THIS. 1033 01:00:12,580 --> 01:00:15,820 THAT'S RIGHT. COME ON. THAT'S RIGHT. 1034 01:03:05,930 --> 01:03:07,330 UHH! 1035 01:04:21,900 --> 01:04:22,900 HERE YOU GO. 1036 01:04:47,710 --> 01:04:49,120 Answering machine: HI, THIS IS WALTER. 1037 01:04:49,120 --> 01:04:50,920 IF YOU WANT TO LEAVE A MESSAGE, WAIT FOR THE BEEP. 1038 01:04:51,720 --> 01:04:53,550 WILL, ARE YOU THERE? 1039 01:04:53,550 --> 01:04:55,490 WHERE ELSE COULD YOU GO IN THAT STATE? 1040 01:04:55,490 --> 01:04:57,720 AH, AND YOU MUST HAVE BEEN FREEZING. 1041 01:04:57,720 --> 01:04:59,430 IF YOU WANT TO TAKE A SHOWER. 1042 01:04:59,430 --> 01:05:00,960 SHOULD BE SOME CLEAN TOWELS IN THE BATHROOM. 1043 01:05:08,200 --> 01:05:09,700 HI, THIS IS WALTER. 1044 01:05:09,700 --> 01:05:11,700 IF YOU WANT TO LEAVE A MESSAGE, WAIT FOR THE BEEP. 1045 01:05:12,600 --> 01:05:13,740 WILL, PICK UP. 1046 01:05:13,740 --> 01:05:15,780 I'M NOT DUMB ENOUGH TO CALL BACK. 1047 01:05:17,080 --> 01:05:18,110 WALTER FINCH. 1048 01:05:18,110 --> 01:05:20,480 WILL...WILL DORMER. 1049 01:05:20,480 --> 01:05:21,840 WHAT ARE YOU DOING? 1050 01:05:21,840 --> 01:05:23,480 I'M TRYING TO HELP YOU, AND YOU'RE RUNNING AROUND 1051 01:05:23,480 --> 01:05:25,480 LIKE A FUCKIN' MANIAC. 1052 01:05:25,480 --> 01:05:27,280 WERE YOU GONNA KILL ME? 1053 01:05:27,280 --> 01:05:29,280 HOW WOULD YOU EXPLAIN THAT ONE? 1054 01:05:29,280 --> 01:05:32,020 WELL, NO ONE GETS TOO UPSET 1055 01:05:32,020 --> 01:05:34,760 WHEN CHILD MURDERERS ARE BROUGHT IN FEET FIRST. 1056 01:05:34,760 --> 01:05:36,660 THERE'S NO EVIDENCE THAT I KILLED KAY. 1057 01:05:36,660 --> 01:05:37,730 YOU ONLY KNOW IT 'CAUSE I TOLD YOU 1058 01:05:37,730 --> 01:05:39,160 WHAT I SAW ON THAT BEACH. 1059 01:05:39,160 --> 01:05:41,130 COME ON. WHAT'S WRONG WITH YOU? 1060 01:05:41,130 --> 01:05:42,660 GUESS I'M A LITTLE CRANKY. 1061 01:05:42,660 --> 01:05:44,430 LACK OF SLEEP, YOU KNOW. 1062 01:05:44,430 --> 01:05:45,930 GET SOME REST, WILL YOU? 1063 01:05:45,930 --> 01:05:47,770 I'VE GOT SOME PILLS IN THE BATHROOM CABINET, 1064 01:05:47,770 --> 01:05:49,330 AND MY BED'S NICE AND COMFY. 1065 01:05:49,330 --> 01:05:50,600 ANOTHER NIGHT UP LIKE THIS, 1066 01:05:50,600 --> 01:05:51,800 AND YOU'RE REALLY GONNA LOSE IT. 1067 01:05:51,800 --> 01:05:54,430 HALLUCINATING, BABBLING. GOD KNOWS WHAT. 1068 01:05:54,430 --> 01:05:55,910 TOMORROW, WHEN YOU'RE FEELING BETTER, WE'LL MEET-- 1069 01:05:55,910 --> 01:05:59,610 IN PUBLIC-- AND SORT THINGS OUT. OK? 1070 01:05:59,610 --> 01:06:01,210 THERE'S A FERRY ABOUT 5 MILES NORTH 1071 01:06:01,210 --> 01:06:02,310 OF NIGHTMUTE. 1072 01:06:02,310 --> 01:06:04,910 I'LL BE ON THE 11:00. AND, WILL... 1073 01:06:04,910 --> 01:06:06,880 BEFORE YOU LEAVE, COULD YOU FEED THE DOGS? 1074 01:06:06,880 --> 01:06:08,420 THEY'RE ON A DIET. 1075 01:06:45,790 --> 01:06:47,750 DORMER... FAX FROM THE LAB. 1076 01:06:47,750 --> 01:06:50,320 MURDER WEAPON WAS A .38 SMITH WESSON. 1077 01:06:50,320 --> 01:06:51,460 AH. 1078 01:06:51,460 --> 01:06:52,790 AND WE ALSO FOUND SOMETHING ELSE 1079 01:06:52,790 --> 01:06:54,360 MIGHT BE WORTH CHECKING OUT. ELLIE-- 1080 01:06:54,360 --> 01:06:56,600 I FOUND THIS... AT THE CONNELLS. 1081 01:07:00,770 --> 01:07:02,430 AND? 1082 01:07:02,430 --> 01:07:04,570 AND IT'S THE SAME AUTHOR OF THE BOOK 1083 01:07:04,570 --> 01:07:06,600 WE FOUND IN KAY'S BACKPACK. 1084 01:07:06,600 --> 01:07:08,270 IT'S SIGNED BY THE AUTHOR. 1085 01:07:08,270 --> 01:07:09,540 TURNS OUT HE'S A LOCAL WRITER. 1086 01:07:09,540 --> 01:07:11,310 KAY HAD ALL HIS BOOKS. 1087 01:07:11,310 --> 01:07:13,010 I THINK WE SHOULD CHECK IT OUT. 1088 01:07:13,010 --> 01:07:15,110 SMALL STUFF, RIGHT? 1089 01:07:15,110 --> 01:07:18,380 WELL, YEAH. SURE, SURE. 1090 01:07:18,380 --> 01:07:20,040 NICE WORK, ELLIE. 1091 01:07:20,040 --> 01:07:21,520 SHE'S GOT SHARP EYES, HUH? 1092 01:07:21,520 --> 01:07:23,690 OH, YOU BET YOUR ASS SHE DOES. 1093 01:07:25,150 --> 01:07:26,520 GOOD STUFF. 1094 01:08:10,230 --> 01:08:12,190 OH, WHAT A VIEW. 1095 01:08:13,430 --> 01:08:15,030 I'M NOT WHO YOU THINK I AM. 1096 01:08:15,030 --> 01:08:16,070 NO? 1097 01:08:18,470 --> 01:08:19,530 WALTER FINCH. 1098 01:08:19,530 --> 01:08:21,630 LOUSY WRITER. 1099 01:08:21,630 --> 01:08:23,500 LONELY FREAK. 1100 01:08:23,500 --> 01:08:24,770 MURDERER. 1101 01:08:24,770 --> 01:08:27,540 NO? 1102 01:08:27,540 --> 01:08:28,670 WHEN I WAS 7 YEARS OLD, 1103 01:08:28,670 --> 01:08:30,710 MY GRANDMOTHER TOOK ME TO PORTLAND. 1104 01:08:30,710 --> 01:08:32,840 WE WERE WALKING ALONG, THESE 2 GUYS RAN BY. 1105 01:08:32,840 --> 01:08:34,240 THEY SNATCHED HER PURSE. 1106 01:08:34,240 --> 01:08:36,610 THAT NIGHT, A POLICE OFFICER CAME TO OUR HOTEL 1107 01:08:36,610 --> 01:08:37,850 TO ASK QUESTIONS. 1108 01:08:37,850 --> 01:08:39,320 HE STOOD THE WHOLE TIME. 1109 01:08:39,320 --> 01:08:41,450 UNIFORM LOOKED BRAND-NEW. 1110 01:08:41,450 --> 01:08:44,550 SHOES, BADGE WERE POLISHED. 1111 01:08:44,550 --> 01:08:46,720 HE WAS LIKE A SOLDIER, ONLY BETTER. 1112 01:08:46,720 --> 01:08:48,420 I HAVE GREAT RESPECT FOR YOUR PROFESSION. 1113 01:08:48,420 --> 01:08:49,590 THAT'S WHY I WRITE ABOUT IT. 1114 01:08:49,590 --> 01:08:50,720 I EVEN WANTED TO BECOME A COP 1115 01:08:50,720 --> 01:08:52,730 AFTER I FINISHED HIGH SCHOOL. 1116 01:08:52,730 --> 01:08:54,460 I JUST COULDN'T PASS ALL THE TESTS. 1117 01:08:54,460 --> 01:08:55,600 WELL, YOU SHOULD HAVE TRIED OUT 1118 01:08:55,600 --> 01:08:56,800 FOR INTERNAL AFFAIRS. 1119 01:08:56,800 --> 01:08:58,530 THEY'D HAVE TAKEN YOU. 1120 01:08:58,530 --> 01:08:59,670 WHAT DO YOU WANT FROM ME, FINCH? 1121 01:08:59,670 --> 01:09:02,970 AFTER KAY DIED, I KNEW THAT EVERYONE 1122 01:09:02,970 --> 01:09:04,870 WOULD THINK THAT I MEANT TO DO IT. 1123 01:09:04,870 --> 01:09:08,310 SO I CLEANED THE BODY UP, REMOVED ALL TRACE OF EVIDENCE 1124 01:09:08,310 --> 01:09:09,510 CONNECTED TO ME. 1125 01:09:09,510 --> 01:09:12,480 EXCEPT FOR YOUR FUCKIN' NOVEL. 1126 01:09:12,480 --> 01:09:13,550 HUH? 1127 01:09:13,550 --> 01:09:14,750 UNDER PRESSURE, YOU DON'T ALWAYS 1128 01:09:14,750 --> 01:09:16,210 SEE THE WOOD FOR THE TREES. 1129 01:09:16,210 --> 01:09:19,690 YOU, FOR ONE, SHOULD HAVE FIGURED THAT ONE OUT BY NOW. 1130 01:09:29,130 --> 01:09:30,490 YOU KNOW, WHEN I HEARD THAT THEY HAD BROUGHT 1131 01:09:30,490 --> 01:09:33,760 SOMEBODY FROM L.A., I PANICKED. 1132 01:09:33,760 --> 01:09:35,160 I WASN'T WORRIED ABOUT THE LOCALS. 1133 01:09:35,160 --> 01:09:37,600 I KNEW THEY'D CONNECT ME TO KAY EVENTUALLY. 1134 01:09:37,600 --> 01:09:39,070 I COULD HANDLE THEM. 1135 01:09:39,070 --> 01:09:42,640 THEY NEVER LOOK IN THE EYES OF A KILLER. 1136 01:09:42,640 --> 01:09:44,240 KILLING CHANGES YOU. 1137 01:09:44,240 --> 01:09:46,110 YOU KNOW THAT. 1138 01:09:46,110 --> 01:09:47,880 IT'S NOT GUILT. 1139 01:09:47,880 --> 01:09:51,310 I NEVER MEANT TO DO IT. 1140 01:09:51,310 --> 01:09:54,110 IT'S LIKE AWARENESS. 1141 01:09:54,110 --> 01:09:55,180 LIFE IS SO IMPORTANT. 1142 01:09:55,180 --> 01:09:58,080 HOW COULD IT BE SO FUCKIN' FRAGILE? 1143 01:09:58,080 --> 01:10:00,850 YOU'D SEE IT RIGHT AWAY, WOULDN'T YOU? 1144 01:10:00,850 --> 01:10:02,790 YOU TRYING TO IMPRESS ME, FINCH? 1145 01:10:02,790 --> 01:10:05,060 BECAUSE YOU GOT THE WRONG GUY. 1146 01:10:05,060 --> 01:10:08,330 KILLING THAT GIRL MADE YOU FEEL SPECIAL. 1147 01:10:08,330 --> 01:10:10,700 BUT YOU'RE NOT. 1148 01:10:11,830 --> 01:10:14,530 YOU'RE THE SAME DISTORTED, PATHETIC FREAK 1149 01:10:14,530 --> 01:10:17,700 I'VE BEEN DEALING WITH FOR 30 YEARS. 1150 01:10:17,700 --> 01:10:18,740 YOU KNOW HOW MANY OF YOU 1151 01:10:18,740 --> 01:10:20,800 I CAUGHT WITH YOUR PANTS DOWN? 1152 01:10:20,800 --> 01:10:22,300 I NEVER TOUCHED HER LIKE THAT. 1153 01:10:22,300 --> 01:10:24,810 YOU WANTED TO. 1154 01:10:24,810 --> 01:10:26,910 NOW YOU WISH YOU HAD. 1155 01:10:26,910 --> 01:10:28,280 HMM? 1156 01:10:28,280 --> 01:10:30,410 BEST YOU COULD DO IS... 1157 01:10:30,410 --> 01:10:32,710 CLIP HER NAILS. 1158 01:10:32,710 --> 01:10:34,620 NOW YOU'RE SO DIFFERENT. 1159 01:10:34,620 --> 01:10:36,680 YOU DON'T GET IT, DO YOU, FINCH? 1160 01:10:36,680 --> 01:10:37,850 YOU'RE MY JOB. 1161 01:10:37,850 --> 01:10:39,620 YOU'RE WHAT I'M PAID TO DO. 1162 01:10:39,620 --> 01:10:41,290 YOU'RE ABOUT AS MYSTERIOUS TO ME 1163 01:10:41,290 --> 01:10:44,020 AS A BLOCKED TOILET IS TO A FUCKIN' PLUMBER. 1164 01:10:44,020 --> 01:10:46,690 REASONS FOR DOING WHAT YOU DID? 1165 01:10:46,690 --> 01:10:48,030 WHO GIVES A FUCK? 1166 01:10:48,030 --> 01:10:52,030 MOTIVATIONS ARE EVERYTHING, WILL. 1167 01:10:52,030 --> 01:10:56,170 WHAT DID YOU SEE THROUGH THE FOG? 1168 01:10:56,170 --> 01:10:58,240 I SAW PRETTY CLEARLY, DIDN'T I? 1169 01:10:58,240 --> 01:10:59,900 I SAW YOU TAKE AIM-- 1170 01:10:59,900 --> 01:11:01,970 COME ON. FORGET IT, FINCH. 1171 01:11:01,970 --> 01:11:03,370 SHOOT YOUR PARTNER IN THE CHEST. 1172 01:11:03,370 --> 01:11:05,080 OH, WELL. 1173 01:11:05,080 --> 01:11:07,650 I HEARD HIM SAY, "GET AWAY FROM ME." 1174 01:11:07,650 --> 01:11:08,710 WHY? 1175 01:11:08,710 --> 01:11:10,250 HAVE ANYTHING TO DO 1176 01:11:10,250 --> 01:11:12,250 WITH THAT INTERNAL AFFAIRS INVESTIGATION? 1177 01:11:12,250 --> 01:11:14,150 ALL THAT TENSION IN YOUR DEPARTMENT? 1178 01:11:15,550 --> 01:11:17,090 YOU THINK I'M THAT EASY, HUH? 1179 01:11:17,090 --> 01:11:19,190 I'M JUST SAYING THAT'S HOW IT LOOKS. YOU KNOW? 1180 01:11:19,190 --> 01:11:21,930 I MEAN, MAYBE EVEN HOW IT FEELS. 1181 01:11:24,060 --> 01:11:26,730 HOW DID IT FEEL WHEN YOU FOUND OUT IT WAS HAP? 1182 01:11:26,730 --> 01:11:30,100 GUILT? RELIEF? 1183 01:11:31,530 --> 01:11:32,970 SUDDENLY, YOU'RE FREE AND CLEAR. 1184 01:11:32,970 --> 01:11:35,540 DID YOU EVER THINK ABOUT IT BEFORE THAT MOMENT? 1185 01:11:35,540 --> 01:11:37,640 I MEAN, WHAT WOULD IT BE LIKE 1186 01:11:37,640 --> 01:11:40,240 IF HE WASN'T THERE ANYMORE? 1187 01:11:43,180 --> 01:11:45,450 IT DOESN'T MEAN YOU DID IT ON PURPOSE, YOU KNOW? 1188 01:11:54,320 --> 01:11:56,850 YOU FIGURE IF YOU GOT SOMETHING ON ME 1189 01:11:56,850 --> 01:11:58,590 THEN I'M JUST GONNA ROLL OVER 1190 01:11:58,590 --> 01:12:00,890 AND PROTECT MY REPUTATION. 1191 01:12:00,890 --> 01:12:04,630 WELL, PROTECT YOUR LIFE'S WORK. 1192 01:12:04,630 --> 01:12:06,700 EVERY ONE OF THOSE SCUMBAGS YOU PUT AWAY 1193 01:12:06,700 --> 01:12:07,900 WILL BE BACK ON THE STREET 1194 01:12:07,900 --> 01:12:11,000 BEFORE YOU EVEN GO ON TRIAL. 1195 01:12:11,000 --> 01:12:12,970 HAP GONE, YOU'RE FREE AND CLEAR. 1196 01:12:12,970 --> 01:12:14,970 WHY MESS WITH THAT? 1197 01:12:18,140 --> 01:12:19,640 KAY CONNELL. 1198 01:12:19,640 --> 01:12:22,580 REMEMBER HER? 1199 01:12:22,580 --> 01:12:24,380 IT'S YOUR CHOICE. 1200 01:12:26,180 --> 01:12:28,750 THINK OF ALL THE OTHER KAY CONNELLS. 1201 01:12:28,750 --> 01:12:30,120 DO THE MATH. YOU'RE A PRAGMATIST. 1202 01:12:30,120 --> 01:12:32,960 YOU HAVE TO BE BECAUSE OF YOUR JOB. 1203 01:12:34,050 --> 01:12:35,720 I KNOW THIS ISN'T EASY FOR YOU, 1204 01:12:35,720 --> 01:12:37,690 BUT I'M TRYING TO GET YOU TO UNDERSTAND 1205 01:12:37,690 --> 01:12:40,520 WE'RE IN THE SAME SITUATION HERE. 1206 01:12:40,520 --> 01:12:41,990 YOU DIDN'T MEAN TO KILL HAP 1207 01:12:41,990 --> 01:12:45,330 ANY MORE THAN I MEANT TO KILL KAY. 1208 01:12:45,330 --> 01:12:47,630 THAT'S KIND OF HARD FOR THEM TO BELIEVE, 1209 01:12:47,630 --> 01:12:49,940 SO THAT'S WHY WE NEED EACH OTHER. 1210 01:12:51,540 --> 01:12:53,470 WE GOTTA FIND A PATSY FOR THE CONNELL CASE, 1211 01:12:53,470 --> 01:12:56,140 MAKE IT STICK. 1212 01:12:56,140 --> 01:12:58,110 DO THAT, AND YOU GO BACK TO LOS ANGELES, 1213 01:12:58,110 --> 01:13:01,150 AND I CAN GO BACK TO LIVING MY LIFE. 1214 01:13:03,880 --> 01:13:07,450 SO, WHAT DO YOU NEED FROM ME? 1215 01:13:09,290 --> 01:13:11,390 WHAT DO THEY KNOW ABOUT ME? 1216 01:13:13,560 --> 01:13:16,890 UH, THEY FOUND A SIGNED COPY OF ONE OF YOUR BOOKS 1217 01:13:16,890 --> 01:13:19,020 AT KAY'S HOUSE. 1218 01:13:19,020 --> 01:13:21,830 SO YOU'RE GOING TO BE BROUGHT IN FOR QUESTIONING. 1219 01:13:21,830 --> 01:13:23,060 AT THE STATION. 1220 01:13:23,060 --> 01:13:24,930 YEAH, THAT'S WHAT THEY USUALLY DO. 1221 01:13:24,930 --> 01:13:26,500 THEY BRING YOU TO THE STATION. 1222 01:13:26,500 --> 01:13:28,070 BROUGHT IN FOR QUESTIONING. 1223 01:13:28,070 --> 01:13:29,770 I COULD WRITE THAT EASILY. 1224 01:13:29,770 --> 01:13:32,740 CALM DOWN. IT'S NO BIG THING. 1225 01:13:32,740 --> 01:13:35,740 PRELIMINARY INQUIRIES. YOU KNOW? 1226 01:13:35,740 --> 01:13:37,780 YOU JUST TELL THE TRUTH. 1227 01:13:37,780 --> 01:13:41,180 WELL, TELL THEM ABOUT RANDY, HOW HE, UH-- 1228 01:13:41,180 --> 01:13:42,710 WHAT ARE YOU TALKING ABOUT RANDY FOR? 1229 01:13:42,710 --> 01:13:43,880 WELL-- 1230 01:13:43,880 --> 01:13:46,080 TALK ABOUT YOUR RELATIONSHIP WITH KAY. 1231 01:13:46,080 --> 01:13:48,680 YOU CAN'T HIDE IT, SO YOU JUST SAY IT. 1232 01:13:48,680 --> 01:13:51,690 RANDY IS NONE OF YOUR BUSINESS. 1233 01:13:51,690 --> 01:13:52,920 IT'S NOT YOUR AFFAIR. 1234 01:13:52,920 --> 01:13:54,020 WELL, SHOULDN'T I TELL THEM 1235 01:13:54,020 --> 01:13:55,590 THAT SHE WAS UNHAPPY? 1236 01:13:55,590 --> 01:13:56,920 YOU CAN TELL 'EM SHE WAS UNHAPPY, 1237 01:13:56,920 --> 01:13:59,700 BUT JUST LET THEM FIND RANDY THEMSELVES. 1238 01:13:59,700 --> 01:14:00,760 YOU KNOW? 1239 01:14:00,760 --> 01:14:03,700 THAT WAY, THEY'LL MAKE IT STICK. 1240 01:14:03,700 --> 01:14:06,430 YOU UNDERSTAND? 1241 01:14:06,430 --> 01:14:08,800 WE NEED A WILD CARD. 1242 01:14:10,470 --> 01:14:11,570 A WILD CARD? 1243 01:14:11,570 --> 01:14:12,870 YEAH. 1244 01:14:12,870 --> 01:14:15,470 SOMETHING THAT'S THEIRS. SOMETHING WE CAN USE. 1245 01:14:15,470 --> 01:14:18,840 YOU KNOW, IT'S IN EVERY GOOD DETECTIVE NOVEL. 1246 01:14:18,840 --> 01:14:20,920 YOU STILL HAVE THE .38? 1247 01:14:22,480 --> 01:14:23,450 NO. 1248 01:14:25,020 --> 01:14:27,790 REALLY? THAT'S A SHAME. 1249 01:14:27,790 --> 01:14:28,890 WE COULD USE THAT. 1250 01:14:28,890 --> 01:14:31,280 THAT'D BE VERY CONVINCING FOR THEM. 1251 01:14:34,760 --> 01:14:36,930 THIS IS MY STOP. 1252 01:14:45,900 --> 01:14:47,610 DORMER! 1253 01:14:53,240 --> 01:14:55,580 WILD CARD! 1254 01:14:59,520 --> 01:15:00,810 GOOD NIGHT, EVERYONE. 1255 01:15:00,810 --> 01:15:02,350 GOOD NIGHT, FRANCIS. 1256 01:15:04,190 --> 01:15:06,190 WORKING SOME OVERTIME, HUH? 1257 01:15:06,190 --> 01:15:06,990 NICE. 1258 01:15:06,990 --> 01:15:09,450 CRACKING SOME BIG CASES? 1259 01:15:09,450 --> 01:15:10,460 GOOD NIGHT. 1260 01:15:10,460 --> 01:15:11,850 GOOD NIGHT, GUYS. 1261 01:15:57,800 --> 01:15:59,160 YEAH? 1262 01:15:59,160 --> 01:16:01,370 THIS IS ALWAYS THE WORST TIME OF NIGHT FOR ME. 1263 01:16:01,370 --> 01:16:03,770 TOO LATE FOR YESTERDAY, TOO EARLY FOR TOMORROW. 1264 01:16:03,770 --> 01:16:04,900 WHAT DO YOU WANT? 1265 01:16:04,900 --> 01:16:06,300 I'M SORRY ABOUT THE TAPE RECORDER. 1266 01:16:06,300 --> 01:16:07,900 I HAD TO MAKE SURE YOU'D FOLLOW THROUGH. 1267 01:16:07,900 --> 01:16:09,440 I KNOW THIS IS HARD FOR YOU. 1268 01:16:09,440 --> 01:16:10,910 I'LL FOLLOW THROUGH. 1269 01:16:10,910 --> 01:16:12,070 I'VE BEEN THINKING IT OVER. 1270 01:16:12,070 --> 01:16:14,080 I SHOULD TELL THEM ABOUT RANDY. 1271 01:16:15,510 --> 01:16:17,780 I THINK THAT'S A BAD IDEA, WALTER. 1272 01:16:17,780 --> 01:16:20,080 BUT HE'S THE PATSY, WILL. AND BESIDES, HE DESERVES IT. 1273 01:16:20,080 --> 01:16:21,980 YOU SHOULD HAVE HEARD THE SHIT KAY TOLD ME ABOUT HIM. 1274 01:16:21,980 --> 01:16:23,250 HOW HE ABUSED HER. 1275 01:16:23,250 --> 01:16:25,490 YEAH, BUT THESE ARE COPS, YOU KNOW, WALTER. 1276 01:16:25,490 --> 01:16:27,320 THEY'RE NOT CHILDREN. YOU DON'T JUST... 1277 01:16:27,320 --> 01:16:29,420 THROW SOMETHING LIKE THAT IN THEIR LAP. 1278 01:16:29,420 --> 01:16:31,590 LEAVE RANDY TO ME. I'LL PUSH 'EM TOWARD RANDY 1279 01:16:31,590 --> 01:16:34,330 WHEN THE TIME IS RIGHT. YOU UNDERSTAND? 1280 01:16:34,330 --> 01:16:35,830 YEAH, BUT WE DON'T HAVE THE GUN, WILL. 1281 01:16:35,830 --> 01:16:37,300 HOW WE GONNA CONVINCE THEM HE'S GUILTY 1282 01:16:37,300 --> 01:16:38,970 IF WE DON'T HAVE THAT, HMM? I MEAN, UNLESS I TELL THEM-- 1283 01:16:38,970 --> 01:16:40,930 DID YOU KEEP THE DRESS? 1284 01:16:40,930 --> 01:16:42,400 DRESS? 1285 01:16:42,400 --> 01:16:45,040 KAY'S DRESS, YEAH. HER NAIL CLIPPINGS. 1286 01:16:45,040 --> 01:16:46,210 WHAT'D YOU DO WITH THOSE THINGS? 1287 01:16:46,210 --> 01:16:48,510 THAT'S GREAT. HER DRESS. 1288 01:16:48,510 --> 01:16:49,410 WE COULD USE THAT. 1289 01:16:49,410 --> 01:16:50,880 THAT'S EVEN BETTER THAN THE GUN. 1290 01:16:50,880 --> 01:16:52,010 WE JUST HAVE TO THINK OF A PLACE 1291 01:16:52,010 --> 01:16:53,180 WHERE HE COULD HAVE TAKEN THE BODY. 1292 01:16:53,180 --> 01:16:54,480 WHERE'D YOU TAKE HER? 1293 01:16:54,480 --> 01:16:56,680 I MEAN, SHE DIED IN THE CABIN, RIGHT? 1294 01:16:56,680 --> 01:16:57,910 YEAH. 1295 01:16:57,910 --> 01:17:00,150 SO, WHERE'D YOU TAKE HER TO CLEAN HER UP? 1296 01:17:01,590 --> 01:17:03,150 YOU DON'T WANNA THINK ABOUT THAT, WILL. 1297 01:17:03,150 --> 01:17:04,990 THIS IS TOUGH ENOUGH FOR YOU ALREADY. 1298 01:17:04,990 --> 01:17:06,360 BUT IT WAS AN ACCIDENT, RIGHT? 1299 01:17:06,360 --> 01:17:08,190 YEAH. I DIDN'T MEAN TO KILL HER, WILL. 1300 01:17:08,190 --> 01:17:09,390 YOU KNOW THAT, DON'T YOU? 1301 01:17:09,390 --> 01:17:11,600 I KNOW. NOW WHAT HAPPENED? 1302 01:17:14,000 --> 01:17:15,970 SHE CALLED AND SAID THAT SHE AND RANDY 1303 01:17:15,970 --> 01:17:18,130 HAD HAD A FIGHT. 1304 01:17:18,130 --> 01:17:20,800 AND, UH, SHE WANTED TO COME OVER AND TALK. 1305 01:17:20,800 --> 01:17:23,000 AND I SAID, "MEET ME AT OUR PLACE." 1306 01:17:23,000 --> 01:17:24,970 IT'S THE CABIN AT THE BEACH. AND... 1307 01:17:24,970 --> 01:17:26,040 YEAH? 1308 01:17:26,040 --> 01:17:28,110 SHE COMES OVER. SHE'S DISTRAUGHT 1309 01:17:28,110 --> 01:17:29,870 AND A LITTLE DRUNK. 1310 01:17:29,870 --> 01:17:31,740 AND, UM, YOU KNOW, SHE STARTS TELLING ME 1311 01:17:31,740 --> 01:17:35,550 ABOUT HOW RANDY AND TANYA ARE CARRYING ON, AND... 1312 01:17:36,910 --> 01:17:38,550 I ONLY WANTED TO COMFORT HER. 1313 01:17:38,550 --> 01:17:40,990 HOLD HER. 1314 01:17:40,990 --> 01:17:43,830 MMM...YOU KNOW? 1315 01:17:44,790 --> 01:17:48,160 I KISSED HER AND... GOT A LITTLE EXCITED, AND... 1316 01:17:48,160 --> 01:17:51,670 SHE STARTED LAUGHING AT ME. 1317 01:17:53,830 --> 01:17:55,300 SHE WOULDN'T STOP LAUGHING. 1318 01:17:55,300 --> 01:17:57,790 YOU EVER HAD SOMEBODY LAUGH AT YOU 1319 01:17:57,790 --> 01:17:59,270 WHEN--WHEN YOU'RE LIKE THAT, WILL? 1320 01:17:59,270 --> 01:18:01,400 I MEAN, WHEN YOU'RE REALLY VULNERABLE. 1321 01:18:01,400 --> 01:18:04,110 LAUGHING THEIR ASS OFF AT YOU. 1322 01:18:04,110 --> 01:18:05,440 SOMEONE YOU THOUGHT RESPECTED YOU. 1323 01:18:05,440 --> 01:18:07,880 YOU EVER HAVE THAT HAPPEN, WILL? 1324 01:18:08,910 --> 01:18:11,680 I JUST WANTED TO STOP HER LAUGHING, THAT'S ALL. 1325 01:18:11,680 --> 01:18:13,850 AND THEN, YOU KNOW, I... 1326 01:18:13,850 --> 01:18:15,850 I HIT HER. 1327 01:18:15,850 --> 01:18:18,390 COUPLE OF TIMES, JUST TO, YOU KNOW, JUST TO STOP HER. 1328 01:18:18,390 --> 01:18:19,910 LET HER KNOW. GET A LITTLE RESPECT. 1329 01:18:19,910 --> 01:18:21,420 AND, YOU KNOW, RANDY DID IT ALL THE TIME. 1330 01:18:21,420 --> 01:18:22,990 I THINK SHE EVEN LIKED IT WHEN HE DID IT. 1331 01:18:22,990 --> 01:18:24,090 YOU KNOW, SHE NEVER BLAMED HIM. 1332 01:18:24,090 --> 01:18:25,390 SHE NEVER WANTED TO LEAVE HIM. 1333 01:18:25,390 --> 01:18:28,190 BUT, NO, I DO IT, AND SHE STARTS SCREAMING. 1334 01:18:28,190 --> 01:18:30,630 SHE WOULDN'T STOP. YOU KNOW? I--I-- 1335 01:18:30,630 --> 01:18:31,730 UNH! UHH! 1336 01:18:31,730 --> 01:18:33,370 SHE'S TERRIFIED. SHE'S SCREAMING HER HEAD OFF. 1337 01:18:33,370 --> 01:18:36,030 I PUT MY HAND OVER HER MOUTH. 1338 01:18:36,030 --> 01:18:37,440 THEN--AND THEN, I'M REALLY SCARED. 1339 01:18:37,440 --> 01:18:39,440 I'M LIKE, YEAH. I'M SCARED SHITLESS. 1340 01:18:39,440 --> 01:18:41,210 MORE SCARED THAN I'VE EVER BEEN BEFORE. 1341 01:18:41,210 --> 01:18:44,440 AND, YOU KNOW, I-- I AM MORE SCARED THAN HER. 1342 01:18:44,440 --> 01:18:47,010 AND THEN... 1343 01:18:47,010 --> 01:18:50,640 EVERYTHING WAS CLEAR. 1344 01:18:50,640 --> 01:18:52,720 THERE WAS NO TURNING BACK. 1345 01:18:54,780 --> 01:18:57,790 AND, AFTER THAT, I WAS CALM. 1346 01:18:59,920 --> 01:19:01,430 REAL CALM. 1347 01:19:04,790 --> 01:19:06,830 YOU AND I SHARE A SECRET. 1348 01:19:08,160 --> 01:19:10,330 WE KNOW HOW EASY IT IS TO KILL SOMEBODY. 1349 01:19:12,240 --> 01:19:13,330 THAT ULTIMATE TABOO-- 1350 01:19:13,330 --> 01:19:16,900 IT DOESN'T EXIST OUTSIDE OUR MINDS. 1351 01:19:16,900 --> 01:19:19,200 I DIDN'T MURDER HER. 1352 01:19:19,200 --> 01:19:22,840 I KILLED HER, BUT IT-- IT JUST ENDED UP THAT WAY. 1353 01:19:24,910 --> 01:19:27,710 SO, WHERE'D YOU TAKE THE BODY? 1354 01:19:27,710 --> 01:19:29,480 THANKS FOR LISTENING TO ME. 1355 01:19:29,480 --> 01:19:32,350 FEELS GOOD TO TALK ABOUT THAT STUFF. 1356 01:19:32,350 --> 01:19:34,950 I'LL BE ABLE TO SLEEP NOW. 1357 01:19:34,950 --> 01:19:37,360 YOU WANNA TALK ABOUT HAP? 1358 01:19:49,030 --> 01:19:50,230 MORNING, ELLIE. 1359 01:19:50,230 --> 01:19:51,270 YOUR PHONE ISN'T WORKING. 1360 01:19:51,270 --> 01:19:53,030 YEAH, I KNOW. I TURNED IT OFF. 1361 01:19:53,030 --> 01:19:54,660 I NEEDED TO SLEEP. YOU KNOW? I'M SORRY. 1362 01:19:54,660 --> 01:19:55,840 FRED CALLED THAT AUTHOR. 1363 01:19:55,840 --> 01:19:58,370 HE SAID HE WAS MORE THAN HAPPY TO COOPERATE. 1364 01:19:58,370 --> 01:20:00,110 HE'LL BE IN FIRST THING, SO, UH, 1365 01:20:00,110 --> 01:20:01,540 WE NEED TO GET TO THE OFFICE. 1366 01:20:01,540 --> 01:20:02,510 GOOD. 1367 01:20:02,510 --> 01:20:04,210 I FORGOT TO TELL YOU. THEY SELL THESE 1368 01:20:04,210 --> 01:20:06,380 IN A CHAIN OF STORES IN ANCHORAGE. 1369 01:20:06,380 --> 01:20:08,450 NO WAY OF FINDING OUT WHO BOUGHT IT. 1370 01:20:08,450 --> 01:20:09,310 OK. 1371 01:20:09,310 --> 01:20:10,350 I BET YOU'RE LOOKING FORWARD 1372 01:20:10,350 --> 01:20:11,450 TO GETTING BACK TO LOS ANGELES 1373 01:20:11,450 --> 01:20:13,490 WHEN THIS IS ALL OVER. 1374 01:20:13,490 --> 01:20:17,090 BACK TO ROBBERY HOMICIDE, OR... 1375 01:20:17,090 --> 01:20:18,520 MAYBE NOT. 1376 01:20:18,520 --> 01:20:20,730 WHAT ARE YOU SAYING TO ME, ELLIE? 1377 01:20:20,730 --> 01:20:22,900 NOTHIN'. 1378 01:20:25,500 --> 01:20:26,630 ARE-- ARE YOU DOING OK? 1379 01:20:26,630 --> 01:20:28,000 I MEAN, YOU HAVEN'T BEEN SLEEPING MUCH, 1380 01:20:28,000 --> 01:20:29,270 DETECTIVE DORMER. 1381 01:20:29,270 --> 01:20:31,640 NO, I HAVEN'T. NO. 1382 01:20:37,040 --> 01:20:38,510 A GOOD COP CAN'T SLEEP 1383 01:20:38,510 --> 01:20:39,540 BECAUSE A PIECE OF THE PUZZLE'S MISSING, 1384 01:20:39,540 --> 01:20:40,680 AND A BAD COP CAN'T SLEEP 1385 01:20:40,680 --> 01:20:42,510 'CAUSE HIS CONSCIENCE WON'T LET HIM. 1386 01:20:44,810 --> 01:20:46,610 YOU SAID THAT ONCE. 1387 01:20:46,610 --> 01:20:47,890 I DID? 1388 01:20:51,020 --> 01:20:53,490 WELL, SOUNDS LIKE SOMETHING I'D SAY, DOESN'T IT? 1389 01:20:57,190 --> 01:20:59,090 I'LL SEE YOU BACK THERE! 1390 01:20:59,090 --> 01:21:01,260 SO YOU WERE ACQUAINTED WITH THE DECEASED--KAY CONNELL? 1391 01:21:01,260 --> 01:21:03,330 YES, I WAS. 1392 01:21:03,330 --> 01:21:06,170 IN WHAT REGARD WERE YOU HER FAMILIAR? 1393 01:21:06,170 --> 01:21:08,570 YOU'RE WELCOME. 1394 01:21:08,570 --> 01:21:09,870 HOW DID YOU KNOW HER, FINCH? 1395 01:21:09,870 --> 01:21:12,440 SHE WAS AN AVID READER OF MY DETECTIVE NOVELS. 1396 01:21:12,440 --> 01:21:14,340 WHEN DID YOU MEET HER FOR THE FIRST TIME? 1397 01:21:14,340 --> 01:21:15,370 ABOUT A YEAR AGO. 1398 01:21:15,370 --> 01:21:16,910 SHE CAME TO ONE OF MY SIGNINGS 1399 01:21:16,910 --> 01:21:18,310 HERE IN NIGHTMUTE. 1400 01:21:18,310 --> 01:21:19,900 SHE HUNG AROUND AFTERWARDS, 1401 01:21:19,900 --> 01:21:21,410 AND WE CHATTED ABOUT MY WRITING 1402 01:21:21,410 --> 01:21:25,180 AND HOW SHE WANTED TO WRITE, AND... 1403 01:21:25,180 --> 01:21:26,480 AND THEN, WE STARTED TALKING, 1404 01:21:26,480 --> 01:21:28,220 AND SHE ASKED IF SHE COULD VISIT ME 1405 01:21:28,220 --> 01:21:30,650 AND TALK ABOUT BOOKS AND THINGS LIKE THAT. 1406 01:21:30,650 --> 01:21:31,990 AND SHE DID? 1407 01:21:31,990 --> 01:21:33,960 WE BECAME VERY CLOSE. 1408 01:21:33,960 --> 01:21:35,620 SHE GOT COMFORTABLE ENOUGH 1409 01:21:35,620 --> 01:21:37,460 TO SHOW ME SOME OF HER OWN WRITING. 1410 01:21:37,460 --> 01:21:38,990 WHAT DID SHE WRITE? 1411 01:21:38,990 --> 01:21:40,260 POETRY, ACTUALLY. 1412 01:21:40,260 --> 01:21:41,730 ANY GOOD? 1413 01:21:41,730 --> 01:21:42,930 NO, NOT REALLY. 1414 01:21:42,930 --> 01:21:45,000 YOU TELL HER THAT? 1415 01:21:45,000 --> 01:21:46,570 WHY WOULD I? 1416 01:21:48,200 --> 01:21:50,600 SO, UH, EXACTLY WHAT WAS THE NATURE 1417 01:21:50,600 --> 01:21:53,540 OF YOUR RELATIONSHIP TO THIS GIRL, FINCH? 1418 01:21:53,540 --> 01:21:55,770 I GUESS I WAS SOMEONE SHE COULD TALK TO. 1419 01:21:55,770 --> 01:21:58,480 SOMEONE OUTSIDE OF HER EVERYDAY LIFE. 1420 01:21:58,480 --> 01:21:59,680 I THINK THAT'S WHY SHE NEEDED ME. 1421 01:21:59,680 --> 01:22:01,380 WHY SHE PROBABLY APPROACHED ME. 1422 01:22:01,380 --> 01:22:03,280 WHY'D SHE NEED YOU FOR THAT? 1423 01:22:03,280 --> 01:22:07,220 WELL... HER BOYFRIEND RANDY... 1424 01:22:07,220 --> 01:22:08,520 RANDY STETZ. 1425 01:22:09,450 --> 01:22:11,660 ABUSIVE LITTLE PRICK. 1426 01:22:11,660 --> 01:22:12,590 HE HIT HER. 1427 01:22:12,590 --> 01:22:14,460 WE KNOW ALL THIS ALREADY, FINCH. 1428 01:22:14,460 --> 01:22:15,960 NO, BUT IT WAS GETTING WORSE. 1429 01:22:15,960 --> 01:22:17,060 SO? 1430 01:22:17,060 --> 01:22:18,590 NO, BUT IT WAS A LOT WORSE, REALLY. 1431 01:22:18,590 --> 01:22:19,690 WHY ALL THIS EAGERNESS 1432 01:22:19,690 --> 01:22:21,000 TO TALK ABOUT RANDY STETZ, FINCH? 1433 01:22:21,000 --> 01:22:25,100 WELL...OH, YOU'RE RIGHT. I'M SORRY, DETECTIVE. 1434 01:22:25,100 --> 01:22:26,230 IT'S PROBABLY ALL HEARSAY ANYWAY, 1435 01:22:26,230 --> 01:22:27,430 AND I--I DON'T WANT TO SAY ANYTHING 1436 01:22:27,430 --> 01:22:28,700 THAT COULD BE TAKEN THE WRONG WAY. 1437 01:22:28,700 --> 01:22:31,240 EXCUSE ME. MR. FINCH, ANYTHING YOU SAY TO US 1438 01:22:31,240 --> 01:22:33,510 AT THIS STAGE IS IN STRICT CONFIDENCE. 1439 01:22:33,510 --> 01:22:35,040 SECONDLY, WE'RE NOT A BUNCH OF HOTHEADS 1440 01:22:35,040 --> 01:22:36,210 WHO ARE JUST GONNA... 1441 01:22:36,210 --> 01:22:38,580 DRAW A BUNCH OF CRAZY CONCLUSIONS. OK? 1442 01:22:38,580 --> 01:22:39,410 OK. 1443 01:22:39,410 --> 01:22:41,450 PLEASE, UH, CONTINUE. 1444 01:22:41,450 --> 01:22:42,580 THERE WAS ONE MORE THING. 1445 01:22:42,580 --> 01:22:43,780 IT PROBABLY DOESN'T MEAN VERY MUCH, 1446 01:22:43,780 --> 01:22:46,780 BUT I THINK THAT KAY WAS GETTING SCARED. 1447 01:22:46,780 --> 01:22:49,120 I PROBABLY HAVE MYSELF TO BLAME FOR THAT. 1448 01:22:49,120 --> 01:22:50,450 WHY IS THAT? 1449 01:22:50,450 --> 01:22:52,220 WELL, RANDY KNEW WHO I WAS. 1450 01:22:52,220 --> 01:22:54,360 NOT--NOT WHO I WAS, BUT... 1451 01:22:54,360 --> 01:22:55,390 HE KNEW THAT SHE HAD A FRIEND. 1452 01:22:55,390 --> 01:22:56,990 SOMEONE SHE COULD CONFIDE IN, 1453 01:22:56,990 --> 01:22:58,330 AND THAT MADE HIM FURIOUS. 1454 01:22:58,330 --> 01:23:00,460 SHE WAS ALWAYS WRITING ABOUT HOW SCARED SHE WAS, 1455 01:23:00,460 --> 01:23:02,570 AND HER LETTERS WERE GETTING MORE AND MORE DESPERATE. 1456 01:23:02,570 --> 01:23:05,000 YOU STILL HAVE ANY OF THESE LETTERS, 1457 01:23:05,000 --> 01:23:06,370 BY ANY CHANCE? 1458 01:23:06,370 --> 01:23:08,600 YOU KNOW, I PROBABLY DO. 1459 01:23:08,600 --> 01:23:10,110 DO YOU THINK IT MIGHT HELP? 1460 01:23:10,110 --> 01:23:11,980 THEY MIGHT. 1461 01:23:13,810 --> 01:23:15,880 OK... 1462 01:23:15,880 --> 01:23:17,680 ANYTHING ELSE? 1463 01:23:17,680 --> 01:23:19,880 THE THING THAT WORRIED HER THE MOST... 1464 01:23:19,880 --> 01:23:21,820 WAS THE GUN. 1465 01:23:21,820 --> 01:23:25,350 HE HAD THIS OLD HANDGUN. HE SHOWED IT TO HER. 1466 01:23:25,350 --> 01:23:26,620 I DON'T KNOW WHERE HE GOT IT. 1467 01:23:26,620 --> 01:23:29,360 I MEAN, IT PROBABLY WASN'T EVEN HIS, BUT... 1468 01:23:29,360 --> 01:23:30,820 HE SAID HE WAS GONNA USE IT 1469 01:23:30,820 --> 01:23:33,790 IF HE FOUND OUT WHO SHE WAS SEEING. 1470 01:23:33,790 --> 01:23:36,290 HE KEPT IT HIDDEN IN A HEATING VENT. 1471 01:23:36,290 --> 01:23:39,330 YOU KNOW, IN THE SKIRTING BOARDS. 1472 01:23:42,470 --> 01:23:44,140 MIGHT BE THE .38. 1473 01:23:44,140 --> 01:23:45,370 YEAH. 1474 01:23:45,370 --> 01:23:46,400 GET ME JUDGE BIGGS-- 1475 01:23:46,400 --> 01:23:47,800 WHAT ARE YOU DOING? 1476 01:23:47,800 --> 01:23:49,270 I'M GONNA GET A SEARCH WARRANT OVER TO RANDY'S PLACE. 1477 01:23:49,270 --> 01:23:50,510 YOU GOT THAT? 1478 01:23:50,510 --> 01:23:51,840 GET JUDGE BIGGS ON THE PHONE, RIGHT AWAY. 1479 01:23:51,840 --> 01:23:53,140 I WANT EVERYONE MOVING IN 5 MINUTES. 1480 01:23:53,140 --> 01:23:54,180 I SHOULD GET OVER THERE. 1481 01:23:54,180 --> 01:23:55,180 HEY, YOU KNOW WHAT? NO. 1482 01:23:55,180 --> 01:23:56,650 NO? WHAT DO YOU MEAN NO? 1483 01:23:56,650 --> 01:23:57,750 YOU'RE THE GUY HE'S TALKING TO, 1484 01:23:57,750 --> 01:23:59,310 FOR CHRIST SAKES. YEAH, SO? 1485 01:23:59,310 --> 01:24:00,420 YEAH, SO, WE'RE WAITING FOR THE WARRANT. 1486 01:24:00,420 --> 01:24:02,150 IS THAT OK WITH YOU? 1487 01:24:02,150 --> 01:24:05,320 OK, I'LL TRY THAT NUMBER. 1488 01:24:05,320 --> 01:24:08,020 MR. FINCH, DO YOU KNOW WHEN RANDY SHOWED HER THE GUN? 1489 01:24:08,020 --> 01:24:11,360 FEBRUARY? 1490 01:24:11,360 --> 01:24:12,460 I'M LOOKING FOR JUDGE BIGGS. 1491 01:24:12,460 --> 01:24:14,130 NO. NO. PROBABLY JANUARY. 1492 01:24:14,130 --> 01:24:16,000 WHY DIDN'T YOU COME FORWARD WITH THIS INFORMATION 1493 01:24:16,000 --> 01:24:17,230 WHEN SHE DIED? 1494 01:24:17,230 --> 01:24:18,560 SHE SWORE ME TO SECRECY. 1495 01:24:18,560 --> 01:24:20,130 SHE DIDN'T WANT ANYBODY TO KNOW ABOUT THAT. 1496 01:24:20,130 --> 01:24:21,170 EVEN WHEN SHE WAS DEAD, 1497 01:24:21,170 --> 01:24:23,140 SHE DIDN'T WANT ANYONE TO KNOW? 1498 01:24:23,140 --> 01:24:24,470 BEATEN TO DEATH. 1499 01:24:24,470 --> 01:24:25,600 I WAS HONORING HER WISHES. 1500 01:24:25,600 --> 01:24:27,110 A BODY DUMPED ON A PILE OF GARBAGE. 1501 01:24:27,110 --> 01:24:28,110 I WAS HER FRIEND. 1502 01:24:28,110 --> 01:24:29,210 YOU WEREN'T HER FRIEND. 1503 01:24:29,210 --> 01:24:30,110 ALL RIGHT. ACQUAINTANCE, ALL RIGHT? 1504 01:24:30,110 --> 01:24:31,180 WE WERE CLOSE, AND-- 1505 01:24:31,180 --> 01:24:33,340 YOU WERE CLOSE? MM-HMM. 1506 01:24:33,340 --> 01:24:34,580 SHE WAS ATTRACTIVE. 1507 01:24:34,580 --> 01:24:35,950 DID YOU HAVE SEX WITH HER? 1508 01:24:35,950 --> 01:24:37,280 SHE WAS 17. 1509 01:24:37,280 --> 01:24:39,020 17, SHE WAS ATTRACTIVE. 1510 01:24:39,020 --> 01:24:40,250 I SUPPOSE. 1511 01:24:40,250 --> 01:24:42,320 SUPPOSE? SHE WAS. RIGHT. 1512 01:24:42,320 --> 01:24:43,620 WELL, SO DID YOU HAVE SEX WITH HER? 1513 01:24:43,620 --> 01:24:45,590 NO. I WAS HER MENTOR. 1514 01:24:45,590 --> 01:24:46,860 YOU BOUGHT HER THINGS. 1515 01:24:46,860 --> 01:24:47,960 YEAH. GIFTS? 1516 01:24:47,960 --> 01:24:49,220 YES. 1517 01:24:49,220 --> 01:24:50,360 WHAT KIND OF GIFTS? 1518 01:24:50,360 --> 01:24:51,890 BOOKS, MOSTLY. THAT'S WHAT SHE LOVED. 1519 01:24:51,890 --> 01:24:54,030 BOOKS? MM-HMM. 1520 01:24:54,030 --> 01:24:55,230 WHAT ABOUT THIS? 1521 01:24:55,230 --> 01:24:56,630 YOU GIVE HER THIS? 1522 01:24:56,630 --> 01:24:58,930 YES. 1523 01:24:58,930 --> 01:25:00,970 WHY? WHY? 1524 01:25:00,970 --> 01:25:02,100 YOU WANTED TO SEE 1525 01:25:02,100 --> 01:25:03,300 HOW SHE LOOKED WITH IT ON? 1526 01:25:03,300 --> 01:25:04,470 NO. NO? 1527 01:25:04,470 --> 01:25:05,570 WHY WOULD YOU GIVE HER JEWELRY? 1528 01:25:05,570 --> 01:25:06,910 IT WAS JUST A PRESENT. 1529 01:25:06,910 --> 01:25:09,210 PRESENT? YOU BOUGHT A LOT OF PRESENTS. 1530 01:25:09,210 --> 01:25:10,210 YOU BOUGHT HER DRESSES. 1531 01:25:10,210 --> 01:25:11,340 YES. WHAT'S WRONG WITH THAT? 1532 01:25:11,340 --> 01:25:12,610 WELL, NOTHING WRONG. I'M JUST TRYING 1533 01:25:12,610 --> 01:25:14,980 TO FIGURE OUT WHAT KIND OF MENTOR YOU WERE. 1534 01:25:14,980 --> 01:25:16,350 I GAVE HER THINGS SHE COULDN'T HAVE. 1535 01:25:17,550 --> 01:25:20,250 YOU JUST WANTED TO FUCK HER, DIDN'T YOU? 1536 01:25:20,250 --> 01:25:21,620 SON OF A BITCH! 1537 01:25:21,620 --> 01:25:23,120 DORMER! DORMER! DORMER! 1538 01:25:23,120 --> 01:25:24,260 BETTER COOL OFF. 1539 01:25:24,260 --> 01:25:25,520 SICK BASTARD. 1540 01:25:25,520 --> 01:25:26,990 HEY, YOU COOL DOWN. 1541 01:25:26,990 --> 01:25:28,190 YEAH. YEAH. 1542 01:25:28,190 --> 01:25:29,190 COOL...DOWN. 1543 01:25:29,190 --> 01:25:30,360 ALL RIGHT. 1544 01:25:30,360 --> 01:25:32,170 I NEED A BREAK. 1545 01:25:49,210 --> 01:25:51,280 I HAVE TO APOLOGIZE ON BEHALF OF MY COLLEAGUE. 1546 01:25:51,280 --> 01:25:53,380 HE'S, UH... 1547 01:25:53,380 --> 01:25:55,550 HE'S BEEN UNDER A LOT OF PRESSURE LATELY. 1548 01:25:55,550 --> 01:25:57,550 BUT, UH, HE'S A GOOD COP. 1549 01:25:57,550 --> 01:26:01,520 WELL, I'D HATE TO SEE THE BAD COP. 1550 01:26:06,430 --> 01:26:08,060 SEARCH AND SEIZURE WARRANT. 1551 01:26:08,060 --> 01:26:09,160 YES, SIR. 1552 01:26:09,160 --> 01:26:11,900 RANDY STETZ, AND WE'LL FILL IN THE REST LATER. 1553 01:26:24,040 --> 01:26:24,970 GOT OUR WARRANT! 1554 01:26:24,970 --> 01:26:27,440 MR. FINCH, THANK YOU. WE APPRECIATE IT. 1555 01:26:39,660 --> 01:26:41,930 FRANCIS, YOU'RE COMING WITH ME. LET'S GO. 1556 01:26:47,530 --> 01:26:48,460 YOU'RE NOT GOING WITH HIM? 1557 01:26:48,460 --> 01:26:49,700 NO. 1558 01:27:13,720 --> 01:27:15,990 YOU'RE NOT ON THE CONNELL CASE? 1559 01:27:15,990 --> 01:27:18,620 YEAH. I'M, UH, COVERING THE, UH, SHOOTING 1560 01:27:18,620 --> 01:27:20,220 OF DETECTIVE DORMER'S PARTNER. 1561 01:27:20,220 --> 01:27:21,890 HEARD ABOUT THAT. IT'S TRAGIC. 1562 01:27:24,290 --> 01:27:26,400 SO, SHOULD I STILL CALL YOU ABOUT KAY'S LETTERS? 1563 01:27:26,400 --> 01:27:28,060 YEAH. CALL ME. I'LL COME PICK THEM UP. 1564 01:27:28,060 --> 01:27:29,270 OK. 1565 01:27:52,650 --> 01:27:54,250 Duggar, pounding on door: STETZ! WE GOT A WARRANT. 1566 01:27:54,250 --> 01:27:55,720 WE'RE COMING IN. 1567 01:28:11,740 --> 01:28:14,640 ALL RIGHT, TURN THE PLACE OVER. 1568 01:28:18,010 --> 01:28:19,640 GIVE ME A HAND, WILL YOU? 1569 01:28:19,640 --> 01:28:21,580 UNDER THERE. 1570 01:28:25,120 --> 01:28:27,420 TRY OVER THERE. 1571 01:28:27,420 --> 01:28:28,790 RICH, LOOK HERE. 1572 01:28:36,490 --> 01:28:38,630 I GOT IT! HEY, FRED! 1573 01:28:53,370 --> 01:28:54,670 ALL RIGHT. 1574 01:28:58,240 --> 01:28:59,940 JUST IN TIME, DORMER. 1575 01:28:59,940 --> 01:29:01,350 HAD IT IN THE MOTOR OIL. 1576 01:29:05,250 --> 01:29:07,820 WHAT THE FUCK IS THIS? 1577 01:29:29,540 --> 01:29:31,670 SO NOW HE'S SAYING HE WAS WITH TANYA FRANCKE 1578 01:29:31,670 --> 01:29:33,010 THE NIGHT KAY WAS KILLED. 1579 01:29:33,010 --> 01:29:34,270 WELL, THAT'S WHAT SHE TOLD ME. 1580 01:29:34,270 --> 01:29:35,540 WHEN? 1581 01:29:35,540 --> 01:29:36,810 WHEN I QUESTIONED HER. 1582 01:29:36,810 --> 01:29:38,040 OH, THAT'S NICE. 1583 01:29:38,040 --> 01:29:39,280 WERE YOU PLANNING ON TELLING ANYONE OR... 1584 01:29:39,280 --> 01:29:41,380 WELL, THAT'S WHAT I'M DOING NOW, ISN'T IT? 1585 01:29:47,780 --> 01:29:49,790 RANDY AND TANYA WERE SCREWING AROUND ON KAY. 1586 01:29:49,790 --> 01:29:50,950 CLEARLY SHE'S JUST TRYING TO PROTECT HIM. 1587 01:29:50,950 --> 01:29:52,620 WHAT'S HE SAY ABOUT THE GUN? 1588 01:29:52,620 --> 01:29:53,890 HE SAYS IT ISN'T HIS. 1589 01:29:53,890 --> 01:29:55,090 I THINK ONCE WE GET THE BALLISTICS MATCH, 1590 01:29:55,090 --> 01:29:57,690 HE'S GONNA BE A LITTLE MORE FORTHCOMING. 1591 01:29:57,690 --> 01:29:58,830 SO, UH, YOU LEAVING US? 1592 01:29:58,830 --> 01:29:59,960 FIRST THING TOMORROW. 1593 01:29:59,960 --> 01:30:01,130 IF SPENCER CAN REMEMBER 1594 01:30:01,130 --> 01:30:04,070 WHERE HE PARKED THE PLANE, RIGHT? HEH! 1595 01:30:29,060 --> 01:30:30,760 I REALLY THOUGHT YOU WANTED TO KILL ME 1596 01:30:30,760 --> 01:30:32,380 IN THAT INTERVIEW ROOM. 1597 01:30:32,380 --> 01:30:35,230 I DID. RANDY STETZ IS IN JAIL. 1598 01:30:35,230 --> 01:30:37,330 TOLD YOU I'D WRITE AN ENDING THEY'D LIKE. 1599 01:30:37,330 --> 01:30:39,730 YOU WERE TOO WRAPPED UP IN THE DETAILS. 1600 01:30:39,730 --> 01:30:41,930 THE DETAILS? HE'S INNOCENT. 1601 01:30:41,930 --> 01:30:43,730 NO, HE ISN'T. HE BEAT KAY. 1602 01:30:43,730 --> 01:30:44,800 ONE DAY HE'D DO SOMETHING WORSE, 1603 01:30:44,800 --> 01:30:46,170 MAYBE A LOT WORSE. 1604 01:30:54,010 --> 01:30:56,080 HOW'D YOU KNOW I PLANTED THE GUN? 1605 01:30:56,080 --> 01:30:57,810 YOU WANTED TO HELP ME EVEN BEFORE I SHOWED YOU 1606 01:30:57,810 --> 01:30:59,150 THAT TAPE RECORDER. 1607 01:30:59,150 --> 01:31:01,580 YOU HAD TO HAVE A WILD CARD. 1608 01:31:01,580 --> 01:31:02,820 YOU'RE A GOOD MAN. 1609 01:31:02,820 --> 01:31:06,120 I KNOW THAT EVEN IF YOU'VE FORGOTTEN IT. 1610 01:31:06,120 --> 01:31:08,350 WHEN WERE YOU GONNA POINT THEM AT ME, WILL? 1611 01:31:08,350 --> 01:31:11,920 WHEN YOU FOUND OUT WHERE KAY'S DRESS WAS, HMM? 1612 01:31:11,920 --> 01:31:13,560 WHERE I TOOK THE BODY, RIGHT? 1613 01:31:13,560 --> 01:31:16,030 IF YOU HAVE A GUN AND THE FORENSICS, 1614 01:31:16,030 --> 01:31:17,300 WOULDN'T MATTER WHAT KIND OF CRAZY BULLSHIT 1615 01:31:17,300 --> 01:31:19,030 I TOLD THEM ABOUT YOU KILLING YOUR PARTNER, 1616 01:31:19,030 --> 01:31:21,100 WOULD IT? 1617 01:31:33,780 --> 01:31:35,210 MAY I HAVE THE TAPE? 1618 01:31:42,450 --> 01:31:43,720 DID YOU MAKE OTHER COPIES? 1619 01:31:43,720 --> 01:31:44,920 WHAT? 1620 01:31:44,920 --> 01:31:46,290 DID YOU MAKE OTHER COPIES? 1621 01:31:46,290 --> 01:31:47,450 WHY WOULD I? 1622 01:31:47,450 --> 01:31:50,460 TO STOP ME FROM TURNING YOU IN. 1623 01:31:50,460 --> 01:31:51,590 OR KILLING YOU. 1624 01:31:51,590 --> 01:31:53,090 I DON'T HAVE A HOLD OVER YOU, WILL. 1625 01:31:53,090 --> 01:31:55,060 I NEVER DID. YOU MADE YOUR OWN CHOICES. 1626 01:31:55,060 --> 01:31:56,260 IT'S LIKE I WASN'T EVEN HERE. 1627 01:31:56,260 --> 01:31:59,270 WHY KILL ME? IT'S NOT GONNA HELP RANDY. 1628 01:31:59,270 --> 01:32:01,370 AFTER YOUR LITTLE SCENE AT THE POLICE DEPARTMENT, 1629 01:32:01,370 --> 01:32:03,470 IT'S NOT GONNA DO YOU ANY GOOD IF I SHOW UP DEAD. 1630 01:32:03,470 --> 01:32:05,340 A LOT OF WAYS A MAN CAN DIE. 1631 01:32:05,340 --> 01:32:07,470 LIKE AN ACCIDENT, HUH? 1632 01:32:07,470 --> 01:32:10,110 LIKE HAP. LIKE KAY. 1633 01:32:12,880 --> 01:32:14,910 IT TOOK YOU 10 MINUTES 1634 01:32:14,910 --> 01:32:16,650 TO BEAT KAY CONNELL TO DEATH. 1635 01:32:16,650 --> 01:32:19,550 10 FUCKING MINUTES. 1636 01:32:19,550 --> 01:32:21,950 YOU CALLING THAT AN ACCIDENT? 1637 01:32:21,950 --> 01:32:23,290 IT TOOK YOU ONLY A FRACTION OF A SECOND 1638 01:32:23,290 --> 01:32:24,820 TO KILL YOUR PARTNER. DOES THAT MAKE IT 1639 01:32:24,820 --> 01:32:28,090 ANY MORE OF AN ACCIDENT, WILL? 1640 01:32:29,430 --> 01:32:31,860 IS THIS AN ACCIDENT? 1641 01:32:34,900 --> 01:32:36,930 IF YOU WANT IT TO BE. 1642 01:32:51,480 --> 01:32:53,680 IT'S OVER, WALTER. 1643 01:32:53,680 --> 01:32:55,180 IT'S OVER. 1644 01:32:55,180 --> 01:32:57,320 I'M GONNA TELL THEM EVERYTHING. 1645 01:32:57,320 --> 01:32:59,080 TELL THEM ABOUT HAP, ABOUT YOU, ABOUT EVERYTHING. 1646 01:32:59,080 --> 01:33:00,190 WHAT GOOD WOULD THAT DO, WILL? 1647 01:33:00,190 --> 01:33:01,890 IT'LL END THIS FUCKING THING. 1648 01:33:01,890 --> 01:33:03,290 IT'S NOT GONNA END IT. 1649 01:33:03,290 --> 01:33:04,660 YOU HAVEN'T HAD ANY SLEEP. 1650 01:33:04,660 --> 01:33:05,920 YOU'RE NOT THINKING STRAIGHT, WILL. 1651 01:33:05,920 --> 01:33:07,320 WHAT ARE YOU GONNA DO-- TELL THEM THE TRUTH? 1652 01:33:07,320 --> 01:33:08,760 YOU SHOT YOUR PARTNER, 1653 01:33:08,760 --> 01:33:10,290 AND YOU LIED ABOUT IT, WILL. 1654 01:33:10,290 --> 01:33:13,600 TO THEM, YOU'RE A LIAR, AND YOU'RE A KILLER. 1655 01:33:13,600 --> 01:33:15,230 YOU'RE TAINTED FOREVER. 1656 01:33:15,230 --> 01:33:18,100 YOU DON'T GET TO PICK WHEN YOU TELL THE TRUTH. 1657 01:33:18,100 --> 01:33:21,940 THE TRUTH IS BEYOND THAT. 1658 01:33:21,940 --> 01:33:23,270 THAT TAPE WAS THE ONLY PHYSICAL PROOF 1659 01:33:23,270 --> 01:33:25,340 THAT YOU AND I EVER HAD A CONVERSATION 1660 01:33:25,340 --> 01:33:28,180 OUTSIDE OF THAT INTERVIEW ROOM. 1661 01:33:28,180 --> 01:33:29,680 TO THEM I'M JUST A WRITER 1662 01:33:29,680 --> 01:33:31,010 THAT KAY CONNELL ADMIRED, 1663 01:33:31,010 --> 01:33:32,780 AND RANDY STETZ IS A KILLER, 1664 01:33:32,780 --> 01:33:33,950 AND YOU'RE A HERO COP. 1665 01:33:33,950 --> 01:33:35,880 YOUR LIFE'S WORK IS INTACT. 1666 01:33:35,880 --> 01:33:38,690 ANOTHER ABUSIVE SCUMBAG IS IN JAIL. 1667 01:33:38,690 --> 01:33:40,550 EVERYTHING IS AS IT SHOULD BE. 1668 01:33:40,550 --> 01:33:42,950 GO BACK TO LOS ANGELES, WILL. 1669 01:33:42,950 --> 01:33:45,960 THE CASE AGAINST RANDY IS PRETTY SOLID. 1670 01:33:45,960 --> 01:33:47,690 AND I CAN TAKE CARE OF EVERYTHING UP HERE. 1671 01:33:47,690 --> 01:33:49,490 I GOT IT ALL WORKED OUT. 1672 01:33:49,490 --> 01:33:51,530 GO HOME. 1673 01:33:56,860 --> 01:33:58,570 MIDNIGHT OF YOUR SIXTH NIGHT. 1674 01:33:58,570 --> 01:34:01,280 YOU BROKE MY RECORD, WILL. 1675 01:34:39,270 --> 01:34:41,070 RANDY STETZ. 1676 01:34:41,070 --> 01:34:42,370 HE WAS AN ASSHOLE. 1677 01:34:42,370 --> 01:34:43,740 YOU KNEW HIM WHEN HE WAS A LITTLE KID? 1678 01:34:43,740 --> 01:34:45,040 OUR DADS WERE ON THE SAME BOAT. 1679 01:34:45,040 --> 01:34:46,440 USED TO WAIT FOR THEM TOGETHER. 1680 01:34:46,440 --> 01:34:47,340 BAD SEED, MAN. 1681 01:34:47,340 --> 01:34:50,580 HOW DO YOU LIKE OUR BEER? 1682 01:34:55,290 --> 01:34:58,150 I THINK WHAT DORMER NEEDS IS A LITTLE SHUT-EYE. 1683 01:34:58,150 --> 01:34:59,490 WHITE NIGHTS GETTING TO YOU? 1684 01:34:59,490 --> 01:35:00,720 HASN'T BEEN EASY. 1685 01:35:00,720 --> 01:35:02,590 BETTER THAN WINTER. 1686 01:35:02,590 --> 01:35:04,030 YOU GOT THAT RIGHT. 1687 01:35:04,030 --> 01:35:05,730 IN WINTER, THE SUN BARELY COMES UP 1688 01:35:05,730 --> 01:35:07,130 FOR 5 MONTHS STRAIGHT. 1689 01:35:07,130 --> 01:35:09,460 LIKE YOU'RE BEING SUCKED INTO A BLACK HOLE. 1690 01:35:09,460 --> 01:35:10,430 HI, GUYS. 1691 01:35:10,430 --> 01:35:13,370 HEY, NANCY DREW, YOU HEAR? WE GOT HIM. 1692 01:35:13,370 --> 01:35:14,740 RICH FOUND THE GUN. 1693 01:35:14,740 --> 01:35:16,800 I HEARD. 1694 01:35:16,800 --> 01:35:18,970 OH, NANCY'S GOT SOMETHING ON HER MIND. 1695 01:35:18,970 --> 01:35:20,640 I FOUND THIS OUT ON THE BEACH. 1696 01:35:20,640 --> 01:35:21,640 WHAT IS IT? 1697 01:35:21,640 --> 01:35:23,910 SHELL CASING, 9mm. 1698 01:35:23,910 --> 01:35:25,840 THE MURDER WEAPON WAS A .38, 1699 01:35:25,840 --> 01:35:28,050 AND NONE OF US CARRIES A 9mm DUTY WEAPON... 1700 01:35:28,050 --> 01:35:30,180 OR BACKUP WEAPON, RIGHT? 1701 01:35:30,180 --> 01:35:32,250 COME ON! 1702 01:35:32,250 --> 01:35:35,050 GET A HOBBY, WOULD YOU? 1703 01:35:35,050 --> 01:35:36,190 WHAT? IT'S A LEGITIMATE POINT, 1704 01:35:36,190 --> 01:35:38,460 ISN'T IT, DETECTIVE DORMER? 1705 01:35:41,790 --> 01:35:43,460 OH, THIS CASE IS CLOSED, ELLIE. 1706 01:35:43,460 --> 01:35:46,800 HOLD THE FORT, BOYS. I'M JUST GONNA GO 1707 01:35:46,800 --> 01:35:49,070 FIND THE MEN'S ROOM. 1708 01:35:49,070 --> 01:35:50,170 RELIEVE MYSELF OF SOME OF YOUR 1709 01:35:50,170 --> 01:35:52,530 FINE ALASKAN BEER. 1710 01:35:52,530 --> 01:35:54,940 HEY, DO YOU WANT A BEER OR SOMETHING? 1711 01:35:54,940 --> 01:35:57,170 NO, THANKS. 1712 01:35:57,170 --> 01:35:59,070 HE'S GOOD PEOPLE, RIGHT? 1713 01:35:59,070 --> 01:36:02,840 DON'T GET CARRIED AWAY. 1714 01:36:02,840 --> 01:36:04,810 HEY, FARRELL, WHAT HAS 2 THUMBS 1715 01:36:04,810 --> 01:36:05,910 AND LOVES BLOW JOBS? 1716 01:36:05,910 --> 01:36:06,950 I DON'T KNOW. 1717 01:36:06,950 --> 01:36:08,550 THIS GUY. 1718 01:36:10,620 --> 01:36:12,320 SORRY. 1719 01:36:16,890 --> 01:36:20,330 WELL, IT'S BEEN SOMETHING, DORMER. 1720 01:36:21,430 --> 01:36:24,330 IT'S BEEN REALLY GREAT WORKING WITH YOU. 1721 01:36:28,270 --> 01:36:29,600 YOU GONNA RUN WILL TO THE AIRPORT? 1722 01:36:29,600 --> 01:36:32,240 NO, I GOTTA GO PICK UP THOSE LETTERS FROM FINCH... 1723 01:36:32,240 --> 01:36:33,400 HE LIVES IN UMKUMIUT. 1724 01:36:33,400 --> 01:36:35,600 AT HIS LAKE HOUSE, AND DETECTIVE DORMER 1725 01:36:35,600 --> 01:36:38,240 WILL JUST HAVE TO LEAVE MY CAR AT THE DOCK. 1726 01:36:38,240 --> 01:36:39,680 IF THAT'S OK WITH YOU. 1727 01:36:39,680 --> 01:36:42,280 YEAH, IT'S FINE. 1728 01:36:45,180 --> 01:36:48,250 YOU DON'T THINK I TRIED TO TELL HER THAT? 1729 01:36:48,250 --> 01:36:50,590 IT'S BEEN A PLEASURE. YEAH. 1730 01:36:50,590 --> 01:36:52,360 GET SOME SLEEP. 1731 01:38:14,560 --> 01:38:17,560 Rachel, knocking: DETECTIVE DORMER? 1732 01:38:18,700 --> 01:38:19,600 WHAT IS IT? 1733 01:38:19,600 --> 01:38:22,130 SOMEONE'S COMPLAINING ABOUT THE NOISE. 1734 01:38:22,130 --> 01:38:24,070 HE SAYS HE CAN'T SLEEP. 1735 01:38:24,070 --> 01:38:25,800 SOMETHING WRONG? 1736 01:38:25,800 --> 01:38:27,300 WELL, UH, 1737 01:38:27,300 --> 01:38:30,540 IT'S SO FUCKING BRIGHT IN HERE. 1738 01:38:32,040 --> 01:38:33,710 LOOK. 1739 01:38:33,710 --> 01:38:35,150 NO, IT'S DARK IN HERE. 1740 01:38:40,750 --> 01:38:42,620 PLEASE... 1741 01:38:56,500 --> 01:39:00,030 THERE'S THIS GUY. WAYNE DOBBS, 24, 1742 01:39:00,030 --> 01:39:02,500 WORKS PART-TIME IN A COPY STORE. 1743 01:39:02,500 --> 01:39:06,440 EVERY DAY, HE WATCHES THIS 8-YEAR-OLD BOY 1744 01:39:06,440 --> 01:39:10,110 WAITING FOR HIS CARPOOL ACROSS THE STREET. 1745 01:39:10,110 --> 01:39:12,110 THIS IS ONE OF YOUR CASES? 1746 01:39:12,110 --> 01:39:14,740 YEAH. HAP AND ME. 1747 01:39:14,740 --> 01:39:16,340 A YEAR AND A HALF AGO. 1748 01:39:16,340 --> 01:39:19,210 FOR 6 MONTHS, HE WATCHES THIS KID. 1749 01:39:19,210 --> 01:39:22,010 FINALLY GETS UP THE NERVE, HE GOES DOWN THERE, 1750 01:39:22,010 --> 01:39:25,450 GRABS THAT BOY BEFORE THE CARPOOL COMES, 1751 01:39:25,450 --> 01:39:29,190 TAKES HIM BACK TO HIS APARTMENT, 1752 01:39:29,190 --> 01:39:32,530 AND KEEPS HIM THERE FOR 3 DAYS. 1753 01:39:34,200 --> 01:39:37,400 HE TORTURES HIM, AND... 1754 01:39:39,800 --> 01:39:41,930 MAKES HIM DO THINGS, 1755 01:39:41,930 --> 01:39:43,270 AND FINALLY HE'S HAD ENOUGH. 1756 01:39:43,270 --> 01:39:45,270 HE GETS A ROPE, 1757 01:39:45,270 --> 01:39:48,370 AND HE HANGS THE BOY IN A STORAGE SPACE 1758 01:39:48,370 --> 01:39:50,110 IN THE BASEMENT OF THE BUILDING. 1759 01:39:50,110 --> 01:39:52,640 BUT HE DIDN'T DO IT RIGHT. 1760 01:39:52,640 --> 01:39:55,010 THE LITTLE BOY'S NECK DIDN'T BREAK, SO... 1761 01:39:55,010 --> 01:39:57,550 HE JUST DANGLED THERE FOR A WHILE 1762 01:39:57,550 --> 01:40:01,580 AND THEN DIED FINALLY FROM THE SHOCK. 1763 01:40:01,580 --> 01:40:06,120 LANDLORD FOUND THE BODY 5 DAYS LATER. 1764 01:40:06,120 --> 01:40:08,320 THE SECOND I MET THIS GUY DOBBS, 1765 01:40:08,320 --> 01:40:09,920 I KNEW HE WAS GUILTY. 1766 01:40:09,920 --> 01:40:11,790 THAT'S WHAT I DO. THAT'S MY JOB. 1767 01:40:11,790 --> 01:40:13,900 I ASSIGN GUILT. 1768 01:40:13,900 --> 01:40:16,160 YOU FIND THE EVIDENCE, 1769 01:40:16,160 --> 01:40:17,660 FIGURE OUT WHO DID IT, 1770 01:40:17,660 --> 01:40:21,540 AND THEN YOU GO GET THEM AND PUT THEM AWAY. 1771 01:40:22,810 --> 01:40:25,270 THIS TIME, THERE WASN'T ENOUGH EVIDENCE, 1772 01:40:25,270 --> 01:40:28,310 AND IT'S REASONABLE DOUBT TO A JURY, 1773 01:40:28,310 --> 01:40:31,180 BECAUSE A JURY NEVER... 1774 01:40:31,180 --> 01:40:33,910 MET A CHILD MURDERER BEFORE... 1775 01:40:33,910 --> 01:40:35,480 BUT I HAVE. 1776 01:40:37,690 --> 01:40:38,890 ANYWAY... 1777 01:40:40,250 --> 01:40:42,220 I, UH... 1778 01:40:42,220 --> 01:40:44,320 I WENT AND TOOK SOME BLOOD SAMPLES 1779 01:40:44,320 --> 01:40:47,430 FROM THE BOY'S DEAD BODY. 1780 01:40:49,490 --> 01:40:51,430 AND I PLANTED THEM... 1781 01:40:54,400 --> 01:40:56,700 IN DOBBS' APARTMENT. 1782 01:41:02,100 --> 01:41:04,740 I COULD FEEL IT RIGHT THERE. 1783 01:41:04,740 --> 01:41:08,040 THIS IS GONNA CATCH UP WITH ME. 1784 01:41:08,040 --> 01:41:10,970 I DON'T DO THINGS LIKE THAT. 1785 01:41:10,970 --> 01:41:12,750 SO HOW DID IT CATCH UP WITH YOU? 1786 01:41:12,750 --> 01:41:15,050 INTERNAL AFFAIRS WAS COMING DOWN 1787 01:41:15,050 --> 01:41:16,350 ON OUR DEPARTMENT, 1788 01:41:16,350 --> 01:41:20,490 AND HAP, HE WAS GONNA CUT A DEAL... 1789 01:41:21,690 --> 01:41:24,560 AND BRING ME STRAIGHT IN WITH IT. 1790 01:41:24,560 --> 01:41:27,230 THEY WOULD'VE REOPENED DOBBS' CASE, 1791 01:41:27,230 --> 01:41:28,430 AND HE'D HAVE WALKED. 1792 01:41:28,430 --> 01:41:30,160 NOW THAT'S NOT GONNA HAPPEN. 1793 01:41:30,160 --> 01:41:32,030 AND I DON'T KNOW HOW... 1794 01:41:32,030 --> 01:41:35,340 HOW I FEEL ABOUT THAT. 1795 01:41:36,960 --> 01:41:38,230 BUT DOBBS WAS GUILTY. 1796 01:41:38,230 --> 01:41:40,470 DOBBS NEEDED TO BE CONVICTED, 1797 01:41:40,470 --> 01:41:44,610 SO THE END JUSTIFIES THE MEANS. 1798 01:41:46,650 --> 01:41:48,350 RIGHT? 1799 01:41:51,320 --> 01:41:53,180 I'M IN NO POSITION TO JUDGE. 1800 01:41:53,180 --> 01:41:54,980 WHY NOT? 1801 01:41:54,980 --> 01:41:58,150 THERE ARE 2 KINDS OF PEOPLE WHO LIVE IN ALASKA. 1802 01:41:58,150 --> 01:41:59,820 THE ONES WHO ARE BORN HERE, 1803 01:41:59,820 --> 01:42:04,520 AND THE ONES WHO COME HERE TO ESCAPE SOMETHING ELSE. 1804 01:42:04,520 --> 01:42:06,330 I WASN'T BORN HERE. 1805 01:42:06,330 --> 01:42:10,200 WELL, WHY DON'T YOU TELL ME WHAT YOU THINK? 1806 01:42:10,200 --> 01:42:12,870 HERE, NOW, IN THIS ROOM, 1807 01:42:12,870 --> 01:42:15,300 YOU AND ME. 1808 01:42:15,300 --> 01:42:16,870 PLEASE. 1809 01:42:20,610 --> 01:42:21,970 I GUESS IT'S ABOUT WHAT YOU THOUGHT 1810 01:42:21,970 --> 01:42:24,480 WAS RIGHT AT THE TIME. 1811 01:42:26,440 --> 01:42:29,520 AND WHAT YOU'RE WILLING TO LIVE WITH. 1812 01:44:09,840 --> 01:44:11,400 NIGHTMUTE POLICE DEPARTMENT. 1813 01:44:11,400 --> 01:44:12,770 DETECTIVE BURR. 1814 01:44:12,770 --> 01:44:14,300 UH, SHE'S NOT HERE RIGHT NOW. 1815 01:44:14,300 --> 01:44:17,540 SHE LEFT TOWN ABOUT 20 MINUTES AGO TO GO-- 1816 01:44:42,130 --> 01:44:43,330 MR. FINCH? 1817 01:44:43,330 --> 01:44:45,000 DETECTIVE BURR. 1818 01:44:45,000 --> 01:44:46,100 ARE THEY FRIENDLY? 1819 01:44:46,100 --> 01:44:48,970 OH, YEAH. DIDN'T EXPECT TO SEE YOU THIS SOON. 1820 01:44:48,970 --> 01:44:50,300 SORRY ABOUT THE MESS, 1821 01:44:50,300 --> 01:44:51,340 JUST DOING A LITTLE WORK HERE. 1822 01:44:51,340 --> 01:44:52,570 OH, NO PROBLEM. 1823 01:45:04,620 --> 01:45:06,220 DO YOU THINK KAY'S LETTERS 1824 01:45:06,220 --> 01:45:09,150 COULD REALLY STRENGTHEN THE CASE AGAINST RANDY? 1825 01:45:09,150 --> 01:45:10,690 POSSIBLY. 1826 01:45:41,820 --> 01:45:42,850 WATCH YOUR HEAD HERE. 1827 01:45:42,850 --> 01:45:45,220 I'VE DONE IT A THOUSAND TIMES. 1828 01:45:51,790 --> 01:45:54,060 SORRY ABOUT ALL THE CLUTTER. 1829 01:45:54,060 --> 01:45:56,530 I AM A PACK RAT. 1830 01:45:56,530 --> 01:45:59,860 I KEEP EVERYTHING. 1831 01:45:59,860 --> 01:46:02,730 I KNOW I GOT 'EM. I JUST DON'T KNOW WHERE. 1832 01:46:04,840 --> 01:46:06,770 THEY GOTTA BE HERE SOMEWHERE. 1833 01:46:06,770 --> 01:46:08,470 WORKING ON A NEW BOOK, MR. FINCH? 1834 01:46:08,470 --> 01:46:09,570 HAVE YOU READ ANY OF MY BOOKS? 1835 01:46:09,570 --> 01:46:11,640 I HAVEN'T-- 1836 01:46:52,640 --> 01:46:54,040 SHE KNOWS, WILL. 1837 01:46:54,040 --> 01:46:55,280 WHERE IS SHE? 1838 01:46:55,280 --> 01:46:56,510 SHE KNOWS YOU KILLED HAP. 1839 01:46:56,510 --> 01:46:57,950 YOU WOULD'VE REALIZED IT YOURSELF 1840 01:46:57,950 --> 01:47:00,080 IF YOU WEREN'T SO FUCKING STRUNG OUT. 1841 01:47:00,080 --> 01:47:01,580 I SAW IT AT THE QUESTIONING. 1842 01:47:01,580 --> 01:47:02,620 THE WAY SHE WAS LOOKING AT YOU. 1843 01:47:02,620 --> 01:47:03,920 WHERE IS SHE, FINCH? 1844 01:47:03,920 --> 01:47:05,020 CALM DOWN, NOW I GOT EVERYTHING UNDER CONTROL. 1845 01:47:05,020 --> 01:47:06,790 IF ANYTHING HAPPENED TO HER-- 1846 01:47:06,790 --> 01:47:08,920 SHE'S OK. BUT IF WE DON'T DO SOMETHING 1847 01:47:08,920 --> 01:47:11,490 AND SHE TALKS, YOU'RE FUCKED. 1848 01:47:11,490 --> 01:47:12,990 EVERYTHING YOU'VE WORKED FOR IS DESTROYED, 1849 01:47:12,990 --> 01:47:15,390 DO YOU GET IT? 1850 01:47:15,390 --> 01:47:16,630 NOW GIVE ME-- 1851 01:47:16,630 --> 01:47:17,730 SHOW ME WHERE SHE IS. 1852 01:47:17,730 --> 01:47:19,260 SHOW HER TO ME NOW. 1853 01:47:19,260 --> 01:47:20,830 SHE'S OK. LISTEN, 1854 01:47:20,830 --> 01:47:23,140 I MEAN, I--I-- IT'S ALL FINE. 1855 01:47:25,970 --> 01:47:27,270 LET'S SEARCH THIS PLACE. 1856 01:47:27,270 --> 01:47:28,740 WHAT ARE WE LOOKING FOR? 1857 01:47:28,740 --> 01:47:30,270 FOR THE DRESS. WHAT DRESS? 1858 01:47:30,270 --> 01:47:32,280 ELLIE'S. ELLIE'S? 1859 01:47:32,280 --> 01:47:34,410 KAY'S DRESS. YOU'RE RAMBLING. 1860 01:47:34,410 --> 01:47:35,680 THANK GOD YOU GOT ME TAKING CARE OF US. 1861 01:47:35,680 --> 01:47:37,480 US? SHE SAW THE DRESS. 1862 01:47:37,480 --> 01:47:38,610 WHAT US? WE'RE IN THE SAME BOAT. 1863 01:47:38,610 --> 01:47:40,350 WHERE'D YOU GET US? DON'T TALK TO ME 1864 01:47:40,350 --> 01:47:41,380 ABOUT US, YOU SICK MOTHER... 1865 01:47:41,380 --> 01:47:43,860 SHE'S ALIVE, WILL. ELLIE? 1866 01:48:14,180 --> 01:48:15,820 HOLD IT! 1867 01:48:17,380 --> 01:48:18,780 DON'T MOVE. 1868 01:48:18,780 --> 01:48:20,950 YOU SHOT DETECTIVE ECKHART. 1869 01:48:23,460 --> 01:48:26,190 AND FINCH SAW YOU DO IT. 1870 01:48:26,190 --> 01:48:27,790 YEAH. 1871 01:48:29,590 --> 01:48:31,930 DID YOU MEAN TO SHOOT HAP? 1872 01:48:32,930 --> 01:48:36,600 I...I DON'T KNOW ANYMORE. 1873 01:48:36,600 --> 01:48:39,870 I, UH, I DON'T KNOW. 1874 01:48:42,140 --> 01:48:43,640 I COULDN'T SEE HIM THROUGH THE FOG, 1875 01:48:43,640 --> 01:48:45,610 BUT WHEN I GOT UP CLOSE, 1876 01:48:45,610 --> 01:48:48,680 HE WAS, UH... 1877 01:48:48,680 --> 01:48:50,610 HE WAS AFRAID OF ME. 1878 01:48:50,610 --> 01:48:53,450 AND HE THOUGHT I MEANT TO DO IT, 1879 01:48:53,450 --> 01:48:56,720 SO...MAYBE I DID. 1880 01:48:59,790 --> 01:49:02,960 I JUST DON'T KNOW ANYMORE. 1881 01:49:18,670 --> 01:49:20,110 WHERE'S YOUR GUN? HE TOOK IT. 1882 01:49:24,680 --> 01:49:26,680 KEEP YOUR HEAD DOWN. 1883 01:49:26,680 --> 01:49:28,340 ALL RIGHT, NOW LISTEN. 1884 01:49:28,340 --> 01:49:29,750 I GOT 7 ROUNDS IN THIS CLIP. 1885 01:49:29,750 --> 01:49:31,010 OK. MAKE IT LAST. 1886 01:49:31,010 --> 01:49:32,850 HEAD DOWN. 1887 01:49:36,520 --> 01:49:38,750 OK, GO, GO! 1888 01:50:35,000 --> 01:50:36,970 YOU FORGOT THE WILD CARD, WILL. 1889 01:51:51,740 --> 01:51:53,970 DETECTIVE DORMER! 1890 01:51:56,970 --> 01:51:59,040 I CALLED FOR BACKUP. THEY'LL BE HERE SOON. 1891 01:51:59,040 --> 01:52:02,680 DORMER...JUST HOLD ON. 1892 01:52:02,680 --> 01:52:04,920 HOLD ON. 1893 01:52:12,520 --> 01:52:16,090 NOBODY NEEDS TO KNOW. 1894 01:52:19,760 --> 01:52:20,790 YOU DIDN'T MEAN TO DO IT, 1895 01:52:20,790 --> 01:52:23,760 AND I KNOW THAT EVEN IF YOU DON'T. 1896 01:52:23,760 --> 01:52:25,800 NO, DON'T, DON'T. 1897 01:52:25,800 --> 01:52:27,970 WHAT? 1898 01:52:29,370 --> 01:52:30,970 WHY? 1899 01:52:32,740 --> 01:52:36,210 DON'T LOSE YOUR WAY. 1900 01:52:40,650 --> 01:52:42,810 HANG ON. 1901 01:52:44,920 --> 01:52:46,590 DORMER. 1902 01:52:47,890 --> 01:52:49,620 LET ME SLEEP. 1903 01:52:49,620 --> 01:52:52,280 NO. 1904 01:52:52,280 --> 01:52:54,960 JUST LET ME SLEEP.