1 00:00:11,145 --> 00:00:12,746 * I'M STANDIN' ON A ROCK * 2 00:00:12,746 --> 00:00:13,981 * STANDIN' ON A ROCK * 3 00:00:13,981 --> 00:00:15,183 * AND I AIN'T GOIN' NOWHERE * 4 00:00:15,183 --> 00:00:16,250 * STANDIN' ON A ROCK * 5 00:00:16,250 --> 00:00:18,018 * I'M STANDIN' ON A ROCK * 6 00:00:18,018 --> 00:00:19,087 * STANDIN' ON A ROCK * 7 00:00:19,087 --> 00:00:20,188 * AND I AIN'T GONNA MOVE * 8 00:00:20,188 --> 00:00:21,489 * STANDIN' ON A ROCK * 9 00:00:21,489 --> 00:00:23,257 * GOT ME SOMETHING TO LIVE FOR * 10 00:00:23,257 --> 00:00:24,292 * STANDIN' ON A ROCK * 11 00:00:24,292 --> 00:00:25,993 * GOT NOTHIN' TO PROVE * 12 00:00:25,993 --> 00:00:27,061 * STANDIN' ON A ROCK * 13 00:00:27,061 --> 00:00:28,229 * I'M STANDIN' ON A ROCK * 14 00:00:28,229 --> 00:00:29,430 * STANDIN' ON A ROCK * 15 00:00:29,430 --> 00:00:30,898 * AND I AIN'T GONNA MOVE * 16 00:00:30,898 --> 00:00:32,100 * STANDIN' ON A ROCK * 17 00:00:32,100 --> 00:00:34,402 * YOU'RE A REAL FINE WOMAN * 18 00:00:34,402 --> 00:00:36,804 * AND YOUR HEART IS STRONG * 19 00:00:36,804 --> 00:00:40,174 * YOU CAN SEE RIGHT THROUGH ME * 20 00:00:40,174 --> 00:00:42,210 * AND YOUR LEGS ARE LONG * 21 00:00:42,210 --> 00:00:44,912 * YOU DON'T GIVE ME NO TROUBLE * 22 00:00:44,912 --> 00:00:47,348 * AND YOU DON'T TAKE MINE * 23 00:00:47,348 --> 00:00:49,750 * YOU'RE THE REASON I'M LIVIN' * 24 00:00:49,750 --> 00:00:52,520 * 'CAUSE YOU'RE THE REASON I'M TRYIN' * 25 00:00:52,520 --> 00:00:54,021 * I'M STANDIN' ON A ROCK * 26 00:00:54,021 --> 00:00:55,089 * STANDIN' ON A ROCK * 27 00:00:55,089 --> 00:00:57,125 * I AIN'T GOIN' NOWHERE * 28 00:00:57,125 --> 00:00:58,192 * STANDIN' ON A ROCK * 29 00:00:58,192 --> 00:00:59,993 * I'M STANDIN' ON A ROCK * 30 00:00:59,993 --> 00:01:01,829 * AND I AIN'T GONNA MOVE * 31 00:01:01,829 --> 00:01:03,131 * STANDIN' ON A ROCK * 32 00:01:03,131 --> 00:01:04,865 * GOT ME SOMETHING TO LIVE FOR * 33 00:01:04,865 --> 00:01:05,899 * STANDIN' ON A ROCK * 34 00:01:05,899 --> 00:01:07,368 * GOT NOTHIN' TO PROVE * 35 00:01:07,368 --> 00:01:08,469 * STANDIN' ON A ROCK * 36 00:01:08,469 --> 00:01:09,937 * I'M STANDIN' ON A ROCK * 37 00:01:09,937 --> 00:01:11,071 * STANDIN' ON A ROCK * 38 00:01:11,071 --> 00:01:12,473 * I AIN'T GONNA MOVE * 39 00:01:12,473 --> 00:01:14,642 * STANDIN' ON A ROCK * 40 00:01:14,642 --> 00:01:19,780 * YOU DON'T SAY NOTHIN' BAD ABOUT NOBODY * 41 00:01:19,780 --> 00:01:24,952 * YOU DON'T LIKE TALKIN' OUT OF SCHOOL * 42 00:01:24,952 --> 00:01:30,324 * YOU MIGHT NOT TAKE ME FOR A WISE MAN * 43 00:01:30,324 --> 00:01:34,195 * BUT YOU SURE DON'T TAKE ME FOR A FOOL * 44 00:01:34,195 --> 00:01:35,863 * I'M STANDIN' ON A ROCK * 45 00:01:35,863 --> 00:01:37,165 * STANDIN' ON A ROCK * 46 00:01:37,165 --> 00:01:38,399 * AND I AIN'T GOIN' NOWHERE * 47 00:01:38,399 --> 00:01:39,467 * STANDIN' ON A ROCK * 48 00:01:39,467 --> 00:01:40,968 * I'M STANDIN' ON A ROCK * 49 00:01:40,968 --> 00:01:42,170 * STANDIN' ON A ROCK * 50 00:01:42,170 --> 00:01:43,437 * AND I AIN'T GONNA MOVE * 51 00:01:43,437 --> 00:01:44,738 * STANDIN' ON A ROCK * 52 00:01:44,738 --> 00:01:46,374 * GOT ME SOMETHIN' TO LIVE FOR * 53 00:01:46,374 --> 00:01:47,408 * STANDIN' ON A ROCK * 54 00:01:47,408 --> 00:01:49,009 * GOT NOTHIN' TO PROVE * 55 00:01:49,009 --> 00:01:50,077 * STANDIN' ON A ROCK * 56 00:01:50,077 --> 00:01:51,345 * I'M STANDIN' ON A ROCK * 57 00:01:51,345 --> 00:01:52,746 * STANDIN' ON A ROCK * 58 00:01:52,746 --> 00:01:53,981 * AND I AIN'T GONNA MOVE * 59 00:01:53,981 --> 00:01:55,616 * STANDIN' ON A ROCK * 60 00:02:17,371 --> 00:02:22,510 * I COULD BE HAPPY FLYIN' AIRPLANES * 61 00:02:22,510 --> 00:02:27,681 * I COULD BE HAPPY SELLIN' SHOES * 62 00:02:27,681 --> 00:02:33,521 * I COULD BE HAPPY JUST DRINKIN' WATER, BABY... * 63 00:02:33,521 --> 00:02:35,389 GOOD AFTERNOON, LADIES AND GENTLEMEN. 64 00:02:35,389 --> 00:02:36,557 WELCOME TO NASHVILLE. 65 00:02:36,557 --> 00:02:38,492 IN JUST A FEW MINUTES, 66 00:02:38,492 --> 00:02:41,795 WE'LL BEGIN BOARDING OUR 4:45 DEPARTURE FOR NEW YORK CITY. 67 00:02:44,031 --> 00:02:46,300 HOWDY. HOW YOU DOING? 68 00:02:49,270 --> 00:02:52,039 APPLICATIONS AND PENCILS ARE ON THE BAR. 69 00:02:52,039 --> 00:02:53,841 DON'T STEAL THE PENCILS. 70 00:02:53,841 --> 00:02:57,445 HURRY IT UP. DOORS CLOSE AT 4:05. 71 00:02:57,445 --> 00:03:00,047 ANYONE NOT INSIDE AT 4:05 72 00:03:00,047 --> 00:03:02,683 DOESN'T AUDITION. 73 00:03:22,870 --> 00:03:24,272 WHEN I CALL YOUR NAME, 74 00:03:24,272 --> 00:03:26,607 I WANT YOU TO COME UP ON STAGE. 75 00:03:26,607 --> 00:03:28,075 IF IT'S YOUR FIRST TIME, 76 00:03:28,075 --> 00:03:31,078 I THINK YOU SHOULD KNOW THAT IF YOU DON'T PASS, 77 00:03:31,078 --> 00:03:33,681 IT JUST MEANS I DON'T THINK YOU'RE READY. 78 00:03:33,681 --> 00:03:35,449 GO HOME AND KEEP ON WRITING 79 00:03:35,449 --> 00:03:37,451 AND COME ON BACK AGAIN. 80 00:03:39,420 --> 00:03:42,055 YOU'RE GOING TO TRY OUT FOR WRITER'S NIGHT? 81 00:03:42,055 --> 00:03:43,056 YEAH. 82 00:03:43,056 --> 00:03:44,458 I'M A WRITER MYSELF. 83 00:03:44,458 --> 00:03:46,860 I HAD A TOP 20 HIT LAST YEAR. 84 00:03:46,860 --> 00:03:49,863 YOUNG WRITERS ALWAYS HATE IT WHEN I TELL THEM THAT. 85 00:03:49,863 --> 00:03:52,466 I TELL THEM, LIVE FOR THE MOMENT. 86 00:03:52,466 --> 00:03:54,868 DON'T GET A PICTURE OF WHEN YOU HIT 87 00:03:54,868 --> 00:03:57,738 'CAUSE YOU AIN'T NEVER GOING TO BE IN THAT PICTURE. 88 00:03:57,738 --> 00:04:01,275 ONE, TWO, UN, DEUX, TROIS. 89 00:04:05,279 --> 00:04:06,514 THIS IS IT. 90 00:04:06,514 --> 00:04:09,216 * SAYIN' GOODBYE * 91 00:04:09,216 --> 00:04:12,420 DOESN'T MATTER WHAT IT LOOKS LIKE ON THE OUTSIDE. 92 00:04:12,420 --> 00:04:15,022 IT'S WHAT'S GOING ON INSIDE THAT COUNTS. 93 00:04:15,022 --> 00:04:16,023 THANKS. 94 00:04:16,023 --> 00:04:17,958 WHAT TIME IS IT? 95 00:04:17,958 --> 00:04:19,226 4:15. 96 00:04:19,226 --> 00:04:22,430 WE'RE GOING TO HAVE TO DO SOMETHING ABOUT THIS. 97 00:04:22,430 --> 00:04:23,831 YOU'RE HERE WITH ME. 98 00:04:23,831 --> 00:04:26,434 I CHANGED A FLAT TIRE FOR YOU, 99 00:04:26,434 --> 00:04:28,135 WHICH IS WHY I'M LATE. 100 00:04:28,135 --> 00:04:29,737 * FIND MY SHOE, CHERIE * 101 00:04:29,737 --> 00:04:32,440 JAMES, YOU KNOW THE RULES--4:05. 102 00:04:32,440 --> 00:04:35,443 I JUST STOPPED TO FIX THIS GIRL'S FLAT TIRE. 103 00:04:35,443 --> 00:04:37,445 THAT WAS REALLY NICE OF YOU. 104 00:04:37,445 --> 00:04:39,246 YOU ARE A REGULAR GOOD SAMARITAN. 105 00:04:39,246 --> 00:04:42,450 NEXT TIME, LET THE CAB DRIVER CHANGE HIS OWN TIRE, 106 00:04:42,450 --> 00:04:44,251 AND YOU GET HERE ON TIME. 107 00:04:44,251 --> 00:04:47,455 YOU SHOULD CONSIDER BREAKING ONE OF THOSE RULES SOMETIMES. 108 00:04:47,455 --> 00:04:50,057 IT MIGHT BE LIBERATING, IF NOTHING ELSE. 109 00:04:50,057 --> 00:04:51,459 HEY, I DON'T KNOW HIM. 110 00:04:51,459 --> 00:04:53,461 THAT TIRE THING WAS HIS IDEA. 111 00:04:53,461 --> 00:04:55,863 I JUST CAME HERE FROM THE BUS STATION, 112 00:04:55,863 --> 00:04:58,065 ALL THE WAY FROM NEW YORK. 113 00:04:58,065 --> 00:04:59,467 LOOK, I KNOW I'M LATE, 114 00:04:59,467 --> 00:05:01,802 BUT I REALLY DID SUFFER TO GET HERE. 115 00:05:01,802 --> 00:05:03,404 WHAT WAS YOUR NAME, HONEY? 116 00:05:03,404 --> 00:05:04,805 MIRANDA PRESLEY... NO RELATION. 117 00:05:04,805 --> 00:05:06,807 WELL, MIRANDA PRESLEY, NO RELATION, 118 00:05:06,807 --> 00:05:10,010 THERE IS NOTHING YOU CAN TELL ANYBODY IN THIS ROOM 119 00:05:10,010 --> 00:05:11,412 ABOUT SUFFERING. 120 00:05:11,412 --> 00:05:14,081 THERE'S ANOTHER AUDITION NEXT WEEK. 121 00:05:26,293 --> 00:05:27,428 HEY! 122 00:05:27,428 --> 00:05:28,829 I DON'T APPRECIATE YOU 123 00:05:28,829 --> 00:05:31,432 INCLUDING ME IN YOUR LIE BACK THERE, 124 00:05:31,432 --> 00:05:33,701 ESPECIALLY WITHOUT ASKING ME. 125 00:05:34,835 --> 00:05:38,439 WELL, THAT'S A FINE POINT TO MAKE. 126 00:05:38,439 --> 00:05:39,873 THANK YOU. 127 00:05:41,041 --> 00:05:42,843 O.K. 128 00:05:42,843 --> 00:05:45,045 THERE MIGHT BE A SONG IN THAT. 129 00:05:45,045 --> 00:05:46,013 HUH? 130 00:05:46,013 --> 00:05:50,217 I WAS GOING TO ASK YOU OUT FOR A BEER, 131 00:05:50,217 --> 00:05:53,754 BUT I'VE SINCE CHANGED MY MIND. 132 00:05:53,754 --> 00:05:57,324 WHAT IS THAT, SOME KIND OF LINE? 133 00:05:57,324 --> 00:05:58,626 YES. 134 00:05:58,626 --> 00:06:00,628 DOES IT WORK? 135 00:06:00,628 --> 00:06:04,097 SOMETIMES. RARELY. 136 00:06:04,097 --> 00:06:05,733 I'LL BET. 137 00:06:07,435 --> 00:06:09,703 I MIGHT CHANGE MY MIND AGAIN. 138 00:06:09,703 --> 00:06:12,840 MAYBE YOU SHOULD CHANGE YOUR LINE. 139 00:06:29,056 --> 00:06:30,323 THAT'LL BE $20. 140 00:06:30,323 --> 00:06:32,325 I'LL PAY FOR THE WHOLE WEEK. 141 00:06:32,325 --> 00:06:33,727 OH, THAT WON'T WORK. 142 00:06:33,727 --> 00:06:35,929 WELL, THE STRIP IS SHOT. 143 00:06:35,929 --> 00:06:37,465 THE CARD'S GOOD. 144 00:06:37,465 --> 00:06:40,067 YOU CAN CALL IT IN IF YOU WANT. 145 00:06:40,067 --> 00:06:41,469 NO NEED FOR THAT. 146 00:06:41,469 --> 00:06:43,604 YOU SAID IT WAS GOOD. 147 00:06:43,604 --> 00:06:45,606 NEVER DID COTTON TO THE IDEA 148 00:06:45,606 --> 00:06:47,875 OF TRUSTING A MACHINE OVER A PERSON. 149 00:06:47,875 --> 00:06:51,411 YOU'VE GOT AN HONEST FACE, MIRANDA. 150 00:06:53,313 --> 00:06:56,416 HAVE I GOT A ROOM FOR YOU. 151 00:07:01,755 --> 00:07:05,626 * IT'S FUN TO STAY AT THE YMCA * 152 00:07:05,626 --> 00:07:10,363 * IT'S FUN TO STAY AT THE YMCA * 153 00:07:10,363 --> 00:07:12,199 * THEY HAVE EVERYTHING * 154 00:07:12,199 --> 00:07:14,434 * FOR A YOUNG MAN TO ENJOY * 155 00:07:24,512 --> 00:07:25,946 * OH * 156 00:07:25,946 --> 00:07:30,450 * YOU DON'T MISS THE LOVE THE WAY I DO * 157 00:07:31,451 --> 00:07:32,853 COME ON IN, SWEETIE. 158 00:07:32,853 --> 00:07:34,855 YOU CAN SIT WHEREVER YOU WANT. 159 00:07:34,855 --> 00:07:37,725 I'LL BE RIGHT WITH YOU. THANKS. 160 00:07:48,435 --> 00:07:52,105 * A LADY SITTIN' ON HER OLD FRONT PORCH * 161 00:07:52,105 --> 00:07:56,009 * WATCHIN' THE CHICKENS PECK THE GROUND * 162 00:07:56,009 --> 00:08:00,413 * THERE AIN'T A WHOLE LOT GOIN' ON TONIGHT * 163 00:08:00,413 --> 00:08:03,717 * IN THIS ONE-HORSE TOWN * 164 00:08:03,717 --> 00:08:05,519 * OVER YONDER * 165 00:08:05,519 --> 00:08:07,821 * COMIN' UP THE ROAD * 166 00:08:07,821 --> 00:08:11,324 * IN A BEAT-UP CHEVY TRUCK * 167 00:08:11,324 --> 00:08:13,326 * HER BOYFRIEND TOMMY * 168 00:08:13,326 --> 00:08:14,962 * IS LAYIN' ON THE HORN * 169 00:08:14,962 --> 00:08:18,566 * SPLASHIN' THROUGH THE MUD AND THE MUCK * 170 00:08:19,366 --> 00:08:20,734 * HER DADDY SAYS * 171 00:08:20,734 --> 00:08:22,736 * HE AIN'T WORTH A LICK * 172 00:08:22,736 --> 00:08:24,137 * WHEN IT COMES TO BRAINS * 173 00:08:24,137 --> 00:08:26,640 * HE GOT THE SHORT END OF THE STICK * 174 00:08:26,640 --> 00:08:27,941 * BUT KATIE'S YOUNG * 175 00:08:27,941 --> 00:08:30,277 * AND THEN SHE JUST DON'T CARE * 176 00:08:30,277 --> 00:08:33,681 * SHE'D FOLLOW TOMMY ANYWHERE * 177 00:08:33,681 --> 00:08:37,517 * SHE'S IN LOVE WITH THE BOY * 178 00:08:37,517 --> 00:08:40,754 * SHE'S IN LOVE WITH THE BOY * 179 00:08:40,754 --> 00:08:45,425 * SHE'S IN LOVE WITH THE BOY * 180 00:08:45,425 --> 00:08:48,996 * AND EVEN IF THEY HAVE TO RUN AWAY * 181 00:08:48,996 --> 00:08:54,167 * SHE'S GONNA MARRY THAT BOY SOMEDAY * 182 00:08:59,239 --> 00:09:02,743 * KATIE AND TOMMY AT THE DRIVE-IN MOVIE * 183 00:09:02,743 --> 00:09:07,080 * PARKED IN THE VERY LAST ROW * 184 00:09:07,080 --> 00:09:10,751 * THEY'RE TOO BUSY HOLDIN' ON TO ONE ANOTHER * 185 00:09:10,751 --> 00:09:14,855 * TO EVEN CARE ABOUT THE SHOW * 186 00:09:14,855 --> 00:09:18,726 * LATER ON OUTSIDE THE TASTEE FREEZE... * 187 00:09:18,726 --> 00:09:23,731 APPLICATIONS, PENCILS ARE ON THE BAR. 188 00:09:24,865 --> 00:09:27,467 DON'T STEAL THE PENCILS. 189 00:09:27,467 --> 00:09:29,770 I SURE HOPE SO. 190 00:09:29,770 --> 00:09:31,805 * HER DADDY SAYS * 191 00:09:31,805 --> 00:09:33,841 * THAT HE AIN'T WORTH A LICK * 192 00:09:33,841 --> 00:09:35,242 * WHEN IT COMES TO BRAINS * 193 00:09:35,242 --> 00:09:37,510 * HE GOT THE SHORT END OF THE STICK * 194 00:09:37,510 --> 00:09:40,380 HEY, MY NAME IS LINDA LUE LINDEN, 195 00:09:40,380 --> 00:09:43,150 AND, UM, I'M FROM BRIAR HILL, ALABAMA, 196 00:09:43,150 --> 00:09:44,818 AND I JUST FINISHED THIS SONG, 197 00:09:44,818 --> 00:09:48,922 AND IT'S CALLED HEAVEN KNOCKED ON MY DOOR. 198 00:09:49,890 --> 00:09:53,060 * I HAD A DREAM LAST NIGHT * 199 00:09:53,060 --> 00:09:54,628 * AND THERE YOU WERE * 200 00:09:54,628 --> 00:09:58,331 * STANDIN' BY MY BEDSIDE * 201 00:09:58,331 --> 00:10:01,234 * DEVIL IN ANGEL'S CLOTHIN' * 202 00:10:01,234 --> 00:10:04,972 * TALKIN' ABOUT YOUR CRAZY RIDE * 203 00:10:04,972 --> 00:10:08,075 * I DIDN'T KNOW WHAT TO SAY AT FIRST * 204 00:10:08,075 --> 00:10:11,478 * I COULDN'T GET BY THOSE WINGS * 205 00:10:11,478 --> 00:10:15,015 * NOW HERE I AM IN THE MIDDLE OF THE NIGHT * 206 00:10:15,015 --> 00:10:17,918 * TALKIN' TO AN ANGEL THAT SINGS * 207 00:10:17,918 --> 00:10:20,587 UH, MIRANDA PRESLEY. 208 00:10:20,587 --> 00:10:23,256 YEAH. 209 00:10:30,230 --> 00:10:33,033 HI, MY NAME'S MIRANDA PRESLEY. 210 00:10:33,033 --> 00:10:34,935 I'M FROM NEW YORK CITY, 211 00:10:34,935 --> 00:10:39,372 AND THIS SONG IS CALLED BIG BAR HAIR. 212 00:10:39,372 --> 00:10:43,343 * YOU CAN SEE IT IN THE SHOPPIN' MALLS * 213 00:10:43,343 --> 00:10:46,146 * 5-FOOT GIRLS 6 FEET TALL * 214 00:10:46,146 --> 00:10:49,316 * 4-INCH HEELS, FAKE FINGERNAILS * 215 00:10:49,316 --> 00:10:51,752 * SHE'S CHECKIN' OUT ALL THE SALES * 216 00:10:51,752 --> 00:10:53,954 * YOU CAN SEE FROM A DISTANCE * 217 00:10:53,954 --> 00:10:54,988 * SHE'S A GOOD OL' GIRL * 218 00:10:54,988 --> 00:10:56,824 * SHE'S GETTIN' READY * 219 00:10:56,824 --> 00:11:00,861 * TO TAKE ON THE WORLD * 220 00:11:00,861 --> 00:11:02,462 * GONNA TORTURE MY HAIR * 221 00:11:02,462 --> 00:11:03,764 * GONNA BURN IT BLOND * 222 00:11:03,764 --> 00:11:06,599 * GONNA TEASE IT BEYOND REPAIR * 223 00:11:06,599 --> 00:11:10,337 * GONNA CAMOUFLAGE THE BRAINS IN THERE * 224 00:11:10,337 --> 00:11:12,172 * GETTIN' MY OWN * 225 00:11:13,473 --> 00:11:15,142 * BIG BAR HAIR * 226 00:11:15,142 --> 00:11:17,978 * YEAH, I'M GETTIN' MY OWN * 227 00:11:19,412 --> 00:11:21,782 * BIG BAR HAIR * 228 00:11:22,950 --> 00:11:27,087 ALL RIGHT. KYLE DAVIDSON. 229 00:11:28,088 --> 00:11:30,523 HELLO, I'M KYLE DAVIDSON. 230 00:11:30,523 --> 00:11:32,259 I'M FROM CONNECTICUT, 231 00:11:32,259 --> 00:11:33,560 AND THIS, UM... 232 00:11:33,560 --> 00:11:36,663 I'M A LITTLE NERVOUS, BUT IT REALLY DOESN'T SHOW. 233 00:11:36,663 --> 00:11:38,932 THIS IS CALLED I CAN'T UNDERSTAND. 234 00:11:38,932 --> 00:11:44,371 * IF YOU COULD READ MY MIND * 235 00:11:44,371 --> 00:11:48,308 * YOU'D KNOW HOW HARD I TRY * 236 00:11:48,308 --> 00:11:52,612 * BUT LOSIN' WAS NOT MY PLAN * 237 00:11:52,612 --> 00:11:56,083 * AND I CAN'T UNDERSTAND * 238 00:11:56,083 --> 00:12:01,021 * WITH ALL THOSE TEARS I CRIED * 239 00:12:01,021 --> 00:12:04,324 * I SHOULD'VE REALIZED * 240 00:12:04,324 --> 00:12:07,961 * THAT I'D NEVER HOLD YOU AGAIN * 241 00:12:07,961 --> 00:12:12,866 * AND I CAN'T UNDERSTAND * 242 00:12:14,101 --> 00:12:17,971 * I CAN'T UNDERSTAND * 243 00:12:17,971 --> 00:12:22,642 * WHY YOU LEFT MY LOVE BEHIND * 244 00:12:22,642 --> 00:12:26,113 * I CAN'T UNDERSTAND * 245 00:12:26,113 --> 00:12:31,051 * BUT I'LL LOVE YOU TILL THE END OF TIME * 246 00:12:31,051 --> 00:12:32,820 * I SEARCH MY MEMORY * 247 00:12:32,820 --> 00:12:36,623 ALL RIGHT, UH, JAMES WRIGHT. 248 00:12:36,623 --> 00:12:38,025 OH, I'M SO NERVOUS, 249 00:12:38,025 --> 00:12:39,726 I CAN HARDLY STAND. 250 00:12:39,726 --> 00:12:41,394 YOU OUGHT TO BE. 251 00:12:44,564 --> 00:12:46,433 I ALREADY SOLD THIS SONG, 252 00:12:46,433 --> 00:12:49,702 AND I WROTE IT FOR A WOMAN TO SING, 253 00:12:49,702 --> 00:12:51,371 BUT WHAT THE HELL? 254 00:12:57,410 --> 00:13:03,550 * YOU GOT A THING OR TWO TO LEARN ABOUT ME, BABY * 255 00:13:03,550 --> 00:13:07,020 * 'CAUSE I AIN'T TAKIN' IT NO MORE * 256 00:13:07,020 --> 00:13:10,223 * AND I DON'T MEAN MAYBE * 257 00:13:10,223 --> 00:13:13,026 * YOU DON'T KNOW RIGHT FROM WRONG * 258 00:13:13,026 --> 00:13:15,628 * THE LOVE WE HAD IS GONE * 259 00:13:15,628 --> 00:13:19,532 * SO BLAME IT ON YOUR LYIN', CHEATIN' * 260 00:13:19,532 --> 00:13:20,834 * COLD, DEAD-BEATIN' * 261 00:13:20,834 --> 00:13:23,236 * TWO-TIMIN', DOUBLE-DEALIN' * 262 00:13:23,236 --> 00:13:26,473 * MEAN, MISTREATIN', LOVIN' HEART * 263 00:13:28,375 --> 00:13:34,948 * WELL, ALL I WANTED WAS TO BE YOUR ONE AND ONLY * 264 00:13:34,948 --> 00:13:37,650 * BUT ALL I EVER GOT FROM YOU * 265 00:13:37,650 --> 00:13:40,553 * WAS BEIN' LONELY * 266 00:13:40,553 --> 00:13:43,623 * NOW THAT IS LAID TO REST * 267 00:13:43,623 --> 00:13:46,593 * 'CAUSE YOU HAVE FAILED THE TEST * 268 00:13:46,593 --> 00:13:49,897 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 269 00:13:49,897 --> 00:13:53,066 * COLD, DEAD-BEATIN' HEART * 270 00:13:53,066 --> 00:13:55,602 O.K., IF I CALL YOUR NAME, 271 00:13:55,602 --> 00:13:58,205 IT MEANS YOU'RE PLAYING HERE SATURDAY NIGHT. 272 00:13:58,205 --> 00:13:59,973 BE HERE BEFORE 7:00. 273 00:13:59,973 --> 00:14:01,808 NANCY BUTTERWORTH... 274 00:14:01,808 --> 00:14:02,842 NICK BARRETT... 275 00:14:02,842 --> 00:14:05,678 TOM MORTENSON... 276 00:14:05,678 --> 00:14:07,847 JANET HOGAN... 277 00:14:07,847 --> 00:14:09,116 JAMES WRIGHT... 278 00:14:09,116 --> 00:14:11,218 AND ROSS MILLER. 279 00:14:11,218 --> 00:14:13,320 THANK YOU ALL FOR COMING. 280 00:14:23,964 --> 00:14:25,698 MISS MIRANDA. 281 00:14:25,698 --> 00:14:27,500 COME OVER HERE A SECOND. 282 00:14:29,669 --> 00:14:31,271 WE'RE JUST CONGREGATING. 283 00:14:34,975 --> 00:14:36,977 CONGRATULATIONS. 284 00:14:36,977 --> 00:14:38,979 THANK YOU. I APPRECIATE IT. 285 00:14:38,979 --> 00:14:40,380 HEY, KYLE DAVIDSON. 286 00:14:40,380 --> 00:14:42,782 LINDA LUE, IS THAT YOUR FACE I SEE? 287 00:14:42,782 --> 00:14:44,151 WELL, IT AIN'T NOBODY'S BUTT. 288 00:14:44,151 --> 00:14:45,785 YOUR SONG WAS PRETTY TONIGHT. 289 00:14:45,785 --> 00:14:47,120 PRETTY BAD? 290 00:14:47,120 --> 00:14:49,422 SO WHAT DID YOU WANT? 291 00:14:51,324 --> 00:14:53,560 WHAT? 292 00:14:54,894 --> 00:14:59,066 I'M JUST LOOKING AT YOU UP CLOSE. 293 00:14:59,066 --> 00:15:01,034 THERE WAS SOMETHING THAT I-- 294 00:15:01,034 --> 00:15:03,003 BUT YOU CHANGED YOUR MIND? 295 00:15:03,003 --> 00:15:06,506 EXACTLY. 296 00:15:06,506 --> 00:15:07,941 I LIKED YOUR SONG. 297 00:15:07,941 --> 00:15:09,542 THANKS. 298 00:15:09,542 --> 00:15:10,543 I'M KYLE. 299 00:15:10,543 --> 00:15:12,445 I LIKED YOUR SONG. 300 00:15:13,546 --> 00:15:15,215 HI. MIRANDA. 301 00:15:15,215 --> 00:15:16,816 I LIKED YOURS, TOO. 302 00:15:16,816 --> 00:15:17,817 REALLY? 303 00:15:17,817 --> 00:15:19,619 YEAH. 304 00:15:19,619 --> 00:15:22,055 * SO WHEN WE MEET AS FRIENDS * 305 00:15:22,055 --> 00:15:23,656 * MY HEART WILL BREAK AGAIN * 306 00:15:23,656 --> 00:15:27,460 * IF THAT'S HOW THE STORY ENDS * 307 00:15:27,460 --> 00:15:31,965 * THEN I CAN'T UNDERSTAND * 308 00:15:31,965 --> 00:15:33,366 WOW. WOW. 309 00:15:33,366 --> 00:15:35,969 WAS THAT EXACTLY KYLE'S SONG? 310 00:15:35,969 --> 00:15:38,972 BECAUSE I HARDLY EVEN RECOGNIZED IT. 311 00:15:38,972 --> 00:15:40,974 THAT WAS IT EXACTLY. 312 00:15:40,974 --> 00:15:42,375 YOU GOT A GREAT EAR. 313 00:15:42,375 --> 00:15:44,777 YOU GOT THAT FROM HEARING ME SING IT? 314 00:15:44,777 --> 00:15:47,981 WELL, I DON'T KNOW IF THE TERM "SING" REALLY APPLIES-- 315 00:15:47,981 --> 00:15:49,582 OH...OH...OH... 316 00:15:49,582 --> 00:15:51,051 HA HA HA! 317 00:15:51,051 --> 00:15:52,719 THEY BUILD YOU UP AND THEN, 318 00:15:52,719 --> 00:15:54,121 THEY JUST TEAR YOU DOWN. 319 00:15:54,121 --> 00:15:58,058 LIKE THEY ALL GOT THE SAME INSTRUCION MANUAL. 320 00:15:58,058 --> 00:16:00,227 NICE TO MEET YOU. YOU TOO. 321 00:16:00,227 --> 00:16:01,594 YOUR SONG WAS GREAT. 322 00:16:03,030 --> 00:16:06,166 DO YOU LADIES HAVE ANY DESIRE TO ACCOMPANY US 323 00:16:06,166 --> 00:16:07,367 ON AN EXCURSION INTO HISTORY? 324 00:16:07,367 --> 00:16:09,336 AND WHERE MIGHT YOU BE GOING? 325 00:16:09,336 --> 00:16:11,504 A LITTLE MIDNIGHT RIDE MAYBE. 326 00:16:11,504 --> 00:16:13,506 THIS, UH, CONNECTICUT YANKEE KYLE 327 00:16:13,506 --> 00:16:16,609 WANTS TO WRITE A COWBOY SONG. 328 00:16:16,609 --> 00:16:18,011 THAT'S RIGHT, MA'AM. 329 00:16:18,011 --> 00:16:19,612 YOU WANT TO GO? 330 00:16:19,612 --> 00:16:21,748 UH, YEAH. 331 00:16:21,748 --> 00:16:24,551 ALL RIGHT, THEN LET'S GO, LITTLE DOOGIES. 332 00:16:24,551 --> 00:16:25,952 DOGIES. 333 00:16:25,952 --> 00:16:26,953 DOOGIES. 334 00:16:26,953 --> 00:16:28,221 DOGIES. COME ON. 335 00:16:28,221 --> 00:16:29,822 LOOK AT THIS GUY. 336 00:16:29,822 --> 00:16:31,224 HE'S SMILING FOR US. 337 00:16:31,224 --> 00:16:33,960 THAT'S NO SMILE. THAT'S CONTEMPT. 338 00:16:33,960 --> 00:16:35,362 I HAD A THIRD COUSIN 339 00:16:35,362 --> 00:16:37,764 WHO USED TO BE A RODEO CLOWN. 340 00:16:37,764 --> 00:16:40,967 FUNNY THING IS, HE BROKE HIS NECK, AND HE DIED. 341 00:16:40,967 --> 00:16:42,369 WELL, DON'T WORRY ABOUT ME. 342 00:16:42,369 --> 00:16:44,371 I TOOK RIDING AT SUMMER CAMP. 343 00:16:44,371 --> 00:16:47,774 YEAH, THE DUDE RANCH IN, WHAT, NEW ENGLAND? 344 00:16:48,775 --> 00:16:50,477 HEY, HO! 345 00:16:50,477 --> 00:16:51,744 WHOA! 346 00:16:51,744 --> 00:16:55,048 KYLE DAVIDSON, YOU ARE A SIGHT TO BEHOLD, BABY! 347 00:16:55,048 --> 00:16:57,484 WHOA! 348 00:17:01,521 --> 00:17:06,693 * THE OLD GRAY MARE, SHE AIN'T WHAT SHE USED TO BE * 349 00:17:06,693 --> 00:17:08,495 LOOK AT ME-- IN THE EYES. 350 00:17:08,495 --> 00:17:11,098 HOW MANY FINGERS AM I HOLDING UP? 351 00:17:11,098 --> 00:17:12,499 FOUR OR FIVE. 352 00:17:12,499 --> 00:17:14,101 HOW MANY BEATLES WERE THERE? 353 00:17:14,101 --> 00:17:15,702 THREE--AND RINGO. 354 00:17:15,702 --> 00:17:17,104 ARE YOU O.K.? 355 00:17:17,104 --> 00:17:18,505 HE'S JUST FUCKIN' WITH ME. 356 00:17:18,505 --> 00:17:20,507 JUST A MINOR CONCUSSION, THAT'S ALL. 357 00:17:20,507 --> 00:17:23,110 LINDA, CAN YOU PLEASE GET THE TRUCK? 358 00:17:23,110 --> 00:17:25,112 MAKE SURE HE DOESN'T FALL ASLEEP. 359 00:17:25,112 --> 00:17:27,214 GOT TO KEEP HIM AWAKE AND CONSCIOUS. 360 00:17:27,214 --> 00:17:28,915 I'M JUST FINE. 361 00:17:28,915 --> 00:17:32,985 WE HAVE SOME WORK ON THIS FENCE TO DO FOR MR. WILSON. 362 00:17:32,985 --> 00:17:34,921 ARE YOU ALL RIGHT, HONEY? 363 00:17:34,921 --> 00:17:38,125 THERE'S THIS TRADITION WHEN YOU FIRST GET TO NASHVILLE 364 00:17:38,125 --> 00:17:41,128 WHERE YOU HAVE TO GO TO THE TALLEST MOUNTAIN 365 00:17:41,128 --> 00:17:43,130 OR THE TOP OF A BUILDING 366 00:17:43,130 --> 00:17:44,931 AND YELL, "LOOK OUT, MUSIC CITY, 367 00:17:44,931 --> 00:17:47,734 'CAUSE I'M HERE AND I AIN'T NEVER LEAVIN'!" 368 00:17:47,734 --> 00:17:49,136 THAT'S REAL NICE. 369 00:17:49,136 --> 00:17:52,139 I WASN'T SURE THAT SONG WAS ANY GOOD 370 00:17:52,139 --> 00:17:54,541 UNTIL I HEARD YOU SING IT TONIGHT. 371 00:17:54,541 --> 00:17:56,543 OH, KYLE, IT'S A BEAUTIFUL SONG. 372 00:17:56,543 --> 00:17:59,146 WILL YOU DO THE DEMO FOR ME, 373 00:17:59,146 --> 00:18:01,080 BECAUSE I DON'T HAVE ANYBODY ELSE? 374 00:18:01,080 --> 00:18:02,682 I GOT THE CAR. 375 00:18:02,682 --> 00:18:03,483 I'M SORRY. 376 00:18:03,483 --> 00:18:06,153 PUT YOUR ARM AROUND THERE. 377 00:18:06,153 --> 00:18:08,755 DR. ARLEN, REPORT TO ROOM 5703. 378 00:18:08,755 --> 00:18:11,958 NOW, HONEY, I TOLD YOU BEFORE HE'S PERFECTLY FINE, 379 00:18:11,958 --> 00:18:13,360 BUT WE CAN'T RELEASE HIM. 380 00:18:13,360 --> 00:18:15,962 COULD WE AT LEAST TALK TO HIM? 381 00:18:15,962 --> 00:18:18,231 RELAX, AND I'LL LET YOU KNOW. 382 00:18:30,977 --> 00:18:33,380 SO WHERE YOU BEEN STAYING? 383 00:18:33,380 --> 00:18:36,583 UH, YOU KNOW THAT MOTEL NEAR THE BLUEBIRD? 384 00:18:36,583 --> 00:18:37,984 THE DRAKE? 385 00:18:37,984 --> 00:18:40,387 UNREAL. THAT'S WHERE I'M STAYING. 386 00:18:40,387 --> 00:18:42,589 WHAT ROOM DID YOU GET? 387 00:18:42,589 --> 00:18:44,391 UH, ROOM 108. 388 00:18:44,391 --> 00:18:47,594 OH, MY GOD. THE DREADFUL DISCO ROOM. 389 00:18:47,594 --> 00:18:48,995 HA HA! 390 00:18:48,995 --> 00:18:50,997 YEAH. I KIND OF LIKE IT. 391 00:18:50,997 --> 00:18:53,400 YOU SHOULD SEE MINE. IT IS SO GREAT. 392 00:18:53,400 --> 00:18:55,602 IT'S ALL DONE UP AND EVERYTHING. 393 00:18:55,602 --> 00:18:57,003 IT LOOKS SUPER. 394 00:18:57,003 --> 00:18:59,005 COME OVER AND SEE IT SOMETIME. 395 00:18:59,005 --> 00:19:00,006 MAYBE. YEAH. 396 00:19:00,006 --> 00:19:01,374 YOU KNOW WHAT? 397 00:19:01,374 --> 00:19:02,775 I'M GETTING AN IDEA 398 00:19:02,775 --> 00:19:05,378 THAT SINCE WE'RE BOTH AT THE SAME MOTEL, 399 00:19:05,378 --> 00:19:07,380 WHY DON'T WE SHARE MY ROOM, 400 00:19:07,380 --> 00:19:09,982 AND THEN WE CAN SAVE SOME MONEY? 401 00:19:09,982 --> 00:19:11,384 YOU JUST MET ME. 402 00:19:11,384 --> 00:19:13,386 YOU DON'T EVEN KNOW ME. 403 00:19:13,386 --> 00:19:15,388 I'M AN EXCELLENT JUDGE OF CHARACTER. 404 00:19:15,388 --> 00:19:18,391 I HAVE A TOUCH OF THE POWER, YOU KNOW. 405 00:19:18,391 --> 00:19:21,228 DADDY, LOOK AT ME. ARE YOU O.K.? 406 00:19:23,996 --> 00:19:25,398 ARE YOU THE DOCTOR? 407 00:19:25,398 --> 00:19:26,866 YOU CAN'T COME IN. 408 00:19:26,866 --> 00:19:28,535 DADDY, I'LL WAIT, O.K.? 409 00:19:44,284 --> 00:19:47,086 * THE MORE I HURT * 410 00:19:47,086 --> 00:19:49,856 * THE LESS I FEEL * 411 00:19:49,856 --> 00:19:51,524 * THE MORE I KNOW * 412 00:19:51,524 --> 00:19:54,294 * THE LESS I REST IN THIS * 413 00:19:55,295 --> 00:19:59,266 * LONE STAR * 414 00:19:59,266 --> 00:20:01,901 * STATE OF MINE * 415 00:20:03,436 --> 00:20:05,438 DID YOU WRITE THAT YOURSELF? 416 00:20:05,438 --> 00:20:07,039 YEAH, JUST NOW... 417 00:20:07,039 --> 00:20:08,708 FOR YOU. 418 00:20:11,043 --> 00:20:12,845 TO BE HONEST, UM, 419 00:20:12,845 --> 00:20:18,318 I'M NOT PARTICULARLY FOND OF HOSPITALS MYSELF. 420 00:20:22,455 --> 00:20:24,457 THE TRUTH IS... 421 00:20:24,457 --> 00:20:28,461 MY DAD WENT INTO AN EMERGENCY ROOM, 422 00:20:28,461 --> 00:20:31,731 AND I NEVER SAW HIM AGAIN. 423 00:20:37,937 --> 00:20:38,938 THAT'S HIM. 424 00:20:38,938 --> 00:20:42,709 HE LOOKS JUST LIKE ELVIS. 425 00:20:42,709 --> 00:20:45,978 HE'S THE OTHER ONE WHO DOESN'T LOOK LIKE ELVIS. 426 00:20:45,978 --> 00:20:47,179 OH. 427 00:20:47,179 --> 00:20:49,982 HE GAVE THIS TO ME WHEN I WAS 10. 428 00:20:49,982 --> 00:20:53,486 "MY DECITENNIAL ACCOLADE," HE CALLED IT. 429 00:20:53,486 --> 00:20:56,489 HE HAD A NAME FOR EVERYTHING. 430 00:20:56,489 --> 00:21:00,092 HE RAISED ME SINCE I WAS 5... 431 00:21:00,092 --> 00:21:01,828 JUST ME AND HIM. 432 00:21:01,828 --> 00:21:05,298 SO WHERE WAS YOUR MOM THROUGH ALL THIS? 433 00:21:05,298 --> 00:21:06,999 UH, SHE SPLIT... 434 00:21:08,335 --> 00:21:10,570 PRETTY EARLY ON. 435 00:21:12,839 --> 00:21:14,674 PRESLEY'S MY MIDDLE NAME. 436 00:21:14,674 --> 00:21:19,045 HE HAD THIS THING-- MY DAD--ABOUT ELVIS. 437 00:21:19,045 --> 00:21:22,749 NOTHING WEIRD. 438 00:21:22,749 --> 00:21:27,053 HE ALWAYS WANTED TO TAKE ME TO GRACELAND... 439 00:21:27,053 --> 00:21:30,022 BUT WE NEVER MADE IT. 440 00:21:33,660 --> 00:21:36,996 COME ON. THERE'S SOMETHING I WANT TO DO. 441 00:21:36,996 --> 00:21:39,031 WHERE WE GOING, BABY? 442 00:21:39,031 --> 00:21:40,633 NOW, DON'T DO IT 443 00:21:40,633 --> 00:21:43,235 'CAUSE KYLE, THAT PSEUDO HICK, TOLD YOU TO. 444 00:21:43,235 --> 00:21:45,037 IT'S A GRAND OLD NASHVILLE TRADITION. 445 00:21:45,037 --> 00:21:48,240 I BET HE TELLS THAT TO ALL THE GIRLS 446 00:21:48,240 --> 00:21:50,242 WHO GET OFF THE GREYHOUND BUS. 447 00:21:50,242 --> 00:21:51,644 TRADITIONS HAVE TO START SOMEWHERE. 448 00:21:51,644 --> 00:21:53,480 LOOK OUT, MUSIC CITY, 449 00:21:53,480 --> 00:21:55,081 'CAUSE I'M HERE NOW 450 00:21:55,081 --> 00:21:56,483 AND I AIN'T NEVER LEAVING! 451 00:21:56,483 --> 00:21:59,085 THIS IS TERRIBLE. I CANNOT WATCH THIS. 452 00:21:59,085 --> 00:22:00,487 LOOK OUT, MUSIC CITY, 453 00:22:00,487 --> 00:22:03,423 'CAUSE I'M HERE NOW AND I AIN'T NEVER LEAVING! 454 00:22:03,423 --> 00:22:05,224 IT'S JUST SO DESPERATE. 455 00:22:05,224 --> 00:22:08,961 OH, WELL, IS THIS ALL BENEATH YOU, MR. COOL GUY? 456 00:22:08,961 --> 00:22:11,063 IT'S NOT THAT I CAN'T DO IT. 457 00:22:11,063 --> 00:22:13,099 IN FACT, I CAN DO IT BETTER THAN MOST. 458 00:22:13,099 --> 00:22:14,901 OH. WELL THEN. 459 00:22:14,901 --> 00:22:16,969 LOOK OUT, MUSIC CITY 460 00:22:16,969 --> 00:22:20,407 'CAUSE HERE I AM AND I AIN'T NEVER LEAVING! 461 00:22:20,407 --> 00:22:32,852 LOOK OUT, MUSIC CITY, 462 00:22:32,852 --> 00:22:34,621 'CAUSE I'M HERE NOW AND I AIN'T NEVER LEAVING! 463 00:22:34,621 --> 00:22:36,122 LOOK OUT, MUSIC CITY, 464 00:22:36,122 --> 00:22:39,325 'CAUSE I'M HERE NOW AND I AIN'T NEVER LEAVING! 465 00:22:39,325 --> 00:22:42,061 NICE VIEW, ISN'T IT? 466 00:22:42,061 --> 00:22:43,463 I LIKE IT UP HERE. 467 00:22:43,463 --> 00:22:44,997 YEAH. YEAH. 468 00:22:46,733 --> 00:22:48,334 HEY, THAT'S NOT NICE. 469 00:22:48,334 --> 00:22:50,336 HE'S USUALLY NOT LIKE THAT. 470 00:22:50,336 --> 00:22:51,938 MAYBE HE'S A LITTLE JEALOUS. 471 00:22:51,938 --> 00:22:53,473 COME ON IN. 472 00:22:53,473 --> 00:22:56,075 WELL, EXCUSE ME. 473 00:22:56,075 --> 00:22:58,044 THIS IS IT. 474 00:22:58,044 --> 00:22:59,278 THIS IS MY CASA. 475 00:22:59,278 --> 00:23:02,449 IF YOU NEED ANYTHING, YOU JUST HELP YOURSELF. 476 00:23:02,449 --> 00:23:03,850 UM, TAKE EITHER BED. 477 00:23:03,850 --> 00:23:06,453 I'VE BEEN USING THIS ONE, BUT, UM, 478 00:23:06,453 --> 00:23:08,054 THAT ONE'S GOOD. 479 00:23:08,054 --> 00:23:09,456 HEY, BUSTER. 480 00:23:09,456 --> 00:23:11,057 OH, HIS NAME AIN'T BUSTER. 481 00:23:11,057 --> 00:23:12,459 WHAT'S HIS NAME? 482 00:23:12,459 --> 00:23:13,860 IT'S MR. DOG. 483 00:23:13,860 --> 00:23:16,863 HOW DO YOU KNOW HIS FIRST NAME ISN'T BUSTER? 484 00:23:16,863 --> 00:23:18,264 BECAUSE HE WOULD'VE TOLD ME 485 00:23:18,264 --> 00:23:20,066 BECAUSE WE DISCUSS PRACTICALLY EVERYTHING. 486 00:23:21,067 --> 00:23:22,469 I'LL BET THAT'S FOR ME. 487 00:23:24,804 --> 00:23:25,805 HELLO? 488 00:23:26,806 --> 00:23:28,875 HEY, MA. 489 00:23:28,875 --> 00:23:32,144 NO, I JUST GOT IN THIS SECOND. 490 00:23:33,480 --> 00:23:35,482 YEAH. NO, EVERYTHING'S FINE. 491 00:23:35,482 --> 00:23:37,484 EVERYTHING'S GREAT. 492 00:23:37,484 --> 00:23:39,486 YEAH, AS A MATTER OF FACT, 493 00:23:39,486 --> 00:23:42,755 I PASSED MY AUDITION. 494 00:23:43,490 --> 00:23:44,891 YEAH, WELL... 495 00:23:44,891 --> 00:23:47,494 WAITING FOR YOU TO TAKE A BREATH, MA, 496 00:23:47,494 --> 00:23:50,296 SO I CAN GET A WORD IN EDGEWISE. 497 00:23:50,296 --> 00:23:54,100 YEAH, THEY SAID, "JUST LIKE LORETTA LYNN." 498 00:23:54,100 --> 00:23:55,502 WHERE ARE YOU GOING? 499 00:23:55,502 --> 00:23:58,104 UH, I'M JUST GOING TO THE COFFEE SHOP. 500 00:23:58,104 --> 00:23:59,672 DON'T WAIT UP. 501 00:23:59,672 --> 00:24:02,208 I SENT YOU TWO MONEY ORDERS. 502 00:24:02,208 --> 00:24:03,610 ARE YOU LISTENING TO ME? 503 00:24:03,610 --> 00:24:06,445 I'M LISTENING, MAMA. 504 00:24:06,445 --> 00:24:07,814 OH, THANKS. 505 00:24:07,814 --> 00:24:10,282 THIS STUFF'S KEEPIN' YOU AWAKE. 506 00:24:10,282 --> 00:24:11,918 THAT'S THE GENERAL IDEA. 507 00:24:11,918 --> 00:24:14,787 WHAT YOU NEED IS SLEEP, HONEY. 508 00:24:29,401 --> 00:24:32,038 HEY, UM, I WAS JUST WONDERING 509 00:24:32,038 --> 00:24:34,641 IF I GAVE YOU THE SPARE ROOM KEY. 510 00:24:34,641 --> 00:24:36,509 YEAH, YOU DID. 511 00:24:36,509 --> 00:24:38,878 YOUR PAJAMAS HAVE FEET? 512 00:24:41,347 --> 00:24:43,282 UM... 513 00:24:43,282 --> 00:24:46,819 UH, I UNPACKED SOME OF YOUR STUFF FOR YOU. 514 00:24:46,819 --> 00:24:49,822 I PUT YOUR T-SHIRTS IN THE SECOND DRAWER. 515 00:24:49,822 --> 00:24:52,825 YOUR UNDERTHINGS, I PUT THOSE IN THE TOP DRAWER, 516 00:24:52,825 --> 00:24:55,427 AND EVERYTHING ELSE I PUT IN THE CLOSET, 517 00:24:55,427 --> 00:24:57,496 LEFT TO RIGHT, LIGHT TO DARK. 518 00:24:57,496 --> 00:24:59,498 YOU HAVE A LOT OF BLACK. 519 00:24:59,498 --> 00:25:01,601 O.K., GREAT. 520 00:25:01,601 --> 00:25:03,603 SEE, I CAN'T EVEN WEAR BLACK. 521 00:25:03,603 --> 00:25:06,205 IT JUST COMPLETELY WASHES ME OUT. 522 00:25:06,205 --> 00:25:07,874 MMM. 523 00:25:07,874 --> 00:25:10,276 YOU AIN'T MAD AT ME, ARE YOU? 524 00:25:10,276 --> 00:25:14,480 NO. NO. I JUST, UM, I CAME HERE TO BE ALONE 525 00:25:14,480 --> 00:25:17,016 SO I COULD GET SOME WORK DONE. 526 00:25:17,016 --> 00:25:17,884 SO, UM, 527 00:25:17,884 --> 00:25:20,653 IT'S NOTHING PERSONAL. I JUST... 528 00:25:21,788 --> 00:25:25,024 OH. OH, I'M SORRY. I'M SORRY. 529 00:25:27,994 --> 00:25:29,161 YOU KNOW, 530 00:25:29,161 --> 00:25:31,964 SOMETIMES PEOPLE AREN'T EXACTLY THE PERSON 531 00:25:31,964 --> 00:25:33,566 YOU MIGHT THINK THEY ARE 532 00:25:33,566 --> 00:25:35,935 WHEN YOU FIRST MEET SOMEONE. 533 00:25:51,317 --> 00:25:54,053 * YOU GET PLENTY OF TOO LITTLE * 534 00:25:54,053 --> 00:25:59,258 * TOO MUCH OF NOTHIN' AT ALL... * 535 00:25:59,258 --> 00:26:03,129 IF IT AIN'T LITTLE MISS "GETTIN' MY OWN BIG BAR HAIR." 536 00:26:03,129 --> 00:26:05,197 I'M WORKIN' ON THAT LINE. 537 00:26:05,197 --> 00:26:06,565 UH, IS LUCY AROUND? 538 00:26:06,565 --> 00:26:10,169 YOU MUST BE HERE TO SEE ABOUT THE WAITRESS JOB. 539 00:26:10,169 --> 00:26:12,772 I'M NOT A WAITRESS. I'M A WRITER. 540 00:26:12,772 --> 00:26:14,774 I CAN'T TELL THE DIFFERENCE ANYMORE. 541 00:26:14,774 --> 00:26:16,175 LUCY, COME ON OUT HERE. 542 00:26:16,175 --> 00:26:18,377 O.K., JUST A MINUTE. I'M COMIN'. 543 00:26:18,377 --> 00:26:19,679 YOU CAN CALL ME FLOYD. 544 00:26:19,679 --> 00:26:20,780 HI. MIRANDA. 545 00:26:20,780 --> 00:26:23,182 I KIND OF HELP RUN THIS PLACE. 546 00:26:23,182 --> 00:26:24,917 WELL, MIRANDA PRESLEY, NO RELATION. 547 00:26:24,917 --> 00:26:26,919 WHAT CAN I DO FOR YOU? 548 00:26:26,919 --> 00:26:28,921 SHE'S HERE ABOUT DARCY'S JOB. 549 00:26:28,921 --> 00:26:31,323 DARCY QUIT WHEN SHE GOT A JOB 550 00:26:31,323 --> 00:26:32,925 WITH RODNEY CROWELL SINGIN' BACKUP. 551 00:26:32,925 --> 00:26:34,526 SHE MET HIM RIGHT HERE. 552 00:26:34,526 --> 00:26:35,795 SLIPPED HIM A TAPE, 553 00:26:35,795 --> 00:26:37,329 WHICH IS AGAINST THE RULES. 554 00:26:37,329 --> 00:26:39,932 WELL, I AM HERE TO SEE YOU, LUCY. 555 00:26:39,932 --> 00:26:41,934 SURE. FLOYD, I'M GOING TO NEED 556 00:26:41,934 --> 00:26:44,170 THAT FRYER WORKIN' BY TONIGHT, NOW. 557 00:26:44,170 --> 00:26:46,372 HAVE I EVER LET YOU DOWN? 558 00:26:46,372 --> 00:26:48,240 REPEATEDLY. 559 00:26:48,240 --> 00:26:51,678 I WANTED TO ASK YOU ABOUT MY AUDITION. 560 00:26:51,678 --> 00:26:54,080 YOU WANT TO KNOW WHAT I THOUGHT 561 00:26:54,080 --> 00:26:55,682 WAS WRONG WITH YOUR SONG? 562 00:26:55,682 --> 00:26:57,684 OR WHAT YOU LIKED ABOUT IT. 563 00:26:57,684 --> 00:26:59,085 THAT WOULD BE O.K., TOO. 564 00:26:59,085 --> 00:27:01,888 WELL, I THOUGHT YOUR MELODY WAS REAL NICE. 565 00:27:01,888 --> 00:27:03,589 YOU'RE A GOOD PERFORMER, HON. 566 00:27:03,589 --> 00:27:06,392 YOU LOOKED RIGHT AT HOME ON STAGE. 567 00:27:06,392 --> 00:27:07,626 BUT... 568 00:27:07,626 --> 00:27:11,097 WELL, YOUR SONG IS A NOVELTY SONG, 569 00:27:11,097 --> 00:27:14,701 AND MAYBE YOU NEED TO DIG IN A LITTLE DEEPER. 570 00:27:14,701 --> 00:27:16,869 LET ME SHOW YOU SOMETHING. 571 00:27:16,869 --> 00:27:18,905 YOU KNOW WHAT'S IN HERE? 572 00:27:18,905 --> 00:27:21,540 THESE ARE ALL REALLY GREAT SONGS 573 00:27:21,540 --> 00:27:23,375 THAT WERE SUNG HERE FIRST. 574 00:27:23,375 --> 00:27:24,911 THEY'RE NOT ALL HITS, 575 00:27:24,911 --> 00:27:27,179 BUT THEY'RE REALLY SPECIAL SONGS. 576 00:27:27,179 --> 00:27:29,381 SOME OF 'EM TOOK 10 MINUTES, 577 00:27:29,381 --> 00:27:30,783 SOME TOOK 10 YEARS, 578 00:27:30,783 --> 00:27:33,786 BUT EVERY ONE OF THESE WRITERS FOUND A WAY 579 00:27:33,786 --> 00:27:36,655 TO SAY SOMETHING THAT MEANT SOMETHING TO 'EM. 580 00:27:36,655 --> 00:27:39,058 YOU KNOW, COUNTRY MUSIC TRIES ITS BEST 581 00:27:39,058 --> 00:27:41,260 TO BE HONEST WITH ITSELF, 582 00:27:41,260 --> 00:27:42,762 AND WHEN IT'S SAD, 583 00:27:42,762 --> 00:27:44,663 IT SAYS IT'S SAD. 584 00:27:46,398 --> 00:27:48,267 O.K. 585 00:27:48,267 --> 00:27:49,836 THANKS, LUCY. 586 00:27:51,370 --> 00:27:53,973 LISTEN, MIRANDA, I KNOW YOU'RE NOT INTERESTED 587 00:27:53,973 --> 00:27:55,474 IN THIS WAITRESS JOB. 588 00:27:55,474 --> 00:27:56,876 IF YOU CHANGE YOUR MIND, 589 00:27:56,876 --> 00:27:58,244 THE HOURS ARE 4:00 TO CLOSING, 590 00:27:58,244 --> 00:28:01,948 AND NO PASSING TAPES TO THE CUSTOMERS. 591 00:28:07,386 --> 00:28:08,687 EXCUSE ME. 592 00:28:08,687 --> 00:28:11,290 DID I THANK YOU FOR BRINGING GLAMOR AND EXCITEMENT 593 00:28:11,290 --> 00:28:12,558 INTO MY DREARY LIFE? 594 00:28:12,558 --> 00:28:14,593 I NEED A LIFE. 595 00:28:14,593 --> 00:28:16,028 LOOK AT THIS. 596 00:28:16,028 --> 00:28:17,997 THIS GUY WANTS ME TO STRIP AT HIS OFFICE PARTY. 597 00:28:17,997 --> 00:28:20,699 DON'T DO IT, DARLING. THEY'RE GOING BANKRUPT. 598 00:28:20,699 --> 00:28:21,934 GOOD REASON. 599 00:28:21,934 --> 00:28:23,135 THIS SONG'S CALLED 600 00:28:23,135 --> 00:28:26,438 LONE STAR STATE OF MINE. 601 00:28:26,438 --> 00:28:28,908 * THE MORE I HURT * 602 00:28:28,908 --> 00:28:30,843 * THE LESS I FEEL * 603 00:28:30,843 --> 00:28:33,012 * THE MORE I KNOW * 604 00:28:33,012 --> 00:28:36,648 * THE LESS I REST IN THIS * 605 00:28:36,648 --> 00:28:38,985 * LONE STAR * 606 00:28:38,985 --> 00:28:43,189 * STATE OF MINE * 607 00:28:45,424 --> 00:28:47,794 * THE MORE I HURT * 608 00:28:47,794 --> 00:28:50,062 * THE LESS I FEEL * 609 00:28:50,062 --> 00:28:52,331 * THE MORE I KNOW * 610 00:28:52,331 --> 00:28:55,835 * THE LESS I REST IN THIS * 611 00:28:55,835 --> 00:28:58,004 * LONE STAR * 612 00:28:58,004 --> 00:29:01,240 * STATE OF MINE * 613 00:29:03,675 --> 00:29:06,578 * SAY IT STRAIGHT, DON'T * 614 00:29:06,578 --> 00:29:08,881 * BEND MY EAR * 615 00:29:08,881 --> 00:29:10,716 * WHEN I'M WALKIN' LOST * 616 00:29:10,716 --> 00:29:13,119 * IN OUR EVENING AIR, YOU * 617 00:29:13,119 --> 00:29:15,988 * TWO-STEP INTO MY * 618 00:29:15,988 --> 00:29:18,324 * IDLE HOME * 619 00:29:18,324 --> 00:29:20,793 * TEARIN' MY SONG ALL UP WITH * 620 00:29:20,793 --> 00:29:23,129 * MINOR CHORDS NOW * 621 00:29:23,129 --> 00:29:24,964 * THE MORE I SULK * 622 00:29:24,964 --> 00:29:27,867 * THE LESS I WORK * 623 00:29:27,867 --> 00:29:30,002 * THAT CAN'T BE GOOD FOR SOME * 624 00:29:30,002 --> 00:29:31,403 * BOY OUT OF LUCK * 625 00:29:31,403 --> 00:29:33,873 * OUT OF TOUCH, OUT OF LUST * 626 00:29:33,873 --> 00:29:35,141 * OUT OF SOUL * 627 00:29:35,141 --> 00:29:37,343 * AND OUT OF SONG * 628 00:29:42,014 --> 00:29:43,649 * THE MORE I HURT * 629 00:29:43,649 --> 00:29:46,785 * THE LESS I FEEL * 630 00:29:48,320 --> 00:29:49,455 HEY. 631 00:29:49,455 --> 00:29:51,323 YOU PLAY A MEAN CELLO. 632 00:29:51,323 --> 00:29:52,258 THANKS. 633 00:29:52,258 --> 00:29:54,861 IT'S JUST A BIG MANDOLIN, REALLY. 634 00:29:54,861 --> 00:29:58,064 HEY, HOW--HOW DO YOU LIKE NASHVILLE SO FAR? 635 00:29:58,064 --> 00:29:59,765 I'M WRITING A SONG 636 00:29:59,765 --> 00:30:02,568 ABOUT A WAITRESS WHO KILLS HERSELF. 637 00:30:02,568 --> 00:30:05,071 YEAH, IT'S--IT'S-- IT'S TOUGH. 638 00:30:05,071 --> 00:30:08,474 WHEN I FIRST CAME HERE, I WENT TO THE ROOF 639 00:30:08,474 --> 00:30:11,077 AND TOLD THE WHOLE TOWN I'M NOT LEAVING. 640 00:30:11,077 --> 00:30:13,679 YOU REALLY DID THAT? I DID, TOO. 641 00:30:13,679 --> 00:30:15,581 I KNOW. I HEARD YOU. 642 00:30:15,581 --> 00:30:17,083 THE WHOLE HOSPITAL HEARD YOU. 643 00:30:17,083 --> 00:30:20,286 IN FACT, THAT'S MY FAVORITE THING ABOUT YOU SO FAR. 644 00:30:20,286 --> 00:30:21,453 YEAH? 645 00:30:21,453 --> 00:30:22,554 WELL, UM, 646 00:30:22,554 --> 00:30:24,223 I'M GONNA... 647 00:30:29,095 --> 00:30:31,697 JAMES, TRUST IS LIKE AN ICE CUBE-- 648 00:30:31,697 --> 00:30:33,099 ONCE IT MELTS, IT'S GONE. 649 00:30:33,099 --> 00:30:35,701 SO IN THAT REGARD, I'VE HEARD SOME THINGS. 650 00:30:35,701 --> 00:30:37,569 YOU'RE SPEAKING OF R.C. ROBERTS. 651 00:30:37,569 --> 00:30:38,971 WE HAD OUR TROUBLES-- 652 00:30:38,971 --> 00:30:40,973 I HEARD YOU KNOCKED HIM OUT. 653 00:30:40,973 --> 00:30:43,876 YES, I KNOCKED HIM-- NO, I DIDN'T. 654 00:30:43,876 --> 00:30:45,677 I HIT HIM, BUT YOU KNOW-- 655 00:30:45,677 --> 00:30:48,347 DID YOU SIGN A CONTRACT WITH R.C. ROBERTS? 656 00:30:48,347 --> 00:30:49,281 NO. 657 00:30:49,281 --> 00:30:51,050 I WOULD HAVE PASSED ON ELVIS 658 00:30:51,050 --> 00:30:53,052 IF HE HIT SOMEBODY. KNOW WHY? 659 00:30:53,052 --> 00:30:54,653 'CAUSE I CAN. 660 00:30:54,653 --> 00:30:56,055 YEAH, WELL, THAT'S GOOD. 661 00:30:56,055 --> 00:30:58,757 NOW, IT'S NOT THAT I'M DISINTERESTED. 662 00:30:58,757 --> 00:30:59,758 UNDERSTOOD. 663 00:30:59,758 --> 00:31:01,527 UM, YOU'RE JAMES, RIGHT? 664 00:31:01,527 --> 00:31:02,428 YES, MA'AM. 665 00:31:02,428 --> 00:31:05,031 THIS AandR GUY HAD TO LEAVE, 666 00:31:05,031 --> 00:31:07,633 BUT HE WANTS YOU TO CALL HIM TOMORROW. 667 00:31:07,633 --> 00:31:09,035 WELL, THANK YOU, DEAR. 668 00:31:09,035 --> 00:31:10,569 YOU'VE HEARD MY MUSIC. 669 00:31:10,569 --> 00:31:11,971 YOU KNOW WHAT IT'S ABOUT. 670 00:31:11,971 --> 00:31:13,973 IF YOU HAVE ANY INTEREST, CALL. 671 00:31:13,973 --> 00:31:16,342 WHY WOULD I NOT BE INTERESTED? 672 00:31:16,342 --> 00:31:19,545 WELL, NOW, I, UH, AM INTERESTED, YES. 673 00:31:19,545 --> 00:31:20,512 VERY INTERESTED. 674 00:31:20,512 --> 00:31:22,114 CALL YOU FIRST THING TOMORROW. 675 00:31:22,114 --> 00:31:23,749 FIRST THING. GOT IT? 676 00:31:23,749 --> 00:31:25,117 DOUG SISKIN. FIRST THING. 677 00:31:25,117 --> 00:31:27,119 THANK YOU. THANK YOU SO MUCH. 678 00:31:27,119 --> 00:31:28,921 WELL, FORGET ABOUT IT. 679 00:31:28,921 --> 00:31:30,923 I'M NOT GOING TO FORGET IT. 680 00:31:30,923 --> 00:31:32,324 IN FACT, I OWE YOU. 681 00:31:32,324 --> 00:31:33,926 IF YOU REALLY MEAN THAT, 682 00:31:33,926 --> 00:31:35,694 I KNOW WHAT I WANT. 683 00:31:35,694 --> 00:31:36,929 WHAT'S THAT? 684 00:31:36,929 --> 00:31:39,331 HOW ABOUT WE WRITE A SONG TOGETHER? 685 00:31:39,331 --> 00:31:42,368 O.K. WELL, LET'S GO TO THE MOVIES, THEN. 686 00:31:42,368 --> 00:31:43,235 THE MOVIES? 687 00:31:43,235 --> 00:31:45,671 I DON'T WANT TO GO TO THE MOVIES. 688 00:31:45,671 --> 00:31:47,139 * COME ON, BABY * 689 00:31:47,139 --> 00:31:49,141 I WANT TO WRITE A SONG. 690 00:31:49,141 --> 00:31:52,711 SO WHAT'S THIS MOVIE ABOUT? 691 00:31:52,711 --> 00:31:55,181 THE OLDEST STORY IN THE BOOK-- 692 00:31:55,181 --> 00:31:56,715 TWO GUYS AND A GIRL. 693 00:31:56,715 --> 00:31:59,518 JOHN WAYNE AND JAMES STEWART AND VERA MILES. 694 00:31:59,518 --> 00:32:00,819 WHAT HAPPENS? 695 00:32:00,819 --> 00:32:02,754 WELL, LET'S SEE. 696 00:32:02,754 --> 00:32:06,158 * OH, JOHN AND JIMMY * 697 00:32:06,158 --> 00:32:08,527 * THEY BOTH LOVED MISS VERA * 698 00:32:09,828 --> 00:32:11,463 * NOW YOU KNOW IN TIME * 699 00:32:11,463 --> 00:32:15,434 * SOMETHING'S BOUND TO GO WRONG * 700 00:32:16,802 --> 00:32:21,040 * THEY LOVE THE SAME GIRL * 701 00:32:21,040 --> 00:32:25,444 * BUT SHE'S UNDECIDED * 702 00:32:25,444 --> 00:32:28,180 * LOOKS LIKE JOHNNY AND JIMMY * 703 00:32:28,180 --> 00:32:35,321 * WILL FIGHT BEFORE LONG * 704 00:32:35,321 --> 00:32:37,356 * THE WORLD GOES AROUND * 705 00:32:37,356 --> 00:32:42,294 * AND WE'RE ON IT REGARDLESS * 706 00:32:42,294 --> 00:32:45,331 * SOMETIMES IT'S WARM * 707 00:32:45,331 --> 00:32:49,668 * SOMETIMES COLD AND HEARTLESS * 708 00:32:49,668 --> 00:32:51,270 YES. 709 00:32:52,904 --> 00:32:55,474 * WE ALL HAVE SOMETHIN' * 710 00:32:55,474 --> 00:33:00,479 * THAT WE'RE IN SEARCH OF * 711 00:33:03,082 --> 00:33:06,152 * A DREAM COMIN' TRUE * 712 00:33:07,186 --> 00:33:11,357 * LIFE FULL OF LOVE * 713 00:33:11,357 --> 00:33:12,958 OH, THAT'S DAMN GOOD. 714 00:33:12,958 --> 00:33:13,959 NO. 715 00:33:13,959 --> 00:33:14,960 IT'S GOOD. 716 00:33:14,960 --> 00:33:16,628 ALL RIGHT, IT'S GOOD. 717 00:33:27,039 --> 00:33:29,508 THAT DOOR SOMETIMES STICKS. 718 00:33:30,576 --> 00:33:33,679 HERE, LET ME HELP YOU WITH THAT. 719 00:34:19,491 --> 00:34:22,294 I SHOULD CALL YOU SOMETIME. 720 00:34:25,631 --> 00:34:27,833 YEAH, YOU SHOULD. 721 00:34:28,900 --> 00:34:30,569 GOOD NIGHT, MOODY. 722 00:34:48,019 --> 00:34:49,788 SHH. 723 00:34:49,788 --> 00:34:51,690 SHH! 724 00:34:51,690 --> 00:34:52,991 LUE, WAKE UP. 725 00:34:52,991 --> 00:34:54,193 I'M AWAKE. 726 00:34:54,193 --> 00:34:56,195 THERE'S A MAN OUTSIDE THE ROOM. 727 00:34:56,195 --> 00:34:57,796 OH, IT'S PROBABLY BILLY. 728 00:34:57,796 --> 00:34:58,930 WHO'S BILLY? 729 00:34:58,930 --> 00:35:00,332 WE HAD A DATE. 730 00:35:00,332 --> 00:35:01,533 HE'S NOT REAL BRIGHT, 731 00:35:01,533 --> 00:35:04,403 BUT HE PLAYS REAL GOOD GUITAR. 732 00:35:05,937 --> 00:35:07,939 YEP, THAT'S BILLY. 733 00:35:07,939 --> 00:35:10,342 DOESN'T BILLY HAVE A HOME? 734 00:35:10,342 --> 00:35:13,345 YEAH. IT'S JUST WHEN HE DROPPED ME OFF TONIGHT, 735 00:35:13,345 --> 00:35:16,215 I TOLD HIM I WASN'T SLEEPING WITH HIM. 736 00:35:16,215 --> 00:35:18,817 BASICALLY, I'VE DECIDED THAT THE ROAD TO LOVE 737 00:35:18,817 --> 00:35:20,219 IS A ONE-WAY STREET, 738 00:35:20,219 --> 00:35:22,621 AND SEX AIN'T NOTHIN' BUT A ROADBLOCK. 739 00:35:22,621 --> 00:35:25,624 HE SAYS HE'LL SLEEP THERE TO BE NEAR ME, 740 00:35:25,624 --> 00:35:28,227 AND I SAY GO AHEAD, CATCH A COLD. 741 00:35:28,227 --> 00:35:30,996 HE ENDED UP DOING IT. ISN'T THAT NICE? 742 00:35:30,996 --> 00:35:32,231 HMM. 743 00:35:32,231 --> 00:35:33,632 OH, SPEAKING OF NICE, 744 00:35:33,632 --> 00:35:35,834 LOOK WHAT ELSE HE GAVE ME. 745 00:35:35,834 --> 00:35:36,902 WHAT'S THAT? 746 00:35:36,902 --> 00:35:38,170 THIS. 747 00:35:40,005 --> 00:35:41,540 MISS NASHVILLE PAGEANT. 748 00:35:41,540 --> 00:35:43,542 MM-HMM. THERE'S PRIZES AND SCHOLARSHIPS, 749 00:35:43,542 --> 00:35:45,544 AND THE FINALIST GETS TO GO 750 00:35:45,544 --> 00:35:48,046 TO THE MISS TENNESSEE PAGEANT IN JACKSON. 751 00:35:48,046 --> 00:35:49,415 WHAT DO YOU THINK? 752 00:35:49,415 --> 00:35:52,418 I THINK I DON'T WANT TO BE MISS NASHVILLE. 753 00:35:52,418 --> 00:35:55,421 OF COURSE YOU DON'T WANT TO BE MISS NASHVILLE. 754 00:35:55,421 --> 00:35:59,225 YOU ALREADY KNOW WHAT YOU WANT TO DO WITH YOUR LIFE. 755 00:35:59,225 --> 00:36:00,426 YOU'RE LUCKY. 756 00:36:00,426 --> 00:36:02,661 WHAT'D YOU END UP DOING TONIGHT? 757 00:36:04,396 --> 00:36:07,098 I, UH, WENT OUT WITH JAMES. 758 00:36:07,098 --> 00:36:08,434 REALLY? 759 00:36:08,434 --> 00:36:10,369 HOW'D THAT TURN OUT? 760 00:36:11,737 --> 00:36:13,405 IT WAS INTERESTING. 761 00:36:13,405 --> 00:36:15,807 INTERESTING, HUH? 762 00:36:15,807 --> 00:36:18,810 YOU GOING TO END UP STAYING UP ALL NIGHT 763 00:36:18,810 --> 00:36:22,614 IN THAT STUPID DINER WRITING SONGS? 764 00:36:22,614 --> 00:36:23,949 MIRANDA? 765 00:36:25,116 --> 00:36:27,018 HMM? 766 00:36:27,018 --> 00:36:29,020 UH... 767 00:36:29,020 --> 00:36:30,822 YEAH. 768 00:36:47,239 --> 00:36:49,241 HEY. 769 00:36:49,241 --> 00:36:50,509 HEY. 770 00:36:54,380 --> 00:36:57,383 WELL, I'M WORKING ON A SONG ABOUT INSOMNIA. 771 00:36:57,383 --> 00:36:59,351 WHAT'S YOUR EXCUSE? 772 00:37:01,687 --> 00:37:03,255 BREAKFAST? 773 00:37:03,255 --> 00:37:04,590 DESSERT. 774 00:37:06,858 --> 00:37:09,661 I'VE MANAGED TO GET STUDIO TIME TOMORROW 775 00:37:09,661 --> 00:37:10,929 AT 2:30. 776 00:37:10,929 --> 00:37:11,963 A.M.? 777 00:37:11,963 --> 00:37:12,898 YEAH. 778 00:37:12,898 --> 00:37:13,765 GREAT. 779 00:37:13,765 --> 00:37:15,367 GOOD. I'LL PICK YOU UP. 780 00:37:15,367 --> 00:37:16,635 ALL RIGHT. 781 00:37:18,203 --> 00:37:19,871 WHY DIDN'T YOU CALL? 782 00:37:21,239 --> 00:37:22,308 WHEN? 783 00:37:22,308 --> 00:37:25,010 NOW. ABOUT SINGIN' ON THE DEMO. 784 00:37:31,583 --> 00:37:33,184 UH... 785 00:37:33,184 --> 00:37:36,288 I WANTED TO SEE YOU...AGAIN. 786 00:37:38,924 --> 00:37:39,991 OH. 787 00:37:48,133 --> 00:37:49,468 O.K. 788 00:37:52,037 --> 00:37:53,305 GOOD NIGHT. 789 00:37:54,039 --> 00:37:56,375 GOOD MORNING. 790 00:37:56,375 --> 00:37:57,776 I'M GOING TO GO WRITE 791 00:37:57,776 --> 00:37:59,678 SOME MORE OF THOSE GOOD SONGS. 792 00:37:59,678 --> 00:38:02,948 YEAH, WRITE A GOOD ONE FOR ME. 793 00:38:03,949 --> 00:38:05,951 I WRITE THEM ABOUT YOU. 794 00:38:15,827 --> 00:38:18,697 YOU'RE GOING TO NEED MORE MARSHMALLOWS. 795 00:38:20,131 --> 00:38:21,400 LUE? 796 00:38:22,401 --> 00:38:23,869 LINDA LUE. 797 00:38:25,203 --> 00:38:26,672 OH, MR. BUSTER DOG, 798 00:38:26,672 --> 00:38:29,240 THE ONLY UNFRIENDLY CREATURE IN ALL OF NASHVILLE. 799 00:38:29,240 --> 00:38:30,676 MISS LINDA LUE LINDEN, 800 00:38:30,676 --> 00:38:34,279 IF YOU HAD TO CHANGE ONE THING ABOUT THE U.S., 801 00:38:34,279 --> 00:38:35,814 WHAT WOULD THAT BE? 802 00:38:35,814 --> 00:38:38,350 WELL, BOB, I JUST THINK AMERICA'S 803 00:38:38,350 --> 00:38:41,353 THE MOST WONDERFUL PLACE IN THE WORLD. 804 00:38:41,353 --> 00:38:42,754 YOU LOOK GREAT! 805 00:38:42,754 --> 00:38:44,890 I FIGURE IF I WIN MISS NASHVILLE, 806 00:38:44,890 --> 00:38:47,292 I CAN FINALLY EXPRESS MY NATURAL TALENT. 807 00:38:47,292 --> 00:38:48,494 YEAH, SURE. 808 00:38:48,494 --> 00:38:51,029 YOUR BOYFRIEND LOOKS A LITTLE OVERCOOKED. 809 00:38:51,029 --> 00:38:53,298 HE'S GETTING SCORCHED. 810 00:38:53,298 --> 00:38:55,133 HONEY. OUCH. 811 00:38:55,133 --> 00:38:56,735 SHOULD WE TURN HIM OVER? 812 00:38:56,735 --> 00:38:57,836 YEAH. 813 00:38:57,836 --> 00:39:00,439 YOU KNOW, MIRANDA, YOU MAY NOT KNOW THIS 814 00:39:00,439 --> 00:39:03,375 SINCE YOU'RE ASLEEP DURING MOST OF MY WAKING HOURS, 815 00:39:03,375 --> 00:39:05,777 BUT I'VE BEEN HAVING SOME SERIOUS DOUBTS 816 00:39:05,777 --> 00:39:07,979 ABOUT MY CAREER AS A SONGWRITER. 817 00:39:07,979 --> 00:39:08,980 I MEAN-- 818 00:39:08,980 --> 00:39:10,382 HOLD IT. LIFT. 819 00:39:10,382 --> 00:39:12,784 I'LL NEVER BE AS GOOD AS YOU, 820 00:39:12,784 --> 00:39:14,986 AND YOU'RE NOT EVEN GETTIN' ANYWHERE. 821 00:39:14,986 --> 00:39:16,321 THANKS. 822 00:39:16,321 --> 00:39:18,957 NO, I DIDN'T-- YOU KNOW. 823 00:39:18,957 --> 00:39:20,759 I KNOW. 824 00:39:20,759 --> 00:39:22,794 YOU REALLY DO LOOK BEAUTIFUL. 825 00:39:22,794 --> 00:39:23,729 REALLY? 826 00:39:23,729 --> 00:39:25,263 YOU SURE EVERYTHING'S ENOUGH, 827 00:39:25,263 --> 00:39:26,364 LIKE THE-- 828 00:39:26,364 --> 00:39:27,966 OH, IT'S DEFINITELY ENOUGH. 829 00:39:27,966 --> 00:39:29,367 IN FACT, UH, 830 00:39:29,367 --> 00:39:31,403 WHAT DID YOU DO, 831 00:39:31,403 --> 00:39:33,204 FOLLOW SOME BEAUTY QUEEN HANDBOOK 832 00:39:33,204 --> 00:39:37,308 ON, UH, USING ALL YOUR MAKEUP THAT YOU OWN? 833 00:39:37,308 --> 00:39:38,309 MM-MMM. 834 00:39:38,309 --> 00:39:39,478 SPIT. 835 00:39:40,479 --> 00:39:41,947 THANK YOU. 836 00:39:41,947 --> 00:39:43,381 SO, UM, 837 00:39:43,381 --> 00:39:44,883 HAS HE CALLED YET? 838 00:39:44,883 --> 00:39:47,686 I DON'T KNOW. HAS HE CALLED YET? 839 00:39:47,686 --> 00:39:48,687 UH-UH. 840 00:39:48,687 --> 00:39:49,855 SPIT. 841 00:39:49,855 --> 00:39:50,922 HE WILL. 842 00:39:50,922 --> 00:39:54,526 IF HE DOESN'T, HE'S JUST A BIG OL' DUTY-HEAD. 843 00:39:54,526 --> 00:39:56,628 GOD, YOUR SKIN IS SO LUMINOUS 844 00:39:56,628 --> 00:39:58,464 UNDERNEATH ALL THIS GUNK. 845 00:39:58,464 --> 00:40:01,500 YOU KNOW, YOU'RE MY VERY BEST FRIEND, 846 00:40:01,500 --> 00:40:02,901 YOU KNOW THAT? 847 00:40:02,901 --> 00:40:05,904 THAT'S 'CAUSE YOU'RE SUCH A SAP, LUE. 848 00:40:05,904 --> 00:40:07,506 CHICKEN AND MARSHMALLOWS 849 00:40:07,506 --> 00:40:09,508 IS COMPLETELY DIFFERENT. 850 00:40:11,443 --> 00:40:13,211 HE'S SO RETARDED. 851 00:40:13,211 --> 00:40:15,313 * I WAS BORN TO RAMBLE * 852 00:40:15,313 --> 00:40:17,649 * I WAS BORN TO STRAY * 853 00:40:17,649 --> 00:40:19,851 * LIKE A ROLLIN' STONE * 854 00:40:19,851 --> 00:40:22,988 * DOWN THE LOST HIGHWAY * 855 00:40:22,988 --> 00:40:25,924 HO. WHOA. 856 00:40:27,425 --> 00:40:30,195 I REALIZE IT'S GETTIN' LATE. 857 00:40:30,195 --> 00:40:33,799 GOT AN IDEA PERTAINING TO THE ENDING. 858 00:40:33,799 --> 00:40:35,801 LET'S LEAVE OFF THAT LAST CHORD. 859 00:40:35,801 --> 00:40:37,402 LET'S END ON THE THREE. 860 00:40:37,402 --> 00:40:38,904 TAKE OUT THE ANTICIPATION? 861 00:40:38,904 --> 00:40:40,572 TAKE OUT THE ANTICIPATION. EXACTLY. 862 00:40:40,572 --> 00:40:42,373 DON'T RESOLVE IT? 863 00:40:42,373 --> 00:40:43,408 NO RESOLVE. 864 00:40:43,408 --> 00:40:44,810 LET'S TRY IT. 865 00:40:44,810 --> 00:40:47,412 WHERE DO YOU WANT TO TAKE IT FROM? 866 00:40:47,412 --> 00:40:49,180 THE LAST THREE. 867 00:40:51,149 --> 00:40:53,451 1...2...3. 868 00:40:53,451 --> 00:40:55,587 * LIKE A ROLLIN' STONE * 869 00:40:55,587 --> 00:40:57,823 * DOWN THE LOST HIGHWAY * 870 00:40:57,823 --> 00:40:59,958 * LIKE A ROLLIN' STONE * 871 00:40:59,958 --> 00:41:01,727 * DOWN THE LOST HIGHWAY * 872 00:41:01,727 --> 00:41:04,563 IT'S RIGHT HERE. BRING IT DOWN. 873 00:41:05,597 --> 00:41:07,566 YEAH, MAN. 874 00:41:07,566 --> 00:41:10,135 YEAH, MAN. 875 00:41:11,102 --> 00:41:13,271 HEY, LET'S GO. 876 00:41:13,271 --> 00:41:15,040 OKAY. 877 00:41:15,941 --> 00:41:20,011 ONE, TWO, ONE, TWO, THREE... 878 00:41:21,980 --> 00:41:25,283 I LEARNED WHAT SARCASM WAS. 879 00:41:25,283 --> 00:41:28,887 UH, MY BROTHERS AND I WERE MAKING MODEL AIRPLANES, 880 00:41:28,887 --> 00:41:33,491 AND I SPILLED A LITTLE RED BOTTLE OF PAINT, 881 00:41:33,491 --> 00:41:35,360 AND MY BROTHER SEAN SAYS, 882 00:41:35,360 --> 00:41:36,762 "KYLE, THANK YOU. 883 00:41:36,762 --> 00:41:38,897 THANK YOU, KYLE." 884 00:41:38,897 --> 00:41:41,432 I COULDN'T FIGURE OUT WHAT HE MEANT 885 00:41:41,432 --> 00:41:43,769 FOR THE LIFE OF ME. 886 00:41:44,903 --> 00:41:48,907 SARCASM WAS IMPORTANT IN MY FAMILY, 887 00:41:48,907 --> 00:41:52,177 BUT, SEE, THAT'S WHAT'S GOOD ABOUT COUNTRY MUSIC. 888 00:41:52,177 --> 00:41:53,579 THERE'S NO SARCASM. 889 00:41:53,579 --> 00:41:55,213 IT'S JUST STRAIGHTFORWARD. 890 00:41:55,213 --> 00:41:58,717 MAKES YOU LAUGH OR CRY. THAT'S IT. 891 00:42:01,687 --> 00:42:03,088 OH, I DON'T KNOW. 892 00:42:03,088 --> 00:42:06,024 I REALIZE I DON'T REALLY BELONG IN NASHVILLE, 893 00:42:06,024 --> 00:42:07,525 BUT, UM... 894 00:42:08,493 --> 00:42:11,096 THAT'S WHY I TRY SO HARD. 895 00:42:12,598 --> 00:42:13,599 ME, TOO. 896 00:42:18,403 --> 00:42:20,238 WELL, MUCH OBLIGED, STEPHEN. 897 00:42:21,607 --> 00:42:24,776 I OWE YOU, WHAT, 20 MINUTES? 898 00:42:24,776 --> 00:42:27,378 NO. NEXT TIME I GO FIRST. 899 00:42:27,378 --> 00:42:28,980 IT'S THAT SIMPLE. 900 00:42:28,980 --> 00:42:29,981 HI. 901 00:42:29,981 --> 00:42:31,049 HEY, HEY. 902 00:42:32,784 --> 00:42:35,654 WHAT'S THE STORY WITH YOU AND JAMES? 903 00:42:35,654 --> 00:42:37,656 I'D BE CURIOUS TO KNOW MYSELF. 904 00:42:37,656 --> 00:42:41,660 * CAN'T UNDERSTAND * 905 00:42:41,660 --> 00:42:46,598 * WHY YOU LEFT MY LOVE BEHIND * 906 00:42:46,598 --> 00:42:50,068 * CAN'T UNDERSTAND * 907 00:42:50,068 --> 00:42:55,707 * BUT I'LL LOVE YOU TILL THE END OF TIME * 908 00:42:55,707 --> 00:43:00,311 * I SEARCH MY MEMORY * 909 00:43:00,311 --> 00:43:04,916 * FOR THE REASON YOU DON'T LOVE ME... * 910 00:43:04,916 --> 00:43:07,585 KNOW WHO WOULD BE GREAT FOR THIS SONG? 911 00:43:07,585 --> 00:43:08,720 TRISHA YEARWOOD. 912 00:43:08,720 --> 00:43:10,321 AND I KNOW HER. 913 00:43:10,321 --> 00:43:11,156 YEAH? 914 00:43:11,156 --> 00:43:12,123 WELL, YEAH. 915 00:43:12,123 --> 00:43:14,726 I DELIVERED A PIZZA TO HER HOUSE ONCE. 916 00:43:14,726 --> 00:43:17,328 YOU SHOULD GIVE THIS TO HER. 917 00:43:17,328 --> 00:43:18,329 YEAH, RIGHT. 918 00:43:18,329 --> 00:43:19,731 THIS SONG IS BETTER 919 00:43:19,731 --> 00:43:21,733 THAN MOST STUFF ON THE RADIO. 920 00:43:21,733 --> 00:43:23,134 YOU ALWAYS THINK THAT 921 00:43:23,134 --> 00:43:25,536 WHEN YOU'RE THE ONLY ONE THAT'S HEARD IT. 922 00:43:25,536 --> 00:43:28,740 I JUST GOT TWO WORDS FOR YOU, KYLE DAVIDSON. 923 00:43:28,740 --> 00:43:29,741 YEAH? WHAT? 924 00:43:29,741 --> 00:43:31,109 NO WONDER. 925 00:43:32,243 --> 00:43:33,979 NO WONDER. 926 00:43:35,681 --> 00:43:38,583 NO WONDER WHAT? WHAT? 927 00:43:38,583 --> 00:43:39,985 WHAT DO YOU THINK? 928 00:43:39,985 --> 00:43:42,988 WHAT, THAT I STILL WORK IN A RECORD STORE, 929 00:43:42,988 --> 00:43:44,389 THAT I'M JUST ANOTHER GUY 930 00:43:44,389 --> 00:43:47,993 THAT NEVER DID WHAT HE SAID HE WAS GOING TO DO? 931 00:43:47,993 --> 00:43:50,395 I SIT AROUND. I PLAY AROUND. 932 00:43:50,395 --> 00:43:52,698 I NEVER GET AROUND TO PUTTING MY STUFF OUT. 933 00:43:52,698 --> 00:43:54,265 YOU'RE TALENTED. 934 00:43:54,265 --> 00:43:57,402 IT DOESN'T MATTER IF YOU'RE AFRAID OF THE DISAPPOINTMENT. 935 00:43:57,402 --> 00:44:01,206 I GOT TO DO SOMETHING TO GET MY SONGS HEARD. 936 00:44:01,206 --> 00:44:02,473 YOU'RE RIGHT. 937 00:44:02,473 --> 00:44:05,744 WHAT DO YOU THINK I SHOULD DO? 938 00:44:07,779 --> 00:44:09,380 COME WITH ME. 939 00:44:09,380 --> 00:44:10,581 OH-HO. 940 00:44:10,581 --> 00:44:12,718 I GUESS I WILL, THEN, HUH? 941 00:44:12,718 --> 00:44:14,019 I THINK YOU SHOULD! 942 00:44:15,887 --> 00:44:18,489 YOU SURE THIS IS YEARWOOD'S HOUSE? 943 00:44:18,489 --> 00:44:19,657 YEAH. 944 00:44:19,657 --> 00:44:21,392 YEAH, PEPPERONI AND MUSHROOMS. 945 00:44:21,392 --> 00:44:22,660 I'M SURE. 946 00:44:46,084 --> 00:44:46,885 WOW. 947 00:44:46,885 --> 00:44:48,486 DON'T SCRATCH IT. 948 00:44:48,486 --> 00:44:49,620 GIVE ME THE THING. 949 00:44:49,620 --> 00:44:50,889 THE THING? 950 00:44:50,889 --> 00:44:53,291 YOU DON'T EVEN KNOW WHAT TO CALL IT. 951 00:44:53,291 --> 00:44:55,293 I THOUGHT YOU'D DONE THIS BEFORE. 952 00:44:55,293 --> 00:44:57,896 WHAT DO YOU THINK I AM, A CRIMINAL? 953 00:44:57,896 --> 00:45:00,899 I HAD A BOYFRIEND WHO'S DOING TIME FOR THIS. 954 00:45:00,899 --> 00:45:02,300 TIME? HOW MUCH TIME? 955 00:45:02,300 --> 00:45:03,101 18 MONTHS. 956 00:45:03,101 --> 00:45:05,303 THAT'S A YEAR AND A HALF! 957 00:45:05,303 --> 00:45:06,304 JOKE. 958 00:45:06,304 --> 00:45:07,305 BAD JOKE. 959 00:45:07,305 --> 00:45:08,740 GIVE ME THE TAPE. 960 00:45:09,741 --> 00:45:11,342 WE GOT TO GO! 961 00:45:11,342 --> 00:45:12,744 LET ME PUT THE TAPE IN. 962 00:45:12,744 --> 00:45:14,746 IT'S GOT MY NAME ON IT! 963 00:45:14,746 --> 00:45:16,147 HOW ELSE WILL SHE KNOW? 964 00:45:16,147 --> 00:45:18,750 SHE'S GOING TO KNOW I BROKE INTO HER CAR! 965 00:45:18,750 --> 00:45:20,351 THAT'S THE ONE DRAWBACK. 966 00:45:20,351 --> 00:45:22,020 I CAN'T BELIEVE-- 967 00:45:24,322 --> 00:45:26,524 I'M GOING TO GET THE TAPE. 968 00:45:26,524 --> 00:45:27,926 KYLE, FORGET THE TAPE! 969 00:45:27,926 --> 00:45:29,527 WHERE'S EJECT? WHERE'S EJECT? 970 00:45:33,999 --> 00:45:37,903 SINCE WHEN DID COPS START RESPONDING SO FAST? 971 00:45:37,903 --> 00:45:39,938 THERE'S NOTHING I CAN DO. 972 00:45:39,938 --> 00:45:42,107 WE WEREN'T TRYING TO STEAL ANYTHING. 973 00:45:42,107 --> 00:45:44,109 WE WERE GIVING HER A TAPE. 974 00:45:44,109 --> 00:45:45,710 WELL, IN THAT CASE, 975 00:45:45,710 --> 00:45:47,712 I'LL HAVE TO LET YOU GO, WON'T I? 976 00:45:47,712 --> 00:45:49,714 DON'T ARREST HER. IT WAS MY TAPE. 977 00:45:49,714 --> 00:45:51,516 SHE JUST BROKE INTO THE CAR FOR ME. 978 00:45:51,516 --> 00:45:52,951 BELIEVE IT OR NOT, 979 00:45:52,951 --> 00:45:55,253 YOU DON'T GET TO DECIDE WHO WE ARREST. 980 00:45:55,253 --> 00:45:57,322 * SHE'S IN LOVE WITH THE BOY * 981 00:45:57,322 --> 00:45:58,389 * MM-HMM * 982 00:45:58,389 --> 00:46:00,291 * SHE'S IN LOVE WITH THE BOY * 983 00:46:00,291 --> 00:46:01,492 * MM-HMM * 984 00:46:01,492 --> 00:46:04,495 * AND EVEN IF THEY HAVE TO RUN AWAY * 985 00:46:04,495 --> 00:46:07,665 * SHE'S GONNA MARRY THAT BOY SOMEDAY * 986 00:46:07,665 --> 00:46:10,335 RIGHT HERE'S YOUR PERPETRATORS, MISS YEARWOOD. 987 00:46:10,335 --> 00:46:12,003 HI. KYLE DAVIDSON. 988 00:46:12,003 --> 00:46:14,139 IT'S A PLEASURE TO MEET YOU. 989 00:46:14,139 --> 00:46:15,006 HI. 990 00:46:15,006 --> 00:46:17,308 THIS IS MIRANDA PRESLEY. 991 00:46:17,308 --> 00:46:18,309 HI. 992 00:46:18,309 --> 00:46:19,177 HI. HONORED. 993 00:46:19,177 --> 00:46:21,379 WELL, Y'ALL ARE REALLY POLITE 994 00:46:21,379 --> 00:46:22,413 FOR HARDENED CRIMINALS. 995 00:46:22,413 --> 00:46:23,648 OH, THANKS. 996 00:46:23,648 --> 00:46:26,051 WHICH ONE JIMMIED MY CAR DOOR OPEN? 997 00:46:26,051 --> 00:46:28,653 SHE WASN'T TRYING TO STEAL IT, THOUGH. 998 00:46:28,653 --> 00:46:30,321 THANKS FOR NOT SCRATCHING IT. 999 00:46:30,321 --> 00:46:32,924 ARE YOU THE ONE SINGING ON THE TAPE? 1000 00:46:32,924 --> 00:46:34,525 YOU LISTENED TO THE TAPE? 1001 00:46:34,525 --> 00:46:35,793 IT'S HIS SONG. 1002 00:46:35,793 --> 00:46:37,195 I GUESS THIS SONG'S AVAILABLE, 1003 00:46:37,195 --> 00:46:40,031 OR ARE YOU WAITING TO HEAR FROM EVERYBODY ELSE 1004 00:46:40,031 --> 00:46:41,432 WHOSE CAR YOU BROKE INTO? 1005 00:46:41,432 --> 00:46:44,602 NO, YOURS WAS THE ONLY CAR WE BROKE INTO. 1006 00:46:44,602 --> 00:46:46,004 OH. WELL, I'M FLATTERED. 1007 00:46:46,004 --> 00:46:48,639 I JUST WISH I WASN'T FLATTERED THIS LATE. 1008 00:46:48,639 --> 00:46:51,209 IS YOUR PHONE NUMBER ON THE TAPE? 1009 00:46:51,209 --> 00:46:53,811 I'M GOING TO HAVE MY MANAGER CALL YOU 1010 00:46:53,811 --> 00:46:55,613 ABOUT PUTTING THE SONG ON HOLD. 1011 00:46:55,613 --> 00:46:58,216 MISS YEARWOOD, DO YOU WANT TO PRESS CHARGES? 1012 00:46:58,216 --> 00:47:00,785 I JUST WANT TO GET SOME SLEEP. 1013 00:47:00,785 --> 00:47:01,719 GOOD NIGHT. 1014 00:47:01,719 --> 00:47:03,654 THAT MEANS NO. 1015 00:47:03,654 --> 00:47:05,123 CONGRATULATIONS, SON. 1016 00:47:05,123 --> 00:47:07,125 UH, MISS YEARWOOD, EXCUSE ME. 1017 00:47:07,125 --> 00:47:09,995 SINCE YOU'RE LOOKING FOR NEW MATERIAL. 1018 00:47:17,735 --> 00:47:19,137 GO ON, LINDA LUE. 1019 00:47:19,137 --> 00:47:21,272 I DON'T WANT TO MISS THE DANCE. 1020 00:47:21,272 --> 00:47:22,740 NO, WAIT. LINDA, DON'T. 1021 00:47:22,740 --> 00:47:25,944 THAT TRAIN'S GOING TO BE COMIN' AROUND THE BEND, 1022 00:47:25,944 --> 00:47:27,278 SO LET'S HOP THE FREIGHT. 1023 00:47:27,278 --> 00:47:28,379 EXCUSE ME? 1024 00:47:28,379 --> 00:47:31,549 COME ON, IT'S AN OLD COUNTRY TRADITION. 1025 00:47:31,549 --> 00:47:34,752 THE TRACKS GO RIGHT BY THE FULL MOON DANCE. 1026 00:47:34,752 --> 00:47:36,154 REMEMBER WHAT HAPPENED LAST TIME? 1027 00:47:36,154 --> 00:47:39,124 HERE IT COMES. ARE YOU KIDDING ME? 1028 00:47:39,124 --> 00:47:41,759 YOU WANT TO WRITE COUNTRY SONGS. 1029 00:47:41,759 --> 00:47:44,829 THERE'S NOTHING MORE COUNTRY THAN A FREIGHT TRAIN. 1030 00:47:44,829 --> 00:47:45,830 KYLE. 1031 00:47:45,830 --> 00:47:46,631 MY GOD. 1032 00:47:46,631 --> 00:47:47,832 KYLE! 1033 00:47:47,832 --> 00:47:49,634 YOU GONNA BREAK YOUR FOOL NECK! 1034 00:47:49,634 --> 00:47:50,969 GO ON! 1035 00:47:50,969 --> 00:47:53,371 I'LL MEET YOU AT THE NEXT CROSSING THERE. 1036 00:47:53,371 --> 00:47:55,974 I HAD A COUSIN WHO ONCE THREW HIMSELF 1037 00:47:55,974 --> 00:47:57,408 IN FRONT OF A TRAIN. 1038 00:47:57,408 --> 00:47:58,376 ONCE? 1039 00:47:58,376 --> 00:48:00,378 ONCE PRETTY MUCH DID THE TRICK. 1040 00:48:00,378 --> 00:48:02,948 I WISH YOU'D STOP TELLING THAT STORY. 1041 00:48:02,948 --> 00:48:07,452 WHY ARE WE LETTING HIM GET ON THAT STUPID TRAIN? 1042 00:48:07,452 --> 00:48:09,988 KYLE! COME ON! 1043 00:48:09,988 --> 00:48:11,889 KYLE DAVIDSON, 1044 00:48:11,889 --> 00:48:13,558 GET BACK HERE! 1045 00:48:14,525 --> 00:48:15,927 KYLE! HEY, KYLE! 1046 00:48:15,927 --> 00:48:18,163 YOU'RE GOING TO GET YOURSELF HURT! 1047 00:48:20,331 --> 00:48:22,533 KYLE! 1048 00:48:22,533 --> 00:48:27,038 KYLE, YOU'RE GOING TO HURT YOURSELF! 1049 00:48:27,038 --> 00:48:28,106 SO STUBBORN! 1050 00:48:28,106 --> 00:48:31,209 YOU'RE SO STUBBORN, KYLE! 1051 00:48:37,182 --> 00:48:38,583 KYLE! KYLE! 1052 00:48:38,583 --> 00:48:39,884 KYLE! KYLE! 1053 00:48:41,752 --> 00:48:43,421 CAREFUL, Y'ALL. 1054 00:48:44,355 --> 00:48:45,356 KYLE! 1055 00:48:45,356 --> 00:48:46,357 KYLE! 1056 00:48:46,357 --> 00:48:48,026 WHERE IS HE? 1057 00:48:49,961 --> 00:48:51,629 O-O-OVER HERE. 1058 00:48:53,965 --> 00:48:54,966 HI. 1059 00:48:54,966 --> 00:48:56,634 I--I SLIPPED. 1060 00:48:58,869 --> 00:49:00,105 * HEY, PORTER * 1061 00:49:00,105 --> 00:49:01,106 * HEY, PORTER * 1062 00:49:01,106 --> 00:49:02,040 * WON'T YOU TELL ME * 1063 00:49:02,040 --> 00:49:03,441 OW! * THE TIME? * 1064 00:49:03,441 --> 00:49:04,809 * HOW MUCH LONGER BEFORE WE CROSS... * 1065 00:49:04,809 --> 00:49:06,611 ARE YOU SURE YOU'RE O.K.? 1066 00:49:06,611 --> 00:49:08,213 SURE YOU DIDN'T BREAK ANYTHING 1067 00:49:08,213 --> 00:49:09,814 OTHER THAN YOUR PRIDE? 1068 00:49:09,814 --> 00:49:11,216 NO, I'M O.K., I THINK. 1069 00:49:11,216 --> 00:49:13,218 SURE DO ENJOY PAIN, DON'T YOU? 1070 00:49:13,218 --> 00:49:14,819 WELL, YEAH, AND HEARTACHE. 1071 00:49:14,819 --> 00:49:15,820 YEAH, I'M... 1072 00:49:15,820 --> 00:49:16,821 COME ON. 1073 00:49:16,821 --> 00:49:17,822 BIG JERK. 1074 00:49:17,822 --> 00:49:19,557 YOU THINK THIS IS FUNNY? 1075 00:49:19,557 --> 00:49:20,958 THIS ISN'T FUNNY. 1076 00:49:20,958 --> 00:49:23,361 PEOPLE THAT YOU KNOW, THEY GET KILLED. 1077 00:49:23,361 --> 00:49:25,963 YOU DIE, AND YOU DON'T COME BACK. 1078 00:49:25,963 --> 00:49:26,831 THAT'S IT. 1079 00:49:26,831 --> 00:49:27,965 NOT FUNNY. 1080 00:49:27,965 --> 00:49:29,567 WHAT'S THE MATTER WITH HER? 1081 00:49:29,567 --> 00:49:30,968 COME ON. GET UP. 1082 00:49:30,968 --> 00:49:33,371 YOU GAVE HER A LITTLE SCARE, THAT'S ALL. 1083 00:49:33,371 --> 00:49:36,041 I DIDN'T MEAN TO DO THAT. 1084 00:49:36,041 --> 00:49:37,442 * BROKEN DREAMS * 1085 00:49:37,442 --> 00:49:39,144 * ARE HARD ENOUGH... * 1086 00:49:39,144 --> 00:49:40,745 COME ON, Y'ALL. 1087 00:49:40,745 --> 00:49:42,547 LET'S SHOW THEM WHAT WE GOT. 1088 00:49:42,547 --> 00:49:45,150 DON'T SHOW YOURS, BILLY. YOU MIGHT SCARE SOMEONE. 1089 00:49:45,150 --> 00:49:47,052 WELL, THANKS A LOT, LINDA LUE. 1090 00:49:47,052 --> 00:49:48,553 * THE BIG BAD LOVE... * 1091 00:49:48,553 --> 00:49:51,356 YOU'RE NOT STILL MAD AT ME, ARE YOU? 1092 00:49:51,356 --> 00:49:53,158 YES. 1093 00:49:53,158 --> 00:49:54,759 REALLY? 1094 00:49:54,759 --> 00:49:56,094 NO. 1095 00:49:56,094 --> 00:49:57,728 GOOD. 1096 00:49:57,728 --> 00:49:59,130 'CAUSE I'M--I'M SORRY. 1097 00:49:59,130 --> 00:50:00,731 YOU SHOULD BE. 1098 00:50:00,731 --> 00:50:01,966 OHH. 1099 00:50:01,966 --> 00:50:03,568 I GOT YOU. 1100 00:50:03,568 --> 00:50:04,335 THANKS. 1101 00:50:04,335 --> 00:50:05,770 * A HAPPY ENDING * 1102 00:50:05,770 --> 00:50:06,971 * IS WHAT YOU WANT... * 1103 00:50:06,971 --> 00:50:08,273 NO, STAY HERE. 1104 00:50:08,273 --> 00:50:09,274 * SOME AIN'T WELL * 1105 00:50:09,274 --> 00:50:11,242 * AND SOME WELL GONE * 1106 00:50:13,378 --> 00:50:15,046 * IT CAN'T BE * 1107 00:50:15,046 --> 00:50:16,814 * FOR HEAVEN'S SAKE * 1108 00:50:16,814 --> 00:50:18,216 * WE AIN'T TWO PEOPLE * 1109 00:50:18,216 --> 00:50:21,119 * ON THE TOP OF THE GAME * 1110 00:50:21,119 --> 00:50:22,853 * OHH... * 1111 00:50:22,853 --> 00:50:24,289 COME ON, YOU TWO. 1112 00:50:24,289 --> 00:50:25,990 * THE BIG BAD LOVE * 1113 00:50:25,990 --> 00:50:27,525 * YOU CAN HUFF AND PUFF * 1114 00:50:27,525 --> 00:50:30,161 * BUT THAT AIN'T ENOUGH * 1115 00:50:31,529 --> 00:50:33,498 * TO BE THE KIND OF MAN * 1116 00:50:33,498 --> 00:50:35,700 * THAT A GIRL DREAMS OF * 1117 00:50:35,700 --> 00:50:38,303 * WHO'S AFRAID OF THE BIG BAD * 1118 00:50:38,303 --> 00:50:41,539 * WHO'S AFRAID OF THE BIG BAD LOVE? * 1119 00:50:41,539 --> 00:50:43,007 * YOU CAN HUFF AND PUFF * 1120 00:50:43,007 --> 00:50:45,376 * BUT THAT AIN'T ENOUGH * 1121 00:50:47,145 --> 00:50:49,046 * TO BE THE KIND OF MAN * 1122 00:50:49,046 --> 00:50:51,382 * THAT A GIRL DREAMS OF * 1123 00:50:51,382 --> 00:50:55,120 * WHO'S AFRAID OF THE BIG BAD LOVE? * 1124 00:50:56,421 --> 00:50:58,523 * BIG BAD LOVE * 1125 00:50:59,824 --> 00:51:02,327 * BIG BAD LOVE * 1126 00:51:03,228 --> 00:51:05,696 * BIG BAD LOVE * 1127 00:51:06,531 --> 00:51:10,101 * THE BIG BAD LOVE * 1128 00:51:10,101 --> 00:51:12,103 * THE BIG BAD LOVE * 1129 00:51:12,103 --> 00:51:13,104 ALL RIGHT. 1130 00:51:13,104 --> 00:51:15,373 WHOO! WHOO! 1131 00:51:17,942 --> 00:51:18,943 WHOO! 1132 00:51:18,943 --> 00:51:19,944 YEAH! WHOO! 1133 00:51:19,944 --> 00:51:20,945 WHOO! WHOO! 1134 00:51:20,945 --> 00:51:21,946 WHOO! WHOO! 1135 00:51:21,946 --> 00:51:23,080 WHOO! 1136 00:51:23,080 --> 00:51:24,081 WHAT? 1137 00:51:24,081 --> 00:51:25,483 ALL RIGHT, EVERYBODY. 1138 00:51:25,483 --> 00:51:28,486 I WANT TO INTRODUCE YOU TO A FRIEND OF MINE 1139 00:51:28,486 --> 00:51:30,488 FROM MY HOME STATE OF TEXAS. 1140 00:51:30,488 --> 00:51:33,358 THIS IS JAMES WRIGHT-- 1141 00:51:33,358 --> 00:51:34,992 SINGER, SONGWRITER. 1142 00:51:34,992 --> 00:51:36,127 VERY GOOD. 1143 00:51:36,127 --> 00:51:38,729 DID YOU KNOW HE WAS GOING TO BE HERE? 1144 00:51:38,729 --> 00:51:40,131 I HAD NO IDEA. 1145 00:51:40,131 --> 00:51:41,132 I SWEAR. 1146 00:51:41,132 --> 00:51:42,133 WELCOME, JIM. 1147 00:51:42,133 --> 00:51:43,701 JIM. I LIKE THAT. 1148 00:51:43,701 --> 00:51:45,370 1, 2, 3, 4. 1149 00:51:46,137 --> 00:51:49,374 * UNTIL NOW * 1150 00:51:50,941 --> 00:51:53,711 * I'VE BEEN BLIND * 1151 00:51:55,480 --> 00:51:58,216 * UNTIL NOW * 1152 00:51:59,817 --> 00:52:05,089 * I'VE BEEN WASTIN' TIME * 1153 00:52:05,089 --> 00:52:08,193 * I'VE BEEN LOST * 1154 00:52:09,093 --> 00:52:12,630 * ON STREETS OF PLENTY * 1155 00:52:13,898 --> 00:52:18,068 * I'VE BEEN TOSSED * 1156 00:52:18,068 --> 00:52:21,639 * ON ICY SEAS * 1157 00:52:22,540 --> 00:52:26,244 * AND ALL I'VE CROSSED * 1158 00:52:27,212 --> 00:52:30,315 * AIN'T WORTH A QUARTER * 1159 00:52:31,916 --> 00:52:34,852 * IT'S MUDDY WATER * 1160 00:52:36,854 --> 00:52:41,091 * UNTIL NOW * 1161 00:52:41,091 --> 00:52:45,095 * THERE'S A LIGHT * 1162 00:52:45,095 --> 00:52:49,300 * THAT SHINES FOREVER * 1163 00:52:51,135 --> 00:52:53,504 * THERE'S A LIGHT * 1164 00:52:54,605 --> 00:52:58,243 * THAT SHINES FOR ME * 1165 00:52:59,109 --> 00:53:02,813 * THERE'S A LIGHT * 1166 00:53:04,014 --> 00:53:06,717 * MY FOOTSTEPS GUIDIN' * 1167 00:53:07,985 --> 00:53:12,490 * FOR I HAVE BEEN HIDIN' * 1168 00:53:13,391 --> 00:53:16,661 * UNTIL NOW * 1169 00:53:23,668 --> 00:53:24,902 THANK YOU. 1170 00:53:24,902 --> 00:53:25,970 THANK YOU. 1171 00:53:31,576 --> 00:53:33,177 I WROTE THIS NEXT SONG 1172 00:53:33,177 --> 00:53:34,579 FOR A WOMAN TO SING. 1173 00:53:34,579 --> 00:53:36,981 SO I GUESS WE BEST GET ONE UP HERE. 1174 00:53:36,981 --> 00:53:40,184 I'D LIKE TO INVITE UP HERE ON STAGE WITH US 1175 00:53:40,184 --> 00:53:41,919 MISS MIRANDA PRESLEY. 1176 00:53:43,187 --> 00:53:45,456 SHE'S ONLY HEARD THIS SONG ONCE, 1177 00:53:45,456 --> 00:53:48,058 HOWEVER I HAPPEN TO KNOW SHE'S A... 1178 00:53:48,058 --> 00:53:49,059 QUICK STUDY. 1179 00:53:49,059 --> 00:53:50,461 SHE'LL PICK IT RIGHT UP. 1180 00:53:50,461 --> 00:53:52,062 DALE, YOU GOT THE LYRICS? 1181 00:53:52,062 --> 00:53:53,664 RIGHT HERE. 1182 00:53:53,664 --> 00:53:54,465 ALL SET? 1183 00:53:54,465 --> 00:53:56,066 LET'S HIT IT. 1184 00:53:56,066 --> 00:53:57,335 1, 2... 1185 00:53:57,335 --> 00:53:58,503 1, 2. 1186 00:54:05,042 --> 00:54:07,177 * YOU GOT A THING OR TWO * 1187 00:54:07,177 --> 00:54:11,449 * TO LEARN ABOUT ME, BABY * 1188 00:54:11,449 --> 00:54:14,552 * 'CAUSE I AIN'T TAKIN' IT NO MORE * 1189 00:54:14,552 --> 00:54:17,555 * AND I DON'T MEAN MAYBE * 1190 00:54:17,555 --> 00:54:20,291 * YOU DON'T KNOW RIGHT FROM WRONG * 1191 00:54:20,291 --> 00:54:23,861 * THE LOVE WE HAD IS GONE * 1192 00:54:23,861 --> 00:54:27,632 * SO BLAME IT ON YOUR LYIN', CHEATIN' * 1193 00:54:27,632 --> 00:54:29,266 * COLD, DEAD-BEATIN' * 1194 00:54:29,266 --> 00:54:31,669 * TWO-TIMIN', DOUBLE-DEALIN' * 1195 00:54:31,669 --> 00:54:35,005 * MEAN, MISTREATIN', LOVIN' HEART * 1196 00:54:36,341 --> 00:54:38,709 * WELL, ALL I WANTED * 1197 00:54:38,709 --> 00:54:42,647 * WAS TO BE YOUR ONE AND ONLY * 1198 00:54:43,814 --> 00:54:46,517 * BUT ALL I EVER GOT FROM YOU * 1199 00:54:46,517 --> 00:54:49,487 * WAS BEIN' LONELY * 1200 00:54:49,487 --> 00:54:52,823 * NOW THAT IS LAID TO REST * 1201 00:54:52,823 --> 00:54:55,960 * 'CAUSE YOU HAVE FAILED THE TEST * 1202 00:54:55,960 --> 00:54:59,664 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 1203 00:54:59,664 --> 00:55:01,366 * COLD, DEAD-BEATIN' * 1204 00:55:01,366 --> 00:55:03,701 * TWO-TIMIN', DOUBLE-DEALIN' * 1205 00:55:03,701 --> 00:55:07,438 * MEAN, MISTREATIN', LOVIN' HEART * 1206 00:55:08,839 --> 00:55:11,275 * ARE YA HEADIN' FOR A HEARTACHE? * 1207 00:55:11,275 --> 00:55:12,643 * OH, YEAH * 1208 00:55:12,643 --> 00:55:14,512 * GONNA GET A BAD BREAK * 1209 00:55:14,512 --> 00:55:15,713 * OH, YEAH * 1210 00:55:15,713 --> 00:55:17,415 * MADE A BAD MISTAKE * 1211 00:55:17,415 --> 00:55:18,749 * OH, YEAH * 1212 00:55:18,749 --> 00:55:20,418 * GIRL, YOU'RE NEVER GONNA FIND * 1213 00:55:20,418 --> 00:55:22,052 * ANOTHER LOVE LIKE MINE * 1214 00:55:22,052 --> 00:55:23,921 * WELL, SOMEONE'S GONNA DO YOU * 1215 00:55:23,921 --> 00:55:27,392 * LIKE YOU WENT AND DONE ME, HONEY * 1216 00:55:27,392 --> 00:55:30,428 * AND WHEN SHE DOES YOU * 1217 00:55:30,428 --> 00:55:31,562 * LIKE SHE'LL DO * 1218 00:55:31,562 --> 00:55:34,732 * WELL, IT AIN'T FUNNY * 1219 00:55:34,732 --> 00:55:37,902 * YOU'LL NEED SOME SYMPATHY * 1220 00:55:37,902 --> 00:55:40,971 * BUT DON'T BE CALLIN' ME * 1221 00:55:40,971 --> 00:55:44,609 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 1222 00:55:44,609 --> 00:55:46,444 * COLD, DEAD-BEATIN' * 1223 00:55:46,444 --> 00:55:48,746 * TWO-TIMIN', DOUBLE-DEALIN' * 1224 00:55:48,746 --> 00:55:52,082 * MEAN, MISTREATIN', LOVIN' HEART * 1225 00:55:53,984 --> 00:55:57,588 * YEAH, BLAME IT ON YOUR LYIN', CHEATIN' * 1226 00:55:57,588 --> 00:55:59,023 * COLD, DEAD-BEATIN' * 1227 00:55:59,023 --> 00:56:01,692 * TWO-TIMING', DOUBLE-DEALIN' * 1228 00:56:01,692 --> 00:56:03,327 * MEAN, MISTREATIN' * 1229 00:56:03,327 --> 00:56:06,363 * LOVIN' HEART * 1230 00:56:07,965 --> 00:56:10,234 WHOO! 1231 00:56:10,234 --> 00:56:11,502 YEAH! 1232 00:56:11,502 --> 00:56:12,870 WHOO! 1233 00:56:12,870 --> 00:56:14,271 THANK YOU. 1234 00:56:14,271 --> 00:56:15,673 THE LOVELY AND TALENTED 1235 00:56:15,673 --> 00:56:17,274 MISS MIRANDA PRESLEY. 1236 00:56:17,274 --> 00:56:18,543 THANK YOU. 1237 00:56:20,411 --> 00:56:21,412 NEXT UP... 1238 00:56:21,412 --> 00:56:23,013 WAY TO GO. 1239 00:56:23,013 --> 00:56:24,715 THANK YOU. THANKS. 1240 00:56:24,715 --> 00:56:26,316 THAT WAS BEAUTIFUL, MIRANDA. 1241 00:56:26,316 --> 00:56:27,317 THANKS. THANKS. 1242 00:56:27,317 --> 00:56:28,653 BEAUTIFUL, SWEETHEART. 1243 00:56:28,653 --> 00:56:30,921 THANK YOU, JAMES. THANK YOU, MIRANDA. 1244 00:56:33,458 --> 00:56:36,060 WE'RE GOING TO BRING UP A FRIEND... 1245 00:56:36,060 --> 00:56:37,462 YOU DID GOOD, JAMES. 1246 00:56:37,462 --> 00:56:39,063 IT SOUNDED WONDERFUL. 1247 00:56:39,063 --> 00:56:40,064 JAMES... 1248 00:56:40,064 --> 00:56:41,065 R.C... 1249 00:56:41,065 --> 00:56:42,467 FANCY MEETING YOU HERE. 1250 00:56:42,467 --> 00:56:44,068 EXCUSE ME A SEC. 1251 00:56:44,068 --> 00:56:45,470 WE'LL TALK LATER. 1252 00:56:45,470 --> 00:56:46,837 UH... 1253 00:56:50,941 --> 00:56:51,742 PRESLEY... 1254 00:56:51,742 --> 00:56:53,343 WHERE YOU OFF TO? 1255 00:56:53,343 --> 00:56:55,345 UH, HAVE YOU SEEN KYLE AROUND? 1256 00:56:55,345 --> 00:56:56,747 KYLE? I HAVEN'T SEEN KYLE. 1257 00:56:56,747 --> 00:56:59,349 I SEEN HIM DANCING WITH YOU EARLIER. 1258 00:56:59,349 --> 00:57:00,751 FINE PERFORMANCE YOU GAVE. 1259 00:57:00,751 --> 00:57:02,620 YOU'RE GOOD ON THE SPOT. 1260 00:57:14,398 --> 00:57:16,400 JAMES, WHY DIDN'T YOU CALL ME? 1261 00:57:16,400 --> 00:57:17,401 CALL YOU? 1262 00:57:17,401 --> 00:57:18,402 YEAH. 1263 00:57:18,402 --> 00:57:19,403 WHEN? 1264 00:57:19,403 --> 00:57:20,838 EVER. 1265 00:57:20,838 --> 00:57:22,439 WELL, FOR THE SAME REASON 1266 00:57:22,439 --> 00:57:24,241 I WAS SO MEAN TO... 1267 00:57:24,241 --> 00:57:27,044 JULIE-- WHAT WAS HER NAME IN SECOND GRADE-- 1268 00:57:27,044 --> 00:57:28,445 'CAUSE I LIKED HER. 1269 00:57:28,445 --> 00:57:29,213 THAT'S WHY. 1270 00:57:29,213 --> 00:57:30,447 OH. 1271 00:57:30,447 --> 00:57:32,850 SO THEN THAT'S WHY YOU BLEW ME OFF 1272 00:57:32,850 --> 00:57:35,452 WHEN I SAW YOU LAST TIME AT THE STUDIO? 1273 00:57:35,452 --> 00:57:38,055 WELL, I SEEN YOU THERE WITH KYLE, 1274 00:57:38,055 --> 00:57:38,856 AND, UM... 1275 00:57:38,856 --> 00:57:41,458 I WAS A BIT OFF GUARD AND... 1276 00:57:41,458 --> 00:57:43,060 JEALOUS. 1277 00:57:43,060 --> 00:57:44,461 COULD'VE FOOLED ME. 1278 00:57:44,461 --> 00:57:46,731 OH, 'CAUSE I'M A FOOL. 1279 00:57:47,464 --> 00:57:49,734 FINDING IT HARD... 1280 00:57:49,734 --> 00:57:52,336 BREATHING JUST LOOKING AT YOU. 1281 00:57:52,336 --> 00:57:54,338 WELL, OPEN YOUR MOUTH 1282 00:57:54,338 --> 00:57:55,740 AND TAKE A BREATH. 1283 00:57:55,740 --> 00:57:57,341 I'M THINKING ABOUT YOU. 1284 00:57:57,341 --> 00:57:59,343 AND I LIKE WHAT I'M THINKING. 1285 00:57:59,343 --> 00:58:01,311 I'M GLAD YOU LIKE IT. 1286 00:58:01,311 --> 00:58:03,848 TRUTH IS, MIRANDA... 1287 00:58:03,848 --> 00:58:06,116 I PICKED UP THE PHONE... 1288 00:58:08,052 --> 00:58:09,119 SEVERAL TIMES... 1289 00:58:10,320 --> 00:58:11,455 UM... 1290 00:58:11,455 --> 00:58:13,123 TO CALL YOU. 1291 00:58:21,065 --> 00:58:22,132 COME HERE. 1292 00:58:24,468 --> 00:58:25,469 COME HERE. 1293 00:58:25,469 --> 00:58:26,871 JUST ANSWER ME ONE THING. 1294 00:58:26,871 --> 00:58:29,473 ARE YOU GOING TO GO WEIRD ON ME AGAIN? 1295 00:58:29,473 --> 00:58:32,076 I WANT A YES OR NO ANSWER. 1296 00:58:32,076 --> 00:58:32,877 YES. YES? 1297 00:58:32,877 --> 00:58:35,079 YOU ARE GOING TO GO WEIRD? 1298 00:58:35,079 --> 00:58:36,080 NO. 1299 00:58:36,080 --> 00:58:37,281 WELL, YES, I--I... 1300 00:58:37,281 --> 00:58:41,485 YES, I'M NOT GOING TO GET WEIRD ON YOU AGAIN. 1301 00:58:41,485 --> 00:58:42,753 GOOD. 1302 00:58:45,089 --> 00:58:45,890 LET'S... 1303 00:58:45,890 --> 00:58:48,092 LET'S GET OUT OF HERE. 1304 00:58:48,092 --> 00:58:49,159 O.K.? 1305 00:58:50,494 --> 00:58:51,395 WHERE TO? 1306 00:58:52,630 --> 00:58:55,232 UM, I GOT TO GO TAKE CARE OF SOMETHING. 1307 00:58:55,232 --> 00:58:56,233 YOU O.K.? 1308 00:58:56,233 --> 00:58:57,935 LET'S MEET AT THE BARN. 1309 00:58:57,935 --> 00:58:58,769 THE BARN. 1310 00:58:58,769 --> 00:59:02,472 * STOP SAYIN' GOODBYE * 1311 00:59:02,472 --> 00:59:04,975 * BABY, JUST LEAVE... * 1312 00:59:10,514 --> 00:59:11,515 HEY. 1313 00:59:11,515 --> 00:59:12,516 KYLE... 1314 00:59:12,516 --> 00:59:13,851 UM... 1315 00:59:13,851 --> 00:59:18,055 I'M GOING TO GET A RIDE HOME WITH JAMES. 1316 00:59:18,055 --> 00:59:19,289 SO, UH... 1317 00:59:19,289 --> 00:59:20,991 YOU ASKING MY PERMISSION? 1318 00:59:20,991 --> 00:59:22,727 NO. 1319 00:59:22,727 --> 00:59:25,663 IT'S O.K. YOU CAN GO HOME WITH JAMES. 1320 00:59:25,663 --> 00:59:27,331 OH, THANK YOU. 1321 00:59:28,666 --> 00:59:32,236 YOU EXPECT HIM TO FALL IN LOVE WITH YOU? 1322 00:59:33,170 --> 00:59:34,571 I DON'T KNOW. 1323 00:59:34,571 --> 00:59:35,840 DO YOU? 1324 00:59:37,708 --> 00:59:39,309 I KNOW HIM. 1325 00:59:39,309 --> 00:59:40,978 HE'S NOT GOING TO. 1326 00:59:42,613 --> 00:59:44,014 GOOD NIGHT. 1327 00:59:52,022 --> 00:59:53,858 * I'M READY AND WAITIN' * 1328 00:59:53,858 --> 00:59:55,192 * TO TAKE YOU AWAY... * 1329 00:59:55,192 --> 00:59:59,129 I CAN'T PUT MY FINGER ON WHAT IT IS ABOUT YOU 1330 00:59:59,129 --> 01:00:00,330 THAT TICKS ME OFF. 1331 01:00:00,330 --> 01:00:02,933 I'M NOT LETTING YOU OUT OF YOUR CONTRACT. 1332 01:00:02,933 --> 01:00:04,368 I'LL GET MYSELF A LAWYER. 1333 01:00:04,368 --> 01:00:05,535 OH, YEAH. 1334 01:00:05,535 --> 01:00:07,337 I TALKED TO THAT DOUG SISKIN. 1335 01:00:07,337 --> 01:00:10,540 I TOLD HIM YOU'D BE FREE TO SIGN WITH HIM... 1336 01:00:10,540 --> 01:00:12,509 IN ABOUT TWO YEARS. 1337 01:00:12,509 --> 01:00:13,610 GREAT. 1338 01:00:13,610 --> 01:00:15,012 I'VE BEEN IN THIS BUSINESS 1339 01:00:15,012 --> 01:00:17,014 LONGER THAN YOU BEEN DRAWING BREATH. 1340 01:00:17,014 --> 01:00:19,016 I KNOW WHAT I'M DOING, JAMES. 1341 01:00:19,016 --> 01:00:21,618 AND I'M GOING TO KEEP YOU FAITHFUL. 1342 01:00:21,618 --> 01:00:23,220 THAT'S THE GUY YOU'RE WITH? 1343 01:00:23,220 --> 01:00:24,021 YEAH. R.C. 1344 01:00:24,021 --> 01:00:25,622 A MINOR-LEAGUE CORPORATE PIG. 1345 01:00:25,622 --> 01:00:28,025 YOU TOLD THAT GUY AT THE BLUEBIRD 1346 01:00:28,025 --> 01:00:29,426 YOU DIDN'T HAVE A CONTRACT. 1347 01:00:29,426 --> 01:00:30,661 YOU LIED. 1348 01:00:30,661 --> 01:00:33,030 AND YOU SUDDENLY PRODUCE THIS BUSINESS CARD 1349 01:00:33,030 --> 01:00:35,032 WHICH IMPLIES THAT I'M SPOKEN FOR. 1350 01:00:35,032 --> 01:00:36,633 SO WHAT ARE YOU SAYING? 1351 01:00:36,633 --> 01:00:39,636 WELL, YOU'RE LYING FOR THE BOTH OF US. 1352 01:00:39,636 --> 01:00:41,271 ALL RIGHT. 1353 01:00:51,682 --> 01:00:52,616 WOW. 1354 01:00:52,616 --> 01:00:54,218 THIS IS NICE. 1355 01:00:54,218 --> 01:00:56,020 I LIKE IT. 1356 01:00:56,020 --> 01:00:58,622 YOU KNOW, SHE'S GOT IT IN HER HEAD 1357 01:00:58,622 --> 01:01:00,024 SHE'S GOING TO GO FOR... 1358 01:01:00,024 --> 01:01:01,558 THE MISS NASHVILLE CONTEST? 1359 01:01:01,558 --> 01:01:02,626 WHICH... 1360 01:01:02,626 --> 01:01:04,628 I'M SURE SHE'LL DO REALLY WELL. 1361 01:01:04,628 --> 01:01:06,230 SHE'S SO FUNNY, BUT... 1362 01:01:06,230 --> 01:01:07,631 I DON'T KNOW. 1363 01:01:07,631 --> 01:01:09,800 I THINK IT'S OLD-FASHIONED. 1364 01:01:09,800 --> 01:01:11,802 SHE REALLY CRACKS ME UP, THOUGH. 1365 01:01:11,802 --> 01:01:13,403 WHEN SHE TAKES THOSE GLASSES 1366 01:01:13,403 --> 01:01:14,805 THAT ARE WRAPPED IN PLASTIC, 1367 01:01:14,805 --> 01:01:16,206 WHICH ARE SANITARY ENOUGH, 1368 01:01:16,206 --> 01:01:19,409 AND YET SHE WASHES THEM ALL THE TIME. 1369 01:01:19,409 --> 01:01:20,811 I NEED FOR YOU 1370 01:01:20,811 --> 01:01:23,680 TO STOP MOVING THOSE LIPS NOW. 1371 01:01:47,671 --> 01:01:48,939 WAIT. 1372 01:01:51,541 --> 01:01:53,177 I NEED FOR YOU... 1373 01:01:54,378 --> 01:01:56,446 TO STOP PLAYING ME NOW. 1374 01:02:15,432 --> 01:02:17,434 MISS PRESLEY... 1375 01:02:17,434 --> 01:02:19,403 MISS PRESLEY... 1376 01:02:19,403 --> 01:02:21,605 JAMES, YOU'RE JUST TALKING TO YOURSELF, 1377 01:02:21,605 --> 01:02:22,606 YOU KNOW. 1378 01:02:22,606 --> 01:02:24,274 MISS PRESLEY... 1379 01:02:24,274 --> 01:02:25,675 IS THAT YOU 1380 01:02:25,675 --> 01:02:28,278 OR YOUR GHOST I SEE? 1381 01:02:28,278 --> 01:02:29,947 I DON'T KNOW. 1382 01:02:33,417 --> 01:02:35,319 I WAS CONCERNED THAT YOU... 1383 01:02:35,319 --> 01:02:36,220 LEFT ME... 1384 01:02:36,220 --> 01:02:38,823 TO GET ME BACK FOR NOT CALLING YOU 1385 01:02:38,823 --> 01:02:40,324 LIKE I SHOULD'VE. 1386 01:02:40,324 --> 01:02:41,225 OH, NAH. 1387 01:02:41,225 --> 01:02:43,828 I JUST DON'T, UH, SLEEP... 1388 01:02:43,828 --> 01:02:44,829 MUCH. 1389 01:02:44,829 --> 01:02:45,830 HMM. 1390 01:02:45,830 --> 01:02:47,431 ESPECIALLY AT NIGHT. 1391 01:02:48,432 --> 01:02:49,834 NIGHT OWL. 1392 01:02:49,834 --> 01:02:50,835 WHOO... 1393 01:02:50,835 --> 01:02:52,102 WHOO. 1394 01:02:52,102 --> 01:02:55,239 SOUNDS LIKE A WISE OLD NIGHT OWL. 1395 01:02:55,239 --> 01:02:56,706 WHOO-WHOO. 1396 01:02:56,706 --> 01:02:57,975 WHOO. 1397 01:03:00,044 --> 01:03:02,046 YOU'RE AN OWL GODDESS. 1398 01:03:04,614 --> 01:03:05,649 MY DAD, 1399 01:03:05,649 --> 01:03:08,052 HE--HE WAS A NIGHT OWL. 1400 01:03:08,052 --> 01:03:09,653 WE USED TO STAY UP, 1401 01:03:09,653 --> 01:03:11,055 YOU KNOW, ALL NIGHT, 1402 01:03:11,055 --> 01:03:12,923 JUST HANGING OUT. 1403 01:03:14,791 --> 01:03:17,061 HE SPOILED ME PRETTY BADLY. 1404 01:03:19,930 --> 01:03:22,199 HE REALLY LOVED COUNTRY MUSIC... 1405 01:03:24,401 --> 01:03:25,469 A LOT. 1406 01:03:26,803 --> 01:03:29,806 I GUESS THAT'S WHY I CAME HERE. 1407 01:03:29,806 --> 01:03:31,075 WELL, I'LL... 1408 01:03:31,075 --> 01:03:34,344 SPOIL YOU AS GOOD AS I CAN. 1409 01:03:39,516 --> 01:03:40,517 ELVIS? 1410 01:03:40,517 --> 01:03:41,518 MM-HMM. 1411 01:03:41,518 --> 01:03:42,920 YOU CUT ELVIS' HAIR. 1412 01:03:42,920 --> 01:03:43,921 THAT'S RIGHT. 1413 01:03:43,921 --> 01:03:45,522 NAH, I DON'T BELIEVE IT. 1414 01:03:45,522 --> 01:03:46,523 BELIEVE IT. 1415 01:03:46,523 --> 01:03:47,925 YOU BELIEVE THAT, LUE? 1416 01:03:47,925 --> 01:03:49,927 WHY WOULD HE MAKE THAT UP? 1417 01:03:49,927 --> 01:03:52,262 WHY DON'T YOU GET YOUR HAIR CUT? 1418 01:03:52,262 --> 01:03:53,864 'CAUSE I DON'T WANT TO. 1419 01:03:53,864 --> 01:03:54,865 COME ON. 1420 01:03:54,865 --> 01:03:56,266 I DON'T WANT TO. 1421 01:03:56,266 --> 01:03:58,869 I'LL BE ELVIS, AND YOU CAN BE PRISCILLA. 1422 01:03:58,869 --> 01:04:00,670 I DON'T WANT TO BE PRISCILLA. 1423 01:04:00,670 --> 01:04:03,273 I'M NOT DOING IT 'CAUSE YOU WANT ME TO. 1424 01:04:03,273 --> 01:04:05,876 I'M TIRED OF DOING WHAT EVERYBODY WANTS ME TO. 1425 01:04:05,876 --> 01:04:07,878 GOOD IDEA. DON'T GET IT CUT. 1426 01:04:07,878 --> 01:04:10,280 WHY DIDN'T YOU ASK ME WHAT I THOUGHT ABOUT 1427 01:04:10,280 --> 01:04:12,282 YOU MOVING OUT OF THE MOTEL? 1428 01:04:12,282 --> 01:04:14,684 WHY DOESN'T ANYBODY EVER ASK ME WHAT I THINK? 1429 01:04:14,684 --> 01:04:17,287 BECAUSE YOU'RE ALWAYS ASKING EVERYONE ELSE WHAT THEY THINK. 1430 01:04:17,287 --> 01:04:19,489 THAT'S RIGHT, AND YOU KNOW WHAT? 1431 01:04:19,489 --> 01:04:20,891 I'M NOT DOING IT ANYMORE. 1432 01:04:20,891 --> 01:04:23,293 IF I DON'T FEEL LIKE BEING NICE TO SOMEBODY, 1433 01:04:23,293 --> 01:04:25,695 THEN I'M GOING TO START BEING MEAN-- OR IMPOLITE. 1434 01:04:25,695 --> 01:04:28,098 IF I FEEL LIKE TELLING SOMEBODY WHAT I THINK, 1435 01:04:28,098 --> 01:04:29,699 I'M GOING TO TELL THEM. 1436 01:04:29,699 --> 01:04:32,903 AND BILLY THINKS WE'RE GETTING MARRIED BECAUSE HE WANTS TO? 1437 01:04:32,903 --> 01:04:34,304 WELL, I'M SORRY, 1438 01:04:34,304 --> 01:04:36,907 BUT I GOT TO BE SOMETHING MYSELF 1439 01:04:36,907 --> 01:04:38,909 BEFORE I CAN BE SOMEBODY'S WIFE. 1440 01:04:38,909 --> 01:04:39,910 THAT'S RIGHT. 1441 01:04:39,910 --> 01:04:41,311 OH, SHUT UP, PLEASE. 1442 01:04:41,311 --> 01:04:43,914 BUT I DON'T EVEN KNOW WHAT I CAN BE 1443 01:04:43,914 --> 01:04:45,315 BECAUSE I'VE NEVER BEEN ANYTHING. 1444 01:04:45,315 --> 01:04:47,918 AND YOU-- YOU'RE NOT SO MUCH BETTER THAN ME. 1445 01:04:47,918 --> 01:04:50,320 YOUR DADDY'S BEEN DEAD OVER A YEAR, 1446 01:04:50,320 --> 01:04:53,257 AND YOU STILL CAN'T SLEEP THROUGH THE NIGHT. 1447 01:04:53,257 --> 01:04:56,860 AND YOU ARE SO WORRIED ABOUT TURNING OUT LIKE EVERYBODY ELSE. 1448 01:04:56,860 --> 01:04:58,462 WELL, YOU KNOW WHAT? 1449 01:04:58,462 --> 01:04:59,863 I AM EVERYBODY ELSE. 1450 01:04:59,863 --> 01:05:01,865 AND TURNING OUT LIKE ME, 1451 01:05:01,865 --> 01:05:04,268 NOW, WOULD THAT BE SO TERRIBLE? 1452 01:05:04,268 --> 01:05:06,870 AND WHO GETS THEIR HAIR CUT 1453 01:05:06,870 --> 01:05:08,939 BY ELVIS' BARBER ANYWAY? 1454 01:05:11,708 --> 01:05:15,279 * IT'S NOT REALLY LOVE * 1455 01:05:15,279 --> 01:05:18,215 * IF IT TEARS YOU APART... * 1456 01:05:29,559 --> 01:05:31,228 I AM VERY SORRY. 1457 01:05:32,629 --> 01:05:36,233 I GUESS I'M JUST FALLING APART A LITTLE BIT. 1458 01:05:36,233 --> 01:05:38,235 BUT I WANT YOU TO KNOW 1459 01:05:38,235 --> 01:05:40,237 I THINK YOU'RE VERY SPECIAL 1460 01:05:40,237 --> 01:05:41,838 'CAUSE YOU ALWAYS LIKE ME, 1461 01:05:41,838 --> 01:05:45,109 AND THAT'S A PLUS IN MY BOOK. 1462 01:05:45,109 --> 01:05:47,978 GOD, DID I MAKE YOU CRY? 1463 01:05:49,846 --> 01:05:51,515 I LIKE YOUR HAIR. 1464 01:05:53,517 --> 01:05:54,451 THANKS. 1465 01:05:54,451 --> 01:05:57,054 MAYBE I SHOULD'VE GOTTEN MINE DONE. 1466 01:05:57,054 --> 01:05:58,655 YEAH. SHOULD WE GO BACK? 1467 01:05:58,655 --> 01:06:00,857 I DON'T THINK SO, MIRANDA. 1468 01:06:00,857 --> 01:06:05,062 YOU KNOW, I'VE BEEN SITTING HERE AND THINKING THAT, UM... 1469 01:06:05,062 --> 01:06:07,064 MAYBE I'LL GO TO HOLLYWOOD, 1470 01:06:07,064 --> 01:06:09,066 BECOME A MOVIE STAR. 1471 01:06:09,066 --> 01:06:12,669 YOU'RE ASKING ME WHAT I THINK OF THE IDEA? 1472 01:06:12,669 --> 01:06:14,071 NO, I'M NOT. 1473 01:06:14,071 --> 01:06:15,739 WHAT ABOUT BILLY? 1474 01:06:17,074 --> 01:06:19,743 BILLY CAN DO WHAT HE WANTS. 1475 01:06:26,816 --> 01:06:28,218 I'M HAPPY. 1476 01:06:29,553 --> 01:06:31,221 I'M SO HAPPY. 1477 01:06:38,428 --> 01:06:39,496 ME, TOO. 1478 01:06:41,565 --> 01:06:42,566 OH, NO. 1479 01:06:42,566 --> 01:06:43,567 DON'T LOOK. 1480 01:06:43,567 --> 01:06:44,568 OH, NO. 1481 01:06:44,568 --> 01:06:45,369 DON'T LOOK. 1482 01:06:45,369 --> 01:06:47,571 I GOT TO GO TO WORK. 1483 01:06:47,571 --> 01:06:48,972 I GOT A BETTER IDEA. 1484 01:06:48,972 --> 01:06:49,973 YOU'RE SICK. 1485 01:06:49,973 --> 01:06:51,375 I'LL CALL IN FOR YOU. 1486 01:06:51,375 --> 01:06:52,942 "HELLO. IT'S MIRANDA. 1487 01:06:52,942 --> 01:06:54,211 "I CAN'T COME IN. 1488 01:06:54,211 --> 01:06:55,345 "I'M SICK. 1489 01:06:55,345 --> 01:06:59,283 I'VE GOT A TERRIBLE HEAD COLD." 1490 01:06:59,283 --> 01:07:00,084 O.K. 1491 01:07:00,084 --> 01:07:01,351 I'M SICK. 1492 01:07:04,088 --> 01:07:05,689 I GOT ANOTHER IDEA. 1493 01:07:05,689 --> 01:07:07,091 MM-HMM? 1494 01:07:12,129 --> 01:07:13,797 WHERE ARE WE GOING? 1495 01:07:14,731 --> 01:07:16,800 JUST GIVE ME A HINT. 1496 01:07:18,102 --> 01:07:19,369 CLUE. 1497 01:07:20,837 --> 01:07:22,606 "MEMPHIS." 1498 01:07:22,606 --> 01:07:24,274 MEMPHIS? 1499 01:07:25,975 --> 01:07:27,444 GRACELAND? 1500 01:07:27,444 --> 01:07:28,245 YEAH! 1501 01:07:28,245 --> 01:07:30,114 WE'RE GOING TO GRACELAND! 1502 01:07:34,718 --> 01:07:35,985 CLOSED? 1503 01:07:35,985 --> 01:07:37,121 NO. 1504 01:07:37,121 --> 01:07:39,723 I'M GOING TO HAVE TO BREAK IT DOWN. 1505 01:07:39,723 --> 01:07:40,724 NO! 1506 01:07:40,724 --> 01:07:41,725 ELVIS! 1507 01:07:41,725 --> 01:07:42,726 HELLO? 1508 01:07:42,726 --> 01:07:43,727 ELVIS! 1509 01:07:43,727 --> 01:07:44,728 HELLO? 1510 01:07:44,728 --> 01:07:45,729 SIR... 1511 01:07:45,729 --> 01:07:46,730 WE'RE CLOSED. 1512 01:07:46,730 --> 01:07:48,132 WHEN DO YOU OPEN? 1513 01:07:48,132 --> 01:07:49,733 9:00 IN THE MORNING. 1514 01:07:49,733 --> 01:07:51,135 Y'ALL COME BACK THEN. 1515 01:07:51,135 --> 01:07:52,469 AH, 14 HOURS TO KILL. 1516 01:07:52,469 --> 01:07:54,671 WHAT ARE WE GOING TO DO? 1517 01:07:54,671 --> 01:07:55,472 EAT. 1518 01:07:55,472 --> 01:07:57,073 LET'S GET ELVIS FOOD. 1519 01:07:57,073 --> 01:07:58,542 FOOD. 1520 01:08:25,835 --> 01:08:27,504 I'M ALL SET, BABY. 1521 01:08:31,575 --> 01:08:33,243 COME ON, BABY. 1522 01:08:40,950 --> 01:08:42,252 WHAT? 1523 01:08:43,019 --> 01:08:44,421 OHH, LOOK HOW ROMANTIC. 1524 01:08:44,421 --> 01:08:46,990 STOP. THEY'RE GOING TO THINK YOU'RE FOR REAL. 1525 01:08:46,990 --> 01:08:48,258 I AM FOR REAL. 1526 01:08:48,258 --> 01:08:49,793 COME ON. GET UP. 1527 01:08:49,793 --> 01:08:52,962 SAY, "YES, I CAN'T LIVE WITHOUT YOU." 1528 01:08:52,962 --> 01:08:53,930 GO ON, HONEY. 1529 01:08:53,930 --> 01:08:55,399 SAY YES. 1530 01:08:55,399 --> 01:08:57,801 I WOULD MARRY HIM IF HE HAD ANY BRAINS, 1531 01:08:57,801 --> 01:09:01,004 BUT HE DOESN'T HAVE THE SENSE HE WAS BORN WITH. 1532 01:09:01,004 --> 01:09:03,006 I'M GOING TO KNEEL RIGHT HERE 1533 01:09:03,006 --> 01:09:04,608 UNTIL YOUR HEART MELTS. 1534 01:09:04,608 --> 01:09:05,609 SAY SOMETHING. 1535 01:09:05,609 --> 01:09:06,410 O.K. YES. 1536 01:09:06,410 --> 01:09:08,412 IS THAT WHAT YOU WANT? 1537 01:09:08,412 --> 01:09:10,013 ARE YOU HAPPY NOW? 1538 01:09:10,013 --> 01:09:11,381 HAPPY? 1539 01:09:11,381 --> 01:09:13,983 WHY, I'M THE HAPPIEST MAN ALIVE. 1540 01:09:13,983 --> 01:09:15,652 OHH. AW. 1541 01:09:16,386 --> 01:09:17,987 THAT'S PRECIOUS. 1542 01:09:17,987 --> 01:09:19,389 THANK YOU, LADIES. 1543 01:09:19,389 --> 01:09:20,890 THANK YOU KINDLY. 1544 01:09:20,890 --> 01:09:22,492 YOU CAN KEEP THE CHANGE. 1545 01:09:22,492 --> 01:09:24,794 Y'ALL GOING TO HAVE YOUR HONEYMOON AT GRACELAND? 1546 01:09:24,794 --> 01:09:25,995 COME ON, DEAR. 1547 01:09:25,995 --> 01:09:31,901 * IN A BED OF BROKEN HEARTS * 1548 01:09:31,901 --> 01:09:35,138 * BLUE ROSES... * 1549 01:09:35,138 --> 01:09:37,741 YOU RECALL THE FIRST TIME I MET YOU 1550 01:09:37,741 --> 01:09:39,142 OUTSIDE THE BLUEBIRD? 1551 01:09:39,142 --> 01:09:40,810 I WAS LATE. 1552 01:09:41,711 --> 01:09:44,881 AND I MADE YOU PART OF MY LIE. 1553 01:09:44,881 --> 01:09:47,284 NOW, YOU CALLED ME ON THAT. 1554 01:09:47,284 --> 01:09:50,887 NO ONE HAS EVER DONE THAT BEFORE WITH ME. 1555 01:09:50,887 --> 01:09:52,289 AND I APPRECIATE IT. 1556 01:09:52,289 --> 01:09:53,957 I RESPECT YOU. 1557 01:10:00,764 --> 01:10:01,831 MY FATHER... 1558 01:10:02,866 --> 01:10:05,168 I DON'T KNOW WHY I'M TELLING YOU THIS. 1559 01:10:05,168 --> 01:10:06,570 I'VE NEVER TOLD ANYONE, 1560 01:10:06,570 --> 01:10:08,972 BUT MY FATHER WOULD TELL MY MOTHER 1561 01:10:08,972 --> 01:10:12,976 THAT WE WERE GOING OUT FOR A BOYS' NIGHT OUT ON THE TOWN. 1562 01:10:12,976 --> 01:10:15,579 AND WE WOULD GO TO HIS GIRLFRIEND'S HOUSE-- 1563 01:10:15,579 --> 01:10:17,581 MY FIFTH GRADE HEALTH TEACHER-- 1564 01:10:17,581 --> 01:10:20,584 AND I'D GO WAIT IN THE TRUCK 1565 01:10:20,584 --> 01:10:22,586 LISTENING TO THE RADIO STATIONS, 1566 01:10:22,586 --> 01:10:25,188 AND HE WAS INSIDE, YOU KNOW, 1567 01:10:25,188 --> 01:10:27,591 DOING WHATEVER IT WAS THEY DID, 1568 01:10:27,591 --> 01:10:30,860 AND I JUST REMEMBER ALL THOSE CHEATIN' SONGS... 1569 01:10:32,195 --> 01:10:34,464 HOW IT MADE PERFECT SENSE. 1570 01:10:38,201 --> 01:10:40,203 MOST EVERYONE... 1571 01:10:40,203 --> 01:10:41,871 BACK IN WIMBERLY... 1572 01:10:44,007 --> 01:10:48,745 SAYS THAT-- THAT I'M GOING TO BE JUST LIKE MY FATHER. 1573 01:10:48,745 --> 01:10:50,146 NOW... 1574 01:10:50,146 --> 01:10:51,881 HERE'S THE KING. 1575 01:10:53,016 --> 01:10:53,983 THEY'RE WRONG. 1576 01:10:53,983 --> 01:10:58,688 * WISE MEN SAY * 1577 01:10:58,688 --> 01:10:59,756 YOU HEAR THAT? 1578 01:10:59,756 --> 01:11:00,824 MMM. 1579 01:11:00,824 --> 01:11:04,093 * ONLY FOOLS RUSH IN * 1580 01:11:04,093 --> 01:11:05,161 LET'S DANCE. 1581 01:11:05,161 --> 01:11:06,563 IT'S DESTINY. 1582 01:11:07,797 --> 01:11:13,537 * BUT I CAN'T HELP * 1583 01:11:13,537 --> 01:11:17,273 * FALLING IN LOVE * 1584 01:11:17,273 --> 01:11:21,044 * WITH YOU * 1585 01:11:22,446 --> 01:11:27,951 * SHALL I STAY? * 1586 01:11:29,252 --> 01:11:35,392 * WOULD IT BE A SIN? * 1587 01:11:42,999 --> 01:11:45,001 JUST BACK FOR SOME COFFEE. 1588 01:11:45,001 --> 01:11:46,403 OH, LOOK, MARY. 1589 01:11:46,403 --> 01:11:47,804 IF IT AIN'T THE NEWLYWEDS. 1590 01:11:47,804 --> 01:11:50,540 HEY, YOU TWO LOVEBIRDS GET MARRIED YET? 1591 01:11:50,540 --> 01:11:53,276 COULDN'T FIND AN ALL-NIGHT WEDDING CHAPEL. 1592 01:11:53,276 --> 01:11:56,613 WELL, WE MIGHT'VE IF HE PLANNED THIS A LITTLE BETTER, 1593 01:11:56,613 --> 01:11:58,615 BUT NO GRACELAND, NO PREACHER. 1594 01:11:58,615 --> 01:12:00,283 YOU WANT TO MARRY HER? 1595 01:12:00,283 --> 01:12:02,285 I KNOW SHE'S A HANDFUL, 1596 01:12:02,285 --> 01:12:04,488 HOWEVER I'D DIE IF I LOST HER. 1597 01:12:04,488 --> 01:12:08,291 THAT'S BECAUSE YOU'D FORGET TO BREATHE IF I DIDN'T REMIND YOU. 1598 01:12:08,291 --> 01:12:10,427 THE TRUTH IS... 1599 01:12:10,427 --> 01:12:12,095 I LOVE HER DEEPLY. 1600 01:12:13,129 --> 01:12:14,531 WELL, IF YOU'RE SERIOUS, 1601 01:12:14,531 --> 01:12:15,932 MY BROTHER'S A PREACHER. 1602 01:12:15,932 --> 01:12:18,535 I'LL GO GET HIM IF YOU WANT. 1603 01:12:18,535 --> 01:12:19,536 YOU'RE SERIOUS? 1604 01:12:19,536 --> 01:12:21,337 AS A HEART ATTACK. 1605 01:12:22,472 --> 01:12:23,573 YEAH, MAN. 1606 01:12:23,573 --> 01:12:25,308 YEAH, HE'S RIGHT NEXT DOOR. 1607 01:12:25,308 --> 01:12:26,943 PROBABLY JUST WATCHING TV. 1608 01:12:26,943 --> 01:12:28,344 I'LL BE RIGHT BACK. 1609 01:12:28,344 --> 01:12:29,345 WELL, UH-- 1610 01:12:29,345 --> 01:12:30,914 YOU NEED A RING. 1611 01:12:30,914 --> 01:12:32,015 COLD FEET? 1612 01:12:32,982 --> 01:12:34,350 I FORGOT SOMETHING... 1613 01:12:34,350 --> 01:12:35,752 BLUE...IN THE TRUCK. 1614 01:12:35,752 --> 01:12:37,353 WILL YOU COME WITH ME? 1615 01:12:37,353 --> 01:12:38,354 HMM? 1616 01:12:38,354 --> 01:12:39,355 PLEASE? 1617 01:12:39,355 --> 01:12:41,024 HEY. 1618 01:12:41,024 --> 01:12:44,494 I'M GOING TO GET MY BOOM BOX READY. 1619 01:12:46,329 --> 01:12:47,931 OH... 1620 01:12:47,931 --> 01:12:49,032 O.K. 1621 01:12:49,032 --> 01:12:49,933 COME ON, LET'S GO. 1622 01:12:49,933 --> 01:12:51,735 WELL, WE CAN'T JUST LEAVE. 1623 01:12:51,735 --> 01:12:54,303 WE GOT TO LET THEM KNOW WE'VE CHANGED OUR MIND. 1624 01:12:54,303 --> 01:12:56,272 THE PREACHER'S ON HIS WAY-- 1625 01:12:56,272 --> 01:12:58,442 NO. LOOK, UM, WE'LL JUST, UH-- 1626 01:12:58,442 --> 01:12:59,643 WE'LL HAVE A FIGHT, 1627 01:12:59,643 --> 01:13:01,645 AND I'LL PRETEND TO SLAP YOU. 1628 01:13:01,645 --> 01:13:03,246 GOT A BETTER IDEA. 1629 01:13:03,246 --> 01:13:04,581 WHAT? 1630 01:13:06,182 --> 01:13:08,151 LET'S GET MARRIED. 1631 01:13:09,453 --> 01:13:12,188 Y-YOU DON'T JUST GET MARRIED AS A JOKE. 1632 01:13:12,188 --> 01:13:13,423 IT'S NOT A JOKE. 1633 01:13:13,423 --> 01:13:14,991 IT'S A JOURNEY, 1634 01:13:14,991 --> 01:13:17,694 LIKE THE OLD IRISH TRIAL MARRIAGES. 1635 01:13:17,694 --> 01:13:20,997 WHAT OLD IRISH TRIAL MARRIAGES? 1636 01:13:20,997 --> 01:13:23,433 WELL, IN ANCIENT IRELAND, 1637 01:13:23,433 --> 01:13:26,770 THERE WAS ONE DAY WHERE YOU COULD GET MARRIED FOR A YEAR-- 1638 01:13:26,770 --> 01:13:28,271 ARE YOU MAKING THIS UP? 1639 01:13:28,271 --> 01:13:31,007 NO, I DON'T THINK SO. 1640 01:13:31,007 --> 01:13:33,510 ANYHOW, YOU WOULD GET MARRIED, 1641 01:13:33,510 --> 01:13:35,311 AND IF YOU WANTED TO SEPARATE, 1642 01:13:35,311 --> 01:13:37,914 YOU'D GO BACK TO THE PLACE YOU GOT MARRIED 1643 01:13:37,914 --> 01:13:41,384 AND RESOUND, "I DIVORCE YOU, I DIVORCE YOU, 1644 01:13:41,384 --> 01:13:42,519 I DIVORCE YOU." 1645 01:13:42,519 --> 01:13:45,121 WHAT DO YOU THINK? 1646 01:13:46,189 --> 01:13:47,724 OH, MY GOD. 1647 01:13:47,724 --> 01:13:51,027 BY THE POWER VESTED IN ME BY THE STATE OF TENNESSEE 1648 01:13:51,027 --> 01:13:54,698 AND BY THE ALMIGHTY GOD ABOVE, 1649 01:13:54,698 --> 01:13:58,434 I NOW PRONOUNCE YOU MAN AND WIFE. 1650 01:13:58,434 --> 01:14:00,303 WELL, HUSBAND AND WIFE. 1651 01:14:00,303 --> 01:14:02,171 HUSBAND AND WIFE. 1652 01:14:02,171 --> 01:14:03,372 DOES THAT SOUND RIGHT? 1653 01:14:03,372 --> 01:14:04,708 OR MAN AND WOMAN? 1654 01:14:04,708 --> 01:14:06,109 MAN AND WOMAN. 1655 01:14:06,109 --> 01:14:06,810 YEAH. 1656 01:14:06,810 --> 01:14:08,311 MAY I KISS THE BRIDE? 1657 01:14:08,311 --> 01:14:10,379 WHATEVER. YOU'RE MARRIED. YOU MAY KISS THE BRIDE. 1658 01:14:10,379 --> 01:14:12,782 BUT I GET THE FIRST DANCE. 1659 01:14:13,983 --> 01:14:21,357 * MAKE THE WORLD GO AWAY * 1660 01:14:21,357 --> 01:14:24,994 * GET IT OFF, GET IT OFF MY SHOULDER * 1661 01:14:24,994 --> 01:14:27,931 MAY I HAVE THIS DANCE? 1662 01:14:27,931 --> 01:14:34,738 * SAY THE THINGS WE USED TO SAY * 1663 01:14:34,738 --> 01:14:41,477 * AND MAKE THE WORLD, MAKE IT GO AWAY * 1664 01:14:41,477 --> 01:14:48,818 * DO YOU REMEMBER WHEN YOU LOVED ME? * 1665 01:14:48,818 --> 01:14:56,626 * BEFORE THE WORLD TOOK YOU AWAY * 1666 01:15:11,608 --> 01:15:13,276 WE'RE HOME, BABY. 1667 01:15:15,144 --> 01:15:18,481 OHH, I HAD THIS DREAM WE GOT MARRIED. 1668 01:15:18,481 --> 01:15:21,084 OH, IS THAT WHAT THAT WAS, A DREAM? 1669 01:15:21,084 --> 01:15:22,752 NO, ME AND ELVIS. 1670 01:15:22,752 --> 01:15:27,223 I HAD THIS HUGE BEEHIVE ON MY HEAD. 1671 01:15:27,223 --> 01:15:28,224 O.K. 1672 01:15:28,224 --> 01:15:30,093 SHOULD I BE JEALOUS? 1673 01:15:30,093 --> 01:15:31,294 HEH HEH HEH. 1674 01:15:31,294 --> 01:15:32,395 MAYBE. 1675 01:15:32,395 --> 01:15:33,830 MAYBE, BABY. 1676 01:15:33,830 --> 01:15:38,367 * BLUE ROSES * 1677 01:15:38,367 --> 01:15:46,042 * LOOKIN' FOR THE MOON IN SOMEONE'S EYES * 1678 01:15:46,042 --> 01:15:48,277 YEAH, THE 23rd WILL BE JUST FINE. 1679 01:15:48,277 --> 01:15:49,378 BYE-BYE. 1680 01:15:49,378 --> 01:15:51,347 HEY, LUCY, ISN'T THAT PAM TILLIS 1681 01:15:51,347 --> 01:15:52,982 AND KEVIN WELCH OVER THERE? 1682 01:15:52,982 --> 01:15:55,985 YEAH. I LET THEM COME REHEARSE EVERY NOW AND THEN. 1683 01:15:55,985 --> 01:15:58,187 THEY BOTH GOT THEIR START RIGHT HERE. 1684 01:15:58,187 --> 01:15:58,955 REALLY? 1685 01:15:58,955 --> 01:15:59,989 YEP. 1686 01:15:59,989 --> 01:16:01,858 THEY PLAYING IN THE ROUND TONIGHT? 1687 01:16:01,858 --> 01:16:05,461 NO. THEY GOT SOME KIND OF BENEFIT OR SOMETHING. 1688 01:16:05,461 --> 01:16:06,663 WELL, LOOK AT YOU. 1689 01:16:06,663 --> 01:16:08,064 YOU CALLED IN SICK YESTERDAY, 1690 01:16:08,064 --> 01:16:09,933 AND NOW YOU LOOK ABSOLUTELY... 1691 01:16:09,933 --> 01:16:11,601 MARRIED? 1692 01:16:11,601 --> 01:16:14,203 JAMES AND I GOT MARRIED. 1693 01:16:14,203 --> 01:16:15,739 YOU GOT MARRIED? 1694 01:16:15,739 --> 01:16:17,741 SHE GOT MARRIED. 1695 01:16:17,741 --> 01:16:20,476 WELL, DON'T LOOK TOO EXCITED ABOUT IT, LUCY. 1696 01:16:20,476 --> 01:16:21,678 WELL... 1697 01:16:21,678 --> 01:16:23,012 CONGRATULATIONS. 1698 01:16:23,012 --> 01:16:25,882 HEY, MIRANDA JUST GOT MARRIED TO JAMES. 1699 01:16:25,882 --> 01:16:27,483 GIVE ME A HUG, GIRL. 1700 01:16:27,483 --> 01:16:29,352 TO JAMES? OUR JAMES? 1701 01:16:29,352 --> 01:16:30,419 JAMES WRIGHT? 1702 01:16:30,419 --> 01:16:31,487 YEAH. 1703 01:16:31,487 --> 01:16:33,156 DID HE GIVE YOU A RING? 1704 01:16:33,156 --> 01:16:34,758 SURE DID. ISN'T IT BEAUTIFUL? 1705 01:16:34,758 --> 01:16:36,626 POP OPEN SOME CHAMPAGNE, LUCY. 1706 01:16:36,626 --> 01:16:38,628 HOW OFTEN DO PEOPLE GET MARRIED? 1707 01:16:38,628 --> 01:16:40,730 OFTEN ENOUGH. 1708 01:16:40,730 --> 01:16:43,733 * HAPPY EVER AFTER * 1709 01:16:43,733 --> 01:16:46,836 * COME ONE DAY AT A TIME * 1710 01:16:46,836 --> 01:16:49,272 * AND THERE AIN'T NO ONE * 1711 01:16:50,373 --> 01:16:52,776 * TO TAKE YOU AWAY * 1712 01:16:52,776 --> 01:16:55,979 * FORGET THIS WAY TO LOVE-- * 1713 01:17:03,887 --> 01:17:08,624 * YOU CAN TAKE MY LOVE * 1714 01:17:08,624 --> 01:17:13,562 * IN THE FOREST GREEN * 1715 01:17:13,562 --> 01:17:15,398 * YOU CAN TAKE * 1716 01:17:15,398 --> 01:17:18,868 * MY LOVE * 1717 01:17:18,868 --> 01:17:27,476 * TO THE FOREST GREEN * 1718 01:17:28,477 --> 01:17:29,645 HEY, LOOK AT YOU! 1719 01:17:29,645 --> 01:17:30,847 DON'T I LOOK GOOD? 1720 01:17:30,847 --> 01:17:32,682 SO, DON'T KEEP ME IN SUSPENSE. 1721 01:17:32,682 --> 01:17:33,883 WHAT HAPPENED? 1722 01:17:33,883 --> 01:17:36,019 UM, OH. I WAS FOURTH RUNNER-UP. 1723 01:17:36,019 --> 01:17:37,854 CONGRATULATIONS. I GUESS. 1724 01:17:37,854 --> 01:17:39,022 SHE SHOULD'VE WON. 1725 01:17:39,022 --> 01:17:41,024 HER TALENT WAS THE BEST ONE. 1726 01:17:41,024 --> 01:17:42,992 PEOPLE WERE CRYING WHEN SHE DID HER SCENE. 1727 01:17:42,992 --> 01:17:45,628 I DID MY INTERPRETATION OF GONE WITH THE WIND. 1728 01:17:45,628 --> 01:17:46,763 "MISS SCARLETT! MISS SCARLETT!" 1729 01:17:46,763 --> 01:17:48,631 TELL HER WHY YOU LOST. 1730 01:17:48,631 --> 01:17:49,966 O.K. 1731 01:17:49,966 --> 01:17:51,968 WHEN THEY MADE ME A FINALIST, 1732 01:17:51,968 --> 01:17:55,138 ALL OF A SUDDEN I HAD THIS IMAGE OF MYSELF 1733 01:17:55,138 --> 01:17:58,141 AT THE GRAND OPENING OF A PIGGLY-WIGGLY, 1734 01:17:58,141 --> 01:18:01,144 CUTTING A RIBBON IN A RED, WHITE, AND BLUE SEQUINED MAJORETTE OUTFIT. 1735 01:18:01,144 --> 01:18:05,148 AND I HAD TO SAY, "LINDA LUE LINDEN, THIS IS NOT A JOB. 1736 01:18:05,148 --> 01:18:07,016 "THIS IS NOT A CAREER CHALLENGE. 1737 01:18:07,016 --> 01:18:08,151 THIS IS BULLSHIT!" 1738 01:18:08,151 --> 01:18:09,318 ALL RIGHT, GIRL! 1739 01:18:09,318 --> 01:18:11,788 WHEN THEY CALLED MY NAME, I PRETENDED TO FAINT. 1740 01:18:11,788 --> 01:18:13,022 FELL STRAIGHT BACK. 1741 01:18:13,022 --> 01:18:14,390 THEY CALLED AN AMBULANCE. 1742 01:18:14,390 --> 01:18:15,892 I GOT TO PEE. 1743 01:18:19,395 --> 01:18:21,297 KYLE... 1744 01:18:29,305 --> 01:18:32,108 HOW'S THE MARRIED LIFE, JAMES? 1745 01:18:32,108 --> 01:18:33,910 SWELL. 1746 01:18:33,910 --> 01:18:35,278 IT'S QUITE GOOD. 1747 01:18:35,278 --> 01:18:36,846 GOOD. GOOD. 1748 01:18:38,514 --> 01:18:40,183 I WAS THINKING ABOUT IT. 1749 01:18:40,183 --> 01:18:42,919 WELL, CONGRATULATIONS ARE IN ORDER, 1750 01:18:42,919 --> 01:18:44,788 SO GO RIGHT AHEAD. 1751 01:18:47,556 --> 01:18:49,793 CONGRATULATIONS. 1752 01:18:52,195 --> 01:18:53,830 WHY, THANK YOU. 1753 01:18:54,563 --> 01:18:56,332 YEAH, SHE'S A... 1754 01:18:56,332 --> 01:18:58,134 DAMN GOOD WIFE. 1755 01:18:59,535 --> 01:19:01,470 SHE'S... 1756 01:19:01,470 --> 01:19:03,006 REAL GOOD. 1757 01:19:04,740 --> 01:19:07,743 WHY DO YOU HAVE TO TELL ME THAT, MAN? 1758 01:19:07,743 --> 01:19:08,945 IT'S THE TRUTH. 1759 01:19:08,945 --> 01:19:10,814 YEAH, BUT THE TRUTH CAN HURT. 1760 01:19:10,814 --> 01:19:11,981 SEE? DO YOU UNDERSTAND? 1761 01:19:11,981 --> 01:19:13,783 YOU GOT NO RIGHT TOUCHING ME LIKE THAT. 1762 01:19:13,783 --> 01:19:16,585 YOU GOT NO RIGHT TALKING ABOUT HER LIKE THAT. 1763 01:19:16,585 --> 01:19:17,586 YOU GOT NO RIGHT. 1764 01:19:17,586 --> 01:19:18,788 KEEP IT TO YOURSELF. 1765 01:19:18,788 --> 01:19:20,656 SOMEBODY OUGHT TO SHUT YOU UP! 1766 01:19:20,656 --> 01:19:22,491 OH... 1767 01:19:22,491 --> 01:19:24,160 HEY, BOYS, TAKE IT OUTSIDE. 1768 01:19:24,160 --> 01:19:25,761 I'LL JUST SHUT YOU UP! 1769 01:19:25,761 --> 01:19:28,431 TAKE IT OUTSIDE, BOYS! OUT! 1770 01:19:31,901 --> 01:19:33,903 YOU'RE MAKING A FOOL OF YOURSELF, 1771 01:19:33,903 --> 01:19:35,371 A DAMN FOOL OF YOURSELF! 1772 01:19:35,371 --> 01:19:36,305 I'LL KILL YOU! 1773 01:19:36,305 --> 01:19:38,507 DO YOU HEAR WHAT I'M SAYING? 1774 01:19:38,507 --> 01:19:39,508 BACK OFF! 1775 01:19:39,508 --> 01:19:41,477 BETTER SLAP ME HARD, 1776 01:19:41,477 --> 01:19:42,879 MAKE THAT FIRST ONE COUNT. 1777 01:19:53,656 --> 01:19:55,558 JAMES, STOP IT! 1778 01:19:55,558 --> 01:19:57,493 KYLE, STOP! 1779 01:20:00,063 --> 01:20:01,797 JAMES, KYLE, COME ON. 1780 01:20:01,797 --> 01:20:02,899 KYLE, LET'S GO. 1781 01:20:02,899 --> 01:20:03,900 LET'S GO, COME ON. 1782 01:20:03,900 --> 01:20:05,668 NO! NO! 1783 01:20:05,668 --> 01:20:06,802 STOP IT! COME ON! 1784 01:20:06,802 --> 01:20:07,636 LEAVE HIM ALONE. 1785 01:20:07,636 --> 01:20:08,972 KYLE, STOP IT! 1786 01:20:08,972 --> 01:20:11,607 JUST TRYING TO KEEP HIM FROM HURTING HIMSELF. 1787 01:20:11,607 --> 01:20:13,910 BILLY, GET IN THERE AND DO SOMETHING! 1788 01:20:13,910 --> 01:20:15,078 Y'ALL STOP IT NOW! 1789 01:20:15,078 --> 01:20:16,479 THAT'S A BIG HELP. 1790 01:20:16,479 --> 01:20:17,480 COME ON, BILLY! 1791 01:20:17,480 --> 01:20:19,448 KYLE... COME ON. 1792 01:20:21,317 --> 01:20:23,386 IT'S OVER. IT'S OVER. 1793 01:20:23,386 --> 01:20:24,387 KYLE... 1794 01:20:24,387 --> 01:20:25,788 IT'S OVER. 1795 01:20:25,788 --> 01:20:27,690 WHY Y'ALL GOT TO ACT SO STUPID? 1796 01:20:27,690 --> 01:20:29,458 WHOO! 1797 01:20:30,559 --> 01:20:32,661 HA HA HA HA! 1798 01:20:32,661 --> 01:20:34,964 HEY, DONNA... 1799 01:20:34,964 --> 01:20:39,068 * AIN'T NO TRAIN OUT OF NASHVILLE * 1800 01:20:39,068 --> 01:20:42,738 * ONCE YOU GET HERE YOU CAN'T GO ANYWHERE * 1801 01:20:42,738 --> 01:20:46,943 * THERE AIN'T NO TRAIN OUT OF NASHVILLE * 1802 01:20:46,943 --> 01:20:49,712 * MA AND PA, GET ME OUT OF HERE * 1803 01:20:52,815 --> 01:20:55,952 THERE AREN'T NOTHIN' BUT DAMN LOVE SONGS. 1804 01:20:55,952 --> 01:20:59,956 EVERYBODY I LOVE'S MARRIED TO EVERYBODY ELSE. 1805 01:21:03,426 --> 01:21:06,896 * I'M HAPPY, YOU'RE TIRED-- * 1806 01:21:06,896 --> 01:21:09,865 HERE'S A BRAND-NEW SINGLE FROM MISS TRISHA YEARWOOD. 1807 01:21:09,865 --> 01:21:15,771 * IF YOU COULD READ MY MIND * 1808 01:21:15,771 --> 01:21:17,040 THAT'S MY SONG. 1809 01:21:17,040 --> 01:21:21,344 * YOU'D KNOW HOW HARD I TRY * 1810 01:21:21,344 --> 01:21:26,615 * BUT LOSIN' WAS NOT MY PLAN * 1811 01:21:26,615 --> 01:21:29,385 * AND I CAN'T-- * 1812 01:21:32,855 --> 01:21:34,190 GOD! 1813 01:21:34,190 --> 01:21:36,192 MAN, I CAN'T BELIEVE IT! WHAT'S GOING ON? 1814 01:21:36,192 --> 01:21:38,394 DIDN'T YOU SEE THE STOP SIGN? 1815 01:21:38,394 --> 01:21:39,495 THAT'S MY SONG! 1816 01:21:39,495 --> 01:21:40,563 WELL, THAT'S MY CAR! 1817 01:21:40,563 --> 01:21:42,765 THAT'S MY SONG PLAYING ON THE RADIO! 1818 01:21:42,765 --> 01:21:43,766 YOU WROTE THAT SONG? 1819 01:21:43,766 --> 01:21:45,068 YEAH! 1820 01:21:45,068 --> 01:21:47,470 A LOT BETTER SONGWRITER THAN YOU ARE A DRIVER. 1821 01:21:47,470 --> 01:21:48,871 YOU WASN'T EVEN LOOKING. 1822 01:21:48,871 --> 01:21:50,739 THAT'S HIS SONG ON THE RADIO. 1823 01:21:50,739 --> 01:21:51,407 THAT'S MY SONG! 1824 01:21:51,407 --> 01:21:52,541 DAMN... 1825 01:21:52,541 --> 01:21:55,144 MAKES YOU WANT TO PAT YOUR FOOT, DOESN'T IT? 1826 01:21:55,144 --> 01:21:57,213 SHOULD'VE PATTED THE BRAKE ONCE. 1827 01:21:57,213 --> 01:21:59,715 HEY, HE GOT TWO HITS IN ONE DAY! 1828 01:21:59,715 --> 01:22:02,085 * I'M STANDIN' ON A ROCK * 1829 01:22:02,085 --> 01:22:04,820 * AND I AIN'T GOIN' NOWHERE * 1830 01:22:04,820 --> 01:22:07,356 * I'M STANDIN' ON A ROCK * 1831 01:22:07,356 --> 01:22:10,093 * AND I AIN'T GONNA MOVE * 1832 01:22:10,093 --> 01:22:12,628 * I GOT ME SOMETHING TO LIVE FOR * 1833 01:22:12,628 --> 01:22:15,364 * I GOT SOMETHING TO PROVE * 1834 01:22:15,364 --> 01:22:18,001 * I'M STANDIN' ON A ROCK * 1835 01:22:18,001 --> 01:22:20,769 * AND I AIN'T GONNA MOVE * 1836 01:22:20,769 --> 01:22:23,372 * I GOT A REAL FINE WOMAN * 1837 01:22:23,372 --> 01:22:25,841 * AND HER HEART IS STRONG * 1838 01:22:25,841 --> 01:22:28,744 * WELL, SHE CAN SEE RIGHT THROUGH ME * 1839 01:22:28,744 --> 01:22:31,280 * AND HER LEGS ARE LONG * 1840 01:22:31,280 --> 01:22:34,017 * SHE DON'T GIVE ME NO TROUBLE * 1841 01:22:34,017 --> 01:22:36,452 * AND SHE DON'T TAKE MINE * 1842 01:22:36,452 --> 01:22:39,322 * SHE AIN'T THE REASON I'M A-LIVIN' * 1843 01:22:39,322 --> 01:22:41,924 * BUT SHE'S THE REASON I BEEN TRYIN' * 1844 01:22:41,924 --> 01:22:44,460 * I'M STANDIN' ON A ROCK * 1845 01:22:44,460 --> 01:22:47,196 * AND I AIN'T GOIN' NOWHERE * 1846 01:22:47,196 --> 01:22:49,965 * I'M STANDIN' ON A ROCK * 1847 01:22:49,965 --> 01:22:52,501 * AND I AIN'T GONNA MOVE * 1848 01:22:52,501 --> 01:22:55,238 * I GOT ME SOMETHING TO LIVE FOR * 1849 01:22:55,238 --> 01:22:57,940 * I GOT SOMETHING TO PROVE * 1850 01:22:57,940 --> 01:23:00,443 * I'M STANDIN' ON A ROCK * 1851 01:23:00,443 --> 01:23:03,279 * AND I AIN'T GONNA MOVE * 1852 01:23:04,580 --> 01:23:09,785 * YOU MIGHT BE HAPPY FLYIN' AIRPLANES * 1853 01:23:09,785 --> 01:23:15,191 * YOU MIGHT BE HAPPY BUILDIN' CARS * 1854 01:23:15,191 --> 01:23:20,396 * SOME PEOPLE ALWAYS DO THE RIGHT THING * 1855 01:23:20,396 --> 01:23:24,400 * SOME PEOPLE NEVER GET THAT FAR * 1856 01:23:24,400 --> 01:23:27,136 * I'M STANDIN' ON A ROCK * 1857 01:23:27,136 --> 01:23:29,872 * AND I AIN'T GOIN' NOWHERE * 1858 01:23:29,872 --> 01:23:32,375 * I'M STANDIN' ON A ROCK * 1859 01:23:32,375 --> 01:23:34,243 * AND I AIN'T GONNA MOVE * 1860 01:23:34,243 --> 01:23:36,712 MIRANDA, WHERE'S MY BLUE SHIRT? 1861 01:23:36,712 --> 01:23:37,913 IN THE HAMPER. 1862 01:23:37,913 --> 01:23:40,249 I HAVEN'T WORN IT SINCE I WASHED IT. 1863 01:23:40,249 --> 01:23:42,385 I GUESS SOMEBODY ELSE WORE IT, THEN. 1864 01:23:42,385 --> 01:23:44,153 OUGHTN'T YOU TO WASH IT, THEN? 1865 01:23:44,153 --> 01:23:45,654 I'M NOT YOUR MAID. 1866 01:23:45,654 --> 01:23:48,257 MIRANDA, YOU CAN WEAR MY SHIRT IF YOU LIKE. 1867 01:23:48,257 --> 01:23:50,393 HOWEVER, YOUR DIRT MAKES IT YOUR LAUNDRY. 1868 01:23:50,393 --> 01:23:52,128 JAMES, IT'S NOT THAT DIRTY. 1869 01:23:52,128 --> 01:23:53,362 YOU COULD WEAR IT. 1870 01:23:53,362 --> 01:23:55,498 I CAN'T. IT SMELLS LIKE YOUR SOAP. 1871 01:23:55,498 --> 01:23:58,367 I CAN'T STAND EVERYTHING SMELLING LIKE THAT SOAP! 1872 01:23:58,367 --> 01:24:00,969 MY SOAP IS STARTING TO SMELL LIKE YOUR SOAP! 1873 01:24:00,969 --> 01:24:03,106 THEN YOU MIGHT AS WELL WEAR THE SHIRT. 1874 01:24:03,106 --> 01:24:04,907 YOU'RE IMPOSSIBLE TO LIVE WITH. 1875 01:24:04,907 --> 01:24:06,275 HOW WOULD YOU KNOW? 1876 01:24:06,275 --> 01:24:08,277 LOCK YOURSELF IN A ROOM FOR THREE DAYS, 1877 01:24:08,277 --> 01:24:10,779 THEN COME OUT AND SAY, "WHERE'S MY BLUE SHIRT?" 1878 01:24:10,779 --> 01:24:13,982 AND WHEN ARE YOU EVER AWAKE DURING THE DAYLIGHT HOURS? 1879 01:24:13,982 --> 01:24:15,384 THAT IS NOT THE POINT! 1880 01:24:15,384 --> 01:24:17,520 YOU GO INSIDE, YOU LOCK THE DOOR, 1881 01:24:17,520 --> 01:24:19,522 AND I'M NOT EVEN ALLOWED IN. 1882 01:24:19,522 --> 01:24:21,657 HOW COME YOU GET A ROOM LIKE THAT? 1883 01:24:21,657 --> 01:24:23,659 'CAUSE YOU'RE SUCH A BRILLIANT WRITER 1884 01:24:23,659 --> 01:24:26,862 AND I'LL NEVER BE ANYWHERE NEAR AS GOOD AS YOU? 1885 01:24:26,862 --> 01:24:28,531 WHY DO YOU GET A ROOM? 1886 01:24:28,531 --> 01:24:30,733 I'VE LIVED HERE FOR A WHILE. 1887 01:24:30,733 --> 01:24:31,634 I PAY THE RENT. 1888 01:24:31,634 --> 01:24:32,835 OHH! 1889 01:24:32,835 --> 01:24:36,038 I WAS NOT PLANNING ON HAVING YOU SUPPORT ME, 1890 01:24:36,038 --> 01:24:37,540 IF THAT'S WHAT YOU THOUGHT. 1891 01:24:37,540 --> 01:24:38,441 NO. 1892 01:24:38,441 --> 01:24:40,309 RENT'S NOT DUE FOR A WEEK, 1893 01:24:40,309 --> 01:24:42,311 BUT I'LL GIVE IT TO YOU NOW 1894 01:24:42,311 --> 01:24:44,580 SO YOU DON'T THINK I'M TRYING TO SCAM YOU. 1895 01:24:44,580 --> 01:24:46,182 MAYBE I ALWAYS MARRY GUYS 1896 01:24:46,182 --> 01:24:50,186 SO I CAN LIVE IN A HOUSE FOR FREE AND BE IGNORED. 1897 01:24:52,888 --> 01:24:54,890 SEEMS AS THOUGH YOU'VE MADE A CHECK OUT 1898 01:24:54,890 --> 01:24:56,992 FOR "SELFISH ARROGANT DICKHEAD." 1899 01:24:56,992 --> 01:24:58,227 MM-HMM. 1900 01:24:58,227 --> 01:25:01,430 THEY'LL CASH IT. THEY KNOW IT'S YOU. 1901 01:25:01,430 --> 01:25:03,232 THEY DO? 1902 01:25:03,232 --> 01:25:05,734 WHAT IS A DICKHEAD, EXACTLY? 1903 01:25:05,734 --> 01:25:07,170 YOU. 1904 01:25:07,170 --> 01:25:10,639 IF I'M A DICKHEAD AND YOU'RE MARRIED TO A DICKHEAD, 1905 01:25:10,639 --> 01:25:13,108 WHAT DOES THAT MAKE YOU? 1906 01:25:13,108 --> 01:25:15,244 AN IDIOT. 1907 01:25:15,244 --> 01:25:17,646 YOU'D THINK WE'D BE THE PERFECT MATCH-- 1908 01:25:17,646 --> 01:25:21,717 AN IDIOT... AND A DICKHEAD. 1909 01:25:21,717 --> 01:25:23,118 YOU WOULD THINK. 1910 01:25:23,118 --> 01:25:25,254 OUR FIRST FIGHT. 1911 01:25:27,256 --> 01:25:29,258 I'M NOT GOING TO WASH YOUR SHIRT. 1912 01:25:29,258 --> 01:25:31,126 I KNOW THAT. 1913 01:25:37,366 --> 01:25:41,337 * YOU DON'T KNOW WHAT SHE'LL DO * 1914 01:25:43,172 --> 01:25:46,041 * MAKES ME THINK MAYBE * 1915 01:25:46,041 --> 01:25:48,477 * GOD'S A WOMAN, TOO * 1916 01:25:48,477 --> 01:25:51,347 * MAKES ME THINK MAYBE * 1917 01:25:51,347 --> 01:25:53,716 * GOD'S A WOMAN, TOO * 1918 01:25:53,716 --> 01:25:56,985 I DON'T KNOW ABOUT THAT LAST LINE. 1919 01:25:56,985 --> 01:25:58,387 BEST LINE IN YOUR SONG. 1920 01:25:58,387 --> 01:25:59,755 HELL OF A LINE. 1921 01:25:59,755 --> 01:26:00,756 REALLY? 1922 01:26:00,756 --> 01:26:02,391 YEAH, ABSOLUTELY. 1923 01:26:02,391 --> 01:26:05,127 WELL, YOU'RE THE EXPERT, RIGHT? 1924 01:26:05,127 --> 01:26:07,530 OH, I HAVE THAT MONEY I OWE YOU. 1925 01:26:08,897 --> 01:26:11,200 NOW WE'RE EVEN. 1926 01:26:11,200 --> 01:26:13,436 HEY, COME ON. SHE'S LETTING PEOPLE IN. 1927 01:26:13,436 --> 01:26:15,304 COME ON, GET ON THE STICK. 1928 01:26:15,304 --> 01:26:16,739 DON'T BE LATE. 1929 01:26:16,739 --> 01:26:17,806 GOOD LUCK TODAY. 1930 01:26:17,806 --> 01:26:19,608 THANKS, NED. 1931 01:26:19,608 --> 01:26:20,676 COME ON. 1932 01:26:22,278 --> 01:26:24,447 LET'S SEE... 1933 01:26:24,447 --> 01:26:26,415 * TONIGHT * 1934 01:26:26,415 --> 01:26:29,518 * WHOLE WORLD'S GOIN' CRAZY * 1935 01:26:29,518 --> 01:26:33,689 * ALMOST AS CRAZY AS I FEEL * 1936 01:26:34,590 --> 01:26:38,627 * THERE'S A COLD RAIN * 1937 01:26:38,627 --> 01:26:41,530 * ISN'T IT AMAZING? * 1938 01:26:41,530 --> 01:26:45,100 * THAT'S NOT SUPPOSED TO BE THE DEAL * 1939 01:26:45,100 --> 01:26:50,138 * THERE'LL BE TORNADOES IN THE TRAILER PARK * 1940 01:26:50,138 --> 01:26:53,476 * AN ECLIPSE WILL MAKE THE WHOLE WORLD DARK * 1941 01:26:53,476 --> 01:26:56,379 * JUST WHEN YOU THINK SHE'S GOT NO HEART * 1942 01:26:56,379 --> 01:26:58,614 * SHE'LL BREAK A SUNNY DAY * 1943 01:26:58,614 --> 01:27:03,252 * MOTHER NATURE... * 1944 01:27:04,987 --> 01:27:06,255 YEAH. 1945 01:27:06,255 --> 01:27:07,990 THANK YOU. 1946 01:27:07,990 --> 01:27:09,492 IF I CALL YOUR NAME, 1947 01:27:09,492 --> 01:27:12,461 IT MEANS YOU'RE GOING TO PLAY HERE SATURDAY NIGHT, 1948 01:27:12,461 --> 01:27:15,264 AND GET HERE BEFORE 7:00. 1949 01:27:15,264 --> 01:27:17,132 CAROL ANN HARRIS. 1950 01:27:17,132 --> 01:27:18,867 JERRY WARD. 1951 01:27:18,867 --> 01:27:20,469 RUSSELL CROWNE. 1952 01:27:20,469 --> 01:27:22,971 JOANNE DANIEL. 1953 01:27:22,971 --> 01:27:24,072 LESTER SHARPE. 1954 01:27:24,072 --> 01:27:26,409 CONGRATULATIONS, EVERYBODY. 1955 01:27:34,016 --> 01:27:36,819 WELL, GOT TO GET TO WORK. 1956 01:27:42,291 --> 01:27:44,693 WELL, THAT SOUNDS LIKE A DEAL. 1957 01:27:44,693 --> 01:27:46,161 SURE WILL. 1958 01:27:46,161 --> 01:27:48,030 I'LL SEE YOU TOMORROW. 1959 01:27:48,964 --> 01:27:50,032 GOD BLESS. 1960 01:28:00,376 --> 01:28:02,244 OH, MY BABY. 1961 01:28:02,244 --> 01:28:03,245 HEY. 1962 01:28:03,245 --> 01:28:04,246 DARLIN' MIRANDA. 1963 01:28:04,246 --> 01:28:05,481 WHAT ARE YOU DOING? 1964 01:28:05,481 --> 01:28:07,850 GUESS WHAT HAPPENED. I TALKED TO R.C. 1965 01:28:07,850 --> 01:28:08,851 YEAH? 1966 01:28:08,851 --> 01:28:09,852 I WORKED THINGS OUT. 1967 01:28:09,852 --> 01:28:12,054 I LEAVE FOR AUSTIN THIS EVENING. 1968 01:28:12,054 --> 01:28:13,255 FOR AUSTIN? 1969 01:28:13,255 --> 01:28:14,923 HE'S GIVING ME COMPLETE CREATIVE CONTROL. 1970 01:28:14,923 --> 01:28:18,661 I HAVE TO GIVE HIM A BUCK EVERY TIME I SMACK SOMEONE. 1971 01:28:18,661 --> 01:28:20,529 HOW LONG WILL YOU BE GONE? 1972 01:28:20,529 --> 01:28:22,531 DON'T KNOW. A MONTH OR TWO. 1973 01:28:22,531 --> 01:28:24,533 A RECORD, IT'LL TAKE SOME TIME, NO DOUBT. 1974 01:28:24,533 --> 01:28:26,869 WOW, A MONTH OR TWO. 1975 01:28:26,869 --> 01:28:28,270 WHAT ABOUT ME? 1976 01:28:28,270 --> 01:28:30,272 YOU GOING TO QUIT YOUR JOB 1977 01:28:30,272 --> 01:28:32,408 JUST TO HANG AROUND AND WATCH ME RECORD? 1978 01:28:32,408 --> 01:28:35,478 I THOUGHT YOU'D WANT TO STAY HERE, HAVE A LIFE, 1979 01:28:35,478 --> 01:28:37,346 SETTLE INTO OUR HOUSE. 1980 01:28:38,280 --> 01:28:39,882 AND DO WHAT? 1981 01:28:39,882 --> 01:28:40,883 DO WHAT? 1982 01:28:40,883 --> 01:28:42,150 DON'T KNOW. 1983 01:28:42,150 --> 01:28:43,552 WHAT DOES ONE DO, ANYWAY? 1984 01:28:43,552 --> 01:28:45,554 THERE'S A NUMBER OF THINGS YOU COULD DO. 1985 01:28:45,554 --> 01:28:47,089 YOU COULD WRITE SONGS, BIRD-WATCH. 1986 01:28:47,089 --> 01:28:50,292 OH, JAMES, WHY DON'T YOU JUST BE STRAIGHT WITH ME? 1987 01:28:50,292 --> 01:28:52,260 YOU DON'T WANT ME TO GO ALONG. 1988 01:28:52,260 --> 01:28:53,662 EVER SINCE WE GOT MARRIED, 1989 01:28:53,662 --> 01:28:55,030 YOU'VE BEEN PUSHING ME AWAY. 1990 01:28:55,030 --> 01:28:56,432 I'M NOT SAYING THAT. 1991 01:28:56,432 --> 01:28:59,668 WERE YOU PLANNING ON ASKING ME TO GO WITH YOU? 1992 01:28:59,668 --> 01:29:02,137 I HAVEN'T GIVEN IT MUCH THOUGHT. 1993 01:29:02,137 --> 01:29:03,539 NO, OBVIOUSLY NOT. 1994 01:29:03,539 --> 01:29:06,274 AM I TO TAKE CARE OF YOU, 1995 01:29:06,274 --> 01:29:08,276 MYSELF, MY MUSIC? 1996 01:29:08,276 --> 01:29:09,545 TAKE CARE OF ME? 1997 01:29:09,545 --> 01:29:10,546 YOUR TROUBLES. 1998 01:29:10,546 --> 01:29:12,147 MY--MY TROUBLES? 1999 01:29:12,147 --> 01:29:13,315 IS THIS IT? 2000 01:29:13,315 --> 01:29:15,317 WHAT TROUBLES WOULD THOSE BE? 2001 01:29:15,317 --> 01:29:17,119 WHAT, THE FACT THAT I'M YOUR WIFE 2002 01:29:17,119 --> 01:29:19,321 AND YOU'RE SPLITTING TOWN FOR TWO MONTHS 2003 01:29:19,321 --> 01:29:21,957 AND YOU DON'T EVEN ASK ME TO GO? 2004 01:29:21,957 --> 01:29:23,959 IS THAT THE TROUBLES YOU'RE SPEAKING OF? 2005 01:29:23,959 --> 01:29:26,962 MAYBE I'M NOT THE MARRYING TYPE IF MARRIAGE IS THIS. 2006 01:29:26,962 --> 01:29:29,965 IF YOU'RE SO SCARED OF TURNING OUT LIKE YOUR FATHER, 2007 01:29:29,965 --> 01:29:32,167 YOU BETTER TAKE A GOOD LOOK AT YOURSELF. 2008 01:29:32,167 --> 01:29:33,335 ARE YOU DRUNK? 2009 01:29:33,335 --> 01:29:36,572 AM I...WHAT? AM I DRUNK? 2010 01:29:36,572 --> 01:29:38,574 WHY? WHY WOULD YOU SAY THAT? 2011 01:29:38,574 --> 01:29:40,576 BECAUSE YOUR MOTHER HAD TO GET DRUNK 2012 01:29:40,576 --> 01:29:41,977 TO DEAL WITH YOUR FATHER? 2013 01:29:41,977 --> 01:29:44,212 YOU KNOW, YOU ACT SO INTENSE, 2014 01:29:44,212 --> 01:29:45,247 SO CALM, 2015 01:29:45,247 --> 01:29:46,715 SO COOL AND COLLECTED. 2016 01:29:46,715 --> 01:29:49,452 THE TRUTH IS, YOU'RE SO FUCKING SCARED. 2017 01:29:49,452 --> 01:29:51,454 YOU'RE AS SCARED AS A LITTLE BOY. 2018 01:29:51,454 --> 01:29:52,721 GET AWAY. 2019 01:29:53,689 --> 01:29:55,758 IT DOESN'T HAVE TO GET THIS UGLY. 2020 01:30:02,465 --> 01:30:04,967 I DIVORCE YOU, 2021 01:30:04,967 --> 01:30:07,235 I DIVORCE YOU, 2022 01:30:07,235 --> 01:30:08,871 I DIVORCE YOU. 2023 01:30:46,575 --> 01:30:48,577 * CRAZY * 2024 01:30:48,577 --> 01:30:51,046 * I'M CRAZY FOR FEELIN' * 2025 01:30:51,046 --> 01:30:53,982 YOU CALL ME UP, AND YOU TELL ME YOU'RE DIVORCED 2026 01:30:53,982 --> 01:30:56,719 AND THAT YOU DON'T WANT TO TALK ABOUT IT ANYMORE. 2027 01:30:56,719 --> 01:30:57,986 * I'M CRAZY * 2028 01:30:57,986 --> 01:30:59,988 I STILL DON'T WANT TO TALK ABOUT IT. 2029 01:30:59,988 --> 01:31:03,325 WHEN DO YOU THINK YOU MIGHT LIKE TO TALK ABOUT IT? 2030 01:31:03,325 --> 01:31:05,327 DO YOU LOVE ME, KYLE? 2031 01:31:05,327 --> 01:31:06,862 UH, WH-WHAT? 2032 01:31:06,862 --> 01:31:09,297 ARE YOU IN LOVE WITH ME? 2033 01:31:09,297 --> 01:31:10,999 STRAIGHT ANSWER. 2034 01:31:12,300 --> 01:31:16,071 YOU--YOU WANT ME TO TELL YOU HOW I FEEL ABOUT YOU? 2035 01:31:16,071 --> 01:31:17,205 YEAH. 2036 01:31:19,074 --> 01:31:20,342 O.K. 2037 01:31:20,342 --> 01:31:21,610 O.K. 2038 01:31:21,610 --> 01:31:23,879 UH... 2039 01:31:23,879 --> 01:31:26,882 SOMETIMES YOU HEAR A SONG ON THE RADIO, 2040 01:31:26,882 --> 01:31:29,885 AND IT'S JUST THE SONG YOU WANT TO HEAR RIGHT THEN, 2041 01:31:29,885 --> 01:31:33,221 AND THEN IT'S OVER, AND YOU'RE JUST GLAD YOU HEARD IT. 2042 01:31:33,221 --> 01:31:35,991 AND I'M LIKE THAT SONG? 2043 01:31:35,991 --> 01:31:36,892 NO. 2044 01:31:36,892 --> 01:31:38,493 YOU'RE NOTHING LIKE THAT SONG. 2045 01:31:38,493 --> 01:31:40,428 YOU'RE LIKE IF THERE WAS... 2046 01:31:40,428 --> 01:31:46,101 ONE SONG IN THE WORLD THAT I COULD HEAR FOR THE REST OF MY LIFE. 2047 01:31:46,101 --> 01:31:47,870 YOU'RE THAT SONG. 2048 01:31:49,137 --> 01:31:51,640 KIND OF LIKE YOUR FAVORITE SONG, 2049 01:31:51,640 --> 01:31:52,507 YOU MEAN. 2050 01:31:52,507 --> 01:31:53,609 DON'T DO THAT. 2051 01:31:53,609 --> 01:31:55,644 I USED TO HAVE A FAVORITE SONG. 2052 01:31:55,644 --> 01:31:57,012 DON'T MAKE A CLICHE. 2053 01:31:57,012 --> 01:32:00,348 YOU ASKED ME, SO I TOLD YOU. 2054 01:32:00,348 --> 01:32:02,217 I'M SORRY. 2055 01:32:02,217 --> 01:32:03,285 YOU'RE RIGHT. 2056 01:32:09,491 --> 01:32:12,761 I DON'T KNOW WHAT I'M DOING. 2057 01:32:12,761 --> 01:32:16,364 I THINK I'M JUST GOING TO GO HOME TO NEW YORK. 2058 01:32:16,364 --> 01:32:18,166 WHY? 2059 01:32:18,166 --> 01:32:21,970 BECAUSE NOTHING IN MY LIFE IS WORKING HERE. 2060 01:32:21,970 --> 01:32:23,906 UH... 2061 01:32:23,906 --> 01:32:26,909 WHY DID YOU COME TO NASHVILLE? 2062 01:32:26,909 --> 01:32:29,778 YOU CAME HERE TO FIND YOURSELF, RIGHT? 2063 01:32:29,778 --> 01:32:32,781 WELL, GUESS WHAT. IN NEW YORK... 2064 01:32:32,781 --> 01:32:35,651 YOU'RE GOING TO BE LOOKING FOR THE SAME PERSON. 2065 01:32:42,658 --> 01:32:44,059 OH, HI, HON. 2066 01:32:44,059 --> 01:32:46,261 I DIDN'T THINK YOU WERE WORKING TONIGHT. 2067 01:32:46,261 --> 01:32:48,130 NO, I'M NOT. UM... 2068 01:32:48,130 --> 01:32:49,531 I'M QUITTING. 2069 01:32:49,531 --> 01:32:52,067 I'M GOING TO GO BACK TO NEW YORK, 2070 01:32:52,067 --> 01:32:54,603 SO DON'T TRY AND TALK ME OUT OF IT. 2071 01:32:54,603 --> 01:32:57,339 WELL, I WON'T. 2072 01:32:57,339 --> 01:32:59,341 I'LL JUST SAY GOODBYE. 2073 01:32:59,341 --> 01:33:00,709 COME HERE. 2074 01:33:10,719 --> 01:33:13,789 * BUT REGARDLESS * 2075 01:33:13,789 --> 01:33:17,025 * OF WHAT LOVE IS * 2076 01:33:17,025 --> 01:33:19,928 * WE ARE ALL BLESSED * 2077 01:33:19,928 --> 01:33:23,632 * JUST THAT LOVE IS * 2078 01:33:25,233 --> 01:33:29,171 YOU GOT IT, JAMES. YOU'RE COOKING, BUDDY. 2079 01:33:35,778 --> 01:33:37,412 YOUR ATTENTION, PLEASE. 2080 01:33:37,412 --> 01:33:41,850 THIS IS THE FINAL CALL FOR BUS 18 TO NEW YORK CITY. 2081 01:33:41,850 --> 01:33:44,252 BUS 18 FOR NEW YORK CITY, 2082 01:33:44,252 --> 01:33:47,189 THIS IS YOUR FINAL BOARDING CALL. 2083 01:34:10,545 --> 01:34:15,050 * MAMA TOLD HER BABY GIRL, TAKE IT REAL SLOW * 2084 01:34:15,050 --> 01:34:18,787 * GIRL TOLD HER MAMA, HEY, I REALLY GOT TO GO * 2085 01:34:18,787 --> 01:34:22,290 * HE'S WAITIN' IN THE CAR * 2086 01:34:22,290 --> 01:34:27,595 * MAMA SAID, GIRL, YOU WON'T GET FAR * 2087 01:34:27,595 --> 01:34:32,100 * THUS ARE THE DREAMS OF AN AVERAGE JANE * 2088 01:34:32,100 --> 01:34:36,204 * 90 MILES AN HOUR DOWN A LOVERS' LANE * 2089 01:34:36,204 --> 01:34:39,341 * ON A TANK OF DREAMS * 2090 01:34:39,341 --> 01:34:44,479 * OH, IF SHE COULD'VE ONLY SEEN * 2091 01:34:44,479 --> 01:34:51,586 * THE FACE GOD CARVES THAT IT DON'T WANT TO SHOW * 2092 01:34:51,586 --> 01:34:55,590 * AND THAT BOY'S JUST A WALK-AWAY JOE * 2093 01:34:55,590 --> 01:34:57,259 * BORN TO BE A LEAVER * 2094 01:34:57,259 --> 01:34:59,795 * TELL YOU FROM THE WORD GO * 2095 01:34:59,795 --> 01:35:01,463 * DESTINED TO DECEIVE HER * 2096 01:35:01,463 --> 01:35:05,367 * HE'S THE WRONG KIND OF PARADISE * 2097 01:35:05,367 --> 01:35:09,071 * SHE'S GONNA KNOW IT IN A MATTER OF TIME * 2098 01:35:09,071 --> 01:35:13,308 * THAT BOY'S JUST A WALK-AWAY JOE * 2099 01:35:14,076 --> 01:35:17,412 * OOH, YEAH * 2100 01:35:17,412 --> 01:35:21,850 * ALL HE WAS WAS A WALK-AWAY JOE * 2101 01:35:22,717 --> 01:35:25,287 * OOH OOH OOH * 2102 01:35:25,287 --> 01:35:29,357 * I'VE BEEN LOST * 2103 01:35:29,357 --> 01:35:31,526 * ON STREETS OF PLENTY... * 2104 01:35:31,526 --> 01:35:33,228 I'LL CALL HIM LATER. 2105 01:35:33,228 --> 01:35:35,497 THIS IS ONE HELL OF A TAKE, JAMES. 2106 01:35:35,497 --> 01:35:36,899 ONE HELL OF A TAKE! 2107 01:35:36,899 --> 01:35:38,566 WHAT'S THE MATTER, BUDDY? 2108 01:35:38,566 --> 01:35:40,668 NOTHIN'. 2109 01:35:40,668 --> 01:35:42,070 NO, THIS IS A-- 2110 01:35:42,070 --> 01:35:44,272 THIS IS A GOOD TAKE. 2111 01:35:44,272 --> 01:35:45,273 YOU LIKE IT. 2112 01:35:45,273 --> 01:35:46,274 MMM. 2113 01:35:46,274 --> 01:35:48,010 ABSOLUTELY. 2114 01:35:48,010 --> 01:35:51,513 * AIN'T WORTH A QUARTER * 2115 01:35:53,181 --> 01:35:56,284 * IT'S MUDDY WATER * 2116 01:35:57,652 --> 01:36:02,190 * UNTIL NOW * 2117 01:36:02,190 --> 01:36:06,728 * THERE'S A LIGHT * 2118 01:36:06,728 --> 01:36:11,033 * THAT SHINES FOREVER * 2119 01:36:12,000 --> 01:36:14,870 * THERE'S A LIGHT * 2120 01:36:15,737 --> 01:36:20,675 * THAT SHINES FOR ME * 2121 01:36:20,675 --> 01:36:23,311 * THERE'S A LIGHT * 2122 01:36:24,947 --> 01:36:29,684 * MY FOOTSTEPS GUIDIN' * 2123 01:36:29,684 --> 01:36:34,689 * FOR I'VE BEEN HIDIN' * 2124 01:36:34,689 --> 01:36:37,459 * UNTIL NOW * 2125 01:36:38,827 --> 01:36:41,930 * THE LOVE I FOUND * 2126 01:36:43,565 --> 01:36:48,036 * WAS DARK AND DUSTY * 2127 01:36:48,036 --> 01:36:51,806 * FOR I MISTRUSTED * 2128 01:36:52,908 --> 01:36:57,212 * UNTIL NOW * 2129 01:37:31,279 --> 01:37:32,580 AHEM. 2130 01:37:34,282 --> 01:37:35,683 SHE LEFT TOWN? 2131 01:37:35,683 --> 01:37:37,085 WELL, YES, SHE DID. 2132 01:37:37,085 --> 01:37:39,354 WHERE TO? DO YOU KNOW? 2133 01:37:39,354 --> 01:37:41,356 YOU DID THE RIGHT THING, JAMES. 2134 01:37:41,356 --> 01:37:43,358 YOU CAME BACK FOR HER. 2135 01:37:43,358 --> 01:37:45,961 THANK YOU. NEW YORK? IS THAT WHERE SHE WENT? 2136 01:37:45,961 --> 01:37:47,562 I DON'T KNOW, JAMES. 2137 01:37:47,562 --> 01:37:48,630 HOME? 2138 01:38:04,246 --> 01:38:05,480 KYLE. 2139 01:38:12,554 --> 01:38:14,556 IT'S GOOD TO SEE YOU. 2140 01:38:14,556 --> 01:38:16,959 WHAT'S GOING ON? 2141 01:38:17,692 --> 01:38:19,561 MIRANDA LEFT ME. 2142 01:38:21,729 --> 01:38:22,530 OH, YEAH? 2143 01:38:22,530 --> 01:38:23,531 YEAH. 2144 01:38:23,531 --> 01:38:26,734 DID SHE GO TO NEW YORK? I MEAN, SHE-- 2145 01:38:26,734 --> 01:38:27,769 DID SHE? 2146 01:38:27,769 --> 01:38:29,171 SHE SAID SHE MIGHT. 2147 01:38:29,171 --> 01:38:32,440 O.K. THAT'S WHAT I WANT TO HEAR, THE TRUTH. 2148 01:38:35,243 --> 01:38:36,478 SHIT. 2149 01:38:39,347 --> 01:38:40,748 I'M SORRY. 2150 01:38:40,748 --> 01:38:42,850 NO. 2151 01:38:42,850 --> 01:38:44,352 I'M SORRY... ABOUT EVERYTHING. 2152 01:38:44,352 --> 01:38:47,956 NO, I JUST--I JUST-- I JUST MEAN THAT... 2153 01:38:47,956 --> 01:38:50,358 LOOK, IT REMINDS OF THE OLD STORY 2154 01:38:50,358 --> 01:38:52,894 OF THE GREEN KING AND THE RED KING, 2155 01:38:52,894 --> 01:38:55,297 WHERE THEY BATTLE EACH OTHER EACH YEAR 2156 01:38:55,297 --> 01:38:57,899 FOR THE FAVOR OF THE LADY IN WHITE. 2157 01:38:57,899 --> 01:38:59,301 TAKE TURNS DYING. 2158 01:38:59,301 --> 01:39:01,903 WHAT DO YOU MEAN, I'M DEAD THIS YEAR? 2159 01:39:01,903 --> 01:39:02,904 WELL... 2160 01:39:02,904 --> 01:39:04,506 THIS YEAR WE'VE BOTH, UM... 2161 01:39:04,506 --> 01:39:05,640 KICKED THE BUCKET. 2162 01:39:05,640 --> 01:39:07,042 YEAH. 2163 01:39:07,042 --> 01:39:11,179 WHAT I'M SAYING IS, IT'S THE NATURE OF THINGS. 2164 01:39:11,179 --> 01:39:13,448 TWO GUYS AND A... 2165 01:39:13,448 --> 01:39:14,716 A GIRL. 2166 01:39:17,052 --> 01:39:18,453 SEE WHAT I MEAN? 2167 01:39:18,453 --> 01:39:21,723 IT'S THE OLDEST STORY IN THE BOOK. 2168 01:39:23,825 --> 01:39:25,493 EXCEPT I BLEW IT. 2169 01:39:29,164 --> 01:39:31,833 * I'VE GOT A HEART * 2170 01:39:31,833 --> 01:39:37,172 * AND, BABY, THAT'S MY PROBLEM * 2171 01:39:37,172 --> 01:39:39,507 * I WANNA KNOW... * 2172 01:39:42,777 --> 01:39:45,347 * MUSCLE AND BLOOD * 2173 01:39:45,347 --> 01:39:47,249 * I KNOW NOW * 2174 01:39:47,249 --> 01:39:50,352 * WHAT ROAD I'M ON * 2175 01:39:50,352 --> 01:39:52,387 * I'M A VAGABOND * 2176 01:39:52,387 --> 01:39:55,490 * ON THE STREETS OF LOVE * 2177 01:40:04,232 --> 01:40:06,701 * I'M MORE * 2178 01:40:06,701 --> 01:40:09,704 * LIKE MYSELF NOW * 2179 01:40:09,704 --> 01:40:15,009 * THAN I EVER WAS * 2180 01:40:15,009 --> 01:40:17,445 * AND I * 2181 01:40:17,445 --> 01:40:20,282 * DON'T REGRET IT, BABY * 2182 01:40:20,282 --> 01:40:24,452 * I'M NOT AFRAID OF WANTING YOU * 2183 01:40:26,254 --> 01:40:28,022 * I KNOW NOW * 2184 01:40:28,022 --> 01:40:30,725 * WHAT I'M MADE OF * 2185 01:40:30,725 --> 01:40:33,728 * SKIN AND BONE * 2186 01:40:33,728 --> 01:40:36,498 * MUSCLE AND BLOOD * 2187 01:40:36,498 --> 01:40:41,269 * I KNOW NOW WHAT ROAD I'M ON * 2188 01:40:41,269 --> 01:40:43,538 * I'M A VAGABOND * 2189 01:40:43,538 --> 01:40:47,142 * ON THE STREETS OF LOVE... * 2190 01:40:47,142 --> 01:40:48,976 HEY, LUCY. 2191 01:40:48,976 --> 01:40:50,578 WELL, LOOK WHO'S HERE. 2192 01:40:50,578 --> 01:40:51,979 I GOT A SONG. 2193 01:40:51,979 --> 01:40:54,316 YEAH? WELL, YOUR HUSBAND'S OVER THERE. 2194 01:40:54,316 --> 01:40:56,318 HE CAME BACK FOR YOU. 2195 01:40:56,318 --> 01:40:58,920 WELL, I CAME BACK FOR MYSELF. 2196 01:40:58,920 --> 01:41:00,322 GOOD FOR YOU. 2197 01:41:00,322 --> 01:41:01,723 LISTEN, YOU THINK 2198 01:41:01,723 --> 01:41:05,127 YOU COULD BREAK ONE OF THOSE RULES FOR ONCE? 2199 01:41:05,127 --> 01:41:07,095 WELL... 2200 01:41:07,095 --> 01:41:08,096 YOU READY? 2201 01:41:08,096 --> 01:41:09,531 YES, MA'AM. 2202 01:41:09,531 --> 01:41:13,067 WELL, THEN LET'S SEE WHAT WE CAN DO. 2203 01:41:13,067 --> 01:41:14,569 ALL RIGHT. 2204 01:41:17,205 --> 01:41:19,307 * I KNOW NOW * 2205 01:41:19,307 --> 01:41:22,410 * WHAT I'M MADE OF * 2206 01:41:22,410 --> 01:41:24,779 * SKIN AND BONE * 2207 01:41:24,779 --> 01:41:27,649 * MUSCLE AND BLOOD * 2208 01:41:27,649 --> 01:41:32,787 * I KNOW NOW WHAT ROAD I'M ON * 2209 01:41:32,787 --> 01:41:34,422 * I'M A VAGABOND * 2210 01:41:34,422 --> 01:41:37,192 * ON THE STREETS OF LOVE * 2211 01:41:37,192 --> 01:41:39,994 * HONEY, I'M A VAGABOND * 2212 01:41:39,994 --> 01:41:43,498 * ON THE STREETS OF LOVE * 2213 01:41:59,214 --> 01:42:01,816 WELL, WE THOUGHT THAT WAS IT, 2214 01:42:01,816 --> 01:42:03,017 BUT IT TURNS OUT THAT... 2215 01:42:03,017 --> 01:42:06,087 MIRANDA PRESLEY IS THE FAT LADY FOR TONIGHT. 2216 01:42:06,087 --> 01:42:07,088 GREAT SONG. 2217 01:42:07,088 --> 01:42:08,089 HEY. 2218 01:42:08,089 --> 01:42:09,624 I'M REALLY PROUD OF YOU. 2219 01:42:09,624 --> 01:42:12,227 YEAH, UM, I'M GLAD YOU CAME BACK. 2220 01:42:12,227 --> 01:42:13,828 YEAH, ME, TOO. 2221 01:42:13,828 --> 01:42:14,829 GOOD. 2222 01:42:14,829 --> 01:42:15,897 GOOD LUCK. 2223 01:42:19,801 --> 01:42:21,169 UH... 2224 01:42:22,770 --> 01:42:24,439 THIS IS SOMETHING NEW. 2225 01:42:31,346 --> 01:42:34,916 * I HAVE A DREAM OF MY OWN * 2226 01:42:34,916 --> 01:42:38,386 * AND IT'S MINE AND MINE ALONE * 2227 01:42:38,386 --> 01:42:40,154 * IT'S BEEN MY FRIEND * 2228 01:42:40,154 --> 01:42:43,891 * SINCE I WAS JUST A GIRL * 2229 01:42:43,891 --> 01:42:45,527 * IT HAS A LIFE * 2230 01:42:45,527 --> 01:42:47,262 * IT HAS A HEART * 2231 01:42:47,262 --> 01:42:48,630 * HAS A SOUL * 2232 01:42:48,630 --> 01:42:50,798 * AND IT'S A PART * 2233 01:42:50,798 --> 01:42:55,337 * OF EVERYTHING THIS WOMAN GIVES THE WORLD * 2234 01:42:56,238 --> 01:43:00,308 * AND IT'S A BIG DREAM * 2235 01:43:00,308 --> 01:43:02,577 * BIG ENOUGH TO SHARE * 2236 01:43:02,577 --> 01:43:06,414 * LIKE A RAINBOW * 2237 01:43:06,414 --> 01:43:08,816 * HANGIN' IN THE AIR * 2238 01:43:08,816 --> 01:43:14,188 * AND I THANK GOD FOR MAKIN' IT COME TRUE * 2239 01:43:16,023 --> 01:43:18,560 * MAKES ME THINK MAYBE * 2240 01:43:18,560 --> 01:43:21,195 * GOD'S A WOMAN, TOO * 2241 01:43:21,195 --> 01:43:26,768 * MAKES ME THINK MAYBE GOD'S A WOMAN, TOO * 2242 01:43:29,971 --> 01:43:33,475 * THERE'S A FULL MOON TONIGHT * 2243 01:43:33,475 --> 01:43:37,178 * AND I'M BATHING IN ITS LIGHT * 2244 01:43:37,178 --> 01:43:39,180 * NAKED AS THE DAY * 2245 01:43:39,180 --> 01:43:42,417 * THAT I WAS BORN * 2246 01:43:42,417 --> 01:43:45,787 * THERE IS NO SHAME BENEATH THIS SKY * 2247 01:43:45,787 --> 01:43:49,424 * I HAVE KISSED THE PAST GOODBYE * 2248 01:43:49,424 --> 01:43:54,562 * AND MENDED UP MY BROKEN HEART SO TORN * 2249 01:43:55,430 --> 01:43:59,000 * WITH A SWEET SOUND * 2250 01:43:59,000 --> 01:44:01,102 * ONLY I CAN MAKE * 2251 01:44:01,102 --> 01:44:04,672 * AND IT GETS STRONGER * 2252 01:44:04,672 --> 01:44:07,609 * WITH EVERY BREATH I TAKE * 2253 01:44:07,609 --> 01:44:09,444 * AND IT'S ALL A PART * 2254 01:44:09,444 --> 01:44:13,247 * OF MAKING ME FEEL NEW * 2255 01:44:14,582 --> 01:44:17,519 * MAKES ME THINK MAYBE * 2256 01:44:17,519 --> 01:44:19,854 * GOD'S A WOMAN, TOO * 2257 01:44:19,854 --> 01:44:24,892 * MAKES ME THINK MAYBE GOD'S A WOMAN, TOO * 2258 01:44:43,645 --> 01:44:45,046 YOU WERE WONDERFUL. 2259 01:44:45,046 --> 01:44:48,249 OH, MY GOD. WHAT ARE YOU DOING BACK? 2260 01:44:48,249 --> 01:44:50,652 YOU WERE SO GOOD. YOU REALLY WERE. 2261 01:44:50,652 --> 01:44:53,220 THANKS, BILLY. I HAD SOMETHING TO TAKE CARE OF. 2262 01:44:53,220 --> 01:44:55,623 I SHOULD SAY SO. WHAT A SURPRISE. 2263 01:44:55,623 --> 01:44:58,225 I JUST CAME HERE TO SAY GOODBYE TO KYLE, 2264 01:44:58,225 --> 01:44:59,827 AND THEN THERE YOU WERE. 2265 01:44:59,827 --> 01:45:01,228 WHERE ARE YOU GOING? 2266 01:45:01,228 --> 01:45:02,630 O.K. LISTEN UP, EVERYBODY. 2267 01:45:02,630 --> 01:45:04,632 I'LL TELL YOU IN A MINUTE. 2268 01:45:04,632 --> 01:45:06,233 IF I READ YOUR NAME, 2269 01:45:06,233 --> 01:45:07,669 YOU'LL SING HERE SATURDAY NIGHT. 2270 01:45:07,669 --> 01:45:10,538 YOU HAVE TO BE HERE BEFORE 7:00. 2271 01:45:10,538 --> 01:45:12,273 "DAVID WARNER... 2272 01:45:12,273 --> 01:45:13,441 "KYLE DAVIDSON... 2273 01:45:13,441 --> 01:45:15,209 "JULIE FREDERICKS... 2274 01:45:15,209 --> 01:45:16,277 "MISSY PARKER... 2275 01:45:16,277 --> 01:45:19,013 AND MIRANDA PRESLEY." 2276 01:45:20,014 --> 01:45:22,316 I'M SO PROUD OF YOU. 2277 01:45:27,522 --> 01:45:29,524 I'LL MEET YOU BY THE CAR. 2278 01:45:29,524 --> 01:45:31,526 COME ON, BABY. WE'LL SEE YA. 2279 01:45:31,526 --> 01:45:33,127 DID YOU FIND KYLE? 2280 01:45:33,127 --> 01:45:36,030 I DIDN'T SEE KYLE. I SAW FLOYD. 2281 01:45:36,030 --> 01:45:37,031 HEY! 2282 01:45:37,031 --> 01:45:38,433 YOU SHOWED 'EM! 2283 01:45:38,433 --> 01:45:39,834 THAT WAS GREAT. 2284 01:45:39,834 --> 01:45:42,437 YEP, SOMETIMES IT PAYS TO BREAK THE RULES. 2285 01:45:42,437 --> 01:45:43,438 ALL RIGHT. 2286 01:45:43,438 --> 01:45:44,839 THAT WAS SO LOVELY. PURE. 2287 01:45:44,839 --> 01:45:46,441 YES, FLOYD, GO FIX SOMETHING. 2288 01:45:46,441 --> 01:45:48,209 I WAS GOING TO SAY THAT. 2289 01:45:48,209 --> 01:45:49,444 I'LL HELP. 2290 01:45:49,444 --> 01:45:52,046 I DIDN'T MEAN TO INTERRUPT OR ANYTHING. 2291 01:45:52,046 --> 01:45:53,415 CAN I SPEAK WITH YOU? 2292 01:45:53,415 --> 01:45:54,816 YEAH, SURE. WHAT'S UP? 2293 01:45:54,816 --> 01:45:59,421 I NEED TO HAVE A WORD WITH YOU IN PRIVATE. 2294 01:45:59,421 --> 01:46:01,322 OH. O.K. ALL RIGHT. 2295 01:46:01,322 --> 01:46:02,323 PLEASE. 2296 01:46:02,323 --> 01:46:03,324 YEAH. 2297 01:46:03,324 --> 01:46:04,592 THANK YOU. 2298 01:46:11,232 --> 01:46:14,436 THAT WAS SO SOULFUL, WHAT YOU DID UP THERE. 2299 01:46:14,436 --> 01:46:15,437 SO? 2300 01:46:15,437 --> 01:46:17,672 I MISSED YOU. 2301 01:46:17,672 --> 01:46:18,906 BAD. 2302 01:46:19,807 --> 01:46:21,943 WHAT HAPPENED WITH YOUR ALBUM? 2303 01:46:21,943 --> 01:46:23,144 IT'S O.K. 2304 01:46:23,144 --> 01:46:26,347 I HAD TO COME BACK TO RETRIEVE OUR LOVE. 2305 01:46:26,347 --> 01:46:30,418 SO THIS IS CONVENIENT FOR YOU NOW? 2306 01:46:33,755 --> 01:46:38,993 I WAS SCARED THAT I MIGHT NOT SEE YOU AGAIN, AND... 2307 01:46:40,027 --> 01:46:44,932 I REALIZE MY FAULT IN ALL THIS. 2308 01:46:44,932 --> 01:46:47,134 SOUNDS LIKE A SONG. 2309 01:46:48,736 --> 01:46:52,507 A SONG THAT WE SHOULD WRITE TOGETHER. 2310 01:46:52,507 --> 01:46:54,542 YEAH? 2311 01:46:54,542 --> 01:46:56,410 I'M STILL YOUR HUSBAND. 2312 01:46:57,378 --> 01:46:58,780 NO, WE GOT DIVORCED... 2313 01:46:58,780 --> 01:47:00,214 IF YOU REMEMBER CORRECTLY. 2314 01:47:00,214 --> 01:47:01,783 WELL, IT DOESN'T COUNT. 2315 01:47:01,783 --> 01:47:04,786 WE GOT TO GO TO THE SAME SUPERMARKET IN MEMPHIS 2316 01:47:04,786 --> 01:47:06,387 FOR IT TO BE PROPER. 2317 01:47:06,387 --> 01:47:08,523 YEAH? 2318 01:47:09,924 --> 01:47:10,925 O.K. 2319 01:47:10,925 --> 01:47:12,594 WE GOT A DATE. 2320 01:47:13,495 --> 01:47:16,130 WE GOT A DATE TO GET DIVORCED? 2321 01:47:16,130 --> 01:47:17,198 YEAH. 2322 01:47:20,868 --> 01:47:22,136 ALL RIGHT! 2323 01:47:23,905 --> 01:47:28,175 LOOKS LIKE YOU MADE IT INTO LUCY'S HALL OF FAME. 2324 01:47:31,913 --> 01:47:33,481 LUCY... 2325 01:47:33,481 --> 01:47:35,149 THAT'S A BIG DEAL. 2326 01:47:37,585 --> 01:47:38,586 THANKS, LUCY. 2327 01:47:38,586 --> 01:47:41,556 IT'S A GOOD START. 2328 01:47:41,556 --> 01:47:43,224 MM-HMM. 2329 01:47:45,292 --> 01:47:47,394 ALL RIGHT, Y'ALL. 2330 01:47:47,394 --> 01:47:48,963 ALL RIGHT. 2331 01:47:49,897 --> 01:47:51,298 UH, JAMES... 2332 01:47:51,298 --> 01:47:52,767 BAGS? 2333 01:47:56,538 --> 01:47:57,539 HUH. 2334 01:47:57,539 --> 01:47:59,140 YES, MISS MIRANDA. 2335 01:47:59,140 --> 01:48:01,709 UH-OH. UH-OH. 2336 01:48:05,279 --> 01:48:08,482 WELL, IT LOOKS LIKE YOU BOTH PULLED A LINDA LUE 2337 01:48:08,482 --> 01:48:09,884 AND CHANGED YOUR MINDS, HUH? 2338 01:48:09,884 --> 01:48:11,886 I, TOO, HAVE CHANGED MY MIND. 2339 01:48:11,886 --> 01:48:13,921 I'M NO LONGER GOING TO HOLLYWOOD, 2340 01:48:13,921 --> 01:48:16,090 BUT I'M GOING TO NEW YORK 2341 01:48:16,090 --> 01:48:17,224 TO STUDY SERIOUS ACTING. 2342 01:48:17,224 --> 01:48:18,492 NEW YORK? 2343 01:48:18,492 --> 01:48:20,895 I TOLD HER SHE OUGHT TO STUDY COMEDY. 2344 01:48:20,895 --> 01:48:23,497 COMEDY IS PART OF SERIOUS ACTING, BILLY. 2345 01:48:23,497 --> 01:48:25,299 HEY, THERE'S KYLE OVER THERE. 2346 01:48:25,299 --> 01:48:27,902 HEY, KYLE DAVIDSON, DON'T YOU GET IN THAT CAR 2347 01:48:27,902 --> 01:48:30,271 WITHOUT SAYING GOODBYE TO ME! 2348 01:48:31,438 --> 01:48:33,708 COME ON, GET OVER HERE! 2349 01:48:35,042 --> 01:48:37,645 YOU, QUIT BEING SUCH A HANDFUL. 2350 01:48:37,645 --> 01:48:38,646 ALL RIGHT. 2351 01:48:38,646 --> 01:48:39,647 GOODBYE. 2352 01:48:39,647 --> 01:48:41,649 GOOD LUCK IN NEW YORK. 2353 01:48:41,649 --> 01:48:42,650 THANK YOU. 2354 01:48:42,650 --> 01:48:44,251 SEE YOU, SWEETIE. 2355 01:48:44,251 --> 01:48:45,252 O.K. 2356 01:48:45,252 --> 01:48:47,254 DON'T EVEN SAY GOODBYE TO ME. 2357 01:48:47,254 --> 01:48:48,923 JUST COME HERE. 2358 01:48:53,928 --> 01:48:56,764 HEY, LINDA LUE, IS THAT YOUR FACE I SEE? 2359 01:48:56,764 --> 01:48:58,766 YOU KNOW, THERE IS SOMETHING 2360 01:48:58,766 --> 01:49:01,669 THAT YOU NEVER UNDERSTOOD ABOUT ME. 2361 01:49:02,336 --> 01:49:03,738 OH, JESUS! 2362 01:49:03,738 --> 01:49:06,608 THAT AIN'T VERY CHRISTIAN, LINDA LUE! 2363 01:49:11,078 --> 01:49:14,548 YOU COULD'VE HAD ME FOR A SONG. 2364 01:49:18,886 --> 01:49:19,954 HEY. 2365 01:49:21,488 --> 01:49:23,625 FOR GOOD LUCK. 2366 01:49:23,625 --> 01:49:24,792 OH, GOD! 2367 01:49:24,792 --> 01:49:28,062 YOU WANT ME TO WEAR A YANKEES CAP? 2368 01:49:29,296 --> 01:49:30,798 OH! 2369 01:49:33,367 --> 01:49:35,236 DAMN YANKEES. 2370 01:49:38,339 --> 01:49:39,774 OTHER SIDE. 2371 01:49:39,774 --> 01:49:41,375 WATCH YOUR DAMN DOG. 2372 01:49:41,375 --> 01:49:42,677 GET OVER, BILLY. 2373 01:49:43,778 --> 01:49:45,847 COME ON, LET'S GO. 2374 01:49:47,682 --> 01:49:49,283 SEE YOU TWO... 2375 01:49:49,283 --> 01:49:50,317 THREE. 2376 01:49:50,317 --> 01:49:51,385 SO LONG! 2377 01:49:51,385 --> 01:49:53,020 LOOK OUT, NEW YORK CITY, 2378 01:49:53,020 --> 01:49:57,925 'CAUSE HERE I COME AND I AIN'T NEVER LEAVING! 2379 01:49:57,925 --> 01:49:59,093 WHOO! 2380 01:50:11,873 --> 01:50:15,076 WELL, LET'S ALL TAKE A DRIVE IN MY TRUCK. 2381 01:50:15,076 --> 01:50:16,143 COME ON. 2382 01:50:23,751 --> 01:50:26,353 SO WHEN WE MEET AS FRIENDS, 2383 01:50:26,353 --> 01:50:28,155 MY HEART WILL BREAK AGAIN. 2384 01:50:28,155 --> 01:50:31,192 IF THAT'S HOW THE STORY ENDS, 2385 01:50:31,192 --> 01:50:34,729 * THEN I CAN'T UNDERSTAND * 2386 01:50:35,830 --> 01:50:37,932 YEAH, I UNDERSTAND. 2387 01:50:47,742 --> 01:50:48,743 HEY, JIMMY. 2388 01:50:48,743 --> 01:50:49,744 WHAT? 2389 01:50:49,744 --> 01:50:52,579 I GOT THIS IDEA FOR A SONG. 2390 01:50:52,579 --> 01:50:53,715 WHAT'S THAT? 2391 01:50:53,715 --> 01:50:56,117 WELL, THERE'S THESE TWO KINGS, SEE? 2392 01:50:56,117 --> 01:50:57,719 AND THEY'RE BOTH ALWAYS FIGHTING 2393 01:50:57,719 --> 01:50:59,721 OVER THE SAME FAIR-HAIRED MAIDEN. 2394 01:50:59,721 --> 01:51:00,722 SOUNDS FAMILIAR. 2395 01:51:00,722 --> 01:51:02,123 YEAH. I'LL DO THE MUSIC, 2396 01:51:02,123 --> 01:51:04,726 YOU DO THE LYRICS, AND MIRANDA CAN SING IT. 2397 01:51:04,726 --> 01:51:05,727 SOUNDS GOOD. 2398 01:51:05,727 --> 01:51:07,128 HEY, I GOT AN IDEA. 2399 01:51:07,128 --> 01:51:09,130 WHY DON'T I WRITE THE LYRICS 2400 01:51:09,130 --> 01:51:12,133 AND YOU TWO GUYS CAN SING THE TUNE? 2401 01:51:12,133 --> 01:51:13,067 YOU'RE KIDDING. 2402 01:51:13,067 --> 01:51:15,069 YOU GOT A PROBLEM WITH THAT? 2403 01:51:15,069 --> 01:51:16,670 WE'RE ALL IN AGREEMENT. ABSOLUTELY. 2404 01:51:16,670 --> 01:51:17,972 GOOD. I'M GLAD. WHOO! 2405 01:51:17,972 --> 01:51:20,574 * YOU GOT A THING OR TWO * 2406 01:51:20,574 --> 01:51:24,011 * TO LEARN ABOUT ME, BABY * 2407 01:51:24,011 --> 01:51:27,081 * 'CAUSE I AIN'T TAKIN' IT NO MORE * 2408 01:51:27,081 --> 01:51:30,184 * AND I DON'T MEAN MAYBE * 2409 01:51:30,184 --> 01:51:33,654 * YOU DON'T KNOW RIGHT FROM WRONG * 2410 01:51:33,654 --> 01:51:36,590 * THE LOVE WE HAD IS GONE * 2411 01:51:36,590 --> 01:51:40,427 * SO BLAME IT ON YOUR LYIN', CHEATIN' * 2412 01:51:40,427 --> 01:51:41,963 * COLD, DEAD-BEATIN' * 2413 01:51:41,963 --> 01:51:44,531 * TWO-TIMIN', DOUBLE-DEALIN' * 2414 01:51:44,531 --> 01:51:46,067 * MEAN, MISTREATIN' * 2415 01:51:46,067 --> 01:51:48,169 * LOVIN' HEART * 2416 01:51:49,103 --> 01:51:51,205 * WELL, ALL I WANTED * 2417 01:51:51,205 --> 01:51:55,376 * WAS TO BE YOUR ONE AND ONLY * 2418 01:51:55,376 --> 01:51:58,880 * AND ALL I EVER GOT FROM YOU * 2419 01:51:58,880 --> 01:52:01,816 * WAS BEIN' LONELY * 2420 01:52:01,816 --> 01:52:05,119 * NOW THAT IS LAID TO REST * 2421 01:52:05,119 --> 01:52:08,222 * 'CAUSE YOU HAVE FAILED THE TEST * 2422 01:52:08,222 --> 01:52:11,725 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 2423 01:52:11,725 --> 01:52:13,327 * COLD, DEAD-BEATIN' * 2424 01:52:13,327 --> 01:52:15,963 * TWO-TIMIN', DOUBLE-DEALIN' * 2425 01:52:15,963 --> 01:52:17,598 * MEAN, MISTREATIN' * 2426 01:52:17,598 --> 01:52:20,902 * LOVIN' HEART * 2427 01:52:20,902 --> 01:52:22,970 * ARE YOU HEADED FOR A HEARTACHE? * 2428 01:52:22,970 --> 01:52:24,806 * OH, YEAH * 2429 01:52:24,806 --> 01:52:26,440 * GONNA GET A BAD BREAK * 2430 01:52:26,440 --> 01:52:27,875 * OH, YEAH * 2431 01:52:27,875 --> 01:52:29,043 * MADE A BAD MISTAKE * 2432 01:52:29,043 --> 01:52:30,377 * OH, YEAH * 2433 01:52:30,377 --> 01:52:31,979 * WELL, YOU'RE NEVER GONNA FIND * 2434 01:52:31,979 --> 01:52:33,547 * ANOTHER LOVE LIKE MINE * 2435 01:52:33,547 --> 01:52:36,183 * WELL, SOMEONE'S GONNA DO YOU * 2436 01:52:36,183 --> 01:52:39,586 * LIKE YOU DONE ME, HONEY * 2437 01:52:39,586 --> 01:52:43,024 * AND WHEN SHE DOES YOU LIKE SHE'LL DO YOU * 2438 01:52:43,024 --> 01:52:45,993 * WELL, IT AIN'T FUNNY * 2439 01:52:45,993 --> 01:52:49,163 * YOU'LL NEED SOME SYMPATHY * 2440 01:52:49,163 --> 01:52:52,366 * BUT DON'T BE CALLIN' ME * 2441 01:52:52,366 --> 01:52:56,070 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 2442 01:52:56,070 --> 01:52:57,471 * COLD, DEAD-BEATIN' * 2443 01:52:57,471 --> 01:53:00,107 * TWO-TIMIN', DOUBLE-DEALIN' * 2444 01:53:00,107 --> 01:53:01,742 * MEAN, MISTREATIN' * 2445 01:53:01,742 --> 01:53:05,146 * LOVIN' HEART * 2446 01:53:05,146 --> 01:53:07,548 * ARE YOU HEADED FOR A HEARTACHE? * 2447 01:53:07,548 --> 01:53:08,883 * OH, YEAH * 2448 01:53:08,883 --> 01:53:10,551 * GONNA GET A BAD BREAK * 2449 01:53:10,551 --> 01:53:11,886 * OH, YEAH * 2450 01:53:11,886 --> 01:53:13,487 * MADE A BAD MISTAKE * 2451 01:53:13,487 --> 01:53:14,621 * OH, YEAH * 2452 01:53:14,621 --> 01:53:16,023 * WELL, YOU'RE NEVER GONNA FIND * 2453 01:53:16,023 --> 01:53:17,859 * ANOTHER LOVE LIKE MINE * 2454 01:53:17,859 --> 01:53:20,661 * WELL, SOMEONE'S GONNA DO YOU * 2455 01:53:20,661 --> 01:53:23,764 * LIKE YOU DONE ME, HONEY * 2456 01:53:23,764 --> 01:53:27,601 * AND WHEN SHE DOES YOU LIKE SHE'LL DO YOU * 2457 01:53:27,601 --> 01:53:30,271 * WELL, IT AIN'T FUNNY * 2458 01:53:30,271 --> 01:53:33,374 * YOU'LL NEED SOME SYMPATHY * 2459 01:53:33,374 --> 01:53:36,577 * BUT DON'T BE CALLIN' ME * 2460 01:53:36,577 --> 01:53:40,247 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 2461 01:53:40,247 --> 01:53:42,049 * COLD, DEAD-BEATIN' * 2462 01:53:42,049 --> 01:53:44,285 * TWO-TIMIN', DOUBLE-DEALIN' * 2463 01:53:44,285 --> 01:53:46,087 * MEAN, MISTREATIN' * 2464 01:53:46,087 --> 01:53:48,155 * LOVIN' HEART * 2465 01:53:49,256 --> 01:53:52,659 * YOU'LL NEED SOME SYMPATHY * 2466 01:53:52,659 --> 01:53:55,596 * BUT DON'T BE CALLIN' ME * 2467 01:53:55,596 --> 01:53:59,100 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 2468 01:53:59,100 --> 01:54:00,935 * COLD, DEAD-BEATIN' * 2469 01:54:00,935 --> 01:54:03,270 * TWO-TIMIN', DOUBLE-DEALIN' * 2470 01:54:03,270 --> 01:54:05,072 * MEAN, MISTREATIN' * 2471 01:54:05,072 --> 01:54:07,141 * LOVIN' HEART * 2472 01:54:08,442 --> 01:54:11,778 * HEY, BLAME IT ON YOUR LYIN', CHEATIN' * 2473 01:54:11,778 --> 01:54:13,547 * COLD, DEAD-BEATIN' * 2474 01:54:13,547 --> 01:54:16,183 * TWO-TIMIN', DOUBLE-DEALIN' * 2475 01:54:16,183 --> 01:54:17,518 * MEAN, MISTREATIN' * 2476 01:54:17,518 --> 01:54:19,086 * LOVIN' HEART * 2477 01:54:19,110 --> 01:54:22,110 Subtitles Diego Moraes(oakislandtk) www.opensubtitles.org