1
00:02:02,456 --> 00:02:04,825
Man: GOOD MORNING, MR. BRIGGS.

2
00:02:04,858 --> 00:02:07,361
YOU REMEMBER
DR. MARTHA RICHARDS.

3
00:02:07,395 --> 00:02:10,398
TWO YEARS AGO,
WHILE ON VACATION IN AUSTRIA,

4
00:02:10,431 --> 00:02:13,201
SHE MET AND MARRIED
DR. KURT ZUBROVNIK.

5
00:02:13,234 --> 00:02:15,303
SHE NEVER RETURNED TO AMERICA,

6
00:02:15,336 --> 00:02:18,272
CONTINUING HER EXTREMELY
IMPORTANT RESEARCH WORK

7
00:02:18,306 --> 00:02:19,673
WITH HER HUSBAND IN AUSTRIA.

8
00:02:19,707 --> 00:02:21,242
ABOUT A YEAR AGO,

9
00:02:21,275 --> 00:02:23,311
KURT ZUBROVNIK
WAS BURNED TO DEATH

10
00:02:23,344 --> 00:02:25,479
IN A LABORATORY FIRE
IN THEIR HOME.

11
00:02:25,513 --> 00:02:28,182
MARTHA WENT ON WORKING
AFTER HER HUSBAND'S DEATH,

12
00:02:28,216 --> 00:02:29,883
BUT RECENTLY
STOPPED SENDING US

13
00:02:29,917 --> 00:02:31,652
THE RESULTS OF HER EXPERIMENTS.

14
00:02:31,685 --> 00:02:34,388
WE HAVE REASON TO BELIEVE
IT IS BECAUSE THIS MAN,

15
00:02:34,422 --> 00:02:36,590
SIGMUND POLYAK,
IS PRESSURING HER

16
00:02:36,624 --> 00:02:38,592
TO WORK
BEHIND THE IRON CURTAIN.

17
00:02:38,626 --> 00:02:40,594
IF IT WERE
AN ORDINARY PRESSURE,

18
00:02:40,628 --> 00:02:43,797
WE COULD FIGHT IT,
BUT POLYAK IS A MEDIUM,

19
00:02:43,831 --> 00:02:46,567
AND MARTHA ZUBROVNIK
IS BEING ASKED TO DEFECT

20
00:02:46,600 --> 00:02:48,669
BY THE GHOST
OF HER DEAD HUSBAND.

21
00:02:48,702 --> 00:02:51,939
MR. BRIGGS, YOUR MISSION,
SHOULD YOU DECIDE TO ACCEPT IT,

22
00:02:51,972 --> 00:02:53,441
WOULD BE TO KEEP HER

23
00:02:53,474 --> 00:02:55,476
FROM GOING
BEHIND THE IRON CURTAIN

24
00:02:55,509 --> 00:02:57,811
AND GET HER
WORKING FOR US AGAIN.

25
00:02:57,845 --> 00:03:00,781
AS ALWAYS, SHOULD YOU
OR ANY OF YOUR I.M. FORCE

26
00:03:00,814 --> 00:03:02,716
BE CAUGHT OR KILLED,

27
00:03:02,750 --> 00:03:05,686
THE SECRETARY WILL DISAVOW
ANY KNOWLEDGE OF YOUR ACTIONS.

28
00:03:05,719 --> 00:03:08,389
PLEASE DISPOSE
OF THIS RECORDING

29
00:03:08,422 --> 00:03:09,923
IN THE USUAL MANNER.

30
00:03:21,769 --> 00:03:23,337
[ SIZZLING ]

31
00:04:31,372 --> 00:04:33,874
Man, whispering: Martha...

32
00:04:33,907 --> 00:04:36,644
Martha...

33
00:04:36,677 --> 00:04:39,847
this is Kurt.

34
00:04:39,880 --> 00:04:43,551
Barney: YOU CAN'T SEE
A BEAM OF LIGHT, CORRECT?

35
00:04:43,584 --> 00:04:45,353
IT'S BECAUSE I'M USING
A BLACK LIGHT.

36
00:04:45,386 --> 00:04:47,087
NOW WATCH WHAT HAPPENS
WHEN I PUT MY HAND

37
00:04:47,120 --> 00:04:49,723
OVER THE SLAVE PROJECTOR.

38
00:04:52,626 --> 00:04:53,961
Dan: VERY NICE.

39
00:04:53,994 --> 00:04:57,331
ALL RIGHT,
BE A PSYCHIC RESEARCH TEAM

40
00:04:57,365 --> 00:05:00,901
ANXIOUS TO DOCUMENT
A VALID SUPERNATURAL EVENT.

41
00:05:00,934 --> 00:05:04,071
I CAN'T GO WITH YOU, BECAUSE
MARTHA ZUBROVNIK KNOWS ME.

42
00:05:04,104 --> 00:05:05,706
ARIANA --

43
00:05:05,739 --> 00:05:07,040
WHITE WINE AND SODA,
PLEASE.

44
00:05:07,074 --> 00:05:09,042
WOULD YOU CARE
FOR A DRINK?

45
00:05:09,076 --> 00:05:10,611
[ ALL CHUCKLING ]

46
00:05:10,644 --> 00:05:13,681
OH, I BROUGHT A TAPE HERE
OF A SEANCE I CONDUCTED.

47
00:05:13,714 --> 00:05:15,416
I'D LIKE YOU TO HEAR IT.

48
00:05:15,449 --> 00:05:18,486
Dan: DR. ZUBROVNIK SWORE
TO HIS WIFE BEFORE HIS DEATH,

49
00:05:18,519 --> 00:05:22,089
IF IT WAS POSSIBLE FOR HIM
TO COME BACK FROM THE GRAVE,

50
00:05:22,122 --> 00:05:25,058
HE WOULD...
AND HE SEEMS TO BE DOING IT.

51
00:05:27,395 --> 00:05:29,763
THIS IS THE MAN
THROUGH WHOM HE SPEAKS.

52
00:05:29,797 --> 00:05:32,433
FAMILIARIZE YOURSELF
WITH HIS BACKGROUND.

53
00:05:32,466 --> 00:05:33,834
A FAKE ON THE CASE, HUH?

54
00:05:33,867 --> 00:05:36,504
OH, I WISH YOU WOULDN'T
USE THAT WORD.

55
00:05:36,537 --> 00:05:38,038
FAKES EXIST, ARIANA.

56
00:05:38,071 --> 00:05:40,374
I KNOW, BUT...
YOU KNOW HOW I HATE

57
00:05:40,408 --> 00:05:42,976
ANY DISHONESTY IN REGARD
TO THE SUPERNATURAL.

58
00:05:43,010 --> 00:05:45,579
I KNOW NOTHING
ABOUT THE SUPERNATURAL.

59
00:05:45,613 --> 00:05:46,947
NEITHER DO I.

60
00:05:46,980 --> 00:05:48,882
WHY DON'T WE
JUST CONVINCE MRS. ZUBROVNIK

61
00:05:48,916 --> 00:05:50,083
SHE'S BEING TAKEN?

62
00:05:50,117 --> 00:05:52,553
WE DON'T KNOW
THE GHOST IS NOT REAL.

63
00:05:52,586 --> 00:05:54,655
THANK YOU FOR THAT.

64
00:05:54,688 --> 00:05:55,856
OH, COME ON, DAN.

65
00:05:55,889 --> 00:05:57,425
TO MARTHA ZUBROVNIK,

66
00:05:57,458 --> 00:05:59,126
THE SPIRIT OF HER
DEAD HUSBAND EXISTS.

67
00:05:59,159 --> 00:06:01,562
YOU CAN'T FIGHT THAT BELIEF
WITH LOGIC.

68
00:06:01,595 --> 00:06:04,398
WELL, IF YOU CAN'T
FIGHT GHOSTS WITH LOGIC,

69
00:06:04,432 --> 00:06:05,933
FIGHT GHOSTS WITH GHOSTS.

70
00:06:05,966 --> 00:06:07,635
THAT'S RIGHT.

71
00:06:07,668 --> 00:06:09,803
WHY DON'T YOU USE
THE EARPHONES?

72
00:06:09,837 --> 00:06:13,106
DAN WAS AT THE SEANCE,
AND HE'S FAMILIAR WITH IT.

73
00:06:15,809 --> 00:06:20,514
DAN...YOU KNOW
THE TRUTH ABOUT ME.

74
00:06:20,548 --> 00:06:21,882
WHY SO MUCH SELLING,

75
00:06:21,915 --> 00:06:24,084
SO MUCH
LOUD CONFIDENCE IN ME?

76
00:06:24,117 --> 00:06:25,953
ROLLIN AND BARNEY ARE SURE

77
00:06:25,986 --> 00:06:28,689
THAT YOU'RE AS MUCH A FAKE
AS POLYAK.

78
00:06:28,722 --> 00:06:30,624
FOR THE SAKE OF THE MISSION,

79
00:06:30,658 --> 00:06:33,427
I DON'T WANT THEM
ABSOLUTELY SURE.

80
00:06:33,461 --> 00:06:34,962
[ BEE BUZZING ]

81
00:07:10,197 --> 00:07:12,432
[ BEE BUZZING ]

82
00:07:13,166 --> 00:07:14,768
A BEE.

83
00:07:14,802 --> 00:07:16,804
BEES DON'T FLY AT NIGHT.

84
00:07:26,113 --> 00:07:27,815
HELLO!

85
00:07:31,552 --> 00:07:33,821
I THOUGHT
WE WERE EXPECTED.

86
00:07:34,922 --> 00:07:37,024
HELLO?

87
00:07:52,640 --> 00:07:54,875
HELLO!

88
00:07:54,908 --> 00:07:56,644
[ GROWLING ]

89
00:08:02,282 --> 00:08:06,654
[ SNARLING ]

90
00:08:06,687 --> 00:08:08,055
SHH.

91
00:08:09,823 --> 00:08:11,759
SHH.

92
00:08:11,792 --> 00:08:13,093
[ GROWLING ]

93
00:08:13,126 --> 00:08:16,564
WE WON'T HURT YOU.

94
00:08:17,631 --> 00:08:18,966
WE WON'T HURT HIM?

95
00:08:18,999 --> 00:08:21,134
SHH.

96
00:08:21,168 --> 00:08:23,604
STAY. STAY.

97
00:08:23,637 --> 00:08:25,839
BE CALM.

98
00:08:25,873 --> 00:08:27,575
BE CALM.

99
00:08:27,608 --> 00:08:31,278
REMEMBER MANY KINDNESSES.

100
00:08:31,311 --> 00:08:33,146
GOOD DOG.

101
00:08:33,180 --> 00:08:34,948
GOOD DOG.

102
00:08:42,956 --> 00:08:44,592
Woman: WHO'S THAT?

103
00:08:44,625 --> 00:08:45,859
DR. ZUBROVNIK?

104
00:08:45,893 --> 00:08:48,696
YES.
I BELIEVE
WE'RE EXPECTED.

105
00:08:48,729 --> 00:08:50,964
OH, YES, OF COURSE.

106
00:08:50,998 --> 00:08:53,834
I'M SO SORRY, MISTER...?

107
00:08:53,867 --> 00:08:55,569
ROLLIN HAND.

108
00:08:55,603 --> 00:08:58,939
MADAME DOMBE?
MR. COLLIER.

109
00:08:58,972 --> 00:09:02,275
DID YOU HAVE A DIFFICULT
TRIP FROM VIENNA?

110
00:09:02,309 --> 00:09:05,646
NO, IT WAS QUITE LOVELY
UNTIL JUST NOW,

111
00:09:05,679 --> 00:09:07,080
WHEN WE RAN INTO YOUR DOG.

112
00:09:07,114 --> 00:09:08,782
WHAT DOG?

113
00:09:08,816 --> 00:09:10,684
A BIG DOG THAT LOOKS AS IF
IT MIGHT BE PART WOLF.

114
00:09:10,718 --> 00:09:14,121
WILBUR?
WHERE DID HE GO?

115
00:09:14,154 --> 00:09:15,823
HE RAN OUT THE DOOR.

116
00:09:15,856 --> 00:09:17,991
IT WAS OPEN WHEN WE ARRIVED.

117
00:09:18,025 --> 00:09:20,861
WHEN MY HUSBAND DIED,
THE DOG WENT WILD,

118
00:09:20,894 --> 00:09:23,964
AND HE HASN'T BEEN SEEN
IN THE HOUSE SINCE.

119
00:09:25,365 --> 00:09:27,167
LET ME SHOW YOU
TO YOUR ROOMS.

120
00:09:27,200 --> 00:09:28,669
OH, THANK YOU.

121
00:09:28,702 --> 00:09:31,705
YOU MUST BE SO TIRED
AFTER THE LONG TRIP.

122
00:09:33,340 --> 00:09:36,043
I'M SO PLEASED
YOU COULD COME.

123
00:09:40,714 --> 00:09:42,983
HAVE YOU HAD
SOMETHING TO EAT?

124
00:09:43,016 --> 00:09:45,018
YES, WE STOPPED
ON THE WAY.

125
00:09:45,052 --> 00:09:48,622
OH, MR. POLYAK, THESE ARE
THE PSYCHIC RESEARCH PEOPLE.

126
00:09:48,656 --> 00:09:51,959
SIGMUND POLYAK, AND MY
ASSISTANT, MR. KROGER.

127
00:09:51,992 --> 00:09:53,226
HOW DO YOU DO?

128
00:09:53,260 --> 00:09:54,995
HOW DO YOU DO?

129
00:09:55,028 --> 00:09:56,196
ROLLIN HAND.

130
00:09:56,229 --> 00:09:57,364
ARIANA DOMBE.

131
00:09:57,397 --> 00:09:58,932
BARNEY COLLIER.

132
00:09:58,966 --> 00:10:00,200
THE SKEPTICS.

133
00:10:00,233 --> 00:10:02,770
YOU SHOULD BE GLAD
THAT THEY'RE HERE.

134
00:10:02,803 --> 00:10:05,005
THEY CAN ONLY
HELP TO DOCUMENT

135
00:10:05,038 --> 00:10:07,040
WHAT YOU'VE ALREADY PROVED.

136
00:10:07,074 --> 00:10:09,176
WE'D MUCH PREFER FINDING
REAL EVIDENCE

137
00:10:09,209 --> 00:10:11,411
OF THE SUPERNATURAL
THAN NOT FINDING IT.

138
00:10:11,444 --> 00:10:13,046
YES, OF COURSE.

139
00:10:13,080 --> 00:10:15,015
WILL YOU EXCUSE ME?

140
00:10:16,884 --> 00:10:19,119
COME THIS WAY.

141
00:10:22,823 --> 00:10:24,958
GENTLEMEN,
THIS IS YOUR ROOM.

142
00:10:24,992 --> 00:10:26,827
OH, I HOPE YOU DON'T MIND.

143
00:10:26,860 --> 00:10:28,996
I LEFT TWO CASES
OF EQUIPMENT

144
00:10:29,029 --> 00:10:31,164
IN THE HALLWAY
DOWNSTAIRS.

145
00:10:31,198 --> 00:10:32,666
OF COURSE NOT.

146
00:10:32,700 --> 00:10:34,001
WE'VE HEARD A GREAT DEAL

147
00:10:34,034 --> 00:10:35,435
ABOUT YOUR INTEREST
IN THE SPIRIT WORLD.

148
00:10:35,468 --> 00:10:37,270
WE LOOK FORWARD
TO A DEMONSTRATION.

149
00:10:37,304 --> 00:10:39,873
PERHAPS YOU'D CARE
TO JOIN US IN AN HOUR OR SO.

150
00:10:39,907 --> 00:10:41,041
YOU AND MR. POLYAK?

151
00:10:41,074 --> 00:10:44,644
YES...AND MY HUSBAND.

152
00:10:50,951 --> 00:10:53,787
[ BUZZING ]

153
00:10:55,989 --> 00:10:57,791
[ THUNDER CRASHES ]

154
00:11:02,830 --> 00:11:04,431
LOOKS LIKE IT'S
TRYING TO RAIN.

155
00:11:04,464 --> 00:11:06,366
YES.

156
00:11:11,038 --> 00:11:13,173
SO, CAMERAS WITH ALARMS

157
00:11:13,206 --> 00:11:18,178
AND CLOCKS THAT RECORD THE EXACT
TIME THEY'RE TRIPPED.

158
00:11:18,211 --> 00:11:21,081
YES, AND ELECTRIC EYES
THAT TRIP THE CAMERAS,

159
00:11:21,114 --> 00:11:23,383
AND A HEAT SENSOR
THAT WILL RECORD

160
00:11:23,416 --> 00:11:25,753
ANY MOVEMENT
OF GHOSTLY MATERIAL.

161
00:11:31,524 --> 00:11:33,994
IS EVERYTHING
ALMOST READY?

162
00:11:34,027 --> 00:11:34,995
ALMOST.

163
00:11:35,028 --> 00:11:35,996
GOOD.

164
00:11:36,029 --> 00:11:38,031
[ THUNDER CRASHES ]

165
00:11:43,804 --> 00:11:45,138
THIS CASKET HAS BEEN LOCKED

166
00:11:45,172 --> 00:11:47,741
SINCE MY HUSBAND
PUT A MESSAGE IN IT

167
00:11:47,775 --> 00:11:49,442
JUST AFTER WE WERE MARRIED.

168
00:11:49,476 --> 00:11:52,846
HE SAID THAT IF ANYTHING
SHOULD HAPPEN TO HIM,

169
00:11:52,880 --> 00:11:55,248
HE WOULD TRY
TO COME BACK TO ME.

170
00:11:55,282 --> 00:11:58,251
TONIGHT IS THE ANNIVERSARY
OF HIS DEATH.

171
00:11:58,285 --> 00:12:01,454
NOT ANOTHER SOUL KNOWS
WHAT IS IN THIS BOX BUT ME.

172
00:12:03,056 --> 00:12:05,425
THAT'S LIKE THE MESSAGE
HOUDINI LEFT FOR DUNNINGER.

173
00:12:05,458 --> 00:12:08,028
I THINK WE HAVE
GREATER POSSIBILITIES.

174
00:12:08,061 --> 00:12:10,163
KURT AND I
WERE A LITTLE CLOSER

175
00:12:10,197 --> 00:12:11,932
THAN HOUDINI
AND DUNNINGER.

176
00:12:11,965 --> 00:12:15,435
PLEASE, SIT DOWN,
EVERYONE.

177
00:12:29,449 --> 00:12:31,518
[ THUNDER CRASHES ]

178
00:12:40,227 --> 00:12:43,763
NOW...JOIN HANDS.

179
00:12:46,299 --> 00:12:48,168
YOUR LEFT FOOT
SHOULD BE TOUCHING

180
00:12:48,201 --> 00:12:50,503
THE FOOT OF THE PERSON
SITTING BESIDE YOU.

181
00:12:54,074 --> 00:12:56,209
MY CONTROL
IS NAMED DUDOIR.

182
00:12:56,243 --> 00:12:58,345
HE WAS
AN ALSATIAN PUGILIST

183
00:12:58,378 --> 00:13:01,181
WHO WAS KILLED
IN THE BOXING RING.

184
00:13:01,214 --> 00:13:04,184
I WILL TRY TO REACH HIM.

185
00:13:08,121 --> 00:13:10,858
DUDOIR.

186
00:13:10,891 --> 00:13:12,459
WE ARE HERE.

187
00:13:13,526 --> 00:13:16,496
DUDOIR,
WE ARE SIX TONIGHT.

188
00:13:16,529 --> 00:13:17,998
[ THUNDER RUMBLING ]

189
00:13:25,138 --> 00:13:30,310
DUDOIR, WE ARE WAITING.

190
00:13:46,626 --> 00:13:49,863
I FEEL THAT YOU ARE
COMING CLOSER...

191
00:13:49,897 --> 00:13:54,267
APPROACHING FROM BEYOND.

192
00:13:54,301 --> 00:13:58,071
COME INTO ME, DUDOIR.

193
00:13:58,105 --> 00:14:02,842
COME INTO THIS PLACE
THROUGH ME.

194
00:14:08,215 --> 00:14:12,519
DUDOIR, I FEEL
THAT YOU ARE NEAR.

195
00:14:12,552 --> 00:14:17,190
WHY IS IT SO DIFFICULT
FOR YOU TO COME?

196
00:14:27,467 --> 00:14:30,637
Dudoir:
THERE IS DOUBT.

197
00:14:30,670 --> 00:14:32,940
[ THUNDER CRASHES ]

198
00:14:34,407 --> 00:14:38,979
YES, THERE IS DOUBT, DUDOIR,
BUT IT WILL GO AWAY.

199
00:14:39,012 --> 00:14:42,082
WE ARE GRATEFUL, DUDOIR,
GRATEFUL,

200
00:14:42,115 --> 00:14:46,019
THAT YOU HAVE COME TO US...

201
00:14:46,053 --> 00:14:48,055
SO QUICKLY.

202
00:14:59,399 --> 00:15:04,604
Dudoir: THE PROMISE MADE
WILL BE FULFILLED...

203
00:15:04,637 --> 00:15:10,043
BUT THERE ARE
THOSE AMONG YOU

204
00:15:10,077 --> 00:15:12,112
WHO DO NOT BELIEVE.

205
00:15:12,145 --> 00:15:16,416
OH...PLEASE,
COME BACK, DUDOIR.

206
00:15:16,449 --> 00:15:19,219
THEY MEAN YOU NO HARM.

207
00:15:19,252 --> 00:15:22,222
DUDOIR, DON'T LEAVE US.

208
00:15:22,255 --> 00:15:25,058
EYES CLOSED, EVERYONE.
NO ONE MOVE.

209
00:15:34,634 --> 00:15:38,038
Dudoir:
I...AM...WITH YOU.

210
00:15:38,071 --> 00:15:43,110
THERE IS A MESSAGE
FOR MARTHA.

211
00:15:43,143 --> 00:15:49,016
YOUR WORK MUST GO QUICKLY
TO ITS CONCLUSION.

212
00:15:49,049 --> 00:15:51,985
WHEN YOU ARE FINISHED,

213
00:15:52,019 --> 00:15:55,989
KURT WILL COME TO YOU
HIMSELF.

214
00:15:56,023 --> 00:16:00,227
FOUR...SEVEN...

215
00:16:00,260 --> 00:16:03,096
BACK 19.

216
00:16:03,130 --> 00:16:07,067
DEATH, NOT LIFE,

217
00:16:07,100 --> 00:16:11,504
IS THE OVERTURE
TO ETERNITY.

218
00:16:13,506 --> 00:16:15,975
[ THUNDER CRASHES ]

219
00:16:19,312 --> 00:16:21,681
NO ONE ELSE KNEW.

220
00:16:21,714 --> 00:16:24,417
I WAS THE ONLY ONE.

221
00:16:24,451 --> 00:16:28,155
I WILL TRY TO WORK HARDER.

222
00:16:28,188 --> 00:16:31,424
I WILL TRY, I WILL TRY.

223
00:16:31,458 --> 00:16:33,260
OH, KURT.

224
00:16:34,627 --> 00:16:36,329
KURT.

225
00:16:41,301 --> 00:16:43,436
YOU ALL RIGHT?

226
00:16:43,470 --> 00:16:44,604
YES.

227
00:16:44,637 --> 00:16:47,307
NO ONE ELSE
COULD HAVE KNOWN

228
00:16:47,340 --> 00:16:49,042
THE COMBINATION...

229
00:16:49,076 --> 00:16:50,477
OR THE MESSAGE.

230
00:16:50,510 --> 00:16:53,213
I WAS THE ONLY ONE
WHO KNEW.

231
00:16:53,246 --> 00:16:56,349
FOUR...SEVEN...

232
00:16:56,383 --> 00:16:58,451
BACK 19.

233
00:17:00,353 --> 00:17:03,290
OPEN THE BOX QUICKLY,
PLEASE.

234
00:17:06,726 --> 00:17:09,162
[ THUNDER CRASHES ]

235
00:17:53,573 --> 00:17:55,275
"DEATH, NOT LIFE,

236
00:17:55,308 --> 00:17:57,844
"IS THE OVERTURE
TO ETERNITY.

237
00:17:57,877 --> 00:17:59,512
KURT."

238
00:18:03,450 --> 00:18:07,154
THANK YOU, MR. POLYAK.

239
00:18:09,389 --> 00:18:11,758
AND THANK YOU,
DEAR, DEAR KURT.

240
00:18:11,791 --> 00:18:15,795
THERE IS LIFE AFTER DEATH.

241
00:18:23,170 --> 00:18:25,505
[ BUZZING ]

242
00:18:27,207 --> 00:18:29,542
[ THUNDER CRASHES ]

243
00:18:39,586 --> 00:18:41,788
[ THUNDER CRASHES ]

244
00:18:44,457 --> 00:18:49,496
WERE YOU IMPRESSED
BY WHAT YOU WITNESSED?

245
00:18:49,529 --> 00:18:50,497
VERY.

246
00:18:50,530 --> 00:18:53,200
AND YOU, MR. COLLIER?

247
00:18:53,233 --> 00:18:55,268
VERY IMPRESSED.

248
00:18:55,302 --> 00:18:56,469
I WAS GREATLY MOVED.

249
00:18:56,503 --> 00:18:58,505
IT SEEMS TO ME
THERE IS NO DOUBT

250
00:18:58,538 --> 00:19:00,640
THERE IS A SPIRIT
IN THIS HOUSE.

251
00:19:02,942 --> 00:19:06,145
MARTHA, I WILL SEE YOU
TO YOUR ROOM.

252
00:19:09,649 --> 00:19:11,384
Martha: GOOD NIGHT.

253
00:19:11,418 --> 00:19:12,885
Barney: GOOD NIGHT.

254
00:19:12,919 --> 00:19:15,154
[ THUNDER RUMBLES ]

255
00:19:26,466 --> 00:19:27,800
WHAT ABOUT THAT BOX?

256
00:19:27,834 --> 00:19:30,503
THE BOX COULDN'T HAVE BEEN
TAMPERED WITH.

257
00:19:30,537 --> 00:19:32,672
THE RUST ON THE HINGES
WAS REAL.

258
00:19:32,705 --> 00:19:35,275
YOU SAW THE PAPER --
YELLOW WITH AGE.

259
00:19:35,308 --> 00:19:38,645
AND THE SEALS ON THE ENVELOPE
HAVE NOT BEEN TOUCHED.

260
00:19:38,678 --> 00:19:40,680
ARIANA, HE WAS GOOD,

261
00:19:40,713 --> 00:19:44,617
BUT WASN'T HIS VOICE
A LITTLE OBVIOUS?

262
00:19:44,651 --> 00:19:45,885
PERHAPS.

263
00:19:45,918 --> 00:19:49,722
PERHAPS? COME ON.
LEVEL WITH US, ARIANA.

264
00:19:49,756 --> 00:19:51,758
THAT WAS NONSENSE.

265
00:19:51,791 --> 00:19:53,726
PERHAPS.

266
00:19:57,697 --> 00:19:59,666
I'LL TRY TO CONCENTRATE.

267
00:19:59,699 --> 00:20:02,469
KURT WANTS YOUR WORK
TO GO WELL

268
00:20:02,502 --> 00:20:04,337
AND TO BE COMPLETED.

269
00:20:05,472 --> 00:20:07,440
[ ALARM BUZZES ]

270
00:20:13,513 --> 00:20:14,681
[ DOG BARKING ]

271
00:20:14,714 --> 00:20:16,616
[ GROWLING ]

272
00:20:24,424 --> 00:20:25,825
[ THUNDER CRASHES ]

273
00:20:25,858 --> 00:20:26,893
[ HOWLS ]

274
00:20:38,471 --> 00:20:39,739
COULD HE BE ANGRY
WITH ME?

275
00:20:39,772 --> 00:20:40,973
POSSIBLY.

276
00:20:41,007 --> 00:20:42,742
EVERYTHING
ISN'T SUPERNATURAL.

277
00:20:42,775 --> 00:20:44,677
IT WAS VIBRATION
FROM THE THUNDERSTORM.

278
00:20:44,711 --> 00:20:45,945
THE WHOLE HOUSE SHOOK.

279
00:20:45,978 --> 00:20:49,482
BARNEY, MAYBE MR. POLYAK
IS RIGHT.

280
00:20:49,516 --> 00:20:52,885
YOU CLAIM TO BE
OBJECTIVE, MR. HAND.

281
00:20:52,919 --> 00:20:54,887
YOU KNOW YOU
DON'T REALLY BELIEVE THAT.

282
00:20:54,921 --> 00:20:56,889
AND WHY DO YOU SAY THAT?

283
00:20:56,923 --> 00:20:59,359
I AM A MEDIUM. I FEEL IT.

284
00:20:59,392 --> 00:21:02,895
YOU ARE NOT ORIENTED
TO BE A BELIEVER.

285
00:21:09,936 --> 00:21:12,372
[ THUNDER RUMBLES ]

286
00:21:18,010 --> 00:21:20,780
WHY DID YOU LET HER THINK
POLYAK IS RIGHT?

287
00:21:20,813 --> 00:21:23,850
WELL, WE MUSTN'T LET HER
FEEL WE SUSPECT POLYAK

288
00:21:23,883 --> 00:21:25,918
IF WE'RE
GOING TO EXPOSE HIM.

289
00:21:25,952 --> 00:21:28,020
WELL, ARE YOU SURE
YOU CAN?

290
00:21:28,054 --> 00:21:29,989
WHAT DO YOU MEAN?

291
00:21:30,022 --> 00:21:32,625
WELL, THERE'S NO NEED
TO LIE ABOUT IT.

292
00:21:32,659 --> 00:21:34,727
I TOLD HIM THE TRUTH.

293
00:21:34,761 --> 00:21:39,031
THERE IS A SPIRIT --
A GHOST, IF YOU PREFER --

294
00:21:39,065 --> 00:21:41,033
IN THIS HOUSE.

295
00:21:41,067 --> 00:21:44,737
I THOUGHT YOU WERE
JUST BEING TACTFUL.

296
00:21:44,771 --> 00:21:48,074
I'M NEVER TACTFUL
ABOUT THE SUPERNATURAL.

297
00:21:48,107 --> 00:21:51,744
WELL, THERE'S SOMETHING
YOU SHOULD KNOW.

298
00:21:51,778 --> 00:21:55,548
YOU SEE, MADAME ZUBROVNIK
WANTS TO BELIEVE

299
00:21:55,582 --> 00:21:59,018
THAT THE SPIRIT HERE
IS KIND AND LOVING.

300
00:21:59,051 --> 00:22:02,922
BUT THE SPIRIT HERE
ISN'T KIND AND LOVING.

301
00:22:02,955 --> 00:22:06,058
UNFORTUNATELY,
IT'S QUITE MALEVOLENT.

302
00:22:06,092 --> 00:22:09,796
YOU SEE, SPIRITS
DON'T USUALLY MOVE ABOUT.

303
00:22:09,829 --> 00:22:11,698
THEY GENERALLY REMAIN

304
00:22:11,731 --> 00:22:15,368
NEAR THE PLACE
WHERE THE DEATH OCCURRED,

305
00:22:15,402 --> 00:22:18,538
AND THAT'S WHERE YOU'LL
FIND THE TRUTH, NOT HERE.

306
00:22:18,571 --> 00:22:20,740
AND ZUBROVNIK
WAS BURNED TO DEATH

307
00:22:20,773 --> 00:22:22,108
IN HIS LABORATORY.

308
00:22:22,141 --> 00:22:23,643
[ THUNDER RUMBLING ]

309
00:22:26,546 --> 00:22:28,948
[ BUZZING ]

310
00:22:31,584 --> 00:22:33,820
[ THUNDER CRASHES ]

311
00:22:55,041 --> 00:22:56,643
KILL THE LIGHT.

312
00:22:56,676 --> 00:22:58,745
WE'LL USE THE BURNER.

313
00:23:02,014 --> 00:23:04,584
YOU WANT US TO HOLD HANDS
OR SOMETHING?

314
00:23:04,617 --> 00:23:06,018
NO, NO, NO.

315
00:23:06,052 --> 00:23:08,154
I WANT YOU TO SIT QUIET
AND TRY TO HELP ME.

316
00:23:21,901 --> 00:23:24,771
[ THUNDER RUMBLES ]

317
00:23:24,804 --> 00:23:28,541
MY CONTROL IS A YOUNG GIRL
OF 16, FRANCES,

318
00:23:28,575 --> 00:23:30,076
WHO DIED IN 1900.

319
00:23:37,550 --> 00:23:39,486
FRANCES.

320
00:23:41,554 --> 00:23:42,922
FRANCES?

321
00:23:42,955 --> 00:23:45,525
CAN YOU HEAR ME?

322
00:23:45,558 --> 00:23:49,195
THIS IS ARIANA.

323
00:23:51,030 --> 00:23:53,666
I AM FAR FROM HOME...

324
00:23:53,700 --> 00:23:57,737
BUT I KNOW
THAT YOU CAN HEAR ME.

325
00:23:59,872 --> 00:24:01,207
[ THUNDER CRASHES ]

326
00:24:03,710 --> 00:24:06,078
FRANCES!

327
00:24:06,112 --> 00:24:08,615
PLEASE.

328
00:24:11,751 --> 00:24:13,653
HEAR ME...

329
00:24:13,686 --> 00:24:16,122
AND TALK TO ME.

330
00:24:19,158 --> 00:24:22,061
WE ARE ANXIOUS.

331
00:24:22,094 --> 00:24:25,765
WE ARE SO ANXIOUS...

332
00:24:25,798 --> 00:24:28,735
TO TALK TO YOU.

333
00:24:31,270 --> 00:24:32,772
FRANCES.

334
00:24:41,147 --> 00:24:44,083
Frances: [ Whispering ]
Ariana...

335
00:24:44,116 --> 00:24:49,656
I...hear...you.

336
00:24:52,625 --> 00:24:53,660
FRANCES.

337
00:24:53,693 --> 00:24:56,262
FRANCES...

338
00:24:56,295 --> 00:24:58,598
THERE WAS A FIRE HERE
A YEAR AGO,

339
00:24:58,631 --> 00:24:59,932
AND A MAN WAS BURNED.

340
00:24:59,966 --> 00:25:03,002
[ FRANCES GASPING ]

341
00:25:03,035 --> 00:25:04,170
YES!

342
00:25:13,045 --> 00:25:14,547
FRANCES.

343
00:25:18,918 --> 00:25:20,987
FRANCES, CAN YOU HEAR ME?

344
00:25:22,589 --> 00:25:23,890
FRANCES!

345
00:25:23,923 --> 00:25:26,893
FRANCES, PLEASE COME BACK
AND TALK TO US.

346
00:25:26,926 --> 00:25:28,861
YOU WERE HERE A MOMENT AGO.

347
00:25:28,895 --> 00:25:30,763
Frances: AAAHHHH!

348
00:25:33,332 --> 00:25:38,871
I...AM...HERE.

349
00:25:41,240 --> 00:25:42,308
FRANCES!

350
00:25:42,341 --> 00:25:43,810
[ THUNDER CRASHES ]

351
00:25:45,812 --> 00:25:48,781
THERE IS DEATH...

352
00:25:48,815 --> 00:25:54,053
AND AGONY
AND TORMENT CLOSE TO YOU.

353
00:25:54,086 --> 00:25:58,057
I DON'T LIKE
TO TALK ABOUT IT.

354
00:25:58,090 --> 00:26:00,026
IT...HAS AN...

355
00:26:00,059 --> 00:26:02,795
UNQUENCHABLE POWER.

356
00:26:02,829 --> 00:26:05,331
IT HATES. IT HATES!

357
00:26:05,364 --> 00:26:08,935
IT CANNOT BE CONTROLLED...

358
00:26:08,968 --> 00:26:11,638
AND IT WILL KILL!

359
00:26:24,116 --> 00:26:25,384
OH.

360
00:26:25,417 --> 00:26:28,154
THAT WAS THE SPIRIT
OF THE FIRE...

361
00:26:28,187 --> 00:26:31,090
BUT IT'S
NOT THE ONE WE EXPECTED.

362
00:26:31,123 --> 00:26:32,959
IT'S ANOTHER SPIRIT.

363
00:26:40,299 --> 00:26:41,668
[ THUNDER CRASHES ]

364
00:26:41,701 --> 00:26:43,903
[ BUZZING ]

365
00:26:54,847 --> 00:26:56,082
OH.

366
00:26:56,115 --> 00:26:58,084
ARIANA,
ARE YOU ALL RIGHT?

367
00:26:58,117 --> 00:26:59,752
YES.

368
00:26:59,786 --> 00:27:02,221
THE SPIRIT OF THE MAN
WHO DIED IN THE FIRE --

369
00:27:02,254 --> 00:27:05,357
THAT WAS NOT THE SPIRIT
OF KURT ZUBROVNIK.

370
00:27:05,391 --> 00:27:08,227
THAT'S IT.
KURT ZUBROVNIK IS ALIVE.

371
00:27:08,260 --> 00:27:09,962
I DON'T KNOW HOW I KNOW.

372
00:27:09,996 --> 00:27:12,899
MY SUBCONSCIOUS KNOWS,
AND THAT'S HOW IT TELLS ME.

373
00:27:12,932 --> 00:27:15,134
YOU MEAN YOU CAME
TO THE CONCLUSION

374
00:27:15,167 --> 00:27:18,204
THAT KURT IS ALIVE
ON THE BASIS OF HER SEANCE?

375
00:27:18,237 --> 00:27:19,438
NO, I DON'T KNOW

376
00:27:19,471 --> 00:27:21,273
HOW SHE CAME
TO THAT CONCLUSION,

377
00:27:21,307 --> 00:27:22,408
BUT IT'S LOGICAL.

378
00:27:22,441 --> 00:27:24,076
NOW, LOOK.

379
00:27:24,110 --> 00:27:26,345
THE COMBINATION OF THE LOCK,

380
00:27:26,378 --> 00:27:28,748
THE CONTENTS OF THE LETTER.

381
00:27:28,781 --> 00:27:30,016
NOW, LOOK.

382
00:27:30,049 --> 00:27:32,218
WE BOTH KNOW THAT BOX
WAS NOT TAMPERED WITH.

383
00:27:32,251 --> 00:27:34,921
NEITHER WAS THE LETTER.
SO KURT IS ALIVE.

384
00:27:34,954 --> 00:27:37,289
THEY'RE GETTING INFORMATION
FROM HIM.

385
00:27:37,323 --> 00:27:39,926
THEY'RE EVEN TORTURING HIM,
POSSIBLY.

386
00:27:39,959 --> 00:27:44,230
IF KURT IS ALIVE,
WHAT WAS THAT?

387
00:27:44,263 --> 00:27:47,700
THAT WAS THE SPIRIT
OF THE MAN WHO REALLY DIED.

388
00:27:47,734 --> 00:27:49,168
IT'S QUITE POSSIBLE

389
00:27:49,201 --> 00:27:52,705
THAT THEY COULD HAVE BURNED
SOMEONE ELSE.

390
00:27:52,739 --> 00:27:56,909
THEY KNEW OF KURT'S INTEREST
IN SPIRITUALISM

391
00:27:56,943 --> 00:27:58,377
THROUGH POLYAK,

392
00:27:58,410 --> 00:28:00,847
SO THEY FAKED HIS DEATH

393
00:28:00,880 --> 00:28:02,314
IN ORDER TO GET CONTROL
OF MARTHA'S RESEARCH.

394
00:28:02,348 --> 00:28:06,252
NOW ALL WE HAVE TO DO
IS...IS FIND KURT.

395
00:28:06,285 --> 00:28:08,821
WHEN I PUT THE LUGGAGE
IN THE STOREROOM,

396
00:28:08,855 --> 00:28:11,724
I SAW A TRUNK IN THERE
THAT BELONGS TO POLYAK.

397
00:28:11,758 --> 00:28:14,193
LET'S GET A LOOK AT IT.

398
00:28:14,226 --> 00:28:16,195
NOW, WAIT A MINUTE.
WHAT ABOUT MARTHA?

399
00:28:16,228 --> 00:28:18,230
SUPPOSE SHE'S NOT
ON THE UP-AND-UP.

400
00:28:18,264 --> 00:28:21,033
SUPPOSE SHE'S FAKING
THIS WHOLE THING TO DEFECT.

401
00:28:21,067 --> 00:28:22,301
IT'S TOO ELABORATE.

402
00:28:22,334 --> 00:28:24,370
SHE WOULDN'T GO
TO ALL THAT TROUBLE.

403
00:28:24,403 --> 00:28:26,338
LET'S TAKE A LOOK
AT THE TRUNK.

404
00:28:26,372 --> 00:28:29,341
MAYBE THERE'S A CLUE
AS TO WHERE KURT IS HIDDEN.

405
00:28:29,375 --> 00:28:30,943
ALL RIGHT. ARIANA?

406
00:28:30,977 --> 00:28:33,079
NO, YOU LEAVE ME ALONE
IN HERE.

407
00:28:33,112 --> 00:28:35,815
YOU TRY YOUR WAY,
AND I'LL TRY MINE.

408
00:28:50,396 --> 00:28:52,364
[ THUNDER CRASHES ]

409
00:29:09,115 --> 00:29:11,317
THAT'S IT.

410
00:29:21,427 --> 00:29:22,428
[ CLICK ]

411
00:29:22,461 --> 00:29:24,530
YOU GOT IT.

412
00:29:24,563 --> 00:29:26,165
THAT WASN'T ME.

413
00:29:30,036 --> 00:29:32,471
IT'S BOLTED.

414
00:29:33,840 --> 00:29:35,041
GET THE WINDOW.

415
00:29:38,577 --> 00:29:40,346
CAN WE GET OUT THE WINDOW?

416
00:29:40,379 --> 00:29:41,914
WE'RE TOO HIGH TO JUMP.

417
00:29:45,051 --> 00:29:47,053
[ THUNDER CRASHES ]

418
00:30:01,333 --> 00:30:02,601
GIVE ME A HAND.

419
00:30:02,634 --> 00:30:05,037
GET THAT ELECTRIC HEATER
OVER THERE

420
00:30:05,071 --> 00:30:07,206
AND RIP THE CORD
OFF OF IT.

421
00:30:15,915 --> 00:30:17,917
[ THUNDER CRASHES ]

422
00:30:26,158 --> 00:30:27,393
OH!

423
00:30:35,634 --> 00:30:38,938
HOW DID YOU
GET IN HERE, MADAME?

424
00:30:42,141 --> 00:30:44,176
THE DOOR WAS OPEN.

425
00:30:44,210 --> 00:30:47,947
ARE YOU IN THE HABIT
OF ENTERING

426
00:30:47,980 --> 00:30:49,648
EVERY OPEN DOOR?

427
00:30:49,681 --> 00:30:54,220
WELL, ISN'T THIS
WHERE THE FIRE STARTED?

428
00:30:54,253 --> 00:30:57,123
WHY DOES THAT CONCERN YOU?

429
00:30:57,156 --> 00:30:58,257
WELL, I'M INTERESTED

430
00:30:58,290 --> 00:31:00,259
IN THE CIRCUMSTANCES
OF THE DEATH.

431
00:31:02,428 --> 00:31:04,463
[ COUGHING ]

432
00:31:09,468 --> 00:31:11,237
[ HUMMING ]

433
00:31:17,176 --> 00:31:19,145
I THINK THE MAGNET
IS GOING TO WORK.

434
00:31:20,446 --> 00:31:22,181
[ GRUNTS ]

435
00:31:23,582 --> 00:31:25,918
ALMOST HAD IT.

436
00:31:35,261 --> 00:31:36,996
GOOD BOY.

437
00:31:41,633 --> 00:31:42,969
GET THE TRUNK.

438
00:31:44,570 --> 00:31:47,073
[ THUNDER CRASHES ]

439
00:31:47,106 --> 00:31:50,442
WE WERE ONLY DISCUSSING
THE SUPERNATURAL.

440
00:31:50,476 --> 00:31:53,245
NOW, WHY SHOULD THAT
UPSET YOU?

441
00:31:53,279 --> 00:31:54,546
I SHOULD PREFER

442
00:31:54,580 --> 00:31:57,583
NOT TO CONTINUE
THIS DISCUSSION.

443
00:32:01,187 --> 00:32:04,991
KROGER.

444
00:32:07,026 --> 00:32:08,360
I WANT A WORD WITH YOU.

445
00:32:08,394 --> 00:32:09,595
AND I WITH YOU.

446
00:32:13,665 --> 00:32:15,301
[ FOOTSTEPS ]

447
00:32:20,306 --> 00:32:22,441
HOW ARE YOU BOYS DOING?

448
00:32:22,474 --> 00:32:24,510
DID YOU FIND ANYTHING?

449
00:32:24,543 --> 00:32:27,513
NOT WHAT WE WERE
LOOKING FOR.

450
00:32:27,546 --> 00:32:29,081
HOW ABOUT YOU?

451
00:32:29,115 --> 00:32:33,385
I HAD A VISION
OF KURT ZUBROVNIK, OF STREETS,

452
00:32:33,419 --> 00:32:35,187
A SMALL COMMUNITY
NOT FAR FROM HERE,

453
00:32:35,221 --> 00:32:37,223
AND THE BUTCHERING
OF LAMBS AND CATTLE.

454
00:32:40,392 --> 00:32:42,728
THE TOWN
WE DROVE THROUGH.

455
00:32:42,761 --> 00:32:44,096
MAYBE.

456
00:32:44,130 --> 00:32:46,965
THAT'S AS GOOD A GUESS
AS ANY.

457
00:33:03,582 --> 00:33:05,217
[ THUNDER CRASHES ]

458
00:33:08,787 --> 00:33:10,122
GENTLEMEN.

459
00:33:10,156 --> 00:33:13,025
GOOD EVENING,
MR. POLYAK.

460
00:33:19,498 --> 00:33:22,634
SOMEBODY HAS TRIPPED
THIS CAMERA BY HAND.

461
00:33:22,668 --> 00:33:23,769
MY APOLOGIES.

462
00:33:23,802 --> 00:33:26,438
I ACCIDENTALLY MOVED
THE LEVER.

463
00:33:26,472 --> 00:33:29,341
LET'S SEE IF YOU CAUGHT
ANYTHING.

464
00:33:43,655 --> 00:33:46,358
THAT LOOKS
LIKE THE WAY OUT.

465
00:33:54,433 --> 00:33:57,636
[ WHIMPERING ]

466
00:34:01,107 --> 00:34:02,574
COME ON, ARIANA.

467
00:34:02,608 --> 00:34:04,210
WAIT A SECOND.

468
00:34:20,392 --> 00:34:22,594
TRYING TO FIND
KURT ZUBROVNIK

469
00:34:22,628 --> 00:34:25,264
WAS A GOOD IDEA
10 MINUTES AGO.

470
00:34:25,297 --> 00:34:27,233
[ DOG WHIMPERING ]

471
00:34:29,168 --> 00:34:30,769
KURT ZUBROVNIK IS DEAD.

472
00:34:34,173 --> 00:34:37,776
WHAT'S THAT BLUR
IN THE CORNER?

473
00:34:37,809 --> 00:34:39,445
IT'S A BEE.

474
00:34:44,150 --> 00:34:46,218
[ BUZZING ]

475
00:34:48,487 --> 00:34:50,589
THERE'S NO POINT
IN GOING ON. HE'S DEAD.

476
00:34:50,622 --> 00:34:52,558
THEY'LL MOVE THE BODY
IMMEDIATELY.

477
00:34:52,591 --> 00:34:56,295
HOW DO YOU KNOW THIS?
HOW DID HE DIE?

478
00:34:56,328 --> 00:34:58,197
I CAN'T TELL YOU THAT.

479
00:34:58,230 --> 00:35:01,500
ALL I KNOW IS WHAT I KNOW,
WHAT I FEEL.

480
00:35:02,601 --> 00:35:05,237
ARE YOU SURE
ABOUT WHAT YOU FEEL?

481
00:35:05,271 --> 00:35:08,440
ALL I KNOW IS WHAT I FEEL,
NOT WHAT I THINK.

482
00:35:08,474 --> 00:35:10,876
[ DOG WHIMPERS ]

483
00:35:12,878 --> 00:35:14,680
[ RINGING ]

484
00:35:16,482 --> 00:35:17,583
HELLO?

485
00:35:17,616 --> 00:35:19,785
YES, THIS IS HE.

486
00:35:25,324 --> 00:35:27,626
YES.

487
00:35:36,868 --> 00:35:38,404
KROGER.

488
00:35:56,588 --> 00:35:57,856
WHAT HAPPENED?

489
00:35:57,889 --> 00:35:59,858
I THINK KURT IS DEAD.

490
00:36:05,597 --> 00:36:09,235
IF POLYAK'S SOURCE
OF INFORMATION IS GONE,

491
00:36:09,268 --> 00:36:12,204
AND HE LOSES CONTROL
OVER MARTHA,

492
00:36:12,238 --> 00:36:14,673
HE COULD MAKE
A SUDDEN MOVE.

493
00:36:14,706 --> 00:36:16,242
YOU'RE RIGHT.

494
00:36:23,249 --> 00:36:25,284
[ THUNDER CRASHES ]

495
00:36:30,822 --> 00:36:33,392
I'M SO SORRY, BUT WE
HAVE TO LEAVE TOMORROW.

496
00:36:33,425 --> 00:36:36,428
FORGIVE ME FOR BRINGING YOU
SUCH A GREAT DISTANCE

497
00:36:36,462 --> 00:36:37,796
FOR SO BRIEF A VISIT.

498
00:36:37,829 --> 00:36:39,365
WHERE ARE YOU GOING?

499
00:36:39,398 --> 00:36:41,667
I MUST COMPLETE MY WORK.

500
00:36:41,700 --> 00:36:43,769
AWAY FROM THIS PLACE,

501
00:36:43,802 --> 00:36:47,973
DR. ZUBROVNIK
WILL BE ABLE TO CONCENTRATE.

502
00:36:50,776 --> 00:36:54,813
I'M AFRAID YOU'LL HAVE TO
PREPARE TO LEAVE AS WELL.

503
00:37:16,001 --> 00:37:18,870
IF SHE LEAVES WITH POLYAK,
WE'RE FINISHED.

504
00:37:21,740 --> 00:37:23,475
[ THUNDER CRASHES ]

505
00:37:23,509 --> 00:37:24,510
[ SLAM ]

506
00:37:28,680 --> 00:37:31,417
Kroger: POLYAK,
THE DOOR IS LOCKED!

507
00:37:38,457 --> 00:37:39,491
AHH!

508
00:37:42,994 --> 00:37:44,830
[ GLASS BREAKS ]

509
00:37:47,633 --> 00:37:48,967
KROGER!

510
00:37:49,000 --> 00:37:50,969
WHAT IS IT?

511
00:37:58,510 --> 00:38:00,446
KROGER!

512
00:38:05,351 --> 00:38:07,619
[ THUNDER RUMBLING ]

513
00:38:14,593 --> 00:38:16,562
HE'S DEAD.

514
00:38:30,141 --> 00:38:32,744
[ THUNDER CRASHES ]

515
00:38:47,158 --> 00:38:49,628
OUR ONLY CHANCE
IS TO HAVE ANOTHER SEANCE

516
00:38:49,661 --> 00:38:50,829
BEFORE THEY GET AWAY.

517
00:38:50,862 --> 00:38:52,831
BARNEY, HOW LONG
WILL IT TAKE YOU

518
00:38:52,864 --> 00:38:55,434
TO RIG UP THE PROJECTOR
IN THE LIVING ROOM?

519
00:38:55,467 --> 00:38:57,936
TWENTY TO TWENTY-FIVE
MINUTES AT THE MOST.

520
00:38:57,969 --> 00:39:00,472
ARIANA, I WANT YOU
TO GET MARTHA TO AGREE

521
00:39:00,506 --> 00:39:02,841
TO ANOTHER SEANCE TONIGHT,
IN HALF AN HOUR.

522
00:39:02,874 --> 00:39:05,477
AT THIS SEANCE, I WANT YOU
TO GO INTO A TRANCE.

523
00:39:05,511 --> 00:39:07,379
HAVE THE GHOST
OF KURT ZUBROVNIK

524
00:39:07,413 --> 00:39:09,147
ACCUSE POLYAK
OF BEING A MURDERER,

525
00:39:09,180 --> 00:39:11,049
AND HAVING HELD HIM
PRISONER.

526
00:39:11,082 --> 00:39:13,084
OH, ROLLIN, I CAN'T.
I'M SORRY.

527
00:39:13,118 --> 00:39:15,621
THE ONLY WAY
TO BREAK A MAN LIKE THIS

528
00:39:15,654 --> 00:39:17,889
IS TO HAVE HIM
TRAP HIMSELF.

529
00:39:17,923 --> 00:39:20,058
YOU MUSTN'T ASK ME
TO DO THIS.

530
00:39:20,091 --> 00:39:22,127
YOU KNOW
WHAT I TOLD BRIGGS.

531
00:39:22,160 --> 00:39:25,697
I DON'T LIKE BEING DISHONEST
ABOUT THE SUPERNATURAL.

532
00:39:25,731 --> 00:39:28,700
BARNEY, WE'RE ON OUR OWN.
BETTER GET STARTED.

533
00:39:28,734 --> 00:39:31,136
ARIANA, CAN YOU
AT LEAST STALL MARTHA

534
00:39:31,169 --> 00:39:33,805
FOR HALF AN HOUR WHILE
WE'RE IN THE LIVING ROOM?

535
00:39:33,839 --> 00:39:35,674
OH, DON'T BE ANGRY
WITH ME.

536
00:39:35,707 --> 00:39:38,510
ALL RIGHT. I'LL TRY
TO ARRANGE ANOTHER SEANCE.

537
00:39:38,544 --> 00:39:40,746
BUT THE REST IS UP TO YOU.

538
00:39:47,052 --> 00:39:48,587
Martha:
YES? WHO IS IT?

539
00:39:48,620 --> 00:39:51,156
IT'S ARIANA.

540
00:39:51,189 --> 00:39:52,891
I KNOW HOW TIRED
YOU MUST BE,

541
00:39:52,924 --> 00:39:55,093
BUT I'D LIKE
TO TALK TO YOU.

542
00:39:55,126 --> 00:39:56,628
COME IN.

543
00:39:56,662 --> 00:39:58,430
WHAT IS IT?

544
00:39:58,464 --> 00:40:00,766
WELL, MADAME, I WAS
HOPING TO PERSUADE YOU

545
00:40:00,799 --> 00:40:03,101
TO PUT YOUR TRIP OFF
FOR A COUPLE OF DAYS.

546
00:40:03,134 --> 00:40:05,871
WE'VE BEEN SO IMPRESSED
BY WHAT'S HAPPENED HERE,

547
00:40:05,904 --> 00:40:07,906
WE'D REALLY LIKE
TO DOCUMENT IT.

548
00:40:07,939 --> 00:40:10,542
I THINK THAT YOU'VE GOT
ENOUGH ALREADY.

549
00:40:10,576 --> 00:40:13,078
I MUST GET AWAY FROM HERE
AND CONCENTRATE

550
00:40:13,111 --> 00:40:14,646
AND COMPLETE MY WORK.

551
00:40:14,680 --> 00:40:16,682
THAT'S WHAT KURT WANTS.

552
00:40:16,715 --> 00:40:18,183
[ KNOCK ON DOOR ]

553
00:40:18,216 --> 00:40:21,152
MARTHA,
ARE YOU ALL RIGHT?

554
00:40:21,186 --> 00:40:23,655
MARTHA,
MAY I COME INSIDE?

555
00:40:23,689 --> 00:40:24,923
YES. COME IN.

556
00:40:35,233 --> 00:40:38,069
I, UM...WAS HOPING
TO PERSUADE DR. ZUBROVNIK

557
00:40:38,103 --> 00:40:40,739
TO DELAY HER TRIP
FOR A COUPLE OF DAYS.

558
00:40:40,772 --> 00:40:42,774
WERE YOU?

559
00:40:57,122 --> 00:40:59,558
WE CANNOT DELAY
OUR DEPARTURE

560
00:40:59,591 --> 00:41:01,560
JUST FOR PSYCHIC RESEARCH.

561
00:41:01,593 --> 00:41:05,497
BUT I FEEL HER HUSBAND'S
PRESENCE VERY CLOSE TO ME.

562
00:41:05,531 --> 00:41:07,699
YOU FEEL HIM?

563
00:41:07,733 --> 00:41:11,102
YES. LIKE YOU, I'M A MEDIUM,
AND I FEEL I CAN REACH HIM.

564
00:41:11,136 --> 00:41:12,838
A MEDIUM?

565
00:41:12,871 --> 00:41:14,806
IT WOULD BE WONDERFUL
IF HE COULD COME TO ME

566
00:41:14,840 --> 00:41:16,975
THROUGH SOMEONE ELSE
AS WELL.

567
00:41:17,008 --> 00:41:18,844
THERE WILL BE NO ONE ELSE.

568
00:41:18,877 --> 00:41:20,679
WELL, THEN,
PERHAPS MADAME ZUBROVNIK

569
00:41:20,712 --> 00:41:21,980
AND I ALONE COULD --

570
00:41:22,013 --> 00:41:24,550
NO!
YOU MUSTN'T
DENY HIM TO ME.

571
00:41:24,583 --> 00:41:26,585
HE MAY HAVE SOMETHING
IMPORTANT TO SAY TO ME.

572
00:41:26,618 --> 00:41:28,820
PLEASE BRING HIM TO ME,
EITHER OF YOU.

573
00:41:31,289 --> 00:41:36,027
VERY WELL, BUT WE
MUST DO IT IMMEDIATELY.

574
00:41:36,061 --> 00:41:38,196
I'LL CHANGE AT ONCE.

575
00:41:44,302 --> 00:41:46,237
OKAY, TRY IT.

576
00:41:51,176 --> 00:41:53,545
PERFECT.

577
00:41:53,579 --> 00:41:55,547
[ DOOR OPENS ]

578
00:42:08,126 --> 00:42:10,095
WE'RE GOING TO HAVE
ANOTHER SEANCE.

579
00:42:10,128 --> 00:42:11,329
OH, REALLY? WONDERFUL.

580
00:42:11,362 --> 00:42:12,631
[ THUNDER CRASHES ]

581
00:42:33,284 --> 00:42:34,953
[ THUNDER CRASHES ]

582
00:42:40,626 --> 00:42:42,594
IT ALWAYS HAPPENS
WHEN THERE'S A STORM.

583
00:42:42,628 --> 00:42:44,696
WELL, LET'S WAIT, THEN.

584
00:42:44,730 --> 00:42:46,865
NO, NO. THERE ISN'T TIME.

585
00:42:46,898 --> 00:42:47,933
SIT DOWN.

586
00:42:47,966 --> 00:42:49,300
[ THUNDER CRASHES ]

587
00:42:50,368 --> 00:42:51,803
PLEASE SIT DOWN.

588
00:43:05,150 --> 00:43:10,088
DUDOIR, THESE ARE MOMENTS
OF ANXIETY.

589
00:43:10,121 --> 00:43:13,391
MARTHA ZUBROVNIK FEELS,

590
00:43:13,424 --> 00:43:16,094
AND SOME OTHERS OF US FEEL,

591
00:43:16,127 --> 00:43:20,031
THAT THE SPIRIT
OF HER HUSBAND IS NEAR,

592
00:43:20,065 --> 00:43:23,134
URGENTLY DEMANDING
AUDIENCE.

593
00:43:25,336 --> 00:43:27,839
DUDOIR...

594
00:43:27,873 --> 00:43:32,644
IS...KURT...DISTURBED?

595
00:43:32,678 --> 00:43:36,181
IS...HE...NEAR YOU?

596
00:43:42,020 --> 00:43:43,922
Dudoir: YES.

597
00:43:43,955 --> 00:43:46,925
HE IS NEAR ME.

598
00:43:46,958 --> 00:43:49,661
HE IS IMPATIENT.

599
00:43:49,695 --> 00:43:55,100
THERE ARE STILL STRANGERS
WITH YOU.

600
00:43:55,133 --> 00:43:57,435
THEY ANNOY HIM.

601
00:43:57,468 --> 00:44:02,273
HIS WIFE
MUST FINISH HER WORK.

602
00:44:02,307 --> 00:44:05,010
WHEN SHE ARRIVES,

603
00:44:05,043 --> 00:44:09,815
KURT WILL COME TO HER
HIMSELF.

604
00:44:09,848 --> 00:44:14,052
HE IS PROUD OF HER

605
00:44:14,085 --> 00:44:16,021
AND OF HER WORK,

606
00:44:16,054 --> 00:44:20,358
BUT HE DOES NOT WANT
TO SPEAK TO HER AGAIN

607
00:44:20,391 --> 00:44:23,228
UNTIL SHE HAS ARRIVED

608
00:44:23,261 --> 00:44:25,864
AT HER DESTINATION.

609
00:44:27,265 --> 00:44:28,433
Man: MARTHA!

610
00:44:28,466 --> 00:44:30,368
MARTHA!

611
00:44:30,401 --> 00:44:31,903
I...

612
00:44:31,937 --> 00:44:33,238
I WILL SPEAK TO YOU.

613
00:44:33,271 --> 00:44:35,173
MARTHA!

614
00:44:35,206 --> 00:44:40,245
MARTHA...IT IS I.

615
00:44:40,278 --> 00:44:42,013
IT IS KURT.

616
00:44:43,481 --> 00:44:45,116
IT IS I...

617
00:44:45,150 --> 00:44:46,985
WHAT IS THIS INTERFERENCE?

618
00:44:47,018 --> 00:44:49,855
BREAKING THE LAWS
OF INFINITY

619
00:44:49,888 --> 00:44:51,723
TO COME TO YOU.

620
00:44:51,757 --> 00:44:54,826
MARTHA,
THIS IS TRICKERY.

621
00:44:54,860 --> 00:44:57,262
NO.

622
00:44:57,295 --> 00:45:00,065
NO, I'M SURE
IT'S KURT'S VOICE.

623
00:45:00,098 --> 00:45:01,132
I KNOW IT.

624
00:45:01,166 --> 00:45:04,936
Kurt: MARTHA...MARTHA.

625
00:45:04,970 --> 00:45:07,405
I AM WITH YOU.

626
00:45:07,438 --> 00:45:10,141
I DO LOVE YOU.

627
00:45:10,175 --> 00:45:12,177
HOW CAN THIS BE
KURT'S VOICE

628
00:45:12,210 --> 00:45:13,845
COMING FROM THIS WOMAN?

629
00:45:13,879 --> 00:45:15,981
SHE DOES NOT HAVE
A CONTROL.

630
00:45:16,014 --> 00:45:18,416
Kurt:
DO NOT BE AFRAID.

631
00:45:18,449 --> 00:45:21,019
I THOUGHT YOU WERE ANGRY
WITH ME.

632
00:45:21,052 --> 00:45:23,154
I AM NOT ANGRY WITH YOU.

633
00:45:23,188 --> 00:45:26,057
IT IS ANOTHER MAN
WHO WAS ANGRY.

634
00:45:27,458 --> 00:45:29,761
[ THUNDER CRASHES ]

635
00:45:31,529 --> 00:45:33,865
MARTHA, WHAT YOU
ARE HEARING IS FAKERY.

636
00:45:33,899 --> 00:45:34,900
[ COUGHING ]

637
00:45:36,434 --> 00:45:38,770
I DON'T UNDERSTAND.

638
00:45:38,804 --> 00:45:40,906
WHAT MAN IS ANGRY?

639
00:45:40,939 --> 00:45:45,410
Kurt: IT IS A SIMPLE MAN
WHO WAS MURDERED.

640
00:45:45,443 --> 00:45:47,278
[ COUGHING ]

641
00:45:48,279 --> 00:45:51,049
HE WAS A BEEKEEPER.

642
00:45:51,082 --> 00:45:54,853
IT WAS HE, THE BEEKEEPER,
WHO WAS ANGRY.

643
00:45:54,886 --> 00:45:57,522
I DON'T UNDERSTAND IT.
THE DAMPER IS OPEN.

644
00:45:57,555 --> 00:45:59,324
[ COUGHING ]

645
00:45:59,357 --> 00:46:01,026
MR. POLYAK?

646
00:46:01,059 --> 00:46:03,228
WHAT'S HAPPENING?

647
00:46:03,261 --> 00:46:06,031
[ THUNDER CRASHING ]

648
00:46:06,064 --> 00:46:07,498
[ COUGHING ]

649
00:46:07,532 --> 00:46:09,935
[ THUNDER CRASHING ]

650
00:46:17,308 --> 00:46:19,277
[ COUGHING ]

651
00:46:31,522 --> 00:46:33,524
[ COUGHING CONTINUES ]

652
00:46:39,297 --> 00:46:40,565
[ SIGHS ]

653
00:46:42,500 --> 00:46:44,335
[ BUZZING ]

654
00:46:44,369 --> 00:46:46,104
[ THUNDER RUMBLING ]

655
00:46:53,411 --> 00:46:55,180
OHH!

656
00:46:55,213 --> 00:46:59,017
AHH!

657
00:46:59,050 --> 00:47:01,386
Polyak: OHH!

658
00:47:01,419 --> 00:47:02,587
MR. POLYAK?

659
00:47:02,620 --> 00:47:04,122
WHAT'S WRONG
WITH THE BOLT?

660
00:47:04,155 --> 00:47:06,091
I CAN'T BUDGE IT.
IT'S STUCK.

661
00:47:06,124 --> 00:47:07,092
AHH!

662
00:47:07,125 --> 00:47:09,094
IS THAT BEES?

663
00:47:09,127 --> 00:47:10,428
MR. POLYAK?

664
00:47:10,461 --> 00:47:12,130
[ BUZZING ]

665
00:47:24,943 --> 00:47:26,411
[ THUNDER CRASHING ]

666
00:47:44,262 --> 00:47:46,064
THANK YOU.

667
00:47:46,097 --> 00:47:47,165
YES.

668
00:47:49,100 --> 00:47:50,468
WE WISH YOU WOULD
CHANGE YOUR MIND.

669
00:47:50,501 --> 00:47:52,003
I DON'T THINK I WILL.

670
00:47:52,037 --> 00:47:54,205
I WANT TO STAY HERE,
WHERE KURT IS.

671
00:47:54,239 --> 00:47:57,175
AND I'LL WORK WELL,
NOW THAT I KNOW THE TRUTH.

672
00:47:57,208 --> 00:48:00,645
WE NEED YOU,
AND WE'LL MISS YOU.

673
00:48:00,678 --> 00:48:02,413
THANK YOU, MR. HAND.

674
00:48:02,447 --> 00:48:04,615
I'LL START SENDING
THE REPORTS AGAIN.

675
00:48:04,649 --> 00:48:05,984
GOOD.

676
00:48:06,017 --> 00:48:08,419
GOODBYE.
GOODBYE, MR. COLLIER.

677
00:48:08,453 --> 00:48:10,288
GOODBYE.

678
00:48:10,321 --> 00:48:12,557
GOODBYE, AND THANK YOU.

679
00:48:12,590 --> 00:48:14,325
GOODBYE.

680
00:48:14,359 --> 00:48:16,327
THANK YOU.

681
00:48:37,382 --> 00:48:41,552
ARIANA...HOW DID YOU KNOW
ABOUT THAT BEEKEEPER?

682
00:48:41,586 --> 00:48:45,723
I SAW BEES.
IT WAS A HUNCH.

683
00:48:45,756 --> 00:48:49,227
ARIANA, I'LL NEVER
DOUBT YOU AGAIN...

684
00:48:49,260 --> 00:48:50,595
OUT LOUD.

685
00:48:50,628 --> 00:48:53,064
AND YOU, ROLLIN?

686
00:48:53,098 --> 00:48:57,335
WELL, I DON'T KNOW.

687
00:48:57,368 --> 00:48:59,070
YOU DON'T KNOW.

688
00:48:59,104 --> 00:49:00,371
[ SIGHS ]

689
00:49:00,405 --> 00:49:04,175
THEN I GAVE
MY GREATEST PERFORMANCE.

690
00:49:13,384 --> 00:49:16,054
[ BUZZING ]