1 00:00:03,433 --> 00:00:06,603 - LAST SEASON ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:06,600 --> 00:00:08,100 [applause] - BEAUTIFUL! 3 00:00:08,100 --> 00:00:10,030 - VOOM-VOOM! SHA-BANG! 4 00:00:10,033 --> 00:00:11,473 - [bleep]! [all screaming] 5 00:00:11,467 --> 00:00:12,467 OH, [bleep]! 6 00:00:12,467 --> 00:00:13,967 - YOLANDA, THIS IS KIM. 7 00:00:13,967 --> 00:00:15,197 - HI, KIM, HOW ARE YOU? 8 00:00:15,200 --> 00:00:16,500 - NICE TO MEET YOU. 9 00:00:16,500 --> 00:00:18,130 BEAUTIFUL WOMEN LOVE RICH MEN. 10 00:00:18,133 --> 00:00:20,473 STILL [bleep] YOUR HUSBAND FOR A CHANEL BAG. 11 00:00:20,467 --> 00:00:24,667 DON'T YOU GUYS--CAN JUST DISCUSS LIKE NORMAL WOMEN? 12 00:00:24,667 --> 00:00:27,497 - YOLANDA, DARLING... 13 00:00:27,500 --> 00:00:29,830 NOBODY'S LISTENING TO YOU. 14 00:00:29,834 --> 00:00:31,474 EVERY TIME MY PHONE RANG IN THE NIGHT, 15 00:00:31,467 --> 00:00:33,427 I THOUGHT THEY WERE GONNA SAY, 16 00:00:33,433 --> 00:00:34,533 "YOUR SISTER'S GONE." 17 00:00:34,533 --> 00:00:35,933 - IT HAPPENED TO ME, KYLE. 18 00:00:35,934 --> 00:00:37,534 - THAT'S A LIE! - I AM NOT LYING, BITCH! 19 00:00:37,533 --> 00:00:39,533 - AND YOU KNOW WHAT? - YOU CALLED MY WIFE A BITCH? 20 00:00:39,533 --> 00:00:40,573 - [bleep] YOU! 21 00:00:40,567 --> 00:00:41,927 - YOU'RE A PIECE OF [bleep]. 22 00:00:41,934 --> 00:00:44,234 - I DON'T SIT AND PRETEND TO BE SOMETHING I'M NOT. 23 00:00:44,233 --> 00:00:45,273 IF YOU'RE WORRIED I'M A LOOSE CANNON, 24 00:00:45,266 --> 00:00:46,496 NO, I'M THE TRUTH CANNON. 25 00:00:46,500 --> 00:00:48,270 I WILL TELL YOU WHAT YOU DON'T WANT TO HEAR. 26 00:00:48,266 --> 00:00:50,096 - YOU DESERVE ALL OF THAT. - SHUT THE [bleep] UP! 27 00:00:50,100 --> 00:00:52,270 - IT'S ALWAYS NICE TO HAVE A FRIEND THAT TURNS AROUND 28 00:00:52,266 --> 00:00:54,096 AND SAYS, "YOU KNOW WHAT? I'M ON YOUR SIDE." 29 00:00:54,100 --> 00:00:57,870 - AND I JUST SAID-- - SHUT THE [bleep] UP. 30 00:00:57,867 --> 00:01:00,027 WHY AREN'T YOU MY FRIEND ANYMORE? 31 00:01:00,033 --> 00:01:01,073 AND YOU'RE NOT THE SAME. 32 00:01:01,066 --> 00:01:03,026 I KNOW, BUT IT'S CHANGED. 33 00:01:03,033 --> 00:01:05,203 SO WHAT? 34 00:01:07,433 --> 00:01:08,673 - I'M FROM THIS TOWN. 35 00:01:08,667 --> 00:01:11,927 I KNOW WHAT'S REAL AND WHAT'S FAKE. 36 00:01:13,433 --> 00:01:15,433 - DON'T TELL ME YOU'RE MY FRIEND. 37 00:01:15,433 --> 00:01:17,603 ACT LIKE ONE. 38 00:01:17,600 --> 00:01:19,400 - IN BEVERLY HILLS, THE HIGHER YOU CLIMB, 39 00:01:19,400 --> 00:01:22,100 THE FARTHER YOU FALL. 40 00:01:22,100 --> 00:01:24,670 - EVERYBODY LOVES A COMEBACK STORY, 41 00:01:24,667 --> 00:01:26,897 ESPECIALLY STARRING ME. 42 00:01:28,166 --> 00:01:30,326 - IN MY WORLD, MONEY DOESN'T TALK. 43 00:01:30,333 --> 00:01:32,573 IT SWEARS. 44 00:01:32,567 --> 00:01:37,867 - YOU CAN NEVER BE TOO YOUNG, TOO THIN, OR TOO HONEST. 45 00:01:37,867 --> 00:01:42,027 - LIFE IS A SEXY LITTLE DANCE, AND I LIKE TO TAKE THE LEAD. 46 00:01:52,600 --> 00:01:55,300 - ONE, TWO, THREE... [camera shutter clicking] 47 00:01:55,300 --> 00:01:56,630 - BEAUTIFUL. - BEAUTIFUL. 48 00:01:56,633 --> 00:01:58,903 SLOWLY. OOPS. 49 00:01:58,900 --> 00:02:01,030 - COME IN CLOSE FOR A BEAUTY SHOT NOW. 50 00:02:01,033 --> 00:02:03,503 - OH, OH, OH! - YEAH! 51 00:02:03,500 --> 00:02:05,230 - [laughs] 52 00:02:05,233 --> 00:02:08,173 - GIGI'S MODELING CAREER IS GOING INCREDIBLE. 53 00:02:08,166 --> 00:02:12,166 SHE'S ESTABLISHING HER OWN BRAND AT THE AGE OF 18. 54 00:02:12,166 --> 00:02:13,966 AND SHE'S WORKING. SHE'S MAKING A LOT OF MONEY. 55 00:02:13,967 --> 00:02:15,527 - YEAH. - WOW. 56 00:02:15,533 --> 00:02:17,403 YOUR BODY LOOKS AMAZING, GIGI. 57 00:02:17,400 --> 00:02:19,670 - ALL RIGHT, READY? - THE HARD WORK PAID OFF, GIRL. 58 00:02:19,667 --> 00:02:22,197 SHE GOT THE COVER OF SANTA BARBARA MAGAZINE. 59 00:02:22,200 --> 00:02:27,470 SHE'S GOT THE FALL 2013 GUESS CAMPAIGN, WHICH IS AMAZING. 60 00:02:27,467 --> 00:02:29,497 - THE BELT. - THE BELT, THE BELT-- 61 00:02:29,500 --> 00:02:30,930 LET'S FIX THE BELT A LITTLE. 62 00:02:30,934 --> 00:02:32,104 SHE'S JUST LIKE MOMMY. 63 00:02:32,100 --> 00:02:34,230 LOOK, SHE'S FIXING EVERYTHING HERSELF. 64 00:02:34,233 --> 00:02:36,573 OH, MY GOD, THAT'S AMAZING. 65 00:02:38,700 --> 00:02:41,970 WHEN I LOOK AT GIGI, I'M JUST SO INCREDIBLY PROUD 66 00:02:41,967 --> 00:02:43,127 BECAUSE ALL I SEE 67 00:02:43,133 --> 00:02:46,003 IS JUST A MUCH, MUCH BETTER VERSION OF ME. 68 00:02:48,967 --> 00:02:51,167 YOU'RE DOING SUCH A GOOD JOB, GIGI. 69 00:02:51,166 --> 00:02:52,666 - THANKS. - AREN'T YOU PROUD? 70 00:02:52,667 --> 00:02:55,867 SEE, IT'S HARD TO EXERCISE SIX DAYS A WEEK, 71 00:02:55,867 --> 00:02:58,267 AND IT'S HARD TO NOT EAT ANY SUGAR, 72 00:02:58,266 --> 00:03:00,366 AND IT'S HARD TO HAVE TO EAT SALAD EVERY DAY. 73 00:03:00,367 --> 00:03:02,197 BUT NOW YOU SEE HOW IT PAYS OFF. - YEAH. 74 00:03:02,200 --> 00:03:03,770 LIKE, WHEN I'M WORKING OUT, I'M LIKE, 75 00:03:03,767 --> 00:03:05,227 "[bleep], I DON'T WANT TO DO THIS ANYMORE." 76 00:03:05,233 --> 00:03:06,333 - YEAH. - BUT THEN-- 77 00:03:06,333 --> 00:03:07,733 - WHO WANTS TO BE A MODEL, RIGHT? 78 00:03:07,734 --> 00:03:10,334 - BUT THEN WHEN I'M SHOOTING, I'M LIKE, 79 00:03:10,333 --> 00:03:13,303 "I'LL DO ANOTHER 3 MILLION SIT-UPS IF YOU WANT." 80 00:03:13,300 --> 00:03:15,000 - [laughs] 81 00:03:15,000 --> 00:03:16,670 I FEEL JUST SO BLESSED TO BE ABLE TO GO 82 00:03:16,667 --> 00:03:17,827 ON A PHOTO SHOOT WITH GIGI 83 00:03:17,834 --> 00:03:19,404 BECAUSE THE PAST YEAR 84 00:03:19,400 --> 00:03:22,230 HAS BEEN SUCH AN EXTRAORDINARY STRUGGLE FOR ME. 85 00:03:22,233 --> 00:03:25,533 IT'S HARD TO CHANGE IN FRONT OF 20 PEOPLE. 86 00:03:25,533 --> 00:03:27,033 OKAY. - NO, WE'RE GOOD. 87 00:03:27,033 --> 00:03:28,103 - OW. 88 00:03:28,100 --> 00:03:29,500 - DEALING WITH LYME DISEASE 89 00:03:29,500 --> 00:03:32,000 WAS A HUGE LESSON FOR OUR ENTIRE FAMILY. 90 00:03:32,000 --> 00:03:34,930 IT REALLY SHOWED ME WHO MY TRUE FRIENDS ARE. 91 00:03:34,934 --> 00:03:38,334 AND BRANDI HAS BEEN THERE FOR ME, AND KYLE HASN'T. 92 00:03:38,333 --> 00:03:40,633 [camera shutter clicking] 93 00:03:40,633 --> 00:03:42,503 - I THINK WE GOT IT. 94 00:03:42,500 --> 00:03:44,400 [all cheering] THAT WAS GORGEOUS. GREAT. 95 00:03:44,400 --> 00:03:45,530 - THAT'S MY BABY. 96 00:03:45,533 --> 00:03:47,233 - [laughs] - BEAUTIFUL. 97 00:04:00,166 --> 00:04:03,966 - WHOOPS. WATCH YOUR HEAD. - THANK YOU. 98 00:04:03,967 --> 00:04:05,427 ALL RIGHTY. 99 00:04:05,433 --> 00:04:06,733 - YEAH, I KNOW YOU SAID 100 00:04:06,734 --> 00:04:08,174 THE BOYS MAY RUN UP AND DOWN THIS. 101 00:04:08,166 --> 00:04:10,366 - MY LITTLE ANGELS TERRORIZING SOMETHING? 102 00:04:10,367 --> 00:04:11,967 - [laughs] 103 00:04:11,967 --> 00:04:13,467 TA-DA! 104 00:04:13,467 --> 00:04:15,127 - TA-DA. - WELCOME HOME. 105 00:04:15,133 --> 00:04:17,503 - [laughs] MAYBE. 106 00:04:17,500 --> 00:04:18,970 HOPEFULLY. 107 00:04:18,967 --> 00:04:20,797 - I THINK YOU'RE MAKING THE RIGHT CHOICE 108 00:04:20,800 --> 00:04:23,700 IF YOU DO THIS HOUSE-- I REALLY DO. 109 00:04:23,700 --> 00:04:26,300 - BASICALLY I'M A WHITE VERSION OF THE JEFFERSONS, 110 00:04:26,300 --> 00:04:27,670 AND I'M MOVING ON UP. 111 00:04:27,667 --> 00:04:30,227 COUCH, MAYBE CHAIR OR LOVESEAT, 112 00:04:30,233 --> 00:04:32,073 MAYBE SOMETHING SMALLER THAN WHAT I HAVE. 113 00:04:32,066 --> 00:04:33,696 YOU KNOW HOW BIG MY-- 114 00:04:33,700 --> 00:04:35,230 - I THINK THAT'S NOT GONNA FIT HERE, YEAH. 115 00:04:35,233 --> 00:04:36,903 - YEAH. I GAVE MY HOUSEKEEPER 116 00:04:36,900 --> 00:04:38,530 ALMOST EVERYTHING I OWN, SO... - DID YOU? 117 00:04:38,533 --> 00:04:40,173 - YEAH. - LET'S GET YOU SOME FURNITURE. 118 00:04:40,166 --> 00:04:42,496 - WE JUST HAVE OUR BEDROOM SETS, AND THAT'S ABOUT IT. 119 00:04:42,500 --> 00:04:44,530 SO I JUST--YOU KNOW, I WANT TO START FRESH. 120 00:04:44,533 --> 00:04:47,603 I WANT TO START NEW. I WANT IT TO BE, LIKE, MY SPACE. 121 00:04:47,600 --> 00:04:49,000 - THIS IS GONNA BE YOUR SPACE. 122 00:04:49,000 --> 00:04:52,930 - I AM VERY BLESSED TO HAVE A NUMBER ONE BEST-SELLING BOOK, 123 00:04:52,934 --> 00:04:55,004 AND SO WE ARE LOOKING TO LEASE 124 00:04:55,000 --> 00:04:58,600 A HOUSE THAT'S A LITTLE MORE FANCY. 125 00:04:58,600 --> 00:05:00,470 THE PROBLEM IS, THERE'S ALL THESE WINDOWS, 126 00:05:00,467 --> 00:05:02,727 AND I TEND TO WALK AROUND WITHOUT MY CLOTHES ON, 127 00:05:02,734 --> 00:05:03,804 AS YOU KNOW. 128 00:05:03,800 --> 00:05:05,700 SO THAT MIGHT HAVE TO STOP. 129 00:05:05,700 --> 00:05:08,030 - WELL, I THINK YOU HAVE PRIVACY. 130 00:05:08,033 --> 00:05:09,803 THERE'S NOBODY THAT LIVES ACROSS THE STREET, SO... 131 00:05:09,800 --> 00:05:11,200 - BUT WHAT IF SOMEONE'S WALKING THEIR DOG? 132 00:05:11,200 --> 00:05:12,570 - WELL, IF SOMEONE WALKS THEIR DOG, THEN... 133 00:05:12,567 --> 00:05:13,797 - YES. - THEY'RE GOING TO HAVE 134 00:05:13,800 --> 00:05:14,870 A GOOD MORNING, YEAH. 135 00:05:14,867 --> 00:05:16,797 - I MET J.R. AT THE WHITE PARTY 136 00:05:16,800 --> 00:05:18,630 AT KYLE'S HOUSE LAST YEAR. 137 00:05:18,633 --> 00:05:20,033 MY BOYFRIEND'S HERE, BY THE WAY. 138 00:05:20,033 --> 00:05:21,603 - OOH, WHAT'S YOUR BOYFRIEND? 139 00:05:21,600 --> 00:05:23,270 - HE'S MY BOYFRIEND. - A REAL BOYFRIEND? 140 00:05:23,266 --> 00:05:25,226 - HE'S GOT, LIKE, A SEXY GAP IN HIS TEETH 141 00:05:25,233 --> 00:05:26,533 THAT I JUST WANT TO SUCK ON. 142 00:05:26,533 --> 00:05:28,233 THERE WAS NO BATHROOM SEX, 143 00:05:28,233 --> 00:05:29,503 AS EVERYONE THINKS. 144 00:05:29,500 --> 00:05:32,100 SINCE THEN, YES, THERE'S BEEN LOTS OF SEX 145 00:05:32,100 --> 00:05:33,300 IN A LOT OF DIFFERENT PLACES. 146 00:05:33,300 --> 00:05:34,970 MAMA'S GOT A BOYFRIEND. 147 00:05:34,967 --> 00:05:37,597 DEFINITELY BEATS BEING HOMELESS. - [laughs] 148 00:05:37,600 --> 00:05:39,230 I WAS NEVER GONNA LET YOU BE HOMELESS. 149 00:05:39,233 --> 00:05:40,673 YOU KNOW THAT. 150 00:05:40,667 --> 00:05:42,827 - OH, THE KIDS AND I ARE GONNA MOVE INTO YOUR APARTMENT? 151 00:05:42,834 --> 00:05:44,634 - [laughs] NO. 152 00:05:44,633 --> 00:05:48,003 - WE ARGUE A LOT, AND THEN WE HAVE REALLY GOOD MAKEUP SEX. 153 00:05:48,000 --> 00:05:49,730 AND THAT'S J.R. 154 00:05:49,734 --> 00:05:52,904 IS THERE ANYONE ELSE THAT'S INTERESTED IN THIS HOUSE? 155 00:05:52,900 --> 00:05:54,070 ARE THERE OTHER CONTENDERS? 156 00:05:54,066 --> 00:05:55,466 - WELL, I WAS GONNA WAIT TILL THE END, BUT, YES. 157 00:05:55,467 --> 00:05:57,897 YOU HAVE TODAY TO MAKE YOUR DECISION. 158 00:05:57,900 --> 00:05:59,630 LISTEN, YOU DECIDE IF YOU WANT IT, 159 00:05:59,633 --> 00:06:01,633 WHICH, HOPEFULLY, THE THINGS WE'VE SEEN-- 160 00:06:01,633 --> 00:06:03,133 I THINK YOU'RE GONNA LIKE IT, BUT IT'S UP TO YOU. 161 00:06:03,133 --> 00:06:04,803 - I THINK I WANT IT. I THINK I NEED TO HAVE IT. 162 00:06:04,800 --> 00:06:06,230 - COME ON. IT'S TIME. 163 00:06:06,233 --> 00:06:07,473 YOU JUST GOT TO MAKE A DECISION 164 00:06:07,467 --> 00:06:09,027 'CAUSE YOU DON'T HAVE MUCH TIME ANYMORE. 165 00:06:09,033 --> 00:06:10,503 [both laugh] - I KNOW. 166 00:06:10,500 --> 00:06:12,930 WELL, WILL YOU GET IT FOR ME? - IF YOU WANT IT. 167 00:06:12,934 --> 00:06:15,434 - I AM MAKING MY OWN MONEY NOW. 168 00:06:15,433 --> 00:06:18,203 IT'S SO EMPOWERING, AND I JUST FEEL LIKE I DON'T NEED 169 00:06:18,200 --> 00:06:22,400 AND I WILL NEVER HAVE A MAN PAY FOR THINGS FOR ME AGAIN. 170 00:06:22,400 --> 00:06:23,970 - TELL ME YOU WANT IT, AND I'LL GO GET IT. 171 00:06:23,967 --> 00:06:25,267 - GET IT. 172 00:06:25,266 --> 00:06:27,566 DON'T [bleep] IT UP. - NICE. 173 00:06:27,567 --> 00:06:29,527 - I STILL WOULD LIKE TO HAVE SEX WITH A MAN, 174 00:06:29,533 --> 00:06:31,673 BUT I DON'T NEED A MAN TO TAKE CARE OF ME. 175 00:06:31,667 --> 00:06:33,297 - ALL RIGHT, LET'S GO GET YOU THIS HOUSE. 176 00:06:33,300 --> 00:06:35,370 - YOU HAVE SOME WORK TO DO, MY FRIEND. 177 00:06:50,967 --> 00:06:52,467 - ONE, TWO, THREE, FOUR, 178 00:06:52,467 --> 00:06:54,167 FIVE, SIX, SEVEN, EIGHT. 179 00:06:54,166 --> 00:06:55,726 ONE, TWO, THREE, FOUR, 180 00:06:55,734 --> 00:06:57,804 FIVE, SIX, SEVEN, EIGHT. 181 00:06:57,800 --> 00:07:00,670 ONE, TWO, THREE, FOUR, FIVE, SIX-- 182 00:07:00,667 --> 00:07:01,967 WHOA. 183 00:07:01,967 --> 00:07:03,767 - EASY NOW. 184 00:07:03,767 --> 00:07:06,827 I'VE BEEN ASKED TO BE ON DANCING WITH THE STARS. 185 00:07:06,834 --> 00:07:10,334 I THINK, "WELL, THEY OBVIOUSLY HAVEN'T SEEN ME DANCE." 186 00:07:10,333 --> 00:07:13,303 IT'LL PROBABLY BE MORE LIKE "DANCING ON MY ASS." 187 00:07:13,300 --> 00:07:16,100 ARE YOU SURE YOU WANT THAT IN THERE? 188 00:07:16,100 --> 00:07:17,570 - WHERE YOU GONNA HAVE THAT? 189 00:07:17,567 --> 00:07:20,167 - OH, GOD, MY FAMILY ARE GONNA BE WATCHING. 190 00:07:20,166 --> 00:07:23,496 I BEGGED DANCING WITH THE STARS FOR A GAY DANCE PARTNER. 191 00:07:23,500 --> 00:07:25,230 IT WOULD MAKE MY LIFE SO MUCH EASIER. 192 00:07:25,233 --> 00:07:28,233 IF I'VE GOT TO WRAP MY LEGS AROUND SOMEBODY, 193 00:07:28,233 --> 00:07:30,503 PLEASE, HELP ME, GOD, HE'S GAY. 194 00:07:30,500 --> 00:07:32,830 AND THEN IN WALKS GLEB... 195 00:07:36,200 --> 00:07:38,830 THIS STRAIGHT HUNK OF BURNING LOVE. 196 00:07:38,834 --> 00:07:40,974 - SEXY, LIKE YOU ENJOY IT. - OH, SHUT UP. 197 00:07:40,967 --> 00:07:42,027 - YEAH? - WELL-- 198 00:07:42,033 --> 00:07:43,273 - AND-- - OKAY. 199 00:07:43,266 --> 00:07:44,596 - [moans] - STOP IT. 200 00:07:44,600 --> 00:07:46,970 YOU'RE NOT MAKING NOISES WHEN YOU'RE DOING IT. 201 00:07:46,967 --> 00:07:48,227 THIS IS SUPPOSED TO BE DANCING. 202 00:07:48,233 --> 00:07:49,903 IT'S SUPPOSED TO BE, LIKE, CLINICAL, OKAY? 203 00:07:49,900 --> 00:07:51,700 SO DON'T DO ANY FUNNY NOISES. - READY? 204 00:07:51,700 --> 00:07:53,700 - NO. NO FUNNY NOISES. 205 00:07:53,700 --> 00:07:55,630 IT IS A LITTLE BIT STRANGE FOR ME, 206 00:07:55,633 --> 00:07:58,673 BEING SO KIND OF, UM, PHYSICALLY ENTWINED 207 00:07:58,667 --> 00:08:01,827 WITH SOMEBODY OTHER THAN MY HUSBAND. 208 00:08:01,834 --> 00:08:03,004 BUT I'M NOT COMPLAINING. 209 00:08:03,000 --> 00:08:04,800 I'M GETTING USED TO IT REAL QUICK. 210 00:08:04,800 --> 00:08:06,130 - MORE SEXY. 211 00:08:06,133 --> 00:08:07,933 I HAVE TO ENJOY--I HAVE-- - [moans] 212 00:08:07,934 --> 00:08:08,974 - YES! - [chuckles] 213 00:08:08,967 --> 00:08:10,097 - DO IT AGAIN. 214 00:08:10,100 --> 00:08:11,330 - [moans] 215 00:08:11,333 --> 00:08:12,633 - OPEN YOUR ARMS. 216 00:08:12,633 --> 00:08:14,473 WHOOM, BOOM, BOOM. 217 00:08:14,467 --> 00:08:15,467 ONE, TWO. 218 00:08:15,467 --> 00:08:17,297 BA, DA-DA. 219 00:08:17,300 --> 00:08:19,700 ARCH. THAT'S MUCH MORE RELAXED. 220 00:08:19,700 --> 00:08:21,530 - OH, YEAH, I FEEL REALLY RELAXED. 221 00:08:21,533 --> 00:08:23,333 ARE YOU KIDDING ME? 222 00:08:23,333 --> 00:08:24,833 - COMING UP... 223 00:08:24,834 --> 00:08:27,374 - I KNOW THE TRUTH, KIM KNOWS IT, AND YOLANDA KNOWS THE TRUTH. 224 00:08:27,367 --> 00:08:29,197 - OKAY, WELL, THEN YOU DEAL WITH IT WITH HER. 225 00:08:29,200 --> 00:08:31,970 - OKAY, WELL, JUST BEWARE. - [sighs] 226 00:08:48,400 --> 00:08:50,870 - HONEY BUNNY, WHAT HAPPENED TO YOUR HAND? 227 00:08:50,867 --> 00:08:53,127 - I DIDN'T TELL YOU? - NO. 228 00:08:53,133 --> 00:08:55,433 - I SLIPPED AND FELL ON DOG PEE ON MY MARBLE. 229 00:08:55,433 --> 00:08:56,603 - OH. - [laughs] 230 00:08:56,600 --> 00:08:58,470 - I KNOW--TORTURE. 231 00:08:58,467 --> 00:09:00,327 BUSINESS IS GOING REALLY WELL, 232 00:09:00,333 --> 00:09:03,103 BUT IT'S MUCH MORE WORK THAN I THOUGHT IT WOULD BE. 233 00:09:03,100 --> 00:09:05,500 I NEVER REALIZED HOW MUCH RESPONSIBILITY THIS IS. 234 00:09:05,500 --> 00:09:08,330 I THOUGHT IT WAS JUST GONNA BE A LITTLE FUN THING ON THE SIDE. 235 00:09:08,333 --> 00:09:10,633 DID WE GET ANY OF THE NEW BOXES IN? 236 00:09:10,633 --> 00:09:12,133 - YEAH, WE GOT A BIG ONE. - YES. HUGE. 237 00:09:12,133 --> 00:09:13,533 - WE DID? - YES. 238 00:09:13,533 --> 00:09:15,103 - IT SEEMS LIKE SO LONG AGO THAT WE CHOSE THIS STUFF... 239 00:09:15,100 --> 00:09:17,570 AND THEN IT FINALLY GETS HERE. - NO, BUT I'M REALLY EXCITED. 240 00:09:17,567 --> 00:09:19,097 - THAT'S WHY I THINK WE FORGET. - OH, MY GOD! 241 00:09:19,100 --> 00:09:20,770 - OH, MY GOD. - ARE YOU DEAD? ARE YOU DEAD? 242 00:09:20,767 --> 00:09:22,327 - DEAD. - DYING. 243 00:09:22,333 --> 00:09:24,503 - DEAD. DYING. WHY IS THERE ONLY ONE? 244 00:09:24,500 --> 00:09:25,670 THE CUSTOMER'S NOT GETTING ANY. 245 00:09:25,667 --> 00:09:27,227 SOMETIMES I'LL BE IN THE STORE, 246 00:09:27,233 --> 00:09:28,803 AND I FORGET THAT I'M SUPPOSED TO BE WORKING. 247 00:09:28,800 --> 00:09:30,100 CAN YOU IMAGINE ME WEARING THESE? 248 00:09:30,100 --> 00:09:31,630 - I LOVE IT. - I'M GONNA SCARE MAURICIO. 249 00:09:31,633 --> 00:09:34,703 - ON HOLLYWOOD BOULEVARD. [laughter] 250 00:09:34,700 --> 00:09:36,170 - AND I'VE BEEN TRYING ON CLOTHES, 251 00:09:36,166 --> 00:09:38,466 AND CUSTOMERS ARE GRABBING THE LAST SIZE THAT I WANT, 252 00:09:38,467 --> 00:09:39,867 AND I'M LIKE, "HEY, THAT'S MY SIZE." 253 00:09:39,867 --> 00:09:42,167 AND THEN I REALIZE, "OH, THAT'S RIGHT-- 254 00:09:42,166 --> 00:09:43,296 CUSTOMER FIRST." 255 00:09:43,300 --> 00:09:46,000 - IS KYLE AVAILABLE AT ALL? - SURE. 256 00:09:46,000 --> 00:09:47,000 - THERE'S SOMEONE HERE TO SEE ME? 257 00:09:47,000 --> 00:09:48,000 - HI. - HI. 258 00:09:48,000 --> 00:09:49,330 - I'M ALEX. - HI, ALEX. 259 00:09:49,333 --> 00:09:50,703 - I'M WITH THE BEVERLY HILLS CHAMBER OF COMMERCE. 260 00:09:50,700 --> 00:09:52,670 - OH, HI. NICE TO MEET YOU. - WE HAVE A MUTUAL FRIEND. 261 00:09:52,667 --> 00:09:53,867 - WHO? - ANDY. 262 00:09:53,867 --> 00:09:56,027 - WIEDERHORN? - ANDY WIEDERHORN. 263 00:09:56,033 --> 00:09:57,673 - OH, YEAH, HE'S ONE OF OUR BEST FRIENDS. 264 00:09:57,667 --> 00:09:59,427 - SO I TALKED TO ANDY, AND HE SAID, 265 00:09:59,433 --> 00:10:02,003 "YOU KNOW WHAT? I DON'T THINK KYLE IS A CHAMBER MEMBER YET." 266 00:10:02,000 --> 00:10:03,330 - I'M NOT. AM I SUPPOSED TO BE? 267 00:10:03,333 --> 00:10:04,873 - "YOU MIGHT WANT TO GIVE HER A VISIT." I THINK SO. 268 00:10:04,867 --> 00:10:08,227 - I DON'T EXACTLY KNOW WHAT IT DOES. 269 00:10:08,233 --> 00:10:09,733 - THE CHAMBER? - IS THAT SILLY? 270 00:10:09,734 --> 00:10:11,434 I'M SO EMBARRASSED. - NO, IT'S NOT SILLY. 271 00:10:11,433 --> 00:10:14,273 - COME SIT DOWN. 272 00:10:14,266 --> 00:10:15,526 - CHAMBER OF COMMERCE IS-- 273 00:10:15,533 --> 00:10:18,303 THINK ABOUT IT AS A ONE-STOP RESOURCE FOR BUSINESSES. 274 00:10:18,300 --> 00:10:20,470 - OKAY, I LIKE THAT. 275 00:10:20,467 --> 00:10:23,527 - BUSINESSES DEVELOP SYNERGIES WITH EACH OTHER. 276 00:10:23,533 --> 00:10:26,603 IF YOU CONNECTED WITH AN ART GALLERY... 277 00:10:26,600 --> 00:10:29,530 YOU KNOW, YOU COULD PROVIDE AN INCREDIBLE SYNERGY 278 00:10:29,533 --> 00:10:32,073 BETWEEN FASHION AND ART. 279 00:10:32,066 --> 00:10:35,466 - DO WE VOTE ON THINGS? - YEAH. 280 00:10:35,467 --> 00:10:37,597 THAT'S ONLY ONE THING THAT WE DO. 281 00:10:37,600 --> 00:10:39,430 WE HAVE EVENTS THROUGHOUT THE YEAR. 282 00:10:39,433 --> 00:10:42,103 - I LOVE THAT. - AND SOMETHING ELSE-- 283 00:10:42,100 --> 00:10:44,030 I WOULD ASSUME YOU'RE AWARE 284 00:10:44,033 --> 00:10:45,473 THAT BEVERLY HILLS IS CELEBRATING 285 00:10:45,467 --> 00:10:46,897 ITS 100TH ANNIVERSARY NEXT YEAR. 286 00:10:46,900 --> 00:10:48,930 - I AM AWARE OF THAT. - IT'S GONNA BE HUGE. 287 00:10:48,934 --> 00:10:50,474 - I'M ACTUALLY BORN AND RAISED HERE, SO... 288 00:10:50,467 --> 00:10:51,767 - OH, OKAY, COOL. 289 00:10:51,767 --> 00:10:53,667 THE CHAMBER'S VERY INVOLVED IN THE CENTENNIAL. 290 00:10:53,667 --> 00:10:55,927 SO ONE MORE THING-- FOR A BUSINESS TO GET INVOLVED 291 00:10:55,934 --> 00:10:58,134 WITH THE CHAMBER, YOU KNOW, YOU FIND SOME EXTRA EXPOSURE 292 00:10:58,133 --> 00:11:00,303 DURING THAT EXCITING TIME OF THE CENTENNIAL. 293 00:11:00,300 --> 00:11:01,730 - OH, THAT'S AMAZING. 294 00:11:01,734 --> 00:11:03,734 I'M A NEW STORE. I WANT TO SUCCEED. 295 00:11:03,734 --> 00:11:06,074 SO IF JOINING THE BEVERLY HILLS CHAMBER OF COMMERCE 296 00:11:06,066 --> 00:11:08,126 IS GONNA HELP ME SUCCEED, THEN I'M JOINING. 297 00:11:08,133 --> 00:11:10,073 I MEAN, HELLO? I'VE GOT BILLS TO PAY. 298 00:11:10,066 --> 00:11:11,966 - IF YOU ARE OPEN TO IT... - MM-HMM. 299 00:11:11,967 --> 00:11:14,097 - WE COULD DO A LITTLE RECEPTION OR SOMETHING LIKE THAT. 300 00:11:14,100 --> 00:11:15,370 - I WOULD LOVE TO DO THAT. 301 00:11:15,367 --> 00:11:16,497 ABSOLUTELY. - AWESOME. 302 00:11:16,500 --> 00:11:18,800 - I COULD THROW A PARTY FOR, LIKE, 300 PEOPLE 303 00:11:18,800 --> 00:11:20,470 IN 24 HOURS, SO... - I BET YOU CAN. 304 00:11:20,467 --> 00:11:24,427 - AND, YOU KNOW, MORE CUSTOMERS MEANS MORE PINK JACKETS FOR ME. 305 00:11:24,433 --> 00:11:25,973 I'M SO GLAD YOU CAME IN. 306 00:11:25,967 --> 00:11:28,697 - THANK YOU FOR HAVING ME. - THANK YOU SO MUCH. 307 00:11:28,700 --> 00:11:31,230 - WHAT WAS THAT ALL ABOUT? 308 00:11:31,233 --> 00:11:32,803 - OH, THAT MAN? HE WAS FROM THE BEVERLY HILLS 309 00:11:32,800 --> 00:11:34,700 CHAMBER OF COMMERCE. - OKAY. 310 00:11:34,700 --> 00:11:36,330 - AND HE'S TRYING TO GET ME TO JOIN. 311 00:11:36,333 --> 00:11:38,903 SO NOW I TOLD HIM I WOULD DO A LITTLE COCKTAIL PARTY 312 00:11:38,900 --> 00:11:40,230 TO MEET SOME OF THE OTHER PEOPLE, 313 00:11:40,233 --> 00:11:41,433 WHICH WOULD BE GOOD FOR BUSINESS. 314 00:11:41,433 --> 00:11:42,973 - YEAH, I'M GOOD WITH THAT. - OH, CHIC. 315 00:11:42,967 --> 00:11:46,797 - MAYBE I'LL HAVE LISA-- ONE OF HER RESTAURANTS CATER IT. 316 00:11:46,800 --> 00:11:47,900 - OKAY. 317 00:11:47,900 --> 00:11:49,170 IS THAT A GOOD IDEA? 318 00:11:49,166 --> 00:11:50,326 - WELL, IF I HAD HER-- 319 00:11:50,333 --> 00:11:51,903 YEAH, IT'S A STEP IN THE RIGHT DIRECTION. 320 00:11:51,900 --> 00:11:53,600 SOMEONE HAS TO MAKE THE FIRST MOVE, 321 00:11:53,600 --> 00:11:56,130 AND I KNOW IT'S NOT GONNA BE LISA. 322 00:11:56,133 --> 00:11:58,433 I DON'T WANT TO KEEP MAKING THIS EFFORT 323 00:11:58,433 --> 00:11:59,533 AND FEELING HURT BY YOU. 324 00:11:59,533 --> 00:12:01,573 - YOU WANT IT TO BE THE SAME AS IT WAS. 325 00:12:01,567 --> 00:12:03,527 BUT DON'T YOU REALIZE THAT YOU KEEP SAYING THINGS? 326 00:12:03,533 --> 00:12:05,303 "YOU'RE MANIPULATIVE. YOU HOLD A GRUDGE." 327 00:12:05,300 --> 00:12:07,570 - I THINK IT'S A NICE WAY JUST TO SORT OF SAY, 328 00:12:07,567 --> 00:12:09,297 "LET'S JUST PUT EVERYTHING BEHIND US AND MOVE FORWARD." 329 00:12:09,300 --> 00:12:12,530 - I THINK YOU REACH OUT TO HER ENOUGH 330 00:12:12,533 --> 00:12:14,433 AND A LOT. 331 00:12:32,367 --> 00:12:34,227 - IT'S SO CUTE. - WOW. 332 00:12:34,233 --> 00:12:36,273 I LOVE THE COLOR. - OH, THAT'S CUTE. 333 00:12:36,266 --> 00:12:38,466 - HI. GOOD MORNING. HOW ARE YOU? - HI. HOW ARE YOU? MORNING. 334 00:12:38,467 --> 00:12:40,197 HI. NICE TO SEE YOU. WELCOME. - YOLANDA. 335 00:12:40,200 --> 00:12:41,800 - BRANDI. THANK YOU. 336 00:12:41,800 --> 00:12:44,030 I GOT THE HOUSE, AND IT'S REALLY IMPORTANT TO ME 337 00:12:44,033 --> 00:12:45,933 TO MAKE IT FEEL LIKE A HOME AS SOON AS POSSIBLE, 338 00:12:45,934 --> 00:12:49,704 SO I'M GONNA GET IT TOGETHER WHIPPETY-SNIPPETY SNAP. 339 00:12:49,700 --> 00:12:50,970 [chuckles] 340 00:12:50,967 --> 00:12:52,367 - I THINK IN YOUR BEDROOM, 341 00:12:52,367 --> 00:12:54,927 YOU GOT TO PUT YOUR NIGHTSTANDS A LITTLE HIGHER. 342 00:12:54,934 --> 00:12:56,204 I THINK THE ONES YOU HAVE ARE A LITTLE LOW. 343 00:12:56,200 --> 00:12:57,730 YOU SEE HOW GREAT THAT IS? - YEAH. 344 00:12:57,734 --> 00:13:01,674 I GOT RID OF THE THINGS THAT WERE... 345 00:13:01,667 --> 00:13:02,967 MY LIFE WITH EDDIE. 346 00:13:02,967 --> 00:13:06,467 THE ONE THING I STILL DO HAVE IS MY STRIPPER POLE. 347 00:13:06,467 --> 00:13:08,927 THAT WILL BE AT EVERY HOUSE FOREVER. 348 00:13:08,934 --> 00:13:10,604 - HOW MUCH IS THIS? I LOVE THIS. 349 00:13:10,600 --> 00:13:12,900 - THIS TAG ALWAYS FALLS OFF. 350 00:13:12,900 --> 00:13:14,400 - OH, IT'S FREE. - IT'S FREE. 351 00:13:14,400 --> 00:13:15,900 - YAY. - EXACTLY. FOR YOU, IT'S FREE. 352 00:13:15,900 --> 00:13:17,170 - I MEAN, THAT'S A BEAUTIFUL PIECE. 353 00:13:17,166 --> 00:13:18,266 - HOW MUCH IS THIS? 354 00:13:18,266 --> 00:13:20,766 - THE LEATHER, IT'S, UM... 355 00:13:20,767 --> 00:13:22,667 $5,400. 356 00:13:22,667 --> 00:13:23,967 - I'M MOVIN' ON UP, 357 00:13:23,967 --> 00:13:26,267 BUT, I MEAN, CLEARLY... 358 00:13:26,266 --> 00:13:29,226 I DON'T HAVE THE BUDGET 359 00:13:29,233 --> 00:13:32,373 THAT YOLANDA OR LISA HAS, BECAUSE THEY'RE RICH. 360 00:13:48,867 --> 00:13:51,097 - HELLO? 361 00:13:51,100 --> 00:13:53,670 - HELLO. 362 00:13:53,667 --> 00:13:55,027 IT'S YOUR CATERER. 363 00:13:55,033 --> 00:13:56,603 - OH, HELLO. HI... 364 00:13:56,600 --> 00:13:58,530 - GIVE ME THAT MUFFIN. - YOU TINY LITTLE THING, YOU. 365 00:13:58,533 --> 00:13:59,733 YOU LOOK SO SMALL. 366 00:13:59,734 --> 00:14:01,404 YOU'RE LIKE THE... - I LOOK SO SMALL? 367 00:14:01,400 --> 00:14:03,570 - INCREDIBLE SHRINKING WOMAN. - OH, GOD. 368 00:14:03,567 --> 00:14:04,667 IT'S THE DANCING. IT'S KILLING ME. 369 00:14:04,667 --> 00:14:05,797 - SO SKINNY. 370 00:14:05,800 --> 00:14:07,300 - GIVE ME THE MUFFIN. 371 00:14:07,300 --> 00:14:10,070 HOW IS EVERYTHING? - THEY LOVE TO TRY TO ESCAPE. 372 00:14:10,066 --> 00:14:13,796 - OH, MY GOD, SO BETWEEN THE DANCING AND THE BUSINESS, 373 00:14:13,800 --> 00:14:16,270 I'M JUST FAILING AT EVERYTHING. 374 00:14:16,266 --> 00:14:19,796 I'M A LOUSY MOTHER RIGHT NOW, A LOUSY WIFE, A LOUSY FRIEND. 375 00:14:19,800 --> 00:14:22,270 I MEAN--JUST DON'T JUMP ON THAT "LOUSY FRIEND" THING. 376 00:14:22,266 --> 00:14:24,226 - [laughs] - I SEE YOU GETTING EXCITED. 377 00:14:24,233 --> 00:14:26,503 - I'VE ASKED LISA TO HAVE SUR CATER MY PARTY 378 00:14:26,500 --> 00:14:29,270 BECAUSE I REALLY WANT TO GET PAST OUR PROBLEMS. 379 00:14:29,266 --> 00:14:30,596 - SUR'S KIND OF MORE ROCK AND ROLL. 380 00:14:30,600 --> 00:14:32,030 I MEAN, IT'S KIND OF CASUAL, 381 00:14:32,033 --> 00:14:33,273 AND YOU KNOW WHAT THE STAFF ARE LIKE. 382 00:14:33,266 --> 00:14:34,296 IT'S NOT GONNA BE THAT FORMAL. 383 00:14:34,300 --> 00:14:35,930 IF YOU GOT A FORMAL DINNER PARTY-- 384 00:14:35,934 --> 00:14:37,674 - NO, IT'S NOT FORMAL. IT'S A COCKTAIL. 385 00:14:37,667 --> 00:14:39,127 - ALL RIGHT, THIS HOT MESS COMING OVER HERE. 386 00:14:39,133 --> 00:14:40,733 YOU KNOW WHAT I MEAN? THEY'RE YOUNG. THEY'RE FUN. 387 00:14:40,734 --> 00:14:41,734 THEY COME OVER IN THEIR LITTLE SHORT DRESSES. 388 00:14:41,734 --> 00:14:43,134 - WELL, I LIKE FUN AND CUTE. - OKAY. 389 00:14:43,133 --> 00:14:44,733 OKAY, AS LONG AS YOU KNOW WHAT YOU'RE GETTING INTO. 390 00:14:44,734 --> 00:14:46,004 NO, IT'LL BE FINE. 391 00:14:46,000 --> 00:14:47,530 - AS LONG AS--THEY KNOW HOW TO MIX DRINKS, RIGHT? 392 00:14:47,533 --> 00:14:48,773 - WELL, CLEARLY THEY DO. 393 00:14:48,767 --> 00:14:50,567 - [laughs] - THEY MIGHT DRINK THEM ALL. 394 00:14:50,567 --> 00:14:53,027 - AS LONG AS THEY CAN MIX THE DRINKS AND SERVE THE FOOD 395 00:14:53,033 --> 00:14:55,533 THAT YOUR PEOPLE PREPARE, THEN WE'RE FINE. 396 00:14:55,533 --> 00:14:58,303 - THEY MIGHT END UP IN THE POOL. [laughs] 397 00:14:58,300 --> 00:15:00,270 HOW MANY PEOPLE? 398 00:15:00,266 --> 00:15:01,526 - MAX, 50. 399 00:15:01,533 --> 00:15:03,233 40 TO 50. 400 00:15:03,233 --> 00:15:04,833 - AND YOU'RE ON THE CHAMBER OF COMMERCE. 401 00:15:04,834 --> 00:15:07,974 THAT IS THE FUNNIEST BLOODY THING I'VE EVER HEARD. 402 00:15:07,967 --> 00:15:09,627 I'M NOT INVOLVED WITH THE CHAMBER OF COMMERCE 403 00:15:09,633 --> 00:15:10,833 IN BEVERLY HILLS. 404 00:15:10,834 --> 00:15:13,034 I REALLY DON'T HAVE THE TIME RIGHT NOW. 405 00:15:13,033 --> 00:15:15,603 I JUST DON'T IMAGINE KYLE BEING INVOLVED 406 00:15:15,600 --> 00:15:18,900 IN THE KIND OF BUREAUCRACY OF THE CITY, 407 00:15:18,900 --> 00:15:22,570 BUT, OKAY, IF THEY NEED KYLE, I GUESS-- 408 00:15:22,567 --> 00:15:23,927 [chuckles] 409 00:15:23,934 --> 00:15:27,034 I GUESS SHE'LL, UM, FILL A SPACE. 410 00:15:27,033 --> 00:15:28,673 - HAVE YOU TALKED TO ANYBODY ELSE? 411 00:15:28,667 --> 00:15:30,227 - YOLANDA--YEAH, I MEAN, I'VE SPOKEN TO HER. 412 00:15:30,233 --> 00:15:31,403 - I HEAR SHE'S REALLY SICK STILL. 413 00:15:31,400 --> 00:15:33,530 - NO, NO, SHE'S DOING MUCH BETTER. 414 00:15:33,533 --> 00:15:36,033 - I MEAN, TO ME, HONESTLY, 415 00:15:36,033 --> 00:15:38,033 I'VE NEVER HAD AN ISSUE WITH HER. 416 00:15:38,033 --> 00:15:40,473 WE'VE GOTTEN ALONG. I'VE NEVER HAD AN ISSUE. 417 00:15:40,467 --> 00:15:42,697 BUT TO ME, A LIE-- I CAN'T TOLERATE A LIE. 418 00:15:42,700 --> 00:15:46,300 ONCE SOMEONE I KNOW IS A LIAR... 419 00:15:46,300 --> 00:15:50,030 WHY DON'T YOU SAY WHAT YOU SAID ABOUT LISA IN PARIS? 420 00:15:50,033 --> 00:15:51,103 - WHAT ARE YOU TALKING ABOUT? 421 00:15:51,100 --> 00:15:52,700 - YOU SAID SHE'S FULL OF [bleep]. 422 00:15:52,700 --> 00:15:55,400 - OH, MY GOD. YOU'RE A LIAR. PLEASE. 423 00:15:55,400 --> 00:15:57,200 - YOLANDA, YOU ARE A LIAR. - COME ON, COME ON. 424 00:15:57,200 --> 00:15:59,800 - DID YOU GET THE INVITE FROM KYLE 425 00:15:59,800 --> 00:16:03,600 FOR THE HUNDREDTH BIRTHDAY OF BEVERLY HILLS PARTY? 426 00:16:03,600 --> 00:16:05,570 - I SAW THE INVITATION, 427 00:16:05,567 --> 00:16:07,897 BUT, YOU KNOW, I'M KIND OF-- I'M CONFUSED. 428 00:16:07,900 --> 00:16:10,400 I MEAN, WHY WOULD I GO TO SOMEBODY'S HOUSE 429 00:16:10,400 --> 00:16:11,800 THAT JUST CALLED ME A LIAR? 430 00:16:11,800 --> 00:16:13,300 I DO NOT LIE. 431 00:16:13,300 --> 00:16:15,800 YOU KNOW, ONE OF MY BIGGEST FAULT IS THAT I'M TOO STRAIGHT, 432 00:16:15,800 --> 00:16:17,370 AND I TOO MUCH SAY AS IT IS. 433 00:16:17,367 --> 00:16:20,767 - WELL, DO IT FOR THE HUNDREDTH BIRTHDAY PARTY OF BEVERLY HILLS. 434 00:16:20,767 --> 00:16:22,797 IT'S NOT ABOUT KYLE. IT'S ABOUT BEVERLY HILLS. 435 00:16:22,800 --> 00:16:25,500 - HONEY, I'VE JUST-- I'VE BEEN SICK FOR NINE MONTHS. 436 00:16:25,500 --> 00:16:28,070 I JUST--YOU KNOW, I'M JUST GETTING MY MOJO BACK. 437 00:16:28,066 --> 00:16:31,396 DO I REALLY GO AND STAND AT SOMEBODY'S HOUSE FOR SOME PARTY 438 00:16:31,400 --> 00:16:33,330 THAT DOESN'T HAVE GOOD INTENTIONS WITH ME? 439 00:16:33,333 --> 00:16:34,733 I JUST DON'T WANT TO DO THAT. 440 00:16:34,734 --> 00:16:36,704 I REALLY DON'T HAVE ANY INTEREST TO GO TO HER HOUSE. 441 00:16:36,700 --> 00:16:40,670 I JUST NEED ACKNOWLEDGMENT IN ORDER TO MOVE ON, 442 00:16:40,667 --> 00:16:43,127 AND KYLE SEEMS TO LIVE HER LIFE 443 00:16:43,133 --> 00:16:45,573 BY SWEEPING EVERYTHING UNDER THE CARPET. 444 00:16:45,567 --> 00:16:48,127 I'M EXPECTING A PHONE CALL FROM HER. 445 00:16:48,133 --> 00:16:51,203 YOU KNOW, WOULD YOU SEND SOMEBODY AN INVITATION 446 00:16:51,200 --> 00:16:55,030 AND NOT CALL AND SAY, "HEY, CAN WE MOVE BEYOND THIS?" 447 00:16:56,233 --> 00:16:57,803 - WHEN I LOOK AT YOLANDA, 448 00:16:57,800 --> 00:17:01,630 EVER WOULD I ASSOCIATE HER WITH BEING A LIAR? 449 00:17:01,633 --> 00:17:03,803 NO. - RIGHT. 450 00:17:03,800 --> 00:17:05,570 WELL, I DO... 451 00:17:05,567 --> 00:17:07,167 BECAUSE I KNOW, AND SHE KNOWS. 452 00:17:07,166 --> 00:17:08,526 THAT'S MY ISSUE WITH HER. I KNOW THE TRUTH. 453 00:17:08,533 --> 00:17:09,933 - OKAY, WELL, THEN-- 454 00:17:09,934 --> 00:17:12,074 - I KNOW THE TRUTH, KIM KNOWS IT, AND YOLANDA KNOWS THE TRUTH. 455 00:17:12,066 --> 00:17:13,826 - OKAY, WELL, THEN YOU DEAL WITH IT WITH HER. 456 00:17:13,834 --> 00:17:15,534 - OKAY. WELL, JUST BEWARE. 457 00:17:15,533 --> 00:17:17,033 - [sighs] 458 00:17:17,033 --> 00:17:18,233 - IT JUST-- YOU KNOW, I FEEL LIKE-- 459 00:17:18,233 --> 00:17:20,233 - SO I'VE SEEN THE GOSSIP MAGAZINES. 460 00:17:20,233 --> 00:17:22,233 I HAVE TO ASK YOU, BECAUSE IT KEEPS SAYING, 461 00:17:22,233 --> 00:17:25,073 AND I WONDER IF THEY'RE JUST CONJURING UP BULL[bleep]-- 462 00:17:25,066 --> 00:17:27,996 "LISA ATTACKED ME LAST TIME." - [groans] 463 00:17:28,000 --> 00:17:29,400 - THAT'S NOT YOU SAYING THAT, RIGHT? 464 00:17:29,400 --> 00:17:30,900 - NO, NO. - 'CAUSE I DIDN'T ATTACK YOU. 465 00:17:30,900 --> 00:17:32,330 I MEAN, I'D LIKE TO. [laughs] 466 00:17:32,333 --> 00:17:35,273 - NO, NO, THIS IS ALWAYS WHAT HAPPENS. 467 00:17:35,266 --> 00:17:37,696 AND I'M SO GLAD I HAD SO MANY PEOPLE SITTING THERE. 468 00:17:37,700 --> 00:17:40,430 THEY SAID, "DID YOU FEEL ATTACKED?" 469 00:17:40,433 --> 00:17:42,373 AND I SAID, "WELL, YEAH, YOU KNOW, I DID. 470 00:17:42,367 --> 00:17:43,497 I FELT ATTACKED, WELL, YEAH." 471 00:17:43,500 --> 00:17:46,700 AND THEN IT COMES OUT, "KYLE SLAMS LISA." 472 00:17:46,700 --> 00:17:48,170 - WELL, I KEEP SEEING IT, AND I DON'T KNOW. 473 00:17:48,166 --> 00:17:50,066 - I KNOW. ME TOO, AND I'M LIKE, "OH, MY GOD." 474 00:17:50,066 --> 00:17:51,866 I THOUGHT YOU WERE GONNA TALK ABOUT THE OTHER RUMOR. 475 00:17:51,867 --> 00:17:53,267 THERE'S A RUMOR ALL OVER THE PLACE THAT I'M PREGNANT. 476 00:17:53,266 --> 00:17:57,166 - BUT THERE'S ALL THESE NASTY RUMORS ABOUT MAURICIO. 477 00:17:57,166 --> 00:17:58,566 THERE'S ALL THIS-- 478 00:17:58,567 --> 00:17:59,997 YOU KNOW, AT WHAT POINT-- - IT'S TERRIBLE. 479 00:18:00,000 --> 00:18:01,700 - WE CAN'T INVEST IN ANY OF THEM. 480 00:18:01,700 --> 00:18:03,670 THERE'S BEEN A LOT OF GOSSIP IN THE TABLOIDS-- 481 00:18:03,667 --> 00:18:07,127 VICIOUS, NASTY STUFF, AS FAR AS I'M CONCERNED. 482 00:18:07,133 --> 00:18:09,073 AND IT'S LIKE THE ELEPHANT IN THE ROOM. 483 00:18:09,066 --> 00:18:11,366 I DON'T FEEL I CAN IGNORE IT WITH KYLE. 484 00:18:11,367 --> 00:18:13,967 SO THE BEST THING TO DO, I FEEL, IS TO HIT IT HEAD-ON. 485 00:18:13,967 --> 00:18:15,697 OH, HERE HE IS. - OH. 486 00:18:15,700 --> 00:18:16,770 - WHAT'S UP? 487 00:18:16,767 --> 00:18:18,167 - HE'S COME HOME TO IMPREGNATE YOU. 488 00:18:18,166 --> 00:18:20,366 - HI, HONEY. - TO IMPREGNATE HER? 489 00:18:20,367 --> 00:18:22,397 - YEAH, THERE ARE RUMORS OUT THERE THAT I'M PREGNANT. 490 00:18:22,400 --> 00:18:24,130 - WELL, THERE'S SO MANY RUMORS, BUT WE JUST TALKED ABOUT THAT. 491 00:18:24,133 --> 00:18:25,433 - THAT WAS ONE OF THE RUMORS. - YEAH. 492 00:18:25,433 --> 00:18:27,203 ARE YOU TAKING PORTIA OUT TO LUNCH? 493 00:18:27,200 --> 00:18:29,300 - I'M GONNA TAKE HER OUT TO LUNCH. 494 00:18:29,300 --> 00:18:31,630 I'M GONNA TAKE HER TO RUN MY ERRANDS WITH ME. 495 00:18:31,633 --> 00:18:32,633 - OKAY. - AND THEN I'M GONNA-- 496 00:18:32,633 --> 00:18:34,233 - THIS IS WHERE THE RUMOR COMES 497 00:18:34,233 --> 00:18:36,133 THAT HE'S BEEN SEEN WITH A YOUNGER WOMAN. 498 00:18:36,133 --> 00:18:39,373 [chuckles] 499 00:18:39,367 --> 00:18:41,727 - WHY WOULD YOU JUST JOKE LIKE THAT? 500 00:18:41,734 --> 00:18:43,404 THIS IS NOT FUNNY. 501 00:18:43,400 --> 00:18:45,870 AND I DON'T WANT YOU TALKING LIKE THAT IN FRONT OF MY CHILD. 502 00:18:45,867 --> 00:18:47,897 WILL YOU STOP THAT? I'M SERIOUS. - NO, RIGHT. 503 00:18:47,900 --> 00:18:49,570 NO, BUT YOU'VE JUST GOT TO CONFRONT IT, AND IT'S DONE. 504 00:18:49,567 --> 00:18:51,627 - NO, I DON'T LIKE THAT APPROACH. 505 00:18:51,633 --> 00:18:54,733 I FEEL LIKE LISA IS NOT DONE PUNISHING ME. 506 00:18:54,734 --> 00:18:57,534 YOU KNOW, THIS IS BEGINNING TO FEEL LIKE A GAME TO ME, 507 00:18:57,533 --> 00:19:00,273 AND I DON'T WANT TO PLAY GAMES WITH MY FRIENDS. 508 00:19:05,367 --> 00:19:08,597 - COMING UP... 509 00:19:08,600 --> 00:19:11,270 STOP, KINGSLEY. 510 00:19:11,266 --> 00:19:15,926 WELL, KINGSLEY NEEDS SOME TRAINING. 511 00:19:17,900 --> 00:19:20,000 [dog yelps] 512 00:19:20,000 --> 00:19:22,130 [dog panting] 513 00:19:22,133 --> 00:19:24,333 [dogs panting] 514 00:19:29,867 --> 00:19:31,867 - WHAT DO YOU HAVE IN YOUR MOUTH? 515 00:19:31,867 --> 00:19:34,697 WHAT IS THAT? LET ME HAVE THAT. 516 00:19:34,700 --> 00:19:36,330 KINGSLEY! 517 00:19:36,333 --> 00:19:38,673 LET ME SEE THAT. WHAT IS THAT? 518 00:19:38,667 --> 00:19:39,967 LET ME HAVE IT. 519 00:19:39,967 --> 00:19:41,527 KINGSLEY! 520 00:19:41,533 --> 00:19:43,473 SIT DOWN. 521 00:19:43,467 --> 00:19:46,497 LET ME HAVE THAT TOY. 522 00:19:46,500 --> 00:19:49,400 I HAVE HAD KINGSLEY ONE YEAR. 523 00:19:49,400 --> 00:19:52,970 AND KINGSLEY... 524 00:19:52,967 --> 00:19:54,967 WELL, KINGSLEY NEEDS SOME TRAINING. 525 00:19:54,967 --> 00:19:57,227 COME--COME-- 526 00:19:57,233 --> 00:19:59,573 KINGSLEY! 527 00:19:59,567 --> 00:20:01,527 IF I'M NOT PLAYING WITH HIM, 528 00:20:01,533 --> 00:20:04,503 HE'LL GO GET ANYTHING OF MINE AND JUST START CHEWING ON IT. 529 00:20:04,500 --> 00:20:06,100 YOU NEED TO GIVE ME THAT RIGHT NOW. 530 00:20:06,100 --> 00:20:08,530 RIGHT NOW! DROP IT. 531 00:20:08,533 --> 00:20:09,573 WHA-- 532 00:20:09,567 --> 00:20:11,167 KINGSLEY LOVES SHOES. 533 00:20:11,166 --> 00:20:13,166 KINGSLEY LOVES MY CUSHIONS. 534 00:20:13,166 --> 00:20:15,526 KINGSLEY LOVES MY SOFA. 535 00:20:15,533 --> 00:20:17,803 KINGSLEY EATS EVERYTHING. 536 00:20:17,800 --> 00:20:20,070 COME ON. 537 00:20:20,066 --> 00:20:21,696 LET'S MAKE KIMBERLY'S BED... 538 00:20:21,700 --> 00:20:23,670 SO IT'S PRETTY WHEN SHE COMES HOME. 539 00:20:23,667 --> 00:20:25,567 THIS IS A GREAT TIME FOR ME. 540 00:20:25,567 --> 00:20:28,097 KIMBERLY WILL BE GRADUATING FROM HIGH SCHOOL 541 00:20:28,100 --> 00:20:31,530 AND TAKING HER NEW JOURNEY OFF TO COLLEGE. 542 00:20:31,533 --> 00:20:34,073 SO I'M VERY EXCITED FOR HER. 543 00:20:34,066 --> 00:20:36,866 WOOF! 544 00:20:36,867 --> 00:20:39,467 THIS IS NOT YOURS. 545 00:20:39,467 --> 00:20:41,397 OH, YOU ALREADY ATE A HOLE IN THIS? 546 00:20:41,400 --> 00:20:43,030 AND YOU TOOK HIS EYES OFF. 547 00:20:43,033 --> 00:20:46,503 KINGSLEY, WHAT AM I GONNA DO WITH YOU? 548 00:20:46,500 --> 00:20:50,730 MY KIDS ARE VENTURING OUT, AND I HAVE THIS NEW PUPPY NOW, 549 00:20:50,734 --> 00:20:54,474 WHICH I MUST SAY HAS FILLED A HUGE VOID FOR ME. 550 00:20:54,467 --> 00:20:57,397 NO, I'M GONNA MAKE THE BED. 551 00:21:01,667 --> 00:21:03,367 STOP, KINGSLEY. 552 00:21:03,367 --> 00:21:05,767 I STARTED WITH THE BASIC TRAINING OF KINGSLEY. 553 00:21:05,767 --> 00:21:08,127 YOU TAKE THAT END. I'LL DO THIS END. 554 00:21:08,133 --> 00:21:11,203 BUT HE'S GETTING BIGGER, AND HE'S BECOMING, LIKE... 555 00:21:11,200 --> 00:21:13,570 [scoffs] A LOT. 556 00:21:13,567 --> 00:21:15,697 NO! 557 00:21:15,700 --> 00:21:17,370 KINGSLEY. 558 00:21:17,367 --> 00:21:21,497 DUDE, I'M ALMOST DONE. 559 00:21:21,500 --> 00:21:24,500 KINGSLEY, YOU WANT THE BALL? 560 00:21:24,500 --> 00:21:26,470 KINGSLEY, LOOK. 561 00:21:26,467 --> 00:21:29,667 FIVE MORE MINUTES. 562 00:21:29,667 --> 00:21:33,297 OH! 563 00:21:33,300 --> 00:21:34,730 OH, MY GOD. 564 00:21:34,734 --> 00:21:38,004 KINGSLEY, THIS TIME, IT'S WAY UNDER THERE. 565 00:21:38,000 --> 00:21:41,130 DON'T HURT ME. 566 00:21:41,133 --> 00:21:42,503 AH! 567 00:21:42,500 --> 00:21:45,970 LAST YEAR, WHEN I WAS RECOVERING FROM HAVING MY NOSE DONE, 568 00:21:45,967 --> 00:21:48,767 HE GOT A LITTLE OVEREXCITED 569 00:21:48,767 --> 00:21:52,567 AND BUMPED INTO IT AND RE-BROKE MY NOSE. 570 00:21:52,567 --> 00:21:54,567 - WHAT DO YOU MEAN YOU GOT HIT IN THE FACE? 571 00:21:54,567 --> 00:21:55,697 - I GOT HIT IN THE FACE. 572 00:21:55,700 --> 00:21:57,700 - BY WHO? - MY DOG. 573 00:21:57,700 --> 00:22:01,530 THERE'S JUST DAYS I JUST, LIKE, THINK... 574 00:22:01,533 --> 00:22:03,803 "I DON'T KNOW IF I CAN HANDLE THIS." 575 00:22:03,800 --> 00:22:05,870 KINGSLEY, WAIT, WAIT, WAIT, WAIT, WAIT. 576 00:22:05,867 --> 00:22:08,327 WAIT, WA-- [laughs] 577 00:22:14,233 --> 00:22:16,533 - PORTIA, CAN YOU PUT YOUR LITTLE CAR AWAY? 578 00:22:16,533 --> 00:22:18,703 - NO. - EXCUSE ME. 579 00:22:18,700 --> 00:22:20,570 MAYBE YOU WANT TO RETHINK THAT ANSWER. 580 00:22:20,567 --> 00:22:23,027 CAN YOU PLEASE PUT YOUR CAR AWAY? 581 00:22:23,033 --> 00:22:25,703 - OKAY. - THANK YOU. 582 00:22:28,000 --> 00:22:31,830 OH, MY GOD, I GOT TO CHANGE. 583 00:22:31,834 --> 00:22:34,934 [girl shouts] 584 00:22:34,934 --> 00:22:37,104 - I'VE SEEN BETTER. - MY HOUSE IS MUCH NICER. 585 00:22:37,100 --> 00:22:38,970 - AH! 586 00:22:38,967 --> 00:22:40,797 [smooches] GOOD TO SEE YOU. - GREAT TO SEE YOU. 587 00:22:40,800 --> 00:22:42,300 - OOH, THAT LOOKS GOOD. - BEAUTIFUL HOUSE. 588 00:22:42,300 --> 00:22:44,130 - WHAT IS THAT? - CHICKEN MEATBALLS. 589 00:22:44,133 --> 00:22:46,173 IS THERE ANYWHERE WE'RE NOT SUPPOSED TO BE? 590 00:22:46,166 --> 00:22:48,996 - NOT SUPPOSED TO BE? - IS THERE ANYWHERE--YEAH. 591 00:22:49,000 --> 00:22:51,430 - OKAY, YEAH, AND, JAX, YOU STAY AWAY FROM MY DAUGHTERS. 592 00:22:51,433 --> 00:22:53,073 - THAT'S NOT A PROBLEM. - [laughs] 593 00:22:53,066 --> 00:22:55,866 EVEN IF I CAN'T NECESSARILY COUNT ON THE SUR STAFF, 594 00:22:55,867 --> 00:22:58,467 I KNOW THAT THE FOOD WILL ALWAYS BE GOOD. 595 00:22:58,467 --> 00:23:00,667 THAT'S NICE OF ME TO SAY... 596 00:23:00,667 --> 00:23:02,897 CONSIDERING. [laughs] 597 00:23:02,900 --> 00:23:06,130 I GET TO TEST NOW? - YOU DO. 598 00:23:06,133 --> 00:23:07,833 - WHAT KIND OF PIZZA IS THAT? 599 00:23:07,834 --> 00:23:10,434 - THIS IS GONNA BE A PHILLY CHEESESTEAK PIZZA-- 600 00:23:10,433 --> 00:23:13,003 CARAMELIZED ONIONS, FILET MIGNON, 601 00:23:13,000 --> 00:23:16,900 YELLOW CHEDDAR-CHEESE SAUCE. 602 00:23:16,900 --> 00:23:19,800 - UGH, GOD, I HOPE THEY BEHAVE THEMSELVES. 603 00:23:19,800 --> 00:23:22,030 I MEAN, NOT OUR FRIENDS-- WELL, OUR FRIENDS TOO, 604 00:23:22,033 --> 00:23:24,833 BUT OUR STAFF. - [laughs] 605 00:23:24,834 --> 00:23:26,804 - I DON'T REALLY THINK OF KYLE AS A BUSINESSWOMAN. 606 00:23:26,800 --> 00:23:28,330 CLEARLY, I THINK, SHE LOVES FASHION, 607 00:23:28,333 --> 00:23:30,803 AND THAT'S WHY SHE GOT INTO OPENING THIS SHOP. 608 00:23:30,800 --> 00:23:33,170 I DON'T KNOW EXACTLY WHAT SHE'LL BRING 609 00:23:33,166 --> 00:23:35,166 TO THE CHAMBER OF COMMERCE-- I GUESS WE'LL SEE. 610 00:23:35,166 --> 00:23:37,966 - [gasps] HELLO. 611 00:23:37,967 --> 00:23:39,127 - ARE YOU ALL READY, THEN? 612 00:23:39,133 --> 00:23:41,973 - WHY ARE YOU SO DRESSED UP? I SAID "JEANS." 613 00:23:41,967 --> 00:23:43,797 - I DIDN'T GET THE MEMO. - JUST KIDDING. 614 00:23:43,800 --> 00:23:45,170 I'M NOT CHANGED YET. 615 00:23:45,166 --> 00:23:46,626 COME IN QUICKLY. HURRY. 616 00:23:46,633 --> 00:23:48,703 - WHAT ARE YOU WAITING FOR? - I'M GONNA GO CHANGE RIGHT NOW. 617 00:23:48,700 --> 00:23:49,970 - YOU LOOK BETTER THAN YOU NORMALLY DO. 618 00:23:49,967 --> 00:23:51,697 - OH, THANK YOU. YOU'RE SO NICE. 619 00:23:51,700 --> 00:23:53,100 - AND SERIOUS. 620 00:23:53,100 --> 00:23:54,670 - OKAY, I GOT TO GO CHANGE. 621 00:23:54,667 --> 00:23:56,627 MAYBE YOU CAN GO KEEP AN EYE ON YOUR STAFF. 622 00:23:56,633 --> 00:23:58,403 - OH, GOD, ARE THEY MISBEHAVING? 623 00:23:58,400 --> 00:23:59,530 - NOT YET, BUT ONE DID SAY 624 00:23:59,533 --> 00:24:01,173 HE WISHED HE BROUGHT HIS BATHING SUIT. 625 00:24:01,166 --> 00:24:02,996 - HEY. HI. HOW ARE YOU? - GOOD. AND YOU? 626 00:24:03,000 --> 00:24:04,230 NICE TO SEE YOU. - GOOD. 627 00:24:04,233 --> 00:24:05,633 - HONEY, I'M GONNA GO AND CHANGE. 628 00:24:05,633 --> 00:24:07,103 - HEY, DARLING. HOW ARE YOU? 629 00:24:07,100 --> 00:24:08,400 - HOW YOU DOING? 630 00:24:08,400 --> 00:24:09,770 - OW, MOTHER[bleep]! 631 00:24:09,767 --> 00:24:11,827 THAT'S, LIKE, THE MOST INTERESTING PART OF MY DAY. 632 00:24:11,834 --> 00:24:14,774 - YOU NEED TO GET THIS MOVING. 633 00:24:14,767 --> 00:24:16,367 ALL RIGHT, WHAT COCKTAILS HAVE YOU GOT? 634 00:24:16,367 --> 00:24:17,697 - THERE'S, LIKE, A SUR COSMO, 635 00:24:17,700 --> 00:24:21,630 AND THERE'S THE CUCUMBER MARTINI AND THEN THE MARGARITA. 636 00:24:21,633 --> 00:24:23,233 - YOU HAVE THIS BULGE IN THE WAY. 637 00:24:23,233 --> 00:24:24,873 - NO, DON'T SAY THAT EITHER. 638 00:24:24,867 --> 00:24:26,327 - ALL RIGHT, LET'S GO. - JUST DON'T TALK. 639 00:24:26,333 --> 00:24:27,633 AND I HAVE TWO DIFFERENT SHOES ON. 640 00:24:27,633 --> 00:24:29,433 DON'T LET ME WALK OUT LIKE THAT. 641 00:24:29,433 --> 00:24:31,103 IT'S NOT THAT HARD. - [gasps] 642 00:24:31,100 --> 00:24:32,400 - IF THAT MEANS I GET TO GO HOME, 643 00:24:32,400 --> 00:24:34,000 I WILL ACTUALLY JUST CUT MY FINGER RIGHT NOW. 644 00:24:34,000 --> 00:24:36,830 I'LL GET OVER IT. - LOOKING HOT, BABY. 645 00:24:36,834 --> 00:24:38,734 - THANK YOU, HONEY. - I LOVE THAT. 646 00:24:38,734 --> 00:24:40,204 - YOU DO? - I LOVE THAT DRESS. 647 00:24:40,200 --> 00:24:41,830 - OH, THEY'RE IN THE KITCHEN. 648 00:24:41,834 --> 00:24:43,834 - OKAY, THERE'S ARIANA AND KRISTEN IN HERE 649 00:24:43,834 --> 00:24:45,074 AND JAX AND TOM OUTSIDE. 650 00:24:45,066 --> 00:24:46,696 - YEAH, AND KRISTEN SAID THAT'S NOT HAPPENING. 651 00:24:46,700 --> 00:24:48,570 - WHY? - SHE SAID NATHALIE TOLD HER 652 00:24:48,567 --> 00:24:50,297 THAT SHE'S WORKING THE BAR WITH TOM. 653 00:24:50,300 --> 00:24:51,930 AND I SAID, "WELL, LISA SAID YOU'RE NOT-- 654 00:24:51,934 --> 00:24:53,374 GIRLS INSIDE, GUYS OUTSIDE." 655 00:24:53,367 --> 00:24:55,397 AND SHE SAID SHE'D RATHER GO BACK TO HER SHIFT AT SUR. 656 00:24:55,400 --> 00:24:57,000 - WHO? KRISTEN DID? - I SAID, "THEN GO." 657 00:24:57,000 --> 00:24:59,170 - YOU'RE WORKING THE BAR OUTSIDE. 658 00:24:59,166 --> 00:25:00,626 - YOU NEED ME OUTSIDE? - YEAH. 659 00:25:00,633 --> 00:25:01,833 - ALL RIGHT. 660 00:25:01,834 --> 00:25:03,174 - NATHALIE SAID THAT TOM AND I COULD BE INSIDE. 661 00:25:03,166 --> 00:25:04,496 I DON'T WANT TO BARTEND IT. 662 00:25:04,500 --> 00:25:05,630 - WELL, WHY-- YOU DON'T WORK WITH TOM, 663 00:25:05,633 --> 00:25:07,003 LIKE, BARTEND WITH TOM. 664 00:25:07,000 --> 00:25:08,230 - YES, WE DO. - NO, NOT NOW, YOU DON'T. 665 00:25:08,233 --> 00:25:09,533 NOT A COUPLE WORKING THE BAR TOGETHER. 666 00:25:09,533 --> 00:25:10,803 - SO WE'RE GONNA HAVE ME INSIDE BY MYSELF AND JAX-- 667 00:25:10,800 --> 00:25:11,970 - NO, I DON'T WANT TO ARGUE WITH YOU. 668 00:25:11,967 --> 00:25:13,067 - IT'S FINE. WHO CARES? 669 00:25:13,066 --> 00:25:15,226 - UGH, EXACTLY. 670 00:25:15,233 --> 00:25:17,133 - I CARE. THAT'S WHY. I CARE. 671 00:25:17,133 --> 00:25:18,273 - I DON'T WANT TOM AND KRISTEN 672 00:25:18,266 --> 00:25:19,866 WORKING TOGETHER ON THE SAME BAR. 673 00:25:19,867 --> 00:25:21,597 THEY'RE ALWAYS BICKERING. 674 00:25:21,600 --> 00:25:24,300 THEY HAVE A VERY KIND OF VOLATILE RELATIONSHIP, 675 00:25:24,300 --> 00:25:27,870 AND I DON'T WANT IT TO RIPPLE OVER INTO KYLE'S PARTY. 676 00:25:27,867 --> 00:25:29,267 I'VE HAD ENOUGH OF YOUR ATTITUDE. 677 00:25:29,266 --> 00:25:30,266 GO BACK TO SUR. 678 00:25:30,266 --> 00:25:32,826 JEEZ. 679 00:25:32,834 --> 00:25:34,604 - SO AM I GONNA WALK HOME? - YEAH. 680 00:25:34,600 --> 00:25:36,330 - WHATEVER. 681 00:25:36,333 --> 00:25:37,573 - WHAT HAPPENED TO NATHALIE? 682 00:25:37,567 --> 00:25:39,297 - KRISTEN, YOU'RE NOT GOING HOME. 683 00:25:39,300 --> 00:25:41,270 - ARE YOU REALLY? - SHE TOLD ME TO LEAVE. 684 00:25:41,266 --> 00:25:43,096 - I THOUGHT SHE WOULD ACTUALLY BEHAVE TONIGHT. 685 00:25:43,100 --> 00:25:45,130 - I'M SO SICK OF THIS [bleep] BULL[bleep]. 686 00:25:45,133 --> 00:25:46,433 LIKE, IT'S PISSING ME OFF. - KRISTEN. 687 00:25:46,433 --> 00:25:48,673 - YOU KNOW WHAT? YOU'RE OUT OF CONTROL HERE. 688 00:25:48,667 --> 00:25:51,097 - YOU'RE BEING REALLY RUDE TO ME RIGHT NOW, THOUGH. 689 00:25:51,100 --> 00:25:52,400 - NO, I'M NOT BEING RUDE. - I'M AN ADULT. 690 00:25:52,400 --> 00:25:53,570 - I'M NOT RUDE TO YOU. - YOU ARE. 691 00:25:53,567 --> 00:25:54,767 AND WHEN I SAY HELLO TO YOU OUT OF RESPECT 692 00:25:54,767 --> 00:25:55,927 AND YOU ROLL YOUR EYES AT ME-- - NO, NO, NO. 693 00:25:55,934 --> 00:25:57,274 - I'M A 30-YEAR-OLD WOMAN. 694 00:25:57,266 --> 00:25:59,326 - BUT WE'RE NOT GONNA TALK ABOUT THIS NOW, OKAY? 695 00:25:59,333 --> 00:26:00,973 - I'M GONNA GO BACK TO WORK. I HAVE TO CUT FRUIT. 696 00:26:00,967 --> 00:26:02,797 - OKAY. 697 00:26:04,533 --> 00:26:07,103 - IT'S BULL[bleep]. 698 00:26:07,100 --> 00:26:09,670 - SHE IS SO RUDE, SO IMPULSIVE. - OF COURSE SHE IS. 699 00:26:09,667 --> 00:26:12,667 - THIS IS A [bleep] JOKE. 700 00:26:14,233 --> 00:26:15,233 - COMING UP... 701 00:26:15,233 --> 00:26:16,303 - LOOK AT THE BACK. 702 00:26:16,300 --> 00:26:17,870 ISN'T THAT HOT? - SO I CAN UNZIP IT? 703 00:26:17,867 --> 00:26:18,967 JUST DO IT LIKE THIS? 704 00:26:18,967 --> 00:26:20,197 - YEAH, BUT I DON'T HAVE UNDERWEAR ON. 705 00:26:20,200 --> 00:26:21,500 - OH, THAT'S OKAY. LET'S HAVE A LOOK. 706 00:26:21,500 --> 00:26:24,970 - LISA! - [laughs] 707 00:26:31,300 --> 00:26:33,800 - ♪♪ DO, DO, DO ♪♪ 708 00:26:33,800 --> 00:26:35,230 OKAY. 709 00:26:41,500 --> 00:26:43,070 TONIGHT'S AN EXCITING NIGHT FOR ME 710 00:26:43,066 --> 00:26:46,566 BECAUSE I FEEL LIKE I'M A BUSINESSWOMAN. 711 00:26:46,567 --> 00:26:47,897 TO BE A MEMBER 712 00:26:47,900 --> 00:26:49,500 OF THE BEVERLY HILLS CHAMBER OF COMMERCE NOW 713 00:26:49,500 --> 00:26:51,470 AND OWNING THIS STORE IN BEVERLY HILLS 714 00:26:51,467 --> 00:26:53,497 IS SOMETHING THAT'S NEW TO ME. 715 00:26:53,500 --> 00:26:55,800 I'VE ALWAYS BEEN JUST A MOM AND A WIFE, 716 00:26:55,800 --> 00:26:59,230 AND NOW I'M A STORE OWNER. 717 00:26:59,233 --> 00:27:01,633 - I DON'T KNOW HOW YOU JUGGLE TWO RESTAURANTS AND-- 718 00:27:01,633 --> 00:27:03,303 - I USED TO HAVE 26. 719 00:27:03,300 --> 00:27:05,170 OH, YOU DON'T WANT TO KNOW. YOU DON'T WANT TO KNOW MY LIFE. 720 00:27:05,166 --> 00:27:07,596 WELL, LET ME GET MYSELF A DRINK. [laughter] 721 00:27:07,600 --> 00:27:10,630 AND THIS IS WHY I DRINK. 722 00:27:10,633 --> 00:27:12,303 - HOW ARE YOU? - GOOD. HOW ARE YOU? 723 00:27:12,300 --> 00:27:13,500 - GOOD. GOOD TO SEE YOU. 724 00:27:13,500 --> 00:27:14,970 - GOOD TO SEE YOU. THIS IS MY FRIEND MARK. 725 00:27:14,967 --> 00:27:16,227 - HI. HOW ARE YOU? WE'VE MET BEFORE. 726 00:27:16,233 --> 00:27:18,103 YEAH. NICE TO SEE YOU. NOW, YOU HAVE A-- 727 00:27:18,100 --> 00:27:19,800 - I HAVE A MAKEUP STUDIO ON BEDFORD, 728 00:27:19,800 --> 00:27:20,870 SO I'M YOUR NEIGHBOR. 729 00:27:20,867 --> 00:27:22,367 - OH, YOU'RE RIGHT NEXT TO MY STORE. 730 00:27:22,367 --> 00:27:23,697 - RIGHT. 731 00:27:23,700 --> 00:27:26,530 - SO WHAT'S GOING ON? SO YOLANDA'S COMING? 732 00:27:26,533 --> 00:27:28,633 - SHE'S COMING? - IS SHE COMING? 733 00:27:28,633 --> 00:27:31,133 - WELL, I SENT THE EMAIL. 734 00:27:31,133 --> 00:27:33,903 AND THEN I CALLED HER BECAUSE I FIGURED 735 00:27:33,900 --> 00:27:35,530 SHE'S NOT GONNA FEEL COMFORTABLE JUST FROM AN EMAIL, 736 00:27:35,533 --> 00:27:38,073 BECAUSE WE STILL HAVEN'T, LIKE, SPOKEN SINCE EVERYTHING, SO... 737 00:27:38,066 --> 00:27:39,266 - YOU KNOW WHAT? LET IT GO. 738 00:27:39,266 --> 00:27:40,926 I DON'T CARE, AND IF I DON'T CARE-- 739 00:27:40,934 --> 00:27:43,074 - YOU LET IT GO--THAT'S THE FUNNIEST THING I'VE EVER HEARD. 740 00:27:43,066 --> 00:27:44,366 - NO, I DON'T CARE. WHY IS THAT FUNNY? 741 00:27:44,367 --> 00:27:47,497 - I THINK THAT LISA IS A LITTLE INTIMIDATED BY YOLANDA. 742 00:27:47,500 --> 00:27:50,330 AND I THINK THAT SHE JUST THINKS IT'S EASIER 743 00:27:50,333 --> 00:27:53,273 TO PRETEND THAT SHE THINKS YOLANDA IS TELLING THE TRUTH. 744 00:27:53,266 --> 00:27:54,796 - SO... OKAY. 745 00:27:54,800 --> 00:27:57,830 NO, WHAT I'M SAYING TO YOU IS IF IT'S ABOUT-- 746 00:27:57,834 --> 00:28:00,004 IF IT'S "SUPPOSEDLY" ABOUT WHAT SHE SAID ABOUT ME 747 00:28:00,000 --> 00:28:01,500 AND I DON'T CARE, WHY NOT JUST LET IT GO? 748 00:28:01,500 --> 00:28:02,930 - WELL, OBVIOUSLY, IT'S MORE THAN THAT BECAUSE SHE LIED. 749 00:28:02,934 --> 00:28:04,674 - NO, BUT-- - YOU'RE SAYING, "LET IT GO," 750 00:28:04,667 --> 00:28:06,427 BUT YOU NEVER LET GO OF ANYTHING. 751 00:28:06,433 --> 00:28:07,733 - I LET GO OF EVERYTHING. 752 00:28:07,734 --> 00:28:09,474 - WELL, WITH ME, YOU DIDN'T LET GO. 753 00:28:09,467 --> 00:28:10,927 SO WHY ARE YOU TELLING ME TO LET GO? 754 00:28:10,934 --> 00:28:12,874 - OH, PLEASE, WELL, WHY AM I EVEN HERE IF I DIDN'T LET IT GO? 755 00:28:12,867 --> 00:28:14,497 - IT TAKES A LITTLE LONGER THAN JUST--BOOM. 756 00:28:14,500 --> 00:28:15,630 THAT'S WHAT I'M SAYING. 757 00:28:15,633 --> 00:28:17,503 I INVITED HER. THAT WAS MY EFFORT I MADE. 758 00:28:17,500 --> 00:28:18,900 - BUT SHE MAINTAINS THAT SHE NEVER SAID IT. 759 00:28:18,900 --> 00:28:20,070 THAT'S WHY SHE'S UPSET. 760 00:28:20,066 --> 00:28:23,626 - WELL, YOU KNOW DAMN WELL SHE SAID THAT. 761 00:28:23,633 --> 00:28:24,973 IF YOU WANT TO BELIEVE HER OVER ME, 762 00:28:24,967 --> 00:28:26,227 WHEN I KNOW AND EVERYONE ELSE KNOWS... 763 00:28:26,233 --> 00:28:27,833 - MAYBE IT GOT LOST IN TRANSLATION. 764 00:28:27,834 --> 00:28:30,674 - LISTEN, I KNOW, KIM KNOWS, YOLANDA KNOWS, AND GOD KNOWS. 765 00:28:30,667 --> 00:28:34,197 - I'VE HAD A HISTORY WITH HER AND HER FAMILY FOR YEARS. 766 00:28:34,200 --> 00:28:35,600 - NO, YOU'VE HAD A HISTORY WITH HER FAMILY-- 767 00:28:35,600 --> 00:28:36,830 NOT REALLY WITH HER. - THAT'S WHAT I SAID. 768 00:28:36,834 --> 00:28:38,234 - YOU'VE HAD A HISTORY WITH ME MORE THAN HER. 769 00:28:38,233 --> 00:28:40,473 - MOHAMED IS ONE OF MY CLOSEST FRIENDS. 770 00:28:40,467 --> 00:28:41,667 - RIGHT, BUT NOT YOLANDA. - YEAH--NO. 771 00:28:41,667 --> 00:28:43,427 NO, I SAID WITH HER AND HER FAMILY. 772 00:28:43,433 --> 00:28:46,203 IT'S KYLE'S PERCEPTION THAT HER AND I ARE CLOSER, 773 00:28:46,200 --> 00:28:49,070 BUT I DON'T THINK SHE'S HELPING MATTERS RIGHT NOW. 774 00:28:49,066 --> 00:28:50,966 SHE'S TRYING TO GET ME TO CHOOSE SIDES. 775 00:28:50,967 --> 00:28:52,397 THERE ARE NO SIDES. 776 00:28:52,400 --> 00:28:53,930 - OKAY, THAT'S FINE. - THAT'S IT. 777 00:28:53,934 --> 00:28:55,634 - IF YOU WANT TO DO THAT FOR YOURSELF TO BE FRIENDS WITH HER, 778 00:28:55,633 --> 00:28:57,173 GO AHEAD--THAT'S FINE. - I AM FRIENDS WITH HER. 779 00:28:57,166 --> 00:28:58,366 - SO NOW IT'S BETWEEN US. - OKAY. 780 00:28:58,367 --> 00:29:02,327 - RIGHT. THAT'S GOOD. IT'S BETWEEN US. 781 00:29:02,333 --> 00:29:03,803 - [sighs] 782 00:29:03,800 --> 00:29:07,270 - IT FEELS LIKE A SLAP IN THE FACE TO ME. 783 00:29:07,266 --> 00:29:08,926 LISA KNOWS ME. 784 00:29:08,934 --> 00:29:11,234 AND SHE KNOWS I'M NOT A LIAR. 785 00:29:11,233 --> 00:29:14,273 - WE GIVE OUT AWARDS, ACTUALLY, TO DIFFERENT BUSINESSES 786 00:29:14,266 --> 00:29:16,826 WITHIN BEVERLY HILLS OR PEOPLE WHO BELONG TO THE CHAMBER. 787 00:29:16,834 --> 00:29:18,774 - WELL, IT'S THE BEST THING THAT EVER HAPPENED 788 00:29:18,767 --> 00:29:23,067 TO BEVERLY HILLS, THAT BUSINESS. 789 00:29:23,066 --> 00:29:25,496 - IT'S A BELL PEPPER ON CRISPY RICE. 790 00:29:25,500 --> 00:29:26,530 - HEY, KIM. 791 00:29:26,533 --> 00:29:28,533 - HI. 792 00:29:28,533 --> 00:29:32,533 - HOW ARE YOU? I HAVEN'T SEEN YOU FOREVER. 793 00:29:32,533 --> 00:29:34,403 - FOR QUALITY CONTROL. - HI. 794 00:29:34,400 --> 00:29:36,270 HOW ARE YOU? - OH, MY GOSH. 795 00:29:36,266 --> 00:29:37,896 YOU LOOK GORGEOUS. - THANK YOU. SO DO YOU. 796 00:29:37,900 --> 00:29:39,670 - THANK YOU. - YOU LOOK GOOD. 797 00:29:39,667 --> 00:29:41,197 - HEY. OH, I LOVE YOUR DRESS. 798 00:29:41,200 --> 00:29:42,730 - THANK YOU. I LOVE YOUR DRESS TOO. 799 00:29:42,734 --> 00:29:44,534 - IT'S A KATHY HILTON DRESS. 800 00:29:44,533 --> 00:29:46,373 - IT IS? I LOVE IT. IT'S GORGEOUS. 801 00:29:46,367 --> 00:29:47,567 - THANK YOU. 802 00:29:47,567 --> 00:29:50,427 - DO WE RING THE BELL, OR WE JUST WALK IN? 803 00:29:50,433 --> 00:29:51,533 - HI. - HI. 804 00:29:51,533 --> 00:29:53,103 - HOW ARE YOU? - HI. CARLTON GEBBIA. 805 00:29:53,100 --> 00:29:54,270 - CARLTON? - YEAH. 806 00:29:54,266 --> 00:29:55,866 - NICE TO MEET YOU. - NICE TO MEET YOU TOO. 807 00:29:55,867 --> 00:29:57,527 - HI, DAVID GEBBIA. - DAVID, NICE TO MEET YOU. 808 00:29:57,533 --> 00:29:59,833 COME ON IN. - THANK YOU. 809 00:29:59,834 --> 00:30:02,034 - ARE YOU WITH THE BEVERLY HILLS CHAMBER OF COMMERCE TOO? 810 00:30:02,033 --> 00:30:03,403 - YES. STOCKCROSS. - OH, OKAY. 811 00:30:03,400 --> 00:30:05,170 WELL, COME ON IN. SAY HI TO EVERYBODY. 812 00:30:05,166 --> 00:30:06,596 NOW, I HAVE TO PUT IN MY DISCLAIMER 813 00:30:06,600 --> 00:30:08,030 BECAUSE I'M EMBARRASSED. 814 00:30:08,033 --> 00:30:11,133 MY ROOM IS NOT DONE YET, SO THE WOOD IS NOT STAINED, SO... 815 00:30:11,133 --> 00:30:12,333 - WE'RE EASY. 816 00:30:12,333 --> 00:30:14,573 - NO, I GET IT, THOUGH. 817 00:30:14,567 --> 00:30:15,867 - OH, YOU'RE ENGLISH. - YEAH. 818 00:30:15,867 --> 00:30:17,327 - OH, YOU HAVE A BEAUTIFUL-- I LOVE YOUR ACCENT. 819 00:30:17,333 --> 00:30:21,073 - I FIND BUSINESS COCKTAIL PARTIES RATHER BORING, 820 00:30:21,066 --> 00:30:23,666 BUT I CERTAINLY HAVE MET SOME VERY INTERESTING PEOPLE. 821 00:30:23,667 --> 00:30:26,167 - LISA, WE HAVE A SIMILAR ACCENT IN THE HOUSE. 822 00:30:26,166 --> 00:30:27,726 THIS IS MY FRIEND LISA VANDERPUMP. 823 00:30:27,734 --> 00:30:29,104 - HELLO. REALLY? - CARLTON. 824 00:30:29,100 --> 00:30:31,000 - CARLTON AND HER HUSBAND, DAVID. 825 00:30:31,000 --> 00:30:32,270 - WHERE ARE YOU FROM? - WHERE ARE YOU FROM? 826 00:30:32,266 --> 00:30:34,366 - SOUTH LONDON, GREENWICH. - REALLY? 827 00:30:34,367 --> 00:30:36,527 MAYBE TO AMERICANS WE SOUND THE SAME. 828 00:30:36,533 --> 00:30:38,233 TO ME, IT'S A LITTLE DIFFERENT. 829 00:30:38,233 --> 00:30:41,473 GREENWICH--WELL, I WAS BROUGHT UP IN DULWICH. 830 00:30:41,467 --> 00:30:43,067 - ALL RIGHT. - IT'S NEAR. 831 00:30:43,066 --> 00:30:45,266 - I WAS BORN IN GUERNSEY, THE CHANNEL ISLANDS. 832 00:30:45,266 --> 00:30:48,026 - HER ACCENT'S NOT-- IT'S NOT THE SAME AS MINE. 833 00:30:48,033 --> 00:30:49,103 - ANYWAY, I'LL WALK-- SHOW YOU OUTSIDE. 834 00:30:49,100 --> 00:30:50,430 COME ON AND FOLLOW ME. COME ON OUTSIDE. 835 00:30:50,433 --> 00:30:51,803 - NICE TO MEET YOU. - NICE TO MEET YOU TOO. 836 00:30:51,800 --> 00:30:53,270 - VERY GOOD TO MEET YOU. - BYE. 837 00:30:53,266 --> 00:30:54,496 SHE SEEMS NICE. 838 00:30:54,500 --> 00:30:56,500 - THAT'S MY LITTLE ONE. DO YOU GUYS HAVE KIDS? 839 00:30:56,500 --> 00:30:57,700 - YEAH, THREE. - YEAH, WE HAVE THREE. 840 00:30:57,700 --> 00:30:59,230 - OH, YOU DO? HOW OLD ARE THEY? 841 00:30:59,233 --> 00:31:02,333 - WELL, DESTINY'S GONNA BE 11 IN JUNE, THEN MYSTERI'S 9, 842 00:31:02,333 --> 00:31:04,533 AND THEN OUR SON'S GONNA BE 2 NEXT WEEK. 843 00:31:04,533 --> 00:31:06,633 - WAIT. OH, MY GOSH, YOU HAVE A LITTLE BABY. 844 00:31:06,633 --> 00:31:07,803 - YEAH. - WHAT'S HIS NAME? 845 00:31:07,800 --> 00:31:09,430 - CROSS. - I LOVE THOSE NAMES. 846 00:31:09,433 --> 00:31:11,273 WHAT MADE YOU COME UP WITH THOSE NAMES? 847 00:31:11,266 --> 00:31:14,426 - UH, DESTINY, BECAUSE WHEN I FIRST MET DAVID, 848 00:31:14,433 --> 00:31:16,103 THAT WAS WHAT HE REPRESENTED TO ME. 849 00:31:16,100 --> 00:31:17,630 - AW, THAT'S SO CUTE. 850 00:31:17,633 --> 00:31:20,033 - AND MYSTERI-- WE MET A CAB DRIVER IN HAWAII. 851 00:31:20,033 --> 00:31:21,303 [laughter] - NO, NO, IT'S TRUE. 852 00:31:21,300 --> 00:31:22,830 - HIS DAUGHTER, YEAH. - AND THAT'S THE FATHER. 853 00:31:22,834 --> 00:31:23,974 - EXACTLY, THAT'S THE FATHER. - I'M JOKING, JUST JOKING. 854 00:31:23,967 --> 00:31:25,967 - YEAH, IT WAS A LONG NIGHT. YEAH, YEAH. 855 00:31:25,967 --> 00:31:28,197 - MY WIFE ALWAYS GETS THE HICCUPS FROM SPICY FOOD. 856 00:31:28,200 --> 00:31:29,930 - [laughs] IT'S SO FUNNY BECAUSE I-- 857 00:31:29,934 --> 00:31:31,434 - WHERE IS YOUR WIFE? SHE DIDN'T MAKE IT TONIGHT? 858 00:31:31,433 --> 00:31:34,533 - NO, NO, NO, NO. SHE--SHE'S JAZZERCISING. 859 00:31:34,533 --> 00:31:35,903 - NICE. - OH. 860 00:31:35,900 --> 00:31:37,930 - THAT'S FUN. - [laughs] 861 00:31:42,266 --> 00:31:44,296 - THIS IS THE LAST PLACE I WANT TO BE TONIGHT, 862 00:31:44,300 --> 00:31:47,500 BUT I SAID IF KYLE WOULD CALL ME, I WOULD GO. 863 00:31:47,500 --> 00:31:50,400 SO I KEPT MY PART OF THE DEAL. 864 00:31:50,400 --> 00:31:53,170 - HELLO. GOOD TO SEE YOU. - LOOK AT YOU. 865 00:31:53,166 --> 00:31:54,966 HOW ARE YOU, LOVE? - I LIKE THIS DRESS. 866 00:31:54,967 --> 00:31:57,397 WHOSE IS THIS? - VICTORIA BECKHAM. 867 00:31:57,400 --> 00:31:58,930 LOOK AT THE BACK. ISN'T THAT HOT? 868 00:31:58,934 --> 00:32:00,374 - I LIKE IT. SO I CAN UNZIP IT? 869 00:32:00,367 --> 00:32:01,527 JUST DO IT LIKE THIS? 870 00:32:01,533 --> 00:32:02,973 - YEAH, BUT I DON'T HAVE UNDERWEAR ON. 871 00:32:02,967 --> 00:32:04,127 - OH, THAT'S OKAY. LET'S HAVE A LOOK. 872 00:32:04,133 --> 00:32:05,533 - LISA! - [laughs] 873 00:32:05,533 --> 00:32:08,033 - HER KIDS' NAMES ARE DESTINY, MYSTERI, AND CROSS. 874 00:32:08,033 --> 00:32:10,133 - OH, I LOVE IT. - AREN'T THEY BEAUTIFUL NAMES? 875 00:32:10,133 --> 00:32:11,333 - OH, WOW. 876 00:32:11,333 --> 00:32:14,833 - WE'RE GOING TO SOCIALIZE. THANK YOU. 877 00:32:14,834 --> 00:32:16,704 WHERE ARE THE, UH... 878 00:32:16,700 --> 00:32:19,200 - HAVE YOU SAID HELLO TO KYLE OR NOT? 879 00:32:19,200 --> 00:32:21,070 - NO, WE JUST WALKED IN. - OKAY. ALL RIGHT. OKAY. 880 00:32:21,066 --> 00:32:23,226 - YEAH, WAIT. - YEAH, WAIT. 881 00:32:23,233 --> 00:32:24,873 - IT'S A 5,000-SQUARE-FOOT CLOSET, 882 00:32:24,867 --> 00:32:26,267 WHICH IS NOT SAYING MUCH IN BEVERLY HILLS, 883 00:32:26,266 --> 00:32:27,826 'CAUSE EVERYONE SEEMS TO HAVE ONE LIKE THAT. 884 00:32:27,834 --> 00:32:29,104 - YOU NEVER KNOW IN THIS GROUP 885 00:32:29,100 --> 00:32:30,430 WHEN YOU'RE GONNA NEED SOME BRASS KNUCKLES. 886 00:32:30,433 --> 00:32:33,233 - OH, LORD. HERE COMES... 887 00:32:33,233 --> 00:32:34,503 - [laughs] WHAT? 888 00:32:34,500 --> 00:32:35,630 - [sighs] 889 00:32:35,633 --> 00:32:37,103 - HI, KIMMY! - I GOT TO SAY HI REALLY QUICK. 890 00:32:37,100 --> 00:32:38,430 - HELLO. - HI, GIRLY. 891 00:32:38,433 --> 00:32:40,073 HOW ARE YOU? - HEY, MAURICIO. 892 00:32:40,066 --> 00:32:41,066 - HEY, YOLANDA. HOW ARE YOU? 893 00:32:41,066 --> 00:32:42,196 IS DAVID HERE? - HOW ARE YOU? 894 00:32:42,200 --> 00:32:43,300 NO, HE'S WORKING. 895 00:32:43,300 --> 00:32:44,770 HE'S DOING A CHARITY. 896 00:32:44,767 --> 00:32:47,397 - HI. HOW ARE YOU? 897 00:32:47,400 --> 00:32:49,670 THIS IS THE WEIRDEST PARTY I'VE EVER THROWN. 898 00:32:49,667 --> 00:32:51,767 90% OF THE PEOPLE, I DON'T EVEN KNOW. 899 00:32:51,767 --> 00:32:53,797 HI, YOLANDA, HOW ARE YOU? - HI, GIRLS. HI. 900 00:32:53,800 --> 00:32:55,200 HOW ARE YOU? - THANK YOU FOR COMING. 901 00:32:55,200 --> 00:32:56,970 - THANK YOU FOR HAVING US. - THANK YOU FOR COMING. 902 00:32:56,967 --> 00:32:58,567 AND THE OTHER 10% OF MY "FRIENDS," 903 00:32:58,567 --> 00:33:01,297 I'M NOT SO SURE THEY'RE MY FRIENDS. 904 00:33:01,300 --> 00:33:03,000 - JOYCE. - HI, JOYCE. HOW ARE YOU? 905 00:33:03,000 --> 00:33:04,130 NICE TO MEET YOU. - I'M GOOD, HOW ARE YOU? 906 00:33:04,133 --> 00:33:05,803 - WELCOME TO NOT MY PARTY, BUT WELCOME. 907 00:33:05,800 --> 00:33:07,130 - YEAH, THANK YOU. 908 00:33:07,133 --> 00:33:08,603 - THANK YOU. - YOU LOOK GORGEOUS. 909 00:33:08,600 --> 00:33:10,870 - THANK YOU. THESE ARE MY FRIENDS, LISA... 910 00:33:10,867 --> 00:33:11,997 - HELLO. HI. 911 00:33:12,000 --> 00:33:13,600 - I'M MICHAEL OHOVEN. - AND BRANDI. 912 00:33:13,600 --> 00:33:14,700 - MICHAEL, HELLO. - HI, LISA. 913 00:33:14,700 --> 00:33:16,000 - WAIT. DO YOU GO TO DR. LANCER? 914 00:33:16,000 --> 00:33:17,500 BECAUSE I SWEAR I'VE SEEN YOU IN THERE BEFORE. 915 00:33:17,500 --> 00:33:19,200 - NO, BUT YOU KNOW WHERE I'VE SEEN YOU? 916 00:33:19,200 --> 00:33:20,200 AT JANELLE'S BABY'S BIRTHDAY PARTY. 917 00:33:20,200 --> 00:33:21,530 - OH, THAT'S RIGHT. 918 00:33:21,533 --> 00:33:23,003 I'M LIKE, "WHY DO I KNOW YOU? I KNOW THIS GIRL." 919 00:33:23,000 --> 00:33:24,670 - I'M LIKE, "YOU KNOW WHERE I'VE SEEN YOU ACTUALLY?" 920 00:33:24,667 --> 00:33:26,427 - I THREW THE BABY SHOWER FOR HER. 921 00:33:26,433 --> 00:33:29,803 I'M LIKE, "I KNOW THIS GIRL FOR SOME REASON." 922 00:33:29,800 --> 00:33:30,800 - HONEY. 923 00:33:30,800 --> 00:33:32,070 - HI. HOW ARE YOU? - MIKE. 924 00:33:32,066 --> 00:33:33,166 - HI. I'M KYLE. - MICHAEL OHOVEN. 925 00:33:33,166 --> 00:33:34,526 NICE TO MEET YOU. - NICE TO MEET YOU. 926 00:33:34,533 --> 00:33:35,633 - HI, KYLE. I'M JOYCE. THANKS FOR HAVING US. 927 00:33:35,633 --> 00:33:36,903 - HI. NICE TO MEET YOU. THANKS FOR COMING. 928 00:33:36,900 --> 00:33:39,000 - THANK YOU. - JOYCE IS FROM PUERTO RICO. 929 00:33:39,000 --> 00:33:40,370 - OH, WOW. WE JUST CEL-- - PUERTO RICO. 930 00:33:40,367 --> 00:33:41,797 - TU TAMBIEN HABLA? DO YOU ALSO SPEAK SPANISH? 931 00:33:41,800 --> 00:33:43,900 - [speaks Spanish] - [speaks Spanish] 932 00:33:43,900 --> 00:33:45,970 I'M A YOUNG GIRL FROM PUERTO RICO, 933 00:33:45,967 --> 00:33:47,497 BUT I LIVE IN BEVERLY HILLS NOW. 934 00:33:47,500 --> 00:33:49,630 I'VE BEEN A TWO-TIME MISS PUERTO RICO. 935 00:33:49,633 --> 00:33:51,473 I WAS SECOND RUNNER-UP IN THE MISS UNIVERSE. 936 00:33:51,467 --> 00:33:54,327 I'M A TOTAL PAGEANT GIRL. I LOVE BEAUTIFUL GIRLS. 937 00:33:54,333 --> 00:33:56,673 [speaks Spanish] - [speaks Spanish] 938 00:33:56,667 --> 00:33:59,197 - I DO UNDERSTAND IF SHE'S NOT TOO FAST WITH THE GIRLS. 939 00:33:59,200 --> 00:34:00,370 THEN IT GETS REALLY TOUGH. 940 00:34:00,367 --> 00:34:01,797 - IF I'M FAST, HE KIND OF GETS LOST. 941 00:34:01,800 --> 00:34:04,570 MY BABY'S A PRODUCER, AND HE'S DONE FANTASTIC MOVIES. 942 00:34:04,567 --> 00:34:05,967 I'M REALLY PROUD OF HIS WORK. 943 00:34:05,967 --> 00:34:08,197 HE WAS NOMINATED FOR AN OSCAR FOR THE MOVIE CAPOTE. 944 00:34:08,200 --> 00:34:10,100 [trills tongue] - COUPLE OF MARGARITAS, 945 00:34:10,100 --> 00:34:11,670 AND I'M BETTER, ACTUALLY. - AND THEN IT'S BETTER. 946 00:34:11,667 --> 00:34:12,797 - THEN I'M FLUENT, REALLY FLUENT. 947 00:34:12,800 --> 00:34:14,500 - BEAUTIFUL HAIR. - SHE'S GORGEOUS. 948 00:34:14,500 --> 00:34:18,170 - JOYCE IS CUTE AND FOR SURE HAS BETTER HAIR THAN KYLE. 949 00:34:18,166 --> 00:34:20,266 - KYLE, YOU HAVE HAIR COMPETITION. 950 00:34:20,266 --> 00:34:21,966 I'M SORRY, BUT THIS MIGHT... - I KNOW, RIGHT? 951 00:34:21,967 --> 00:34:24,327 - BE BETTER THAN YOUR HAIR. - YOU HAVE STUNNING HAIR. 952 00:34:24,333 --> 00:34:26,703 - I TOLD HER, I'M ABOUT TO CHOP MINE OFF. 953 00:34:26,700 --> 00:34:29,070 - I THINK YOU SHOULD DO A COMMERCIAL FOR PANTENE. 954 00:34:29,066 --> 00:34:30,866 - YES. [laughter] 955 00:34:30,867 --> 00:34:33,097 - REALLY? - NO, IT'S BEAUTIFUL. 956 00:34:33,100 --> 00:34:35,500 - LISA'S LITTLE DIGS COME WITH A SMILE, 957 00:34:35,500 --> 00:34:38,130 SO YOU THINK, "OH, THAT WAS A JOKE." 958 00:34:38,133 --> 00:34:40,973 AND THEN A LITTLE WHILE LATER, YOU REALIZE, 959 00:34:40,967 --> 00:34:43,197 "OKAY, THAT WAS AN INSULT." 960 00:34:47,333 --> 00:34:48,333 - THESE ARE FABULOUS. - TEQUILA? 961 00:34:48,333 --> 00:34:49,933 - ARE YOU SURE? - NO, NO TEQUILA. 962 00:34:49,934 --> 00:34:51,934 - TEQUILA, THEN I BECOME WILD. - ME TOO. 963 00:34:51,934 --> 00:34:53,404 - YOU TOO? - THAT'S WHY WE DRINK IT. 964 00:34:53,400 --> 00:34:55,300 - CUTE TO SEE THE GIRLS WITH THE MOST BEAUTIFUL HAIR-- 965 00:34:55,300 --> 00:34:56,600 THEY'RE, LIKE, HITTING IT OFF. 966 00:34:56,600 --> 00:34:58,330 - ONE TEQUILA, AND I'M, LIKE, DONE. 967 00:34:58,333 --> 00:34:59,733 I'M A VERY CHEAP DATE. 968 00:34:59,734 --> 00:35:01,834 - YOU'RE OKAY WITH KYLE, THOUGH, YEAH? 969 00:35:01,834 --> 00:35:03,374 IT'S OKAY? IT WAS OKAY. 970 00:35:03,367 --> 00:35:05,727 - YEAH, I MEAN, TONIGHT IS NOT THE NIGHT TO TALK ABOUT IT. 971 00:35:05,734 --> 00:35:07,504 - NO, BUT IT WAS OKAY. - IT'S FINE. 972 00:35:07,500 --> 00:35:08,670 KYLE IS ABOUT KYLE. 973 00:35:08,667 --> 00:35:09,997 WHATEVER WORKS FOR KYLE 974 00:35:10,000 --> 00:35:13,600 IS HOW SHE'S GONNA MANEUVER CERTAIN SITUATIONS. 975 00:35:13,600 --> 00:35:17,100 AS OF NOW, WE'RE NOT GONNA BE FRIENDS ANYTIME SOON. 976 00:35:17,100 --> 00:35:18,700 - HOW FUNNY IS THAT CAKE? - [laughs] 977 00:35:18,700 --> 00:35:21,270 - CAN WE EAT IT? - NO WAY! KIM! 978 00:35:21,266 --> 00:35:22,696 - KYLE, I WANT A BITE. 979 00:35:22,700 --> 00:35:23,930 - MAYBE WE CAN TAKE IT FROM THE BACK WHERE NOBODY SEES IT. 980 00:35:23,934 --> 00:35:27,604 - PEEL ME OFF SOME CHOCOLATE. - [laughs] 981 00:35:27,600 --> 00:35:30,130 - YOLANDA AND I NEED TO HAVE A CONVERSATION. 982 00:35:30,133 --> 00:35:34,333 HOWEVER, I KNOW THAT SHE LIED. 983 00:35:34,333 --> 00:35:36,103 AND I HAVE A FEELING THAT THIS WOMAN 984 00:35:36,100 --> 00:35:37,800 IS NOT GONNA BACK DOWN AND TELL THE TRUTH. 985 00:35:37,800 --> 00:35:40,930 - STAY CLOSE. - I KNOW. 986 00:35:44,867 --> 00:35:48,667 - JOYCE, MICHAEL, I WANTED YOU TO MEET CARLTON AND DAVID. 987 00:35:48,667 --> 00:35:49,727 - HELLO. HI. - HI. 988 00:35:49,734 --> 00:35:51,704 - HI. I'M JOYCE. - JOYCE AND MICHAEL. 989 00:35:51,700 --> 00:35:53,270 - HI. DAVID. NICE TO MEET YOU. - HI, DAVID. NICE TO MEET YOU. 990 00:35:53,266 --> 00:35:54,866 - I'M MICHAEL. - CARLTON. 991 00:35:54,867 --> 00:35:56,097 - NICE TO MEET YOU TOO. 992 00:35:56,100 --> 00:35:58,230 - ARE YOU GRABBING MY ASS? - YEAH, I LIKE IT. 993 00:35:58,233 --> 00:36:01,833 I'M JUST--I'M NOT USED TO IT BEING SO TIGHT. 994 00:36:01,834 --> 00:36:03,234 I LOVE IT. KEEP DANCING. - DON'T TELL KEN. 995 00:36:03,233 --> 00:36:04,533 - [clicks tongue] - DON'T TELL KEN. 996 00:36:04,533 --> 00:36:05,573 - KEEP DANCING. 997 00:36:05,567 --> 00:36:07,727 - 11, 9, AND 2 NEXT WEEK. 998 00:36:07,734 --> 00:36:09,374 SON IS GONNA BE 2 NEXT WEEK. 999 00:36:09,367 --> 00:36:10,497 - HOLD ON. 11? - SHE HAS A 2-YEAR-OLD. 1000 00:36:10,500 --> 00:36:11,800 - I HAVE A 2-YEAR-OLD... - REALLY? 1001 00:36:11,800 --> 00:36:13,270 - BOY. - I HAVE A 2-YEAR-OLD BOY 1002 00:36:13,266 --> 00:36:16,066 AND A 3-YEAR-OLD BOY. - I WANT A 2-YEAR-OLD. 1003 00:36:16,066 --> 00:36:17,996 - OH, NO, HONEY, WE GOT-- - I WANT A 2-YEAR-OLD. 1004 00:36:18,000 --> 00:36:20,030 [laughter] - YOU WANT ANOTHER ONE? 1005 00:36:20,033 --> 00:36:21,503 WHAT'S YOUR YOUNGEST AGAIN? SORRY. 1006 00:36:21,500 --> 00:36:23,770 - HE'S GONNA BE, ACTUALLY, 2 NEXT WEEK. 1007 00:36:23,767 --> 00:36:26,527 YEAH, HE'S CROSS. I MEAN, HIS NAME IS CROSS. 1008 00:36:26,533 --> 00:36:27,533 - YEAH? - HE'S NOT CROSS. 1009 00:36:27,533 --> 00:36:28,973 - HOLD ON. CROSS? - YEAH. 1010 00:36:28,967 --> 00:36:31,527 DESTINY AND MYSTERI. - WHOA. 1011 00:36:33,000 --> 00:36:34,130 THAT'S UNBELIEVABLE. 1012 00:36:34,133 --> 00:36:35,603 - DESTINY AND MYSTERI-- THAT'S BEAUTIFUL. 1013 00:36:35,600 --> 00:36:36,770 - THANK YOU. - THAT'S BEAUTIFUL. 1014 00:36:36,767 --> 00:36:40,327 I LIKE THAT EVEN BETTER THAN CROSS. 1015 00:36:41,900 --> 00:36:44,770 - I ALWAYS GIVE PEOPLE THE BENEFIT OF THE DOUBT INITIALLY, 1016 00:36:44,767 --> 00:36:47,767 BUT MY THING IS DON'T [bleep] WITH MY CHILDREN'S NAMES. 1017 00:36:47,767 --> 00:36:50,227 - THAT'S GREAT NAMES, ANYWAY. 1018 00:36:55,000 --> 00:36:57,000 - LOOK AT WHAT JUST HAPPENED. 1019 00:36:57,000 --> 00:36:58,770 - WHAT DID YOU DO? - NO, UH... 1020 00:36:58,767 --> 00:37:00,267 I FORGOT HER NAME, BUT-- 1021 00:37:00,266 --> 00:37:02,996 I KNOW HER, BUT SOMEBODY JUST BUMPED INTO ME-- 1022 00:37:03,000 --> 00:37:05,070 THE GUY--HER HUSBAND. 1023 00:37:05,066 --> 00:37:06,596 AND I HAVE STUFF ALL OVER ME. 1024 00:37:06,600 --> 00:37:08,400 - HOW ARE YOU? - GOOD. HOW ARE YOU? 1025 00:37:08,400 --> 00:37:09,700 - YOU LOOK BEAUTIFUL. - THANK YOU. 1026 00:37:09,700 --> 00:37:10,800 - THIS IS VERY GOOD. 1027 00:37:10,800 --> 00:37:11,830 - YEAH, EVERYTHING'S REALLY GOOD. 1028 00:37:11,834 --> 00:37:13,934 - I RUN INTO SCHEANA ALL THE TIME. 1029 00:37:13,934 --> 00:37:16,404 I MEAN, THERE'S ALWAYS GONNA BE A LITTLE HISTORY THERE. 1030 00:37:16,400 --> 00:37:17,970 I KNOW YOU WERE [bleep] MY HUSBAND. 1031 00:37:17,967 --> 00:37:22,267 I GOT THAT. I GET THAT. 1032 00:37:22,266 --> 00:37:26,126 I MEAN, I FORGIVE 100%, BUT I CAN'T FORGET. 1033 00:37:26,133 --> 00:37:27,703 WHAT HAPPENED TO YOUR TOOTH? 1034 00:37:27,700 --> 00:37:30,670 - I HAD AN ACCIDENT, KNOCKED MY TWO FRONT TEETH OUT. 1035 00:37:30,667 --> 00:37:32,427 - [gasps] 1036 00:37:32,433 --> 00:37:34,073 - I HAD A BAD INFECTION IN THIS ONE. 1037 00:37:34,066 --> 00:37:35,626 - WOW. - HAD TO HAVE IT EXTRACTED. 1038 00:37:35,633 --> 00:37:37,673 - 'CAUSE IT'S, LIKE, GRAY OR SOMETHING, RIGHT? 1039 00:37:37,667 --> 00:37:39,997 - YEAH. SO IT'S JUST GLUED TO THESE TWO RIGHT NOW. 1040 00:37:40,000 --> 00:37:41,400 - SO ARE YOU GONNA GET-- IS THAT PERMANENT? 1041 00:37:41,400 --> 00:37:42,970 - I HAVE TO HAVE AN IMPLANT. - IS IT TEMPORARY? 1042 00:37:42,967 --> 00:37:44,467 - THIS IS TEMPORARY UNTIL THE BONE HEALS. 1043 00:37:44,467 --> 00:37:46,597 - [grunts] - YEAH. 1044 00:37:46,600 --> 00:37:48,930 - THAT SUCKS. - I KNOW. IT'S BEEN TERRIBLE. 1045 00:37:48,934 --> 00:37:51,274 - SHE HAD, LIKE, A GRAY AND PURPLE TOOTH. 1046 00:37:51,266 --> 00:37:54,096 AND SHE SAYS SHE FELL, AND SHE KNOCKED HER TEETH OUT. 1047 00:37:54,100 --> 00:37:56,000 KARMA. 1048 00:37:56,000 --> 00:37:58,000 - LIKE, MOST PEOPLE WOULDN'T MENTION IT, 1049 00:37:58,000 --> 00:37:59,700 BUT YOU WERE LIKE, "WHAT HAPPENED TO YOUR TEETH?" 1050 00:37:59,700 --> 00:38:01,600 - LISTEN, SHE USED TO [bleep] MY HUSBAND, 1051 00:38:01,600 --> 00:38:04,370 I'M GONNA MENTION A GRAY TOOTH. - [laughs] 1052 00:38:05,767 --> 00:38:07,267 - COMING UP... 1053 00:38:07,266 --> 00:38:09,566 - YOU LOVE ME. - NO. NO, NO, NO. 1054 00:38:09,567 --> 00:38:11,697 THAT'S WISHFUL THINKING. - [laughs] 1055 00:38:11,700 --> 00:38:14,830 LISA IS PETTING MY HEAD LIKE I'M A DOG OR SOMETHING. 1056 00:38:14,834 --> 00:38:18,934 SO CONDESCENDING. 1057 00:38:22,734 --> 00:38:24,504 - I DON'T KNOW IF I SHOULD ADMIT IT RIGHT NOW, 1058 00:38:24,500 --> 00:38:26,400 BUT I ACTUALLY DID DO A PORNO MOVIE. 1059 00:38:26,400 --> 00:38:27,870 - YOU DID A PORNO? - YEAH. 1060 00:38:27,867 --> 00:38:29,727 IT WAS CALLED, UH... - LET ME SEE IF I RECOGNIZE YOU. 1061 00:38:29,734 --> 00:38:32,534 - NOT CHARLIE'S ANGELS XXX. - [laughs] 1062 00:38:32,533 --> 00:38:34,333 - AND I PLAYED THE LEAD ROLE IN IT. 1063 00:38:34,333 --> 00:38:35,603 BUT SERIOUSLY, I DID IT. 1064 00:38:35,600 --> 00:38:37,600 IT WAS A VOICE-OVER THING I DID YEARS AGO. 1065 00:38:37,600 --> 00:38:40,270 - THAT'S WHAT THEY ALL SAY. ISN'T THAT WHAT LISA SAID TOO? 1066 00:38:40,266 --> 00:38:41,866 - I CAN TELL. - [laughs] 1067 00:38:41,867 --> 00:38:43,867 - APPARENTLY, LISA HAS DONE SOME MOVIES 1068 00:38:43,867 --> 00:38:45,167 WHERE SHE SHOWED A LITTLE SKIN. 1069 00:38:45,166 --> 00:38:46,466 LISA SAID... 1070 00:38:46,467 --> 00:38:48,897 [British accent] "OH, PLEASE. IT WAS 3/4 OF A NIPPLE." 1071 00:38:48,900 --> 00:38:50,900 WELL, 3/4 OF A NIPPLE, WHOOP DE DOO. 1072 00:38:50,900 --> 00:38:52,600 - I HEARD ABOUT THAT... - [laughs] 1073 00:38:52,600 --> 00:38:56,770 - LISA'S LITTLE NIPPLE ACTION. [both laugh] 1074 00:38:56,767 --> 00:39:00,927 - I WAS SHOCKED THAT KYLE WOULD START TALKING 1075 00:39:00,934 --> 00:39:02,974 ABOUT LISA AND HER NIPPLES. 1076 00:39:02,967 --> 00:39:04,527 I JUST THOUGHT IT WAS REALLY DISTASTEFUL. 1077 00:39:04,533 --> 00:39:06,503 - LISTEN, EVERY HOME VIDEO SHOWS MORE. 1078 00:39:06,500 --> 00:39:08,000 THAT'S FINE. - YEAH, WHAT DO WE CARE? 1079 00:39:08,000 --> 00:39:09,200 - DOESN'T COUNT. - WELL, MAYBE IN YOUR HOUSE. 1080 00:39:09,200 --> 00:39:10,230 - [laughs] FOR SURE. 1081 00:39:10,233 --> 00:39:11,803 - FOR SURE. - FOR SURE IN MY HOUSE. 1082 00:39:11,800 --> 00:39:13,800 [laughter] 1083 00:39:18,533 --> 00:39:20,433 - OH, WE WENT TO VEGAS FOR HIS BIRTHDAY. 1084 00:39:20,433 --> 00:39:21,473 - OH, NICE. 1085 00:39:21,467 --> 00:39:23,227 - YEAH, WE HAD ONE NIGHT OF DEBAUCHERY, 1086 00:39:23,233 --> 00:39:24,503 AND THAT WAS ABOUT IT. 1087 00:39:24,500 --> 00:39:26,330 - I CAN ONLY DO VEGAS FOR ONE NIGHT, LIKE, HARD. 1088 00:39:26,333 --> 00:39:27,633 - PROPERLY. 1089 00:39:27,633 --> 00:39:29,333 - DO YOUR ACCENTS SOUND THE SAME TO YOU OR DIFFERENT? 1090 00:39:29,333 --> 00:39:31,003 - DIFFERENT. - THEY DO? 1091 00:39:31,000 --> 00:39:32,700 - DON'T THEY SOUND DIFFERENT TO YOU? 1092 00:39:32,700 --> 00:39:34,230 - [British accent] I'VE ONLY PERFECTED YOURS. 1093 00:39:34,233 --> 00:39:36,333 [laughs] - CLEARLY YOU HAVEN'T. 1094 00:39:36,333 --> 00:39:38,533 TWO PEOPLE YOU CAN TAKE THE PISS OUT OF NOW. 1095 00:39:38,533 --> 00:39:40,003 - OH, BELIEVE ME, I WILL. I LOVE IT. 1096 00:39:40,000 --> 00:39:41,330 - AND GET YOURSELF IN BIG TROUBLE. 1097 00:39:41,333 --> 00:39:43,173 YOU HAVEN'T PERFECTED MINE. - I CAN DO YOLANDA TOO. 1098 00:39:43,166 --> 00:39:44,526 - I DON'T THINK SO. 1099 00:39:44,533 --> 00:39:46,473 - [imitating Yolanda] MY HUSBAND'S A GENIUS. 1100 00:39:46,467 --> 00:39:48,327 [laughs] 1101 00:39:48,333 --> 00:39:49,473 - THAT'S NOTHING LIKE IT. 1102 00:39:49,467 --> 00:39:51,797 - [laughs] - THAT IS NOTHING LIKE IT. 1103 00:39:51,800 --> 00:39:55,530 IF I HELD A GRUDGE, I WOULDN'T BE AT KYLE'S PARTY. 1104 00:39:55,533 --> 00:39:57,503 BUT YOU HAVE TO SHOW YOLANDA 1105 00:39:57,500 --> 00:39:59,230 YOU HAVE THE COURAGE OF YOUR CONVICTIONS. 1106 00:39:59,233 --> 00:40:00,703 - OH, I'LL TELL HER ONE NIGHT 1107 00:40:00,700 --> 00:40:02,730 WHEN SHE HAS A PERSONALITY AND WILL LAUGH. 1108 00:40:02,734 --> 00:40:04,404 [laughs] - OH! 1109 00:40:04,400 --> 00:40:07,130 IF I HELD A GRUDGE, I WOULDN'T CALL HER. 1110 00:40:07,133 --> 00:40:09,433 I WOULDN'T SOMETIMES HAVE LUNCH WITH HER. 1111 00:40:09,433 --> 00:40:12,173 HOLDING A GRUDGE IS CUTTING SOMEBODY OUT OF YOUR LIFE. 1112 00:40:12,166 --> 00:40:13,526 I HAVEN'T DONE THAT. 1113 00:40:13,533 --> 00:40:15,403 - EVERYTHING'S SO DIFFERENT LATELY. 1114 00:40:15,400 --> 00:40:17,630 RIGHT? - I KNOW. 1115 00:40:17,633 --> 00:40:19,003 NOW YOU'RE WISHING 1116 00:40:19,000 --> 00:40:20,870 YOU'D STAYED BEST FRIENDS WITH ME, AREN'T YOU? 1117 00:40:20,867 --> 00:40:22,127 - [laughs] 1118 00:40:22,133 --> 00:40:23,573 - NOW YOU'RE REGRETTING IT, AREN'T YOU? 1119 00:40:23,567 --> 00:40:25,127 - OH, YOU MISS ME, LISA. 1120 00:40:25,133 --> 00:40:26,703 LOOK HOW YOU'RE PETTING ME. - YOU MISS ME. 1121 00:40:26,700 --> 00:40:28,300 - LOOK HOW YOU'RE PETTING ME. - YOU MISS ME. 1122 00:40:28,300 --> 00:40:29,870 - YOU LOVE ME. - NO. NO, NO, NO. 1123 00:40:29,867 --> 00:40:31,967 THAT'S WISHFUL THINKING. - [laughs] 1124 00:40:31,967 --> 00:40:35,327 LISA IS PETTING MY HEAD LIKE I'M A DOG OR SOMETHING. 1125 00:40:35,333 --> 00:40:36,973 SO CONDESCENDING. 1126 00:40:36,967 --> 00:40:40,327 OF COURSE, SHE'S DOING IT WITH A SMILE, 1127 00:40:40,333 --> 00:40:42,603 LIKE SHE'S JOKING, 1128 00:40:42,600 --> 00:40:45,570 BUT I KNOW SHE'S NOT. 1129 00:40:45,567 --> 00:40:47,967 - IT'S COLD. 1130 00:40:54,567 --> 00:40:57,327 - THIS SEASON ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1131 00:40:57,333 --> 00:40:58,533 - READY? 1132 00:40:58,533 --> 00:40:59,933 - THIS IS THE SIDE YOU DON'T SEE. 1133 00:40:59,934 --> 00:41:02,074 - ON THE GROUND. YEAH, KIM! 1134 00:41:02,066 --> 00:41:04,066 AAH! - THE POLICE ARE COMING! 1135 00:41:04,066 --> 00:41:06,326 - DAVID FOSTER. 1136 00:41:06,333 --> 00:41:09,233 - OH, GOD, I REALLY DON'T LIKE THAT SPOT YOU JUST WENT ON. 1137 00:41:09,233 --> 00:41:10,603 KINGSLEY! KINGSLEY! - OH! OH! 1138 00:41:10,600 --> 00:41:12,500 - WOULD IT BE WRONG TO HAVE PUPPY SEX? 1139 00:41:12,500 --> 00:41:14,970 - LOOK AT YOU. 1140 00:41:14,967 --> 00:41:16,527 - BACK TO WORK. 1141 00:41:16,533 --> 00:41:18,373 - I'VE NEVER SEEN ANYONE FAINT SO PRETTY. 1142 00:41:18,367 --> 00:41:21,197 - [sighs] 1143 00:41:21,200 --> 00:41:23,700 [thud] [laughs] 1144 00:41:23,700 --> 00:41:24,830 - WE CAN'T FIND CHICA. 1145 00:41:24,834 --> 00:41:27,234 - WHAT THE [bleep] ARE YOU TALKING ABOUT? 1146 00:41:27,233 --> 00:41:29,533 - SHE LOOKS LIKE A LITTLE BROKEN BIRD. 1147 00:41:29,533 --> 00:41:31,533 - IT'S GONNA BE PERFECT, OKAY? I'LL SEE YOU IN RECOVERY. 1148 00:41:31,533 --> 00:41:34,833 - I HAVE NEVER SUFFERED THIS DEEPLY IN MY LIFE. 1149 00:41:34,834 --> 00:41:36,234 - KYLE, THERE IS THAT STORY 1150 00:41:36,233 --> 00:41:39,133 ABOUT MAURICIO CHEATING AND WHATNOT. 1151 00:41:39,133 --> 00:41:41,803 - A LOT OF TIMES, THESE STORIES COME OUT AND-- 1152 00:41:41,800 --> 00:41:43,370 - YOU'RE SAYING THERE'S NO SMOKE WITHOUT FIRE. 1153 00:41:43,367 --> 00:41:45,127 - EXACTLY. 1154 00:41:45,133 --> 00:41:46,873 - I DON'T KNOW IF IT'S TRUE. I REALLY DON'T. 1155 00:41:46,867 --> 00:41:48,727 - [voice breaking] [bleep] ALL OF YOU. 1156 00:41:50,200 --> 00:41:52,830 - I LOOK THE PART, BUT I DON'T KNOW WHAT I'M DOING. 1157 00:41:52,834 --> 00:41:55,204 - JOYCE IS BEAUTIFUL AND BUBBLY, 1158 00:41:55,200 --> 00:41:56,600 BUT YOU DON'T WANT TO BE ON HER BAD SIDE. 1159 00:41:56,600 --> 00:41:57,970 [gunshot] - BAM! 1160 00:41:57,967 --> 00:41:59,297 AY, DIOS MIO! 1161 00:41:59,300 --> 00:42:01,230 [all cheering] 1162 00:42:01,233 --> 00:42:02,403 - AAH! 1163 00:42:02,400 --> 00:42:03,370 - CARLTON IS A BADASS. 1164 00:42:03,367 --> 00:42:05,467 OOH, MY GOD. 1165 00:42:05,467 --> 00:42:08,227 SHE'S HOT. I LIKE HER. 1166 00:42:09,867 --> 00:42:11,297 - YES, I'M A WITCH. 1167 00:42:11,300 --> 00:42:13,300 - BUT SPELLS ONLY GET TO YOU IF YOU BELIEVE IN IT. 1168 00:42:13,300 --> 00:42:14,370 - [bleep] YOU. 1169 00:42:14,367 --> 00:42:15,797 WHEN YOU GO HOME TONIGHT, WATCH OUT. 1170 00:42:15,800 --> 00:42:18,330 - GIVE IT TO ME NOW. - I'M GETTING DRUNK-ISH. 1171 00:42:18,333 --> 00:42:21,573 - I CAN ALREADY SEE BRANDI GOING TO THE DARK SIDE. 1172 00:42:21,567 --> 00:42:24,527 - JOYCE IS A BIG, FAT PIG. 1173 00:42:24,533 --> 00:42:26,233 IF I WAS A BULLY, I WOULD HAVE KNOCKED 1174 00:42:26,233 --> 00:42:27,833 YOUR [bleep] TEETH OUT BY NOW. 1175 00:42:27,834 --> 00:42:29,274 - DO YOU SERIOUSLY THINK 1176 00:42:29,266 --> 00:42:31,726 THAT SHE IS, LIKE, BLACKMAILING MAURICIO AND KYLE? 1177 00:42:31,734 --> 00:42:33,504 - EVERYBODY KNOWS IT'S A [bleep] LIE. 1178 00:42:33,500 --> 00:42:35,770 AND THAT'S BULL[bleep]. - WE ARE ALL HER PUPPETS. 1179 00:42:35,767 --> 00:42:37,367 - I THOUGHT YOU JUST NEEDED REHAB, 1180 00:42:37,367 --> 00:42:39,097 BUT OBVIOUSLY IT'S JUST YOU. - SHUT THE [bleep] UP. 1181 00:42:39,100 --> 00:42:40,500 - YOU'RE SO STUPID. 1182 00:42:40,500 --> 00:42:42,770 - WHO DO YOU THINK YOU ARE TO CALL ME STUPID? 1183 00:42:42,767 --> 00:42:44,767 - YOU'RE A BIG, STUBBORN OLD MAN. 1184 00:42:44,767 --> 00:42:46,367 - WHY DO I HAVE TO EXPLAIN MYSELF? 1185 00:42:46,367 --> 00:42:47,567 - YOU DON'T. 1186 00:42:47,567 --> 00:42:48,927 - I'VE BEEN SUCH A GOOD FRIEND TO BRANDI. 1187 00:42:48,934 --> 00:42:50,574 SOMETIMES, SOME THINGS SHE'S DONE HAVE BEEN VICIOUS. 1188 00:42:50,567 --> 00:42:51,927 - IF YOU DON'T WANT TO BE JUDGED FOR BEING A WICCAN, 1189 00:42:51,934 --> 00:42:53,034 THEN DON'T ACT LIKE A WITCH. 1190 00:42:53,033 --> 00:42:54,473 - YOU DON'T [bleep] DARE COMMAND ME! 1191 00:42:54,467 --> 00:42:56,867 - I KNOW YOU'RE THE CHESS PLAYER OF ALL TIME, 1192 00:42:56,867 --> 00:43:00,327 BUT I JUST [bleep] CHECKMATED YOU, BITCH. 1193 00:43:01,867 --> 00:43:03,897 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1194 00:43:03,900 --> 00:43:05,900 GO TO BRAVOTV.COM.