1 00:00:03,734 --> 00:00:04,904 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:04,900 --> 00:00:05,900 - I WAS WITH JOYCE, 3 00:00:05,900 --> 00:00:07,500 AND SHE'S GOING TO PUERTO RICO, 4 00:00:07,500 --> 00:00:09,700 AND I WAS THINKING, WOULDN'T IT BE FUN IF WE WENT TOO? 5 00:00:09,700 --> 00:00:10,700 - YEAH. 6 00:00:10,700 --> 00:00:12,630 - JOYCE'S DAD DIED YESTERDAY. 7 00:00:12,633 --> 00:00:13,933 YESTERDAY JOYCE CALLED ME 8 00:00:13,934 --> 00:00:15,604 TO TELL ME THAT HER FATHER PASSED AWAY. 9 00:00:15,600 --> 00:00:19,600 - IF THAT'S THE CASE, WE SHOULD NOT GO. 10 00:00:19,600 --> 00:00:21,730 - ON THE TRIP. YEAH, MAYBE WE SHOULD CANCEL. 11 00:00:21,734 --> 00:00:23,674 - YOU REALLY ARE THE BEST HUSBAND, 12 00:00:23,667 --> 00:00:25,597 THE BEST DADDY, THE BEST FRIEND IN THE WORLD. 13 00:00:25,600 --> 00:00:27,400 - THE BEST HUSBAND AND THE BEST DADDY. 14 00:00:27,400 --> 00:00:29,730 - I'M SUPER SHOCKED THAT KYLE AND LISA 15 00:00:29,734 --> 00:00:31,404 ARE BFFs AGAIN. 16 00:00:31,400 --> 00:00:32,900 THIS IS WEIRD. 17 00:00:32,900 --> 00:00:34,600 - I WISH YOU WOULD HAVE CALLED ME YESTERDAY 18 00:00:34,600 --> 00:00:36,600 AND NOT TEXTED ME TWO MINUTES BEFORE. 19 00:00:36,600 --> 00:00:37,770 - DARLING, I'M SORRY. 20 00:00:37,767 --> 00:00:38,797 - YOU'RE CANCELING TWO MINUTES 21 00:00:38,800 --> 00:00:40,200 BEFORE YOU'RE SUPPOSED TO BE HERE? 22 00:00:40,200 --> 00:00:41,400 I MEAN, WHO DOES THAT? 23 00:00:41,400 --> 00:00:43,400 I THOUGHT WE WERE CLOSER THAN THAT. 24 00:00:43,400 --> 00:00:44,770 - ARE YOU SURE, YOLANDA-- 25 00:00:44,767 --> 00:00:45,927 - SHE KNOWS THAT I WOULD BE ATTENDING 26 00:00:45,934 --> 00:00:47,674 TO THE WEDDING OF MY STEPDAUGHTER. 27 00:00:47,667 --> 00:00:49,597 - MAYBE SHE JUST FORGOT. SHE HAS GOING ON SO MUCH-- 28 00:00:49,600 --> 00:00:51,830 - AMNESIA? 29 00:00:51,834 --> 00:00:54,434 - GOD, YOU DON'T KNOW HOW SUPPORTIVE KEN AND I HAVE BEEN 30 00:00:54,433 --> 00:00:56,873 OVER THIS WHOLE-- I'M ON RICHARD'S SIDE. 31 00:00:56,867 --> 00:00:59,167 FORGET IT. IT'S DONE. 32 00:00:59,166 --> 00:01:00,826 - AND THE REASON I WANT TO SAY IT IS NOT TO MAKE IT WORSE. 33 00:01:00,834 --> 00:01:02,774 IT'S SO WE CAN MOVE FORWARD, BECAUSE YOU KNOW WHAT-- 34 00:01:02,767 --> 00:01:05,367 - BUT I HAVE MOVED FORWARD. 35 00:01:05,367 --> 00:01:08,297 - I'M TRYING TO FIGURE OUT HOW TO MOVE FORWARD IN A FRIENDSHIP 36 00:01:08,300 --> 00:01:11,330 WITH SOMEONE THAT POSSIBLY IS ONLY USING ME 37 00:01:11,333 --> 00:01:13,273 TO GET WHAT THEY NEED. 38 00:01:13,266 --> 00:01:16,326 I KNOW THAT LISA KNEW THAT SHE KNOWS EDDIE'S MISTRESS 39 00:01:16,333 --> 00:01:17,733 BEFORE SHE MET ME. 40 00:01:17,734 --> 00:01:20,604 LISA'S PLAYING THE BIGGEST CHESS GAME OF ALL. 41 00:01:20,600 --> 00:01:23,200 THERE'S A REASON FOR EVERY [bleep] MOVE. 42 00:01:23,200 --> 00:01:24,730 SHE'S PLAYING ALL OF US. 43 00:01:27,166 --> 00:01:28,696 [upbeat music] 44 00:01:28,700 --> 00:01:30,170 - I'M FROM THIS TOWN. 45 00:01:30,166 --> 00:01:34,226 I KNOW WHAT'S REAL AND WHAT'S FAKE. 46 00:01:34,233 --> 00:01:36,303 - DON'T TELL ME YOU'RE MY FRIEND. 47 00:01:36,300 --> 00:01:38,800 ACT LIKE ONE. 48 00:01:38,800 --> 00:01:42,430 - IN BEVERLY HILLS, THE HIGHER YOU CLIMB, THE FARTHER YOU FALL. 49 00:01:43,834 --> 00:01:45,674 - EVERYBODY LOVES A COMEBACK STORY, 50 00:01:45,667 --> 00:01:47,467 ESPECIALLY STARRING ME. 51 00:01:49,200 --> 00:01:53,800 - IN MY WORLD, MONEY DOESN'T TALK--IT SWEARS. 52 00:01:53,800 --> 00:01:58,270 - YOU COULD NEVER BE TOO YOUNG, TOO THIN, OR TOO HONEST. 53 00:01:58,266 --> 00:02:03,166 - LIFE IS A SEXY, LITTLE DANCE, AND I LIKE TO TAKE THE LEAD. 54 00:02:19,834 --> 00:02:22,504 - I'M GONNA GO FORWARD WITH THE TRIP TO PUERTO RICO 55 00:02:22,500 --> 00:02:25,100 BECAUSE I WANT THE GIRLS TO HAVE A GOOD TIME 56 00:02:25,100 --> 00:02:26,670 AND TO SEE MY BEAUTIFUL ISLAND, 57 00:02:26,667 --> 00:02:28,727 AND I KNOW MY FATHER WOULD HAVE WANTED IT THAT WAY. 58 00:02:28,734 --> 00:02:32,374 HE WOULD HAVE WANTED ME TO CONTINUE WITH MY LIFE. 59 00:02:36,166 --> 00:02:38,396 - I'M GOING, AND IT'S GONNA BE AMAZING. 60 00:02:38,400 --> 00:02:43,030 I'M NOT SURE THAT THIS IS GOING TO BE A HARMONIOUS TRIP, 61 00:02:43,033 --> 00:02:44,203 SHALL WE SAY? 62 00:02:44,200 --> 00:02:45,670 WHEREVER WE'RE GOING, VALLARTA, 63 00:02:45,667 --> 00:02:49,227 RICA--COSTA RICA-- WHEREVER WE'RE GOING. 64 00:02:49,233 --> 00:02:50,773 THINK I'VE GOT ENOUGH PINK BRAS? 65 00:02:50,767 --> 00:02:52,367 - WHY DON'T YOU TAKE A BLACK ONE, THEN? 66 00:02:52,367 --> 00:02:54,297 - IT'S NOT THAT KIND OF TRIP. 67 00:02:56,633 --> 00:02:58,233 - THAT'S A HUGE BAG. 68 00:02:58,233 --> 00:02:59,603 WHY DON'T YOU GET OUT OF YOUR BAG, 69 00:02:59,600 --> 00:03:01,430 AND WHY DON'T WE PUT SOME STUFF IN IT? 70 00:03:01,433 --> 00:03:05,273 - I WANT TO SEE WHAT I LOOK LIKE IN THIS SUITCASE. 71 00:03:05,266 --> 00:03:08,466 I'M REALLY LOOKING FORWARD TO GOING ON A VACATION. 72 00:03:08,467 --> 00:03:09,697 I SPEAK SPANISH. 73 00:03:09,700 --> 00:03:11,770 I SAY THINGS LIKE... 74 00:03:11,767 --> 00:03:14,767 [speaking Spanish] 75 00:03:29,033 --> 00:03:33,373 - ALEXIA, SOPHIA, DID ONE OF YOU STEAL MY BLUE BIKINI? 76 00:03:33,367 --> 00:03:36,267 - NO! 77 00:03:36,266 --> 00:03:38,996 - AND THEN YOU STOLE HALF OF MY RED ONE. 78 00:03:39,000 --> 00:03:41,700 I DIDN'T GET VERY FAR IN MY CONVERSATION WITH LISA, 79 00:03:41,700 --> 00:03:45,230 SO I'M HOPING THAT A FEW DAYS OF FUN IN PUERTO RICO 80 00:03:45,233 --> 00:03:46,433 WILL BE GOOD FOR US. 81 00:03:46,433 --> 00:03:49,133 - GIGGY, I KNOW YOU'RE DEPRESSED. 82 00:03:49,133 --> 00:03:52,133 HE HATES IT WHEN HE SEES A SUITCASE. 83 00:04:08,467 --> 00:04:12,467 - HI. - BUENOS DIAS. 84 00:04:12,467 --> 00:04:14,127 - HERE YOU GO. 85 00:04:14,133 --> 00:04:15,633 - SO I JUST WANT TO TELL YOU GUYS SOMETHING REALLY QUICK 86 00:04:15,633 --> 00:04:17,633 NOW THAT WE'RE ALL HERE. 87 00:04:17,633 --> 00:04:21,173 YOU GUYS ALREADY KNOW WHAT HAPPENED WITH MY FATHER. 88 00:04:21,166 --> 00:04:23,926 AND... 89 00:04:23,934 --> 00:04:26,574 AND, UM, I DIDN'T WANT TO TELL YOU GUYS 90 00:04:26,567 --> 00:04:29,297 BECAUSE WE HAD BEEN PLANNING THIS TRIP. 91 00:04:29,300 --> 00:04:31,930 SO I DIDN'T WANT IT TO BE A SAD TRIP, 92 00:04:31,934 --> 00:04:33,604 AND I DON'T WANT IT TO BE A SAD TRIP. 93 00:04:33,600 --> 00:04:36,130 I WANT YOU GUYS TO HAVE A GREAT TIME 94 00:04:36,133 --> 00:04:37,973 IN MY BEAUTIFUL PUERTO RICO. 95 00:04:37,967 --> 00:04:40,067 I DON'T WANT TO HAVE A PITY PARTY 96 00:04:40,066 --> 00:04:42,596 BECAUSE MY FATHER HATED THAT AND I HATED THAT. 97 00:04:42,600 --> 00:04:45,000 SO I WANT US TO ALL GO HAVE FUN 98 00:04:45,000 --> 00:04:47,600 AND HAVE A GREAT TRIP IN PUERTO RICO. 99 00:04:47,600 --> 00:04:49,400 OKAY? 100 00:04:51,100 --> 00:04:52,970 - EVERYBODY DEALS WITH GRIEF DIFFERENTLY, 101 00:04:52,967 --> 00:04:54,997 AND I THINK RIGHT NOW IT'S NOT ABOUT US. 102 00:04:55,000 --> 00:04:56,500 IT'S ABOUT HER, AND WE HAVE TO GO, 103 00:04:56,500 --> 00:04:57,970 AND WE HAVE TO SUPPORT HER. 104 00:04:57,967 --> 00:05:00,197 - VAMANOS. - VAMANOS. 105 00:05:16,333 --> 00:05:18,873 I WAS MISS PUERTO RICO A LONG TIME AGO. 106 00:05:18,867 --> 00:05:20,397 IT WAS 1998. 107 00:05:20,400 --> 00:05:21,970 AND WHEN I STILL GO BACK HOME, 108 00:05:21,967 --> 00:05:23,527 I STILL FEEL THAT SAME LOVE AND THAT SUPPORT. 109 00:05:23,533 --> 00:05:25,003 - WELCOME. 110 00:05:25,000 --> 00:05:26,430 WELCOME TO PUERTO RICO. WATCH YOUR STEP. 111 00:05:26,433 --> 00:05:27,873 - THANK YOU. 112 00:05:27,867 --> 00:05:31,467 - GRACIAS. GRACIAS. - [speaking Spanish] 113 00:05:33,133 --> 00:05:34,403 - JOYCE, WHERE ARE WE GOING? 114 00:05:34,400 --> 00:05:36,930 IT BETTER BE-- JOYCE, IT BETTER BE GOOD. 115 00:05:36,934 --> 00:05:38,234 - HOLD ON. 116 00:05:38,233 --> 00:05:39,873 - YOU'RE GONNA LIKE IT. YOU'RE GONNA LIKE IT. 117 00:05:39,867 --> 00:05:42,897 - IT'S BEEN REALLY HARD FOR ME TO HOLD MY TONGUE FOR THIS LONG, 118 00:05:42,900 --> 00:05:45,130 AND I KNOW I NEED TO HAVE A CONVERSATION WITH LISA. 119 00:05:45,133 --> 00:05:47,333 IT'S GOT TO HAPPEN SOON BEFORE I EXPLODE. 120 00:05:49,300 --> 00:05:50,830 - GRACIAS. ¿COMO ESTA? - SI. 121 00:05:50,834 --> 00:05:51,974 LET'S GO UP HERE. MY NAME IS STEVE. 122 00:05:51,967 --> 00:05:53,097 I AM VALET FOR CASITAS. 123 00:05:53,100 --> 00:05:54,400 LET ME HELP YOU WITH THE LUGGAGE, SIR. 124 00:05:54,400 --> 00:05:55,600 - HOLA, HOLA. ¿COMO ESTA? 125 00:05:55,600 --> 00:05:56,870 - BIENVENIDO. WELCOME. - GRACIAS. 126 00:05:56,867 --> 00:05:58,167 - MY NAME IS STEVE. 127 00:05:58,166 --> 00:05:59,366 WE HAVE SOME WELCOME DRINKS HERE FOR YOU. 128 00:05:59,367 --> 00:06:00,897 - GRACIAS. CHEERS, YOU GUYS. 129 00:06:00,900 --> 00:06:02,530 CHEERS, CHEERS, CHEERS. 130 00:06:02,533 --> 00:06:04,303 TO A NICE TRIP, TO BEAUTIFUL PUERTO RICO. 131 00:06:04,300 --> 00:06:06,000 - WELCOME TO PUERTO RICO. 132 00:06:06,000 --> 00:06:08,270 - BIENVENIDOS. WELCOME. FOLLOW ME, PLEASE. 133 00:06:08,266 --> 00:06:09,826 - [speaking Spanish] 134 00:06:09,834 --> 00:06:12,334 - WE'LL TAKE UP... [speaking Spanish] 135 00:06:12,333 --> 00:06:14,203 [frogs croaking] - WHAT IS THAT NOISE? 136 00:06:14,200 --> 00:06:16,870 - IT'S A LITTLE FROG. IT'S THE NATIONAL FROG. 137 00:06:16,867 --> 00:06:18,927 IT ONLY LIVES HERE, AND IT'S CALLED COQUI, 138 00:06:18,934 --> 00:06:21,374 AND WHEN YOU HEAR THEM SING IT MEANS THEY'RE MATING. 139 00:06:21,367 --> 00:06:22,867 - OH. 140 00:06:22,867 --> 00:06:26,367 - YOUR CASITAS. 141 00:06:26,367 --> 00:06:28,827 - ALL RIGHT, THANK YOU. - THANK YOU. 142 00:06:28,834 --> 00:06:32,974 - YEAH, YOU'RE WELCOME. 143 00:06:32,967 --> 00:06:35,127 - ALL RIGHT, THEN. 144 00:06:35,133 --> 00:06:36,503 - OCEAN VIEW. - OH, HOW PRETTY. 145 00:06:36,500 --> 00:06:38,130 - YOU CAN ENJOY THE SUNRISE. 146 00:06:38,133 --> 00:06:39,873 - WHAT TIME DOES THAT HAPPEN? 147 00:06:39,867 --> 00:06:41,827 - AROUND 6:00, QUARTER TO 6:00. 148 00:06:41,834 --> 00:06:43,174 - YEAH, THAT'S NOT HAPPENING. 149 00:06:43,166 --> 00:06:47,896 - OKAY, IT'S NOT QUITE THE BATHROOM LIKE AT HOME-ISH. 150 00:06:47,900 --> 00:06:49,830 - DARLING, WE'RE RIGHT OUTSIDE THE POOL. 151 00:06:49,834 --> 00:06:54,234 - ARE WE SHARING THIS BATHROOM? 152 00:06:54,233 --> 00:06:56,833 GIGGY'S BATHROOM IS BIGGER THAN THIS. 153 00:06:56,834 --> 00:07:00,804 - STUNNING VIEW-- I LOVE IT. 154 00:07:00,800 --> 00:07:03,030 - NO, IT'S NOT GONNA WORK FOR US AT ALL. 155 00:07:03,033 --> 00:07:05,473 I DON'T THINK I'VE SHARED A BATHROOM WITH KEN, 156 00:07:05,467 --> 00:07:08,067 AND I DON'T THINK I WANT TO. 157 00:07:08,066 --> 00:07:11,026 THAT KIND OF BATHROOM LEADS TO MARITAL PROBLEMS. 158 00:07:11,033 --> 00:07:13,473 I DIDN'T COME ON HOLIDAY TO RELAX 159 00:07:13,467 --> 00:07:14,997 AND SEE HIM SITTING ON THE TOILET. 160 00:07:15,000 --> 00:07:16,200 LET'S BE HONEST. 161 00:07:16,200 --> 00:07:18,030 - [groans] 162 00:07:18,033 --> 00:07:20,133 [chuckles] 163 00:07:27,300 --> 00:07:28,800 - I'M HAVING A GLASS OF WINE 164 00:07:28,800 --> 00:07:30,130 'CAUSE I NEED TO TALK TO YOU ABOUT A FEW THINGS. 165 00:07:30,133 --> 00:07:32,733 - I DON'T EVEN KNOW, TO BE HONEST WITH YOU, 166 00:07:32,734 --> 00:07:33,974 HOW IT CAME UP. 167 00:07:33,967 --> 00:07:35,427 BEING WITH ALL THE GIRLS TODAY, 168 00:07:35,433 --> 00:07:38,373 I JUST--I'M JUST REALLY SURPRISED 169 00:07:38,367 --> 00:07:41,067 OF HOW ALL OF A SUDDEN DYNAMICS HAVE CHANGED 170 00:07:41,066 --> 00:07:42,326 IN THIS GROUP. - COMPLETELY CHANGED. 171 00:07:42,333 --> 00:07:45,273 - LIKE, ALL OF A SUDDEN, I SEE, LIKE... 172 00:07:45,266 --> 00:07:48,096 - LISA HASN'T CALLED ME IN A WEEK. 173 00:07:48,100 --> 00:07:50,030 - SHE'S NOT TALKING TO YOU. I DON'T SEE HER AROUND YOU. 174 00:07:50,033 --> 00:07:51,203 - SHE CALLS ME EVERY MORNING. 175 00:07:51,200 --> 00:07:52,930 - USUALLY SHE'S, LIKE, RIGHT BY YOUR SIDE, 176 00:07:52,934 --> 00:07:54,334 NEXT TO YOU. 177 00:07:54,333 --> 00:07:56,033 - I FEEL LIKE-- I SAID, "I'VE CALLED YOU. 178 00:07:56,033 --> 00:07:57,973 "YOU'VE NOT CALLED ME BACK. 179 00:07:57,967 --> 00:07:59,467 "YOU USUALLY CALL ME EVERY MORNING. 180 00:07:59,467 --> 00:08:01,127 I DON'T UNDERSTAND." 181 00:08:01,133 --> 00:08:02,973 AND I JUST FEEL LIKE I'M ON THE DOWN. 182 00:08:02,967 --> 00:08:04,797 LIKE, THINGS AREN'T GOING GREAT FOR ME, 183 00:08:04,800 --> 00:08:06,930 BUT THAT'S WHEN YOU KNOW WHO YOUR REAL FRIENDS ARE. 184 00:08:06,934 --> 00:08:09,974 SO MUCH HAS BEEN BUILDING UP WITH LISA, 185 00:08:09,967 --> 00:08:11,197 AND EVERYTHING'S REALLY STARTING 186 00:08:11,200 --> 00:08:13,430 TO KIND OF TEAR ME DOWN INSIDE. 187 00:08:13,433 --> 00:08:15,973 LISA HAS TO BE INVOLVED IN EVERYTHING. 188 00:08:15,967 --> 00:08:17,797 SO, EVEN IF IT DOESN'T INVOLVE HER, 189 00:08:17,800 --> 00:08:19,670 SHE'S PUTTING HER NOSE INTO IT. 190 00:08:19,667 --> 00:08:21,067 THIS IS FROM KYLE. 191 00:08:21,066 --> 00:08:23,096 IT GOES WITH THE NECKLACE THAT SHE GAVE YOU. 192 00:08:23,100 --> 00:08:24,170 - THAT'S WEIRD. 193 00:08:24,166 --> 00:08:25,766 THAT NECKLACE WAS BLUE, WASN'T IT? 194 00:08:25,767 --> 00:08:27,697 - THEN SHE WALKS AWAY AND DENIES EVERYTHING. 195 00:08:27,700 --> 00:08:29,000 - SHE SAID DOES-- 196 00:08:29,000 --> 00:08:30,800 I SAID, "DOES IT GO WITH IT, THE BLUE THING?" 197 00:08:30,800 --> 00:08:32,000 AND SHE SAID, "NO, IT DOESN'T." 198 00:08:32,000 --> 00:08:33,270 THAT'S EXACTLY WHAT YOU SAID. 199 00:08:33,266 --> 00:08:34,366 - YOU SAID IT DOESN'T EVEN GO WITH THE NECKLACE. 200 00:08:34,367 --> 00:08:35,827 - NO, I DIDN'T. NO, I DIDN'T. 201 00:08:35,834 --> 00:08:37,234 - SHE ONLY REALLY SEEMS TO SHOW CONCERN 202 00:08:37,233 --> 00:08:39,173 WHEN OTHER PEOPLE ARE AROUND. 203 00:08:39,166 --> 00:08:40,326 - I'M FINE. 204 00:08:40,333 --> 00:08:41,673 - "I'M FINE" DOESN'T WORK WITH ME. 205 00:08:41,667 --> 00:08:43,397 - I'M FINE. - LISA. 206 00:08:43,400 --> 00:08:44,730 - AND WORST OF ALL, 207 00:08:44,734 --> 00:08:46,804 SHE'S CONSTANTLY PUSHING SCHEANA ON ME, 208 00:08:46,800 --> 00:08:48,370 THE [bleep] WHORE THAT [bleep] MY HUSBAND 209 00:08:48,367 --> 00:08:49,967 WHILE I WAS PREGNANT. 210 00:08:49,967 --> 00:08:51,727 - YOU'RE LUCKY SHE DIDN'T BEAT THE [bleep] OUT OF YOU, 211 00:08:51,734 --> 00:08:53,104 'CAUSE SHE WOULD-- 212 00:08:53,100 --> 00:08:55,100 - WELL, THIS RING MIGHT HAVE MADE AN INDENT. 213 00:08:55,100 --> 00:08:57,370 - OH, CUTE. CONGRATULATIONS. 214 00:08:57,367 --> 00:08:59,767 - YOU'RE NOT HAPPY FOR ME. 215 00:08:59,767 --> 00:09:02,397 - WHEN DO YOU ASK SOMEONE IF THEY ARE YOUR REAL FRIEND 216 00:09:02,400 --> 00:09:04,330 OR SOMETHING ELSE? 217 00:09:06,266 --> 00:09:08,096 - YOU CAN'T KNOCK DOWN YOUR FRIENDS 218 00:09:08,100 --> 00:09:09,900 ON THE WAY TO YOUR SUCCESS. 219 00:09:09,900 --> 00:09:11,600 - OR PICK AND CHOOSE WHEN THEY WORK FOR YOU. 220 00:09:11,600 --> 00:09:12,900 - YOU KNOW WHAT I MEAN? 221 00:09:12,900 --> 00:09:15,270 - WELL, THE THING IS SHE'S ALREADY STEPPED ON KYLE. 222 00:09:15,266 --> 00:09:18,366 SHE'S NOW KIND OF PULLING AND STEPPING ON ME. 223 00:09:18,367 --> 00:09:20,327 AND IT'S LIKE--BUT SO NOW SHE'S GOING BACK TO KYLE, 224 00:09:20,333 --> 00:09:21,873 BUT, LIKE, HOW DOES THAT-- 225 00:09:21,867 --> 00:09:24,097 - BUT WHERE IS EVERYBODY'S MORAL COMPASS IN THIS? 226 00:09:24,100 --> 00:09:28,800 I MEAN, WHY DOES SOMEBODY CAN HURT YOU THAT DEEPLY 227 00:09:28,800 --> 00:09:30,070 AND THEN ALL OF A SUDDEN 228 00:09:30,066 --> 00:09:32,366 WITHOUT HAVING A CONVERSATION ABOUT IT 229 00:09:32,367 --> 00:09:34,597 JUST PRETEND EVERYTHING IS OKAY? 230 00:09:36,900 --> 00:09:40,070 LISA NEVER HAS ANYTHING NICE TO SAY ABOUT KYLE. 231 00:09:40,066 --> 00:09:42,066 SHE JUST HASN'T, AND THAT'S THE TRUTH. 232 00:09:42,066 --> 00:09:44,026 - YOU'VE JUST GOT TO PUT YOUR HOUSE ON THE MARKET, 233 00:09:44,033 --> 00:09:45,803 AND YOU'RE GONNA BOND REALLY QUICK. 234 00:09:45,800 --> 00:09:48,330 [laughter] 235 00:09:48,333 --> 00:09:50,033 OH, GOD. 236 00:09:50,033 --> 00:09:51,273 - THEN SHE SWITCHED FROM THERE 237 00:09:51,266 --> 00:09:52,626 TO ALL OF A SUDDEN SHE'S BACK TO KYLE 238 00:09:52,633 --> 00:09:54,033 THROWING PARTIES. 239 00:09:54,033 --> 00:09:55,573 WELL, SOMETHING IS WRONG WITH THAT PICTURE. 240 00:09:55,567 --> 00:09:57,227 I'M NOT A FAKE PERSON LIKE THAT. 241 00:09:57,233 --> 00:09:58,933 I CAN'T WAIT TO TELL HER THIS TOMORROW, 242 00:09:58,934 --> 00:10:00,574 IS, LIKE, THE FACT THAT-- 243 00:10:00,567 --> 00:10:01,867 - ARE YOU GONNA TELL HER TOMORROW? 244 00:10:01,867 --> 00:10:04,097 - I NEED TO. I CAN'T WALK AROUND FAKE. 245 00:10:04,100 --> 00:10:06,600 I'M DONE WITH ALL THIS HOLLYWD BULL[bleep], 246 00:10:06,600 --> 00:10:08,300 YOU KNOW, OF PRETENDING EVERYTHING IS OKAY. 247 00:10:08,300 --> 00:10:10,930 - I WANT TO BE TRUE TO MYSELF 248 00:10:10,934 --> 00:10:13,074 AND NOT LET THIS BULL[bleep] KEEP HAPPENING. 249 00:10:13,066 --> 00:10:16,166 HAVING SAID THAT, I'M STILL SCARED OF HER. 250 00:10:32,300 --> 00:10:34,130 - OOH, BLOODY HELL. 251 00:10:34,133 --> 00:10:36,173 - WINDY. - YEAH, IT IS. 252 00:10:36,166 --> 00:10:37,926 BEAUTIFUL, THOUGH. LOOK AT IT. 253 00:10:37,934 --> 00:10:39,904 THIS IS WHY WE CAME. 254 00:10:39,900 --> 00:10:41,130 - AFTER YOU, DARLING. 255 00:10:41,133 --> 00:10:42,303 OH, IT'S PROBABLY GUAVA JUICE. 256 00:10:42,300 --> 00:10:44,970 - MORNING. - THIS IS WHY WE CAME. 257 00:10:44,967 --> 00:10:47,567 - HELLO. - HEY, THERE'S OUR HOSTESS. 258 00:10:47,567 --> 00:10:49,197 - HEY, HEY, HEY, YOU GUYS. 259 00:10:49,200 --> 00:10:50,770 - HOW ARE YOU? GOOD MORNING. 260 00:10:50,767 --> 00:10:52,697 - BUENOS DIAS. - BUENOS DIAS. 261 00:10:52,700 --> 00:10:54,870 - WHO WANTS SOME BAGEL CREAM CHEESE? 262 00:10:54,867 --> 00:10:56,627 - THESE ARE DELICIOUS, GIRLS. 263 00:10:56,633 --> 00:10:57,933 THEY'RE CALLED QUESITOS. 264 00:10:57,934 --> 00:11:00,874 NORMALLY THEY MAKE IT VERY LONG WITH CHEESE INSIDE. 265 00:11:00,867 --> 00:11:02,527 IT'S A VERY TYPICAL THING HERE. 266 00:11:02,533 --> 00:11:03,903 BECAUSE I'M SPENDING THE AFTERNOON 267 00:11:03,900 --> 00:11:05,870 WITH MY MOTHER AND MY FAMILY, 268 00:11:05,867 --> 00:11:07,097 FOR THE LADIES I'VE ORGANIZED, 269 00:11:07,100 --> 00:11:08,130 THEY'RE GONNA GO TO PALOMINITO. 270 00:11:08,133 --> 00:11:09,173 IT'S A BEAUTIFUL ISLAND. 271 00:11:09,166 --> 00:11:10,726 THE BEACHES ARE STUNNING. 272 00:11:10,734 --> 00:11:12,974 THE FERRY'S GONNA LEAVE TO TAKE YOU GUYS. 273 00:11:12,967 --> 00:11:14,227 GIRLS, I'LL SEE YOU LATER. 274 00:11:14,233 --> 00:11:17,103 - BYE. HAVE FUN, HONEY. 275 00:11:24,467 --> 00:11:26,467 - HATS ANYONE? - OH, MY GOD. 276 00:11:26,467 --> 00:11:29,627 - [speaking Spanish] 277 00:11:29,633 --> 00:11:30,933 [chuckles] 278 00:11:30,934 --> 00:11:33,104 [boat horn blares] - HOLD ON TO YOUR HATS. 279 00:11:37,500 --> 00:11:40,970 I JUST FEEL LIKE THE [bleep] IS ABOUT TO HIT THE FAN. 280 00:11:45,500 --> 00:11:46,900 - COMING UP... 281 00:11:46,900 --> 00:11:49,500 - YOU'RE MOVING AWAY FROM ME AND MOVING BACK TOWARDS KYLE. 282 00:11:49,500 --> 00:11:50,700 - YOU KNOW WHAT? I'M REALLY UPSET. 283 00:11:50,700 --> 00:11:53,930 - LISA, WALKING AWAY IS NOT GONNA SOLVE IT. 284 00:11:59,000 --> 00:12:00,470 - LOOK AT THIS GORGEOUS WATER. 285 00:12:00,467 --> 00:12:02,497 OH, MY GOSH, AND THE SAND IS SO WHITE. 286 00:12:04,066 --> 00:12:06,566 - THIS IS AMAZING. - IT'S BEAUTIFUL, RIGHT? 287 00:12:06,567 --> 00:12:08,967 - GIRLS, LOOK AT ME. GIRLS, ONE, TWO, THREE. 288 00:12:08,967 --> 00:12:11,797 [camera shutter clicks] 289 00:12:14,900 --> 00:12:16,470 - OH, MY GOD. - THIS IS BEAUTIFUL. 290 00:12:16,467 --> 00:12:17,927 - THIS IS MY IDEA OF AN ACTUAL VACATION. 291 00:12:20,133 --> 00:12:21,473 - THIS IS WHY WE'RE HERE. 292 00:12:21,467 --> 00:12:24,127 - BYE. THANK YOU. 293 00:12:26,033 --> 00:12:27,733 - IT'S SO CUTE. 294 00:12:27,734 --> 00:12:29,174 - OH, MY GOD, IT'S SO WARM. 295 00:12:29,166 --> 00:12:30,526 - HOW'S THE WATER? 296 00:12:30,533 --> 00:12:31,973 - WOW. IT'S GORGEOUS. 297 00:12:31,967 --> 00:12:33,527 - WELCOME TO PALOMINO ISLAND. 298 00:12:33,533 --> 00:12:35,473 - WOW. IS IT NO ALCOHOL? 299 00:12:35,467 --> 00:12:36,867 - NO ALCOHOL, RIGHT HERE. 300 00:12:36,867 --> 00:12:38,097 - CHEERS. 301 00:12:38,100 --> 00:12:40,130 - DO YOU HAVE, LIKE, A VIRGIN PIÑA COLADA AS WELL? 302 00:12:40,133 --> 00:12:41,433 - YES, I DO. 303 00:12:41,433 --> 00:12:43,733 - BEAUTIFUL. - NO ALCOHOL? 304 00:12:43,734 --> 00:12:45,734 I DIDN'T REALIZE THAT IT WAS ACTUALLY AN OPTION. 305 00:12:45,734 --> 00:12:47,004 IF I'M GONNA SPEAK TO LISA, 306 00:12:47,000 --> 00:12:49,000 THE MOST STRATEGIC PERSON ON THE PLANET, 307 00:12:49,000 --> 00:12:51,470 I'M GONNA HAVE MY "A" GAME ON, 308 00:12:51,467 --> 00:12:52,767 SO NO COCKTAILS FOR ME. 309 00:12:52,767 --> 00:12:54,597 - DO YOU HAVE TO STICK THAT ASS IN MY FACE? 310 00:12:54,600 --> 00:12:55,770 - YEP. 311 00:12:55,767 --> 00:12:58,527 - OKAY, JUST CHECKING. 312 00:13:02,800 --> 00:13:04,800 - WHO WANTS TO GO FOR A SWIM? 313 00:13:04,800 --> 00:13:07,030 GUYS, YOU WANT TO GO FOR A SWIM? 314 00:13:07,033 --> 00:13:08,473 - NO, THANK YOU. 315 00:13:08,467 --> 00:13:09,897 - I'LL GO. 316 00:13:19,633 --> 00:13:20,903 - UGH. 317 00:13:26,400 --> 00:13:28,030 - THERE ISN'T A BAD VIBE ON THE SAND. 318 00:13:28,033 --> 00:13:30,033 THERE ISN'T A BAD VIBE IN THE WATER. 319 00:13:30,033 --> 00:13:31,633 IT'S BEAUTIFUL. 320 00:13:31,633 --> 00:13:33,333 [both laugh] 321 00:13:39,667 --> 00:13:40,867 - AY YI YI. 322 00:13:40,867 --> 00:13:43,967 - BRANDI'S FRUSTRATED AND VERY HURT. 323 00:13:43,967 --> 00:13:46,067 AND I HAVE MY OWN THINGS WITH LISA. 324 00:13:46,066 --> 00:13:48,466 - OH, YOU'RE NOT REALLY GONNA PLAY FOOTBALL, ARE YOU? 325 00:13:48,467 --> 00:13:49,527 - JUST GONNA HIT THE BALL-- 326 00:13:49,533 --> 00:13:51,333 - JUST RELAX. HAVE A LOUNGE. 327 00:13:51,333 --> 00:13:52,703 DON'T BE SUCH A BOY. 328 00:13:56,033 --> 00:13:58,503 - [groans] 329 00:13:58,500 --> 00:14:00,670 - IF I DON'T START THE CONVERSATION, 330 00:14:00,667 --> 00:14:01,827 NOBODY WILL. 331 00:14:01,834 --> 00:14:03,604 SO I WANT TO GET IT OVER AND DONE WITH. 332 00:14:03,600 --> 00:14:05,530 - DID YOU ORDER LUNCH, YOU GUYS? 333 00:14:05,533 --> 00:14:06,833 - WE ORDERED DRINKS. 334 00:14:06,834 --> 00:14:08,804 - I ORDERED A CHICKEN SANDWICH. 335 00:14:08,800 --> 00:14:11,630 AM I IN THE SUN AT ALL? - NOT AT ALL. 336 00:14:14,600 --> 00:14:17,830 - OKAY. 337 00:14:17,834 --> 00:14:21,634 - LET'S SIT SOMEWHERE WHERE WE CAN TALK. 338 00:14:21,633 --> 00:14:24,633 - WAIT. WHAT HAPPENED? 339 00:14:24,633 --> 00:14:27,503 - BRANDI'S UPSET BECAUSE SHE FEELS 340 00:14:27,500 --> 00:14:29,400 THAT THERE'S A DIVIDE IN THE GROUP. 341 00:14:29,400 --> 00:14:33,500 YOU KIND OF, LIKE, FLIPPED AND STOPPED CALLING HER. 342 00:14:33,500 --> 00:14:36,270 YOU THREW A BIRTHDAY PARTY FOR MAURICIO AND-- 343 00:14:36,266 --> 00:14:37,726 - BUT THAT'S NOTHING TO DO WITH BRANDI. 344 00:14:37,734 --> 00:14:39,774 THAT'S GOT NOTHING TO DO WITH HER. 345 00:14:39,767 --> 00:14:42,267 IT'S RIDICULOUS TO SAY I'VE GOT CLOSER TO KYLE. 346 00:14:42,266 --> 00:14:44,296 YEAH, WE DECIDED TO HAVE A PARTY TOGETHER. 347 00:14:44,300 --> 00:14:45,570 WHOOP-DE-DOO. 348 00:14:45,567 --> 00:14:46,727 - IT KIND OF HAD TO DO WITH EVERYBODY, 349 00:14:46,734 --> 00:14:48,434 BECAUSE WE ALL THOUGHT THAT YOU SAID 350 00:14:48,433 --> 00:14:50,403 THAT HE WAS A USER AND THAT HE WAS FRIENDS WITH-- 351 00:14:50,400 --> 00:14:52,770 - OH, COME ON, WE HAD WORDS. WE SORTED IT OUT. 352 00:14:52,767 --> 00:14:54,597 SUDDENLY SHE WAS KIND OF COZYING UP TO ADRIENNE, 353 00:14:54,600 --> 00:14:56,570 AND I KNEW A LOT OF IT WAS BASED AROUND 354 00:14:56,567 --> 00:14:58,227 THIS WHOLE BUSINESS DECISION, 355 00:14:58,233 --> 00:15:01,733 BECAUSE THEY WANTED THE LISTING ON ADRIENNE'S HOUSE. 356 00:15:01,734 --> 00:15:04,274 - BUT DID YOU EVER SORT IT OUT? 357 00:15:04,266 --> 00:15:05,896 - YES. 358 00:15:05,900 --> 00:15:07,900 WE DECIDED TO RESOLVE IT, 359 00:15:07,900 --> 00:15:10,570 AND THAT'S PART OF LIFE, ISN'T IT, HAVING DIFFERENCES. 360 00:15:10,567 --> 00:15:11,967 YOU RESOLVE THEM, AND YOU MOVE ON. 361 00:15:11,967 --> 00:15:13,567 - BUT NOBODY ELSE IN THE GROUP KNEW YOU GUYS HAD MOVED ON. 362 00:15:13,567 --> 00:15:14,967 - BUT WHY DO THEY HAVE TO? IT'S KYLE AND I. 363 00:15:14,967 --> 00:15:16,667 - BECAUSE WE WERE ALL PART OF IT. 364 00:15:16,667 --> 00:15:18,497 IF YOU'RE GONNA MAKE A STATEMENT 365 00:15:18,500 --> 00:15:20,570 ABOUT SOMEBODY ELSE'S HUSBAND, 366 00:15:20,567 --> 00:15:22,367 THEN YOU GOT TO BACK IT UP. 367 00:15:22,367 --> 00:15:24,527 AND IF YOU CHANGE YOUR MIND ABOUT THAT STATEMENT, 368 00:15:24,533 --> 00:15:26,573 YOU GOT TO ASK FOR FORGIVENESS. 369 00:15:26,567 --> 00:15:28,927 BUT THAT HAS NEVER COME OUT OF LISA'S MOUTH. 370 00:15:28,934 --> 00:15:30,534 - YOU KNOW WHAT? I'M NOT DEALING WITH THIS. 371 00:15:30,533 --> 00:15:31,933 - BUT WHY ARE YOU WALKING AWAY? 372 00:15:31,934 --> 00:15:33,474 - BECAUSE I DON'T WANT YOU TO TRY AND UPSET ME NOW. 373 00:15:33,467 --> 00:15:34,667 - BUT WE'RE HAVING A CONVERSATION. 374 00:15:34,667 --> 00:15:36,327 - NO. - WE'RE HAVING A CONVERSATION. 375 00:15:36,333 --> 00:15:37,633 - I HAVEN'T DONE ANYTHING WRONG, YOLANDA. 376 00:15:37,633 --> 00:15:38,903 I HAVEN'T DONE ANYTHING WRONG. 377 00:15:38,900 --> 00:15:40,900 - ARE WE FRIENDS, OR ARE WE NOT FRIENDS? 378 00:15:40,900 --> 00:15:42,570 AM I YOUR HOLLYWOOD FRIEND, OR AM I A REAL FRIEND? 379 00:15:42,567 --> 00:15:44,197 - OKAY. 380 00:15:44,200 --> 00:15:45,370 - ARE WE GIRLFRIENDS, OR ARE WE HOLLYWOOD FRIENDS? 381 00:15:45,367 --> 00:15:46,727 - WHY ARE YOU BEING SO AGGRESSIVE? 382 00:15:46,734 --> 00:15:48,234 - I'M NOT AGGRESSIVE. I DON'T LIKE YOU WALKING AWAY. 383 00:15:48,233 --> 00:15:50,233 WE'RE HAVING A CONVERSATION, A HEART-TO-HEART. 384 00:15:50,233 --> 00:15:51,573 - BECAUSE I DON'T WANT TO BE UPSET NOW. 385 00:15:51,567 --> 00:15:52,827 - CAN I JUST INTERJECT HERE? 386 00:15:52,834 --> 00:15:55,874 I THINK A LOT OF THIS HAS TO DO WITH ME, ACTUALLY. 387 00:15:55,867 --> 00:15:57,397 - WHY? - BECAUSE-- 388 00:15:57,400 --> 00:15:58,930 - I DON'T HAVE A PROBLEM WITH YOU. 389 00:15:58,934 --> 00:16:01,634 - I USED TO TALK TO YOU ALMOST EVERY MORNING. 390 00:16:01,633 --> 00:16:03,503 YOU DECIDED TO BE BEST FRIENDS WITH KYLE AGAIN. 391 00:16:03,500 --> 00:16:05,770 - KYLE AND I HAVE HARDLY SPOKEN. 392 00:16:05,767 --> 00:16:08,667 - SHE TOLD ME THAT YOU'RE CALLING HER IN THE MORNINGS NOW. 393 00:16:08,667 --> 00:16:10,767 - OH, DARLING, DON'T BE RIDICULOUS. 394 00:16:10,767 --> 00:16:12,927 - LIKE, I WANT TO KNOW, LIKE, THAT MY FRIENDS ARE AROUND ME, 395 00:16:12,934 --> 00:16:16,274 EVEN WHEN I'M NOT ALWAYS RIGHT AND THE CHIPS ARE DOWN. 396 00:16:16,266 --> 00:16:19,396 - SINCE I'VE KNOWN YOU, YOU'VE ALWAYS BEEN UPSET, 397 00:16:19,400 --> 00:16:20,670 AND I'VE ALWAYS COMFORTED YOU. 398 00:16:20,667 --> 00:16:23,297 I REALLY HAVE. WE'VE HAD SOME DIFFICULT TIMES. 399 00:16:23,300 --> 00:16:25,430 AND I'VE BEEN THERE. - SHE'S GONE THROUGH A DIVORCE. 400 00:16:25,433 --> 00:16:27,873 - YEAH, AND ALL OF A SUDDEN, YOU'RE MOVING AWAY FROM ME 401 00:16:27,867 --> 00:16:29,667 AND MOVING BACK TOWARDS KYLE. 402 00:16:29,667 --> 00:16:31,497 BUT IT DOES FEEL THAT WAY. 403 00:16:31,500 --> 00:16:32,800 YOU HAVEN'T CALLED ME. 404 00:16:32,800 --> 00:16:34,570 YOU HAVEN'T CHECKED IN ON ME LIKE YOU NORMALLY DO. 405 00:16:34,567 --> 00:16:35,867 - OH, I HAVE, BRANDI. BRANDI-- 406 00:16:35,867 --> 00:16:37,527 - WHEN WAS THE LAST TIME WE SPOKE ON THE PHONE? 407 00:16:37,533 --> 00:16:40,373 - BRANDI, WHEN WAS THE LAST TIME YOU CALLED ME? 408 00:16:40,367 --> 00:16:42,897 I DIDN'T EVEN THINK IT WAS AN ISSUE. 409 00:16:42,900 --> 00:16:45,530 YOU KNOW WHAT? I'M REALLY UPSET. 410 00:16:45,533 --> 00:16:47,673 - LISA, WALKING AWAY IS NOT GONNA SOLVE ANYTHING. 411 00:16:47,667 --> 00:16:49,567 - WELL, I DON'T WANT TO STAY. 412 00:16:49,567 --> 00:16:50,767 - YOU SEE, THAT'S THE THING. 413 00:16:50,767 --> 00:16:52,627 WE'RE JUST TRYING TO HAVE A CONVERSATION, 414 00:16:52,633 --> 00:16:55,803 AND SHE KEEPS WALKING AWAY, YOU KNOW? 415 00:16:55,800 --> 00:16:59,330 - I DIDN'T GET TO EVEN START, REALLY, WHAT I WANTED TO SAY, 416 00:16:59,333 --> 00:17:01,603 BECAUSE LISA WALKED AWAY BECAUSE SHE CAN'T HANDLE 417 00:17:01,600 --> 00:17:03,500 HAVING JUST AN HONEST CONVERSATION. 418 00:17:03,500 --> 00:17:06,500 IT'S JUST FRUSTRATING. 419 00:17:09,867 --> 00:17:12,297 - SOMETIMES YOU GOT TO HAVE A HEART-TO-HEART 420 00:17:12,300 --> 00:17:15,230 WITH YOUR FRIENDS IN ORDER TO GO TO THE NEXT LEVEL, 421 00:17:15,233 --> 00:17:17,633 AND SHE SEEMS TO BE AFRAID OF THAT. 422 00:17:17,633 --> 00:17:19,573 - HELLO. - WHAT'S UP? 423 00:17:19,567 --> 00:17:21,397 - [crying] THEY'RE JUST MEAN. - HUH? 424 00:17:23,233 --> 00:17:24,433 WHO'S MEAN? 425 00:17:24,433 --> 00:17:26,673 - ALL OF THEM. - WHO'S MEAN? 426 00:17:26,667 --> 00:17:28,797 - ALL OF THEM, AND I WANT TO GO. 427 00:17:28,800 --> 00:17:30,770 - YOU ALL RIGHT? 428 00:17:30,767 --> 00:17:33,167 - I'M NOT A MEAN GIRL. I'M NOT. 429 00:17:33,166 --> 00:17:34,366 I DON'T WANT TO BE. 430 00:17:34,367 --> 00:17:35,627 - IT'S DIFFICULT FOR ME 431 00:17:35,633 --> 00:17:37,133 BECAUSE I'VE BEEN IN THAT POSITION TOO, 432 00:17:37,133 --> 00:17:39,373 AND I'VE BEEN TRYING SO HARD TO PUT IT BEHIND US 433 00:17:39,367 --> 00:17:41,227 SO WE CAN MOVE FORWARD. 434 00:17:41,233 --> 00:17:43,333 - I DON'T WANT TO GO AGAINST LISA, 435 00:17:43,333 --> 00:17:46,503 BECAUSE I'VE SEEN WHAT HAPPENS WHEN YOU GO AGAINST LISA. 436 00:17:46,500 --> 00:17:48,700 BUT I FEEL LIKE RIGHT NOW WITH KYLE, 437 00:17:48,700 --> 00:17:50,400 I HAVE TO BE FULL DISCLOSURE, 438 00:17:50,400 --> 00:17:53,230 BECAUSE KYLE KEEPS RUNNING BACK TO LISA, 439 00:17:53,233 --> 00:17:56,303 AND LISA WANTS TO TAKE HER [bleep] DOWN. 440 00:17:59,333 --> 00:18:02,503 KYLE NEEDS TO KNOW THE TRUTH. 441 00:18:04,367 --> 00:18:07,797 WE WERE LEAVING FOR PALM SPRINGS FROM MY HOUSE. 442 00:18:07,800 --> 00:18:10,370 YOLANDA WAS THERE, LISA WAS THERE. 443 00:18:10,367 --> 00:18:15,067 I HAD THE TABLOIDS AT MY HOUSE THAT WERE NOT GOOD. 444 00:18:17,734 --> 00:18:20,104 SHE PUT IT IN MY LUGGAGE. 445 00:18:20,100 --> 00:18:21,370 SHE GOES, "YOU NEED TO BRING THIS." 446 00:18:21,367 --> 00:18:23,267 AND I SAID, "I'M NOT [bleep] BRINGING THAT." 447 00:18:23,266 --> 00:18:26,626 AND SHE PUT IT BACK IN MY LUGGAGE. 448 00:18:26,633 --> 00:18:29,473 AND WHEN WE WENT TO LEAVE, I PUT IT BACK IN THE HOUSE. 449 00:18:29,467 --> 00:18:31,767 AND I'M JUST-- I WOULDN'T DO THAT TO YOU. 450 00:18:31,767 --> 00:18:34,427 I'M NOT THAT PERSON. I DIDN'T--I'M NOT-- 451 00:18:34,433 --> 00:18:36,033 LIKE, WE ALL KNOW IT EXISTS. 452 00:18:36,033 --> 00:18:37,403 WE DIDN'T NEED TO, LIKE, HAVE IT. 453 00:18:37,400 --> 00:18:41,100 FOR WHAT? FOR WHAT? YOU KNOW WHAT I MEAN? 454 00:18:41,100 --> 00:18:43,600 - I'M SUCH AN IDIOT. 455 00:18:43,600 --> 00:18:44,770 - YOU WHAT? 456 00:18:44,767 --> 00:18:46,367 - I'M AN IDIOT. 457 00:18:46,367 --> 00:18:48,667 BECAUSE LISA AND I HAVE HAD A FRIENDSHIP 458 00:18:48,667 --> 00:18:51,397 THAT I HAVE BEEN TRYING TO REPAIR, 459 00:18:51,400 --> 00:18:54,270 HEARING THAT, IF IT'S REALLY TRUE, 460 00:18:54,266 --> 00:18:56,766 FELT LIKE A KNIFE IN MY CHEST. 461 00:18:56,767 --> 00:18:58,297 - KYLE, HONESTLY, I WOULDN'T-- 462 00:18:58,300 --> 00:19:00,170 - I KNOW. I KNOW. I KNOW. I KNOW THAT. 463 00:19:00,166 --> 00:19:02,326 - YEAH, I GOT TO THAT HOUSE, AND THEY WERE THERE. 464 00:19:02,333 --> 00:19:05,603 I JUST WAS LIKE, "I'M--NO. LIKE, THAT'S NOT HAPPENING." 465 00:19:05,600 --> 00:19:08,070 - [sighs] WOW. 466 00:19:08,066 --> 00:19:10,026 - I'M YOUR FRIEND, RIGHT? 467 00:19:10,033 --> 00:19:12,203 BUT IS SHE? 468 00:19:16,367 --> 00:19:17,997 - COMING UP... 469 00:19:18,000 --> 00:19:19,100 - I'M GETTING OUT OF HERE. 470 00:19:19,100 --> 00:19:20,300 I'M PISSED. I'M [bleep] PISSED. 471 00:19:20,300 --> 00:19:22,170 I DON'T KNOW WHAT YOU WANT ME TO TELL YOU. 472 00:19:22,166 --> 00:19:27,166 - HONEY! 473 00:19:34,300 --> 00:19:35,930 - I'M SUCH AN IDIOT. 474 00:19:35,934 --> 00:19:38,434 - I'M YOUR FRIEND, RIGHT? 475 00:19:38,433 --> 00:19:40,203 BUT IS SHE? 476 00:19:42,333 --> 00:19:44,933 WHEN YOU GET MAD, THAT'S WHAT YOU DO TO YOUR FRIENDS? 477 00:19:44,934 --> 00:19:46,034 OR YOU HAVE A DISAGREEMENT-- 478 00:19:46,033 --> 00:19:47,433 THAT'S THE KIND OF STUFF YOU PULL? 479 00:19:47,433 --> 00:19:50,203 - WELL, CLEARLY THAT'S NOT MY FRIEND. 480 00:19:50,200 --> 00:19:53,100 IT'S SO FUNNY, BECAUSE I HEAR [bleep] ALL THE TIME, 481 00:19:53,100 --> 00:19:55,130 THAT, "I WOULD NEVER DO SOMETHING LIKE THAT." 482 00:19:55,133 --> 00:19:57,573 - NOT LIKE THAT, AND THAT'S SO BIG. 483 00:19:57,567 --> 00:20:00,967 - I REALLY HOPE THAT WHAT BRANDI IS SAYING IS NOT TRUE. 484 00:20:00,967 --> 00:20:03,197 BUT DESPITE WHAT LISA HAS SAID, 485 00:20:03,200 --> 00:20:06,100 SHE HAS NOT ALWAYS BEEN SUPPORTIVE OF ME. 486 00:20:06,100 --> 00:20:08,200 - THERE'S ALL THESE NASTY RUMORS ABOUT MAURICIO. 487 00:20:10,567 --> 00:20:13,127 - I THINK LISA'S NOT DONE PUNISHING ME. 488 00:20:13,133 --> 00:20:15,373 - THAT'S THE REASON I MADE UP WITH YOU THAT DAY. 489 00:20:15,367 --> 00:20:17,097 THAT'S WHY I HUGGED YOU IN THE BATHROOM, 490 00:20:17,100 --> 00:20:20,330 BECAUSE I COULD NEVER IMAGINE ME BEING IN THE POSITION 491 00:20:20,333 --> 00:20:22,233 THAT YOU WERE IN THAT DAY, 492 00:20:22,233 --> 00:20:25,073 WITH THE MAGAZINE COMING OUT, YOUR BABY'S INVOLVED. 493 00:20:25,066 --> 00:20:28,196 - [crying] I CAN'T TAKE SOMEONE BEING SO MEAN TO ME. 494 00:20:28,200 --> 00:20:29,600 - PLEASE DON'T CRY. 495 00:20:29,600 --> 00:20:31,270 ALL OF A SUDDEN, WHAT HAPPENED BETWEEN YOU AND I 496 00:20:31,266 --> 00:20:32,626 JUST SEEMED SO-- - PETTY. 497 00:20:32,633 --> 00:20:34,303 - SO PETTY, AND IN THESE TIMES, 498 00:20:34,300 --> 00:20:35,670 YOU STAND UP FOR YOUR GIRLFRIENDS 499 00:20:35,667 --> 00:20:38,667 AND YOU PROTECT EACH OTHER. 500 00:20:38,667 --> 00:20:41,097 - I WOULD NEVER SIT AROUND LIKE THAT 501 00:20:41,100 --> 00:20:42,530 IF ONE OF MY FRIENDS WAS UPSET. 502 00:20:42,533 --> 00:20:44,273 WOULD YOU SIT THERE 503 00:20:44,266 --> 00:20:46,466 AND SIT AROUND AND TALK ABOUT THEM, HUH? 504 00:20:46,467 --> 00:20:48,297 - WHAT IS THAT? - CHICKEN. 505 00:20:48,300 --> 00:20:50,070 - LISA. 506 00:20:50,066 --> 00:20:52,166 - NO, THANKS, KYLE. - YOU WANT TO COME OVER HERE? 507 00:20:52,166 --> 00:20:53,396 - NO, I'VE BEEN THERE. 508 00:20:53,400 --> 00:20:55,300 FIVE AGAINST ONE IS NOT MY IDEA OF A GOOD TIME. 509 00:20:55,300 --> 00:20:57,230 I DON'T REALLY UNDERSTAND WHERE THIS IS COMING FROM. 510 00:20:57,233 --> 00:20:59,573 I FEEL LIKE THEY'RE ALMOST LOOKING FOR SOMETHING, 511 00:20:59,567 --> 00:21:01,067 AND I DON'T KNOW WHY. 512 00:21:01,066 --> 00:21:03,596 - I JUST DON'T UNDERSTAND WHY, YOLANDA, 513 00:21:03,600 --> 00:21:06,000 YOU HAVE TO BRING IT UP WHEN WE'RE HAVING A GOOD TIME. 514 00:21:06,000 --> 00:21:07,330 - WHY WOULDN'T I BRING IT UP? 515 00:21:07,333 --> 00:21:08,603 - BUT IT HAS NOTHING TO DO WITH YOU. 516 00:21:08,600 --> 00:21:09,930 - THIS HAS NOTHING TO DO WITH YOU, KEN. 517 00:21:09,934 --> 00:21:11,074 - WHAT? THAT'S MY WIFE. 518 00:21:11,066 --> 00:21:12,396 SHE'S UPSET. SHE WANTS TO GO HOME. 519 00:21:12,400 --> 00:21:14,230 - UPSET BECAUSE WE'RE HAVING A CONVERSATION? 520 00:21:14,233 --> 00:21:15,603 - WHY DON'T YOU LET BRANDI DO IT? 521 00:21:15,600 --> 00:21:17,330 IF BRANDI'S THE ONE WHO'S UPSET-- 522 00:21:17,333 --> 00:21:18,933 - DARLING, YOU DON'T NEED TO SAY ANYTHING. 523 00:21:18,934 --> 00:21:20,604 - IF WE WANT TO BE FRIENDS WITH KYLE AND MAURICIO, WE WILL. 524 00:21:20,600 --> 00:21:22,900 NOBODY TELLS ME WHO TO BE FRIENDS WITH AND WHO NOT TO BE. 525 00:21:22,900 --> 00:21:24,200 - THAT'S NOT THE POINT. 526 00:21:24,200 --> 00:21:25,270 AND YOU KNOW WHAT? I DON'T APPRECIATE 527 00:21:25,266 --> 00:21:26,566 YOU TALKING TO ME THAT WAY, OKAY? 528 00:21:26,567 --> 00:21:27,967 - LIKE WHAT? 529 00:21:27,967 --> 00:21:29,397 - I'M HAVING A CONVERSATION WITH YOUR WIFE. 530 00:21:29,400 --> 00:21:31,000 - NO, YOU WEREN'T. YOU CAME OVER TO TALK TO US. 531 00:21:31,000 --> 00:21:32,400 - SHE'S 55-SOMETHING YEARS OLD. 532 00:21:32,400 --> 00:21:34,070 - I'M ACTUALLY 52, THANK YOU. 533 00:21:34,066 --> 00:21:35,396 - 52. IT DOESN'T MATTER. 534 00:21:35,400 --> 00:21:36,830 YOU DON'T NEED TO SPEAK FOR HER. 535 00:21:36,834 --> 00:21:39,604 I'M NOT 12 YEARS OLD. I'M AN ADULT WOMAN. 536 00:21:39,600 --> 00:21:43,900 YOU KNOW, AND WHAT, YOUR WIFE DOESN'T SPEAK ENGLISH? 537 00:21:43,900 --> 00:21:45,000 - YO, WAIT. 538 00:21:45,000 --> 00:21:46,570 - I DON'T LIKE TO BE TALKED TO 539 00:21:46,567 --> 00:21:48,527 BY SOMEBODY'S HUSBAND. 540 00:21:48,533 --> 00:21:50,903 WHAT I'M SEEING IS A WHOLE OTHER SIDE 541 00:21:50,900 --> 00:21:52,400 TO KEN AND LISA 542 00:21:52,400 --> 00:21:55,230 THAT I DON'T REALLY LIKE. 543 00:21:55,233 --> 00:21:57,473 IT'S LIKE, COME ON. 544 00:22:01,133 --> 00:22:02,933 - DID YOU TELL BRANDI TO PACK THE TABLOIDS 545 00:22:02,934 --> 00:22:04,474 FOR PALM SPRINGS? 546 00:22:04,467 --> 00:22:06,997 - PACK THE TABLOIDS? 547 00:22:07,000 --> 00:22:08,230 WHAT TABLOIDS? 548 00:22:08,233 --> 00:22:11,833 - THE TABLOIDS THAT HAD LIES ABOUT MAURICIO. 549 00:22:11,834 --> 00:22:12,874 - NO. 550 00:22:12,867 --> 00:22:14,327 - THAT'S WHAT I HEARD, 551 00:22:14,333 --> 00:22:16,903 THAT YOU TOLD HER SHE SHOULD BRING THEM TO PALM SPRINGS. 552 00:22:16,900 --> 00:22:18,100 - I DIDN'T SEE THEM. 553 00:22:18,100 --> 00:22:19,800 I DIDN'T SEE THEM TILL AFTER WE GOT BACK. 554 00:22:19,800 --> 00:22:21,470 SHE BOUGHT THEM AND HAD THEM AT HER HOUSE, I THINK. 555 00:22:21,467 --> 00:22:23,297 I'M NOT SURE. 556 00:22:23,300 --> 00:22:25,370 - I DON'T KNOW ANYMORE. I JUST WANT TO KNOW THAT... 557 00:22:25,367 --> 00:22:26,897 - I DON'T THINK THEY WERE EVEN OUT-- 558 00:22:26,900 --> 00:22:28,300 - WHOEVER'S MY FRIEND IS GONNA REALLY BE MY FRIEND 559 00:22:28,300 --> 00:22:29,970 AND TELL ME THE TRUTH AND BE HONEST 560 00:22:29,967 --> 00:22:31,467 AND NOT HURT ME AND SUPPORT ME. 561 00:22:31,467 --> 00:22:34,797 - I DON'T THINK THEY EVEN HAD THEM IN PALM SPRINGS. 562 00:22:34,800 --> 00:22:37,830 - I WISH THAT LISA HAD SAID TO ME, 563 00:22:37,834 --> 00:22:40,504 "I WAS JOKING. OH, I DIDN'T MEAN IT LIKE THAT. 564 00:22:40,500 --> 00:22:42,130 WE WERE MESSING AROUND." 565 00:22:42,133 --> 00:22:46,433 THAT--I WOULD HAVE BEEN HURT, BUT I WOULD HAVE ACCEPTED. 566 00:22:46,433 --> 00:22:48,903 I'M SO CONFUSED. 567 00:23:00,767 --> 00:23:04,367 [knock at door] 568 00:23:04,367 --> 00:23:06,027 - HI! - HELLO. 569 00:23:06,033 --> 00:23:07,303 - HELLO, HELLO, HELLO. 570 00:23:07,300 --> 00:23:09,770 - BABY. - AY, DIOS MIO. 571 00:23:09,767 --> 00:23:12,027 IT'S ALWAYS GREAT TO BE AROUND MY FAMILY. 572 00:23:12,033 --> 00:23:14,403 EVEN TOUGH I'VE MODELED AND I'VE DONE A LOT OF THINGS, 573 00:23:14,400 --> 00:23:16,470 TO MY FAMILY, I'M STILL THEIR BABY. 574 00:23:16,467 --> 00:23:18,067 I'M STILL JOYCITA. 575 00:23:18,066 --> 00:23:21,796 - THE CHEF IS HERE. THIS LOOKS WONDERFUL, CHEF. 576 00:23:21,800 --> 00:23:23,300 - REMEMBER WHEN YOU COME THE FIRST TIME 577 00:23:23,300 --> 00:23:25,430 OR--YEAH, THE FIRST TIME, 578 00:23:25,433 --> 00:23:27,833 AND WE WENT TO MARIBELLE'S HOUSE? 579 00:23:27,834 --> 00:23:30,034 - YES, I REMEMBER THAT-- WHERE WE HAD THE BIG PARTY. 580 00:23:30,033 --> 00:23:31,433 - YEAH. 581 00:23:31,433 --> 00:23:33,303 - WHEN I JUST ARRIVED FROM THE FREAKING AIRPORT, 582 00:23:33,300 --> 00:23:35,000 AND YOU DRAGGED ME INTO A MASSIVE PARTY 583 00:23:35,000 --> 00:23:36,800 OF ALL MY LATINO FAMILY. 584 00:23:36,800 --> 00:23:38,030 THAT WAS WILD. 585 00:23:38,033 --> 00:23:39,233 - THAT WAS THE FIRST TIME HE WAS SHOCKED. 586 00:23:39,233 --> 00:23:41,773 THAT WAS, LIKE, A CULTURAL SHOCK FOR HIM. 587 00:23:41,767 --> 00:23:44,227 IT WAS, LIKE, A HUGE PARTY, AND IT WAS, LIKE, 150 PEOPLE. 588 00:23:44,233 --> 00:23:45,403 AND I'M LIKE, "YEAH, EVERYBODY'S MY FAMILY." 589 00:23:45,400 --> 00:23:47,770 AND HE'S LIKE, "EVERYBODY?" 590 00:23:47,767 --> 00:23:49,297 AND I'M LIKE, "EVERYBODY'S MY FAMILY." 591 00:23:49,300 --> 00:23:50,800 - A BIG, BIG FAMILY. 592 00:23:50,800 --> 00:23:52,900 - AND HE'S LIKE, "WHAT A BIG FAMILY DO YOU HAVE." 593 00:23:52,900 --> 00:23:54,370 AND POOR MOMMY'S LIKE, 594 00:23:54,367 --> 00:23:56,227 "I DON'T REALLY UNDERSTAND TOO MUCH WHAT HE'S SAYING. 595 00:23:56,233 --> 00:23:58,103 "HE HAS AN ACCENT. 596 00:23:58,100 --> 00:24:01,000 I DON'T REALLY UNDERSTAND TOO MUCH." 597 00:24:01,000 --> 00:24:02,900 I THINK IT'S ALWAYS GREAT TO BE AROUND MY FAMILY. 598 00:24:02,900 --> 00:24:05,200 MY FAMILY IS SUCH A LOVING AND SUPPORTING FAMILY. 599 00:24:05,200 --> 00:24:08,200 IT'S TIME LIKE THIS WHEN PEOPLE NEED SUPPORT. 600 00:24:08,200 --> 00:24:09,430 - COME, WE GO FIND YOU DESSERT. 601 00:24:09,433 --> 00:24:12,203 WE'LL FIND SOFIA A LITTLE DESSERT. 602 00:24:14,166 --> 00:24:15,426 - I MISS YOU A LOT. 603 00:24:15,433 --> 00:24:17,003 - WELL, YOU HAVE TO MOVE WITH ME. 604 00:24:17,000 --> 00:24:20,130 AND YOU CAN SEE THE KIDS EVERY DAY AND PLAY... 605 00:24:20,133 --> 00:24:21,303 - YES. 606 00:24:21,300 --> 00:24:23,170 - EVERY DAY WITH THEM. 607 00:24:23,166 --> 00:24:24,796 - PROBABLY ONE OF THESE DAYS. 608 00:24:24,800 --> 00:24:26,830 - WHAT DAY? THAT'S WHAT YOU KEEP SAYING. 609 00:24:26,834 --> 00:24:28,874 FOR SO MANY YEARS, "ONE OF THESE DAYS I'LL MOVE." 610 00:24:28,867 --> 00:24:32,697 - I PROMISE YOU I MOVE. 611 00:24:32,700 --> 00:24:34,800 - MY PARENTS GOT DIVORCED WHEN I WAS VERY YOUNG, 612 00:24:34,800 --> 00:24:36,170 AND I'M VERY, VERY CLOSE WITH MY MOM. 613 00:24:36,166 --> 00:24:38,126 WE TALK ABOUT THREE TIMES A DAY. 614 00:24:38,133 --> 00:24:39,773 SHE'S MY BEST FRIEND. 615 00:24:39,767 --> 00:24:41,097 - SO HOW YOU FEEL? 616 00:24:41,100 --> 00:24:42,970 - I'M OKAY. - YOU'RE OKAY? 617 00:24:42,967 --> 00:24:44,627 - YEAH. - YES, BECAUSE... 618 00:24:44,633 --> 00:24:46,833 - I'M A SAD A LITTLE BIT, BUT I'M OKAY. 619 00:24:46,834 --> 00:24:49,104 I THINK IT JUST-- YOU KNOW HOW IT IS. 620 00:24:49,100 --> 00:24:53,230 IT JUST--THE PAIN I THINK JUST IS ALWAYS THERE A LITTLE BIT, 621 00:24:53,233 --> 00:24:55,133 BUT--BUT IT'S OKAY. 622 00:24:55,133 --> 00:24:56,703 - DON'T BE SAD, OKAY? 623 00:24:56,700 --> 00:24:58,070 - I FEEL REALLY AT PEACE 624 00:24:58,066 --> 00:25:01,326 BECAUSE I HAD A LAST CHANCE TO SEE MY FATHER 625 00:25:01,333 --> 00:25:03,273 AND TO SEE HIM IN A GOOD SPOT. 626 00:25:03,266 --> 00:25:05,226 HIS LAST WORDS WERE, HE TOLD ME, 627 00:25:05,233 --> 00:25:07,603 "GO. I'M HAPPY. ESTOY FELIZ." 628 00:25:07,600 --> 00:25:11,130 SO I THINK HE'S JUST WATCHING FROM HEAVEN 629 00:25:11,133 --> 00:25:12,933 AND TAKING CARE OF ME. 630 00:25:12,934 --> 00:25:15,874 - SO MUCH BETTER YOU BE HAPPY, AND THEN... 631 00:25:15,867 --> 00:25:17,067 IT'S GOOD TO BE HAPPY. 632 00:25:17,066 --> 00:25:19,026 LIKE ME, WHEN I PASS AWAY. 633 00:25:19,033 --> 00:25:21,033 - NO. YOU CAN'T LEAVE ME, NO. 634 00:25:21,033 --> 00:25:23,773 - NO, YOU HAVE TO BE HAPPY TOO. - THEN I'LL DIE. 635 00:25:23,767 --> 00:25:26,597 - NO, UH-UH. - NO, NO. 636 00:25:26,600 --> 00:25:29,930 - I'LL SAY THAT, WHEN I HAVE TO GO, I'M GOING. 637 00:25:29,934 --> 00:25:32,104 VERY HAPPY TO. - NO. 638 00:25:32,100 --> 00:25:34,770 [voice breaking] I LOVE MY MOM SO MUCH. 639 00:25:34,767 --> 00:25:36,897 SHE'S MY HERO, AND SHE'S MY INSPIRATION, 640 00:25:36,900 --> 00:25:39,270 AND I HOPE SHE'S AROUND WHEN I DIE, 641 00:25:39,266 --> 00:25:42,996 BECAUSE I CAN'T IMAGINE WHAT I'M GONNA DO WITHOUT HER. 642 00:25:46,233 --> 00:25:48,203 - DON'T BE SAD, OKAY? 643 00:25:48,200 --> 00:25:50,570 NO, DON'T BE. 644 00:25:50,567 --> 00:25:53,067 DON'T CRY, MY BABY. 645 00:25:53,066 --> 00:25:54,526 OKAY. 646 00:25:57,033 --> 00:25:58,703 [boat horn blares] 647 00:25:58,700 --> 00:26:00,200 - SO WHAT'S GOING ON? 648 00:26:00,200 --> 00:26:01,730 - BRANDI HAD A BUNCH 649 00:26:01,734 --> 00:26:02,934 OF THE MAGAZINE TABLOIDS WITH ALL THE LIES. 650 00:26:02,934 --> 00:26:04,174 - WELL, THERE'S ONLY ONE MAGAZINE, YEAH. 651 00:26:04,166 --> 00:26:06,596 - YEAH, AND WE WERE ALL HEADING DOWN TO PALM SPRINGS, 652 00:26:06,600 --> 00:26:08,100 AND WHEN LISA STOPPED BY, SHE SAID, 653 00:26:08,100 --> 00:26:09,900 "OH, YOU NEED TO BRING THE MAGAZINES." 654 00:26:09,900 --> 00:26:12,600 AND BRANDI SAID, "NO, I DON'T WANT TO DO THAT. 655 00:26:12,600 --> 00:26:14,800 WE'RE GOING DOWN TO, YOU KNOW, HAVE A WEEKEND." 656 00:26:14,800 --> 00:26:18,130 AND LISA PUT THEM IN BRANDI'S BAG, YOU KNOW? 657 00:26:18,133 --> 00:26:19,233 - THAT'S NOT COOL. 658 00:26:19,233 --> 00:26:21,133 - AND BRANDI TOOK THEM OUT. 659 00:26:21,133 --> 00:26:23,603 AND THEN LISA PUT THEM BACK IN THE BAG. 660 00:26:23,600 --> 00:26:26,970 LISA WANTED HER TO BRING THEM DOWN TO STIR THE... 661 00:26:26,967 --> 00:26:28,927 - THE [bleep] UP... - MM-HMM. 662 00:26:28,934 --> 00:26:30,604 - AT MY EXPENSE. 663 00:26:30,600 --> 00:26:33,230 - AT YOUR EXPENSE AND KYLE AND YOUR CHILDREN, BASICALLY. 664 00:26:33,233 --> 00:26:35,503 IT'S NOT FAIR. 665 00:26:35,500 --> 00:26:37,870 - IS THAT TRUE? 666 00:26:37,867 --> 00:26:39,727 WELL, THAT'S A [bleep] BITCH IF YOU ASK ME. 667 00:26:39,734 --> 00:26:41,234 - RIGHT? 668 00:26:41,233 --> 00:26:46,133 THESE LIES HAVE HURT MY SISTER, HER HUSBAND, HER KIDS. 669 00:26:46,133 --> 00:26:48,273 - AND THEN SHE'S REACHING OUT TO KYLE AFTER ALL THAT STUFF? 670 00:26:50,900 --> 00:26:52,500 - LISA'S OUT FOR LISA, 671 00:26:52,500 --> 00:26:54,530 AND SHE DOESN'T THINK ABOUT OTHERS. 672 00:26:54,533 --> 00:26:55,773 - IF SHE HAD THEM, 673 00:26:55,767 --> 00:26:57,167 I WOULD BE EXCITED TO SEE IT, WOULDN'T I? 674 00:26:57,166 --> 00:26:58,996 PACK THEM, PACK THEM. DON'T BE SILLY. 675 00:26:59,000 --> 00:27:01,800 - WELL, THAT'S WHAT SHE SAID. 676 00:27:01,800 --> 00:27:04,100 - I THINK BRANDI'S LOOKING FOR TROUBLE, YOU KNOW. 677 00:27:04,100 --> 00:27:07,530 I GUESS SHE'S HAD IT WITH KIM AND KYLE AND JOYCE 678 00:27:07,533 --> 00:27:09,633 AND TAYLOR AND ADRIENNE. 679 00:27:09,633 --> 00:27:11,633 I GUESS IT'S ONLY MY TURN. 680 00:27:11,633 --> 00:27:13,103 WHY DIDN'T SHE PACK THE TABLOIDS? 681 00:27:13,100 --> 00:27:14,800 - 'CAUSE SHE SAID SHE TOOK 'EM BACK OUT AGAIN. 682 00:27:14,800 --> 00:27:16,100 SHE DIDN'T WANT TO DO THAT. 683 00:27:16,100 --> 00:27:17,730 - OH, SHE-- [laughter] 684 00:27:17,734 --> 00:27:19,734 - YOU BELIEVE THAT? - OKAY. ALL RIGHT, THEN. 685 00:27:19,734 --> 00:27:21,834 - I DON'T KNOW WHAT TO BELIEVE. 686 00:27:21,834 --> 00:27:23,234 - IT'S JUST THE HARDEST THING. 687 00:27:23,233 --> 00:27:25,533 IF YOU CAN'T COUNT ON YOUR OWN FRIENDS THAT KNOW YOU WELL, 688 00:27:25,533 --> 00:27:27,433 WHO THE [bleep] CAN YOU COUNT ON, YOU KNOW? 689 00:27:27,433 --> 00:27:29,173 - I TOLD KYLE TO BE CAREFUL. 690 00:27:36,033 --> 00:27:37,673 - THE STORY THAT I JUST HEARD FROM KIM 691 00:27:37,667 --> 00:27:39,697 WAS--LIKE, WAS VERY UPSETTING TO ME. 692 00:27:39,700 --> 00:27:41,430 - WHAT? - AND I'M [bleep] SHOCKED. 693 00:27:41,433 --> 00:27:42,603 - ABOUT WHAT? 694 00:27:42,600 --> 00:27:43,700 - IF IT'S TRUE OR IF IT'S NOT TRUE. 695 00:27:43,700 --> 00:27:45,000 - ABOUT WHAT? 696 00:27:45,000 --> 00:27:46,830 - IS THAT ABOUT LISA TELLING BRANDI 697 00:27:46,834 --> 00:27:48,834 TO TAKE THE MAGAZINES DOWN TO PALM SPRINGS? 698 00:27:48,834 --> 00:27:50,434 - YEAH. - IT'S SUCH A LOAD OF RUBBISH. 699 00:27:50,433 --> 00:27:52,803 - I DIDN'T EVEN SEE THE PALMS--THE MAGAZINE. 700 00:27:52,800 --> 00:27:55,900 - SO YOU NEVER PUT THE MAGAZINES IN? 701 00:27:55,900 --> 00:27:58,700 - I PUT THE MAGAZINES IN? 702 00:27:58,700 --> 00:28:01,530 - SHE SAID YOU PUT THE MAGAZINES IN THE SUITCASE. 703 00:28:01,533 --> 00:28:02,933 - SHE'S A [bleep] LIAR. 704 00:28:02,934 --> 00:28:04,534 THIS IS BULL[bleep]. 705 00:28:04,533 --> 00:28:07,773 LISA IS THE BEST FRIEND ANY ONE OF THEM COULD HAVE. 706 00:28:07,767 --> 00:28:09,427 MAYBE THAT'S WHAT THEY DON'T LIKE. 707 00:28:09,433 --> 00:28:11,173 SHE'S THE PERFECT WOMAN. 708 00:28:11,166 --> 00:28:14,526 - NO, I'M NOT DOING THIS. 709 00:28:14,533 --> 00:28:16,533 - SHE'S TOLD KYLE THIS WHOLE TIME 710 00:28:16,533 --> 00:28:18,803 THAT THEY MAY NOT HAVE BEEN FRIENDS... 711 00:28:18,800 --> 00:28:20,800 "BUT I'VE HAD YOUR BACK." 712 00:28:20,800 --> 00:28:22,730 BULL[bleep]. 713 00:28:22,734 --> 00:28:26,874 - YOU KNOW WHAT? SOMEBODY'S STIRRING UP TROUBLE. 714 00:28:26,867 --> 00:28:28,427 YEAH. 715 00:28:28,433 --> 00:28:30,033 EVERYBODY KNOWS HOW I FEEL ABOUT THE TABLOIDS 716 00:28:30,033 --> 00:28:31,773 AND HAVE SAID VOCIFEROUSLY, 717 00:28:31,767 --> 00:28:33,797 "MAURICIO, WE DON'T BELIEVE IT." 718 00:28:33,800 --> 00:28:36,100 WELL, I'VE SAID PUBLICLY I DON'T BELIEVE IT'S TRUE. 719 00:28:36,100 --> 00:28:37,600 - OF COURSE IT'S NOT TRUE. 720 00:28:37,600 --> 00:28:40,400 - NOBODY KNOWS DEFINITIVELY. 721 00:28:40,400 --> 00:28:42,430 - I DON'T CARE. 722 00:28:42,433 --> 00:28:43,803 - ARE YOU OKAY? 723 00:28:43,800 --> 00:28:45,800 - NO, I'M PISSED. I'M GETTING OUT OF HERE. 724 00:28:45,800 --> 00:28:47,670 I'M PISSED. I'M [bleep] PISSED. 725 00:28:47,667 --> 00:28:49,127 I DON'T KNOW WHAT YOU WANT ME TO TELL YOU. 726 00:28:49,133 --> 00:28:50,973 I DON'T KNOW WHAT TO DO, AND I'M [bleep] PISSED. 727 00:28:50,967 --> 00:28:52,667 I'M PISSED. 728 00:28:52,667 --> 00:28:54,027 THIS WHOLE THING IS ABOUT THIS [bleep] MAGAZINE [bleep] 729 00:28:54,033 --> 00:28:55,433 AND EVERYTHING. 730 00:28:55,433 --> 00:28:56,403 I MEAN, I'M [bleep]-- THIS IS-- 731 00:28:56,400 --> 00:28:57,500 - WHAT'S THE MATTER? 732 00:28:57,500 --> 00:28:58,530 - I'M [bleep] OUT OF HERE. 733 00:28:58,533 --> 00:29:00,333 - HE OBVIOUSLY BELIEVES IT. 734 00:29:00,333 --> 00:29:01,933 - WHAT UPSETS ME IS THAT "SUPPOSEDLY" 735 00:29:01,934 --> 00:29:03,604 I HAVE THESE FRIENDS, 736 00:29:03,600 --> 00:29:06,430 AND I'M SORRY, BUT THAT'S NOT A FRIEND, OKAY, 737 00:29:06,433 --> 00:29:07,733 AT ALL. 738 00:29:07,734 --> 00:29:09,474 - WHAT'S THE MATTER? - NOTHING, NOTHING, NOTHING. 739 00:29:09,467 --> 00:29:10,897 - WHAT'S THE MATTER? 740 00:29:10,900 --> 00:29:12,100 - [crying] HE'S JUST PISSED THIS KEEPS COMING UP, 741 00:29:12,100 --> 00:29:13,530 THE WHOLE THING AGAIN. 742 00:29:13,533 --> 00:29:14,673 - EXACTLY. WELL, JUST IGNORE IT. 743 00:29:14,667 --> 00:29:15,997 LET ME TALK TO HIM. 744 00:29:16,000 --> 00:29:17,900 - I REALLY DON'T WANT TO TALK ABOUT IT. 745 00:29:17,900 --> 00:29:18,900 - I KNOW. I DON'T-- I CARE. 746 00:29:18,900 --> 00:29:19,970 - EVERYBODY'S LYING. 747 00:29:19,967 --> 00:29:21,397 - NOBODY'S LIED. I HAVEN'T LIED. 748 00:29:21,400 --> 00:29:22,970 - EVERYBODY'S [bleep] LYING. - ABOUT WHAT? 749 00:29:22,967 --> 00:29:24,597 - I DON'T KNOW WHO TO BELIEVE ANYMORE. 750 00:29:24,600 --> 00:29:26,400 THIS ONE SAYS THIS, AND YOU SAY THAT. 751 00:29:26,400 --> 00:29:27,430 - UGH. 752 00:29:27,433 --> 00:29:28,503 - KIM'S TELLING ME ONE THING. 753 00:29:28,500 --> 00:29:29,800 YOU GUYS ARE TELLING ME ANOTHER THING. 754 00:29:29,800 --> 00:29:31,530 EVERYBODY'S TELLING ME SOMETHING ELSE. 755 00:29:31,533 --> 00:29:32,803 I DON'T KNOW WHO TO BELIEVE. 756 00:29:32,800 --> 00:29:34,930 - WELL, DO YOU BELIEVE THAT SHE WOULD PUT MAGAZINES-- 757 00:29:34,934 --> 00:29:35,974 - I DON'T KNOW WHAT TO BELIEVE. 758 00:29:35,967 --> 00:29:37,397 I DON'T KNOW--THAT'S WHAT-- 759 00:29:37,400 --> 00:29:39,830 YOU GOT THREE PEOPLE SAYING THAT. 760 00:29:39,834 --> 00:29:41,534 - I THINK WE SHOULD TALK TO BRANDI. 761 00:29:41,533 --> 00:29:42,873 - I DON'T THINK YOU SHOULD BRING IT UP AT ALL. 762 00:29:42,867 --> 00:29:44,467 I THINK YOU JUST SAY, "FORGET IT." 763 00:29:44,467 --> 00:29:47,927 - I'LL SEE YOU AT THE HOTEL. - YEAH, LET IT GO. 764 00:29:47,934 --> 00:29:49,504 - HONEY! 765 00:29:49,500 --> 00:29:51,070 HONEY! 766 00:29:51,066 --> 00:29:53,766 [boat horn blares] MO! 767 00:29:53,767 --> 00:29:54,897 - COMING UP... 768 00:29:54,900 --> 00:29:56,700 - GET OUT OF THE WAY. - OH, STOP! 769 00:29:56,700 --> 00:29:58,400 I'M TIRED OF YOUR GODDAMN MOUTH. 770 00:29:58,400 --> 00:30:00,470 YOU'RE A BIG, STUBBORN OLD MAN. 771 00:30:00,467 --> 00:30:04,897 SHUT UP! 772 00:30:05,900 --> 00:30:07,330 - HERE WE GO WITH THE STORY. 773 00:30:07,333 --> 00:30:08,373 TWO-MINUTE STORY OR TWO-HOUR STORY? 774 00:30:08,367 --> 00:30:09,727 - I'LL GET A WINE. [laughter] 775 00:30:09,734 --> 00:30:11,774 I'LL GET A WINE IN THE MEANTIME. 776 00:30:11,767 --> 00:30:12,897 - YOU KNOW THAT WHEN YOU'RE DATING 777 00:30:12,900 --> 00:30:14,030 YOU TALK IN SPANISH LIKE... 778 00:30:14,033 --> 00:30:17,033 [speaking Spanish] 779 00:30:18,633 --> 00:30:19,773 FOR THREE MONTHS 780 00:30:19,767 --> 00:30:20,827 AND THREE MONTHS DOWN THE ROAD, 781 00:30:20,834 --> 00:30:22,434 I THINK HE'S NOT UNDERSTANDING. 782 00:30:22,433 --> 00:30:24,503 AND SUDDENLY HE TELLS THE LADY THAT WAS WORKING AT HIS HOUSE, 783 00:30:24,500 --> 00:30:25,530 HE'S... 784 00:30:25,533 --> 00:30:26,903 [speaking Spanish] 785 00:30:26,900 --> 00:30:28,000 AND I'M LIKE... 786 00:30:28,000 --> 00:30:29,630 - WHAT? 787 00:30:29,633 --> 00:30:31,233 - AND I LOOKED AT HIM, AND I SAID, 788 00:30:31,233 --> 00:30:33,003 "UM, DID YOU LEARN THAT FROM ME?" 789 00:30:33,000 --> 00:30:34,530 AND HE'S LIKE... 790 00:30:34,533 --> 00:30:36,533 [speaking Spanish] 791 00:30:36,533 --> 00:30:37,933 AND I'M LIKE... 792 00:30:37,934 --> 00:30:39,874 I'M LIKE, "OH, MY GOD!" 793 00:30:47,266 --> 00:30:49,966 - YOU LOOK BEAUTIFUL. 794 00:30:49,967 --> 00:30:52,227 - MAURICIO'S CHANGING. HE'S COMING NOW. 795 00:30:52,233 --> 00:30:53,933 - I THINK WE SHOULD JUST GO TO THE RESTAURANT. 796 00:30:53,934 --> 00:30:58,534 - I JUST AM NOT IN THE MIND-SET TO DO THIS RIGHT NOW. 797 00:30:58,533 --> 00:31:00,803 I DON'T KNOW WHAT HAPPENED ON THE BEACH, 798 00:31:00,800 --> 00:31:02,500 BUT IT WASN'T WHAT I WANTED TO HAPPEN. 799 00:31:02,500 --> 00:31:03,770 IT WAS A GIANT CLUSTER[bleep]. 800 00:31:03,767 --> 00:31:05,897 I DIDN'T EVEN GET TO SPEAK TO LISA 801 00:31:05,900 --> 00:31:07,430 ABOUT THE ISSUES I HAVE WITH HER. 802 00:31:07,433 --> 00:31:09,903 - BRANDI, I DON'T UNDERSTAND WHAT'S GOING ON. 803 00:31:09,900 --> 00:31:12,230 - WELL, I DON'T EITHER. - LET THE BOYS SIT HERE. 804 00:31:12,233 --> 00:31:13,773 - ASK SCHEANA. - HUH? 805 00:31:13,767 --> 00:31:15,827 - ASK SCHEANA. - SCHEANA? 806 00:31:15,834 --> 00:31:17,574 [overlapping chatter] 807 00:31:17,567 --> 00:31:20,297 SCHEANA WHO WORKS FOR ME? 808 00:31:20,300 --> 00:31:21,800 WHAT'S SHE GOT TO DO WITH IT? 809 00:31:21,800 --> 00:31:23,900 - HOW CLOSE ARE YOU GUYS? 810 00:31:23,900 --> 00:31:25,500 - SCHEANA AND I? 811 00:31:25,500 --> 00:31:29,470 SHE'S VERY CLOSE TO PANDY FOR FIVE YEARS... 812 00:31:29,467 --> 00:31:32,397 AND WORKED FOR ME FOR FOUR YEARS. 813 00:31:32,400 --> 00:31:34,330 - I'M JUST REALLY DISAPPOINTED. 814 00:31:34,333 --> 00:31:36,503 - WHAT--IN ME WITH SCHEANA? 815 00:31:36,500 --> 00:31:39,700 - I'VE HAD MY SUSPICIONS OF LISA'S RELATIONSHIP 816 00:31:39,700 --> 00:31:40,900 WITH SCHEANA IN THE PAST. 817 00:31:40,900 --> 00:31:42,500 I DID A LITTLE DIGGING, 818 00:31:42,500 --> 00:31:45,900 AND I FOUND OUT THAT LISA AND SCHEANA 819 00:31:45,900 --> 00:31:47,300 ARE THICK AS THIEVES. 820 00:31:47,300 --> 00:31:48,630 YOU GUYS, IT'S SO FUNNY. 821 00:31:48,633 --> 00:31:52,633 THE WAITRESS IS THAT GIRL SCHEANA MARIE WHATEVER 822 00:31:52,633 --> 00:31:55,703 THAT HAD AN AFFAIR WITH EDDIE WHILE I WAS PREGNANT. 823 00:31:55,700 --> 00:31:57,400 I KNOW LISA VERY WELL AT THIS POINT, 824 00:31:57,400 --> 00:31:59,670 AND I KNOW SHE PLANS OUT EVERYTHING. 825 00:31:59,667 --> 00:32:02,827 LISA BROUGHT SCHEANA TO MY FACE TO HURT ME 826 00:32:02,834 --> 00:32:04,734 AND TO GET PRESS FOR HERSELF. 827 00:32:04,734 --> 00:32:07,204 CLEARLY HER BUSINESS IS MORE IMPORTANT 828 00:32:07,200 --> 00:32:08,600 THAN HER RELATIONSHIP WITH ME, 829 00:32:08,600 --> 00:32:11,330 BECAUSE SHE COMPLETELY USED ME. 830 00:32:11,333 --> 00:32:12,673 - YOU THINK I'M A FRIEND OF HERS? 831 00:32:12,667 --> 00:32:14,697 - SO HOW OFTEN DO YOU TALK TO SCHEANA? 832 00:32:14,700 --> 00:32:16,170 HONESTLY? - SHE'S NOT MY FRIEND. 833 00:32:16,166 --> 00:32:17,596 - REALLY? 834 00:32:17,600 --> 00:32:20,170 - OF COURSE SHE'S NOT. SHE'S A KID THAT WORKS FOR US. 835 00:32:20,166 --> 00:32:23,196 - THERE'S NOTHING TO IT. - THERE'S MORE TO IT. 836 00:32:23,200 --> 00:32:24,530 - SHE'S WORKED FOR ME FOR FIVE YEARS, 837 00:32:24,533 --> 00:32:26,373 AND SHE RAN INTO YOU AT THE BAR. 838 00:32:28,367 --> 00:32:29,427 NO, WE DIDN'T KNOW-- 839 00:32:29,433 --> 00:32:31,803 AT THE OPENING, WE DIDN'T KNOW THEN. 840 00:32:31,800 --> 00:32:35,370 OH, OKAY, BELIEVE SOME-- WHAT, ONE OF HER FRIENDS? 841 00:32:35,367 --> 00:32:37,267 - YEAH. - OH, NO. 842 00:32:37,266 --> 00:32:38,566 NO, YOU GOT IT WRONG. 843 00:32:38,567 --> 00:32:40,197 - TAKE A LIE DETECTOR TEST. 844 00:32:40,200 --> 00:32:41,200 - OKAY. - OKAY. 845 00:32:41,200 --> 00:32:42,630 I'M IN IF YOU'RE IN. 846 00:32:42,633 --> 00:32:44,233 LET'S DO IT. 847 00:32:44,233 --> 00:32:46,503 - I DON'T REALLY UNDERSTAND WHERE THIS IS COMING FROM. 848 00:32:46,500 --> 00:32:49,730 I ALWAYS HAD THE BEST INTENTION FOR BRANDI, 849 00:32:49,734 --> 00:32:52,334 AND IF SHE'S MISINTERPRETED IT, THEN I DON'T UNDERSTAND IT. 850 00:32:52,333 --> 00:32:54,733 NO, BRANDI. - NO, IT'S FINE. 851 00:32:54,734 --> 00:32:57,404 I MEAN, I'M GLAD THAT YOU'RE CAPITALIZING OFF MY HEARTBREAK. 852 00:32:57,400 --> 00:32:58,470 IT'S AMAZING. 853 00:32:58,467 --> 00:32:59,767 - SO YOU BELIEVE HER OVER ME, THEN? 854 00:32:59,767 --> 00:33:01,527 - NO, I BELIEVE MY MUTUAL FRIEND. 855 00:33:01,533 --> 00:33:03,233 - OH, WELL, SO SCHEANA TELLS THEM, 856 00:33:03,233 --> 00:33:04,473 SO YOU BELIEVE SCHEANA OVER ME? 857 00:33:04,467 --> 00:33:06,127 - NO, BUT I KNOW HOW YOU PLOT. 858 00:33:06,133 --> 00:33:07,603 I KNOW HOW YOU STRATEGIZE. I KNOW HOW YOU PLAN THINGS. 859 00:33:07,600 --> 00:33:09,470 - I DON'T KNOW WHAT HAPPENED TODAY. 860 00:33:09,467 --> 00:33:10,727 THESE GIRLS ARE JUST-- 861 00:33:10,734 --> 00:33:12,334 IT FEELS VERY HEAVY HERE IN THIS BUS. 862 00:33:12,333 --> 00:33:13,473 - THIS IS ALL BULL[bleep]. 863 00:33:13,467 --> 00:33:15,067 YOU'RE JUST BRINGING THIS UP. 864 00:33:15,066 --> 00:33:16,696 - I'M NOT CLOSE TO PEOPLE WHO WORK FOR ME. 865 00:33:16,700 --> 00:33:18,330 IT'S NOT LIKE THAT. 866 00:33:18,333 --> 00:33:19,633 - DANCING WITH THE STARS OR ANYTHING LIKE THAT? 867 00:33:19,633 --> 00:33:21,073 - NO, SHE WASN'T THERE. 868 00:33:21,066 --> 00:33:22,326 - SHE WAS THERE A COUPLE TIMES. 869 00:33:22,333 --> 00:33:24,433 - NOT THROUGH ME. 870 00:33:24,433 --> 00:33:25,473 - YOU'RE LYING. - WHAT? 871 00:33:25,467 --> 00:33:26,497 - NO, HANG ON. 872 00:33:26,500 --> 00:33:28,230 - NO, THAT'S A LIE. 873 00:33:28,233 --> 00:33:30,533 - I NEVER INVITED SCHEANA TO DANCING WITH THE STARS. 874 00:33:30,533 --> 00:33:32,273 - SHE'S NEVER BEEN THERE, RIGHT? 875 00:33:32,266 --> 00:33:33,826 - SHE HAS BEEN THERE. - OH, SHE HAS BEEN THERE. 876 00:33:33,834 --> 00:33:36,704 SHE WENT IN CIRCLES AND CIRCLES AND CIRCLES. 877 00:33:36,700 --> 00:33:39,200 YOU'RE CAUGHT. YOU'RE LYING. YOU'RE CAUGHT. 878 00:33:39,200 --> 00:33:41,070 - THIS IS SUCH A [bleep] STUPID ROW. 879 00:33:41,066 --> 00:33:42,626 IT REALLY IS. - KEN, DON'T GET-- 880 00:33:42,633 --> 00:33:44,473 - BUT, LISA, IT'S REALLY STUPID. 881 00:33:44,467 --> 00:33:47,067 - NO, KEN, LET IT GO. 882 00:33:47,066 --> 00:33:49,066 BUT IT'S UP TO YOU TO BELIEVE WHAT YOU WANT, 883 00:33:49,066 --> 00:33:50,566 IF THAT'S WHAT IT IS. 884 00:33:50,567 --> 00:33:53,697 - SHE'S GOT THIS POWER ABOUT HER, LIKE THIS SPELL, 885 00:33:53,700 --> 00:33:55,530 AND I'VE SEEN HER PUT IT ON PEOPLE, 886 00:33:55,533 --> 00:33:57,633 AND I'VE BEEN UNDER IT. 887 00:33:57,633 --> 00:34:00,633 I'M NOT UNDER IT ANYMORE. 888 00:34:00,633 --> 00:34:02,073 - YOU DON'T BELIEVE? 889 00:34:02,066 --> 00:34:03,426 THEN THAT'S FINE. 890 00:34:03,433 --> 00:34:06,203 MY CONSCIENCE IS CLEAR. 891 00:34:10,367 --> 00:34:13,067 - HOW MUCH LONGER? 892 00:34:15,533 --> 00:34:17,033 - I THINK WE'RE HERE. 893 00:34:17,033 --> 00:34:19,173 - GREAT. 894 00:34:23,667 --> 00:34:25,097 - HOW ARE YOU? GOOD EVENING. 895 00:34:25,100 --> 00:34:26,500 - HOLA. - HOW ARE YOU? 896 00:34:26,500 --> 00:34:28,000 - THIS IS PRETTY. - VERY NICE. 897 00:34:28,000 --> 00:34:30,030 - MICHAEL, I'M NEXT TO KYLE. I LIKE IT. 898 00:34:30,033 --> 00:34:31,373 - VERY NICE. - WE ALL NEED A DRINK. 899 00:34:31,367 --> 00:34:32,597 - I NEED A DRINK. 900 00:34:32,600 --> 00:34:34,200 - YES, YES, YES, YES. WE ALL NEED A DRINK, THOUGH. 901 00:34:34,200 --> 00:34:35,230 - THAT'S WHAT I THINK. - YOU WHAT? 902 00:34:35,233 --> 00:34:36,633 - HI. - HOW YOU DOING? 903 00:34:36,633 --> 00:34:38,603 - LISTEN, I LOVE YOU, AND I PROMISE YOU, 904 00:34:38,600 --> 00:34:42,030 I NEVER KNEW IN THE BEGINNING. - I LOVE YOU, TOO. 905 00:34:42,033 --> 00:34:45,173 - I'M ALWAYS ON YOUR SIDE. 906 00:34:45,166 --> 00:34:47,966 OKAY, WELL, IT'S UP TO YOU. 907 00:34:47,967 --> 00:34:50,697 THIS LOOKS PRETTY. - YEAH. 908 00:34:50,700 --> 00:34:53,070 all: CHEERS. 909 00:34:53,066 --> 00:34:55,266 - YEAH, JUST A DROP. 910 00:34:57,166 --> 00:34:59,526 - GO FOR IT. GO FOR IT. GO FOR IT. 911 00:34:59,533 --> 00:35:02,403 IT'S VERY JUICY. 912 00:35:02,400 --> 00:35:04,730 - [speaking Spanish] 913 00:35:07,200 --> 00:35:09,100 - DOES EVERYBODY HAVE THEIR FOOD? 914 00:35:09,100 --> 00:35:10,130 - YES. - WE JUST GOT IT. 915 00:35:10,133 --> 00:35:12,303 - THIS LOOKS REALLY GOOD. 916 00:35:12,300 --> 00:35:15,370 - WOULD ANYBODY LIKE TO TRY THE LOBSTER COCKTAIL? 917 00:35:20,967 --> 00:35:23,367 - I HAVE SO MUCH ANXIETY. 918 00:35:23,367 --> 00:35:26,027 - WHAT'S WRONG? YOU HAVE ANXIETY? 919 00:35:26,033 --> 00:35:28,373 - I'M JUST FEELING, YOU KNOW... 920 00:35:28,367 --> 00:35:29,967 - WHAT? 921 00:35:29,967 --> 00:35:33,297 I DON'T KNOW WHAT KIND OF POWER LISA HAS OVER KYLE, 922 00:35:33,300 --> 00:35:34,670 BUT IT'S VERY OBVIOUS 923 00:35:34,667 --> 00:35:39,427 THAT KYLE HAS ACCEPTED A LOT OF VERY DYSFUNCTIONAL BEHAVIOR 924 00:35:39,433 --> 00:35:41,573 WITHOUT HOLDING LISA ACCOUNTABLE FOR IT. 925 00:35:41,567 --> 00:35:42,997 - I HAVE--I FEEL... 926 00:35:43,000 --> 00:35:45,200 [sighs] I DON'T KNOW. 927 00:35:45,200 --> 00:35:47,300 - WELL, BREATHE. 928 00:35:47,300 --> 00:35:49,900 - I'M GOOD. I'M JUST... 929 00:35:49,900 --> 00:35:53,300 AFTER SEEING HOW UPSET MY HUSBAND WAS, 930 00:35:53,300 --> 00:35:55,930 I FELT LIKE I WANTED TO KNOW THE TRUTH. 931 00:35:55,934 --> 00:36:00,574 AND THE ONLY WAY WAS TO ASK LISA AND BRANDI AT THE SAME TIME. 932 00:36:00,567 --> 00:36:04,627 IT'S ONLY FAIR TO GIVE LISA ONE MORE CHANCE TO TELL THE TRUTH. 933 00:36:04,633 --> 00:36:07,633 INSTEAD OF, LIKE, HEARING TWO THINGS 934 00:36:07,633 --> 00:36:11,633 FROM TWO DIFFERENT PEOPLE, I WANT TO KNOW ABOUT... 935 00:36:11,633 --> 00:36:13,573 THE TRUTH ABOUT THE TABLOIDS AND THE SUITCASE. 936 00:36:13,567 --> 00:36:17,097 I WANT TO KNOW. - OH, I THOUGHT THAT WAS COMING. 937 00:36:17,100 --> 00:36:19,630 - YEAH. OF COURSE. 938 00:36:19,633 --> 00:36:21,273 - YOU KNOW THE TRUTH. 939 00:36:21,266 --> 00:36:24,526 - WHAT I WAS TOLD IS THAT AT BRANDI'S HOUSE, 940 00:36:24,533 --> 00:36:28,103 THE TABLOIDS WERE LAYING ON THE TABLE 941 00:36:28,100 --> 00:36:30,900 AND THAT YOU SAID TO PUT THEM IN THE SUITCASE. 942 00:36:30,900 --> 00:36:33,430 - I DIDN'T SEE THE TABLOIDS UNTIL I GOT BACK. 943 00:36:33,433 --> 00:36:35,033 - NO, THAT'S NOT TRUE. 944 00:36:38,033 --> 00:36:39,433 - I DON'T READ THEM. 945 00:36:39,433 --> 00:36:41,133 I DIDN'T SEE THEM UNTIL KEN SHOWED THEM TO ME. 946 00:36:41,133 --> 00:36:42,573 - I HAD THEM... - I SAW THEM. 947 00:36:42,567 --> 00:36:44,027 - WE ALL SAW THEM. 948 00:36:44,033 --> 00:36:44,933 - I DIDN'T PUT THEM IN YOUR SUITCASE. 949 00:36:44,934 --> 00:36:46,204 - OH, COME ON, THIS ISN'T A-- 950 00:36:46,200 --> 00:36:48,830 THIS IS A [bleep] SABOTAGE ATTACK. 951 00:36:48,834 --> 00:36:50,874 - I JUST WANT TO KNOW THE TRUTH. I WANT TO KNOW. 952 00:36:50,867 --> 00:36:52,167 - YOU WENT OUT THERE AND PLANNED THIS... 953 00:36:52,166 --> 00:36:53,596 - YEAH, I SAW IT WITH YOU. - ALL FOUR OF YOU. 954 00:36:53,600 --> 00:36:55,870 YOU ARE SO STUPID! - I SAW IT WITH YOU. 955 00:36:55,867 --> 00:36:56,927 - OH, COME ON. 956 00:36:56,934 --> 00:36:58,304 - WOULD YOU ASK ME IF I WAS TOLD? 957 00:36:58,300 --> 00:36:59,570 - YOU ASKED HER AT LUNCHTIME, AND SHE TOLD YOU. 958 00:36:59,567 --> 00:37:01,427 - YEAH, BUT I'M HEARING SOMETHING ELSE FROM BRANDI. 959 00:37:01,433 --> 00:37:02,873 - SHE TOLD YOU AT LUNCHTIME. 960 00:37:02,867 --> 00:37:04,197 - I'M HEARING TWO DIFFERENT STORIES. 961 00:37:04,200 --> 00:37:05,470 I JUST WANT TO KNOW THE TRUTH. 962 00:37:05,467 --> 00:37:08,367 - OKAY, WHO DO YOU BELIEVE, THEN? 963 00:37:08,367 --> 00:37:10,097 - KEN, WHY ARE YOU GETTING INVOLVED? 964 00:37:10,100 --> 00:37:11,430 YOU WEREN'T EVEN THERE. 965 00:37:11,433 --> 00:37:12,873 - WHAT DO YOU MEAN WHY AM I GETTING INVOLVED? 966 00:37:12,867 --> 00:37:14,027 DON'T BE SO STUPID. - YOU WEREN'T THERE. 967 00:37:14,033 --> 00:37:15,303 DON'T CALL ME STUPID. 968 00:37:15,300 --> 00:37:16,530 WHO DO YOU THINK YOU ARE TO CALL ME STUPID? 969 00:37:16,533 --> 00:37:18,803 - OH, COME ON. - THAT IS UNACCEPTABLE. 970 00:37:18,800 --> 00:37:21,400 WHAT, HE'S RAISING HIS VOICE AT ME? 971 00:37:21,400 --> 00:37:23,000 FOR TALKING TO HIS WIFE? 972 00:37:23,000 --> 00:37:25,070 - KEN, MY HUSBAND WAS UPSET, YOU KNOW. 973 00:37:25,066 --> 00:37:26,326 - I WAS VERY PISSED. - HE WAS VERY UPSET. 974 00:37:26,333 --> 00:37:27,973 I NEED TO KNOW FOR ME. 975 00:37:27,967 --> 00:37:29,197 IF THE SHOE WAS ON THE OTHER FOOT, 976 00:37:29,200 --> 00:37:30,430 YOU WOULD ASK ME STRAIGHT TO MY FACE, 977 00:37:30,433 --> 00:37:32,073 "DID YOU, OR DID YOU NOT SEE--" 978 00:37:32,066 --> 00:37:33,966 - DID YOU NOT WALK INTO MY HOUSE AND SEE IT? 979 00:37:33,967 --> 00:37:34,967 - I DON'T THINK SO. 980 00:37:34,967 --> 00:37:37,127 I THINK THE FIRST TIME I SAW IT-- 981 00:37:37,133 --> 00:37:38,433 - NO. 982 00:37:38,433 --> 00:37:40,273 - OKAY, WELL, THEN IT'S YOUR WORD AGAINST MINE. 983 00:37:40,266 --> 00:37:42,366 THE FIRST TIME I SAW IT, I THINK, WAS WITH KEN AT HOME. 984 00:37:42,367 --> 00:37:44,397 - NO. 985 00:37:44,400 --> 00:37:47,070 HONESTLY, YOU WANTED ME TO BRING IT, AND I DIDN'T BRING IT. 986 00:37:47,066 --> 00:37:49,366 - YEAH, I DIDN'T EVEN BUY THE STUPID THING. 987 00:37:49,367 --> 00:37:50,967 I DIDN'T LOOK AT IT. 988 00:37:50,967 --> 00:37:53,867 - I'M NOT SAYING YOU BROUGHT IT! - SHE SAID IT WAS AT HER HOUSE. 989 00:37:53,867 --> 00:37:55,297 AND THEN SHE SAID THAT YOU SAID TO HER... 990 00:37:55,300 --> 00:37:57,100 - ONE, TWO, THREE, FOUR. - "YOU NEED TO BRING THIS." 991 00:37:57,100 --> 00:38:00,500 ANSWER THE QUESTION. ANSWER THE QUESTION. 992 00:38:00,500 --> 00:38:01,800 - I'M ASKING A QUESTION. 993 00:38:01,800 --> 00:38:04,400 - WELL, WHY DOESN'T KIM STAY OUT OF IT? 994 00:38:04,400 --> 00:38:06,170 - BECAUSE SHE TOLD ME THE STORY, KEN! 995 00:38:06,166 --> 00:38:08,096 - WELL, LET BRANDI TALK, THEN! - WELL, BRANDI DID TALK. 996 00:38:08,100 --> 00:38:09,470 - KIM'S IN THE MIDDLE. LET BRANDI ANSWER. 997 00:38:09,467 --> 00:38:10,867 - BRANDI'S ANSWERED CLEARLY. 998 00:38:10,867 --> 00:38:13,067 - KIM'S IN THE MIDDLE. LET HER ANSWER. 999 00:38:13,066 --> 00:38:15,066 - YOU JUST DON'T LIKE IT 'CAUSE SOMEBODY MAY BE ABLE 1000 00:38:15,066 --> 00:38:17,866 TO EXPLAIN THE GODDAMN STORY RIGHT, KEN! 1001 00:38:17,867 --> 00:38:19,497 - GET OUT OF THE WAY. - OH, STOP! 1002 00:38:19,500 --> 00:38:21,100 I'M TIRED OF YOUR GODDAMN MOUTH. 1003 00:38:21,100 --> 00:38:24,000 YOU'RE A BIG, STUBBORN OLD MAN. SHUT UP! 1004 00:38:24,000 --> 00:38:25,370 - STOP. PLEASE STOP. - HAD ENOUGH OF YOU. 1005 00:38:25,367 --> 00:38:27,097 - STOP, STOP. 1006 00:38:27,100 --> 00:38:29,100 - SOMETIMES WHEN SHE DOESN'T TELL THE TRUTH, 1007 00:38:29,100 --> 00:38:31,100 YOU HAVE TO SIT BACK AND LET PEOPLE APPROACH HER. 1008 00:38:31,100 --> 00:38:32,430 - WHAT DIDN'T I TELL THE TRUTH ABOUT? 1009 00:38:32,433 --> 00:38:33,903 - LIKE WHEN YOU WERE IN WISCONSIN 1010 00:38:33,900 --> 00:38:36,100 AND DIDN'T COME TO KIMBERLY'S GRADUATION. 1011 00:38:36,100 --> 00:38:38,170 - MISSOURI, ACTUALLY. - WHATEVER! 1012 00:38:38,166 --> 00:38:39,866 - WHY WEREN'T YOU AT MY DAUGHTER'S WEDDING 1013 00:38:39,867 --> 00:38:41,127 WHEN YOU WERE INVITED? - I WAS MOVING! 1014 00:38:41,133 --> 00:38:43,373 - OH, YOU WERE MOVING? - I WAS MOVING. 1015 00:38:43,367 --> 00:38:45,267 [all shouting] 1016 00:38:45,266 --> 00:38:46,766 - WHY DIDN'T YOU TELL US? 1017 00:38:46,767 --> 00:38:48,197 - IT DOESN'T MATTER. YOU DON'T CARE. 1018 00:38:48,200 --> 00:38:50,100 - SERIOUSLY, WITH WHAT WE'VE BEEN THROUGH, I NEEDED TO KNOW. 1019 00:38:50,100 --> 00:38:51,770 I CAN'T HEAR TWO DIFFERENT THINGS. 1020 00:38:51,767 --> 00:38:53,227 - ALL RIGHT, WE'VE BEEN SET UP. WELL DONE. 1021 00:38:53,233 --> 00:38:55,103 - NOBODY'S BEEN SET UP, BUT LET ME TELL YOU SOMETHING. 1022 00:38:55,100 --> 00:38:56,970 - THANK YOU VERY MUCH. THANK YOU VERY MUCH. 1023 00:38:56,967 --> 00:38:58,697 - WELL, THERE'S NOBODY THAT'S BEEN SET UP. 1024 00:38:58,700 --> 00:39:00,170 - YOU KNOW I WASN'T EVEN INTERESTED 1025 00:39:00,166 --> 00:39:01,466 IN THAT STUPID TABLOID. 1026 00:39:01,467 --> 00:39:02,967 YOU KNOW THAT. I WASN'T INTERESTED. 1027 00:39:02,967 --> 00:39:04,467 - YOU KNOW THE TRUTH. YOU KNOW THE TRUTH. 1028 00:39:04,467 --> 00:39:06,067 - I ASKED BECAUSE I DIDN'T KNOW. 1029 00:39:06,066 --> 00:39:07,696 - YOU KNOW THE TRUTH, BUDDY. - I DON'T KNOW THE TRUTH. 1030 00:39:07,700 --> 00:39:09,070 - WELL, I'M TELLING YOU THE TRUTH. 1031 00:39:09,066 --> 00:39:11,096 - I DON'T KNOW THE TRUTH. - I'M DONE. I'M DONE. 1032 00:39:11,100 --> 00:39:13,300 I'M DONE WITH IT-- THIS CONSTANT ATTACK. 1033 00:39:13,300 --> 00:39:15,470 YOU KNOW HOW IT FEELS. - WE'RE OUT OF HERE. 1034 00:39:15,467 --> 00:39:17,467 - YOU KNOW HOW IT FEELS. - BUT DON'T GO. JUST DON'T-- 1035 00:39:17,467 --> 00:39:19,267 - WE'RE OUT OF HERE. 1036 00:39:19,266 --> 00:39:21,996 - [sighs] 1037 00:39:24,867 --> 00:39:25,867 - COMING UP... 1038 00:39:25,867 --> 00:39:27,797 - [voice breaking] JESUS. 1039 00:39:27,800 --> 00:39:29,970 EVEN BRANDI? 1040 00:39:29,967 --> 00:39:33,427 - I'M NOT GONNA HAVE THEM TALKING ABOUT YOU LIKE THAT. 1041 00:39:38,367 --> 00:39:40,197 - JUST DON'T LOSE IT WITH THEM. WHY? 1042 00:39:40,200 --> 00:39:42,000 IT'S CONSTANT ATTACK, ATTACK, ATTACK, ATTACK. 1043 00:39:42,000 --> 00:39:45,370 - KIM IS LIKE A MANIAC. - BUT IT'S CONSTANT ATTACK. 1044 00:39:45,367 --> 00:39:46,997 - WHAT, HAS SHE BEEN DRINKING AGAIN? 1045 00:39:47,000 --> 00:39:48,370 - NO, SHE HASN'T. DON'T SAY THAT. 1046 00:39:48,367 --> 00:39:50,167 - I DON'T KNOW. - WELL, STOP IT. DON'T SAY THAT. 1047 00:39:50,166 --> 00:39:52,266 - WHAT'S SHE ON? - NO, DON'T SAY THAT. 1048 00:39:52,266 --> 00:39:53,996 - LISTEN, YOU HAVE A LEGITIMATE QUESTION, 1049 00:39:54,000 --> 00:39:55,670 BUT THEY FELT AMBUSHED RIGHT NOW 1050 00:39:55,667 --> 00:39:57,197 WITH TOO MANY PEOPLE, SEE? - YEAH. 1051 00:39:57,200 --> 00:39:59,100 - I THINK YOUR QUESTION IS RIGHT. 1052 00:39:59,100 --> 00:40:00,730 YOU WANT TO HAVE THE HONEST ANSWER. 1053 00:40:00,734 --> 00:40:04,004 I THINK YOU'RE RIGHT. 1054 00:40:04,000 --> 00:40:06,970 - IT ALWAYS COMES AROUND, ALWAYS SHOWS UP. 1055 00:40:06,967 --> 00:40:08,397 IT MIGHT TAKE A WHILE. 1056 00:40:08,400 --> 00:40:10,000 - I'M NOT GONNA LET THEM TALK TO YOU LIKE THAT. 1057 00:40:10,000 --> 00:40:11,830 IT'S SILLY. - IT DOESN'T MATTER. 1058 00:40:11,834 --> 00:40:14,134 I'M USED TO IT. I'VE SEEN IT BEFORE. 1059 00:40:14,133 --> 00:40:16,773 ALL THE ACCUSATIONS THAT HAVE GONE ON BETWEEN THEM, 1060 00:40:16,767 --> 00:40:19,267 I'VE CERTAINLY NEVER CALLED ANYBODY, YOU KNOW, 1061 00:40:19,266 --> 00:40:22,026 A DRUG ADDICT OR A SLUT PIG OR A [bleep] LIAR 1062 00:40:22,033 --> 00:40:23,603 OR A [bleep] ALCOHOLIC, 1063 00:40:23,600 --> 00:40:26,670 AND I'M SUPPOSED TO HAVE SAID, "TAKE THE TABLOID WITH YOU." 1064 00:40:26,667 --> 00:40:28,127 OH, WHOOP-DE-DOO. 1065 00:40:28,133 --> 00:40:31,203 IS THAT MY BIGGEST CRIME, WHICH I DIDN'T DO ANYWAY? 1066 00:40:31,200 --> 00:40:34,230 - I WAS ASKING AN HONEST QUESTION FOR HER HUSBAND 1067 00:40:34,233 --> 00:40:35,933 TO CLEAR THINGS UP BETWEEN EACH OTHER. 1068 00:40:35,934 --> 00:40:37,634 - AND SHE SHOULD ASK THAT QUESTION. 1069 00:40:37,633 --> 00:40:38,903 - PERIOD! 1070 00:40:38,900 --> 00:40:40,700 - WELL, I WANT TO KNOW WHO MY FRIENDS ARE, FOR SURE. 1071 00:40:40,700 --> 00:40:42,130 - NO, YOU'RE RIGHT. IT'S YOUR RIGHT. 1072 00:40:42,133 --> 00:40:44,633 IF THAT'S THE TRUTH, IT IS THE MOST HORRIBLE THING YOU CAN DO, 1073 00:40:44,633 --> 00:40:46,073 BECAUSE YOU'RE PLAYING WITH SOMEBODY'S MARRIAGE... 1074 00:40:46,066 --> 00:40:48,066 - YES! YES. - AND SOMEBODY'S LIFE. 1075 00:40:51,166 --> 00:40:53,866 - DON'T DEFEND ANYBODY IN THE FUTURE, 1076 00:40:53,867 --> 00:40:56,897 ESPECIALLY NOT BRANDI, WHO'S CREATING THAT [bleep]. 1077 00:40:56,900 --> 00:40:58,000 - I DON'T WANT TO HAVE A FRIEND 1078 00:40:58,000 --> 00:40:59,300 THAT'S TALKING [bleep] BEHIND MY BACK. 1079 00:40:59,300 --> 00:41:00,870 THAT'S NOT A FRIEND TO ME. 1080 00:41:00,867 --> 00:41:02,597 SO I WANT TO KNOW IF I HAVE A FRIEND OR NOT. 1081 00:41:04,166 --> 00:41:05,696 - HERE'S TO US. 1082 00:41:05,700 --> 00:41:07,730 WE'RE ALWAYS TOGETHER. 1083 00:41:10,734 --> 00:41:13,934 - [voice breaking] I JUST FEEL LIKE--JESUS. 1084 00:41:13,934 --> 00:41:16,904 EVEN BRANDI? 1085 00:41:16,900 --> 00:41:19,730 IT'S LIKE, I'VE GONE ABOVE AND BEYOND TO DEFEND HER, 1086 00:41:19,734 --> 00:41:21,234 BECAUSE THAT'S WHAT YOU DO. 1087 00:41:21,233 --> 00:41:24,073 I'VE TRIED TO DEFEND HER BECAUSE SHE'S MY FRIEND... 1088 00:41:24,066 --> 00:41:26,526 YOU KNOW? 1089 00:41:26,533 --> 00:41:29,873 I HAVE DEFENDED BRANDI WHEN SOMETIMES HER ACTIONS 1090 00:41:29,867 --> 00:41:32,227 HAVE BEEN INDEFENSIBLE. 1091 00:41:32,233 --> 00:41:34,533 I JUST FELT, THAT'S WHAT YOU DO 1092 00:41:34,533 --> 00:41:36,533 WHEN YOU'VE REALLY GOT SOMEBODY'S BACK. 1093 00:41:36,533 --> 00:41:40,073 YOU SUPPORT THE UNDERDOG, AND THEN THE UNDERDOG BITES YOU. 1094 00:41:40,066 --> 00:41:42,796 - IT'S THE OTHER THREE. 1095 00:41:42,800 --> 00:41:45,230 THE FIRST MOVE, CHECKMATE, 1096 00:41:45,233 --> 00:41:47,273 FROM GUILE. - IT WON'T BE CHECKMATE. 1097 00:41:47,266 --> 00:41:49,796 - NO, OF COURSE IT WON'T BE CHECKMATE, EVER. 1098 00:41:49,800 --> 00:41:51,530 THERE'S ONLY ONE WINNER. 1099 00:41:51,533 --> 00:41:52,673 I MEAN, HOW DO YOU FEEL NOW 1100 00:41:52,667 --> 00:41:54,627 ABOUT THE WHOLE THING, THE ATTACK? 1101 00:41:54,633 --> 00:41:56,603 - I FEEL UPSET, BECAUSE... 1102 00:42:02,967 --> 00:42:07,867 - I'M NOT GONNA HAVE THEM TALKING ABOUT YOU LIKE THAT. 1103 00:42:07,867 --> 00:42:10,897 - HOW DO WE EVER MOVE FORWARD FROM THIS? 1104 00:42:22,233 --> 00:42:25,573 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1105 00:42:25,567 --> 00:42:27,667 - HAVE YOU EVER SEEN A PUERTO RICAN PRISON? 1106 00:42:27,667 --> 00:42:29,897 - POLICE! [gibberish] 1107 00:42:29,900 --> 00:42:31,500 OH, NO! WE GOT TO GET OUT! 1108 00:42:31,500 --> 00:42:32,730 GET OUT, GET OUT! 1109 00:42:32,734 --> 00:42:34,774 KIMBERLY IS PACKING FOR COLLEGE. 1110 00:42:34,767 --> 00:42:38,827 EVERY DAY SINCE YOU'VE BEEN IN MY LIFE HAS BEEN A JOY. 1111 00:42:38,834 --> 00:42:39,974 [crying] 1112 00:42:39,967 --> 00:42:41,167 - MINE IS GOING NEXT WEEK. 1113 00:42:41,166 --> 00:42:43,766 I HAVE, LIKE, A THOUSAND THINGS IN MY HEAD RIGHT NOW 1114 00:42:43,767 --> 00:42:46,697 THAT--OF ALL THE THINGS I STILL WANT TO TELL YOU. 1115 00:42:46,700 --> 00:42:48,500 - HAS ANYBODY HEARD FROM LISA? 1116 00:42:48,500 --> 00:42:49,570 - UH... 1117 00:42:49,567 --> 00:42:51,827 - NO. - HOW CAN YOU LOVE SOMEBODY 1118 00:42:51,834 --> 00:42:53,504 THAT THROWS YOU UNDER THE BUS LIKE THAT, 1119 00:42:53,500 --> 00:42:54,770 THAT TALKS ABOUT YOUR HUSBAND THAT WAY? 1120 00:42:54,767 --> 00:42:55,927 - I NEED THERAPY. 1121 00:42:55,934 --> 00:42:57,934 - I FEEL THEY'RE JUST, LIKE, ALL GANGING UP. 1122 00:42:57,934 --> 00:43:00,434 - IT'S LIKE SHARKS THAT TASTE BLOOD. 1123 00:43:00,433 --> 00:43:02,003 - [crying] IT'S VERY HARD.