1 00:00:02,100 --> 00:00:03,240 NARRATOR: Previously on "The Real 2 00:00:03,240 --> 00:00:04,650 Housewives of Beverly Hills." 3 00:00:04,650 --> 00:00:05,510 [CHEERING] 4 00:00:05,510 --> 00:00:06,800 JOYCE GIRAUD DE OHOVEN: This is what we want, baby. 5 00:00:06,800 --> 00:00:07,660 Yeah. 6 00:00:07,660 --> 00:00:09,660 CARLTON GEBBIA: We have our pool party every year. 7 00:00:09,660 --> 00:00:14,320 And we want people to have a great time. 8 00:00:14,320 --> 00:00:16,450 [PUNCH] 9 00:00:16,450 --> 00:00:17,650 BRANDI GLANVILLE: I don't want to be 10 00:00:17,650 --> 00:00:19,000 like one of the whiny brats. 11 00:00:19,000 --> 00:00:22,530 But my hand is killing me. 12 00:00:22,530 --> 00:00:23,860 LISA VANDERPUMP: If your hand is broken, 13 00:00:23,860 --> 00:00:25,150 you need to have it fixed. 14 00:00:25,150 --> 00:00:26,070 BRANDI GLANVILLE: I'm fine. 15 00:00:26,070 --> 00:00:27,270 LISA VANDERPUMP: You always say you're fine. 16 00:00:27,270 --> 00:00:28,180 And sometimes you're not. 17 00:00:28,180 --> 00:00:30,960 BRANDI GLANVILLE: Lisa likes to point out my weaknesses a lot 18 00:00:30,960 --> 00:00:33,760 to remind me that she's stronger than me. 19 00:00:33,760 --> 00:00:35,710 You can't justify putting labels on people, 20 00:00:35,710 --> 00:00:36,580 not even knowing her. 21 00:00:36,580 --> 00:00:38,410 She's in no position to call me Jacqueline. 22 00:00:38,410 --> 00:00:40,030 She's in no position to call me [INAUDIBLE].. 23 00:00:40,030 --> 00:00:41,250 She's in no position to say-- 24 00:00:41,250 --> 00:00:41,580 CARLTON GEBBIA: Blah, blah, blah. 25 00:00:41,580 --> 00:00:42,740 And this is what I'm hearing. Blah, blah, blah. 26 00:00:42,740 --> 00:00:43,510 I'm watching the mouth. 27 00:00:43,510 --> 00:00:45,250 And I'm like [BLEEP] stop. 28 00:00:45,250 --> 00:00:49,480 You said stuff to me that didn't sit well with me. 29 00:00:49,480 --> 00:00:50,510 You asked me, am I a witch? 30 00:00:50,510 --> 00:00:52,540 Midsentence, you turned and walked away. 31 00:00:52,540 --> 00:00:54,580 And you said something about Lisa's nipple. 32 00:00:54,580 --> 00:00:55,930 KYLE RICHARDS: I've offended you once. 33 00:00:55,930 --> 00:00:57,610 I offended you twice. 34 00:00:57,610 --> 00:01:01,030 I can guarantee I'm probably going to offend you again. 35 00:01:01,030 --> 00:01:02,840 [THEME MUSIC] 36 00:01:02,840 --> 00:01:03,800 I'm from this town. 37 00:01:03,800 --> 00:01:05,460 I know what's real and what's fake. 38 00:01:08,470 --> 00:01:10,450 YOLANDA FOSTER: Don't tell me you're my friend. 39 00:01:10,450 --> 00:01:12,610 Act like one. 40 00:01:12,610 --> 00:01:13,780 BRANDI GLANVILLE: In Beverly Hills, 41 00:01:13,780 --> 00:01:17,570 the higher you climb, the farther you fall. 42 00:01:17,570 --> 00:01:18,900 KIM RICHARDS: Everybody loves a comeback 43 00:01:18,900 --> 00:01:23,110 story, especially starring me. 44 00:01:23,110 --> 00:01:25,420 CARLTON GEBBIA: In my world, money doesn't talk. 45 00:01:25,420 --> 00:01:27,060 It swears. 46 00:01:27,060 --> 00:01:28,590 JOYCE GIRAUD DE OHOVEN: You could never be too 47 00:01:28,590 --> 00:01:32,570 young, too thin, or too honest. 48 00:01:32,570 --> 00:01:34,940 LISA VANDERPUMP: Life is a sexy little dance. 49 00:01:34,940 --> 00:01:38,890 And I like to take the lead. 50 00:01:38,890 --> 00:01:41,320 [MUSIC PLAYING] 51 00:01:48,790 --> 00:01:50,020 CARLTON GEBBIA: You want to help you? 52 00:01:50,020 --> 00:01:51,090 - Sure. - Let's do it. 53 00:01:51,090 --> 00:01:53,640 You guys going to do all the heavy lifting? 54 00:01:53,640 --> 00:01:55,630 Because we know Daddy doesn't do manual labour. 55 00:01:55,630 --> 00:01:56,850 I'll move the chairs. 56 00:01:56,850 --> 00:01:59,820 CARLTON GEBBIA: My behaviour could be considered 57 00:01:59,820 --> 00:02:01,290 by other people questionable. 58 00:02:01,290 --> 00:02:02,700 But I want to have fun. 59 00:02:02,700 --> 00:02:03,870 Life is too bloody short. 60 00:02:03,870 --> 00:02:07,900 That's why I can't stand going to a boring ass party. 61 00:02:07,900 --> 00:02:09,230 Let's do, what part are you going to do? 62 00:02:09,230 --> 00:02:09,930 Mommy, I forgot. 63 00:02:09,930 --> 00:02:11,310 Why can't we stay at the party? 64 00:02:11,310 --> 00:02:13,340 Baby, it's such an adult party. 65 00:02:13,340 --> 00:02:14,040 OK. 66 00:02:14,040 --> 00:02:15,640 CARLTON GEBBIA: People are going to be drinking. 67 00:02:15,640 --> 00:02:16,640 OK. 68 00:02:16,640 --> 00:02:18,390 And dancing. 69 00:02:18,390 --> 00:02:20,070 And probably embarrass you. 70 00:02:20,070 --> 00:02:21,370 My behaviour may be embarrassing. 71 00:02:21,370 --> 00:02:22,070 OK. 72 00:02:24,990 --> 00:02:27,900 CARLTON GEBBIA: We have our annual pool parties. 73 00:02:27,900 --> 00:02:30,600 They're not the norm Beverly Hills parties. 74 00:02:30,600 --> 00:02:32,670 I mean, this could be considered "Eyes Wide Shut." 75 00:02:32,670 --> 00:02:34,180 We need to speed this up. 76 00:02:34,180 --> 00:02:35,810 Oh, by the way, girls, when Daddy comes down, 77 00:02:35,810 --> 00:02:36,510 you have to get-- 78 00:02:36,510 --> 00:02:37,340 (HELIUM VOICE) Hi, Mum. 79 00:02:37,340 --> 00:02:40,620 CARLTON GEBBIA: [SCREAM] So creepy. 80 00:02:40,620 --> 00:02:42,480 Girls, I'm going to take you to Grandma's house. 81 00:02:42,480 --> 00:02:43,570 CARLTON GEBBIA: Really? - Yeah. 82 00:02:43,570 --> 00:02:44,580 MYSTERI: Bye, Mum. I love you so much. 83 00:02:44,580 --> 00:02:45,280 CARLTON GEBBIA: OK. 84 00:02:45,280 --> 00:02:46,560 Stop doing that. 85 00:02:46,560 --> 00:02:48,270 God knows what's going to go down. 86 00:02:48,270 --> 00:02:49,450 It's going to be positive. 87 00:02:49,450 --> 00:02:51,940 But visually, for a child? 88 00:02:51,940 --> 00:02:53,340 Scarring. 89 00:02:53,340 --> 00:02:54,230 Hi. 90 00:02:54,230 --> 00:02:55,180 Yay. 91 00:02:55,180 --> 00:02:56,780 Hustler. 92 00:02:56,780 --> 00:02:57,550 KATHERINE: How are you? 93 00:02:57,550 --> 00:02:58,250 CARLTON GEBBIA: Sexy. 94 00:02:58,250 --> 00:02:59,450 Good to see you. 95 00:02:59,450 --> 00:03:01,640 I think the girls coming today probably will 96 00:03:01,640 --> 00:03:03,560 see a different side to me. 97 00:03:03,560 --> 00:03:06,310 We are going to have three girls here giving 98 00:03:06,310 --> 00:03:07,880 shots when people walk in. 99 00:03:07,880 --> 00:03:10,740 I think I've been fairly well behaved up to this point. 100 00:03:10,740 --> 00:03:14,360 Looking sexy. 101 00:03:14,360 --> 00:03:16,880 Is this going to look like a harem? 102 00:03:16,880 --> 00:03:19,980 It's where we bury bodies if they don't behave. 103 00:03:19,980 --> 00:03:21,920 [MUSIC PLAYING] 104 00:03:21,920 --> 00:03:24,350 Oh, [BLEEP] hell. 105 00:03:24,350 --> 00:03:25,600 Maybe you can help? 106 00:03:25,600 --> 00:03:26,300 No. 107 00:03:26,300 --> 00:03:29,170 I'm not talking to you. 108 00:03:29,170 --> 00:03:30,640 You know me better than that. 109 00:03:33,390 --> 00:03:34,310 [GASP]. 110 00:03:34,310 --> 00:03:35,150 Hey. 111 00:03:35,150 --> 00:03:35,850 Hi. 112 00:03:35,850 --> 00:03:37,190 CARLTON GEBBIA: Oh my God. 113 00:03:37,190 --> 00:03:39,260 Look at the Callavera girls. 114 00:03:39,260 --> 00:03:41,330 CARLTON GEBBIA: I want to be surrounded by beautiful women. 115 00:03:41,330 --> 00:03:44,470 Be proud of your God given physique. 116 00:03:44,470 --> 00:03:45,990 Will you paint me later? 117 00:03:45,990 --> 00:03:46,770 Sure. 118 00:03:46,770 --> 00:03:47,870 CARLTON GEBBIA: Does it come off? 119 00:03:47,870 --> 00:03:48,590 With tequila? 120 00:03:48,590 --> 00:03:51,260 [LAUGHTER] 121 00:03:51,260 --> 00:03:52,040 Absolutely. 122 00:03:52,040 --> 00:03:53,010 Just shower me, baby. 123 00:03:56,920 --> 00:03:57,770 DAVID GEBBIA: Hi, babe. 124 00:03:57,770 --> 00:03:59,440 Hi. 125 00:03:59,440 --> 00:04:00,140 Wow. 126 00:04:00,140 --> 00:04:01,740 That looks awesome. I like what you're wearing. 127 00:04:01,740 --> 00:04:02,500 - I bet. - Yeah. 128 00:04:02,500 --> 00:04:04,060 How much do you like it? 129 00:04:04,060 --> 00:04:04,790 I'll show you later. 130 00:04:04,790 --> 00:04:06,780 [LAUGHTER] 131 00:04:06,780 --> 00:04:09,770 [MUSIC PLAYING] 132 00:04:20,730 --> 00:04:21,720 Hi. 133 00:04:21,720 --> 00:04:22,540 Here's your pen. 134 00:04:22,540 --> 00:04:23,240 Hi. 135 00:04:23,240 --> 00:04:24,800 How are you? 136 00:04:24,800 --> 00:04:25,560 Hi. 137 00:04:25,560 --> 00:04:26,820 Hi, I'm RC. I'm your assistant here. 138 00:04:26,820 --> 00:04:27,830 Hi. Nice to meet you. 139 00:04:27,830 --> 00:04:29,600 This is my assistant, Paisley. 140 00:04:29,600 --> 00:04:30,650 [INTERPOSING VOICES] 141 00:04:30,650 --> 00:04:31,350 OK. 142 00:04:31,350 --> 00:04:33,570 So we already have some people that are already paid. 143 00:04:33,570 --> 00:04:35,660 And they're ready to get going on it. 144 00:04:35,660 --> 00:04:36,780 Hi, everybody. 145 00:04:36,780 --> 00:04:39,420 The Hollywood Collector's Show is an opportunity for fans 146 00:04:39,420 --> 00:04:43,080 to come and meet their favourite celebrities, interact, 147 00:04:43,080 --> 00:04:45,200 sign autographs, and whatnot. 148 00:04:45,200 --> 00:04:45,900 A pleasure. 149 00:04:45,900 --> 00:04:46,940 So nice. 150 00:04:46,940 --> 00:04:48,780 OK, bye. 151 00:04:48,780 --> 00:04:50,140 MAN'S VOICE: Just hold the button down. 152 00:04:50,140 --> 00:04:51,420 Hold the button down. 153 00:04:51,420 --> 00:04:52,760 [LAUGHTER] 154 00:04:52,760 --> 00:04:56,330 KIM RICHARDS: Before I did a Hollywood Collector's Show, 155 00:04:56,330 --> 00:04:59,690 I think there was a fear that maybe I hadn't seen 156 00:04:59,690 --> 00:05:01,790 any of my fans for a long time. 157 00:05:01,790 --> 00:05:04,940 I wondered, like, who would come for me. 158 00:05:04,940 --> 00:05:08,560 Act like we're at the movies together. 159 00:05:08,560 --> 00:05:10,550 But I had a pretty long line. 160 00:05:10,550 --> 00:05:14,090 And of course, that makes me feel super great and terrific. 161 00:05:14,090 --> 00:05:18,030 Now let's act like we're just strolling. 162 00:05:18,030 --> 00:05:20,260 Kyle's never done one of these shows with me. 163 00:05:20,260 --> 00:05:21,300 My fans are different. 164 00:05:21,300 --> 00:05:24,780 Because I have fans from my whole career 165 00:05:24,780 --> 00:05:26,680 anywhere from "Nanny and the Professor." 166 00:05:26,680 --> 00:05:27,930 I have "Nanny" fans. 167 00:05:27,930 --> 00:05:30,710 And I have alien witch fans. 168 00:05:30,710 --> 00:05:34,020 And I have "Hello, Larry" fans. 169 00:05:34,020 --> 00:05:37,710 And it's a wonderful fun day for me. 170 00:05:37,710 --> 00:05:38,520 For them. 171 00:05:38,520 --> 00:05:39,260 For us. 172 00:05:39,260 --> 00:05:41,450 I'm such a huge fan of yours. 173 00:05:41,450 --> 00:05:43,720 And I never miss an episode of "Hello, Larry." 174 00:05:43,720 --> 00:05:46,310 You were my dream growing up. 175 00:05:46,310 --> 00:05:47,480 I love this. 176 00:05:47,480 --> 00:05:49,660 Keep telling me. 177 00:05:49,660 --> 00:05:51,480 She's kind of heavy. 178 00:05:51,480 --> 00:05:53,240 KIM RICHARDS: I'm not worried about the heaviness. 179 00:05:53,240 --> 00:05:54,650 You're just so cute. 180 00:05:54,650 --> 00:05:55,350 By the way, look. 181 00:05:55,350 --> 00:05:56,910 I'll be right back. 182 00:05:56,910 --> 00:06:01,780 [LAUGHTER] 183 00:06:01,780 --> 00:06:03,850 Oh my gosh. 184 00:06:03,850 --> 00:06:04,550 Jimmy. 185 00:06:07,450 --> 00:06:08,250 Jimmy McNichol. 186 00:06:11,280 --> 00:06:11,980 Hi. 187 00:06:11,980 --> 00:06:13,550 You look radiant. 188 00:06:13,550 --> 00:06:14,860 How are you? 189 00:06:14,860 --> 00:06:16,010 Nice to see you. 190 00:06:16,010 --> 00:06:17,550 Nice to see you, too. 191 00:06:17,550 --> 00:06:18,250 Wow. 192 00:06:18,250 --> 00:06:18,950 How are you doing? 193 00:06:18,950 --> 00:06:19,940 What's going on, huh? 194 00:06:19,940 --> 00:06:22,390 KIM RICHARDS: Jimmy McNichol was a teen idol. 195 00:06:22,390 --> 00:06:25,090 He was on every cover of every magazine. 196 00:06:25,090 --> 00:06:27,490 He's like the Jonas Brothers, kind of. 197 00:06:27,490 --> 00:06:28,480 You know? 198 00:06:28,480 --> 00:06:29,770 Like that. 199 00:06:29,770 --> 00:06:31,150 Jimmy McNichol. 200 00:06:31,150 --> 00:06:31,960 Leif Garrett. 201 00:06:31,960 --> 00:06:33,760 They were, like-- 202 00:06:33,760 --> 00:06:34,900 How come we never dated? 203 00:06:34,900 --> 00:06:35,770 I'm just curious. 204 00:06:35,770 --> 00:06:38,360 How could you, how come we never dated? 205 00:06:38,360 --> 00:06:39,500 I'm just curious. 206 00:06:39,500 --> 00:06:40,810 I was always trying to figure that. 207 00:06:40,810 --> 00:06:41,510 I know. 208 00:06:41,510 --> 00:06:43,000 Right? 209 00:06:43,000 --> 00:06:48,410 There was this day at school that he did walk by me. 210 00:06:48,410 --> 00:06:50,790 And he, like, grabbed my butt. 211 00:06:50,790 --> 00:06:51,800 Like, grabbed my ass. 212 00:06:51,800 --> 00:06:54,950 Like, he went like, roar. 213 00:06:54,950 --> 00:06:57,610 Roar. 214 00:06:57,610 --> 00:06:58,310 So I went home. 215 00:06:58,310 --> 00:06:59,670 And I wrote in my journal. 216 00:06:59,670 --> 00:07:07,910 Jimmy walked by and went, Roar, like a lion. 217 00:07:07,910 --> 00:07:08,730 Private. 218 00:07:08,730 --> 00:07:10,280 Right? 219 00:07:10,280 --> 00:07:12,920 Not with my little sister. 220 00:07:12,920 --> 00:07:13,700 Oh wow. 221 00:07:13,700 --> 00:07:14,400 You look so good. 222 00:07:14,400 --> 00:07:14,680 JIMMY MCNICHOL: So good seeing you. 223 00:07:14,680 --> 00:07:15,690 Yeah. 224 00:07:15,690 --> 00:07:17,520 30 years, I've been hearing-- 225 00:07:17,520 --> 00:07:19,280 every once in a while, we'll be sitting at a dinner. 226 00:07:19,280 --> 00:07:25,400 And I'll hear, [LAUGH] and Jimmy went, Roar like a lion. 227 00:07:25,400 --> 00:07:26,640 For sure, I want to get your number. 228 00:07:26,640 --> 00:07:27,830 You haven't changed at all. 229 00:07:27,830 --> 00:07:28,530 I haven't? 230 00:07:28,530 --> 00:07:29,830 You look the same. 231 00:07:29,830 --> 00:07:32,030 You look gorgeous. 232 00:07:32,030 --> 00:07:33,660 Oh I'm so glad to see you. 233 00:07:33,660 --> 00:07:34,510 You, too. 234 00:07:34,510 --> 00:07:35,730 KIM RICHARDS: I don't know why she 235 00:07:35,730 --> 00:07:39,330 thinks it's so funny to continue to tease me with this story. 236 00:07:39,330 --> 00:07:40,810 I so had a crush on this guy. 237 00:07:40,810 --> 00:07:41,610 So did I. 238 00:07:41,610 --> 00:07:42,410 Right? 239 00:07:42,410 --> 00:07:44,880 [INTERPOSING VOICES] 240 00:07:44,880 --> 00:07:47,360 [MUSIC PLAYING] 241 00:07:51,810 --> 00:07:53,310 You look [BLEEP] awesome. 242 00:07:53,310 --> 00:07:54,420 - Oh, hey. - Baybay. 243 00:07:54,420 --> 00:07:55,120 I know I do. 244 00:07:55,120 --> 00:07:55,820 Come here. 245 00:07:55,820 --> 00:07:56,590 [SHOUT]. 246 00:07:56,590 --> 00:07:59,530 [LAUGHTER] 247 00:07:59,530 --> 00:08:00,510 CARLTON GEBBIA: [GASP]. 248 00:08:00,510 --> 00:08:01,490 You look amazing. 249 00:08:09,050 --> 00:08:09,750 JENNIFER: Oh my God. 250 00:08:09,750 --> 00:08:10,620 That's-- Oh my God. 251 00:08:10,620 --> 00:08:11,370 Oh my God. 252 00:08:11,370 --> 00:08:13,770 I had no idea. 253 00:08:13,770 --> 00:08:15,560 So amazing. 254 00:08:15,560 --> 00:08:16,470 Are those real? 255 00:08:16,470 --> 00:08:18,830 Are you real? 256 00:08:18,830 --> 00:08:21,150 Oh, sexy mama. 257 00:08:21,150 --> 00:08:22,090 CARLTON GEBBIA: My God. 258 00:08:22,090 --> 00:08:23,200 Look at you. 259 00:08:23,200 --> 00:08:24,470 BRANDI GLANVILLE: I brought the girls. 260 00:08:24,470 --> 00:08:25,090 You look awesome. 261 00:08:25,090 --> 00:08:26,220 BRANDI GLANVILLE: Knowing Carlton, 262 00:08:26,220 --> 00:08:28,330 she's kind of like no bull [BLEEP],, balls to the wall. 263 00:08:28,330 --> 00:08:31,260 It's not a hoidy doidy toity, whatever party. 264 00:08:38,370 --> 00:08:39,760 Oh my goodness, me. 265 00:08:39,760 --> 00:08:41,290 Welcome. 266 00:08:41,290 --> 00:08:42,740 Some tequila? 267 00:08:42,740 --> 00:08:43,440 No. 268 00:08:43,440 --> 00:08:44,370 Thank you. 269 00:08:44,370 --> 00:08:45,270 Only for him. No. 270 00:08:45,270 --> 00:08:45,970 OK. 271 00:08:45,970 --> 00:08:46,670 Stop. 272 00:08:46,670 --> 00:08:49,050 Now you got to-- you don't want to, you've never had tequila. 273 00:08:49,050 --> 00:08:50,470 Keep moving. 274 00:08:50,470 --> 00:08:51,720 What's wrong with you? 275 00:08:51,720 --> 00:08:52,680 Interesting. 276 00:08:52,680 --> 00:08:55,170 I actually feel quite conservatively dressed 277 00:08:55,170 --> 00:08:56,720 in my kind of long sun dress. 278 00:08:56,720 --> 00:08:57,420 CARLTON GEBBIA: Hi. 279 00:08:57,420 --> 00:08:58,250 Hey. 280 00:08:58,250 --> 00:08:59,510 Look at you. 281 00:08:59,510 --> 00:09:01,540 Everybody else has got lots of bits hanging out. 282 00:09:01,540 --> 00:09:03,070 What did you put those naked women at the door 283 00:09:03,070 --> 00:09:04,120 for, for God's sake? 284 00:09:04,120 --> 00:09:04,940 CARLTON GEBBIA: Uh oh. 285 00:09:04,940 --> 00:09:07,020 Now the dress is only such a bore. 286 00:09:07,020 --> 00:09:07,760 Why not? 287 00:09:07,760 --> 00:09:09,140 I have a pole outside for you. 288 00:09:09,140 --> 00:09:09,840 Yeah, OK. 289 00:09:09,840 --> 00:09:10,820 [LAUGHTER] 290 00:09:10,820 --> 00:09:12,520 I'll need a couple of drinks before I do that. 291 00:09:12,520 --> 00:09:15,340 I am not sliding up and down a pole. 292 00:09:15,340 --> 00:09:18,950 Any pole for that matter. 293 00:09:18,950 --> 00:09:21,200 I brought my Americana just for you, girl. 294 00:09:21,200 --> 00:09:21,900 I know. 295 00:09:21,900 --> 00:09:24,310 I love it. 296 00:09:24,310 --> 00:09:26,340 LISA VANDERPUMP: You're going to end up with a deformed hand. 297 00:09:26,340 --> 00:09:28,110 BRANDI GLANVILLE: I'm going to the doctor on Monday. 298 00:09:28,110 --> 00:09:28,800 LISA VANDERPUMP: No. 299 00:09:28,800 --> 00:09:30,300 We can't wait until Monday. 300 00:09:30,300 --> 00:09:31,000 I'm a big girl. 301 00:09:31,000 --> 00:09:31,700 I'm fine. 302 00:09:31,700 --> 00:09:33,400 I don't think you are. 303 00:09:33,400 --> 00:09:34,610 That's part of the problem. 304 00:09:34,610 --> 00:09:36,420 LISA VANDERPUMP: It's bruised from there to there. 305 00:09:36,420 --> 00:09:37,460 No. It was bruised here. 306 00:09:37,460 --> 00:09:38,510 The blood is now going down. 307 00:09:38,510 --> 00:09:39,270 Broken blood vessels. 308 00:09:39,270 --> 00:09:40,200 I talked to my Mum. 309 00:09:40,200 --> 00:09:41,400 She used to be a nurse. I got it. 310 00:09:41,400 --> 00:09:42,100 I know. 311 00:09:42,100 --> 00:09:45,130 Let's get, let's get Fatburger before I kill myself. 312 00:09:45,130 --> 00:09:45,830 No. 313 00:09:45,830 --> 00:09:46,910 I didn't go to the doctor. 314 00:09:46,910 --> 00:09:48,530 I'm going to go to the doctor. 315 00:09:48,530 --> 00:09:49,640 But let it be. 316 00:09:49,640 --> 00:09:50,510 We're at a party. 317 00:09:50,510 --> 00:09:52,740 It's just, it's just frustrating. 318 00:09:52,740 --> 00:09:54,240 I said, you've got to go to the doctor now. 319 00:09:54,240 --> 00:09:56,630 And she's just like always, stop nagging me. 320 00:09:56,630 --> 00:09:57,490 Stop nagging me. 321 00:09:57,490 --> 00:09:59,080 I'm not nagging you. 322 00:09:59,080 --> 00:10:00,110 You love her. 323 00:10:00,110 --> 00:10:00,810 I do. 324 00:10:00,810 --> 00:10:03,890 But I mean, you know, clearly this is three days later. 325 00:10:03,890 --> 00:10:04,930 No, you [INAUDIBLE]. 326 00:10:04,930 --> 00:10:06,350 I know. But what are we going to do? 327 00:10:06,350 --> 00:10:07,430 I texted her the other day. 328 00:10:07,430 --> 00:10:08,240 Go to the doctor. 329 00:10:08,240 --> 00:10:09,650 If she doesn't want to listen, she doesn't want to listen. 330 00:10:09,650 --> 00:10:10,600 There is nothing we can do. 331 00:10:10,600 --> 00:10:11,500 - It's true. - Yeah. 332 00:10:11,500 --> 00:10:12,200 There is. 333 00:10:12,200 --> 00:10:13,480 Take her. 334 00:10:13,480 --> 00:10:15,010 She minimalizes everything. 335 00:10:15,010 --> 00:10:18,340 Well, she's had that thing on for a while. 336 00:10:18,340 --> 00:10:19,040 Yeah. 337 00:10:19,040 --> 00:10:19,890 But then look at her. 338 00:10:19,890 --> 00:10:20,730 Whatever. 339 00:10:20,730 --> 00:10:22,100 YOLANDA FOSTER: Brandi doesn't like to be 340 00:10:22,100 --> 00:10:24,420 told what to do by anybody. 341 00:10:24,420 --> 00:10:27,380 And I think that Lisa overdoes it sometimes. 342 00:10:27,380 --> 00:10:29,840 And I think it's bothering her. 343 00:10:29,840 --> 00:10:34,560 So she's revolting, like a child against her mommy. 344 00:10:34,560 --> 00:10:35,490 It's just exhausting. 345 00:10:35,490 --> 00:10:36,190 I have a mother. 346 00:10:36,190 --> 00:10:36,890 She's in Sacramento. 347 00:10:36,890 --> 00:10:38,300 I already talked to her. 348 00:10:38,300 --> 00:10:40,900 I think that Lisa wants other people to hear her 349 00:10:40,900 --> 00:10:43,300 mothering me or telling me to do the right thing, 350 00:10:43,300 --> 00:10:44,500 or go do something. 351 00:10:44,500 --> 00:10:47,390 I don't understand her motives exactly, except 352 00:10:47,390 --> 00:10:48,800 to make me feel like [BLEEP]. - I know. 353 00:10:48,800 --> 00:10:49,500 I know. 354 00:10:49,500 --> 00:10:51,870 And you're showing them that you do have a mother. 355 00:10:51,870 --> 00:10:52,870 Yes. 356 00:10:52,870 --> 00:10:54,150 A mother [BLEEP]. 357 00:10:54,150 --> 00:10:56,400 Ooh, let's go eat Fatburger. 358 00:10:56,400 --> 00:10:57,100 NARRATOR: Coming up. 359 00:10:57,100 --> 00:10:59,100 KYLE RICHARDS: Is that a Jewish star? 360 00:10:59,100 --> 00:10:59,800 Really? 361 00:10:59,800 --> 00:11:00,640 Wait a minute. 362 00:11:00,640 --> 00:11:03,510 Are you [BLEEP] kidding me? 363 00:11:03,510 --> 00:11:06,490 [MUSIC PLAYING] 364 00:11:19,930 --> 00:11:20,720 YOLANDA FOSTER: Wow. 365 00:11:20,720 --> 00:11:22,410 It's beautiful. 366 00:11:22,410 --> 00:11:23,740 Carlton. 367 00:11:23,740 --> 00:11:25,050 Sexy Hexy. 368 00:11:25,050 --> 00:11:26,580 CARLTON GEBBIA: They're not getting naked yet. 369 00:11:26,580 --> 00:11:27,450 YOLANDA FOSTER: You need-- 370 00:11:27,450 --> 00:11:29,220 Well, they have, they have the booties, baby. 371 00:11:29,220 --> 00:11:29,750 BRANDI GLANVILLE: She doesn't. That one does. 372 00:11:29,750 --> 00:11:30,700 The other one. 373 00:11:30,700 --> 00:11:31,470 BRANDI GLANVILLE: Yeah. 374 00:11:31,470 --> 00:11:33,800 Ooh, I just saw a vagina. 375 00:11:33,800 --> 00:11:35,360 Can you twerk for us? 376 00:11:35,360 --> 00:11:40,970 [INTERPOSING VOICES] 377 00:11:40,970 --> 00:11:43,340 Ugh. 378 00:11:43,340 --> 00:11:45,530 [GASPS] 379 00:11:45,530 --> 00:11:47,850 YOLANDA FOSTER: Oh my God. 380 00:11:47,850 --> 00:11:48,550 Oh my God. 381 00:11:54,660 --> 00:11:55,730 Very pretty, right? 382 00:11:55,730 --> 00:11:56,430 Yeah. 383 00:11:56,430 --> 00:11:57,240 Very. 384 00:11:57,240 --> 00:12:00,030 Beautiful. 385 00:12:00,030 --> 00:12:01,300 Hi, babe. 386 00:12:01,300 --> 00:12:02,070 Thanks for having us. 387 00:12:02,070 --> 00:12:02,770 Thank you. 388 00:12:02,770 --> 00:12:03,930 - Carlton, how are you? - Good. 389 00:12:03,930 --> 00:12:04,630 How are you? 390 00:12:04,630 --> 00:12:05,330 Good to see you. 391 00:12:05,330 --> 00:12:06,720 CARLTON GEBBIA: I invited Joyce. 392 00:12:06,720 --> 00:12:07,950 God bless her. 393 00:12:07,950 --> 00:12:10,150 But she can be bloody dramatic. 394 00:12:10,150 --> 00:12:11,310 Ready, my love? 395 00:12:11,310 --> 00:12:13,200 Yep. 396 00:12:13,200 --> 00:12:13,900 Hey. 397 00:12:13,900 --> 00:12:14,720 How are you? 398 00:12:14,720 --> 00:12:15,420 Hello. 399 00:12:15,420 --> 00:12:16,230 Shots? 400 00:12:16,230 --> 00:12:16,950 Uh, of what? 401 00:12:16,950 --> 00:12:17,900 - Why not? - Tequila. 402 00:12:17,900 --> 00:12:19,130 - Tequila? - Oh my gosh. 403 00:12:19,130 --> 00:12:19,830 I think I'll wait. 404 00:12:19,830 --> 00:12:21,230 To each his own. 405 00:12:21,230 --> 00:12:22,280 Is it my style? 406 00:12:22,280 --> 00:12:22,980 No. 407 00:12:22,980 --> 00:12:25,950 But if she enjoys it, why not? 408 00:12:25,950 --> 00:12:28,470 I won't be asking her to help with the bat mitzvah, though. 409 00:12:28,470 --> 00:12:29,420 Good to see you. 410 00:12:29,420 --> 00:12:30,120 Oh wow. 411 00:12:30,120 --> 00:12:30,820 Look at you. 412 00:12:30,820 --> 00:12:31,920 How are you? 413 00:12:31,920 --> 00:12:32,950 Good. 414 00:12:32,950 --> 00:12:33,720 Good to see you. 415 00:12:33,720 --> 00:12:34,420 I love that. 416 00:12:34,420 --> 00:12:35,310 Cute colour. 417 00:12:35,310 --> 00:12:36,010 Right. 418 00:12:36,010 --> 00:12:36,980 Isn't cute? 419 00:12:36,980 --> 00:12:38,110 YOLANDA FOSTER: I love that. 420 00:12:38,110 --> 00:12:39,840 KYLE RICHARDS: It's the only like blue [INAUDIBLE].. 421 00:12:39,840 --> 00:12:41,560 YOLANDA FOSTER: I think it looks better with my dress 422 00:12:41,560 --> 00:12:42,240 than with yours. KYLE RICHARDS: It does. 423 00:12:42,240 --> 00:12:43,230 YOLANDA FOSTER: I'm sorry to say. 424 00:12:43,230 --> 00:12:43,930 [LAUGHTER] 425 00:12:43,930 --> 00:12:48,030 KYLE RICHARDS: You can borrow it any time, any time. 426 00:12:48,030 --> 00:12:49,950 [INTERPOSING VOICES] 427 00:12:49,950 --> 00:12:51,670 [CHEERING] 428 00:12:51,670 --> 00:12:53,100 JOYCE GIRAUD DE OHOVEN: This girl works it. 429 00:12:53,100 --> 00:12:53,780 Wow. Wow. 430 00:12:53,780 --> 00:12:55,350 Oh, she's actually cute. 431 00:12:55,350 --> 00:12:58,080 It doesn't look like the typical Beverly Hills party. 432 00:12:58,080 --> 00:13:00,210 It's more like a Playboy Mansion type of thing 433 00:13:00,210 --> 00:13:01,320 with the naked girls. 434 00:13:01,320 --> 00:13:02,580 But I think it's cool. 435 00:13:02,580 --> 00:13:03,990 If she likes it, I think it's fun. 436 00:13:03,990 --> 00:13:05,210 And it's cool. It's beautiful. 437 00:13:05,210 --> 00:13:06,230 I love the outdoors. Right? 438 00:13:06,230 --> 00:13:06,650 MICHAEL: It's beautiful. 439 00:13:06,650 --> 00:13:07,100 JOYCE GIRAUD DE OHOVEN: It's so pretty. 440 00:13:07,100 --> 00:13:07,760 MAURICIO: Yeah. It's great. 441 00:13:07,760 --> 00:13:09,300 I was telling Michael-- - These cabanas are fantastic. 442 00:13:09,300 --> 00:13:10,260 They are here for the party. They weren't here-- 443 00:13:10,260 --> 00:13:12,090 I was telling Michael what would have been amazing is 444 00:13:12,090 --> 00:13:13,830 to build a huge infinity. 445 00:13:13,830 --> 00:13:15,210 MICHAEL: Yeah. He's so right. 446 00:13:15,210 --> 00:13:16,180 JOYCE GIRAUD DE OHOVEN: Yeah. 447 00:13:19,130 --> 00:13:20,450 - Everything good with you? - Yeah. 448 00:13:20,450 --> 00:13:21,360 Everything good. 449 00:13:21,360 --> 00:13:23,130 I was working the other day till so late. 450 00:13:23,130 --> 00:13:24,290 Let's go in there. You want to go? 451 00:13:24,290 --> 00:13:25,040 Come. 452 00:13:25,040 --> 00:13:26,060 I'll wait out here for you? 453 00:13:26,060 --> 00:13:27,520 JOYCE GIRAUD DE OHOVEN: Yeah. 454 00:13:27,520 --> 00:13:28,220 You can come. 455 00:13:28,220 --> 00:13:28,990 It's divided. 456 00:13:28,990 --> 00:13:29,690 What? 457 00:13:29,690 --> 00:13:30,350 JOYCE GIRAUD DE OHOVEN: It's divided. 458 00:13:30,350 --> 00:13:31,580 You can come. 459 00:13:31,580 --> 00:13:32,680 Somebody did a poopy. 460 00:13:32,680 --> 00:13:33,380 KYLE RICHARDS: Ugh. 461 00:13:33,380 --> 00:13:35,910 Oh my God. 462 00:13:35,910 --> 00:13:37,960 YOLANDA FOSTER: Yesterday, I was driving on Sunset. 463 00:13:37,960 --> 00:13:41,530 And all of a sudden, I see the billboard with her on it. 464 00:13:41,530 --> 00:13:42,230 And I looked at it. 465 00:13:42,230 --> 00:13:43,880 I just started bawling. 466 00:13:43,880 --> 00:13:45,570 I started crying. 467 00:13:45,570 --> 00:13:47,640 Alberto, my driver, is going like, are you OK? 468 00:13:47,640 --> 00:13:48,450 I'm going, no. 469 00:13:48,450 --> 00:13:50,430 I miss my Gigi. 470 00:13:50,430 --> 00:13:54,590 But you know, like, I'm trying to be really cool. 471 00:13:54,590 --> 00:13:55,950 Gigi is leaving the end of the summer 472 00:13:55,950 --> 00:13:57,870 to go to college in New York. 473 00:13:57,870 --> 00:14:01,860 So I'm really starting to take inventory of the friendships 474 00:14:01,860 --> 00:14:05,640 in my life, of who's there. 475 00:14:05,640 --> 00:14:07,430 But who is really, really there. 476 00:14:07,430 --> 00:14:08,160 LISA VANDERPUMP: Yeah. 477 00:14:08,160 --> 00:14:10,440 But you know, it's like all of sudden it hit me. 478 00:14:10,440 --> 00:14:13,100 I remember when I sent Pandora to university on ahead of us 479 00:14:13,100 --> 00:14:14,630 because we were living in France, it was hard. 480 00:14:14,630 --> 00:14:15,620 YOLANDA FOSTER: Yeah. It's hard. 481 00:14:15,620 --> 00:14:16,600 LISA VANDERPUMP: Yeah. 482 00:14:16,600 --> 00:14:19,570 [MUSIC PLAYING] 483 00:14:19,570 --> 00:14:22,040 Hustler? 484 00:14:22,040 --> 00:14:23,230 The bags say Hustler. 485 00:14:23,230 --> 00:14:23,930 Really? 486 00:14:23,930 --> 00:14:25,510 I've got to get one of those. 487 00:14:25,510 --> 00:14:26,210 What's that? 488 00:14:26,210 --> 00:14:27,930 What's in the Hustler bags? 489 00:14:27,930 --> 00:14:28,700 I don't want to know. 490 00:14:28,700 --> 00:14:30,050 Nothing that chips your teeth. 491 00:14:30,050 --> 00:14:31,210 - I don't want to know. - No. 492 00:14:31,210 --> 00:14:31,730 Nothing. No. 493 00:14:31,730 --> 00:14:32,730 Nothing that chips your teeth. 494 00:14:32,730 --> 00:14:34,130 Anything that needs a battery? 495 00:14:34,130 --> 00:14:35,600 No. 496 00:14:35,600 --> 00:14:36,660 It's, like-- 497 00:14:36,660 --> 00:14:38,090 You plug it into the mains, darling. 498 00:14:38,090 --> 00:14:39,530 No. It's candles that you light. 499 00:14:39,530 --> 00:14:41,730 It's a three way candle, so to speak. 500 00:14:41,730 --> 00:14:42,460 Three way? 501 00:14:42,460 --> 00:14:43,940 A three way candle. 502 00:14:43,940 --> 00:14:45,020 KYLE RICHARDS: Interesting. 503 00:14:45,020 --> 00:14:46,150 So you light it. 504 00:14:46,150 --> 00:14:47,600 And you can use it as a massage oil. 505 00:14:47,600 --> 00:14:50,150 Or you can just strip down it down Ken's stomach. 506 00:14:50,150 --> 00:14:52,550 And then let it dry and peel it off. 507 00:14:52,550 --> 00:14:53,420 Oh you can do that then. 508 00:14:53,420 --> 00:14:54,120 [LAUGHTER] 509 00:14:54,120 --> 00:14:54,860 Let's be clear here. 510 00:14:54,860 --> 00:14:57,020 After 30 years, nothing's dripping down his stomach. 511 00:14:59,690 --> 00:15:01,280 That's disgusting. 512 00:15:01,280 --> 00:15:02,710 KYLE RICHARDS: Where is your new tattoo? 513 00:15:02,710 --> 00:15:03,410 Oh. 514 00:15:03,410 --> 00:15:04,120 Right here. 515 00:15:04,120 --> 00:15:05,120 LISA VANDERPUMP: A new tattoo? 516 00:15:05,120 --> 00:15:06,440 Oh wow. 517 00:15:06,440 --> 00:15:07,790 What do you think? 518 00:15:07,790 --> 00:15:08,530 DAVID: Looks good. 519 00:15:08,530 --> 00:15:09,310 CARLTON GEBBIA: Yeah? DAVID: Yeah. 520 00:15:09,310 --> 00:15:10,200 It does. 521 00:15:10,200 --> 00:15:10,920 It's big. 522 00:15:10,920 --> 00:15:11,710 Yeah. - Wow. 523 00:15:11,710 --> 00:15:12,410 Wait. 524 00:15:12,410 --> 00:15:13,390 Can I just peek at that? 525 00:15:13,390 --> 00:15:14,090 Yeah. 526 00:15:14,090 --> 00:15:16,130 Is that a Jewish star? 527 00:15:16,130 --> 00:15:16,870 Really? 528 00:15:16,870 --> 00:15:17,570 Wait a minute. 529 00:15:17,570 --> 00:15:19,190 Are you [BLEEP] kidding me? 530 00:15:19,190 --> 00:15:23,390 I think Kyle honestly is very calculated in what she says. 531 00:15:23,390 --> 00:15:26,810 I know the symbol of the Star of David. 532 00:15:26,810 --> 00:15:28,700 I know what that looks like. 533 00:15:28,700 --> 00:15:31,100 You cannot mistake the two. 534 00:15:31,100 --> 00:15:32,360 You can't. 535 00:15:32,360 --> 00:15:33,470 I thought it was a Jewish star. 536 00:15:33,470 --> 00:15:34,280 Are you Jewish? 537 00:15:34,280 --> 00:15:34,980 I'm Jewish. 538 00:15:34,980 --> 00:15:35,890 Then you should know. 539 00:15:35,890 --> 00:15:38,040 Well, I couldn't tell with that string there. 540 00:15:38,040 --> 00:15:39,750 Well, it's five pointed. 541 00:15:39,750 --> 00:15:40,610 So you know what? 542 00:15:40,610 --> 00:15:42,900 Bad girl. 543 00:15:42,900 --> 00:15:45,120 Your faith should be disappointed in you. 544 00:15:45,120 --> 00:15:46,420 KYLE RICHARDS: When you look from here, 545 00:15:46,420 --> 00:15:47,750 it looks like a Jewish star at first. 546 00:15:47,750 --> 00:15:49,510 It doesn't look like a Jewish star. 547 00:15:49,510 --> 00:15:49,850 LISA VANDERPUMP: It says made in England 548 00:15:49,850 --> 00:15:50,160 on the back of your neck. 549 00:15:50,160 --> 00:15:51,660 KYLE RICHARDS: At the top, I thought it was-- 550 00:15:51,660 --> 00:15:52,830 I am made in England, baby. 551 00:15:52,830 --> 00:15:55,530 If anyone should be offended here, it should be me. 552 00:15:55,530 --> 00:15:59,780 If someone who's Jewish says, oh, is that a Jewish star? 553 00:15:59,780 --> 00:16:04,830 You don't turn around and say, are you [BLEEP] kidding me? 554 00:16:04,830 --> 00:16:05,690 Um, hello. 555 00:16:05,690 --> 00:16:06,580 That's offensive. 556 00:16:06,580 --> 00:16:07,280 Doesn't. 557 00:16:07,280 --> 00:16:08,540 Five points. 558 00:16:08,540 --> 00:16:10,220 My gosh. 559 00:16:10,220 --> 00:16:12,190 [MUSIC PLAYING] 560 00:16:16,140 --> 00:16:17,860 FAN: His name is Elias. 561 00:16:17,860 --> 00:16:21,180 He's custom made of silicone. 562 00:16:21,180 --> 00:16:22,410 Handmade. 563 00:16:22,410 --> 00:16:23,810 Custom ordered. 564 00:16:23,810 --> 00:16:24,610 He's a WerePuppy. 565 00:16:24,610 --> 00:16:26,830 It Looks somehow kind of real. 566 00:16:26,830 --> 00:16:27,870 Oh yeah. 567 00:16:27,870 --> 00:16:28,720 Oh, I know. 568 00:16:28,720 --> 00:16:31,320 I get this all the, all the time. 569 00:16:31,320 --> 00:16:32,510 It's the movement. 570 00:16:32,510 --> 00:16:35,030 Do you want to hold him? 571 00:16:35,030 --> 00:16:36,870 OK. 572 00:16:36,870 --> 00:16:38,130 Oh my God. 573 00:16:38,130 --> 00:16:39,230 FAN: Can you be careful with him? 574 00:16:39,230 --> 00:16:40,180 I am. FAN: Ready? 575 00:16:40,180 --> 00:16:43,020 One, two, three. 576 00:16:43,020 --> 00:16:44,430 KIM RICHARDS: Very squishy. 577 00:16:47,130 --> 00:16:48,890 We brought something very special for you. 578 00:16:48,890 --> 00:16:49,590 OK. 579 00:16:49,590 --> 00:16:51,390 We know you're a huge fan of turtles. 580 00:16:51,390 --> 00:16:52,590 Oh. 581 00:16:52,590 --> 00:16:55,680 This is my great grandmother's pet. 582 00:16:55,680 --> 00:16:56,380 What? 583 00:16:56,380 --> 00:16:57,870 Oh I don't want to take that from you. 584 00:16:57,870 --> 00:16:58,860 It's all yours. 585 00:16:58,860 --> 00:17:01,640 We brought it specially for you. 586 00:17:01,640 --> 00:17:02,340 Oh my God. 587 00:17:02,340 --> 00:17:03,340 That's so sweet. 588 00:17:03,340 --> 00:17:04,330 Thank you. 589 00:17:04,330 --> 00:17:06,130 You're welcome. 590 00:17:06,130 --> 00:17:06,830 I'm sorry. 591 00:17:06,830 --> 00:17:08,460 I don't know why I'm so emotional for it. 592 00:17:08,460 --> 00:17:09,430 Because it's so sweet. 593 00:17:09,430 --> 00:17:10,880 Thank you. 594 00:17:10,880 --> 00:17:12,960 I love reaching out to these people that have 595 00:17:12,960 --> 00:17:14,850 been so forever there with me. 596 00:17:14,850 --> 00:17:16,900 And I feel like we've grown up together. 597 00:17:16,900 --> 00:17:18,690 And I think they feel the same way. 598 00:17:18,690 --> 00:17:19,890 It makes me feel great. 599 00:17:19,890 --> 00:17:21,030 He's shaking. 600 00:17:21,030 --> 00:17:21,920 So sweet. 601 00:17:21,920 --> 00:17:23,270 Thank you so much. 602 00:17:23,270 --> 00:17:25,630 [INTERPOSING VOICES] 603 00:17:25,630 --> 00:17:30,160 KIM RICHARDS: My fans have supported me my whole life. 604 00:17:30,160 --> 00:17:33,960 And uh, and a lot over these last few years. 605 00:17:33,960 --> 00:17:36,240 In my sobriety, the support that I've gotten 606 00:17:36,240 --> 00:17:37,770 has been tremendous and huge. 607 00:17:37,770 --> 00:17:40,440 And they always say to me, you know, you don't know what 608 00:17:40,440 --> 00:17:42,120 you've done for me in my life. 609 00:17:42,120 --> 00:17:44,310 And I say, you don't know what you've done for me. 610 00:17:47,010 --> 00:17:48,240 FAN: Thank you so much. 611 00:17:48,240 --> 00:17:49,070 Thank you so much. 612 00:17:49,070 --> 00:17:49,770 FAN: Thank you. 613 00:17:49,770 --> 00:17:51,020 It was really nice meeting you. 614 00:17:51,020 --> 00:17:53,400 FAN: It was nice meeting you, too. 615 00:17:53,400 --> 00:17:54,720 I love turtles. 616 00:17:54,720 --> 00:17:57,170 [LAUGHTER] 617 00:17:57,170 --> 00:17:59,620 [MUSIC PLAYING] 618 00:18:05,900 --> 00:18:07,000 CARLTON GEBBIA: All right, girls. 619 00:18:07,000 --> 00:18:09,010 Get in the pool. 620 00:18:09,010 --> 00:18:10,620 YOLANDA FOSTER: Is it warm or is it cold? 621 00:18:10,620 --> 00:18:12,680 KYLE RICHARDS: Who cares? 622 00:18:12,680 --> 00:18:13,380 Who cares? 623 00:18:13,380 --> 00:18:15,110 It looks like there's a lot of cooties in that pool. 624 00:18:15,110 --> 00:18:17,530 [LAUGHTER] 625 00:18:17,530 --> 00:18:18,870 BRANDI GLANVILLE: Everyone's getting in. 626 00:18:18,870 --> 00:18:19,660 Kyle, you too. 627 00:18:19,660 --> 00:18:20,560 YOLANDA FOSTER: I'm coming. 628 00:18:25,110 --> 00:18:26,410 KYLE RICHARDS: I think all of you need, 629 00:18:26,410 --> 00:18:28,840 you look like you need to eat a French fry. 630 00:18:28,840 --> 00:18:30,590 You're all way too skinny. 631 00:18:30,590 --> 00:18:32,350 Let me give you guys some French fries. 632 00:18:34,560 --> 00:18:36,490 JOYCE GIRAUD DE OHOVEN: I think people are having quickies 633 00:18:36,490 --> 00:18:39,050 in that pool, which would be fun to me 634 00:18:39,050 --> 00:18:40,930 if it was my own personal pool. 635 00:18:40,930 --> 00:18:43,810 But since it's other people's DNA in there, 636 00:18:43,810 --> 00:18:47,200 I'm not going to jump in there. 637 00:18:47,200 --> 00:18:49,630 [SCREAMS] 638 00:18:56,950 --> 00:18:57,910 KYLE RICHARDS: Isn't it cute? 639 00:18:57,910 --> 00:18:59,390 LISA VANDERPUMP: I actually really like that. 640 00:18:59,390 --> 00:19:01,020 That was in your honour. I was like, oh, that's cute. 641 00:19:01,020 --> 00:19:02,050 I think she'll like that. 642 00:19:02,050 --> 00:19:03,090 [INTERPOSING VOICES] CARLTON GEBBIA: No. 643 00:19:03,090 --> 00:19:03,820 I do. No. 644 00:19:03,820 --> 00:19:04,790 I love it. 645 00:19:04,790 --> 00:19:05,690 KYLE RICHARDS: You like it? 646 00:19:05,690 --> 00:19:06,470 I do. 647 00:19:06,470 --> 00:19:07,370 LISA VANDERPUMP: Thank you. 648 00:19:07,370 --> 00:19:08,910 Yeah. 649 00:19:08,910 --> 00:19:09,800 I'm taking it off. 650 00:19:09,800 --> 00:19:11,090 Are you kidding? 651 00:19:11,090 --> 00:19:12,460 No. 652 00:19:12,460 --> 00:19:14,790 Keep it. 653 00:19:14,790 --> 00:19:16,890 KYLE RICHARDS: I don't know where I stand with Carlton. 654 00:19:16,890 --> 00:19:18,330 I think it was my way of letting her 655 00:19:18,330 --> 00:19:22,560 know I'm not this big bad wolf that you think I am. 656 00:19:22,560 --> 00:19:27,460 And I'm trying to make an effort here and be your friend. 657 00:19:27,460 --> 00:19:28,380 It looks great on you. 658 00:19:28,380 --> 00:19:29,550 LISA VANDERPUMP: I quite like this. 659 00:19:29,550 --> 00:19:30,940 Well, you can't have that. 660 00:19:30,940 --> 00:19:31,810 [LAUGHTER] 661 00:19:31,810 --> 00:19:32,510 Kyle, thanks. 662 00:19:32,510 --> 00:19:33,470 You're welcome. 663 00:19:33,470 --> 00:19:34,200 Thank you very much. 664 00:19:34,200 --> 00:19:36,160 You're welcome. 665 00:19:36,160 --> 00:19:37,530 It looks pretty on you. I like it on you. 666 00:19:37,530 --> 00:19:38,370 Yeah. But it's more than that to me. 667 00:19:38,370 --> 00:19:39,600 So I really appreciate that. 668 00:19:39,600 --> 00:19:41,030 Oh, well, you're welcome. 669 00:19:41,030 --> 00:19:43,020 Very welcome. 670 00:19:43,020 --> 00:19:43,800 Oh my god. 671 00:19:43,800 --> 00:19:45,900 [BLEEP] 672 00:19:45,900 --> 00:19:47,400 Maybe I am wrong. 673 00:19:47,400 --> 00:19:49,280 Maybe this is where we start fresh. 674 00:19:49,280 --> 00:19:50,680 Bye. 675 00:19:50,680 --> 00:19:51,800 Thank you for including us. 676 00:19:51,800 --> 00:19:52,500 Oh my gosh. 677 00:19:52,500 --> 00:19:53,200 Have fun. 678 00:19:53,200 --> 00:19:54,040 Continue having fun. 679 00:19:54,040 --> 00:19:54,870 There's a lot of people still here. 680 00:19:54,870 --> 00:19:55,020 I know. 681 00:19:55,020 --> 00:19:56,560 They're, like, just getting started. 682 00:19:56,560 --> 00:19:57,490 Everybody's just starting. 683 00:19:57,490 --> 00:19:59,590 I really am touched. 684 00:19:59,590 --> 00:20:00,600 And it does mean a lot. 685 00:20:00,600 --> 00:20:01,640 Thank you so much. 686 00:20:07,060 --> 00:20:08,270 Can I get a shot, please? 687 00:20:15,680 --> 00:20:16,490 NARRATOR: Coming up. 688 00:20:16,490 --> 00:20:18,050 YOLANDA FOSTER: You're cancelling now? 689 00:20:18,050 --> 00:20:20,030 Two minutes before you're supposed to be here? 690 00:20:20,030 --> 00:20:21,390 I mean, who does that? 691 00:20:21,390 --> 00:20:23,120 LISA VANDERPUMP: (ON PHONE) Darling, I'm sorry. 692 00:20:23,120 --> 00:20:24,820 YOLANDA FOSTER: I thought we were closer than that. 693 00:20:27,840 --> 00:20:30,340 [MUSIC PLAYING] 694 00:20:53,810 --> 00:20:56,780 In my kitchen, I have a beautiful wall of eight 695 00:20:56,780 --> 00:21:00,590 by 10 paintings that were all painted by my children. 696 00:21:00,590 --> 00:21:02,270 It's like a whole family wall. 697 00:21:02,270 --> 00:21:05,300 I want to make something similar for Gigi to take to New York 698 00:21:05,300 --> 00:21:08,010 so that she'll always have a memory of home. 699 00:21:08,010 --> 00:21:09,950 Well, you should-- you're almost done with summer school. 700 00:21:09,950 --> 00:21:10,760 Right? - Yeah. 701 00:21:10,760 --> 00:21:11,460 How much longer? 702 00:21:11,460 --> 00:21:12,430 - Like, four days. - OK. 703 00:21:12,430 --> 00:21:13,130 Try this. 704 00:21:13,130 --> 00:21:14,900 I'm trying to make a new kind of lemonade. 705 00:21:14,900 --> 00:21:15,970 I just brushed my teeth. 706 00:21:15,970 --> 00:21:16,670 You did? 707 00:21:16,670 --> 00:21:17,740 It's going to taste weird. 708 00:21:17,740 --> 00:21:18,440 OK. 709 00:21:18,440 --> 00:21:20,540 Take one sip to see if it's sweet enough. 710 00:21:20,540 --> 00:21:22,030 Because I don't know if it's sweet enough. 711 00:21:22,030 --> 00:21:23,300 Because I haven't had any. 712 00:21:27,220 --> 00:21:28,300 It's perfect. 713 00:21:28,300 --> 00:21:29,440 - Is it? - Yeah. 714 00:21:29,440 --> 00:21:30,170 It tastes really good. 715 00:21:30,170 --> 00:21:31,240 Do you like the ginger? 716 00:21:31,240 --> 00:21:31,940 Yeah. 717 00:21:31,940 --> 00:21:33,140 So Gigi is at school. 718 00:21:33,140 --> 00:21:35,660 And while she's away, I invited the girls 719 00:21:35,660 --> 00:21:38,480 to come over and make some pictures for her 720 00:21:38,480 --> 00:21:39,770 to add to the collection. 721 00:21:39,770 --> 00:21:42,510 You want to help me bring those bags upstairs? 722 00:21:42,510 --> 00:21:43,210 Good. 723 00:21:43,210 --> 00:21:45,390 Cute butt you have. 724 00:21:45,390 --> 00:21:46,770 BELLA: Please don't talk about my butt. 725 00:21:46,770 --> 00:21:47,470 YOLANDA FOSTER: What? 726 00:21:47,470 --> 00:21:49,130 BELLA: Please don't talk about my butt. 727 00:21:49,130 --> 00:21:51,050 YOLANDA FOSTER: This is good, the best exercise. 728 00:21:51,050 --> 00:21:51,750 BELLA: All right. 729 00:21:51,750 --> 00:21:52,660 I can't. 730 00:21:52,660 --> 00:21:53,870 [LAUGHTER] 731 00:21:53,870 --> 00:21:55,760 I'm done. 732 00:21:55,760 --> 00:21:57,140 YOLANDA FOSTER: Oh my God. 733 00:21:57,140 --> 00:22:01,070 When Gigi is 3,000 miles away on the other side of the country, 734 00:22:01,070 --> 00:22:04,160 I think she'll look at that wall and will 735 00:22:04,160 --> 00:22:05,810 take strength out of it. 736 00:22:05,810 --> 00:22:10,810 We've painted so much in our family life, huh? 737 00:22:10,810 --> 00:22:11,510 All right. 738 00:22:11,510 --> 00:22:12,300 Good. 739 00:22:12,300 --> 00:22:16,130 And it'll make her feel loved and surrounded 740 00:22:16,130 --> 00:22:19,760 by all the incredible people in her life. 741 00:22:19,760 --> 00:22:20,460 It's always good. 742 00:22:20,460 --> 00:22:21,590 Do you want me to carry this? 743 00:22:21,590 --> 00:22:22,320 Ow, yeah. 744 00:22:22,320 --> 00:22:24,020 I can give you a piggyback ride. 745 00:22:24,020 --> 00:22:24,720 Just kidding. 746 00:22:24,720 --> 00:22:25,420 Not down the stairs. 747 00:22:25,420 --> 00:22:28,660 I can barely walk down by myself. 748 00:22:28,660 --> 00:22:29,360 It hurts. 749 00:22:32,070 --> 00:22:33,100 YOLANDA FOSTER: Love you, baby. 750 00:22:36,060 --> 00:22:39,030 [MUSIC PLAYING] 751 00:22:42,290 --> 00:22:43,390 KYLE RICHARDS: You know I thought 752 00:22:43,390 --> 00:22:45,460 there was going to be less dialogue for this "Days 753 00:22:45,460 --> 00:22:46,660 of Our Lives" thing. 754 00:22:46,660 --> 00:22:49,450 You know, when I was little, I started acting so young that I 755 00:22:49,450 --> 00:22:50,680 didn't know how to read yet. 756 00:22:50,680 --> 00:22:52,110 So I had to remember everything. 757 00:22:52,110 --> 00:22:53,140 I didn't even know how to read. 758 00:22:53,140 --> 00:22:54,140 That's so insane. 759 00:22:54,140 --> 00:22:57,280 So my Mum had to teach us how to remember 760 00:22:57,280 --> 00:22:59,710 our lines by playing this remember, 761 00:22:59,710 --> 00:23:00,670 like remembering game. 762 00:23:00,670 --> 00:23:01,700 It was like a game. 763 00:23:01,700 --> 00:23:03,700 You'd see Kim and me both when we were a little doing stuff, 764 00:23:03,700 --> 00:23:05,440 when we were like under five. 765 00:23:05,440 --> 00:23:07,100 And you'd see our mouths moving when other people 766 00:23:07,100 --> 00:23:07,900 were saying their lines. 767 00:23:07,900 --> 00:23:11,240 You'd see us going because we knew everybody's lines. 768 00:23:11,240 --> 00:23:12,430 That's so cute. 769 00:23:12,430 --> 00:23:14,710 KYLE RICHARDS: Now it's not so easy. 770 00:23:14,710 --> 00:23:16,840 Acting is a part of who I am. 771 00:23:16,840 --> 00:23:18,390 It's part of my identity. 772 00:23:18,390 --> 00:23:20,410 I don't know how to ever walk away from it. 773 00:23:20,410 --> 00:23:22,360 So when my manager called me and asked me 774 00:23:22,360 --> 00:23:24,370 if I wanted to go up for "Days of Our Lives," 775 00:23:24,370 --> 00:23:26,080 I thought why not? 776 00:23:26,080 --> 00:23:28,060 When I first got the script, I was 777 00:23:28,060 --> 00:23:30,670 so excited because you know I've always wanted to play a cop. 778 00:23:30,670 --> 00:23:31,890 I've never played a cop. 779 00:23:31,890 --> 00:23:32,820 So I got so excited. 780 00:23:32,820 --> 00:23:33,660 They're like, an agent. 781 00:23:33,660 --> 00:23:34,360 Blah, blah, blah. 782 00:23:34,360 --> 00:23:37,470 I find out it's a talent agent I'm playing. 783 00:23:37,470 --> 00:23:38,530 ALEXIA: Aw, Hollywood. 784 00:23:38,530 --> 00:23:40,660 You're so lucky that your Mum fed you 785 00:23:40,660 --> 00:23:41,830 and Kim into that like that. 786 00:23:41,830 --> 00:23:44,700 Like, you guys got to have the most fun childhood like that. 787 00:23:44,700 --> 00:23:45,400 Yeah. 788 00:23:45,400 --> 00:23:46,330 Well, it was my Mum's dream. 789 00:23:46,330 --> 00:23:48,570 My Mum was at the Academy of Dramatic Arts. 790 00:23:48,570 --> 00:23:50,270 She studied there. 791 00:23:50,270 --> 00:23:52,160 So then when she had her kids so young, 792 00:23:52,160 --> 00:23:54,290 she kind of put her dream onto us. 793 00:23:54,290 --> 00:23:56,900 And it's funny because there was times, you know, 794 00:23:56,900 --> 00:23:57,980 I wanted to go to college. 795 00:23:57,980 --> 00:24:00,030 I wanted to be a lawyer when I was younger. 796 00:24:00,030 --> 00:24:01,130 Just be a regular-- 797 00:24:01,130 --> 00:24:02,370 Well, I was a really good student. 798 00:24:02,370 --> 00:24:03,540 And I always wanted to be a lawyer. 799 00:24:03,540 --> 00:24:04,320 But I was an actor. 800 00:24:04,320 --> 00:24:07,100 And I was already making money on a TV series. 801 00:24:07,100 --> 00:24:09,860 I never found being a child actor difficult. 802 00:24:09,860 --> 00:24:11,660 I know some children do. 803 00:24:11,660 --> 00:24:14,270 To me, it exposed me to an entire life 804 00:24:14,270 --> 00:24:15,800 that I never would have been exposed 805 00:24:15,800 --> 00:24:17,860 to growing up in Beverly Hills. 806 00:24:17,860 --> 00:24:19,820 While all my friends were going to school, 807 00:24:19,820 --> 00:24:22,760 I was like playing backgammon on the set with the crew guys. 808 00:24:22,760 --> 00:24:25,130 It's funny that my kids never wanted to do that. 809 00:24:25,130 --> 00:24:26,160 I'm glad, though. ALEXIA: Act? 810 00:24:26,160 --> 00:24:26,860 Uh huh. 811 00:24:26,860 --> 00:24:28,270 ALEXIA: I did acting for a while. 812 00:24:28,270 --> 00:24:29,180 KYLE RICHARDS: No. You barely did. 813 00:24:29,180 --> 00:24:30,660 You did commercials when you were a baby. 814 00:24:30,660 --> 00:24:32,030 That was it. 815 00:24:32,030 --> 00:24:34,370 But none of you ever, like, had the acting bug. 816 00:24:34,370 --> 00:24:38,180 My kids could care less about my acting career. 817 00:24:38,180 --> 00:24:39,200 I'll say hey, guys. Look. 818 00:24:39,200 --> 00:24:40,320 There I am at five years old. 819 00:24:40,320 --> 00:24:41,350 You want to see? No. 820 00:24:41,350 --> 00:24:42,050 We're good. 821 00:24:42,050 --> 00:24:42,950 Thanks. 822 00:24:42,950 --> 00:24:44,420 And I never pushed. 823 00:24:44,420 --> 00:24:47,050 Because I figured I'd rather them be, like, I don't know. 824 00:24:47,050 --> 00:24:47,820 Doctors. 825 00:24:47,820 --> 00:24:48,530 Or lawyers. 826 00:24:48,530 --> 00:24:49,230 Lawyers. 827 00:24:49,230 --> 00:24:50,150 Doctors. 828 00:24:50,150 --> 00:24:50,850 Yeah. 829 00:24:50,850 --> 00:24:52,050 I'm like the Jewish Mum now. 830 00:24:52,050 --> 00:24:53,480 I want them to be a doctor. 831 00:24:53,480 --> 00:24:56,040 [LAUGHTER] 832 00:24:56,040 --> 00:24:59,020 [MUSIC PLAYING] 833 00:25:10,950 --> 00:25:13,430 [PHONE DING] 834 00:25:22,400 --> 00:25:26,570 YOLANDA FOSTER: When I get a text from Lisa at 3:28, 835 00:25:26,570 --> 00:25:27,650 I'm kind of shocked. 836 00:25:27,650 --> 00:25:28,790 I'm like, what? 837 00:25:28,790 --> 00:25:30,590 I mean, you're cancelling now? 838 00:25:30,590 --> 00:25:34,670 Two minutes before you're supposed to be here? 839 00:25:34,670 --> 00:25:36,100 I mean, who does that? 840 00:25:36,100 --> 00:25:38,570 [PHONE RINGING] 841 00:25:38,570 --> 00:25:39,710 LISA VANDERPUMP: (ON PHONE) Hello? 842 00:25:39,710 --> 00:25:40,410 Hey. 843 00:25:40,410 --> 00:25:41,440 Where are you? 844 00:25:41,440 --> 00:25:42,440 Why didn't you call me? 845 00:25:42,440 --> 00:25:43,870 LISA VANDERPUMP: (ON PHONE) Well, because I 846 00:25:43,870 --> 00:25:45,010 didn't even know much about it. 847 00:25:45,010 --> 00:25:47,440 You didn't tell me it was on. 848 00:25:47,440 --> 00:25:49,610 I've got to be at the city at 2:30 to 4:00. 849 00:25:49,610 --> 00:25:50,310 No. 850 00:25:50,310 --> 00:25:52,120 But I told you, I told all of you 851 00:25:52,120 --> 00:25:53,240 we're going to have a party. 852 00:25:53,240 --> 00:25:57,280 This has been on the books for three weeks. 853 00:25:57,280 --> 00:25:58,770 LISA VANDERPUMP: (ON PHONE) It has? 854 00:25:58,770 --> 00:26:01,210 This has been on the books for three weeks. 855 00:26:01,210 --> 00:26:02,680 I wish you would have called me yesterday 856 00:26:02,680 --> 00:26:04,930 and not texted me two minutes before. 857 00:26:04,930 --> 00:26:06,820 LISA VANDERPUMP: (ON PHONE) Darling, I'm sorry. 858 00:26:06,820 --> 00:26:08,620 I thought we were closer than that. 859 00:26:08,620 --> 00:26:10,870 If you're that good of a friend, like you tell everybody 860 00:26:10,870 --> 00:26:13,120 we are, then you text me the night 861 00:26:13,120 --> 00:26:15,840 before and say I'm not coming. 862 00:26:15,840 --> 00:26:18,280 Anyway, all right. 863 00:26:18,280 --> 00:26:19,140 I will talk to you later. 864 00:26:19,140 --> 00:26:20,710 LISA VANDERPUMP: (ON PHONE) All right, darling. 865 00:26:20,710 --> 00:26:21,940 Bye. - Bye. 866 00:26:21,940 --> 00:26:24,610 Kim and Kyle, I knew weren't coming. 867 00:26:24,610 --> 00:26:27,330 But Lisa, for sure, promised that she would be here. 868 00:26:27,330 --> 00:26:28,030 OK. 869 00:26:28,030 --> 00:26:29,290 You might have told someone. 870 00:26:29,290 --> 00:26:30,730 But you didn't tell me. 871 00:26:30,730 --> 00:26:31,880 Yes, she has a busy life. 872 00:26:31,880 --> 00:26:35,080 But a commitment is a commitment in my book. 873 00:26:35,080 --> 00:26:37,510 [MUSIC PLAYING] 874 00:26:37,510 --> 00:26:38,910 JOYCE GIRAUD DE OHOVEN: Thank you so much. 875 00:26:38,910 --> 00:26:39,880 I'll see you in a little bit. 876 00:26:39,880 --> 00:26:40,760 Thank you. 877 00:26:40,760 --> 00:26:41,750 [DOOR BELL] 878 00:26:41,750 --> 00:26:43,730 YOLANDA FOSTER: Uh oh. 879 00:26:43,730 --> 00:26:44,720 Somebody's here. 880 00:26:49,190 --> 00:26:51,100 Hi. 881 00:26:51,100 --> 00:26:52,200 How are you? 882 00:26:52,200 --> 00:26:53,890 Good to see you. 883 00:26:53,890 --> 00:26:54,590 How are you? 884 00:26:54,590 --> 00:26:55,330 I brought you a cake. 885 00:26:55,330 --> 00:26:56,380 You're so sweet. 886 00:26:56,380 --> 00:26:57,080 Thank you, honey. 887 00:26:57,080 --> 00:26:57,780 Thanks. 888 00:26:57,780 --> 00:26:59,740 [INTERPOSING VOICES] 889 00:26:59,740 --> 00:27:00,850 - How are you? - I'm good. 890 00:27:00,850 --> 00:27:01,840 How are you doing? - Good. 891 00:27:01,840 --> 00:27:02,930 I'm good. 892 00:27:02,930 --> 00:27:03,920 Hanging in there. 893 00:27:03,920 --> 00:27:06,000 This is such a fun idea. 894 00:27:06,000 --> 00:27:07,580 This is stunning. 895 00:27:07,580 --> 00:27:08,750 The ones that we're making, we're 896 00:27:08,750 --> 00:27:10,870 going to give it to Gigi for her going away party. 897 00:27:10,870 --> 00:27:11,570 Oh that's cute. 898 00:27:11,570 --> 00:27:13,270 But we're going to do a mini wall in New York. 899 00:27:13,270 --> 00:27:13,970 That is beautiful. 900 00:27:13,970 --> 00:27:16,420 Like, the same thing of all our friends and family. 901 00:27:16,420 --> 00:27:17,720 And she's going to take it to New York. 902 00:27:17,720 --> 00:27:18,470 Oh, I love that. 903 00:27:18,470 --> 00:27:21,460 [MUSIC PLAYING] 904 00:27:21,460 --> 00:27:23,460 Hello? 905 00:27:23,460 --> 00:27:24,280 YOLANDA FOSTER: Hey. 906 00:27:24,280 --> 00:27:25,450 We were just leaving. 907 00:27:25,450 --> 00:27:27,780 CARLTON GEBBIA: How [BLEEP] hot you look. 908 00:27:27,780 --> 00:27:28,510 YOLANDA FOSTER: I do? 909 00:27:28,510 --> 00:27:29,230 With my lemonade? 910 00:27:29,230 --> 00:27:30,580 Yeah. In your passion, you're hot. 911 00:27:30,580 --> 00:27:32,480 YOLANDA FOSTER: We were just, we were just on our way up. 912 00:27:32,480 --> 00:27:33,770 Hi, honey. 913 00:27:33,770 --> 00:27:34,580 How are you? 914 00:27:34,580 --> 00:27:35,550 Good, good. 915 00:27:35,550 --> 00:27:36,300 How are you, baby? 916 00:27:36,300 --> 00:27:37,000 I'm good. 917 00:27:37,000 --> 00:27:38,010 You look yummy. 918 00:27:38,010 --> 00:27:38,710 I do? 919 00:27:38,710 --> 00:27:39,910 In my sneakers and my t-shirt. 920 00:27:39,910 --> 00:27:40,640 Yes, always. 921 00:27:40,640 --> 00:27:41,690 There's nothing you don't look in. 922 00:27:41,690 --> 00:27:42,780 YOLANDA FOSTER: Did you have a good day, darling? 923 00:27:42,780 --> 00:27:43,510 CARLTON GEBBIA: No. 924 00:27:43,510 --> 00:27:44,410 YOLANDA FOSTER: I can tell. 925 00:27:44,410 --> 00:27:45,820 [LAUGHTER] 926 00:27:45,820 --> 00:27:46,780 [INTERPOSING VOICES] 927 00:27:46,780 --> 00:27:47,480 Are you stressed? 928 00:27:47,480 --> 00:27:48,320 I am stressed. 929 00:27:48,320 --> 00:27:49,890 JOYCE GIRAUD DE OHOVEN: Let's give her a drink. 930 00:27:49,890 --> 00:27:52,280 Carlton is showing up a little frazzled. 931 00:27:52,280 --> 00:27:53,930 But she's going to get a pass this time. 932 00:27:53,930 --> 00:27:56,030 Because she had the big Americana party yesterday. 933 00:27:56,030 --> 00:27:57,230 YOLANDA FOSTER: Come here. Come here. 934 00:27:57,230 --> 00:27:58,490 Let me-- CARLTON GEBBIA: No. 935 00:27:58,490 --> 00:27:59,190 YOLANDA FOSTER: Here. 936 00:27:59,190 --> 00:28:00,250 Put your hands on this. 937 00:28:00,250 --> 00:28:01,490 [SCREAM] 938 00:28:01,490 --> 00:28:02,420 CARLTON GEBBIA: I love you. 939 00:28:02,420 --> 00:28:03,650 YOLANDA FOSTER: Put your hands there. 940 00:28:03,650 --> 00:28:04,270 That will de-stress you. 941 00:28:04,270 --> 00:28:04,970 CARLTON GEBBIA: Yes. 942 00:28:04,970 --> 00:28:06,400 I am so stressed. 943 00:28:06,400 --> 00:28:07,100 Crystals do. 944 00:28:07,100 --> 00:28:07,800 They bring you down. 945 00:28:07,800 --> 00:28:08,770 They calm you. 946 00:28:08,770 --> 00:28:10,790 They centre your energy. 947 00:28:10,790 --> 00:28:12,260 JOYCE GIRAUD DE OHOVEN: Do we need the wine? 948 00:28:12,260 --> 00:28:12,990 Are you OK? 949 00:28:12,990 --> 00:28:13,690 Yeah. 950 00:28:13,690 --> 00:28:15,350 JOYCE GIRAUD DE OHOVEN: I mean, I'm not drinking. 951 00:28:15,350 --> 00:28:18,040 But maybe when Brandi comes, we take it out if she wants it. 952 00:28:18,040 --> 00:28:19,040 [LAUGHTER] No, no. 953 00:28:19,040 --> 00:28:20,040 Because baby, I don't want it. 954 00:28:20,040 --> 00:28:21,520 I'm going to have a lemonade like Carlton. 955 00:28:21,520 --> 00:28:22,010 No. Me, too. 956 00:28:22,010 --> 00:28:23,050 But we'll put it upstairs. JOYCE GIRAUD DE OHOVEN: OK. 957 00:28:23,050 --> 00:28:23,880 Let's take it. 958 00:28:23,880 --> 00:28:24,620 [INTERPOSING VOICES] 959 00:28:24,620 --> 00:28:25,640 You want me to take the red one, too? 960 00:28:25,640 --> 00:28:26,450 YOLANDA FOSTER: What are you trying to say? 961 00:28:26,450 --> 00:28:27,290 CARLTON GEBBIA: Do me a [BLEEP] favour-- 962 00:28:27,290 --> 00:28:27,440 JOYCE GIRAUD DE OHOVEN: If Carlton's not drinking-- 963 00:28:27,440 --> 00:28:28,520 Can you do me a favour? 964 00:28:28,520 --> 00:28:29,740 Please don't label her. 965 00:28:29,740 --> 00:28:31,270 JOYCE GIRAUD DE OHOVEN: I'm not labelling her. 966 00:28:31,270 --> 00:28:31,790 CARLTON GEBBIA: No. But you did. 967 00:28:31,790 --> 00:28:32,140 JOYCE GIRAUD DE OHOVEN: What's the-- 968 00:28:32,140 --> 00:28:33,350 CARLTON GEBBIA: Don't do it. All right. 969 00:28:33,350 --> 00:28:34,460 But I don't think it's bad if she 970 00:28:34,460 --> 00:28:35,480 wants to have a glass of wine. 971 00:28:35,480 --> 00:28:37,150 I don't think it's a bad thing. - Of course it's not. 972 00:28:37,150 --> 00:28:37,700 Why would it be? 973 00:28:37,700 --> 00:28:38,780 JOYCE GIRAUD DE OHOVEN: I even offered it to you. 974 00:28:38,780 --> 00:28:39,890 Now it's not a [BLEEP] label. 975 00:28:39,890 --> 00:28:41,420 Am I putting a label on you? - I don't do wine. 976 00:28:41,420 --> 00:28:42,290 JOYCE GIRAUD DE OHOVEN: What's your problem? 977 00:28:42,290 --> 00:28:43,150 I'm not labelling her. 978 00:28:43,150 --> 00:28:43,850 You don't want wine. 979 00:28:43,850 --> 00:28:45,110 I don't want wine. 980 00:28:45,110 --> 00:28:46,850 If Brandi wants it, we'll bring it up not. 981 00:28:46,850 --> 00:28:48,060 I'm not putting any labels on her. 982 00:28:48,060 --> 00:28:49,870 I'm not saying, she's the alcoholic of the group. 983 00:28:49,870 --> 00:28:51,140 But I just don't want to label here. 984 00:28:51,140 --> 00:28:52,340 JOYCE GIRAUD DE OHOVEN: I like wine. 985 00:28:52,340 --> 00:28:53,300 I drink wine. 986 00:28:53,300 --> 00:28:55,270 CARLTON GEBBIA: Why don't you have a [BLEEP] drink with me? 987 00:28:57,470 --> 00:28:58,580 NARRATOR: Coming up. 988 00:28:58,580 --> 00:29:01,380 I really feel like Kyle is talking [BLEEP] behind my back. 989 00:29:01,380 --> 00:29:03,880 Who the [BLEEP] talks [BLEEP] about people's religions, 990 00:29:03,880 --> 00:29:06,610 though? 991 00:29:06,610 --> 00:29:09,550 [MUSIC PLAYING] 992 00:29:14,450 --> 00:29:15,440 KYLE RICHARDS: Hey there. 993 00:29:15,440 --> 00:29:16,310 How are you? 994 00:29:16,310 --> 00:29:17,420 Kyle Richards. 995 00:29:17,420 --> 00:29:18,530 Going to "Days of Our Lives." 996 00:29:28,370 --> 00:29:29,500 Hi, I'm Kyle. ARMANDO: Hi, Kyle. 997 00:29:29,500 --> 00:29:30,520 Armando. Nice to meet you. 998 00:29:30,520 --> 00:29:31,590 KYLE RICHARDS: Nice to meet you. 999 00:29:31,590 --> 00:29:32,410 ARMANDO: How are you? 1000 00:29:32,410 --> 00:29:35,260 OK. 1001 00:29:35,260 --> 00:29:36,430 How are you guys today? 1002 00:29:36,430 --> 00:29:37,130 Good. 1003 00:29:37,130 --> 00:29:37,950 How about you? 1004 00:29:37,950 --> 00:29:39,360 Good. 1005 00:29:39,360 --> 00:29:40,960 Pretty good. 1006 00:29:40,960 --> 00:29:41,950 I didn't sleep last night. 1007 00:29:41,950 --> 00:29:42,960 But that's OK. 1008 00:29:42,960 --> 00:29:45,250 So I need extra help with the makeup. 1009 00:29:48,110 --> 00:29:50,440 This has been around forever, this place. 1010 00:29:50,440 --> 00:29:51,910 I'm just looking at all the pictures here. 1011 00:29:51,910 --> 00:29:52,610 Oh yeah. 1012 00:29:52,610 --> 00:29:53,830 It's the 12,000th episode? 1013 00:29:53,830 --> 00:29:57,670 12,211 or something like that? 1014 00:29:57,670 --> 00:29:59,110 That's what that number was? 1015 00:29:59,110 --> 00:30:00,410 12,211th episode? 1016 00:30:00,410 --> 00:30:01,110 Yeah. 1017 00:30:01,110 --> 00:30:02,570 That's the episode. 1018 00:30:02,570 --> 00:30:04,320 Oh my God. 1019 00:30:04,320 --> 00:30:06,580 When you're doing a movie, you have a few months to shoot it. 1020 00:30:06,580 --> 00:30:08,440 When you're doing a TV show, you may 1021 00:30:08,440 --> 00:30:10,240 shoot two long scenes a day. 1022 00:30:10,240 --> 00:30:14,290 But a soap opera, you're doing like 70 or 80 pages a day. 1023 00:30:14,290 --> 00:30:15,930 You're having to remember lines like that. 1024 00:30:15,930 --> 00:30:16,810 It's crazy. 1025 00:30:16,810 --> 00:30:18,540 When I was doing "ER," some of the, like, 1026 00:30:18,540 --> 00:30:20,760 medical terms were so long and difficult. 1027 00:30:20,760 --> 00:30:21,460 ARMANDO: Oh yeah. 1028 00:30:21,460 --> 00:30:22,260 So hard to learn. 1029 00:30:22,260 --> 00:30:24,770 And all the cast, everybody, George Clooney and everybody, 1030 00:30:24,770 --> 00:30:27,310 would sometimes write the words on their hands. 1031 00:30:27,310 --> 00:30:29,040 Because they couldn't remember these words. 1032 00:30:29,040 --> 00:30:30,730 They were so long. 1033 00:30:30,730 --> 00:30:32,130 I'm ready to do that today. 1034 00:30:32,130 --> 00:30:34,840 Like, where is the teleprompter? 1035 00:30:34,840 --> 00:30:38,110 Every time I would sit down and try to remember my lines, 1036 00:30:38,110 --> 00:30:39,740 one of the kids needed me for something. 1037 00:30:39,740 --> 00:30:41,320 Or my husband is asking me something. 1038 00:30:41,320 --> 00:30:42,130 Or the kids walk in. 1039 00:30:42,130 --> 00:30:44,560 Some people ask me, you know, do you ever 1040 00:30:44,560 --> 00:30:47,650 regret having your kids so young and giving up acting 1041 00:30:47,650 --> 00:30:48,650 and having to go back? 1042 00:30:48,650 --> 00:30:52,690 But never for one second have I regretted having my children 1043 00:30:52,690 --> 00:30:53,590 young. 1044 00:30:53,590 --> 00:30:56,380 That's absolutely the best part of my life. 1045 00:30:56,380 --> 00:30:58,920 And they have been worth every moment of it. 1046 00:30:58,920 --> 00:31:00,120 PA ANNOUNCER: Standby Kyle Richards, 1047 00:31:00,120 --> 00:31:02,230 Camila Banus, Blake Barrett, standby for dry blocking. 1048 00:31:02,230 --> 00:31:03,200 KAREN: Just for dry blocking. 1049 00:31:03,200 --> 00:31:03,830 PA ANNOUNCER: In just a moment, please. 1050 00:31:03,830 --> 00:31:04,630 For me to go in there? 1051 00:31:04,630 --> 00:31:05,830 KAREN: Just for dry blocking. 1052 00:31:05,830 --> 00:31:07,600 Is it OK if I leave my purse in here with you guys? 1053 00:31:07,600 --> 00:31:08,300 Sure. 1054 00:31:08,300 --> 00:31:09,930 KYLE RICHARDS: In the last year and a half or so, 1055 00:31:09,930 --> 00:31:12,180 I've done a guest spot on "CSI." 1056 00:31:12,180 --> 00:31:15,430 I did a movie called "The Hungover Games." 1057 00:31:15,430 --> 00:31:17,680 And now I'm doing "Days of Our Lives." 1058 00:31:21,740 --> 00:31:24,360 As a little girl, I did a number of soap operas. 1059 00:31:24,360 --> 00:31:27,440 But as an adult, I have not delved 1060 00:31:27,440 --> 00:31:29,150 into the soap opera world. 1061 00:31:29,150 --> 00:31:32,870 And I'm nervous walking out there because I know 1062 00:31:32,870 --> 00:31:34,100 it's not like it used to be. 1063 00:31:34,100 --> 00:31:35,390 It's changed so much. 1064 00:31:35,390 --> 00:31:39,640 So I know that I have about five minutes to get it right. 1065 00:31:46,130 --> 00:31:47,690 YOLANDA FOSTER: Fluffy, you want to come? 1066 00:31:47,690 --> 00:31:48,650 Come upstairs with Mommy. 1067 00:31:48,650 --> 00:31:51,570 Come. 1068 00:31:54,990 --> 00:31:56,820 We could go on vacation right here. 1069 00:31:56,820 --> 00:31:58,570 [INTERPOSING VOICES] 1070 00:31:58,570 --> 00:32:00,500 JOYCE GIRAUD DE OHOVEN: That's why you're so freaking hot. 1071 00:32:00,500 --> 00:32:01,790 Because you do these stairs. 1072 00:32:01,790 --> 00:32:02,950 That's why your ass is so tight. 1073 00:32:02,950 --> 00:32:03,650 Yeah. 1074 00:32:03,650 --> 00:32:05,000 Right. 1075 00:32:05,000 --> 00:32:06,590 Seriously. 1076 00:32:06,590 --> 00:32:08,580 I wish I had these steps in my house. 1077 00:32:08,580 --> 00:32:09,320 Hi, my love. 1078 00:32:09,320 --> 00:32:11,090 Then I would probably have a butt. 1079 00:32:11,090 --> 00:32:14,230 I'm going to come over more. 1080 00:32:14,230 --> 00:32:15,260 It's hard, isn't it? 1081 00:32:15,260 --> 00:32:16,480 Just to do the steps. 1082 00:32:16,480 --> 00:32:17,180 Look. 1083 00:32:17,180 --> 00:32:18,460 I set up all the stuff. 1084 00:32:18,460 --> 00:32:19,160 My gosh. 1085 00:32:21,980 --> 00:32:24,650 Brandi said she's running late because of her hand. 1086 00:32:24,650 --> 00:32:29,180 And Lisa cancelled two minutes, like at 3:30 1087 00:32:29,180 --> 00:32:32,000 saying that she's in meetings. 1088 00:32:32,000 --> 00:32:33,020 And I'm like, meetings? 1089 00:32:33,020 --> 00:32:35,060 I cancelled all my meetings, too, today. 1090 00:32:35,060 --> 00:32:37,510 I'm surprised one of the members of the dream team 1091 00:32:37,510 --> 00:32:38,210 is not here. 1092 00:32:38,210 --> 00:32:39,760 And Yolanda's so upset about it. 1093 00:32:39,760 --> 00:32:41,230 I mean, if they're best friends, they should 1094 00:32:41,230 --> 00:32:43,810 have talked on the phone. 1095 00:32:43,810 --> 00:32:45,020 BRANDI GLANVILLE: Hello, hello. 1096 00:32:45,020 --> 00:32:46,410 JOYCE GIRAUD DE OHOVEN: Well, hello. 1097 00:32:46,410 --> 00:32:48,620 BRANDI GLANVILLE: Hi. 1098 00:32:48,620 --> 00:32:49,680 YOLANDA FOSTER: You made it. 1099 00:32:49,680 --> 00:32:50,680 Barely. 1100 00:32:50,680 --> 00:32:51,380 YOLANDA FOSTER: Geez. 1101 00:32:51,380 --> 00:32:52,610 BRANDI GLANVILLE: I'm sorry I'm late. 1102 00:32:52,610 --> 00:32:53,820 Today's not my lucky day. 1103 00:32:53,820 --> 00:32:54,520 No, I know. 1104 00:32:54,520 --> 00:32:55,670 I can see that. 1105 00:32:55,670 --> 00:32:57,150 [LAUGHTER] 1106 00:32:57,150 --> 00:32:58,360 You look beautiful, though. 1107 00:32:58,360 --> 00:32:59,180 JOYCE GIRAUD DE OHOVEN: Hi, honey. 1108 00:32:59,180 --> 00:33:00,490 BRANDI GLANVILLE: Hi, guys. Hi, girls. 1109 00:33:02,900 --> 00:33:03,600 CARLTON GEBBIA: Hi. 1110 00:33:03,600 --> 00:33:04,300 Hi. 1111 00:33:04,300 --> 00:33:05,270 Where is everybody? 1112 00:33:05,270 --> 00:33:07,270 YOLANDA FOSTER: Lisa cancelled, like, at 3:30. 1113 00:33:07,270 --> 00:33:08,510 BRANDI GLANVILLE: Why? 1114 00:33:08,510 --> 00:33:10,230 YOLANDA FOSTER: She said she had business meetings. 1115 00:33:10,230 --> 00:33:12,170 I'm like, are you kidding? 1116 00:33:12,170 --> 00:33:14,810 Lisa did tell me, do you know how far Malibu is? 1117 00:33:14,810 --> 00:33:17,460 I'm like, it's further for me than it is for Lisa. 1118 00:33:17,460 --> 00:33:19,730 And I have a broken hand. 1119 00:33:19,730 --> 00:33:20,940 And guess who's there? 1120 00:33:20,940 --> 00:33:21,640 Me. 1121 00:33:25,450 --> 00:33:26,920 JOYCE GIRAUD DE OHOVEN: How is this looking? 1122 00:33:26,920 --> 00:33:27,910 - Very pretty. - Very gold? 1123 00:33:27,910 --> 00:33:29,630 Kind of Goldfinger. 1124 00:33:29,630 --> 00:33:32,400 With my hand, I could be in the emergency room right now. 1125 00:33:32,400 --> 00:33:33,240 But I came. - You came. 1126 00:33:33,240 --> 00:33:34,290 I wasn't going to not come. 1127 00:33:34,290 --> 00:33:35,260 Well, that's a good friend. 1128 00:33:35,260 --> 00:33:37,960 I was just trying to figure out what to do. 1129 00:33:37,960 --> 00:33:39,060 I didn't want anyone to know. 1130 00:33:39,060 --> 00:33:40,830 YOLANDA FOSTER: But my intuition was like, oh my God. 1131 00:33:40,830 --> 00:33:41,820 I heard the snap. 1132 00:33:41,820 --> 00:33:42,520 It was like, crack. 1133 00:33:42,520 --> 00:33:43,460 BRANDI GLANVILLE: I felt it. 1134 00:33:43,460 --> 00:33:44,920 YOLANDA FOSTER: And then you kind of said it 1135 00:33:44,920 --> 00:33:45,970 was does the sound of his head. 1136 00:33:45,970 --> 00:33:46,880 Remember? 1137 00:33:46,880 --> 00:33:47,780 Really. 1138 00:33:47,780 --> 00:33:49,320 Hi, love. 1139 00:33:49,320 --> 00:33:50,520 DAVID FOSTER: What is going on here? 1140 00:33:50,520 --> 00:33:51,630 My love, look at it. 1141 00:33:51,630 --> 00:33:52,330 We have not-- 1142 00:33:52,330 --> 00:33:53,030 DAVID FOSTER: Wow. 1143 00:33:53,030 --> 00:33:53,760 Hey, girls. 1144 00:33:53,760 --> 00:33:54,960 JOYCE GIRAUD DE OHOVEN: How are you? 1145 00:33:54,960 --> 00:33:55,870 I'll go to the wife last. 1146 00:33:58,740 --> 00:33:59,860 How are you? 1147 00:33:59,860 --> 00:34:00,730 Hey, Carlton. 1148 00:34:00,730 --> 00:34:02,110 Hi, love. 1149 00:34:02,110 --> 00:34:02,810 How are you? 1150 00:34:02,810 --> 00:34:03,850 Whoa, three? 1151 00:34:03,850 --> 00:34:04,550 I got three. 1152 00:34:04,550 --> 00:34:05,430 Yeah. 1153 00:34:05,430 --> 00:34:06,460 YOLANDA FOSTER: Hi, love. 1154 00:34:06,460 --> 00:34:07,220 DAVID FOSTER: Hi, baby. 1155 00:34:07,220 --> 00:34:08,550 Safety in numbers. 1156 00:34:08,550 --> 00:34:09,250 What's this? 1157 00:34:09,250 --> 00:34:10,850 BRANDI GLANVILLE: You're going to the wife last. 1158 00:34:10,850 --> 00:34:11,790 That's what I heard. 1159 00:34:11,790 --> 00:34:12,760 [LAUGHTER] 1160 00:34:12,760 --> 00:34:14,700 Come here. 1161 00:34:14,700 --> 00:34:16,490 That's funny. 1162 00:34:16,490 --> 00:34:17,210 You funny, girl. 1163 00:34:17,210 --> 00:34:18,480 Do you want some guacamole, my love? 1164 00:34:18,480 --> 00:34:20,330 Yes, please. 1165 00:34:20,330 --> 00:34:21,360 DAVID FOSTER: Oh that's pretty. 1166 00:34:21,360 --> 00:34:22,230 YOLANDA FOSTER: But, look. 1167 00:34:22,230 --> 00:34:24,030 I've been cooking all day, making food. 1168 00:34:24,030 --> 00:34:24,730 CARLTON GEBBIA: So yummy. - And everything. 1169 00:34:24,730 --> 00:34:25,570 And nobody showed up. So? 1170 00:34:25,570 --> 00:34:26,940 DAVID FOSTER: The hottest four showed up. 1171 00:34:26,940 --> 00:34:27,840 CARLTON GEBBIA: Exactly. 1172 00:34:27,840 --> 00:34:29,950 And I'm very much enjoying this. 1173 00:34:29,950 --> 00:34:32,760 I can't, I can't get my heart right. 1174 00:34:32,760 --> 00:34:33,980 It's kind of crooked. BRANDI GLANVILLE: It's perfect. 1175 00:34:33,980 --> 00:34:34,390 It's annoying me. 1176 00:34:34,390 --> 00:34:35,210 JOYCE GIRAUD DE OHOVEN: Your heart is right. 1177 00:34:35,210 --> 00:34:35,910 No. 1178 00:34:35,910 --> 00:34:37,230 But look how crooked it is. JOYCE GIRAUD DE OHOVEN: No. 1179 00:34:37,230 --> 00:34:38,010 It's very pretty. 1180 00:34:38,010 --> 00:34:41,670 I think just in the little top, a little on the top your right. 1181 00:34:41,670 --> 00:34:42,840 YOLANDA FOSTER: This one is fatter. 1182 00:34:42,840 --> 00:34:43,410 JOYCE GIRAUD DE OHOVEN: Your right. 1183 00:34:43,410 --> 00:34:45,060 BRANDI GLANVILLE: Or just right there. 1184 00:34:45,060 --> 00:34:46,100 DAVID FOSTER: OK. YOLANDA FOSTER: Love you. 1185 00:34:46,100 --> 00:34:47,200 DAVID FOSTER: This is a hen party 1186 00:34:47,200 --> 00:34:48,740 that I don't feel right at. 1187 00:34:48,740 --> 00:34:50,140 BRANDI GLANVILLE: Oh, the cock is leaving? 1188 00:34:50,140 --> 00:34:52,000 What did you, what did you just say? 1189 00:34:52,000 --> 00:34:54,830 I said, the cock is leaving. 1190 00:34:54,830 --> 00:34:57,050 We're not [BLEEP] hens. 1191 00:34:57,050 --> 00:34:58,380 Bye, girls. 1192 00:34:58,380 --> 00:34:59,810 YOLANDA FOSTER: Love you, baby. DAVID FOSTER: Love you, babe. 1193 00:34:59,810 --> 00:35:01,080 See you at 8:00 dinner, right? 1194 00:35:01,080 --> 00:35:02,210 YOLANDA FOSTER: I'll be down soon. 1195 00:35:02,210 --> 00:35:02,320 Yeah. 1196 00:35:02,320 --> 00:35:03,090 DAVID FOSTER: OK, babe. 1197 00:35:05,520 --> 00:35:07,290 CARLTON GEBBIA: Can I, can I ask a question here? 1198 00:35:07,290 --> 00:35:07,990 YOLANDA FOSTER: Yeah. 1199 00:35:07,990 --> 00:35:10,050 CARLTON GEBBIA: Is anybody talking [BLEEP] about me? 1200 00:35:10,050 --> 00:35:11,080 Talking [BLEEP] about you? 1201 00:35:11,080 --> 00:35:13,270 I haven't heard, not heard a thing. 1202 00:35:13,270 --> 00:35:13,970 If 1203 00:35:13,970 --> 00:35:15,650 They're saying it, they're not going to say it to me. 1204 00:35:15,650 --> 00:35:16,350 Have you heard it? 1205 00:35:16,350 --> 00:35:17,520 I haven't heard anything. 1206 00:35:17,520 --> 00:35:19,260 What about witchcraft? 1207 00:35:19,260 --> 00:35:22,110 Oh, I think it's great. 1208 00:35:22,110 --> 00:35:23,340 Can I tell you what I think? 1209 00:35:23,340 --> 00:35:24,780 YOLANDA FOSTER: What? 1210 00:35:24,780 --> 00:35:28,290 I woke up a few nights ago. 1211 00:35:28,290 --> 00:35:31,960 And I really feel like Kyle's talking [BLEEP] behind my back. 1212 00:35:31,960 --> 00:35:33,500 Like, [BLEEP]. 1213 00:35:33,500 --> 00:35:36,500 I get this beautiful gift from Kyle which I think 1214 00:35:36,500 --> 00:35:37,970 is a peace offering. 1215 00:35:37,970 --> 00:35:43,480 And I have a dream that she was talking really 1216 00:35:43,480 --> 00:35:46,030 negatively about my faith. 1217 00:35:46,030 --> 00:35:48,920 And it's just, it's that bloody thing again. 1218 00:35:48,920 --> 00:35:49,800 It's like, nope. 1219 00:35:49,800 --> 00:35:52,120 I'm absolutely right on about this woman. 1220 00:35:52,120 --> 00:35:53,860 I do think she's saying something 1221 00:35:53,860 --> 00:35:57,120 that's slightly negative with regard to my religion. 1222 00:35:57,120 --> 00:35:58,220 BRANDI GLANVILLE: The only person 1223 00:35:58,220 --> 00:36:00,590 she would be saying it to at this table would be Joyce, so? 1224 00:36:00,590 --> 00:36:01,240 YOLANDA FOSTER: You know what? I-- 1225 00:36:01,240 --> 00:36:02,770 JOYCE GIRAUD DE OHOVEN: Listen, the only thing 1226 00:36:02,770 --> 00:36:04,700 I have to say about that is that you have to talk to her. 1227 00:36:04,700 --> 00:36:05,870 YOLANDA FOSTER: The fair thing is-- 1228 00:36:05,870 --> 00:36:06,860 Yeah, exactly. Let's, let's-- 1229 00:36:06,860 --> 00:36:10,930 But by the way, who the [BLEEP] talks [BLEEP] about 1230 00:36:10,930 --> 00:36:12,160 people's religion, though? 1231 00:36:12,160 --> 00:36:13,880 That's why that makes me mad. 1232 00:36:13,880 --> 00:36:14,290 YOLANDA FOSTER: No, I mean that's wrong. 1233 00:36:14,290 --> 00:36:15,960 JOYCE GIRAUD DE OHOVEN: You woke up thinking this. 1234 00:36:15,960 --> 00:36:17,710 Nobody's talking [BLEEP] about your religion. 1235 00:36:17,710 --> 00:36:18,850 This is just in your head. 1236 00:36:18,850 --> 00:36:20,220 So let it go. 1237 00:36:20,220 --> 00:36:21,460 But she doesn't talk [BLEEP]. 1238 00:36:21,460 --> 00:36:22,260 But I think she does. 1239 00:36:22,260 --> 00:36:22,960 I think she is. 1240 00:36:22,960 --> 00:36:24,660 BRANDI GLANVILLE: I think God looks like the Muppet 1241 00:36:24,660 --> 00:36:25,900 with the orange face and a black hat. 1242 00:36:25,900 --> 00:36:27,220 And that's who my God is. 1243 00:36:27,220 --> 00:36:29,610 There's no reason why we cannot all coexist. 1244 00:36:29,610 --> 00:36:30,310 Exactly. 1245 00:36:30,310 --> 00:36:31,300 YOLANDA FOSTER: Exactly. 1246 00:36:31,300 --> 00:36:33,800 But I do feel like she's talking crap. 1247 00:36:33,800 --> 00:36:35,980 BRANDI GLANVILLE: Carlton's religion that she, you know, 1248 00:36:35,980 --> 00:36:39,710 practises is just a point of, she 1249 00:36:39,710 --> 00:36:43,030 flips and she's very sensitive. 1250 00:36:43,030 --> 00:36:43,860 I can't explain it. 1251 00:36:43,860 --> 00:36:46,360 Just watch your back. 1252 00:36:46,360 --> 00:36:48,460 YOLANDA FOSTER: Let's drop it, please. 1253 00:36:48,460 --> 00:36:51,050 Let's get these paintings on the wall. 1254 00:36:51,050 --> 00:36:54,040 [MUSIC PLAYING] 1255 00:36:57,040 --> 00:36:58,970 KYLE RICHARDS: So funny how they get so blinged 1256 00:36:58,970 --> 00:37:00,070 out on these soap operas. 1257 00:37:00,070 --> 00:37:01,380 Right? 1258 00:37:01,380 --> 00:37:03,030 The diamonds for, like, a lunch meeting. 1259 00:37:06,350 --> 00:37:07,710 Look good? - Yeah. 1260 00:37:07,710 --> 00:37:08,410 Thank you. 1261 00:37:08,410 --> 00:37:09,550 - You're welcome. - Appreciate it. 1262 00:37:09,550 --> 00:37:10,250 You're welcome. 1263 00:37:13,960 --> 00:37:17,790 PA ANNOUNCER: Standby for Camila, Blake, and Kyle 1264 00:37:17,790 --> 00:37:20,310 on the atmosphere for [INAUDIBLE] Show 11. 1265 00:37:22,890 --> 00:37:24,660 KYLE RICHARDS: I have to say I'm feeling pretty good. 1266 00:37:24,660 --> 00:37:25,890 I know my lines. 1267 00:37:25,890 --> 00:37:27,480 And I have, you know, quite a bit 1268 00:37:27,480 --> 00:37:29,130 to remember and a very little amount of time. 1269 00:37:29,130 --> 00:37:31,140 I hope they let us run through this one time. 1270 00:37:31,140 --> 00:37:32,700 No, I'm sure they will. 1271 00:37:32,700 --> 00:37:35,040 KYLE RICHARDS: And I know I can act now. 1272 00:37:35,040 --> 00:37:36,180 I don't know a lot of things. 1273 00:37:36,180 --> 00:37:37,110 But I know I can act. 1274 00:37:37,110 --> 00:37:39,110 That part's easy. 1275 00:37:39,110 --> 00:37:42,140 DIRECTOR: Five, four, three. 1276 00:37:42,140 --> 00:37:42,840 [BLEEP] 1277 00:37:42,840 --> 00:37:43,540 Look. 1278 00:37:43,540 --> 00:37:46,100 Let's not beat around the bush. 1279 00:37:46,100 --> 00:37:47,790 I am excited. 1280 00:37:47,790 --> 00:37:48,930 Sparkle is excited. 1281 00:37:48,930 --> 00:37:51,250 And we want to sign you. 1282 00:37:51,250 --> 00:37:52,290 Today. 1283 00:37:52,290 --> 00:37:54,210 Now, if you have any questions, no matter 1284 00:37:54,210 --> 00:37:56,160 what time, day or night, I want you to call me. 1285 00:37:56,160 --> 00:37:56,860 OK. 1286 00:37:56,860 --> 00:37:58,150 KYLE RICHARDS: OK? - Thank you. 1287 00:37:58,150 --> 00:37:59,370 Got it. OK. 1288 00:37:59,370 --> 00:38:00,600 Now we move onto the next person. 1289 00:38:00,600 --> 00:38:01,860 Susan Lucci, watch out. 1290 00:38:05,460 --> 00:38:06,250 NARRATOR: Coming up. 1291 00:38:06,250 --> 00:38:08,320 But spells only get to you if you believe in it. 1292 00:38:08,320 --> 00:38:09,060 [BLEEP] you. 1293 00:38:09,060 --> 00:38:10,770 When you go home tonight, watch out. 1294 00:38:10,770 --> 00:38:12,660 [LAUGHTER] 1295 00:38:16,980 --> 00:38:18,430 Hi. 1296 00:38:18,430 --> 00:38:19,130 How are you? 1297 00:38:19,130 --> 00:38:19,900 There you are. 1298 00:38:19,900 --> 00:38:20,950 I saw you in the makeup room. 1299 00:38:20,950 --> 00:38:22,080 And I thought I should talk to you 1300 00:38:22,080 --> 00:38:23,110 before you get your hair done. 1301 00:38:23,110 --> 00:38:24,940 Because I would be a little cuter than you are. 1302 00:38:24,940 --> 00:38:28,030 Deidre hall is like the soap opera queen. 1303 00:38:28,030 --> 00:38:30,450 She has been on "Days of Our Lives" since the beginning. 1304 00:38:30,450 --> 00:38:31,570 - Awww. - Glad that worked out. 1305 00:38:31,570 --> 00:38:32,800 I just wanted to, I know we've met, 1306 00:38:32,800 --> 00:38:34,590 you know, in the past couple times here and there. 1307 00:38:34,590 --> 00:38:36,020 But I just want to say hi to you again. 1308 00:38:36,020 --> 00:38:36,970 I'm so glad you're here. 1309 00:38:36,970 --> 00:38:38,150 You look so gorgeous. 1310 00:38:38,150 --> 00:38:39,360 I'm sorry. I didn't hear you. 1311 00:38:39,360 --> 00:38:40,230 You look so gorgeous. 1312 00:38:40,230 --> 00:38:41,050 Oh thank you. So do you. 1313 00:38:41,050 --> 00:38:43,100 I was looking at the pictures of you on the wall here. 1314 00:38:43,100 --> 00:38:45,370 I'm like, how long have you been doing this show? 1315 00:38:45,370 --> 00:38:46,420 36 years? 1316 00:38:46,420 --> 00:38:47,250 - Unbelievable. - Yes. 1317 00:38:47,250 --> 00:38:47,950 To me, too. 1318 00:38:47,950 --> 00:38:48,920 You're always so beautiful. 1319 00:38:48,920 --> 00:38:51,040 I mean this woman has been thrown from a building. 1320 00:38:51,040 --> 00:38:52,990 She's been possessed by a devil. 1321 00:38:52,990 --> 00:38:55,720 She's been kidnapped more times than I can remember. 1322 00:38:55,720 --> 00:38:57,880 And she's still standing. 1323 00:38:57,880 --> 00:38:59,020 That's a survivor. 1324 00:38:59,020 --> 00:39:00,500 Well, I'm happy to be here. 1325 00:39:00,500 --> 00:39:01,600 And I just wanted to say hello. 1326 00:39:01,600 --> 00:39:02,680 I'm so glad you did. 1327 00:39:02,680 --> 00:39:03,810 Come by anytime. - Thank you. 1328 00:39:03,810 --> 00:39:04,510 Nice to see you. 1329 00:39:04,510 --> 00:39:05,410 I'll see you out there. 1330 00:39:05,410 --> 00:39:06,270 See you on TV. 1331 00:39:06,270 --> 00:39:07,080 OK. 1332 00:39:07,080 --> 00:39:07,780 Bye. 1333 00:39:14,140 --> 00:39:15,840 YOLANDA FOSTER: Let me see yours, let me see yours. 1334 00:39:15,840 --> 00:39:16,740 CARLTON GEBBIA: Mine's, mine's a tornado. 1335 00:39:16,740 --> 00:39:17,310 YOLANDA FOSTER: Let me see yours. 1336 00:39:17,310 --> 00:39:19,130 CARLTON GEBBIA: That's my, that's just my day. 1337 00:39:19,130 --> 00:39:20,170 A tornado? 1338 00:39:20,170 --> 00:39:21,570 Gigi is going to be a tornado. 1339 00:39:21,570 --> 00:39:23,520 I Like that. 1340 00:39:23,520 --> 00:39:25,060 Is this weird to say? 1341 00:39:25,060 --> 00:39:27,720 I really feel like Kyle is talking [BLEEP] behind my back. 1342 00:39:27,720 --> 00:39:30,270 She doesn't talk [BLEEP]. 1343 00:39:30,270 --> 00:39:31,520 Well, not to me, obviously. 1344 00:39:31,520 --> 00:39:33,090 JOYCE GIRAUD DE OHOVEN: You should talk to her. 1345 00:39:33,090 --> 00:39:36,000 I would rather you come straight to my face rather than 1346 00:39:36,000 --> 00:39:37,290 talk [BLEEP] behind my back. 1347 00:39:37,290 --> 00:39:38,500 JOYCE GIRAUD DE OHOVEN: Yeah. No. 1348 00:39:38,500 --> 00:39:39,430 I-- 1349 00:39:39,430 --> 00:39:40,950 BRANDI GLANVILLE: We all feel the same way. 1350 00:39:40,950 --> 00:39:42,750 JOYCE GIRAUD DE OHOVEN: I don't understand why Carlton 1351 00:39:42,750 --> 00:39:43,710 is being so double sided. 1352 00:39:43,710 --> 00:39:45,720 I mean, on one hand, she's saying, 1353 00:39:45,720 --> 00:39:47,250 if anybody has a problem with me, 1354 00:39:47,250 --> 00:39:49,090 I just want them to talk to me about it. 1355 00:39:49,090 --> 00:39:52,350 But here she is talking about Kyle the entire time. 1356 00:39:52,350 --> 00:39:53,700 Go and talk to Kyle about it. 1357 00:39:53,700 --> 00:39:54,900 CARLTON GEBBIA: I always give people 1358 00:39:54,900 --> 00:39:56,730 the benefit of the doubt, seeing how 1359 00:39:56,730 --> 00:39:59,140 our relationship would unveil. 1360 00:39:59,140 --> 00:40:02,480 And she was very uncomfortable around me. 1361 00:40:02,480 --> 00:40:03,920 KYLE RICHARDS: So were you raised Catholic? 1362 00:40:06,460 --> 00:40:07,730 BRANDI GLANVILLE: She thought you were 1363 00:40:07,730 --> 00:40:08,990 going to cast a spell on her. 1364 00:40:08,990 --> 00:40:12,620 Well, I [BLEEP] will if she [BLEEP] with me. 1365 00:40:12,620 --> 00:40:13,870 YOLANDA FOSTER: You don't do that. 1366 00:40:13,870 --> 00:40:16,060 Spells only get to you if you believe in it. 1367 00:40:16,060 --> 00:40:16,760 No. 1368 00:40:16,760 --> 00:40:19,970 That's [BLEEP]. 1369 00:40:19,970 --> 00:40:20,870 Trust me. 1370 00:40:20,870 --> 00:40:21,860 YOLANDA FOSTER: That's not-- 1371 00:40:21,860 --> 00:40:22,430 JOYCE GIRAUD DE OHOVEN: You're like, trust me. 1372 00:40:22,430 --> 00:40:23,360 I'm like, test it out. 1373 00:40:23,360 --> 00:40:24,240 You'll see. 1374 00:40:24,240 --> 00:40:25,390 Won't get to me. 1375 00:40:25,390 --> 00:40:27,060 If you say that to me, I'm going to say, really? 1376 00:40:27,060 --> 00:40:27,860 Do you want to see? 1377 00:40:27,860 --> 00:40:29,330 It is truly about respect. 1378 00:40:29,330 --> 00:40:31,540 But don't [BLEEP] come at me and say I [BLEEP] 1379 00:40:31,540 --> 00:40:32,830 don't believe that. Well, you know what? 1380 00:40:32,830 --> 00:40:33,530 [BLEEP] you. 1381 00:40:33,530 --> 00:40:36,340 When you go home tonight, watch out. 1382 00:40:36,340 --> 00:40:37,910 BRANDI GLANVILLE: I think Carlton may have just 1383 00:40:37,910 --> 00:40:41,420 put a spell or a hex on Joyce. 1384 00:40:41,420 --> 00:40:42,740 Fingers crossed. 1385 00:40:42,740 --> 00:40:44,110 Watch out, Joyce. 1386 00:40:44,110 --> 00:40:45,430 [INTERPOSING VOICES] 1387 00:40:45,430 --> 00:40:46,490 I believe in God. 1388 00:40:46,490 --> 00:40:47,560 I have such a powerful-- 1389 00:40:47,560 --> 00:40:50,220 I really, I believe in God. 1390 00:40:50,220 --> 00:40:51,710 I find it so silly. 1391 00:40:51,710 --> 00:40:54,350 I just laugh about it because I don't believe in these things. 1392 00:40:54,350 --> 00:40:56,150 I have a God that is so powerful. 1393 00:40:56,150 --> 00:40:58,410 And I always feel a protection. 1394 00:40:58,410 --> 00:41:00,260 So I don't think that any negativity 1395 00:41:00,260 --> 00:41:01,800 can come into my life. 1396 00:41:01,800 --> 00:41:04,850 I believe that whatever you let me into your world 1397 00:41:04,850 --> 00:41:06,290 is what affects you. 1398 00:41:06,290 --> 00:41:11,050 Joyce, bless her heart, I really think is very naive. 1399 00:41:14,150 --> 00:41:17,420 I think Wiccan has a very big misconception about it. 1400 00:41:17,420 --> 00:41:19,380 It's not witchcraft. 1401 00:41:19,380 --> 00:41:22,820 Whenever people dabble with something 1402 00:41:22,820 --> 00:41:26,070 that's a negative energy, you always pay a price. 1403 00:41:26,070 --> 00:41:28,790 [MUSIC PLAYING] 1404 00:41:28,790 --> 00:41:30,040 KIM RICHARDS: How was Yolanda's? 1405 00:41:30,040 --> 00:41:31,640 JOYCE GIRAUD DE OHOVEN: Brandi said that Carlton 1406 00:41:31,640 --> 00:41:33,260 was going to do a spell on her. 1407 00:41:33,260 --> 00:41:35,260 And then Yolanda says no, but you don't do spells. 1408 00:41:35,260 --> 00:41:35,960 Right? 1409 00:41:35,960 --> 00:41:37,570 And Carlton says, yeah, I do. 1410 00:41:37,570 --> 00:41:38,270 KIM RICHARDS: [GASP]. 1411 00:41:38,270 --> 00:41:39,300 JOYCE GIRAUD DE OHOVEN: I don't believe in that stuff. 1412 00:41:39,300 --> 00:41:40,460 So it doesn't affect me. 1413 00:41:40,460 --> 00:41:44,060 So she says to me, go home tonight and see what happens. 1414 00:41:44,060 --> 00:41:45,560 And then something happened. 1415 00:41:45,560 --> 00:41:46,340 Stop that. 1416 00:41:46,340 --> 00:41:48,410 JOYCE GIRAUD DE OHOVEN: Michael got so sick. 1417 00:41:48,410 --> 00:41:49,460 It was insane. 1418 00:41:49,460 --> 00:41:51,050 And Michael is like you. 1419 00:41:51,050 --> 00:41:52,400 Michael believes in energy. 1420 00:41:52,400 --> 00:41:55,040 And he believes that things-- you know, I don't. 1421 00:41:55,040 --> 00:41:56,720 KIM RICHARDS: He got sick? 1422 00:41:56,720 --> 00:41:58,220 Sick is one thing. 1423 00:41:58,220 --> 00:42:00,730 And how he got is something else. 1424 00:42:00,730 --> 00:42:02,060 KIM RICHARDS: I think Carlton might have 1425 00:42:02,060 --> 00:42:04,130 put a spell on Joyce's husband. 1426 00:42:04,130 --> 00:42:08,210 If I were her, I wouldn't want to mess around. 1427 00:42:08,210 --> 00:42:09,430 You swear all this just happened. 1428 00:42:09,430 --> 00:42:10,130 I swear. 1429 00:42:12,750 --> 00:42:15,750 NARRATOR: Next time on "The Real Housewives of Beverly Hills." 1430 00:42:15,750 --> 00:42:18,840 I need to know from you that you're not doing any spells. 1431 00:42:18,840 --> 00:42:19,900 Don't even go there. 1432 00:42:19,900 --> 00:42:21,030 I want to know that I don't have 1433 00:42:21,030 --> 00:42:24,410 to be worried that, God forbid, my child falls down a ladder. 1434 00:42:24,410 --> 00:42:28,940 Do not ever bring up children to me. 1435 00:42:28,940 --> 00:42:29,930 So what are we planning? 1436 00:42:29,930 --> 00:42:31,430 Some kind of birthday party or something? 1437 00:42:31,430 --> 00:42:32,240 Ken's birthday. 1438 00:42:32,240 --> 00:42:33,090 Oh my God. 1439 00:42:33,090 --> 00:42:36,710 We'll do something she-she-she right away. 1440 00:42:36,710 --> 00:42:39,710 Happy birthday, boy. 1441 00:42:39,710 --> 00:42:41,830 KEN TODD: Oh wow, look at this. 1442 00:42:41,830 --> 00:42:43,280 [INTERPOSING VOICES] 1443 00:42:43,280 --> 00:42:44,250 [SCREAMS] 1444 00:42:44,250 --> 00:42:46,760 I think really it's probably Kevin's fantasy 1445 00:42:46,760 --> 00:42:49,130 is thrown over Jax's shoulder. 1446 00:42:49,130 --> 00:42:51,080 I've been nothing but [BLEEP] nice to you. 1447 00:42:51,080 --> 00:42:52,410 You haven't been [BLEEP] nice. 1448 00:42:52,410 --> 00:42:53,220 You haven't. 1449 00:42:53,220 --> 00:42:53,920 BRANDI GLANVILLE: Oh. 1450 00:42:53,920 --> 00:42:55,860 We almost had a good night. 1451 00:42:55,860 --> 00:42:57,420 Don't you dare command me. 1452 00:42:57,420 --> 00:42:58,990 You don't [BLEEP] dare command me. 1453 00:42:58,990 --> 00:43:01,060 KYLE RICHARDS: You don't want to be judged for being a Wiccan? 1454 00:43:01,060 --> 00:43:02,340 Then don't act like a witch. 1455 00:43:02,340 --> 00:43:03,930 NARRATOR: To learn more about the Housewives, 1456 00:43:03,930 --> 00:43:06,320 go to BravoTV.com.