1 00:00:01,530 --> 00:00:03,200 KYLE RICHARDS (VOICEOVER): Previously on "The Real 2 00:00:03,200 --> 00:00:05,440 Housewives of Beverly Hills." 3 00:00:05,440 --> 00:00:06,640 Thank you guys so much for coming. 4 00:00:06,640 --> 00:00:07,950 It really means a lot to me. 5 00:00:07,950 --> 00:00:09,080 KYLE RICHARDS: I had already asked 6 00:00:09,080 --> 00:00:12,050 Brandi and Joyce if they could model in the fashion show. 7 00:00:12,050 --> 00:00:14,630 But I don't want to have any negativity associated 8 00:00:14,630 --> 00:00:16,220 with this party whatsoever. 9 00:00:16,220 --> 00:00:18,470 Like this, and in the windows. 10 00:00:18,470 --> 00:00:22,760 So we're going to get the dog with me for a week bonding 11 00:00:22,760 --> 00:00:24,080 with a pack of dogs. 12 00:00:24,080 --> 00:00:25,030 Off to gaol. 13 00:00:25,030 --> 00:00:26,980 Aw, that's so sad. 14 00:00:26,980 --> 00:00:27,680 Jaclyn? 15 00:00:27,680 --> 00:00:29,060 Joyce, babe, Joyce. 16 00:00:29,060 --> 00:00:29,930 Oh, I'm sorry. 17 00:00:29,930 --> 00:00:31,220 BRANDI GLANVILLE: Half time when I 18 00:00:31,220 --> 00:00:33,950 call Joyce Jaclyn I do it to annoy her, 19 00:00:33,950 --> 00:00:35,450 because I find her annoying. 20 00:00:35,450 --> 00:00:38,240 Joyce is coming tonight. 21 00:00:38,240 --> 00:00:39,230 [SIGHS] 22 00:00:39,230 --> 00:00:41,220 For no reason, you were being a bully. 23 00:00:41,220 --> 00:00:42,170 I was not bullying you. 24 00:00:42,170 --> 00:00:43,100 JOYCE GIRAUD: Yes, you were. 25 00:00:43,100 --> 00:00:44,180 Joyce is a big fat pig. 26 00:00:44,180 --> 00:00:45,320 What is that? 27 00:00:45,320 --> 00:00:46,100 You're a smart girl. 28 00:00:46,100 --> 00:00:47,150 Don't act like a bimbo. 29 00:00:47,150 --> 00:00:48,830 You're just blonde, but you're not a bimbo. 30 00:00:48,830 --> 00:00:50,140 Shut the [BEEP] up. 31 00:00:52,850 --> 00:00:54,380 KYLE RICHARDS (VOICEOVER): I'm from this town. 32 00:00:54,380 --> 00:00:58,540 I know what's real and what's fake. 33 00:00:58,540 --> 00:01:01,020 YOLANDA HADID (VOICEOVER): Don't tell me you're my friend. 34 00:01:01,020 --> 00:01:02,780 Act like one. 35 00:01:02,780 --> 00:01:04,350 BRANDI GLANVILLE (VOICEOVER): In Beverly Hills, 36 00:01:04,350 --> 00:01:07,760 the higher you climb, the farther you fall. 37 00:01:07,760 --> 00:01:09,490 KIM RICHARDS (VOICEOVER): Everybody loves a comeback 38 00:01:09,490 --> 00:01:13,620 story, especially starring me. 39 00:01:13,620 --> 00:01:15,990 CARLTON GEBBIA (VOICEOVER): In my world, money doesn't talk. 40 00:01:15,990 --> 00:01:17,640 It swears. 41 00:01:17,640 --> 00:01:19,170 JOYCE GIRAUD (VOICEOVER): You can never be too 42 00:01:19,170 --> 00:01:22,720 young, too thin, or too honest. 43 00:01:22,720 --> 00:01:25,520 LISA VANDERPUMP (VOICEOVER): Life is a sexy little dance, 44 00:01:25,520 --> 00:01:26,780 and I like to take the lead. 45 00:01:31,710 --> 00:01:32,940 BRANDI GLANVILLE: Go [BEEP] yourself. 46 00:01:32,940 --> 00:01:35,110 MICHAEL OHOVEN: Stop your language, Brandi. 47 00:01:35,110 --> 00:01:36,080 [BEEP] you, dude. 48 00:01:36,080 --> 00:01:37,300 What do you mean [BEEP] you, dude? 49 00:01:37,300 --> 00:01:38,000 You know what? 50 00:01:38,000 --> 00:01:39,830 I which I don't need to live on this planet with you. 51 00:01:39,830 --> 00:01:41,430 I'm serious. I mean, you're out of your mind. 52 00:01:41,430 --> 00:01:43,100 Then go back to wherever the [BEEP] you're from. 53 00:01:43,100 --> 00:01:44,010 MICHAEL OHOVEN: Is that all you can talk about? 54 00:01:44,010 --> 00:01:44,290 JOYCE GIRAUD: You know what, Brandi? 55 00:01:44,290 --> 00:01:45,130 Let me tell you something-- 56 00:01:45,130 --> 00:01:45,910 MICHAEL OHOVEN: You're of your freaking mind. 57 00:01:45,910 --> 00:01:47,710 You're not even drunk tonight and you're out of your mind. 58 00:01:47,710 --> 00:01:48,910 JOYCE GIRAUD: You're not even drunk? 59 00:01:48,910 --> 00:01:51,390 Listen, let me ask my husband to come in and talk to you. 60 00:01:51,390 --> 00:01:52,090 I don't have one. 61 00:01:52,090 --> 00:01:53,260 So shut the [BEEP] up. 62 00:01:53,260 --> 00:01:53,990 Go [BEEP] yourself. 63 00:01:53,990 --> 00:01:55,420 I thought it was just an alcohol problem. 64 00:01:55,420 --> 00:01:55,820 MICHAEL OHOVEN: Get drunk at least 65 00:01:55,820 --> 00:01:56,590 so I can apologise for it. 66 00:01:56,590 --> 00:01:57,390 That's what I thought. 67 00:01:57,390 --> 00:01:59,620 I thought you just needed rehab. 68 00:01:59,620 --> 00:02:00,610 Obviously, it's just you. 69 00:02:00,610 --> 00:02:01,380 It's just the real you. 70 00:02:01,380 --> 00:02:02,140 You don't need rehab. 71 00:02:02,140 --> 00:02:03,620 You're just tacky. 72 00:02:03,620 --> 00:02:04,660 OK. 73 00:02:04,660 --> 00:02:06,730 That is really, really disgusting 74 00:02:06,730 --> 00:02:07,840 that you would say that to me. 75 00:02:07,840 --> 00:02:09,520 JOYCE GIRAUD: You know what I think is disgusting? 76 00:02:09,520 --> 00:02:10,820 That you would be giggling in a corner, 77 00:02:10,820 --> 00:02:11,890 that you would be calling Jack-- 78 00:02:11,890 --> 00:02:13,690 calling me Jacqueline when you clearly know my name 79 00:02:13,690 --> 00:02:15,050 is Joyce, that you would be telling 80 00:02:15,050 --> 00:02:16,450 me [INAUDIBLE],, that you would be telling 81 00:02:16,450 --> 00:02:17,650 me all these bullying things. 82 00:02:17,650 --> 00:02:20,120 That's disgusting to me. 83 00:02:20,120 --> 00:02:21,520 LISA VANDERPUMP: Brandi doesn't seem to be 84 00:02:21,520 --> 00:02:23,110 in a very good place right now. 85 00:02:23,110 --> 00:02:26,680 And I think she's kind of losing this battle. 86 00:02:26,680 --> 00:02:28,390 I don't know what to do, but I don't 87 00:02:28,390 --> 00:02:30,730 think this is the right time to be 88 00:02:30,730 --> 00:02:32,490 sorting out their differences. 89 00:02:32,490 --> 00:02:34,600 Listen, I'm having-- 90 00:02:34,600 --> 00:02:36,400 I miss my puppy. 91 00:02:36,400 --> 00:02:37,260 I'm depressed. 92 00:02:37,260 --> 00:02:38,230 Darling, don't. 93 00:02:38,230 --> 00:02:38,930 Don't. 94 00:02:38,930 --> 00:02:41,890 No, I'm just saying, like, you just don't get it. 95 00:02:41,890 --> 00:02:44,590 MICHAEL OHOVEN: Just calm down a little bit. 96 00:02:44,590 --> 00:02:45,690 KIM RICHARDS: I'm not lying. 97 00:02:45,690 --> 00:02:46,690 I [BEEP] tell the truth. 98 00:02:46,690 --> 00:02:48,050 This is bull [BEEP]. 99 00:02:48,050 --> 00:02:49,210 I know. 100 00:02:49,210 --> 00:02:50,610 Stop. 101 00:02:50,610 --> 00:02:52,300 KEN TODD: What we want to do is to try to-- 102 00:02:52,300 --> 00:02:52,930 I'm leaving. LISA VANDERPUMP: No, you're not. 103 00:02:52,930 --> 00:02:53,860 You're not going anywhere. 104 00:02:53,860 --> 00:02:56,190 YOLANDA HADID: B, don't cry. 105 00:02:56,190 --> 00:02:58,030 Just calm down. 106 00:02:58,030 --> 00:03:01,120 We just want to get everything back on an even kilt. 107 00:03:01,120 --> 00:03:02,450 LISA VANDERPUMP: No, no, no. 108 00:03:02,450 --> 00:03:03,250 Don't go. - No, no. 109 00:03:03,250 --> 00:03:04,100 She's coming back. 110 00:03:04,100 --> 00:03:05,270 LISA VANDERPUMP: No, but come back. 111 00:03:05,270 --> 00:03:06,340 Don't end it like this. 112 00:03:06,340 --> 00:03:07,130 Don't cry. 113 00:03:07,130 --> 00:03:07,930 You should let her go. 114 00:03:07,930 --> 00:03:09,510 She wants to go to the babies. Let her go. 115 00:03:09,510 --> 00:03:10,510 LISA VANDERPUMP: No, it's not. 116 00:03:10,510 --> 00:03:12,030 I don't want her to leave like this. 117 00:03:12,030 --> 00:03:14,440 She's just had a really, really hard time. 118 00:03:14,440 --> 00:03:16,810 YOLANDA HADID: Brandi's about to implode. 119 00:03:16,810 --> 00:03:21,550 And it's not pretty, but it's an escalation 120 00:03:21,550 --> 00:03:23,080 of a lot of emotions. 121 00:03:23,080 --> 00:03:26,920 And it needs to explode in order to get better. 122 00:03:26,920 --> 00:03:28,990 KEN TODD: She hasn't been herself 123 00:03:28,990 --> 00:03:29,950 since she lost the puppy. 124 00:03:29,950 --> 00:03:30,790 I know that. 125 00:03:30,790 --> 00:03:32,770 I understand the puppy situation, but in Palm Springs 126 00:03:32,770 --> 00:03:35,090 she still hadn't lost a puppy when she was bullying me. 127 00:03:35,090 --> 00:03:36,670 Joyce is a big fat pig. 128 00:03:36,670 --> 00:03:37,510 [LAUGHING] 129 00:03:37,510 --> 00:03:38,760 You cannot say that. 130 00:03:38,760 --> 00:03:39,860 I can say that. 131 00:03:39,860 --> 00:03:41,930 So for her to attack me is very unfair. 132 00:03:41,930 --> 00:03:43,300 For her to tell me to shut the [BEEP] up, 133 00:03:43,300 --> 00:03:45,920 to [BEEP] off, a bitch, [BEEP]. 134 00:03:45,920 --> 00:03:47,420 I don't think she's attacking you for that. 135 00:03:47,420 --> 00:03:48,350 JOYCE GIRAUD: It's horrible. 136 00:03:48,350 --> 00:03:51,040 I think Brandi's way of communicating is very trashy, 137 00:03:51,040 --> 00:03:53,410 and she should start using proper words. 138 00:03:53,410 --> 00:03:56,700 Not everything needs to be eff you. 139 00:03:56,700 --> 00:03:57,490 Don't worry about it. 140 00:03:57,490 --> 00:03:58,190 I love you. 141 00:03:58,190 --> 00:03:59,460 Go and snuggle up with the boys, OK? 142 00:03:59,460 --> 00:04:00,160 I'm going to. 143 00:04:00,160 --> 00:04:01,790 Thanks, babel 144 00:04:01,790 --> 00:04:02,490 I love you. 145 00:04:02,490 --> 00:04:04,230 Love you, too. 146 00:04:04,230 --> 00:04:05,300 YOLANDA HADID: I love you, baby. 147 00:04:05,300 --> 00:04:06,180 It's OK. 148 00:04:06,180 --> 00:04:06,880 I love you. 149 00:04:06,880 --> 00:04:07,840 Are you OK? 150 00:04:07,840 --> 00:04:08,800 No, but it's fine. 151 00:04:08,800 --> 00:04:09,990 YOLANDA HADID: OK, I love you. 152 00:04:09,990 --> 00:04:10,690 BRANDI GLANVILLE: OK. 153 00:04:13,600 --> 00:04:15,880 YOLANDA HADID: I've been in that dark, deep [BEEP] 154 00:04:15,880 --> 00:04:18,370 hole where you can see the light and you 155 00:04:18,370 --> 00:04:19,840 think you can't get out. 156 00:04:19,840 --> 00:04:22,270 So I'm just, you know, worried about other people 157 00:04:22,270 --> 00:04:25,930 that don't know their story, how they're going to judge her. 158 00:04:25,930 --> 00:04:27,880 Why did you let her go? 159 00:04:27,880 --> 00:04:28,990 Because she missed the babies. 160 00:04:28,990 --> 00:04:30,040 She's crying, you know? 161 00:04:30,040 --> 00:04:31,940 She just on overload. 162 00:04:31,940 --> 00:04:34,030 She put her best foot forward. 163 00:04:34,030 --> 00:04:34,830 Best foot? 164 00:04:34,830 --> 00:04:37,360 Best foot I might have a comment on, but that's all right. 165 00:04:37,360 --> 00:04:38,320 She put a foot forward. 166 00:04:38,320 --> 00:04:39,020 She started it. 167 00:04:39,020 --> 00:04:40,930 Yeah, she's a beautiful person. 168 00:04:40,930 --> 00:04:41,950 She's a good person. 169 00:04:41,950 --> 00:04:42,980 LISA VANDERPUMP: She really is. 170 00:04:42,980 --> 00:04:44,330 And what you see is what you get. 171 00:04:44,330 --> 00:04:45,540 There's no two ways about Brandi. 172 00:04:45,540 --> 00:04:46,940 I would love to get to know that person. 173 00:04:46,940 --> 00:04:49,840 And sometimes, in the beginning, I was also like, 174 00:04:49,840 --> 00:04:51,750 you know, the [BEEP] is this? 175 00:04:51,750 --> 00:04:52,880 Like, you will never heard me say, 176 00:04:52,880 --> 00:04:54,510 but it's not part of my language. 177 00:04:54,510 --> 00:04:58,180 Well, Yolanda, if she was calling you whatever name, 178 00:04:58,180 --> 00:05:00,640 and you tell her, that name was what they called me 179 00:05:00,640 --> 00:05:02,290 in high school and I was bullied for it, please, 180 00:05:02,290 --> 00:05:04,330 don't repeat it, and she kept repeating it, 181 00:05:04,330 --> 00:05:06,780 I don't think you would have the relationship you have now. 182 00:05:06,780 --> 00:05:07,610 JOYCE GIRAUD: Good point. 183 00:05:07,610 --> 00:05:08,310 Yes and no. 184 00:05:08,310 --> 00:05:09,370 Very good point. 185 00:05:09,370 --> 00:05:11,560 So don't tell me she's a great heart. 186 00:05:11,560 --> 00:05:13,690 Because to me, she hasn't showed that great heart. 187 00:05:13,690 --> 00:05:16,630 YOLANDA HADID: I can see where Joyce is coming from. 188 00:05:16,630 --> 00:05:19,210 I can't control what comes out of Brandi's mouth. 189 00:05:19,210 --> 00:05:22,120 Even though I don't agree with it, I don't condone it, 190 00:05:22,120 --> 00:05:25,690 I will say something about it when it's the appropriate time. 191 00:05:25,690 --> 00:05:28,000 Michael, just say one thing, you 192 00:05:28,000 --> 00:05:31,470 can see from this group there's 4, 193 00:05:31,470 --> 00:05:34,840 5, 6 people that really like her and love her. 194 00:05:34,840 --> 00:05:36,400 So there must be some goodness there. 195 00:05:36,400 --> 00:05:37,370 I want to see that. 196 00:05:37,370 --> 00:05:38,900 But take our advise then, though. 197 00:05:38,900 --> 00:05:39,600 I mean, take-- 198 00:05:39,600 --> 00:05:41,710 No, tell her to take the advice. 199 00:05:41,710 --> 00:05:43,450 I think you need to advise her. 200 00:05:43,450 --> 00:05:44,260 You need to advise her. 201 00:05:44,260 --> 00:05:46,540 You need to advise her and give her some elegance. 202 00:05:46,540 --> 00:05:50,800 She's proven to me that she is authentic, and a loyal friend, 203 00:05:50,800 --> 00:05:51,770 and that she-- 204 00:05:51,770 --> 00:05:54,370 you know, she's an honest person. 205 00:05:54,370 --> 00:05:57,100 And all I've seen as much as you think she's authentic, 206 00:05:57,100 --> 00:06:00,160 I've seen a genuine, authentic, mean person 207 00:06:00,160 --> 00:06:01,750 that giggles at your table. LISA VANDERPUMP: But when? 208 00:06:01,750 --> 00:06:02,620 I didn't see any of this-- 209 00:06:02,620 --> 00:06:04,360 --that make comments at your table. 210 00:06:04,360 --> 00:06:08,140 I think they're trying to still see a good and decent person. 211 00:06:08,140 --> 00:06:10,810 I think what they witnessed is a train wreck. 212 00:06:10,810 --> 00:06:15,160 And they all know that this train is going to derail again. 213 00:06:15,160 --> 00:06:18,250 JOYCE GIRAUD: If she tells me, listen, in Palm Springs, 214 00:06:18,250 --> 00:06:19,060 I was rude. 215 00:06:19,060 --> 00:06:20,380 I apologise for bullying you. 216 00:06:20,380 --> 00:06:22,630 The moment she comes and tells me that, it's erased. 217 00:06:22,630 --> 00:06:25,840 If God could forgive what humanity did to his son, 218 00:06:25,840 --> 00:06:27,400 who am I to not forgive Brandi for being 219 00:06:27,400 --> 00:06:29,050 such a stupid little bitch? 220 00:06:29,050 --> 00:06:31,570 Can we get some disaster over here, please? 221 00:06:31,570 --> 00:06:33,340 If you're not too-- if you're not too busy. 222 00:06:33,340 --> 00:06:34,450 I put dessert in. 223 00:06:38,880 --> 00:06:40,350 [MUSIC PLAYING] 224 00:06:53,840 --> 00:06:54,600 Oh, my God. 225 00:06:54,600 --> 00:06:55,680 He's here. 226 00:06:55,680 --> 00:06:57,840 I'm expecting a whole new dog. 227 00:06:57,840 --> 00:07:00,420 I'm expecting a whole new Kingsley. 228 00:07:03,190 --> 00:07:06,150 Kim. 229 00:07:06,150 --> 00:07:07,260 It's your baby. 230 00:07:07,260 --> 00:07:09,560 Say hello to your baby. 231 00:07:09,560 --> 00:07:13,660 Look at your baby. 232 00:07:13,660 --> 00:07:15,330 KIM RICHARDS: He's probably thinking, 233 00:07:15,330 --> 00:07:18,890 I'll tell you at what time I miss my mum the most, 234 00:07:18,890 --> 00:07:21,210 at David's, I sleep in this crate. 235 00:07:21,210 --> 00:07:23,760 He's so happy. 236 00:07:23,760 --> 00:07:33,160 And at home, I sleep on a European King fluffy mattress 237 00:07:33,160 --> 00:07:38,330 with a down quilt on my mum. 238 00:07:38,330 --> 00:07:39,030 Kingsley. 239 00:07:39,030 --> 00:07:41,010 Wow. 240 00:07:41,010 --> 00:07:45,340 Wanna cuddle with us? 241 00:07:45,340 --> 00:07:47,280 Yeah. 242 00:07:47,280 --> 00:07:48,530 Hi. 243 00:07:48,530 --> 00:07:50,040 You're so-- I missed you. 244 00:07:50,040 --> 00:07:51,820 Oh, I missed you so much. 245 00:07:51,820 --> 00:07:53,470 Oh, you big boy. 246 00:07:53,470 --> 00:07:54,590 KIMBERLY JACKSON: How was it? 247 00:07:54,590 --> 00:07:55,730 DAVID: It was great. 248 00:07:55,730 --> 00:07:56,430 Yeah. 249 00:07:56,430 --> 00:07:58,280 I mean, yeah, he completely relaxed. 250 00:07:58,280 --> 00:07:59,760 He-- you can see, he's like a puppy again. 251 00:07:59,760 --> 00:08:02,840 What you need to do now is you reward him only 252 00:08:02,840 --> 00:08:03,860 when he does something right. 253 00:08:03,860 --> 00:08:05,840 KIM RICHARDS: Am I asking for too much? 254 00:08:05,840 --> 00:08:09,080 I wanted safe dog for all the people. 255 00:08:09,080 --> 00:08:11,120 Every time you want to just like cuddle with him 256 00:08:11,120 --> 00:08:13,480 and make him your teddy bear, make him earn it. 257 00:08:13,480 --> 00:08:14,870 I want a baby. 258 00:08:14,870 --> 00:08:17,750 He comes to you, you're like sit, down, check. 259 00:08:17,750 --> 00:08:18,620 Oh, OK. 260 00:08:18,620 --> 00:08:19,790 I want a guard dog, too. 261 00:08:19,790 --> 00:08:22,130 I mean, am I asking for too much? 262 00:08:22,130 --> 00:08:23,070 Maybe. 263 00:08:23,070 --> 00:08:24,880 Like, I would push him and I would get him up. 264 00:08:24,880 --> 00:08:26,990 Look, off, sit. 265 00:08:26,990 --> 00:08:31,460 If he doesn't do the sit down, then you have to make an issue 266 00:08:31,460 --> 00:08:33,260 of it right away correct in. 267 00:08:33,260 --> 00:08:34,010 See, he does that. 268 00:08:34,010 --> 00:08:36,420 He's kind of sulking because he's got the muzzle on. 269 00:08:36,420 --> 00:08:37,520 KIMBERLY JACKSON: You do it, mum. 270 00:08:37,520 --> 00:08:39,500 KIM RICHARDS: I love the training 271 00:08:39,500 --> 00:08:42,020 that he's put in with Kingsley, but what 272 00:08:42,020 --> 00:08:44,570 do you walk around your house all day with a damn leash 273 00:08:44,570 --> 00:08:46,530 hanging off your dog? 274 00:08:46,530 --> 00:08:48,680 This doesn't make sense to me. 275 00:08:48,680 --> 00:08:50,740 Kingsley, Kingsley, check. 276 00:08:50,740 --> 00:08:51,650 Kingsley, check. 277 00:08:51,650 --> 00:08:52,450 Check. 278 00:08:52,450 --> 00:08:53,990 Good check. - Right. 279 00:08:53,990 --> 00:08:55,150 Now. - Kingsly, come on. 280 00:08:55,150 --> 00:08:56,270 Kingsly, check. Check. 281 00:08:56,270 --> 00:08:57,270 Good check. Check. 282 00:08:57,270 --> 00:08:58,170 Kingsly, check. - Bump him. 283 00:08:58,170 --> 00:08:58,860 Bump him. - Good check. 284 00:08:58,860 --> 00:08:59,560 Good. 285 00:08:59,560 --> 00:09:00,640 See, he sat, Kim. He sad. 286 00:09:00,640 --> 00:09:01,340 You should have got-- 287 00:09:01,340 --> 00:09:03,740 But you have to go-- you go check, and then you go down. 288 00:09:03,740 --> 00:09:04,790 Well, I don't go down. 289 00:09:04,790 --> 00:09:05,610 Oh, yeah? 290 00:09:05,610 --> 00:09:06,310 No. 291 00:09:06,310 --> 00:09:07,970 You don't just do check, you go-- 292 00:09:07,970 --> 00:09:09,170 DAVID: Give him a variety of things. 293 00:09:09,170 --> 00:09:11,960 Like go, check, and OK, sit, then down. 294 00:09:11,960 --> 00:09:13,340 Tell him to do two things. - I thought it was just a check. 295 00:09:13,340 --> 00:09:14,090 It's check sit? 296 00:09:14,090 --> 00:09:16,070 Check down. 297 00:09:16,070 --> 00:09:17,450 You can do combinations. 298 00:09:17,450 --> 00:09:18,420 Whatever you want to do. But-- 299 00:09:18,420 --> 00:09:20,070 This is very confusing. KIMBERLY JACKSON: Switch it up. 300 00:09:20,070 --> 00:09:20,840 KIM RICHARDS: Kingsley? 301 00:09:20,840 --> 00:09:21,650 Kingsley, check. 302 00:09:21,650 --> 00:09:24,850 Kingsley? 303 00:09:24,850 --> 00:09:25,750 Good check. 304 00:09:25,750 --> 00:09:27,390 Good-- down. 305 00:09:27,390 --> 00:09:29,030 Good dog, Kingsly. 306 00:09:29,030 --> 00:09:30,180 Good. 307 00:09:30,180 --> 00:09:31,100 Down. 308 00:09:31,100 --> 00:09:32,040 Just joking. 309 00:09:32,040 --> 00:09:33,680 It was just a joke. 310 00:09:33,680 --> 00:09:34,380 OK. 311 00:09:34,380 --> 00:09:34,880 KIMBERLY JACKSON: You need help with this. 312 00:09:34,880 --> 00:09:35,580 We'll do it-- 313 00:09:35,580 --> 00:09:37,270 Aw, just joking. 314 00:09:37,270 --> 00:09:37,970 OK. 315 00:09:37,970 --> 00:09:39,260 Up, Kingsley. 316 00:09:39,260 --> 00:09:40,330 NARRATOR (VOICEOVER): Coming up. 317 00:09:40,330 --> 00:09:41,260 KYLE RICHARDS: I'm confused. 318 00:09:41,260 --> 00:09:44,150 Like, I'm combining I think baseball and golf. 319 00:09:44,150 --> 00:09:46,050 Like I just want to take that thing and (SWISHING SOUND). 320 00:09:46,050 --> 00:09:48,530 You know what I mean? 321 00:09:48,530 --> 00:09:49,980 [MUSIC PLAYING] 322 00:09:55,270 --> 00:09:56,230 CARLTON GEBBIA: Elizy? 323 00:09:56,230 --> 00:09:57,380 ELIZY: Yes, I'm here. 324 00:09:57,380 --> 00:09:58,580 CARLTON GEBBIA: Where are the girls? 325 00:09:58,580 --> 00:09:59,450 ELIZY: They're right here. 326 00:09:59,450 --> 00:10:00,920 We're going to go wash the doll's House? 327 00:10:00,920 --> 00:10:02,380 Well, playhouse. 328 00:10:02,380 --> 00:10:03,940 We're going to clean-- wash it? 329 00:10:03,940 --> 00:10:05,970 ELIZY: Yeah, wash it first. 330 00:10:05,970 --> 00:10:06,670 We can-- 331 00:10:06,670 --> 00:10:08,000 With buckets? 332 00:10:08,000 --> 00:10:08,830 No, with sponges. 333 00:10:08,830 --> 00:10:10,030 [LAUGHING] ELIZY: [INAUDIBLE]. 334 00:10:10,030 --> 00:10:10,730 That's what I meant. 335 00:10:10,730 --> 00:10:11,520 With sponges? 336 00:10:11,520 --> 00:10:12,250 Yeah, sponges, yeah. 337 00:10:12,250 --> 00:10:12,950 Hey, baby. 338 00:10:12,950 --> 00:10:13,650 Hey, mommy. 339 00:10:13,650 --> 00:10:14,590 Bloody hell. 340 00:10:14,590 --> 00:10:15,900 What took so long? - I know. 341 00:10:15,900 --> 00:10:16,470 I'm sorry. - Hi. 342 00:10:16,470 --> 00:10:17,680 Hi. 343 00:10:17,680 --> 00:10:20,470 CARLTON GEBBIA: My children, they have a blessed life, 344 00:10:20,470 --> 00:10:24,190 but they also are very aware that money is not everything. 345 00:10:24,190 --> 00:10:26,980 My two girls are now tidying up after themselves. 346 00:10:26,980 --> 00:10:27,780 Thank god. 347 00:10:27,780 --> 00:10:28,480 OK, wait. 348 00:10:28,480 --> 00:10:29,330 Just do me a favour-- 349 00:10:29,330 --> 00:10:30,400 this is kind of gross, actually. 350 00:10:30,400 --> 00:10:31,190 DESTINY: I know. 351 00:10:31,190 --> 00:10:31,890 MYSTERI: I know. 352 00:10:31,890 --> 00:10:33,280 DESTINY: Because it has spiders on it. 353 00:10:33,280 --> 00:10:35,050 CARLTON GEBBIA: Shut up. 354 00:10:35,050 --> 00:10:36,520 I don't like brats. 355 00:10:36,520 --> 00:10:38,830 I don't like badly behaved children. 356 00:10:38,830 --> 00:10:40,240 I think children should be polite. 357 00:10:40,240 --> 00:10:42,680 I get so many compliments about my girls. 358 00:10:42,680 --> 00:10:43,930 And I'm very proud of that. 359 00:10:43,930 --> 00:10:44,920 This is-- - Ah, spider. 360 00:10:44,920 --> 00:10:45,620 Ah! 361 00:10:45,620 --> 00:10:46,570 Shh. 362 00:10:46,570 --> 00:10:47,790 It's just a little one. 363 00:10:47,790 --> 00:10:48,800 No, stop it. Stop it. 364 00:10:48,800 --> 00:10:49,880 DESTINY: Oh, come on. CARLTON GEBBIA: Don't kill it. 365 00:10:49,880 --> 00:10:51,080 ELIZY: Spider. 366 00:10:51,080 --> 00:10:51,870 I was going to kill it. 367 00:10:51,870 --> 00:10:52,870 CARLTON GEBBIA: Don't kill it. 368 00:10:52,870 --> 00:10:53,890 Why? 369 00:10:53,890 --> 00:10:55,720 Because it lives in the grass. 370 00:10:55,720 --> 00:10:56,680 [BEEP] just walk over there. 371 00:10:56,680 --> 00:10:57,380 Oh, my God. 372 00:10:57,380 --> 00:10:58,890 Stop it. CARLTON GEBBIA: Don't do that. 373 00:10:58,890 --> 00:10:59,590 That's not cool. 374 00:11:03,080 --> 00:11:04,580 [LAUGHTER] 375 00:11:07,570 --> 00:11:10,960 Ooh, [BEEP] hell. 376 00:11:10,960 --> 00:11:11,660 I didn't-- 377 00:11:11,660 --> 00:11:12,360 ELIZY: Oh, my God. 378 00:11:12,360 --> 00:11:16,300 Let's just get a hose and hose everything down like I said. 379 00:11:16,300 --> 00:11:17,770 CARLTON GEBBIA: Bloody hell. 380 00:11:17,770 --> 00:11:19,370 Gross. 381 00:11:19,370 --> 00:11:20,850 [LAUGHTER] 382 00:11:23,300 --> 00:11:24,280 [BEEP] 383 00:11:26,250 --> 00:11:28,440 We have a lot of fun together, which is great. 384 00:11:28,440 --> 00:11:30,570 It's a great compliment to us as parents that our children 385 00:11:30,570 --> 00:11:31,790 love hanging out with us. 386 00:11:31,790 --> 00:11:32,490 I love it. 387 00:11:32,490 --> 00:11:34,120 I wouldn't change it for the world. 388 00:11:34,120 --> 00:11:35,520 [LAUGHING] 389 00:11:36,920 --> 00:11:37,970 I'm done. 390 00:11:37,970 --> 00:11:38,670 I am. 391 00:11:38,670 --> 00:11:39,370 For real. 392 00:11:39,370 --> 00:11:40,550 I'm so done. 393 00:11:40,550 --> 00:11:41,980 [LAUGHING] 394 00:11:41,980 --> 00:11:43,820 DESTINY: Stop it. 395 00:11:43,820 --> 00:11:44,520 Stop it. 396 00:11:44,520 --> 00:11:46,870 CARLTON GEBBIA: You said you were hot. 397 00:11:46,870 --> 00:11:48,360 [MUSIC PLAYING] 398 00:12:03,740 --> 00:12:05,260 Hello. 399 00:12:05,260 --> 00:12:06,390 Hi. 400 00:12:06,390 --> 00:12:07,090 How are you? 401 00:12:07,090 --> 00:12:07,950 Sorry, I'm late. 402 00:12:07,950 --> 00:12:08,840 No, relax. 403 00:12:08,840 --> 00:12:10,060 Relax. Come. 404 00:12:10,060 --> 00:12:10,860 I was just waiting here. 405 00:12:10,860 --> 00:12:12,320 I was working on my tan while you came. 406 00:12:12,320 --> 00:12:13,260 Oh, my gosh. Wait. 407 00:12:13,260 --> 00:12:14,380 So you bought your clubs? 408 00:12:14,380 --> 00:12:16,600 You know, I told you Michael got me clubs. 409 00:12:16,600 --> 00:12:18,410 And look, the clubs are bigger than me. 410 00:12:18,410 --> 00:12:20,630 I'm like falling with the whole club. 411 00:12:20,630 --> 00:12:23,110 I look the part, but I don't know what I'm doing. 412 00:12:23,110 --> 00:12:26,110 Golfing is something I've always promised Mauricio 413 00:12:26,110 --> 00:12:27,160 that I would play one day. 414 00:12:27,160 --> 00:12:28,510 And he keeps saying, if you don't learn, 415 00:12:28,510 --> 00:12:29,340 what are you going to do? 416 00:12:29,340 --> 00:12:31,580 You just going to drive the golf cart around? 417 00:12:31,580 --> 00:12:33,690 Yeah. 418 00:12:33,690 --> 00:12:34,540 How are you? - I'm good. 419 00:12:34,540 --> 00:12:35,240 Hey, Joyce. 420 00:12:35,240 --> 00:12:35,990 Nice to meet you. 421 00:12:35,990 --> 00:12:36,980 James. - Kyle. 422 00:12:36,980 --> 00:12:37,830 Kyle. Nice to meet you. 423 00:12:37,830 --> 00:12:38,800 James. 424 00:12:38,800 --> 00:12:39,990 How's it going? - Wonderful. 425 00:12:39,990 --> 00:12:41,550 Thank you. - Are you girls ready to-- 426 00:12:41,550 --> 00:12:41,880 - James? - Yeah. 427 00:12:41,880 --> 00:12:43,370 We look like we know what we're doing. 428 00:12:43,370 --> 00:12:44,600 JAMES: Sure - I don't. 429 00:12:44,600 --> 00:12:47,370 I have the whole thing just because I love it, but-- 430 00:12:47,370 --> 00:12:48,340 KYLE RICHARDS: You look cool. 431 00:12:48,340 --> 00:12:49,210 I'm confused. 432 00:12:49,210 --> 00:12:52,270 Like, I'm combining I think baseball and golf. 433 00:12:52,270 --> 00:12:54,190 Like I just want to take that thing and (SWISHING SOUND). 434 00:12:54,190 --> 00:12:55,270 You know what I mean? 435 00:12:55,270 --> 00:12:57,320 So you'll use these balls to chip to the pin. 436 00:12:57,320 --> 00:12:58,190 But what does that mean? 437 00:12:58,190 --> 00:12:59,560 A chip? 438 00:12:59,560 --> 00:13:00,640 I'll show you in one second. 439 00:13:00,640 --> 00:13:02,410 OK, so we're going to go to that pin right there. 440 00:13:02,410 --> 00:13:03,850 I want you guys to put the face right 441 00:13:03,850 --> 00:13:04,870 here, right behind the ball. 442 00:13:04,870 --> 00:13:07,480 And I want you to just go back and through. 443 00:13:07,480 --> 00:13:09,250 And we're going to aim right at the hole right there. 444 00:13:09,250 --> 00:13:12,040 And you two are going to compete and just see how you do. 445 00:13:12,040 --> 00:13:12,850 Easy enough, right? 446 00:13:12,850 --> 00:13:15,360 Don't kill anyone. 447 00:13:15,360 --> 00:13:18,100 But make sure you hit down through the ball. 448 00:13:18,100 --> 00:13:19,400 KYLE RICHARDS: Oh, my God. 449 00:13:19,400 --> 00:13:22,310 I almost got it in the wholey. 450 00:13:22,310 --> 00:13:23,540 Where is that going? 451 00:13:23,540 --> 00:13:26,210 JOYCE GIRAUD: Kyle's golfing is as good as mine. 452 00:13:26,210 --> 00:13:28,250 Not good. 453 00:13:28,250 --> 00:13:30,890 Now all these balls are blocking my way. 454 00:13:30,890 --> 00:13:31,680 Let's pick up. 455 00:13:31,680 --> 00:13:32,380 Let's pick up balls. 456 00:13:32,380 --> 00:13:33,220 OK. 457 00:13:33,220 --> 00:13:34,430 We can pick up. We can pick up. 458 00:13:34,430 --> 00:13:35,570 Just practise hitting them. 459 00:13:35,570 --> 00:13:36,320 Just do this-- 460 00:13:36,320 --> 00:13:37,220 Let me pick up. 461 00:13:37,220 --> 00:13:38,600 I didn't know, you know, what was going 462 00:13:38,600 --> 00:13:39,860 to happen with you and Brandi. 463 00:13:39,860 --> 00:13:41,040 I don't even know what happened. 464 00:13:41,040 --> 00:13:41,780 It was insane. 465 00:13:41,780 --> 00:13:42,830 I mean-- 466 00:13:42,830 --> 00:13:43,700 What exactly happened? 467 00:13:43,700 --> 00:13:46,940 Well, Lisa sends me a text and tells me, listen, 468 00:13:46,940 --> 00:13:48,450 I want to invite you to dinner. 469 00:13:48,450 --> 00:13:50,530 There's going to be mutual friends, Mohammad and Martin. 470 00:13:50,530 --> 00:13:51,230 Right. 471 00:13:51,230 --> 00:13:52,030 I said, you know what? 472 00:13:52,030 --> 00:13:54,450 I'm never-- I've never been one to be scared of anyone. 473 00:13:54,450 --> 00:13:57,380 So if they want to start fresh, even though they've 474 00:13:57,380 --> 00:14:00,110 been attacking, even though they haven't been receptive, 475 00:14:00,110 --> 00:14:02,750 even though whatever has happened in the past, 476 00:14:02,750 --> 00:14:03,860 let's go in fresh, right? 477 00:14:11,230 --> 00:14:12,880 BRANDI GLANVILLE: So last night was fun. 478 00:14:15,730 --> 00:14:19,200 That was not fun at all. 479 00:14:19,200 --> 00:14:19,960 I had to go. 480 00:14:19,960 --> 00:14:20,810 I'm sorry. 481 00:14:20,810 --> 00:14:23,500 I just wasn't in the head space to be there. 482 00:14:23,500 --> 00:14:26,140 I could-- I noticed that. 483 00:14:26,140 --> 00:14:27,760 I think everybody noticed that. 484 00:14:27,760 --> 00:14:29,020 Yeah, was I bitchy to her? 485 00:14:29,020 --> 00:14:29,740 For sure. 486 00:14:29,740 --> 00:14:30,760 She pissed me off. 487 00:14:30,760 --> 00:14:31,870 You get what you give. 488 00:14:31,870 --> 00:14:35,650 But I just think that there-- you need to-- like, 489 00:14:35,650 --> 00:14:37,180 I know you before-- 490 00:14:37,180 --> 00:14:37,980 I mean, I know you. 491 00:14:37,980 --> 00:14:38,680 Right. 492 00:14:38,680 --> 00:14:41,200 I know the beautiful person that I've 493 00:14:41,200 --> 00:14:43,960 gotten to know over time, OK? 494 00:14:43,960 --> 00:14:48,290 And I think just because you've had so much hurt and all this 495 00:14:48,290 --> 00:14:50,560 [BEEP] you've been through, you've just built up this 496 00:14:50,560 --> 00:14:53,710 defence mechanism to people that when-- 497 00:14:53,710 --> 00:14:55,330 you know, you're a Scorpio. 498 00:14:55,330 --> 00:14:57,400 You know, you're good, but when you sting, you sting hard, 499 00:14:57,400 --> 00:14:58,450 and it hurts. 500 00:14:58,450 --> 00:15:02,350 But you doing it in a way now that-- 501 00:15:02,350 --> 00:15:06,850 you know, that is almost like-- last night, it's not charming. 502 00:15:06,850 --> 00:15:09,180 I don't feel like I was 100% right at Sur, 503 00:15:09,180 --> 00:15:11,410 but I don't feel like two wrongs make a right. 504 00:15:11,410 --> 00:15:13,570 And I feel like I shouldn't I said some things that I said, 505 00:15:13,570 --> 00:15:15,700 but I have a really bad temper. 506 00:15:15,700 --> 00:15:17,770 You know, it's almost like when you start, it's like-- 507 00:15:17,770 --> 00:15:18,700 it's embarrassing. 508 00:15:18,700 --> 00:15:20,830 It's not the proper way of communicating. 509 00:15:20,830 --> 00:15:21,670 You know what I mean? 510 00:15:21,670 --> 00:15:22,990 We just put the order in. 511 00:15:22,990 --> 00:15:24,170 We haven't even had dinner. 512 00:15:24,170 --> 00:15:27,280 There's a moment of silence, Brandi's like, Joyce? 513 00:15:27,280 --> 00:15:28,990 Puts her hand on table. 514 00:15:28,990 --> 00:15:30,250 And I'm like, yes? 515 00:15:30,250 --> 00:15:32,140 She says, you know we have a lot of mutual friends. 516 00:15:32,140 --> 00:15:35,450 They don't speak well about you. 517 00:15:35,450 --> 00:15:39,460 And I look at her and I'm like, you know, why? 518 00:15:39,460 --> 00:15:40,630 YOLANDA HADID: You lose credibility 519 00:15:40,630 --> 00:15:41,980 when you talk like that. 520 00:15:41,980 --> 00:15:43,560 And you know, and I love her. 521 00:15:43,560 --> 00:15:44,290 But that's who I am. 522 00:15:44,290 --> 00:15:46,600 But I'm not going to-- no, I'm not going to change who I am. 523 00:15:46,600 --> 00:15:47,680 I'm not going to-- 524 00:15:47,680 --> 00:15:49,630 I'm not seeing change who you are, but change 525 00:15:49,630 --> 00:15:50,470 the way you communicate. 526 00:15:50,470 --> 00:15:53,470 Because it was so rough. 527 00:15:53,470 --> 00:15:55,420 [BEEP] you is really not the best 528 00:15:55,420 --> 00:15:58,480 way to articulate how you feel. 529 00:15:58,480 --> 00:16:01,930 I'm just trying to be a big sister to her 530 00:16:01,930 --> 00:16:05,050 and help her maybe change a little bit. 531 00:16:05,050 --> 00:16:06,460 I'm not myself right now. 532 00:16:06,460 --> 00:16:07,690 I miss my dog. 533 00:16:07,690 --> 00:16:09,070 I miss my kids. 534 00:16:09,070 --> 00:16:11,230 I have issues with my ex-husband. 535 00:16:11,230 --> 00:16:13,910 Listen, I'm not-- I'm not in a good space right now. 536 00:16:13,910 --> 00:16:15,660 I know. 537 00:16:15,660 --> 00:16:18,490 So to go and be happy-go-lucky and have the exact right 538 00:16:18,490 --> 00:16:20,350 thing to say right now to someone 539 00:16:20,350 --> 00:16:22,180 I could give a rat's ass about? 540 00:16:22,180 --> 00:16:22,880 I'm sorry. 541 00:16:22,880 --> 00:16:23,580 But-- 542 00:16:23,580 --> 00:16:24,910 This is what comes out, [BEEP] you, 543 00:16:24,910 --> 00:16:26,290 go [BEEP] yourself, [Beep]. YOLANDA HADID: I know. 544 00:16:26,290 --> 00:16:26,740 I know. I know. 545 00:16:26,740 --> 00:16:28,100 But it's not-- - I can't handle it. 546 00:16:28,100 --> 00:16:28,800 It's not cool. 547 00:16:28,800 --> 00:16:31,760 I know, but listen, you need to think beyond that. 548 00:16:31,760 --> 00:16:33,100 It's just-- it's not acceptable. 549 00:16:33,100 --> 00:16:36,470 You can't keep doing that. 550 00:16:36,470 --> 00:16:38,000 Brandi has three steps. 551 00:16:38,000 --> 00:16:40,630 Number one, she plans a vicious attack and throws it out there. 552 00:16:40,630 --> 00:16:43,900 Number two, she goes on an F word track. 553 00:16:43,900 --> 00:16:47,320 F you, F you, F this, F this, F, F, F. And then number three, 554 00:16:47,320 --> 00:16:48,580 she cries and becomes the victim. 555 00:16:48,580 --> 00:16:49,390 You know what? 556 00:16:49,390 --> 00:16:50,860 I hate seeing girls cry. 557 00:16:50,860 --> 00:16:51,910 I'm a girls girl. 558 00:16:51,910 --> 00:16:53,890 But I have no sympathy for her right now. 559 00:16:53,890 --> 00:16:55,500 Because that's her typical thing. 560 00:16:55,500 --> 00:16:56,470 Let me cry and be the victim. 561 00:16:56,470 --> 00:16:58,630 Let me act like, oh, Joyce, you have 562 00:16:58,630 --> 00:16:59,630 your husband to defend you. 563 00:16:59,630 --> 00:17:00,790 I have no one. 564 00:17:00,790 --> 00:17:02,530 And I'm thinking to myself, if you were a more 565 00:17:02,530 --> 00:17:04,000 pleasant person, you would have a man, 566 00:17:04,000 --> 00:17:05,410 because you're a gorgeous girl. 567 00:17:05,410 --> 00:17:06,920 But I have news for her, no guy is 568 00:17:06,920 --> 00:17:08,650 going to want to be around such negative energy 569 00:17:08,650 --> 00:17:09,670 and negative drama. 570 00:17:09,670 --> 00:17:11,380 You don't want to come home to that negative stuff. 571 00:17:11,380 --> 00:17:13,780 Next time I see Brandi she will be non-existent to me. 572 00:17:13,780 --> 00:17:16,450 I will cordially say hello, if she says hello. 573 00:17:16,450 --> 00:17:18,080 And if not, she doesn't exist in my world. 574 00:17:21,050 --> 00:17:22,530 [MUSIC PLAYING] 575 00:17:29,460 --> 00:17:34,410 [INAUDIBLE] 576 00:17:34,410 --> 00:17:36,190 Hi. 577 00:17:36,190 --> 00:17:36,920 How are you? 578 00:17:36,920 --> 00:17:37,750 DANIEL: Great to see you. 579 00:17:37,750 --> 00:17:40,320 Oh, nice to see you. 580 00:17:40,320 --> 00:17:41,590 Thank you so much. 581 00:17:41,590 --> 00:17:42,590 - Oh, no problem. - Really. 582 00:17:42,590 --> 00:17:42,860 Really. 583 00:17:42,860 --> 00:17:43,840 It's great to see you again, man. 584 00:17:43,840 --> 00:17:44,610 How's everything? 585 00:17:44,610 --> 00:17:46,000 Why don't you come on over here to the couch. 586 00:17:46,000 --> 00:17:46,420 CARLTON GEBBIA: OK. 587 00:17:46,420 --> 00:17:47,890 And we'll discuss the artwork first. 588 00:17:47,890 --> 00:17:49,150 Brilliant. 589 00:17:49,150 --> 00:17:52,810 I love tattoos because they're very symbolic to me. 590 00:17:52,810 --> 00:17:55,150 I know that a lot of people don't like them. 591 00:17:55,150 --> 00:17:56,170 I'm not doing it for them. 592 00:17:56,170 --> 00:17:57,550 I'm doing it for me. 593 00:17:57,550 --> 00:17:59,140 DANIEL: All right. 594 00:17:59,140 --> 00:18:00,040 Lots to discuss. 595 00:18:00,040 --> 00:18:00,740 OK. 596 00:18:00,740 --> 00:18:03,070 Many different font choices. 597 00:18:03,070 --> 00:18:05,890 But as we discussed, I really like the concept 598 00:18:05,890 --> 00:18:07,090 of using your daughter's-- 599 00:18:07,090 --> 00:18:08,620 CARLTON GEBBIA: Hand writing? - --hand writing. 600 00:18:08,620 --> 00:18:09,490 CARLTON GEBBIA: I do, too. 601 00:18:09,490 --> 00:18:11,800 It really makes it so much more personal. 602 00:18:11,800 --> 00:18:12,820 CARLTON GEBBIA: Right. 603 00:18:12,820 --> 00:18:14,950 DANIEL: And I think it's a really great way to go. 604 00:18:14,950 --> 00:18:16,870 No, the fact that you told me that you can do that 605 00:18:16,870 --> 00:18:17,830 was brilliant. 606 00:18:17,830 --> 00:18:18,620 I was-- right? 607 00:18:18,620 --> 00:18:19,320 For the girls. 608 00:18:19,320 --> 00:18:20,170 Yeah, it looks awesome. 609 00:18:20,170 --> 00:18:21,640 CARLTON GEBBIA: I have four tattoos. 610 00:18:21,640 --> 00:18:26,650 My most recently tattoo that I had was on my back. 611 00:18:26,650 --> 00:18:28,600 They call it a tramp stamp. 612 00:18:28,600 --> 00:18:29,590 I can be trampy. 613 00:18:29,590 --> 00:18:30,900 I've had my moments. 614 00:18:30,900 --> 00:18:32,110 Ask my husband. 615 00:18:32,110 --> 00:18:33,980 And I think to kind of tie it in together-- 616 00:18:33,980 --> 00:18:36,100 Is that how big it's going to be? 617 00:18:36,100 --> 00:18:37,560 I can actually get it this small. 618 00:18:37,560 --> 00:18:38,280 OK. 619 00:18:38,280 --> 00:18:39,070 Yeah. 620 00:18:39,070 --> 00:18:41,430 Too much-- too much smaller, and then 621 00:18:41,430 --> 00:18:43,210 when we start running into problems. 622 00:18:43,210 --> 00:18:44,310 CARLTON GEBBIA: I think I'm going 623 00:18:44,310 --> 00:18:47,000 to be in pain, good bad pain. 624 00:18:47,000 --> 00:18:47,800 Give me a few minutes. 625 00:18:47,800 --> 00:18:48,580 I'll get prepped up. 626 00:18:48,580 --> 00:18:50,000 And then we'll get you back on the chair. 627 00:18:50,000 --> 00:18:52,240 Thank you, honey. 628 00:18:52,240 --> 00:18:54,240 NARRATOR (VOICEOVER): Coming up. 629 00:18:54,240 --> 00:18:55,500 [SQUEALING] 630 00:18:55,500 --> 00:18:57,400 I did say a stupid joke in front of her 631 00:18:57,400 --> 00:18:58,980 that I shouldn't have said. 632 00:19:01,930 --> 00:19:03,410 [MUSIC PLAYING] 633 00:19:07,340 --> 00:19:10,580 DAVID: Can I just see what that looks like? 634 00:19:10,580 --> 00:19:13,300 Oh, wow. 635 00:19:13,300 --> 00:19:14,860 CARLTON GEBBIA: Is it pretty? 636 00:19:14,860 --> 00:19:16,320 DAVID: Actually, it looks pretty good. 637 00:19:16,320 --> 00:19:17,750 CARLTON GEBBIA: Pretty good or really good? 638 00:19:17,750 --> 00:19:18,960 DAVID: No, no, I'm saying it looks good. 639 00:19:18,960 --> 00:19:20,030 [INAUDIBLE] see the [INAUDIBLE]. 640 00:19:20,030 --> 00:19:21,540 CARLTON GEBBIA: Not bloody pretty good. 641 00:19:21,540 --> 00:19:22,850 How do I see it? 642 00:19:22,850 --> 00:19:24,740 Full length mirror over here. 643 00:19:24,740 --> 00:19:26,170 Hand mirror here. 644 00:19:26,170 --> 00:19:27,770 Oh. 645 00:19:27,770 --> 00:19:31,490 My daughter wrote her name in her handwriting, Destiny. 646 00:19:31,490 --> 00:19:33,650 My other daughter wrote her name, Mystery. 647 00:19:33,650 --> 00:19:35,540 And then I wrote my son's name, Cross. 648 00:19:35,540 --> 00:19:39,050 Destiny wrote blessed, and then Mystery wrote be. 649 00:19:39,050 --> 00:19:41,780 Blessed be is part of my paganism. 650 00:19:41,780 --> 00:19:44,270 I have to be honest, I love it. 651 00:19:44,270 --> 00:19:45,540 I do. 652 00:19:45,540 --> 00:19:46,240 I love it. 653 00:19:46,240 --> 00:19:47,710 DAVID: All right. 654 00:19:47,710 --> 00:19:48,410 So go for it. 655 00:19:48,410 --> 00:19:49,350 [SQUEALING] 656 00:19:50,300 --> 00:19:51,530 Are you ready? 657 00:19:51,530 --> 00:19:52,640 Yes. 658 00:19:52,640 --> 00:19:54,380 No. 659 00:19:54,380 --> 00:19:55,770 Face down. 660 00:19:55,770 --> 00:19:56,610 Head down this way. 661 00:19:56,610 --> 00:19:58,250 Oh, you don't have to ask me twice. 662 00:19:58,250 --> 00:19:59,480 [LAUGHING] 663 00:19:59,480 --> 00:20:00,550 Oh, my God. 664 00:20:00,550 --> 00:20:01,450 So where does my chin go? 665 00:20:01,450 --> 00:20:03,330 This is a position you know all too well. 666 00:20:03,330 --> 00:20:05,270 We're going to try to get you nice and comfortable. 667 00:20:05,270 --> 00:20:07,110 Now you're just going to feel a little prick this time. 668 00:20:07,110 --> 00:20:08,560 [LAUGHTER] 669 00:20:10,020 --> 00:20:11,970 Oh, said the [INAUDIBLE] to the nun. 670 00:20:11,970 --> 00:20:13,020 Oh, [BEEP]. 671 00:20:13,020 --> 00:20:13,720 Oh. 672 00:20:13,720 --> 00:20:14,420 DANIEL: Here we go. 673 00:20:14,420 --> 00:20:15,480 DAVID: Oh, God. 674 00:20:15,480 --> 00:20:18,150 CARLTON GEBBIA: Shut up, David. 675 00:20:18,150 --> 00:20:19,190 [SQUEALING] 676 00:20:19,890 --> 00:20:22,010 OK. 677 00:20:22,010 --> 00:20:23,730 It's a bloody painful process. 678 00:20:23,730 --> 00:20:24,970 I will not lie. 679 00:20:24,970 --> 00:20:25,670 Oh, that's-- 680 00:20:25,670 --> 00:20:27,460 DANIEL: Breathe. 681 00:20:27,460 --> 00:20:28,790 CARLTON GEBBIA: That's a bit of a bitch. 682 00:20:28,790 --> 00:20:30,080 DAVID: Holy [BEEP]. 683 00:20:30,080 --> 00:20:30,780 Shut up. 684 00:20:30,780 --> 00:20:32,270 Stop saying holy [BEEP]. 685 00:20:32,270 --> 00:20:34,400 Well, it's not that bad. 686 00:20:34,400 --> 00:20:35,520 I'm being a pussy. 687 00:20:35,520 --> 00:20:36,220 Sorry. 688 00:20:39,450 --> 00:20:40,180 It's so funny. 689 00:20:40,180 --> 00:20:42,430 Because remember I said I wanted to get 690 00:20:42,430 --> 00:20:47,150 the Celtic prayer on my arm? 691 00:20:47,150 --> 00:20:47,850 And then I just-- 692 00:20:47,850 --> 00:20:50,460 I was talking to David and I feel like I had an epiphany. 693 00:20:50,460 --> 00:20:54,870 And I said I wanted to get a pentagram, the Wicca star. 694 00:20:54,870 --> 00:20:59,160 Just because, for me, that's almost a symbol of protection. 695 00:20:59,160 --> 00:21:02,700 And then because I was looking at David's tattoo 696 00:21:02,700 --> 00:21:06,390 and I saw the way the girls had written their names, I'm like, 697 00:21:06,390 --> 00:21:08,740 it would only be fitting to have them on there. 698 00:21:08,740 --> 00:21:10,520 DANIEL: Yeah. 699 00:21:10,520 --> 00:21:11,810 Oh, wow. 700 00:21:11,810 --> 00:21:12,510 What do you think? 701 00:21:12,510 --> 00:21:13,880 DAVID: It looks good. 702 00:21:13,880 --> 00:21:14,580 CARLTON GEBBIA: Yeah? 703 00:21:14,580 --> 00:21:15,410 DAVID: Yeah, it does. 704 00:21:15,410 --> 00:21:16,110 Really? 705 00:21:16,110 --> 00:21:16,860 Yeah. 706 00:21:16,860 --> 00:21:17,870 I don't believe you. 707 00:21:17,870 --> 00:21:18,570 I swear to God. 708 00:21:18,570 --> 00:21:19,590 Why are you hesitating? 709 00:21:19,590 --> 00:21:20,650 I'm not. 710 00:21:20,650 --> 00:21:21,750 CARLTON GEBBIA: I'm going to have 711 00:21:21,750 --> 00:21:24,870 their writing on the back of my neck for the rest of my life. 712 00:21:24,870 --> 00:21:26,910 And it's very symbolic to me. 713 00:21:26,910 --> 00:21:29,730 It's not-- I'm not having a midlife crisis. 714 00:21:29,730 --> 00:21:31,640 It's emotional for me. 715 00:21:31,640 --> 00:21:32,400 You like it? 716 00:21:32,400 --> 00:21:33,640 DAVID: Yeah. CARLTON GEBBIA: Are you sure? 717 00:21:33,640 --> 00:21:34,750 DAVID: Yeah. [LAUGHING] 718 00:21:34,750 --> 00:21:35,610 - It's pretty big. 719 00:21:35,610 --> 00:21:36,780 It is big. 720 00:21:36,780 --> 00:21:38,190 Just the way I like it. 721 00:21:38,190 --> 00:21:39,640 [MUSIC PLAYING] 722 00:21:52,300 --> 00:21:54,320 I love it here. 723 00:21:54,320 --> 00:21:55,390 Hello? 724 00:21:55,390 --> 00:21:56,420 SHANE: Hello, Lisa. 725 00:21:56,420 --> 00:21:57,120 Hey. 726 00:21:57,120 --> 00:21:58,020 Hi. 727 00:21:58,020 --> 00:21:59,040 Oh, you brought him? 728 00:21:59,040 --> 00:22:00,040 I know. Sorry. 729 00:22:00,040 --> 00:22:00,740 Did you have to? 730 00:22:00,740 --> 00:22:01,530 He follows me around. 731 00:22:01,530 --> 00:22:03,270 I've been trying to shake him off for years. 732 00:22:03,270 --> 00:22:05,200 Ken and I are taking on this new restaurant 733 00:22:05,200 --> 00:22:06,970 and creating it called Pump. 734 00:22:06,970 --> 00:22:08,710 So you ready to spend some money? 735 00:22:08,710 --> 00:22:09,610 No. 736 00:22:09,610 --> 00:22:11,200 Ready to have a look. 737 00:22:11,200 --> 00:22:14,770 The process, for me, is finding incredible pieces 738 00:22:14,770 --> 00:22:16,000 as we go along. 739 00:22:16,000 --> 00:22:20,200 I cannot build a restaurant out and then hope to find something 740 00:22:20,200 --> 00:22:21,310 beautiful to put in it. 741 00:22:21,310 --> 00:22:23,410 I have to find those as I go along. 742 00:22:23,410 --> 00:22:25,170 I love this. 743 00:22:25,170 --> 00:22:26,980 Expensive or not? 744 00:22:26,980 --> 00:22:31,420 SHANE: I think they're about $850. 745 00:22:31,420 --> 00:22:32,720 Tables? 746 00:22:32,720 --> 00:22:37,070 We can make any table you want, wood, zinc, steel. 747 00:22:37,070 --> 00:22:38,950 The LOL I think is incredible. 748 00:22:38,950 --> 00:22:39,650 I love it. 749 00:22:39,650 --> 00:22:40,630 OK, so those light-- 750 00:22:40,630 --> 00:22:42,670 KEN TODD: So they're-- this is it, yeah? 751 00:22:42,670 --> 00:22:43,840 LISA VANDERPUMP: How much are they? 752 00:22:43,840 --> 00:22:47,440 SHANE: They're right around $4,500, I think. 753 00:22:47,440 --> 00:22:48,690 LISA VANDERPUMP: $4,500 each? 754 00:22:48,690 --> 00:22:49,390 SHANE: Yeah. 755 00:22:49,390 --> 00:22:50,890 LISA VANDERPUMP: Clearly, I have a budget, 756 00:22:50,890 --> 00:22:54,340 because I'm rummaging around reclamation yard 757 00:22:54,340 --> 00:22:56,410 instead of in Melrose Place. 758 00:22:56,410 --> 00:22:57,780 But that's a feel of the place. 759 00:22:57,780 --> 00:22:59,490 It's gotta be eclectic and sexy. 760 00:22:59,490 --> 00:23:02,530 And when I put it all together, hopefully it works. 761 00:23:02,530 --> 00:23:04,000 That's beautiful there. 762 00:23:04,000 --> 00:23:04,750 I love that. 763 00:23:04,750 --> 00:23:05,680 How much is it? 764 00:23:05,680 --> 00:23:07,510 $875 each, which is-- 765 00:23:07,510 --> 00:23:08,690 $875? 766 00:23:08,690 --> 00:23:10,660 KEN TODD: No, I don't see them. 767 00:23:10,660 --> 00:23:12,590 Don't really like them that much. 768 00:23:12,590 --> 00:23:13,380 I love those. 769 00:23:13,380 --> 00:23:15,520 You like those concrete things? 770 00:23:15,520 --> 00:23:16,340 No. 771 00:23:16,340 --> 00:23:18,240 LISA VANDERPUMP: Ken and I are not only partners in life, 772 00:23:18,240 --> 00:23:19,750 we're partners in business. 773 00:23:19,750 --> 00:23:24,610 And I've built many houses with him, and even a yacht. 774 00:23:24,610 --> 00:23:26,440 It's just a great partnership. 775 00:23:26,440 --> 00:23:28,820 [INAUDIBLE] so save me the bridge things, 776 00:23:28,820 --> 00:23:31,920 the lights, they arch, definitely. 777 00:23:31,920 --> 00:23:34,470 I mean, sometimes, of course I want to strangle him. 778 00:23:34,470 --> 00:23:35,920 But that's life, isn't it? 779 00:23:35,920 --> 00:23:37,510 I was so upset the other night. 780 00:23:37,510 --> 00:23:40,360 I mean, I should have told Brandi to stop, but I didn't. 781 00:23:40,360 --> 00:23:42,160 Well, I mean, Joyce wasn't-- you know, 782 00:23:42,160 --> 00:23:43,400 when she was saying, you're a racist, 783 00:23:43,400 --> 00:23:44,890 Brandi's clearly not racist. 784 00:23:44,890 --> 00:23:46,220 You're a racist, a bully. 785 00:23:46,220 --> 00:23:46,950 That is true. 786 00:23:46,950 --> 00:23:47,650 I'm racist? 787 00:23:47,650 --> 00:23:49,220 - You are a racist. - What are you talking about? 788 00:23:49,220 --> 00:23:50,000 Stop This. 789 00:23:50,000 --> 00:23:52,260 She's had, you know, African-American boyfriends, 790 00:23:52,260 --> 00:23:52,960 friends. 791 00:23:52,960 --> 00:23:54,520 So I didn't even like that. 792 00:23:54,520 --> 00:23:56,680 And I had to stay down the middle in that, 793 00:23:56,680 --> 00:23:58,800 because if I'd attacked Brandi, then I would 794 00:23:58,800 --> 00:24:00,230 have gotten into it with her. 795 00:24:00,230 --> 00:24:01,180 Do you see what I'm saying? 796 00:24:01,180 --> 00:24:01,880 KEN TODD: Of course. 797 00:24:01,880 --> 00:24:03,010 I think you did the right thing. 798 00:24:03,010 --> 00:24:04,540 LISA VANDERPUMP: I'm going to call Joyce, just 799 00:24:04,540 --> 00:24:06,250 sit down with her on my own. 800 00:24:06,250 --> 00:24:09,130 Because I see this frustration. 801 00:24:09,130 --> 00:24:10,360 I don't dislike her. 802 00:24:10,360 --> 00:24:12,920 If it had just been Brandi and Joyce-- 803 00:24:12,920 --> 00:24:13,690 LISA VANDERPUMP: Right. 804 00:24:13,690 --> 00:24:15,690 I don't think she would have got so excited, 805 00:24:15,690 --> 00:24:18,710 but when Michael joined in-- 806 00:24:18,710 --> 00:24:21,180 Michael should have kept out of it 807 00:24:21,180 --> 00:24:22,810 and let Brandi and Joyce speak. 808 00:24:22,810 --> 00:24:23,930 Well, I don't agree with you. 809 00:24:23,930 --> 00:24:25,120 I thought it was quite admirable. 810 00:24:25,120 --> 00:24:26,220 He has to defend his wife. 811 00:24:26,220 --> 00:24:27,370 Of course, he does. - No, he doesn't. 812 00:24:27,370 --> 00:24:28,400 Not against another woman. Why? 813 00:24:28,400 --> 00:24:29,100 Yes, he does. 814 00:24:29,100 --> 00:24:30,310 She can look after herself. 815 00:24:30,310 --> 00:24:31,940 LISA VANDERPUMP: I'm calling bull [BEEP] on that. 816 00:24:31,940 --> 00:24:34,450 If somebody was attacking me, he would defend me. 817 00:24:34,450 --> 00:24:37,220 But he's saying that Brandi is on her own, 818 00:24:37,220 --> 00:24:39,370 and Michael's backing Joyce up, and Michael 819 00:24:39,370 --> 00:24:41,220 should keep out of it. 820 00:24:41,220 --> 00:24:41,920 I don't know. 821 00:24:41,920 --> 00:24:43,470 I don't think life works that way. 822 00:24:43,470 --> 00:24:44,170 Come on. 823 00:24:44,170 --> 00:24:45,620 Let's go. 824 00:24:45,620 --> 00:24:47,780 Don't walk off in a huff. 825 00:24:47,780 --> 00:24:50,590 LISA VANDERPUMP: I'm not in a huff. 826 00:24:50,590 --> 00:24:52,040 [MUSIC PLAYING] 827 00:24:59,900 --> 00:25:00,770 KYLE RICHARDS: Oh, my God. 828 00:25:00,770 --> 00:25:04,470 Can I not-- oh, sorry. 829 00:25:04,470 --> 00:25:05,170 Hi. 830 00:25:05,170 --> 00:25:06,130 MATTHEW: Hello. 831 00:25:06,130 --> 00:25:06,860 Oh, my gosh. 832 00:25:06,860 --> 00:25:07,560 Hello. 833 00:25:07,560 --> 00:25:08,520 Hi. 834 00:25:08,520 --> 00:25:09,670 Are you so excited? 835 00:25:09,670 --> 00:25:10,370 I am. 836 00:25:10,370 --> 00:25:11,400 I'm really nervous. 837 00:25:11,400 --> 00:25:14,670 Like, I feel very nervous. 838 00:25:14,670 --> 00:25:17,600 I feel extra stressed today, because it's not 839 00:25:17,600 --> 00:25:19,520 just an event about having fun. 840 00:25:19,520 --> 00:25:23,360 I'm trying to actually get people here to raise money 841 00:25:23,360 --> 00:25:24,810 for a Children's Hospital. 842 00:25:24,810 --> 00:25:25,740 What would I do without you? 843 00:25:25,740 --> 00:25:26,570 OK. 844 00:25:26,570 --> 00:25:28,460 Not panic so much, maybe. 845 00:25:28,460 --> 00:25:29,370 Well, you know me. 846 00:25:29,370 --> 00:25:30,510 I'm always going to be like that. 847 00:25:30,510 --> 00:25:31,210 OK. 848 00:25:31,210 --> 00:25:34,810 100% of the proceeds are going to Children's Hospital Los 849 00:25:34,810 --> 00:25:35,510 Angeles. 850 00:25:35,510 --> 00:25:37,040 In addition to the tickets, anything 851 00:25:37,040 --> 00:25:40,600 sold in the store tonight, 20% will go to the hospital 852 00:25:40,600 --> 00:25:41,300 as well. 853 00:25:41,300 --> 00:25:44,090 I really need in my head a better visual 854 00:25:44,090 --> 00:25:45,090 of how we're going to do this. 855 00:25:45,090 --> 00:25:47,540 I do want models in the window as people are 856 00:25:47,540 --> 00:25:48,710 arriving with the red carpet. 857 00:25:48,710 --> 00:25:50,420 We do have that. 858 00:25:50,420 --> 00:25:52,000 What was that? 859 00:25:52,000 --> 00:25:54,560 Did something break? 860 00:25:54,560 --> 00:25:56,510 What was that? 861 00:25:56,510 --> 00:25:57,320 A mannequin? 862 00:26:01,530 --> 00:26:03,490 Oh, no. 863 00:26:03,490 --> 00:26:05,480 Oh, [BEEP]. 864 00:26:05,480 --> 00:26:07,130 She's dead. 865 00:26:07,130 --> 00:26:08,150 Oh, God. 866 00:26:08,150 --> 00:26:09,540 My butt is hanging out. 867 00:26:09,540 --> 00:26:11,770 Oh, God. 868 00:26:11,770 --> 00:26:14,510 And the dress. 869 00:26:14,510 --> 00:26:19,920 OK, well-- OK, this is what I'm going to do for now. 870 00:26:19,920 --> 00:26:22,910 She's had one too many cocktails. 871 00:26:22,910 --> 00:26:24,380 [MUSIC PLAYING] 872 00:26:36,590 --> 00:26:38,190 Thank you guys for doing this with me tonight. 873 00:26:38,190 --> 00:26:39,690 It means a lot. ADRIENNE: You're welcome. 874 00:26:39,690 --> 00:26:41,880 No, its, like you said, for a good cause, 875 00:26:41,880 --> 00:26:43,310 and it's for the kids. 876 00:26:43,310 --> 00:26:45,010 BRANDI GLANVILLE: The great thing about these girls 877 00:26:45,010 --> 00:26:46,900 is they just don't judge me. 878 00:26:46,900 --> 00:26:48,730 They will tell me when I screw up. 879 00:26:48,730 --> 00:26:51,190 They will love me no matter what. 880 00:26:51,190 --> 00:26:52,510 But, no, we kind of did something 881 00:26:52,510 --> 00:26:53,730 like what we're doing now in Milan. 882 00:26:53,730 --> 00:26:54,430 I don't remember. 883 00:26:54,430 --> 00:26:55,960 I-- my memory is shot. 884 00:26:55,960 --> 00:26:57,910 She blacked out. 885 00:26:57,910 --> 00:26:59,180 Oh, don't say black around me. 886 00:26:59,180 --> 00:26:59,880 Oh. 887 00:26:59,880 --> 00:27:01,090 What? 888 00:27:01,090 --> 00:27:01,840 It's a long story. 889 00:27:01,840 --> 00:27:02,580 Tell me. 890 00:27:02,580 --> 00:27:03,280 What happened? 891 00:27:03,280 --> 00:27:05,280 Oh, there's so much going on in my-- 892 00:27:05,280 --> 00:27:05,980 right now. 893 00:27:05,980 --> 00:27:07,300 There's this girl that you guys met 894 00:27:07,300 --> 00:27:08,550 the other day, the Joyce girl. 895 00:27:08,550 --> 00:27:09,670 Yeah. Hair. 896 00:27:09,670 --> 00:27:10,940 The hair Yeah, the pretty hair girl. 897 00:27:10,940 --> 00:27:12,450 ADRIENNE: I haven't met her yet. - Oh, you haven't? 898 00:27:12,450 --> 00:27:13,000 ADRIENNE: No. 899 00:27:13,000 --> 00:27:15,000 BRANDI GLANVILLE: Etirsa I think she just has it out for me. 900 00:27:15,000 --> 00:27:18,340 But so far I'm a racist, a bully, an alcoholic. 901 00:27:18,340 --> 00:27:20,290 I did say a stupid joke in front of her 902 00:27:20,290 --> 00:27:22,390 that I shouldn't have said, but it was joking. 903 00:27:22,390 --> 00:27:24,040 And anyone that knows me knows I'm joking. 904 00:27:24,040 --> 00:27:25,240 ETIRSA: But what did you say? 905 00:27:25,240 --> 00:27:26,830 Etirsa I said-- when we were in Palm Springs, 906 00:27:26,830 --> 00:27:28,430 we were all laying around in our bathing suits. 907 00:27:28,430 --> 00:27:29,560 And no one would get in the water. 908 00:27:29,560 --> 00:27:30,640 It was just like me. 909 00:27:30,640 --> 00:27:31,920 So I was like, get in the water. 910 00:27:31,920 --> 00:27:33,420 She's like, oh, no, I don't get in the water. 911 00:27:33,420 --> 00:27:35,170 I'm like, oh, you're like a black person? 912 00:27:35,170 --> 00:27:36,460 And it did not-- 913 00:27:36,460 --> 00:27:37,540 A black person? 914 00:27:37,540 --> 00:27:38,380 BRANDI GLANVILLE: I don't know what I said. 915 00:27:38,380 --> 00:27:39,550 I was like, oh, you're like a black girl? 916 00:27:39,550 --> 00:27:40,460 I don't know what I said. 917 00:27:40,460 --> 00:27:42,010 Like, you don't want to get your weave wet. 918 00:27:42,010 --> 00:27:45,020 ETIRSA: Well, OK, first of all, I 919 00:27:45,020 --> 00:27:48,020 got to say, kind of dumb to say in front of people, 920 00:27:48,020 --> 00:27:49,720 especially that you don't know, you know? 921 00:27:49,720 --> 00:27:50,420 They don't know you. 922 00:27:50,420 --> 00:27:51,420 BRANDI GLANVILLE: She's right. 923 00:27:51,420 --> 00:27:52,300 I shouldn't have said it. 924 00:27:52,300 --> 00:27:53,000 I know it. 925 00:27:53,000 --> 00:27:54,760 And you can't take [BEEP] back. 926 00:27:54,760 --> 00:27:55,660 That's the problem. 927 00:27:55,660 --> 00:27:57,220 I can't imagine she's going to start something 928 00:27:57,220 --> 00:27:59,180 at a [BEEP] charity event. 929 00:27:59,180 --> 00:28:01,870 That gives me anxiety. 930 00:28:01,870 --> 00:28:03,320 [MUSIC PLAYING] 931 00:28:09,350 --> 00:28:10,880 PHOTOGRAPHER: Kyle, can you step on the carpet 932 00:28:10,880 --> 00:28:14,650 and turn all the way. 933 00:28:14,650 --> 00:28:16,100 PHOTOGRAPHER 2: Kyle, look over here, love. 934 00:28:16,100 --> 00:28:20,260 PHOTOGRAPHER 3: Kyle, right here. 935 00:28:20,260 --> 00:28:22,290 PHOTOGRAPHER: Kyle, let's see the front of the dress. 936 00:28:22,290 --> 00:28:23,400 Thank you for being here. 937 00:28:23,400 --> 00:28:24,190 Thanks for having us. 938 00:28:24,190 --> 00:28:24,890 Thank you so much. 939 00:28:24,890 --> 00:28:25,890 Thank you. Thank you. 940 00:28:25,890 --> 00:28:26,590 Hi. 941 00:28:26,590 --> 00:28:27,570 Hi, how are you? 942 00:28:27,570 --> 00:28:28,400 Thank you for being here. 943 00:28:28,400 --> 00:28:29,610 I appreciate it. 944 00:28:29,610 --> 00:28:33,200 Everybody is so tall around me tonight. 945 00:28:33,200 --> 00:28:34,870 This is why I'm not modelling. 946 00:28:34,870 --> 00:28:35,570 Thank you. 947 00:28:35,570 --> 00:28:37,030 Do you think you could get my girls and-- 948 00:28:37,030 --> 00:28:38,330 Oh, there's actually a little runway? 949 00:28:38,330 --> 00:28:40,550 Well, a little bit. 950 00:28:40,550 --> 00:28:42,930 I hope you're wearing panties. 951 00:28:42,930 --> 00:28:44,350 [LAUGHTER] 952 00:28:45,480 --> 00:28:46,970 Well, that's not good. 953 00:28:46,970 --> 00:28:47,930 JOYCE GIRAUD: So gorgeous. 954 00:28:47,930 --> 00:28:48,630 MATTHEW: Hello. 955 00:28:48,630 --> 00:28:50,290 Hi, babe. 956 00:28:50,290 --> 00:28:50,990 How are you? 957 00:28:50,990 --> 00:28:51,940 You look amazing. 958 00:28:51,940 --> 00:28:54,240 Thank you, love. 959 00:28:54,240 --> 00:28:55,410 [INAUDIBLE],, this is [INAUDIBLE].. 960 00:28:55,410 --> 00:28:56,870 WOMAN: Hi, nice to meet you, babe. 961 00:28:56,870 --> 00:28:58,240 BRANDI GLANVILLE: I'm not going to engage 962 00:28:58,240 --> 00:28:59,590 with any little thing. 963 00:28:59,590 --> 00:29:01,930 You give her an inch, and she will take a mile. 964 00:29:01,930 --> 00:29:03,780 And it's not happening here tonight. 965 00:29:03,780 --> 00:29:04,480 So where do we go? 966 00:29:04,480 --> 00:29:05,550 I think we have to change, right? 967 00:29:05,550 --> 00:29:06,010 MATTHEW: In the back. Yeah. 968 00:29:06,010 --> 00:29:07,170 We have to change. - Let's go. 969 00:29:10,130 --> 00:29:11,310 LISA VANDERPUMP: Coming up. 970 00:29:11,310 --> 00:29:14,960 You carried me all the way from the set down 971 00:29:14,960 --> 00:29:16,640 to my dressing room. 972 00:29:16,640 --> 00:29:17,410 I'll never forget that. 973 00:29:17,410 --> 00:29:18,500 Look, I have like goosebumps. 974 00:29:22,980 --> 00:29:24,050 JOYCE GIRAUD: So where do we go? 975 00:29:24,050 --> 00:29:25,240 I think we have to change, right? 976 00:29:25,240 --> 00:29:26,370 MATTHEW: Yeah. So we have to change. 977 00:29:26,370 --> 00:29:28,140 BRANDI GLANVILLE: Let's go. 978 00:29:28,140 --> 00:29:28,840 Hi. 979 00:29:28,840 --> 00:29:30,160 [NON-ENGLISH SPEECH] - Good. 980 00:29:30,160 --> 00:29:30,820 Good. - Good. 981 00:29:30,820 --> 00:29:32,040 How are you doing? - Bien. 982 00:29:32,040 --> 00:29:32,820 Muy bien. 983 00:29:32,820 --> 00:29:34,150 [NON-ENGLISH SPEECH] - [NON-ENGLISH SPEECH] 984 00:29:34,150 --> 00:29:34,920 Si, Peurto Rican. 985 00:29:37,670 --> 00:29:40,270 I hope that Brandi for once can act like a lady and realise 986 00:29:40,270 --> 00:29:41,540 that we are at a charity event. 987 00:29:41,540 --> 00:29:43,270 KYLE RICHARDS: You guys met Brandi's friend, Etirsa. 988 00:29:43,270 --> 00:29:43,970 Hi. 989 00:29:43,970 --> 00:29:44,900 Come over here. 990 00:29:44,900 --> 00:29:46,970 So she actually teaches modelling classes. 991 00:29:46,970 --> 00:29:47,670 OK. 992 00:29:47,670 --> 00:29:49,490 So Sophia-- look at Sophia, she's like-- 993 00:29:49,490 --> 00:29:50,260 look at me next to her. 994 00:29:50,260 --> 00:29:51,350 She's 13, my daughter. 995 00:29:51,350 --> 00:29:52,770 And this is her beautiful friend, Haley. 996 00:29:52,770 --> 00:29:53,950 Haley? - Hi, Haley. 997 00:29:53,950 --> 00:29:54,730 Etirsa. 998 00:29:54,730 --> 00:29:55,870 Nice to meet you. 999 00:29:55,870 --> 00:29:57,640 Etirsa is a professional model. 1000 00:29:57,640 --> 00:29:59,450 She knew Brandi from modelling. 1001 00:29:59,450 --> 00:30:00,370 That's how they met. - Yeah. 1002 00:30:00,370 --> 00:30:01,300 And she actually teaches. 1003 00:30:01,300 --> 00:30:03,370 So I want to give you guys a little, you know, 1004 00:30:03,370 --> 00:30:05,200 how to hold, you know, their posture. 1005 00:30:05,200 --> 00:30:07,000 Is this what you're going to be wearing in the show? 1006 00:30:07,000 --> 00:30:07,800 - Yeah. - OK. 1007 00:30:07,800 --> 00:30:08,800 Sure. Absolutely. 1008 00:30:08,800 --> 00:30:10,600 KYLE RICHARDS: I'm excited to have my daughter's model 1009 00:30:10,600 --> 00:30:12,040 in the fashion show tonight. 1010 00:30:12,040 --> 00:30:13,660 I think it's important for them, even 1011 00:30:13,660 --> 00:30:16,090 if they're a little uncomfortable, to do this, 1012 00:30:16,090 --> 00:30:17,150 because it is for charity. 1013 00:30:17,150 --> 00:30:18,980 At one point, we're going to be standing in the window. 1014 00:30:18,980 --> 00:30:22,490 But we are going to walk at one point each one at a time. 1015 00:30:22,490 --> 00:30:25,390 So I'll show you what that would looks like. 1016 00:30:25,390 --> 00:30:27,780 KYLE RICHARDS: See, how she walks so beautifully like that. 1017 00:30:27,780 --> 00:30:30,480 OK. 1018 00:30:30,480 --> 00:30:31,640 Yeah. 1019 00:30:31,640 --> 00:30:34,520 OK, so when you get to the end, you can just hold it. 1020 00:30:34,520 --> 00:30:35,330 Look around. 1021 00:30:35,330 --> 00:30:36,030 Smile. 1022 00:30:36,030 --> 00:30:36,730 [LAUGHTER] 1023 00:30:37,970 --> 00:30:38,850 Just have fun. 1024 00:30:38,850 --> 00:30:41,190 If your shoe falls off, don't even worry about it. 1025 00:30:41,190 --> 00:30:41,910 You got to try it. 1026 00:30:41,910 --> 00:30:42,680 Come on. 1027 00:30:42,680 --> 00:30:44,630 So once you're up, I don't want your eyes 1028 00:30:44,630 --> 00:30:45,640 to be down anymore, OK? 1029 00:30:45,640 --> 00:30:46,340 Because you-- 1030 00:30:46,340 --> 00:30:47,480 Where do I look exactly? 1031 00:30:47,480 --> 00:30:48,230 You can look-- 1032 00:30:48,230 --> 00:30:49,610 if you want to look around-- 1033 00:30:49,610 --> 00:30:50,790 So scared I'm going to trip. 1034 00:30:50,790 --> 00:30:51,860 You're not going to trip. 1035 00:30:51,860 --> 00:30:52,870 It's a flat surface. 1036 00:30:52,870 --> 00:30:54,530 So you're not going to trip. 1037 00:30:54,530 --> 00:30:56,550 Yeah, just exactly what you're doing. 1038 00:30:56,550 --> 00:30:57,730 OK, stop. 1039 00:30:57,730 --> 00:30:59,230 And kind of lean your weight. 1040 00:30:59,230 --> 00:31:00,240 There you go. Look around. 1041 00:31:00,240 --> 00:31:00,950 Smile. - Smile. 1042 00:31:00,950 --> 00:31:01,650 Smile. 1043 00:31:01,650 --> 00:31:02,470 OK. 1044 00:31:02,470 --> 00:31:03,170 All right. 1045 00:31:03,170 --> 00:31:04,880 So let's start from the beginning. 1046 00:31:04,880 --> 00:31:06,950 And when you walk up the stairs I want 1047 00:31:06,950 --> 00:31:08,180 you to be perfectly poised. 1048 00:31:11,620 --> 00:31:12,560 You have to, Sophia. 1049 00:31:12,560 --> 00:31:14,900 Do one little thing, and you're gonna feel more confident. 1050 00:31:14,900 --> 00:31:17,120 Sophia is 13. 1051 00:31:17,120 --> 00:31:20,610 She looks like she's 17, but she's only 13 years old. 1052 00:31:20,610 --> 00:31:23,030 And she doesn't like to be the centre of attention. 1053 00:31:23,030 --> 00:31:24,140 Just, please, Sophia. 1054 00:31:24,140 --> 00:31:25,430 Just go do it. 1055 00:31:25,430 --> 00:31:28,160 As a child, I actually was shy. 1056 00:31:28,160 --> 00:31:31,370 And my mum sort of pushed me into acting 1057 00:31:31,370 --> 00:31:33,580 to help me overcome my shyness. 1058 00:31:33,580 --> 00:31:34,790 It's for Children's Hospital. 1059 00:31:34,790 --> 00:31:35,490 Be-- 1060 00:31:35,490 --> 00:31:37,940 I know. 1061 00:31:37,940 --> 00:31:40,160 KYLE RICHARDS: So when Sophia feels like that, 1062 00:31:40,160 --> 00:31:42,830 I respect that, but I also know sometimes you have 1063 00:31:42,830 --> 00:31:45,080 to fake it till you make it. 1064 00:31:45,080 --> 00:31:46,370 Get out there. 1065 00:31:46,370 --> 00:31:47,150 Please, do that. 1066 00:31:47,150 --> 00:31:48,250 Please, just go walk up on that. 1067 00:31:48,250 --> 00:31:49,120 That's so uncomfortable. 1068 00:31:49,120 --> 00:31:50,420 You're going to feel better walking-- 1069 00:31:50,420 --> 00:31:51,800 Can I practise with her? 1070 00:31:51,800 --> 00:31:52,500 OK, fine. 1071 00:31:52,500 --> 00:31:53,200 Can we go together? 1072 00:31:53,200 --> 00:31:54,290 Thank you. 1073 00:31:54,290 --> 00:31:55,310 Dammit. 1074 00:31:55,310 --> 00:31:57,400 Well, if I fall, I fall. 1075 00:31:57,400 --> 00:31:58,100 Here, babe. 1076 00:31:58,100 --> 00:31:58,800 OK. 1077 00:31:58,800 --> 00:32:00,090 This one, too. 1078 00:32:00,090 --> 00:32:00,790 Maybe. 1079 00:32:00,790 --> 00:32:01,990 JOYCE GIRAUD: Oh, this is cute, too. 1080 00:32:01,990 --> 00:32:02,780 Let me try this. 1081 00:32:02,780 --> 00:32:03,710 Yeah. 1082 00:32:03,710 --> 00:32:04,940 My dress is stuck up my butt. 1083 00:32:08,480 --> 00:32:10,720 So I can take off the underwear and go commando. 1084 00:32:10,720 --> 00:32:11,660 I'm going commando. 1085 00:32:11,660 --> 00:32:12,360 KYLE RICHARDS: Hi. 1086 00:32:12,360 --> 00:32:13,220 You look beautiful. 1087 00:32:13,220 --> 00:32:14,120 KYLE RICHARDS: How are you? 1088 00:32:14,120 --> 00:32:15,790 Thank you so much for being here. 1089 00:32:15,790 --> 00:32:17,010 I'm happy to be here. 1090 00:32:17,010 --> 00:32:17,780 Thank you so much. 1091 00:32:17,780 --> 00:32:18,770 Are you well? 1092 00:32:18,770 --> 00:32:19,710 I am well. 1093 00:32:19,710 --> 00:32:20,410 Good to see you. 1094 00:32:20,410 --> 00:32:21,390 This is beautiful. 1095 00:32:21,390 --> 00:32:22,920 And we just met your partner. 1096 00:32:22,920 --> 00:32:23,690 You did? 1097 00:32:23,690 --> 00:32:24,410 Lizzie, yes. 1098 00:32:24,410 --> 00:32:26,300 This is Kathy [INAUDIBLE]. 1099 00:32:26,300 --> 00:32:27,590 KYLE RICHARDS: How are you? 1100 00:32:27,590 --> 00:32:28,780 So nice to meet you. 1101 00:32:28,780 --> 00:32:29,410 KYLE RICHARDS: So nice to meet you. 1102 00:32:29,410 --> 00:32:30,650 And thank you for doing this for us. 1103 00:32:30,650 --> 00:32:32,020 JAMIE LEE CURTIS: Thank you for doing this. 1104 00:32:32,020 --> 00:32:32,720 Are you kidding? 1105 00:32:32,720 --> 00:32:33,490 I'm thrilled. 1106 00:32:33,490 --> 00:32:34,770 I'm really proud of you guys. 1107 00:32:34,770 --> 00:32:35,870 Well, you also, very inspiring. 1108 00:32:35,870 --> 00:32:36,660 KATHY: That is true. 1109 00:32:36,660 --> 00:32:37,360 She is. 1110 00:32:37,360 --> 00:32:38,120 She really is. 1111 00:32:38,120 --> 00:32:39,290 You know how long I've known Jamie? 1112 00:32:39,290 --> 00:32:40,170 No, tell me. 1113 00:32:40,170 --> 00:32:43,510 Since, well, I think I was seven years old. 1114 00:32:43,510 --> 00:32:44,210 KATHY: Wow. 1115 00:32:44,210 --> 00:32:45,470 You were a kid yourself. 1116 00:32:45,470 --> 00:32:47,120 No, I was 19, you were 7. 1117 00:32:47,120 --> 00:32:49,610 And Jamie, we did the movie "Halloween" together. 1118 00:32:49,610 --> 00:32:51,220 TOMMY: I saw the [INAUDIBLE]. 1119 00:32:51,220 --> 00:32:52,680 Oh, Tommy, Stop it. 1120 00:32:52,680 --> 00:32:54,870 You're scaring Lizzie. 1121 00:32:54,870 --> 00:32:56,220 Tommy, stop it. 1122 00:32:56,220 --> 00:32:57,720 Now there's nobody out there. 1123 00:32:57,720 --> 00:32:59,370 I know I always say this when I see you, 1124 00:32:59,370 --> 00:33:01,230 but I always remember this. 1125 00:33:01,230 --> 00:33:02,820 It sticks in my mind. 1126 00:33:02,820 --> 00:33:05,370 I remember the night that I wrapped filming. 1127 00:33:05,370 --> 00:33:06,180 You were still shooting. 1128 00:33:06,180 --> 00:33:09,080 It was a night shoot, as most of, you know, the nights were. 1129 00:33:09,080 --> 00:33:11,100 And Jamie said, stop, I want to take 1130 00:33:11,100 --> 00:33:12,360 Kyle back to her dressing room. 1131 00:33:12,360 --> 00:33:16,230 And you carried me all the way from the set down 1132 00:33:16,230 --> 00:33:17,920 to my dressing room. 1133 00:33:17,920 --> 00:33:19,230 I'll never forget that. Look, I have like goosebumps. 1134 00:33:19,230 --> 00:33:20,740 Because she was in the middle of shooting. 1135 00:33:20,740 --> 00:33:22,950 And I just remember, she showed that, you know, 1136 00:33:22,950 --> 00:33:26,460 caring, nurturing side even at that age. 1137 00:33:26,460 --> 00:33:28,090 And I mean, you were-- you were 19 years old. 1138 00:33:28,090 --> 00:33:29,340 You were baby yourself. - Well, just-- 1139 00:33:29,340 --> 00:33:30,310 KATHY: Yeah, but she'd also-- 1140 00:33:30,310 --> 00:33:32,070 KYLE RICHARDS: You're an old soul. 1141 00:33:32,070 --> 00:33:33,600 I'm a little sensitive. 1142 00:33:33,600 --> 00:33:35,640 And going back to Children's hospital, I will say, though, 1143 00:33:35,640 --> 00:33:38,770 and coming to the events, and hearing you speak, 1144 00:33:38,770 --> 00:33:41,080 it really has inspired me a lot. 1145 00:33:41,080 --> 00:33:42,450 And you're so selfless. 1146 00:33:42,450 --> 00:33:44,520 And I really admire your lot for that. 1147 00:33:44,520 --> 00:33:45,420 I appreciate that. 1148 00:33:45,420 --> 00:33:46,140 Hi. 1149 00:33:46,140 --> 00:33:46,840 How are you? 1150 00:33:46,840 --> 00:33:47,600 What's up, Brandi? 1151 00:33:47,600 --> 00:33:48,300 How are you? 1152 00:33:48,300 --> 00:33:49,010 OK. 1153 00:33:49,010 --> 00:33:50,430 Nice to see you. BRANDI GLANVILLE: You, too 1154 00:33:50,430 --> 00:33:51,130 MAURICIO: I love it. 1155 00:33:51,130 --> 00:33:52,190 That's cute. 1156 00:33:52,190 --> 00:33:52,890 What's up, man? 1157 00:33:55,480 --> 00:33:57,620 Hi, gorgeous. 1158 00:33:57,620 --> 00:33:58,450 Hello, hello. 1159 00:33:58,450 --> 00:33:59,390 Hi, hi. 1160 00:33:59,390 --> 00:34:00,360 How are you, pal? 1161 00:34:00,360 --> 00:34:01,080 Great to see you. 1162 00:34:01,080 --> 00:34:02,030 Hi, how are you? 1163 00:34:02,030 --> 00:34:02,980 Hi. 1164 00:34:02,980 --> 00:34:04,290 Thank you for being here. 1165 00:34:04,290 --> 00:34:09,990 Kyle's and my fashion sense is probably not 1166 00:34:09,990 --> 00:34:11,300 on the same planet. 1167 00:34:11,300 --> 00:34:12,230 I like her jewellery though. 1168 00:34:19,990 --> 00:34:20,960 LISA VANDERPUMP: Hello. 1169 00:34:20,960 --> 00:34:21,730 How are you? 1170 00:34:21,730 --> 00:34:23,030 KIM RICHARDS: How are you? LISA VANDERPUMP: I'm good. 1171 00:34:23,030 --> 00:34:23,890 How are you? 1172 00:34:23,890 --> 00:34:24,800 I'm good. 1173 00:34:24,800 --> 00:34:26,080 Hectic. 1174 00:34:26,080 --> 00:34:27,510 BRANDI GLANVILLE: Hi, how are you? 1175 00:34:27,510 --> 00:34:28,240 KIM RICHARDS: I took-- 1176 00:34:28,240 --> 00:34:29,400 Congratulations here. Unbelievable. 1177 00:34:29,400 --> 00:34:30,640 Thank you. Thank you so much. 1178 00:34:30,640 --> 00:34:31,910 I've never been to the store. It's stunning. 1179 00:34:31,910 --> 00:34:33,630 We missed the dinner the other night. 1180 00:34:33,630 --> 00:34:34,330 Yes. 1181 00:34:34,330 --> 00:34:35,260 Yes, you did miss something. 1182 00:34:35,260 --> 00:34:36,560 I heard it was an interesting dinner. 1183 00:34:36,560 --> 00:34:37,580 It was-- it was too much. 1184 00:34:37,580 --> 00:34:38,870 I've never been at a dinner like this. 1185 00:34:38,870 --> 00:34:39,750 So-- KYLE RICHARDS: Oh, my God. 1186 00:34:39,750 --> 00:34:40,870 Well, I have-- - Yeah. 1187 00:34:40,870 --> 00:34:42,000 [LAUGHING] - I'll see you out there. 1188 00:34:42,000 --> 00:34:42,960 I'm collecting the models. 1189 00:34:42,960 --> 00:34:44,870 MICHAEL OHOVEN: Yes. 1190 00:34:44,870 --> 00:34:46,610 LISA VANDERPUMP: Did you talk to Joyce, or not? 1191 00:34:46,610 --> 00:34:47,310 No. 1192 00:34:47,310 --> 00:34:48,650 It's not the right place. 1193 00:34:48,650 --> 00:34:50,430 No. 1194 00:34:50,430 --> 00:34:52,320 I'll speak to her another time. 1195 00:34:52,320 --> 00:34:54,750 It's just hard when you have people that you don't even 1196 00:34:54,750 --> 00:34:55,950 know you and they're trying to take 1197 00:34:55,950 --> 00:34:58,660 you down with every- with all, like, I'm a bully, 1198 00:34:58,660 --> 00:34:59,360 I'm a racist. 1199 00:34:59,360 --> 00:35:01,060 There's a lot more people trying to build you up. 1200 00:35:01,060 --> 00:35:03,270 You've got to keep it in perspective. 1201 00:35:03,270 --> 00:35:04,680 Really. 1202 00:35:04,680 --> 00:35:06,180 It's a-- it's a lot. 1203 00:35:06,180 --> 00:35:08,170 I see that with you. 1204 00:35:08,170 --> 00:35:09,670 [MUSIC PLAYING] 1205 00:35:18,650 --> 00:35:20,150 [CHEERING] 1206 00:35:24,140 --> 00:35:27,890 I have a question, why do models always look unhappy? 1207 00:35:27,890 --> 00:35:29,050 You know, really? 1208 00:35:29,050 --> 00:35:30,330 Have you ever seen them smile? 1209 00:35:30,330 --> 00:35:33,260 They're always like this. 1210 00:35:33,260 --> 00:35:35,290 They're always very angry and very mean. 1211 00:35:35,290 --> 00:35:38,470 Anyway, I'm really thrilled, thrilled to be here. 1212 00:35:38,470 --> 00:35:41,200 For those who don't know me, I'm Jamie Curtis. 1213 00:35:41,200 --> 00:35:43,860 I am here on behalf of Children's Hospital Los 1214 00:35:43,860 --> 00:35:44,560 Angeles. 1215 00:35:44,560 --> 00:35:45,890 [APPLAUSE] 1216 00:35:46,780 --> 00:35:48,310 Thank you. 1217 00:35:48,310 --> 00:35:51,490 Also, it is my great thrill to be able to announce tonight, 1218 00:35:51,490 --> 00:35:53,290 if I may, do I have permission? 1219 00:35:53,290 --> 00:35:54,050 Yes. 1220 00:35:54,050 --> 00:35:55,200 OK. 1221 00:35:55,200 --> 00:36:02,290 That Kyle and Mauricio have joined the first families 1222 00:36:02,290 --> 00:36:04,090 at Children's Hospital of Los Angeles, which 1223 00:36:04,090 --> 00:36:06,360 is a very specific level of giving, 1224 00:36:06,360 --> 00:36:09,190 and it is a big level of advocacy. 1225 00:36:09,190 --> 00:36:12,610 And they're me and countless others, my friend Melanie 1226 00:36:12,610 --> 00:36:15,670 Griffith and Antonio, in establishing 1227 00:36:15,670 --> 00:36:18,160 a level of giving which allows the hospital 1228 00:36:18,160 --> 00:36:19,090 to do their great work. 1229 00:36:19,090 --> 00:36:22,240 And so I'm making this announcement tonight on behalf 1230 00:36:22,240 --> 00:36:23,970 of Children's Hospital Los Angeles 1231 00:36:23,970 --> 00:36:25,590 in receiving that beautiful donation. 1232 00:36:25,590 --> 00:36:26,750 [APPLAUSE] 1233 00:36:28,500 --> 00:36:33,230 I think it's just important to give back to the things that 1234 00:36:33,230 --> 00:36:35,090 really mean the most to you. 1235 00:36:35,090 --> 00:36:37,670 I can't imagine what these children go through, 1236 00:36:37,670 --> 00:36:39,350 and their families go through. 1237 00:36:39,350 --> 00:36:41,420 And Mauricio was sick as a child. 1238 00:36:41,420 --> 00:36:43,430 He spent a lot of time in a Children's Hospital. 1239 00:36:43,430 --> 00:36:46,610 He was born with an illness called neutropenia. 1240 00:36:46,610 --> 00:36:50,390 He had a very small percent chance of living. 1241 00:36:50,390 --> 00:36:53,720 And thank God he survived. 1242 00:36:53,720 --> 00:36:55,340 And thank you both. 1243 00:36:55,340 --> 00:36:58,120 And the work that you are doing here tonight 1244 00:36:58,120 --> 00:37:00,470 and the work that we will continue to do together 1245 00:37:00,470 --> 00:37:03,830 will change the lives of these children forever. 1246 00:37:03,830 --> 00:37:05,180 And so I'm thrilled to be here. 1247 00:37:05,180 --> 00:37:06,160 [APPLAUSE] 1248 00:37:06,160 --> 00:37:07,150 [MUSIC PLAYING] 1249 00:37:08,130 --> 00:37:09,610 KYLE RICHARDS: Wooo-hoo. 1250 00:37:09,610 --> 00:37:10,590 [CHEERING] 1251 00:37:18,460 --> 00:37:19,240 Beautiful. 1252 00:37:19,240 --> 00:37:19,940 Yay. 1253 00:37:19,940 --> 00:37:20,640 Gorgeous. 1254 00:37:20,640 --> 00:37:21,910 [CHEERING] 1255 00:37:27,850 --> 00:37:28,690 Good job, honey. 1256 00:37:28,690 --> 00:37:29,390 Good job. 1257 00:37:29,390 --> 00:37:32,490 When Sophia got up there and she started strutting her stuff, 1258 00:37:32,490 --> 00:37:34,950 I was thinking, yes, that's my girl. 1259 00:37:34,950 --> 00:37:35,910 Work it, girls. 1260 00:37:35,910 --> 00:37:39,270 Work it. 1261 00:37:39,270 --> 00:37:41,190 Woo! 1262 00:37:41,190 --> 00:37:42,150 Work it, Brandi. 1263 00:37:45,030 --> 00:37:47,420 CARLTON GEBBIA: Brandi is very sexy. 1264 00:37:47,420 --> 00:37:49,270 I was just-- I was blown away. 1265 00:37:49,270 --> 00:37:50,680 She looked incredible. 1266 00:37:50,680 --> 00:37:52,100 [CHEERING] 1267 00:37:58,260 --> 00:38:01,390 JOYCE GIRAUD: I don't know why when you're in the catwalk you 1268 00:38:01,390 --> 00:38:03,250 just give that sexy, little look, 1269 00:38:03,250 --> 00:38:04,990 I don't know why we do that as models. 1270 00:38:04,990 --> 00:38:06,480 [APPLAUSE] 1271 00:38:13,410 --> 00:38:15,390 KYLE RICHARDS: I feel proud of the clothing, 1272 00:38:15,390 --> 00:38:16,590 the models, the store. 1273 00:38:16,590 --> 00:38:18,750 And I feel most proud about raising this money 1274 00:38:18,750 --> 00:38:20,310 for Children's Hospital. 1275 00:38:20,310 --> 00:38:21,450 Thank you all. 1276 00:38:21,450 --> 00:38:23,520 And have fun, and shop for a good cause. 1277 00:38:23,520 --> 00:38:24,680 And have a good night. 1278 00:38:24,680 --> 00:38:25,380 Thanks, everybody. 1279 00:38:25,380 --> 00:38:26,360 [APPLAUSE] 1280 00:38:28,320 --> 00:38:29,790 You should have been right up there. 1281 00:38:29,790 --> 00:38:30,560 You should have. 1282 00:38:30,560 --> 00:38:31,760 - No. - Yes. 1283 00:38:31,760 --> 00:38:32,520 It was good. It was good. 1284 00:38:32,520 --> 00:38:33,380 Yes, you should have. 1285 00:38:33,380 --> 00:38:34,080 You OK? 1286 00:38:39,270 --> 00:38:39,970 I'd love that. 1287 00:38:39,970 --> 00:38:40,920 Let's [INAUDIBLE]. 1288 00:38:40,920 --> 00:38:41,870 You want to do that? 1289 00:38:41,870 --> 00:38:42,770 But nobody else. 1290 00:38:42,770 --> 00:38:44,470 JOYCE GIRAUD: If she wants to move forward with me, 1291 00:38:44,470 --> 00:38:46,720 she needs to stop making excuses for Brandi. 1292 00:38:46,720 --> 00:38:48,090 Now I need to be aware. 1293 00:38:48,090 --> 00:38:48,940 First time, shame on you. 1294 00:38:48,940 --> 00:38:49,990 Second time, shame on me. 1295 00:38:49,990 --> 00:38:51,160 Third time, I'm just an idiot. 1296 00:38:54,650 --> 00:38:55,850 NARRATOR (VOICEOVER): Coming up. 1297 00:38:55,850 --> 00:38:57,700 I feel I constantly chastise her. 1298 00:38:57,700 --> 00:38:58,510 What's chastise? 1299 00:38:58,510 --> 00:38:59,510 LISA VANDERPUMP: I don't know. 1300 00:38:59,510 --> 00:39:01,010 Reprimand. 1301 00:39:01,010 --> 00:39:02,090 Oh, OK. 1302 00:39:02,090 --> 00:39:03,380 You don't know that means either. 1303 00:39:03,380 --> 00:39:04,410 For God's sake. 1304 00:39:08,300 --> 00:39:10,220 CARLTON GEBBIA: I remember the bloody movie "Halloween". 1305 00:39:10,220 --> 00:39:11,320 Are you kidding me? - She's unbelievable. 1306 00:39:11,320 --> 00:39:12,310 One of my favourite movies. 1307 00:39:12,310 --> 00:39:13,440 I did not know that was you. 1308 00:39:13,440 --> 00:39:15,340 I was the little girl she was babysitting in the movie. 1309 00:39:15,340 --> 00:39:16,200 That's hysterical. 1310 00:39:16,200 --> 00:39:18,670 And she's such an incredible human being. 1311 00:39:18,670 --> 00:39:19,750 CARLTON GEBBIA: I was impressed. 1312 00:39:19,750 --> 00:39:21,760 You know, I think that being a child actor 1313 00:39:21,760 --> 00:39:24,040 is probably one of the toughest things to do. 1314 00:39:24,040 --> 00:39:26,050 And I really enjoy that movie. 1315 00:39:26,050 --> 00:39:28,790 Maybe now she'll cut me some slack. 1316 00:39:28,790 --> 00:39:32,820 And by the way, it's a phenomenal charity. 1317 00:39:32,820 --> 00:39:33,660 It really is. 1318 00:39:33,660 --> 00:39:35,490 The fact that Kyle was in probably one 1319 00:39:35,490 --> 00:39:37,860 of my favourite movies, "Halloween", does 1320 00:39:37,860 --> 00:39:40,410 have change my opinion on her? 1321 00:39:40,410 --> 00:39:41,230 That would be a no. 1322 00:39:48,700 --> 00:39:50,190 [MUSIC PLAYING] 1323 00:39:53,680 --> 00:39:57,190 [DOOR BELL RINGING] 1324 00:39:57,190 --> 00:39:57,890 Come along. 1325 00:39:57,890 --> 00:39:58,590 No, this way. 1326 00:39:58,590 --> 00:39:59,920 We're going to-- there she is. 1327 00:39:59,920 --> 00:40:00,700 Look at the puppy. 1328 00:40:04,390 --> 00:40:05,230 Why, you look gorgeous. 1329 00:40:05,230 --> 00:40:06,670 I'm a slab. 1330 00:40:06,670 --> 00:40:08,160 Oh, no, you're always beautiful. 1331 00:40:08,160 --> 00:40:09,410 Here, this is for you. 1332 00:40:09,410 --> 00:40:11,840 You don't have to give me presents every time you see me. 1333 00:40:11,840 --> 00:40:12,950 Well, I'm coming to your home. 1334 00:40:12,950 --> 00:40:14,360 I never come empty handed. 1335 00:40:14,360 --> 00:40:15,550 Sit down here, darling. 1336 00:40:15,550 --> 00:40:16,420 Do you fancy a cup of tea? 1337 00:40:16,420 --> 00:40:17,120 Or a drink? 1338 00:40:17,120 --> 00:40:18,050 Or a glass of champagne? 1339 00:40:18,050 --> 00:40:19,700 I'll have a cup of tea with you. 1340 00:40:19,700 --> 00:40:20,540 This looks gorgeous. 1341 00:40:20,540 --> 00:40:21,700 JOYCE GIRAUD: Thank you. Thank you. 1342 00:40:21,700 --> 00:40:23,120 I think it matches your home, right? 1343 00:40:23,120 --> 00:40:23,900 I know. It does. 1344 00:40:23,900 --> 00:40:25,500 All the pink. LISA VANDERPUMP: I love it here. 1345 00:40:25,500 --> 00:40:26,270 Yeah, it's beautiful. 1346 00:40:26,270 --> 00:40:27,330 It's so relaxing, right? - Yeah. 1347 00:40:27,330 --> 00:40:28,270 JOYCE GIRAUD: Very peaceful. 1348 00:40:28,270 --> 00:40:29,450 I feel like I'm in the country. 1349 00:40:29,450 --> 00:40:31,460 I can't really apologise for the other night, 1350 00:40:31,460 --> 00:40:32,660 because I tried to stop it. 1351 00:40:32,660 --> 00:40:33,650 Well, I can apologise. 1352 00:40:33,650 --> 00:40:34,880 And I hated it. 1353 00:40:34,880 --> 00:40:37,070 And there was so many reasons that we didn't 1354 00:40:37,070 --> 00:40:38,360 want it to end up like that. 1355 00:40:38,360 --> 00:40:41,530 You know, and I-- when you told me, let's start fresh-- 1356 00:40:41,530 --> 00:40:42,700 Is that OK like that? 1357 00:40:42,700 --> 00:40:43,400 With milk? 1358 00:40:43,400 --> 00:40:44,460 Yes, it's fantastic. 1359 00:40:44,460 --> 00:40:45,490 - OK, good. - Thank you. 1360 00:40:45,490 --> 00:40:46,510 Rocio, verdad? - Yeah. 1361 00:40:46,510 --> 00:40:47,210 Muchas gracias. 1362 00:40:47,210 --> 00:40:48,500 De nada. 1363 00:40:48,500 --> 00:40:51,000 You're very close with Brandi, and I understand that. 1364 00:40:51,000 --> 00:40:54,350 But that being said, I feel like Brandi throughout a long time 1365 00:40:54,350 --> 00:40:55,910 has been attacking me. 1366 00:40:55,910 --> 00:41:00,340 And you guys just make excuses for her. 1367 00:41:00,340 --> 00:41:02,020 Look, I'm not making excuses for her. 1368 00:41:02,020 --> 00:41:04,160 But she is my friend, OK? 1369 00:41:04,160 --> 00:41:05,650 And one of the things I can't say 1370 00:41:05,650 --> 00:41:08,740 is that she has been going through like a really 1371 00:41:08,740 --> 00:41:09,640 tough time lately. 1372 00:41:09,640 --> 00:41:11,140 I mean, she has. 1373 00:41:11,140 --> 00:41:12,190 That's an excuse. 1374 00:41:12,190 --> 00:41:14,230 I've allowed a lot with Brandi. 1375 00:41:14,230 --> 00:41:15,200 If she's in a bad place-- 1376 00:41:15,200 --> 00:41:16,870 LISA VANDERPUMP: She's got a lot of great friends. 1377 00:41:16,870 --> 00:41:17,470 I get it. 1378 00:41:17,470 --> 00:41:18,640 LISA VANDERPUMP: Well, you've got mutual friends. 1379 00:41:18,640 --> 00:41:20,230 Everybody has-- we actually do not. 1380 00:41:20,230 --> 00:41:22,000 We have mutual acquaintances. 1381 00:41:22,000 --> 00:41:24,250 I did speak to Cristal, the person we have in common. 1382 00:41:24,250 --> 00:41:26,890 And Cristal told me that she's seen Brandi twice in her life. 1383 00:41:26,890 --> 00:41:29,020 She said, I have never spoken to this woman. 1384 00:41:29,020 --> 00:41:31,630 How dare this woman be putting words in my mouth. 1385 00:41:31,630 --> 00:41:33,610 How dare she be talking [BEEP]. 1386 00:41:33,610 --> 00:41:36,270 Those were Cristal's words. 1387 00:41:36,270 --> 00:41:38,810 Well, Joyce is kind of a formidable opponent. 1388 00:41:38,810 --> 00:41:41,250 Let's be honest about that. 1389 00:41:41,250 --> 00:41:43,550 But you know, I think she's actually a good girl. 1390 00:41:43,550 --> 00:41:44,630 I really do. 1391 00:41:44,630 --> 00:41:46,800 I just got off to a bad start with her. 1392 00:41:46,800 --> 00:41:49,700 And she needs to give Brandi a little bit of a break. 1393 00:41:49,700 --> 00:41:51,310 I mean, I felt a little responsible at dinner. 1394 00:41:51,310 --> 00:41:52,680 And that's why I was trying to say, hey-- 1395 00:41:52,680 --> 00:41:53,930 You're not responsible for her actions. 1396 00:41:53,930 --> 00:41:54,780 That's the beauty of it. 1397 00:41:54,780 --> 00:41:55,480 You're not her mum. 1398 00:41:55,480 --> 00:41:56,610 But you're you're just her friend. 1399 00:41:56,610 --> 00:41:57,320 But I do feel it. 1400 00:41:57,320 --> 00:41:59,810 I feel I constantly chastise her. 1401 00:41:59,810 --> 00:42:01,220 Like what? LISA VANDERPUMP: I feel like-- 1402 00:42:01,220 --> 00:42:01,920 What's that word? 1403 00:42:01,920 --> 00:42:02,960 I constantly chastise her. 1404 00:42:02,960 --> 00:42:03,660 What's chastise? 1405 00:42:03,660 --> 00:42:04,660 LISA VANDERPUMP: I don't know. 1406 00:42:04,660 --> 00:42:05,690 I don't even know that word. 1407 00:42:05,690 --> 00:42:06,620 That's new in my vocabulary. 1408 00:42:06,620 --> 00:42:08,100 It's got nothing to do with chastity. 1409 00:42:08,100 --> 00:42:08,490 JOYCE GIRAUD: What is that word? 1410 00:42:08,490 --> 00:42:09,220 It's to do with telling her off. 1411 00:42:09,220 --> 00:42:10,550 JOYCE GIRAUD: It sounds nice. What? 1412 00:42:10,550 --> 00:42:11,420 LISA VANDERPUMP: Chastise. 1413 00:42:11,420 --> 00:42:12,290 Chastise. 1414 00:42:12,290 --> 00:42:14,030 Tell her off. 1415 00:42:14,030 --> 00:42:14,980 Tell her off? What? 1416 00:42:14,980 --> 00:42:15,680 You mean-- 1417 00:42:15,680 --> 00:42:18,560 Telling her off means to reprimand. 1418 00:42:18,560 --> 00:42:19,270 Oh, OK. 1419 00:42:19,270 --> 00:42:20,600 You don't know what that means either. 1420 00:42:20,600 --> 00:42:21,510 [LAUGHING] 1421 00:42:21,510 --> 00:42:24,240 For God's sake. 1422 00:42:24,240 --> 00:42:26,570 NARRAOTR (VOICEOVER): Next time on "The Real Housewives 1423 00:42:26,570 --> 00:42:28,290 of Beverly Hills". 1424 00:42:28,290 --> 00:42:29,290 Ooh. 1425 00:42:29,290 --> 00:42:30,290 [LAUGHING] 1426 00:42:31,230 --> 00:42:32,700 BRANDI GLANVILLE: Drinking and pole dancing, 1427 00:42:32,700 --> 00:42:34,980 they don't mix for me. 1428 00:42:34,980 --> 00:42:36,440 Little jealous. 1429 00:42:36,440 --> 00:42:37,740 Yay. 1430 00:42:37,740 --> 00:42:40,500 KIM RICHARDS: Tonight is a special night for Kimberly. 1431 00:42:40,500 --> 00:42:42,530 I've never been more grateful and proud. 1432 00:42:42,530 --> 00:42:43,230 [CHEERING] 1433 00:42:43,230 --> 00:42:45,560 KIM RICHARDS: I really love you. 1434 00:42:45,560 --> 00:42:46,820 Yet a little scared. 1435 00:42:49,440 --> 00:42:50,920 Kimberly's graduation, you didn't make. 1436 00:42:50,920 --> 00:42:52,020 I was in Missouri this weekend. 1437 00:42:52,020 --> 00:42:53,220 No my hairdresser saw you at Sur. 1438 00:42:53,220 --> 00:42:54,950 LISA VANDERPUMP: Well, your hairdresser is dreaming. 1439 00:42:54,950 --> 00:42:57,900 I've never bullied you. 1440 00:42:57,900 --> 00:42:59,370 - That was being a bully. - I'm not a bully. 1441 00:42:59,370 --> 00:43:01,250 If I was a bully, I would have knocked your [BEEP] teeth 1442 00:43:01,250 --> 00:43:02,410 out by now. 1443 00:43:02,410 --> 00:43:04,310 NARRATOR (VOICEOVER): To learn more about the housewives, 1444 00:43:04,310 --> 00:43:06,790 go to bravotv.com.