1 00:00:03,600 --> 00:00:06,230 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:06,233 --> 00:00:08,203 - HEY! OFF! - HEY, KINGSLEY! 3 00:00:08,200 --> 00:00:09,500 KINGSLEY! KINGSLEY! - OFF! OFF! 4 00:00:09,500 --> 00:00:11,470 - KINGSLEY! - OFF! 5 00:00:11,467 --> 00:00:13,427 - HOW MANY BARS DID WE DO IN LONDON, 6 00:00:13,433 --> 00:00:15,603 AND EVERY TIME WE DID THEM YOU WERE SCARED? 7 00:00:15,600 --> 00:00:17,300 WHAT ARE YOU WORRIED ABOUT? 8 00:00:17,300 --> 00:00:18,770 - THERE'S JUST SO MANY COMPONENTS 9 00:00:18,767 --> 00:00:21,567 THAT GO INTO OPENING A VENUE LIKE THIS. 10 00:00:21,567 --> 00:00:23,297 IT'S A BIT OF A NIGHTMARE. 11 00:00:23,300 --> 00:00:25,530 - I'M PLANNING A DINNER PARTY AT MY HOUSE, 12 00:00:25,533 --> 00:00:27,173 AND WE ARE THINKING 13 00:00:27,166 --> 00:00:28,766 THAT THE CANADIAN TENORS MIGHT BE IN TOWN, 14 00:00:28,767 --> 00:00:31,427 SO I REALLY WANTED YOU GUYS TO MEET THE GUYS. 15 00:00:31,433 --> 00:00:33,533 - IF THIS IS A STEP IN THE RIGHT DIRECTION, 16 00:00:33,533 --> 00:00:35,233 I'M ALL FOR IT. 17 00:00:35,233 --> 00:00:37,503 - WHAT ARE YOU DOING WITH THAT? - HOW DID YOU KNOW? 18 00:00:37,500 --> 00:00:39,370 - GIVE IT TO ME NOW! 19 00:00:39,367 --> 00:00:41,197 - JACLYN, DO YOU WANT ONE, JACLYN? 20 00:00:41,200 --> 00:00:42,230 JACLYN? JACLYN? 21 00:00:42,233 --> 00:00:43,603 JACLYN? JACLYN. 22 00:00:43,600 --> 00:00:45,630 - I WILL NOT ACKNOWLEDGE YOU WHEN YOU CALL ME JACLYN. 23 00:00:45,633 --> 00:00:47,973 - JOYCE IS A BIG, FAT PIG. 24 00:00:49,266 --> 00:00:50,626 - NO MATTER WHAT I DO, 25 00:00:50,633 --> 00:00:53,133 YOU GUYS ARE ALWAYS GONNA SIDE BECAUSE YOU GUYS ARE A TEAM. 26 00:00:53,133 --> 00:00:54,633 - NO, IT'S NOT-- - YOU'RE A GANG. 27 00:00:54,633 --> 00:00:56,033 - WE'RE NOT A TEAM, WE'RE-- 28 00:00:56,033 --> 00:00:58,303 SWEETHEART, I'M ALMOST 50 YEARS OLD. 29 00:00:58,300 --> 00:01:00,130 WE DON'T DO TEAM AND WE DON'T DO-- 30 00:01:00,133 --> 00:01:02,203 WE'RE NOT IN HIGH SCHOOL. 31 00:01:02,200 --> 00:01:04,100 - YOUR HOUSE WAS BROKEN INTO. 32 00:01:04,100 --> 00:01:06,300 - ARE THE DOGS OKAY? - WE CAN'T FIND CHICA. 33 00:01:06,300 --> 00:01:08,600 - WHAT THE [bleep] ARE YOU TALKING ABOUT? 34 00:01:08,600 --> 00:01:11,130 - WE GOT TO GET THE SIGNS UP RIGHT AWAY. 35 00:01:11,133 --> 00:01:13,103 - I NEED TO GO HOME. [crying]. 36 00:01:13,100 --> 00:01:15,000 [dramatic music] 37 00:01:15,000 --> 00:01:16,200 - I'M FROM THIS TOWN. 38 00:01:16,200 --> 00:01:18,070 I KNOW WHAT'S REAL AND WHAT'S FAKE. 39 00:01:20,000 --> 00:01:22,230 - DON'T TELL ME YOU'RE MY FRIEND. 40 00:01:22,233 --> 00:01:23,603 ACT LIKE ONE. 41 00:01:25,033 --> 00:01:26,203 - IN BEVERLY HILLS, 42 00:01:26,200 --> 00:01:28,330 THE HIGHER YOU CLIMB, THE FARTHER YOU FALL. 43 00:01:30,000 --> 00:01:33,100 - EVERYBODY LOVES A COMEBACK STORY, ESPECIALLY STARRING ME. 44 00:01:34,467 --> 00:01:37,467 - IN MY WORLD, MONEY DOESN'T TALK. 45 00:01:37,467 --> 00:01:38,927 IT SWEARS. 46 00:01:39,934 --> 00:01:41,374 - YOU CAN NEVER BE TOO YOUNG, 47 00:01:41,367 --> 00:01:42,597 TOO THIN, OR TOO HONEST. 48 00:01:44,934 --> 00:01:49,134 - LIFE IS A SEXY LITTLE DANCE, AND I LIKE TO TAKE THE LEAD. 49 00:02:05,600 --> 00:02:07,330 - HI, YOLANDA. - HEY! 50 00:02:07,333 --> 00:02:08,873 - HOW ARE YOU? GOOD TO SEE YOU. 51 00:02:08,867 --> 00:02:10,567 - NICE TO SEE YOU AGAIN. 52 00:02:10,567 --> 00:02:12,297 I WAS IN THE NEIGHBORHOOD... - PERFECT. 53 00:02:12,300 --> 00:02:13,470 - SO I THOUGHT I'D STOP BY... - ABSOLUTELY. 54 00:02:13,467 --> 00:02:15,027 - AND SEE WHAT YOU HAVE. - ALL RIGHT. 55 00:02:15,033 --> 00:02:17,573 WELL, LET'S GO FIGURE OUT WHAT YOU WANT TO MAKE. 56 00:02:19,867 --> 00:02:21,427 - I'M DOING A LITTLE DINNER PARTY. 57 00:02:21,433 --> 00:02:22,633 - WHAT'S THE DINNER PARTY FOR, 58 00:02:22,633 --> 00:02:24,003 SO I KNOW WHAT WE'RE WORKING AROUND. 59 00:02:24,000 --> 00:02:25,630 - WELL, WE HAVE THE CANADIAN TENORS... 60 00:02:25,633 --> 00:02:27,433 - OH! - WHICH IS AN INCREDIBLE 61 00:02:27,433 --> 00:02:29,173 GROUP FROM CANADA. YOU KNOW, THEY'RE TOURING 62 00:02:29,166 --> 00:02:31,396 AND THEY HAVE ONE NIGHT OFF AND THEY'RE COMING TO THE HOUSE. 63 00:02:31,400 --> 00:02:34,230 THIS IS REALLY THE FIRST NIGHT WE'RE ENTERTAINING 64 00:02:34,233 --> 00:02:36,973 IN THE PAST NINE MONTHS SINCE I'VE GOTTEN SICK, 65 00:02:36,967 --> 00:02:39,327 SO I THOUGHT IT'D BE PERFECT TO INVITE ALL THE GIRLS 66 00:02:39,333 --> 00:02:40,903 AND HAVE A NICE PARTY. 67 00:02:40,900 --> 00:02:42,830 - EXCITING. - EXCITING. YEAH. 68 00:02:42,834 --> 00:02:44,574 I LOVE GIVING DINNER PARTIES. 69 00:02:44,567 --> 00:02:46,467 IT ADDS TO MY SPIRIT AND IT MAKES ME-- 70 00:02:46,467 --> 00:02:48,197 YOU KNOW, IT MAKES ME HAPPY. 71 00:02:48,200 --> 00:02:50,030 - COLOR-WISE YOU SAID, LIKE, LIGHT PINKS AND-- 72 00:02:50,033 --> 00:02:51,573 - YEAH. LIKE, MAYBE PEONIES. 73 00:02:51,567 --> 00:02:53,027 OH, THOSE ARE BEAUTIFUL. YEAH. 74 00:02:53,033 --> 00:02:55,173 THIS IS MY FAVORITE FLOWER. IT'S BEAUTIFUL. 75 00:02:55,166 --> 00:02:58,096 I, OF COURSE, AS A TYPICAL DUTCH GIRL, LOVE FLOWERS. 76 00:02:58,100 --> 00:02:59,830 WHAT ARE THESE? - AND THEN THOSE ARE CALL-- 77 00:02:59,834 --> 00:03:01,474 THAT'S A NEW VARIETY OF ROSE, ACTUALLY. 78 00:03:01,467 --> 00:03:02,967 - I WAS RAISED IN THE COUNTRY 79 00:03:02,967 --> 00:03:04,927 WITH THE MOST BEAUTIFUL FLOWERS IN THE WORLD. 80 00:03:04,934 --> 00:03:06,934 OH, I LOVE THAT. IT'S LIKE AN-- 81 00:03:06,934 --> 00:03:09,204 - AND WE COULD MIX THE PINK ROSES WITH THE PEONIES 82 00:03:09,200 --> 00:03:10,330 AND THE HYDRANGEA, TOO. 83 00:03:10,333 --> 00:03:11,573 - NOW, I DON'T WANT TO SOUND OBNOXIOUS, 84 00:03:11,567 --> 00:03:15,867 BUT I CAN SEND $1,000 ON FLOWERS AND ORCHIDS, 85 00:03:15,867 --> 00:03:17,827 AND THAT'S A LOT OF MONEY ON FLOWERS. 86 00:03:17,834 --> 00:03:19,374 PEOPLE WORK A WHOLE MONTH FOR THAT. 87 00:03:19,367 --> 00:03:21,827 - SO ABOUT $125 SIZE IS GOOD? 88 00:03:21,834 --> 00:03:22,904 - YEAH. THIS IS PERFECT. 89 00:03:22,900 --> 00:03:24,830 - OKAY. GREAT. - I LOVE IT. 90 00:03:24,834 --> 00:03:27,274 SOME GIRLS IN BEVERLY HILLS ARE ADDICTED TO SHOES. 91 00:03:27,266 --> 00:03:29,066 SOME GIRLS ARE ADDICTED TO PURSES. 92 00:03:29,066 --> 00:03:31,266 OH, THAT IS SO BEAUTIFUL. 93 00:03:31,266 --> 00:03:32,966 I LOVE FLOWERS. 94 00:03:32,967 --> 00:03:34,427 - FANTASTIC. WELL, WE'RE EXCITED TO BE 95 00:03:34,433 --> 00:03:35,873 A PART OF ANOTHER ONE OF YOUR DINNER PARTIES. 96 00:03:35,867 --> 00:03:38,497 - PALM SPRINGS ENDED UP IN A DISASTER, 97 00:03:38,500 --> 00:03:42,030 SO I WANT TO GO OUT OF MY WAY TO MAKE THIS DINNER BEAUTIFUL. 98 00:03:42,033 --> 00:03:44,133 - THANK YOU. 99 00:03:44,133 --> 00:03:45,473 - ALL RIGHT. WELL, THANK YOU. 100 00:03:45,467 --> 00:03:46,927 BYE, GUYS. - YOU'RE WELCOME. 101 00:03:46,934 --> 00:03:49,034 - NICE TO SEE EVERYBODY. THANK YOU. 102 00:04:02,133 --> 00:04:03,103 - HELLO. WELCOME. 103 00:04:03,100 --> 00:04:04,300 - HOW ARE YOU? GOOD EVENING. 104 00:04:04,300 --> 00:04:05,770 OHOVEN. - TWO? 105 00:04:05,767 --> 00:04:07,727 - FOR TWO, YES. - PLEASE, RIGHT THIS WAY. 106 00:04:07,734 --> 00:04:08,934 - THANK YOU SO MUCH. 107 00:04:08,934 --> 00:04:10,304 - RIGHT HERE. 108 00:04:10,300 --> 00:04:11,930 - THANK YOU, MY LOVE. 109 00:04:13,266 --> 00:04:14,996 MY BABY. - HOW NICE, MY GIRL. 110 00:04:15,000 --> 00:04:18,070 - BABY, LEO GOT HIS YELLOW BELT IN KARATE. 111 00:04:18,066 --> 00:04:20,196 - OH, HOW BEAUTIFUL. - HE WENT "KYAH AND YA!" 112 00:04:20,200 --> 00:04:21,330 - MIND STRONG... 113 00:04:21,333 --> 00:04:22,933 both: SPIRIT STRONG, BODY STRONG. 114 00:04:22,934 --> 00:04:24,874 - KYAH! A LOT OF PEOPLE SAY 115 00:04:24,867 --> 00:04:26,927 THAT THEY HAVE TO WORK AT KEEPING ROMANCE ALIVE. 116 00:04:26,934 --> 00:04:28,804 WITH MICHAEL AND I, IT JUST COMES NATURAL. 117 00:04:28,800 --> 00:04:30,330 - HI, HOW ARE YOU? - HI, GOOD. 118 00:04:30,333 --> 00:04:31,803 HOW ARE YOU DOING? 119 00:04:31,800 --> 00:04:33,430 - I LIKE THE CRISPY RICE SPICY TUNA. 120 00:04:33,433 --> 00:04:35,333 - THE MISO SOUP IS FOR ME. - MISO SOUP? THANK YOU. 121 00:04:35,333 --> 00:04:36,803 - I THINK WHEN YOU'RE IN LOVE, 122 00:04:36,800 --> 00:04:38,400 THERE'S NO WORKING ON KEEPING THINGS ALIVE. 123 00:04:38,400 --> 00:04:40,200 THINGS ARE ALIVE BECAUSE YOU'RE JUST MADLY IN LOVE 124 00:04:40,200 --> 00:04:41,330 AND OBSESSED WITH EACH OTHER. 125 00:04:41,333 --> 00:04:43,433 SO YOLANDA IN PALM SPRINGS 126 00:04:43,433 --> 00:04:45,703 INVITED US TO THIS DINNER PARTY AT HER HOME. 127 00:04:45,700 --> 00:04:47,070 - WHAT'S THE OCCASION? 128 00:04:47,066 --> 00:04:48,466 - SHE'S FEELING BETTER FROM THE LYME DISEASE, 129 00:04:48,467 --> 00:04:49,897 SO SHE WANTS TO CELEBRATE. 130 00:04:49,900 --> 00:04:51,330 I CAN'T IMAGINE HER FEELING SICK FOR SO LONG... 131 00:04:51,333 --> 00:04:52,873 - TRUE. - AND THEN SUDDENLY-- 132 00:04:52,867 --> 00:04:54,267 - TRUE. - WHEN YOU'RE FEELING BETTER, 133 00:04:54,266 --> 00:04:56,196 YOU DO WANT TO CELEBRATE, SO-- - LET'S DO IT, THEN. 134 00:04:56,200 --> 00:04:58,000 - REGARDLESS OF WHATEVER COMMENT BRANDI MAKES, 135 00:04:58,000 --> 00:04:59,330 I'M STILL GONNA HAVE A GOOD TIME 136 00:04:59,333 --> 00:05:01,003 BECAUSE I'M GONNA BE WITH MY BABY, 137 00:05:01,000 --> 00:05:03,930 AND WHEN I'M WITH MY BABY, I ALWAYS HAVE A GOOD TIME. 138 00:05:03,934 --> 00:05:06,104 I WISH I WOULD HAVE GONE TO PALM SPRINGS WITH YOU AND THE KIDS. 139 00:05:06,100 --> 00:05:08,670 THEY'RE JUST SO NEGATIVE, SOME OF THEM. 140 00:05:08,667 --> 00:05:11,427 IT'S JUST TERRIBLE, AND ON TOP OF IT THEY WERE SO RUDE. 141 00:05:11,433 --> 00:05:13,703 SO NEGATIVE. 142 00:05:13,700 --> 00:05:14,900 THEN I SAID, "LET'S GO TO THE POOL." 143 00:05:14,900 --> 00:05:16,430 WE GO TO THE POOL. WE'RE PREPARING DRINKS. 144 00:05:16,433 --> 00:05:18,103 EVERYTHING IS NICE. 145 00:05:18,100 --> 00:05:20,330 SUDDENLY, BRANDI IS LIKE, "TAKE YOUR CLOTHES OFF." 146 00:05:20,333 --> 00:05:22,033 YOU KNOW THAT I CANNOT SWIM? 147 00:05:22,033 --> 00:05:24,203 I KID YOU NOT. I CAN'T SWIM. 148 00:05:24,200 --> 00:05:26,700 - YOU'RE A BLACK PERSON. [laughs] 149 00:05:27,767 --> 00:05:29,697 - NO, SHE--NO. - YEAH. 150 00:05:29,700 --> 00:05:31,070 - NO, SHE DIDN'T SAY THAT. - YEAH. 151 00:05:31,066 --> 00:05:32,666 - COME ON. - YEAH. 152 00:05:32,667 --> 00:05:35,727 LIKE, TOTALLY RACIST, AND I'M LIKE, "YEAH, I'M BLACK." 153 00:05:35,734 --> 00:05:38,634 - UNBELIEVABLE. - I WAS... 154 00:05:38,633 --> 00:05:40,033 I WAS SHOCKED. 155 00:05:40,033 --> 00:05:43,033 PUERTO RICANS ARE INDIANS, AFRICAN, AND SPANISH, 156 00:05:43,033 --> 00:05:45,103 SO IF YOU WANT TO MAKE YOUR STUPID REMARKS, 157 00:05:45,100 --> 00:05:47,200 DO THEM ON YOUR OWN OR WITH YOUR GROUP OF FRIENDS 158 00:05:47,200 --> 00:05:48,970 THAT DOESN'T GIVE A [bleep] ABOUT WHAT YOU SAY. 159 00:05:48,967 --> 00:05:53,227 SO WE GO TO DINNER AND SHE STARTS SAYING, 160 00:05:53,233 --> 00:05:56,073 "JACLYN!" SHE'S LIKE, "JACLYN! JACLYN!" 161 00:05:56,066 --> 00:05:57,996 AND SHE KEEPS TALKING TO ME, REFERRING TO ME AS JACLYN. 162 00:05:58,000 --> 00:05:59,700 - THAT'S SO DISRESPECTFUL. - WHICH SHE SAID IT ALREADY 163 00:05:59,700 --> 00:06:01,170 AT THE POOL, BUT I LET IT GO. - SO DISRESPECTFUL. 164 00:06:01,166 --> 00:06:03,366 AND AT ONE POINT I SAID TO HER, "LISTEN, I'M NOT GONNA 165 00:06:03,367 --> 00:06:05,697 ACKNOWLEDGE YOU UNTIL YOU CALL ME BY MY PROPER NAME," 166 00:06:05,700 --> 00:06:08,130 AND THEN SHE SAYS, "OH, BUT YOU SHOULDN'T BE A JOYCE. 167 00:06:08,133 --> 00:06:10,173 JOYCE IS LIKE A BIG FAT PIG." 168 00:06:10,166 --> 00:06:11,796 - NO. - YEAH. 169 00:06:11,800 --> 00:06:13,230 "YOU'RE LIKE A LATINA, LIKE A PRETTY LATINA. 170 00:06:13,233 --> 00:06:14,733 YOU SHOULD BE JACLYN, NOT JOYCE." 171 00:06:14,734 --> 00:06:16,734 I MEAN, HOW DARE SHE? HOW DARE SHE? 172 00:06:16,734 --> 00:06:18,174 - I CAN'T BELIEVE THIS. 173 00:06:18,166 --> 00:06:19,896 - I SHOULD HAVE SAID, "WELL, BRANDI'S JUST A WHORE." 174 00:06:19,900 --> 00:06:22,070 BRANDI IS SO DISRESPECTFUL. 175 00:06:22,066 --> 00:06:25,026 IF YOU'RE GONNA COME TO A TRIP AND BE RUDE TO YOUR HOST, 176 00:06:25,033 --> 00:06:28,003 THEN WHY DIDN'T YOU JUST STAY HOME? 177 00:06:28,000 --> 00:06:29,200 ANYWAY, LET'S STOP TALKING ABOUT THEM. 178 00:06:29,200 --> 00:06:30,600 - OKAY. WE HAVE A GOOD DINNER, AT LEAST. 179 00:06:30,600 --> 00:06:32,130 - CHEERS, MY LOVE. I LOVE YOU. 180 00:06:32,133 --> 00:06:33,603 - I DO LOVE YOU, MY LOVE. I'M GLAD I HAVE YOU BACK, 181 00:06:33,600 --> 00:06:35,700 MY LITTLE GIRL. - I LOVE YOU. 182 00:06:39,700 --> 00:06:41,930 [motor hums] 183 00:06:46,300 --> 00:06:49,170 - CHICA! - CHICA! 184 00:06:50,934 --> 00:06:53,004 - CHICA? 185 00:06:56,667 --> 00:06:57,827 - THERE. OKAY, THAT'S GOOD. 186 00:06:57,834 --> 00:06:59,704 ALL RIGHT. SHOULD WE GO UP HERE? 187 00:06:59,700 --> 00:07:01,730 I TOLD THE KIDS THAT I WOULD GET HER BACK. 188 00:07:01,734 --> 00:07:04,874 SO IT'S JUST LIKE ONE MORE LOSS IN THEIR LIVES. 189 00:07:04,867 --> 00:07:06,597 THEY LOST THEIR MOM AND DAD TOGETHER, 190 00:07:06,600 --> 00:07:08,730 AND I'M JUST THINKING I HAVE TO PROTECT THESE LITTLE MEN. 191 00:07:08,734 --> 00:07:10,674 I HAVE TO GET CHICA BACK NO MATTER WHAT. 192 00:07:10,667 --> 00:07:12,597 - HI, GUYS. - HEY. 193 00:07:12,600 --> 00:07:13,870 - HI. - HI. 194 00:07:13,867 --> 00:07:15,827 - WE'RE HERE. - YAY. 195 00:07:15,834 --> 00:07:17,904 - PORTIA, LET'S GO FIND CHICA. 196 00:07:17,900 --> 00:07:19,300 WE HAVE TO HAVE GOOD ENERGY, OKAY? 197 00:07:19,300 --> 00:07:21,600 WE HAVE TO THINK. WE HAVE TO HAVE GOOD ENERGY. 198 00:07:21,600 --> 00:07:24,100 WE HAVE TO, LIKE, BELIEVE IN IT, AND WE BE-- 199 00:07:24,100 --> 00:07:25,770 WE BELIEVE WE CAN DO IT. - OKAY, LET'S GO. 200 00:07:25,767 --> 00:07:27,867 - HI, GUYS. - HI. 201 00:07:27,867 --> 00:07:29,197 - BRANDI. - YOU GOT REALLY GOOD 202 00:07:29,200 --> 00:07:31,600 WALKING SHOES ON. - OBVIOUSLY BRANDI AND I 203 00:07:31,600 --> 00:07:33,270 HAVE HAD OUR PROBLEMS IN THE PAST, 204 00:07:33,266 --> 00:07:35,566 BUT I FEEL TERRIBLE HER DOG IS MISSING, 205 00:07:35,567 --> 00:07:36,967 AND I'LL DO ANYTHING TO HELP HER. 206 00:07:36,967 --> 00:07:38,727 - YUP. - AH! 207 00:07:38,734 --> 00:07:41,904 THIS IS NOT THE BEST TAPE IN THE WORLD. 208 00:07:41,900 --> 00:07:43,700 - WE HAVE TO HIT EVERY STOP SIGN. 209 00:07:43,700 --> 00:07:47,000 DID YOU PUT IT ON THIS SIDE? ON THIS SIGN TOO. 210 00:07:47,000 --> 00:07:49,230 WE HAVE TO KEEP SAYING OUR PRAYERS, OKAY? 211 00:07:49,233 --> 00:07:51,603 CAN YOU SAY A PRAYER TO FIND CHICA? 212 00:07:51,600 --> 00:07:52,730 - OKAY. 213 00:07:57,734 --> 00:08:01,004 - [sighs] - SO YOU TOLD THE BOYS THAT-- 214 00:08:01,000 --> 00:08:05,130 - I TOLD THE BOYS THAT CAMERON LOST THE DOGS BECAUSE-- 215 00:08:05,133 --> 00:08:07,503 WELL, I FIRED HER, NUMBER ONE. 216 00:08:07,500 --> 00:08:09,530 - WELL-- - AND I SAID CHICA'S TAG 217 00:08:09,533 --> 00:08:11,933 WASN'T ON, AND THAT'S WHY NO ONE'S CALLED, 218 00:08:11,934 --> 00:08:13,104 AND THAT I'M GONNA FIND HER, 219 00:08:13,100 --> 00:08:14,730 'CAUSE I'M GONNA FIND HER, RIGHT? 220 00:08:14,734 --> 00:08:17,074 - YES. WE'RE GONNA FIND HER, BUT WE NEED TO TELL THEM 221 00:08:17,066 --> 00:08:19,666 MAYBE THAT SOMEONE WANTED HER SO BADLY AND IS 222 00:08:19,667 --> 00:08:21,467 PROBABLY IN SOMEONE'S HOME... - THAT'S WHAT I SAID. 223 00:08:21,467 --> 00:08:22,827 - AND THEY'RE TAKING CARE OF HER. 224 00:08:22,834 --> 00:08:24,134 - I SAID SOMEONE PROBABLY ALREADY FOUND HER. 225 00:08:24,133 --> 00:08:26,573 I GO, "BUT ONCE SHE STARTS PEEING, THEY'RE GONNA CALL US." 226 00:08:26,567 --> 00:08:28,967 IF SOMETHING GOES WRONG, WE'RE ALL THERE FOR ONE ANOTHER, 227 00:08:28,967 --> 00:08:31,967 EVEN WITH KYLE AND KIM AND ALL OF OUR ISSUES. 228 00:08:31,967 --> 00:08:33,567 WE DO CARE ABOUT EACH OTHER 229 00:08:33,567 --> 00:08:36,667 REGARDLESS OF THE [bleep] PETTY BULL[bleep]. 230 00:08:36,667 --> 00:08:39,567 - PORTIA, YELL "CHICA!" - CHICA! 231 00:08:39,567 --> 00:08:41,997 - EVERY SINGLE DOOR HAS TO BE HIT. 232 00:08:42,000 --> 00:08:44,130 - [sighs] - YOU OKAY? 233 00:08:44,133 --> 00:08:47,073 - YEAH. I JUST--I HAVE A BAD FEELING, 234 00:08:47,066 --> 00:08:49,066 AND I-I KNOW I NEED TO STAY POSITIVE. 235 00:08:49,066 --> 00:08:51,066 I JUST CAN'T. I DON'T KNOW WHY. 236 00:08:51,066 --> 00:08:53,196 IN MY HEART, 237 00:08:53,200 --> 00:08:55,570 I'M GOING THROUGH THE MOTIONS. 238 00:08:55,567 --> 00:08:56,797 I'M PUTTING UP SIGNS FOR A DOG 239 00:08:56,800 --> 00:08:58,830 THAT I THINK GOT KILLED BY COYOTES. 240 00:08:58,834 --> 00:09:02,734 I AM A LITTLE PESSIMISTIC WHEN IT COMES TO LOSS IN MY HEART 241 00:09:02,734 --> 00:09:04,504 BECAUSE OF THINGS THAT I'VE GONE THROUGH, 242 00:09:04,500 --> 00:09:09,470 BUT I HAVE TO SHOW MY KIDS THAT YOU JUST NEVER GIVE UP. 243 00:09:09,467 --> 00:09:12,697 [melancholy music] 244 00:09:12,700 --> 00:09:15,700 [background chatter] 245 00:09:15,700 --> 00:09:16,800 - COMING UP... 246 00:09:16,800 --> 00:09:19,670 - [gasps] WHAT IS THIS? 247 00:09:19,667 --> 00:09:21,897 - NO! IT DOESN'T GO THERE. 248 00:09:21,900 --> 00:09:26,900 - WHERE DOES IT GO? 249 00:09:36,467 --> 00:09:38,567 - ELIZY? - YEAH? 250 00:09:38,567 --> 00:09:40,997 - CAN YOU GRAB ME, FROM THE GIRLS, A NOTEPAD AND PENCIL? 251 00:09:41,000 --> 00:09:42,630 - YEAH. - 'CAUSE I WANT TO 252 00:09:42,633 --> 00:09:44,973 JUST DO THE MEASUREMENTS, AND THEN I WANT TO KIND OF 253 00:09:44,967 --> 00:09:47,727 FIGURE OUT A PLATFORM. - RIGHT THIS SECOND? 254 00:09:47,734 --> 00:09:48,774 - YEAH. YEAH. - OKAY. 255 00:09:48,767 --> 00:09:50,697 COOL. - YEAH! 256 00:09:50,700 --> 00:09:53,870 CONSIDERING THAT OUR HOUSE IS COMPLETELY OPEN-PLANNED-- 257 00:09:53,867 --> 00:09:56,627 SO THERE'S REALLY NOT A LOT OF PRIVACY THERE FOR DAVID AND I-- 258 00:09:56,633 --> 00:09:59,003 IT'S HARDER TO PLAN OUR MOMENTS, 259 00:09:59,000 --> 00:10:02,370 AND I'M NOT INTO TWO MINUTES. I'M JUST SAYING. 260 00:10:02,367 --> 00:10:03,667 THIS IS OUR PLAYROOM. 261 00:10:03,667 --> 00:10:05,097 - I KNOW. - YEAH. 262 00:10:05,100 --> 00:10:08,070 SO WHAT I WANT TO DO IS... 263 00:10:08,066 --> 00:10:09,466 I HAVE IDEAS. 264 00:10:09,467 --> 00:10:10,867 I WANT TO MAKE IT KIND OF LIKE THE '20s, 265 00:10:10,867 --> 00:10:12,827 KIND OF LIKE A BURLESQUE STYLE. 266 00:10:12,834 --> 00:10:15,634 - YES. - OKAY, SO...TO DO. 267 00:10:15,633 --> 00:10:18,073 I WANT A ROOM IN THE HOUSE 268 00:10:18,066 --> 00:10:19,666 WHERE I CAN LOCK THE DOOR 269 00:10:19,667 --> 00:10:22,297 AND COMPLETELY HAVE NO INHIBITIONS WHATSOEVER. 270 00:10:22,300 --> 00:10:26,070 SO THIS BURLESQUE ROOM IS GONNA BE MUM AND DADDY'S PLAYROOM. 271 00:10:26,066 --> 00:10:27,526 ON THIS WALL--I WANT TO 272 00:10:27,533 --> 00:10:29,903 COMPLETELY JUST MIRROR THAT WALL. 273 00:10:29,900 --> 00:10:33,670 AND THEN THIS REALLY IS THE STAGING WALL, AND THEN-- 274 00:10:33,667 --> 00:10:35,867 - MORE SO THAN THIS WALL? - WELL, I WAS WONDERING, 275 00:10:35,867 --> 00:10:37,827 BUT I'M--IT'S NOT LIKE I'M GONNA HAVE A [bleep] AUDIENCE. 276 00:10:37,834 --> 00:10:39,074 - RIGHT. [laughs] - RIGHT? 277 00:10:39,066 --> 00:10:42,966 AN AUDIENCE OF ONE, OR POSSIBLY TWO IF YOU BEHAVE. 278 00:10:42,967 --> 00:10:45,797 OKAY, SO WHAT I WANT TO DO IS PUT-- 279 00:10:45,800 --> 00:10:47,300 - I'LL BEHAVE. - [laughs] 280 00:10:47,300 --> 00:10:49,970 - NOT ONLY IS ELIZY MY SON'S NANNY, 281 00:10:49,967 --> 00:10:52,367 SHE'S ALSO ONE OF MY BEST FRIENDS, 282 00:10:52,367 --> 00:10:55,927 AND SHE'S INCREDIBLY PLAYFUL 283 00:10:55,934 --> 00:10:59,304 AND SO INAPPROPRIATE THAT I LOVE IT. 284 00:10:59,300 --> 00:11:01,670 - WELL, I REALLY LIKE THE RED. 285 00:11:01,667 --> 00:11:02,927 - ISN'T IT SEXY? 286 00:11:02,934 --> 00:11:04,934 IT'S GOT A LITTLE BIT OF A-- 287 00:11:04,934 --> 00:11:06,834 - HEY. - HEY. 288 00:11:06,834 --> 00:11:08,834 [laughs] ALL RIGHT, SO, UM-- 289 00:11:08,834 --> 00:11:11,674 - I WANT TO SEE YOU IN THIS. - REALLY? 290 00:11:11,667 --> 00:11:13,527 ELIZABETH IS LIKE AN ANGEL, 291 00:11:13,533 --> 00:11:17,433 BUT HER HALO IS REALLY, REALLY [laughs] FAR DOWN. 292 00:11:17,433 --> 00:11:19,633 SHE'S NOT AS INNOCENT AS SHE PRETENDS. 293 00:11:19,633 --> 00:11:22,303 - WHAT IS THIS? 294 00:11:22,300 --> 00:11:24,270 - LEG THINGIES. 295 00:11:24,266 --> 00:11:25,626 - WHAT? - WELL, NO, ACTUALLY, 296 00:11:25,633 --> 00:11:27,273 THESE ARE WRISTS. NO, THESE ARE ANKLES. 297 00:11:27,266 --> 00:11:28,826 WELL, THE--I DON'T KNOW. 298 00:11:28,834 --> 00:11:30,804 ANYWAY, THEY'RE RESTRAINTS. 299 00:11:30,800 --> 00:11:34,400 DAVID DOES NOT KNOW YET WHAT HE'S IN FOR. 300 00:11:34,400 --> 00:11:37,800 HE KNOWS THAT I HAVE SOMETHING BREWING DOWNSTAIRS, SO TO SPEAK, 301 00:11:37,800 --> 00:11:40,770 BUT I THINK HE'LL BE A VERY HAPPY BOY. 302 00:11:40,767 --> 00:11:43,797 - [gasps] WHAT IS THIS? 303 00:11:43,800 --> 00:11:47,230 - [laughs] NO! IT DOESN'T GO THERE. 304 00:11:47,233 --> 00:11:48,833 - WHERE'S IT GO? - FACE. 305 00:11:48,834 --> 00:11:50,374 [both laugh] 306 00:11:50,367 --> 00:11:51,927 - IT GOES ON YOUR FACE? - YEAH. 307 00:11:51,934 --> 00:11:53,634 WHAT ARE YOU GONNA DO, BLOCK YOUR-- 308 00:11:53,633 --> 00:11:55,233 ANYWAY, IT'S LIKE THAT. 309 00:11:55,233 --> 00:11:57,533 - BUT WHAT'S THE BALL FOR? - [muffled] SHUT UP. 310 00:11:57,533 --> 00:11:59,203 TO STOP TALKING. - OH, TO GAG YOU. 311 00:11:59,200 --> 00:12:00,430 - YEAH. - "SHUT UP!" 312 00:12:00,433 --> 00:12:01,773 - I TRIED THIS ON DAVID. 313 00:12:01,767 --> 00:12:03,467 - "SHUT UP." - HE ABOUT HAD A HEART ATTACK. 314 00:12:03,467 --> 00:12:05,427 - OH, MY... 315 00:12:05,433 --> 00:12:06,803 - [laughs] I LIKE TO PLAY. 316 00:12:06,800 --> 00:12:08,230 I LIKE TO, YOU KNOW-- 317 00:12:08,233 --> 00:12:10,403 I LIKE TO EXPERIMENT A LITTLE BIT. 318 00:12:10,400 --> 00:12:11,770 I WANT TO KEEP MY MAN HAPPY. 319 00:12:11,767 --> 00:12:13,527 ANYWAY--[clears throat]. - [gasps] 320 00:12:13,533 --> 00:12:15,633 - [laughs] 321 00:12:15,633 --> 00:12:17,503 STOP IT. [both laughing] 322 00:12:17,500 --> 00:12:19,770 - OH...MY... CARLTON... 323 00:12:19,767 --> 00:12:21,367 - I KNOW. I KNOW. 324 00:12:21,367 --> 00:12:24,667 YAY FOR TOYS. I LIKE ADULT TOYS. 325 00:12:24,667 --> 00:12:27,197 IT'S, YOU KNOW, HISTORY. - OKAY. 326 00:12:27,200 --> 00:12:29,700 - MEMORIES. - YEAH. 327 00:12:29,700 --> 00:12:31,470 - THIS IS THE MEMORY BOX. - WHICH IS WHY I VISIT-- 328 00:12:31,467 --> 00:12:32,867 - WE'LL KEEP IT HIDDEN. - YEAH, WELL, THIS IS WHY 329 00:12:32,867 --> 00:12:34,697 THERE'S A LOCK ON THE DOOR. - OH, MY GOSH. 330 00:12:34,700 --> 00:12:36,530 THAT'S SO FUNNY. 331 00:12:51,867 --> 00:12:55,527 - MY LIFE HAS BEEN ABSOLUTELY CRAZY LATELY. 332 00:12:55,533 --> 00:12:57,773 WE'RE CREATING THIS NEW RESTAURANT CALLED PUMP, 333 00:12:57,767 --> 00:12:59,367 SO OF COURSE IT'S GONNA BE EXPENSIVE, 334 00:12:59,367 --> 00:13:01,797 BUT IT'S GONNA BE WORTH IT IN THE END. 335 00:13:01,800 --> 00:13:03,630 HEY! HI. 336 00:13:03,633 --> 00:13:05,373 - HI, BABY. - I NEED A HAT. 337 00:13:05,367 --> 00:13:07,527 HEY. HI. OH! 338 00:13:07,533 --> 00:13:09,373 - [laughs] - CUTE. 339 00:13:09,367 --> 00:13:11,767 I WANT MY LITTLE GAY GARDEN IN HOLLYWOOD, 340 00:13:11,767 --> 00:13:13,227 BUT I THINK THE BIGGEST CHALLENGE 341 00:13:13,233 --> 00:13:15,203 IS CHANGING A MAGICAL GARDEN 342 00:13:15,200 --> 00:13:20,130 OUT OF THIS KIND OF CONCRETE, YOU KNOW, VOID. 343 00:13:20,133 --> 00:13:21,303 STOP THE TRAFFIC. 344 00:13:21,300 --> 00:13:22,830 I DON'T CARE. I'LL DO ANYTHING. 345 00:13:22,834 --> 00:13:24,474 I'LL DIG TRENCHES AT THIS POINT. 346 00:13:24,467 --> 00:13:26,197 IF THERE'S A JOB TO BE DONE, I'M GONNA DO IT. 347 00:13:26,200 --> 00:13:28,370 OKAY. I GOT IT. 348 00:13:31,600 --> 00:13:33,100 [horn honks] 349 00:13:33,100 --> 00:13:35,370 OKAY. GO ON. 350 00:13:35,367 --> 00:13:39,327 IF I'M ON A PROJECT, I GO AT IT 1,000%. 351 00:13:39,333 --> 00:13:41,133 TIME IS MONEY. I GOT TO MOVE IT. 352 00:13:41,133 --> 00:13:43,303 OH, WELL, THEN. BACK TO WORK. 353 00:13:43,300 --> 00:13:45,170 YOU START OFF WITH A BUILDING, 354 00:13:45,166 --> 00:13:48,066 AND THEN SUDDENLY YOU END UP WITH A BUILDING SITE, 355 00:13:48,066 --> 00:13:51,366 AND IT'S PRETTY CHALLENGING. 356 00:13:51,367 --> 00:13:53,327 WOW. 357 00:13:53,333 --> 00:13:54,473 - BEAUTIFUL, HUH? 358 00:13:54,467 --> 00:13:56,067 - YEAH. I MEAN, IT'S ACHIEVED 359 00:13:56,066 --> 00:13:58,196 EXACTLY WHAT WE WANT TO DO. 360 00:13:58,200 --> 00:13:59,600 THEY LOOK GREAT. - YEAH. 361 00:13:59,600 --> 00:14:01,170 - I MEAN, FILLED OUT, SEXY. 362 00:14:01,166 --> 00:14:02,396 - GOT RID OF THE BUILDING BEHIND IT. 363 00:14:02,400 --> 00:14:03,700 - TELL YOU WHAT I DON'T LIKE, THOUGH, 364 00:14:03,700 --> 00:14:05,300 AND YOU'RE NOT GONNA LIKE THIS. - OH. 365 00:14:05,300 --> 00:14:06,830 - I DON'T LIKE WHERE IT'S DIPPING DOWN IN THE CORNER. 366 00:14:06,834 --> 00:14:08,274 - YEAH. - IF ANYTHING, I NEED IT 367 00:14:08,266 --> 00:14:09,826 TALLER IN THE CORNER. - IT'S HARD, I MEAN-- 368 00:14:09,834 --> 00:14:11,674 - CAN YOU TAKE THOSE TWO OUT THERE AND PUT THEM-- 369 00:14:11,667 --> 00:14:13,597 - WELL, WE GOT THEM ALL PLANTED ALREADY IN HERE. 370 00:14:13,600 --> 00:14:15,570 THEY'VE ALREADY BEEN SECURED INTO THE GROUND. 371 00:14:15,567 --> 00:14:18,467 - IF SOMETHING'S NOT RIGHT AND I LET IT SLIDE BY, 372 00:14:18,467 --> 00:14:21,797 THAT'S THE THING I ALWAYS LOOK AT AND I ALWAYS REGRET IT. 373 00:14:21,800 --> 00:14:23,770 LET'S SORT IT OUT NOW. THE WHOLE POINT OF IT 374 00:14:23,767 --> 00:14:26,197 IS TO FEEL LIKE WE'RE IN THE MIDDLE OF A GARDEN. 375 00:14:26,200 --> 00:14:28,200 - LISA'S RIGHT. WE WANT TO TAKE THAT OUT. 376 00:14:28,200 --> 00:14:30,230 - WHAT'D YOU SAY? - I SAID, "LISA'S RIGHT." 377 00:14:30,233 --> 00:14:32,233 - SAY IT AGAIN. - LISA'S RIGHT. 378 00:14:32,233 --> 00:14:33,673 - OH! - OH, I LOVE IT! 379 00:14:33,667 --> 00:14:36,727 IT ALWAYS SCARES ME WHEN WE START A PROJECT. 380 00:14:36,734 --> 00:14:39,674 YOU HAVE TO MAKE THINGS A LOT WORSE BEFORE THEY GET BETTER. 381 00:14:39,667 --> 00:14:43,267 SAY DOUBLE THE TIME LIMIT AND DOUBLE THE BUDGET, 382 00:14:43,266 --> 00:14:45,026 AND YOU'RE NEARER ON THE MARK, 383 00:14:45,033 --> 00:14:49,103 SO I'VE JUST GOT TO BE 100% COMMITTED AND HAVE DEEP POCKETS. 384 00:14:49,100 --> 00:14:50,730 - COME ON, GUYS. WHAT ARE YOU DOING? 385 00:14:50,734 --> 00:14:52,534 WHY AREN'T YOU WORKING? LET'S GO. 386 00:14:52,533 --> 00:14:53,673 - YEAH, LET'S GO. 387 00:14:57,467 --> 00:14:58,997 [woof] 388 00:15:05,767 --> 00:15:07,467 - SIT. SIT. 389 00:15:07,467 --> 00:15:08,497 GOOD SIT. 390 00:15:08,500 --> 00:15:10,200 GOOD SIT, KINGSLEY. 391 00:15:13,100 --> 00:15:16,100 HEEL. HEEL. HEEL. 392 00:15:16,100 --> 00:15:17,300 SIT. 393 00:15:17,300 --> 00:15:18,570 GOOD SIT. 394 00:15:18,567 --> 00:15:20,197 I'M LEARNING HOW TO DO 395 00:15:20,200 --> 00:15:22,070 ALL THESE THINGS WITH YOU. 396 00:15:22,066 --> 00:15:24,326 I'VE BEEN WORKING WITH THIS DOG TRAINER FOR A FEW WEEKS NOW. 397 00:15:24,333 --> 00:15:29,033 I'M NOT DOING EVERYTHING HE WANTS ME TO DO... 398 00:15:29,033 --> 00:15:30,473 BUT I'M DOING A LOT OF IT. 399 00:15:30,467 --> 00:15:32,227 I'M STILL GONNA DO IT KIM'S WAY. 400 00:15:34,166 --> 00:15:35,626 I DON'T LIKE ALL THIS. 401 00:15:35,633 --> 00:15:37,303 [doorbell rings] 402 00:15:37,300 --> 00:15:39,030 OKAY. HEEL. 403 00:15:39,033 --> 00:15:40,173 SIT. 404 00:15:40,166 --> 00:15:41,196 - THERE YOU GO. - SIT. 405 00:15:41,200 --> 00:15:42,270 - HI. HOW YOU DOING? 406 00:15:42,266 --> 00:15:43,326 - HI. HOW ARE YOU? 407 00:15:43,333 --> 00:15:44,433 NICE TO SEE YOU AGAIN. - GOOD, GOOD. 408 00:15:44,433 --> 00:15:46,103 HE LOOKS BIG IMPROVEMENT. - GOOD. 409 00:15:46,100 --> 00:15:47,430 - YEAH? - GOOD. 410 00:15:47,433 --> 00:15:49,373 - HE'S GETTING A GOOD TAIL WAG OUT OF HIM. 411 00:15:49,367 --> 00:15:51,627 - YEAH? GOOD BOY, KINGSLEY. 412 00:15:55,200 --> 00:15:57,330 I DO SEE A CHANGE IN HIM. 413 00:15:57,333 --> 00:15:58,973 - THERE'S VAST IMPROVEMENT. 414 00:15:58,967 --> 00:16:00,927 - KINGSLEY. 415 00:16:00,934 --> 00:16:01,934 SIT, KINGSLEY. 416 00:16:01,934 --> 00:16:02,974 GOOD SIT. 417 00:16:02,967 --> 00:16:05,097 DOWN, KINGSLEY. DOWN. - THERE YOU GO. 418 00:16:05,100 --> 00:16:08,530 - SEEING WHAT BRANDI'S GOING THROUGH WITH CHICA, 419 00:16:08,533 --> 00:16:10,003 IT JUST MADE ME REALIZE 420 00:16:10,000 --> 00:16:14,030 HOW IMPORTANT ANIMALS ARE TO YOUR FAMILY. 421 00:16:14,033 --> 00:16:17,673 I DIDN'T EXPECT, WHEN I SAID, "OH, LET'S TRAIN KINGSLEY 422 00:16:17,667 --> 00:16:19,227 AND LET'S SAVE ALL OUR SHOES," 423 00:16:19,233 --> 00:16:21,573 I DIDN'T EXPECT EVERYTHING THAT I SAW... 424 00:16:21,567 --> 00:16:23,097 - MM-HMM. 425 00:16:23,100 --> 00:16:24,900 - BECAUSE I DO DEPEND ON KINGSLEY, YOU KNOW? 426 00:16:24,900 --> 00:16:27,100 MY KIDS ARE ALL KIND OF OFF AND GONE, 427 00:16:27,100 --> 00:16:28,900 AND I'VE BECOME VERY DEPENDENT ON KINGSLEY. 428 00:16:28,900 --> 00:16:32,170 HE'S BECOME MY BEST FRIEND, YOU KNOW? 429 00:16:32,166 --> 00:16:35,926 SO ALL OF A SUDDEN WHEN I GET IN BED AT NIGHT AND HE'S NOT THERE, 430 00:16:35,934 --> 00:16:38,934 IT'S PUT ME IN A VERY VULNERABLE, EMOTIONAL STATE. 431 00:16:38,934 --> 00:16:41,474 - SEE, YOU'VE ALREADY CREATED NEEDINESS IN THE ANIMAL. 432 00:16:41,467 --> 00:16:42,967 YOU HAVE TO NOW CORRECT IT, 433 00:16:42,967 --> 00:16:44,567 AND CORRECTING'S NOT ALWAYS FUN. 434 00:16:44,567 --> 00:16:46,327 - THERE'S JUST CERTAIN THINGS 435 00:16:46,333 --> 00:16:49,203 ABOUT THIS WHOLE PROCEDURE SO FAR THAT MAKES ME FEEL 436 00:16:49,200 --> 00:16:51,130 LIKE A HAVE A NOOSE AROUND MY NECK, YOU KNOW? 437 00:16:51,133 --> 00:16:52,403 - BUT WE CAN'T WHITEWASH IT. 438 00:16:52,400 --> 00:16:53,930 WE CAN'T-- - I KNOW, I-I KNOW. 439 00:16:53,934 --> 00:16:55,504 - YOU KNOW, WE CAN'T LIVE IN THE UNICORN LAND. 440 00:16:55,500 --> 00:16:56,970 - I KNOW. - YOU KNOW, IT'S... 441 00:16:56,967 --> 00:16:58,597 RIGHT? - BUT, YOU KNOW, I ALWAYS HAVE. 442 00:16:58,600 --> 00:17:00,200 - RIGHT, BUT YOU ALWAYS HAVE. - NOT GONNA LIE. 443 00:17:00,200 --> 00:17:02,170 I LIVED IN A FANTASY WORLD... - RIGHT. I UNDERSTAND. 444 00:17:02,166 --> 00:17:03,966 - FOR A LONG TIME. - RIGHT. RIGHT. 445 00:17:03,967 --> 00:17:05,897 [laughter] - ALL RIGHT. OKAY. 446 00:17:05,900 --> 00:17:07,900 - HEY, GUYS. - HI, HONEY. 447 00:17:07,900 --> 00:17:09,200 - HI. HOW YOU DOING? - GOOD. 448 00:17:09,200 --> 00:17:10,470 - GOOD TO SEE YOU AGAIN. - GOOD TO SEE YOU TOO. 449 00:17:10,467 --> 00:17:11,897 - SO THIS IS WHAT THE GAME PLAN IS. 450 00:17:11,900 --> 00:17:13,300 WE'RE DOING A GREAT JOB. 451 00:17:13,300 --> 00:17:14,530 EVERYONE'S DOING A GREAT JOB, 452 00:17:14,533 --> 00:17:16,003 'CAUSE I SEE A HUGE DIFFERENCE. 453 00:17:16,000 --> 00:17:18,300 NOW WE'RE GONNA WORK ON WHAT WE ALREADY SPOKE ABOUT, 454 00:17:18,300 --> 00:17:20,570 ABOUT THE CO-DEPENDENCY AND THE NEEDINESS. 455 00:17:20,567 --> 00:17:21,997 - RIGHT. - 'CAUSE OTHERWISE, 456 00:17:22,000 --> 00:17:23,400 YOU CAN'T GET OVER THE HILL AND REHAB HIM, 457 00:17:23,400 --> 00:17:27,270 SO WE'RE GONNA GET THE DOG WITH ME FOR A WEEK, 458 00:17:27,266 --> 00:17:30,166 BONDING WITH A PACK OF DOGS 459 00:17:30,166 --> 00:17:32,196 THAT ALL KNOW DOG SOCIOLOGY, 460 00:17:32,200 --> 00:17:33,430 'CAUSE HE'S NEVER GOTTEN THAT. 461 00:17:33,433 --> 00:17:35,003 - RIGHT, WHICH IS HEALTHY FOR HIM. 462 00:17:35,000 --> 00:17:36,270 - YEAH. IT'S HEALTHY FOR HIM. 463 00:17:36,266 --> 00:17:37,426 - HE'S NEVER BEEN AROUND DOGS LIKE HIM. 464 00:17:37,433 --> 00:17:38,803 - YOU GOT HUMAN SOCIOLOGY. 465 00:17:38,800 --> 00:17:39,900 YOU'VE BEEN AROUND HUMANS ALL YOUR LIFE. 466 00:17:39,900 --> 00:17:41,870 IT'S NOT FAIR TO HIM. - MM-HMM. 467 00:17:41,867 --> 00:17:43,527 IT'S LIKE WHEN YOU WENT AWAY TO REHAB. 468 00:17:43,533 --> 00:17:45,403 WE WERE ALL SAD, YOU KNOW, IT'S SAD, BUT YOU KNOW WHAT? 469 00:17:45,400 --> 00:17:47,230 YOU CAME BACK, AND YOU'RE A BETTER PERSON FOR IT. 470 00:17:47,233 --> 00:17:49,903 HE'S GONNA GO AND HE'S GONNA BE AROUND OTHER DOGS 471 00:17:49,900 --> 00:17:51,130 AND IT'S GONNA BE GOOD FOR HIM. 472 00:17:51,133 --> 00:17:52,533 HE'S GONNA COME BACK A BETTER DOG. 473 00:17:52,533 --> 00:17:55,503 - BEEN A LOT OF CHANGES FOR US THIS LAST YEAR, 474 00:17:55,500 --> 00:17:58,130 AND DEFINITELY KINGSLEY HAS BEEN 475 00:17:58,133 --> 00:18:00,833 ONE OF THE BIGGEST PARTS OF MY GROWTH. 476 00:18:00,834 --> 00:18:02,804 - I LOVE MY BABY. 477 00:18:02,800 --> 00:18:05,330 I LOVE YOU SO MUCH. [kissing] 478 00:18:06,900 --> 00:18:10,000 - NO, SEE, THAT'S WHAT RUINS HIM. 479 00:18:10,000 --> 00:18:12,300 YOU DON'T WANT TO DO THAT. YOU WANT TO SAY IT'S OKAY. 480 00:18:12,300 --> 00:18:14,100 - AT THE END OF THE DAY, 481 00:18:14,100 --> 00:18:17,230 IT'S THAT DOG THAT I'VE TOLD EVERYTHING TO, 482 00:18:17,233 --> 00:18:21,273 THAT I LAY WITH AT NIGHT, AND... 483 00:18:21,266 --> 00:18:23,466 THAT DOG HAS HELD ME. 484 00:18:23,467 --> 00:18:25,227 - THANK YOU. - OKAY. TAKE CARE, EVERYONE. 485 00:18:25,233 --> 00:18:26,503 - BYE. - BYE. 486 00:18:26,500 --> 00:18:28,200 - CALL ME WHEN YOU GET THERE, WILL YOU? 487 00:18:28,200 --> 00:18:29,270 - I WILL. 488 00:18:29,266 --> 00:18:31,926 - KINGSLEY'S MORE THAN A DOG. 489 00:18:31,934 --> 00:18:34,004 HE'S MY BEST FRIEND. 490 00:18:36,500 --> 00:18:38,830 - OFF TO JAIL. I'M JUST--[laughs] 491 00:18:38,834 --> 00:18:40,504 - YOU'RE SO MEAN. 492 00:18:40,500 --> 00:18:43,370 - I'M JUST PLAYING. - AW, THAT'S SO SAD. 493 00:18:43,367 --> 00:18:44,897 - COMING UP.... 494 00:18:44,900 --> 00:18:47,070 - HOW COME SOME PEOPLE HAVE LITTLE HEARTS 495 00:18:47,066 --> 00:18:48,226 AND SOME PEOPLE DON'T? 496 00:18:48,233 --> 00:18:50,203 - THAT WAS MY TEAM. THE DREAM TEAM! 497 00:18:50,200 --> 00:18:52,130 [laughs] - REALLY? 498 00:18:52,133 --> 00:18:54,173 LOUD AND CLEAR. 499 00:19:15,000 --> 00:19:16,970 - HOW IS IT GOING, GUYS? 500 00:19:16,967 --> 00:19:18,927 OH, MY GOD! IS THAT NEW? 501 00:19:18,934 --> 00:19:20,374 - I MADE YOU A VEGGIE PIZZA AND A-- 502 00:19:20,367 --> 00:19:21,797 - OH, MY GOD. 503 00:19:21,800 --> 00:19:23,100 OKAY, I GOT TO HAVE ONE BITE OF THAT. 504 00:19:23,100 --> 00:19:24,870 - YES. DEFINITELY. - DOING A DINNER PARTY 505 00:19:24,867 --> 00:19:27,227 IS NOT JUST ABOUT, YOU KNOW, 506 00:19:27,233 --> 00:19:29,873 CALLING A CATERER AND A FLORIST AND, YOU KNOW, 507 00:19:29,867 --> 00:19:32,027 COME AND HAVE THEM DO THE PARTY. 508 00:19:32,033 --> 00:19:34,773 FOR ME, IT'S ALL ABOUT THE PREPARATION. 509 00:19:34,767 --> 00:19:36,727 HERE, TAKE THOSE, AND THEN YOU WILL BE IN CHARGE 510 00:19:36,734 --> 00:19:37,974 OF PUTTING ALL THE-- - YES. 511 00:19:37,967 --> 00:19:39,227 I'LL HAVE ALL THE CANDLES LIT. - YUP. 512 00:19:39,233 --> 00:19:41,933 - MAYBE ABOUT 7:15 AND 7:30 WE'LL START WITH THOSE. 513 00:19:41,934 --> 00:19:43,704 - YEAH. I ALWAYS DO IT DIFFERENT. 514 00:19:43,700 --> 00:19:46,330 YOU'LL NEVER SEE THE SAME DINNER TABLE TWICE, 515 00:19:46,333 --> 00:19:48,373 BECAUSE OTHERWISE YOU MIGHT AS WELL MAKE A RESERVATION 516 00:19:48,367 --> 00:19:50,167 AT A RESTAURANT. 517 00:19:52,433 --> 00:19:54,103 WHAT IS THIS? INJECTED WHAT? 518 00:19:54,100 --> 00:19:56,200 - GRAND MARNIER GOING INTO THE STRAWBERRIES. 519 00:19:56,200 --> 00:19:57,870 - WHAT? - GRAND MARNIER. 520 00:19:57,867 --> 00:20:00,267 - THIS IS ILLEGAL IN THE UNITED STATES OF AMERICA. 521 00:20:00,266 --> 00:20:01,766 - THIS IS MALIBU. 522 00:20:01,767 --> 00:20:03,897 THIS IS NOT THE UNITED STATES OF AMERICA. 523 00:20:03,900 --> 00:20:06,930 [group holding note] 524 00:20:06,934 --> 00:20:11,034 ♪ ♪ 525 00:20:11,033 --> 00:20:17,033 [all singing in Italian] 526 00:20:17,033 --> 00:20:19,133 [end notes] - YEAH, AND THEN-- 527 00:20:19,133 --> 00:20:22,033 [playing piano] 528 00:20:22,033 --> 00:20:26,003 - ENTERTAINING FOR ME IS-- IT'S AN ART. 529 00:20:26,000 --> 00:20:28,130 I WANT IT TO BE A ROMANTIC EXPERIENCE 530 00:20:28,133 --> 00:20:29,903 WITH THE CANDLES AND THE BEAUTIFUL FLOWERS 531 00:20:29,900 --> 00:20:32,000 AND GREAT FOOD, AND AFTER DINNER 532 00:20:32,000 --> 00:20:35,900 WE END UP AROUND THE PIANO AND MAKE SOME MUSIC. 533 00:20:35,900 --> 00:20:37,270 [piano chords] - THERE'S SUPPOSED TO BE 534 00:20:37,266 --> 00:20:38,926 A MINOR THERE TOO, RIGHT? - PROBABLY. 535 00:20:38,934 --> 00:20:41,174 - UH-OH. THE BOSS IS FIXING. 536 00:20:43,266 --> 00:20:45,926 - SHOULD I HAVE KEN NEXT TO ME OR MAURICIO? 537 00:20:45,934 --> 00:20:47,934 - WHO'S SITTING ON THE OTHER SIDE OF MAURICIO? 538 00:20:47,934 --> 00:20:49,934 - KYLE. 539 00:20:49,934 --> 00:20:52,074 [laughs] 540 00:20:52,066 --> 00:20:54,066 - PUT HER NEXT TO ME. 541 00:20:54,066 --> 00:20:56,166 - WHAT DOES THAT MEAN? - NOTHING. [laughs] 542 00:20:56,166 --> 00:20:58,366 - THAT WAS VERY CUTE. - I WAS JUST THINKING, OKAY? 543 00:20:58,367 --> 00:20:59,967 - YOU KNOW WHAT? YOU ALWAYS GOT TO BE 544 00:20:59,967 --> 00:21:01,597 THE BIGGER, BETTER PERSON, 545 00:21:01,600 --> 00:21:04,270 AND BECAUSE OF THAT I'M GONNA KEEP THEM RIGHT NEXT TO ME. 546 00:21:04,266 --> 00:21:05,566 - THERE YOU GO. 547 00:21:06,867 --> 00:21:09,697 - KEEP YOUR ENEMIES CLOSE. - RIGHT. 548 00:21:09,700 --> 00:21:11,130 - JUST KIDDING. 549 00:21:23,300 --> 00:21:25,070 - HEY, THERE. - HELLO! 550 00:21:25,066 --> 00:21:27,126 - HOW ARE YOU? - GOOD. HOW ARE YOU? 551 00:21:27,133 --> 00:21:28,533 - DID YOU GET MY TEXT THAT 552 00:21:28,533 --> 00:21:29,903 MAURICIO IS MEETING US THERE? - I DID. I DID. 553 00:21:29,900 --> 00:21:31,670 - YEAH. - I TEXT--JUST TEXT YOU BACK. 554 00:21:31,667 --> 00:21:32,867 SORRY, I WAS TRYING TO RUSH AND GO. 555 00:21:32,867 --> 00:21:34,297 - WAIT. WHERE ARE ALL THE SIGNS? 556 00:21:34,300 --> 00:21:36,900 - THE LADY TOOK 'EM DOWN. - WELL, I'M SORRY TO HEAR THAT. 557 00:21:36,900 --> 00:21:40,800 - THERE'S THIS GRUMPY OLD LADY TAKING CHICA'S REWARD SIGN DOWN. 558 00:21:40,800 --> 00:21:42,170 SHE SAID IT WAS LITTERING 559 00:21:42,166 --> 00:21:44,566 AND IT WAS NOT IN THE RULES OF THE H.O.A. 560 00:21:44,567 --> 00:21:45,897 IF MY KIDS WEREN'T WITH ME, 561 00:21:45,900 --> 00:21:47,800 I PROBABLY WOULD HAVE BEAT THE [bleep] OUT OF HER. 562 00:21:47,800 --> 00:21:50,530 IT JUST SUCKS THAT MY WHOLE BELIEF IN THE HUMAN RACE 563 00:21:50,533 --> 00:21:54,133 IS JUST GRO--I'M JUST GROSSED OUT BY EVERYONE RIGHT NOW. 564 00:21:54,133 --> 00:21:57,733 - I AM TOO. GET IN LINE. 565 00:22:08,867 --> 00:22:11,227 [telephone rings] 566 00:22:11,233 --> 00:22:13,033 - WHAT? 567 00:22:16,600 --> 00:22:17,970 HELLO? 568 00:22:17,967 --> 00:22:20,267 - HI, BEAUTIFUL. IT'S CARLTON. 569 00:22:20,266 --> 00:22:22,196 - HEY, CARLTON. HOW ARE YOU? 570 00:22:22,200 --> 00:22:24,230 - I'M REALLY NOT FEELING VERY WELL. 571 00:22:24,233 --> 00:22:25,973 - OH, NO! - AND I DON'T WANT TO 572 00:22:25,967 --> 00:22:28,467 COME THERE BECAUSE I KNOW THAT YOU'RE VERY, 573 00:22:28,467 --> 00:22:30,567 VERY SENSITIVE. - YEAH. 574 00:22:30,567 --> 00:22:34,497 - SO I'M SO SORRY I WON'T MAKE TONIGHT. 575 00:22:34,500 --> 00:22:36,600 - OKAY, BABE. WELL, WE'LL MISS YOU. 576 00:22:36,600 --> 00:22:38,070 - THANK YOU, BABY. - OKAY. 577 00:22:38,066 --> 00:22:39,596 HOPE YOU FEEL BETTER SOON. 578 00:22:39,600 --> 00:22:41,030 BYE. - BYE. 579 00:22:42,900 --> 00:22:44,900 CARLTON JUST CANCELLED. 580 00:22:44,900 --> 00:22:47,800 - YOU'RE KIDDING. - SHE SAID SHE'S SICK, 581 00:22:47,800 --> 00:22:50,570 AND KNOWING THAT MY IMMUNE SYSTEM IS SO DOWN SHE SAID, 582 00:22:50,567 --> 00:22:51,797 "I DON'T WANT TO COME." 583 00:22:51,800 --> 00:22:53,700 - DON'T YOU KNOW YOU'RE SICK BEFORE 6:30? 584 00:22:53,700 --> 00:22:55,130 - THAT'S WHAT I SAY, 585 00:22:55,133 --> 00:22:57,473 BUT NOT EVERYBODY IS AS PROPER AS YOU AND I, BABY DOLL. 586 00:22:57,467 --> 00:22:59,997 OH, WELL. WE'LL HAVE FUN ANYWAY. 587 00:23:00,000 --> 00:23:02,700 - LET'S DRINK NOW 'CAUSE WHEN WE GET THERE, 588 00:23:02,700 --> 00:23:04,500 WE'RE NOT ALLOWED TO DRINK. - WHY? 589 00:23:04,500 --> 00:23:06,800 - 'CAUSE LISA AND YOLANDA ARE MY MOMS. 590 00:23:06,800 --> 00:23:08,970 - LISA DRINKS. NO, SHE'S ALWAYS UP LATE 591 00:23:08,967 --> 00:23:11,497 'CAUSE OF SUR AND VILLA BLANCA, I THOUGHT. 592 00:23:11,500 --> 00:23:13,670 - WELL-- - MAYBE SHE'S TOO TIRED 593 00:23:13,667 --> 00:23:14,997 FROM DOING TOO MUCH LATELY. 594 00:23:15,000 --> 00:23:17,770 - I JUST--I KNOW SHE LOVES ME, 595 00:23:17,767 --> 00:23:19,627 BUT I FEEL LIKE I'M A GROWN WOMAN AND I CAN-- 596 00:23:19,633 --> 00:23:21,673 IF I WANT TO GO ON VACATION AND HAVE A FEW DRINKS, 597 00:23:21,667 --> 00:23:23,797 IT'S FINE TO LET LOOSE. 598 00:23:23,800 --> 00:23:25,770 LIKE, I DON'T NEED LECTURES FROM YOLANDA AND LISA. 599 00:23:25,767 --> 00:23:27,167 - SO THEY GIVE YOU ONE? 600 00:23:27,166 --> 00:23:28,926 - THAT'S ALL THEY DO! 601 00:23:28,934 --> 00:23:30,534 - OH, I DIDN'T KNOW THAT. - ALL THE TIME. 602 00:23:30,533 --> 00:23:32,003 I MEAN, IT'S FINE. I SAID, "YOU GUYS, 603 00:23:32,000 --> 00:23:34,470 I'M GONNA HAVE TO START HANGING OUT WITH KYLE." 604 00:23:34,467 --> 00:23:35,727 - WHEN BRANDI AND I ARE ALONE, 605 00:23:35,734 --> 00:23:38,804 WE ALWAYS HAVE FUN AND WE LAUGH AND HAVE A GOOD TIME, 606 00:23:38,800 --> 00:23:41,000 AND THEN WHEN SHE'S WITH LISA OR IN A GROUP, 607 00:23:41,000 --> 00:23:43,900 ALL OF A SUDDEN SHE'S A COMPLETELY DIFFERENT BRANDI. 608 00:23:43,900 --> 00:23:47,770 IT MAKES ME WONDER IF BRANDI DOESN'T WANT LISA TO KNOW 609 00:23:47,767 --> 00:23:49,897 THAT SHE ACTUALLY LIKES ME. 610 00:23:49,900 --> 00:23:51,470 I WANT TO ASK YOU SOMETHING. 611 00:23:51,467 --> 00:23:52,627 I DON'T WANT TO PUT YOU ON THE SPOT. 612 00:23:52,633 --> 00:23:54,103 I KNOW YOU SAID YOU COULD MAKE IT TO MY-- 613 00:23:54,100 --> 00:23:55,630 THE CHILDREN'S HOSPITAL FASHION SHOW... 614 00:23:55,633 --> 00:23:56,973 - YEAH. - ON JUNE 26TH. 615 00:23:56,967 --> 00:23:59,367 HOW WOULD YOU FEEL ABOUT MODELING IN IT? 616 00:23:59,367 --> 00:24:01,627 - IF YOU NEED MODELS. - I DO. 617 00:24:01,633 --> 00:24:03,003 - YEAH. - YOU GUYS WOULD BE, LIKE, 618 00:24:03,000 --> 00:24:04,730 WALKING AROUND... - OH. 619 00:24:04,734 --> 00:24:06,774 I'M THINKING RUNWAY, LIKE WHEN I WAS IN EUROPE, 620 00:24:06,767 --> 00:24:08,527 AND THEN SHE EXPLAINS 621 00:24:08,533 --> 00:24:10,503 THAT IT'S INFORMALLY WALKING AROUND THE STORE. 622 00:24:10,500 --> 00:24:12,570 [laughs] I DON'T THINK I'VE EVER DONE THAT, TO BE HONEST, 623 00:24:12,567 --> 00:24:14,797 BUT FOR SICK KIDS, I'LL DO ANYTHING. 624 00:24:14,800 --> 00:24:16,470 STAND IN A WINDOW. 625 00:24:16,467 --> 00:24:18,597 CRAWL ON THE FLOOR LICKING DUST UP WITH A G-STRING ON. 626 00:24:18,600 --> 00:24:19,800 DOESN'T MATTER. 627 00:24:19,800 --> 00:24:21,000 - THANK YOU. 628 00:24:21,000 --> 00:24:22,730 I'M TRYING TO GET AS MUCH HELP AS I CAN HERE 629 00:24:22,734 --> 00:24:23,974 IN DOING THIS. 630 00:24:39,467 --> 00:24:41,497 - THANK YOU. - YOU'RE WELCOME. 631 00:24:41,500 --> 00:24:42,600 - SORRY [laughs] 632 00:24:42,600 --> 00:24:44,000 IT'S JUST--GETTING VERY FRIENDLY. 633 00:24:44,000 --> 00:24:45,000 HI. - HI. 634 00:24:45,000 --> 00:24:46,070 - THANK YOU. [laughter] 635 00:24:49,467 --> 00:24:50,727 - COMING. 636 00:24:52,400 --> 00:24:53,830 - HELLO? 637 00:24:53,834 --> 00:24:55,804 - OH--YOU JUST ARE SO HAPPY WITH YOURSELVES 638 00:24:55,800 --> 00:24:57,300 YOU JUST WALK INTO OUR HOUSE. 639 00:24:57,300 --> 00:24:58,900 - OH, NO! NO, NO. - YOU DON'T NEED A--NO, PLEASE. 640 00:24:58,900 --> 00:25:00,900 - THAT WAS NOT ME. - [clapping] COME IN! COME IN! 641 00:25:00,900 --> 00:25:02,330 - I KNOCKED AND I RANG THE DOORBELL. 642 00:25:02,333 --> 00:25:03,803 - I'M JUST KIDDING. - HOW ARE YOU? 643 00:25:03,800 --> 00:25:05,430 NICE TO SEE YOU. - HI, KYLE, HOW ARE YOU? 644 00:25:05,433 --> 00:25:06,703 - GOOD. GOOD TO SEE YOU. - COME ON IN. 645 00:25:06,700 --> 00:25:07,970 ARE YOU HUSBAND-LESS TONIGHT? - THIS IS FOR YOU GUYS 646 00:25:07,967 --> 00:25:08,967 FROM BRANDI AND ME AND MY HUSBAND. 647 00:25:08,967 --> 00:25:10,327 - OH, THANK YOU. 648 00:25:10,333 --> 00:25:11,503 - MY HUSBAND'S COMING. - OH, GOOD. 649 00:25:11,500 --> 00:25:12,700 - YES. - DO I HAVE TO FILL IN 650 00:25:12,700 --> 00:25:13,970 FOR YOU AGAIN? - YES, PLEASE. 651 00:25:13,967 --> 00:25:16,427 - HOW ARE YOU GUYS? HI. 652 00:25:16,433 --> 00:25:19,303 DID YOU DRIVE DOWN TOGETHER? - YES. 653 00:25:19,300 --> 00:25:20,870 - THAT BLOUSE IS GORGEOUS. HOW ARE YOU? 654 00:25:20,867 --> 00:25:22,297 - GOOD. HOW ARE YOU? 655 00:25:22,300 --> 00:25:23,770 - I'M A LITTLE BIT UNCOMFORTABLE 656 00:25:23,767 --> 00:25:25,597 SINCE THIS IS THE FIRST TIME I'VE BEEN TO HER HOME 657 00:25:25,600 --> 00:25:26,870 IN A LONG TIME. 658 00:25:26,867 --> 00:25:28,767 PLEASE LET THIS REALLY BE A FRESH START. 659 00:25:28,767 --> 00:25:30,527 - CARLTON JUST CANCELLED. - WHY? 660 00:25:30,533 --> 00:25:34,503 - SHE SAID SHE'S SICK. - WHAT'S WRONG WITH HER? 661 00:25:34,500 --> 00:25:36,300 - I DON'T KNOW. SHE SAID SHE WAS FEELING SICK. 662 00:25:36,300 --> 00:25:38,270 - WHAT'S WRONG WITH CALLING AT 6:45 663 00:25:38,266 --> 00:25:39,666 TO SAY YOU'RE NOT COMING? 664 00:25:39,667 --> 00:25:41,367 - [laughs] DAVID IS LIKE, "IT'S TEN TO 7:00. 665 00:25:41,367 --> 00:25:42,697 YOU'RE SICK NOW?" 666 00:25:42,700 --> 00:25:43,830 - I'M NOT GOOD ON ETIQUETTE. 667 00:25:43,834 --> 00:25:45,334 I DON'T KNOW THE RULES AND ALL THAT, 668 00:25:45,333 --> 00:25:48,333 BUT I'VE ALWAYS TRIED TO BE THAT GUY 669 00:25:48,333 --> 00:25:51,373 THAT WHEN I SAY I'M GONNA BE SOMEWHERE, I GO. 670 00:25:51,367 --> 00:25:53,727 - I KEEP SEEING GIGI EVERYWHERE 671 00:25:53,734 --> 00:25:56,374 LOOKING SO GORGEOUS ON RODEO DRIVE. 672 00:25:56,367 --> 00:25:58,427 - WE WERE IN THE CAR ON RODEO DRIVE, 673 00:25:58,433 --> 00:26:00,303 AND I GO "THERE SHE IS! YES." 674 00:26:00,300 --> 00:26:02,000 [laughter] IT WAS LIKE A PERFECT TIMING. 675 00:26:02,000 --> 00:26:04,400 - WELL, TEN MINUTES AGO SHE WAS IN BED, AND CARLTON CANCELLED. 676 00:26:04,400 --> 00:26:06,870 - AND CARLTON CANCELLED SO I SAID, "GIGI, GET OUT OF BED." 677 00:26:06,867 --> 00:26:08,827 [laughter] - AND FILL THE SEAT. 678 00:26:08,834 --> 00:26:11,304 - OH, MY GOD. - YOU'RE A SEAT-FILLER TONIGHT. 679 00:26:12,300 --> 00:26:13,730 - HELLO. - HI! 680 00:26:13,734 --> 00:26:15,334 - HI. HOW ARE YOU? 681 00:26:15,333 --> 00:26:17,533 - I'M GOOD. - WELCOME. 682 00:26:17,533 --> 00:26:18,673 - THANK YOU SO MUCH FOR HAVING US. 683 00:26:18,667 --> 00:26:19,667 - HI, MICHAEL. 684 00:26:19,667 --> 00:26:21,667 [speaking Dutch] 685 00:26:21,667 --> 00:26:23,567 - WHERE'S MY SISTER? 686 00:26:23,567 --> 00:26:24,897 HI. - HI. 687 00:26:24,900 --> 00:26:26,600 - WOW. LOOK AT THOSE JEANS. - THANK YOU. HI! 688 00:26:26,600 --> 00:26:28,200 OOH, HOW ARE YOU? GOOD TO SEE YOU. 689 00:26:28,200 --> 00:26:30,230 HI. HI, BEAUTIFUL GIRL. 690 00:26:30,233 --> 00:26:32,203 - HOW ARE YOU? - LOOK AT YOU. 691 00:26:32,200 --> 00:26:34,270 HOW BEAUTIFUL. - OOH. 692 00:26:34,266 --> 00:26:36,896 - [laughs] [background chatter] 693 00:26:36,900 --> 00:26:38,630 HI. HI, GORGEOUS. 694 00:26:38,633 --> 00:26:40,803 I'VE SEEN ALL YOUR PICTURES, AND YOU'RE SO BEAUTIFUL. 695 00:26:40,800 --> 00:26:43,400 - THANK YOU. - GIGI IS VERY SWEET AND GENTLE. 696 00:26:43,400 --> 00:26:45,230 I REALLY LIKE HER. SHE'S BEAUTIFUL. 697 00:26:49,533 --> 00:26:51,503 - SHE CAN'T STOP LOOKING AT YOU. 698 00:26:51,500 --> 00:26:53,900 YOU'RE MAKING THIS GIRL SEE RED. 699 00:26:53,900 --> 00:26:56,330 AND I, LIKE, REALLY LIKE IT. 700 00:26:56,333 --> 00:26:59,333 IF THERE'S SOMEBODY YOUNGER, PRETTIER, HOTTER, 701 00:26:59,333 --> 00:27:01,803 LIKE, IT CAN'T BE ABOUT ANYONE BUT JOYCE. 702 00:27:01,800 --> 00:27:03,400 EVERYTHING'S A COMPETITION. 703 00:27:03,400 --> 00:27:05,900 SHE FEELS LIKE IT ALWAYS HAS TO BE ABOUT HER. 704 00:27:05,900 --> 00:27:06,930 IT'S NOT. 705 00:27:06,934 --> 00:27:09,934 - GIRLFRIEND! 706 00:27:09,934 --> 00:27:11,604 - PINKY'S GONNA BE MAD. - WHY? 707 00:27:11,600 --> 00:27:13,670 - BECAUSE I'M WEARING PINK-- - IT'S NOT TOO PINK, IT'S GOOD. 708 00:27:13,667 --> 00:27:15,327 - NOT TOO PINK? IT'S MORE TO THE RED. 709 00:27:15,333 --> 00:27:17,673 CARLTON CANCELLED. - REALLY? 710 00:27:17,667 --> 00:27:19,667 - SHE SAID SHE DIDN'T WANT TO GET ME SICK 711 00:27:19,667 --> 00:27:21,627 BECAUSE MY IMMUNE SYSTEM IS SO BAD. 712 00:27:21,633 --> 00:27:23,233 - OH, RIGHT, WELL, THAT'S-- - SO, THAT'S-- 713 00:27:23,233 --> 00:27:24,773 THERE'S SOMETHING TO THAT. - SHE'S SWEET. 714 00:27:24,767 --> 00:27:25,897 HELLO. 715 00:27:28,867 --> 00:27:30,567 YOU WANT TO STOP IT NOW? ENOUGH. 716 00:27:30,567 --> 00:27:32,367 - I MEAN, IT'S--THERE'S-- - THERE'S NOTHING THAT-- 717 00:27:32,367 --> 00:27:35,167 - NO, LISA'S LIKE THIS. SHE'S LIKE, "OH, STOP IT. 718 00:27:35,166 --> 00:27:36,766 OH, STOP IT." - [laughs] 719 00:27:36,767 --> 00:27:38,427 WITH YOUR ARMS BACK. 720 00:27:38,433 --> 00:27:41,173 - SO I THINK SHE'S REALLY SEARCHING FOR THE IMPLANT. 721 00:27:41,166 --> 00:27:42,266 SHE AIN'T GONNA FIND IT. 722 00:27:42,266 --> 00:27:43,766 OKAY. - BUT YOU CAN TELL 723 00:27:43,767 --> 00:27:45,397 THERE'S AN IMPLANT. - NO, THERE'S NO IMPLANT. 724 00:27:45,400 --> 00:27:47,170 YOU SAW MY MAMMOGRAM. 725 00:27:47,166 --> 00:27:48,626 - DO YOU HAVE AN IMPLANT? - NO. YOU CAN-- 726 00:27:48,633 --> 00:27:50,103 - OH, YOU DON'T? - I DON'T. 727 00:27:50,100 --> 00:27:51,370 - BUT YOU HAVE A GOOD BRA. 728 00:27:51,367 --> 00:27:52,767 - I HAVE A LITTLE-- I HAVE A STRAPLESS BRA, 729 00:27:52,767 --> 00:27:54,867 'CAUSE MY NIPPLES ARE SHOWING THROUGH, BUT I HAVE NO IMPLANTS. 730 00:27:54,867 --> 00:27:58,097 - I HAVE AN IMPLANT. HERE, FEEL MINE. 731 00:27:58,100 --> 00:27:59,370 I'M-- - BUT YOU CAN'T TELL. 732 00:27:59,367 --> 00:28:00,427 - THIS? OH. 733 00:28:00,433 --> 00:28:01,703 - I CAN. - YEAH. 734 00:28:01,700 --> 00:28:03,270 - YOU'RE TAKING A LONG TIME WITH HER. 735 00:28:03,266 --> 00:28:04,766 - OH, BUT THAT'S SO NOT MY THING. 736 00:28:04,767 --> 00:28:06,367 - YOU DIDN'T TAKE THAT LONG WITH ME. 737 00:28:06,367 --> 00:28:07,827 - DON'T GET JEALOUS! - WHY DIDN'T YOU-- 738 00:28:07,834 --> 00:28:09,304 [laughter] 739 00:28:13,400 --> 00:28:15,400 - HEY, EVERYBODY. 740 00:28:15,400 --> 00:28:17,230 HI, YOLANDA. HI, DAVID. 741 00:28:17,233 --> 00:28:18,403 - WE'RE GONNA SIT DOWN IN A MINUTE. 742 00:28:18,400 --> 00:28:21,370 - I LOVE IT. I GOT HERE JUST IN TIME. 743 00:28:21,367 --> 00:28:22,727 - YOU DID. 744 00:28:22,734 --> 00:28:24,234 - HOW ARE YOU, MY FRIEND? - GOOD, AND YOU? 745 00:28:24,233 --> 00:28:26,273 - I FEEL SOMEBODY ATTACKING ME FROM BEHIND. 746 00:28:26,266 --> 00:28:29,466 - LADIES AND GENTLEMEN, DINNER IS READY. 747 00:28:29,467 --> 00:28:31,767 PLEASE COME THIS WAY. 748 00:28:33,333 --> 00:28:35,233 - GORGEOUS. 749 00:28:35,233 --> 00:28:37,403 KYLE, YOU'RE SITTING NEXT TO BRANDI. 750 00:28:37,400 --> 00:28:39,600 BRANDI, KEEP YOUR PAWS ON THE TABLE. 751 00:28:39,600 --> 00:28:42,130 - BE CAREFUL. I THINK THIS GUY NEXT TO YOU HAS A BIG DICK. 752 00:28:42,133 --> 00:28:43,433 - [laughs] 753 00:28:44,567 --> 00:28:46,427 - HERE, DARLING. 754 00:28:46,433 --> 00:28:49,633 - HOW COME SOME PEOPLE HAVE LITTLE HEARTS ON THEIR CARDS 755 00:28:49,633 --> 00:28:51,333 AND SOME PEOPLE DON'T? - THAT WOULD BE US. 756 00:28:51,333 --> 00:28:53,103 - I DON'T HAVE A HEART ON MY CARD. 757 00:28:53,100 --> 00:28:56,170 JOYCE, DO YOU HAVE A HEART? - I DON'T HAVE A HEART EITHER. 758 00:28:56,166 --> 00:28:58,096 - DO YOU HAVE A HEART, LISA? 759 00:28:58,100 --> 00:29:00,370 DO YOU HAVE A HEART, BRANDI? - YES, I DO. 760 00:29:00,367 --> 00:29:01,497 - I DID NOT GET A HEART. 761 00:29:01,500 --> 00:29:02,800 - YOU GOT A HEART ON YOUR NAME. 762 00:29:02,800 --> 00:29:04,230 - NO, I DIDN'T. - THAT'S A HEART. 763 00:29:04,233 --> 00:29:05,773 WHAT DOES THAT SAY? - NO. 764 00:29:05,767 --> 00:29:07,427 - REALLY? 765 00:29:07,433 --> 00:29:09,503 NO HEARTS FOR US, JOYCE, OR FOR KIM. 766 00:29:09,500 --> 00:29:11,200 - MAYBE SHE'S MAKING A STATEMENT 767 00:29:11,200 --> 00:29:13,030 OF THE PEOPLE SHE'S CLOSEST TO. 768 00:29:13,033 --> 00:29:14,533 LET HER HAVE IT. SHE'S THE HOSTESS. 769 00:29:14,533 --> 00:29:17,173 SHE'S INVITED YOU FOR DINNER, BUT IT'S EASY FOR ME TO SAY 770 00:29:17,166 --> 00:29:20,726 'CAUSE I HAVE A BIG, FAT, SEXY HEART NEXT TO MY NAME. 771 00:29:20,734 --> 00:29:23,074 - I DID THE NAME TAGS. 772 00:29:23,066 --> 00:29:24,596 THERE WAS ABSOLUTELY NO... [laughs] 773 00:29:24,600 --> 00:29:26,030 - NO RHYME OR REASON? - EXACTLY. 774 00:29:32,333 --> 00:29:33,433 - OKAY. 775 00:29:33,433 --> 00:29:36,203 - IT'S A COINKY-DINK. - EXACTLY. 776 00:29:37,567 --> 00:29:41,397 - IT WAS MY UNCONSCIOUS SPEAKING WITHOUT ME NOTICING, 777 00:29:41,400 --> 00:29:45,470 BUT IT LOOKS LIKE MY UNCONSCIOUS WORKED ACCURATELY. 778 00:29:45,467 --> 00:29:47,127 - MY HUSBAND GIVES ME ALL THE HEARTS I NEED. 779 00:29:47,133 --> 00:29:48,633 - YOU CAN'T GET MAD AT SOMEONE 780 00:29:48,633 --> 00:29:50,703 FOR SOMETHING THEY DID SUBCONSCIOUSLY. 781 00:29:50,700 --> 00:29:52,300 WAS IT KIND OF DICKY? 782 00:29:52,300 --> 00:29:55,300 SURE, BUT IT WAS DONE ON ACCIDENT, 783 00:29:55,300 --> 00:29:57,600 AND ACCIDENTS YOU HAVE TO FORGIVE. 784 00:29:57,600 --> 00:29:59,100 - HOLD ON. LET ME JUST GET THIS STRAIGHT. 785 00:29:59,100 --> 00:30:02,130 CARLTON, BRANDI, AND LISA GOT A HEART. 786 00:30:02,133 --> 00:30:03,373 - YES. MY TEAM. 787 00:30:03,367 --> 00:30:05,167 THE DREAM TEAM! 788 00:30:05,166 --> 00:30:06,696 [laughs] 789 00:30:06,700 --> 00:30:08,070 - I DIDN'T KNOW WE WERE IN TEAMS! 790 00:30:08,066 --> 00:30:10,326 THAT'S GOOD TO KNOW. IT'S TEAMS. 791 00:30:10,333 --> 00:30:12,203 - THE DREAM TEAM? I DON'T THINK SO. 792 00:30:12,200 --> 00:30:14,630 I THINK THAT THEY ARE A NIGHTMARE TEAM. 793 00:30:14,633 --> 00:30:16,703 - THE DREAM TEAM GOT A HEART. 794 00:30:16,700 --> 00:30:18,670 YOUR "GANG." 795 00:30:18,667 --> 00:30:20,497 - HEY, EASY GIRL. WE'RE JUST GETTING BACK. 796 00:30:20,500 --> 00:30:23,000 OKAY? DON'T BE TOO GREEDY RIGHT AWAY. 797 00:30:23,000 --> 00:30:25,330 WE'RE JUST MENDING FENCES, SO EASY. 798 00:30:25,333 --> 00:30:26,633 - SO WE HAVE TO EARN THE HEARTS. 799 00:30:26,633 --> 00:30:27,633 - EXACTLY. 800 00:30:27,633 --> 00:30:29,333 - WHETHER IT WAS INTENTIONAL 801 00:30:29,333 --> 00:30:31,433 OR HER SUBCONSCIOUS SPEAKING, 802 00:30:31,433 --> 00:30:34,103 IT WAS LOUD AND CLEAR. 803 00:30:35,567 --> 00:30:37,267 - FRIENDSHIPS ARE EARNED. 804 00:30:37,266 --> 00:30:39,026 - WE GOT TO EARN THOSE HEARTS. 805 00:30:43,300 --> 00:30:44,430 - COMING UP... 806 00:30:44,433 --> 00:30:46,603 - I WAS SPEAKING TO KIM AND TO MY BABY. 807 00:30:46,600 --> 00:30:49,970 - ARE YOU A BABY OR A MAN? 808 00:30:49,967 --> 00:30:53,567 [laughs] 809 00:31:02,233 --> 00:31:04,973 - GUYS, EACH TAKE TWO PLATES WHEN THEY'RE READY, OKAY? 810 00:31:04,967 --> 00:31:06,897 WATCH THEY DON'T TOPPLE, GUYS. 811 00:31:06,900 --> 00:31:08,600 GONNA BE VERY AWKWARD PUTTING THEM DOWN. 812 00:31:12,533 --> 00:31:15,603 - LOOKS FANTASTIC. THANK YOU. 813 00:31:25,166 --> 00:31:27,196 - JOYCE, DO YOU LIKE TO SKI? - NO. 814 00:31:27,200 --> 00:31:28,370 - YOU GUYS ARE LIKE MY MOTHER. 815 00:31:28,367 --> 00:31:30,467 BEFORE THEY GOT MARRIED, MY MOTHER SAID, 816 00:31:30,467 --> 00:31:32,097 "OH, I'M GONNA GO SKI WITH YOU, I'M GONNA GO HUNTING," 817 00:31:32,100 --> 00:31:33,870 THEN THE MOMENT THEY GOT MARRIED, NOTHING. 818 00:31:33,867 --> 00:31:35,627 - NOTHING. WELL, BEFORE WE GOT MARRIED, 819 00:31:35,633 --> 00:31:38,633 SHE WAS GONNA GO SCUBA DIVING WITH ME, SKIING. 820 00:31:38,633 --> 00:31:41,173 - BECAUSE WHEN WE WENT SCUBA DIVING THERE WAS A DEAD BODY! 821 00:31:41,166 --> 00:31:42,996 - ARE YOU CRAZY? 822 00:31:43,000 --> 00:31:45,030 - I SAID, "THAT'S IT." THAT WAS MY LAST TIME. 823 00:31:45,033 --> 00:31:46,503 - SHARK BAIT OUT THERE. - SHARK BAIT. 824 00:31:46,500 --> 00:31:48,370 - YOU DON'T WANT TO SEE A DEAD SCUBA DIVER 825 00:31:48,367 --> 00:31:50,327 DRESSED EXACTLY LIKE YOU. - NO, NO, NO, YOU DON'T. 826 00:31:50,333 --> 00:31:51,603 YOU DON'T. - OH, NO. 827 00:31:51,600 --> 00:31:54,130 - OKAY. SHE HAS A GOOD REASON NOT TO SCUBA DIVE. 828 00:31:58,500 --> 00:32:00,230 - ALL RIGHT. MAURICE, DID YOU SELL A HOUSE TODAY? 829 00:32:00,233 --> 00:32:02,173 - YEAH, I ACTUALLY DID SELL A HOUSE TODAY. 830 00:32:02,166 --> 00:32:03,466 - YOU DID? WOW. - SURE. 831 00:32:03,467 --> 00:32:05,567 - I SOLD THREE HOUSES. - NO, YOU DID NOT. 832 00:32:05,567 --> 00:32:07,367 - I DID. - IN ONE DAY? THAT'S GREAT. 833 00:32:12,133 --> 00:32:13,533 - BEHAVE YOURSELF. 834 00:32:13,533 --> 00:32:15,473 - OH, NOT AGAIN. 835 00:32:15,467 --> 00:32:17,297 - WHEN I SEE BRANDI DRINKING, 836 00:32:17,300 --> 00:32:21,200 I FEEL ALMOST LIKE A MOTHERLY KIND OF INSTINCT. 837 00:32:21,200 --> 00:32:22,930 THAT'S WHY I STEP IN AND SAY 838 00:32:22,934 --> 00:32:25,304 "THAT'S ENOUGH" WHETHER BRANDI LIKES IT OR NOT. 839 00:32:25,300 --> 00:32:27,970 NO, DON'T, IT'S BORING. - HAVE SOME MORE WATER. 840 00:32:27,967 --> 00:32:29,527 - OH, MY GOD. 841 00:32:29,533 --> 00:32:33,033 [rhythmic dinging] 842 00:32:33,033 --> 00:32:34,433 - THERE'S ALWAYS A SOUND TO EVERYTHING. 843 00:32:34,433 --> 00:32:36,973 DID YOU HEAR THAT? THERE WAS A SOUND TO THE GLASS. 844 00:32:36,967 --> 00:32:38,227 - I LIKE THAT SONG, BY THE WAY. 845 00:32:38,233 --> 00:32:39,803 - IT WAS PRETTY GOOD. - I LIKE THAT SONG. 846 00:32:39,800 --> 00:32:42,000 - IT'S SO GREAT TO HAVE YOU ALL IN OUR HOUSE AND, YOU KNOW, 847 00:32:42,000 --> 00:32:45,500 YOLANDA HAS MADE SUCH A HAPPY HOME FOR ME, 848 00:32:45,500 --> 00:32:48,400 SO I'M ALWAYS EXCITED WHEN WE CAN SHARE WITH FRIENDS, 849 00:32:48,400 --> 00:32:49,930 AND AS YOU PROBABLY NOTICE, 850 00:32:49,934 --> 00:32:51,804 WE HAVE GIGI TAKING PLACE OF CARLTON, 851 00:32:51,800 --> 00:32:53,200 WHO COULDN'T MAKE IT TONIGHT. 852 00:32:53,200 --> 00:32:54,530 I'M SURE YOU'RE BORED [bleep]LESS, GIGI, BUT-- 853 00:32:54,533 --> 00:32:56,403 [laughter] 854 00:32:56,400 --> 00:32:58,000 - NEVER WHEN BRANDI'S IN THE ROOM. 855 00:32:58,000 --> 00:32:59,300 - WE'RE FUNNY. HOW LONG ARE YOU GONNA LAST FOR? 856 00:32:59,300 --> 00:33:00,900 WE DON'T KNOW, BUT THANKS FOR FILLING IN. 857 00:33:00,900 --> 00:33:02,870 - UNTIL DESSERT, AND THEN I'M GONE. 858 00:33:02,867 --> 00:33:04,467 - BUT ANYWAY, THANKS FOR BEING HERE. 859 00:33:04,467 --> 00:33:05,997 WE'RE GONNA HAVE A LITTLE MUSICAL TREAT AFTERWARDS. 860 00:33:06,000 --> 00:33:08,170 NOBODY'S GONNA HAVE TO SING UNLESS YOU WANT TO. 861 00:33:08,166 --> 00:33:09,396 - [laughs] - ARE WE ALLOWED? 862 00:33:09,400 --> 00:33:10,870 - YOU'RE ALLOWED TO SING-- OH, NO. 863 00:33:10,867 --> 00:33:12,167 YOU'RE NOT ALLOWED TO SING. - OOH! 864 00:33:12,166 --> 00:33:13,466 - NO, NO. YOU'LL HAVE TO LISTEN. 865 00:33:13,467 --> 00:33:15,497 - WE ARE NOT SINGING. WE'RE JUST LISTENING. 866 00:33:15,500 --> 00:33:17,870 - YOU DON'T SPEAK. YOU DON'T SING. 867 00:33:17,867 --> 00:33:19,997 WELCOME AND CHEERS, AND LET'S HAVE A GREAT NIGHT. 868 00:33:20,000 --> 00:33:22,730 all: CHEERS. 869 00:33:26,166 --> 00:33:30,226 - I WANTED TO MAKE A TOAST ESPECIALLY TO YOU, MY LOVE. 870 00:33:30,233 --> 00:33:33,133 THANK YOU FOR STANDING BY ME 871 00:33:33,133 --> 00:33:35,003 IN THIS LAST NINE MONTHS. 872 00:33:35,000 --> 00:33:36,300 - AW. 873 00:33:36,300 --> 00:33:37,430 - THE TOUGHEST NINE MONTHS OF MY LIFE, 874 00:33:37,433 --> 00:33:39,873 AND I NEVER IN MY ENTIRE LIFE 875 00:33:39,867 --> 00:33:43,227 IMAGINED THAT SOMEBODY COULD LOVE ME THE WAY YOU LOVE ME. 876 00:33:43,233 --> 00:33:46,273 all: AW. - OH! 877 00:33:46,266 --> 00:33:48,026 - I LOVE YOU, BABE. 878 00:33:48,033 --> 00:33:49,433 - CHEERS! OH, MY GOD. 879 00:33:49,433 --> 00:33:51,133 - I WOULD DO IT FOR 20 MORE YEARS, 880 00:33:51,133 --> 00:33:53,003 BUT I HOPE I DON'T HAVE TO, 'CAUSE YOU'RE GONNA GET BETTER. 881 00:33:53,000 --> 00:33:55,130 - TO YOU BEING WELL. CHEERS. 882 00:33:55,133 --> 00:33:59,133 - AND NOW WE WILL HEAR FROM JOYCE, IN SPANISH. 883 00:33:59,133 --> 00:34:02,103 [laughter] - [speaking Spanish] 884 00:34:04,133 --> 00:34:05,403 - I PREFER ENGLISH 885 00:34:05,400 --> 00:34:06,870 'CAUSE I DON'T--LIKE, I MEAN-- - I LOVE IT. 886 00:34:13,033 --> 00:34:15,333 - AND YOU JUST GOT A SECOND PLACE. 887 00:34:18,000 --> 00:34:19,830 - YES. - [laughs] 888 00:34:19,834 --> 00:34:22,874 - EVERY TIME THERE'S ALCOHOL INVOLVED, 889 00:34:22,867 --> 00:34:27,397 BRANDI CHANGES, AND FOR SOME REASON, I'M HER TARGET. 890 00:34:27,400 --> 00:34:29,400 I DON'T UNDERSTAND IT. 891 00:34:32,133 --> 00:34:35,333 - I THINK BRANDI'S GONE INTO KIND OF PROVOCATIVE PHASE AGAIN. 892 00:34:35,333 --> 00:34:39,233 I KIND OF THINK IT'S FUNNY BUT IT'S WRONG, 893 00:34:39,233 --> 00:34:41,103 BUT...[snickers]. 894 00:34:41,100 --> 00:34:42,730 YOU'RE GONNA GET YOURSELF IN TROUBLE--STOP IT. 895 00:34:42,734 --> 00:34:44,804 - NO, I'M NOT. - PUT YOUR SWIMSUIT ON. 896 00:34:44,800 --> 00:34:46,370 - SHE DOESN'T KNOW WHO SHE IS. 897 00:34:46,367 --> 00:34:47,967 SHE'S LOST...LOST SOUL. 898 00:34:47,967 --> 00:34:51,327 - WHAT? - SHE HAS NO IDEA WHO SHE IS. 899 00:34:51,333 --> 00:34:52,973 - WHAT? I DON'T HEAR ANYTHING. 900 00:34:52,967 --> 00:34:55,627 I'M DOWN--I'M ALL THE WAY IN THE CORNER HERE. 901 00:34:55,633 --> 00:34:56,903 - NO. YOU'RE JUST VERY QUIET. 902 00:34:56,900 --> 00:34:58,370 - OH, I'M SPEAKING OVER HERE. 903 00:34:58,367 --> 00:35:00,097 I JUST DON'T WANT TO YELL OVER--AROUND, 904 00:35:00,100 --> 00:35:04,330 BUT I WAS SPEAKING TO KIM AND TO MY BABY. 905 00:35:04,333 --> 00:35:05,873 - UH, LEO? 906 00:35:05,867 --> 00:35:07,127 - NO, MY BABY. 907 00:35:07,133 --> 00:35:09,333 - OH, HOW MANY BABIES DO YOU HAVE? 908 00:35:09,333 --> 00:35:12,103 - I HAVE THREE BABIES. ONE BIG ONE AND TWO LITTLE ONES. 909 00:35:12,100 --> 00:35:14,000 - HUSBAND. - OKAY. 910 00:35:14,000 --> 00:35:15,830 - YOU HAVE TWO LITTLE ONES, RIGHT? 911 00:35:15,834 --> 00:35:18,234 - I HAVE TWO ME--LITTLE MEN, YEAH. 912 00:35:18,233 --> 00:35:20,733 - TWO LITTLE MEN. I HAVE BABIES. 913 00:35:20,734 --> 00:35:22,374 - ARE YOU A BABY OR A MAN? 914 00:35:24,200 --> 00:35:27,600 - FOR THE REST OF THE WORLD, A MAN, BUT FOR HER, A BABY. 915 00:35:27,600 --> 00:35:29,630 IT'S FINE. 916 00:35:29,633 --> 00:35:31,133 - I'M LUCKY. 917 00:35:31,133 --> 00:35:32,773 HE IS MY BABY, 918 00:35:32,767 --> 00:35:34,767 AND IF YOU ARE UPSET BECAUSE YOU DON'T HAVE A BABY, 919 00:35:34,767 --> 00:35:36,297 THEN GO FIND A BABY. MAYBE IF YOU ACTED DIFFERENT, 920 00:35:36,300 --> 00:35:37,970 YOU WOULD HAVE A BABY OF YOUR OWN. 921 00:35:43,200 --> 00:35:45,930 - HAVE YOU EVER HEARD THIS LANGUAGE THAT GIGI SPEAKS? 922 00:35:45,934 --> 00:35:51,774 - [speaking made-up language] 923 00:35:51,767 --> 00:35:54,267 [laughter] - MY SISTERS AND I 924 00:35:54,266 --> 00:35:57,266 HAVE A LANGUAGE SO THAT WE CAN SPEAK 925 00:35:57,266 --> 00:36:00,696 AND THE PARENTS DON'T KNOW WHAT WE'RE TALKING ABOUT. 926 00:36:00,700 --> 00:36:02,230 - MY SISTER AND I HAVE THAT TOO. - REALLY? 927 00:36:02,233 --> 00:36:08,603 - [speaking made-up language] - [speaking made-up language] 928 00:36:08,600 --> 00:36:10,000 - THAT'S OUR SPANISH. 929 00:36:10,000 --> 00:36:11,200 [laughs] - LADIES AND GENTLEMEN-- 930 00:36:11,200 --> 00:36:13,000 - OH, OKAY. - DESSERT. 931 00:36:13,000 --> 00:36:14,300 I HAVE TO TALK ABOUT DESSERT. 932 00:36:14,300 --> 00:36:15,870 - ARE THESE INJECTED? - YES. 933 00:36:15,867 --> 00:36:17,627 - THESE ARE INJECTED-- - BUT NOT GIGI'S. 934 00:36:17,633 --> 00:36:19,533 - THESE ARE BOTOX INJECTED STRAWBERRIES. 935 00:36:19,533 --> 00:36:21,233 - THEY ARE. - DESSERT HAS TO BE 936 00:36:21,233 --> 00:36:22,903 CHOCOLATE CAKE AT THIS HOUSE FOR DAVID. 937 00:36:22,900 --> 00:36:26,030 THE STRAWBERRIES HAVE BEEN INFUSED WITH GRAND MARNIER. 938 00:36:26,033 --> 00:36:28,103 - THAT'S LIKE BOTOX. - YES. 939 00:36:28,100 --> 00:36:29,900 - WELCOME TO MY LIFE. 940 00:36:29,900 --> 00:36:33,170 WHY WOULDN'T A STRAWBERRY BE INJECTED WITH A DOCTOR NEEDLE? 941 00:36:33,166 --> 00:36:35,196 WE LIVE IN BEVERLY HILLS. 942 00:36:37,500 --> 00:36:39,670 - HMM. THAT'S HER SECRET. 943 00:36:39,667 --> 00:36:41,727 THAT'S WHAT I GIVE EVERYBODY FOR BREAKFAST 944 00:36:41,734 --> 00:36:43,734 IN THE MORNINGS. [laughs] 945 00:36:43,734 --> 00:36:45,604 SO THEY HAVE A GOOD DAY. 946 00:36:45,600 --> 00:36:47,670 - WHEN YOU EAT THE STRAWBERRY, YOUR WRINKLES GO AWAY. 947 00:36:49,934 --> 00:36:52,774 - ALL RIGHT, SO, FOR JUST A BRIEF MOMENT, 948 00:36:52,767 --> 00:36:54,827 MICHAEL, YOU AND JOYCE DON'T KNOW 949 00:36:54,834 --> 00:36:56,204 BECAUSE YOU HAVEN'T BEEN TO OUR HOME BEFORE, 950 00:36:56,200 --> 00:36:58,100 BUT WE ALWAYS DO A LITTLE MUSIC 951 00:36:58,100 --> 00:36:59,700 AND TRY AND HAVE A NICE LITTLE SURPRISE FOR YOU, 952 00:36:59,700 --> 00:37:04,070 SO TONIGHT WE HAVE BROUGHT FOUR SUPER GOOD LOOKING GUYS. 953 00:37:04,066 --> 00:37:06,126 - REALLY? - BRANDI, CALM DOWN. 954 00:37:06,133 --> 00:37:08,173 NO, LISTEN, THESE GUYS ARE INCREDIBLE. 955 00:37:08,166 --> 00:37:10,226 ALL FOUR OF THEM SING UNBELIEVABLE. 956 00:37:10,233 --> 00:37:12,233 THEY'RE HAVING A HUGE SUCCESS NOW ALL OVER THE WORLD, 957 00:37:12,233 --> 00:37:14,803 AND THEY'RE HERE FOR US TONIGHT--THE TENORS. 958 00:37:14,800 --> 00:37:17,600 - THERE'S SOMETHING ABOUT THE MUSIC PART OF THE NIGHT 959 00:37:17,600 --> 00:37:19,630 WHERE YOU FEEL CLOSE. YOU SING. 960 00:37:19,633 --> 00:37:20,933 YOU DANCE. I MEAN, IT'S JUST, LIKE, 961 00:37:20,934 --> 00:37:24,134 THIS LANGUAGE OF LOVE THAT IS CREATED BY MUSIC 962 00:37:24,133 --> 00:37:25,703 THAT I'M REALLY DRAWN TO, 963 00:37:25,700 --> 00:37:27,200 AND I LOVE TO SHARE THAT WITH MY FRIENDS. 964 00:37:27,200 --> 00:37:29,230 - ARE YOU READY? - WE ARE READY. 965 00:37:29,233 --> 00:37:31,503 - THE TENORS! LET'S HEAR IT. 966 00:37:31,500 --> 00:37:34,100 [whooping and applause] 967 00:37:35,567 --> 00:37:37,727 - OH, THESE ARE, LIKE, CUTE TENORS. 968 00:37:37,734 --> 00:37:39,004 CUTE BOYS EVERYWHERE. 969 00:37:39,000 --> 00:37:41,800 - WE ARE A SMALL BUT MIGHTY CREW. 970 00:37:41,800 --> 00:37:43,170 - NICE. - ALL RIGHT, HERE'S A LITTLE 971 00:37:43,166 --> 00:37:45,666 SONG THAT I WROTE WITH MY FRIEND CAROLE BAYER SAGER 972 00:37:45,667 --> 00:37:48,167 FOR ANDREA BOCELLI AND CELINE DION. 973 00:37:48,166 --> 00:37:50,926 PLAYING THE PART OF CELINE TONIGHT WILL BE-- 974 00:37:50,934 --> 00:37:52,074 [laughter] 975 00:37:52,066 --> 00:37:54,666 - IT TAKES TWO MEN TO MAKE UP THAT WOMAN. 976 00:37:54,667 --> 00:37:56,827 [piano begins] 977 00:37:56,834 --> 00:37:59,934 ♪ ♪ 978 00:37:59,934 --> 00:38:06,004 - ♪ I PRAY YOU'LL BE OUR EYES ♪ 979 00:38:06,000 --> 00:38:11,630 ♪ AND WATCH US WHERE WE GO ♪ 980 00:38:11,633 --> 00:38:17,473 ♪ AND HELP US TO BE WISE ♪ 981 00:38:17,467 --> 00:38:23,627 ♪ IN TIMES WHEN WE DON'T KNOW ♪ 982 00:38:23,633 --> 00:38:27,103 - ♪ NEED TO FIND A PLACE ♪ 983 00:38:27,100 --> 00:38:29,970 - I LIKE THIS FEELING OF EVERYONE SITTING AROUND, 984 00:38:29,967 --> 00:38:31,827 LISTENING TO MUSIC. 985 00:38:31,834 --> 00:38:33,434 EVERYONE LOVES MUSIC, 986 00:38:33,433 --> 00:38:35,373 SO I THINK IT SORT OF BRINGS EVERYONE TOGETHER. 987 00:38:35,367 --> 00:38:38,027 [all singing in Italian] 988 00:38:38,033 --> 00:38:41,473 [sustained note] 989 00:38:41,467 --> 00:38:43,767 - I TYPICALLY LISTEN TO GANGSTER RAP, 990 00:38:43,767 --> 00:38:45,667 BUT THEY DEFINITELY ROCKED IT OUT. 991 00:38:45,667 --> 00:38:48,627 [all singing in Italian] 992 00:38:48,633 --> 00:38:53,703 ♪ ♪ 993 00:38:53,700 --> 00:38:55,830 [applause] - I ADMIT IT. 994 00:38:55,834 --> 00:38:57,674 TONIGHT DIDN'T START OFF ON THE GREATEST NOTE, 995 00:38:57,667 --> 00:38:59,767 BUT AT THE END OF THE NIGHT, 996 00:38:59,767 --> 00:39:02,867 WE'RE BONDING AND JUST ENJOYING A GREAT NIGHT 997 00:39:02,867 --> 00:39:05,497 IN TYPICAL FOSTER FASHION. 998 00:39:05,500 --> 00:39:08,370 [applause] - THE TENORS! 999 00:39:08,367 --> 00:39:09,967 - BRAVO. 1000 00:39:09,967 --> 00:39:11,797 - BRAVO! 1001 00:39:11,800 --> 00:39:13,600 - COMING UP... 1002 00:39:13,600 --> 00:39:16,800 - I DO THINK YOU HAVE TO DO AN INTERVENTION WITH BRANDI THOUGH. 1003 00:39:16,800 --> 00:39:18,370 - WASTED. - SHE GETS LONELY. 1004 00:39:18,367 --> 00:39:22,667 - SHE GETS WASTED AND LONELY. - SHE GETS LONELY AND DRUNK. 1005 00:39:23,667 --> 00:39:26,297 [piano playing] 1006 00:39:26,300 --> 00:39:27,970 - ♪ HEY EY ♪ 1007 00:39:30,767 --> 00:39:33,727 [singing in Italian] 1008 00:39:33,734 --> 00:39:39,874 ♪ ♪ 1009 00:39:39,867 --> 00:39:40,867 - I LOVE THEM. 1010 00:39:40,867 --> 00:39:41,997 I JUST THINK THEY'RE AMAZING. 1011 00:39:42,000 --> 00:39:46,330 - ♪ BORN TO SHINE ♪ 1012 00:39:46,333 --> 00:39:48,473 ♪ ALL OF US HERE ♪ 1013 00:39:48,467 --> 00:39:50,067 - THAT VOICE. OH! 1014 00:39:50,066 --> 00:39:51,626 THEIR VOICE IS AMAZING. 1015 00:39:51,633 --> 00:39:54,673 THEY REALLY--THEY REACH OUT AND TOUCH YOU. 1016 00:39:54,667 --> 00:39:55,897 THEY REACH OUT. 1017 00:39:55,900 --> 00:39:59,270 [all singing in Italian] 1018 00:39:59,266 --> 00:40:03,666 ♪ ♪ 1019 00:40:03,667 --> 00:40:06,367 THEY REACH OUT, AND THEY GRAB INTO YOUR SOUL. 1020 00:40:06,367 --> 00:40:07,567 THAT'S WHAT THEY DO. 1021 00:40:07,567 --> 00:40:09,727 ♪ ♪ 1022 00:40:09,734 --> 00:40:11,904 LIKE--AH! AH! 1023 00:40:11,900 --> 00:40:14,030 [end notes] 1024 00:40:14,033 --> 00:40:18,633 [cheers and applause] 1025 00:40:20,867 --> 00:40:22,327 - OKAY. BYE. 1026 00:40:22,333 --> 00:40:23,603 - THANK YOU SO MUCH. - GOOD NIGHT. 1027 00:40:23,600 --> 00:40:24,970 YOU'RE WELCOME. - THANK YOU SO MUCH. 1028 00:40:24,967 --> 00:40:26,667 - IT WAS BEAUTIFUL. - GOOD NIGHT. 1029 00:40:26,667 --> 00:40:28,597 - DAVID, THANK YOU SO MUCH, MY FRIEND. 1030 00:40:28,600 --> 00:40:29,700 THAT WAS BEAUTIFUL. - OH, MAN. 1031 00:40:29,700 --> 00:40:31,370 I KNOW YOU LOVE THAT KIND OF MUSIC. 1032 00:40:31,367 --> 00:40:32,697 - OH, I LOVE IT. - YOUR WONDERFUL HOME. 1033 00:40:32,700 --> 00:40:33,900 THANK YOU FOR HAVING US. - THANK YOU FOR COMING. 1034 00:40:33,900 --> 00:40:35,330 - IT WAS BEAUTIFUL. I LOVED THE TENORS. 1035 00:40:35,333 --> 00:40:36,373 THEY'RE AMAZING. 1036 00:40:36,367 --> 00:40:37,427 - THEY'RE AMAZING. - FANTASTIC. 1037 00:40:37,433 --> 00:40:38,533 - OKAY. THANK YOU. 1038 00:40:38,533 --> 00:40:40,733 - THANK YOU SO MUCH. - BYE-BYE! 1039 00:40:40,734 --> 00:40:42,934 - I THINK THERE WAS DEFINITELY THINGS 1040 00:40:42,934 --> 00:40:44,604 THAT WERE A LITTLE BIT UNCALLED FOR. 1041 00:40:44,600 --> 00:40:46,370 THE WHOLE HEART SITUATION, THE WHOLE TEAM SITUATION, 1042 00:40:46,367 --> 00:40:48,467 THE WHOLE BRANDI GIGGLING IN THE CORNER. 1043 00:40:48,467 --> 00:40:50,427 BUT DAVID WAS SUCH A GRACIOUS HOST 1044 00:40:50,433 --> 00:40:52,673 THAT HE MADE IT A FUN AND NICE EVENING. 1045 00:40:52,667 --> 00:40:54,297 OH, BABY. 1046 00:40:54,300 --> 00:40:55,770 - HM? - MM. 1047 00:40:55,767 --> 00:40:57,697 - THEY GIVE A FANTASTIC DINNER. - BEAUTIFUL DINNER. 1048 00:40:57,700 --> 00:40:59,400 - IT WAS BEAUTIFUL. - VERY FANTASTIC. 1049 00:40:59,400 --> 00:41:01,200 - BEAUTIFUL. AND I'M TELLING YOU, I LOVE-- 1050 00:41:01,200 --> 00:41:03,600 - I DON'T EVEN LIKE CHOCOLATE CAKE, AND THIS WAS UNBELIEVABLE. 1051 00:41:03,600 --> 00:41:05,600 - I LOVE DAVID. - OH, HE'S WONDERFUL. 1052 00:41:05,600 --> 00:41:07,300 - I'M NOW A FAN. - NO, HE'S WONDERFUL. 1053 00:41:07,300 --> 00:41:08,700 - YOU KNOW I'M NEVER A FAN. - HE'S WONDERFUL. 1054 00:41:08,700 --> 00:41:09,700 - I'M NOW A FAN. I LOVE HIM. 1055 00:41:09,700 --> 00:41:11,500 - I AGREE WITH YOU. 1056 00:41:11,500 --> 00:41:14,470 I DIDN'T SAY BYE TO YOUR DRUNK BRANDI. 1057 00:41:14,467 --> 00:41:16,467 - NO? - WAS SHE DRUNK? 1058 00:41:16,467 --> 00:41:18,597 - I THINK SHE WAS WASTED OUT OF HER MIND. 1059 00:41:18,600 --> 00:41:19,800 - UNBELIEVABLE. - SHE'S ALWAYS DRUNK. 1060 00:41:19,800 --> 00:41:21,700 ALWAYS. - IT'S SO SAD. 1061 00:41:21,700 --> 00:41:23,430 - IT'S SAD, RIGHT? 1062 00:41:23,433 --> 00:41:25,433 - EVERYBODY ELSE IS SO NICE. - SHE'S SO PRETTY. 1063 00:41:25,433 --> 00:41:26,733 - I DON'T UNDERSTAND THIS BEHAVIOR. 1064 00:41:26,734 --> 00:41:28,434 - IT'S SO UGLY WHEN A PRETTY GIRL 1065 00:41:28,433 --> 00:41:29,803 IS SO WASTED OUT OF HER MIND AND JUST LIKE 1066 00:41:29,800 --> 00:41:32,700 UHH...AND SLURGING. IT'S UGLY. 1067 00:41:32,700 --> 00:41:35,500 I THINK BRANDI IS A DIFFERENT PERSON 1068 00:41:35,500 --> 00:41:37,170 WHEN THERE'S ALCOHOL INVOLVED, 1069 00:41:37,166 --> 00:41:38,526 AND I DON'T KNOW WHICH OF THE PERSONALITIES 1070 00:41:38,533 --> 00:41:40,673 I NEED TO BELIEVE IS THE REAL BRANDI. 1071 00:41:40,667 --> 00:41:43,697 - I DO THINK YOU HAVE TO DO AN INTERVENTION WITH BRANDI THOUGH. 1072 00:41:43,700 --> 00:41:45,470 SHE GETS LONELY. - WASTED. 1073 00:41:45,467 --> 00:41:47,467 SHE GETS WASTED AND LONELY. - SHE GETS LONELY AND DRUNK. 1074 00:41:47,467 --> 00:41:49,297 - I'LL LET HER TEAM DO THAT. 1075 00:41:49,300 --> 00:41:51,730 - OH, THE DREAM TEAM-- - THE DREAM TEAM [laughs]. 1076 00:41:51,734 --> 00:41:53,474 THE DREAM TEAM CAN DO THE INTERVENTION. 1077 00:41:53,467 --> 00:41:55,197 - HMM. - I DON'T NEED TO DO THAT. 1078 00:41:55,200 --> 00:41:57,330 - NOT OUR PROBLEM, MY LOVE. - NO. 1079 00:41:57,333 --> 00:41:59,373 NOT OUR PROBLEM. 1080 00:41:59,367 --> 00:42:02,667 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1081 00:42:02,667 --> 00:42:04,727 - "FOR YOUR EYES ONLY"? 1082 00:42:04,734 --> 00:42:05,834 - REMEMBER THAT. 1083 00:42:05,834 --> 00:42:08,804 - OH, MY GOD! 1084 00:42:08,800 --> 00:42:10,330 - WOW. - WHOA. 1085 00:42:10,333 --> 00:42:11,633 - PRETTY HOT. 1086 00:42:11,633 --> 00:42:13,633 - UH, I THINK IT'S A LITTLE REVEALING. 1087 00:42:13,633 --> 00:42:15,603 WHOO! [giggling] 1088 00:42:15,600 --> 00:42:17,670 IT'S A LITTLE REVEALING. 1089 00:42:17,667 --> 00:42:19,267 - THIS IS A LITTLE BIG. 1090 00:42:19,266 --> 00:42:21,096 - OH, BUT THAT LOOKS PRETTY ON YOU, AND IT IS A LITTLE BIG. 1091 00:42:21,100 --> 00:42:23,400 OH, THAT LOOKS GREAT. - I THINK IT'S A LITTLE BIG. 1092 00:42:23,400 --> 00:42:24,770 - I MEAN, HOW SMALL DO YOU HAVE TO DO? 1093 00:42:24,767 --> 00:42:26,667 - IT'S BIG AGAIN. - HONEY, YOU'RE TOO THIN 1094 00:42:26,667 --> 00:42:28,567 FOR EVERYTHING. - EVERYTHING IS BIG. 1095 00:42:28,567 --> 00:42:30,527 - DO YOU WANT A CHEESEBURGER WITH THAT DRESS? 1096 00:42:34,266 --> 00:42:36,266 - I FEEL LIKE I DRIVE LIKE THIS ANYWAY. 1097 00:42:36,266 --> 00:42:37,266 [both laughing] 1098 00:42:37,266 --> 00:42:39,266 JUST JOKING. 1099 00:42:41,266 --> 00:42:43,166 - WHY IS IT MEN AREN'T COMPASSIONATE LIKE THAT? 1100 00:42:43,166 --> 00:42:44,466 LOOK AT PIKACHU. 1101 00:42:44,467 --> 00:42:45,827 HE DOESN'T REALLY GIVE A DAMN IF HE GETS IT OR NOT. 1102 00:42:45,834 --> 00:42:47,434 - GO ON, JAKE. GET THE BALL. 1103 00:42:47,433 --> 00:42:48,733 - THE WOMEN, THEY'LL TEAR THEIR THROATS OUT. 1104 00:42:48,734 --> 00:42:50,734 - YOU'RE SO STUPID! - NO, YOU ARE STUPID. 1105 00:42:50,734 --> 00:42:52,374 YOU'RE BEING A--YOU'RE A RACIST. 1106 00:42:52,367 --> 00:42:54,167 YOU'RE A RACIST, A BULLY. 1107 00:42:54,166 --> 00:42:55,526 - I DON'T THINK I'M [bleep] RACIST, BITCH. 1108 00:42:55,533 --> 00:42:57,773 - YOU'RE A SMART GIRL. DON'T ACT LIKE A BIMBO. 1109 00:42:57,767 --> 00:42:59,227 YOU'RE JUST BLONDE, BUT YOU'RE NOT A BIMBO. 1110 00:42:59,233 --> 00:43:02,573 - GO [bleep] YOURSELF. 1111 00:43:02,567 --> 00:43:05,567 - TO LEARN MORE ABOUT THE HOUSEWIVES, GO TO BRAVOTV.COM.