1 00:00:03,266 --> 00:00:05,376 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,400 --> 00:00:06,576 - WHOA. 3 00:00:06,600 --> 00:00:09,042 - EASY... NOW! 4 00:00:09,066 --> 00:00:13,009 IT IS A LITTLE BIT STRANGE FOR ME, BEING SO, KIND OF, UM, 5 00:00:13,033 --> 00:00:16,609 PHYSICALLY ENTWINED WITH SOMEBODY OTHER THAN MY HUSBAND. 6 00:00:16,633 --> 00:00:19,676 - TA-DA. 7 00:00:19,700 --> 00:00:20,677 WELCOME HOME. 8 00:00:20,701 --> 00:00:23,009 - BASICALLY, I'M A WHITE VERSION 9 00:00:23,033 --> 00:00:24,609 OF THE JEFFERSONS, AND I'M MOVIN' ON UP. 10 00:00:24,633 --> 00:00:26,009 I THINK I NEED TO HAVE IT. 11 00:00:26,033 --> 00:00:27,380 - ALL RIGHT, LET'S GO GET YOU THIS HOUSE. 12 00:00:27,404 --> 00:00:29,042 - SIT DOWN. 13 00:00:29,066 --> 00:00:31,543 LET ME HAVE THAT TOY. 14 00:00:31,567 --> 00:00:33,576 I'VE HAD KINGSLEY ONE YEAR 15 00:00:33,600 --> 00:00:36,976 AND, WELL, KINGSLEY NEEDS SOME TRAINING. 16 00:00:37,000 --> 00:00:40,676 - JOYCE, MICHAEL, I WANTED YOU TO MEET CARLTON AND DAVID. 17 00:00:40,700 --> 00:00:42,309 - HELLO. - HI, I'M JOYCE. 18 00:00:42,333 --> 00:00:43,710 VERY NICE TO MEET YOU. - JOYCE AND MICHAEL. 19 00:00:43,734 --> 00:00:45,111 - DAVID. NICE TO MEET YOU. 20 00:00:45,135 --> 00:00:47,479 - I'M A TOTAL PAGEANT GIRL FROM PUERTO RICO, 21 00:00:47,503 --> 00:00:49,145 BUT I LIVE IN BEVERLY HILLS NOW. 22 00:00:49,169 --> 00:00:51,176 - I'M GONNA TAKE HER TO RUN MY ERRANDS WITH ME. 23 00:00:51,200 --> 00:00:52,646 - THIS IS WHERE THE RUMOR COMES, 24 00:00:52,670 --> 00:00:55,209 THAT HE'S BEING SEEN WITH A YOUNGER WOMAN. 25 00:00:55,233 --> 00:00:57,550 - THIS IS NOT FUNNY, AND I DON'T WANT YOU 26 00:00:57,574 --> 00:01:01,027 TALKING LIKE THAT IN FRONT OF MY CHILD. 27 00:01:02,767 --> 00:01:04,142 I'M FROM THIS TOWN. 28 00:01:04,166 --> 00:01:07,126 I KNOW WHAT'S REAL AND WHAT'S FAKE. 29 00:01:09,033 --> 00:01:12,710 - DON'T TELL ME YOU'RE MY FRIEND, ACT LIKE ONE. 30 00:01:12,734 --> 00:01:18,042 - IN BEVERLY HILLS, THE HIGHER YOU CLIMB, THE FARTHER YOU FALL. 31 00:01:18,066 --> 00:01:22,066 - EVERYBODY LOVES A COMEBACK STORY, ESPECIALLY STARRING ME. 32 00:01:23,367 --> 00:01:27,543 - IN MY WORLD, MONEY DOESN'T TALK, IT SWEARS. 33 00:01:27,567 --> 00:01:31,067 - YOU CAN NEVER BE TOO YOUNG, TOO THIN, OR TOO HONEST. 34 00:01:32,767 --> 00:01:36,767 - LIFE IS A SEXY LITTLE DANCE, AND I LIKE TO TAKE THE LEAD. 35 00:02:01,700 --> 00:02:04,009 - MORNING, BLANKIE. 36 00:02:04,033 --> 00:02:05,376 HOW ARE YOU? 37 00:02:05,400 --> 00:02:07,476 - I'M FINE, THANK YOU. HOW ARE YOU? 38 00:02:07,500 --> 00:02:09,276 - THE MASTER CLEANSE MASTER. 39 00:02:09,300 --> 00:02:10,646 I'M GOING ON A CLEANSE RIGHT NOW 40 00:02:10,670 --> 00:02:13,976 BECAUSE I'VE JUST BEEN TAKING SO MANY MEDICATIONS, 41 00:02:14,000 --> 00:02:17,076 AND I JUST FEEL SO TOXIC SINCE I'VE GOTTEN SICK 42 00:02:17,100 --> 00:02:18,447 AND BEEN DEALING WITH LYME DISEASE. 43 00:02:18,471 --> 00:02:20,109 REMEMBER WHEN YOU DID IT? 44 00:02:20,133 --> 00:02:22,109 - I DID 20 DAYS. 45 00:02:22,133 --> 00:02:24,080 - AND HOW MUCH WEIGHT DID YOU LOSE IN THE 20 DAYS? 46 00:02:24,104 --> 00:02:25,376 - 18 POUNDS. 47 00:02:25,400 --> 00:02:28,376 - LYME DISEASE IS A BACTERIA 48 00:02:28,400 --> 00:02:30,447 THAT GETS INTO YOUR BODY BY A TICK BITE, 49 00:02:30,471 --> 00:02:33,643 AND IT CAN AFFECT PEOPLE IN DIFFERENT WAYS. 50 00:02:33,667 --> 00:02:35,309 FOR ME, IT WENT INTO MY BRAIN 51 00:02:35,333 --> 00:02:38,479 AND I STARTED TO NOTICE THAT I WAS LOSING BRAIN FUNCTION. 52 00:02:38,503 --> 00:02:40,509 WELL, I CAN'T EAT ANYTHING ANYWAY THIS MORNING 53 00:02:40,533 --> 00:02:43,976 BECAUSE OF THE SURGERY, SO IT'S EASY FOR ME TODAY. 54 00:02:44,000 --> 00:02:46,547 THEY PLACED A PORT THAT GOES STRAIGHT TO THE HEART, 55 00:02:46,571 --> 00:02:49,976 AND FOUR TIMES A DAY IT WOULD GIVE ME ANTIBIOTICS. 56 00:02:50,000 --> 00:02:52,076 BUT TODAY I'M GETTING MY PORT TAKEN OUT, 57 00:02:52,100 --> 00:02:55,145 AND I DON'T MIND GETTING A NEEDLE POKED EVERY DAY. 58 00:02:55,169 --> 00:02:57,242 I THINK I'M TOUGH ENOUGH TO GET THAT DONE. 59 00:02:57,266 --> 00:02:58,743 THAT'S JUST PART OF THE RECOVERY. 60 00:02:58,767 --> 00:03:02,042 OKAY, I'M GONNA WAKE UP SENOR AND THEN I'M GONNA GET DRESSED 61 00:03:02,066 --> 00:03:03,409 AND GET READY FOR THE AIRPORT. - OKAY. 62 00:03:03,433 --> 00:03:05,680 - I'M MEAN FOR THE AIRPORT. - I KNOW. 63 00:03:05,704 --> 00:03:08,430 - I MEAN FOR... LYME BRAIN. [laughs] 64 00:03:16,200 --> 00:03:17,676 - I WISH YOU GOOD LUCK. 65 00:03:17,700 --> 00:03:21,276 - I'M NEED ALL THE LUCK I CAN GET, TRUST ME. 66 00:03:21,300 --> 00:03:23,509 I FEEL, LIKE, SCARED [bleep] TO BE HONEST. 67 00:03:23,533 --> 00:03:25,609 I MEAN IT'S TOTALLY OUT OF MY COMFORT ZONE. 68 00:03:25,633 --> 00:03:27,710 MIND YOU, I'M GETTING USED TO IT WITH GLEB. 69 00:03:27,734 --> 00:03:29,176 HE'S SO BLOODY GORGEOUS. 70 00:03:29,200 --> 00:03:30,177 - [giggles] 71 00:03:30,201 --> 00:03:31,309 - DANCING WITH THE STARS 72 00:03:31,333 --> 00:03:33,479 TAKES OVER YOUR LIFE, BUT, YOU KNOW, 73 00:03:33,503 --> 00:03:35,647 I'M GONNA GET THROUGH IT AND GIVE IT MY BEST SHOT. 74 00:03:35,671 --> 00:03:38,042 YOU KNOW WHAT IT IS? 75 00:03:38,066 --> 00:03:39,176 YOU'RE NOT GOING TO UNDERSTAND THIS. 76 00:03:39,200 --> 00:03:41,609 IT'S A LEGITIMATE WAY OF BEING UNFAITHFUL. 77 00:03:41,633 --> 00:03:43,347 I MEAN, I CAN MAKE OUT WITH ANOTHER MAN 78 00:03:43,371 --> 00:03:44,576 WITHOUT DOING ANYTHING WRONG. 79 00:03:44,600 --> 00:03:45,609 PERFECT. - YEAH. 80 00:03:45,633 --> 00:03:46,610 - WISH ME LUCK. - WISH YOU... 81 00:03:46,634 --> 00:03:47,710 - I DIDN'T SAY THAT. 82 00:03:47,734 --> 00:03:48,743 I LOVE YOU. 83 00:03:48,767 --> 00:03:50,009 I WOULD NEVER MAKE OUT 84 00:03:50,033 --> 00:03:54,309 WITH ANOTHER MAN, YOU LITTLE SEX MACHINE. 85 00:03:54,333 --> 00:03:55,710 - SO MR. KEN IS GONNA... - YEAH. 86 00:03:55,734 --> 00:03:57,979 HE'S GONNA COME AND GET HIM, AND HE CAN COME AND SEE ME. 87 00:03:58,003 --> 00:03:59,576 THEY LOVE HIM IN THE AUDIENCE THERE ANYWAY. 88 00:03:59,600 --> 00:04:01,346 - YEAH, YEAH. - OKAY, WISH ME LUCK, ROCIO. 89 00:04:01,370 --> 00:04:02,576 - OKAY, MISS LISA, GOOD LUCK. 90 00:04:02,600 --> 00:04:04,042 I WISH YOU GOOD LUCK. 91 00:04:04,066 --> 00:04:05,643 GIGGY SAY GOOD LUCK TO YOU TOO. 92 00:04:05,667 --> 00:04:07,509 YOU'RE THE BEST. - NO, I'M NOT. 93 00:04:07,533 --> 00:04:09,750 I'M USELESS, BUT I'M GONNA GIVE IT MY BEST SHOT. 94 00:04:09,774 --> 00:04:12,727 - OKAY, MISS LISA. BYE. 95 00:04:26,066 --> 00:04:29,409 - 8 GOES INTO 42... 96 00:04:29,433 --> 00:04:32,347 IS IT WRONG THAT I WANT TO GET A CALCULATOR? 97 00:04:32,371 --> 00:04:34,044 WHAT GRADE ARE YOU IN AGAIN? 98 00:04:34,068 --> 00:04:35,976 - THIRD. - YEAH. 99 00:04:36,000 --> 00:04:37,743 QUITE DIFFICULT. 100 00:04:37,767 --> 00:04:41,567 MY LIFE AND MY CHILDREN IS [bleep] AMAZING. 101 00:04:46,300 --> 00:04:48,976 I BELIEVE THAT YOUR HOME IS YOUR SANCTUARY 102 00:04:49,000 --> 00:04:52,743 AND IT'S VERY NECESSARY TO PUT YOUR IMPRINT IN THERE. 103 00:04:52,767 --> 00:04:56,643 IN MY HOME I HAVE A LOT OF RELIGIOUS SYMBOLS. 104 00:04:56,667 --> 00:04:58,109 I LOVE THE CROSS. 105 00:04:58,133 --> 00:05:00,247 I THINK IT'S A BEAUTIFUL SYMBOL. 106 00:05:00,271 --> 00:05:03,309 BUT THEN, I LOVE THE PENTAGRAM FOR OTHER REASONS, 107 00:05:03,333 --> 00:05:05,433 AND THAT'S MY FAITH. 108 00:05:08,200 --> 00:05:09,376 - HEY, BABE. 109 00:05:09,400 --> 00:05:10,609 HOW YOU DOING? - GOOD. 110 00:05:10,633 --> 00:05:11,578 HOW ARE YOU? - HEY BABE. 111 00:05:11,602 --> 00:05:12,577 - HI, DADDY. - HOW YOU DOING? 112 00:05:12,601 --> 00:05:14,109 - GOOD, HOW ARE YOU? - GOOD. 113 00:05:14,133 --> 00:05:15,350 ALL RIGHT, I'M GONNA GO UP AND CHANGE. 114 00:05:15,374 --> 00:05:17,976 - WHEN I WAS PROBABLY ABOUT SEVEN YEARS OLD, 115 00:05:18,000 --> 00:05:21,176 AND I WOULD IMAGINE THE CASTLE THAT I WOULD BUILD... 116 00:05:21,200 --> 00:05:23,330 AND WE DID IT. WE BLOODY DID IT. 117 00:05:26,200 --> 00:05:28,009 ARE YOU READY? [grunts] 118 00:05:28,033 --> 00:05:29,373 - YOU WORKING OUT FIRST? - YEAH. 119 00:05:34,700 --> 00:05:37,245 - WE'LL START WITH SOME SPRINTS, ALL RIGHT? 120 00:05:37,269 --> 00:05:38,643 GO. - [breathes heavily] 121 00:05:38,667 --> 00:05:40,743 - STRAIGHT AT ME. - WHAT? 122 00:05:40,767 --> 00:05:42,409 - GOOD JOB, BABE. - DAVID AND HIS FAMILY 123 00:05:42,433 --> 00:05:45,247 OWN A MULTIMILLION DOLLAR SPORTS MANAGEMENT COMPANY 124 00:05:45,271 --> 00:05:48,042 THAT MANAGES NBA PLAYERS AND NFL PLAYERS. 125 00:05:48,066 --> 00:05:50,309 HE REPRESENTS TOP ATHLETES IN THE INDUSTRY. 126 00:05:50,333 --> 00:05:53,509 SO FITNESS IS VERY IMPORTANT TO DAVID AND I. 127 00:05:53,533 --> 00:05:55,533 - COOL. THAT'S A SPRINT. 128 00:05:58,734 --> 00:06:00,142 GOOD. COME ON, MYS. 129 00:06:00,166 --> 00:06:02,166 - [giggles] - PICK IT UP. 130 00:06:05,700 --> 00:06:06,677 GOOD. 131 00:06:06,701 --> 00:06:08,343 - YOU'RE BLOODY FAST. 132 00:06:08,367 --> 00:06:10,543 - GOOD WORKOUT. - THANK YOU. 133 00:06:10,567 --> 00:06:12,476 - I AM CONSIDERED THE STRICT ONE, 134 00:06:12,500 --> 00:06:13,477 BETWEEN DAVID AND I. 135 00:06:13,501 --> 00:06:14,609 AND I THINK THAT'S A GOOD THING. 136 00:06:14,633 --> 00:06:16,509 I THINK WITH DAUGHTERS, FOR DAVID, 137 00:06:16,533 --> 00:06:18,179 HE SHOULD BE MORE LENIENT. 138 00:06:18,203 --> 00:06:19,710 - NO. - LET'S WASH YOUR HANDS. 139 00:06:19,734 --> 00:06:20,710 - MOM? - YES? 140 00:06:20,734 --> 00:06:21,711 - CAN I CUT UP THE CUCUMBERS? 141 00:06:21,735 --> 00:06:23,743 - YEAH, JUST KEEP YOUR FINGERS 142 00:06:23,767 --> 00:06:25,509 AND YOUR THUMB AWAY FROM THE EDGE. 143 00:06:25,533 --> 00:06:27,047 - THAT'S A REALLY SHARP KNIFE, BABE. 144 00:06:27,071 --> 00:06:31,042 - MOVE YOUR BLOODY FINGERS. I DO NOT WANT TO EAT AN INDEX... 145 00:06:31,066 --> 00:06:32,309 CAN I JUST SHOW YOU A QUICK WAY 146 00:06:32,333 --> 00:06:34,179 SO YOU DON'T HAVE TO CUT ONE PIECE AT A TIME? 147 00:06:34,203 --> 00:06:35,276 - I KNOW HOW TO DO IT. 148 00:06:35,300 --> 00:06:36,676 - AND THEN YOU HAVE TO DO IT ON THE ENDS, 149 00:06:36,700 --> 00:06:38,076 BUT YOU'RE GONNA HAVE TO DO IT INDIVIDUALLY. 150 00:06:38,100 --> 00:06:40,209 - YES, I KNOW. - STOP SAYING YOU KNOW. 151 00:06:40,233 --> 00:06:41,180 YOU DON'T KNOW. 152 00:06:41,204 --> 00:06:42,576 I DON'T EVER GROUND MY CHILDREN. 153 00:06:42,600 --> 00:06:44,176 I HAVEN'T REALLY NEEDED TO. 154 00:06:44,200 --> 00:06:46,209 BUT THEY UNDERSTAND ONCE I GET TO THAT POINT 155 00:06:46,233 --> 00:06:49,176 WHERE MY EYES CHANGE, THAT MOMMY'S SERIOUS. 156 00:06:49,200 --> 00:06:52,209 HEY, D, DO ME A FAVOR. - THAT'S A SHARP KNIFE. 157 00:06:52,233 --> 00:06:55,343 - DESTINY, DO NOT TAKE... NO, SERIOUSLY. 158 00:06:55,367 --> 00:06:57,209 PICK UP THAT [bleep] KNIFE AND SEE WHAT HAPPENS. 159 00:06:57,233 --> 00:06:59,347 I DON'T WATCH MY LANGUAGE AROUND MY CHILDREN. 160 00:06:59,371 --> 00:07:02,209 DON'T LOOK AT ME WITH THE KNIFE IN YOUR HAND. 161 00:07:02,233 --> 00:07:03,547 LOOK AT THE [bleep] CELERY. 162 00:07:03,571 --> 00:07:06,042 MY DAUGHTER SWORE ONE TIME WHEN SHE WAS THREE YEARS OLD. 163 00:07:06,066 --> 00:07:07,676 SHE WAS STANDING IN FRONT OF THE MIRROR AND SHE SAID, 164 00:07:07,700 --> 00:07:09,446 "MOMMY, DO I [bleep] ROCK, MOMMY?" 165 00:07:09,470 --> 00:07:11,609 AND I SAID, "NO, YOU LOOK [bleep] BEAUTIFUL." 166 00:07:11,633 --> 00:07:13,250 AND THAT WAS THE VERY FIRST TIME 167 00:07:13,274 --> 00:07:17,209 AND THE ONLY TIME SHE'S EVER SWORN. 168 00:07:17,233 --> 00:07:18,276 NO! 169 00:07:18,300 --> 00:07:19,476 YOU KNOW, I SWEAR TO, GOD, 170 00:07:19,500 --> 00:07:21,409 I'M HAVING [bleep] ANGINA RIGHT NOW. 171 00:07:21,433 --> 00:07:23,479 - ANGINA? - WHATEVER THE HELL IT'S CALLED. 172 00:07:23,503 --> 00:07:25,109 - IS THAT, LIKE, MANGINA? 173 00:07:25,133 --> 00:07:26,743 - MOMMY, WHAT'S ANGINA? 174 00:07:26,767 --> 00:07:28,567 - I DON'T [bleep] KNOW. 175 00:07:38,133 --> 00:07:40,142 - ARE YOU NERVOUS? 176 00:07:40,166 --> 00:07:42,142 - UM, A LITTLE BIT, YEAH. 177 00:07:42,166 --> 00:07:43,209 - YOU'RE WEARING YOUR CLOGS, 178 00:07:43,233 --> 00:07:44,280 WHICH USUALLY MEANS YOU'RE NERVOUS. 179 00:07:44,304 --> 00:07:45,746 - YES, MY DUTCH CLOGS. 180 00:07:45,770 --> 00:07:47,976 - HEY, BABE, SHOULD WE GO? - YEAH. 181 00:07:48,000 --> 00:07:49,609 - LET'S GO, BABE. - ARE YOU GOING WITH US? 182 00:07:49,633 --> 00:07:51,080 - I LOVE YOU. - NO, I'M GOING TO A HORSE SHOW. 183 00:07:51,104 --> 00:07:52,646 - HORSE SHOW. - GOOD LUCK. 184 00:07:52,670 --> 00:07:55,509 - LET'S GO GET THAT THING OUT. - BYE. SEE YOU. 185 00:07:55,533 --> 00:07:57,676 I KNOW, IT'S SUCH A BIG DAY. 186 00:07:57,700 --> 00:07:59,509 - WHEN YOU GET MARRIED, IT'S FOR BETTER OR FOR WORSE, 187 00:07:59,533 --> 00:08:00,550 IN SICKNESS AND IN HEALTH, 188 00:08:00,574 --> 00:08:04,509 AND LYME DISEASE IS AN ONGOING SITUATION 189 00:08:04,533 --> 00:08:07,176 THAT YOLANDA AND MYSELF 190 00:08:07,200 --> 00:08:09,109 ARE GOING TO HAVE TO DEAL WITH FOR LIFE. 191 00:08:09,133 --> 00:08:11,147 ARE YOU NERVOUS? BECAUSE YOU WERE REALLY NERVOUS 192 00:08:11,171 --> 00:08:12,343 WHEN THEY PUT THAT THING IN. 193 00:08:12,367 --> 00:08:14,076 - WELL, IT'S BECAUSE IT'S IN YOUR HEART. 194 00:08:14,100 --> 00:08:15,647 YOU KNOW, IT'S, LIKE, A STRANGE PLACE. 195 00:08:15,671 --> 00:08:17,476 - YEAH. IT'S NO JOKE. 196 00:08:17,500 --> 00:08:19,676 - LOVE YOU, BABY. 197 00:08:19,700 --> 00:08:21,309 - I THINK THAT LYME DISEASE SHOWED ME 198 00:08:21,333 --> 00:08:23,476 THAT I COULD BE A GOOD HUSBAND. 199 00:08:23,500 --> 00:08:25,609 BECAUSE I'VE, YOU KNOW, SORT OF FAILED AT THAT 200 00:08:25,633 --> 00:08:28,443 A COUPLE OF TIMES AT LEAST. 201 00:08:28,467 --> 00:08:30,209 - THANK YOU, LOVE. - HERE, BABY. 202 00:08:30,233 --> 00:08:31,710 - THANK YOU, LOVE. 203 00:08:31,734 --> 00:08:33,276 - WHERE DO WE GO? 204 00:08:33,300 --> 00:08:34,376 - MORNING. - MORNING. 205 00:08:34,400 --> 00:08:35,509 - HEY, DOC. - HEY, HOW ARE YOU? 206 00:08:35,533 --> 00:08:36,543 GOOD TO SEE YOU, MAN. 207 00:08:36,567 --> 00:08:37,609 HOW ARE YOU? - GOOD SEEING YOU. 208 00:08:37,633 --> 00:08:38,680 - HI, DOC. - THANKS FOR BEING HERE. 209 00:08:38,704 --> 00:08:40,676 - HOW ARE YOU, BABY? - HOW ARE YOU? 210 00:08:40,700 --> 00:08:42,176 - GREAT. GRADUATION DAY. 211 00:08:42,200 --> 00:08:44,242 THIS LADY IS GONNA TAKE US HERE BACK TO THE BACK. 212 00:08:44,266 --> 00:08:45,276 - OKAY. HI. GOOD MORNING. - GOOD MORNING. 213 00:08:45,300 --> 00:08:46,277 RIGHT THIS WAY. 214 00:08:46,301 --> 00:08:47,676 - THANK GOD FOR MY HUSBAND 215 00:08:47,700 --> 00:08:50,142 AND MY CHILDREN WHO ARE AMAZING. 216 00:08:50,166 --> 00:08:55,142 WHEN YOU STARE AT THE CEILING DAY IN, DAY OUT, YOU KNOW, 217 00:08:55,166 --> 00:09:00,309 JUST HAVING THEM COME AND SAY HELLO AT THE END OF THE DAY... 218 00:09:00,333 --> 00:09:04,543 YOU KNOW, THAT'S WHAT I WAS WAITING FOR. 219 00:09:04,567 --> 00:09:07,242 - WE'RE GETTING THE CATHETER OUT. 220 00:09:07,266 --> 00:09:09,509 THE DISEASE IS UNDER CONTROL, BUT IT'S GONNA TAKE A LONG TIME 221 00:09:09,533 --> 00:09:12,576 TO RECOVER FROM THAT PSYCHOLOGICAL DAMAGE 222 00:09:12,600 --> 00:09:14,676 THAT THIS DID, BECAUSE IT TAKES A PIECE OF YOU. 223 00:09:14,700 --> 00:09:17,047 - I JUST FEEL LIKE I LOST MY BALLS, YOU KNOW? 224 00:09:17,071 --> 00:09:19,343 - YEAH, WELL, THEY'RE BACK, BABY. 225 00:09:19,367 --> 00:09:22,443 - NO, THEY'RE NOT. 226 00:09:22,467 --> 00:09:25,409 THE VOWS ARE THROUGH SICKNESS AND THROUGH HEALTH, RIGHT? 227 00:09:25,433 --> 00:09:28,309 BUT IN BEVERLY HILLS, MOST MEN ARE HAPPY 228 00:09:28,333 --> 00:09:31,076 TO SHOW OFF THEIR BEAUTIFUL WIFE. 229 00:09:31,100 --> 00:09:36,376 I JUST DON'T KNOW IF THEY STICK AROUND THROUGH TIMES LIKE THIS. 230 00:09:36,400 --> 00:09:39,443 - THERE'S WHERE MY JOURNEY ENDS. [kiss] 231 00:09:39,467 --> 00:09:41,109 I LOVE YOU. IT'S GONNA BE FINE. 232 00:09:41,133 --> 00:09:42,450 IT'S GONNA BE PERFECT, OKAY? I'LL SEE YOU IN RECOVERY. 233 00:09:42,474 --> 00:09:45,076 - OH, MY LOVE. - LOVE YOU, BABE. 234 00:09:45,100 --> 00:09:49,743 - THOSE ARE THE TIMES THAT YOU REALLY TRULY SEE HOW MUCH 235 00:09:49,767 --> 00:09:52,044 YOU LOVE EACH OTHER, AND ARE YOU THERE SHOWING UP 236 00:09:52,068 --> 00:09:56,176 IN THESE TRUE TIMES OF NEED? 237 00:09:56,200 --> 00:09:57,376 - COMING UP... 238 00:09:57,400 --> 00:09:58,347 OH, MY, GOD, THERE'S A BEE. 239 00:09:58,371 --> 00:09:59,643 KILL IT FOR ME IF YOU LOVE ME. 240 00:09:59,667 --> 00:10:02,976 - NO! - [laughs] 241 00:10:03,000 --> 00:10:04,476 - THIS IS [bleep] UP. 242 00:10:04,500 --> 00:10:06,700 WHY WOULD YOU DO SUCH AN AWFUL THING? 243 00:10:22,367 --> 00:10:28,543 - WELCOME TO MY... NOT-SO-HUMBLE HOME. 244 00:10:28,567 --> 00:10:31,244 I FEEL LIKE IT'S A LITTLE MORE DIFFICULT TO HAVE HAD SOMETHING 245 00:10:31,268 --> 00:10:34,109 AT ONE TIME AND LOST IT THAN TO NEVER HAVE HAD IT AT ALL. 246 00:10:34,133 --> 00:10:35,348 IT'S LIKE I'M COMING BACK UP THE LADDER 247 00:10:35,372 --> 00:10:36,443 WHERE I WAS ALREADY AT THE TOP. 248 00:10:36,467 --> 00:10:39,176 I MEAN, BETTER TO BE GOING UP THAN DOWN? 249 00:10:39,200 --> 00:10:40,609 MAYBE. 250 00:10:40,633 --> 00:10:42,250 SOMETIMES GOING DOWN'S FUN. 251 00:10:42,274 --> 00:10:43,476 [thud] 252 00:10:43,500 --> 00:10:45,176 - I HOPE THERE'S NOTHING BREAKABLE IN THERE. 253 00:10:45,200 --> 00:10:46,676 - LIFT WITH YOUR LEGS. 254 00:10:46,700 --> 00:10:48,009 - ARE YOU GONNA TAKE ME ON THE TOUR? 255 00:10:48,033 --> 00:10:50,409 - YES. - TAKE ME ON THE TOUR. 256 00:10:50,433 --> 00:10:53,179 - YOU KNOW HOW EVERYONE SAYS, "OH, I CAN HELP YOU MOVE"? 257 00:10:53,203 --> 00:10:54,209 WELL, NO ONE CAN. 258 00:10:54,233 --> 00:10:55,409 SO I CALLED MOM. 259 00:10:55,433 --> 00:10:57,679 THANK YOU FOR COMING DOWN. - IT'S MY THING. 260 00:10:57,703 --> 00:11:00,676 I LIKE TO MOVE PEOPLE, AND I'M NOT MOVING EVER AGAIN, SO... 261 00:11:00,700 --> 00:11:03,209 - NO MATTER HOW OLD YOU ARE, YOU ALWAYS NEED YOUR MOMMY. 262 00:11:03,233 --> 00:11:05,280 AND, LIKE, AT THIS MOMENT, I NEED MY MOMMY. 263 00:11:05,304 --> 00:11:08,276 THIS IS WHERE MORE BABIES WILL BE MADE. 264 00:11:08,300 --> 00:11:09,643 [laughs] 265 00:11:09,667 --> 00:11:10,676 - NO, THANKS. 266 00:11:10,700 --> 00:11:12,576 A WALK-IN CLOSET? - YES. 267 00:11:12,600 --> 00:11:15,109 I WAS THINKING I COULD EVEN PUT MY STRIPPER POLE IN HERE. 268 00:11:15,133 --> 00:11:16,409 NO. 269 00:11:16,433 --> 00:11:20,276 THIS IS THE FORMAL DINING ROOM, WHICH... 270 00:11:20,300 --> 00:11:22,747 - IT WOULD BE NICE IF YOU GET A DINING ROOM TABLE. 271 00:11:22,771 --> 00:11:24,676 - SO THIS IS MY POOL. 272 00:11:24,700 --> 00:11:26,209 I FEEL LIKE I'M ALL GROWN UP. 273 00:11:26,233 --> 00:11:28,450 - OH, SOME DAY YOU WILL BE. - [laughs] 274 00:11:28,474 --> 00:11:30,443 THIS IS THE GROWN-UP ROOM. 275 00:11:30,467 --> 00:11:33,643 - YEAH, THAT'S VERY NICE. - YOU DON'T SEEM SUPER-EXCITED. 276 00:11:33,667 --> 00:11:36,743 UM, THIS IS THE KITCHEN. 277 00:11:36,767 --> 00:11:39,209 - LOOK AT THAT. THAT'S BAD. 278 00:11:39,233 --> 00:11:40,350 THAT'S A SMALL OVEN, TOO. 279 00:11:40,374 --> 00:11:42,476 - SHH. 280 00:11:42,500 --> 00:11:44,276 THIS IS THE FIRST TIME I'VE BEEN ABLE 281 00:11:44,300 --> 00:11:45,647 TO DO SOMETHING LIKE THIS ON MY OWN. 282 00:11:45,671 --> 00:11:47,343 I MEAN, I DIDN'T GROW UP LIKE THIS, 283 00:11:47,367 --> 00:11:49,376 SO IT'S REALLY EXCITING TO SHOW MY MOM. 284 00:11:49,400 --> 00:11:51,242 I NEED A DRINK. 285 00:11:51,266 --> 00:11:53,009 - SO WHAT ELSE IS NEW? - [laughs] 286 00:11:53,033 --> 00:11:54,303 OKEYDOKE. 287 00:11:55,667 --> 00:11:57,176 "CHAOS." 288 00:11:57,200 --> 00:11:59,147 KIND OF SOUNDS LIKE YOUR LIFE. 289 00:11:59,171 --> 00:12:00,976 - OPEN IT. - OKAY. 290 00:12:01,000 --> 00:12:03,109 - WE'RE GONNA BE GANGSTER AND DRINK OUT OF THE BOTTLE. 291 00:12:03,133 --> 00:12:04,576 - ALL RIGHT, THEN. 292 00:12:04,600 --> 00:12:05,976 - GO FOR IT, MOM. 293 00:12:06,000 --> 00:12:07,643 TAKE A SWIG. 294 00:12:07,667 --> 00:12:10,309 MY MOM IS EVERYONE'S ROCK, 295 00:12:10,333 --> 00:12:13,109 AND I DON'T KNOW WHAT OUR FAMILY WOULD DO IF WE DIDN'T HAVE HER. 296 00:12:13,133 --> 00:12:15,076 SHE IS EVERYTHING TO ME, 297 00:12:15,100 --> 00:12:17,710 AND I WANT TO BE RICH SO I CAN TAKE CARE OF HER. 298 00:12:17,734 --> 00:12:20,676 YOU KNOW, I'M IN A POSITION NOW 299 00:12:20,700 --> 00:12:22,047 WHERE I CAN HELP YOU GUYS FINANCIALLY. 300 00:12:22,071 --> 00:12:23,543 SO IT'S NOT A BIG DEAL THAT DAD'S... 301 00:12:23,567 --> 00:12:25,376 - BABY, I'M EMPLOYED FULL-TIME. - I KNOW. 302 00:12:25,400 --> 00:12:26,976 BUT I KNOW THAT HE'S NOT WORKING... 303 00:12:27,000 --> 00:12:29,376 - WE'RE FINE, WE MAKE OUR HOUSE PAYMENTS, WE PAY OUR BILLS. 304 00:12:29,400 --> 00:12:30,643 WE HAVE NO PROBLEMS. 305 00:12:30,667 --> 00:12:32,476 - WELL, I'M GONNA SEND YOU MONEY WHEN I WANT, 306 00:12:32,500 --> 00:12:34,347 AND I DON'T WANT YOU NOT TO CASH IN THE CHECKS. 307 00:12:34,371 --> 00:12:37,009 - YOU KNOW, YOU'RE A... - I CAN DO WHATEVER I WANT. 308 00:12:37,033 --> 00:12:37,980 - YOU CAN KIND OF BE A PAIN IN THE ASS... 309 00:12:38,004 --> 00:12:39,209 - I KNOW. - SOMETIMES. 310 00:12:39,233 --> 00:12:40,576 - BUT JUST DON'T TELL DAD, 311 00:12:40,600 --> 00:12:42,409 BECAUSE I KNOW THAT'S NOT GONNA GO OVER WELL WITH HIM. 312 00:12:42,433 --> 00:12:45,509 THINGS WITH MY DAD ARE NOT AMAZING RIGHT NOW. 313 00:12:45,533 --> 00:12:49,109 HE WAS VERY OFFENDED BY MY OSCAR DRESS. 314 00:12:49,133 --> 00:12:51,347 HE SAID, "I LIKED YOU BEFORE YOU HAD THOSE THINGS," 315 00:12:51,371 --> 00:12:52,376 TALKING ABOUT MY BOOBS. 316 00:12:52,400 --> 00:12:54,045 I MEAN, GO [bleep] YOURSELF. 317 00:12:54,069 --> 00:12:55,576 WHAT CAN YOU SAY TO THAT? 318 00:12:55,600 --> 00:12:57,710 LIKE, I'M NOT TAKING THEM OUT, DAD. 319 00:12:57,734 --> 00:12:59,743 BOOBS ARE STAYING. 320 00:12:59,767 --> 00:13:02,176 THE OTHER DAY I TEXTED HIM 321 00:13:02,200 --> 00:13:05,209 AND I SAID, "DAD," I GO, "IT WOULD REALLY SUCK 322 00:13:05,233 --> 00:13:06,580 IF YOU DIED WHEN WE'RE NOT TALKING." 323 00:13:06,604 --> 00:13:08,576 [giggles] NO... NOTHING BACK. 324 00:13:08,600 --> 00:13:10,476 - MM... 325 00:13:10,500 --> 00:13:12,509 - WELL, THE KIDS WANT TO SEE HIM. 326 00:13:12,533 --> 00:13:14,547 I GUESS I'LL STAY AT GRANDMA'S. 327 00:13:14,571 --> 00:13:15,676 - OF COURSE THEY DO, 328 00:13:15,700 --> 00:13:17,476 AND OF COURSE YOU CAN STAY AT THE HOUSE. 329 00:13:17,500 --> 00:13:19,746 - IT'S WEIRD, BECAUSE I HAVEN'T CHANGED. 330 00:13:19,770 --> 00:13:23,443 HE JUST, WITH HIS AGE, SEEMS TO BE GETTING MORE CONSERVATIVE. 331 00:13:23,467 --> 00:13:26,409 HE USED TO BE, LIKE, NAKED ALL THE TIME, 332 00:13:26,433 --> 00:13:29,109 AND, YOU KNOW, ANYTHING GOES. 333 00:13:29,133 --> 00:13:31,009 GIVE ME THAT LEATHER BOOK. 334 00:13:31,033 --> 00:13:32,209 - THIS ONE? - YEAH. 335 00:13:32,233 --> 00:13:33,643 - OKAY. - OH. 336 00:13:33,667 --> 00:13:35,576 THERE'S A LOT OF GOODIES IN HERE. 337 00:13:35,600 --> 00:13:37,646 I WAS REALLY INTO MY POETRY BACK THEN. 338 00:13:37,670 --> 00:13:40,343 WRITING HAS ALWAYS BEEN A WAY FOR ME TO EXPRESS MYSELF, 339 00:13:40,367 --> 00:13:42,576 BECAUSE I DON'T ALWAYS FIND THE EXACT WORDS 340 00:13:42,600 --> 00:13:44,409 I NEED AT THE MOMENT I NEED THEM. 341 00:13:44,433 --> 00:13:46,478 A LOT OF TIMES ITS, LIKE, "[bleep] YOU, [bleep] THIS, 342 00:13:46,502 --> 00:13:48,247 [bleep] THAT, [bleep] HIM, [bleep] YOU, [bleep] OFF." 343 00:13:48,271 --> 00:13:50,676 AND I DON'T ALWAYS NEED TO GO THAT ROUTE. 344 00:13:50,700 --> 00:13:53,209 WAIT, CUTE POEMS ABOUT GUY AND JUDY. 345 00:13:53,233 --> 00:13:55,009 I SWEAR TO GOD. - [laughs] 346 00:13:55,033 --> 00:13:56,450 - SOMETIMES IT'S BETTER TO PUT IT IN A POEM 347 00:13:56,474 --> 00:13:59,009 AND BE A LITTLE BIT LIKE "I'M A LITTLE MAD AT YOU, 348 00:13:59,033 --> 00:14:00,580 BUT THAT WILL DO." YOU KNOW, THAT KIND OF THING? 349 00:14:00,604 --> 00:14:03,576 "MY MOM IS PRETTY, BUT SHE'S KIND OF [bleep]." 350 00:14:03,600 --> 00:14:06,276 [laughs] - [coughs] 351 00:14:06,300 --> 00:14:09,743 - "SHE ACTS REAL NICE, BUT THEN YOU THINK TWICE. 352 00:14:09,767 --> 00:14:11,276 SHE DOESN'T... "[laughs] 353 00:14:11,300 --> 00:14:13,247 - HOW OLD WERE YOU WHEN YOU WROTE THIS? 354 00:14:13,271 --> 00:14:15,142 - "SHE DOESN'T REALLY CALL. 355 00:14:15,166 --> 00:14:16,543 "I MEAN, NEVER, AT ALL. 356 00:14:16,567 --> 00:14:19,176 "REACH OUT AND TOUCH SOMEONE, SHE DOESN'T KNOW HOW. 357 00:14:19,200 --> 00:14:22,347 SHE NEEDS TO GET IN TOUCH WITH ALEXANDER GRAHAM BELL." 358 00:14:22,371 --> 00:14:26,009 [both laugh] 359 00:14:26,033 --> 00:14:28,142 OH MY, GOD. 360 00:14:28,166 --> 00:14:30,409 - BYRON, KEATS, AND SHELLEY HAVE NOTHING TO WORRY ABOUT. 361 00:14:30,433 --> 00:14:33,276 - WHO ARE THEY? 362 00:14:33,300 --> 00:14:35,270 - NEVERMIND. [laughs] 363 00:14:48,433 --> 00:14:50,009 - IS THAT PAINFUL FOR YOU? - YEAH. 364 00:14:50,033 --> 00:14:51,747 - LET ME GIVE YOU SOME MORE NUMBING. 365 00:14:51,771 --> 00:14:53,576 - I'M GETTING MY PORT TAKEN OUT 366 00:14:53,600 --> 00:14:56,045 BECAUSE I WORRY THAT, YOU KNOW, I COULD GET AN INFECTION 367 00:14:56,069 --> 00:14:57,710 AND THAT I'M GONNA GET WORSE. 368 00:14:57,734 --> 00:15:01,734 I REALLY WANT TO JUST GET IT OUT AND GO HOME. 369 00:15:03,500 --> 00:15:05,443 - PORT IS OUT. 370 00:15:05,467 --> 00:15:09,309 THERE'S NO BLEEDING. LOOKS GREAT. 371 00:15:09,333 --> 00:15:12,447 - GETTING MY PORT OUT, KIND OF MAKING ME FEEL LIKE 372 00:15:12,471 --> 00:15:14,476 I'VE ACCOMPLISHED AT LEAST SOMETHING. 373 00:15:14,500 --> 00:15:18,309 I FEEL LIKE I'M GETTING INTO BETTER TIMES. 374 00:15:18,333 --> 00:15:19,676 - HI, BABY. 375 00:15:19,700 --> 00:15:22,409 HI BABE. - HI, BABY. 376 00:15:22,433 --> 00:15:23,410 - HOW'D IT ALL GO? 377 00:15:23,434 --> 00:15:25,443 - IT WENT. - IT WENT? 378 00:15:25,467 --> 00:15:26,643 IT'S OUT. - I'M SO TIRED. 379 00:15:26,667 --> 00:15:28,209 - THE ALIEN IS OUT. - I THINK YOU SHOULD THINK 380 00:15:28,233 --> 00:15:31,443 ABOUT, LIKE, THIS AS THE BEGINNING OF THE NEXT PHASE... 381 00:15:31,467 --> 00:15:33,076 - YEAH. - TO HELP RECOVER FROM ALL THAT. 382 00:15:33,100 --> 00:15:34,343 YOU KNOW? 383 00:15:34,367 --> 00:15:37,144 - YOU KNOW, IT'S REALLY CHANGED ME AS A HUMAN BEING, 384 00:15:37,168 --> 00:15:38,676 THE WAY I LIVE MY LIFE. - I'M SURE. 385 00:15:38,700 --> 00:15:42,076 - MY PROBLEM IS ALWAYS TRYING TO BE A TOUGH ASS 386 00:15:42,100 --> 00:15:45,576 AND JUST KEEP GOING, EVEN WHEN I'M NOT FEELING GOOD. 387 00:15:45,600 --> 00:15:47,409 AND, YOU KNOW, I THINK THIS IS A GOOD LESSON. 388 00:15:47,433 --> 00:15:50,609 - OH, GIGI CALLED... - IS SHE OKAY? 389 00:15:50,633 --> 00:15:53,447 - YES, SHE FELT A DIZZY BECAUSE SHE'S ON THAT FAST TOO. 390 00:15:53,471 --> 00:15:55,576 SO SHE THINKS IT MIGHT BE A LITTLE DANGEROUS 391 00:15:55,600 --> 00:15:57,109 RIDING HER HORSES. 392 00:15:57,133 --> 00:15:58,180 DO YOU WANT TO CALL HER RIGHT NOW OR... 393 00:15:58,204 --> 00:15:59,242 - YEAH. 394 00:15:59,266 --> 00:16:01,109 - I'LL JUST HOLD IT FOR YOU. 395 00:16:01,133 --> 00:16:03,109 [phone rings] - BUT SHE'S AT THE... 396 00:16:03,133 --> 00:16:05,309 [GiGi indistinct] - HEY, GIGI, HERE'S YOUR MOM. 397 00:16:05,333 --> 00:16:06,643 - HI, LOVEY. 398 00:16:06,667 --> 00:16:08,244 - HI, MOMMY. HOW ARE YOU? 399 00:16:08,268 --> 00:16:09,576 - I'M OKAY. I JUST WOKE UP. 400 00:16:09,600 --> 00:16:10,676 HOW ARE YOU? 401 00:16:10,700 --> 00:16:12,443 - I'M FEELING REALLY WEAK. 402 00:16:12,467 --> 00:16:14,409 I HAD, LIKE, 1/2 AN ALMOND. 403 00:16:14,433 --> 00:16:16,109 - HAVE A COUPLE OF ALMONDS. 404 00:16:16,133 --> 00:16:18,979 CHEW THEM REALLY WELL BECAUSE YOUR STOMACH IS NOT... 405 00:16:19,003 --> 00:16:20,976 - YEAH, YEAH. THAT'S WHY I WAS SCARED. 406 00:16:21,000 --> 00:16:23,247 OKAY, I LOVE YOU. - OKAY, I LOVE YOU TOO, BABY. 407 00:16:23,271 --> 00:16:24,443 BE SAFE. - BYE. 408 00:16:24,467 --> 00:16:25,767 - BYE, BABY. - FEEL BETTER, MOM. 409 00:16:33,734 --> 00:16:36,311 Male announcer: DANCING THE VIENNESE WALTZ, 410 00:16:36,335 --> 00:16:40,403 LISA VANDERPUMP AND HER PARTNER, GLEB SAVCHENKO. 411 00:16:42,033 --> 00:16:44,609 - SHOWING UP HERE TONIGHT IS REALLY MY WAY 412 00:16:44,633 --> 00:16:46,379 OF TELLING HER I WANT TO MOVE ON. 413 00:16:46,403 --> 00:16:48,509 MY FEELINGS ARE HURT. I'VE BEEN ANGRY. 414 00:16:48,533 --> 00:16:51,003 BUT I STILL WANT TO MOVE FORWARD. 415 00:17:01,567 --> 00:17:05,042 - I'M REALLY IMPRESSED WITH LISA DOING HER DANCE. 416 00:17:05,066 --> 00:17:08,009 THE WORK THEY PUT IN IS AMAZING. 417 00:17:08,033 --> 00:17:10,273 IT'S REALLY HARD WORK, RIGHT? 418 00:17:16,133 --> 00:17:17,747 - I SOMETIMES THINK THAT THE THINGS 419 00:17:17,771 --> 00:17:20,209 THAT ARE REALLY WORTH DOING ARE THE THINGS THAT SCARE YOU. 420 00:17:20,233 --> 00:17:22,309 IT IS SCARY, BUT I'M GONNA HAVE FUN WITH IT. 421 00:17:22,333 --> 00:17:24,650 AND IF THEY BEAT ME UP, THEN SO BE IT. I DID IT. 422 00:17:24,674 --> 00:17:28,667 PEOPLE CAN CRITICIZE ME, BUT I'M DOING IT. 423 00:17:41,166 --> 00:17:42,710 - OVER HERE, MISS BRANDI. 424 00:17:42,734 --> 00:17:44,209 - HELLO. 425 00:17:44,233 --> 00:17:45,210 - WE HAVE THE FOOD. 426 00:17:45,234 --> 00:17:48,133 - OH, GOOD, YUM, I'M STARVING. 427 00:17:51,033 --> 00:17:54,609 - AH, HELLO, GIRLS AND BOY. 428 00:17:54,633 --> 00:17:57,676 NOTHING, UM, HEALTHY TO EAT HERE? 429 00:17:57,700 --> 00:17:59,109 - NO, BUT IT'S REALLY GOOD. 430 00:17:59,133 --> 00:18:00,110 - IT'S SO WORTH IT. WHATEVER. 431 00:18:00,134 --> 00:18:01,380 - IT'S WORTH IT? - JUST DIG IN. 432 00:18:01,404 --> 00:18:03,145 - HI, TAYLOR. - HI, HONEY. 433 00:18:03,169 --> 00:18:05,109 - NICE TO SEE YOU. I CAN'T BELIEVE YOU GUYS 434 00:18:05,133 --> 00:18:07,409 STARTED EATING WITHOUT ME. - [laughs] 435 00:18:07,433 --> 00:18:09,250 - [laughing] WE'RE MAKING A HUGE MESS. 436 00:18:09,274 --> 00:18:13,209 - THE LAST TIME WE SAW YOU GUYS, 437 00:18:13,233 --> 00:18:14,509 HE WAS YOUR LAWYER. 438 00:18:14,533 --> 00:18:15,743 - [chuckle] YEP. 439 00:18:15,767 --> 00:18:18,376 - AND NOW HE'S YOUR MAN. - THAT'S RIGHT. 440 00:18:18,400 --> 00:18:20,609 - AND YOU GUYS ARE, LIKE, LIVING TOGETHER. 441 00:18:20,633 --> 00:18:22,579 THIS IS REALLY AWESOME. - THANK YOU. 442 00:18:22,603 --> 00:18:24,576 - IT'S REALLY NICE TO SEE YOU GUYS TOGETHER 443 00:18:24,600 --> 00:18:26,547 AND SO HAPPY AND LIKE A COUPLE. 444 00:18:26,571 --> 00:18:29,710 TAYLOR SPENDS MOST OF HER TIME IN COLORADO. 445 00:18:29,734 --> 00:18:32,081 BUT WHENEVER SHE IS HERE, WE TRY TO SPEND 446 00:18:32,105 --> 00:18:35,076 AS MUCH OF OUR TIME TOGETHER AS POSSIBLE. 447 00:18:35,100 --> 00:18:38,443 [applause] - OH, MY GOD! 448 00:18:38,467 --> 00:18:41,109 WERE YOU ALL THERE? [sighs] 449 00:18:41,133 --> 00:18:44,276 OH, SHUT UP. - AWESOME. 450 00:18:44,300 --> 00:18:46,409 I MEAN, YOU LOOK... OKAY, WAIT, IS MY BOOTY STILL THERE? 451 00:18:46,433 --> 00:18:48,976 ALL RIGHT. [overlapping chatter] 452 00:18:49,000 --> 00:18:50,309 IT'S AN AMAZING NIGHT. 453 00:18:50,333 --> 00:18:51,710 WE JUST DANCED THE VIENNESE WALTZ, 454 00:18:51,734 --> 00:18:53,509 WHICH WENT REALLY WELL. 455 00:18:53,533 --> 00:18:55,479 OR AS WELL AS COULD BE EXPECTED. 456 00:18:55,503 --> 00:18:58,609 AND IT'S NICE TO SEE EVERYBODY HERE AS A GROUP SUPPORTING ME. 457 00:18:58,633 --> 00:19:01,479 - I THINK YOU SHOULD WEAR YOUR HAIR LIKE THIS EVERY DAY. 458 00:19:01,503 --> 00:19:03,276 - I WOULD LIKE TO. - EVERY DAY IS PROM. 459 00:19:03,300 --> 00:19:05,142 - I THINK I SHOULD WEAR THAT DRESS EVERY DAY. 460 00:19:05,166 --> 00:19:06,443 I THINK... - YOU'RE THE PROM QUEEN. 461 00:19:06,467 --> 00:19:07,609 I ACTUALLY LIKE YOUR HAIR LIKE THAT. 462 00:19:07,633 --> 00:19:08,610 - YOU DO? - I THINK IT'S REALLY CUTE. 463 00:19:08,634 --> 00:19:10,009 - HELLO, EVERYBODY. 464 00:19:10,033 --> 00:19:11,280 - THERE'S OUR BOYFRIEND. 465 00:19:11,304 --> 00:19:12,643 YAY. 466 00:19:12,667 --> 00:19:14,042 - YOU DID AN AMAZING JOB. 467 00:19:14,066 --> 00:19:15,176 REALLY GOOD JOB. - SHE DID REALLY GOOD. 468 00:19:15,200 --> 00:19:16,176 - SO MUCH FUN. - YOU'RE BOTH AMAZING. 469 00:19:16,200 --> 00:19:17,145 - GLEB? - YEAH? 470 00:19:17,169 --> 00:19:18,143 - I HAVE A QUESTION FOR YOU. 471 00:19:18,167 --> 00:19:20,343 WHO CHOREOGRAPHS THE DANCES? - I DO. 472 00:19:20,367 --> 00:19:22,376 - YOU DO? - AND LISA DOES AS WELL. 473 00:19:22,400 --> 00:19:24,142 - OH, NO, I JUST... 474 00:19:24,166 --> 00:19:25,143 I CAN'T DO THAT. I CAN'T DO THAT. 475 00:19:25,167 --> 00:19:26,176 HE SAYS, "YES, YOU'RE DOING IT." 476 00:19:26,200 --> 00:19:27,443 AND THAT'S KIND OF... 477 00:19:27,467 --> 00:19:28,743 - WHAT'S YOUR FAVORITE MOVE? - OH, THAT... NOT THAT. 478 00:19:28,767 --> 00:19:30,676 NOT THAT. - [laughs] 479 00:19:30,700 --> 00:19:33,409 - THAT IS! THAT IS! - I'M LIKE, "NO." 480 00:19:33,433 --> 00:19:34,543 - YEAH, EXACTLY. 481 00:19:34,567 --> 00:19:36,676 - KEN, WHAT'S LISA'S FAVORITE MOVE? 482 00:19:36,700 --> 00:19:38,047 - WAIT, WAIT, WAIT. I HAVE A QUESTION. 483 00:19:38,071 --> 00:19:39,676 LET'S COMPARE, LET'S COMPARE. 484 00:19:39,700 --> 00:19:42,376 THAT'S LISA'S FAVORITE MOVE, ACCORDING TO KEN. 485 00:19:42,400 --> 00:19:44,045 WHAT DO YOU SAY HER FAVORITE MOVE IS? 486 00:19:44,069 --> 00:19:45,409 - KEN, ARE YOU JEALOUS? 487 00:19:45,433 --> 00:19:49,209 - KEN, ARE YOU JEALOUS WHEN HE GETS ALL UP AND FRIENDLY? 488 00:19:49,233 --> 00:19:51,180 - DO I LOOK JEALOUS? I'VE GOT BRANDI. 489 00:19:51,204 --> 00:19:53,142 LET'S SHOW THEM HOW IT GOES. 490 00:19:53,166 --> 00:19:54,576 - ALL RIGHT. - IT GOES LIKE THIS. 491 00:19:54,600 --> 00:19:56,409 JUMP UP. [grunts] 492 00:19:56,433 --> 00:19:59,710 - OH, YOU'LL PUT YOUR BACK OUT. YOU'LL PUT YOUR BACK OUT! 493 00:19:59,734 --> 00:20:01,609 - THAT'S HER FAVORITE MOVE. 494 00:20:01,633 --> 00:20:03,009 - COMING UP... 495 00:20:03,033 --> 00:20:04,409 - HOW ARE YOU WITH KYLE? 496 00:20:04,433 --> 00:20:06,180 - I MEAN, I'M NOT IN A BETTER PLACE WITH THE WOMAN 497 00:20:06,204 --> 00:20:07,710 THAT CALLED ME A LIAR. 498 00:20:07,734 --> 00:20:09,379 - YOU'VE JUST GOT TO PUT YOUR HOUSE ON THE MARKET, 499 00:20:09,403 --> 00:20:10,447 AND YOU'RE GONNA BOND REALLY QUICK. 500 00:20:10,471 --> 00:20:11,767 [laughter] 501 00:20:25,533 --> 00:20:27,676 - CAN I GIVE YOU SOME OF THESE? - YEAH. 502 00:20:27,700 --> 00:20:29,076 - WHERE'S THE LITTLE BOWL I GAVE YOU BEFORE? 503 00:20:29,100 --> 00:20:32,045 HERE, I'M GONNA GIVE THIS TO YOU IN A NAPKIN, 504 00:20:32,069 --> 00:20:34,710 BECAUSE I'M RUSHING AND I HAVE MY FRIENDS COMING OVER. 505 00:20:34,734 --> 00:20:37,142 WHAT DO YOU SAY? 506 00:20:37,166 --> 00:20:39,042 - THA-A-ANK YOU. 507 00:20:39,066 --> 00:20:40,696 - YO-O-OU'RE WELCOME. 508 00:20:44,300 --> 00:20:45,576 - [knocks on door] 509 00:20:45,600 --> 00:20:47,209 - COMING. 510 00:20:47,233 --> 00:20:48,376 Both: HI! 511 00:20:48,400 --> 00:20:49,710 - HOW ARE YOU? 512 00:20:49,734 --> 00:20:51,481 GOOD TO SEE YOU. - HOW ARE YOU? 513 00:20:51,505 --> 00:20:55,609 - IT'S NOT ALWAYS EASY MEETING PEOPLE IN BEVERLY HILLS. 514 00:20:55,633 --> 00:20:56,610 - HELLO. - HELLO. 515 00:20:56,634 --> 00:20:58,276 - HOW ARE YOU? - GOOD. 516 00:20:58,300 --> 00:20:59,609 HOW ARE YOU? - GOOD. 517 00:20:59,633 --> 00:21:01,976 SO WHEN I LIKED JOYCE AND CARLTON 518 00:21:02,000 --> 00:21:03,710 AT MY CHAMBER OF COMMERCE PARTY, 519 00:21:03,734 --> 00:21:05,710 I DECIDED TO INVITE THEM OVER FOR LUNCH. 520 00:21:05,734 --> 00:21:08,051 THANK YOU, THANK YOU. - BOTTLE OF SCOTCH. 521 00:21:08,075 --> 00:21:09,076 - OH, SCOTCH. 522 00:21:09,100 --> 00:21:10,147 MY HUSBAND IS GONNA BE SO EXCITED. 523 00:21:10,171 --> 00:21:11,443 - HI. - HOW ARE YOU? 524 00:21:11,467 --> 00:21:12,643 NICE TO SEE YOU. 525 00:21:12,667 --> 00:21:14,242 HOW ARE YOU? - GOSH, MY HANDS ARE COLD. 526 00:21:14,266 --> 00:21:16,142 - EVER SINCE WE BUILT THIS ROOM, MY HUSBAND'S, LIKE, 527 00:21:16,166 --> 00:21:18,042 "THIS ROOM MAKES ME FEEL LIKE WANTING TO HAVE, 528 00:21:18,066 --> 00:21:19,609 LIKE, A SCOTCH WHEN I GET HOME." 529 00:21:19,633 --> 00:21:22,209 - SO HE'S GONNA ENJOY THIS. - NOW... NOW, LIKE... THANK YOU. 530 00:21:22,233 --> 00:21:23,250 THAT'S VERY SWEET. - YOU'RE WELCOME. 531 00:21:23,274 --> 00:21:25,343 - HELLO. HI. 532 00:21:25,367 --> 00:21:27,476 - HI. - OH, I LOVE THAT COLOR ON YOU. 533 00:21:27,500 --> 00:21:28,976 - THANK YOU. HOW ARE YOU? 534 00:21:29,000 --> 00:21:30,347 - YOU SMELL PRETTY TOO. - THANK YOU. 535 00:21:30,371 --> 00:21:32,076 - COME IN. 536 00:21:32,100 --> 00:21:33,476 THIS IS MY FRIEND, SHARON. 537 00:21:33,500 --> 00:21:35,409 - OH, MY BLOODY GOD! - JOYCE. 538 00:21:35,433 --> 00:21:36,710 - THAT'S HYSTERICAL. 539 00:21:36,734 --> 00:21:38,379 OH, MY, GOD. HOW ARE YOU? 540 00:21:38,403 --> 00:21:40,076 - IT'S BEEN, LIKE, FIVE YEARS. - YEAH. 541 00:21:40,100 --> 00:21:41,645 - SO YOU GUYS WENT TO... YOU GUYS... YOUR KIDS 542 00:21:41,669 --> 00:21:42,676 WENT TO SCHOOL TOGETHER? - YEAH. 543 00:21:42,700 --> 00:21:44,446 - HI, I'M JOYCE. - NICE TO MEET YOU. 544 00:21:44,470 --> 00:21:45,710 - SHARON. - NICE TO MEET YOU. 545 00:21:45,734 --> 00:21:47,351 - SO HOW'S YOUR SON? - HE'S REALLY GOOD. 546 00:21:47,375 --> 00:21:48,710 - YEAH? - YOU HAD A BOY, RIGHT? 547 00:21:48,734 --> 00:21:49,976 - YEAH. 548 00:21:50,000 --> 00:21:51,076 HE WAS CRYING, SO IT WAS REALLY HARD 549 00:21:51,100 --> 00:21:52,147 TO GET OUT THE DOOR, 550 00:21:52,171 --> 00:21:55,209 BECAUSE THE BLACK CAT CAUGHT A BIRD. 551 00:21:55,233 --> 00:21:57,650 I WAS GETTING READY, AND I SAW THIS BIRD 552 00:21:57,674 --> 00:22:01,109 FLY INTO THE LIVING ROOM WHERE WE WERE SITTING, 553 00:22:01,133 --> 00:22:03,609 AND THE CAT WENT FOR IT, AND... 554 00:22:03,633 --> 00:22:06,179 - I'M GONNA OPEN THE WINE. I'LL BE RIGHT BACK. 555 00:22:06,203 --> 00:22:08,209 SHARON, YOU WANT WHITE WINE OR RED? 556 00:22:08,233 --> 00:22:10,109 - REALLY? 557 00:22:10,133 --> 00:22:11,543 I DIDN'T APPRECIATE THAT. 558 00:22:11,567 --> 00:22:13,144 I DON'T CARE IF SHE WAS BORED TO DEATH. 559 00:22:13,168 --> 00:22:16,166 IT WAS RUDE. 560 00:22:24,700 --> 00:22:26,676 - YOU'RE HERE, SKINNY MINNIE. 561 00:22:26,700 --> 00:22:28,109 - I'M NOT SKINNY. YOU'RE SKINNY. 562 00:22:28,133 --> 00:22:29,548 - YOU DON'T HAVE TO BRING DRINKS TO MY HOUSE. 563 00:22:29,572 --> 00:22:30,544 - OH. - LOOK AT YOU 564 00:22:30,568 --> 00:22:31,976 WITH THE BRIGHT PINK LIPSTICK. 565 00:22:32,000 --> 00:22:33,747 HOW ARE YOU, DARLING? - I WAS MATCHING MY SHIRT. 566 00:22:33,771 --> 00:22:35,409 THIS IS ACTUALLY FROM YOUR BOYFRIEND. 567 00:22:35,433 --> 00:22:38,676 - WHO'S MY BOYFRIEND? I'VE GOT SEVERAL. 568 00:22:38,700 --> 00:22:40,109 OH! - [laughs] 569 00:22:40,133 --> 00:22:41,576 - OH, REALLY? 570 00:22:41,600 --> 00:22:43,209 - YES, THIS IS THEIR NEW TEQUILA. 571 00:22:43,233 --> 00:22:44,379 SO THEY SENT ME SOME. 572 00:22:44,403 --> 00:22:46,242 SO I THOUGHT YOU SHOULD HAVE IT. - YES. 573 00:22:46,266 --> 00:22:47,609 - AND THEN I GOT THIS FOR YOLANDA, SO... 574 00:22:47,633 --> 00:22:49,543 SO EVERYONE GETS A PRESENT. 575 00:22:49,567 --> 00:22:51,443 - GEORGE CLOONEY HAS A TEQUILA? 576 00:22:51,467 --> 00:22:53,710 - YEAH. - I'LL... I'D SHARE IT WITH HIM. 577 00:22:53,734 --> 00:22:54,743 [both laugh] 578 00:22:54,767 --> 00:22:55,976 - I FIGURED YOU'D WANT THAT. 579 00:22:56,000 --> 00:22:56,747 - YEAH, RIGHT? 580 00:22:56,771 --> 00:22:58,710 BETWEEN RUNNING MY RESTAURANTS, 581 00:22:58,734 --> 00:23:00,476 RUNNING MY HOUSEHOLD, 582 00:23:00,500 --> 00:23:02,245 BEING ON DANCING WITH THE STARS, 583 00:23:02,269 --> 00:23:04,509 I REALLY HAVE MISSED SEEING MY FRIENDS. 584 00:23:04,533 --> 00:23:06,409 - HI, GIRLS. 585 00:23:06,433 --> 00:23:08,409 - I LOVE BRANDI, AND I LOVE YOLANDA, 586 00:23:08,433 --> 00:23:11,250 AND I LOOK FORWARD TO HAVING A NICE CUTE COZY LUNCH WITH THEM. 587 00:23:11,274 --> 00:23:13,476 - WOW, IT'S BEAUTIFUL HERE. 588 00:23:13,500 --> 00:23:15,376 WHAT A GORGEOUS DAY. - I KNOW, I... 589 00:23:15,400 --> 00:23:17,347 - MY GOD. - YEAH, ISN'T IT REALLY LOVELY? 590 00:23:17,371 --> 00:23:20,567 - GORGEOUS. - OH, I LOVE IT! 591 00:23:22,100 --> 00:23:23,309 - I LOVE YOU. BYE. - I LOVE YOU. 592 00:23:23,333 --> 00:23:26,009 BYE. - LOVE YOU. 593 00:23:26,033 --> 00:23:27,509 - BYE, KEN. 594 00:23:27,533 --> 00:23:29,710 - HOW ARE YOU FEELING? - I'M FEELING OKAY. 595 00:23:29,734 --> 00:23:31,309 - YOU LOOK GREAT. - YEAH. 596 00:23:31,333 --> 00:23:33,178 - WELL, THAT'S THE THING WITH THIS DISEASE, YOU KNOW? 597 00:23:33,202 --> 00:23:35,445 YOU LOOK GREAT FROM THE OUTSIDE AND YOU'RE DYING ON THE INSIDE. 598 00:23:35,469 --> 00:23:36,576 - NO, YOU'RE MUCH... [snapping] 599 00:23:36,600 --> 00:23:39,409 - I'M ABOUT 70%, BUT, YOU KNOW, 600 00:23:39,433 --> 00:23:41,647 MY RECOVERY IS, LIKE, AN EVERY DAY JOB. 601 00:23:41,671 --> 00:23:44,609 - IS THERE A POINT WHEN YOU'RE BACK AT 100% AND YOU'RE GOOD? 602 00:23:44,633 --> 00:23:45,650 - THAT'S MY GOAL. 603 00:23:45,674 --> 00:23:47,743 I DO THERAPY EVERY DAY. 604 00:23:47,767 --> 00:23:48,744 - DO YOU? - YEAH. 605 00:23:48,768 --> 00:23:50,009 - LIKE WHAT? 606 00:23:50,033 --> 00:23:51,476 - PUZZLES TO REPROGRAM THE BRAIN, 607 00:23:51,500 --> 00:23:52,477 TO ACTIVATE THE BRAIN. 608 00:23:52,501 --> 00:23:53,509 BECAUSE, YOU KNOW, BECAUSE OF... 609 00:23:53,533 --> 00:23:56,576 - YOU NEED TO DO THAT, BRANDI. 610 00:23:56,600 --> 00:24:00,409 [laughter] 611 00:24:00,433 --> 00:24:02,409 - OH, I COULDN'T RESIST. 612 00:24:02,433 --> 00:24:06,347 - MY DAVID SAID THE OTHER NIGHT, "OH MY, GOD, LISA LOOKS SO HOT." 613 00:24:06,371 --> 00:24:08,309 - OH, GOOD. WELL, I'M GLAD HE'S NOTICING. 614 00:24:08,333 --> 00:24:09,476 - HE NOTICED THE BODY. 615 00:24:09,500 --> 00:24:10,545 LIKE, THE... [clicks tongue] 616 00:24:10,569 --> 00:24:11,743 - THE TEENY-TINY WAIST, BOOBS... 617 00:24:11,767 --> 00:24:13,109 - AND THE BUTT. - BOOTY. 618 00:24:13,133 --> 00:24:15,142 SHE'S GOT THAT, LIKE, JESSICA RABBIT FIGURE. 619 00:24:15,166 --> 00:24:16,543 - WHAT'D YOU THINK OF THE OTHER NIGHT? 620 00:24:16,567 --> 00:24:18,242 I LIKE THAT ENGLISH GIRL. 621 00:24:18,266 --> 00:24:19,509 CARLTON. - YEAH, SHE WAS QUITE NICE. 622 00:24:19,533 --> 00:24:21,247 - MM-HMM. - CARLTON HAD A GOOD SENSE 623 00:24:21,271 --> 00:24:22,509 OF HUMOR. - CARLTON... YEAH. 624 00:24:22,533 --> 00:24:24,179 SHE'S GOT A SENSE OF HUMOR. - MM-HMM. 625 00:24:24,203 --> 00:24:26,247 - BUT SHE'S ALSO KIND OF VERY DIRECT, I THINK. 626 00:24:26,271 --> 00:24:28,109 HOW ARE YOU WITH KYLE? 627 00:24:28,133 --> 00:24:29,380 - I MEAN I'M NOT IN A BETTER PLACE 628 00:24:29,404 --> 00:24:31,409 WITH THE WOMAN THAT CALLED ME A LIAR. 629 00:24:31,433 --> 00:24:33,680 I JUST FEEL LIKE HER AND I HAVE TO HAVE A HEART-TO-HEART 630 00:24:33,704 --> 00:24:34,976 AND TALK ABOUT IT. 631 00:24:35,000 --> 00:24:36,309 AND I REALLY WANT TO UNDERSTAND... 632 00:24:36,333 --> 00:24:38,509 - THE PROBLEM IS, IS THAT SHE'S KIND OF STABBED 633 00:24:38,533 --> 00:24:40,179 EVERYONE IN THE BACK, SO YOU DON'T... 634 00:24:40,203 --> 00:24:42,209 ONCE THAT HAPPENS, IT ISN'T THE SAME. 635 00:24:42,233 --> 00:24:44,679 - BUT, YOU KNOW, SHE REALLY DOESN'T HAVE ANY GIRLFRIENDS 636 00:24:44,703 --> 00:24:46,446 OR, YOU KNOW, SOMEBODY NEXT TO HER. 637 00:24:46,470 --> 00:24:48,710 - LISTEN, SHE HAS BEEN A GOOD FRIEND TO... 638 00:24:48,734 --> 00:24:51,142 WELL MAYBE NOT ADRIENNE. I THINK THAT WAS A LITTLE... 639 00:24:51,166 --> 00:24:52,376 KIND OF SUPERFICIAL. - [laughs] 640 00:24:52,400 --> 00:24:54,476 - SUDDENLY, SHE WAS KIND OF COZYING UP TO ADRIENNE, 641 00:24:54,500 --> 00:24:56,276 DEFENDING HER, AND I KNOW A LOT OF IT 642 00:24:56,300 --> 00:24:58,276 WAS BASED AROUND THIS WHOLE BUSINESS DECISION 643 00:24:58,300 --> 00:25:00,147 BECAUSE THEY WANTED A LISTING ON ADRIENNE'S HOUSE. 644 00:25:00,171 --> 00:25:01,209 - THAT IS NOT WHO I AM, 645 00:25:01,233 --> 00:25:02,747 AND THAT IS ATTACKING MY CHARACTER. 646 00:25:02,771 --> 00:25:05,476 - I DO FEEL A BIT SORRY FOR KYLE RIGHT NOW, ACTUALLY, 647 00:25:05,500 --> 00:25:08,147 BECAUSE SHE'S LOST THIS KIND OF MAJOR SUPPORT GROUP 648 00:25:08,171 --> 00:25:12,109 SHE HAD WITH TAYLOR AND ADRIENNE AND FAYE "RANCID." 649 00:25:12,133 --> 00:25:13,680 THIS IS TOO BITCHY. I SHOULDN'T SAY IT. 650 00:25:13,704 --> 00:25:15,743 I'M AWFULLY GLAD I DID. 651 00:25:15,767 --> 00:25:19,009 - WE HAVE TO UNDERSTAND THAT IT IS INTIMIDATING FOR HER 652 00:25:19,033 --> 00:25:21,679 THAT NOW TAYLOR, YOU KNOW, HAS MOVED TO COLORADO. 653 00:25:21,703 --> 00:25:24,209 AND REALLY THE ONLY PERSON SHE... - ADRIENNE'S HOUSE HAS SOLD. 654 00:25:24,233 --> 00:25:25,543 - [laughs] 655 00:25:25,567 --> 00:25:27,343 - YOU'VE JUST GOT TO PUT YOUR HOUSE ON THE MARKET, 656 00:25:27,367 --> 00:25:28,344 AND YOU'RE GONNA BOND REALLY QUICK. 657 00:25:28,368 --> 00:25:30,576 [laughter] - I KNOW. 658 00:25:30,600 --> 00:25:33,547 - JUST STOP TALKING ABOUT... - I ONLY USE MALIBU BROKERS. 659 00:25:33,571 --> 00:25:36,309 - [laughs] 660 00:25:36,333 --> 00:25:38,333 - OH, GOD. 661 00:25:40,266 --> 00:25:42,743 - [laughs] 662 00:25:42,767 --> 00:25:45,209 OH, MY GOSH, I'M TELLING YOU. 663 00:25:45,233 --> 00:25:46,376 I'M NOT MARTHA STEWART. 664 00:25:46,400 --> 00:25:47,545 - WAIT TILL YOU COME TO MY HOUSE. 665 00:25:47,569 --> 00:25:49,144 - KYLE, SO YOU DON'T NEED TO BE SERVING. 666 00:25:49,168 --> 00:25:51,509 JUST PUT IT HERE AND WE... - OKAY. 667 00:25:51,533 --> 00:25:52,650 YOU WANT TO SERVE YOURSELVES? OKAY. 668 00:25:52,674 --> 00:25:53,976 - YES. - THAT'S FINE. 669 00:25:54,000 --> 00:25:56,245 OKAY. WELL, BON APPETIT, EVERYBODY. 670 00:25:56,269 --> 00:25:57,309 - THANK YOU. - THANK YOU. 671 00:25:57,333 --> 00:25:59,080 - SHARON, I THINK I WAS TELLING YOU... 672 00:25:59,104 --> 00:26:01,009 SO HER MOM AND LISA'S MOM 673 00:26:01,033 --> 00:26:02,710 WERE BEST FRIENDS SINCE KINDERGARTEN. 674 00:26:02,734 --> 00:26:03,711 - OH, WOW. - SO THEY WERE PREGNANT 675 00:26:03,735 --> 00:26:05,548 TOGETHER, SO SHE GREW UP, LIKE, 676 00:26:05,572 --> 00:26:07,443 WITH MY HUSBAND, LIKE A BROTHER AND SISTER. 677 00:26:07,467 --> 00:26:09,176 - NO, YOU DIDN'T TELL ME THAT. - YEAH, SO... 678 00:26:09,200 --> 00:26:10,609 - SO YOU KNOW... YOU KNOW HIM FOREVER? 679 00:26:10,633 --> 00:26:11,648 SO YOU'RE FRIENDS FOREVER? 680 00:26:11,672 --> 00:26:12,644 - SHARON WAS A GIFT WITH PURCHASE 681 00:26:12,668 --> 00:26:14,209 WHEN I MARRIED MAURICIO. 682 00:26:14,233 --> 00:26:16,047 - OH. - SO, UM, HOW'D YOU MEET DAVID? 683 00:26:16,071 --> 00:26:18,609 - I WENT TO A CLUB ONE NIGHT WITH ANOTHER GIRLFRIEND OF MINE, 684 00:26:18,633 --> 00:26:21,509 AND, UH, HE WAS STANDING ON THE DANCE FLOOR DANCING, 685 00:26:21,533 --> 00:26:24,376 AND TWO GIRLS CUT IN BETWEEN US. 686 00:26:24,400 --> 00:26:25,746 AND I'M, LIKE, YOU KNOW WHAT, 687 00:26:25,770 --> 00:26:28,343 "MOVE, SERIOUSLY, WHAT'S YOUR PROBLEM?" 688 00:26:28,367 --> 00:26:31,576 SO THE ONE GIRL TURNED AND PUNCHED MY GIRLFRIEND. 689 00:26:31,600 --> 00:26:33,209 WE GOT INTO A BIG FIGHT, 690 00:26:33,233 --> 00:26:35,347 AND THEN THE BOUNCERS SPLIT US UP 691 00:26:35,371 --> 00:26:38,244 AND THEN DAVID, HE CAME DOWNSTAIRS AND HE'S, LIKE, 692 00:26:38,268 --> 00:26:39,609 "OH MY GOD, THAT WAS SO FUN." 693 00:26:39,633 --> 00:26:40,680 - THAT'S WHAT TURNED HIM ON, 694 00:26:40,704 --> 00:26:42,409 WHEN HE SAW YOU BEATING SOMEONE UP? 695 00:26:42,433 --> 00:26:45,343 - WELL, HE PICTURED HIMSELF IN THE BEDROOM, SO, YES. 696 00:26:45,367 --> 00:26:47,276 - HE'S, LIKE, "OH, SHE'S GONNA BEAT ME. I LIKE IT." 697 00:26:47,300 --> 00:26:50,576 - YEAH, HE'S LIKE, "I LIKE THAT FEISTY WOMAN OVER THERE." 698 00:26:50,600 --> 00:26:51,976 JOYCE, HOW DID YOU MEET YOUR HUSBAND? 699 00:26:52,000 --> 00:26:54,609 - IT WAS ACTUALLY MY FIRST BLIND DATE EVER. 700 00:26:54,633 --> 00:26:56,676 ON THE PHONE HE SOUNDS LIKE HE'S 80 YEARS OLD, 701 00:26:56,700 --> 00:26:57,677 SHORT, BALD AND FAT. 702 00:26:57,701 --> 00:26:59,209 AND HE CALLS ME AND HE SAYS, 703 00:26:59,233 --> 00:27:00,380 "OKAY, SO I'LL PICK YOU UP AT 8:00." 704 00:27:00,404 --> 00:27:01,609 - AND YOU'RE, LIKE, "GRANDPA, 705 00:27:01,633 --> 00:27:03,679 SHOULDN'T YOU BE IN BED?" [laughter] 706 00:27:03,703 --> 00:27:06,376 - SO I TOLD HIM, "PERHAPS WE SHOULD DO A COFFEE," 707 00:27:06,400 --> 00:27:07,976 AND HE'S, LIKE, "COFFEE'S BULL[bleep]. 708 00:27:08,000 --> 00:27:09,076 I'LL PICK YOU UP AT 8:00." 709 00:27:09,100 --> 00:27:10,976 AND I SAID WOW, MY OLDIE HAS BALLS. 710 00:27:11,000 --> 00:27:13,746 LET ME GO REALLY UGLY AND HE'LL BE, LIKE, 711 00:27:13,770 --> 00:27:16,109 OKAY, I'VE BEEN PURSUING THIS FOR THREE MONTHS? 712 00:27:16,133 --> 00:27:18,309 - YOU COULD NOT BE UGLY. - I WAS. 713 00:27:18,333 --> 00:27:20,048 YOU KNOW WHEN YOUR PUT YOUR HAIR UP, NO MAKEUP... 714 00:27:20,072 --> 00:27:21,242 - I KNOW WHEN WE FEEL UGLY, BUT YOU WOULDN'T... 715 00:27:21,266 --> 00:27:24,309 - WHEN YOU FEEL UGLY... BIG JEANS, WIFE BEATER... 716 00:27:24,333 --> 00:27:26,379 AND WHEN I SEE HIM I GO, "OH, [bleep]. 717 00:27:26,403 --> 00:27:28,045 "I LOOK LIKE [bleep], AND I REALLY... 718 00:27:28,069 --> 00:27:29,409 THIS IS THE MAN OF MY DREAMS." 719 00:27:29,433 --> 00:27:31,647 SO WE GO TO ASIA DE CUBA BECAUSE IT'S SO LATIN. 720 00:27:31,671 --> 00:27:33,009 IT'S MY FAVORITE PLACE. 721 00:27:33,033 --> 00:27:34,979 - THIS STORY IS GOING ON FOR QUITE A WHILE, 722 00:27:35,003 --> 00:27:36,109 AND I'M WONDERING WHEN WE'RE 723 00:27:36,133 --> 00:27:37,480 ACTUALLY GOING TO GET TO THE END OF IT. 724 00:27:37,504 --> 00:27:39,109 - WHEN WE GET THERE, I'M THINKING, 725 00:27:39,133 --> 00:27:40,379 "I'M GONNA GO TO THE BATHROOM 726 00:27:40,403 --> 00:27:43,145 AND I'M GONNA BEG ANY GIRL FOR MERCY MAKEUP." 727 00:27:43,169 --> 00:27:45,343 - [laughs] - MERCY MAKEUP, I LIKE THAT. 728 00:27:45,367 --> 00:27:47,276 - I KNOW, I WAS LIKE, "IT'S JUST MERCY MAKEUP. 729 00:27:47,300 --> 00:27:50,245 "I LOOK LIKE [bleep], MY FUTURE HUSBAND'S OUT THERE, 730 00:27:50,269 --> 00:27:51,343 I NEED THE MAKEUP." 731 00:27:51,367 --> 00:27:52,409 - YOU KNEW YOU FELT LIKE THAT, INSTANTLY? 732 00:27:52,433 --> 00:27:54,209 - INSTANTLY. IT WAS INSTANTLY. 733 00:27:54,233 --> 00:27:55,347 IT WAS IMMEDIATELY. 734 00:27:55,371 --> 00:27:56,676 I FELT, LIKE, "OH MY, GOD. 735 00:27:56,700 --> 00:27:57,677 THIS IS MY SOUL MATE." 736 00:27:57,701 --> 00:27:58,976 YOU KNOW WHEN YOU'RE A LITTLE GIRL 737 00:27:59,000 --> 00:28:00,976 AND YOU ENVISION YOUR PERFECT MAN? 738 00:28:01,000 --> 00:28:02,145 - NO. - THAT WAS IT. 739 00:28:02,169 --> 00:28:03,409 - NOT WHEN I WAS A LITTLE GIRL. 740 00:28:03,433 --> 00:28:05,076 [laughter] - OH MY, GOD. 741 00:28:05,100 --> 00:28:06,343 - THAT'S SO FUNNY. 742 00:28:06,367 --> 00:28:08,009 OH MY, GOD, THERE'S A BEE. I'M SO SORRY. 743 00:28:08,033 --> 00:28:09,109 I'M SORRY. 744 00:28:09,133 --> 00:28:10,178 JOYCE, WE'RE BOTH ALLERGIC TO BEES. 745 00:28:10,202 --> 00:28:11,145 - WHERE IS IT? - SHARON, KILL IT FOR ME 746 00:28:11,169 --> 00:28:12,143 IF YOU LOVE ME. 747 00:28:12,167 --> 00:28:14,509 - [gasp] 748 00:28:14,533 --> 00:28:15,710 NO! 749 00:28:15,734 --> 00:28:16,981 - SORRY, I'M ALLERGIC. 750 00:28:17,005 --> 00:28:19,276 - BUT DON'T KILL IT. - OH, WELL. 751 00:28:19,300 --> 00:28:20,277 - I'M DISGUSTED. 752 00:28:20,301 --> 00:28:21,447 WE'RE SITTING OUTSIDE 753 00:28:21,471 --> 00:28:23,976 IN THIS BEE'S ENVIRONMENT. 754 00:28:24,000 --> 00:28:25,543 THIS IS [bleep] UP. 755 00:28:25,567 --> 00:28:27,976 WHY WOULD YOU DO SUCH AN AWFUL THING? 756 00:28:28,000 --> 00:28:29,445 I WOULD HAVE GOT IT AND PUT IT IN A BUSH. 757 00:28:29,469 --> 00:28:30,509 - NO, I WILL DIE. I WILL DIE. 758 00:28:30,533 --> 00:28:31,710 - I WILL SAVE YOU. 759 00:28:31,734 --> 00:28:33,449 - IF YOU START DYING, I'M GONNA START LAUGHING 760 00:28:33,473 --> 00:28:34,676 AND IT'S GONNA BE SO UNCOMFORTABLE. 761 00:28:34,700 --> 00:28:37,443 - [snorting laugh] 762 00:28:37,467 --> 00:28:39,743 I'M A BEE MURDER ACCOMPLICE. 763 00:28:39,767 --> 00:28:42,443 [laughing] 764 00:28:42,467 --> 00:28:44,309 [snorts] 765 00:28:44,333 --> 00:28:49,343 - WHAT KIND OF PERSON DOES THIS? [laughs] 766 00:28:49,367 --> 00:28:51,109 - COMING UP... 767 00:28:51,133 --> 00:28:53,176 [Kingsley growls] - HEY. OFF! 768 00:28:53,200 --> 00:28:56,670 - KINGSLEY, KINGSLEY, KINGSLEY! - OFF! OFF! OFF! OFF! 769 00:29:00,767 --> 00:29:02,109 - SHARON, YOU HAVE TO TELL THE STORY ABOUT 770 00:29:02,133 --> 00:29:03,609 OUR FIRST SINGLE NIGHT OUT AFTER I GAVE BIRTH. 771 00:29:03,633 --> 00:29:06,150 - SO WE'RE, LIKE, TALKING TO THESE TWO GUYS, SUDDENLY... 772 00:29:06,174 --> 00:29:07,176 [laughs] 773 00:29:07,200 --> 00:29:09,476 - THE GUY'S FACE GOES LIKE THIS. 774 00:29:09,500 --> 00:29:12,746 - AND I TURNED AROUND AND KYLE'S WEARING A SATIN SHIRT, 775 00:29:12,770 --> 00:29:15,476 TURQUOISE, EXACTLY LIKE MINE, BUT BUTTONED DOWN. 776 00:29:15,500 --> 00:29:18,476 AND THE MILK STARTED COMING... - NO! 777 00:29:18,500 --> 00:29:21,109 [laughter] OH, MY GOD. 778 00:29:21,133 --> 00:29:22,976 - MY BOOBS START LEAKING. 779 00:29:23,000 --> 00:29:24,376 - [snorts] - AND I'M, LIKE, LOOKING AT HIM 780 00:29:24,400 --> 00:29:26,576 AND I'M GOING... 781 00:29:26,600 --> 00:29:27,646 WHO DOES THAT? - ME. 782 00:29:27,670 --> 00:29:29,409 ALL OF US. WE'RE THE SNORTERS. 783 00:29:29,433 --> 00:29:30,450 I'M ALWAYS, LIKE... [snorts] 784 00:29:30,474 --> 00:29:32,609 - SO DOES SHE AND SO DO YOU. 785 00:29:32,633 --> 00:29:34,009 - OH MY, GOD. 786 00:29:34,033 --> 00:29:36,447 - MY BOOBS ARE LEAKING THROUGH THE BLOUSE, 787 00:29:36,471 --> 00:29:38,609 THIS ONE IS CRYING, DOUBLED OVER AND... 788 00:29:38,633 --> 00:29:41,743 - I'M LAUGHING SO HARD, I CAN'T EVEN TAKE IT. 789 00:29:41,767 --> 00:29:43,576 - DID I JUST MISS SOMETHING? 790 00:29:43,600 --> 00:29:46,570 - [laughs, snorts] 791 00:29:59,033 --> 00:30:02,250 - EVERYBODY'S GOT THEIR STUFF AND THEIR DIRECTIONS NOW 792 00:30:02,274 --> 00:30:05,543 AND IT JUST FEELS SO NEAT, YOU KNOW? 793 00:30:05,567 --> 00:30:06,509 - WHAT ARE YOU GONNA DO? 794 00:30:06,533 --> 00:30:08,147 IT'S A LITTLE IN TRANSITION. 795 00:30:08,171 --> 00:30:09,609 - I'M NOT IN... I DON'T THINK... 796 00:30:09,633 --> 00:30:10,580 I DON'T REALLY THINK ANY OF US 797 00:30:10,604 --> 00:30:11,746 ARE IN TRANSITION ANYMORE. 798 00:30:11,770 --> 00:30:13,643 I THINK THE TRANSITION PERIOD'S OVER. 799 00:30:13,667 --> 00:30:16,076 [doorbell rings] CHAD'S DECIDED... HOLD ON. 800 00:30:16,100 --> 00:30:18,076 UM, I THINK THAT CHAD'S PRETTY MUCH FIGURED OUT 801 00:30:18,100 --> 00:30:19,609 HE WANTS TO TRAVEL A BIT, 802 00:30:19,633 --> 00:30:21,447 AND YOUR GRADUATION'S JUST A FEW WEEKS AWAY. 803 00:30:21,471 --> 00:30:24,209 SO YOU'RE GOING OFF TO COLLEGE, AND I THINK THAT IT'S MY TURN 804 00:30:24,233 --> 00:30:27,409 TO FIGURE OUT WHERE I WANT TO BE AT THIS POINT. 805 00:30:27,433 --> 00:30:29,479 IT'S MY TURN TO FIND A PERSON THAT I... 806 00:30:29,503 --> 00:30:31,109 [doorbell rings] HOLD ON. 807 00:30:31,133 --> 00:30:32,650 FIND THE PERSON THAT ISN'T IN MY LIFE, 808 00:30:32,674 --> 00:30:35,076 THAT I HAD TO PUT ON HOLD AND MAYBE START 809 00:30:35,100 --> 00:30:36,409 DOING THE THINGS I PUT ASIDE FOR AWHILE. 810 00:30:36,433 --> 00:30:37,679 LISTEN, THE DOG TRAINER'S HERE. 811 00:30:37,703 --> 00:30:39,309 SO I'LL CALL YOU IN A FEW MINUTES 812 00:30:39,333 --> 00:30:40,609 AND THEN, UM, ARE YOU COMING HOME TONIGHT? 813 00:30:40,633 --> 00:30:43,443 HOLD ON, DAVID, I JUST WANT TO MAKE SURE 814 00:30:43,467 --> 00:30:45,509 THAT KINGSLEY'S READY FOR YOU. - NOT A PROBLEM. 815 00:30:45,533 --> 00:30:46,979 - ARE YOU COMING HOME TONIGHT? 816 00:30:47,003 --> 00:30:48,076 - I DON'T KNOW. CALL... 817 00:30:48,100 --> 00:30:49,109 - I'LL CALL YOU IN A FEW MINUTES. 818 00:30:49,133 --> 00:30:50,280 I LOVE YOU. - OKAY. GOOD LUCK. 819 00:30:50,304 --> 00:30:51,376 - LOVE YOU, HONEY. THANKS. 820 00:30:51,400 --> 00:30:53,570 LOVE YOU... YEAH, I'M GONNA NEED IT, RIGHT? 821 00:30:56,033 --> 00:30:58,133 [murmuring] OH, PLEASE DON'T. 822 00:31:00,033 --> 00:31:02,009 HI, HOW ARE YOU? - HI. GOOD. 823 00:31:02,033 --> 00:31:03,550 - I DIDN'T PUT KINGSLEY OUT... KINGSLEY, BACK. 824 00:31:03,574 --> 00:31:05,076 - IT'S ALL RIGHT. - SIT DOWN. 825 00:31:05,100 --> 00:31:06,176 SIT DOWN. - COME IN. 826 00:31:06,200 --> 00:31:07,545 - KINGSLEY, BACK UP. - THERE YOU GO. 827 00:31:07,569 --> 00:31:08,609 - THAT'S OKAY, RIGHT? - YEAH, YOU DIDN'T GET HIM 828 00:31:08,633 --> 00:31:09,680 ON A LEASH IN TIME, HUH? - I DIDN'T. 829 00:31:09,704 --> 00:31:11,142 - THAT'S ALL RIGHT. - I DIDN'T. 830 00:31:11,166 --> 00:31:12,409 KINGSLEY, SIT. - WE'LL GET A HOLD OF HIM. 831 00:31:12,433 --> 00:31:15,179 - MY DOG, HE'S EATEN THOUSANDS OF DOLLARS OF SHOES, 832 00:31:15,203 --> 00:31:17,047 SUNGLASSES AND PERSONAL ITEMS, 833 00:31:17,071 --> 00:31:20,309 AND I JUST THINK WE NEED A TRAINER. 834 00:31:20,333 --> 00:31:21,579 [Kingsley growls] - HEY, OFF. 835 00:31:21,603 --> 00:31:23,076 - HEY. KINGSLEY, KINGSLEY, KINGSLEY! 836 00:31:23,100 --> 00:31:25,547 - OFF! OFF! OFF! OFF! - KINGSLEY! KINGSLEY! 837 00:31:25,571 --> 00:31:27,309 - OFF. OFF. OFF. 838 00:31:27,333 --> 00:31:28,580 YOU HAVE TO GRAB HIM. - OKAY. SIT DOWN. 839 00:31:28,604 --> 00:31:30,042 I USUALLY... - OFF. BUMP HIM. 840 00:31:30,066 --> 00:31:31,042 BUMP HIM WITH YOUR KNEE. 841 00:31:31,066 --> 00:31:32,043 - SIT DOWN. - OFF. 842 00:31:32,067 --> 00:31:33,242 - HE'S, LIKE, SHAKING. 843 00:31:33,266 --> 00:31:34,209 WHY HE IS SHAKING WHEN YOU SHOULD BE THE ONE? 844 00:31:34,233 --> 00:31:35,348 - WELL, BECAUSE HE CAME AFTER ME 845 00:31:35,372 --> 00:31:36,443 AND HE'S NEVER HAD ONE PUNK HIM BACK. 846 00:31:36,467 --> 00:31:38,144 - OKAY. OKAY. - SO THAT'S WHY. 847 00:31:38,168 --> 00:31:41,042 YOU NEED TO GET USED TO NOT TREATING HIM LIKE 848 00:31:41,066 --> 00:31:42,309 HE'S MADE OF LEGOS AND HE'S GONNA FALL APART. 849 00:31:42,333 --> 00:31:44,242 - RIGHT. - OKAY? 850 00:31:44,266 --> 00:31:45,243 - IT KIND OF SCARED ME A LITTLE BIT. 851 00:31:45,267 --> 00:31:46,309 - NO, I KNOW, I KNOW. 852 00:31:46,333 --> 00:31:47,380 I'M USED TO IT, BUT YOU'RE NOT 853 00:31:47,404 --> 00:31:48,446 AND, YOU KNOW... - RIGHT. 854 00:31:48,470 --> 00:31:50,209 - SO YOU HAVE TO WALK INTO THE DOG 855 00:31:50,233 --> 00:31:53,476 LIKE HE'S A DOG, AND A PIT BULL DOG. 856 00:31:53,500 --> 00:31:54,643 OKAY? - MM-HMM. 857 00:31:54,667 --> 00:31:56,543 - SO WALK INTO HIM AND JUST TAKE HIS SPACE. 858 00:31:56,567 --> 00:31:57,609 THIS IS DOG LANGUAGE. 859 00:31:57,633 --> 00:31:58,747 WHEN YOU TAKE SPACE OF A DOG 860 00:31:58,771 --> 00:32:00,743 YOU'RE TELLING HIM, "I OWN THIS TERRITORY, 861 00:32:00,767 --> 00:32:03,476 AND WHO COMES THROUGH THAT DOOR IS MY INTRODUCTION, NOT YOURS." 862 00:32:03,500 --> 00:32:07,045 - IF I HAVE TO BUMP THE DOG AND KIND OF THUNK HIM TO THE LEFT, 863 00:32:07,069 --> 00:32:08,676 AFTER THAT, I'LL THUNK YOU. 864 00:32:08,700 --> 00:32:10,547 I'LL THUNK THE [bleep] OUT OF YOU. 865 00:32:10,571 --> 00:32:13,409 CHAD, YOU READY FOR ACTION? 866 00:32:13,433 --> 00:32:15,147 - YEAH. - YOU READY FOR ACTION? 867 00:32:15,171 --> 00:32:17,443 - HE'S A MAMA'S BOY AND WE'VE GOT TO CHANGE THAT. 868 00:32:17,467 --> 00:32:19,676 [both laugh] 869 00:32:19,700 --> 00:32:22,209 - HI. - ALL RIGHT. 870 00:32:22,233 --> 00:32:23,609 - I'M CHAD. - ALL RIGHT, CHAD. 871 00:32:23,633 --> 00:32:25,547 NICE TO MEET YOU. - NICE TO MEET YOU. 872 00:32:25,571 --> 00:32:27,576 - WHY IS HE DOING THIS? HE'S, LIKE... 873 00:32:27,600 --> 00:32:29,145 - THE DOG'S BODY LANGUAGE, NOW, 874 00:32:29,169 --> 00:32:31,509 OBVIOUSLY IS SHOWING HE DOESN'T SEE ME AS A THREAT. 875 00:32:31,533 --> 00:32:34,047 BECAUSE THE DOG'S SAYING, "I HAVE ATTENTION WITH MOMMY," 876 00:32:34,071 --> 00:32:35,109 AND THAT'S ALL IT WANTED. 877 00:32:35,133 --> 00:32:36,480 I'VE SEEN DOGS GET VERY AGGRESSIVE 878 00:32:36,504 --> 00:32:39,376 OVER THIS ISSUE OF MY MOMMY. - YEP. 879 00:32:39,400 --> 00:32:41,976 - ALL RIGHT, SO LET'S TAKE YOU GUYS OUT FRONT, 880 00:32:42,000 --> 00:32:43,976 AND I WANT YOU TO WATCH WHAT I DO WITH MY DOG. 881 00:32:44,000 --> 00:32:45,109 SO LET'S GO DO IT. 882 00:32:45,133 --> 00:32:47,380 - I KNOW PIT BULLS HAVE A REPUTATION. 883 00:32:47,404 --> 00:32:50,576 I DON'T WANT TO BE THAT PERSON 884 00:32:50,600 --> 00:32:55,009 THAT HAS A DOG THAT BITES AND HURTS SOMEBODY. 885 00:32:55,033 --> 00:32:58,543 I WANT TO GIVE PIT BULLS A GOOD NAME. 886 00:32:58,567 --> 00:33:00,176 - CHAD... OH, MY GOD, LOOK AT THAT PIT BULL, CHAD. 887 00:33:00,200 --> 00:33:01,443 [gasp] 888 00:33:01,467 --> 00:33:02,609 - OOH. - SO WHAT? 889 00:33:02,633 --> 00:33:04,609 - DOJO. 890 00:33:04,633 --> 00:33:05,643 [Kingsley growls] - OFF. 891 00:33:05,667 --> 00:33:06,644 NO. 892 00:33:06,668 --> 00:33:08,743 SIT KING. 893 00:33:08,767 --> 00:33:10,543 SIT. SIT. 894 00:33:10,567 --> 00:33:12,109 - SIT! - SIT. 895 00:33:12,133 --> 00:33:14,176 - KINGSLEY, SIT. 896 00:33:14,200 --> 00:33:15,177 - SIT. - SIT... 897 00:33:15,201 --> 00:33:16,676 [both laugh] 898 00:33:16,700 --> 00:33:18,142 - SIT DOWN, KINGSLEY. 899 00:33:18,166 --> 00:33:19,509 WHY ISN'T HE LISTENING? - SIT. 900 00:33:19,533 --> 00:33:21,647 - YOU JUST GOTTA GRAB HIM HARD AND BE FIRM WITH HIM. 901 00:33:21,671 --> 00:33:23,409 - I DON'T LIKE BEING ON THIS HILL, CHAD. 902 00:33:23,433 --> 00:33:24,580 CAN WE JUST GO DOWN FLAT? 903 00:33:24,604 --> 00:33:27,009 - THAT'S OKAY, COME TO FLAT. 904 00:33:27,033 --> 00:33:29,150 YOU GAVE THIS DOG TOO MUCH FREEDOM AND HE'S A BRAT NOW. 905 00:33:29,174 --> 00:33:30,543 THIS IS THE CHAPTER OF YOUR LIVES 906 00:33:30,567 --> 00:33:32,176 WHERE YOU HAVE TO GAIN CONTROL OF IT. 907 00:33:32,200 --> 00:33:34,409 WHAT YOU THOUGHT WAS 100% CONTROL, WASN'T. 908 00:33:34,433 --> 00:33:37,479 - THIS HAS BEEN A TRANSITION TIME FOR ME, IN MY SOBRIETY, 909 00:33:37,503 --> 00:33:40,045 AND THIS DOG HAS JUST BEEN THERE FOR ME. 910 00:33:40,069 --> 00:33:41,376 - YOU HAVE A LOT TO ABSORB. 911 00:33:41,400 --> 00:33:42,377 - WILL YOU HOLD THIS REAL QUICK? 912 00:33:42,401 --> 00:33:43,643 - YOU'RE GOING TO... - HOLD ON. 913 00:33:43,667 --> 00:33:45,176 - YOU OKAY? - YEAH, I JUST WANTED TO... 914 00:33:45,200 --> 00:33:46,309 - YOU'RE GONNA LEARN TO... - KINGSLEY. 915 00:33:46,333 --> 00:33:48,710 - MENTALLY ACCEPT THE DOG. 916 00:33:48,734 --> 00:33:52,676 - PEOPLE COME AND GO, BUT MY DOG IS, LIKE, ALWAYS THERE. 917 00:33:52,700 --> 00:33:55,109 SIT. SIT! 918 00:33:55,133 --> 00:33:56,109 SIT! SIT! 919 00:33:56,133 --> 00:33:57,110 - GRAB HIS NECK. 920 00:33:57,134 --> 00:33:58,247 KIM, GRAB HIS NECK. 921 00:33:58,271 --> 00:33:59,576 - KINGSLEY, SIT. - THERE YOU GO. 922 00:33:59,600 --> 00:34:01,209 - THE NECK SEEMS TO WORK A LITTLE MORE. 923 00:34:01,233 --> 00:34:02,209 - THE NECK WORKS EVERY TIME. 924 00:34:02,233 --> 00:34:03,210 YOU DON'T HAVE TO KEEP FIGHTING 925 00:34:03,234 --> 00:34:04,309 THE LEASH AND PULLING HIM. 926 00:34:04,333 --> 00:34:05,310 - THIS IS A LOT OF WORK. 927 00:34:05,334 --> 00:34:06,450 I DID NOT... I'M EXHAUSTED. 928 00:34:06,474 --> 00:34:08,609 AND I JUST DIDN'T REALIZE 929 00:34:08,633 --> 00:34:12,309 THAT REHABILITATING A DOG WOULD BE SO DIFFICULT. 930 00:34:12,333 --> 00:34:14,750 I MEAN... I KNOW I JUST WENT THROUGH IT LAST YEAR. 931 00:34:14,774 --> 00:34:20,176 I WAS IN A DIFFICULT, VERY DARK TIME, 932 00:34:20,200 --> 00:34:25,130 AND I DON'T KNOW IF I'VE EVER BEEN WHO I AM TODAY. 933 00:34:29,600 --> 00:34:32,643 I'M SORRY. [sniffles] 934 00:34:32,667 --> 00:34:35,443 I MEAN, I KNOW I'M BACK. 935 00:34:35,467 --> 00:34:37,543 I'M SORRY, THIS IS ABOUT THE DOG. 936 00:34:37,567 --> 00:34:39,242 - WELL, YOU CAN RELATE TO IT NOW. 937 00:34:39,266 --> 00:34:40,609 IF YOU WENT THROUGH IT YOURSELF... 938 00:34:40,633 --> 00:34:42,348 - OH, NO, NO, I CAN RELATE. - YOU CAN RELATE TO IT. 939 00:34:42,372 --> 00:34:43,476 - I JUST, NOW, LIKE, HE CAN RELATE TO ME. 940 00:34:43,500 --> 00:34:46,530 - RIGHT. - [laughs] 941 00:34:53,166 --> 00:34:55,609 - DAWN, I'LL CALL YOU BACK, OKAY? 942 00:34:55,633 --> 00:34:56,750 - HEY. - HI, BABY. 943 00:34:56,774 --> 00:34:58,676 1/2 AN HOUR. - [sighs] 944 00:34:58,700 --> 00:35:03,276 OKAY, I'M LOOKING FOR IDEAS FOR THE NEW BAR. 945 00:35:03,300 --> 00:35:05,443 I WANT TO CALL IT "PUMP." 946 00:35:05,467 --> 00:35:06,609 - "PUMP" IS GREAT. 947 00:35:06,633 --> 00:35:08,079 I LIKE THAT. - LOVE IT, RIGHT? 948 00:35:08,103 --> 00:35:09,476 I THINK IT'S SEXY, IT'S FRESH, 949 00:35:09,500 --> 00:35:11,446 IT'S VERY NOW, AND IT'S A PLAY ON MY NAME. 950 00:35:11,470 --> 00:35:14,144 SO, THERE MIGHT BE A LITTLE VANDER IN FRONT OF IT, 951 00:35:14,168 --> 00:35:15,376 BUT IT'S GONNA BE "PUMP." 952 00:35:15,400 --> 00:35:17,609 I CAN'T RUN AROUND, SO I'M LOOKING ONLINE. 953 00:35:17,633 --> 00:35:21,509 I WANT TO CREATE A GARDEN, A GAY GARDEN, 954 00:35:21,533 --> 00:35:23,247 AND PUT A BAR IN THE MIDDLE OF IT. 955 00:35:23,271 --> 00:35:26,443 SO I'M VERY EXCITED ABOUT IT. IT'S GONNA BE A UNIQUE PLACE. 956 00:35:26,467 --> 00:35:29,276 THIS IS A GREAT OPPORTUNITY, BUT I'M SO CRAZY BUSY, 957 00:35:29,300 --> 00:35:31,209 I FEEL LIKE IT'S DIFFICULT TO CATCH UP, YOU KNOW? 958 00:35:31,233 --> 00:35:33,409 WITH THE DANCING AND THEN VILLA BLANCA 959 00:35:33,433 --> 00:35:35,509 AND ALL OF THE OTHER MULTITUDE OF PROBLEMS HERE. 960 00:35:35,533 --> 00:35:38,176 - WELL, YOU KNOW, I'M EXPERIENCED. 961 00:35:38,200 --> 00:35:39,376 I'M THERE FOR YOU. 962 00:35:39,400 --> 00:35:40,509 - CAN YOU DANCE FOR ME? 963 00:35:40,533 --> 00:35:42,509 - WELL, THAT'S ONE THING I CAN'T... 964 00:35:42,533 --> 00:35:45,009 - CAN YOU DANCE WITH GLEB? - [laughs] 965 00:35:45,033 --> 00:35:47,247 - I THINK I'M GONNA BE KICKED OFF THERE PRETTY SOON 966 00:35:47,271 --> 00:35:49,276 THE WAY THINGS ARE GOING. - RIGHT. 967 00:35:49,300 --> 00:35:51,376 - WHAT DO YOU MEAN, RIGHT? 968 00:35:51,400 --> 00:35:57,009 - UM, THAT'S JUST, UM, YOU KNOW, THEY'VE SAID THAT, 969 00:35:57,033 --> 00:36:00,643 UM, IT'S... YOU KNOW, IT DOESN'T MATTER. 970 00:36:00,667 --> 00:36:03,109 IT'S... DANCING'S GOOD FOR YOU. 971 00:36:03,133 --> 00:36:05,242 LOOK... LOOK AT YOUR FIGURE NOW. 972 00:36:05,266 --> 00:36:07,543 IT'S, A, VERY... - YOU NEVER SEE IT. 973 00:36:07,567 --> 00:36:09,009 - YOU'RE VERY TIGHT. 974 00:36:09,033 --> 00:36:10,550 - I'M ASLEEP BY THE TIME YOU GET HOME. 975 00:36:10,574 --> 00:36:12,276 [laughs] - EXACTLY, BUT YOU KNOW... 976 00:36:12,300 --> 00:36:13,746 - SHOULD WE GO UP AND HAVE A LOOK? 977 00:36:13,770 --> 00:36:15,042 I'VE GOT 20 MINUTES, 978 00:36:15,066 --> 00:36:16,276 THEN I'VE GOT TO BE DOWN IN HOLLYWOOD. 979 00:36:16,300 --> 00:36:17,545 - IS TAKES 20 MINUTES TO WALK UP THERE. 980 00:36:17,569 --> 00:36:18,676 - NO, IT DOESN'T. IT TAKES TWO MINUTES. 981 00:36:18,700 --> 00:36:20,242 COME ON. [groans] 982 00:36:20,266 --> 00:36:22,710 - I'LL SHOW YOU THE... - EVERY PART OF ME ACHES. 983 00:36:22,734 --> 00:36:24,543 EVEN PARTS OF ME I DIDN'T KNOW I HAD. 984 00:36:24,567 --> 00:36:26,376 - I'LL SHOW YOU THE TREES WHEN WE GET UP THERE. 985 00:36:26,400 --> 00:36:27,643 - OKAY. 986 00:36:27,667 --> 00:36:29,576 WE'VE ALWAYS BEEN REALLY HUGE GAY SUPPORTERS. 987 00:36:29,600 --> 00:36:32,976 I'VE BEEN A SPOKESPERSON FOR GLAAD FOR THREE YEARS 988 00:36:33,000 --> 00:36:34,443 AND HAD MANY GAY BARS. 989 00:36:34,467 --> 00:36:36,376 AND I FEEL WE'VE LOST OUR FOOTING, REALLY. 990 00:36:36,400 --> 00:36:38,446 AND SO I'VE BEEN LOOKING FOR A SPOT 991 00:36:38,470 --> 00:36:40,409 THAT I COULD HAVE A GREAT GAY BAR AGAIN. 992 00:36:40,433 --> 00:36:43,309 - IT MIGHT NOT NECESSARILY BE ALL GAY THERE. 993 00:36:43,333 --> 00:36:46,276 - NO, IT'S GONNA BE PRIMARILY A GAY BAR, 994 00:36:46,300 --> 00:36:47,576 WHICH IS EXACTLY WHAT I WANT. 995 00:36:47,600 --> 00:36:49,047 WE'RE GONNA GET PERMISSIONS, KEN. 996 00:36:49,071 --> 00:36:50,609 THAT'S THE PROBLEM. 997 00:36:50,633 --> 00:36:52,648 - I DON'T THINK YOU SHOULD WORRY ABOUT PERMISSIONS. 998 00:36:52,672 --> 00:36:54,710 THE ONLY THING THEY HAVEN'T GIVEN US PERMISSION FOR 999 00:36:54,734 --> 00:36:59,976 IS THE BAR IN THE GARDEN, BUT I THINK WE'VE GOT, UM... 1000 00:37:00,000 --> 00:37:03,376 - I SAW YOU CHECKING OUT THE LINGERIE SHOP. 1001 00:37:03,400 --> 00:37:05,400 - HUH. 1002 00:37:10,400 --> 00:37:12,345 - I MEAN, THEY'VE GOT TO GIVE US OUR PERMISSIONS. 1003 00:37:12,369 --> 00:37:13,476 THEY WANT TO CLEAN UP THIS CORNER. 1004 00:37:13,500 --> 00:37:15,476 IT'S... - WITHOUT A DOUBT, OF COURSE. 1005 00:37:15,500 --> 00:37:17,710 IT'S THE MOST IMPORTANT CORNER IN WEST HOLLYWOOD. 1006 00:37:17,734 --> 00:37:20,511 - I ALWAYS LOOK AT THIS SPACE AND I SEE WHAT INSPIRES ME, 1007 00:37:20,535 --> 00:37:23,547 AND THEN I THINK... "OKAY, I SEE IT DONE LOOSELY." 1008 00:37:23,571 --> 00:37:25,476 AND THEN I KIND OF GO WITH THAT. 1009 00:37:25,500 --> 00:37:28,176 PLANS AND THINGS TO ME ARE A NIGHTMARE. 1010 00:37:28,200 --> 00:37:30,245 - THE PROBLEM WE HAVE IS THAT WE'VE GOT TO 1011 00:37:30,269 --> 00:37:31,276 PUT MORE TOILETS IN. 1012 00:37:31,300 --> 00:37:33,109 IN THAT CORNER, THERE, WE'RE GONNA 1013 00:37:33,133 --> 00:37:37,409 PUT TWO HANDICAP TOILETS AND SIX URINALS FOR MEN. 1014 00:37:37,433 --> 00:37:39,979 - WE'LL, WE'VE GOT TO PUT A WOMEN'S TOILET IN, 1015 00:37:40,003 --> 00:37:42,142 EVEN IF IT'S A GAY BAR. - YEAH, BUT IT'S... 1016 00:37:42,166 --> 00:37:43,609 YEAH, BUT... WELL, THERE'S TWO TOILETS INSIDE, 1017 00:37:43,633 --> 00:37:46,347 BUT THERE'LL BE TWO IN THAT CORNER, PLUS THE URINALS. 1018 00:37:46,371 --> 00:37:48,244 - OKAY, I DON'T WANT TO DEAL WITH URINALS. 1019 00:37:48,268 --> 00:37:49,343 YOU DEAL WITH URINALS. 1020 00:37:49,367 --> 00:37:50,643 I'M GONNA DEAL WITH THIS GARDEN. 1021 00:37:50,667 --> 00:37:52,076 I'M SCARED ENOUGH RIGHT NOW. 1022 00:37:52,100 --> 00:37:53,976 - HOW MANY BARS DID WE DO IN LONDON? 1023 00:37:54,000 --> 00:37:57,209 AND EVERY TIME WE DID THEM, YOU WERE SCARED. 1024 00:37:57,233 --> 00:37:59,609 AND THEN YOU ADDED YOUR MAGIC TOUCH 1025 00:37:59,633 --> 00:38:01,279 AND THEY WERE ALL SUCCESSFUL. 1026 00:38:01,303 --> 00:38:02,646 SO WHAT ARE YOU WORRIED ABOUT? 1027 00:38:02,670 --> 00:38:05,443 - I'M ALWAYS STRESSED WHEN WE'RE UNDER CONSTRUCTION 1028 00:38:05,467 --> 00:38:07,710 AND TRYING TO, KIND OF, JUGGLE THINGS. 1029 00:38:07,734 --> 00:38:09,281 THERE'S JUST SO MANY COMPONENTS 1030 00:38:09,305 --> 00:38:12,370 THAT GO INTO OPENING A VENUE LIKE THIS. 1031 00:38:13,533 --> 00:38:15,609 IT'S A BIT OF A NIGHTMARE. 1032 00:38:15,633 --> 00:38:17,409 - YOU HAVEN'T LOST YOUR TOUCH. 1033 00:38:17,433 --> 00:38:19,109 YOU'VE DONE SUR AND NOW YOU'RE GONNA DO PUMP. 1034 00:38:19,133 --> 00:38:20,650 I JUST WANT YOU TO FIGURE OUT WHAT WE'RE GONNA DO 1035 00:38:20,674 --> 00:38:22,567 WITH THE URINALS. 1036 00:38:36,400 --> 00:38:39,076 - HELLO, IT'S ME. 1037 00:38:39,100 --> 00:38:40,242 - HELLO? 1038 00:38:40,266 --> 00:38:43,476 - HI. - HI. 1039 00:38:43,500 --> 00:38:45,676 CAN I HAVE A KISS? - SHOW AUNT KIM YOUR TOOTH. 1040 00:38:45,700 --> 00:38:48,042 - LET ME SEE THE CHOPS. [gasps] 1041 00:38:48,066 --> 00:38:49,609 - AND THE TOOTH FAIRY CAME. 1042 00:38:49,633 --> 00:38:51,650 - DID SHE LEAVE FAIRY DUST? - MM-HMM. 1043 00:38:51,674 --> 00:38:53,509 - [gasp] FAIRY DUST? 1044 00:38:53,533 --> 00:38:54,647 I LOVE THE FAIRY DUST. 1045 00:38:54,671 --> 00:38:56,676 - IT WAS REALLY BEAUTIFUL FAIRY DUST. 1046 00:38:56,700 --> 00:38:59,076 YOU WANT TO GO IN THE MEDIA ROOM AND WATCH LISA 1047 00:38:59,100 --> 00:39:00,147 ON DANCING WITH THE STARS? 1048 00:39:00,171 --> 00:39:01,976 - OKAY. - LET'S GO. 1049 00:39:02,000 --> 00:39:05,276 I TAPED IT SO WE CAN WATCH. - OKAY. 1050 00:39:05,300 --> 00:39:08,276 - IT'S MORE FUN WHEN IT'S SOMEONE THAT YOU KNOW, RIGHT? 1051 00:39:08,300 --> 00:39:11,009 - I DON'T KNOW. WE'LL FIND OUT, RIGHT? 1052 00:39:11,033 --> 00:39:12,750 [dog barks] - CHLOE, YOU WANT TO WATCH TOO? 1053 00:39:12,774 --> 00:39:14,109 COME ON CHLO-CHLO. 1054 00:39:14,133 --> 00:39:15,480 - WELL, I'M GONNA GET SOME CANDY. 1055 00:39:15,504 --> 00:39:17,409 - COME ON. COME ON CHLOE. 1056 00:39:17,433 --> 00:39:19,142 WILL YOU BRING ME CANDY TOO? - OF COURSE. 1057 00:39:19,166 --> 00:39:20,143 - COME ON, CHLOE. 1058 00:39:20,167 --> 00:39:21,576 - WILL YOU GET ME SOME OF THOSE 1059 00:39:21,600 --> 00:39:24,443 SWEET TART THINGIES? - I GOT 'EM. 1060 00:39:24,467 --> 00:39:26,443 - WE NEED POPCORN. 1061 00:39:26,467 --> 00:39:28,409 THERE'S A POPCORN MAKER RIGHT THERE. 1062 00:39:28,433 --> 00:39:29,509 - I DON'T KNOW HOW TO MAKE THAT. 1063 00:39:29,533 --> 00:39:30,748 - I DON'T KNOW HOW TO MAKE IT EITHER. 1064 00:39:30,772 --> 00:39:32,609 I'VE HAD THAT MACHINE... IT JUST SITS THERE EMPTY. 1065 00:39:32,633 --> 00:39:35,643 IT'S SHOW TIME. 1066 00:39:35,667 --> 00:39:36,976 - ALL RIGHT, WE'RE BACK. 1067 00:39:37,000 --> 00:39:39,309 LAST UP, THE WOMAN WHO, THIS WEEK, 1068 00:39:39,333 --> 00:39:41,409 PUSHED HERSELF TO THE LIMIT AND PERHAPS BEYOND 1069 00:39:41,433 --> 00:39:43,747 AS SHE TRAINED TO CELEBRATE A HAPPY MILESTONE, 1070 00:39:43,771 --> 00:39:46,609 LISA HAS DECIDED TO DANCE, SO LET'S CHECK OUT... 1071 00:39:46,633 --> 00:39:48,309 - SHE LOOKS PRETTY. - YEAH, SHE LOOKS BEAUTIFUL. 1072 00:39:48,333 --> 00:39:50,609 - WERE WORKING ON THEIR DANCE THIS WEEK. 1073 00:39:50,633 --> 00:39:52,209 - TWO AND THREE. 1074 00:39:52,233 --> 00:39:53,576 RONDE. 1075 00:39:53,600 --> 00:39:57,570 CHA-CHA, ONE. ARM UP. 1076 00:40:02,066 --> 00:40:04,576 - I DON'T... I DON'T... - WAIT... 1077 00:40:04,600 --> 00:40:06,343 COMING UP... 1078 00:40:06,367 --> 00:40:07,376 WAIT A MINUTE. 1079 00:40:07,400 --> 00:40:08,976 I HAVE TO SEE THAT AGAIN. 1080 00:40:09,000 --> 00:40:10,445 - LOOK, SHE'S HOLDING... SHE'S HOLDING ON... 1081 00:40:10,469 --> 00:40:11,710 SHE'S HOLDING ONTO HIS HAND. [chuckles] 1082 00:40:11,734 --> 00:40:14,734 SOME PEOPLE JUST AREN'T CUT OUT FOR FAKE FAINTS. 1083 00:40:19,367 --> 00:40:21,042 - TWO AND THREE. 1084 00:40:21,066 --> 00:40:22,076 RONDE. 1085 00:40:22,100 --> 00:40:26,070 CHA-CHA, ONE. ARM UP. 1086 00:40:29,500 --> 00:40:31,770 - WHAT... 1087 00:40:33,400 --> 00:40:34,609 WAIT, WHAT HAPPENED? 1088 00:40:34,633 --> 00:40:37,476 - [gasp] - ARE YOU OKAY? 1089 00:40:37,500 --> 00:40:39,976 - I FELL DOWN. 1090 00:40:40,000 --> 00:40:43,309 - WHAT DID SHE SAY, "I FELL DOWN"? 1091 00:40:43,333 --> 00:40:45,009 - WHAT JUST HAPPENED? 1092 00:40:45,033 --> 00:40:46,643 - SHE FAINTED? 1093 00:40:46,667 --> 00:40:50,209 WAIT A MINUTE. I HAVE TO SEE THAT AGAIN. 1094 00:40:50,233 --> 00:40:54,142 I WANT TO SEE IT IN SLOW-MO. 1095 00:40:54,166 --> 00:40:55,476 - LOOK, SHE'S HOLDING... SHE'S HOLDING ON... 1096 00:40:55,500 --> 00:40:58,676 SHE'S HOLDING ONTO HIS HAND. [chuckles] 1097 00:40:58,700 --> 00:41:00,076 WAIT A MINUTE. 1098 00:41:00,100 --> 00:41:02,609 I DON'T THINK SHE WANTED TO DO IT ANYMORE. 1099 00:41:02,633 --> 00:41:06,476 I'VE FAINTED ON CAMERA BEFORE, AND I'VE FAINTED FOR REAL, 1100 00:41:06,500 --> 00:41:12,230 AND... SOME PEOPLE JUST AREN'T CUT OUT FOR FAKE FAINTS. 1101 00:41:13,266 --> 00:41:14,710 WHEN SHE WAKES UP... 1102 00:41:14,734 --> 00:41:16,481 I MEAN, SHE WAKES UP... DON'T PEOPLE WHEN THEY WAKE UP, 1103 00:41:16,505 --> 00:41:20,343 DON'T THEY WAKE UP, LIKE, STARTLED? 1104 00:41:20,367 --> 00:41:22,643 BUT INSTEAD SHE WOKE UP, LIKE, AND SHE WAS LOOKING AT HIM, 1105 00:41:22,667 --> 00:41:27,209 AND THEN SHE WAS LIKE, TO THE CAMERAS. 1106 00:41:27,233 --> 00:41:29,579 - LISA WANTED OUT FROM DANCING WITH THE STARS. 1107 00:41:29,603 --> 00:41:31,676 SHE WANTED OUT. I DON'T BLAME HER. 1108 00:41:31,700 --> 00:41:34,009 I'D BE TIRED TOO WHEN I GO HOME. 1109 00:41:34,033 --> 00:41:36,080 I MEAN, IT'S JUST THE WAY SHE KIND OF GOES, LIKE, 1110 00:41:36,104 --> 00:41:38,376 ONE, TWO, AND THEN IT'S, LIKE... 1111 00:41:38,400 --> 00:41:40,476 - OKAY. - I'M AFRAID I'M GONNA PEE 1112 00:41:40,500 --> 00:41:42,009 ON YOUR CARPET. 1113 00:41:42,033 --> 00:41:43,609 [laughs] - OKAY. OKAY, NOW... 1114 00:41:43,633 --> 00:41:45,580 I'M HOLDING YOU. - I'LL PEE ON YOUR CARPET. 1115 00:41:45,604 --> 00:41:47,676 - I'M... I'M... I'M... I'M GLEB. 1116 00:41:47,700 --> 00:41:49,109 - OKAY, YOU BE GLEB. - I'M GLEB WHATEVER. 1117 00:41:49,133 --> 00:41:50,509 - BUT SHE... NO, BUT SHE... OKAY, LET ME SEE THE FACE. 1118 00:41:50,533 --> 00:41:52,343 SO SHE'S SCARED. 1119 00:41:52,367 --> 00:41:53,676 SHE WANTS TO GO HOME. 1120 00:41:53,700 --> 00:41:55,347 I WANT TO GO HOME, GLEB. - SHE'S THINKING THIS. 1121 00:41:55,371 --> 00:41:57,409 - AND I DON'T WANNA TELL YOU. I WANT TO GO HOME, 1122 00:41:57,433 --> 00:41:58,550 BUT I DON'T WANT TO TELL YOU. 1123 00:41:58,574 --> 00:42:00,376 - OF COURSE I'M GONNA HAVE TO TEASE LISA 1124 00:42:00,400 --> 00:42:03,009 LIKE SHE WOULD TEASE ME IF THE SHOE WAS ON THE OTHER FOOT. 1125 00:42:03,033 --> 00:42:07,003 - I'M GETTING SO TIRED, LIKE, OH. 1126 00:42:09,667 --> 00:42:12,676 - [laughs] 1127 00:42:12,700 --> 00:42:15,676 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS. 1128 00:42:15,700 --> 00:42:18,409 - LET'S TALK ABOUT LISA ON DANCING WITH THE STARS. 1129 00:42:18,433 --> 00:42:20,047 - SHE FAINTED. - I'VE NEVER SEEN ANYONE 1130 00:42:20,071 --> 00:42:21,609 FAINT SO PRETTY AND PERFECT. 1131 00:42:21,633 --> 00:42:25,176 - OH... 1132 00:42:25,200 --> 00:42:27,176 [laughs] 1133 00:42:27,200 --> 00:42:30,042 - THERE ARE FEW CYNICS THAT SUGGESTED THAT IT WAS FAKE. 1134 00:42:30,066 --> 00:42:31,476 - YOU JUST HOPE YOUR FRIENDS SUPPORT YOU. 1135 00:42:31,500 --> 00:42:35,409 BUT THE REST OF THE WORLD CAN BUGGER OFF. 1136 00:42:35,433 --> 00:42:36,450 - BEAUTIFUL HOUSE. 1137 00:42:36,474 --> 00:42:37,543 IT'S VERY GOTH. 1138 00:42:37,567 --> 00:42:39,009 IT'S VERY ROCK 'N ROLL. I LOVE IT. 1139 00:42:39,033 --> 00:42:40,609 WHAT IS THIS? LIKE, A CRYSTAL BALL? 1140 00:42:40,633 --> 00:42:42,280 - WE'RE AT HARRY POTTER'S HOUSE. 1141 00:42:42,304 --> 00:42:43,376 [laughter] 1142 00:42:43,400 --> 00:42:44,645 - I FEEL LIKE WE'RE IN A MOVIE SET, 1143 00:42:44,669 --> 00:42:45,710 LIKE THE WITCHES OF EASTWICK, 1144 00:42:45,734 --> 00:42:48,276 AND I'M THE BLONDE ONE, MICHELLE. 1145 00:42:48,300 --> 00:42:49,746 KYLE, THERE IS THAT STORY 1146 00:42:49,770 --> 00:42:51,309 ABOUT MAURICIO CHEATING AND WHATNOT. 1147 00:42:51,333 --> 00:42:54,080 I'M JUST WONDERING HOW THAT WENT DOWN IN YOUR HOUSEHOLD? 1148 00:42:54,104 --> 00:42:57,409 - A LOT OF TIMES, THINGS... STORIES COME OUT... 1149 00:42:57,433 --> 00:42:58,978 - YOUR SAYING THERE'S NO SMOKE WITHOUT FIRE? 1150 00:42:59,002 --> 00:42:59,747 - EXACTLY. 1151 00:42:59,771 --> 00:43:01,643 - [bleep] ALL OF YOU. 1152 00:43:01,667 --> 00:43:05,697 - TO LEARN MORE ABOUT THE HOUSEWIVES, GO TO BRAVOTV.COM