1 00:00:01,400 --> 00:00:05,870 -♪ WHAT WOULD YOU DO IF I SANG OUT OF TUNE? ♪ 2 00:00:05,872 --> 00:00:11,142 ♪ WOULD YOU STAND UP AND WALK OUT ON ME? ♪ 3 00:00:11,144 --> 00:00:17,081 ♪ LEND ME YOUR EARS, AND I'LL SING YOU A SONG ♪ 4 00:00:17,083 --> 00:00:20,785 ♪ I WILL TRY NOT TO SING OUT OF KEY, YEAH ♪ 5 00:00:20,787 --> 00:00:24,989 ♪ OH, BABY, I GET BY ♪ -♪ BY WITH A LITTLE HELP FROM MY FRIENDS ♪ 6 00:00:24,991 --> 00:00:26,658 -♪ ALL I NEED IS MY BUDDIES ♪ 7 00:00:26,660 --> 00:00:29,527 -♪ HIGH WITH A LITTLE HELP FROM MY FRIENDS ♪ 8 00:00:29,529 --> 00:00:31,496 -♪ I'M SAYIN' I'M GONNA GET HIGHER ♪ 9 00:00:31,498 --> 00:00:35,167 -♪ TRY WITH A LITTLE HELP FROM MY FRIENDS ♪ 10 00:00:35,169 --> 00:00:40,405 -♪ WHOA-OA-OA-OA, YEAH ♪ -♪ OOH, OOH, OOH ♪ 11 00:00:42,676 --> 00:00:45,877 [ SCHOOL BELL RINGS ] 12 00:00:45,879 --> 00:00:48,613 -OCTOBER 17, 1968. 13 00:00:48,615 --> 00:00:50,581 -TESTING. 14 00:00:50,583 --> 00:00:52,484 TESTING -- 1, 2, 3... 15 00:00:52,486 --> 00:00:56,321 -I HAD ASSUMED MY STANDARD HOMEROOM POSITION, 16 00:00:56,323 --> 00:00:59,824 DROOLING IN THE GENERAL DIRECTION OF LISA BERLINI. 17 00:00:59,826 --> 00:01:03,661 BUT TODAY, THINGS WERE DIFFERENT BETWEEN LISA AND ME. 18 00:01:03,663 --> 00:01:05,863 -RFK JUNIOR HIGH'S REVISED DRESS CODE 19 00:01:05,865 --> 00:01:07,732 HAS BEEN POSTED OUTSIDE MY OFFICE. 20 00:01:07,734 --> 00:01:09,768 ALTHOUGH IT'S FAIRLY SELF-EXPLANATORY... 21 00:01:09,770 --> 00:01:12,203 -YOU SEE, THE NIGHT BEFORE, 22 00:01:12,205 --> 00:01:14,572 WE'D SPENT VERY CLOSE TO FOUR COMPLETE MINUTES 23 00:01:14,574 --> 00:01:16,808 TALKING TO EACH OTHER ON THE TELEPHONE. 24 00:01:16,810 --> 00:01:18,443 OUR RELATIONSHIP WAS ENTERING 25 00:01:18,445 --> 00:01:21,112 THE FAST LANE OF THE SEVENTH-GRADE SOCIAL SCENE, 26 00:01:21,114 --> 00:01:23,781 AND IT WAS UP TO ME TO KEEP THE BALL ROLLING. 27 00:01:23,783 --> 00:01:27,118 -SECTION TWO, ARTICLE ONE -- THE MINI-SKIRT CLAUSE. 28 00:01:27,120 --> 00:01:28,587 [ CLEARS THROAT ] 29 00:01:28,589 --> 00:01:31,055 ANY SKIRT CUT HIGHER THAN 2 INCHES ABOVE THE KNEES 30 00:01:31,057 --> 00:01:34,759 WILL CALL FOR IMMEDIATE DISCIPLINARY ACTION. 31 00:01:34,761 --> 00:01:37,295 [ POP, LAUGHTER ] 32 00:01:37,297 --> 00:01:38,730 SECTION TWO, ARTICLE TWO. 33 00:01:38,732 --> 00:01:42,601 -IS THERE A PROBLEM, MR. ARNOLD? 34 00:01:42,603 --> 00:01:44,502 -UH, NO, MA'AM. 35 00:01:44,504 --> 00:01:47,238 -ALL RIGHT, NOW ON TO OTHER, MORE IMPORTANT MATTERS. 36 00:01:47,240 --> 00:01:50,208 -YEAH, I WAS LOOKING PRETTY GOOD NOW. 37 00:01:50,210 --> 00:01:52,744 ALL I HAD TO DO WAS PLOT MY NEXT MOVE. 38 00:01:52,746 --> 00:01:55,113 -RFK's FIRST FALL DANCE 39 00:01:55,115 --> 00:01:57,348 WILL TAKE PLACE THIS FRIDAY NIGHT. 40 00:01:57,350 --> 00:02:00,751 SO, FOR MUSIC AND FUN, DANCING AND ROMANCING, 41 00:02:00,753 --> 00:02:05,056 COME ONE, COME ALL, AND HAVE A BALL. 42 00:02:05,058 --> 00:02:07,392 THAT IS ALL. 43 00:02:07,394 --> 00:02:10,428 -YOU'RE GONNA ASK LISA BERLINI, AREN'T YOU? 44 00:02:10,430 --> 00:02:12,463 -I DON'T KNOW. MAYBE. 45 00:02:12,465 --> 00:02:14,532 -THEN WHO AM I SUPPOSED TO GO WITH? 46 00:02:14,534 --> 00:02:15,400 -I DON'T KNOW. 47 00:02:15,402 --> 00:02:17,835 HEY, WHY DON'T YOU ASK CARLA HEALY? 48 00:02:17,837 --> 00:02:19,036 -[ SNEEZES ] NO WAY. 49 00:02:19,038 --> 00:02:20,538 [ SNIFFS ] NO WAY. 50 00:02:20,540 --> 00:02:23,775 -WHY NOT? I HEAR SHE LIKES YOU. 51 00:02:23,777 --> 00:02:26,210 -JUST STOP TALKING ABOUT HER, OKAY? 52 00:02:26,212 --> 00:02:29,246 -THE WORDS "CARLA" AND "HEALY" 53 00:02:29,248 --> 00:02:33,217 HAD THE SAME EFFECT ON PAUL AS SEAFOOD AND GRASS POLLEN... 54 00:02:33,219 --> 00:02:35,687 SEVERE MEMBRANE INFLAMMATION. 55 00:02:35,689 --> 00:02:37,522 -[ BREATHING HEAVILY ] 56 00:02:37,524 --> 00:02:39,557 -WHAT'S WRONG WITH HIM? 57 00:02:39,559 --> 00:02:41,092 -I SAID THE "C" WORD. 58 00:02:41,094 --> 00:02:42,360 -"CARLA HEALY"? 59 00:02:42,362 --> 00:02:43,628 -[ SNEEZES ] 60 00:02:43,630 --> 00:02:46,063 -ARE YOU GONNA ASK HER TO THE DANCE OR SOMETHING? 61 00:02:46,065 --> 00:02:47,298 -NO WAY. I'M NOT. 62 00:02:47,300 --> 00:02:49,567 -YOU MEAN YOU'RE ASKING CARLA HEALY? 63 00:02:49,569 --> 00:02:52,003 -NO, HE'S ASKING LISA BERLINI. 64 00:02:57,110 --> 00:02:58,776 -LISA BERLINI, HUH? 65 00:02:58,778 --> 00:03:01,179 -YEAH. 66 00:03:01,181 --> 00:03:03,715 I DON'T KNOW. I MIGHT NOT. 67 00:03:04,651 --> 00:03:07,518 -NO, YOU SHOULD. SHE'S NICE. 68 00:03:07,520 --> 00:03:09,186 -SHE'S OKAY. 69 00:03:10,390 --> 00:03:13,892 -WELL, I GUESS I'LL SEE YOU GUYS LATER. 70 00:03:22,169 --> 00:03:24,235 -WHAT?! 71 00:03:24,237 --> 00:03:27,606 -THEY'RE CALLED DEAD WHALES, PEOPLE. 72 00:03:27,608 --> 00:03:29,207 MY QUESTION TO YOU IS, WHY? 73 00:03:29,209 --> 00:03:33,344 -I FELT SORT OF WEIRD TALKING TO WINNIE ABOUT LISA. 74 00:03:33,346 --> 00:03:35,914 BUT I FORGOT ALL THAT BY SOCIAL STUDIES. 75 00:03:35,916 --> 00:03:39,384 THE LIGHTS WERE DIMMED FOR A SLIDE SHOW ON POLLUTION, 76 00:03:39,386 --> 00:03:41,519 AND I WAS WITHIN STRIKING DISTANCE 77 00:03:41,521 --> 00:03:44,656 OF THE BEST-SMELLING HEAD OF HAIR IN THE SEVENTH GRADE. 78 00:03:44,658 --> 00:03:48,393 -WHERE HAVE ALL THE FLOWERS GONE? 79 00:03:48,395 --> 00:03:52,363 HOW MANY ROADS MUST A MAN WALK DOWN? 80 00:03:52,365 --> 00:03:53,665 -THE TIME WAS RIGHT 81 00:03:53,667 --> 00:03:55,934 FOR THE MOST INTIMATE FORM OF COMMUNICATION 82 00:03:55,936 --> 00:03:58,069 KNOWN TO 12-YEAR-OLD MAN... 83 00:03:58,071 --> 00:04:01,206 INTER-CLASSROOM NOTE-WRITING. 84 00:04:03,409 --> 00:04:07,311 [ THE BOX TOPS' "THE LETTER" PLAYS ] 85 00:04:07,313 --> 00:04:11,282 -♪ GIMME A TICKET FOR AN AEROPLANE ♪ 86 00:04:11,284 --> 00:04:14,885 ♪ I AIN'T GOT TIME TO TAKE A FAST TRAIN ♪ 87 00:04:14,887 --> 00:04:16,187 ♪ LONELY DAYS ARE GONE ♪ 88 00:04:16,189 --> 00:04:18,089 ♪ I'M A-GOIN' HOME ♪ 89 00:04:18,091 --> 00:04:20,925 ♪ MY BABY JUST WROTE ME A LETTER ♪ 90 00:04:21,628 --> 00:04:25,229 ♪ I DON'T CARE HOW MUCH MONEY I GOTTA SPEND ♪ 91 00:04:25,231 --> 00:04:26,497 ♪ GOT TO GET BACK... ♪ 92 00:04:26,499 --> 00:04:28,566 -IN A NOTE, YOU COULD SAY ANYTHING YOU WANTED TO. 93 00:04:28,568 --> 00:04:30,635 LINES I WOULD HAVE CHOKED ON 94 00:04:30,637 --> 00:04:31,969 UNDER THE GLARE OF FLUORESCENT LIGHTS 95 00:04:31,971 --> 00:04:36,507 WERE COMING OUT LIKE POETRY WITH THE VENETIAN BLINDS DRAWN. 96 00:04:36,509 --> 00:04:38,642 -♪ WELL, SHE WROTE ME A LETTER ♪ 97 00:04:38,644 --> 00:04:42,847 ♪ SAID SHE COULDN'T LIVE WITHOUT ME NO MORE ♪ 98 00:04:43,950 --> 00:04:45,750 ♪ LISTEN, MISTER, CAN'T YOU SEE ♪ 99 00:04:45,752 --> 00:04:49,554 ♪ I GOT TO GET BACK TO MY BABY ONCE MORE? ♪ 100 00:04:49,556 --> 00:04:54,726 ♪ ANYWAY, YEAH, GIMME A TICKET FOR AN AEROPLANE ♪ 101 00:04:54,728 --> 00:04:57,929 ♪ I AIN'T GOT TIME TO TAKE A FAST TRAIN ♪ 102 00:04:57,931 --> 00:05:01,432 -THE SIGNS WERE THERE. SHE WANTED ME. 103 00:05:01,434 --> 00:05:03,834 IT WAS TIME TO THROW CAUTION TO THE WIND. 104 00:05:06,339 --> 00:05:08,539 -♪ WELL, SHE WROTE ME A LETTER ♪ 105 00:05:08,541 --> 00:05:12,243 ♪ SAID SHE COULDN'T LIVE WITHOUT ME NO MORE ♪ 106 00:05:13,613 --> 00:05:15,413 ♪ LISTEN, MISTER, CAN'T YOU SEE ♪ 107 00:05:15,415 --> 00:05:19,283 ♪ I GOT TO GET BACK TO MY BABY ONCE MORE? ♪ 108 00:05:19,285 --> 00:05:24,356 ♪ ANYWAY, YEAH, GIMME A TICKET FOR AN AEROPLANE ♪ 109 00:05:24,358 --> 00:05:27,358 ♪ I AIN'T GOT TIME TO TAKE A FAST TRAIN ♪ 110 00:05:27,360 --> 00:05:29,060 ♪ LONELY DAYS ARE GONE ♪ 111 00:05:29,062 --> 00:05:31,462 -THE PROBLEM IS EXCESS. 112 00:05:31,464 --> 00:05:33,731 WE KEEP PUSHING, PUSHING, 113 00:05:33,733 --> 00:05:38,903 AND IT ALWAYS ENDS UP BY US GOING ONE STEP TOO FAR. 114 00:05:38,905 --> 00:05:41,272 -DEAR GOD, HE WAS RIGHT. WHAT WAS I THINKING? 115 00:05:41,274 --> 00:05:43,875 I MEAN, ONE LOUSY PHONE CALL, A COUPLE OF NOTES, 116 00:05:43,877 --> 00:05:46,277 AND, SUDDENLY, I'M ASKING HER TO THE DANCE? 117 00:05:46,279 --> 00:05:48,212 IT WAS ALL HAPPENING TOO QUICKLY. 118 00:05:48,214 --> 00:05:50,214 I WANTED THAT NOTE BACK. 119 00:06:01,694 --> 00:06:05,262 THEN AGAIN... WHY STOP WHEN YOU'RE ON A ROLL? 120 00:06:06,766 --> 00:06:10,000 -LIGHTS, PLEASE. 121 00:06:10,002 --> 00:06:12,069 [ SCHOOL BELL RINGS ] 122 00:06:12,071 --> 00:06:14,872 -IT WAS ALL SO PERFECT. 123 00:06:14,874 --> 00:06:16,341 WITH ONE FLICK OF THE WRIST, 124 00:06:16,343 --> 00:06:19,077 I'D OPENED UP AN ENTIRELY NEW AND EXCITING CHAPTER 125 00:06:19,079 --> 00:06:20,511 IN MY LIFE AS AN ADOLESCENT. 126 00:06:20,513 --> 00:06:22,013 LISA BERLINI WAS MINE 127 00:06:22,015 --> 00:06:25,016 TO HAVE AND TO HOLD, FOR BETTER OR FOR WORSE, 128 00:06:25,018 --> 00:06:26,518 TILL DEATH DO US PART. 129 00:06:26,520 --> 00:06:29,821 -HI, LISA. YOU WANT TO GO TO THE DANCE WITH ME ON FRIDAY? 130 00:06:29,823 --> 00:06:30,722 -OKAY! 131 00:06:30,724 --> 00:06:33,691 -GREAT. I'LL SEE YOU. 132 00:06:34,728 --> 00:06:36,894 -I HAD IT IN WRITING. 133 00:06:36,896 --> 00:06:40,097 MAYBE THERE WAS SOME LEGAL ACTION I COULD TAKE. 134 00:06:40,099 --> 00:06:41,799 -UM, LISA? 135 00:06:42,802 --> 00:06:44,536 -OH, KEVIN. 136 00:06:44,538 --> 00:06:45,603 -YEAH. 137 00:06:45,605 --> 00:06:48,840 UM, DID YOU JUST SAY... 138 00:06:48,842 --> 00:06:50,842 YOU'D GO TO THE DANCE WITH BRAD? 139 00:06:51,778 --> 00:06:53,678 -I'D SEEN THAT LOOK BEFORE -- 140 00:06:53,680 --> 00:06:58,048 IN 1964 WHEN MY MOTHER PUT OUR COCKER SPANIEL TO SLEEP. 141 00:06:58,050 --> 00:07:00,285 -WELL...YEAH. 142 00:07:00,287 --> 00:07:01,952 -BUT... 143 00:07:01,954 --> 00:07:04,489 YOU JUST SAID YOU'D GO WITH ME. 144 00:07:04,491 --> 00:07:07,725 -THAT WAS BEFORE BRAD ASKED ME. 145 00:07:07,727 --> 00:07:08,926 -SO? 146 00:07:10,297 --> 00:07:13,298 -SO, I DIDN'T KNOW HE WAS GONNA ASK ME 147 00:07:13,300 --> 00:07:15,266 WHEN I SAID "YES" TO YOU. 148 00:07:15,268 --> 00:07:17,001 -SO? 149 00:07:17,003 --> 00:07:20,871 -WELL...I MEAN... 150 00:07:20,873 --> 00:07:25,142 YOU'RE NOT GONNA...BE WEIRD ABOUT THIS OR ANYTHING, ARE YOU? 151 00:07:26,079 --> 00:07:28,846 I MEAN, I REALLY LIKE YOU, KEVIN... 152 00:07:28,848 --> 00:07:29,781 AS A... 153 00:07:29,783 --> 00:07:31,415 -AND THAT'S WHEN SHE SAID IT -- 154 00:07:31,417 --> 00:07:33,751 THE WORD I WAS TO HEAR FROM BEAUTIFUL GIRLS 155 00:07:33,753 --> 00:07:35,853 LIKE LISA BERLINI TIME AND TIME AGAIN. 156 00:07:35,855 --> 00:07:38,489 THE WORD THAT STRUCK A CHORD SO VIOLENT IN ME 157 00:07:38,491 --> 00:07:41,192 THAT I WANTED TO STRANGLE GUYS LIKE BRAD GAINES 158 00:07:41,194 --> 00:07:42,359 WITH MY BARE HANDS. 159 00:07:42,361 --> 00:07:43,494 -...FRIEND. 160 00:07:43,496 --> 00:07:45,796 -AAGH! 161 00:07:45,798 --> 00:07:48,065 -TOUGH BREAK WITH THIS LISA BERLINI THING, HUH? 162 00:07:48,067 --> 00:07:50,534 -AT LEAST PAUL WAS HAPPY TO HEAR OF MY REJECTION. 163 00:07:50,536 --> 00:07:52,336 IT MEANT HE WOULDN'T HAVE TO ASK 164 00:07:52,338 --> 00:07:53,938 CARLA HEALY TO BE HIS DATE. 165 00:07:53,940 --> 00:07:56,040 -AREN'T YOU GONNA EAT YOUR HAMBURGER? 166 00:07:56,042 --> 00:07:57,408 -I'M NOT HUNGRY. 167 00:07:57,410 --> 00:07:59,076 -I WOULDN'T EAT IT, EITHER. 168 00:07:59,078 --> 00:08:01,346 YOU SEE HOW THEY MAKE THE HAMBURGERS? 169 00:08:01,348 --> 00:08:03,748 OH, THEY PUT ALL THIS GROSS STUFF IN IT. 170 00:08:03,750 --> 00:08:05,850 -IT TASTES ALL RIGHT TO ME. 171 00:08:05,852 --> 00:08:07,719 -I HEARD EDDIE OBIN BIT INTO A HAMBURGER 172 00:08:07,721 --> 00:08:09,954 AND A BUG FLEW OUT FROM UNDER THE BUN. 173 00:08:09,956 --> 00:08:10,655 -NO WAY. 174 00:08:10,657 --> 00:08:12,123 -THAT'S WHAT HE SAID. 175 00:08:12,125 --> 00:08:13,458 -I DON'T BELIEVE IT. 176 00:08:13,460 --> 00:08:15,526 -I DO. IT'S DOCUMENTED FACT. 177 00:08:15,528 --> 00:08:17,828 -[ SLAMS TABLE ] -ALL RIGHT, THAT DID IT. 178 00:08:17,830 --> 00:08:19,830 THERE WAS ONLY SO MUCH ONE GUY COULD TAKE. 179 00:08:19,832 --> 00:08:21,299 -FIRST OF ALL, THERE'S NO WAY 180 00:08:21,301 --> 00:08:23,234 A BUG CAN BREATHE UNDER A HAMBURGER BUN. 181 00:08:23,236 --> 00:08:25,069 AND IT PROBABLY WOULD HAVE SUFFOCATED 182 00:08:25,071 --> 00:08:26,604 BEFORE EDDIE EVEN BIT INTO IT. 183 00:08:26,606 --> 00:08:27,672 -THAT'S RIGHT. 184 00:08:27,674 --> 00:08:29,206 AND BESIDES THAT, A BUG IS TOO QUICK 185 00:08:29,208 --> 00:08:31,708 TO GET CAUGHT IN A HAMBURGER TO BEGIN WITH. 186 00:08:31,710 --> 00:08:33,411 -LET'S SAY IT DID GET CAUGHT UNDER THE BUN 187 00:08:33,413 --> 00:08:34,445 BUT DIDN'T SUFFOCATE. 188 00:08:34,447 --> 00:08:36,180 IT PROBABLY WOULD HAVE FLOWN AWAY 189 00:08:36,182 --> 00:08:38,383 WHEN EDDIE PUT THE KETCHUP ON! -WHEN EDDIE PUT THE KETCHUP ON! 190 00:08:38,385 --> 00:08:41,886 -WINNIE AND I ALWAYS SAW EYE-TO-EYE ON STUFF LIKE THAT. 191 00:08:41,888 --> 00:08:44,555 IT WAS LIKE WE WERE BORN UNDER THE SAME SIGN OR SOMETHING. 192 00:08:46,526 --> 00:08:48,393 -SUIT YOURSELVES. 193 00:08:48,395 --> 00:08:51,161 I'M GETTING AN ICE-CREAM SANDWICH. 194 00:08:51,163 --> 00:08:52,830 -[ SIGHS ] 195 00:08:58,104 --> 00:08:59,971 OH, IS THAT THE NEW LUNCH MENU? 196 00:08:59,973 --> 00:09:01,405 -YEAH. 197 00:09:01,407 --> 00:09:04,275 PIZZA BOATS, CHILLED PEARS, AND CARROT STICKS ON WEDNESDAY. 198 00:09:04,277 --> 00:09:07,645 -MAYBE IT WAS THE BUZZ OF THE CAFETERIA, 199 00:09:07,647 --> 00:09:10,081 MAYBE IT WAS THE STING FROM LISA BERLINI, 200 00:09:10,083 --> 00:09:11,782 BUT SITTING THERE ACROSS FROM WINNIE 201 00:09:11,784 --> 00:09:15,119 I FELT A HUNGER BURNING WITHIN ME. 202 00:09:15,121 --> 00:09:20,024 -SLOPPY JOES, TATER TOTS, AND AN ORANGE WEDGE ON THURSDAY. 203 00:09:21,561 --> 00:09:24,161 -I LOVE SLOPPY JOES! 204 00:09:24,163 --> 00:09:26,363 -ME TOO. 205 00:09:26,365 --> 00:09:28,665 -HER MESSAGE SEEMED CLEAR ENOUGH. 206 00:09:28,667 --> 00:09:31,836 BEHIND THE CHARADE OF THE LUNCH-MENU RECITAL 207 00:09:31,838 --> 00:09:35,206 BURNED THE UNTAPPED RAGE OF OUR SECRET PASSION. 208 00:09:35,208 --> 00:09:37,975 -ON FRIDAY, IT'S MACARONI AND CHEESE, 209 00:09:37,977 --> 00:09:41,445 PEANUT-BUTTER COOKIES, AND FRUIT COCKTAIL. 210 00:09:42,948 --> 00:09:45,616 -WINNIE, WILL YOU GO TO THE DANCE WITH ME? 211 00:09:47,186 --> 00:09:49,253 -DANCE? 212 00:09:50,456 --> 00:09:51,990 I CAN'T. 213 00:09:55,161 --> 00:09:57,895 I'M ALREADY GOING WITH KIRK McCRAY. 214 00:10:05,171 --> 00:10:06,604 -GOD. 215 00:10:06,606 --> 00:10:08,639 WINNIE COOPER AND AN EIGHTH-GRADER. 216 00:10:08,641 --> 00:10:10,408 CAN YOU BELIEVE IT? 217 00:10:10,410 --> 00:10:12,043 -REALLY AMAZING. 218 00:10:12,045 --> 00:10:14,946 -I MEAN...HE'S ACTUALLY... 219 00:10:14,948 --> 00:10:15,947 COOL! 220 00:10:15,949 --> 00:10:17,815 -SO I'M TOLD. 221 00:10:17,817 --> 00:10:20,618 -CAPTAIN OF THE FOOTBALL TEAM, MR. POPULARITY... 222 00:10:20,620 --> 00:10:22,019 -LOOK, PAUL... 223 00:10:22,021 --> 00:10:25,289 THERE'S MORE TO LIFE THAN BEING COOL, ATHLETIC, AND POPULAR! 224 00:10:25,291 --> 00:10:27,191 -IT WAS ALL TOO MUCH TO TAKE. 225 00:10:27,193 --> 00:10:30,027 FIRST LISA BERLINI HAD OPENED THE WOUND, 226 00:10:30,029 --> 00:10:33,363 NOW WINNIE COOPER HAD POURED THE SALT. 227 00:10:33,365 --> 00:10:35,332 THERE WAS ONLY ONE SOLUTION LEFT 228 00:10:35,334 --> 00:10:37,601 WITH REGARDS TO THE UPCOMING DANCE. 229 00:10:37,603 --> 00:10:40,938 -SO I GUESS IT'S JUST YOU AND ME FOR THE DANCE ON FRIDAY, HUH? 230 00:10:40,940 --> 00:10:43,908 -NOPE. I'M NOT GOING. 231 00:10:43,910 --> 00:10:45,576 -WHAT?! 232 00:10:45,578 --> 00:10:47,878 YOU'VE GOT TO GO. 233 00:10:47,880 --> 00:10:48,913 -NO, I DON'T. 234 00:10:48,915 --> 00:10:51,215 -KEVIN, YOU KNOW I CAN'T GO IF YOU DON'T GO. 235 00:10:51,217 --> 00:10:53,184 -YES, YOU CAN. YOU CAN DO ANYTHING YOU WANT. 236 00:10:53,186 --> 00:10:54,418 I'M STAYING HOME. 237 00:10:54,420 --> 00:10:56,320 -KEVIN, ONLY LOSERS STAY HOME. 238 00:10:56,322 --> 00:10:58,823 -THEN I GUESS I'M A LOSER. WHAT'S THE BIG DEAL, ANYWAY? 239 00:10:58,825 --> 00:11:00,457 IT'S JUST A STUPID DANCE. 240 00:11:00,459 --> 00:11:04,061 -JUST A DANCE? JUST A DANCE?! 241 00:11:04,063 --> 00:11:05,263 JUST A DANCE?! 242 00:11:05,265 --> 00:11:06,697 -UGH! LEAVE ME ALONE, PAUL. 243 00:11:06,699 --> 00:11:08,766 -KEVIN, YOU'RE MAKING A BIG MISTAKE. 244 00:11:08,768 --> 00:11:10,401 -NO, I'M NOT. NOW GO AWAY! 245 00:11:10,403 --> 00:11:12,904 -WELL, I CAN'T JUST SHOW UP TO THIS THING ALONE. 246 00:11:12,906 --> 00:11:14,238 -THEN DON'T. 247 00:11:14,240 --> 00:11:17,108 GO ASK CARLA HEALY AND STOP BOTHERING ME! 248 00:11:17,110 --> 00:11:18,342 -MAYBE I WILL. 249 00:11:18,344 --> 00:11:20,545 -FINE! -GOOD! 250 00:11:20,547 --> 00:11:23,380 [ DOOR SLAMS ] [ SNEEZING ] 251 00:11:25,852 --> 00:11:27,685 -JEANNIE, I WANT TO HAVE A -- 252 00:11:27,687 --> 00:11:30,187 -OH, MASTER! OH, I HAVE BEEN SO UNHAPPY! 253 00:11:30,189 --> 00:11:32,290 ALL I WISH TO DO IS PLEASE YOU! 254 00:11:32,292 --> 00:11:34,358 -WELL, UH, JEANNIE, I CAN'T FIGURE YOU OUT. 255 00:11:34,360 --> 00:11:36,794 YOU'VE NEVER BEHAVED THIS WAY BEFORE. 256 00:11:36,796 --> 00:11:39,664 -OH, NO, MASTER. I ONLY WANT TO MAKE YOU HAPPY. 257 00:11:39,666 --> 00:11:42,733 -OH, WHAT I WOULD HAVE GIVEN FOR ONE OF THOSE. 258 00:11:42,735 --> 00:11:44,468 -IF YOU GUYS WANT TO EAT TONIGHT, 259 00:11:44,470 --> 00:11:46,303 YOU'VE GOT TO SET THE TABLE FOR ME. 260 00:11:46,305 --> 00:11:47,738 -FINE. 261 00:11:47,740 --> 00:11:50,040 -UH, HOW MANY CHAPTERS OF THAT BOOK HAVE YOU READ? 262 00:11:50,042 --> 00:11:51,742 -AND I'D APPRECIATE IF YOU'D DO IT NOW. 263 00:11:51,744 --> 00:11:55,179 NOT IN AN HOUR, NOT AFTER "I DREAM OF JEANNIE," BUT NOW. 264 00:11:55,181 --> 00:11:58,548 -YOU SAID YOU'D DO ANYTHING I WANTED. 265 00:11:58,550 --> 00:12:00,818 -FIRST LISA BERLINI, THEN WINNIE COOPER, 266 00:12:00,820 --> 00:12:02,753 NOW MY OWN FLESH AND BLOOD. 267 00:12:02,755 --> 00:12:06,356 WOMEN WERE PROVING TO BE THE BANE OF MY EXISTENCE. 268 00:12:06,358 --> 00:12:08,158 -[ SIGHS ] 269 00:12:12,632 --> 00:12:13,631 -KEVIN? 270 00:12:13,633 --> 00:12:14,632 -HUH? 271 00:12:14,634 --> 00:12:17,000 -ARE YOU FEELING ALL RIGHT? 272 00:12:17,002 --> 00:12:18,736 -YEAH. 273 00:12:22,875 --> 00:12:25,743 -SOMETHING HAPPEN AT SCHOOL? 274 00:12:25,745 --> 00:12:27,177 -NO. 275 00:12:27,179 --> 00:12:30,781 -I WAS TOO COMPLICATED TO BE PRIED OPEN LIKE THAT. 276 00:12:30,783 --> 00:12:33,017 I HAD MY DIGNITY. 277 00:12:33,019 --> 00:12:34,819 -YOU SURE? 278 00:12:39,392 --> 00:12:42,860 -I DON'T THINK MRS. COOPER'S A VERY GOOD MOTHER. 279 00:12:42,862 --> 00:12:45,062 -I BEG YOUR PARDON? 280 00:12:45,064 --> 00:12:46,297 -WELL, IT'S JUST THAT 281 00:12:46,299 --> 00:12:48,832 SHE'S LETTING WINNIE GO TO THIS DANCE 282 00:12:48,834 --> 00:12:53,404 WITH THIS BIG EIGHTH-GRADER, AND HE'S A REAL JERK. 283 00:12:53,406 --> 00:12:56,807 I DON'T THINK SHE SHOULD LET HER GO. 284 00:12:58,912 --> 00:13:01,245 -WELL, IS THERE SOMETHING MRS. COOPER SHOULD KNOW 285 00:13:01,247 --> 00:13:02,613 ABOUT THIS EIGHTH-GRADER? 286 00:13:02,615 --> 00:13:05,249 DOES HE TAKE DRUGS OR SOMETHING? 287 00:13:05,251 --> 00:13:07,284 -NO. 288 00:13:07,286 --> 00:13:09,419 -WELL, WHAT IS IT, THEN? 289 00:13:11,190 --> 00:13:13,524 -WELL, IT'S JUST THAT HE'S THIS EIGHTH-GRADER, 290 00:13:13,526 --> 00:13:17,160 AND HE THINKS HE'S SO COOL, AND... 291 00:13:17,162 --> 00:13:19,730 WINNIE'S VERY YOUNG, MOM. 292 00:13:19,732 --> 00:13:21,665 -I KNOW. 293 00:13:21,667 --> 00:13:23,734 SHE IS. 294 00:13:23,736 --> 00:13:25,936 DID ANYONE ELSE ASK HER? 295 00:13:25,938 --> 00:13:27,738 -WELL, HOW AM I SUPPOSED TO KNOW? 296 00:13:27,740 --> 00:13:28,973 I'M NOT EVEN GOING. 297 00:13:31,044 --> 00:13:33,844 -WELL, I GUESS WE DON'T REALLY HAVE A LOT TO SAY 298 00:13:33,846 --> 00:13:36,247 ABOUT WHO WINNIE GOES TO THE DANCE WITH. 299 00:13:36,249 --> 00:13:37,514 -I KNOW. 300 00:13:37,516 --> 00:13:39,717 -AND JUST BECAUSE YOU GO TO A DANCE WITH SOMEONE 301 00:13:39,719 --> 00:13:41,285 DOESN'T MEAN YOU HAVE TO SPEND 302 00:13:41,287 --> 00:13:43,054 THE WHOLE NIGHT DANCING WITH THEM. 303 00:13:43,056 --> 00:13:44,555 -YEAH. 304 00:13:44,557 --> 00:13:47,758 -THE GREAT THING ABOUT A DANCE... 305 00:13:47,760 --> 00:13:49,259 IS THAT ANYTHING CAN HAPPEN. 306 00:13:49,261 --> 00:13:51,963 -MOM'S ADVICE ALWAYS FOLLOWED A CERTAIN LOGIC, 307 00:13:51,965 --> 00:13:56,300 BUT SOMEHOW IT WAS GONNA TAKE THAT EXTRA MATERNAL NUDGE 308 00:13:56,302 --> 00:13:58,302 TO KICK ME INTO ACTION. 309 00:13:58,304 --> 00:14:00,237 -BUT IF YOU DO DECIDE TO STAY HOME, 310 00:14:00,239 --> 00:14:02,273 WE'RE HAVING COMPANY FRIDAY NIGHT. 311 00:14:02,275 --> 00:14:04,575 SO YOU CAN BE MOTHER'S LITTLE HELPER. 312 00:14:05,911 --> 00:14:09,112 -HI. WOULD YOU CARE TO DANCE? 313 00:14:09,114 --> 00:14:10,180 HELLO, THERE. 314 00:14:10,182 --> 00:14:13,016 I COULDN'T HELP NOTICING YOU ALL ALONE OVER HERE. 315 00:14:13,018 --> 00:14:14,752 YOU WANT TO DANCE? 316 00:14:14,754 --> 00:14:16,286 [ New York accent ] YO, BABE. ON THE DANCE FLOOR. 317 00:14:16,288 --> 00:14:17,554 I DON'T GOT ALL NIGHT. 318 00:14:17,556 --> 00:14:19,856 [ STEPPENWOLF'S "MAGIC CARPET RIDE" PLAYS ] 319 00:14:19,858 --> 00:14:21,259 -♪ I LIKE TO DREAM ♪ 320 00:14:21,261 --> 00:14:23,861 -JUST LET IT ALL HANG OUT. 321 00:14:23,863 --> 00:14:26,096 GET IN TOUCH WITH YOUR BODY. 322 00:14:28,034 --> 00:14:31,368 -♪ TALL AND TAN AND YOUNG AND LOVELY ♪ 323 00:14:31,370 --> 00:14:35,072 ♪ THE GIRL FROM IPANEMA GOES WALKING ♪ 324 00:14:35,074 --> 00:14:39,743 ♪ AND WHEN SHE PASSES, EACH ONE SHE PASSES GOES ♪ 325 00:14:39,745 --> 00:14:41,245 -♪ LOUIE, LOUIE ♪ 326 00:14:41,247 --> 00:14:42,980 ♪ OH, NO ♪ 327 00:14:42,982 --> 00:14:45,282 ♪ ME GOTTA GO ♪ 328 00:14:45,284 --> 00:14:46,717 ♪ YEAH, YEAH, YEAH, YEAH ♪ 329 00:14:46,719 --> 00:14:48,852 ♪ I SAID A-LOUIE, LOUIE ♪ 330 00:14:48,854 --> 00:14:53,623 -THIS WAS NOT FOR US. NOT IN PUBLIC. 331 00:14:53,625 --> 00:14:54,691 BUT IN PRIVATE... 332 00:14:54,693 --> 00:14:57,861 -♪ BORN TO BE WI-I-LD ♪ 333 00:15:13,579 --> 00:15:16,914 ♪ GET YOUR MOTOR RUNNIN' ♪ 334 00:15:16,916 --> 00:15:20,818 ♪ HEAD OUT ON THE HIGHWAY ♪ 335 00:15:20,820 --> 00:15:23,520 ♪ LOOKING FOR ADVENTURE ♪ 336 00:15:23,522 --> 00:15:26,557 [ WHISTLE BLOWS ] ♪ IN WHATEVER COMES OUR WAY ♪ 337 00:15:27,493 --> 00:15:29,460 ♪ YEAH, DARLIN' ♪ 338 00:15:29,462 --> 00:15:31,328 -ARE YOU SURE I LOOK BETTER WITHOUT MY GLASSES? 339 00:15:31,330 --> 00:15:34,031 -YOU LOOK LIKE A MILLION BUCKS. 340 00:15:34,033 --> 00:15:36,533 HOW DO I LOOK? 341 00:15:36,535 --> 00:15:39,936 -I HAVE ABSOLUTELY NO IDEA. 342 00:15:39,938 --> 00:15:42,239 -♪ I LIKE SMOKE AND LIGHTNING ♪ 343 00:15:42,241 --> 00:15:43,774 -THERE'S WINNIE. -WHERE? 344 00:15:43,776 --> 00:15:45,375 -OVER THERE BY THE PUNCH BOWL. 345 00:15:46,946 --> 00:15:48,712 -♪ RACING IN THE WIND ♪ 346 00:15:48,714 --> 00:15:51,749 -THAT'S MR. CUTLIP, PAUL. 347 00:15:51,751 --> 00:15:53,851 -OH. YEAH. 348 00:15:56,589 --> 00:15:58,155 [ SLOW MUSIC PLAYS ] 349 00:15:58,157 --> 00:16:00,590 -THE GOAL AT A JUNIOR-HIGH-SCHOOL DANCE 350 00:16:00,592 --> 00:16:02,692 IS TO LOOK AS BUSY AS POSSIBLE... 351 00:16:02,694 --> 00:16:06,030 WITHOUT ACTUALLY SETTING FOOT ON THE DANCE FLOOR. 352 00:16:06,032 --> 00:16:10,234 -♪ ...ALL OVER THE WORLD TONIGHT ♪ 353 00:16:10,236 --> 00:16:12,035 ♪ ALL OVER THE WORLD ♪ 354 00:16:12,037 --> 00:16:17,007 ♪ YOU CAN HEAR THE SOUNDS OF LOVERS IN LOVE ♪ 355 00:16:17,009 --> 00:16:19,310 -GOOD JOB, PAUL. LOOK WHO YOU JUST HIT. 356 00:16:21,514 --> 00:16:23,013 -[ SNEEZES ] 357 00:16:23,015 --> 00:16:25,215 -WHY DON'T YOU GO OVER AND ASK HER TO DANCE? 358 00:16:25,217 --> 00:16:27,284 -[ SNEEZING ] 359 00:16:27,286 --> 00:16:28,752 IS SHE LOOKING OVER HERE? 360 00:16:28,754 --> 00:16:30,954 -NO, SHE'S NOT LOOKING OVER HERE! 361 00:16:30,956 --> 00:16:31,722 -GOOD. 362 00:16:31,724 --> 00:16:33,190 -SHE'S COMING OVER HERE. 363 00:16:33,192 --> 00:16:37,294 -♪ SO LISTEN VERY CAREFULLY ♪ 364 00:16:37,296 --> 00:16:39,029 ♪ CLOSER, NOW ♪ 365 00:16:39,031 --> 00:16:40,197 -HI, PAUL. 366 00:16:40,199 --> 00:16:42,533 -HI, CARLA. 367 00:16:42,535 --> 00:16:44,435 -[ SIGHS ] 368 00:16:44,437 --> 00:16:46,604 -♪ IT ISN'T A DREAM ♪ 369 00:16:48,040 --> 00:16:49,773 -CARLA? 370 00:16:49,775 --> 00:16:51,308 I THINK PAUL, OVER HERE, 371 00:16:51,310 --> 00:16:53,577 HAS A LITTLE SOMETHING TO ASK YOU. 372 00:16:55,414 --> 00:16:57,047 -[ Laughing ] OKAY! 373 00:16:58,718 --> 00:17:02,986 -♪ FOREVER AND EVER ♪ 374 00:17:02,988 --> 00:17:06,657 ♪ THERE'S A KIND OF HUSH ALL OVER THE WORLD ♪ 375 00:17:06,659 --> 00:17:08,558 -IT WAS AS SORROWFUL A SPECTACLE 376 00:17:08,560 --> 00:17:11,495 AS I HAD EVER SEEN ON THE EVENING NEWS. 377 00:17:11,497 --> 00:17:18,068 -♪ YOU CAN HEAR THE SOUND OF LOVERS IN LOVE ♪ 378 00:17:18,070 --> 00:17:21,538 -BUT THEN AN AMAZING THING BEGAN TO HAPPEN. 379 00:17:21,540 --> 00:17:25,242 PAUL ACTUALLY BEGAN TO ENJOY HIMSELF. 380 00:17:25,244 --> 00:17:26,876 BY MY THIRD CUP OF PUNCH, 381 00:17:26,878 --> 00:17:29,580 HE WAS HAVING THE TIME OF HIS LIFE. 382 00:17:29,582 --> 00:17:31,281 -♪ OH, YEAH, YEAH, YEAH ♪ 383 00:17:31,283 --> 00:17:33,784 ♪ NOW, IF THERE'S A SMILE ♪ 384 00:17:33,786 --> 00:17:37,321 -AND I BEGAN TO REALIZE WHAT A MISERABLE TIME I WAS HAVING. 385 00:17:40,826 --> 00:17:43,494 AND IT WASN'T JUST PAUL. 386 00:17:43,496 --> 00:17:46,230 LISA BERLINI WAS HAVING THE TIME OF HER LIFE. 387 00:17:46,232 --> 00:17:49,599 MRS. RITVO WAS HAVING THE TIME OF HER LIFE. 388 00:17:49,601 --> 00:17:54,171 EVEN RODNEY THE CUSTODIAN WAS HAVING THE TIME OF HIS LIFE. 389 00:17:54,173 --> 00:17:57,675 I...WAS IN HELL. 390 00:18:03,916 --> 00:18:07,218 AND THAT'S WHEN WINNIE COOPER ENTERED THE GYM. 391 00:18:07,220 --> 00:18:08,952 I HAD NEVER SEEN HER LOOK PRETTIER 392 00:18:08,954 --> 00:18:12,590 THAN SHE DID STANDING THERE IN THE DOORWAY... 393 00:18:12,592 --> 00:18:15,592 UNTIL KIRK McCRAY WALKED IN BEHIND HER. 394 00:18:15,594 --> 00:18:17,928 THEN SHE LOOKED BEAUTIFUL! 395 00:18:20,666 --> 00:18:23,032 IT WAS ALL SO UNFAIR. 396 00:18:23,034 --> 00:18:25,669 I MEAN, THIS GUY ALREADY HAD EVERYTHING. 397 00:18:27,006 --> 00:18:29,073 AND NOW HE HAD MY WINNIE. 398 00:18:30,376 --> 00:18:33,877 I WASN'T GONNA JUST STAND IDLY BY. 399 00:18:33,879 --> 00:18:35,112 IT WAS TIME TO DO 400 00:18:35,114 --> 00:18:37,581 WHAT ANY HOT-BLOODED 12-YEAR-OLD GUY WOULD HAVE DONE 401 00:18:37,583 --> 00:18:39,016 IF HE WERE IN MY SHOES... 402 00:18:39,018 --> 00:18:41,217 -DO YOU WANT TO DANCE? 403 00:18:42,488 --> 00:18:44,121 -SURE! 404 00:18:45,324 --> 00:18:49,026 -...TRY TO MAKE WINNIE AS FURIOUSLY JEALOUS AS I WAS. 405 00:18:49,028 --> 00:18:50,361 THE KEY WOULD BE 406 00:18:50,363 --> 00:18:53,697 TO APPEAR LIKE I WAS HAVING THE TIME OF MY LIFE 407 00:18:53,699 --> 00:18:57,868 AND DANCE AS I HAD NEVER DANCED BEFORE. 408 00:18:57,870 --> 00:19:00,470 -♪ THE TEARS OF A CLOWN ♪ 409 00:19:00,472 --> 00:19:04,208 -APPARENTLY, WINNIE WAS PLAYING THE SAME GAME. 410 00:19:05,044 --> 00:19:09,013 -♪ OH, YEAH, BABY ♪ 411 00:19:09,015 --> 00:19:14,084 ♪ NOW, IF THERE'S A SMILE ON MY FACE ♪ 412 00:19:14,086 --> 00:19:18,689 [ "CHERISH" BY THE ASSOCIATION PLAYS ] 413 00:19:21,460 --> 00:19:23,426 -DO YOU WANT TO KEEP GOING? 414 00:19:23,428 --> 00:19:24,895 -SURE, I GUESS SO. 415 00:19:24,897 --> 00:19:30,000 -♪ "CHERISH" IS A WORD I USE TO DESCRIBE ♪ 416 00:19:30,002 --> 00:19:32,169 -IT ALL MADE SENSE AT THE TIME. 417 00:19:32,171 --> 00:19:33,737 THIS WOULD BE THE MOMENT 418 00:19:33,739 --> 00:19:36,940 WHEN WINNIE'S EYES MET MINE ACROSS THE DANCE FLOOR 419 00:19:36,942 --> 00:19:38,475 AND WE'D BOTH REALIZE 420 00:19:38,477 --> 00:19:41,645 THAT WE WERE REALLY MEANT TO BE DANCING WITH EACH OTHER. 421 00:19:41,647 --> 00:19:43,614 -♪ ...THAT I HAD TOLD YOU ♪ 422 00:19:43,616 --> 00:19:45,482 ♪ YOU DON'T KNOW HOW MANY TIMES ♪ 423 00:19:45,484 --> 00:19:48,819 ♪ I'VE WISHED THAT I COULD HOLD YOU ♪ 424 00:19:48,821 --> 00:19:50,754 ♪ YOU DON'T KNOW HOW MANY TIMES I'VE WISHED... ♪ 425 00:19:50,756 --> 00:19:52,856 -UM, EXCUSE ME. 426 00:19:52,858 --> 00:19:57,394 I'M JUST GONNA GO OUTSIDE FOR A MINUTE. 427 00:19:57,396 --> 00:20:02,066 -♪ CHERISH YOU ♪ 428 00:20:02,068 --> 00:20:08,671 ♪ "PERISH" IS THE WORD THAT MORE THAN APPLIES ♪ 429 00:20:11,110 --> 00:20:13,010 -SITTING ALONE OUTSIDE THE SCHOOL, 430 00:20:13,012 --> 00:20:15,412 I KEPT WONDERING WHAT IT WOULD HAVE BEEN LIKE 431 00:20:15,414 --> 00:20:17,781 IF I HAD ASKED WINNIE FIRST. 432 00:20:17,783 --> 00:20:21,719 HAD I MEANT ANYTHING AT ALL TO HER? 433 00:20:21,721 --> 00:20:24,387 HOW COULD SHE HAVE FORGOTTEN ME SO QUICKLY? 434 00:20:24,389 --> 00:20:25,488 [ BOING! ] 435 00:20:25,490 --> 00:20:29,659 -[ As Jeannie ] OH, MASTER! WHY SO GLUM? 436 00:20:29,661 --> 00:20:31,328 [ LAUGH TRACK ] 437 00:20:31,330 --> 00:20:33,997 PLEASE DON'T BE UPSET WITH ME, MASTER. 438 00:20:33,999 --> 00:20:35,765 I ONLY WISH TO PLEASE YOU. 439 00:20:35,767 --> 00:20:37,534 [ LAUGH TRACK ] 440 00:20:37,536 --> 00:20:39,035 -HUH? 441 00:20:39,037 --> 00:20:40,871 -I WAS ONLY USING HIM TO MAKE YOU JEALOUS. 442 00:20:40,873 --> 00:20:42,806 [ LAUGH TRACK ] -I KNEW IT! 443 00:20:42,808 --> 00:20:45,141 HOW COULD YOU SLOW-DANCE WITH HIM?! 444 00:20:45,143 --> 00:20:47,010 YOU NEVER EVEN SAID A WORD TO ME ALL N-- 445 00:20:47,012 --> 00:20:48,845 [ BOING! ] 446 00:20:48,847 --> 00:20:50,380 [ CRICKETS CHIRPING ] 447 00:20:52,251 --> 00:20:56,486 -WELL, YOU CAN'T BLAME A GUY FOR DREAMING. 448 00:20:56,488 --> 00:20:59,389 BUT, REALLY, I KNEW THAT I'D ALREADY BLOWN IT. 449 00:20:59,391 --> 00:21:02,192 FIRST I'D FORGOTTEN ABOUT WINNIE, 450 00:21:02,194 --> 00:21:05,128 NOW SHE'D FORGOTTEN ABOUT ME. 451 00:21:05,130 --> 00:21:07,997 I GUESS IT WAS ONLY FAIR. 452 00:21:09,435 --> 00:21:12,001 -KEVIN? 453 00:21:16,575 --> 00:21:18,609 WHAT ARE YOU DOING OUT HERE? 454 00:21:19,878 --> 00:21:21,945 -NOTHING. 455 00:21:23,949 --> 00:21:25,882 WHAT ARE YOU DOING OUT HERE? 456 00:21:25,884 --> 00:21:28,051 -I DON'T KNOW. 457 00:21:41,233 --> 00:21:43,933 -DO YOU LIKE HIM? 458 00:21:46,738 --> 00:21:48,338 -HE'S NICE. 459 00:21:52,144 --> 00:21:53,944 -[ SIGHS ] 460 00:21:57,416 --> 00:22:00,917 WINNIE... 461 00:22:00,919 --> 00:22:03,720 CAN I ASK YOU ONE MORE THING? 462 00:22:05,391 --> 00:22:11,228 -♪ I'VE BEEN LOVING YOU ♪ 463 00:22:13,799 --> 00:22:17,634 ♪ TOO LONG ♪ 464 00:22:19,104 --> 00:22:22,205 ♪ TO STOP NOW ♪ 465 00:22:22,207 --> 00:22:26,476 -AND SO WINNIE AND I HAD OUR ONE SLOW DANCE, AFTER ALL. 466 00:22:26,478 --> 00:22:29,212 BUT THINGS WOULDN'T BE THE SAME BETWEEN US. 467 00:22:29,214 --> 00:22:31,048 WE WERE GETTING OLDER. 468 00:22:31,050 --> 00:22:33,883 AND WHETHER WE WANTED IT OR NOT, 469 00:22:33,885 --> 00:22:37,254 THE LISA BERLINIS AND THE KIRK McCRAYS 470 00:22:37,256 --> 00:22:39,789 WERE CHANGING US BY THE MINUTE. 471 00:22:39,791 --> 00:22:42,993 ALL WE COULD DO WAS CLOSE OUR EYES 472 00:22:42,995 --> 00:22:47,864 AND WISH THAT THE SLOW SONG WOULD NEVER END. 473 00:22:47,866 --> 00:22:53,837 -♪ OOH, BEEN LOVING YO-O-U ♪ 474 00:22:53,839 --> 00:22:58,241 ♪ A LITTLE TOO LONG ♪ 475 00:22:58,243 --> 00:23:02,946 ♪ I DON'T WANNA STOP NOW ♪ 476 00:23:02,948 --> 00:23:07,884 ♪ OH, OH, OH ♪ 477 00:23:07,886 --> 00:23:13,390 ♪ I'VE BEEN LOVING YOU ♪