1 00:00:00,460 --> 00:00:03,000 This is my boss, Jonathan Hart. 2 00:00:03,600 --> 00:00:06,380 He's a millionaire, self -made. 3 00:00:07,360 --> 00:00:09,360 And this is his wife, Jennifer. 4 00:00:10,120 --> 00:00:11,440 She's quite a lady. 5 00:00:13,100 --> 00:00:14,320 Oh, and that's me. 6 00:00:14,720 --> 00:00:16,020 My name is Max. 7 00:00:16,720 --> 00:00:18,920 I take care of them, which ain't easy. 8 00:00:19,180 --> 00:00:22,140 Because when they met, it was murder. 9 00:00:29,000 --> 00:00:31,180 You want to pour that, Sherry? You're just going to stare at me. 10 00:00:32,479 --> 00:00:33,480 I'm sorry. 11 00:00:33,800 --> 00:00:37,200 Forgive me. It's just that you look so beautiful. 12 00:00:39,180 --> 00:00:40,180 I'm surprised. 13 00:00:41,220 --> 00:00:45,000 Under the circumstances, I suppose I am. 14 00:00:46,700 --> 00:00:48,620 Well, then be surprised and pour that, Sherry. 15 00:00:49,080 --> 00:00:50,800 I need something to steady my nerves. 16 00:01:03,060 --> 00:01:04,360 Mr. Getting out of here alive. 17 00:01:12,560 --> 00:01:18,020 You do realize the others, they had to die. 18 00:01:19,480 --> 00:01:20,620 What are you talking about? 19 00:01:20,880 --> 00:01:24,560 I could see it, you know, the way they looked at you, especially Munson. 20 00:01:24,800 --> 00:01:26,260 I mean, killing him was easy. 21 00:01:26,500 --> 00:01:27,500 Oh, Freddy, please. 22 00:01:29,000 --> 00:01:32,660 Julie, I did it for you. No. No, everything. I did it all for you, Julie. 23 00:01:32,660 --> 00:01:33,378 it for you. 24 00:01:33,380 --> 00:01:34,740 I did it for you, Julie. Hey. 25 00:01:35,320 --> 00:01:37,480 Let her go. 26 00:01:38,080 --> 00:01:40,420 I can't be. I mean, you're dead. You're dead. I killed you. 27 00:01:40,740 --> 00:01:41,740 I killed you. 28 00:01:42,940 --> 00:01:43,220 Are 29 00:01:43,220 --> 00:01:52,700 you 30 00:01:52,700 --> 00:01:53,700 all right? 31 00:01:53,720 --> 00:01:54,740 Yes, I think so. 32 00:01:59,440 --> 00:02:00,440 It had to be done. 33 00:02:01,480 --> 00:02:02,860 He was quite crazy, you know. 34 00:02:03,420 --> 00:02:04,420 Yes, I know. 35 00:02:05,560 --> 00:02:06,560 Crazy in love. 36 00:02:14,580 --> 00:02:15,900 Bravo! Bravo! 37 00:02:23,020 --> 00:02:24,040 Well, what did you think? 38 00:02:24,540 --> 00:02:27,860 I thought it was funny, successful, exciting. 39 00:02:28,570 --> 00:02:29,570 And tragic. 40 00:02:29,810 --> 00:02:35,210 Poor Frederick, giving up all he had for the one woman he loved. Well, that's 41 00:02:35,210 --> 00:02:36,470 the part I identified with. 42 00:02:37,670 --> 00:02:39,090 Ooh, crowded. 43 00:02:40,470 --> 00:02:44,810 This David Kramer has what? Four shows going at the same time? The man 44 00:02:44,810 --> 00:02:47,270 definitely has the Midas touch. He's quite an eccentric. 45 00:02:47,690 --> 00:02:52,290 He never gives interviews, and all his after -theater parties are by invitation 46 00:02:52,290 --> 00:02:53,290 only. 47 00:02:53,770 --> 00:02:55,490 Which raises an interesting question. 48 00:02:56,190 --> 00:02:57,410 Why are we here? 49 00:03:46,830 --> 00:03:47,830 fun, isn't it? 50 00:03:49,910 --> 00:03:50,910 Mr. 51 00:03:51,310 --> 00:03:57,050 and Mrs. Hart, David Kramer, and this beautiful young woman is Dory Maitland. 52 00:03:57,650 --> 00:03:59,130 Dory is my up -and -coming star. 53 00:04:00,110 --> 00:04:01,130 Did you enjoy the play? 54 00:04:01,450 --> 00:04:02,950 It was wonderful. 55 00:04:03,190 --> 00:04:06,650 Thank you, but believe me, it's nothing compared to what I'm staging in my next 56 00:04:06,650 --> 00:04:07,650 show. 57 00:04:07,840 --> 00:04:11,980 Well, we were delighted and quite surprised to receive the invitation. 58 00:04:11,980 --> 00:04:15,100 very much. I hope you'll still feel that way when you realize I had ulterior 59 00:04:15,100 --> 00:04:16,339 motives for inviting you here. 60 00:04:16,620 --> 00:04:18,880 I have designs on your wife, Mr. Hart. 61 00:04:19,920 --> 00:04:21,399 Well, you're going to have to get in line. 62 00:04:21,640 --> 00:04:22,660 Besides, she's taken. 63 00:04:23,080 --> 00:04:24,080 That's a shame. 64 00:04:24,140 --> 00:04:25,960 But not the kind of designs I had in mind. 65 00:04:26,720 --> 00:04:28,320 I want to work with her at my next play. 66 00:04:40,780 --> 00:04:45,180 for affection took from him that which he loved most, the ladies of 67 00:04:47,540 --> 00:04:49,560 Where did you find this? 68 00:04:49,840 --> 00:04:52,060 By luck and pure miracle, Mrs. Hart. 69 00:04:52,300 --> 00:04:53,760 Jennifer. Jennifer. 70 00:04:54,400 --> 00:04:58,260 I'm in the final stages of preparing a musical based on Jack the Ripper. I'm 71 00:04:58,260 --> 00:05:01,360 producing and directing because I intend this to be the greatest production of 72 00:05:01,360 --> 00:05:02,360 my life. 73 00:05:03,240 --> 00:05:06,540 We have a script, and it's good, but it's lacking something. 74 00:05:07,270 --> 00:05:11,210 So I sent everyone on my staff out searching for ideas, and bingo, one of 75 00:05:11,210 --> 00:05:12,610 development people came across it. 76 00:05:13,550 --> 00:05:17,750 I didn't think there was another copy left in the world. I hate to interrupt, 77 00:05:17,930 --> 00:05:21,830 but would someone fill me in on what's going on here? The Ladies of Whitechapel 78 00:05:21,830 --> 00:05:22,830 by Jennifer Edwards. 79 00:05:22,990 --> 00:05:25,590 Your wife wrote and directed this play at NYU. 80 00:05:28,330 --> 00:05:30,090 You never went to NYU. 81 00:05:30,430 --> 00:05:32,850 No. I mean, yes, well, I did for one semester. 82 00:05:33,210 --> 00:05:35,550 It was a special arrangement from the theater arts department. 83 00:05:36,560 --> 00:05:39,320 I spent a semester developing this script. 84 00:05:40,260 --> 00:05:44,320 And I did all the research involved, you know, some of the theories, the 85 00:05:44,320 --> 00:05:49,640 traditional theories, the one about the celebrated physician in London. 86 00:05:49,960 --> 00:05:54,120 And there was another one about a member of the royal family who went berserk. 87 00:05:54,720 --> 00:06:00,800 But there was one possibility, and it really 88 00:06:00,800 --> 00:06:02,140 intrigued me. 89 00:06:02,520 --> 00:06:04,920 And she came up with a unique... 90 00:06:05,260 --> 00:06:09,020 And most remarkable take on an old and tired subject, which is the possibility 91 00:06:09,020 --> 00:06:13,580 that Jack the Ripper was actually a woman abused and neglected by her 92 00:06:15,740 --> 00:06:17,260 Remind me never to neglect you. 93 00:06:18,240 --> 00:06:20,880 Well, it was hardly Broadway material. 94 00:06:21,920 --> 00:06:23,540 Why don't you let me be the judge of that? 95 00:06:28,340 --> 00:06:29,340 Let's go, Dory. 96 00:06:29,720 --> 00:06:32,140 Peter, not now. Now, let's go. 97 00:06:32,460 --> 00:06:34,160 You know, Peter, you're a good agent, at least you were. 98 00:06:34,560 --> 00:06:36,340 Why don't you collect your 10 % and wait in the woods? 99 00:06:36,740 --> 00:06:40,920 We had a career plan before you, Kramer. We'll have one long after you're gone. 100 00:06:41,060 --> 00:06:42,520 Okay, Peter, that is enough. 101 00:06:42,780 --> 00:06:43,780 Do you understand what I'm saying? 102 00:06:43,940 --> 00:06:44,940 Let's leave. 103 00:06:44,960 --> 00:06:46,160 I am very sorry. 104 00:06:46,540 --> 00:06:47,960 It was nice meeting you both. 105 00:06:50,460 --> 00:06:51,460 Sorry about that. 106 00:06:51,840 --> 00:06:53,120 An agent's worst nightmare. 107 00:06:53,720 --> 00:06:57,080 He's in love with his client and he worries that someone else might take him 108 00:06:57,080 --> 00:06:58,080 away. 109 00:06:58,660 --> 00:07:00,320 Kind of like the play we saw tonight. 110 00:07:00,600 --> 00:07:02,200 Exactly. It's a familiar theme. 111 00:07:03,500 --> 00:07:04,940 Getting back to your play, Jennifer. 112 00:07:05,560 --> 00:07:08,160 I have a good script, but I could use some of your ideas. 113 00:07:08,760 --> 00:07:12,060 It'd mean coming to New York, of course. Not on a full -time basis, just for 114 00:07:12,060 --> 00:07:13,060 some consulting. 115 00:07:13,300 --> 00:07:17,780 You might enjoy it. Well, I'm very flattered, but... What kind of a time 116 00:07:17,780 --> 00:07:18,780 are you talking about? 117 00:07:19,040 --> 00:07:20,040 Big rush. 118 00:07:20,140 --> 00:07:21,220 Yesterday, if possible. 119 00:07:22,540 --> 00:07:26,080 Look, I realize this is all very last minute, and I apologize for the 120 00:07:26,160 --> 00:07:27,680 but that is my forte. 121 00:07:28,920 --> 00:07:29,920 Here's my card. 122 00:07:30,780 --> 00:07:31,920 I'm in town until Friday. 123 00:07:32,440 --> 00:07:33,940 Let me know that you're not going to break my heart. 124 00:07:34,700 --> 00:07:35,700 Nice meeting you both. 125 00:07:36,480 --> 00:07:37,480 Good night. 126 00:07:41,580 --> 00:07:42,580 Broadway musical. 127 00:07:43,680 --> 00:07:45,760 Darling, Jackie the Ripper? 128 00:07:47,040 --> 00:07:49,120 I think I'm in shock. 129 00:07:49,540 --> 00:07:50,540 I think how I feel. 130 00:07:50,760 --> 00:07:53,680 I'm learning things about you I never knew before. Not only are you a 131 00:07:53,680 --> 00:07:58,620 playwright, but that you have this fascination now for serial killers. 132 00:08:02,190 --> 00:08:03,190 What are you looking for? 133 00:08:04,510 --> 00:08:08,630 Well, I had my... I had my compact in here. 134 00:08:10,330 --> 00:08:12,150 I don't know, my head's spinning. 135 00:08:13,490 --> 00:08:14,490 What do you think? 136 00:08:15,650 --> 00:08:17,110 I think it'd be great. 137 00:08:17,550 --> 00:08:18,449 Do you? 138 00:08:18,450 --> 00:08:19,690 We could have fun, couldn't we? 139 00:08:20,090 --> 00:08:25,490 I hope I could be some use to him. I don't know if I remember all that 140 00:08:27,690 --> 00:08:30,430 Well, maybe we ought to take a walk down memory lane. 141 00:08:45,450 --> 00:08:48,750 standing here beside me enjoying the sand and the surf. 142 00:08:49,310 --> 00:08:51,730 Love always, Buster. 143 00:08:52,150 --> 00:08:53,750 Oh, Buster. 144 00:08:54,730 --> 00:08:55,730 High school. 145 00:08:56,530 --> 00:08:57,530 Quarterback. 146 00:08:58,190 --> 00:08:59,910 But he couldn't spell very well. 147 00:09:00,410 --> 00:09:01,410 What ball's called? 148 00:09:02,050 --> 00:09:03,090 Look at this. 149 00:09:05,510 --> 00:09:09,250 Cheerleader. B, this is yours, huh? Bulldog. 150 00:09:17,640 --> 00:09:19,160 Bulldogs, Bulldogs. No, not exactly. 151 00:09:19,360 --> 00:09:20,360 More like this. 152 00:09:23,440 --> 00:09:30,100 B -U, B -U, B -U, L -L, L -L, L -L, 153 00:09:30,100 --> 00:09:34,460 B -O -G -S, Bulldogs, Bulldogs. 154 00:09:37,180 --> 00:09:38,180 Bulldogs! 155 00:09:39,440 --> 00:09:44,300 Well. Lucky buster. Where is your high school box of memories? 156 00:09:45,040 --> 00:09:47,020 My high school memories aren't exactly worth keeping. 157 00:10:19,340 --> 00:10:20,360 pretty good in the third. 158 00:10:21,920 --> 00:10:22,920 No? 159 00:10:23,720 --> 00:10:25,360 What about time banded? 160 00:10:27,720 --> 00:10:33,800 All right, we got up at Adam in the first, split second in the second, and 161 00:10:33,800 --> 00:10:34,900 banded in the third. 162 00:10:35,860 --> 00:10:39,640 If you're wrong about this, it's back to dry food. 163 00:10:41,700 --> 00:10:44,300 I wonder what's keeping Mr. and Mrs. H. 164 00:10:45,300 --> 00:10:47,000 Technique was absolutely critical. 165 00:10:48,480 --> 00:10:49,960 Timing had to be perfect. 166 00:10:50,420 --> 00:10:51,780 Really? Absolutely. 167 00:10:53,180 --> 00:10:57,140 Let me show you. See, you had your arm around the girl here. 168 00:10:57,440 --> 00:10:58,440 Uh -huh. 169 00:10:58,580 --> 00:11:00,000 This hand on the wheel. 170 00:11:01,780 --> 00:11:08,460 Now, the most important thing is you had to know the roads, the right turns and 171 00:11:08,460 --> 00:11:09,460 the left turns. 172 00:11:10,340 --> 00:11:16,760 See, because when you came up to the right turn, you'd go this way and this 173 00:11:16,760 --> 00:11:18,040 the do or die move. 174 00:11:18,400 --> 00:11:19,400 The left. Oh. 175 00:11:20,300 --> 00:11:22,440 If you get past this. 176 00:11:23,440 --> 00:11:24,440 What? 177 00:11:24,780 --> 00:11:25,780 Well, I don't know. 178 00:11:26,000 --> 00:11:27,240 I never got that far. 179 00:11:28,420 --> 00:11:32,840 Well, listen, you better be careful because my father expects us home by 11. 180 00:11:33,060 --> 00:11:36,780 Oh, we had a contingency for that. The old running out of gas maneuver. 181 00:11:37,120 --> 00:11:40,780 You didn't do that, did you? Well, it depended on the girl's father. 182 00:11:41,740 --> 00:11:43,640 You know, we ran out of gas once. 183 00:11:46,730 --> 00:11:47,870 That was two years ago, darling. 184 00:11:50,210 --> 00:11:53,610 You didn't plan that, did you? 185 00:11:54,330 --> 00:11:55,910 You didn't get home at 11, did you? 186 00:11:57,630 --> 00:11:58,630 Hey, 187 00:12:01,810 --> 00:12:04,090 Max. Sorry to keep you waiting. 188 00:12:04,590 --> 00:12:06,130 We found some surprises in there. 189 00:12:06,870 --> 00:12:09,630 Surprises? Well, that's okay, Mr. H. 190 00:12:10,110 --> 00:12:11,370 I filled up the car. 191 00:12:11,610 --> 00:12:13,410 I hate to see you run out of gas at a... 192 00:12:23,400 --> 00:12:24,400 It should be fun. 193 00:12:24,600 --> 00:12:29,000 You mean with lots of dances and crossgirls, shoulder on a leg, that kind 194 00:12:29,000 --> 00:12:30,000 musical? 195 00:12:30,240 --> 00:12:32,300 Something like that. What do you think? 196 00:12:33,520 --> 00:12:36,040 It'll be Junior's first trip to the Big Apple. 197 00:12:37,780 --> 00:12:39,640 You don't know what you're in for now. 198 00:12:40,060 --> 00:12:42,100 I'm going to teach you something about attitude. 199 00:12:42,740 --> 00:12:45,700 You're going to say, hey, I'm walking here. 200 00:12:45,960 --> 00:12:47,120 I'm walking here. 201 00:13:45,640 --> 00:13:47,060 No, this was supposed to be my show. 202 00:13:47,960 --> 00:13:49,700 Your show? Call security. 203 00:13:50,220 --> 00:13:53,580 Gee, I don't remember ever seeing your name above the title. You know damn well 204 00:13:53,580 --> 00:13:57,080 what I mean, Kramer. You promised me your next show. I already started 205 00:13:57,080 --> 00:14:00,080 on the preliminaries, and it was a hell of a lot more inventive than this 206 00:14:00,080 --> 00:14:03,680 garbage. Well, this is a big show, Hal, and you just don't have the experience. 207 00:14:04,000 --> 00:14:06,160 You mean you don't have the guts to give me my shot? 208 00:14:06,860 --> 00:14:09,840 You're a gutless liar, Kramer. Let's see what the press does with that. Get out 209 00:14:09,840 --> 00:14:10,840 of my theater, Hal. 210 00:14:11,000 --> 00:14:12,980 Get out and go home. This isn't the end of it. 211 00:14:15,230 --> 00:14:16,230 Hey! 212 00:14:16,330 --> 00:14:17,330 Hey! 213 00:14:17,830 --> 00:14:19,210 Well, that was stupid, Trask. 214 00:14:19,710 --> 00:14:21,110 Now get out of here. Go home. 215 00:14:21,330 --> 00:14:22,330 Right now. 216 00:14:30,790 --> 00:14:32,010 We're going to have to remake that. 217 00:14:32,430 --> 00:14:33,750 Whatever it takes, do it. 218 00:14:36,870 --> 00:14:37,870 David? 219 00:14:38,970 --> 00:14:39,970 Jennifer! 220 00:14:42,410 --> 00:14:45,650 I hope this wasn't the wrong time to count. No, you came at a great time. 221 00:14:45,650 --> 00:14:46,650 on up. 222 00:14:46,730 --> 00:14:50,010 Besides, I would think that any time you walked into a room would be a great 223 00:14:50,010 --> 00:14:53,710 time. I hope you feel that way after we work together. 224 00:14:53,990 --> 00:14:55,930 Well, in this line of work, I'm sure we're going to run through a lot of 225 00:14:55,930 --> 00:14:56,869 feelings together. 226 00:14:56,870 --> 00:14:58,410 Now, come here. I want you to stand right here. 227 00:14:58,790 --> 00:14:59,830 Right here? Right here. 228 00:15:01,390 --> 00:15:03,670 Charlie, will you kill the house lights and give me the first cue? 229 00:15:06,230 --> 00:15:07,670 Now, just imagine. 230 00:15:08,670 --> 00:15:10,770 A few hundred people out there in the dark. 231 00:15:11,689 --> 00:15:13,590 All eyes are on the stage. 232 00:15:14,570 --> 00:15:17,370 It's so quiet, you can hear them inhale. 233 00:15:18,590 --> 00:15:19,590 Do you feel it? 234 00:15:21,470 --> 00:15:23,650 I feel my knees shaking. 235 00:15:24,770 --> 00:15:27,450 Well, this is my 16th show and I still get goosebumps. 236 00:15:28,570 --> 00:15:29,710 Okay, Charlie, thanks. 237 00:15:32,610 --> 00:15:33,610 Wow. 238 00:15:34,010 --> 00:15:36,350 You know, I am so glad you made it here. 239 00:15:36,590 --> 00:15:38,050 Oh, thank you. Have you gotten settled? 240 00:15:38,560 --> 00:15:41,440 Well, I dropped Jonathan and Max off at the apartment and came straight here. 241 00:15:41,640 --> 00:15:43,380 Great, I love that. It's called being a trooper. 242 00:15:43,980 --> 00:15:44,980 Jody! 243 00:15:46,180 --> 00:15:47,180 Jennifer Hart. 244 00:15:47,300 --> 00:15:48,300 Jody, my assistant. 245 00:15:48,500 --> 00:15:50,320 How do you do? Great to meet you, Mrs. Hart. 246 00:15:50,580 --> 00:15:52,460 Jody, would you please show Mrs. Hart around the theater? 247 00:15:52,860 --> 00:15:55,560 Introduce her to everyone and make her feel at home. Yes, sir. 248 00:15:55,800 --> 00:15:57,240 You and I will work together later. 249 00:15:57,560 --> 00:15:58,560 Good, great. 250 00:15:58,740 --> 00:15:59,740 Well, then I'll see you later. 251 00:16:00,460 --> 00:16:01,460 Bye -bye. Bye. 252 00:16:05,620 --> 00:16:07,520 Well, this is the old lighting board. 253 00:16:07,950 --> 00:16:11,090 It doesn't work anymore, but David keeps it around because it reminds him of his 254 00:16:11,090 --> 00:16:14,890 school. So you're the lady who wrote the masterpiece that's going to save us 255 00:16:14,890 --> 00:16:17,970 all. Well, I don't know about that. I'm Alan Watson. 256 00:16:18,210 --> 00:16:19,210 These are my sets. 257 00:16:19,430 --> 00:16:20,430 How do you do? 258 00:16:20,470 --> 00:16:21,470 They're wonderful. 259 00:16:22,230 --> 00:16:24,630 You haven't done Broadway before, have you? 260 00:16:25,710 --> 00:16:28,150 No. Well, good luck. 261 00:16:28,670 --> 00:16:30,250 Hope you know what you're getting yourself in for. 262 00:16:33,090 --> 00:16:34,090 Me too. 263 00:16:34,470 --> 00:16:35,810 I'll show you the dressing rooms. 264 00:16:41,800 --> 00:16:42,820 What do you think of this? 265 00:16:43,540 --> 00:16:44,560 For the dressing room. 266 00:16:45,100 --> 00:16:46,100 Act two. 267 00:16:46,260 --> 00:16:47,420 It's very nice. 268 00:16:47,940 --> 00:16:48,940 Where did you find it? 269 00:16:49,320 --> 00:16:51,960 It's amazing what you can find around this place if you poke around enough. 270 00:16:52,240 --> 00:16:53,460 Lots of nooks and crannies. 271 00:16:54,380 --> 00:16:55,900 Why am I telling you? It's your theater. 272 00:16:56,100 --> 00:16:59,020 Well, there are probably parts of it that even I haven't seen yet. 273 00:16:59,320 --> 00:17:00,320 Really? 274 00:17:01,580 --> 00:17:02,720 Anyway, what do you think? 275 00:17:03,340 --> 00:17:04,400 I think you found it. 276 00:17:04,960 --> 00:17:06,240 But that doesn't surprise me. 277 00:17:07,930 --> 00:17:09,730 Thanks for sticking up for my sets back there. 278 00:17:10,569 --> 00:17:11,569 All in a day's work. 279 00:17:12,869 --> 00:17:16,089 I just want to say how much I enjoy working with you, Mr. Kramer. 280 00:17:17,109 --> 00:17:18,109 You're an interesting man. 281 00:17:18,829 --> 00:17:19,950 This is an interesting place. 282 00:17:21,470 --> 00:17:23,369 I'd like to think we have a long future together. 283 00:17:24,170 --> 00:17:26,190 Just keep up the good work. That's all it takes. 284 00:17:26,810 --> 00:17:27,810 Right. 285 00:17:29,530 --> 00:17:30,530 Good night. 286 00:18:20,060 --> 00:18:24,640 When you... Boodle. 287 00:18:25,720 --> 00:18:26,960 You look wonderful. 288 00:18:27,180 --> 00:18:28,240 I've missed you. 289 00:18:28,560 --> 00:18:32,080 I think we still have too many lead women in the piece. They take the focus 290 00:18:32,080 --> 00:18:32,819 of Kitty. 291 00:18:32,820 --> 00:18:35,960 The focus has to be on Kitty, just like in your version. 292 00:18:37,940 --> 00:18:40,280 What if we combine Claire and Kitty? 293 00:18:40,820 --> 00:18:44,180 One woman, mostly Kitty, but with some of Claire's problems. 294 00:18:44,600 --> 00:18:45,600 That's perfect. 295 00:18:46,260 --> 00:18:50,400 Claire has a terrific number right after the funeral. It's very moving, and it's 296 00:18:50,400 --> 00:18:51,400 perfect for Kitty. 297 00:18:52,240 --> 00:18:54,640 I knew I made the right decision by asking for your help. 298 00:18:55,080 --> 00:18:57,180 I hope I'm not interrupting. 299 00:18:58,440 --> 00:19:00,000 No, we needed a break anyway. 300 00:19:00,360 --> 00:19:01,360 Hello, darling. 301 00:19:01,600 --> 00:19:04,040 Hi. You know, your wife is very talented, Mr. Hart. 302 00:19:04,440 --> 00:19:05,440 Very good instincts. 303 00:19:06,120 --> 00:19:08,820 I think it was her instincts that first attracted me to her. 304 00:19:09,700 --> 00:19:11,120 I thought you might be free for lunch. 305 00:19:11,320 --> 00:19:13,120 One hour. We're on a tight schedule. 306 00:19:14,240 --> 00:19:15,240 I'll see you later. 307 00:19:23,370 --> 00:19:24,370 How's it going? 308 00:19:24,390 --> 00:19:25,710 Great, great. 309 00:19:26,350 --> 00:19:27,910 Isn't this a wonderful old theater? 310 00:19:28,290 --> 00:19:32,930 Full of little passageways and all. Oh, you see this? This is a big backdrop 311 00:19:32,930 --> 00:19:35,310 that's going to have the whole of Whitechapel Street on it. 312 00:19:35,910 --> 00:19:39,970 That's the lighting board. They're mixing it all together and voila, 313 00:19:40,970 --> 00:19:41,970 the theater. 314 00:20:02,410 --> 00:20:04,070 You were just standing there when this thing happened? 315 00:20:05,670 --> 00:20:08,910 As I told you, I was talking to my husband on the edge of the proscenium. 316 00:20:09,550 --> 00:20:10,349 Excuse me? 317 00:20:10,350 --> 00:20:11,910 Proscenium? What is that? Some kind of Greek word? 318 00:20:14,670 --> 00:20:16,050 On the edge of the stage. 319 00:20:18,030 --> 00:20:19,870 I was describing the set. 320 00:20:20,170 --> 00:20:23,530 Too bad the set designer's dead or he could explain the set to us in English. 321 00:20:24,950 --> 00:20:25,950 Alan Watson. 322 00:20:26,030 --> 00:20:27,070 Do either of you know this guy? 323 00:20:27,290 --> 00:20:29,130 We just got here yesterday, Lieutenant. 324 00:20:30,030 --> 00:20:32,180 Detective. Detective Frank Giordano. 325 00:20:32,840 --> 00:20:35,780 Lieutenant is something they're keeping from me to give my mother still a little 326 00:20:35,780 --> 00:20:37,160 bit more to pray for, you know what I'm saying? 327 00:20:38,420 --> 00:20:43,400 Mrs. Hart, did you by any chance hear anything before this guy dropped in on 328 00:20:43,400 --> 00:20:44,400 you? A fight? 329 00:20:44,740 --> 00:20:45,920 Some kind of argument? 330 00:20:46,440 --> 00:20:49,700 Something I can put in here to make it look like I'm a professional police 331 00:20:49,700 --> 00:20:53,100 officer? You may not know it, but they grade us on this stuff. 332 00:20:53,500 --> 00:20:57,500 Look, detective, unless you've got some reason to be suspicious, I've got a show 333 00:20:57,500 --> 00:21:00,400 to open here. I don't need the negative publicity and word of mouth. 334 00:21:01,320 --> 00:21:02,380 What happened, happened. 335 00:21:03,000 --> 00:21:07,220 It was a tragedy, no question about it, but unless you have some reason to 336 00:21:07,220 --> 00:21:10,540 believe otherwise, it would appear that it was nothing more than a terrible 337 00:21:10,540 --> 00:21:11,540 accident. 338 00:21:12,660 --> 00:21:14,000 Yeah, like my first marriage. 339 00:21:14,680 --> 00:21:18,720 Look, Mr. Craver, some guy goes up in the flies, is that what you call it? 340 00:21:18,720 --> 00:21:22,560 guy goes up in the flies, gets tangled up in rope, and then he falls. 341 00:21:23,560 --> 00:21:25,580 Now, what are the odds that rope would wind up around his neck? 342 00:21:25,860 --> 00:21:27,300 I didn't know we were playing the odds. 343 00:21:27,660 --> 00:21:28,660 I'm a cop. 344 00:21:29,630 --> 00:21:31,290 Something goes down that beats the odds. 345 00:21:32,110 --> 00:21:35,650 My nose sure as hell better start twitching, or I might as well partner 346 00:21:35,650 --> 00:21:36,750 cousin Dom at the bakery. 347 00:21:37,450 --> 00:21:39,430 By the way, you like cannolis? 348 00:21:40,630 --> 00:21:41,950 Venezia Bakery, Mulberry Street. 349 00:21:42,750 --> 00:21:43,750 Best in the city. 350 00:21:43,770 --> 00:21:44,770 Is that all, Detective? 351 00:21:45,770 --> 00:21:49,910 That's all for now, Mr. Hart, but as they say in the circumstances, don't 352 00:21:49,910 --> 00:21:50,930 town for a while, okay? 353 00:21:51,330 --> 00:21:52,330 Thank you. 354 00:22:07,419 --> 00:22:09,340 Oh, thank you. 355 00:22:09,840 --> 00:22:11,280 Well, it's quite a selection. 356 00:22:11,640 --> 00:22:12,640 What do you suggest? 357 00:22:13,000 --> 00:22:16,440 You a beautiful woman. I can't tell just by looking at you what you like. 358 00:22:17,040 --> 00:22:20,360 Oh? I make a choice for you. I give you the best in the house. Okay. 359 00:22:21,580 --> 00:22:25,480 Are you Italian? 360 00:22:26,740 --> 00:22:28,460 No, I'm Jewish, but I need the job. 361 00:22:29,930 --> 00:22:33,150 If you don't mind, novecento. 362 00:22:33,650 --> 00:22:35,450 Cento. Cento. Good. 363 00:22:35,790 --> 00:22:37,810 Novecento. Good. I'll have that. And you? 364 00:22:38,550 --> 00:22:39,550 Well. 365 00:22:40,690 --> 00:22:42,130 Come on. Christmas is coming. 366 00:22:43,530 --> 00:22:44,530 What do you suggest? 367 00:22:44,930 --> 00:22:45,930 Forgetting a meatball. 368 00:22:46,450 --> 00:22:47,990 Yeah. Bye. 369 00:22:49,410 --> 00:22:52,570 I love New York. Yeah, I know. Why? 370 00:22:52,810 --> 00:22:53,810 Why? 371 00:22:54,440 --> 00:22:56,100 Because all the waiters flirt with you. 372 00:22:56,400 --> 00:22:59,460 Food's great here, but they're a little slow, so I took the liberty of getting 373 00:22:59,460 --> 00:22:59,959 you some. 374 00:22:59,960 --> 00:23:02,740 Hey, Vito, can you bring three glasses over here, please? Thank you. 375 00:23:06,420 --> 00:23:07,460 Why don't you join us? 376 00:23:09,000 --> 00:23:10,000 Have some lunch? 377 00:23:10,240 --> 00:23:11,240 No, thanks, Hank. 378 00:23:11,440 --> 00:23:14,200 Gotta watch the gut. Nothing burns a whole little stomach, Lenny. 379 00:23:14,420 --> 00:23:15,740 Better than Italian deli. 380 00:23:17,420 --> 00:23:19,180 Thank you for sharing that. 381 00:23:20,300 --> 00:23:21,620 You know what? Maybe I will. 382 00:23:21,880 --> 00:23:23,160 Just pick at this a little bit. 383 00:23:25,650 --> 00:23:27,530 Why do we have the pleasure of your company? 384 00:23:28,350 --> 00:23:31,150 Mr. Hart, I had to think about this for a few minutes. 385 00:23:31,630 --> 00:23:33,010 Do I talk to the wife alone? 386 00:23:33,250 --> 00:23:36,630 Do I talk to the husband and wife together and see what kind of reactions 387 00:23:37,730 --> 00:23:39,950 Stuff they don't teach in the academy. It's amazing. 388 00:23:40,710 --> 00:23:43,730 Maybe you missed it when you were out snacking. 389 00:23:44,210 --> 00:23:46,970 It's funny, but... Mrs. Hart, is this your signature? 390 00:23:49,710 --> 00:23:50,710 Looks like it. 391 00:23:50,750 --> 00:23:51,750 Mr. Hart? 392 00:23:52,430 --> 00:23:56,110 If Jennifer says that's her signature, then I suppose it was. No, no, no. Can 393 00:23:56,110 --> 00:23:57,110 you pass me the wine? 394 00:23:58,490 --> 00:23:59,490 Allow me. 395 00:24:01,470 --> 00:24:06,070 That signature was torn off this note. I made some copies and I just tore it off 396 00:24:06,070 --> 00:24:07,049 just now. 397 00:24:07,050 --> 00:24:08,050 Very dramatic. 398 00:24:08,750 --> 00:24:10,650 Darling? I liked it. Go ahead, read it. 399 00:24:11,270 --> 00:24:13,950 I'll never forget Wednesday night, Jennifer. 400 00:24:17,210 --> 00:24:18,570 What is this supposed to mean? 401 00:24:20,030 --> 00:24:21,370 That's also your handwriting, right? 402 00:24:21,870 --> 00:24:22,870 It looked like it. 403 00:24:25,630 --> 00:24:27,430 I'll never forget Wednesday night. 404 00:24:27,970 --> 00:24:28,970 Jennifer. 405 00:24:29,050 --> 00:24:31,170 You got here Wednesday afternoon, didn't you, Mrs. Hart? 406 00:24:31,690 --> 00:24:32,429 That's right. 407 00:24:32,430 --> 00:24:33,770 How well do you know this Alan Watson? 408 00:24:34,010 --> 00:24:36,190 I don't know him at all. 409 00:24:36,790 --> 00:24:39,510 If you have something to ask, Detective, why don't you just ask it? 410 00:24:41,510 --> 00:24:47,010 Yes, I know I can be annoying. I'm working on it. I swear I am. But this 411 00:24:47,010 --> 00:24:48,210 was found on the body of the deceased. 412 00:24:48,430 --> 00:24:50,990 It was folded neatly in his wall like it was important to him. 413 00:24:51,280 --> 00:24:55,100 Detective Giordano. Easy, easy, Mr. Hart. We'll get there. 414 00:24:55,340 --> 00:24:56,340 You better. 415 00:24:58,920 --> 00:24:59,920 You know what this is? 416 00:25:01,180 --> 00:25:02,180 A key. 417 00:25:03,580 --> 00:25:08,400 My many years of detective work have cooed me into this fact, but... Do you 418 00:25:08,400 --> 00:25:09,400 recognize it? 419 00:25:11,600 --> 00:25:12,600 No. 420 00:25:13,000 --> 00:25:14,120 It's not one of mine. 421 00:25:14,340 --> 00:25:15,340 Die? 422 00:25:15,740 --> 00:25:16,980 I never saw it before. 423 00:25:17,720 --> 00:25:18,720 What's this all about? 424 00:25:19,580 --> 00:25:23,380 Well, this... This key was wrapped up in a node, and I just thought there might 425 00:25:23,380 --> 00:25:24,380 be some kind of connection. 426 00:25:25,440 --> 00:25:26,440 One last thing. 427 00:25:27,380 --> 00:25:31,240 It's more important now that you folks stick around, because things are 428 00:25:31,240 --> 00:25:34,220 to get messy, which means if we're onto something, I wouldn't want you to leave 429 00:25:34,220 --> 00:25:35,560 a towel in the middle of the payments. 430 00:25:36,600 --> 00:25:37,840 Hey, three owls and a wine. 431 00:25:38,100 --> 00:25:39,100 See you around. 432 00:25:39,960 --> 00:25:40,960 Enjoy. 433 00:25:42,000 --> 00:25:43,000 Excuse that. 434 00:25:43,560 --> 00:25:44,560 Mancha. 435 00:25:48,910 --> 00:25:50,770 Well, Giordano was right about one thing. 436 00:25:51,650 --> 00:25:52,650 What's that? 437 00:25:52,930 --> 00:25:57,770 That Italian deli. I can feel it lying in wait. 438 00:25:59,290 --> 00:26:00,470 That's part of its charm. 439 00:26:03,550 --> 00:26:04,449 What's that? 440 00:26:04,450 --> 00:26:05,169 That's it. 441 00:26:05,170 --> 00:26:06,170 That's what? 442 00:26:07,210 --> 00:26:11,850 I owed you 15 minutes. It's your turn. Oh, no, no, no. You owed me 22 minutes, 443 00:26:11,910 --> 00:26:13,690 and there's 10 minutes left. 444 00:26:14,010 --> 00:26:15,009 10 minutes? 445 00:26:15,010 --> 00:26:16,010 Mm -hmm, 10 minutes. 446 00:26:19,940 --> 00:26:22,080 Next thing I know, I'll be punching time cards. 447 00:26:22,400 --> 00:26:23,620 Do you doubt my word? 448 00:26:25,140 --> 00:26:29,600 You do realize that we're both pretty good suspects as far as Detective 449 00:26:29,600 --> 00:26:30,600 is concerned. 450 00:26:30,640 --> 00:26:34,940 Well, for what it's worth, I don't believe you had anything to do with it. 451 00:26:35,760 --> 00:26:39,500 I got word through the grapevine that some of the backers are pulling out. 452 00:26:40,280 --> 00:26:42,060 The claim is looking for new blood. 453 00:26:42,640 --> 00:26:43,640 Really? 454 00:26:44,460 --> 00:26:45,660 Well, that's too bad. 455 00:26:49,659 --> 00:26:51,140 massaged by the new blood. 456 00:26:52,700 --> 00:26:54,780 Oh, darling, you don't have to do that. 457 00:26:55,640 --> 00:26:56,640 Something's going on. 458 00:26:57,120 --> 00:27:00,400 I don't want you there alone. If there's trouble, I want to be close by. 459 00:27:01,140 --> 00:27:05,280 And if I have money in the show, I have a good reason for hanging around the 460 00:27:05,280 --> 00:27:06,280 theater. 461 00:27:06,300 --> 00:27:07,300 You're wonderful. 462 00:27:10,500 --> 00:27:13,040 I have a confession to make. 463 00:27:18,410 --> 00:27:20,010 I lied about the ten minutes. 464 00:27:21,210 --> 00:27:22,330 It's your turn. 465 00:27:26,010 --> 00:27:31,450 You got pretty scratchy over the ten minutes. Well, ten minutes is... 466 00:29:12,360 --> 00:29:14,420 I think this would be a good time to tell him. 467 00:29:18,360 --> 00:29:19,620 Would you order lunch for two? 468 00:29:19,960 --> 00:29:20,960 Good. 469 00:29:21,440 --> 00:29:22,800 Ah, Jonathan. 470 00:29:23,520 --> 00:29:24,700 I didn't see you come in. 471 00:29:25,120 --> 00:29:27,180 I thought you'd be out finding some companies to buy. 472 00:29:28,300 --> 00:29:30,120 Actually, I came to do a little business here. 473 00:29:30,960 --> 00:29:32,180 Say hello to your new partner. 474 00:29:33,040 --> 00:29:34,040 My partner? 475 00:29:34,620 --> 00:29:39,780 Well, I figured that if David Kramer was doing a show, and to top it off with 476 00:29:39,780 --> 00:29:43,710 the woman I love, What better way to spend my money? Besides, I've always 477 00:29:43,710 --> 00:29:46,710 fascinated by the theater, and I thought this would be a good way to get 478 00:29:46,710 --> 00:29:49,730 involved. You might want to know who you're dealing with before you waste 479 00:29:49,730 --> 00:29:50,730 money. 480 00:29:50,970 --> 00:29:52,030 This man's a liar. 481 00:29:52,610 --> 00:29:55,930 He's untrustworthy, dishonest... Uh, Jonathan Hart, Hal Trask. 482 00:29:56,210 --> 00:29:59,010 Hal seems to feel that I've reneged on a promise to him. 483 00:29:59,230 --> 00:30:01,190 Think nothing, Kramer. I know what you said. 484 00:30:02,190 --> 00:30:04,030 I also know what happened to Alan Watson. 485 00:30:04,870 --> 00:30:06,750 With him dead, you need me now, Kramer. 486 00:30:06,990 --> 00:30:08,130 The sets are finished. 487 00:30:08,850 --> 00:30:09,930 They're Alan's set. 488 00:30:10,240 --> 00:30:11,239 and they're brilliant. 489 00:30:11,240 --> 00:30:15,100 When the show opens, buy a ticket, study them. You'll get there. 490 00:30:17,080 --> 00:30:19,220 You're a real bastard, aren't you? At best. 491 00:30:21,920 --> 00:30:23,080 Don't say I didn't warn you. 492 00:30:25,460 --> 00:30:27,660 Well, welcome to the theater. 493 00:30:28,680 --> 00:30:29,680 And thank you. 494 00:30:29,900 --> 00:30:31,600 I hope your faith in me will pay off. 495 00:30:32,140 --> 00:30:33,700 I have no doubt that it will. 496 00:30:34,320 --> 00:30:36,080 Listen, I'd like to work through lunch with Jennifer. 497 00:30:36,480 --> 00:30:37,480 No problem. 498 00:30:38,460 --> 00:30:39,640 I'm going to go to the gym. 499 00:30:40,240 --> 00:30:41,520 And then I'll check on Max. 500 00:30:42,360 --> 00:30:43,360 See you later. 501 00:30:47,920 --> 00:30:48,940 Wasn't that number smash? 502 00:30:49,960 --> 00:30:50,960 Terrific. 503 00:30:57,700 --> 00:30:58,800 Something wrong, Mac? 504 00:31:00,000 --> 00:31:01,580 Seems like you're not all here. 505 00:31:02,380 --> 00:31:05,660 I ain't been all here since I got here, Mr. H. 506 00:31:06,820 --> 00:31:07,820 What's going on? 507 00:31:08,420 --> 00:31:09,420 Catherine's going on. 508 00:31:11,530 --> 00:31:13,030 Catherine Kendrick, next door. 509 00:31:13,570 --> 00:31:15,590 Oh, that kind of what's going on. 510 00:31:17,030 --> 00:31:18,130 How bad is it? 511 00:31:18,350 --> 00:31:19,670 As bad as it gets. 512 00:31:20,550 --> 00:31:22,170 She calls me boodles. 513 00:31:24,250 --> 00:31:26,230 Not bad, huh? 514 00:31:29,830 --> 00:31:31,210 Have you discussed it with her? 515 00:31:32,390 --> 00:31:35,850 I got close, but I wound up handing her the pepper instead. 516 00:31:36,830 --> 00:31:40,070 Are you thinking what I think you're thinking? 517 00:31:40,640 --> 00:31:41,900 I'm afraid I might be. 518 00:31:43,400 --> 00:31:46,380 But it's difficult to understand women nowadays. 519 00:31:47,160 --> 00:31:48,240 Yeah, it sure is. 520 00:31:48,740 --> 00:31:54,760 It's difficult to understand women yesterday, today, and I'm sure tomorrow. 521 00:31:55,180 --> 00:31:57,380 Yeah, you are right, Mr. H. 522 00:32:03,280 --> 00:32:09,680 Um, look, Max, if you're thinking about getting married, 523 00:32:10,190 --> 00:32:11,910 You shouldn't worry about me and Jennifer. 524 00:32:12,510 --> 00:32:14,650 Whatever you want, we're behind you. 525 00:32:15,490 --> 00:32:16,490 We love you. 526 00:32:17,010 --> 00:32:18,650 All we want is the best for you. 527 00:32:21,730 --> 00:32:22,730 Thanks. 528 00:32:22,990 --> 00:32:29,630 You know, you once told me, when I was in trouble and had a difficult time 529 00:32:29,630 --> 00:32:34,430 making a decision, that life's chances were like today's lettuce. 530 00:32:35,710 --> 00:32:37,470 Crisp and new today. 531 00:32:38,800 --> 00:32:40,880 Brown and wilted if you let him lay around. 532 00:32:42,980 --> 00:32:44,400 You know what I think you should do? 533 00:32:45,320 --> 00:32:46,320 What? 534 00:32:47,360 --> 00:32:48,360 Go for it. 535 00:32:50,760 --> 00:32:51,760 Thanks. 536 00:32:52,640 --> 00:32:53,640 Thanks. 537 00:32:54,560 --> 00:32:56,080 Come on, freeway, let's go. 538 00:32:56,340 --> 00:32:57,360 I gotta go think. 539 00:32:58,140 --> 00:32:59,340 I'll be upstairs, Mac. 540 00:35:42,620 --> 00:35:43,920 David. Jonathan, unbelievable. 541 00:35:44,360 --> 00:35:45,420 I just heard what happened. 542 00:35:45,820 --> 00:35:46,820 I'm glad you're all right. 543 00:35:47,660 --> 00:35:48,660 So am I. 544 00:35:49,060 --> 00:35:51,640 You know, Jennifer, you didn't have to come back here. Why don't the two of you 545 00:35:51,640 --> 00:35:52,640 just go on home? 546 00:35:52,780 --> 00:35:53,780 Darling? 547 00:35:53,940 --> 00:35:55,600 Well, actually, I think I'd like to stay. 548 00:35:56,020 --> 00:35:57,020 Might be safer. 549 00:35:57,160 --> 00:35:59,660 Exercise doesn't seem to be too good for my health. 550 00:36:00,180 --> 00:36:01,860 Well, in that case, make yourself comfortable. 551 00:36:02,380 --> 00:36:05,480 We'll be going over the Kitty Constable scene in about ten minutes. I could use 552 00:36:05,480 --> 00:36:06,480 your help. Good. 553 00:36:06,600 --> 00:36:07,600 Oh, we'll be right here. 554 00:36:07,900 --> 00:36:08,900 Shall we? 555 00:36:19,720 --> 00:36:23,140 You all right? Oh, I keep thinking about that Giordano. 556 00:36:23,640 --> 00:36:27,880 He had cops crawling all over the locker room, and he never showed up at the 557 00:36:27,880 --> 00:36:28,880 crime scene. 558 00:36:29,740 --> 00:36:30,740 Crime scene. 559 00:36:31,020 --> 00:36:32,020 I like that. 560 00:36:32,100 --> 00:36:33,100 Very professional. 561 00:36:34,140 --> 00:36:37,480 And then I'm supposed to ask if you got a good look at him, but I don't suppose 562 00:36:37,480 --> 00:36:38,480 you did, right? 563 00:36:38,640 --> 00:36:39,640 Right. 564 00:36:39,760 --> 00:36:41,000 Where did you come from? 565 00:36:41,240 --> 00:36:42,500 And why weren't you at the gym? 566 00:36:44,120 --> 00:36:45,120 Listen, folks. 567 00:36:45,360 --> 00:36:49,180 I'm supposed to be a crime stopper and a PR guy all rolled into one between you, 568 00:36:49,220 --> 00:36:51,380 me, and the walls? This kind of stuff goes on every day. 569 00:36:52,060 --> 00:36:53,220 What are you going to do about it? 570 00:36:53,440 --> 00:36:57,620 Take plenty of antacid, stay off the tranquilizers, go home and get some 571 00:36:58,000 --> 00:36:59,000 Is that it? 572 00:36:59,460 --> 00:37:00,460 You done? 573 00:37:00,640 --> 00:37:03,520 I wish. I got, like, five hours to go. 574 00:37:03,880 --> 00:37:06,100 As far as this is concerned, I'll fill out a report. 575 00:37:06,320 --> 00:37:08,140 All I'm telling you is don't expect too much. 576 00:37:12,500 --> 00:37:13,500 So, uh... 577 00:37:13,720 --> 00:37:15,100 Mrs. Hart, how goes the play? 578 00:37:16,340 --> 00:37:17,340 Fine. 579 00:37:18,480 --> 00:37:25,240 So, I was thinking... Well, see, maybe I thought you could possibly get Kramer 580 00:37:25,240 --> 00:37:27,480 to give the wife a chance. 581 00:37:28,400 --> 00:37:31,520 Maybe read for one of the barmaids or something. 582 00:37:34,580 --> 00:37:35,580 What can I tell you? 583 00:37:35,800 --> 00:37:38,440 Showbiz makes everybody a little crazy. So it seems. 584 00:37:39,300 --> 00:37:41,600 I hear you're putting money into the shebang, too. Is that right? 585 00:37:42,000 --> 00:37:43,700 News travels fast. I'm impressed. 586 00:37:44,260 --> 00:37:45,780 That's why they pay me the big bucks. 587 00:37:46,100 --> 00:37:47,660 To keep up with what's going on. 588 00:37:49,460 --> 00:37:50,380 Do you believe 589 00:37:50,380 --> 00:37:58,440 him? 590 00:37:59,840 --> 00:38:03,560 There's a threat on your life and he's trying to get his wife into the play. 591 00:38:05,980 --> 00:38:06,980 Showbiz. 592 00:38:09,160 --> 00:38:12,200 You remember the other day when I handed you the pepper? 593 00:38:13,200 --> 00:38:15,400 What are you talking about, Boodle? 594 00:38:17,680 --> 00:38:19,480 It's about you and me, Catherine. 595 00:38:19,820 --> 00:38:22,780 About making our own recipe, if you know what I mean. 596 00:38:23,900 --> 00:38:26,600 What are you talking about, Mac? 597 00:38:27,020 --> 00:38:28,920 I'll make it plain and simple. 598 00:38:29,420 --> 00:38:31,920 You and me. 599 00:38:34,020 --> 00:38:35,020 Who is it? 600 00:38:35,800 --> 00:38:37,640 Police Inspector Charles Masters. 601 00:38:38,250 --> 00:38:39,490 I'm looking for Jonathan Hart. 602 00:38:39,690 --> 00:38:40,690 Yeah, that's me. 603 00:38:40,830 --> 00:38:41,830 How do you do? 604 00:38:42,950 --> 00:38:45,750 Sorry to just barge in on you like this, but I heard you had a little trouble 605 00:38:45,750 --> 00:38:48,730 earlier. I've already been through that with the police. You mean Detective 606 00:38:48,730 --> 00:38:50,550 Giordano? Yeah, that's who I mean. 607 00:38:50,890 --> 00:38:52,210 Oh, if you don't mind, Mr. Hart. 608 00:38:53,130 --> 00:38:56,250 We got a call today from a Mr. Kramer's office. David Kramer. 609 00:38:56,730 --> 00:38:57,730 I know him. 610 00:38:57,790 --> 00:39:02,210 Well, Mr. Kramer said that Detective Giordano didn't exactly handle himself 611 00:39:02,210 --> 00:39:03,210 professional manner. 612 00:39:04,250 --> 00:39:06,770 Look, I know Frank Giordano, Mr. Hart. He's a good cop. 613 00:39:07,500 --> 00:39:09,700 He just lacks a little bedside manners. 614 00:39:10,960 --> 00:39:14,700 Anyway, the department wanted somebody else to come along, maybe get more 615 00:39:14,700 --> 00:39:18,540 involved. Well, I was just about to do that myself. I'm going upstairs to check 616 00:39:18,540 --> 00:39:20,060 out the locker room. Care to join me? 617 00:39:20,720 --> 00:39:21,720 Pleasure. 618 00:39:22,700 --> 00:39:24,460 Max, we'll be back in a little bit. 619 00:39:28,120 --> 00:39:30,320 Now, you sure the shots came from that direction? 620 00:39:30,580 --> 00:39:32,220 No, I'm not sure about anything, Inspector. 621 00:39:33,280 --> 00:39:34,500 It's just my best guess. 622 00:40:03,790 --> 00:40:04,790 high -velocity ammunition. 623 00:40:06,670 --> 00:40:09,110 Seems you had a pretty serious assailant, Mr. Hart. 624 00:40:10,210 --> 00:40:13,930 I'm glad. I'd have been disappointed if he was half -hearted. 625 00:40:15,050 --> 00:40:18,350 Well, the good thing is we've got a lot of surface area to work with. 626 00:40:19,070 --> 00:40:20,350 He wasn't wearing gloves. 627 00:40:21,810 --> 00:40:23,130 We'll probably come up with something. 628 00:40:24,190 --> 00:40:25,850 I'll let you know what we find, Mr. Hart. 629 00:40:26,610 --> 00:40:27,589 Thanks very much. 630 00:40:27,590 --> 00:40:31,610 And once again, I apologize for any bad impression left by Detective Giordano. 631 00:40:32,070 --> 00:40:33,070 No problem. 632 00:40:39,850 --> 00:40:43,650 And I take it you're very concerned with my welfare. The whole thing needs to 633 00:40:43,650 --> 00:40:45,650 go. Just doing my job. 634 00:40:48,070 --> 00:40:50,670 I'm sure you are, Constable. 635 00:40:51,090 --> 00:40:52,090 Okay, hold it. 636 00:40:52,990 --> 00:40:54,610 You're being too hard on them, Dory. 637 00:40:55,310 --> 00:40:58,990 When she says, and I take it, you're really concerned about my welfare, it's 638 00:40:58,990 --> 00:41:02,770 irony. The woman's been beaten and abandoned by her husband. Suddenly a 639 00:41:02,770 --> 00:41:06,210 constable shows up and says that he's interested in her? It's a laugh, right? 640 00:41:06,920 --> 00:41:10,660 What she's really saying is, where were you when I needed you? Now, let's take 641 00:41:10,660 --> 00:41:11,660 it again, please. 642 00:41:12,640 --> 00:41:15,840 This is hard enough without our agent sitting here. And I think you missed a 643 00:41:15,840 --> 00:41:17,520 light cue. I didn't change a thing. 644 00:41:18,000 --> 00:41:20,520 Are you sleeping with him? Don't let me down. 645 00:41:20,880 --> 00:41:22,260 No, I am. I'm talking to you. 646 00:41:24,580 --> 00:41:25,580 Don't let me down. 647 00:41:25,960 --> 00:41:27,360 Dory, are you all right? 648 00:41:27,980 --> 00:41:31,500 Just stay out of this crime, all right? It's none of your business. She has the 649 00:41:31,500 --> 00:41:33,760 lead in my show. That makes everything about her my business. 650 00:41:44,779 --> 00:41:45,920 Listen to me, Dory. 651 00:41:46,280 --> 00:41:49,460 I've never led you wrong, I'm telling you now. You're making a mistake. Get 652 00:41:49,460 --> 00:41:50,319 of this place. 653 00:41:50,320 --> 00:41:51,600 Get away from this man. 654 00:41:52,280 --> 00:41:57,240 I'll get you another show. Just do it. You're better than this. 655 00:41:59,620 --> 00:42:00,760 Get out, Peter. 656 00:42:13,070 --> 00:42:14,070 Call it today. 657 00:42:14,550 --> 00:42:15,750 Had enough from all the drama. 658 00:42:16,510 --> 00:42:18,050 Monday morning, nine o 'clock. 659 00:42:20,110 --> 00:42:21,270 Go talk to him, Dory. 660 00:42:21,770 --> 00:42:23,870 Last chance this will not happen again. 661 00:42:28,110 --> 00:42:29,690 Are you all right? I'm fine. 662 00:42:30,110 --> 00:42:31,430 I've had worse than that before. 663 00:42:31,750 --> 00:42:34,270 You thought your business was easy. I'm beginning to learn. 664 00:42:34,570 --> 00:42:35,189 This is insane. 665 00:42:35,190 --> 00:42:38,190 We have five weeks before opening and all I've been doing is putting out 666 00:42:38,450 --> 00:42:39,510 We've got to get some work done. 667 00:42:39,730 --> 00:42:40,990 Is there anything I can do to help? 668 00:42:41,370 --> 00:42:44,770 Look, I got a house out on the island. It's only about two hours from here. 669 00:42:44,770 --> 00:42:48,170 quiet. No interruptions. If we left now, we'd have the whole weekend. 670 00:42:48,590 --> 00:42:49,590 I know what you're thinking. 671 00:42:49,750 --> 00:42:52,070 Why don't you give Jonathan a call and ask him to meet us? 672 00:42:52,410 --> 00:42:54,090 I think the break will do us both good. 673 00:42:55,090 --> 00:42:56,090 All right. 674 00:42:56,870 --> 00:42:57,930 All right, I'll do that. 675 00:43:00,190 --> 00:43:01,190 Jody! 676 00:43:02,430 --> 00:43:04,230 Yes, Pat, to bring the car around, please. 677 00:43:09,010 --> 00:43:10,650 Good night, Pat. Good night, Mr. Kramer. 678 00:43:13,450 --> 00:43:14,229 If I may. 679 00:43:14,230 --> 00:43:15,630 Thank you. Is this the way we do things here? 680 00:43:40,070 --> 00:43:41,830 What time did Jonathan think he'd be on? 681 00:43:42,920 --> 00:43:46,060 I don't know. He wasn't home, so I left a message with the directions on the 682 00:43:46,060 --> 00:43:47,060 machine. 683 00:44:04,360 --> 00:44:05,360 What? 684 00:44:05,680 --> 00:44:06,780 What? Nothing. 685 00:44:07,620 --> 00:44:09,400 Just trying to figure you out, that's all. 686 00:44:10,340 --> 00:44:11,340 Figure me out? 687 00:44:12,010 --> 00:44:13,350 I didn't know it was a mystery. 688 00:44:13,610 --> 00:44:17,570 I hope you don't think I'm out of line, but I'm kind of surprised you married 689 00:44:17,570 --> 00:44:18,570 into the world of business. 690 00:44:19,030 --> 00:44:21,550 Oh, I married Jonathan, not his work. 691 00:44:21,850 --> 00:44:24,290 Don't get me wrong. Jonathan seems like a wonderful man. 692 00:44:25,050 --> 00:44:27,330 Just not the person I might have pictured you with, that's all. 693 00:44:28,850 --> 00:44:32,590 Kramer's first rule of theater, it's the unexpected that keeps them coming back 694 00:44:32,590 --> 00:44:33,590 for more. 695 00:44:35,370 --> 00:44:37,910 Anyway, makes for fascinating company. 696 00:44:40,230 --> 00:44:41,230 Thank you. 697 00:44:43,400 --> 00:44:45,600 Turn off for Cranberry Hill Road. 698 00:44:46,060 --> 00:44:47,820 Make a left, go up the hill. 699 00:44:48,280 --> 00:44:51,120 It's number 227, last house on the right. 700 00:44:51,640 --> 00:44:52,640 I love you, darling. 701 00:44:53,100 --> 00:44:56,700 I know this is a last -minute thing, but I think David's right. Getting out of 702 00:44:56,700 --> 00:44:58,160 the city should be good for all of us. 703 00:44:58,400 --> 00:44:59,400 I'll see you later. 704 00:45:01,800 --> 00:45:02,800 You get that, Max? 705 00:45:03,160 --> 00:45:04,160 Got it. 706 00:45:07,320 --> 00:45:08,500 Here you go, Mr. H. 707 00:45:09,180 --> 00:45:10,180 Thanks. 708 00:45:10,740 --> 00:45:12,540 You going over to Catherine's? Yep. 709 00:45:13,960 --> 00:45:14,980 Is tonight the night? 710 00:45:15,320 --> 00:45:16,320 Could be. 711 00:45:16,520 --> 00:45:18,100 Maybe. Maybe not. 712 00:45:33,040 --> 00:45:34,040 I'll get it, Max. 713 00:45:43,980 --> 00:45:45,340 I didn't expect to see you so soon. 714 00:45:47,300 --> 00:45:48,218 News already? 715 00:45:48,220 --> 00:45:52,100 Well, no news on the bullet, but I just came back from the theater. 716 00:45:52,580 --> 00:45:56,120 I understand from Mr. Kramer's assistant that he drove out to Long Island with 717 00:45:56,120 --> 00:45:57,019 your wife tonight. 718 00:45:57,020 --> 00:45:59,740 That's right. I'm on my way to join them. I'm just waiting for the driver to 719 00:45:59,740 --> 00:46:00,618 take me out. 720 00:46:00,620 --> 00:46:06,960 We understand that, Mr. Hart, but with all the stuff that's going on, I'd 721 00:46:06,960 --> 00:46:10,480 appreciate it if you'd let me drive you out there myself, just to be on the safe 722 00:46:10,480 --> 00:46:12,860 side. No, I don't need you to do that, Inspector. Thanks. 723 00:46:13,180 --> 00:46:14,260 No, really, it's my pleasure. 724 00:46:15,020 --> 00:46:16,900 Besides, I just gave your driver the night off. 725 00:46:19,740 --> 00:46:21,300 Well, don't worry, I gave him a good tip. 726 00:47:13,930 --> 00:47:14,930 A little detour. 727 00:47:40,390 --> 00:47:42,410 Where we get out, what's going on? 728 00:47:44,240 --> 00:47:48,280 Take off your seatbelt and keep your hands where I can see them. 729 00:47:52,980 --> 00:47:53,980 Lobe. 730 00:48:10,340 --> 00:48:13,600 I guess this explains the gunshots in the locker room. 731 00:48:14,480 --> 00:48:18,540 And why no one else could find the shells in the back except you? 732 00:48:18,940 --> 00:48:20,360 Shut up and keep moving. 733 00:48:21,840 --> 00:48:24,980 Maybe you could explain why all of this is happening to me. 734 00:48:25,840 --> 00:48:29,080 I have no idea what this is all about. 735 00:48:29,360 --> 00:48:30,900 It's about dying, Mr. Hart. 736 00:48:32,360 --> 00:48:35,860 Quietly, alone, and out of the way. 737 00:49:23,660 --> 00:49:24,359 Sorry I'm late. 738 00:49:24,360 --> 00:49:28,300 From my private reserve, especially for you. 739 00:49:28,740 --> 00:49:32,180 Oh. I wonder where Jonathan is. 740 00:49:32,600 --> 00:49:35,600 It's probably the weather. Adds another hour to the drive at least. 741 00:49:36,020 --> 00:49:37,020 He'll be here. 742 00:49:38,000 --> 00:49:39,000 Thank you. 743 00:49:40,120 --> 00:49:41,260 To Whitechapel. 744 00:49:41,640 --> 00:49:43,700 Oh, to Whitechapel. 745 00:49:46,860 --> 00:49:50,340 I admire your courage, Jennifer. 746 00:49:52,560 --> 00:49:53,600 I didn't know I was being courageous. 747 00:49:53,860 --> 00:49:54,859 On the contrary. 748 00:49:54,860 --> 00:49:57,020 Driving out to my house like this, being alone with me. 749 00:49:57,880 --> 00:50:00,500 I'm sure word of my reputation has found its way to the West Coast. 750 00:50:00,840 --> 00:50:03,400 Oh, only drips and drabs. 751 00:50:04,000 --> 00:50:05,000 Mostly gossip. 752 00:50:05,840 --> 00:50:08,920 Ah, about you and very young starlets. 753 00:50:09,800 --> 00:50:12,840 Well, in this case, I can't say that all the allegations are unfounded. 754 00:50:13,600 --> 00:50:14,600 Hazard of the trade. 755 00:50:15,140 --> 00:50:16,140 I hope you have insurance. 756 00:50:17,260 --> 00:50:19,100 You see, that's what I miss. 757 00:50:20,140 --> 00:50:23,180 Don't get me wrong. It's not as if my situation doesn't have its benefits. 758 00:50:23,880 --> 00:50:26,700 But I do get starved for conversation with an intelligent woman. 759 00:50:27,280 --> 00:50:29,260 Well, it depends on what you're looking for. 760 00:50:30,500 --> 00:50:31,500 That's true. 761 00:50:36,360 --> 00:50:37,360 Oh, Jonathan. 762 00:50:37,960 --> 00:50:38,960 Yes. 763 00:50:53,040 --> 00:50:54,040 The hell's going on? 764 00:51:01,040 --> 00:51:06,600 Let me get this straight, Mr. Hart. Did Inspector Masters was sent in to oversee 765 00:51:06,600 --> 00:51:08,360 the case because I wasn't paying enough attention? 766 00:51:08,720 --> 00:51:09,720 Did that's the truth? 767 00:51:10,020 --> 00:51:13,120 He said he requested it from Kramer's office. 768 00:51:13,380 --> 00:51:15,620 I asked Kramer about it. He said it didn't happen. 769 00:51:15,960 --> 00:51:19,280 Yeah, well, Kramer's right. He had contacted the department. I would know 770 00:51:19,280 --> 00:51:21,540 it if I was paying enough attention. 771 00:51:22,810 --> 00:51:25,550 Look, no one is blaming you for what happened. 772 00:51:25,790 --> 00:51:27,130 That's very comforting. Thank you. 773 00:51:27,390 --> 00:51:32,930 The fact is that I am suddenly on someone's most wanted list, and I want 774 00:51:32,930 --> 00:51:33,930 why. 775 00:51:36,090 --> 00:51:37,710 Hello? Hey, Sally. 776 00:51:38,030 --> 00:51:39,210 No, I picked the Knicks. 777 00:51:40,550 --> 00:51:41,890 Yeah, what makes you so smart? 778 00:51:43,870 --> 00:51:45,290 Well, home away was going to get hurt. 779 00:51:46,630 --> 00:51:47,870 Next time I'll know better. 780 00:51:49,030 --> 00:51:50,030 What do you got for me? 781 00:51:50,770 --> 00:51:51,770 Yeah. 782 00:51:53,520 --> 00:51:54,800 Gotcha. Thanks. 783 00:52:00,420 --> 00:52:05,760 Well? My cousin Sal works in personnel, checked every precinct. 784 00:52:06,360 --> 00:52:07,780 No inspector masters. 785 00:52:08,140 --> 00:52:11,720 No one by that name will rank anywhere in the entire department. 786 00:52:33,610 --> 00:52:37,010 Someone once told me investing in a Broadway show is dangerous. 787 00:52:37,630 --> 00:52:41,050 Oh, let me help you. I wonder if he knew something. 788 00:52:41,270 --> 00:52:44,610 Oh, well, he said the theater was exciting. 789 00:52:45,270 --> 00:52:47,390 Max! It makes no sense. 790 00:52:48,150 --> 00:52:53,090 This Inspector Masters, I keep wondering if he was the guy who killed Watson, 791 00:52:53,270 --> 00:52:54,270 the death diviner. 792 00:52:54,370 --> 00:52:55,550 If, though, why? 793 00:52:56,390 --> 00:52:59,190 And if he did kill him, why was he after me next? 794 00:52:59,850 --> 00:53:00,850 Max! 795 00:53:04,720 --> 00:53:08,140 I'll leave him a note. He's probably over at Catherine's. At this hour? 796 00:53:09,480 --> 00:53:11,620 Yeah. Things are heating up in the kitchen. 797 00:53:12,460 --> 00:53:13,460 Really? 798 00:53:14,820 --> 00:53:15,880 Can't you find your pen? 799 00:53:18,140 --> 00:53:19,660 No, I found my pen. 800 00:53:21,300 --> 00:53:22,760 My lipstick's gone. 801 00:53:24,860 --> 00:53:26,760 Getting absent -minded in your old age? 802 00:53:28,660 --> 00:53:29,780 Thank you, darling. 803 00:53:32,200 --> 00:53:33,200 Now... 804 00:53:37,940 --> 00:53:38,940 Well, 805 00:53:40,140 --> 00:53:45,680 I think Max is going to get married. 806 00:53:48,360 --> 00:53:49,360 Married? 807 00:53:50,680 --> 00:53:52,020 That really is serious. 808 00:53:54,380 --> 00:53:59,920 That would mean he'd be leaving us. I can't imagine what it would be like not 809 00:53:59,920 --> 00:54:01,360 having him around all the time. 810 00:54:03,220 --> 00:54:04,420 Me either, darling. 811 00:54:05,040 --> 00:54:06,680 But if it makes him happy. 812 00:54:07,620 --> 00:54:11,280 I wish him all the happiness I've had in my life. 813 00:54:13,620 --> 00:54:14,780 And you're my happiness. 814 00:54:18,760 --> 00:54:19,760 Sorry. 815 00:54:21,300 --> 00:54:22,300 Sorry. 816 00:54:25,540 --> 00:54:26,540 Is that better? 817 00:54:27,040 --> 00:54:29,520 I don't know. 818 00:54:32,100 --> 00:54:33,480 Try it again and I'll let you know. 819 00:54:38,970 --> 00:54:39,970 Mm -hmm. 820 00:54:40,670 --> 00:54:41,569 That's better. 821 00:54:41,570 --> 00:54:42,570 That's okay. 822 00:54:42,630 --> 00:54:43,970 Crossfade needs to happen faster. 823 00:54:45,550 --> 00:54:47,270 16, 27, 43. 824 00:55:42,640 --> 00:55:43,640 No, 825 00:55:44,220 --> 00:55:45,960 no, no, no. 826 00:55:47,720 --> 00:55:48,820 Come on, Dory. 827 00:55:49,500 --> 00:55:50,500 What is this? 828 00:55:52,920 --> 00:55:55,020 Stop. Take a deep breath. 829 00:55:56,920 --> 00:55:59,320 This entire number for Kitty means two words. 830 00:55:59,540 --> 00:56:00,540 Take me. 831 00:56:01,580 --> 00:56:04,120 She's got nothing going on at home except the occasional black eye. 832 00:56:04,460 --> 00:56:05,640 She's boiling over. 833 00:56:05,960 --> 00:56:07,240 She's empty inside. 834 00:56:07,840 --> 00:56:10,620 She needs to feel that she is desirable. 835 00:56:11,100 --> 00:56:13,540 That men want her for something more than a punching bag. 836 00:56:14,940 --> 00:56:16,560 She wants someone to love her. 837 00:56:43,080 --> 00:56:44,120 Maybe you should pull out of the show. 838 00:56:45,440 --> 00:56:47,040 So why is that? Isn't it obvious? 839 00:56:47,820 --> 00:56:50,780 Look, it's very clear to me that someone is trying to make sure that this show 840 00:56:50,780 --> 00:56:51,780 never gets off the ground. 841 00:56:52,380 --> 00:56:55,040 The moment you signed on, you became a target. 842 00:56:55,280 --> 00:56:56,860 It's me they're trying to sabotage. 843 00:56:57,400 --> 00:57:00,080 I have enough on my mind without having to worry about my backers. 844 00:57:00,400 --> 00:57:03,920 We made a deal, David. Oh, screw the deal. I'll make an exception this time 845 00:57:03,920 --> 00:57:05,640 put my own money into this extravaganza. 846 00:57:06,120 --> 00:57:09,520 I don't want to feel responsible if something should happen to you. 847 00:57:09,800 --> 00:57:10,940 Well, I appreciate that. 848 00:57:13,100 --> 00:57:14,100 happens to me. 849 00:57:14,120 --> 00:57:15,700 So, let's let it ride. 850 00:57:17,560 --> 00:57:18,560 I've got to go. 851 00:57:19,400 --> 00:57:20,400 See you tonight, darling. 852 00:57:20,620 --> 00:57:21,620 All right. 853 00:57:25,000 --> 00:57:26,460 You're marrying an obstinate man. 854 00:57:27,100 --> 00:57:29,260 Oh, I know. 855 00:57:31,140 --> 00:57:32,920 That's one of the things I love about him. 856 00:57:33,300 --> 00:57:35,560 I hope he realizes how lucky he is. 857 00:57:36,440 --> 00:57:37,440 So do I. 858 00:57:38,660 --> 00:57:39,660 How about lunch? 859 00:57:47,180 --> 00:57:50,040 Yeah, very good. Are you kidding me? That's the best in the city. 860 00:57:50,600 --> 00:57:52,860 That's better than this? You're telling me I'm better than this? Look at this 861 00:57:52,860 --> 00:57:53,859 crust. 862 00:57:53,860 --> 00:57:55,480 That's a work of art. That's pure genius. 863 00:57:57,400 --> 00:58:00,200 I don't know how you people in L .A. do it. I was out there once visiting a 864 00:58:00,200 --> 00:58:04,500 cousin. Pizza tastes like one of them English muffin things with tomato sauce 865 00:58:04,500 --> 00:58:05,560 and American cheese. 866 00:58:06,280 --> 00:58:07,660 Pop it in a toaster oven. 867 00:58:08,660 --> 00:58:09,399 That's him. 868 00:58:09,400 --> 00:58:10,400 You sure? 869 00:58:11,740 --> 00:58:13,260 You know pizza. I know faces. 870 00:58:13,980 --> 00:58:14,980 Got you. 871 00:58:15,380 --> 00:58:16,380 Mike Royston. 872 00:58:17,480 --> 00:58:18,600 For what it's worth, it makes sense. 873 00:58:18,840 --> 00:58:19,840 How's that? 874 00:58:20,180 --> 00:58:21,180 He's an actor. 875 00:58:23,220 --> 00:58:24,680 Well, they convinced the hell out of me. 876 00:58:24,880 --> 00:58:25,439 Of course. 877 00:58:25,440 --> 00:58:30,440 Can I have a copy of this picture? 878 00:58:31,000 --> 00:58:32,000 Yeah, sure. 879 00:58:34,540 --> 00:58:39,840 Well, it seems as if Michael Royston is unreachable, unfindable, and permanently 880 00:58:39,840 --> 00:58:40,840 out of town. 881 00:58:41,120 --> 00:58:42,120 An actor? 882 00:58:42,580 --> 00:58:44,320 Mr. Ray said don't wash. 883 00:58:44,940 --> 00:58:45,940 Yeah, that's true. 884 00:58:47,050 --> 00:58:48,250 who couldn't be reached by a telephone. 885 00:58:54,470 --> 00:58:58,390 Hey, Max, I could use your help for something. 886 00:58:58,710 --> 00:58:59,870 What about, Mr. H? 887 00:59:00,770 --> 00:59:02,670 You always wanted to be in show business, didn't you? 888 00:59:03,310 --> 00:59:04,310 I did. 889 00:59:06,670 --> 00:59:08,610 Well, how about him? 890 00:59:10,150 --> 00:59:14,730 Look, Cole, I've been to a dozen agencies looking for the right face for 891 00:59:14,730 --> 00:59:15,730 project. 892 00:59:15,920 --> 00:59:18,280 I'm getting tired. I ain't getting any earlier. 893 00:59:18,820 --> 00:59:20,860 I've walked out of better places than this. 894 00:59:21,120 --> 00:59:26,880 So if you ain't got what I'm looking for, let's kiss and call it a day. 895 00:59:26,900 --> 00:59:29,020 Mr. Brandt. Or can I call you Sid? 896 00:59:29,600 --> 00:59:31,180 My friends call me Mr. 897 00:59:31,380 --> 00:59:35,080 Brandt. Mr. Brandt, tell me again what you're looking for. 898 00:59:35,880 --> 00:59:37,520 Maybe I didn't hear exactly. 899 00:59:37,860 --> 00:59:40,160 Late 30s, respectable looking. 900 00:59:40,740 --> 00:59:43,220 Complex, if you get my drift. 901 01:00:00,430 --> 01:00:02,430 like it. A definite possible. 902 01:00:03,090 --> 01:00:04,090 Good face. 903 01:00:04,710 --> 01:00:05,830 Good but evil. 904 01:00:06,710 --> 01:00:08,090 But I mean complex. 905 01:00:09,250 --> 01:00:10,710 Definitely to be considered. 906 01:00:11,170 --> 01:00:14,590 What are the chances of meeting this guy before hell freezes over? 907 01:00:14,910 --> 01:00:16,670 Just give me a time and a place. 908 01:00:17,670 --> 01:00:19,830 The Oak Room tonight at 8. 909 01:00:37,320 --> 01:00:38,320 Inspector? 910 01:02:04,400 --> 01:02:07,480 Mr. Hart, but you seem to be having trouble around like toilet paper stuck 911 01:02:07,480 --> 01:02:08,238 wet sheet. 912 01:02:08,240 --> 01:02:09,240 Very pretty. 913 01:02:09,300 --> 01:02:12,120 You don't honestly believe he had anything to do with this. 914 01:02:12,400 --> 01:02:13,660 No, why would I think that? 915 01:02:13,920 --> 01:02:15,240 Guy tries to kill Mr. 916 01:02:15,440 --> 01:02:19,700 Hart. Mr. Hart smokes him out, invites him to dinner. Two minutes later, the 917 01:02:19,700 --> 01:02:21,540 guy's dead. Mr. Hart's holding a knife. 918 01:02:22,200 --> 01:02:23,880 It's the farthest thing from my mind. 919 01:02:24,720 --> 01:02:27,280 Rodriguez, cuff him. What? 920 01:02:28,400 --> 01:02:29,400 What are you doing? 921 01:02:29,680 --> 01:02:31,440 I'm performing an arrest, Mrs. Hart. 922 01:02:32,110 --> 01:02:34,810 You have the right to remain silent. You have the right to an attorney. If you 923 01:02:34,810 --> 01:02:37,350 cannot afford an attorney, go out and talk. 924 01:02:38,490 --> 01:02:41,230 Basically, you don't have to tell me one damn thing. You get to look out for 925 01:02:41,230 --> 01:02:44,590 your own butt, and the police cannot screw with you. Do you understand that? 926 01:02:44,870 --> 01:02:45,870 Loud and clear. 927 01:02:45,930 --> 01:02:47,130 Jonathan. Take him out. 928 01:02:47,730 --> 01:02:49,710 Darling, I think you better give Harry Doyle a call. 929 01:03:17,689 --> 01:03:24,150 You put on a real good show back there, detective. 930 01:03:25,530 --> 01:03:26,650 Are you going to fill me in? 931 01:03:28,410 --> 01:03:31,730 You're a smart guy, Mr. Hart. Most guys I meet think they're smart. 932 01:03:32,110 --> 01:03:35,950 I'm not even smart enough to be dumb, but you're a keeper. You're a piece of 933 01:03:35,950 --> 01:03:37,210 work. Thank you. 934 01:03:38,310 --> 01:03:40,450 And you don't think that I killed Mike Royston? 935 01:03:41,070 --> 01:03:44,890 Nope. And you got too much class. If you were going to kill somebody, you'd use 936 01:03:44,890 --> 01:03:46,510 the right fork, if you know what I'm saying. 937 01:03:46,850 --> 01:03:48,070 I'll take that as a compliment. 938 01:03:48,450 --> 01:03:49,450 It was meant this way. 939 01:03:50,910 --> 01:03:53,730 Look, Mr. Hart, I don't know what's going down around here, but someone sure 940 01:03:53,730 --> 01:03:56,810 hell wants it to look like you stuck that shiv in Royston's chest. 941 01:03:57,330 --> 01:03:59,230 So I figured, what the hell, give him a show. 942 01:03:59,750 --> 01:04:00,850 It makes him confident. 943 01:04:01,260 --> 01:04:04,640 They think they set you up in one, maybe to let down and make a mistake. 944 01:04:06,960 --> 01:04:09,180 Sorry about those, but I had to make it look convincing. 945 01:04:11,100 --> 01:04:12,360 So where do we go from here? 946 01:04:13,700 --> 01:04:15,000 We don't go. I go. 947 01:04:16,220 --> 01:04:19,200 Don't try this at home, Mr. Hart. You know, like it says on TV, leave it to 948 01:04:19,200 --> 01:04:20,200 professionals. 949 01:04:20,800 --> 01:04:25,460 In spite of what you might think, I know what I'm doing. Like you, I'm very good 950 01:04:25,460 --> 01:04:26,460 at what I do. 951 01:04:26,520 --> 01:04:29,680 Twice you didn't trust me, and twice you stepped into something. 952 01:04:30,420 --> 01:04:31,420 You know what? 953 01:04:31,600 --> 01:04:34,220 I think it's time that you and I started being nice to each other. 954 01:04:35,320 --> 01:04:38,720 Let's make a deal. You can go back to that pretty wife of yours. You need the 955 01:04:38,720 --> 01:04:42,520 good life. Then let me take you to the school with the vermin that's blind. 956 01:04:43,380 --> 01:04:45,160 That ain't much, but home. 957 01:04:47,020 --> 01:04:48,020 Here. 958 01:04:49,440 --> 01:04:51,280 Darling, are you all right? 959 01:04:51,760 --> 01:04:54,880 Hey, we're professionals around here, Mrs. Hart. When I work over one guy, I 960 01:04:54,880 --> 01:04:55,799 leave no marks. 961 01:04:55,800 --> 01:04:58,240 I called Harry Doyle. Oh, yes, okay. We're going home. 962 01:04:59,880 --> 01:05:00,880 What happened? 963 01:05:01,080 --> 01:05:02,840 We're going home. They're not going to arrest me. 964 01:05:03,200 --> 01:05:05,140 Oh, you're thick. 965 01:05:05,460 --> 01:05:06,460 Me too. 966 01:05:25,160 --> 01:05:26,160 David? 967 01:05:26,820 --> 01:05:27,860 Where is everybody? 968 01:05:29,040 --> 01:05:30,040 I canceled the rehearsal. 969 01:05:30,580 --> 01:05:32,080 Everything seems to be falling apart. 970 01:05:32,680 --> 01:05:36,200 You're not thinking of calling the play off, are you? 971 01:05:36,640 --> 01:05:37,640 I don't know. 972 01:05:37,760 --> 01:05:38,860 I'm thinking about it. 973 01:05:39,900 --> 01:05:41,040 It's not worth it, Jennifer. 974 01:05:42,140 --> 01:05:43,680 I knew Mike Royston, you know? 975 01:05:44,340 --> 01:05:45,340 An actor. 976 01:05:45,660 --> 01:05:47,540 Had a part in a show I did two years ago. 977 01:05:48,200 --> 01:05:51,380 He'd been after me ever since to hire him again, and I kept shining him on. 978 01:05:52,560 --> 01:05:53,820 Somehow I feel responsible. 979 01:05:54,480 --> 01:05:56,220 Oh, I didn't realize you knew him. 980 01:05:57,740 --> 01:06:02,980 I mean, now that Royston's... Now that he's dead, maybe that'll put an end to 981 01:06:02,980 --> 01:06:03,980 all this trouble. 982 01:06:04,300 --> 01:06:07,560 It may be that he was responsible for most of it. 983 01:06:09,420 --> 01:06:10,580 Then who killed him? 984 01:06:15,700 --> 01:06:17,360 Nothing's working out as I hoped it would. 985 01:06:19,000 --> 01:06:21,860 This is the most important production of my life, and it's just coming apart. 986 01:06:23,180 --> 01:06:26,800 The truth is, this play may have been doomed from the beginning. 987 01:06:27,630 --> 01:06:29,290 It'll never work out the way I planned. 988 01:06:29,550 --> 01:06:30,550 David. 989 01:06:31,190 --> 01:06:33,990 The play is good. It's very good. 990 01:06:35,170 --> 01:06:38,950 If you're worried about Jonathan and me, we can just leave. 991 01:06:40,350 --> 01:06:41,770 But don't give up the play. 992 01:06:43,230 --> 01:06:44,930 That's what I love about you, Jennifer. 993 01:06:45,690 --> 01:06:48,330 You make any man just want to keep on trying. 994 01:06:48,610 --> 01:06:51,330 Well, the show must go on, right? 995 01:06:51,610 --> 01:06:53,810 Right. You are a trooper, aren't you? 996 01:06:54,930 --> 01:06:56,350 I'm a trooper with... 997 01:06:56,880 --> 01:06:57,960 The rest of the morning off? 998 01:06:59,040 --> 01:07:00,880 I have a lot of things I can do. 999 01:07:01,960 --> 01:07:02,960 How about tomorrow? 1000 01:07:04,160 --> 01:07:05,160 Tomorrow. Great. 1001 01:07:05,800 --> 01:07:06,800 That's it. 1002 01:07:07,180 --> 01:07:08,180 Bye. 1003 01:08:01,520 --> 01:08:02,840 Kramer's out of his mind. 1004 01:08:03,620 --> 01:08:06,900 He's only going to make her miserable. Don't you see that, what he's doing to 1005 01:08:06,900 --> 01:08:09,780 her? Don't you think you ought to let Dory decide that? 1006 01:08:15,920 --> 01:08:21,859 I don't know what I'm supposed to do. I want to take care of her. I don't know 1007 01:08:21,859 --> 01:08:22,960 what I'm supposed to do. 1008 01:08:24,340 --> 01:08:26,020 Why don't you try trusting Dory? 1009 01:08:28,979 --> 01:08:30,060 She might surprise you. 1010 01:08:35,410 --> 01:08:36,410 What? 1011 01:08:36,890 --> 01:08:37,890 Just looking. 1012 01:08:38,890 --> 01:08:40,550 You seem very quiet today. 1013 01:08:40,850 --> 01:08:44,290 Only on the outside. On the inside, I'm having a terrific conversation. 1014 01:08:44,770 --> 01:08:46,069 Oh? What about? 1015 01:08:46,670 --> 01:08:47,670 It's private. 1016 01:08:48,490 --> 01:08:49,490 Private? 1017 01:08:49,890 --> 01:08:54,130 Well, it's private because if I said it, it would sound over the top. 1018 01:08:55,470 --> 01:08:56,470 Private. 1019 01:08:56,850 --> 01:08:57,850 All right. 1020 01:08:58,470 --> 01:09:03,470 I was just thinking that here I am. I am walking down the street in one of the 1021 01:09:03,470 --> 01:09:08,830 most fabulous cities in the world with undoubtedly the most terrific man in the 1022 01:09:08,830 --> 01:09:12,950 world with whom I am desperately in love. 1023 01:09:13,670 --> 01:09:14,670 What do you think? 1024 01:09:15,370 --> 01:09:17,990 I think it's a little over the top. That's what I thought you'd say. 1025 01:09:21,630 --> 01:09:22,630 What? 1026 01:09:22,970 --> 01:09:23,970 Just thinking. 1027 01:09:24,069 --> 01:09:25,069 About what? 1028 01:09:25,770 --> 01:09:29,189 Well, here I am in one of the greatest cities in the world, walking down one of 1029 01:09:29,189 --> 01:09:33,350 these incredible streets, and desperately in love with the most 1030 01:09:33,350 --> 01:09:34,350 in the world. 1031 01:09:34,830 --> 01:09:35,830 What do you think? 1032 01:09:36,109 --> 01:09:38,090 I think we are over the top. 1033 01:09:38,510 --> 01:09:39,510 Isn't it great? 1034 01:09:43,810 --> 01:09:45,130 It is cold. 1035 01:09:47,550 --> 01:09:48,550 What's this? 1036 01:09:49,390 --> 01:09:52,470 Oh, I think that's the box I have listed out from California. 1037 01:09:52,830 --> 01:09:54,010 Yeah, that's it. 1038 01:09:56,810 --> 01:09:59,010 The rest of your college papers we found in Florida. 1039 01:10:00,250 --> 01:10:03,150 I thought the best thing to do was to go back to the beginning. 1040 01:10:03,690 --> 01:10:06,090 It all started when you wrote that play in college. 1041 01:10:06,770 --> 01:10:08,310 There ought to be some answers in there. 1042 01:10:08,970 --> 01:10:09,970 Come on, have a look. 1043 01:10:14,650 --> 01:10:15,650 Uh -oh. 1044 01:10:15,670 --> 01:10:16,670 What? 1045 01:10:17,470 --> 01:10:20,050 Oh, it's a photograph of me in college. 1046 01:10:20,950 --> 01:10:21,950 Well, let me see it. 1047 01:10:24,330 --> 01:10:26,190 I was a late bloomer. 1048 01:10:32,840 --> 01:10:33,980 What night of the week did your play open? 1049 01:10:34,820 --> 01:10:36,120 Same night it closed. 1050 01:10:36,360 --> 01:10:37,360 Why? 1051 01:10:37,800 --> 01:10:40,820 Well, I was just reading what some of the cast and the people who were 1052 01:10:40,820 --> 01:10:42,940 in your play wrote on the back of your program. 1053 01:10:43,520 --> 01:10:47,060 Wednesday night was the best, Frank. If nothing else, we'll always have 1054 01:10:47,060 --> 01:10:48,820 Wednesday night. Love, Marilyn. 1055 01:10:49,980 --> 01:10:52,340 Remember the Alamo. Remember Wednesday night. 1056 01:10:52,680 --> 01:10:53,680 Bill. 1057 01:10:56,280 --> 01:10:58,220 I'll never forget Wednesday night. 1058 01:10:59,460 --> 01:11:01,620 The note in Alan Watson's pocket. 1059 01:11:02,190 --> 01:11:05,170 Do you think it's possible you could have written something like this on 1060 01:11:05,170 --> 01:11:08,630 else's program? Well, yes, I think I could absolutely have written it. 1061 01:11:09,470 --> 01:11:12,070 Do you still have that milk that Detective Giardino gave us? 1062 01:11:12,450 --> 01:11:13,450 It's in my purse. 1063 01:11:21,470 --> 01:11:23,750 It was in my purse. 1064 01:11:24,910 --> 01:11:26,010 Well, where else could it be? 1065 01:11:26,410 --> 01:11:29,110 I don't know. It couldn't be anywhere else. That's where I put it. 1066 01:11:31,150 --> 01:11:32,230 Oh, that's just stupid. 1067 01:11:33,950 --> 01:11:36,350 First my compact, then my lipstick, and now this? 1068 01:11:39,570 --> 01:11:40,570 What's going on? 1069 01:13:50,190 --> 01:13:51,190 And nobody cared? 1070 01:13:55,050 --> 01:13:58,350 We're not going to go through this again, Booz. 1071 01:13:58,790 --> 01:14:01,570 When you make scrambled eggs, you use milk. 1072 01:14:02,310 --> 01:14:07,430 You're out of your skull, lady. No way. If you want your eggs light and fluffy, 1073 01:14:07,690 --> 01:14:09,070 you use water. 1074 01:14:09,410 --> 01:14:13,930 Look who's talking about light and fluffy. Cut that out. 1075 01:14:15,450 --> 01:14:16,910 What's wrong, Booz? 1076 01:14:17,350 --> 01:14:19,750 I just want to see if you know something about cooking, that's all. 1077 01:14:20,110 --> 01:14:21,710 No, that's not all. 1078 01:14:22,150 --> 01:14:25,410 I forgot more than you know about making eggs. 1079 01:14:25,730 --> 01:14:26,730 We use water. 1080 01:14:27,370 --> 01:14:31,910 All right, I'll tell you what we'll do. We'll make one batch with milk, another 1081 01:14:31,910 --> 01:14:34,330 batch with water. We'll let the hearts decide. 1082 01:14:35,030 --> 01:14:36,030 What do you say? 1083 01:14:36,270 --> 01:14:39,410 I say, let's you and I get married. 1084 01:14:42,490 --> 01:14:46,230 I don't know what to say. 1085 01:14:46,800 --> 01:14:47,920 About saying yes. 1086 01:14:49,160 --> 01:14:50,160 Good morning. 1087 01:14:52,120 --> 01:14:53,120 Cat's for that. 1088 01:14:57,060 --> 01:14:58,060 Breakfast for two? 1089 01:14:58,580 --> 01:15:01,300 Oh, I was just helping. Bon appétit. 1090 01:15:01,960 --> 01:15:04,180 Morning, Cat. Good morning. 1091 01:15:04,460 --> 01:15:06,500 We have an appointment at NYU. We'll be back later. 1092 01:15:07,980 --> 01:15:09,140 Everything okay, Max? 1093 01:15:25,170 --> 01:15:30,810 Jennifer. Jennifer Edwards at the time, but now it's Jennifer Hart. And this is 1094 01:15:30,810 --> 01:15:31,870 my husband, Jonathan. 1095 01:15:32,370 --> 01:15:34,010 Oh, a lucky man, Jonathan. 1096 01:15:34,450 --> 01:15:35,830 So what's this all about? 1097 01:15:36,050 --> 01:15:37,230 A Broadway show? 1098 01:15:37,650 --> 01:15:43,090 Yeah. Do you remember the play that I wrote and directed? It was called... The 1099 01:15:43,090 --> 01:15:44,670 Lady of Whitechapel. 1100 01:15:45,070 --> 01:15:48,430 Yes, I glanced over it just after we hung up. 1101 01:15:49,110 --> 01:15:52,750 Is that what you told David Kramer's people when they came to look through 1102 01:15:52,750 --> 01:15:53,750 archive? 1103 01:15:54,190 --> 01:15:55,190 Think upon? 1104 01:15:55,810 --> 01:16:00,150 Professor, David Kramer's development people told us that they'd checked out 1105 01:16:00,150 --> 01:16:01,450 every university in the country. 1106 01:16:01,790 --> 01:16:05,990 Well, I don't know about other universities, Jonathan, but if David 1107 01:16:05,990 --> 01:16:08,490 people came here, I wouldn't forget that. 1108 01:16:10,210 --> 01:16:13,550 Jennifer, do you remember LeBac's first rule of theater? 1109 01:16:14,190 --> 01:16:17,850 The unexpected is what keeps the audience in their seats. 1110 01:16:18,450 --> 01:16:19,450 That's funny. 1111 01:16:19,550 --> 01:16:20,770 That's what David said. 1112 01:16:21,870 --> 01:16:23,650 Only he called it Kramer's law. 1113 01:16:24,090 --> 01:16:25,150 Oh, that's not surprising. 1114 01:16:25,350 --> 01:16:26,390 He was one of my students. 1115 01:16:27,010 --> 01:16:28,270 One of your students? 1116 01:16:28,690 --> 01:16:29,690 Of course. 1117 01:16:29,850 --> 01:16:33,450 Who else would know Labarque's rules of theater? 1118 01:16:34,310 --> 01:16:35,350 I'm Labarque. 1119 01:16:35,570 --> 01:16:37,290 That's Cabell spelled backward. 1120 01:16:38,330 --> 01:16:40,570 David never said he went to the same school. 1121 01:16:41,370 --> 01:16:44,530 Oh, that's odd. There was one year behind you. 1122 01:16:45,230 --> 01:16:50,130 But his name wasn't David Kramer then. It was Carl Davidson. 1123 01:16:54,060 --> 01:16:56,140 Here's the program. 1124 01:16:57,840 --> 01:17:01,020 And here's a photograph of the cast. 1125 01:17:01,700 --> 01:17:04,940 There's David Kramer right at the top. 1126 01:17:06,940 --> 01:17:09,840 You've been working with him all this time and you didn't know? 1127 01:17:11,960 --> 01:17:13,560 Constable Higgins, Carl Davidson. 1128 01:17:15,460 --> 01:17:16,820 I had no idea. 1129 01:17:22,990 --> 01:17:29,370 always that smile isn't it jennifer the same one you gave to me 1130 01:17:29,370 --> 01:17:36,030 i'll never forget wednesday night but you did 1131 01:17:36,030 --> 01:17:42,430 forget you forgot everything except him you never forget him do you wonderful 1132 01:17:42,430 --> 01:17:47,850 thoughtful delightful jonathan wonderful thoughtful delightful dead jonathan 1133 01:17:47,850 --> 01:17:48,850 david 1134 01:18:19,450 --> 01:18:21,190 understand why they're not rehearsing. 1135 01:18:22,150 --> 01:18:24,970 There seems to be a lot of things going around here that we don't know about. 1136 01:18:55,390 --> 01:18:57,350 Jennifer, I wasn't expecting you. 1137 01:18:57,790 --> 01:18:59,810 I'm up here working on some spot cues. 1138 01:19:00,290 --> 01:19:01,290 Come on up. 1139 01:19:29,090 --> 01:19:30,090 David? 1140 01:19:36,550 --> 01:19:37,550 David? 1141 01:19:42,030 --> 01:19:43,030 David? 1142 01:19:46,350 --> 01:19:47,350 David? 1143 01:19:47,570 --> 01:19:48,570 What are you doing? 1144 01:19:48,790 --> 01:19:49,950 Theater, my dear. My milieu. 1145 01:19:50,190 --> 01:19:51,270 Very effective. Jennifer! 1146 01:19:52,550 --> 01:19:53,590 Shall we? Jennifer! 1147 01:20:32,910 --> 01:20:36,030 It's too bad that Alan Watson had to go poking around the theater looking for 1148 01:20:36,030 --> 01:20:37,030 set pieces. 1149 01:20:37,370 --> 01:20:39,310 You didn't even recognize that piece, did you? 1150 01:20:40,310 --> 01:20:41,510 It was from my collection. 1151 01:20:42,530 --> 01:20:45,370 From the play we did together many years ago. 1152 01:20:45,790 --> 01:20:47,410 I kept it as a memento. 1153 01:20:48,610 --> 01:20:49,630 That outfit, too? 1154 01:20:50,670 --> 01:20:51,970 You wore it that night. 1155 01:20:52,950 --> 01:20:55,610 I always considered it the prize of my collection. 1156 01:21:10,410 --> 01:21:12,050 You really are so very beautiful. 1157 01:21:14,030 --> 01:21:18,750 I always wondered what it would be like to kiss you. 1158 01:21:20,850 --> 01:21:24,430 Do I repulse you that much? David, you're sick. 1159 01:21:24,790 --> 01:21:25,810 You need help. 1160 01:21:26,650 --> 01:21:28,950 Your husband's locked up in a spotlight booth. 1161 01:21:29,170 --> 01:21:33,010 You're tied up down here with a madman, and I need help. That's really very 1162 01:21:33,010 --> 01:21:35,470 good, Jennifer. I admire your sense of irony. 1163 01:21:37,990 --> 01:21:39,210 Welcome to my museum. 1164 01:21:39,800 --> 01:21:42,360 My tribute to the great and wonderful Jennifer Hart. 1165 01:21:42,800 --> 01:21:45,160 I've had 25 years to put it together. 1166 01:21:46,320 --> 01:21:51,540 25 years to build my collection and to make myself something. 1167 01:21:52,580 --> 01:21:53,620 And for what? 1168 01:21:53,920 --> 01:21:54,920 For nothing! 1169 01:21:57,180 --> 01:21:58,380 No, not for nothing. 1170 01:21:59,300 --> 01:22:00,300 No. 1171 01:22:01,340 --> 01:22:02,520 You are something. 1172 01:22:02,900 --> 01:22:04,700 You're a well -known producer. 1173 01:22:05,520 --> 01:22:09,440 You do wonderful plays. Do you know why I did that? Do you even have a clue as 1174 01:22:09,440 --> 01:22:10,440 to what it's all been about? 1175 01:22:57,200 --> 01:23:00,940 When I was in your play, you barely even noticed me. Isn't that true? 1176 01:23:02,740 --> 01:23:07,420 It's, uh... I mean, it's not really true. I was preoccupied. It was my first 1177 01:23:07,420 --> 01:23:13,520 play, and... Such a sweet love. You didn't notice me because I wasn't worth 1178 01:23:13,520 --> 01:23:16,880 noticing. You knew it, and I knew it. 1179 01:23:21,880 --> 01:23:23,600 I'll never forget Wednesday night. 1180 01:23:24,680 --> 01:23:26,960 When you wrote that to me, do you know what I was thinking? 1181 01:23:27,280 --> 01:23:29,780 I was thinking that one day you'll mean it. 1182 01:23:30,300 --> 01:23:31,720 One day you'll want to know me. 1183 01:23:33,820 --> 01:23:34,820 All this. 1184 01:23:35,900 --> 01:23:36,900 Everything here. 1185 01:23:38,060 --> 01:23:39,280 I did it for you, Jennifer. 1186 01:23:40,080 --> 01:23:41,960 I did it so I could be good for you. 1187 01:23:44,740 --> 01:23:45,740 Jennifer? 1188 01:23:46,340 --> 01:23:47,340 Jennifer? 1189 01:24:06,790 --> 01:24:07,830 It's not fair, David. 1190 01:24:08,490 --> 01:24:10,330 I didn't know how you felt. Fair? 1191 01:24:10,650 --> 01:24:11,529 What's fair? 1192 01:24:11,530 --> 01:24:14,490 Is it fair that the woman you spent half your life trying to win over turns away 1193 01:24:14,490 --> 01:24:17,670 from you? Is it fair that she loves another man and won't even give you the 1194 01:24:17,670 --> 01:24:19,690 of day? Who the hell are you to talk about fair? 1195 01:24:21,450 --> 01:24:25,010 What isn't fair, however, might turn out to be quite dramatic. 1196 01:24:26,160 --> 01:24:27,160 A tragic triangle. 1197 01:24:27,620 --> 01:24:30,660 A husband, a wife, the rejected lover. 1198 01:24:30,920 --> 01:24:34,800 And the theater he built as an icon of his passion. 1199 01:24:35,680 --> 01:24:36,680 All gone. 1200 01:24:36,960 --> 01:24:41,040 With one single stroke. 1201 01:24:43,900 --> 01:24:45,660 They'll be talking about it for months. 1202 01:24:46,620 --> 01:24:48,080 It's gonna be hard. 1203 01:24:57,840 --> 01:25:02,360 Funny thing about these old theaters, they're full of history and memories, 1204 01:25:02,360 --> 01:25:05,560 they're fire traveling. A little well -placed conflagration. 1205 01:25:08,640 --> 01:25:10,820 And pop goes the weasel. 1206 01:25:11,960 --> 01:25:13,680 That beautiful face. 1207 01:25:16,040 --> 01:25:18,220 I hope you appreciate the dramatics here. 1208 01:25:24,880 --> 01:25:26,520 Dr. Livingston, I presume. 1209 01:25:27,070 --> 01:25:28,070 He's got Jennifer. 1210 01:25:28,290 --> 01:25:29,930 Davidson? I mean, Kramer? 1211 01:25:30,150 --> 01:25:31,150 You know? 1212 01:25:32,090 --> 01:25:34,650 I bet no one's ever done anything like this to you before. 1213 01:25:37,430 --> 01:25:40,590 That key we found on Watson's body? I tried everything. 1214 01:25:40,850 --> 01:25:43,890 His house, his workshop, his boyfriend's place. 1215 01:25:44,230 --> 01:25:45,670 But I didn't think about the theater. 1216 01:25:46,050 --> 01:25:49,790 It fits a number of locks down here. It doesn't open them, but it fits. 1217 01:25:50,270 --> 01:25:53,790 I think that Kramer maybe has got a little hideaway down here. 1218 01:25:58,030 --> 01:25:59,130 I've loved you so much. 1219 01:26:01,790 --> 01:26:02,790 Jennifer! 1220 01:26:43,950 --> 01:26:47,030 That's okay, you two. Don't mind me. I'm fine over here by myself. I just got 1221 01:26:47,030 --> 01:26:48,190 shot in the leg. 1222 01:26:48,530 --> 01:26:51,010 I don't think I'm in shock yet. I still have a pulse. 1223 01:26:51,450 --> 01:26:54,470 Maybe you could hug a little more and then call an ambulance. But don't rush, 1224 01:26:54,650 --> 01:26:57,050 because I'm fine. It's like a small puddle of blood here. 1225 01:27:01,450 --> 01:27:03,910 Who do you see about getting a marriage license? 1226 01:27:05,150 --> 01:27:08,290 New York, all these people, they can't get anybody to do anything. 1227 01:27:09,270 --> 01:27:10,270 Max? 1228 01:27:10,700 --> 01:27:13,320 Do you really think getting a marriage license is a good idea? 1229 01:27:13,820 --> 01:27:18,200 I mean, how well did you think this out before you asked me to marry you? 1230 01:27:18,500 --> 01:27:22,240 What's there to think about? I love you. You love me. 1231 01:27:22,920 --> 01:27:23,920 It's okay. 1232 01:27:24,000 --> 01:27:27,840 Yeah, but I live in New York, Max. 1233 01:27:28,680 --> 01:27:31,560 And as attached as you are to your Mr. 1234 01:27:31,800 --> 01:27:34,800 and Mrs. H, I'm just as attached to mine. 1235 01:27:35,880 --> 01:27:37,560 Just suppose that... 1236 01:27:37,900 --> 01:27:42,460 I popped the question to you when I asked you to come here and spend the 1237 01:27:42,460 --> 01:27:43,920 your life with me in New York. 1238 01:27:44,860 --> 01:27:46,080 What would your answer be? 1239 01:27:46,520 --> 01:27:52,140 I would probably say, Catherine, you're a swell broad, but I ain't leaving the 1240 01:27:52,140 --> 01:27:53,140 hearts. 1241 01:27:54,300 --> 01:27:57,000 You took the words right out of my mouth. 1242 01:27:58,000 --> 01:27:59,600 You're amazing, isn't that? 1243 01:27:59,840 --> 01:28:00,840 Yeah, so? 1244 01:28:01,780 --> 01:28:06,480 Just got me to kiss myself off and not feel too bad about it in the process. 1245 01:28:16,360 --> 01:28:18,500 Just got off the phone with Arthur Preston. 1246 01:28:19,240 --> 01:28:20,240 Broadway producer? 1247 01:28:20,360 --> 01:28:23,600 You read the script of Whitechapel? He thinks it's terrific. 1248 01:28:23,920 --> 01:28:24,920 Oh. 1249 01:28:27,920 --> 01:28:31,080 He, um, is going to have to get a new writer. 1250 01:28:31,780 --> 01:28:34,840 Well, that's showbiz, I guess. 1251 01:28:35,290 --> 01:28:38,990 Well, he's given the cast a two -week paid vacation, and then they start 1252 01:28:38,990 --> 01:28:40,470 rehearsals. That's great. 1253 01:28:40,810 --> 01:28:42,830 At least nobody will lose their job. 1254 01:28:43,450 --> 01:28:44,450 Shall we? 1255 01:28:44,570 --> 01:28:47,390 Darling, just one last look. 1256 01:28:49,550 --> 01:28:52,250 There really is magic in the theater, isn't there? 1257 01:28:52,890 --> 01:28:54,050 There certainly is. 1258 01:28:54,270 --> 01:28:55,810 Especially the musical theater. 1259 01:28:56,710 --> 01:28:59,290 Can't you just feel it in the air? 1260 01:29:00,530 --> 01:29:01,690 Why don't we use it? 1261 01:29:04,590 --> 01:29:05,590 What do you mean? 1262 01:29:05,690 --> 01:29:08,230 Well, we've got the piano, Max. 1263 01:29:09,690 --> 01:29:10,690 Got the stage. 1264 01:29:11,430 --> 01:29:12,430 Got the lights. 1265 01:29:13,970 --> 01:29:14,970 No one's here. 1266 01:29:18,050 --> 01:29:20,570 Play it again, Max. 1267 01:29:22,890 --> 01:29:27,010 You were meant for me. 1268 01:30:59,180 --> 01:31:00,180 You were great. 1269 01:31:00,640 --> 01:31:03,560 I didn't know you could do that. Oh, boy. 1270 01:31:05,520 --> 01:31:08,400 You were meant for me. 1271 01:31:10,260 --> 01:31:12,900 Anna, turn off the lights, will you, Max? 1272 01:31:13,200 --> 01:31:14,200 Good night, Mrs. 1273 01:31:14,440 --> 01:31:15,440 Calabash. 1274 01:31:17,360 --> 01:31:18,520 Forever you may be.