1
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I'm going to start.

2
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Alright.

3
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Oh, you're my own, Adam.

4
00:00:24,000 --> 00:00:29,000
Don't forget some old teams coming tonight.

5
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Fred and I will not forget madam.

6
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I've heard of the big entrance.

7
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What's this thing?

8
00:00:34,000 --> 00:00:38,000
Good morning.

9
00:00:38,000 --> 00:00:40,000
Hey, Louisa.

10
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We start.

11
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I'm an old.

12
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And what are you off to do this bright and shiny morning?

13
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I said I might go and see her.

14
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Hello, about an idea I had to murder us memorial.

15
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I'd rather I'd talk to you about it.

16
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Don't pick up a coffee?

17
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Yes.

18
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Thank you, Maryman.

19
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And don't forget some auntie, Mary's wine in his room.

20
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Oh, no, I'm never a thicket.

21
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Uh, see, coming back again.

22
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Yeah, doing his amelite.

23
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For you look more like amelite than he does.

24
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It's really rather an old charlatan.

25
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Oh, I don't know.

26
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He does try to give people their money's money's money.

27
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A bit of a laugh, a bit of a cry.

28
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They can't be too easy night after night,

29
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especially in this eat.

30
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It's all right for cricket or bathing.

31
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Isn't it about time he was off on your cricket

32
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week up in Yorkshire?

33
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I've chucked this year, I'm afraid.

34
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Oh, that's a pity.

35
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Yes.

36
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You've got to go back some time, you know?

37
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Yes, of course, but not yet.

38
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Margaret would be everywhere.

39
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Only enough, one of the things she simply loved was

40
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village cricket.

41
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It used to score for us.

42
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Made everyone laugh.

43
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Well, it's nice to have some happy memories.

44
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Oh, well, they know, don't mind me.

45
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Oh, I know what it is.

46
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They've asked me to become a gentleman usher at court.

47
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Was that sort of glory-fied, Maryman?

48
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Part-time courtier.

49
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On duty at royal functions, garden parties, court balls,

50
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diplomatic occasions.

51
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Oh, Johnny Fargens, you know,

52
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trying to be kind.

53
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Congratulations.

54
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I'm going to excuse myself.

55
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I don't feel up to it.

56
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Most likely, Johnny's getting sick and tired of you wondering

57
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about the place spreading gloom and despondency wherever you go.

58
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I know a lot of your friends are, I know I am.

59
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I'm very sorry.

60
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And if the king does you the honour to ask you to help out,

61
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I think it's an insult to refuse.

62
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You've beaten fire count, aren't you?

63
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Doesn't they give you any responsibilities?

64
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It's really absolutely none of your business

65
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Oh, yes, it is.

66
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For one thing, you turn in this place into a morgue just by being here.

67
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First, I've been Queen Victoria around.

68
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Then I'll leave.

69
00:02:46,000 --> 00:02:49,000
Charlie, it wasn't your fault, Margaret Dunner's your thing.

70
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Of course it was.

71
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Who else is?

72
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It wasn't no ones.

73
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It was the way she was.

74
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Poor thing.

75
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Couldn't face up to life. It was something wrong in here.

76
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I married her.

77
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For better or for worse.

78
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I was a little bit older than I was.

79
00:03:00,000 --> 00:03:02,000
I was a little bit older than I was.

80
00:03:02,000 --> 00:03:04,000
I was a little bit older than I was.

81
00:03:04,000 --> 00:03:06,000
I was a little bit older than I was.

82
00:03:06,000 --> 00:03:08,000
For better or for worse.

83
00:03:08,000 --> 00:03:11,000
Don't you remember what we said in this very room?

84
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It pays you money.

85
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Marriage is a lot of reeds, chancey.

86
00:03:17,000 --> 00:03:19,000
I think the major's got a better chance of winning.

87
00:03:19,000 --> 00:03:21,000
Putting his money on opponents.

88
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I don't say you should forget it.

89
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You won't never forget it.

90
00:03:24,000 --> 00:03:26,000
No, if you're human being.

91
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That's not wrong. That's right.

92
00:03:28,000 --> 00:03:30,000
You might even be better for it.

93
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Tempered in the fierce furnace of life.

94
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Yeah, that's right.

95
00:03:35,000 --> 00:03:37,000
The memorials is all right.

96
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In their way, it's respectful and nice.

97
00:03:39,000 --> 00:03:43,000
But not when they're memorials to your own misery.

98
00:03:43,000 --> 00:03:46,000
That way you get to be like poor Margaret.

99
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What shall I do? I really don't want to go back to Yorkshire.

100
00:03:51,000 --> 00:03:53,000
Well, you don't have to.

101
00:03:53,000 --> 00:03:55,000
And chuck off them clothes for a start.

102
00:03:55,000 --> 00:03:57,000
Go and get something nice.

103
00:03:57,000 --> 00:04:00,000
Get back into life if it was me up our new hat.

104
00:04:00,000 --> 00:04:02,000
Go out and do something, anything.

105
00:04:03,000 --> 00:04:05,000
There you are.

106
00:04:05,000 --> 00:04:10,000
Learn to dance the new way, the modern way, the American way.

107
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Hey?

108
00:04:12,000 --> 00:04:14,000
Learn to fly a hot air balloon.

109
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Feel the thrill of being lighter than the ether.

110
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Blimey.

111
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Yeah, well, arms get flying.

112
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The Louisa Trotterway.

113
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I've got more on this, Montanette, since the coronation.

114
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What's up, l?

115
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Hi, my name's John.

116
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Good afternoon, sir.

117
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Happy to be here.

118
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Nothing like tea to cool it down.

119
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That's what the old hands used to say in India.

120
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Yes, sir.

121
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I see Bumba, dear Wells,

122
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give that Australian feather a good trashing last night.

123
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All right, you can go to the door.

124
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I'm going to go to the door.

125
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I'm going to go to the door.

126
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I'm going to go to the door.

127
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What's up, Miss?

128
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I'm going to go to the door.

129
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So, tell me about my girls, give that Australian feather a

130
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good trashing last night?

131
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All right, look to the chin.

132
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Shake it around.

133
00:05:04,000 --> 00:05:06,000
Okay, that's the way I used to doing it.

134
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Ah, footwork.

135
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That's the secret.

136
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Footwork and time.

137
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Yeah.

138
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Yeah.

139
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It's almost 5.30, ma'am.

140
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Yeah, all right.

141
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I'll be there.

142
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He'll have his audience as always.

143
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He'll be here soon.

144
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Well, I don't suppose you come in here to see you, will he?

145
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I've never done before.

146
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to see you, will he?

147
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He's never done before when he's been staying here.

148
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Was he?

149
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No, he hasn't.

150
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But then he hasn't had calls and orders me before.

151
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Perhaps if I was to make an excuse and go through the hall

152
00:05:36,000 --> 00:05:37,000
when he comes back.

153
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Look, Vi, even if you do, he won't notice you.

154
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So don't be so daft.

155
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You're always dreaming unless you're in trouble.

156
00:05:42,000 --> 00:05:43,000
What else is there to do?

157
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Lay down for a day, does he?

158
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He's been in the army.

159
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We've had him on a charge.

160
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Not just that.

161
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Can't quite imagine Sir Martin in the army.

162
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Oh, fret on your feet, lad.

163
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Curtain up.

164
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Star!

165
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Greeting.

166
00:06:04,000 --> 00:06:05,000
Good afternoon, Sir Martin.

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And the Major.

168
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Kippin' fit.

169
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And where is my lady?

170
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Oh, you're then Sir Martin.

171
00:06:12,000 --> 00:06:14,000
Dear Lady.

172
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Always happy when I arrive to play London.

173
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As I come to the last stack, I quote the bard to myself.

174
00:06:20,000 --> 00:06:25,000
Shall I not take my knees at mine in and can hardly wait?

175
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You look as charming as ever.

176
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Thank you, Sir Martin.

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And as your amlet going.

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Don't speak of it a disastrous matinee.

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A bunch of mealy-mouthed mums,

180
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they should be picking hops in kint.

181
00:06:35,000 --> 00:06:37,000
And an Ophelia who should have been drowned

182
00:06:37,000 --> 00:06:40,000
at birth to have saved Shakespeare the trouble.

183
00:06:40,000 --> 00:06:43,000
Dear lady, let us to your parlor, I have much gossip.

184
00:06:43,000 --> 00:06:45,000
Yes, Sir Martin, you know I never gossip.

185
00:06:45,000 --> 00:06:47,000
My loll of business is more the last word.

186
00:06:47,000 --> 00:06:50,000
Nevertheless, I have heard things about mutual acquaintances

187
00:06:50,000 --> 00:06:52,000
that should make your ears prick up.

188
00:06:53,000 --> 00:06:56,000
Actors are all right in their place, I will say.

189
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Their place being on the stage.

190
00:06:59,000 --> 00:07:02,000
And that one's a conceited counter jumper of everyone.

191
00:07:02,000 --> 00:07:06,000
I think my lady is quite capable of handling some asking.

192
00:07:06,000 --> 00:07:08,000
Yes, very likely, but a cad's a cad.

193
00:07:08,000 --> 00:07:12,000
I was always taught whatever profession he may pursue.

194
00:07:12,000 --> 00:07:14,000
You noticed me, Mary. I swear he did.

195
00:07:14,000 --> 00:07:16,000
You know what you're seeing in myself?

196
00:07:16,000 --> 00:07:17,000
So I handsome mind.

197
00:07:17,000 --> 00:07:19,000
I used to cut out all his pictures at home

198
00:07:19,000 --> 00:07:21,000
and stick him in his scrapbook.

199
00:07:21,000 --> 00:07:23,000
I think I fell in love with him when I was 12.

200
00:07:23,000 --> 00:07:25,000
And he's probably a bit younger than most me.

201
00:07:25,000 --> 00:07:26,000
He's knocking on a bit now.

202
00:07:26,000 --> 00:07:29,000
Doesn't stop him being a lovely man, no, does it?

203
00:07:29,000 --> 00:07:30,000
Who's she on about?

204
00:07:30,000 --> 00:07:31,000
Oh, she got stars in her eyes.

205
00:07:31,000 --> 00:07:33,000
It was some art, did.

206
00:07:33,000 --> 00:07:34,000
She won't be the first.

207
00:07:34,000 --> 00:07:38,000
If I was you, my girl, I gazed on him from afar.

208
00:07:40,000 --> 00:07:43,000
And she said that the trouble with dining out that particular,

209
00:07:43,000 --> 00:07:46,000
the atrical restaurant, was that it was much the same

210
00:07:46,000 --> 00:07:49,000
as eating breakfast off a dirty, either dark.

211
00:07:49,000 --> 00:07:50,000
Yeah, I know the place.

212
00:07:50,000 --> 00:07:51,000
She was quite right.

213
00:07:51,000 --> 00:07:53,000
They served crow and call it chicken.

214
00:07:54,000 --> 00:07:56,000
How are you, then, Samatty?

215
00:07:56,000 --> 00:07:57,000
Oh, Mom.

216
00:07:57,000 --> 00:07:58,000
Aging.

217
00:07:58,000 --> 00:07:59,000
Oh, go on.

218
00:07:59,000 --> 00:08:00,000
You can still feel the place.

219
00:08:00,000 --> 00:08:01,000
Oh, yes.

220
00:08:01,000 --> 00:08:02,000
They still come and see me.

221
00:08:02,000 --> 00:08:05,000
But the time is coming near where they would want to see an aging hamlet.

222
00:08:05,000 --> 00:08:08,000
Probably the only part left for me will be King Lear.

223
00:08:08,000 --> 00:08:09,000
Come on.

224
00:08:09,000 --> 00:08:10,000
Cheer up.

225
00:08:10,000 --> 00:08:11,000
There.

226
00:08:11,000 --> 00:08:12,000
Have some brandy.

227
00:08:12,000 --> 00:08:16,000
Lady, for this relief, much thanks to bitter heart and I am sick at heart.

228
00:08:16,000 --> 00:08:17,000
Get on you.

229
00:08:17,000 --> 00:08:19,000
You've got 100 years of fluttering breasts ahead of you.

230
00:08:19,000 --> 00:08:21,000
God bless you, man.

231
00:08:21,000 --> 00:08:22,000
Yeah, I hope.

232
00:08:28,000 --> 00:08:29,000
Oh, it's not good, Major.

233
00:08:29,000 --> 00:08:31,000
Busking the winner, Rocky Law II.

234
00:08:31,000 --> 00:08:34,000
What about my Clarissima for last, right?

235
00:08:34,000 --> 00:08:35,000
Oh.

236
00:08:35,000 --> 00:08:38,000
If you will bet on maybe two-year-old Samatty.

237
00:08:38,000 --> 00:08:41,000
This is the only way to get decent dogs at Newmarket.

238
00:08:41,000 --> 00:08:42,000
Well, no, Charlie.

239
00:08:42,000 --> 00:08:43,000
Oh, Major.

240
00:08:43,000 --> 00:08:44,000
Miss Torellon Ehrabt.

241
00:08:44,000 --> 00:08:45,000
So, yes, we'll all.

242
00:08:45,000 --> 00:08:46,000
She has a business, sir.

243
00:08:46,000 --> 00:08:47,000
Oh, she has a business, sir.

244
00:08:47,000 --> 00:08:50,000
Our most distinguished Knight of the Boards.

245
00:08:50,000 --> 00:08:52,000
And I'm Missed His Entrance.

246
00:08:52,000 --> 00:08:53,000
Well, but plant him off.

247
00:08:53,000 --> 00:08:55,000
Many, many, many.

248
00:08:55,000 --> 00:08:56,000
Sir, Wayne.

249
00:08:56,000 --> 00:08:58,000
Lady, how much it is snooze?

250
00:08:58,000 --> 00:09:00,000
A sen might tee up at 6.30, would you?

251
00:09:00,000 --> 00:09:02,000
I have to be at the theatre a little earlier tonight.

252
00:09:02,000 --> 00:09:03,000
Yes, sir.

253
00:09:03,000 --> 00:09:04,000
And the widow.

254
00:09:04,000 --> 00:09:06,000
The very cookers beside your bed, sir.

255
00:09:06,000 --> 00:09:09,000
God bless the many widow and all her seders.

256
00:09:09,000 --> 00:09:11,000
Do you want me to open you for you, sir?

257
00:09:11,000 --> 00:09:12,000
No, thank you.

258
00:09:12,000 --> 00:09:15,000
I've had many years seducing our beings seduced by the widow.

259
00:09:15,000 --> 00:09:18,000
I think I can manage it again, named Sister Trotter.

260
00:09:18,000 --> 00:09:21,000
My Lord Hazel, sir, my greetings.

261
00:09:21,000 --> 00:09:22,000
Oh.

262
00:09:22,000 --> 00:09:23,000
Oh.

263
00:09:27,000 --> 00:09:29,000
Oh, old bugger.

264
00:09:29,000 --> 00:09:30,000
He's right.

265
00:09:30,000 --> 00:09:31,000
He's getting old.

266
00:09:31,000 --> 00:09:33,000
Oh, well.

267
00:09:33,000 --> 00:09:36,000
Why are you looking like the cat that's got the cream?

268
00:09:36,000 --> 00:09:40,000
Well, you know how much I respect you, Mrs Trotter.

269
00:09:40,000 --> 00:09:41,000
Oh, come on.

270
00:09:41,000 --> 00:09:42,000
I've got a good sense of you.

271
00:09:42,000 --> 00:09:43,000
But don't push me too far.

272
00:09:43,000 --> 00:09:45,000
I've taken your advice, Louisa.

273
00:09:45,000 --> 00:09:47,000
Not the hot air balloon.

274
00:09:47,000 --> 00:09:48,000
Oh.

275
00:09:48,000 --> 00:09:51,000
No, but I have learned to dance the modern way, the American way.

276
00:09:51,000 --> 00:09:52,000
New Athens.

277
00:09:52,000 --> 00:09:54,000
I have, and I bought you a little present.

278
00:09:54,000 --> 00:09:55,000
Oh.

279
00:09:55,000 --> 00:09:57,000
Surprise, surprise.

280
00:10:01,000 --> 00:10:02,000
Oh, you are nice.

281
00:10:02,000 --> 00:10:03,000
Shall I put one on?

282
00:10:03,000 --> 00:10:04,000
What are they, then?

283
00:10:04,000 --> 00:10:05,000
Well, I'll take your pick.

284
00:10:05,000 --> 00:10:06,000
Money hug.

285
00:10:06,000 --> 00:10:07,000
Turkey trot.

286
00:10:07,000 --> 00:10:08,000
Why, mate?

287
00:10:09,000 --> 00:10:11,000
What about tomorrow, Aestar?

288
00:10:11,000 --> 00:10:14,000
Moracks for the Duke of Cambridge, Andy Camus.

289
00:10:14,000 --> 00:10:16,000
I've only got two lads, and no one was in here last week.

290
00:10:16,000 --> 00:10:17,000
I used to put it back away.

291
00:10:17,000 --> 00:10:18,000
What?

292
00:10:18,000 --> 00:10:20,000
I can't get a damn what, but that was it.

293
00:10:20,000 --> 00:10:21,000
I could not say major.

294
00:10:21,000 --> 00:10:23,000
Some of these lords you've got all that goes, man.

295
00:10:23,000 --> 00:10:25,000
I don't have too much of it.

296
00:10:25,000 --> 00:10:27,000
You have to be one of the sickening.

297
00:10:27,000 --> 00:10:29,000
Oh, it's a German.

298
00:10:29,000 --> 00:10:31,000
Play in the gypsy, you are.

299
00:10:31,000 --> 00:10:32,000
Look, less of a chat.

300
00:10:32,000 --> 00:10:33,000
Come on, Louisa.

301
00:10:33,000 --> 00:10:35,000
I think you're saying it's very lady-like, you know.

302
00:10:35,000 --> 00:10:36,000
Come on, Nick.

303
00:10:36,000 --> 00:10:37,000
Very good for the thing.

304
00:10:37,000 --> 00:10:38,000
I thought I'd be around the room.

305
00:10:38,000 --> 00:10:39,000
Thank you, old child.

306
00:10:40,000 --> 00:10:42,000
Do you have to stick me out of the house?

307
00:10:42,000 --> 00:10:43,000
Well, it's not obligatory.

308
00:10:43,000 --> 00:10:44,000
Come on, you're a turkey.

309
00:10:44,000 --> 00:10:45,000
Good.

310
00:10:45,000 --> 00:10:46,000
Chicken.

311
00:10:46,000 --> 00:10:47,000
Thank you.

312
00:10:47,000 --> 00:10:48,000
Oh, sorry.

313
00:10:48,000 --> 00:10:49,000
Now we're trying to understand that.

314
00:10:49,000 --> 00:10:52,000
Arms on my shoulders, and then you go back with your right leg, and then forward to me.

315
00:10:52,000 --> 00:10:53,000
Do you?

316
00:10:53,000 --> 00:10:55,000
And to me, that's it.

317
00:10:55,000 --> 00:10:56,000
Arms going.

318
00:10:56,000 --> 00:10:57,000
That's me.

319
00:10:57,000 --> 00:10:58,000
It's my sister's.

320
00:10:58,000 --> 00:10:59,000
It's my sister's.

321
00:10:59,000 --> 00:11:00,000
It's my sister's.

322
00:11:00,000 --> 00:11:01,000
It's my sister's.

323
00:11:01,000 --> 00:11:02,000
It's my sister's.

324
00:11:02,000 --> 00:11:03,000
It's my sister's.

325
00:11:03,000 --> 00:11:04,000
It's my sister's.

326
00:11:04,000 --> 00:11:05,000
It's my sister's.

327
00:11:05,000 --> 00:11:06,000
It's my sister's.

328
00:11:06,000 --> 00:11:07,000
It's my sister's.

329
00:11:07,000 --> 00:11:08,000
It's my sister's.

330
00:11:08,000 --> 00:11:09,000
It's my sister's.

331
00:11:09,000 --> 00:11:10,000
It's my sister's.

332
00:11:10,000 --> 00:11:11,000
It's my sister's.

333
00:11:11,000 --> 00:11:12,000
It's my sister's.

334
00:11:12,000 --> 00:11:13,000
It's my sister's.

335
00:11:13,000 --> 00:11:14,000
It's my sister's.

336
00:11:14,000 --> 00:11:15,000
That's it.

337
00:11:15,000 --> 00:11:16,000
Oh, yeah.

338
00:11:16,000 --> 00:11:17,000
Oh, yeah.

339
00:11:17,000 --> 00:11:18,000
Oh, yeah.

340
00:11:18,000 --> 00:11:19,000
Let me know.

341
00:11:19,000 --> 00:11:20,000
It's good.

342
00:11:20,000 --> 00:11:21,000
It's good.

343
00:11:21,000 --> 00:11:23,000
You stand to travel for a striper.

344
00:11:23,000 --> 00:11:24,000
The mad's talk's taken back.

345
00:11:24,000 --> 00:11:26,000
The driver's all mad, if you ask me.

346
00:11:26,000 --> 00:11:28,000
It used to be a nice quard to tell.

347
00:11:28,000 --> 00:11:31,000
Then goes up a slob and soon you die a sippy one.

348
00:11:31,000 --> 00:11:32,000
Oh.

349
00:11:32,000 --> 00:11:33,000
Oh.

350
00:11:33,000 --> 00:11:34,000
Oh.

351
00:11:34,000 --> 00:11:35,000
Oh.

352
00:11:35,000 --> 00:11:36,000
Oh.

353
00:11:37,000 --> 00:11:38,000
Oh, hello.

354
00:11:38,000 --> 00:11:39,000
Yeah.

355
00:11:39,000 --> 00:11:40,000
One, two, three.

356
00:11:40,000 --> 00:11:43,000
I won't take it to my goppin' gobble anyway.

357
00:11:43,000 --> 00:11:44,000
Yeah.

358
00:11:44,000 --> 00:11:46,000
I'll take it to my goppin' gobble anyway.

359
00:11:46,000 --> 00:11:47,000
Yeah.

360
00:11:47,000 --> 00:11:48,000
I'll take it to my goppin' gobble.

361
00:11:48,000 --> 00:11:49,000
Yeah.

362
00:11:49,000 --> 00:11:50,000
That's why.

363
00:11:50,000 --> 00:11:51,000
One, two, three.

364
00:11:51,000 --> 00:11:52,000
One, two, three.

365
00:11:52,000 --> 00:11:53,000
One, two, three.

366
00:11:53,000 --> 00:11:54,000
Yeah.

367
00:11:54,000 --> 00:11:56,000
There's the Martins tea ready now, Mr. Merriman.

368
00:11:56,000 --> 00:11:58,000
Well, I can't do two-eater wax.

369
00:11:58,000 --> 00:11:59,000
The bishop comes first.

370
00:11:59,000 --> 00:12:00,000
The Martins are night after all.

371
00:12:00,000 --> 00:12:03,000
The bishop's a lord takes precedence over a baronet and it's a little bit too much.

372
00:12:03,000 --> 00:12:04,000
I'll take the tea up to some Martin.

373
00:12:04,000 --> 00:12:05,000
Not your job, young woman.

374
00:12:05,000 --> 00:12:06,000
Oh, come on, Mr. Merriman.

375
00:12:06,000 --> 00:12:09,000
Let the sierry rod close quarters for once.

376
00:12:09,000 --> 00:12:10,000
All right.

377
00:12:10,000 --> 00:12:12,000
They might get a bit of a surprise.

378
00:12:12,000 --> 00:12:15,000
No make up and try to sober up a bit after his wine.

379
00:12:15,000 --> 00:12:18,000
Lie and face down as per usual, I shouldn't wonder.

380
00:12:34,000 --> 00:12:37,000
It's a Martin.

381
00:12:37,000 --> 00:12:38,000
Mm-hmm.

382
00:12:38,000 --> 00:12:39,000
You tea?

383
00:12:39,000 --> 00:12:40,000
Ah.

384
00:12:40,000 --> 00:12:43,000
Who are you, my child?

385
00:12:43,000 --> 00:12:46,000
Violet, sir.

386
00:12:46,000 --> 00:12:48,000
Violet.

387
00:12:48,000 --> 00:12:49,000
Violet.

388
00:12:49,000 --> 00:12:52,000
My little flower.

389
00:12:52,000 --> 00:12:53,000
Yes, sir.

390
00:12:53,000 --> 00:12:55,000
Pray, put it over there.

391
00:12:55,000 --> 00:12:56,000
Would you, Miss Violet?

392
00:12:56,000 --> 00:12:57,000
Certainly, sir.

393
00:12:57,000 --> 00:12:59,000
Could you perhaps pour?

394
00:12:59,000 --> 00:13:00,000
Certainly, sir.

395
00:13:00,000 --> 00:13:07,000
Certainly, sir.

396
00:13:07,000 --> 00:13:13,000
Will you take a dish of tea with me, Miss Violet?

397
00:13:13,000 --> 00:13:16,000
There's only one cup, Sir Martin.

398
00:13:16,000 --> 00:13:17,000
Then you shall have it.

399
00:13:17,000 --> 00:13:19,000
No, you have the cup.

400
00:13:19,000 --> 00:13:22,000
I can drink out of the saucer like me father did.

401
00:13:22,000 --> 00:13:25,000
Did your father drink out of the saucer?

402
00:13:25,000 --> 00:13:29,000
So didn't mine.

403
00:13:30,000 --> 00:13:33,000
What the...

404
00:13:33,000 --> 00:13:36,000
Good afternoon, your Grace.

405
00:13:36,000 --> 00:13:39,000
Good afternoon, Star.

406
00:13:39,000 --> 00:13:42,000
Ah, my dear old friend.

407
00:13:42,000 --> 00:13:45,000
What very music?

408
00:13:45,000 --> 00:13:46,000
And how are you, Major?

409
00:13:46,000 --> 00:13:48,000
Measure, what brings you to town?

410
00:13:48,000 --> 00:13:49,000
Oh, what the heck?

411
00:13:49,000 --> 00:13:51,000
You used to stroke you, Miss Violet.

412
00:13:51,000 --> 00:13:53,000
Did you buy a chair?

413
00:13:53,000 --> 00:13:55,000
You used to stroke you, Miss Violet.

414
00:13:55,000 --> 00:13:57,000
Did you buy a chair?

415
00:13:57,000 --> 00:14:00,000
That's it.

416
00:14:00,000 --> 00:14:02,000
Sporting Bishop.

417
00:14:02,000 --> 00:14:04,000
Three o'clock, Worcester, tomorrow.

418
00:14:04,000 --> 00:14:07,000
Coming, Bishop.

419
00:14:13,000 --> 00:14:15,000
Commander, I can't hear you.

420
00:14:15,000 --> 00:14:17,000
Keep it up, I can't hear you all, boys.

421
00:14:17,000 --> 00:14:20,000
Oh, Bobby, tell him, dizzy.

422
00:14:21,000 --> 00:14:23,000
Oh, come on.

423
00:14:23,000 --> 00:14:26,000
Right, shall we try the bunny hug now?

424
00:14:26,000 --> 00:14:28,000
Oh, blooming, numbing, faking, all the way.

425
00:14:28,000 --> 00:14:31,000
Now, already, your room's going round.

426
00:14:31,000 --> 00:14:32,000
Oh, it's lovely.

427
00:14:32,000 --> 00:14:34,000
Oh, thank you, shall we?

428
00:14:34,000 --> 00:14:36,000
Three scrap books.

429
00:14:36,000 --> 00:14:39,000
Well, there are other actors in the mind, but they're mostly of you.

430
00:14:39,000 --> 00:14:40,000
Why me?

431
00:14:40,000 --> 00:14:42,000
Oh, I don't know, really.

432
00:14:42,000 --> 00:14:44,000
Have you ever seen me act?

433
00:14:44,000 --> 00:14:46,000
No, I've never been to the theatre.

434
00:14:46,000 --> 00:14:48,000
Only the pantomime of back home.

435
00:14:48,000 --> 00:14:49,000
Then you shall.

436
00:14:49,000 --> 00:14:50,000
Tonight.

437
00:14:50,000 --> 00:14:52,000
This, their end night.

438
00:14:52,000 --> 00:14:54,000
I don't know if I can get time off tonight.

439
00:14:54,000 --> 00:14:56,000
It's valid for whenever you wish.

440
00:14:56,000 --> 00:14:59,000
But I would like to think that you were in the theatre tonight.

441
00:14:59,000 --> 00:15:05,000
I would know then there was someone I was acting for instead of simply doing it to pay off my debts.

442
00:15:05,000 --> 00:15:07,000
Oh, I'll try and get there.

443
00:15:07,000 --> 00:15:09,000
I'd like to see you act.

444
00:15:09,000 --> 00:15:12,000
In which case I might for once give a good performance.

445
00:15:12,000 --> 00:15:14,000
Oh, I thought you always gave good performances.

446
00:15:14,000 --> 00:15:16,000
Or you wouldn't be so famous.

447
00:15:17,000 --> 00:15:18,000
My child.

448
00:15:18,000 --> 00:15:21,000
In two hours that awful curtain is going to rise.

449
00:15:21,000 --> 00:15:25,000
There will be people in the audience who will say, oh, but he's getting old.

450
00:15:25,000 --> 00:15:29,000
Or he's not what he was, or so and so was doing it better these days.

451
00:15:29,000 --> 00:15:32,000
And I will be living in limbo.

452
00:15:32,000 --> 00:15:37,000
Hating the curtain to rise because I don't know if that is my reality.

453
00:15:37,000 --> 00:15:44,000
And hating it fall because once leaving the stage door I don't know if that is reality either.

454
00:15:45,000 --> 00:15:47,000
Do you understand that?

455
00:15:47,000 --> 00:15:48,000
No.

456
00:15:48,000 --> 00:15:49,000
No.

457
00:15:49,000 --> 00:15:54,000
Because you have lived your life in a real world and not one of paint and can less.

458
00:15:54,000 --> 00:15:57,000
Do you have time for another dish of tea?

459
00:15:57,000 --> 00:15:58,000
Oh.

460
00:15:58,000 --> 00:15:59,000
Oh.

461
00:15:59,000 --> 00:16:00,000
Come in.

462
00:16:00,000 --> 00:16:03,000
It's so God's retreat.

463
00:16:03,000 --> 00:16:06,000
It's time you left the theatre, sir.

464
00:16:06,000 --> 00:16:07,000
No, thank you, ma'am.

465
00:16:07,000 --> 00:16:10,000
If I had a few wanted to be no stairs immediately.

466
00:16:14,000 --> 00:16:32,000
Mr. Starr!

467
00:16:32,000 --> 00:16:35,000
The grand departure.

468
00:16:35,000 --> 00:16:41,000
I suppose if you've got a voice that carries to the Strand you can all draw taxi and made a veil.

469
00:16:42,000 --> 00:16:43,000
Starr!

470
00:16:43,000 --> 00:16:45,000
Accabrially, my gusser.

471
00:16:45,000 --> 00:16:48,000
Be here in a moment, Simone, and I'll order you one.

472
00:16:48,000 --> 00:16:51,000
God bless you, ever constant Starr.

473
00:16:51,000 --> 00:16:56,000
That will be his horse calves have become a bit antique in London nowadays, along with the horses and the calves.

474
00:16:56,000 --> 00:16:57,000
I'm late.

475
00:16:57,000 --> 00:17:00,000
Delays have dangerous ends.

476
00:17:00,000 --> 00:17:02,000
These are my sake.

477
00:17:02,000 --> 00:17:04,000
And that's all I have.

478
00:17:05,000 --> 00:17:06,000
Please.

479
00:17:06,000 --> 00:17:08,000
For my sake.

480
00:17:08,000 --> 00:17:09,000
Be there.

481
00:17:09,000 --> 00:17:12,000
Your camp, come on in.

482
00:17:12,000 --> 00:17:15,000
Hank, you stop.

483
00:17:15,000 --> 00:17:22,000
Come on, Zodilai's quick march.

484
00:17:22,000 --> 00:17:27,000
To ask me that girl's walking into trouble.

485
00:17:27,000 --> 00:17:29,000
Please, Mary.

486
00:17:29,000 --> 00:17:31,000
It's not you a night.

487
00:17:31,000 --> 00:17:33,000
Thursday's your usual night.

488
00:17:33,000 --> 00:17:34,000
But it doesn't have to be.

489
00:17:34,000 --> 00:17:37,000
Couldn't I swap all the beds that turn down the linen done.

490
00:17:37,000 --> 00:17:39,000
Perhaps the barazmas is trotter.

491
00:17:39,000 --> 00:17:40,000
Why?

492
00:17:40,000 --> 00:17:41,000
Where are you going?

493
00:17:41,000 --> 00:17:43,000
Penny in the pound, she's going to the theatre.

494
00:17:43,000 --> 00:17:44,000
The theatre?

495
00:17:44,000 --> 00:17:45,000
You?

496
00:17:45,000 --> 00:17:48,000
I've been invited to see Hamlet.

497
00:17:48,000 --> 00:17:50,000
Oh, I don't know, Rosalind.

498
00:17:50,000 --> 00:17:51,000
Please, Mary.

499
00:17:51,000 --> 00:17:53,000
I'll never give her another chance.

500
00:17:53,000 --> 00:17:54,000
I've got a free ticket, you see.

501
00:17:54,000 --> 00:17:55,000
I'm sure you have.

502
00:17:55,000 --> 00:17:56,000
Oh, please.

503
00:17:56,000 --> 00:17:57,000
Oh, all right.

504
00:17:57,000 --> 00:17:59,000
But don't be back, please.

505
00:17:59,000 --> 00:18:00,000
No, I won't.

506
00:18:00,000 --> 00:18:01,000
Thank you, Mary.

507
00:18:01,000 --> 00:18:03,000
Hamlet?

508
00:18:03,000 --> 00:18:06,000
Women should keep themselves themselves.

509
00:18:06,000 --> 00:18:09,000
I don't believe in women going to the theatre on their own.

510
00:18:09,000 --> 00:18:12,000
Any more than walking down Piccadilly after midnight.

511
00:18:12,000 --> 00:18:16,000
The stars and the rise and in price are aged.

512
00:18:16,000 --> 00:18:18,000
But there's no account for girls.

513
00:18:18,000 --> 00:18:20,000
As you well know, Mr. Starr.

514
00:18:20,000 --> 00:18:21,000
I'm sorry.

515
00:18:21,000 --> 00:18:22,000
I'm sorry.

516
00:18:22,000 --> 00:18:23,000
I'm sorry.

517
00:18:23,000 --> 00:18:24,000
I'm sorry.

518
00:18:24,000 --> 00:18:25,000
I'm sorry.

519
00:18:25,000 --> 00:18:26,000
What's your name?

520
00:18:26,000 --> 00:18:27,000
I know.

521
00:18:27,000 --> 00:18:28,000
Oh, I know.

522
00:18:28,000 --> 00:18:30,000
Do you have to wear a special uniform?

523
00:18:30,000 --> 00:18:33,000
Oh, yes, very special, very expensive.

524
00:18:33,000 --> 00:18:36,000
It's really more like a glorified footman than a glorified miracle.

525
00:18:36,000 --> 00:18:42,000
Oh, I could use a glorified footman some evening if the king will spare you.

526
00:18:42,000 --> 00:18:43,000
Oh.

527
00:18:43,000 --> 00:18:46,000
Poor old Taylor is having to work overtime to get everything ready.

528
00:18:46,000 --> 00:18:48,000
What's the rush?

529
00:18:48,000 --> 00:18:49,000
It's a good time to get everything ready.

530
00:18:49,000 --> 00:18:51,000
What's the rush?

531
00:18:51,000 --> 00:18:53,000
Well, the newest extra gentleman

532
00:18:53,000 --> 00:18:56,000
usher to the Royal household is to make his debut

533
00:18:56,000 --> 00:18:58,000
at the court ball of the 18th.

534
00:18:58,000 --> 00:19:01,000
Oh, Charlie, I wish you could be there.

535
00:19:01,000 --> 00:19:03,000
Here, I'll tell you what I'll do, because you're such a good boy.

536
00:19:03,000 --> 00:19:05,000
How about me doing you a dinner?

537
00:19:05,000 --> 00:19:06,000
Something special first.

538
00:19:06,000 --> 00:19:08,000
You can invite some billion puffing fits in

539
00:19:08,000 --> 00:19:09,000
and some of the other friends.

540
00:19:09,000 --> 00:19:11,000
And I'll cook it myself.

541
00:19:11,000 --> 00:19:11,000
Oh, no, no.

542
00:19:11,000 --> 00:19:12,000
You really shouldn't bother.

543
00:19:12,000 --> 00:19:13,000
I know what lot you got on this month.

544
00:19:13,000 --> 00:19:14,000
Oh, Will.

545
00:19:14,000 --> 00:19:16,000
I want to.

546
00:19:16,000 --> 00:19:17,000
Well, that would be lovely.

547
00:19:22,000 --> 00:19:22,000
Well.

548
00:19:28,000 --> 00:19:30,000
Good night.

549
00:19:30,000 --> 00:19:32,000
Sleep well.

550
00:19:32,000 --> 00:19:33,000
I think I will.

551
00:19:33,000 --> 00:19:34,000
First time for ages.

552
00:19:46,000 --> 00:19:47,000
OK.

553
00:20:13,000 --> 00:20:13,000
Come in.

554
00:20:16,000 --> 00:20:20,000
Are you tired, Samaritan?

555
00:20:20,000 --> 00:20:21,000
Mm-hmm.

556
00:20:21,000 --> 00:20:23,000
I came to see you tonight.

557
00:20:23,000 --> 00:20:25,000
Yes, I knew you were there.

558
00:20:25,000 --> 00:20:27,000
Was it a good performance?

559
00:20:27,000 --> 00:20:29,000
It was beautiful.

560
00:20:29,000 --> 00:20:32,000
Mr. Merriman said you take Brandy up to your performance.

561
00:20:32,000 --> 00:20:33,000
Not from choice from necessity.

562
00:20:33,000 --> 00:20:34,000
Would you pour me some?

563
00:20:35,000 --> 00:20:37,000
Was it a good performance?

564
00:20:37,000 --> 00:20:40,000
Made me cry.

565
00:20:40,000 --> 00:20:43,000
Then it was.

566
00:20:43,000 --> 00:20:46,000
Take some Brandy with me, Mm-hmm.

567
00:20:46,000 --> 00:20:48,000
From the goblet.

568
00:21:05,000 --> 00:21:07,000
Oh, pray.

569
00:21:07,000 --> 00:21:08,000
Sit down.

570
00:21:10,000 --> 00:21:14,000
Why did you come there to talk to that skull?

571
00:21:14,000 --> 00:21:17,000
It was holding the skull of a dead friend.

572
00:21:17,000 --> 00:21:19,000
Someone he had lost.

573
00:21:19,000 --> 00:21:23,000
He was remembering the past and the days that were filled with laughter.

574
00:21:23,000 --> 00:21:25,000
Younger days.

575
00:21:25,000 --> 00:21:27,000
That's where I thought.

576
00:21:27,000 --> 00:21:29,000
Then you understood it.

577
00:21:29,000 --> 00:21:32,000
What would you say was the purpose of the moon?

578
00:21:32,000 --> 00:21:34,000
Oh, I don't know.

579
00:21:34,000 --> 00:21:35,000
Purpose.

580
00:21:35,000 --> 00:21:36,000
No.

581
00:21:36,000 --> 00:21:38,000
And neither does anybody.

582
00:21:38,000 --> 00:21:40,000
It has no purpose.

583
00:21:40,000 --> 00:21:44,000
One shouldn't ask questions to wish there are no answers.

584
00:21:44,000 --> 00:21:47,000
I don't know what you mean.

585
00:21:47,000 --> 00:21:50,000
And that is your beauty.

586
00:21:50,000 --> 00:21:53,000
How did you know I was in the theatre tonight?

587
00:21:53,000 --> 00:21:55,000
I don't know.

588
00:21:55,000 --> 00:21:59,000
Any more than I could explain the purpose of the moon.

589
00:22:00,000 --> 00:22:03,000
It doesn't warm us like a sun.

590
00:22:03,000 --> 00:22:05,000
For the chimes.

591
00:22:06,000 --> 00:22:08,000
Would you comfort me?

592
00:22:08,000 --> 00:22:10,000
How?

593
00:22:10,000 --> 00:22:12,000
Like a girl.

594
00:22:12,000 --> 00:22:15,000
Stop me feeling old.

595
00:22:15,000 --> 00:22:18,000
I think you should go to bed.

596
00:22:18,000 --> 00:22:19,000
Mm-hmm.

597
00:22:19,000 --> 00:22:23,000
Stop being hamlet and start being me.

598
00:22:23,000 --> 00:22:25,000
Mm?

599
00:22:25,000 --> 00:22:27,000
Help me.

600
00:22:30,000 --> 00:22:33,000
I was in my youth in love with the girl.

601
00:22:33,000 --> 00:22:38,000
Being an artist or poet or actor or whatever it is I am.

602
00:22:38,000 --> 00:22:40,000
I was not acceptable.

603
00:22:40,000 --> 00:22:43,000
So we parted.

604
00:22:43,000 --> 00:22:46,000
Her name was Jenny.

605
00:22:46,000 --> 00:22:49,000
Jenny kissed me when we met.

606
00:22:49,000 --> 00:22:53,000
Jumping from the chair she sat in.

607
00:22:53,000 --> 00:22:56,000
Time, you thief.

608
00:22:56,000 --> 00:23:00,000
You love to get sweets into your list.

609
00:23:00,000 --> 00:23:04,000
Put that in.

610
00:23:04,000 --> 00:23:06,000
Did you love her?

611
00:23:06,000 --> 00:23:08,000
Yes.

612
00:23:08,000 --> 00:23:11,000
The only one I ever did love.

613
00:23:11,000 --> 00:23:15,000
A boy from Cork hoping to make his way in the world.

614
00:23:15,000 --> 00:23:18,000
Well, I'd best go.

615
00:23:18,000 --> 00:23:20,000
No.

616
00:23:20,000 --> 00:23:22,000
Comfort me.

617
00:23:22,000 --> 00:23:25,000
Comfort me with small apples and laughter in the dark.

618
00:23:26,000 --> 00:23:28,000
Why me?

619
00:23:28,000 --> 00:23:32,000
Because you are beautiful.

620
00:23:32,000 --> 00:23:36,000
Not just the beauty you see in mirrors.

621
00:23:57,000 --> 00:24:00,000
Nobody else fell in this hotel no more.

622
00:24:00,000 --> 00:24:02,000
I said, nobody else in the bill.

623
00:24:02,000 --> 00:24:04,000
Yes, ma'am.

624
00:24:04,000 --> 00:24:05,000
Three bags full, ma'am.

625
00:24:05,000 --> 00:24:07,000
Where's my milk?

626
00:24:07,000 --> 00:24:09,000
Here, she's well.

627
00:24:09,000 --> 00:24:11,000
You taking up some artist's medicinal branding?

628
00:24:11,000 --> 00:24:13,000
Oh, yes, yes.

629
00:24:13,000 --> 00:24:14,000
Oh, yes, I bet you haven't.

630
00:24:14,000 --> 00:24:17,000
Oh, yes, I have. Why did it took it up?

631
00:24:17,000 --> 00:24:19,000
But, Farlek took it up?

632
00:24:19,000 --> 00:24:21,000
Well, yes, she beat the theatre.

633
00:24:21,000 --> 00:24:23,000
She's spotted a habitating.

634
00:24:23,000 --> 00:24:25,000
What are you lettering about?

635
00:24:25,000 --> 00:24:26,000
Well, where's Mary?

636
00:24:26,000 --> 00:24:27,000
Oh, got to bed. Wait, wait, wait.

637
00:24:27,000 --> 00:24:29,000
Well, where's Farlek?

638
00:24:29,000 --> 00:24:31,000
Oh, couldn't say about that.

639
00:24:31,000 --> 00:24:34,000
Oh, you stupid lazy dozy old idiot.

640
00:24:34,000 --> 00:24:36,000
What do you think Farlek take up his brandy for?

641
00:24:36,000 --> 00:24:39,000
She wanted a couple of minutes about us before we try it.

642
00:24:39,000 --> 00:24:42,000
It's your job, Merriman, to see some art and guess he's brandy.

643
00:24:42,000 --> 00:24:44,000
I'm going to give that girl some compliments.

644
00:24:44,000 --> 00:24:45,000
The comprum is the house.

645
00:24:45,000 --> 00:24:47,000
Mine.

646
00:24:56,000 --> 00:24:58,000
Out!

647
00:25:14,000 --> 00:25:16,000
Good night, some artine.

648
00:25:26,000 --> 00:25:31,000
I'll keep an eye on those, right?

649
00:25:31,000 --> 00:25:33,000
Thank you, Mr. Stump.

650
00:25:44,000 --> 00:25:46,000
That's bad, Fred. Bad.

651
00:25:47,000 --> 00:25:49,000
All right.

652
00:25:49,000 --> 00:25:51,000
You're going to do, Mummy, to the end of the week.

653
00:25:51,000 --> 00:25:53,000
Yes, Muddy. Thank you, Muddy.

654
00:25:53,000 --> 00:25:55,000
You can push off now.

655
00:25:55,000 --> 00:25:58,000
Could I have a, a reference, please, Muddy?

656
00:25:58,000 --> 00:26:00,000
A reference?

657
00:26:00,000 --> 00:26:02,000
What can't have a reference?

658
00:26:02,000 --> 00:26:04,000
Ain't you jumping into bed with the guests?

659
00:26:04,000 --> 00:26:06,000
I never done it before, are you?

660
00:26:06,000 --> 00:26:08,000
I should bleed, no, not.

661
00:26:08,000 --> 00:26:11,000
You were so sad and poorly.

662
00:26:11,000 --> 00:26:15,000
You could spend half your life jumping into bed with men who were sad and lonely,

663
00:26:15,000 --> 00:26:17,000
but I'll advise against it.

664
00:26:17,000 --> 00:26:18,000
They'll push off.

665
00:26:18,000 --> 00:26:19,000
Where do I go?

666
00:26:19,000 --> 00:26:20,000
Well, they're up to you.

667
00:26:20,000 --> 00:26:23,000
We've all got to make our own way in the world.

668
00:26:42,000 --> 00:26:44,000
How's all that fun?

669
00:26:44,000 --> 00:26:46,000
Good luck.

670
00:26:47,000 --> 00:26:48,000
Good luck.

671
00:26:48,000 --> 00:26:49,000
Bye, Mr. Stump.

672
00:26:51,000 --> 00:26:52,000
Goodbye, Fred.

673
00:27:06,000 --> 00:27:07,000
Good morning, Mr. Trotter.

674
00:27:07,000 --> 00:27:08,000
Morning, Mr. Trotter.

675
00:27:08,000 --> 00:27:10,000
Good morning, Miss. God's in his heaven, all right with the world.

676
00:27:10,000 --> 00:27:11,000
How early then?

677
00:27:11,000 --> 00:27:13,000
Nothing like a tot around the park.

678
00:27:13,000 --> 00:27:15,000
Do you want a good appetite for breakfast?

679
00:27:16,000 --> 00:27:17,000
Morning, Father.

680
00:27:17,000 --> 00:27:18,000
Thank you.

681
00:27:18,000 --> 00:27:19,000
Is that all?

682
00:27:19,000 --> 00:27:20,000
Good, sir, Bartlett.

683
00:27:20,000 --> 00:27:21,000
All right, I'll take that.

684
00:27:21,000 --> 00:27:23,000
And I want to see you and Mary afterwards.

685
00:27:23,000 --> 00:27:24,000
Very good, well.

686
00:27:29,000 --> 00:27:30,000
Oh, there's your breakfast, sir.

687
00:27:30,000 --> 00:27:31,000
I'll see.

688
00:27:31,000 --> 00:27:33,000
There's a reason why it's hot.

689
00:27:33,000 --> 00:27:34,000
Thank you.

690
00:27:36,000 --> 00:27:39,000
Last night, most unfortunate.

691
00:27:39,000 --> 00:27:42,000
Yes, most unfortunate.

692
00:27:42,000 --> 00:27:44,000
Partly my fault.

693
00:27:44,000 --> 00:27:45,000
Oh.

694
00:27:45,000 --> 00:27:47,000
She wanted to be kind.

695
00:27:47,000 --> 00:27:51,000
Well, if you want kindness, Mr. Martin, you'll have to find it elsewhere.

696
00:27:51,000 --> 00:27:52,000
My staff are not for sale.

697
00:27:52,000 --> 00:27:54,000
She didn't ask for money.

698
00:27:54,000 --> 00:27:57,000
Then she was a fool because she's going to need it.

699
00:27:57,000 --> 00:27:58,000
Where is Virett?

700
00:28:04,000 --> 00:28:07,000
A violet in the youth of priming nature.

701
00:28:08,000 --> 00:28:10,000
Forward, not permanent.

702
00:28:10,000 --> 00:28:12,000
Sweet.

703
00:28:12,000 --> 00:28:13,000
Not lasting.

704
00:28:13,000 --> 00:28:16,000
The perfume and supplements.

705
00:28:16,000 --> 00:28:18,000
Have a minute.

706
00:28:22,000 --> 00:28:25,000
She's let us all down really properly as that violet.

707
00:28:25,000 --> 00:28:27,000
Well, some Mrs. Trotland, the whole hotel behavior neither.

708
00:28:27,000 --> 00:28:30,000
Mrs. Trotter gave Mr. Mary my name and a mere proper drug bin.

709
00:28:30,000 --> 00:28:32,000
What the guests do is their business, you say.

710
00:28:32,000 --> 00:28:34,000
And what the staff does is mine.

711
00:28:34,000 --> 00:28:35,000
When I train girls, I train them.

712
00:28:35,000 --> 00:28:38,000
And when I've trained them, I hand them over to you to see that they go the way they told.

713
00:28:38,000 --> 00:28:40,000
And I don't expect you to do that.

714
00:28:40,000 --> 00:28:43,000
Backside letting things lie. That's what she said.

715
00:28:43,000 --> 00:28:44,000
And she was right.

716
00:28:44,000 --> 00:28:47,000
Violet is taking advantage. That's what she's done.

717
00:28:47,000 --> 00:28:49,000
No one asked for your opinion, Ethel.

718
00:28:49,000 --> 00:28:51,000
Give me a bit of soap. That was all.

719
00:28:51,000 --> 00:28:53,000
I've heard another word for it.

720
00:28:53,000 --> 00:28:55,000
Violet was romantically inclined.

721
00:28:55,000 --> 00:28:57,000
And that don't do in the old-town business.

722
00:28:57,000 --> 00:28:59,000
You've got to keep controlling your emotions in this business.

723
00:28:59,000 --> 00:29:00,000
You're right.

724
00:29:00,000 --> 00:29:02,000
She wasn't a bad girl, not at all.

725
00:29:02,000 --> 00:29:04,000
Who said do you want?

726
00:29:04,000 --> 00:29:06,000
Not the side of justice.

727
00:29:06,000 --> 00:29:08,000
Oh, she's a bad girl.

728
00:29:08,000 --> 00:29:09,000
I say do you want?

729
00:29:09,000 --> 00:29:11,000
Not the side of justice, aren't we, Fred? As always.

730
00:29:11,000 --> 00:29:14,000
And we don't much like Sir Martin Mallory.

731
00:29:14,000 --> 00:29:18,000
A cat and a bounder, that actor Johnny, I've always said it, and I'm still the wrong.

732
00:29:18,000 --> 00:29:20,000
Then why she hasn't been the place.

733
00:29:20,000 --> 00:29:23,000
But is it true she didn't even give Violet a reference?

734
00:29:23,000 --> 00:29:25,000
She, a cat's mother.

735
00:29:25,000 --> 00:29:29,000
Who I have in this hotel major, a new idol is my business.

736
00:29:29,000 --> 00:29:30,000
No one else is.

737
00:29:30,000 --> 00:29:33,000
And who I give references to, a new idol is also my business.

738
00:29:33,000 --> 00:29:36,000
Violet, you're the rules, aren't they?

739
00:29:37,000 --> 00:29:41,000
Louisa, you once said to me that when a girl's chucked out with a wickswager,

740
00:29:41,000 --> 00:29:44,000
there's only one place left for her on the streets.

741
00:29:44,000 --> 00:29:47,000
You said to me, go out and ask any tarts you like,

742
00:29:47,000 --> 00:29:49,000
and it's even money she'll tell you she started life in service.

743
00:29:49,000 --> 00:29:50,000
Do you remember that?

744
00:29:50,000 --> 00:29:53,000
Yeah, well never forget it.

745
00:29:53,000 --> 00:29:56,000
But considering the circumstances, I'm surprised you have.

746
00:29:56,000 --> 00:29:59,000
I was a servant at the time of Major.

747
00:29:59,000 --> 00:30:03,000
First night in his uncle's service, he comes bursting into my bedroom in his pyjamas,

748
00:30:03,000 --> 00:30:05,000
full of the joys of spring.

749
00:30:05,000 --> 00:30:08,000
Well, I wasn't so, um, so obliging as Violet.

750
00:30:08,000 --> 00:30:10,000
He'll be glad to hear.

751
00:30:10,000 --> 00:30:12,000
So let's have a little less talk about it,

752
00:30:12,000 --> 00:30:14,000
let's consider this dinner on Quirking Point.

753
00:30:14,000 --> 00:30:15,000
Louisa, oh, I'm not.

754
00:30:15,000 --> 00:30:18,000
Shall I tear up this menu or would you care to have a look at it?

755
00:30:25,000 --> 00:30:27,000
Well, does this little chip approve?

756
00:30:27,000 --> 00:30:30,000
A light pre-bucking Impalis ball supper?

757
00:30:30,000 --> 00:30:32,000
Makes my mouth water.

758
00:30:32,000 --> 00:30:35,000
Souffle DiChayo reads my favourite thing.

759
00:30:35,000 --> 00:30:38,000
It was the old kings, God bless him.

760
00:30:38,000 --> 00:30:40,000
Well, Major, burn your wines.

761
00:30:40,000 --> 00:30:42,000
Let us consider the P.A.s.

762
00:30:42,000 --> 00:30:47,000
The resistance first and the quail souffle, and then build round it, as we...

763
00:30:47,000 --> 00:30:51,000
I thought of a burgundy, but quails a small bird.

764
00:30:51,000 --> 00:30:55,000
Or souffle is warm weather, you were drinking champagne or not.

765
00:30:55,000 --> 00:30:58,000
Champagne and burgundy.

766
00:30:58,000 --> 00:31:01,000
So I turned the poor dough to a P. Shaw along give you a low, too.

767
00:31:01,000 --> 00:31:03,000
I thought that wasn't a very good year.

768
00:31:03,000 --> 00:31:05,000
Ah, not for this centimillion and the pomerole.

769
00:31:05,000 --> 00:31:07,000
They were bad thunderstorms in October that year,

770
00:31:07,000 --> 00:31:10,000
but the medock being near the sea escaped them.

771
00:31:11,000 --> 00:31:14,000
Well, I must say, Major, oh, I never did.

772
00:31:14,000 --> 00:31:18,000
I have to admit that Merriman did remind me of the fact.

773
00:31:18,000 --> 00:31:21,000
Now, a question. The salmon triath, how is that cooked?

774
00:31:21,000 --> 00:31:23,000
Ina speak.

775
00:31:32,000 --> 00:31:36,000
All right, I think we're in a little bone below the tail.

776
00:31:36,000 --> 00:31:39,000
Oh, and I've called gently, gently.

777
00:31:39,000 --> 00:31:42,000
The bishop wants to see your mum, so if I keep it on his room.

778
00:31:42,000 --> 00:31:44,000
No, tell him I've gone off religion.

779
00:31:44,000 --> 00:31:47,000
Don't, Mary, can't you see I'm busy? You deal with his grace.

780
00:31:47,000 --> 00:31:50,000
Tell him to play on his knees, his bone comes out clean.

781
00:31:50,000 --> 00:31:53,000
Careful, gently, gently.

782
00:31:53,000 --> 00:31:55,000
Well done, Ethel.

783
00:31:55,000 --> 00:31:57,000
Oh, no.

784
00:31:57,000 --> 00:31:59,000
I gave him for that.

785
00:31:59,000 --> 00:32:01,000
Right, they can get on with the aspik.

786
00:32:01,000 --> 00:32:04,000
Now, where's the cooling tray for this fish, Mrs. See?

787
00:32:04,000 --> 00:32:06,000
Oh, Ethel, I'll get it for you, Mum.

788
00:32:06,000 --> 00:32:07,000
No, she won't. She'll do me aspik.

789
00:32:07,000 --> 00:32:10,000
This isn't the only dinner. We've got three going out and all the other guests.

790
00:32:10,000 --> 00:32:14,000
It's the only one I'm cooking, so you're going in that tray.

791
00:32:14,000 --> 00:32:17,000
Out of the way.

792
00:32:17,000 --> 00:32:20,000
All right, now for me, garnish.

793
00:32:20,000 --> 00:32:22,000
All right, now for me, garnish.

794
00:32:27,000 --> 00:32:29,000
MUSIC

795
00:32:57,000 --> 00:32:59,000
MUSIC

796
00:33:27,000 --> 00:33:29,000
MUSIC

797
00:33:29,000 --> 00:33:31,000
MUSIC

798
00:33:31,000 --> 00:33:33,000
MUSIC

799
00:33:33,000 --> 00:33:37,000
MUSIC

800
00:33:37,000 --> 00:33:39,000
MUSIC

801
00:33:39,000 --> 00:33:41,000
MUSIC

802
00:33:41,000 --> 00:33:42,000
MUSIC

803
00:33:42,000 --> 00:33:43,000
Yes, indeed.

804
00:33:43,000 --> 00:33:45,000
Billy, actually muted him!

805
00:33:45,000 --> 00:33:47,000
They didn't draw you in the tower, did they?

806
00:33:47,000 --> 00:33:49,000
We didn't actually mute me.

807
00:33:49,000 --> 00:33:51,000
We were all called together in a tent on the cara.

808
00:33:51,000 --> 00:33:55,000
And the general said if it came to civil war between southern Ireland and Ulster,

809
00:33:55,000 --> 00:33:57,000
I mean, it was absolutely ridiculous.

810
00:33:57,000 --> 00:33:58,000
I'm in an Irish regiment.

811
00:33:58,000 --> 00:34:00,000
My own estate was only 30 miles away.

812
00:34:00,000 --> 00:34:03,000
It meant me to be fighting our own people.

813
00:34:03,000 --> 00:34:05,000
It was a complete farce.

814
00:34:05,000 --> 00:34:08,000
Most generals seem to have cotton wool for brains.

815
00:34:08,000 --> 00:34:10,000
Nobody really does look like wool this time.

816
00:34:10,000 --> 00:34:12,000
Both sides are like billiards.

817
00:34:12,000 --> 00:34:15,000
Yes, people say cars until 20,000 men every day himself

818
00:34:15,000 --> 00:34:17,000
before breakfast outside Belfast.

819
00:34:17,000 --> 00:34:19,000
I told Winston he wants to get the battleships out

820
00:34:19,000 --> 00:34:21,000
and blow Dublin and Belfast into the sea.

821
00:34:21,000 --> 00:34:23,000
It's the only way to deal with the Irish.

822
00:34:23,000 --> 00:34:25,000
Thank you very much, Tanya.

823
00:34:32,000 --> 00:34:34,000
Don't touch that, I've got Mrs Sey.

824
00:34:34,000 --> 00:34:36,000
Mr Meevans taste right.

825
00:34:36,000 --> 00:34:38,000
Oh, right, and go.

826
00:34:38,000 --> 00:34:40,000
I'll get the tray.

827
00:34:41,000 --> 00:34:43,000
Oh, lovely.

828
00:34:50,000 --> 00:34:51,000
Right.

829
00:34:53,000 --> 00:34:54,000
Okay.

830
00:34:54,000 --> 00:34:55,000
I'm going to do it.

831
00:34:55,000 --> 00:34:56,000
There we go.

832
00:34:56,000 --> 00:34:57,000
Okay.

833
00:34:57,000 --> 00:34:58,000
I'll get it.

834
00:34:58,000 --> 00:34:59,000
I'll get it.

835
00:34:59,000 --> 00:35:00,000
Okay.

836
00:35:00,000 --> 00:35:01,000
Okay.

837
00:35:01,000 --> 00:35:02,000
I'll get it.

838
00:35:02,000 --> 00:35:03,000
Okay.

839
00:35:03,000 --> 00:35:04,000
Okay.

840
00:35:04,000 --> 00:35:05,000
Okay.

841
00:35:05,000 --> 00:35:06,000
Here we go.

842
00:35:06,000 --> 00:35:07,000
All right.

843
00:35:07,000 --> 00:35:08,000
All right.

844
00:35:08,000 --> 00:35:09,000
Now, you're good at being stairs.

845
00:35:09,000 --> 00:35:10,000
The front stairs.

846
00:35:10,000 --> 00:35:11,000
Leave them on the left.

847
00:35:11,000 --> 00:35:12,000
You're all right.

848
00:35:12,000 --> 00:35:13,000
What if the bishop or someone seems?

849
00:35:13,000 --> 00:35:14,000
I don't care if she meets the pope.

850
00:35:14,000 --> 00:35:15,000
Yeah, I'm moving.

851
00:35:15,000 --> 00:35:16,000
Oh.

852
00:35:16,000 --> 00:35:19,000
It's a drugs life being a cook in a busy sea.

853
00:35:20,000 --> 00:35:24,000
And when she said not bloody likely, everyone tittled.

854
00:35:24,000 --> 00:35:26,000
It was rather rude.

855
00:35:26,000 --> 00:35:28,000
But Mrs. Packham milled in down her hair.

856
00:35:28,000 --> 00:35:30,000
People say she has any hair left to turn.

857
00:35:30,000 --> 00:35:33,000
I say, what a delicious souffle.

858
00:35:33,000 --> 00:35:35,000
It's Mrs. Trotter's special thing, you know.

859
00:35:35,000 --> 00:35:37,000
The late king had a passion for it.

860
00:35:37,000 --> 00:35:40,000
Is it true he also had a passion for Mrs. Trotter?

861
00:35:40,000 --> 00:35:42,000
What a quaint thought.

862
00:35:42,000 --> 00:35:43,000
Puff him.

863
00:35:43,000 --> 00:35:44,000
Part of all.

864
00:35:44,000 --> 00:35:47,000
I thought that a lie's a do little and the play was exactly the same.

865
00:35:47,000 --> 00:35:49,000
The

866
00:35:49,000 --> 00:35:52,000
truth is that a lie's a do little and the play was exactly like Louise

867
00:35:52,000 --> 00:35:53,000
Trotter.

868
00:35:53,000 --> 00:35:55,000
Sure often stays here, you know.

869
00:35:55,000 --> 00:35:59,000
And people do say how fascinating.

870
00:35:59,000 --> 00:36:02,000
This clarinet is nectar.

871
00:36:02,000 --> 00:36:03,000
Mmm.

872
00:36:03,000 --> 00:36:05,000
He's sure long with nights no to say.

873
00:36:05,000 --> 00:36:06,000
Ah.

874
00:36:06,000 --> 00:36:07,000
Really?

875
00:36:07,000 --> 00:36:08,000
Mmm.

876
00:36:08,000 --> 00:36:10,000
Oh, that's not a good one.

877
00:36:10,000 --> 00:36:11,000
I don't know.

878
00:36:11,000 --> 00:36:12,000
It's not a good one.

879
00:36:12,000 --> 00:36:13,000
Ah.

880
00:36:13,000 --> 00:36:14,000
Oh.

881
00:36:14,000 --> 00:36:15,000
Oh.

882
00:36:16,000 --> 00:36:18,000
Louise of Darnit.

883
00:36:18,000 --> 00:36:20,000
Thank you for the most wonderful dinner.

884
00:36:20,000 --> 00:36:22,000
You certainly earned your sovereign tonight.

885
00:36:22,000 --> 00:36:24,000
Thank you, Charlie.

886
00:36:24,000 --> 00:36:26,000
Give Marigal's to the royals.

887
00:36:26,000 --> 00:36:28,000
Thank you.

888
00:36:28,000 --> 00:36:30,000
Good night.

889
00:36:30,000 --> 00:36:31,000
Good night.

890
00:36:31,000 --> 00:36:32,000
Good night.

891
00:36:32,000 --> 00:36:33,000
Good night.

892
00:36:33,000 --> 00:36:34,000
Good night.

893
00:36:34,000 --> 00:36:35,000
Thank you.

894
00:36:35,000 --> 00:36:37,000
What's new?

895
00:36:37,000 --> 00:36:38,000
What's new?

896
00:36:38,000 --> 00:36:41,000
What is it?

897
00:36:41,000 --> 00:36:44,000
It's the mercy for the lady.

898
00:36:44,000 --> 00:36:46,000
Your phone's pretty close.

899
00:36:46,000 --> 00:36:49,000
Your phone's pretty close.

900
00:36:49,000 --> 00:36:51,000
Your phone's pretty close.

901
00:36:51,000 --> 00:36:54,000
Your phone's pretty close.

902
00:36:54,000 --> 00:36:57,000
Your phone's pretty close.

903
00:36:57,000 --> 00:37:00,000
OK, Mr. Will you come home with me?

904
00:37:00,000 --> 00:37:02,000
Will you come home with me?

905
00:37:02,000 --> 00:37:04,000
Oh, right okay.

906
00:37:15,000 --> 00:37:15,000
Cap, one more time,

907
00:37:16,000 --> 00:37:17,000
in one time,

908
00:37:18,000 --> 00:37:19,000
that's my door.

909
00:37:19,000 --> 00:37:20,000
It is okay.

910
00:37:21,000 --> 00:37:22,000
It's okay.

911
00:37:22,000 --> 00:37:22,000
Excuse me.

912
00:37:29,000 --> 00:37:30,000
Let go!

913
00:37:30,000 --> 00:37:31,000
I'm done Signsed

914
00:37:31,000 --> 00:37:35,000
I guess she was. It was muzzling in on my big.

915
00:37:35,000 --> 00:37:36,000
Well, I don't see why I shouldn't walk.

916
00:37:36,000 --> 00:37:39,000
Ah! Ah! Ah!

917
00:37:39,000 --> 00:37:41,000
Ah! Ah!

918
00:37:41,000 --> 00:37:43,000
Ah! Ah!

919
00:37:43,000 --> 00:37:44,000
Ah! Ah!

920
00:37:44,000 --> 00:37:46,000
Ah! Ah!

921
00:37:46,000 --> 00:37:47,000
Ah! Ah!

922
00:37:47,000 --> 00:37:53,000
Next time you'll get this right up where you won't like it.

923
00:37:53,000 --> 00:37:56,000
Oh, that's that guy.

924
00:37:56,000 --> 00:37:58,000
That's that guy.

925
00:37:58,000 --> 00:37:59,000
Ah!

926
00:37:59,000 --> 00:38:00,000
Ah!

927
00:38:00,000 --> 00:38:01,000
Ah!

928
00:38:03,000 --> 00:38:04,000
Ah!

929
00:38:10,000 --> 00:38:11,000
Ah.

930
00:38:30,000 --> 00:38:33,000
What's your name?

931
00:38:33,000 --> 00:38:35,000
Violet Armstrong.

932
00:38:35,000 --> 00:38:36,000
Sir.

933
00:38:36,000 --> 00:38:38,000
Sir, sorry, sir.

934
00:38:38,000 --> 00:38:39,000
Where'd it come from?

935
00:38:39,000 --> 00:38:41,000
Coming from up north.

936
00:38:41,000 --> 00:38:42,000
But I haven't gotten horned up there now.

937
00:38:42,000 --> 00:38:44,000
It shook me out.

938
00:38:44,000 --> 00:38:46,000
Been down here a few years.

939
00:38:46,000 --> 00:38:48,000
Not as a prostitute, you haven't?

940
00:38:48,000 --> 00:38:49,000
No, sir.

941
00:38:49,000 --> 00:38:51,000
I've been a chambermaid in a hotel.

942
00:38:51,000 --> 00:38:53,000
Or I got chucked out again.

943
00:38:53,000 --> 00:38:54,000
Did something silly.

944
00:38:54,000 --> 00:38:58,000
Which doesn't surprise me.

945
00:38:58,000 --> 00:38:59,000
What put you on this game?

946
00:38:59,000 --> 00:39:01,000
I'm skin, sir.

947
00:39:01,000 --> 00:39:02,000
Couldn't get no job.

948
00:39:02,000 --> 00:39:04,000
Cleaned out.

949
00:39:04,000 --> 00:39:05,000
You realize our cost in strange men

950
00:39:05,000 --> 00:39:08,000
in a public place is a criminal offense under the law.

951
00:39:08,000 --> 00:39:09,000
Yes, sir.

952
00:39:29,000 --> 00:39:39,000
Stop King.

953
00:39:39,000 --> 00:39:46,000
I am not a gozstiya knees workout for this officers.

954
00:39:48,000 --> 00:39:49,000
You asked me aragot.

955
00:39:53,000 --> 00:39:56,000
My father loves me when I lose.

956
00:39:58,000 --> 00:39:59,000
My uncle died

957
00:40:00,000 --> 00:40:01,000
We lost our jump in our life.

958
00:40:04,000 --> 00:40:06,000
It is Wyoming

959
00:40:06,000 --> 00:40:09,000
Oh! There's a big wave of telescopes low attention.

960
00:40:09,000 --> 00:40:11,000
What's that noise?

961
00:40:11,000 --> 00:40:13,000
My tummy rumblings.

962
00:40:13,000 --> 00:40:15,000
What are we going to eat?

963
00:40:15,000 --> 00:40:18,000
Well, what would you like? Eggs, bacon, yes!

964
00:40:18,000 --> 00:40:20,000
I'm trying to wear our hands.

965
00:40:20,000 --> 00:40:22,000
I don't know. I wasn't born in the kitchen.

966
00:40:22,000 --> 00:40:24,000
Let's play hunt the eggs.

967
00:40:24,000 --> 00:40:25,000
Right.

968
00:40:25,000 --> 00:40:26,000
Let's go.

969
00:40:26,000 --> 00:40:28,000
What's the finish?

970
00:40:28,000 --> 00:40:30,000
What's the finish?

971
00:40:30,000 --> 00:40:32,000
What's the finish?

972
00:40:32,000 --> 00:40:34,000
What's the finish?

973
00:40:34,000 --> 00:40:36,000
You're ready to rock and roll.

974
00:40:36,000 --> 00:40:38,000
Come on, we're out.

975
00:40:39,000 --> 00:40:41,000
Here are the eggs.

976
00:40:41,000 --> 00:40:42,000
Oh, turn.

977
00:40:42,000 --> 00:40:43,000
Really cool.

978
00:40:43,000 --> 00:40:44,000
Pick is yum.

979
00:40:44,000 --> 00:40:45,000
Okay, I'm going to try the gas.

980
00:40:45,000 --> 00:40:47,000
I say I'm in a tostanae.

981
00:40:47,000 --> 00:40:49,000
What are you cooking, Jim?

982
00:40:49,000 --> 00:40:50,000
In a saucepan, silly.

983
00:40:50,000 --> 00:40:52,000
They're the flat ones, aren't they?

984
00:40:52,000 --> 00:40:54,000
I think they're some over here.

985
00:40:54,000 --> 00:40:55,000
Oh.

986
00:40:59,000 --> 00:41:01,000
I say I'm in a rather a flume chard.

987
00:41:01,000 --> 00:41:02,000
Not so worried.

988
00:41:02,000 --> 00:41:03,000
Sorry.

989
00:41:03,000 --> 00:41:04,000
Oh, believe it.

990
00:41:05,000 --> 00:41:08,000
I said don't you could make a very good pop.

991
00:41:08,000 --> 00:41:09,000
Don't do all that.

992
00:41:09,000 --> 00:41:11,000
This is Fitzsimmons.

993
00:41:11,000 --> 00:41:13,000
If you don't mind me saying so.

994
00:41:13,000 --> 00:41:18,000
I'm going to throw some two-legged mice a bit at the place.

995
00:41:18,000 --> 00:41:25,000
Right.

996
00:41:25,000 --> 00:41:26,000
Oh.

997
00:41:26,000 --> 00:41:27,000
Oh.

998
00:41:27,000 --> 00:41:28,000
Really?

999
00:41:28,000 --> 00:41:29,000
Really?

1000
00:41:29,000 --> 00:41:30,000
That's a good one.

1001
00:41:30,000 --> 00:41:31,000
I'm going to throw the bowl in.

1002
00:41:31,000 --> 00:41:33,000
I'm going to get a jolly made of gushy gushy.

1003
00:41:33,000 --> 00:41:36,000
But the king and queen were rather full.

1004
00:41:36,000 --> 00:41:38,000
I didn't they like balls when I was dancing.

1005
00:41:38,000 --> 00:41:41,000
So they're just sat and we was.

1006
00:41:41,000 --> 00:41:42,000
And we were.

1007
00:41:42,000 --> 00:41:43,000
And we lost.

1008
00:41:43,000 --> 00:41:44,000
And we lost.

1009
00:41:44,000 --> 00:41:45,000
And we lost.

1010
00:41:45,000 --> 00:41:46,000
And we lost.

1011
00:41:46,000 --> 00:41:50,000
It was all rather like an animated version of Madame Touss'os.

1012
00:41:50,000 --> 00:41:52,000
Fortunately, the king and queen go early to bear.

1013
00:41:52,000 --> 00:41:53,000
And it was rather hot.

1014
00:41:53,000 --> 00:41:55,000
So we melted back here.

1015
00:41:55,000 --> 00:41:56,000
You're trying to...

1016
00:41:56,000 --> 00:41:57,000
What about some more champagne?

1017
00:41:57,000 --> 00:41:58,000
Oh, yes.

1018
00:41:58,000 --> 00:41:59,000
The champagne.

1019
00:41:59,000 --> 00:42:00,000
I think they're flersing.

1020
00:42:00,000 --> 00:42:01,000
Does they know she'd get any?

1021
00:42:01,000 --> 00:42:02,000
Oh, gosh.

1022
00:42:02,000 --> 00:42:05,000
Oh, lovely, lovely.

1023
00:42:05,000 --> 00:42:07,000
Here's your last...

1024
00:42:07,000 --> 00:42:08,000
Come on, buddy.

1025
00:42:08,000 --> 00:42:09,000
Come up, sir.

1026
00:42:09,000 --> 00:42:10,000
Funny hugging at the palace.

1027
00:42:10,000 --> 00:42:11,000
I've got a great deal.

1028
00:42:11,000 --> 00:42:13,000
The imd as is not too good at the Turkey talk.

1029
00:42:13,000 --> 00:42:15,000
Oh, I'm going to throw those mud and things.

1030
00:42:15,000 --> 00:42:16,000
Can anybody do them?

1031
00:42:16,000 --> 00:42:18,000
Well, as a matter of fact, we can.

1032
00:42:18,000 --> 00:42:19,000
We can.

1033
00:42:19,000 --> 00:42:21,000
Yeah, we'll get back.

1034
00:42:21,000 --> 00:42:22,000
Let's get them.

1035
00:42:22,000 --> 00:42:23,000
Well, let's get them.

1036
00:42:23,000 --> 00:42:24,000
Come on.

1037
00:42:24,000 --> 00:42:25,000
Come on.

1038
00:42:25,000 --> 00:42:26,000
Come on.

1039
00:42:26,000 --> 00:42:27,000
See you later.

1040
00:42:27,000 --> 00:42:28,000
I'll be here.

1041
00:42:28,000 --> 00:42:29,000
I thought we can start it down.

1042
00:42:29,000 --> 00:42:31,000
What do you want me?

1043
00:42:31,000 --> 00:42:32,000
Honey, help!

1044
00:42:32,000 --> 00:42:33,000
Turkey top!

1045
00:42:33,000 --> 00:42:34,000
Turkey top!

1046
00:42:34,000 --> 00:42:35,000
No, what about a tango?

1047
00:42:35,000 --> 00:42:36,000
Honey, what about a tango?

1048
00:42:36,000 --> 00:42:37,000
Tango!

1049
00:42:37,000 --> 00:42:38,000
Please, Tango!

1050
00:42:38,000 --> 00:42:39,000
Come on, Mrs. P, let's go!

1051
00:42:39,000 --> 00:42:41,000
Charlie, will you teach me how to tango?

1052
00:42:41,000 --> 00:42:42,000
Oh, wait!

1053
00:42:42,000 --> 00:42:43,000
One, two!

1054
00:42:43,000 --> 00:42:45,000
Charlie, will you teach me how to tango?

1055
00:42:45,000 --> 00:42:46,000
One, two!

1056
00:42:46,000 --> 00:42:50,000
Charlie, will you teach me how to tango?

1057
00:42:50,000 --> 00:42:52,000
You don't have to!

1058
00:42:52,000 --> 00:42:53,000
Teetop!

1059
00:42:53,000 --> 00:42:58,000
Every time I spank her life!

1060
00:42:58,000 --> 00:43:01,000
You do like so!

1061
00:43:01,000 --> 00:43:02,000
Teetop!

1062
00:43:02,000 --> 00:43:05,000
Don't mind if the chaperones bust!

1063
00:43:05,000 --> 00:43:06,000
Teetop!

1064
00:43:06,000 --> 00:43:09,000
I'll write to the times about us!

1065
00:43:09,000 --> 00:43:10,000
Teetop!

1066
00:43:10,000 --> 00:43:16,000
Charlie, will you teach me the way to tango?

1067
00:43:16,000 --> 00:43:17,000
Charlie!

1068
00:43:17,000 --> 00:43:18,000
Hey!

1069
00:43:18,000 --> 00:43:19,000
Hey!

1070
00:43:19,000 --> 00:43:20,000
One more time!

1071
00:43:20,000 --> 00:43:21,000
Come on, come on, come on!

1072
00:43:21,000 --> 00:43:22,000
Teetop!

1073
00:43:22,000 --> 00:43:24,000
One, two!

1074
00:43:24,000 --> 00:43:25,000
Charlie!

1075
00:43:25,000 --> 00:43:27,000
One, two!

1076
00:43:27,000 --> 00:43:33,000
Charlie, one, two, teach me how to tango!

1077
00:43:33,000 --> 00:43:34,000
Come, Teetop!

1078
00:43:34,000 --> 00:43:38,000
Every time I spank her life!

1079
00:43:38,000 --> 00:43:40,000
You have to show!

1080
00:43:40,000 --> 00:43:45,000
Don't mind if the chaperones bust!

1081
00:43:45,000 --> 00:43:47,000
Who's that this time of night?

1082
00:43:47,000 --> 00:43:50,000
Hang on, hang on, hang on!

1083
00:43:55,000 --> 00:43:58,000
Hello?

1084
00:43:58,000 --> 00:44:00,000
Evening, Mr. Trotter.

1085
00:44:00,000 --> 00:44:03,000
Now, come in.

1086
00:44:03,000 --> 00:44:04,000
Evening, your lordship?

1087
00:44:04,000 --> 00:44:05,000
Good evening, Inspector.

1088
00:44:05,000 --> 00:44:06,000
Evening, ladies and gentlemen.

1089
00:44:06,000 --> 00:44:07,000
Evening.

1090
00:44:07,000 --> 00:44:08,000
I trust you all in enjoying yourselves.

1091
00:44:08,000 --> 00:44:09,000
Yeah, look, here, Inspector.

1092
00:44:09,000 --> 00:44:10,000
If you thought we'd miss making a disturbance.

1093
00:44:10,000 --> 00:44:13,000
Oh, I didn't know no disturbance.

1094
00:44:13,000 --> 00:44:16,000
But I will be most grateful if I might have a word with you, Mr. Trotter.

1095
00:44:16,000 --> 00:44:19,000
In private.

1096
00:44:19,000 --> 00:44:22,000
Charlie, mate.

1097
00:44:22,000 --> 00:44:25,000
I'm just going to be cool.

1098
00:44:25,000 --> 00:44:28,000
Hello.

1099
00:44:28,000 --> 00:44:30,000
Hurry, Bellino.

1100
00:44:30,000 --> 00:44:32,000
I said bad shit.

1101
00:44:32,000 --> 00:44:34,000
I wonder what she's done.

1102
00:44:34,000 --> 00:44:36,000
Charlie, what about our icky-piggies?

1103
00:44:36,000 --> 00:44:38,000
Oh, no, I'm afraid.

1104
00:44:38,000 --> 00:44:40,000
The party's over.

1105
00:44:40,000 --> 00:44:42,000
Oh, Charlie.

1106
00:44:42,000 --> 00:44:44,000
Oh, no.

1107
00:44:44,000 --> 00:44:45,000
Oh, no.

1108
00:44:45,000 --> 00:44:47,000
I'm sorry.

1109
00:44:47,000 --> 00:44:49,000
Oh, no.

1110
00:44:49,000 --> 00:44:51,000
Hey, go back to the house.

1111
00:44:51,000 --> 00:44:53,000
Hey, who's this guy?

1112
00:44:53,000 --> 00:44:57,000
If you don't mind me saying so, Inspector, you do seem to come visit me at the most peculiar hours.

1113
00:44:57,000 --> 00:45:00,000
If my job is better to strike while the iron's hot.

1114
00:45:00,000 --> 00:45:02,000
And I can't delay charging the go for long.

1115
00:45:02,000 --> 00:45:04,000
And then she'll be up before the beaks in the morning.

1116
00:45:04,000 --> 00:45:06,000
That's the law, you see.

1117
00:45:06,000 --> 00:45:09,000
Of course, I wouldn't have dreamed of disturbing you until I'd, uh,

1118
00:45:09,000 --> 00:45:12,000
ascertained that you were up and about.

1119
00:45:12,000 --> 00:45:16,000
Yes, well, I've ever set the rules for my stuff.

1120
00:45:16,000 --> 00:45:18,000
And I keep to them, if you understand me.

1121
00:45:18,000 --> 00:45:21,000
Oh, I understand you're perfectly Mrs. Trotter.

1122
00:45:21,000 --> 00:45:24,000
You, uh, care for a glass of brandy?

1123
00:45:24,000 --> 00:45:26,000
I wouldn't say no.

1124
00:45:26,000 --> 00:45:28,000
I'm lying for that.

1125
00:45:28,000 --> 00:45:30,000
Or having some drink in the place?

1126
00:45:30,000 --> 00:45:32,000
You know, having your rules.

1127
00:45:32,000 --> 00:45:34,000
We have rules, too, you know.

1128
00:45:34,000 --> 00:45:36,000
In fact, quite a fat rule book.

1129
00:45:36,000 --> 00:45:40,000
But then as someone once said, rules was only made to be broken.

1130
00:45:40,000 --> 00:45:45,000
One of our rules is that no officer may accept alcoholic refreshment whilst on duty.

1131
00:45:45,000 --> 00:45:50,000
And another one we both know very well is that same refreshment may not be served

1132
00:45:50,000 --> 00:45:53,000
on licensed premises such as your hotel, Mrs. Trotter.

1133
00:45:53,000 --> 00:45:57,000
After 10, 30 p.m. to other than resident guests.

1134
00:45:57,000 --> 00:46:03,000
So you see, I think we both know quite a lot about rules and about, uh, bending them.

1135
00:46:03,000 --> 00:46:08,000
I suggest you bend your rule in the case of this young girl.

1136
00:46:08,000 --> 00:46:11,000
Yes.

1137
00:46:11,000 --> 00:46:14,000
Yes.

1138
00:46:14,000 --> 00:46:16,000
I see Inspector.

1139
00:46:16,000 --> 00:46:17,000
Good.

1140
00:46:17,000 --> 00:46:19,000
I thought you would.

1141
00:46:30,000 --> 00:46:32,000
Come in.

1142
00:46:33,000 --> 00:46:37,000
Oh, yeah, that's a fine one. That is...

1143
00:46:37,000 --> 00:46:39,000
Yes, madam. Thank you, madam.

1144
00:46:39,000 --> 00:46:41,000
I'm not having you back here, you know.

1145
00:46:41,000 --> 00:46:43,000
No, madam.

1146
00:46:43,000 --> 00:46:46,000
You got yourself in a fine mess and no mistake.

1147
00:46:46,000 --> 00:46:48,000
Yes, madam.

1148
00:46:48,000 --> 00:46:49,000
And not very good, had you?

1149
00:46:49,000 --> 00:46:50,000
From what I hear.

1150
00:46:50,000 --> 00:46:52,000
Well, I didn't really get started.

1151
00:46:52,000 --> 00:46:58,000
Listen, to a moment, my concern, Volli Armstrong is a good hardworking girl,

1152
00:46:58,000 --> 00:47:03,000
Cape Le Dune, the duties of our smade, parlamade or chambermaid.

1153
00:47:03,000 --> 00:47:05,000
Right.

1154
00:47:05,000 --> 00:47:06,000
Thank you, madam.

1155
00:47:06,000 --> 00:47:07,000
Bless you.

1156
00:47:07,000 --> 00:47:09,000
And I'm not doing it at a kindness, all right?

1157
00:47:09,000 --> 00:47:14,000
Don't think that too many tops in London are not enough chambermaids.

1158
00:47:14,000 --> 00:47:16,000
Yes, madam.

1159
00:47:16,000 --> 00:47:18,000
You need one at the Warwick in Kensington.

1160
00:47:18,000 --> 00:47:21,000
Ask for Mrs. Chalmers and say our sent you.

1161
00:47:21,000 --> 00:47:23,000
Thank you, madam.

1162
00:47:23,000 --> 00:47:25,000
Off you go.

1163
00:47:25,000 --> 00:47:28,000
She can be a reference, Mrs. Starr.

1164
00:47:28,000 --> 00:47:30,000
She can be a reference.

1165
00:47:30,000 --> 00:47:32,000
Here, girl, not that way.

1166
00:47:32,000 --> 00:47:33,000
Not this time.

1167
00:47:33,000 --> 00:47:35,000
You're a servant again, now.

1168
00:47:35,000 --> 00:47:39,000
Oh, and I'll suppose it's Cochrane for a bit of that state that's going off.

1169
00:47:39,000 --> 00:47:41,000
You could use it on that eye.

1170
00:47:41,000 --> 00:47:43,000
I'm sorry.

1171
00:47:43,000 --> 00:47:44,000
I'm sorry.

1172
00:47:44,000 --> 00:47:45,000
I'm sorry.

1173
00:47:45,000 --> 00:47:46,000
I'm sorry.

1174
00:47:46,000 --> 00:47:47,000
I'm sorry.

1175
00:47:47,000 --> 00:47:48,000
I'm sorry.

1176
00:47:48,000 --> 00:47:49,000
I'm sorry.

1177
00:47:49,000 --> 00:47:50,000
I'm sorry.

1178
00:47:50,000 --> 00:47:51,000
I'm sorry.

1179
00:47:51,000 --> 00:47:52,000
I'm sorry.

1180
00:47:52,000 --> 00:47:53,000
I'm sorry.

1181
00:47:54,000 --> 00:47:55,000
I'm sorry.

1182
00:48:05,000 --> 00:48:06,000
There you are, again.

1183
00:48:06,000 --> 00:48:07,000
The Lord House Mayor.

1184
00:48:07,000 --> 00:48:08,000
Oh.

1185
00:48:08,000 --> 00:48:09,000
Didn't I tell you?

1186
00:48:09,000 --> 00:48:11,000
Our cricketing week, our New York show starts tomorrow.

1187
00:48:11,000 --> 00:48:18,000
Things like this always.


