1 00:00:08,075 --> 00:00:10,242 [ EERIE MUSIC PLAYS ] 2 00:00:51,452 --> 00:00:53,419 [ SCREAMING ] 3 00:00:56,857 --> 00:00:59,525 [ SIREN WAILING ] 4 00:00:59,560 --> 00:01:01,727 [ SUSPENSEFUL MUSIC PLAYS ] 5 00:02:09,063 --> 00:02:11,130 [ SIREN WAILING ] 6 00:02:19,306 --> 00:02:21,874 [ INDISTINCT CONVERSATIONS ] 7 00:02:23,544 --> 00:02:26,512 Dave: ALL RIGHT, CLEAR A WAY. MAKE ROOM. 8 00:02:26,547 --> 00:02:29,381 PARDON ME, MA'AM. PARDON ME. 9 00:02:29,416 --> 00:02:32,117 ALL RIGHT, GO HOME. GO ON. 10 00:02:32,153 --> 00:02:33,218 GO ON, FOLKS. GO ON HOME. 11 00:02:33,254 --> 00:02:34,820 THERE'S NOTHING HERE THAT CONCERNS YOU. 12 00:02:34,855 --> 00:02:36,355 LET'S GET THE DOOR SHUT. 13 00:02:36,390 --> 00:02:38,824 OH, KEEP THE KINKS OUT OF THAT, HUH? 14 00:02:38,859 --> 00:02:40,392 HELLO, DAVE. 15 00:02:40,427 --> 00:02:43,695 ANOTHER SELF-INFLICTED MUTILATION -- THE STOVE. 16 00:02:43,731 --> 00:02:46,498 WELL, I'M GLAD YOU CALLED ME. CAN I TALK TO HER? 17 00:02:46,534 --> 00:02:49,368 CAN'T DO HER ANY HARM, BUT SHE'S FULL OF SEDATION. 18 00:02:49,403 --> 00:02:51,570 Miss Thompson: [ BREATHES DEEPLY ] 19 00:02:51,605 --> 00:02:54,206 OH, GOD. 20 00:02:54,241 --> 00:02:57,209 G-GOD HELP ME. 21 00:02:57,244 --> 00:02:59,311 MISS THOMPSON? 22 00:02:59,346 --> 00:03:01,747 MISS THOMPSON, I'M DETECTIVE SERGEANT KENNEDY. 23 00:03:01,782 --> 00:03:03,682 I'D LIKE TO ASK YOU SOME QUESTIONS. 24 00:03:03,717 --> 00:03:07,019 [ Crying ] OH, HELP ME. 25 00:03:07,054 --> 00:03:08,587 HELP ME. 26 00:03:08,622 --> 00:03:11,123 WE'RE DOING EVERYTHING WE CAN. 27 00:03:11,158 --> 00:03:14,459 NOW, PLEASE, PLEASE TELL ME WHAT HAPPENED. 28 00:03:14,495 --> 00:03:17,296 A H-HORRIBLE PAIN. 29 00:03:18,666 --> 00:03:19,932 B-BURNING. 30 00:03:19,967 --> 00:03:21,967 [ BREATHES RAGGEDLY ] 31 00:03:22,002 --> 00:03:24,570 YOU PUT YOUR HAIR IN THE FLAME. WHY? 32 00:03:24,605 --> 00:03:27,472 I DON'T KNOW. 33 00:03:27,508 --> 00:03:29,708 MY FACE... 34 00:03:29,743 --> 00:03:31,410 IS -- IS IT BURNED? 35 00:03:31,445 --> 00:03:33,645 YES. 36 00:03:35,216 --> 00:03:38,650 IS -- IS -- IS IT BAD? 37 00:03:40,821 --> 00:03:43,922 WILL -- WILL I BE HORRIBLE? 38 00:03:43,958 --> 00:03:46,258 [ BREATHING SHAKILY ] 39 00:03:46,293 --> 00:03:48,894 WILL I BE A MONSTER? 40 00:03:50,764 --> 00:03:52,564 WILL I? 41 00:03:52,600 --> 00:03:54,933 [ BREATHING SHAKILY ] 42 00:03:54,969 --> 00:03:57,936 NO, NO, YOU'LL BE ALL RIGHT. 43 00:03:57,972 --> 00:03:58,971 OH. 44 00:03:59,006 --> 00:04:01,907 DON'T WORRY. YOU'LL -- YOU'LL BE ALL RIGHT. 45 00:04:01,942 --> 00:04:03,842 [ SIGHS ] 46 00:04:03,877 --> 00:04:05,744 THANK GOD. 47 00:04:05,779 --> 00:04:08,046 [ SIGHS ] 48 00:04:08,082 --> 00:04:10,716 OH, THANK GOD. 49 00:04:15,489 --> 00:04:17,422 THAT'S IT. 50 00:04:27,301 --> 00:04:29,401 PROBABLY JUST AS WELL. 51 00:04:29,436 --> 00:04:31,203 WHAT HAPPENED? 52 00:04:31,238 --> 00:04:32,404 ACCIDENT, DAVE. 53 00:04:32,439 --> 00:04:35,007 I SEE 'EM ALL NIGHT, EVERY NIGHT. 54 00:04:36,310 --> 00:04:37,943 ARE YOU TRYING TO TELL ME 55 00:04:37,978 --> 00:04:41,213 THAT SHE COULDN'T TELL THIS RANGE FROM THAT SINK? 56 00:04:41,248 --> 00:04:43,315 DO YOU REALLY BELIEVE THAT? 57 00:04:43,350 --> 00:04:46,952 LOOK, DAVE, I JUST TRY TO PATCH 'EM UP THE BEST I CAN. 58 00:04:46,987 --> 00:04:49,788 11 WOMEN... 59 00:04:49,823 --> 00:04:54,293 ATTRACTIVE, SOME EVEN BEAUTIFUL... 60 00:04:54,328 --> 00:04:57,729 EACH ONE OF THEM MUTILATED THEIRSELF IN SOME CRAZY WAY. 61 00:04:57,765 --> 00:05:00,132 THEY CAN'T ALL BE ACCIDENTS. 62 00:05:00,167 --> 00:05:01,900 WHAT ELSE? 63 00:05:01,935 --> 00:05:04,036 I DON'T KNOW. 64 00:05:06,807 --> 00:05:10,642 ONE OF THEM STUCK HER FACE INTO THE BLADE OF AN ELECTRIC FAN -- 65 00:05:10,678 --> 00:05:13,245 SAID SHE THOUGHT IT WAS A VIBRATOR. 66 00:05:13,280 --> 00:05:17,049 ANOTHER ONE SLICED HER FACE WITH A STRAIGHT RAZOR. 67 00:05:17,084 --> 00:05:20,419 SHE THOUGHT THE RAZOR WAS A LIPSTICK BRUSH. 68 00:05:20,454 --> 00:05:22,421 HOW DO YOU EXPLAIN IT? 69 00:05:22,456 --> 00:05:24,990 I DON'T. THAT'S YOUR JOB. 70 00:05:56,256 --> 00:05:58,290 [ DART LANDS ] 71 00:06:02,629 --> 00:06:04,629 [ DART LANDS ] 72 00:06:08,836 --> 00:06:10,836 [ DART LANDS ] 73 00:06:16,677 --> 00:06:18,710 [ DART LANDS ] 74 00:06:21,548 --> 00:06:23,582 [ DART LANDS ] 75 00:06:27,187 --> 00:06:29,187 [ DART LANDS ] 76 00:06:33,093 --> 00:06:35,827 [ DART LANDS ] 77 00:06:35,863 --> 00:06:38,163 YOU KNOW, I WISH YOU'D GET A PUNCHING BAG 78 00:06:38,198 --> 00:06:40,465 TO WORK OFF YOUR HOSTILITIES ON. 79 00:06:40,501 --> 00:06:43,001 YOU'RE GETTING DANGEROUS. 80 00:06:43,036 --> 00:06:45,537 I BROUGHT YOUR BOOKS BACK, PHIL. [ DART LANDS ] 81 00:06:45,572 --> 00:06:49,207 THANK YOU, AND I'M NOT WORKING OFF ANY HOSTILITIES. 82 00:06:49,243 --> 00:06:50,409 I'VE GOT TO WRITE A PAPER 83 00:06:50,444 --> 00:06:52,411 FOR THE JOURNAL OF CRIMINAL PSYCHIATRY, 84 00:06:52,446 --> 00:06:55,614 AND I'M LETTING MY... SUBCONSCIOUS HELP ME 85 00:06:55,649 --> 00:06:57,816 SELECT MY TOPIC. 86 00:06:59,286 --> 00:07:02,421 A TOPIC WHICH MIGHT VERY WELL BE ENTITLED... 87 00:07:02,456 --> 00:07:05,323 LET'S SEE WHAT WE GOT HERE. 88 00:07:07,294 --> 00:07:10,061 AHA. 89 00:07:10,097 --> 00:07:14,399 DID SIGMUND FREUD HAVE A ROMANTIC FIXATION... 90 00:07:14,435 --> 00:07:18,537 WELL, THAT'LL NEVER DO. 91 00:07:18,572 --> 00:07:21,440 [ CHUCKLES ] WHAT'S ON YOUR MIND, DAVE? 92 00:07:21,475 --> 00:07:24,075 AH, THESE MUTILATION CASES, PHIL. 93 00:07:24,111 --> 00:07:26,545 FRANKLY, I'M A LITTLE STUMPED. 94 00:07:26,580 --> 00:07:28,213 WE HAD ANOTHER ONE TONIGHT. 95 00:07:28,248 --> 00:07:29,514 [ DART LANDS ] 96 00:07:29,550 --> 00:07:32,184 THAT'S THE 11th, ISN'T IT? 97 00:07:32,219 --> 00:07:33,585 [ DART LANDS ] MM-HMM. 98 00:07:33,620 --> 00:07:34,753 THIS WAS THE WORST YET. 99 00:07:34,788 --> 00:07:36,655 I DON'T SEE HOW ANYTHING COULD BE WORSE 100 00:07:36,690 --> 00:07:38,223 THAN THE ONE WHO DRANK THE LYE. 101 00:07:38,258 --> 00:07:39,891 WELL, THIS ONE DIED. 102 00:07:39,927 --> 00:07:41,860 SHE WAS BURNT TO A CRISP. 103 00:07:41,895 --> 00:07:43,595 MM. [ DART LANDS ] 104 00:07:43,630 --> 00:07:45,163 [ DART LANDS ] 105 00:07:45,199 --> 00:07:46,832 WHY DON'T WE HAVE DINNER TOGETHER TONIGHT 106 00:07:46,867 --> 00:07:48,467 AND KICK IT AROUND, HUH? 107 00:07:48,502 --> 00:07:51,036 WELL, HOW ABOUT BREAKFAST TOMORROW? 108 00:07:51,071 --> 00:07:53,805 I'LL HAVE THE PATHOLOGIST REPORTS THEN. 109 00:07:53,841 --> 00:07:55,507 BESIDES, I HAVE A DATE WITH MARCIA TONIGHT. 110 00:07:55,542 --> 00:07:56,641 AHA. 111 00:07:56,677 --> 00:07:58,276 SHE'S BEEN AFTER ME FOR A WEEK 112 00:07:58,312 --> 00:08:01,279 TO TAKE HER TO SEE SOME HYPNOTIST AT THE HAYES. [ DART LANDS ] 113 00:08:01,315 --> 00:08:02,447 HYPNOTIST? 114 00:08:02,483 --> 00:08:05,083 YOU'RE NOT GONNA TAKE HER TO SEE A HYPNOTIST? 115 00:08:05,118 --> 00:08:06,351 YEAH, WHY? 116 00:08:06,386 --> 00:08:08,553 BECAUSE I'VE GOT A RUNNING WAR GOING WITH THOSE PHONIES, 117 00:08:08,589 --> 00:08:09,688 THAT'S WHY. 118 00:08:09,723 --> 00:08:12,557 LOOK, DAVE, HYPNOSIS IS A VALUABLE MEDICAL TOOL. 119 00:08:12,593 --> 00:08:14,626 IT CAN BE USED AS AN ANESTHETIC. 120 00:08:14,661 --> 00:08:16,761 IT CAN BE USED FOR PSYCHOTHERAPY. 121 00:08:16,797 --> 00:08:19,331 THESE PHONY STAGE HYPNOTISTS MAKE A CHEAP TRICK 122 00:08:19,366 --> 00:08:21,500 OUT OF AN IMPORTANT MEDICAL TECHNIQUE. 123 00:08:21,535 --> 00:08:24,002 THEY PROSTITUTE THE ENTIRE SCIENCE OF HYPNOSIS! 124 00:08:24,037 --> 00:08:25,537 EASY, PHIL. 125 00:08:25,572 --> 00:08:28,540 REMEMBER, A PSYCHIATRIST IS OBJECTIVE, UNEMOTIONAL. 126 00:08:28,575 --> 00:08:30,542 BESIDES, WHAT HARM CAN THEY DO? 127 00:08:30,577 --> 00:08:31,676 [ DART LANDS ] 128 00:08:31,712 --> 00:08:33,245 THEY CAN DO A LOT OF HARM BECAUSE THEY'RE FAKES. 129 00:08:33,280 --> 00:08:35,514 LOOK, DAVE, THEY DON'T REALLY HYPNOTIZE PEOPLE -- 130 00:08:35,549 --> 00:08:37,282 WELL, NOT USUALLY, ANYWAY. 131 00:08:37,317 --> 00:08:39,150 THEY HIRE A COUPLE OF STOOGES 132 00:08:39,186 --> 00:08:41,319 AND PUT ON SOME CHEAP CORNY STUNTS. 133 00:08:41,355 --> 00:08:44,456 NOW WHO'S GOT FIXATIONS? 134 00:08:47,661 --> 00:08:52,364 Desmond: [ French accent ] YOUR EYELIDS ARE LOCKED SHUT. 135 00:08:52,399 --> 00:08:55,233 YOU CANNOT OPEN YOUR EYES. 136 00:08:55,269 --> 00:08:58,303 YOU CANNOT OPEN THEM. 137 00:09:00,641 --> 00:09:03,041 NOW RAISE YOUR HEAD. 138 00:09:03,076 --> 00:09:05,644 TRY TO OPEN YOUR EYES. 139 00:09:05,679 --> 00:09:08,313 YOU CANNOT OPEN THEM. YOU CANNOT OPEN THEM. 140 00:09:08,348 --> 00:09:11,016 TRY HARDER. HARDER. THAT'S NOT HARD ENOUGH. 141 00:09:11,051 --> 00:09:13,018 HARDER. TRY HARDER. 142 00:09:13,053 --> 00:09:15,987 YOU CANNOT OPEN YOUR EYES. YOU CANNOT OPEN THEM. 143 00:09:16,023 --> 00:09:18,023 NOW TRY HARDER -- EVEN HARDER. 144 00:09:18,058 --> 00:09:20,792 THAT'S NOT HARD ENOUGH. HARDER! TRY HARDER! 145 00:09:23,630 --> 00:09:26,031 ALL RIGHT. RELAX. RELAX. 146 00:09:26,066 --> 00:09:27,799 RELAX AND SLEEP. 147 00:09:27,834 --> 00:09:30,101 Sleep. 148 00:09:36,176 --> 00:09:39,611 NOW YOU ARE ON A DESERT. 149 00:09:39,646 --> 00:09:46,518 WHEN I COUNT TO THREE, YOU ARE ALL ALONE IN THE DESERT. 150 00:09:46,553 --> 00:09:49,821 ONE, TWO, THREE. 151 00:09:49,856 --> 00:09:53,525 NOW YOU ARE ALL ALONE. IT IS SO HOT. 152 00:09:53,560 --> 00:09:56,895 IT IS GETTING HOTTER AND HOTTER. 153 00:09:56,930 --> 00:09:59,831 THE SUN IS BEATING ON YOUR HEAD. 154 00:09:59,866 --> 00:10:01,566 OH, BUT, DAVE, ISN'T IT AMAZING 155 00:10:01,602 --> 00:10:03,768 HOW HE COMPLETELY DOMINATES HIS SUBJECTS? 156 00:10:03,804 --> 00:10:05,403 THEY'RE STOOGES. 157 00:10:05,439 --> 00:10:07,739 SHERLOCK HOLMES SAYS THEY'RE STOOGES. 158 00:10:07,774 --> 00:10:10,175 OF COURSE THEY ARE. SHH! 159 00:10:10,210 --> 00:10:13,511 Desmond: YOU ARE BEGINNING TO PERSPIRE. YOU ARE PERSPIRING. 160 00:10:13,547 --> 00:10:18,149 IT IS STINGING YOUR EYES, YOUR MOUTH, AND YOUR TONGUE IS DRY. 161 00:10:18,185 --> 00:10:21,052 YOU CANNOT STAND IT. THE SUN IS AWFUL. 162 00:10:21,088 --> 00:10:22,854 YOU CANNOT STAND THAT SUN. 163 00:10:22,889 --> 00:10:24,990 IT'S JUST TERRIBLE! IT IS SO HOT! 164 00:10:25,025 --> 00:10:27,258 YOU CANNOT STAND IT! ALL RIGHT, NOW. 165 00:10:27,294 --> 00:10:30,996 NOW THE SUN HAS SET, AND IT IS GETTING COOL. 166 00:10:31,031 --> 00:10:33,865 IT IS GETTING COOLER AND COOLER. 167 00:10:33,900 --> 00:10:35,900 NOW YOU ARE ALL RIGHT. 168 00:10:35,936 --> 00:10:40,005 NOW YOUR BODY TEMPERATURE IS PERFECTLY NORMAL. 169 00:10:40,040 --> 00:10:43,775 NOW YOU'RE ALL RIGHT. ALL RIGHT. 170 00:10:43,810 --> 00:10:46,711 RELAX. RELAX AND SLEEP. 171 00:10:46,747 --> 00:10:47,846 Sleep. 172 00:10:47,881 --> 00:10:50,415 [ APPLAUSE ] 173 00:10:53,387 --> 00:10:55,420 [ INDISTINCT TALKING ] 174 00:10:55,455 --> 00:10:58,923 NOW WHEN I SNAP MY FINGERS, 175 00:10:58,959 --> 00:11:05,597 YOU ARE ALL ALONE OUTSIDE IN A COLD NIGHT. 176 00:11:05,632 --> 00:11:07,832 [ SNAPS FINGERS ] NOW IT IS COLD. 177 00:11:07,868 --> 00:11:10,902 IT IS SO COLD. IT IS JUST TERRIBLE. [ SHIVERING ] 178 00:11:10,937 --> 00:11:13,438 IT IS GETTING COLDER AND COLDER. 179 00:11:13,473 --> 00:11:17,208 IT IS COLD. YOU ARE FREEZING. YOU ARE FREEZING NUMB. 180 00:11:17,244 --> 00:11:20,278 PULL UP YOUR COLLAR TO PROTECT YOURSELF. 181 00:11:20,313 --> 00:11:23,381 IT IS TERRIBLE NOW. YOUR FINGERTIPS ARE FROZEN NUMB. 182 00:11:23,417 --> 00:11:26,685 RUB YOUR HANDS TOGETHER. RUB THEM TOGETHER TO WARM THEM. 183 00:11:26,720 --> 00:11:28,319 HARDER. EVEN HARDER. 184 00:11:28,355 --> 00:11:29,821 OH, IT IS SO COLD. 185 00:11:29,856 --> 00:11:32,390 ALL RIGHT, NOW. NOW IT IS GETTING WARMER. 186 00:11:32,426 --> 00:11:35,093 NOW IT IS BETTER. NOW IT IS NICER. 187 00:11:35,128 --> 00:11:39,564 NOW YOUR BODY TEMPERATURE IS PERFECTLY NORMAL. 188 00:11:39,599 --> 00:11:42,967 NOW YOU ARE ALL RIGHT. ALL RIGHT. 189 00:11:43,003 --> 00:11:47,439 RELAX. RELAX AND SLEEP. 190 00:11:49,976 --> 00:11:52,977 [ APPLAUSE ] 191 00:11:53,013 --> 00:11:55,880 ALL RIGHT, SMARTY. TELL ME THAT'S A FAKE. 192 00:11:58,285 --> 00:12:00,518 RAISE YOUR HEAD. 193 00:12:00,554 --> 00:12:03,121 RAISE YOUR HEAD. 194 00:12:03,156 --> 00:12:09,060 WHEN I SNAP MY FINGERS, YOU ARE A DOG. 195 00:12:09,096 --> 00:12:10,395 [ SNAPS FINGERS ] 196 00:12:10,430 --> 00:12:13,798 YOU ARE A DOG, BUT YOU ARE A BAD DOG. 197 00:12:13,834 --> 00:12:15,800 YOU'RE A MEAN DOG. [ GROWLING ] 198 00:12:15,836 --> 00:12:18,536 YOU'RE MEAN DOG. YOU ARE BAD. 199 00:12:18,572 --> 00:12:20,772 YOU ARE THE MEANEST OF ALL THE DOGS. 200 00:12:20,807 --> 00:12:22,173 WHY ARE YOU SO MEAN? [ SNARLING ] 201 00:12:22,209 --> 00:12:23,675 WHY ARE YOU SO BAD? 202 00:12:23,710 --> 00:12:26,711 YOU ARE THE MEANEST OF ALL THE DOGS. WHY ARE YOU SO... 203 00:12:26,747 --> 00:12:28,246 [ LAUGHTER ] 204 00:12:28,281 --> 00:12:29,948 MARCIA, ISN'T IT TERRIFIC? 205 00:12:29,983 --> 00:12:31,182 IT'S FRIGHTENING. 206 00:12:31,218 --> 00:12:33,084 MEANER. EVEN MEANER THAN THAT. [ SNARLING ] 207 00:12:33,120 --> 00:12:35,120 ALL RIGHT, ALL RIGHT. NOW RELAX. 208 00:12:35,155 --> 00:12:38,189 WHEN I SNAP MY FINGERS, YOU ARE YOURSELF. 209 00:12:38,225 --> 00:12:39,624 [ SNARLING ] 210 00:12:39,659 --> 00:12:42,527 YOU'RE ALL RIGHT. NOW YOU RELAX. 211 00:12:42,562 --> 00:12:45,630 YOU'RE ALL RIGHT. YOU'RE ALL RIGHT. 212 00:12:45,665 --> 00:12:47,632 YOU'RE ALL RIGHT. 213 00:12:47,667 --> 00:12:51,369 RELAX. NOW YOU'RE ALL RIGHT. 214 00:12:51,404 --> 00:12:54,272 RELAX AND SLEEP. 215 00:12:54,307 --> 00:12:56,841 DEEPER IN SLEEP. 216 00:12:56,877 --> 00:12:59,377 [ APPLAUSE ] 217 00:12:59,412 --> 00:13:02,280 [ SPECTATORS MURMUR ] 218 00:13:02,315 --> 00:13:07,552 NOW, WHEN I COUNT TO THREE, YOU WILL ALL AWAKE. 219 00:13:07,587 --> 00:13:11,923 ONE, TWO, THREE. 220 00:13:11,958 --> 00:13:14,125 [ APPLAUSE ] 221 00:13:23,103 --> 00:13:26,037 THANK YOU VERY MUCH. THANK YOU VERY MUCH. 222 00:13:26,072 --> 00:13:29,440 AND NOW FOR MY FINAL DEMONSTRATION, 223 00:13:29,476 --> 00:13:32,243 I WOULD LIKE THREE VOLUNTEERS FROM THE AUDIENCE -- 224 00:13:32,279 --> 00:13:33,645 THREE YOUNG LADIES. 225 00:13:33,680 --> 00:13:37,816 NOW, I ASSURE YOU YOU WILL NOT BE EMBARRASSED IN ANY WAY. 226 00:13:37,851 --> 00:13:40,585 WILL YOU PLEASE HOLD UP YOUR HANDS? 227 00:13:40,620 --> 00:13:42,754 OH, NO, WAIT. I'M SORRY GENTLEMEN. 228 00:13:42,789 --> 00:13:45,423 ONLY LADIES FOR THIS ONE. 229 00:13:45,458 --> 00:13:47,625 [ LAUGHTER ] 230 00:13:47,661 --> 00:13:49,627 [ SPECTATORS MURMURING ] 231 00:13:51,398 --> 00:13:52,697 OH, YOU. 232 00:13:52,732 --> 00:13:55,099 UH, THE YOUNG LADY IN THE BACK WITH THE BROWN DRESS, 233 00:13:55,135 --> 00:13:57,168 WILL YOU PLEASE STEP RIGHT UP? 234 00:14:11,251 --> 00:14:15,119 YES, YOU ON THE SIDE. WILL YOU PLEASE COME RIGHT UP? 235 00:14:15,155 --> 00:14:17,188 THANK YOU. 236 00:14:17,224 --> 00:14:19,390 GO ON, DODIE. DON'T BE AFRAID. 237 00:14:19,426 --> 00:14:21,292 AW, DON'T BE SILLY, MARCIA. 238 00:14:26,399 --> 00:14:28,233 THANK YOU VERY MUCH FOR COMING. 239 00:14:28,268 --> 00:14:29,934 IT'S A PLEASURE. THANK YOU. 240 00:14:29,970 --> 00:14:33,304 AND NOW I NEED, UH, ONE MORE YOUNG LADY. 241 00:14:33,340 --> 00:14:35,240 YOU GO IF YOU'RE SO ANXIOUS TO. 242 00:14:35,275 --> 00:14:37,575 GO ON. WHY DON'T YOU GO ON AND FIND OUT WHAT A FAKE HE IS? 243 00:14:37,611 --> 00:14:39,010 I DARE YOU. 244 00:14:39,045 --> 00:14:41,679 ALL RIGHT. I WILL. 245 00:14:49,356 --> 00:14:51,356 THE YOUNG LADY IN THE THIRD ROW, PLEASE. 246 00:14:51,391 --> 00:14:57,829 NO, NO, NO, THE BEAUTIFUL REDHEAD JUST BESIDE YOU. 247 00:14:57,864 --> 00:15:00,965 THAT'S RIGHT. WILL YOU PLEASE COME RIGHT UP? 248 00:15:13,747 --> 00:15:14,846 GOOD EVENING. 249 00:15:14,881 --> 00:15:15,980 GOOD EVENING. 250 00:15:16,016 --> 00:15:18,516 THANK YOU VERY MUCH FOR YOUR ASSISTANCE. 251 00:15:18,551 --> 00:15:20,485 NOW, LET ME SAY ONCE AGAIN 252 00:15:20,520 --> 00:15:24,088 THAT YOU WILL NOT BE EMBARRASSED IN ANY WAY. 253 00:15:24,124 --> 00:15:25,790 EXCUSE ME. 254 00:15:25,825 --> 00:15:28,526 AND NOW, LADIES AND GENTLEMEN, 255 00:15:28,561 --> 00:15:32,030 MY FINAL DEMONSTRATION IS GOING TO BE 256 00:15:32,065 --> 00:15:37,402 ONE OF THE MOST SPECTACULAR YOU WILL EVER WITNESS. 257 00:15:37,437 --> 00:15:43,908 ONE OF THESE, UH, SUBJECTS, WHILE IN DEEP HYPNOTIC TRANCE, 258 00:15:43,944 --> 00:15:48,346 WILL DEFY ONE OF THE MOST BASIC LAWS OF THE UNIVERSE -- 259 00:15:48,381 --> 00:15:50,682 THE LAW OF GRAVITY. 260 00:15:50,717 --> 00:15:51,983 THANK YOU. 261 00:15:52,018 --> 00:15:53,685 [ SPECTATORS MURMURING ] 262 00:16:00,026 --> 00:16:01,526 WHAT IS YOUR NAME? 263 00:16:01,561 --> 00:16:03,728 DODIE WILSON. 264 00:16:03,763 --> 00:16:07,031 I THINK YOU WILL MAKE A MARVELOUS SUBJECT. 265 00:16:07,067 --> 00:16:08,366 [ CHUCKLES SOFTLY ] 266 00:16:08,401 --> 00:16:10,535 HAVE YOU EVER BEEN HYPNOTIZED? 267 00:16:10,570 --> 00:16:11,536 NO. 268 00:16:11,571 --> 00:16:13,838 ALL RIGHT. FINE. 269 00:16:13,873 --> 00:16:16,074 JUST RELAX. 270 00:16:16,109 --> 00:16:18,443 JUST RELAX. 271 00:16:18,478 --> 00:16:22,914 YOU WILL DO EXACTLY AS I TELL YOU. 272 00:16:27,554 --> 00:16:28,853 LOOK HERE. 273 00:16:32,792 --> 00:16:37,862 IN A FEW SECONDS, YOUR EYES CLOSE, 274 00:16:37,897 --> 00:16:42,867 AND YOU GO INTO A DEEP HYPNOTIC SLEEP. 275 00:16:42,902 --> 00:16:44,702 CLOSE YOUR EYES. 276 00:16:47,774 --> 00:16:51,075 THAT'S FINE. 277 00:16:51,111 --> 00:16:53,678 NOW JUST RELAX. 278 00:16:53,713 --> 00:16:57,315 JUST RELAX AND SLEEP. 279 00:16:57,350 --> 00:16:59,550 DEEPER. 280 00:16:59,586 --> 00:17:01,786 DEEPER IN SLEEP. 281 00:17:01,821 --> 00:17:04,122 BREATHE DEEPLY. 282 00:17:04,157 --> 00:17:05,623 DEEPER. 283 00:17:05,658 --> 00:17:07,425 DEEPER IN SLEEP. 284 00:17:08,828 --> 00:17:12,096 NOW WHEN I TOUCH YOUR BODY WITH MY HANDS, 285 00:17:12,132 --> 00:17:14,766 YOUR MUSCLES GROW TENSE. 286 00:17:14,801 --> 00:17:17,502 ALL OF YOUR MUSCLES ARE GROWING TENSE. 287 00:17:17,537 --> 00:17:21,806 YOUR BODY IS GROWING STIFF AND RIGID. 288 00:17:21,841 --> 00:17:25,543 YOUR FLESH IS TURNING TO STONE. 289 00:17:25,578 --> 00:17:29,547 YOU ARE TURNING TO STONE. YOU ARE A PIECE OF STONE. 290 00:17:29,582 --> 00:17:33,051 YOU ARE A PIECE OF STONE. 291 00:17:36,156 --> 00:17:38,222 WILL YOU STEP BEHIND HER, PLEASE? 292 00:17:38,258 --> 00:17:40,291 THANK YOU. 293 00:17:40,326 --> 00:17:42,927 NOW I WILL COUNT TO THREE. 294 00:17:42,962 --> 00:17:46,431 YOU'LL BEGIN TO FALL BACKWARDS. 295 00:17:46,466 --> 00:17:49,700 ONE, TWO, THREE. 296 00:17:49,736 --> 00:17:51,369 STIFF. RIGID. 297 00:17:51,404 --> 00:17:52,370 CATCH HER! 298 00:17:52,405 --> 00:17:54,772 [ SPECTATORS GASP, MURMUR ] 299 00:17:54,808 --> 00:17:57,008 WILL YOU PLEASE LIFT UP HER FEET? 300 00:17:57,043 --> 00:17:58,376 GO AHEAD. 301 00:17:58,411 --> 00:18:01,412 YOU WILL FIND SHE'S AS LIGHT AS A FEATHER. 302 00:18:05,752 --> 00:18:10,521 NOW YOU ARE GROWING LIGHTER, LIGHTER. 303 00:18:10,557 --> 00:18:15,093 IN A FEW SECONDS, YOU WILL NEED NO SUPPORT 304 00:18:15,128 --> 00:18:19,230 BECAUSE YOU WILL BE LIGHTER THAN AIR, 305 00:18:19,265 --> 00:18:22,834 AS LIGHT AS A FEATHER, 306 00:18:22,869 --> 00:18:28,873 EVEN LIGHTER, FLOATING JUST LIKE A BALLOON, 307 00:18:28,908 --> 00:18:33,277 COMPLETELY FREE OF THE PULL OF GRAVITY. 308 00:18:33,313 --> 00:18:36,714 LET HER FEET GO. 309 00:18:38,218 --> 00:18:41,586 LET HER FEET GO! 310 00:18:41,621 --> 00:18:43,154 [ SPECTATORS GASP, MURMUR ] 311 00:18:43,189 --> 00:18:45,690 [ GASPS ] 312 00:18:45,725 --> 00:18:49,327 LET GO OF HER HEAD. 313 00:18:49,362 --> 00:18:51,896 LET GO. 314 00:18:53,800 --> 00:18:55,399 [ SPECTATORS MURMUR ] 315 00:18:55,435 --> 00:18:59,403 NOW YOU ARE FLOATING JUST LIKE A BEAUTIFUL CLOUD, 316 00:18:59,439 --> 00:19:01,105 LIGHTER THAN THE AIR. 317 00:19:01,141 --> 00:19:04,208 OH, IT IS WONDERFUL. 318 00:19:04,244 --> 00:19:06,511 FLOATING JUST LIKE A CLOUD. 319 00:19:06,546 --> 00:19:09,113 HIGHER. HIGHER. 320 00:19:09,149 --> 00:19:12,717 YOU ARE FLOATING INTO SPACE, WHEREVER YOU WANT TO GO. 321 00:19:12,752 --> 00:19:14,519 STOP. 322 00:19:14,554 --> 00:19:16,454 [ SPECTATORS MURMUR ] 323 00:19:16,489 --> 00:19:21,759 LADIES AND GENTLEMEN, GRAVITY DEFIED. 324 00:19:30,136 --> 00:19:32,103 THANK YOU. 325 00:19:38,511 --> 00:19:40,611 [ WHISPERING INDISTINCTLY ] 326 00:19:44,651 --> 00:19:46,284 ISN'T THAT FANTASTIC? 327 00:19:46,319 --> 00:19:47,818 IT'S A CHEAP TRICK. 328 00:19:47,854 --> 00:19:50,588 I'VE SEEN DOZENS OF MAGICIANS DO THE SAME THING. 329 00:19:50,623 --> 00:19:54,725 NOW YOUR FEET BEGIN TO GO DOWN. 330 00:19:54,761 --> 00:19:58,095 YOUR FEET ARE LOOKING FOR THE EARTH. 331 00:19:58,131 --> 00:20:00,565 YOUR FEET ARE GROWING HEAVY. 332 00:20:00,600 --> 00:20:03,367 YOUR LEGS ARE GROWING HEAVY. 333 00:20:03,403 --> 00:20:07,605 THEY ARE GOING DOWN AND DOWN AND DOWN. 334 00:20:07,640 --> 00:20:15,413 ALL OF YOUR MUSCLES ARE GOING TO GET LOOSE AND LIMP -- ALL LOOSE. 335 00:20:15,448 --> 00:20:18,916 [ SPECTATORS MURMURING ] 336 00:20:23,256 --> 00:20:27,058 NOW, WHEN YOU AWAKE, YOU WILL NOT REMEMBER ANYTHING 337 00:20:27,093 --> 00:20:30,061 THAT HAS HAPPENED TO YOU ON THIS STAGE. 338 00:20:30,096 --> 00:20:33,397 I REPEAT, WHEN YOU ARE FULLY AWAKE, 339 00:20:33,433 --> 00:20:36,334 YOU WILL NOT REMEMBER ANYTHING 340 00:20:36,369 --> 00:20:39,704 THAT HAS HAPPENED TO YOU ON THE STAGE. 341 00:20:39,739 --> 00:20:45,042 YOU WILL REMEMBER ONLY THE ORDER I GAVE YOU. 342 00:20:45,078 --> 00:20:49,213 NOW, WHEN I SNAP MY FINGERS, YOU ARE FULLY AWAKE, 343 00:20:49,249 --> 00:20:51,782 ALL RELAXED AND FEELING WONDERFUL. 344 00:20:51,818 --> 00:20:53,751 YOU ARE AWAKE. 345 00:20:56,322 --> 00:20:59,123 HOW DO YOU FEEL? 346 00:20:59,158 --> 00:21:00,491 GOOD. 347 00:21:05,365 --> 00:21:08,099 I WONDER HOW HE DID THE BALLOON TRICK. 348 00:21:08,134 --> 00:21:10,534 WE WERE HYPNOTIZED. 349 00:21:10,570 --> 00:21:13,471 YOU MEAN YOU DON'T REMEMBER ANYTHING THAT HAPPENED? 350 00:21:13,506 --> 00:21:16,507 NO, MARCIA. ALL I REMEMBER IS GOING ONSTAGE. 351 00:21:16,542 --> 00:21:18,843 WHAT DID I DO? DID I MAKE A FOOL OF MYSELF? 352 00:21:18,878 --> 00:21:20,011 THERE, YOU SEE, DAVE? 353 00:21:20,046 --> 00:21:21,579 SHE DOESN'T REMEMBER ANYTHING SHE DID. 354 00:21:21,614 --> 00:21:23,014 COME ON, DODIE. 355 00:21:23,049 --> 00:21:25,016 YOU'D BETTER TELL HER YOU WERE JUST PLAYING ALONG WITH HIM, 356 00:21:25,051 --> 00:21:27,051 OR SHE'LL HOUND YOU ALL NIGHT. 357 00:21:27,086 --> 00:21:30,021 UH, HEY, HOW ABOUT SOME COFFEE? WE CAN GO TO WINKY'S. 358 00:21:30,056 --> 00:21:31,889 [ SIGHS ] I'D LOVE SOME. GOOD. 359 00:21:31,924 --> 00:21:35,026 NOW, DODIE, TRY AND TELL ME EVERYTHING THAT HAPPENED, 360 00:21:35,061 --> 00:21:37,228 ANY LITTLE THING YOU CAN THINK OF. 361 00:21:37,263 --> 00:21:41,565 DON'T YOU EVEN REMEMBER FLOATING AROUND IN THE AIR? 362 00:21:41,601 --> 00:21:43,968 NO, MARCIA. NO, I DON'T. 363 00:21:44,003 --> 00:21:46,871 COME ON, DODIE. THE JOKE'S GONE FAR ENOUGH. 364 00:21:46,906 --> 00:21:48,439 NOTHING CAN CONVINCE ME 365 00:21:48,474 --> 00:21:51,275 THAT ANYONE COULD HYPNOTIZE YOU THAT FAST. 366 00:21:51,311 --> 00:21:53,678 YOU WERE JUST PLAYING ALONG. 367 00:21:53,713 --> 00:21:54,845 DODIE, WHAT... 368 00:21:54,881 --> 00:21:57,515 UH, I JUST REMEMBER I'VE GOT TO GET HOME. 369 00:21:57,550 --> 00:21:59,016 I'VE GOT TO WASH OUT A FEW THINGS AND -- 370 00:21:59,052 --> 00:22:01,919 OH, NOW, DON'T BE SILLY. YOU'VE GOT TIME FOR SOME COFFEE. 371 00:22:01,954 --> 00:22:04,922 NO, MARCIA, REALLY, I HAVE TO GET HOME RIGHT NOW. 372 00:22:04,957 --> 00:22:07,291 THANKS FOR THE EVENING. GOODNIGHT, MARSH, DAVE. 373 00:22:07,327 --> 00:22:09,560 WAIT. NOW, WHAT IN THE WOR... 374 00:22:09,595 --> 00:22:12,563 NOW, I DON'T THINK SHE LIKED BEING QUESTIONED LIKE A CRIMINAL. 375 00:22:12,598 --> 00:22:14,832 DAVE, YOU SHOULDN'T DO THINGS LIKE THAT. 376 00:22:14,867 --> 00:22:16,634 ME? YES. 377 00:22:16,669 --> 00:22:18,736 WOMEN! 378 00:22:29,749 --> 00:22:32,249 NEVER MIND. 379 00:23:38,718 --> 00:23:40,651 [ GLASS SHATTERS ] 380 00:23:42,588 --> 00:23:44,922 [ GAS HISSING ] 381 00:24:04,844 --> 00:24:07,011 [ KNOCK ON DOOR ] 382 00:24:07,046 --> 00:24:09,380 JUST A MOMENT. 383 00:24:12,485 --> 00:24:16,487 YOU LIE VERY STILL, DODIE, AND LET THE PARAFFIN HARDEN. 384 00:24:20,793 --> 00:24:22,493 YES? 385 00:24:22,528 --> 00:24:26,197 I'M DETECTIVE SERGEANT KENNEDY. MAY WE SEE MISS WILSON? 386 00:24:26,232 --> 00:24:28,933 DAVE? MARSH? 387 00:24:28,968 --> 00:24:31,435 YES, DODIE. MAY WE COME IN? 388 00:24:31,471 --> 00:24:33,804 W-WAIT JUST A MINUTE. 389 00:24:33,840 --> 00:24:35,873 UH...DOCTOR? 390 00:24:36,976 --> 00:24:38,776 EXCUSE ME. 391 00:24:43,583 --> 00:24:45,316 YES, DODIE? 392 00:24:45,351 --> 00:24:49,086 PLEASE, TURN THE LIGHT AWAY FROM ME. 393 00:24:51,491 --> 00:24:53,657 YOU MAY COME IN NOW. 394 00:25:06,606 --> 00:25:08,639 JUST A FEW MOMENTS, PLEASE. 395 00:25:08,674 --> 00:25:11,642 SHE NEEDS ALL OF THE REST THAT SHE CAN GET. 396 00:25:14,547 --> 00:25:17,047 HI, YOU TWO. 397 00:25:17,083 --> 00:25:18,983 DODIE. 398 00:25:19,018 --> 00:25:21,352 THEY TELL ME I'LL LIVE. 399 00:25:23,089 --> 00:25:26,957 WELL, THEY CAN DO WONDERS NOW, DODIE, PERFORM MIRACLES. 400 00:25:26,993 --> 00:25:30,694 I KNOW. THE DOCTOR SAID... 401 00:25:30,730 --> 00:25:33,364 [ Voice breaking ] OH, DAVE, WHAT HAPPENED? 402 00:25:33,399 --> 00:25:36,133 TELL ME WHAT HAPPENED LAST NIGHT. 403 00:25:36,168 --> 00:25:37,968 I WAS HOPING YOU COULD TELL US. 404 00:25:38,004 --> 00:25:40,104 I DON'T KNOW. 405 00:25:41,140 --> 00:25:44,808 I WENT HOME, AND I GOT READY FOR BED. 406 00:25:44,844 --> 00:25:47,978 I WENT INTO THE BATHROOM TO WASH MY FACE, 407 00:25:48,014 --> 00:25:50,447 AND THAT'S ALL I CAN REMEMBER. 408 00:25:50,483 --> 00:25:52,149 NOTHING ELSE? 409 00:25:52,184 --> 00:25:54,518 THERE WAS NO ONE THERE WITH YOU? 410 00:25:54,554 --> 00:25:56,820 NO, I WAS ALONE. 411 00:25:56,856 --> 00:25:59,523 WHO WOULD'VE BEEN WITH ME, DAVE? 412 00:25:59,559 --> 00:26:01,559 BUT THE SULFURIC ACID... 413 00:26:01,594 --> 00:26:04,328 THAT'S WHAT I CAN'T FIGURE OUT. 414 00:26:04,363 --> 00:26:07,698 DODIE, THE PAIN MUST'VE BEEN HORRIBLE. 415 00:26:07,733 --> 00:26:10,434 I DIDN'T FEEL ANYTHING, MARCIA. 416 00:26:10,469 --> 00:26:13,704 OH, DAVE, MARCIA! IF I COULD ONLY REMEMBER! 417 00:26:13,739 --> 00:26:16,140 IF I COULD JUST REMEMBER! 418 00:26:16,175 --> 00:26:18,208 [ CRYING ] 419 00:26:19,979 --> 00:26:22,413 WE'LL COME BACK TOMORROW, DODIE. 420 00:26:22,448 --> 00:26:24,648 ALL RIGHT. 421 00:26:31,257 --> 00:26:32,957 DAVE? 422 00:26:32,992 --> 00:26:35,993 DAVE, FIND OUT HOW IT HAPPENED. 423 00:26:36,028 --> 00:26:39,163 I WILL, DODIE. I PROMISE. 424 00:26:39,198 --> 00:26:42,132 I PROMISE. 425 00:26:56,248 --> 00:26:59,717 WELL, I'VE GOT NOTHING TO GO ON -- NOTHING. 426 00:26:59,752 --> 00:27:03,921 NOT ONE OF THEM HAS ANY IDEA OF WHAT REALLY HAPPENED. 427 00:27:03,956 --> 00:27:05,889 THEY ALL TELL THE SAME STORY. 428 00:27:05,925 --> 00:27:08,459 THEY WERE PUTTING LOTION ON THEIR FACES, 429 00:27:08,494 --> 00:27:10,494 WASHING THEIR HAIR, TAKING A BATH, 430 00:27:10,529 --> 00:27:12,830 AND THEY WERE ALL ALONE WHEN IT HAPPENED. 431 00:27:12,865 --> 00:27:14,865 JUST DOESN'T FIGURE. 432 00:27:14,900 --> 00:27:17,301 DODIE WOULDN'T HAVE DONE IT HERSELF. 433 00:27:17,336 --> 00:27:18,769 SHE COULDN'T HAVE. 434 00:27:18,804 --> 00:27:22,406 NONE OF THEM COULD HAVE, BUT THEY OBVIOUSLY DID. 435 00:27:22,441 --> 00:27:23,440 WHY? 436 00:27:23,476 --> 00:27:25,409 WHO OR WHAT WOULD'VE MADE THEM DO IT? 437 00:27:25,444 --> 00:27:28,112 MARSH, DODIE WAS WITH US ALL LAST NIGHT. 438 00:27:28,147 --> 00:27:29,647 YES, I KNOW IT. 439 00:27:29,682 --> 00:27:32,282 BUT DODIE WAS HYPNOTIZED. 440 00:27:32,318 --> 00:27:33,851 AND YOU THINK WHAT SHE DID 441 00:27:33,886 --> 00:27:36,654 HAD SOME CONNECTION WITH HER BEING HYPNOTIZED? 442 00:27:36,689 --> 00:27:38,455 WELL, NOTHING ELSE MAKES SENSE. 443 00:27:38,491 --> 00:27:41,425 BUT DODIE WASN'T HYPNOTIZED. SHE WAS JUST PLAYING ALONG. 444 00:27:41,460 --> 00:27:43,460 SHE WAS HYPNOTIZED, DAVE. I KNOW IT. 445 00:27:43,496 --> 00:27:45,696 MARSH, LET'S GET SOMETHING TO EAT. 446 00:27:45,731 --> 00:27:47,264 I'M NOT HUNGRY. 447 00:27:47,299 --> 00:27:48,866 AND DON'T CHANGE THE SUBJECT. 448 00:27:48,901 --> 00:27:50,167 ARE YOU TRYING TO TELL ME 449 00:27:50,202 --> 00:27:52,202 THAT THERE'S NO SUCH THING AS HYPNOSIS? 450 00:27:52,238 --> 00:27:53,570 OF COURSE NOT. 451 00:27:53,606 --> 00:27:55,906 I KNOW THAT HYPNOSIS IS VALUABLE IN MEDICINE AND DENTISTRY 452 00:27:55,941 --> 00:27:57,775 AS AN ANESTHETIC. YES. 453 00:27:57,810 --> 00:27:59,843 AND DODIE DIDN'T FEEL ANYTHING WHEN SHE PUT THE -- 454 00:27:59,879 --> 00:28:03,080 ALL RIGHT, MARCIA. LET'S ASSUME THAT DODIE WAS HYPNOTIZED. 455 00:28:03,115 --> 00:28:04,481 THEN WHAT? 456 00:28:04,517 --> 00:28:06,583 WHAT DO YOU MEAN, THEN WHAT? 457 00:28:06,619 --> 00:28:08,619 WELL, YOU HAVE A HUNCH THAT WHAT HAPPENED 458 00:28:08,654 --> 00:28:10,521 IS TIED IN WITH HER BEING HYPNOTIZED. 459 00:28:10,556 --> 00:28:12,556 ALL RIGHT, IF THIS IS TRUE, I HAVE ONE QUESTION. 460 00:28:12,591 --> 00:28:13,590 WHAT'S THAT? 461 00:28:13,626 --> 00:28:15,325 WHY WOULD THIS HYPNOTIST, DESMOND, 462 00:28:15,361 --> 00:28:16,860 A COMPLETE STRANGER TO DODIE, 463 00:28:16,896 --> 00:28:19,063 HYPNOTIZE HER AND HAVE HER DISFIGURE HERSELF? 464 00:28:25,304 --> 00:28:27,204 [ RADIO BUZZING ] 465 00:28:39,018 --> 00:28:40,751 227. OVER. 466 00:28:40,786 --> 00:28:43,153 MAN: At the Soto Street bridge -- a jumper. 467 00:28:43,189 --> 00:28:45,089 Dr. Hecht requests your help. 468 00:28:45,124 --> 00:28:47,124 OKAY, I'M ROLLING. 469 00:28:47,159 --> 00:28:48,959 MARCIA, I GOT TO -- YES, I HEARD. 470 00:28:48,994 --> 00:28:50,728 WILL I SEE YOU LATER? PROBABLY. 471 00:28:50,763 --> 00:28:52,896 I'LL DROP YOU OFF AT YOUR PLACE. GET IN. 472 00:28:52,932 --> 00:28:54,798 ALL RIGHT. 473 00:28:56,202 --> 00:28:57,768 BUT NOT MY PLACE. 474 00:28:57,803 --> 00:28:59,570 I'LL SHOW YOU WHERE. 475 00:28:59,605 --> 00:29:01,638 [ ENGINE TURNS OVER ] 476 00:29:11,817 --> 00:29:14,585 LOOK, IF YOU'RE THROUGH WITHIN THE NEXT COUPLE OF HOURS, 477 00:29:14,620 --> 00:29:15,753 PICK ME UP. 478 00:29:15,788 --> 00:29:17,921 OTHERWISE, I'LL SEE YOU AT MY APARTMENT, ALL RIGHT? 479 00:29:24,563 --> 00:29:26,830 DON'T WORRY. 480 00:29:35,374 --> 00:29:37,207 [ CAR DOOR CLOSES ] 481 00:29:43,883 --> 00:29:46,817 Desmond: NOW I NEED ONE MORE YOUNG LADY. 482 00:29:48,854 --> 00:29:51,488 LET'S SEE. 483 00:29:51,524 --> 00:29:54,525 [ SPECTATORS MURMURING ] 484 00:30:08,808 --> 00:30:11,408 THE YOUNG LADY IN THE THIRD ROW, PLEASE. 485 00:30:11,443 --> 00:30:15,279 THAT'S RIGHT. WILL YOU PLEASE COME RIGHT UP? 486 00:30:15,314 --> 00:30:16,380 THANK YOU. 487 00:30:16,415 --> 00:30:18,615 [ SPECTATORS MURMURING ] 488 00:30:22,855 --> 00:30:25,989 I'M VERY HAPPY TO MEET YOU. 489 00:30:26,025 --> 00:30:27,958 THANK YOU VERY MUCH FOR COMING. 490 00:30:27,993 --> 00:30:31,628 WILL YOU PLEASE STEP RIGHT OVER HERE? 491 00:30:31,664 --> 00:30:34,131 THANK YOU. 492 00:30:34,166 --> 00:30:38,468 I THINK YOU WILL MAKE A MARVELOUS SUBJECT. 493 00:30:38,504 --> 00:30:41,805 HAVE YOU EVER BEEN HYPNOTIZED? 494 00:30:41,841 --> 00:30:43,540 NO. 495 00:30:43,576 --> 00:30:44,875 FINE. 496 00:30:44,910 --> 00:30:46,343 RELAX. 497 00:30:46,378 --> 00:30:48,545 JUST RELAX. 498 00:30:48,581 --> 00:30:50,681 BE YOURSELF. 499 00:30:50,716 --> 00:30:56,119 YOU WILL DO EXACTLY AS I TELL YOU. 500 00:30:56,155 --> 00:30:59,990 NOW HEAR NOTHING BUT MY VOICE. 501 00:31:00,025 --> 00:31:03,060 JUST RELAX. 502 00:31:04,196 --> 00:31:05,262 LOOK HERE. 503 00:31:10,936 --> 00:31:13,136 NOW CLOSE YOUR EYES. 504 00:31:13,172 --> 00:31:18,075 IN A FEW SECONDS, YOU WILL BE IN A DEEP SLEEP. 505 00:31:18,110 --> 00:31:21,545 CLOSE YOUR EYES. THAT'S RIGHT. 506 00:31:21,580 --> 00:31:25,549 NO, NO, DO NOT FIGHT. DO NOT FIGHT. 507 00:31:25,584 --> 00:31:27,351 RELAX. 508 00:31:27,386 --> 00:31:29,953 JUST RELAX. 509 00:31:31,190 --> 00:31:34,124 HE DID IT. I'M SURE HE DID IT. 510 00:31:34,159 --> 00:31:37,427 WHAT DO YOU MEAN YOU'RE SURE? HOW COULD YOU BE SURE? 511 00:31:37,463 --> 00:31:39,096 WELL, BECAUSE I... 512 00:31:39,131 --> 00:31:40,631 COFFEE'S ON. 513 00:31:40,666 --> 00:31:41,865 AH. FINE. 514 00:31:41,901 --> 00:31:43,867 PHIL, I JUST LOVE YOUR APARTMENT. 515 00:31:43,903 --> 00:31:45,969 THANK YOU. I'M GLAD YOU DO. 516 00:31:46,005 --> 00:31:50,107 NOW, MARCIA, WILL YOU TELL US WHAT HAPPENED? 517 00:31:50,142 --> 00:31:54,478 WELL, WHEN HE ASKED FOR THREE VOLUNTEERS FROM THE AUDIENCE, 518 00:31:54,513 --> 00:31:57,114 I RAISED MY HAND, JUST AS DODIE DID LAST NIGHT. 519 00:31:57,149 --> 00:31:59,116 AND DESMOND'S NO FAKE. 520 00:31:59,151 --> 00:32:01,184 HE DOESN'T USE STOOGES. 521 00:32:01,220 --> 00:32:03,320 HE REALLY CAN HYPNOTIZE. 522 00:32:03,355 --> 00:32:04,588 YOU'RE RIGHT, MARCIA. 523 00:32:04,623 --> 00:32:06,490 THEN HOW DID HE DO IT SO FAST? 524 00:32:06,525 --> 00:32:08,425 I THOUGHT IT TOOK MUCH LONGER. 525 00:32:08,460 --> 00:32:10,694 HE USES A TECHNIQUE THAT'S LIGHTNING FAST 526 00:32:10,729 --> 00:32:12,095 BUT VERY DANGEROUS. 527 00:32:12,131 --> 00:32:14,498 DANGEROUS? YES. 528 00:32:14,533 --> 00:32:16,233 THEN HOW DID MARCIA RESIST? 529 00:32:16,268 --> 00:32:18,535 WELL, WHEN I BEGAN TO FEEL DIZZY, 530 00:32:18,570 --> 00:32:22,005 I SHUT MY EYES AND PRETENDED TO BE GOING OFF TO SLEEP. 531 00:32:23,842 --> 00:32:26,476 WHEN I SAW THAT EYE, I NEARLY DID GO UNDER. 532 00:32:26,512 --> 00:32:28,412 WHAT EYE? 533 00:32:28,447 --> 00:32:30,480 HE USES A REAL EYE. 534 00:32:30,516 --> 00:32:33,216 WHEN HE PASSES HIS HAND ACROSS IN FRONT OF YOUR FACE, 535 00:32:33,252 --> 00:32:34,918 HE'S HOLDING AN EYE. 536 00:32:34,954 --> 00:32:38,188 AND THERE'S A WEIRD, FRIGHTENING, COMPELLING LIGHT 537 00:32:38,223 --> 00:32:39,523 THAT COMES FROM IT. 538 00:32:39,558 --> 00:32:42,459 IT -- IT SEEMS TO DRAW YOU INTO IT. 539 00:32:42,494 --> 00:32:44,328 I DIDN'T SEE ANY LIGHT. 540 00:32:44,363 --> 00:32:46,363 [ SIGHS ] OF COURSE YOU WOULDN'T. 541 00:32:46,398 --> 00:32:48,131 IT FACES AWAY FROM THE AUDIENCE. 542 00:32:48,167 --> 00:32:50,801 OH, SAY, WHAT TIME IS IT? 543 00:32:50,836 --> 00:32:52,035 11:30, WHY? 544 00:32:52,071 --> 00:32:53,837 OH, I'VE GOT A DATE. 545 00:32:53,872 --> 00:32:55,172 YOU WHAT? 546 00:32:55,207 --> 00:32:56,907 I'VE GOT A DATE. 547 00:32:56,942 --> 00:32:59,109 THAT'S WHAT I'VE BEEN LEADING UP TO. 548 00:32:59,144 --> 00:33:01,011 WHILE I WAS ON THE STAGE, 549 00:33:01,046 --> 00:33:03,347 DESMOND WHISPERED SOMETHING IN MY EAR. 550 00:33:03,382 --> 00:33:04,614 WHAT? 551 00:33:04,650 --> 00:33:06,750 HE TOLD ME THAT WHEN I AWAKENED, 552 00:33:06,785 --> 00:33:08,986 I WOULDN'T REMEMBER ANYTHING THAT HAPPENED 553 00:33:09,021 --> 00:33:10,821 WHILE I WAS HYPNOTIZED 554 00:33:10,856 --> 00:33:14,758 BUT THAT I WAS TO GO BACKSTAGE TO HIS DRESSING ROOM 555 00:33:14,793 --> 00:33:15,892 AT MIDNIGHT. 556 00:33:15,928 --> 00:33:17,594 WHY, THAT... 557 00:33:17,629 --> 00:33:21,098 THAT DOESN'T PROVE ANYTHING EXCEPT THAT HE LIKES GIRLS. 558 00:33:21,133 --> 00:33:24,334 YES, BUT WHAT IF HE WHISPERED THE SAME THING TO DODIE? 559 00:33:24,370 --> 00:33:27,404 BUT WE SAW DODIE GET INTO A CAB OURSELVES. 560 00:33:27,439 --> 00:33:29,139 YES. 561 00:33:29,174 --> 00:33:32,242 BUT DID SHE GO HOME, OR DID SHE GO BACK TO SEE DESMOND? 562 00:33:32,277 --> 00:33:34,011 YOU KNOW DODIE WELL ENOUGH 563 00:33:34,046 --> 00:33:36,146 TO KNOW THAT SHE WOULDN'T HAVE GONE BACK. 564 00:33:36,181 --> 00:33:37,948 IF SHE HAD REALLY BEEN HYPNOTIZED, 565 00:33:37,983 --> 00:33:40,617 SHE COULDN'T HAVE RESISTED A POSTHYPNOTIC SUGGESTION. 566 00:33:42,054 --> 00:33:44,321 AND NEITHER CAN I. 567 00:33:44,356 --> 00:33:48,258 I WANT TO FIND OUT WHAT HAPPENS IN THAT DRESSING ROOM. 568 00:33:48,293 --> 00:33:49,826 BUT IF HE'S WHAT YOU THINK HE IS -- 569 00:33:49,862 --> 00:33:51,395 WAIT A MINUTE, PHIL. 570 00:33:51,430 --> 00:33:54,031 MAYBE SHE SHOULD. 571 00:33:54,066 --> 00:33:56,767 SHALL WE GO, GENTLEMEN? 572 00:33:56,802 --> 00:33:58,835 [ SUSPENSEFUL MUSIC PLAYS ] 573 00:34:13,118 --> 00:34:15,619 [ FOOTSTEPS APPROACH ] 574 00:34:25,197 --> 00:34:27,130 [ EERIE MUSIC PLAYS ] 575 00:35:01,100 --> 00:35:03,033 [ CAT YOWLING ] 576 00:35:35,868 --> 00:35:38,135 [ KNOCK ON DOOR ] 577 00:35:38,170 --> 00:35:40,437 Desmond: COME IN. 578 00:35:40,472 --> 00:35:42,472 COME IN. 579 00:35:46,345 --> 00:35:48,879 MAKE YOURSELF AT HOME. 580 00:35:53,218 --> 00:35:55,352 SIT DOWN. 581 00:35:55,387 --> 00:35:57,654 I WILL BE ONLY A MOMENT. 582 00:36:38,530 --> 00:36:41,731 JUST RELAX. 583 00:36:43,035 --> 00:36:44,901 SIT DOWN. 584 00:36:44,937 --> 00:36:47,170 RELAX. 585 00:37:04,289 --> 00:37:08,058 ISN'T IT PLEASANT... 586 00:37:08,093 --> 00:37:10,660 TO SLEEP? 587 00:37:18,237 --> 00:37:20,170 TO SLEEP... 588 00:37:33,252 --> 00:37:38,121 DEEPER AND DEEPER IN SLEEP. 589 00:37:39,524 --> 00:37:41,491 GOOD EVENING. 590 00:37:41,526 --> 00:37:44,194 NO, NO, DON'T WAKE UP. 591 00:37:44,229 --> 00:37:48,898 DO NOT WAKE UP UNTIL I TELL YOU TO. 592 00:37:48,934 --> 00:37:55,939 EVEN THOUGH YOUR EYES ARE OPEN, YOU ARE STILL ASLEEP. 593 00:37:55,974 --> 00:37:57,874 [ BOX CLOSES ] 594 00:37:59,778 --> 00:38:03,179 NOW OPEN YOUR EYES. 595 00:38:04,516 --> 00:38:06,349 COME ON. 596 00:38:08,654 --> 00:38:11,688 AH. THEY ARE BEAUTIFUL. 597 00:38:11,723 --> 00:38:14,557 BEAUTIFUL BLUE EYES. 598 00:38:16,461 --> 00:38:19,229 BUT THEY HAVE NO LIFE, NO VITALITY. 599 00:38:19,264 --> 00:38:21,631 [ SIGHS ] THAT WILL NEVER DO. 600 00:38:21,667 --> 00:38:24,634 NOW, COME ON. BE YOURSELF. 601 00:38:29,508 --> 00:38:31,875 AH. THAT'S BETTER. 602 00:38:31,910 --> 00:38:33,843 THAT'S BETTER. 603 00:38:33,879 --> 00:38:40,050 NOW YOU MUST ACT JUST AS YOU DO WHEN YOU ARE AWAKE, HUH? 604 00:38:40,085 --> 00:38:41,885 ALL RIGHT. 605 00:38:41,920 --> 00:38:47,223 NOW YOU WILL DO EXACTLY AS I TELL YOU. 606 00:38:48,960 --> 00:38:50,894 GET UP. 607 00:38:56,568 --> 00:38:58,168 GOOD EVENING. 608 00:38:58,203 --> 00:39:00,837 IT IS VERY NICE OF YOU TO COME AND SEE ME. 609 00:39:00,872 --> 00:39:02,906 DID I KEEP YOU WAITING? 610 00:39:02,941 --> 00:39:05,008 I AM DESMOND. 611 00:39:05,043 --> 00:39:07,177 I AM MARCIA BLANE. 612 00:39:07,212 --> 00:39:09,279 I'M DELIGHTED TO MEET YOU. 613 00:39:09,314 --> 00:39:11,715 WOULD YOU LIKE TO HAVE DINNER WITH ME? 614 00:39:11,750 --> 00:39:14,084 I'D LOVE IT. I'M FAMISHED. 615 00:39:14,119 --> 00:39:16,353 GOOD. 616 00:39:16,388 --> 00:39:19,422 WHERE DO YOU LIVE, MARCIA? 617 00:39:19,458 --> 00:39:20,890 1513 REXFORD. 618 00:39:20,926 --> 00:39:22,859 HMM. 619 00:39:22,894 --> 00:39:25,195 [ SUSPENSEFUL MUSIC PLAYS ] 620 00:39:54,159 --> 00:39:55,225 'NIGHT. 621 00:40:02,300 --> 00:40:04,234 [ CAR DOOR CLOSES ] 622 00:40:10,776 --> 00:40:13,343 [ ENGINE TURNS OVER ] 623 00:40:13,378 --> 00:40:21,050 WITH SUCH A MAGNIFICENT... 624 00:40:21,086 --> 00:40:29,826 WITH A HYPNOTIC EYE 625 00:40:29,861 --> 00:40:34,864 626 00:40:34,900 --> 00:40:37,467 WILL START 627 00:40:37,502 --> 00:40:39,068 VERY GOOD. VERY GOOD. 628 00:40:39,104 --> 00:40:47,343 AND I KISS MY HEART GOODBYE 629 00:40:47,379 --> 00:40:50,146 630 00:40:55,821 --> 00:40:58,221 [ SMOOTH JAZZ PLAYS ] 631 00:41:24,316 --> 00:41:28,218 I HAVE JUST WRITTEN A POEM. 632 00:41:29,621 --> 00:41:31,387 LET ME HEAR THAT BEAT, MAN. 633 00:41:31,423 --> 00:41:33,289 [ VOLUME INCREASES ] 634 00:41:33,325 --> 00:41:35,925 THAT'S THE BEATEST BEAT. 635 00:41:37,162 --> 00:41:45,068 "CONFESSIONS OF A MOVIE ADDICT" OR "THE HOLY BARBARIAN BLUES." 636 00:41:47,873 --> 00:41:52,141 "I WAS A TEENAGE MOVIE MONSTER. 637 00:41:52,177 --> 00:41:56,212 "I CUT MY TEETH ON CLARA BOW. 638 00:41:56,248 --> 00:41:59,682 "I DUG RUDOLPH VALENTINO. 639 00:41:59,718 --> 00:42:05,522 "I WAS HOOKED ON ALL THE VAMPIRE MOVIE QUEENS. 640 00:42:05,557 --> 00:42:10,426 "I RODE WITH A POSSE AND CUT THEM OFF AT THE PASS. 641 00:42:10,462 --> 00:42:16,499 "I WAS THRILLED BY 'THE THING FROM OUTER SPACE.' 642 00:42:16,535 --> 00:42:19,669 MAN, I WAS A MESS." 643 00:42:21,339 --> 00:42:25,475 "THEN I WAS TURNED ON BY SHAKESPEARE, 644 00:42:25,510 --> 00:42:30,680 "PLATO, ARISTOTLE, EDGAR GUEST. 645 00:42:30,715 --> 00:42:35,585 "I SAW 'CHARLEY'S AUNT' IN THE ORIGINAL, UNCUT VERSION. 646 00:42:35,620 --> 00:42:38,755 CRAZY, MAN, CRAZY." 647 00:42:41,159 --> 00:42:49,332 "ONE DAY, I WONDERED DRUNK, DAZED, WILD-EYED 648 00:42:49,367 --> 00:42:52,468 "INTO AN ART-MOVIE HOUSE -- 649 00:42:52,504 --> 00:42:57,707 "YOU KNOW, BLUE SMOCKS WITH SUBTITLES. 650 00:42:57,742 --> 00:43:01,144 "NOW I'M COOL, MAN, COOL. 651 00:43:01,179 --> 00:43:03,179 "I'VE KICKED THE MOVIE HABIT. 652 00:43:03,214 --> 00:43:07,584 "I'M OFF TO MAKE THE INTERSTELLAR SCENE. 653 00:43:07,619 --> 00:43:09,752 "ALOHA. 654 00:43:09,788 --> 00:43:12,255 "DO SVIDANIYA. 655 00:43:12,290 --> 00:43:14,090 "AU REVOIR. 656 00:43:14,125 --> 00:43:15,758 "GOODBYE. 657 00:43:15,794 --> 00:43:17,860 "LATER, MAN. 658 00:43:17,896 --> 00:43:19,829 LATER." 659 00:43:19,864 --> 00:43:21,531 [ TEMPO QUICKENS, MUSIC ENDS ] 660 00:43:21,566 --> 00:43:24,467 [ APPLAUSE ] 661 00:43:27,405 --> 00:43:29,405 [ INDISTINCT TALKING ] 662 00:43:32,444 --> 00:43:34,544 [ SMOOTH JAZZ PLAYS ] 663 00:44:17,989 --> 00:44:19,088 I'VE HAD IT. 664 00:44:19,124 --> 00:44:20,890 THAT'S THE LAST STRAW. 665 00:44:20,925 --> 00:44:23,660 SHE'S -- SHE'S HAVING THE TIME OF HER LIFE. 666 00:44:23,695 --> 00:44:24,994 TAKE IT EASY, DAVE. 667 00:45:00,598 --> 00:45:02,398 THANK YOU. 668 00:46:01,926 --> 00:46:04,560 LOOK, PHIL, THIS HAS GONE FAR ENOUGH. 669 00:46:04,596 --> 00:46:07,130 LET'S GIVE THEM A FEW MORE MINUTES. 670 00:46:07,165 --> 00:46:10,366 IT DOESN'T LOOK LIKE HE'LL NEED THAT MUCH TIME. 671 00:46:10,401 --> 00:46:12,401 [ SUSPENSEFUL MUSIC PLAYS ] 672 00:47:26,177 --> 00:47:28,044 Justine: DESMOND. 673 00:47:28,079 --> 00:47:30,146 DESMOND. 674 00:47:30,181 --> 00:47:32,215 THERE ISN'T MUCH TIME. 675 00:47:33,551 --> 00:47:35,218 IT'S A PITY. 676 00:47:43,962 --> 00:47:46,195 GOOD NIGHT. 677 00:47:46,231 --> 00:47:48,397 OH, NO, MARCIA. 678 00:47:48,433 --> 00:47:50,499 YOU STAY. 679 00:47:50,535 --> 00:47:52,201 STAY ASLEEP. 680 00:47:53,872 --> 00:47:56,138 STAY ASLEEP... 681 00:47:56,174 --> 00:48:02,845 DEEPLY...DEEPLY...ASLEEP. 682 00:48:05,149 --> 00:48:06,282 HOW MANY MORE? 683 00:48:06,317 --> 00:48:10,386 AS LONG AS THERE ARE FACES LIKE THIS. 684 00:48:22,333 --> 00:48:25,001 [ EERIE MUSIC PLAYS ] 685 00:48:25,036 --> 00:48:27,270 OPEN YOUR EYES. 686 00:48:30,541 --> 00:48:33,676 WHEN YOUR EYES LOOK INTO THE MIRROR, 687 00:48:33,711 --> 00:48:36,279 THEY SEE NOTHING BUT BEAUTY. 688 00:48:36,314 --> 00:48:38,014 IT'S LATE, MARCIA. 689 00:48:38,049 --> 00:48:40,783 YOU MUST GET READY FOR BED. 690 00:49:06,377 --> 00:49:07,576 LET'S GET OUT OF HERE. 691 00:49:07,612 --> 00:49:09,745 DON'T YOU THINK WE'D BETTER WAIT AND SEE WHAT MARCIA -- 692 00:49:09,781 --> 00:49:11,180 WHAT ELSE IS THERE TO SEE? 693 00:49:11,215 --> 00:49:13,082 I'LL DROP YOU OFF AT YOUR PLACE. 694 00:49:13,117 --> 00:49:14,951 IF I WERE YOU, I'D BE UP THERE WITH HER. 695 00:49:23,661 --> 00:49:26,562 I'VE TURNED ON THE SHOWER FOR YOU, MARCIA. 696 00:49:26,597 --> 00:49:29,365 YOU MUST TAKE YOUR SHOWER. 697 00:49:29,400 --> 00:49:33,436 YOU MUSTN'T NEGLECT THAT PERFECT SKIN. 698 00:49:37,976 --> 00:49:41,344 GET READY FOR YOUR SHOWER, MARCIA. 699 00:49:41,379 --> 00:49:45,247 YOU MUST TAKE YOUR SHOWER. 700 00:49:53,658 --> 00:49:55,925 IT'S FINE. 701 00:49:57,228 --> 00:49:59,428 IT'S FINE. 702 00:50:08,973 --> 00:50:11,707 GET INTO THE SHOWER, MARCIA. 703 00:50:12,810 --> 00:50:17,513 GET INTO THE COOL, COOL SHOWER. 704 00:50:21,753 --> 00:50:24,820 GET INTO THE SHOWER, MARCIA. 705 00:50:24,856 --> 00:50:27,056 [ RAPID KNOCKING ON DOOR ] 706 00:50:29,527 --> 00:50:32,161 MARSH! MARCIA, LET ME IN! 707 00:50:32,196 --> 00:50:33,362 WHO'S THAT? 708 00:50:33,398 --> 00:50:34,663 DAVE. 709 00:50:45,143 --> 00:50:47,510 STAY ASLEEP. 710 00:50:47,545 --> 00:50:50,079 DO NOT MOVE. 711 00:50:50,114 --> 00:50:52,481 STAY ASLEEP... 712 00:50:52,517 --> 00:50:56,118 DEEPLY ASLEEP. 713 00:51:08,866 --> 00:51:11,133 COMING, DAVE. 714 00:51:15,106 --> 00:51:18,107 MARSH? 715 00:51:18,142 --> 00:51:19,408 WHO ARE YOU? 716 00:51:19,444 --> 00:51:21,577 MARCIA'S IN THE SHOWER. 717 00:51:21,612 --> 00:51:26,649 MY NAME IS JUSTINE. I'M VISITING HER FOR A FEW DAYS. 718 00:51:26,684 --> 00:51:29,618 OH, I WENT TO SCHOOL WITH MARCIA. 719 00:51:29,654 --> 00:51:31,887 WE WERE ROOMMATES. 720 00:51:31,923 --> 00:51:34,323 TELL MARCIA I'D LIKE TO SEE HER. 721 00:51:34,358 --> 00:51:36,392 SHE'S IN THE SHOWER, DAVE. 722 00:51:36,427 --> 00:51:38,194 WELL, IF YOU'LL OPEN THE DOOR, 723 00:51:38,229 --> 00:51:40,362 I'LL WAIT FOR HER IN THE LIVING ROOM. 724 00:51:41,866 --> 00:51:45,401 YOU'LL HAVE TO WAIT A SECOND. I'M NOT DRESSED. 725 00:51:55,813 --> 00:51:59,148 MARCIA, IN A FEW MOMENTS, I WILL WAKE YOU. 726 00:51:59,183 --> 00:52:03,085 YOU'LL REMEMBER NOTHING ABOUT WHAT HAS HAPPENED TONIGHT, 727 00:52:03,121 --> 00:52:05,421 BUT YOU WILL REMEMBER ME. 728 00:52:05,456 --> 00:52:08,124 MY NAME IS JUSTINE. 729 00:52:09,427 --> 00:52:11,861 WE WERE ROOMMATES IN SCHOOL. 730 00:52:11,896 --> 00:52:13,996 WE'RE OLD FRIENDS. 731 00:52:15,066 --> 00:52:18,601 I'M STAYING WITH YOU FOR A FEW DAYS. 732 00:52:18,636 --> 00:52:22,071 GET RID OF DAVE AS FAST AS YOU CAN. 733 00:52:22,106 --> 00:52:24,440 DO YOU UNDERSTAND? 734 00:52:25,743 --> 00:52:27,109 YES. 735 00:52:28,179 --> 00:52:32,248 WHEN I COUNT TO THREE, YOU WILL AWAKEN. 736 00:52:33,484 --> 00:52:37,820 ONE, TWO, THREE. 737 00:52:55,439 --> 00:52:57,239 MARCIA! 738 00:52:59,143 --> 00:53:00,576 OH, IT'S YOU, DAVE. 739 00:53:00,611 --> 00:53:02,178 ISN'T IT RATHER LATE? 740 00:53:02,213 --> 00:53:05,781 MARSH. YOU KNEW I WAS COMING. 741 00:53:05,816 --> 00:53:07,683 YES, OF COURSE. 742 00:53:07,718 --> 00:53:09,518 I WAS JUST TAKING A SHOWER. 743 00:53:12,290 --> 00:53:15,858 THE GIRL WHO ANSWERED THE DOOR... 744 00:53:15,893 --> 00:53:17,359 WHO WAS SHE? 745 00:53:18,563 --> 00:53:20,029 JUSTINE? 746 00:53:20,064 --> 00:53:22,831 SHE'S AN OLD FRIEND OF MINE. 747 00:53:22,867 --> 00:53:26,001 SHE'S STAYING WITH ME FOR A FEW DAYS. 748 00:53:26,037 --> 00:53:29,238 WE WERE ROOMMATES IN SCHOOL. 749 00:53:29,273 --> 00:53:31,106 ROOMMATES? 750 00:53:31,142 --> 00:53:33,209 WHAT SCHOOL? 751 00:53:33,244 --> 00:53:35,077 YOU DIDN'T GO TO BOARDING SCHOOL. 752 00:53:35,112 --> 00:53:36,879 YOU WENT TO PUBLIC SCHOOL. 753 00:53:36,914 --> 00:53:39,315 DON'T BE SILLY, DAVE. 754 00:53:39,350 --> 00:53:42,451 I OUGHT TO KNOW WHAT SCHOOL I WENT TO. 755 00:53:42,486 --> 00:53:45,154 MARSH, WHAT'S THE MATTER? 756 00:53:45,189 --> 00:53:48,090 WHAT HAPPENED BETWEEN YOU AND DESMOND? 757 00:53:48,125 --> 00:53:51,060 WHAT HAPPENED WHEN YOU WENT BACKSTAGE? 758 00:53:51,095 --> 00:53:52,561 NOTHING. 759 00:53:54,265 --> 00:53:56,832 HE'S A VERY PLEASANT MAN. 760 00:53:56,867 --> 00:54:02,805 HE'S...VERY CHARMING, VERY ATTRACTIVE. 761 00:54:02,840 --> 00:54:05,708 WHAT DO YOU MEAN CHARMING, ATTRACTIVE? 762 00:54:05,743 --> 00:54:08,677 DON'T YOU REMEMBER WHY YOU WENT BACK TO SEE HIM 763 00:54:08,713 --> 00:54:12,281 IN THE FIRST PLACE -- DODIE, YOUR THEORY? 764 00:54:15,853 --> 00:54:17,453 OH, YES. 765 00:54:17,488 --> 00:54:20,756 WELL, I WAS WRONG, OBVIOUSLY. 766 00:54:20,791 --> 00:54:23,959 MARCIA, SOMETHING'S WRONG. 767 00:54:23,995 --> 00:54:25,894 WHERE'S JUSTINE? 768 00:54:31,135 --> 00:54:33,002 NO, DAVE. DON'T GO IN THERE. 769 00:54:33,037 --> 00:54:34,503 [ KNOCK ON DOOR ] 770 00:54:34,538 --> 00:54:36,538 JUSTINE. 771 00:54:36,574 --> 00:54:38,307 DAVE! 772 00:54:54,859 --> 00:54:57,192 SHE'S GONE. 773 00:54:57,228 --> 00:54:59,328 [ SIGHS ] 774 00:55:01,365 --> 00:55:03,899 OH, DAVE, DAVE. 775 00:55:03,934 --> 00:55:05,134 MARCIA. 776 00:55:16,614 --> 00:55:19,181 [ "HYPNOTIC EYE" THEME PLAYS ON PIANO ] 777 00:55:29,026 --> 00:55:30,559 [ DOORBELL RINGS ] 778 00:55:30,594 --> 00:55:32,227 COME IN. 779 00:55:37,935 --> 00:55:39,668 HOW'D YOU KNOW IT WAS ME? 780 00:55:39,704 --> 00:55:42,237 I WAS EXPECTING YOU. 781 00:55:42,273 --> 00:55:44,473 SOMETHING'S WRONG, PHIL. 782 00:55:44,508 --> 00:55:46,375 SOMETHING'S WRONG WITH MARCIA. 783 00:55:46,410 --> 00:55:48,711 I'M WORRIED. 784 00:55:48,746 --> 00:55:51,313 YOU WANT TO TELL ME ABOUT IT? 785 00:55:51,349 --> 00:55:53,982 WELL, MARCIA'S CHANGED. SHE'S DIFFERENT. 786 00:55:54,018 --> 00:55:56,852 I'VE NEVER SEEN HER LIKE SHE WAS LAST NIGHT. 787 00:55:56,887 --> 00:55:58,220 HOW DIFFERENT? 788 00:55:58,255 --> 00:56:00,422 OH, HALF CUP, PLEASE, MM? 789 00:56:00,458 --> 00:56:03,192 WELL, YOU SAW HOW MARCIA ACTED WITH DESMOND, 790 00:56:03,227 --> 00:56:04,526 HANGING ALL OVER HIM. 791 00:56:04,562 --> 00:56:06,762 YES, I SAW. AND THAT BOTHERS YOU? 792 00:56:06,797 --> 00:56:09,231 WELL, WOULDN'T THAT BOTHER YOU IF YOUR GIRL DID THAT? 793 00:56:09,266 --> 00:56:10,566 I GUESS IT WOULD... 794 00:56:10,601 --> 00:56:12,801 EVEN IF I KNEW MY GIRL HAD BEEN HYPNOTIZED 795 00:56:12,837 --> 00:56:14,703 AND DIDN'T KNOW WHAT SHE WAS DOING. 796 00:56:14,739 --> 00:56:17,005 YOU MEAN MARCIA WAS IN A TRANCE ALL THE TIME? 797 00:56:17,041 --> 00:56:18,340 MM-HMM. 798 00:56:18,376 --> 00:56:20,175 DID YOU NOTICE ANYTHING ELSE, 799 00:56:20,211 --> 00:56:22,411 ANYTHING THAT WAS UNUSUAL OR STRANGE? 800 00:56:22,446 --> 00:56:24,513 YEAH, I SURE DID. 801 00:56:24,548 --> 00:56:27,583 THERE WAS THIS GIRL THERE WITH MARCIA. 802 00:56:27,618 --> 00:56:31,086 MARCIA WAS IN THE SHOWER, AND THIS GIRL JUSTINE -- 803 00:56:31,122 --> 00:56:33,756 A REAL ODDBALL -- ANSWERED THE DOOR. 804 00:56:33,791 --> 00:56:36,725 SHE SAID SHE WAS VISITING MARCIA FOR A FEW DAYS, 805 00:56:36,761 --> 00:56:39,261 UH, SHE WAS ONCE HER ROOMMATE IN SCHOOL. 806 00:56:39,296 --> 00:56:40,462 SO? 807 00:56:40,498 --> 00:56:43,232 SO MARCIA NEVER WENT TO BOARDING SCHOOL IN HER LIFE. 808 00:56:43,267 --> 00:56:46,034 WHERE COULD SHE HAVE HAD A ROOMMATE? 809 00:56:46,070 --> 00:56:47,669 WHAT'S EVEN STRANGER -- 810 00:56:47,705 --> 00:56:50,973 MARCIA CONFIRMED EVERYTHING THIS JUSTINE SAID. 811 00:56:51,008 --> 00:56:52,241 THEN WHAT? 812 00:56:52,276 --> 00:56:54,410 THEN SHE DISAPPEARED. 813 00:56:54,445 --> 00:56:55,544 [ Chuckling ] SHE WHAT? 814 00:56:55,579 --> 00:56:56,612 DISAPPEARED. 815 00:56:56,647 --> 00:56:58,747 I WENT INTO THE BEDROOM TO TALK TO HER, 816 00:56:58,783 --> 00:57:01,650 AND SHE WAS GONE DOWN THE FIRE ESCAPE. 817 00:57:02,787 --> 00:57:04,920 WELL, WHERE'S MARCIA NOW? 818 00:57:04,955 --> 00:57:05,921 AT HER PLACE. 819 00:57:05,956 --> 00:57:08,357 I TOLD HER WE'D PICK HER UP LATER. 820 00:57:08,392 --> 00:57:11,293 YOU KNOW, THIS MAY BE THE FIRST REALLY SOLID THING 821 00:57:11,328 --> 00:57:12,861 WE'VE HAD TO GO ON. 822 00:57:12,897 --> 00:57:15,664 MARCIA MAY HAVE BEEN RIGHT ABOUT DESMOND. 823 00:57:15,699 --> 00:57:18,700 I WANT TO TALK TO THESE WOMEN -- ALL OF THEM. 824 00:57:18,736 --> 00:57:21,503 I HAVE THREE QUESTIONS I WANT THEM TO ANSWER. 825 00:57:21,539 --> 00:57:23,906 ONE -- HAVE YOU EVER BEEN HYPNOTIZED? 826 00:57:23,941 --> 00:57:27,476 TWO -- HAVE YOU EVER SEEN A HYPNOTIST NAMED DESMOND? 827 00:57:27,511 --> 00:57:31,313 AND THREE -- DOES THE NAME JUSTINE MEAN ANYTHING TO YOU? 828 00:57:31,348 --> 00:57:34,016 WHAT DO YOU THINK THIS JUSTINE HAS TO DO WITH IT? 829 00:57:34,051 --> 00:57:36,185 THAT'S WHAT I WANT TO FIND OUT, PHIL. 830 00:57:36,220 --> 00:57:37,853 HURRY UP AND GET DRESSED. 831 00:57:37,888 --> 00:57:39,988 WE GOT A LOT OF CALLS TO MAKE. 832 00:57:40,024 --> 00:57:41,490 MM. 833 00:57:41,525 --> 00:57:43,525 [ SUSPENSEFUL MUSIC PLAYS ] 834 00:57:52,002 --> 00:57:54,203 [ CAR DOOR CLOSES ] 835 00:57:54,238 --> 00:57:57,239 WELL, THIS IS MRS. McNEAR. SHE'S NUMBER ONE. 836 00:57:57,274 --> 00:58:00,909 SHE STUCK HER FACE INTO THE BLADE OF AN ELECTRIC FAN -- 837 00:58:00,945 --> 00:58:02,744 THOUGHT IT WAS AN ELECTRIC MASSAGE MACHINE. 838 00:58:02,780 --> 00:58:04,480 OOH. 839 00:58:04,515 --> 00:58:06,782 I SEE SHE'S GOT KIDS, HUH? 840 00:58:06,817 --> 00:58:07,983 SHE DID HAVE. 841 00:58:08,018 --> 00:58:10,018 HER HUSBAND TOOK THEM AWAY WHEN HE LEFT. 842 00:58:10,054 --> 00:58:11,887 SHE'S ALONE NOW. 843 00:58:16,727 --> 00:58:18,760 [ DOORBELL RINGS ] 844 00:58:25,202 --> 00:58:28,103 DAVE, SHE DOESN'T SEEM TO BE AT HOME. 845 00:58:28,138 --> 00:58:29,738 SHE'S HOME. 846 00:58:31,775 --> 00:58:33,609 MRS. McNEAR. 847 00:58:33,644 --> 00:58:35,711 MRS. McNEAR, PLEASE. 848 00:58:35,746 --> 00:58:38,380 GO AWAY. I DON'T WANT TO SEE ANYONE. 849 00:58:38,415 --> 00:58:40,782 MRS. McNEAR, I'M DETECTIVE SERGEANT KENNEDY. 850 00:58:40,818 --> 00:58:43,118 THIS IS DR. HECHT. WE MUST SPEAK WITH YOU. 851 00:58:43,153 --> 00:58:44,219 IT'S VERY IMPORTANT. 852 00:58:45,723 --> 00:58:48,190 WELL, WHAT DO YOU WANT TO KNOW? 853 00:58:48,225 --> 00:58:50,859 I WANT TO KNOW IF YOU'VE EVER BEEN HYPNOTIZED. 854 00:58:50,895 --> 00:58:52,861 OF COURSE NOT. NEVER. 855 00:58:52,897 --> 00:58:56,965 HAVE YOU EVER SEEN A HYPNOTIST, A STAGE PERFORMER NAMED DESMOND? 856 00:58:57,001 --> 00:58:58,267 NO. 857 00:59:00,170 --> 00:59:02,137 DOES THE NAME JUSTINE MEAN ANYTHING TO YOU -- 858 00:59:02,172 --> 00:59:03,639 ANYTHING AT ALL? 859 00:59:03,674 --> 00:59:05,874 NOTHING. NOTHING AT ALL. 860 00:59:05,910 --> 00:59:08,710 NOW LEAVE ME ALONE. GET OFF MY PROPERTY! 861 00:59:10,080 --> 00:59:12,247 [ SUSPENSEFUL MUSIC PLAYS ] 862 00:59:30,167 --> 00:59:34,136 DO YOU RECALL EVER HAVING SEEN A HYPNOTIST ON THE STAGE 863 00:59:34,171 --> 00:59:37,272 OR IN A NIGHTCLUB BY THE NAME OF DESMOND? 864 00:59:43,380 --> 00:59:46,682 DOES THE NAME JUSTINE MEAN ANYTHING TO YOU? 865 00:59:48,719 --> 00:59:50,652 DOWN. GET DOWN. 866 00:59:50,688 --> 00:59:52,654 [ CAT MEOWS ] 867 00:59:56,293 --> 00:59:59,561 AND YOU'VE NEVER HEARD THE NAME JUSTINE? 868 00:59:59,597 --> 01:00:00,963 YOU'RE POSITIVE? 869 01:00:00,998 --> 01:00:01,964 ABSOLUTELY. 870 01:00:01,999 --> 01:00:04,499 AND I'VE NEVER BEEN HYPNOTIZED. 871 01:00:04,535 --> 01:00:07,336 AFTER ALL, I'D REMEMBER A THING LIKE THAT, WOULDN'T I? 872 01:00:07,371 --> 01:00:09,538 I'VE NEVER SEEN THIS MAN DESMOND, 873 01:00:09,573 --> 01:00:11,740 AND I KNOW NO ONE NAMED JUSTINE. 874 01:00:11,775 --> 01:00:14,710 WELL, THEN, MISS SCOTT, THANK YOU. 875 01:00:14,745 --> 01:00:16,311 WE'RE SORRY TO HAVE BOTHERED YOU. 876 01:00:16,347 --> 01:00:17,512 WHAT'S TO BOTHER? 877 01:00:17,548 --> 01:00:19,648 OH, OH, BEFORE YOU GO, DO YOU HAVE A CIGARETTE? 878 01:00:19,683 --> 01:00:20,816 I'M ALL OUT. 879 01:00:20,851 --> 01:00:22,618 OH, YES. 880 01:00:24,922 --> 01:00:26,321 HERE. 881 01:00:29,026 --> 01:00:30,826 HERE, KEEP THE PACK. 882 01:00:30,861 --> 01:00:32,194 OH, THANK YOU. 883 01:00:32,229 --> 01:00:34,363 DO YOU HAVE A MATCH, PHIL? 884 01:00:34,398 --> 01:00:35,831 NO, I'M SORRY. 885 01:00:35,866 --> 01:00:38,800 OH, IN MY PURSE ON THE TABLE. 886 01:01:03,727 --> 01:01:05,861 [ BLOWING ] 887 01:01:15,406 --> 01:01:17,873 WELL, SHE OBVIOUSLY WAS LYING. 888 01:01:17,908 --> 01:01:21,143 THIS IS ONE OF THE BALLOONS THAT DESMOND USES IN HIS ACT. 889 01:01:21,178 --> 01:01:24,079 SHE DIDN'T LIE, DAVE. SHE MIGHT NOT HAVE REMEMBERED. 890 01:01:24,114 --> 01:01:27,149 LOOK, IF DESMOND'S OUR BOY, HE WOULD'VE COVERED HIMSELF 891 01:01:27,184 --> 01:01:29,851 BY GIVING HIS VICTIMS A POSTHYPNOTIC SUGGESTION 892 01:01:29,887 --> 01:01:32,487 TO FORGET HIM AND WHAT HE DID TO THEM. 893 01:01:32,523 --> 01:01:36,124 THEN THERE'S THE POSSIBILITY THAT SHE NEVER SAW DESMOND. 894 01:01:36,160 --> 01:01:38,827 SOMEONE JUST MIGHT HAVE GIVEN HER THAT BALLOON. 895 01:01:38,862 --> 01:01:41,029 WELL, I KNOW SOMEONE WHO DID SEE HIM, 896 01:01:41,065 --> 01:01:43,098 SOMEONE WHO WAS HYPNOTIZED BY HIM. 897 01:01:43,133 --> 01:01:44,366 DODIE, HUH? 898 01:01:44,401 --> 01:01:48,036 YEAH, LET'S SEE HOW DODIE ANSWERS YOUR THREE QUESTIONS. 899 01:01:51,842 --> 01:01:55,577 IT MAY TAKE A YEAR OR TWO YEARS OF PLASTIC SURGERY, DODIE, 900 01:01:55,612 --> 01:01:58,680 AND YOU MAY HAVE SOME SMALL SCARS ALONG YOUR CHIN LINE, 901 01:01:58,716 --> 01:02:01,049 BUT YOU'LL BE JUST AS BEAUTIFUL AS EVER. 902 01:02:01,085 --> 01:02:04,086 ARE YOU TELLING ME THE TRUTH, DOCTOR? 903 01:02:04,121 --> 01:02:05,620 ABSOLUTELY, DODIE. 904 01:02:05,656 --> 01:02:07,189 [ KNOCK ON DOOR ] 905 01:02:07,224 --> 01:02:08,924 COME IN. 906 01:02:11,328 --> 01:02:13,361 DOCTOR. HELLO, SERGEANT. 907 01:02:13,397 --> 01:02:15,464 [ DOOR CLOSES ] HELLO, DAVE. 908 01:02:15,499 --> 01:02:17,466 DODIE, THIS IS DR. HECHT. 909 01:02:17,501 --> 01:02:19,067 PHIL, DODIE WILSON. 910 01:02:19,103 --> 01:02:20,502 HELLO. HOW DO YOU DO? 911 01:02:20,537 --> 01:02:22,037 PHIL'S WORKING WITH ME ON A CASE, 912 01:02:22,072 --> 01:02:24,106 AND WE'D LIKE TO ASK YOU A COUPLE OF QUESTIONS. 913 01:02:24,141 --> 01:02:26,108 OH, OF COURSE. IT'S NICE TO MEET YOU, DOCTOR. 914 01:02:26,143 --> 01:02:28,176 I'VE MET SO MANY DOCTORS LATELY. 915 01:02:28,212 --> 01:02:29,344 I'LL BET YOU HAVE. 916 01:02:29,379 --> 01:02:31,480 WE WON'T TAKE UP MUCH OF YOUR TIME. 917 01:02:31,515 --> 01:02:33,749 DAVE, I'D LIKE TO TALK TO THE DOCTOR FOR A MOMENT. 918 01:02:33,784 --> 01:02:35,951 EXCUSE ME, PLEASE? SURE. 919 01:02:35,986 --> 01:02:37,886 HOW'S MARSH, DAVE? 920 01:02:37,921 --> 01:02:40,188 SHE DIDN'T CALL TODAY. 921 01:02:40,224 --> 01:02:43,125 SHE'LL PROBABLY STOP BY LATER. 922 01:02:43,160 --> 01:02:44,726 OH, SURE. 923 01:02:44,762 --> 01:02:46,995 IS IT ANY BETTER? 924 01:02:47,030 --> 01:02:49,364 A LITTLE, I THINK. 925 01:02:49,399 --> 01:02:52,267 I START PLASTIC SURGERY NEXT WEEK. 926 01:02:52,302 --> 01:02:54,603 THEY DON'T KNOW YET, DAVE. 927 01:02:54,638 --> 01:02:56,872 THEY MAY NOT KNOW FOR MONTHS YET. 928 01:02:56,907 --> 01:02:58,440 THAT'S ROUGH. 929 01:02:58,475 --> 01:03:01,376 WHAT DID YOU WANT TO KNOW? 930 01:03:03,147 --> 01:03:05,280 HAVE YOU EVER BEEN HYPNOTIZED, DODIE? 931 01:03:05,315 --> 01:03:06,848 NO. 932 01:03:09,586 --> 01:03:11,520 ARE YOU SURE? 933 01:03:11,555 --> 01:03:13,555 POSITIVE. 934 01:03:13,590 --> 01:03:16,625 HAVE YOU EVER SEEN A HYPNOTIST ON THE STAGE 935 01:03:16,660 --> 01:03:18,293 BY THE NAME OF DESMOND? 936 01:03:18,328 --> 01:03:22,197 NO, I DON'T THINK SO. 937 01:03:22,232 --> 01:03:27,636 DODIE, DOES THE NAME JUSTINE MEAN ANYTHING TO YOU? 938 01:03:27,671 --> 01:03:28,937 JUSTINE. 939 01:03:28,972 --> 01:03:30,639 WHEN SHE WAS ADMITTED, 940 01:03:30,674 --> 01:03:33,074 SHE REPEATED THAT NAME SEVERAL TIMES. 941 01:03:33,110 --> 01:03:35,443 IT SEEMED TO TERRIFY HER. 942 01:03:37,047 --> 01:03:39,281 DOCTOR, WOULD YOU HAVE ANY OBJECTION 943 01:03:39,316 --> 01:03:42,884 IF I HYPNOTIZED HER NOW SO THAT SHE MIGHT RELIVE HER ACCIDENT? 944 01:03:42,920 --> 01:03:45,620 NOT A CHANCE. IN A WEEK MAYBE. 945 01:03:47,090 --> 01:03:49,791 I THINK THAT'S ABOUT ENOUGH NOW. 946 01:03:49,827 --> 01:03:51,326 DAVE. 947 01:03:52,930 --> 01:03:54,396 RIGHT. 948 01:03:54,431 --> 01:03:57,632 WELL, THANK YOU, DODIE, BUT WE MUST GO NOW. 949 01:03:57,668 --> 01:04:00,802 I'M SURE MARSH WILL CALL OR STOP BY LATER. 950 01:04:00,838 --> 01:04:03,672 OKAY, DAVE. GIVE HER MY LOVE. 951 01:04:06,143 --> 01:04:08,610 THANK YOU, DOCTOR. NOT AT ALL, SERGEANT. 952 01:04:08,645 --> 01:04:09,811 BYE, DODIE. 953 01:04:09,847 --> 01:04:11,112 Dodie: BYE, DOCTOR. 954 01:04:11,148 --> 01:04:12,647 DOCTOR. BYE, DOCTOR. 955 01:04:18,956 --> 01:04:21,690 YOU'D BETTER GET SOME REST NOW, DODIE. 956 01:04:21,725 --> 01:04:23,525 I WILL, DOCTOR. 957 01:04:25,596 --> 01:04:28,496 [ DOOR OPENS, CLOSES ] 958 01:04:30,300 --> 01:04:31,533 AND THE ONLY PERSON 959 01:04:31,568 --> 01:04:34,336 WHO COULD'VE GIVEN HER A POSTHYPNOTIC SUGGESTION 960 01:04:34,371 --> 01:04:36,671 TO FORGET THAT SHE HAD BEEN HYPNOTIZED 961 01:04:36,707 --> 01:04:39,307 IS THE HYPNOTIST HIMSELF -- DESMOND. 962 01:04:39,343 --> 01:04:42,310 JUST AS HE MUST HAVE ALL THE REST OF THEM. 963 01:04:42,346 --> 01:04:45,146 THAT'S WHY MARSH ACTED SO ODDLY LAST NIGHT, 964 01:04:45,182 --> 01:04:47,849 WHY SHE TOLD ME JUSTINE WAS HER ROOMMATE. 965 01:04:47,885 --> 01:04:50,218 WHAT WE HAVE TO FIND OUT IS WHY THEY DISFIGURE THEMSELVES. 966 01:04:50,254 --> 01:04:51,519 [ DOORBELL BUZZES ] 967 01:04:51,555 --> 01:04:54,256 I THINK MARSH WILL TELL US IF I PUT HER IN A TRANCE 968 01:04:54,291 --> 01:04:56,691 AND HAVE HER RELIVE WHAT HAPPENED LAST NIGHT. 969 01:04:56,727 --> 01:04:59,861 AND I THINK, "WHAT MIGHT HAVE HAPPENED IF I HADN'T RETURNED?" 970 01:04:59,897 --> 01:05:03,198 SHOULD BE IN. SHE PROMISED SHE WOULDN'T GO OUT. 971 01:05:03,233 --> 01:05:05,400 8:30. 972 01:05:05,435 --> 01:05:06,601 THE THEATER. 973 01:05:06,637 --> 01:05:08,737 [ APPLAUSE ] 974 01:05:12,042 --> 01:05:14,409 Desmond: THANK YOU. THANK YOU VERY MUCH. 975 01:05:17,347 --> 01:05:20,148 SINCE YOU HAVE BEEN SUCH A WONDERFUL AUDIENCE, 976 01:05:20,183 --> 01:05:24,786 I WANT TO GIVE EACH OF YOU THE OPPORTUNITY TO -- 977 01:05:24,821 --> 01:05:28,757 TO EXPERIENCE THE SENSATION OF HYPNOSIS, 978 01:05:28,792 --> 01:05:32,961 TO CROSS THE DARK, MYSTERIOUS THRESHOLD 979 01:05:32,996 --> 01:05:35,964 OF YOUR OWN UNCONSCIOUS MIND. 980 01:05:35,999 --> 01:05:38,333 [ SPECTATORS MURMURING ] 981 01:05:38,368 --> 01:05:40,001 HAVE NO FEAR. 982 01:05:40,037 --> 01:05:42,971 YOU WILL NOT BE HYPNOTIZED. 983 01:05:43,006 --> 01:05:45,407 YOU WILL NOT LOSE CONSCIOUSNESS, 984 01:05:45,442 --> 01:05:49,044 NOR WILL YOU BE MADE UNCOMFORTABLE IN ANY WAY. 985 01:05:49,079 --> 01:05:51,079 YOU WILL, HOWEVER, 986 01:05:51,114 --> 01:05:55,750 EXPERIENCE MANY NEW AND EXCITING SENSATIONS. 987 01:05:55,786 --> 01:06:00,855 BUT I MUST HAVE YOUR HELP AND YOUR FULL ATTENTION. 988 01:06:00,891 --> 01:06:04,292 NOW SIT BACK QUIETLY IN YOUR SEATS 989 01:06:04,328 --> 01:06:08,363 AND PLEASE DO NOT DISTURB THOSE BESIDE YOU 990 01:06:08,398 --> 01:06:12,033 WHO WANT TO ENJOY THIS EXPERIENCE. 991 01:06:12,069 --> 01:06:15,036 MAY I HAVE THE HOUSE LIGHTS, PLEASE? 992 01:06:15,072 --> 01:06:17,305 THANK YOU. 993 01:06:17,341 --> 01:06:20,809 AND NOW I WOULD LIKE EACH ONE OF YOU 994 01:06:20,844 --> 01:06:25,046 IN THIS THEATER TO JOIN US IN THE FUN. 995 01:06:25,082 --> 01:06:26,982 [ SPECTATORS MURMURING ] 996 01:06:27,017 --> 01:06:30,986 AND NOW I AM GOING TO DEMONSTRATE TO YOU 997 01:06:31,021 --> 01:06:34,022 THE POWER OF YOUR OWN MIND. 998 01:06:37,594 --> 01:06:39,327 THANK YOU. 999 01:06:39,363 --> 01:06:42,330 I HAVE HERE A LEMON. 1000 01:06:42,366 --> 01:06:47,068 SOUR, BITTER, JUICY LEMON. 1001 01:06:47,104 --> 01:06:52,941 A FAT, JUICY, SOUR, BITTER LEMON. 1002 01:06:52,976 --> 01:07:00,382 AS I CUT AND SQUEEZE THIS SOUR AND BITTER LEMON -- 1003 01:07:00,417 --> 01:07:06,187 SOUR, BITTER, JUICY LEMON -- 1004 01:07:06,223 --> 01:07:09,524 YOUR MOUTH BEGINS TO WATER. 1005 01:07:09,559 --> 01:07:13,461 YOU ACTUALLY TASTE THE SOUR AND BITTER TASTE OF THE LEMON 1006 01:07:13,497 --> 01:07:15,163 IN YOUR MOUTH. 1007 01:07:15,198 --> 01:07:17,232 THANK YOU. 1008 01:07:17,267 --> 01:07:19,334 [ SPECTATORS MURMURING ] 1009 01:07:19,369 --> 01:07:26,541 AND NOW YOU SEE HOW YOUR MIND CAN INFLUENCE YOUR BODY. 1010 01:07:27,878 --> 01:07:31,613 NOW PLEASE DO AS I DO. 1011 01:07:31,648 --> 01:07:35,083 RAISE YOUR HANDS TO SHOULDER LEVEL. 1012 01:07:37,854 --> 01:07:42,557 EXTEND YOUR INDEX FINGERS. 1013 01:07:42,592 --> 01:07:46,194 NOW BRING THEM TOGETHER LIKE THIS. 1014 01:07:46,229 --> 01:07:49,130 KEEP YOUR EYES ON MY FINGERS. 1015 01:07:50,367 --> 01:07:51,833 FINE. 1016 01:07:51,868 --> 01:07:53,868 FINE. WONDERFUL. 1017 01:07:53,904 --> 01:07:55,670 ALL RIGHT. 1018 01:07:55,705 --> 01:08:00,608 NOW PULL YOUR FINGERTIPS SLOWLY APART. 1019 01:08:00,644 --> 01:08:02,877 KEEP YOUR EYES ON MY FINGERS. 1020 01:08:02,913 --> 01:08:04,646 ALL OF YOU! 1021 01:08:04,681 --> 01:08:06,781 FINE. 1022 01:08:06,817 --> 01:08:10,852 NOW, AS I COUNT TO THREE, 1023 01:08:10,887 --> 01:08:15,323 YOU TRY TO PUT YOUR FINGERTIPS TOGETHER. 1024 01:08:15,358 --> 01:08:17,759 [ Echoing ] ONE, TWO, THREE. 1025 01:08:17,794 --> 01:08:20,261 TRY TO BRING YOUR FINGERTIPS TOGETHER. 1026 01:08:20,297 --> 01:08:23,098 TRY HARDER. THAT'S NOT HARD ENOUGH! HARDER! 1027 01:08:23,133 --> 01:08:25,233 HARDER! HARDER! NOW STOP. 1028 01:08:25,268 --> 01:08:27,735 [ Normal voice ] STOP. RELAX. RELAX. 1029 01:08:27,771 --> 01:08:29,838 [ LAUGHTER ] 1030 01:08:29,873 --> 01:08:31,306 [ SPECTATORS MURMUR ] 1031 01:08:31,341 --> 01:08:38,012 NOW EXTEND YOUR HANDS STRAIGHT OUT IN FRONT OF YOU. 1032 01:08:42,319 --> 01:08:46,387 CLASP YOUR HANDS TOGETHER LIKE THIS. 1033 01:08:46,423 --> 01:08:47,689 [ HANDS CLAP ] 1034 01:08:47,724 --> 01:08:50,758 INTERLOCK YOUR FINGERS LIKE ME. 1035 01:08:50,794 --> 01:08:53,328 WATCH ME, ALL OF YOU. 1036 01:08:53,363 --> 01:08:55,997 NOW STIFFEN YOUR ARMS. 1037 01:08:56,032 --> 01:09:00,235 SQUEEZE YOUR HANDS TOGETHER LIKE THIS. 1038 01:09:00,270 --> 01:09:03,872 SQUEEZE. SQUEEZE HARD. HARD. TIGHT. 1039 01:09:03,907 --> 01:09:07,075 TIGHTER! TIGHTER THAN THAT! AND YOUR ARMS STIFF. 1040 01:09:07,110 --> 01:09:10,745 TIGHTER! NOW YOUR HANDS ARE LOCKED TOGETHER. 1041 01:09:10,780 --> 01:09:13,314 YOUR HANDS ARE LOCKED TOGETHER. 1042 01:09:13,350 --> 01:09:17,886 WHEN I COUNT TO THREE, YOU TRY TO UNLOCK YOUR HANDS, 1043 01:09:17,921 --> 01:09:19,821 BUT YOU CANNOT UNLOCK THEM. 1044 01:09:19,856 --> 01:09:22,190 ONE, TWO, THREE. 1045 01:09:22,225 --> 01:09:25,093 [ Echoing ] YOU CANNOT UNLOCK YOUR HANDS! 1046 01:09:25,128 --> 01:09:26,995 YOU CANNOT DO IT! 1047 01:09:27,030 --> 01:09:29,130 YOU CANNOT DO IT! ALL RIGHT. 1048 01:09:29,166 --> 01:09:33,635 [ Normal voice ] ALL RIGHT. RELAX. RELAX. RELAX. 1049 01:09:33,670 --> 01:09:37,038 [ LAUGHTER ] RELAX AND ENJOY YOURSELVES. 1050 01:09:37,073 --> 01:09:38,039 [ SPECTATORS MURMURING ] 1051 01:09:38,074 --> 01:09:39,841 GOOD. 1052 01:09:39,876 --> 01:09:47,015 NOW, ONCE MORE, RAISE YOUR ARMS TO SHOULDER LEVEL LIKE THIS. 1053 01:09:47,050 --> 01:09:49,250 NOW LET YOUR HANDS GO LIMP. 1054 01:09:49,286 --> 01:09:51,786 LIMP. LIMP. RELAXED. 1055 01:09:51,821 --> 01:09:53,655 ALL OF YOU. ALL OF YOU. 1056 01:09:53,690 --> 01:09:55,623 THAT'S FINE. THAT'S FINE. 1057 01:09:55,659 --> 01:09:59,260 NOW BEGIN CIRCLING WITH YOUR HANDS, 1058 01:09:59,296 --> 01:10:03,231 SPINNING AWAY FROM YOUR BODY LIKE THIS. 1059 01:10:03,266 --> 01:10:05,600 [ Echoing ] SPINNING AND SPINNING. 1060 01:10:05,635 --> 01:10:09,971 FASTER. FASTER. AROUND. AROUND. 1061 01:10:10,006 --> 01:10:13,308 YES, ALL OF YOU NOW. ALL OF YOU ARE SPINNING. 1062 01:10:13,343 --> 01:10:15,376 FASTER! FASTER! FASTER! 1063 01:10:15,412 --> 01:10:17,579 NOW YOU ARE NOT ABLE TO STOP! 1064 01:10:17,614 --> 01:10:19,914 NOW YOU CANNOT STOP! 1065 01:10:19,950 --> 01:10:22,684 AS I STOP MY HANDS, YOU STOP YOUR HANDS! 1066 01:10:22,719 --> 01:10:25,720 NOW YOU ARE ABLE TO STOP THEM. 1067 01:10:25,755 --> 01:10:28,489 [ Normal voice ] RELAX. 1068 01:10:28,525 --> 01:10:30,458 RELAX. [ LAUGHTER ] 1069 01:10:30,493 --> 01:10:33,127 AND NOW, LADIES AND GENTLEMEN, 1070 01:10:33,163 --> 01:10:38,132 THIS DEMONSTRATION IS CALLED "THE SLAPPING OF THE KNEE." 1071 01:10:40,403 --> 01:10:42,904 NOW I WANT EACH OF YOU 1072 01:10:42,939 --> 01:10:46,975 TO PLACE YOUR HANDS ON YOUR KNEES LIKE THIS. 1073 01:10:47,010 --> 01:10:48,776 [ HANDS SLAP KNEES ] THAT'S RIGHT. 1074 01:10:48,812 --> 01:10:51,980 NOW LOOK AT YOUR RIGHT HAND. 1075 01:10:52,015 --> 01:10:55,550 KEEP LOOKING AT YOUR RIGHT HAND. 1076 01:10:55,585 --> 01:10:57,518 THAT'S FINE. 1077 01:10:57,554 --> 01:11:01,222 NOW RAISE YOUR RIGHT HAND IN THE AIR 1078 01:11:01,258 --> 01:11:04,525 AND FOLLOW IT WITH YOUR EYES. 1079 01:11:04,561 --> 01:11:06,194 THAT'S FINE. 1080 01:11:06,229 --> 01:11:08,696 NOW BRING IT DOWN AND SLAP YOUR KNEE. 1081 01:11:08,732 --> 01:11:09,964 [ HANDS SLAP KNEES ] 1082 01:11:10,000 --> 01:11:12,100 NOW RAISE YOUR LEFT HAND 1083 01:11:12,135 --> 01:11:14,769 AND FOLLOW IT WITH YOUR EYES JUST THE SAME. 1084 01:11:14,804 --> 01:11:17,272 NOW SLAP YOUR KNEE. [ HANDS SLAP KNEES ] 1085 01:11:17,307 --> 01:11:19,874 [ Echoing ] YOUR RIGHT HAND, LEFT. 1086 01:11:19,909 --> 01:11:22,510 FASTER NOW, FASTER. FASTER, FASTER. 1087 01:11:22,545 --> 01:11:25,480 FAST, FAST. THAT'S IT. FASTER THAN THAT. 1088 01:11:25,515 --> 01:11:29,317 YOU ARE NOT ABLE TO STOP. YOU ARE NOT ABLE TO STOP NOW! 1089 01:11:29,352 --> 01:11:31,019 TRY TO STOP! 1090 01:11:31,054 --> 01:11:33,121 WHY DON'T YOU STOP? WHY DON'T YOU STOP? 1091 01:11:33,156 --> 01:11:35,223 NOW TRY TO STOP. TRY TO STOP. 1092 01:11:35,258 --> 01:11:38,259 NOW...YOU CAN STOP. 1093 01:11:38,295 --> 01:11:40,228 [ HANDS SLAPPING KNEES ] 1094 01:11:40,263 --> 01:11:42,864 [ Normal voice ] STOP. STOP. 1095 01:11:42,899 --> 01:11:45,633 [ LAUGHTER ] RELAX. 1096 01:11:45,669 --> 01:11:47,969 RELAX. 1097 01:11:48,004 --> 01:11:50,104 RELAX. 1098 01:11:50,140 --> 01:11:52,507 RELAX. 1099 01:11:52,542 --> 01:11:57,512 NOW WILL YOU PLEASE PLACE YOUR FEET FLAT ON THE FLOOR, 1100 01:11:57,547 --> 01:12:02,250 BRING THEM TOGETHER, AND SLIDE THEM FORWARD? 1101 01:12:03,720 --> 01:12:06,587 AS YOU ENTERED THE THEATER, 1102 01:12:06,623 --> 01:12:11,459 EACH OF YOU WAS GIVEN A HYPNOTIC-EYE BALLOON. 1103 01:12:11,494 --> 01:12:14,295 NOW TAKE YOUR BALLOON. 1104 01:12:17,934 --> 01:12:19,434 JUSTINE. 1105 01:12:21,237 --> 01:12:24,639 WILL YOU PLEASE INFLATE YOUR BALLOON? 1106 01:12:24,674 --> 01:12:27,342 [ ALL BLOWING ] 1107 01:12:33,883 --> 01:12:35,950 FINE. 1108 01:12:37,320 --> 01:12:38,720 GOOD. 1109 01:12:42,392 --> 01:12:45,126 VERY GOOD. 1110 01:12:45,161 --> 01:12:49,764 NOW TWIST THE END TO KEEP THE AIR IN. 1111 01:12:49,799 --> 01:12:51,833 [ BALLOONS TWISTING ] 1112 01:12:55,438 --> 01:12:56,938 GOOD. 1113 01:12:56,973 --> 01:13:00,041 WILL YOU PLEASE SIT DOWN? 1114 01:13:00,076 --> 01:13:05,046 NOW PLACE YOUR BALLOON RIGHT ON YOUR KNEES 1115 01:13:05,081 --> 01:13:09,617 AND BOTH OF YOUR HANDS FLAT ON THE BALLOON. 1116 01:13:09,652 --> 01:13:12,153 THAT'S VERY GOOD. 1117 01:13:12,188 --> 01:13:14,522 NOW LEAN FORWARD. 1118 01:13:14,557 --> 01:13:16,924 YOU LEAN FORWARD. 1119 01:13:18,828 --> 01:13:24,632 AS YOU LEAN FORWARD, THE BALLOON IS GROWING HEAVIER AND HEAVIER, 1120 01:13:24,667 --> 01:13:27,168 AS HEAVY AS A BALL OF LEAD. 1121 01:13:27,203 --> 01:13:30,104 [ Echoing ] YOU CANNOT GET UP. YOU CANNOT GET UP! 1122 01:13:30,140 --> 01:13:33,074 TRY. TRY TO GET UP! YOU CANNOT GET UP! 1123 01:13:33,109 --> 01:13:34,942 YOU CANNOT GET UP! [ LAUGHTER ] 1124 01:13:34,978 --> 01:13:36,644 YOU CANNOT GET UP! 1125 01:13:36,679 --> 01:13:39,480 [ Normal voice ] ALL RIGHT. ALL RIGHT. RELAX. 1126 01:13:39,516 --> 01:13:42,216 RELAX. RELAX. 1127 01:13:42,252 --> 01:13:44,685 [ APPLAUSE ] 1128 01:13:51,728 --> 01:13:54,262 [ SPECTATORS MURMURING ] 1129 01:13:55,331 --> 01:14:02,503 AND NOW, IF YOU DARE, LOOK INTO THE HYPNOTIC EYE. 1130 01:14:02,539 --> 01:14:05,006 LOOK INTO THE EYE. 1131 01:14:05,041 --> 01:14:09,010 ALL OF YOU...ASLEEP. 1132 01:14:09,045 --> 01:14:12,079 DEEPER AND DEEPER IN SLEEP. 1133 01:14:15,752 --> 01:14:18,252 [ WOMAN SCREAMING ] 1134 01:14:18,288 --> 01:14:20,788 [ SUSPENSEFUL MUSIC PLAYS ] 1135 01:14:20,824 --> 01:14:22,790 DESMOND. 1136 01:14:24,127 --> 01:14:26,527 THERE SHE IS. 1137 01:14:26,563 --> 01:14:28,830 DESMOND, STOP HIM. STOP HIM! 1138 01:14:28,865 --> 01:14:32,366 HERE, STOP AND STAY RIGHT WHERE YOU ARE. 1139 01:14:32,402 --> 01:14:34,769 I COMMAND YOU TO STOP. 1140 01:14:34,804 --> 01:14:36,971 [ EERIE MUSIC PLAYS ] 1141 01:14:41,110 --> 01:14:44,145 STOP RIGHT WHERE YOU ARE. 1142 01:14:44,180 --> 01:14:46,581 I ORDER YOU TO STOP. 1143 01:14:46,616 --> 01:14:48,683 [ SUSPENSEFUL MUSIC PLAYS ] 1144 01:14:50,587 --> 01:14:52,386 [ SPECTATORS MURMURING ] 1145 01:14:53,756 --> 01:14:56,224 DAVE, MARCIA'S GONE. 1146 01:14:58,761 --> 01:15:02,029 COME ON. HURRY. 1147 01:15:06,970 --> 01:15:09,036 Dave: BRING DOWN THE CURTAIN! 1148 01:15:10,707 --> 01:15:12,039 WHERE IS SHE? 1149 01:15:15,778 --> 01:15:16,844 [ SHOE THUDS ] 1150 01:15:18,381 --> 01:15:20,181 ALL RIGHT, DESMOND. THAT'S IT. 1151 01:15:20,216 --> 01:15:21,582 HOLD IT NOW. 1152 01:15:34,998 --> 01:15:36,564 JUSTINE. 1153 01:15:38,434 --> 01:15:40,701 JUSTINE, STOP RIGHT THERE, OR I'LL SHOOT! 1154 01:15:40,737 --> 01:15:42,937 SHOOT. GO AHEAD. SHOOT. 1155 01:15:42,972 --> 01:15:44,805 I'LL TAKE HER WITH ME. 1156 01:15:44,841 --> 01:15:47,909 JUSTINE, COME DOWN. 1157 01:15:47,944 --> 01:15:49,310 JUSTINE. 1158 01:15:49,345 --> 01:15:51,546 PLEASE COME DOWN. 1159 01:15:51,581 --> 01:15:52,980 YOU'RE YOUNG YET. 1160 01:15:53,016 --> 01:15:56,050 YOU HAVE YOUR WHOLE LIFE AHEAD OF YOU. 1161 01:15:56,085 --> 01:15:58,819 WHAT KIND OF A LIFE? 1162 01:15:58,855 --> 01:16:01,255 WHAT KIND OF A LIFE WITH MY FACE?! 1163 01:16:01,291 --> 01:16:02,924 YOUR FACE? 1164 01:16:02,959 --> 01:16:05,293 WHY, YOU HAVE A BEAUTIFUL FACE. 1165 01:16:05,328 --> 01:16:10,231 IF YOU LIKE MY BEAUTIFUL FACE SO MUCH, YOU MAY HAVE IT! 1166 01:16:13,036 --> 01:16:14,936 NOW LOOK AT IT! 1167 01:16:14,971 --> 01:16:16,971 [ GUN CLATTERS ] 1168 01:16:17,006 --> 01:16:20,007 KILL HIM, DESMOND! KILL HIM! 1169 01:16:20,043 --> 01:16:21,475 [ GRUNTS ] 1170 01:16:21,511 --> 01:16:24,145 [ Strained ] DAVE! DAVE! 1171 01:16:30,053 --> 01:16:32,553 DESMOND! 1172 01:16:39,562 --> 01:16:41,329 MARCIA! 1173 01:16:41,364 --> 01:16:43,331 MARCIA! 1174 01:16:43,366 --> 01:16:45,600 MARCIA, WAKE UP! 1175 01:16:45,635 --> 01:16:47,501 MARCIA, WAKE UP! 1176 01:17:09,525 --> 01:17:11,559 [ GRUNTING ] 1177 01:17:24,607 --> 01:17:26,574 [ BREATHING HEAVILY ] 1178 01:17:36,419 --> 01:17:38,653 [ SPECTATORS MURMURING ] 1179 01:17:40,323 --> 01:17:43,190 LADIES AND GENTLEMEN, A WORD OF WARNING -- 1180 01:17:43,226 --> 01:17:47,028 HYPNOSIS, ALTHOUGH AN IMPORTANT AND VALUABLE MEDICAL TOOL, 1181 01:17:47,063 --> 01:17:49,830 CAN BE EXTREMELY DANGEROUS WHEN IMPROPERLY USED 1182 01:17:49,866 --> 01:17:53,267 BY UNTRAINED OR UNSCRUPULOUS PRACTITIONERS. 1183 01:17:53,302 --> 01:17:56,037 THEREFORE, NEVER ALLOW YOURSELF TO BE HYPNOTIZED 1184 01:17:56,072 --> 01:17:58,839 BY ANYONE WHO IS NOT A MEDICAL DOCTOR 1185 01:17:58,875 --> 01:18:02,576 OR WHO HAS NOT BEEN RECOMMENDED TO YOU BY YOUR DOCTOR -- 1186 01:18:02,612 --> 01:18:05,246 NOT EVEN IN A MOTION-PICTURE THEATER. 1187 01:18:05,281 --> 01:18:06,347 THANK YOU.