1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,749 --> 00:00:15,319 CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO 4 00:01:18,382 --> 00:01:19,688 [REGGAE MUSIC PLAYING] 5 00:01:19,731 --> 00:01:22,430 Buju Banton: ♪ WANT THE WORLD KNOW 6 00:01:22,473 --> 00:01:26,216 ♪ KNOW EVERYTHING, MUST BE SOMEWHERE FOR ME ♪ 7 00:01:26,260 --> 00:01:30,220 ♪ I WANT YOUR LOVE, I NEED IT DESPERATELY ♪ 8 00:01:30,264 --> 00:01:31,961 ♪ YOUR LOVE 9 00:01:32,004 --> 00:01:33,745 ♪ I WANNA BE LOVED 10 00:01:33,789 --> 00:01:35,312 ♪ NOT FOR WHO YOU THINK I AM 11 00:01:35,356 --> 00:01:37,314 ♪ NOT WHAT YOU WANT ME TO BE 12 00:01:37,358 --> 00:01:39,403 ♪ COULD YOU LOVE ME FOR ME? 13 00:01:39,447 --> 00:01:40,578 WELL? NERVOUS? 14 00:01:40,622 --> 00:01:41,579 GOOD LUCK! 15 00:01:41,623 --> 00:01:43,233 GOD, I CAN'T WAIT TILL IT'S OVER. 16 00:01:43,277 --> 00:01:44,104 THANKS! 17 00:01:44,147 --> 00:01:45,366 YOU'LL BE FINE. JUST CHILL. 18 00:01:45,409 --> 00:01:46,976 JUST DON'T LET THE OCCASION GET TO YOU. 19 00:01:47,019 --> 00:01:48,760 HEY, GOOD LUCK WITH TOMORROW. 20 00:01:48,804 --> 00:01:49,848 THANKS, ANN. 21 00:01:49,892 --> 00:01:52,242 ♪ BEEN SEARCHIN' A LONG, LONG TIME ♪ 22 00:01:52,286 --> 00:01:54,157 ♪ FOR THAT OH, SO TRUE LOVE ♪ 23 00:01:54,201 --> 00:01:56,246 ♪ TO COMFORT THIS HEART OF MINE ♪ 24 00:01:56,290 --> 00:01:57,856 ♪ NO, I CAN'T STOP... 25 00:01:57,900 --> 00:01:59,641 YOU WILL BE THERE, WON'T YOU? 26 00:01:59,684 --> 00:02:00,729 OF COURSE I WILL. 27 00:02:00,772 --> 00:02:01,860 IT'S NOT EVERY DAY 28 00:02:01,904 --> 00:02:03,253 THAT ONE OF MY TRAINEES GETS MARRIED. 29 00:02:03,297 --> 00:02:05,342 ♪ I'M TELLIN' YOU, LADY 30 00:02:05,386 --> 00:02:06,517 ♪ I'M ONLY HUMAN 31 00:02:06,561 --> 00:02:08,432 ♪ I'M NOT BE LOOKIN' FOR IMPOSSIBILITY ♪ 32 00:02:08,476 --> 00:02:12,175 ♪ JUST A GENUINE WOMAN WITH SINCERITY ♪ 33 00:02:12,219 --> 00:02:13,394 ♪ SOMEONE WHO... 34 00:02:13,437 --> 00:02:15,657 OH, I'VE GOT TO HURRY UP. GOT SO MUCH TO DO. 35 00:02:15,700 --> 00:02:18,312 GOOD LUCK. DON'T BE LATE. 36 00:02:18,355 --> 00:02:20,140 I'M SURE IT'S HIM THAT'S GONNA BE LATE. 37 00:02:20,183 --> 00:02:22,011 ♪ ALL THE POSITIVE MEANINGS ♪ 38 00:02:22,054 --> 00:02:24,579 ♪ LOVE ME MORNING, NOON ALL SEASONS ♪ 39 00:02:24,622 --> 00:02:26,711 ♪ I WANNA BE LOVED 40 00:02:26,755 --> 00:02:28,322 ♪ NOT FOR WHO YOU THINK I AM 41 00:02:28,365 --> 00:02:30,976 ♪ NOR WHAT YOU WANT ME TO BE 42 00:02:31,020 --> 00:02:31,847 HI.HELLO, SIR. 43 00:02:31,890 --> 00:02:32,935 I REALLY NEED SOME FLOWERS. 44 00:02:32,978 --> 00:02:35,242 THOSE WILL BE GREAT. HOW MUCH IS THAT? 45 00:02:35,285 --> 00:02:36,068 $3.50. 46 00:02:36,112 --> 00:02:38,375 $3.50. HERE'S A 5.WAIT. 47 00:02:39,333 --> 00:02:40,464 OI. 48 00:02:40,508 --> 00:02:41,248 HA HA. 49 00:02:41,291 --> 00:02:42,901 ALL RIGHT? HERE. 50 00:02:42,945 --> 00:02:43,859 HERE'S THE TAPE. 51 00:02:43,902 --> 00:02:45,556 IT'S GOOD. YOU'LL LIKE THAT ONE. 52 00:02:45,600 --> 00:02:46,427 HERE YOU GO. 53 00:02:46,470 --> 00:02:48,124 GOOD LUCK. YOU'LL NEED IT. 54 00:02:48,168 --> 00:02:51,345 ♪ I'M LIKE WAITING ON SOME HONEY BUT THERE AIN'T NO QUEEN BEE ♪ 55 00:02:51,388 --> 00:02:55,000 ♪ EVERYBODY'S LAUGHING SOME SAY I'M SILLY ♪ 56 00:02:55,044 --> 00:02:58,352 ♪ NO INFATUATION, NO LOVE FANTASY ♪ 57 00:02:58,395 --> 00:03:00,702 ♪ WOMAN, YOU LEAD MY LIFE LIKE A STRING ♪ 58 00:03:00,745 --> 00:03:04,271 ♪ I CAN'T TAKE THE ON AND OFF THING ♪ 59 00:03:04,314 --> 00:03:07,317 ♪ I AM OH SO LONELY INSIDE ♪ 60 00:03:07,361 --> 00:03:09,276 ♪ SO I SING LOVE ME 61 00:03:09,319 --> 00:03:11,191 ♪ NOT FOR WHO YOU THINK I AM 62 00:03:11,234 --> 00:03:13,236 ♪ NOR WHAT YOU WANT ME TO BE 63 00:03:13,280 --> 00:03:14,890 SYLVIA! 64 00:03:14,933 --> 00:03:16,021 WAIT. 65 00:03:16,065 --> 00:03:17,327 YOU CAN'T MARRY HIM. 66 00:03:17,371 --> 00:03:19,329 LOOK, THERE'S SOMETHING REALLY IMPORTANT 67 00:03:19,373 --> 00:03:21,549 THAT YOU'VE GOT TO KNOW ABOUT THIS GUY. 68 00:03:21,592 --> 00:03:22,811 HE'S ALREADY MARRIED. 69 00:03:22,854 --> 00:03:25,422 I SAW HIM COMING OUT OF "RELATE" THE OTHER DAY. 70 00:03:25,466 --> 00:03:27,729 IF YOU MARRY HIM, YOU'RE A BIGAMIST. 71 00:03:27,772 --> 00:03:28,599 COME ON, VIC. 72 00:03:28,643 --> 00:03:29,948 YOU CAN DO BETTER THAN THIS. 73 00:03:29,992 --> 00:03:31,298 YESTERDAY HE WAS A TERRORIST, 74 00:03:31,341 --> 00:03:33,125 THE DAY BEFORE, A DRUG DEALER. 75 00:03:33,169 --> 00:03:34,257 WHO DO YOU THINK I AM? 76 00:03:34,301 --> 00:03:35,824 ALL RIGHT, HE'S NOT A TERRORIST, 77 00:03:35,867 --> 00:03:38,087 BUT, LOOK, YOU STILL CAN'T MARRY HIM. 78 00:03:38,130 --> 00:03:41,264 GIVE ME ONE GOOD REASON. 79 00:03:42,309 --> 00:03:43,397 BECAUSE I LOVE YOU. 80 00:03:43,440 --> 00:03:45,486 OH, VIC, YOU DON'T LOVE ME. 81 00:03:45,529 --> 00:03:46,704 YOU LOVE THE FOOL 82 00:03:46,748 --> 00:03:48,489 WHO USED TO TIDY UP BEHIND YOU, 83 00:03:48,532 --> 00:03:49,620 LICK YOUR BOOTS, 84 00:03:49,664 --> 00:03:50,969 STAY UP HALF THE NIGHT 85 00:03:51,013 --> 00:03:52,362 LISTENING TO YOUR PATHETIC DELUSIONS OF GRANDEUR-- 86 00:03:52,406 --> 00:03:55,583 WHO YOU DUMPED FOR THAT ACTRESS, REMEMBER? 87 00:03:57,280 --> 00:03:59,804 WELL, I'M NOT THAT FOOL ANYMORE, THANK GOD. 88 00:03:59,848 --> 00:04:02,677 LOOK, THAT WAS A MISTAKE. 89 00:04:03,330 --> 00:04:04,287 THE WORST MISTAKE 90 00:04:04,331 --> 00:04:06,289 I'VE EVER MADE IN MY WHOLE LIFE. 91 00:04:06,333 --> 00:04:07,769 I DIDN'T MEAN IT. 92 00:04:07,812 --> 00:04:09,292 I WAS STUPID. 93 00:04:09,336 --> 00:04:11,294 I WAS IMMATURE. I WAS... 94 00:04:11,338 --> 00:04:13,122 OK.YOU WERE A BASTARD. 95 00:04:13,165 --> 00:04:14,384 I'M GONNA MARRY DAVE, 96 00:04:14,428 --> 00:04:16,778 AND THERE'S NOTHING YOU CAN DO OR SAY 97 00:04:16,821 --> 00:04:18,693 TO STOP ME. 98 00:04:19,346 --> 00:04:20,434 SYLVIA, I'VE CHANGED. 99 00:04:20,477 --> 00:04:24,699 I PROMISE YOU I'VE CHANGED. 100 00:04:25,743 --> 00:04:26,527 Alison: BASTARD. 101 00:04:26,570 --> 00:04:29,225 YOU MUSTN'T LISTEN TO HIM. 102 00:04:29,269 --> 00:04:30,748 HE'S JUST PUTTING ON AN ACT. 103 00:04:30,792 --> 00:04:32,620 HE'S AN ACTOR, REMEMBER? 104 00:04:32,663 --> 00:04:34,230 A PRETTY BAD ONE. 105 00:04:34,274 --> 00:04:36,276 I KNOW. 106 00:04:36,885 --> 00:04:38,278 LOOK... 107 00:04:38,321 --> 00:04:40,236 I'M GONNA TELL YOU SOMETHING I HAVEN'T TOLD YOU BEFORE 108 00:04:40,280 --> 00:04:42,107 BECAUSE I DIDN'T WANT TO HURT YOU. 109 00:04:42,151 --> 00:04:46,721 VICTOR IS THE WORST THING THAT EVER HAPPENED TO YOU. 110 00:04:46,764 --> 00:04:47,765 SUCH A PHONY. 111 00:04:47,809 --> 00:04:49,289 ALLIE, YOU'RE TALKING ABOUT THE MAN 112 00:04:49,332 --> 00:04:52,248 I SPENT 6 YEARS OF MY LIFE WITH. 113 00:04:52,292 --> 00:04:54,294 I WAS VERY HAPPY... 114 00:04:54,337 --> 00:04:56,426 MOST OF THE TIME. 115 00:04:56,470 --> 00:04:58,254 IT'S JUST THAT I LOVED HIM TOO MUCH. 116 00:04:58,298 --> 00:05:00,648 REMEMBER, IT WAS HIM WHO DUMPED YOU 117 00:05:00,691 --> 00:05:02,040 FOR ANOTHER GIRL. 118 00:05:02,084 --> 00:05:04,173 IT WAS A TERRIBLE MISTAKE. 119 00:05:04,216 --> 00:05:06,958 I DIDN'T SAY GETTING INVOLVED WITH CAROL 120 00:05:07,002 --> 00:05:08,351 WAS A TERRIBLE MISTAKE. 121 00:05:08,395 --> 00:05:12,224 WHAT WAS A TERRIBLE MISTAKE WAS TELLING SYLVIA. 122 00:05:12,268 --> 00:05:14,488 AT LEAST I WAS HONEST. 123 00:05:14,531 --> 00:05:16,446 SHE'S GONE. 124 00:05:16,707 --> 00:05:20,407 SHE'S NOT COMING BACK, YOU KNOW? 125 00:05:20,450 --> 00:05:23,758 MATE, IT'S NOT THE END OF THE WORLD. 126 00:05:23,801 --> 00:05:26,282 PLENTY MORE FISH IN THE SEA. 127 00:05:26,326 --> 00:05:27,327 I MEAN, LOOK. 128 00:05:27,370 --> 00:05:28,284 Huh? 129 00:05:28,328 --> 00:05:29,241 AHEM. 130 00:05:29,285 --> 00:05:31,374 HEY, DO YOU KNOW WHO THIS GUY IS? 131 00:05:31,418 --> 00:05:32,114 NO. 132 00:05:32,157 --> 00:05:33,724 HE IS VICTOR BUKOWSKI, 133 00:05:33,768 --> 00:05:35,596 A VERY, VERY WELL-KNOWN ACTOR. 134 00:05:35,639 --> 00:05:38,338 Waitress: HE'S GOT A NICE HAIRY NECK. 135 00:05:38,381 --> 00:05:39,426 [LAUGHTER] 136 00:05:39,469 --> 00:05:40,427 THERE, YOU SEE? 137 00:05:40,470 --> 00:05:41,950 SAYS YOU'VE GOT A NICE HAIRY NECK. 138 00:05:41,993 --> 00:05:43,081 EH? 139 00:05:43,125 --> 00:05:44,605 SHE'S IN THE BAG. 140 00:05:44,648 --> 00:05:46,868 [CHUCKLES] 141 00:05:47,738 --> 00:05:49,653 HI! THERE HE IS. 142 00:05:49,697 --> 00:05:53,353 OOH. YOU'RE SO LUCKY. 143 00:05:54,092 --> 00:05:55,180 HI. 144 00:05:55,224 --> 00:05:56,094 HI.HI. 145 00:05:56,138 --> 00:05:57,792 ALLIE, HOW ARE YOU DOING? 146 00:05:57,835 --> 00:05:59,010 I'M FINE. 147 00:05:59,054 --> 00:05:59,968 SWEETHEART. 148 00:06:00,011 --> 00:06:01,404 IT'S GREAT TO SEE HER SO HAPPY. 149 00:06:01,448 --> 00:06:03,885 SHE'S BEEN TALKING ABOUT YOU ALL DAY. 150 00:06:03,928 --> 00:06:04,581 ALLIE. 151 00:06:04,625 --> 00:06:06,583 OOH. I GOTTA GO. 152 00:06:07,758 --> 00:06:10,239 I'LL SEE YOU GUYS TOMORROW... 153 00:06:10,282 --> 00:06:11,762 AT CHURCH! 154 00:06:11,806 --> 00:06:13,373 BYE!BYE! 155 00:06:13,416 --> 00:06:14,330 HELLO, BABE. 156 00:06:14,374 --> 00:06:16,506 LOOK, VIC, WE ALL MAKE MISTAKES. 157 00:06:16,550 --> 00:06:18,421 BUT WE LEARN FROM THEM, 158 00:06:18,465 --> 00:06:20,118 AND WE GET OVER THEM. 159 00:06:20,162 --> 00:06:23,557 YOU CAN'T DWELL ON THE PAST FOR THE REST OF YOUR LIFE. 160 00:06:23,600 --> 00:06:24,384 [BEEP] 161 00:06:24,427 --> 00:06:25,472 Recording: VICTOR BUKOWSKI. 162 00:06:25,515 --> 00:06:27,735 IT'S SEAN DALTREY HERE, YOUR AGENT. 163 00:06:27,778 --> 00:06:29,998 WHO THE FUCK DO YOU THINK YOU ARE, 164 00:06:30,041 --> 00:06:31,129 MARLON FUCKING BRANDO? 165 00:06:31,173 --> 00:06:33,262 YOU, MY FRIEND, ARE GOING DOWN THE PAN. 166 00:06:33,305 --> 00:06:34,829 LISTEN, DON'T ASK ME HOW, 167 00:06:34,872 --> 00:06:36,483 BUT I MANAGED TO GET YOU SOME WORK. 168 00:06:36,526 --> 00:06:37,962 IT'S A SCI-FI FILM CALLED 169 00:06:38,006 --> 00:06:40,312 IT'S CALLED THE RETURN OF KILLING SILHOUETTES. 170 00:06:40,356 --> 00:06:41,444 YOU GOT 3 LINES. 171 00:06:41,488 --> 00:06:43,315 YOU GOTTA BE DOWN THERE MONDAY, 5 A.M., 172 00:06:43,359 --> 00:06:44,491 AND FOR CHRIST'S SAKE, BUKOWSKI, 173 00:06:44,534 --> 00:06:46,362 DON'T ARGUE WITH THE DIRECTOR THIS TIME. 174 00:06:46,406 --> 00:06:48,408 THIS JOB IS YOUR LAST FUCKING CHANCE, OK? 175 00:06:48,451 --> 00:06:50,453 OH, AND BY THE WAY, YOU'RE A MARTIAN. 176 00:06:50,497 --> 00:06:51,323 [BEEP] 177 00:06:51,367 --> 00:06:53,804 [ANSWERING MACHINE STOPS] 178 00:07:12,649 --> 00:07:13,563 MY EX-GIRLFRIEND. 179 00:07:13,607 --> 00:07:15,435 SHE'S GETTING MARRIED TOMORROW. 180 00:07:15,478 --> 00:07:16,348 OH, IS SHE? 181 00:07:16,392 --> 00:07:17,480 YEAH. 182 00:07:17,524 --> 00:07:20,309 WE WERE TOGETHER FOR 6 YEARS AND 25 DAYS. 183 00:07:20,352 --> 00:07:22,267 AND NOW SHE'S GETTING MARRIED 184 00:07:22,311 --> 00:07:23,530 TO SOMEBODY ELSE. 185 00:07:23,573 --> 00:07:24,356 Clerk: SHE'S MARRYING THIS OTHER GUY TOMORROW? 186 00:07:24,400 --> 00:07:26,446 THAT'S A PHOTOGRAPH OF HER. 187 00:07:26,489 --> 00:07:27,969 SHE'S A BEAUTIFUL GIRL. 188 00:07:28,012 --> 00:07:29,405 SHE'S BEAUTIFUL, ISN'T SHE? 189 00:07:29,449 --> 00:07:30,928 AND NOW SHE'S GONNA GO MARRY SOME OTHER GUY. 190 00:07:30,972 --> 00:07:34,236 I'M MADLY IN LOVE WITH HER AND SHE LEFT ME 8 MONTHS AGO. 191 00:07:34,279 --> 00:07:36,064 YOU EVER DO SOMETHING SO TERRIBLE 192 00:07:36,107 --> 00:07:39,720 THAT YOU'D GIVE ANYTHING IN THE WORLD TO PUT IT RIGHT? 193 00:07:39,763 --> 00:07:43,332 ARE YOU DRINKING FROM A GUILTY CONSCIENCE 194 00:07:43,375 --> 00:07:46,378 OR BECAUSE YOU STILL LOVE HER? 195 00:07:46,422 --> 00:07:49,207 YOU DON'T DRINK ON A GUILTY CONSCIENCE 196 00:07:49,251 --> 00:07:52,384 AFTER, LIKE, 8 MONTHS. 197 00:07:52,428 --> 00:07:54,299 MMM. YOU WANNA BE SURE. 198 00:07:54,343 --> 00:07:55,562 WHAT'S THE SAYING? 199 00:07:55,605 --> 00:07:59,130 2 WRONGS DON'T MAKE A RIGHT. 200 00:08:01,437 --> 00:08:02,351 SO WHAT STOPS YOU TWO 201 00:08:02,394 --> 00:08:05,093 FROM GETTING BACK TOGETHER THEN? 202 00:08:05,572 --> 00:08:06,921 JUST THE FACT 203 00:08:06,964 --> 00:08:09,837 THAT SHE'S GETTING MARRIED TO SOMEBODY ELSE TOMORROW. 204 00:08:09,880 --> 00:08:15,103 SOME ASSHOLE THAT SHE MET IN A GYM. 205 00:08:15,407 --> 00:08:16,539 I MEAN, CAN YOU IMAGINE 206 00:08:16,583 --> 00:08:19,847 MARRYING SOMEBODY THAT YOU MET IN A GYM? 207 00:08:19,890 --> 00:08:21,239 WHERE DID SHE FIRST MEET YOU? 208 00:08:21,283 --> 00:08:25,896 IN A PSYCHIATRIC HOSPITAL. 209 00:08:26,506 --> 00:08:28,072 NO, I WAS... 210 00:08:28,116 --> 00:08:29,987 WORKING IN THE CAFE THERE, 211 00:08:30,031 --> 00:08:32,381 AND SHE WAS A STUDENT. 212 00:08:33,121 --> 00:08:35,253 SO WHAT KIND OF PERSON DO YOU MEET 213 00:08:35,297 --> 00:08:37,429 IN A PSYCHIATRIC HOSPITAL? 214 00:08:38,169 --> 00:08:39,475 LOSER. 215 00:08:39,519 --> 00:08:42,696 SOME ACTOR WHO THINKS HE'S MARLON FUCKING BRANDO. 216 00:08:42,739 --> 00:08:44,349 AN ACTOR? WOW. 217 00:08:44,393 --> 00:08:46,047 YEAH, UNEMPLOYED ACTOR. 218 00:08:46,090 --> 00:08:47,048 REALLY? 219 00:08:47,091 --> 00:08:47,918 MM-HMM. 220 00:08:47,962 --> 00:08:49,093 I'M SURPRISED, 221 00:08:49,137 --> 00:08:50,660 'CAUSE YOU'VE GOT A VERY INTERESTING FACE. 222 00:08:50,704 --> 00:08:51,574 OH, NO, I DON'T. 223 00:08:51,618 --> 00:08:52,836 NO, YOU DO, YOU DO. 224 00:08:52,880 --> 00:08:54,621 I CAN SPOT A CHARISMATIC FACE FROM A MILE OUT. 225 00:08:54,664 --> 00:08:55,709 WELL, APPARENTLY, 226 00:08:55,752 --> 00:08:57,580 I DON'T HAVE A VERY CHARISMATIC MOUTH. 227 00:08:57,624 --> 00:08:58,799 NO, I ARGUE TOO MUCH. 228 00:08:58,842 --> 00:09:01,628 DID YOU USED TO ARGUE WITH HER, TOO? 229 00:09:01,671 --> 00:09:04,282 NO. 230 00:09:04,326 --> 00:09:07,459 WE HAD SOMETHING REALLY SPECIAL, 231 00:09:07,503 --> 00:09:08,548 YOU KNOW? 232 00:09:08,591 --> 00:09:09,636 YEAH. 233 00:09:09,679 --> 00:09:11,246 SOMETHING SPECIAL. 234 00:09:11,289 --> 00:09:12,464 WHY DO WE ALWAYS THINK 235 00:09:12,508 --> 00:09:14,205 WE'VE FOUND SOMETHING SPECIAL, 236 00:09:14,249 --> 00:09:15,685 SOMETHING UNREPEATABLE, 237 00:09:15,729 --> 00:09:17,992 YOUR ONE AND ONLY TRUE LOVE? 238 00:09:18,035 --> 00:09:20,124 AND YOU ALWAYS END UP TELLING 239 00:09:20,168 --> 00:09:23,084 THE SAME OLD STORY. 240 00:09:23,127 --> 00:09:24,651 SO... 241 00:09:24,694 --> 00:09:27,392 DID YOU AT LEAST HAVE THE GUTS TO TELL HER 242 00:09:27,436 --> 00:09:29,264 OR DID SHE FIND OUT? 243 00:09:29,307 --> 00:09:30,221 NO, I TOLD HER. 244 00:09:30,265 --> 00:09:33,616 I'D BEEN SEEING THIS GIRL CAROL 245 00:09:33,660 --> 00:09:35,662 WHO WAS AN ACTRESS, 246 00:09:35,705 --> 00:09:39,796 WHO I THOUGHT THAT I'D FALLEN IN LOVE WITH. 247 00:09:39,840 --> 00:09:40,971 [MOANING] 248 00:09:41,015 --> 00:09:44,540 WE WERE AT HER FLAT AFTER REHEARSALS, 249 00:09:44,584 --> 00:09:48,283 AND SHE WAS IN THE PLAY I WAS IN AT THAT TIME. 250 00:09:48,326 --> 00:09:49,284 BUT I DON'T KNOW. 251 00:09:49,327 --> 00:09:52,287 I JUST--I WASN'T WITH HER THAT DAY. 252 00:09:52,330 --> 00:09:54,289 I KNOW, DEEP IN MY HEART, 253 00:09:54,332 --> 00:09:55,420 I WAS FEELING BAD, 254 00:09:55,464 --> 00:09:57,640 AND WORRIED ABOUT SYLVIA, 255 00:09:57,684 --> 00:10:00,948 SO WHEN I LEFT CAROL'S FLAT I WAS IN A STRANGE MOOD, 256 00:10:00,991 --> 00:10:03,341 AND THEN TO MAKE MATTERS 10 TIMES WORSE, 257 00:10:03,385 --> 00:10:04,516 IT WAS CARNIVAL. 258 00:10:04,560 --> 00:10:05,648 ♪ LET'S GO! 259 00:10:05,692 --> 00:10:07,084 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 260 00:10:07,128 --> 00:10:08,259 ♪ FOLLOW THE LEADER 261 00:10:08,303 --> 00:10:11,001 Victor: IF THERE'S ONE THING ON THE PLANET 262 00:10:11,045 --> 00:10:12,742 THAT I ABSOLUTELY HATE, 263 00:10:12,786 --> 00:10:14,396 IT'S THE NOTTING HILL CARNIVAL. 264 00:10:14,439 --> 00:10:15,963 BECAUSE, I MEAN, IF YOU LIVE THERE, 265 00:10:16,006 --> 00:10:17,486 FOR 3 DAYS IT'S JUST MAYHEM. 266 00:10:17,529 --> 00:10:19,662 YOU CAN'T SLEEP, YOU CAN'T THINK, 267 00:10:19,706 --> 00:10:20,924 YOU CAN'T BREATHE. 268 00:10:20,968 --> 00:10:22,360 AND I'VE NEVER UNDERSTOOD 269 00:10:22,404 --> 00:10:23,884 WHY THEY CAN'T HAVE IT IN WINTER 270 00:10:23,927 --> 00:10:26,234 LIKE THEY DO IN MOST NORMAL COUNTRIES 271 00:10:26,277 --> 00:10:27,670 INSTEAD OF AUGUST. 272 00:10:27,714 --> 00:10:29,280 AT THIS POINT, 273 00:10:29,324 --> 00:10:31,195 I WAS THINKING WHAT TO TELL SYLVIA 274 00:10:31,239 --> 00:10:32,457 IN CASE SHE ASKED ME. 275 00:10:32,501 --> 00:10:34,285 WHEN ALL OF A SUDDEN, I THOUGHT I HEARD FREDDY 276 00:10:34,329 --> 00:10:36,679 GIVING ME ONE OF HIS USUAL PIECES OF ADVICE. 277 00:10:36,723 --> 00:10:38,638 FOR THESE KINDS OF SITUATIONS. 278 00:10:38,681 --> 00:10:40,727 FIRST HAVE A BEER BEFORE YOU GO HOME 279 00:10:40,770 --> 00:10:41,858 SO YOU SMELL OF ALCOHOL! 280 00:10:41,902 --> 00:10:43,338 SECOND, NICK SOMETHING FROM HER DRAWERS! 281 00:10:43,381 --> 00:10:44,861 AN EARRING OR A NECKLACE! 282 00:10:44,905 --> 00:10:47,385 SAY I GAVE IT TO YOU, FOUND IT AT HOME. 283 00:10:47,429 --> 00:10:51,520 Victor: THEN I RUN INTO SYLVIA'S BEST FRIEND. 284 00:10:51,563 --> 00:10:57,308 ALISON IS A KING-SIZE PAIN IN THE ASS. 285 00:10:57,352 --> 00:11:00,268 MANAGED TO HIDE FROM HER. 286 00:11:01,312 --> 00:11:03,010 Victor: ANYWAY... 287 00:11:03,053 --> 00:11:06,535 I FINALLY ARRIVED HOME... 288 00:11:06,578 --> 00:11:07,623 HI. 289 00:11:07,667 --> 00:11:09,712 Victor: AND THERE SHE IS. 290 00:11:09,756 --> 00:11:11,279 HI. 291 00:11:14,456 --> 00:11:16,284 I WAS, UH... 292 00:11:16,327 --> 00:11:18,155 I WAS JUST TALKING TO A FRIEND ON THE PHONE, 293 00:11:18,199 --> 00:11:20,201 AND SHE SAID SHE SAW YOU TODAY. 294 00:11:20,244 --> 00:11:21,637 REALLY? 295 00:11:22,377 --> 00:11:23,160 WHERE? 296 00:11:23,204 --> 00:11:25,597 GOING INTO A HOUSE. 297 00:11:27,034 --> 00:11:29,384 YEAH. FREDDY'S HOUSE. 298 00:11:29,427 --> 00:11:31,429 WASN'T HIS STREET. 299 00:11:31,734 --> 00:11:34,911 WHAT AM I TALKING ABOUT? FREDDY'S GIRLFRIENDS HOUSE. 300 00:11:34,955 --> 00:11:37,131 YOU WENT ON YOUR OWN. 301 00:11:37,174 --> 00:11:38,393 I KNOW, I KNOW, I KNOW. 302 00:11:38,436 --> 00:11:41,657 I WAS WITH FREDDY'S GIRLFRIEND. 303 00:11:41,701 --> 00:11:43,441 I BUMPED INTO HER 304 00:11:43,485 --> 00:11:45,792 WHEN I WAS WALKING DOWN THE STREET. 305 00:11:45,835 --> 00:11:48,055 WHAT A COINCIDENCE. 306 00:11:48,098 --> 00:11:50,100 YEAH, ISN'T IT? 307 00:11:54,670 --> 00:11:56,193 ANOTHER THING, UM... 308 00:11:56,237 --> 00:11:58,500 BEFORE I FORGET... 309 00:12:00,458 --> 00:12:03,070 FREDDY GAVE ME THIS, 310 00:12:03,113 --> 00:12:04,114 AND WAS WONDERING 311 00:12:04,158 --> 00:12:06,029 WHETHER OR NOT IT MIGHT BE YOURS. 312 00:12:06,073 --> 00:12:07,422 MAYBE YOU DROPPED IT 313 00:12:07,465 --> 00:12:09,337 THE LAST TIME YOU WERE OVER THERE. 314 00:12:09,380 --> 00:12:11,252 BECAUSE HE'D ALREADY ASKED HIS GIRLFRIEND, 315 00:12:11,295 --> 00:12:13,297 AND SHE SAID NO, IT WASN'T HERS. 316 00:12:13,341 --> 00:12:14,777 AND SO HE WAS WONDERING 317 00:12:14,821 --> 00:12:16,779 WHETHER OR NOT IT MIGHT BE YOURS. 318 00:12:16,823 --> 00:12:18,912 IS IT YOURS? 319 00:12:27,877 --> 00:12:29,574 YEAH. 320 00:12:31,141 --> 00:12:32,360 IT'S MINE. 321 00:12:32,403 --> 00:12:33,404 OH, GOOD. 322 00:12:33,448 --> 00:12:35,232 MUST'VE DROPPED IT. 323 00:12:35,276 --> 00:12:36,190 MM-HMM. 324 00:12:36,233 --> 00:12:38,496 BEEN LOOKING FOR THAT FOR AGES. 325 00:12:42,326 --> 00:12:44,154 HAVE YOU EATEN? 326 00:12:44,198 --> 00:12:44,851 NO. 327 00:12:44,894 --> 00:12:46,200 HOW'S THE CARNIVAL? 328 00:12:46,243 --> 00:12:48,768 IT'S AS INSANE AS IT EVER IS. 329 00:12:48,811 --> 00:12:50,378 I HATE IT SO. 330 00:12:50,421 --> 00:12:51,292 OH, LET'S GO. 331 00:12:51,335 --> 00:12:52,815 WHAT, YOU WANT TO GO OUT IN IT? 332 00:12:52,859 --> 00:12:54,686 YEAH. I HAVEN'T BEEN OUT ALL DAY. 333 00:12:54,730 --> 00:12:57,211 BUT YOU CAN'T-- YOU CAN'T MOVE OUT THERE. 334 00:12:57,254 --> 00:12:58,821 COME ON. 335 00:12:58,865 --> 00:13:00,867 [SIGHS] 336 00:13:01,345 --> 00:13:03,217 YOU CAN GRIND. 337 00:13:03,260 --> 00:13:04,871 [LAUGHS] 338 00:13:04,914 --> 00:13:06,176 YEAH. 339 00:13:06,220 --> 00:13:07,874 YEAH, ALL RIGHT THEN. 340 00:13:07,917 --> 00:13:09,005 YEAH? 341 00:13:09,049 --> 00:13:11,921 OK. OK. LET'S GO AND DO CARNIVAL THINGS. 342 00:13:12,443 --> 00:13:14,010 WON'T BE A MINUTE. 343 00:13:14,054 --> 00:13:15,707 ALL RIGHT. 344 00:13:25,239 --> 00:13:26,370 SYLVIA... 345 00:13:26,414 --> 00:13:28,329 I'M COMING. 346 00:13:31,027 --> 00:13:33,290 IT'S WASN'T FREDDY'S GIRLFRIEND'S HOUSE. 347 00:13:33,334 --> 00:13:37,338 IT WASN'T FREDDY'S GIRLFRIEND. 348 00:13:37,381 --> 00:13:38,730 WHAT? 349 00:13:44,171 --> 00:13:47,391 SO WHY DIDN'T YOU KEEP LYING? 350 00:13:47,435 --> 00:13:50,307 YOU WERE DOING REALLY WELL. 351 00:13:56,183 --> 00:13:57,793 DO YOU LOVE HER? 352 00:13:57,837 --> 00:13:59,708 DO YOU? 353 00:14:00,361 --> 00:14:02,319 YES. 354 00:14:03,755 --> 00:14:07,063 YOU FUCKING BASTARD. 355 00:14:07,107 --> 00:14:08,021 SYLVIA-- 356 00:14:08,064 --> 00:14:09,370 GO ON. GET THE FUCK OUT OF HERE! 357 00:14:09,413 --> 00:14:10,588 GO FUCK YOURSELF! 358 00:14:10,632 --> 00:14:12,721 SYLVIA!FUCK OFF! 359 00:14:42,969 --> 00:14:45,275 [THUNDER] 360 00:14:51,412 --> 00:14:54,458 IT WAS THE MOST HORRIBLE DAY OF MY LIFE. 361 00:14:54,502 --> 00:14:56,243 SO WHAT HAPPENED TO THE OTHER GIRL? 362 00:14:56,286 --> 00:15:00,725 AH, I DON'T KNOW. IT JUST KINDA FIZZLED OUT. 363 00:15:01,161 --> 00:15:02,814 I WOKE UP ONE DAY NEXT TO HER, 364 00:15:02,858 --> 00:15:06,209 AND I LOOKED AT HER AND I THOUGHT... 365 00:15:06,253 --> 00:15:08,429 "I DON'T LOVE YOU." 366 00:15:08,472 --> 00:15:10,387 STRANGE, ISN'T IT, 367 00:15:10,431 --> 00:15:13,216 HOW THE LIGHT JUST CHANGES SOMETIMES? 368 00:15:13,260 --> 00:15:15,566 [SOMBER PIANO MUSIC PLAYING] 369 00:15:15,610 --> 00:15:16,828 AND THEN... 370 00:15:16,872 --> 00:15:20,702 I TRIED TO GO BACK TO SYLVIA, BUT... 371 00:15:20,745 --> 00:15:22,399 I WAS TOO LATE. 372 00:15:22,443 --> 00:15:26,490 THE LIGHT HAD CHANGED FOR HER, TOO. 373 00:15:28,014 --> 00:15:28,971 YEAH. 374 00:15:29,015 --> 00:15:29,885 [CHIMES] 375 00:15:29,929 --> 00:15:32,932 IF ONLY I COULD GO BACK AND... 376 00:15:41,418 --> 00:15:43,333 [EXHALES DEEPLY] 377 00:15:44,291 --> 00:15:48,295 NAH. THIS LAST ONE'S ON THE HOUSE. 378 00:15:53,082 --> 00:15:54,127 THANK YOU. 379 00:15:54,170 --> 00:15:55,911 SEE YOU. 380 00:15:55,955 --> 00:15:57,260 YEAH. 381 00:15:57,304 --> 00:15:58,958 [THUNDER] 382 00:15:59,001 --> 00:16:00,960 HEY. 383 00:16:01,786 --> 00:16:03,353 TAKE THIS. 384 00:16:03,397 --> 00:16:04,746 IT'S RAINING. 385 00:16:04,789 --> 00:16:07,836 IT'S A LITTLE FRAYED, BUT IT'S BETTER THAN NOTHING. 386 00:16:18,890 --> 00:16:21,284 [CACKLING] 387 00:16:50,357 --> 00:16:53,447 OOH! 388 00:17:00,715 --> 00:17:02,891 I FEEL LIKE SHIT. 389 00:17:02,934 --> 00:17:05,372 ME, TOO. I HAD A LONG DAY. 390 00:17:05,415 --> 00:17:09,463 GO ON. THROW ME IN YOUR TRUCK. 391 00:17:09,506 --> 00:17:11,247 SEÑOR. 392 00:17:11,291 --> 00:17:13,858 I THINK WE HAVE A PROBLEM HERE. 393 00:17:13,902 --> 00:17:14,946 ME. 394 00:17:14,990 --> 00:17:17,036 HE WANTS ME TO THROW HIM IN THE TRUCK. 395 00:17:17,079 --> 00:17:18,385 'CAUSE I'M RUBBISH. 396 00:17:18,428 --> 00:17:21,301 I THINK HE'S PISSED. 397 00:17:21,866 --> 00:17:24,739 WRONG, RAFAEL. WRONG. 398 00:17:24,782 --> 00:17:27,133 THIS POOR MAN IS DELUDED. 399 00:17:27,176 --> 00:17:29,918 AND IT IS NO FAULT OF HIS. 400 00:17:29,961 --> 00:17:31,050 NO, NO. 401 00:17:31,093 --> 00:17:34,227 THIS POOR MAN NEEDS OUR HELP. 402 00:17:34,270 --> 00:17:36,925 [TRUCK HORN HONKING] 403 00:17:38,274 --> 00:17:40,711 [LAUGHING] 404 00:17:41,451 --> 00:17:44,106 WHERE ARE WE GOING? 405 00:17:52,941 --> 00:17:55,683 Victor: WHOO! 406 00:18:08,304 --> 00:18:10,306 LOOK YONDER, MY FRIEND. 407 00:18:10,350 --> 00:18:11,699 [DOGS BARKING IN DISTANCE] 408 00:18:11,742 --> 00:18:13,918 IT'S ALL THERE. 409 00:18:14,484 --> 00:18:17,270 THE THINGS YOU THREW AWAY. 410 00:18:17,313 --> 00:18:20,055 THE THINGS YOU DID NOT WANT ANYMORE. 411 00:18:20,099 --> 00:18:23,624 THE THINGS YOU WERE DESIROUS TO FORGET. 412 00:18:23,667 --> 00:18:28,107 THE THINGS THAT DID NOT FIT IN YOUR SADDLEBAG. 413 00:18:30,109 --> 00:18:32,328 AND THE THINGS... 414 00:18:32,372 --> 00:18:35,114 YOU LOST, TOO. 415 00:18:35,418 --> 00:18:37,464 IT ALL ENDS UP HERE. 416 00:18:37,507 --> 00:18:40,380 PUES YA EN LOS NIDOS DE ANTAÑO 417 00:18:40,423 --> 00:18:42,512 NO HAY PáJAROS HOGANO. 418 00:18:42,556 --> 00:18:44,384 WHAT? 419 00:18:44,427 --> 00:18:47,691 YOU NEED TO LET GO. 420 00:18:48,214 --> 00:18:52,392 Victor: HOW CAN PEOPLE THROW THINGS LIKE THIS AWAY? 421 00:18:54,481 --> 00:18:56,700 AND BOOKS. 422 00:18:56,744 --> 00:18:59,181 HOW CAN PEOPLE THROW AWAY BOOKS? 423 00:18:59,225 --> 00:19:01,531 AH, THAT I UNDERSTAND. 424 00:19:01,575 --> 00:19:02,576 OF COURSE, 425 00:19:02,619 --> 00:19:04,969 I CAN NEITHER READ NOR WRITE. 426 00:19:05,013 --> 00:19:06,754 BUT BOOKS ARE THE REASON 427 00:19:06,797 --> 00:19:08,669 WHY PEOPLE END UP SEEING GIANTS 428 00:19:08,712 --> 00:19:11,324 AND NOT WINDMILLS... DON MIGUEL. 429 00:19:11,367 --> 00:19:13,108 IF YOU READ BOOKS, FRIEND RAFAEL, 430 00:19:13,152 --> 00:19:14,457 PERHAPS A GREAT DEAL MORE 431 00:19:14,501 --> 00:19:16,285 WOULD FIT IN YOUR POCKETS. 432 00:19:16,329 --> 00:19:19,201 BUT FOR OUR NEW FRIEND AND MYSELF, 433 00:19:19,245 --> 00:19:21,377 THE FUTURE IS AN EVEN BIGGER POCKET, 434 00:19:21,421 --> 00:19:23,640 AND HE CANNOT SEE WHAT IT CONTAINS. 435 00:19:23,684 --> 00:19:27,253 YOU ARE EVADING THE ISSUE, RAFAEL. 436 00:19:27,296 --> 00:19:30,386 OUR FRIEND HERE... 437 00:19:30,778 --> 00:19:31,866 IS ENCHANTED, 438 00:19:31,909 --> 00:19:34,608 FOR HE SEES NO LIFE WITHOUT HIS PRINCESS 439 00:19:34,651 --> 00:19:39,134 NOW THAT SHE IS MARRYING ANOTHER KNIGHT. 440 00:19:47,186 --> 00:19:48,404 Victor: HOW DO THEY KNOW? 441 00:19:48,448 --> 00:19:50,493 Don Miguel: AND WE NEED TO DISENCHANT HIM. 442 00:19:50,537 --> 00:19:52,974 BUT IT DIDN'T WORK WITH DULCINEA, DON MIGUEL. 443 00:19:53,017 --> 00:19:54,367 OH, THAT WAS AN EXCEPTION. 444 00:19:54,410 --> 00:19:58,458 THIS TIME IT SHALLWORK. 445 00:20:00,634 --> 00:20:03,071 Don Miguel: SHOW ME. 446 00:20:03,376 --> 00:20:07,249 NOT HALF AS GOOD AS MASTER CERVANTES... 447 00:20:08,163 --> 00:20:10,252 BUT IT WILL DO. 448 00:20:12,385 --> 00:20:15,170 "FROM THIS WORLD-WEARIED FLESH, 449 00:20:15,214 --> 00:20:17,303 "EYES LOOK YOUR LAST. 450 00:20:17,346 --> 00:20:20,741 "ARMS, TAKE YOUR LAST EMBRACE. 451 00:20:20,784 --> 00:20:22,003 "AND LIPS-- 452 00:20:22,046 --> 00:20:24,614 "O YOU, THE DOORS OF BREATH, 453 00:20:24,658 --> 00:20:27,530 "SEAL WITH A RIGHTEOUS KISS 454 00:20:27,574 --> 00:20:29,706 "A DATELESS BARGAIN 455 00:20:29,750 --> 00:20:33,057 TO ENGROSSING DEATH." 456 00:20:34,755 --> 00:20:37,236 Don Miguel: YOU KNOW WHAT TO DO. 457 00:20:43,503 --> 00:20:46,288 WAIT, WAIT, WAIT, WAIT. HANG ON, HANG ON. 458 00:20:46,332 --> 00:20:47,289 I WAS--I WAS... 459 00:20:47,333 --> 00:20:50,031 I WAS ONLY JOKING. I--I DIDN'T... 460 00:20:50,074 --> 00:20:50,771 NOW. 461 00:20:50,814 --> 00:20:52,294 OK, OK, OK, OK. 462 00:20:52,338 --> 00:20:54,296 NOW, IT'S EASIER... 463 00:20:54,340 --> 00:20:56,167 IF YOU WEAR THIS. 464 00:20:56,211 --> 00:20:57,299 YOU'VE NEVER SEEN US. 465 00:20:57,343 --> 00:20:59,301 OTHERWISE... 466 00:20:59,345 --> 00:21:00,781 YOU'LL BREAK THE SPELL. 467 00:21:00,824 --> 00:21:05,307 YOUR HEART IS A KITE TANGLED IN A TREE. 468 00:21:05,351 --> 00:21:06,613 GO... 469 00:21:06,656 --> 00:21:08,919 AND DISENTANGLE IT. 470 00:21:15,491 --> 00:21:18,581 [DON MIGUEL AND RAFAEL LAUGHING] 471 00:21:18,625 --> 00:21:20,583 Don Miguel: HAVE YOU SENT THAT PAGE? 472 00:21:20,627 --> 00:21:21,715 Rafael: FIRST CLASS. 473 00:21:21,758 --> 00:21:23,369 HE WILL GET IT TOMORROW. 474 00:21:23,412 --> 00:21:24,370 TOMORROW? 475 00:21:24,413 --> 00:21:27,111 [LAUGHTER] 476 00:21:28,374 --> 00:21:32,682 TOMORROW WILL NOW BE A LONG TIME FOR HIM. 477 00:21:46,174 --> 00:21:48,829 [REGGAE MUSIC PLAYING] 478 00:21:54,225 --> 00:21:55,401 AAH! 479 00:21:55,444 --> 00:21:56,402 [SCREAM ECHOES] 480 00:21:56,445 --> 00:21:57,533 ♪ FOLLOW THE LEADER 481 00:21:57,577 --> 00:22:00,188 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 482 00:22:00,231 --> 00:22:01,320 ♪ FOLLOW THE LEADER 483 00:22:01,363 --> 00:22:03,365 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 484 00:22:03,409 --> 00:22:04,497 ♪ FOLLOW THE LEADER 485 00:22:04,540 --> 00:22:06,716 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 486 00:22:06,760 --> 00:22:09,545 ♪ FOLLOW THE LEADER, HANDS UP ♪ 487 00:22:10,024 --> 00:22:11,721 ♪ DOWN 488 00:22:11,765 --> 00:22:13,244 ♪ UP 489 00:22:13,288 --> 00:22:14,724 ♪ DOWN 490 00:22:14,768 --> 00:22:16,204 ♪ UP 491 00:22:16,247 --> 00:22:18,032 ♪ DOWN 492 00:22:18,075 --> 00:22:19,555 ♪ UP 493 00:22:19,599 --> 00:22:20,774 ♪ DOWN 494 00:22:20,817 --> 00:22:22,428 ♪ EVERYBODY, NOW PUT ONE HAND IN THE AIR ♪ 495 00:22:22,471 --> 00:22:24,473 ♪ ONE HAND IN THE AIR... 496 00:22:24,517 --> 00:22:26,345 THIS LAST YEAR'S STOCK? 497 00:22:26,388 --> 00:22:28,434 NO, THIS IS THIS YEAR'S STOCK. 498 00:22:28,477 --> 00:22:30,610 I'M NORMALLY LATE, BUT NOT THAT LATE. 499 00:22:30,653 --> 00:22:31,959 WHAT'S YOUR PROBLEM? 500 00:22:32,002 --> 00:22:35,397 Victor: I DON'T KNOW WHERE I AM. 501 00:22:35,441 --> 00:22:36,964 WHERE DO YOU WANT TO GO, SIR? 502 00:22:37,007 --> 00:22:40,663 I DON'T KNOW WHERE I AM IN TIME. 503 00:22:40,707 --> 00:22:43,362 IT'S 2 O'CLOCK. 504 00:22:43,405 --> 00:22:44,754 WHAT DAY IS IT? 505 00:22:44,798 --> 00:22:47,148 SUNDAY. CARNIVAL DAY. 506 00:22:47,191 --> 00:22:49,150 WHAT MONTH IS IT? 507 00:22:49,193 --> 00:22:49,933 AUGUST, SIR. 508 00:22:49,977 --> 00:22:51,587 ARE YOU ABSOLUTELY SURE? 509 00:22:51,631 --> 00:22:53,720 HAVE A GOOD ONE, SIR. 510 00:22:53,763 --> 00:22:56,113 YES! 511 00:22:56,157 --> 00:22:57,245 ♪ FOLLOW THE LEADER 512 00:22:57,288 --> 00:22:59,726 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 513 00:22:59,769 --> 00:23:00,857 ♪ FOLLOW THE LEADER 514 00:23:00,901 --> 00:23:03,164 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 515 00:23:03,207 --> 00:23:04,383 [BLOWING WHISTLE TO MUSIC] 516 00:23:04,426 --> 00:23:06,254 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 517 00:23:06,297 --> 00:23:08,343 ♪ FOLLOW THE LEADER, COME ON! 518 00:23:08,387 --> 00:23:10,432 WELL, MAYBE I SHOULD JUST ASK HIM OUTRIGHT. 519 00:23:10,476 --> 00:23:11,868 NO, 'CAUSE IF YOU'RE WRONG 520 00:23:11,912 --> 00:23:14,262 YOU'LL MAKE A FOOL OUT OF YOURSELF. 521 00:23:14,305 --> 00:23:16,612 THE ONE THING THAT NEVER FAILS. 522 00:23:16,656 --> 00:23:18,005 SAY SOMETHING LIKE, 523 00:23:18,048 --> 00:23:19,528 "I WAS CLEANING OUT THE ROOM 524 00:23:19,572 --> 00:23:20,877 "AND A PACK OF CONDOMS 525 00:23:20,921 --> 00:23:22,792 FELL OUT OF YOUR JACKET POCKET." 526 00:23:22,836 --> 00:23:23,967 IF VIC IS GUILTY, 527 00:23:24,011 --> 00:23:26,274 HE'LL GET ALL NERVOUS AND BETRAY HIMSELF. 528 00:23:26,317 --> 00:23:27,667 ALLIE, THAT'S TERRIBLE. 529 00:23:27,710 --> 00:23:29,016 HE'LL NEVER BELIEVE THAT. 530 00:23:29,059 --> 00:23:30,409 WELL, YOU COULD SAY SOMETHING LIKE, 531 00:23:30,452 --> 00:23:32,889 "I WAS SPEAKING TO A FRIEND TODAY ON THE PHONE, 532 00:23:32,933 --> 00:23:35,065 AND SHE SAID SHE SAW YOU TODAY." 533 00:23:35,109 --> 00:23:36,197 YEAH, THAT'S BETTER. 534 00:23:36,240 --> 00:23:39,026 YEAH, WE'LL HAVE TO IMPROVISE AFTER THAT. 535 00:23:39,069 --> 00:23:40,375 YEAH, I KNOW. 536 00:23:40,419 --> 00:23:42,725 LOOK, I'M JUST BEING SILLY. 537 00:23:42,769 --> 00:23:45,162 VIC'D NEVER DO ANYTHING LIKE THAT TO ME. 538 00:23:45,206 --> 00:23:46,729 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 539 00:23:46,773 --> 00:23:48,427 ♪ FOLLOW THE LEADER... 540 00:23:48,470 --> 00:23:49,602 YEAH, BYE. 541 00:23:49,645 --> 00:23:50,603 [BLOWING WHISTLE] 542 00:23:50,646 --> 00:23:54,345 ALLIE? ALLIE, CAN YOU HEAR ME? 543 00:23:56,696 --> 00:23:58,132 HI, AL! 544 00:23:58,175 --> 00:23:59,394 IT'S CARNIVAL, ALISON! 545 00:23:59,438 --> 00:24:01,440 DON'T YOU THINK IT'S GREAT? 546 00:24:01,483 --> 00:24:04,660 WHAT ARE YOU DOING HERE ALONE WITHOUT SYLVIA? 547 00:24:04,704 --> 00:24:05,966 WHAT? 548 00:24:06,009 --> 00:24:08,229 SHOULDN'T YOU BE AT HOME LOOKING AFTER HER A BIT? 549 00:24:08,272 --> 00:24:09,317 AT HOME? 550 00:24:09,360 --> 00:24:10,884 YES. 551 00:24:11,928 --> 00:24:13,060 HA HA! 552 00:24:13,103 --> 00:24:15,323 YOU'RE ABSOLUTELY RIGHT! 553 00:24:15,366 --> 00:24:16,367 YEAH! 554 00:24:16,411 --> 00:24:17,238 YEAH. 555 00:24:17,281 --> 00:24:20,067 YOU'RE ABSOLUTELY RIGHT! 556 00:24:20,110 --> 00:24:23,113 I'LL JUST GO AND GET HER. 557 00:24:23,679 --> 00:24:27,378 IT'S GREAT TO SEE YA, ALLIE! BYE! 558 00:24:27,422 --> 00:24:28,728 BYE. 559 00:24:29,032 --> 00:24:30,338 PISSED OUT OF HIS MIND. 560 00:24:30,381 --> 00:24:31,470 ♪ FOLLOW THE LEADER 561 00:24:31,513 --> 00:24:33,384 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 562 00:24:33,428 --> 00:24:34,516 ♪ FOLLOW THE LEADER 563 00:24:34,560 --> 00:24:36,431 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 564 00:24:36,475 --> 00:24:37,911 ♪ FOLLOW THE LEADER 565 00:24:37,954 --> 00:24:40,348 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 566 00:24:40,391 --> 00:24:41,262 ♪ FOLLOW THE LEADER 567 00:24:41,305 --> 00:24:42,481 ♪ FOLLOW THE LEADER... 568 00:24:42,524 --> 00:24:44,483 I WAS JUST TALKING TO A FRIEND ON THE PHONE, 569 00:24:44,526 --> 00:24:46,397 AND SHE SAID SHE SAW YOU TODAY. 570 00:24:46,441 --> 00:24:49,357 [BLOWING WHISTLE MUSICALLY] 571 00:24:52,447 --> 00:24:53,274 HI. 572 00:24:53,317 --> 00:24:54,884 [SHUTS DOOR] 573 00:24:54,928 --> 00:24:56,190 HIYA. 574 00:24:56,233 --> 00:24:58,322 UH, I WAS JUST TALKING TO A FRIEND ON THE PHONE. 575 00:24:58,366 --> 00:25:01,325 AND SHE SAID SHE SAW YOU TODAY. 576 00:25:12,554 --> 00:25:13,860 VIC... 577 00:25:13,903 --> 00:25:15,296 PLEASE. 578 00:25:16,297 --> 00:25:18,299 SLAP ME IN THE FACE. 579 00:25:20,606 --> 00:25:21,607 WHY? 580 00:25:21,650 --> 00:25:22,695 THERE'S NOTHING WRONG, NOTHING WRONG. 581 00:25:22,738 --> 00:25:25,567 JUST SLAP ME IN THE FACE...HARD. 582 00:25:25,611 --> 00:25:28,004 OK.PLEASE? 583 00:25:30,267 --> 00:25:32,313 SORRY. 584 00:25:34,315 --> 00:25:36,622 YOU'RE STILL HERE. 585 00:25:37,361 --> 00:25:38,319 YEAH. 586 00:25:38,362 --> 00:25:39,799 YOU'RE STILL HERE. 587 00:25:39,842 --> 00:25:40,930 I'M STILL HERE. 588 00:25:40,974 --> 00:25:44,325 "YOUR HEART IS A KITE TANGLED IN A TREE. 589 00:25:44,368 --> 00:25:46,283 GO AND DISENTANGLE IT." 590 00:25:46,327 --> 00:25:48,895 YOU'RE DRUNK. 591 00:25:50,549 --> 00:25:52,289 I AM. 592 00:25:52,333 --> 00:25:53,464 AND YOU'RE WET. 593 00:25:53,508 --> 00:25:56,903 I FELL IN A PUDDLE AT THE CARNIVAL. 594 00:25:56,946 --> 00:25:58,339 YOU WENT TO CARNIVAL? 595 00:25:58,382 --> 00:26:00,254 YEAH, I WENT TO THE CARNIVAL. 596 00:26:00,297 --> 00:26:01,342 LIKE THIS? 597 00:26:01,385 --> 00:26:02,212 YEAH. 598 00:26:02,256 --> 00:26:03,170 ARE YOU HOT? 599 00:26:03,213 --> 00:26:04,867 I'M ROASTING. 600 00:26:04,911 --> 00:26:05,999 WHOOPS. 601 00:26:06,042 --> 00:26:06,782 ♪ FOLLOW THE LEADER, LEADER, LEADER ♪ 602 00:26:06,826 --> 00:26:08,392 ♪ FOLLOW THE LEADER ♪ 603 00:26:08,436 --> 00:26:09,393 ♪ JUMP AND WAVE 604 00:26:09,437 --> 00:26:10,481 ♪ EVERYBODY, JUMP AND WAVE ♪ 605 00:26:10,525 --> 00:26:12,353 YOU HATETHE CARNIVAL. 606 00:26:12,396 --> 00:26:15,356 I DON'T ANYMORE. 607 00:26:18,228 --> 00:26:20,187 I LOVE YOU. 608 00:26:20,230 --> 00:26:22,406 MMM. I LOVE YOU, TOO. 609 00:26:22,450 --> 00:26:23,407 DO YOU? 610 00:26:23,451 --> 00:26:25,061 MM-HMM. 611 00:26:25,888 --> 00:26:27,455 OOF. 612 00:26:27,760 --> 00:26:29,065 SYLVIA... 613 00:26:29,109 --> 00:26:31,372 WILL YOU MARRY ME? 614 00:26:31,415 --> 00:26:32,373 OW! 615 00:26:32,416 --> 00:26:33,156 OW! 616 00:26:33,200 --> 00:26:34,244 YOU ARE SODRUNK. 617 00:26:34,288 --> 00:26:37,334 I KNOW, BUT--BUT WILL YOU MARRY ME? 618 00:26:37,378 --> 00:26:38,335 OH! 619 00:26:38,379 --> 00:26:39,554 [BOTH GIGGLING] 620 00:26:39,598 --> 00:26:42,252 [TICKING] 621 00:26:52,872 --> 00:26:54,787 PLEASE. 622 00:27:10,585 --> 00:27:12,326 "VIC. 623 00:27:12,369 --> 00:27:15,416 "DIDN'T WANT TO WAKE YOU. 624 00:27:15,459 --> 00:27:18,593 HAVE A SWEET HANGOVER..." HMM. 625 00:27:18,637 --> 00:27:20,813 "AND A GOOD REHEARSAL." 626 00:27:20,856 --> 00:27:22,771 GOOD REHEARSAL? 627 00:27:23,990 --> 00:27:25,165 SHITE! 628 00:27:25,208 --> 00:27:26,645 Carol: REPENTANCE, EMILIO. I WANT REPENTANCE. 629 00:27:26,688 --> 00:27:29,299 I'M NOT GOING TO KILL YOU BECAUSE YOU HAVE BETRAYED US, 630 00:27:29,343 --> 00:27:32,694 BUT BECAUSE YOU HAVEN'T REPENTED FROM THE HEART. 631 00:27:32,738 --> 00:27:34,043 THERE HE IS. 632 00:27:34,087 --> 00:27:36,567 Director: OH, MY. VICTOR. 633 00:27:36,611 --> 00:27:39,135 VICTOR. WHERE HAVE YOU BEEN? 634 00:27:39,179 --> 00:27:41,224 WE'VE BEEN WAITING FOR YOU ALL MORNING, VICTOR. 635 00:27:41,268 --> 00:27:43,879 UM, UM, SORRY I'M LATE, EVERYBODY, 636 00:27:43,923 --> 00:27:44,924 I--I REALLY AM. 637 00:27:44,967 --> 00:27:46,316 Man: HEY, VIC, HOW'S IT GOING? 638 00:27:46,360 --> 00:27:48,710 IT'S REALLY GREAT TO SEE YOU. 639 00:27:48,754 --> 00:27:49,885 ARE YOU OK? 640 00:27:49,929 --> 00:27:53,367 I AM FANTASTIC. 641 00:27:54,760 --> 00:27:57,153 CHRISTINA. HIYA. 642 00:27:57,197 --> 00:27:58,372 HI, VICTOR. 643 00:27:58,415 --> 00:28:00,766 L-LISA. AND--AND MARK. 644 00:28:00,809 --> 00:28:01,680 HELLO, VIC. 645 00:28:01,723 --> 00:28:03,464 AND NATHAN. HI. 646 00:28:03,507 --> 00:28:06,467 AND...JAMES. 647 00:28:06,510 --> 00:28:10,340 IT'S GREAT TO SEE YOU AGAIN. 648 00:28:10,384 --> 00:28:11,254 AGAIN? 649 00:28:11,298 --> 00:28:12,734 I ONLY SAW YOU YESTERDAY. 650 00:28:12,778 --> 00:28:15,563 WELL, IT'S STILL GREAT TO SEE YOU. 651 00:28:15,606 --> 00:28:18,218 AHH, GIVE ME ANOTHER HUG. 652 00:28:18,261 --> 00:28:20,699 [LAUGHING] 653 00:28:21,438 --> 00:28:23,223 HI. 654 00:28:23,266 --> 00:28:25,312 HI. 655 00:28:29,795 --> 00:28:30,621 YOU'RE WEIRD. 656 00:28:30,665 --> 00:28:31,840 I KNOW. HI, BOBBY. 657 00:28:31,884 --> 00:28:33,407 WHERE HAVE YOU BEEN? 658 00:28:33,450 --> 00:28:34,147 HI. 659 00:28:34,190 --> 00:28:35,148 WHAT--WHAT'S GOING ON? 660 00:28:35,191 --> 00:28:37,324 Victor: WE HAVE TO TALK. 661 00:28:37,367 --> 00:28:38,586 HAVE YOU TOLD HER? 662 00:28:38,629 --> 00:28:41,545 NO. I HAVEN'T TOLD HER, AND I'M NOT GOING TO. 663 00:28:41,589 --> 00:28:44,897 WHAT? BUT YOU SAID YOU WOULD. 664 00:28:44,940 --> 00:28:47,247 I'VE CHANGED MY MIND. 665 00:28:47,290 --> 00:28:49,292 I'VE THOUGHT IT THROUGH, AND I'VE DECIDED 666 00:28:49,336 --> 00:28:51,468 THAT WE HAVE TO STOP SEEING EACH OTHER. 667 00:28:51,512 --> 00:28:52,426 I DON'T UNDERSTAND. 668 00:28:52,469 --> 00:28:55,429 I-I'M SORRY IF I'VE MISLED YOU. 669 00:28:55,472 --> 00:28:56,430 MISLED ME? 670 00:28:56,473 --> 00:28:57,779 FUCKING BASTARD! 671 00:28:57,823 --> 00:28:58,824 LISTEN, CAROL. 672 00:28:58,867 --> 00:29:02,131 IT WOULDN'T HAVE WORKED. TRUST ME. 673 00:29:02,175 --> 00:29:04,264 YOU WOULD HAVE GOT REALLY BORED WITH ME 674 00:29:04,307 --> 00:29:05,613 REALLY SOON. I KNOW IT. 675 00:29:05,656 --> 00:29:07,571 WE WOULD HAVE GONE AWAY TO THE COUNTRY ONE DAY, 676 00:29:07,615 --> 00:29:10,270 TO SUSSEX, AND YOU WOULD HAVE SAID TO ME-- 677 00:29:10,313 --> 00:29:12,925 YOU'RE A FUCKING BLOODY BASTARD! 678 00:29:12,968 --> 00:29:14,230 NO, NO, NOT AT FIRST. 679 00:29:14,274 --> 00:29:16,189 FIRST, YOU WOULD HAVE SAID TO ME OVER BREAKFAST, 680 00:29:16,232 --> 00:29:18,931 "VIC, DO YOU REALIZE HOW LITTLE WE HAVE IN COMMON? 681 00:29:18,974 --> 00:29:20,410 WE DON'T EVEN SPEAK THE SAME LANGUAGE." 682 00:29:20,454 --> 00:29:21,847 Director: LET'S GET BACK TO WORK. 683 00:29:21,890 --> 00:29:23,152 YOU WOULD HAVE GOT ON THE FIRST TRAIN BACK TO LONDON, 684 00:29:23,196 --> 00:29:24,806 THEN WE'D NEVER HAVE SEEN EACH OTHER EVER AGAIN. 685 00:29:24,850 --> 00:29:26,547 I DON'T KNOW WHAT YOU'RE TALKING ABOUT! 686 00:29:26,590 --> 00:29:29,680 Director: COME ON, WE ARE ALL WAITING. 687 00:29:29,724 --> 00:29:32,335 TRUST ME. I'VE BEEN THERE BEFORE. 688 00:29:32,379 --> 00:29:34,555 YOU SCUM! 689 00:29:36,252 --> 00:29:39,255 OK, EVERYBODY. 690 00:29:40,561 --> 00:29:41,605 SHH. 691 00:29:41,649 --> 00:29:43,607 POSITIONS. 692 00:29:50,963 --> 00:29:53,008 YOU KNOW, YOU'RE GOING TO GET 693 00:29:53,052 --> 00:29:57,491 A REALLY GOOD PART IN A FILM AFTER THIS. 694 00:29:57,534 --> 00:30:00,146 IT'S A JAMES BOND FILM. 695 00:30:00,189 --> 00:30:04,454 AND, UH, YOU GET TO SNOG PIERCE BROSNAN. 696 00:30:05,978 --> 00:30:07,153 Director: VICTOR? 697 00:30:07,196 --> 00:30:10,112 WHAT MORE DO YOU WANT? 698 00:30:10,156 --> 00:30:12,767 [MUFFLED] WHAT MORE DO YOU WANT? 699 00:30:12,811 --> 00:30:14,073 REPENTANCE... 700 00:30:14,116 --> 00:30:15,465 EMILIO. 701 00:30:15,509 --> 00:30:18,338 I WANT REPENTANCE. 702 00:30:18,381 --> 00:30:22,603 I'M NOT GOING TO KILL YOU BECAUSE YOU'VE BETRAYED US. 703 00:30:22,646 --> 00:30:24,431 I'M GOING TO SHOOT YOU IN THE BALLS 704 00:30:24,474 --> 00:30:27,129 BECAUSE YOU HAVEN'T REPENTED FROM THE HEART. 705 00:30:27,173 --> 00:30:29,828 MARIA... YOU CAN'T DO THIS. 706 00:30:29,871 --> 00:30:33,396 OH, YES, I CAN. 707 00:30:33,919 --> 00:30:37,400 I MYSELF VOLUNTEERED TO CARRY IT OUT! 708 00:30:37,444 --> 00:30:38,749 OOF! 709 00:30:38,793 --> 00:30:39,794 [WHISPERING] Very good. 710 00:30:39,838 --> 00:30:41,230 DID YOU LIKE THAT POWER? 711 00:30:41,274 --> 00:30:43,624 DID YOU ENJOY PLAYING GOD? 712 00:30:43,667 --> 00:30:45,017 Very good, Carol. 713 00:30:45,060 --> 00:30:48,237 [MUMBLING] 714 00:30:49,456 --> 00:30:51,675 SO WAS IT FUN TO CRUSH THE DREAMS 715 00:30:51,719 --> 00:30:55,331 YOU ONCE SHARED WITH US WITH YOUR OWN FINGERS? 716 00:30:55,375 --> 00:30:56,506 Director: Yes. 717 00:30:56,550 --> 00:30:58,465 WAS IT? WAS IT FUN TO SEE US RUN LIKE ANTS 718 00:30:58,508 --> 00:31:00,249 UNDER THE SHADOW OF YOUR SHOE? 719 00:31:00,293 --> 00:31:02,077 VERY GOOD. VERY... 720 00:31:02,121 --> 00:31:05,298 WAS IT, VIC?! WAS IT, VIC?! 721 00:31:06,168 --> 00:31:07,430 PIECE OF SHIT! 722 00:31:07,474 --> 00:31:08,605 WHOO! WHOO! 723 00:31:08,649 --> 00:31:10,651 [PEOPLE CHEERING] 724 00:31:10,694 --> 00:31:11,521 [GROANS] 725 00:31:11,565 --> 00:31:14,394 GRAZIE! 726 00:31:14,873 --> 00:31:17,266 WELL, I'M IMPRESSED, VIC. 727 00:31:17,310 --> 00:31:19,181 [CHUCKLES] 728 00:31:22,576 --> 00:31:23,751 THIS IS GOOD. 729 00:31:23,794 --> 00:31:25,057 MM-HMM. 730 00:31:25,100 --> 00:31:26,188 REALLY GOOD. 731 00:31:26,232 --> 00:31:29,278 CAN I TEMPT YOU INTO SNIFFING THE CORK? 732 00:31:31,411 --> 00:31:33,021 AND YOU'VE TIDIED UP. 733 00:31:33,065 --> 00:31:34,240 YUP. 734 00:31:34,283 --> 00:31:37,373 WHY'S YOUR GUITAR UP THERE? 735 00:31:37,808 --> 00:31:40,768 HOW DID THINGS GO WITH YOUR PATIENTS TODAY? 736 00:31:40,811 --> 00:31:42,901 GOD, I HAD ALAN TODAY. 737 00:31:42,944 --> 00:31:43,814 CLAUSTROPHOBIA. 738 00:31:43,858 --> 00:31:46,208 I HAD TO TAKE HIM ON THE TUBE. 739 00:31:46,252 --> 00:31:47,427 IT WAS REALLY DIFFICULT. 740 00:31:47,470 --> 00:31:50,256 OH, REALLY? GOD. 741 00:31:52,127 --> 00:31:53,215 HANG ON. 742 00:31:53,259 --> 00:31:55,826 YOU'VE NEVER BEEN INTERESTED IN MY WORK. 743 00:31:55,870 --> 00:31:59,265 NO, I'M INTERESTED. I'M--I'M REALLY INTERESTED. 744 00:31:59,308 --> 00:32:00,396 YEAH, OK. 745 00:32:00,440 --> 00:32:04,357 UM, "PSYCHOLOGY IS A FASCINATING JOURNEY 746 00:32:04,400 --> 00:32:06,402 ON A DEAD-END STREET." 747 00:32:06,446 --> 00:32:09,231 WHO SAID THAT? 748 00:32:10,189 --> 00:32:12,278 OH, AYE, BUT, WELL, YOU KNOW... 749 00:32:12,321 --> 00:32:13,932 I MUST HAVE BEEN JOKING. 750 00:32:13,975 --> 00:32:15,237 AFTER 6 YEARS WITH YOU, 751 00:32:15,281 --> 00:32:17,370 I THINK I KNOW PERFECTLY WELL WHEN YOU'RE JOKING. 752 00:32:17,413 --> 00:32:21,243 NO, REALLY, I THINK THAT NOT ONLY IS PSYCHOLOGY INTERESTING, 753 00:32:21,287 --> 00:32:23,332 BUT IT'S ALSO VERY IMPORTANT. 754 00:32:23,376 --> 00:32:25,204 I MEAN, YOU KNOW, AS AN ACTOR, 755 00:32:25,247 --> 00:32:28,685 HOW ELSE COULD I GET INTO THE HEARTS AND MINDS OF, 756 00:32:28,729 --> 00:32:30,426 YOU KNOW, THE CHARACTERS THAT I PLAY IN 757 00:32:30,470 --> 00:32:32,298 AND UNDERSTAND THEIR WEE FOIBLES AND-- 758 00:32:32,341 --> 00:32:34,474 LEAVE IT, VIC. YOU'RE NOT ON A STAGE. 759 00:32:34,517 --> 00:32:35,823 ALL RIGHT. 760 00:32:35,866 --> 00:32:38,043 ARE YOU, UM, WORKING AT THE BOOKSHOP THIS WEEKEND? 761 00:32:38,086 --> 00:32:40,436 BOOKSHOP? WHAT BOOKSHOP? 762 00:32:40,480 --> 00:32:44,049 BOOKSHOP, YEAH. MM-HMM. 763 00:32:46,312 --> 00:32:47,400 VIC? 764 00:32:47,443 --> 00:32:48,401 MM-HMM. 765 00:32:48,444 --> 00:32:51,099 ARE YOU HAVING AN AFFAIR? 766 00:32:53,275 --> 00:32:54,842 WHAT? 767 00:32:56,452 --> 00:32:58,759 I MEAN, ARE YOU HAVING AN AFFAIR? 768 00:32:58,802 --> 00:33:00,239 ARE YOU SEEING SOMEONE ELSE? 769 00:33:00,282 --> 00:33:03,372 BECAUSE IF YOU ARE, YOU SHOULD TELL ME. 770 00:33:04,373 --> 00:33:06,985 WHAT GAVE YOU THAT IDEA? 771 00:33:07,463 --> 00:33:09,422 BECAUSE YOU'VE BEEN ACTING 772 00:33:09,465 --> 00:33:10,858 REALLY WEIRD LATELY. 773 00:33:10,901 --> 00:33:11,902 YOU'RE DISTANT, 774 00:33:11,946 --> 00:33:14,296 AND YOU'RE COLD EXCEPT FOR YESTERDAY 775 00:33:14,340 --> 00:33:16,429 WHEN YOU WERE DRUNK. 776 00:33:16,472 --> 00:33:19,301 AND WE HAVEN'T MADE LOVE IN AGES. 777 00:33:19,345 --> 00:33:22,739 SO, DON'T LIE TO ME. 778 00:33:25,307 --> 00:33:27,396 I PROMISE YOU 779 00:33:27,440 --> 00:33:30,312 I'M NOT HAVING AN AFFAIR. 780 00:33:30,704 --> 00:33:33,185 I'M NOT SEEING ANYONE. 781 00:33:33,228 --> 00:33:34,316 I'M NOT EVEN IMAGINING 782 00:33:34,360 --> 00:33:38,364 THE REMOTEST POSSIBILITY OF ANYBODY ELSE. 783 00:33:38,407 --> 00:33:40,975 SO WHAT'S WRONG? 784 00:33:42,498 --> 00:33:44,544 I DON'T KNOW. 785 00:33:45,458 --> 00:33:48,678 I SUPPOSE IT'S MY CAREER REALLY. 786 00:33:48,722 --> 00:33:50,811 I--I DON'T KNOW WHY. 787 00:33:50,854 --> 00:33:53,422 I JUST DON'T REALLY SEE IT GOING ANYWHERE 788 00:33:53,466 --> 00:33:55,076 IN THE NEXT KINDA... 789 00:33:55,120 --> 00:33:57,426 8 MONTHS. 790 00:33:57,470 --> 00:33:59,080 [CHUCKLES] 791 00:33:59,124 --> 00:34:02,823 SO I'M A BIT KINDA CONFUSED AS TO, YOU KNOW, 792 00:34:02,866 --> 00:34:05,086 WHAT I'M SUPPOSED TO BE DOING. 793 00:34:05,130 --> 00:34:06,479 I MEAN, MAYBE YOU WERE RIGHT. 794 00:34:06,522 --> 00:34:10,396 MAYBE, YOU KNOW, I SHOULD TRY SOMETHING ELSE MAYBE. 795 00:34:10,439 --> 00:34:12,267 DO SOMETHING ELSE. 796 00:34:12,311 --> 00:34:14,313 I NEVER SAID THAT. 797 00:34:15,444 --> 00:34:17,751 BUT YOU WILL. 798 00:34:18,839 --> 00:34:20,058 YOU--YOU WILL. 799 00:34:20,101 --> 00:34:23,365 YOU--YOU--YOU WILL. 800 00:34:25,933 --> 00:34:27,543 YOU WILL. 801 00:34:29,154 --> 00:34:31,460 CAN I SAY SOMETHING TO YOU? 802 00:34:31,504 --> 00:34:33,288 MM-HMM. 803 00:34:36,639 --> 00:34:39,338 I KNOW THAT OVER THE PAST FEW YEARS 804 00:34:39,381 --> 00:34:42,297 I'VE BEEN A WEE BIT SELFISH. 805 00:34:43,472 --> 00:34:47,520 I PROMISE YOU I'LL TRY AND CHANGE. 806 00:35:01,186 --> 00:35:02,404 LET'S GO IN THERE. 807 00:35:02,448 --> 00:35:03,884 GO IN THERE. OK. 808 00:35:03,927 --> 00:35:05,277 YEAH. 809 00:35:07,192 --> 00:35:09,324 YOU SHOULDN'T TRUST HIM. 810 00:35:09,368 --> 00:35:11,370 NO, YOU'D BE AMAZED. 811 00:35:11,413 --> 00:35:12,849 HE REALLY HAS CHANGED. 812 00:35:12,893 --> 00:35:15,200 MMM. I WOULDN'T BE SO SURE. 813 00:35:15,243 --> 00:35:16,940 HE IS AN ACTOR, REMEMBER? 814 00:35:16,984 --> 00:35:18,768 OOH, WHAT DO YOU THINK? 815 00:35:18,812 --> 00:35:19,508 NAH. 816 00:35:19,552 --> 00:35:21,684 IT'S INCREDIBLE. 817 00:35:21,728 --> 00:35:23,208 HE'S DOING EVERYTHING I WANT. 818 00:35:23,251 --> 00:35:25,949 HE'S PROBABLY FEELING GUILTY ABOUT SOMETHING. 819 00:35:25,993 --> 00:35:27,255 HE'S TALKING ABOUT HAVING CHILDREN. 820 00:35:27,299 --> 00:35:29,257 GETTING MARRIED, SETTLING DOWN. 821 00:35:29,301 --> 00:35:31,999 THINGS HE NEVER WANTED TO DISCUSS. 822 00:35:32,042 --> 00:35:33,870 WILL YOU HOLD UP THAT MIRROR? 823 00:35:33,914 --> 00:35:38,266 BUT HE'S ALWAYS BEEN VERY GOOD AT TALKING, HASN'T HE? 824 00:35:38,310 --> 00:35:40,268 IT'S THE FACTS WE WANT. 825 00:35:40,312 --> 00:35:41,878 HE'S STOPPED SMOKING. 826 00:35:41,922 --> 00:35:42,836 HAS HE? 827 00:35:42,879 --> 00:35:44,577 MM-HMM. HMM. 828 00:35:50,278 --> 00:35:51,366 HI. I'M LATE. 829 00:35:51,410 --> 00:35:52,324 GOING JOGGING? 830 00:35:52,367 --> 00:35:53,455 NO. TO THE GYM. 831 00:35:53,499 --> 00:35:55,588 TO THE GYM? WAIT. 832 00:35:55,631 --> 00:35:56,632 WHAT GYM? 833 00:35:56,676 --> 00:35:58,417 ALISON TOLD ME ABOUT THIS GREAT GYM, 834 00:35:58,460 --> 00:36:00,245 SO I'M GONNA GO AND MEET HER. 835 00:36:00,288 --> 00:36:02,725 NO. YOU CAN'T GO. 836 00:36:02,769 --> 00:36:04,249 WHAT DO YOU MEAN I CAN'T GO? 837 00:36:04,292 --> 00:36:07,817 NO, WHAT I MEAN IS THAT YOU DON'T NEED TO GO. 838 00:36:07,861 --> 00:36:08,905 YOU'RE BEAUTIFUL. 839 00:36:08,949 --> 00:36:10,907 YOU'RE PERFECTLY ALL RIGHT AS YOU ARE. 840 00:36:10,951 --> 00:36:12,648 YEAH, ALISON, ALISON ONLY GOES 841 00:36:12,692 --> 00:36:14,215 BECAUSE SHE DOESN'T HAVE ANY FRIENDS, 842 00:36:14,259 --> 00:36:16,435 AND YOU'VE GOT LOTS OF FRIENDS 843 00:36:16,478 --> 00:36:17,436 AND A BEAUTIFUL BODY, 844 00:36:17,479 --> 00:36:19,438 SO YOU DON'T NEED TO GO TO A GYM. 845 00:36:19,481 --> 00:36:20,613 NO, I DO. 846 00:36:20,656 --> 00:36:22,310 AND BESIDES, IT'LL TAKE MY MIND OFF WORK. 847 00:36:22,354 --> 00:36:24,312 WELL, YEAH, BUT NOT IN A GYM. 848 00:36:24,356 --> 00:36:26,227 I MEAN, GYMS, THEY'RE BAD FOR YOU. 849 00:36:26,271 --> 00:36:27,837 THEY TAKE YOUR MIND OFF COMPLETELY. 850 00:36:27,881 --> 00:36:29,796 YOU'LL STOP THINKING ALTOGETHER. 851 00:36:29,839 --> 00:36:31,232 HONESTLY. 852 00:36:31,276 --> 00:36:33,278 THEY'RE FULL OF NARCISSISTIC WANKERS 853 00:36:33,321 --> 00:36:35,193 WHO SPEND ALL DAY RAISING WEIGHTS 854 00:36:35,236 --> 00:36:38,718 'CAUSE THEY CAN'T RAISE A HARD-ON. 855 00:36:38,761 --> 00:36:40,023 YOU'RE RIGHT. 856 00:36:40,067 --> 00:36:41,416 MMM. 857 00:36:41,764 --> 00:36:46,378 MAYBE I'LL FIND MYSELF A REALLY GORGEOUS MAN. 858 00:36:46,421 --> 00:36:51,557 YOU'RE MAKING THE MISTAKE OF YOUR LIFE. 859 00:36:51,600 --> 00:36:52,819 OH, MY GOD. 860 00:36:52,862 --> 00:36:56,214 [BUJU BANTON PERFORMING WANNA BE LOVED] 861 00:36:56,257 --> 00:36:57,650 ♪ NOW, WHERE COULD IT BE? 862 00:36:57,693 --> 00:36:59,826 ♪ MUST BE SOMEWHERE FOR ME 863 00:36:59,869 --> 00:37:02,481 DON'T SHUT THE DOOR! 864 00:37:03,351 --> 00:37:05,353 ♪ BOM BOM 865 00:37:05,397 --> 00:37:06,876 ♪ I WANNA BE LOVED 866 00:37:06,920 --> 00:37:08,835 ♪ NOT FOR WHO YOU THINK I AM ♪ 867 00:37:08,878 --> 00:37:10,793 ♪ NOR WHAT YOU WANT ME TO BE ♪ 868 00:37:10,837 --> 00:37:12,404 ♪ COULD YOU LOVE ME FOR ME? ♪ 869 00:37:12,447 --> 00:37:13,840 ♪ REAL LOVE 870 00:37:13,883 --> 00:37:15,233 ♪ WITH NO STRINGS ATTACHED ♪ 871 00:37:15,276 --> 00:37:18,323 ♪ I WANNA GIVE YOU MY HEART ♪ 872 00:37:18,366 --> 00:37:19,498 FUCK! 873 00:37:19,541 --> 00:37:22,414 ♪ THIS IS MY CHAT 874 00:37:22,457 --> 00:37:23,502 ♪ CHO 875 00:37:23,545 --> 00:37:25,982 ♪ BEEN SEARCHING A LONG, LONG TIME ♪ 876 00:37:26,026 --> 00:37:27,810 HEY! 877 00:37:27,854 --> 00:37:29,421 [CHUCKLES] VIC. 878 00:37:29,464 --> 00:37:32,293 WHAT ARE YOU DOING HERE? 879 00:37:32,902 --> 00:37:36,993 SHALL WE GO FOR A RUN IN THE PARK? HUH? 880 00:37:37,037 --> 00:37:38,604 IT'S SUCH A BEAUTIFUL DAY. 881 00:37:38,647 --> 00:37:41,346 YOU DON'T WANT TO LOCK YOURSELF AWAY IN A GYM. 882 00:37:41,389 --> 00:37:42,608 YEAH, BUT YOU'RE WEARING MY CLOTHES. 883 00:37:42,651 --> 00:37:46,351 I KNOW. I COULDN'T FIND MY SPORTS CLOTHES. 884 00:37:46,394 --> 00:37:48,309 'CAUSE YOU DON'T HAVE ANY. 885 00:37:48,353 --> 00:37:50,006 LOOK, I CAN'T STOP NOW. 886 00:37:50,050 --> 00:37:52,400 YOU WANNA GO? COME ON. HUH? 887 00:37:52,444 --> 00:37:53,619 [CHUCKLES] YOU LOOK KNACKERED. 888 00:37:53,662 --> 00:37:55,316 I'M NOT. HONESTLY. I'M FINE. 889 00:37:55,360 --> 00:37:57,187 I WAS THINKING I MIGHT DO THE MARATHON 890 00:37:57,231 --> 00:37:58,276 THIS YEAR, ACTUALLY. 891 00:37:58,319 --> 00:37:59,451 YEAH? YEAH. 892 00:37:59,494 --> 00:38:01,366 SO LAST ONE INTO THE PARK 893 00:38:01,409 --> 00:38:03,019 DOES THE HOOVERING FOR A MONTH. 894 00:38:03,063 --> 00:38:03,933 YOU'RE ON. 895 00:38:03,977 --> 00:38:05,544 RIGHT. COME ON. 896 00:38:06,284 --> 00:38:08,895 [BUJU BANTON PERFORMING WANNA BE LOVED] 897 00:38:08,938 --> 00:38:11,027 ♪ NOW, WHERE COULD IT BE? 898 00:38:11,071 --> 00:38:13,116 ♪ MUST BE SOMEWHERE FOR ME 899 00:38:13,160 --> 00:38:16,337 ♪ I NEED IT DESPERATELY 900 00:38:17,164 --> 00:38:18,905 [SYLVIA LAUGHS] 901 00:38:18,948 --> 00:38:20,298 ♪ I WANNA BE LOVED 902 00:38:20,341 --> 00:38:22,169 ♪ NOT FOR WHO YOU THINK I AM ♪ 903 00:38:22,212 --> 00:38:23,910 ♪ NOR WHAT YOU WANT ME TO BE ♪ 904 00:38:23,953 --> 00:38:25,390 ♪ COULD YOU LOVE ME FOR ME? ♪ 905 00:38:25,433 --> 00:38:26,521 ♪ REAL LOVE 906 00:38:26,565 --> 00:38:28,958 YOU SAID YOU COULD DO THIS TWICE A WEEK. 907 00:38:29,002 --> 00:38:31,004 ♪ I WANNA GIVE YOU MY HEART ♪ 908 00:38:31,047 --> 00:38:33,354 ♪ DON'T WANT TO TAKE IT BACK ♪ 909 00:38:33,398 --> 00:38:35,313 ♪ THIS IS MY CHAT, CHO 910 00:38:35,356 --> 00:38:36,314 ♪ WANNA BE LOVED 911 00:38:36,357 --> 00:38:38,359 ♪ NOT FOR WHO YOU THINK I AM ♪ 912 00:38:38,403 --> 00:38:40,405 ♪ NOR WHAT YOU WANT ME TO BE ♪ 913 00:38:40,448 --> 00:38:42,320 ♪ COULD YOU LOVE ME FOR ME? ♪ 914 00:38:42,363 --> 00:38:43,233 ♪ REAL LOVE 915 00:38:43,277 --> 00:38:45,279 ♪ WITH NO STRINGS ATTACHED 916 00:38:45,323 --> 00:38:47,281 ♪ I WANNA GIVE YOU MY HEART ♪ 917 00:38:47,325 --> 00:38:48,543 ♪ DON'T WANT TO 918 00:38:48,587 --> 00:38:50,632 ♪ WELL, EVERY HOE HAVE ITS STICK IN A BUSH ♪ 919 00:38:50,676 --> 00:38:51,677 ♪ WHAT HAPPEN TO ME 920 00:38:51,720 --> 00:38:53,766 ♪ SHE MUST BE SOMEWHERE OUT THERE ♪ 921 00:38:53,809 --> 00:38:56,856 ♪ NOW WHERE COULD SHE BE? 922 00:38:59,337 --> 00:39:01,948 Freddy: SHE'S WEARING THE TROUSERS. 923 00:39:01,991 --> 00:39:03,210 OH, COME ON. 924 00:39:03,253 --> 00:39:05,212 IT'S TRUE. EVER SINCE YOU FINISHED WITH CAROL, 925 00:39:05,255 --> 00:39:06,474 YOU LET HER TAKE THE REINS. 926 00:39:06,518 --> 00:39:07,649 THAT'S RUBBISH. 927 00:39:07,693 --> 00:39:09,869 AH, WELL, THEN HOW COME YOU'RE ALWAYS OUT 928 00:39:09,912 --> 00:39:12,393 WITH HER FRIENDS AND NOT WITH US? 929 00:39:12,437 --> 00:39:13,481 HOW COME YOU'RE READING 930 00:39:13,525 --> 00:39:15,657 ALL THOSE BORING PSYCHOLOGY BOOKS, HUH? 931 00:39:15,701 --> 00:39:19,357 I MEAN, YOU DON'T EVEN DARE SMOKE IN FRONT OF HER. 932 00:39:19,400 --> 00:39:20,532 IT'S NO BIG DEAL. 933 00:39:20,575 --> 00:39:21,446 COURSE IT IS. 934 00:39:21,489 --> 00:39:23,883 WOMEN LIKE TO BE SHOWN THE WAY. 935 00:39:23,926 --> 00:39:26,364 THEY LIKE THEIR MEN TO TAKE THE DECISIONS, 936 00:39:26,407 --> 00:39:28,453 TO TAKE THE INITIATIVE. 937 00:39:28,496 --> 00:39:31,369 ISN'T THAT RIGHT, BABY? AAH! 938 00:39:33,022 --> 00:39:34,241 YOU SEE? 939 00:39:34,284 --> 00:39:36,374 THEY LOVE IT. 940 00:39:36,896 --> 00:39:38,463 YOU NEED TO CHANGE TACTICS. 941 00:39:38,506 --> 00:39:40,813 YOU NEED TO GET THE OLD VIC BACK. 942 00:39:40,856 --> 00:39:42,858 YOU KNOW, DON'T GIVE HER TOO MUCH. 943 00:39:42,902 --> 00:39:45,339 JUST ENOUGH TO KEEP HER HAPPY 944 00:39:45,383 --> 00:39:47,428 BUT HUNGRY FOR MORE. 945 00:39:47,472 --> 00:39:48,777 'CAUSE IF YOU LET THEM HAVE TOO MUCH, 946 00:39:48,821 --> 00:39:50,736 WELL, THEN THEY JUST START SEARCHING 947 00:39:50,779 --> 00:39:51,998 FOR SOMETHING NEW. 948 00:39:52,041 --> 00:39:54,217 ISN'T THAT RIGHT, GIRLS? 949 00:39:54,261 --> 00:39:56,437 HA HA HA! 950 00:39:56,481 --> 00:40:01,399 HEY, HEY. DO YOU KNOW WHO THIS GUY IS? 951 00:40:14,847 --> 00:40:16,762 READY, VICTOR? 952 00:40:17,676 --> 00:40:19,329 THIS CAME FOR YOU. 953 00:40:19,373 --> 00:40:20,156 RIGHT. 954 00:40:20,200 --> 00:40:21,375 CURTAIN'S UP IN 2 MINUTES. 955 00:40:21,419 --> 00:40:22,768 I KNOW. CALM, CALM. 956 00:40:22,811 --> 00:40:24,422 IT'S OK. ENERGY. 957 00:40:24,465 --> 00:40:26,598 CALM, CALM. 958 00:40:29,949 --> 00:40:32,647 Director: I'M NOT SURE ABOUT THIS. 959 00:40:33,300 --> 00:40:35,302 ENERGY. 960 00:40:38,523 --> 00:40:41,439 [BUZZ BUZZ] 961 00:40:49,403 --> 00:40:51,492 [FEEDBACK] 962 00:40:53,712 --> 00:40:56,758 Sean: WHAT'S HIS NAME, BEEKOWSKI OR BELLKOWSKI, 963 00:40:56,802 --> 00:40:59,326 THIS NEW BRANDO YOU'RE TELLING ME ABOUT? 964 00:40:59,369 --> 00:41:01,459 SHH. 965 00:41:05,288 --> 00:41:07,073 [THUNDER] 966 00:41:07,116 --> 00:41:09,510 AAH! Shut up! 967 00:41:11,556 --> 00:41:12,948 Director: BRAVO! 968 00:41:12,992 --> 00:41:13,862 [CHEERING] 969 00:41:13,906 --> 00:41:14,863 Victor: WELL DONE. 970 00:41:14,907 --> 00:41:16,386 NICE ONE, VICTOR. 971 00:41:16,430 --> 00:41:18,084 GOOD ONE. 972 00:41:18,606 --> 00:41:20,478 WHOO! 973 00:41:22,436 --> 00:41:23,829 JESUS. 974 00:41:25,134 --> 00:41:27,441 MARAVIGLIOSO. MARAVIGLIOSO. 975 00:41:27,485 --> 00:41:29,356 YOU WERE... 976 00:41:29,399 --> 00:41:30,313 FABULOUS. 977 00:41:30,357 --> 00:41:32,098 WONDERFUL. WONDERFUL, WONDERFUL. 978 00:41:32,141 --> 00:41:33,229 THANK YOU. YOU ARE A GENIUS. 979 00:41:33,273 --> 00:41:35,231 MARAVIGLIOSO, MARAVIGLIOSO! 980 00:41:35,275 --> 00:41:36,319 [LAUGHS] 981 00:41:36,363 --> 00:41:38,234 AAH! 982 00:41:38,278 --> 00:41:40,715 ALL RIGHT? WELL, WHAT, WHAT, WHAT? 983 00:41:40,759 --> 00:41:41,847 IT WAS ALL RIGHT. 984 00:41:41,890 --> 00:41:44,458 WHAT? DON'T TELL ME YOU DIDN'T LIKE IT. 985 00:41:44,502 --> 00:41:47,026 I WAS JUST A LITTLE BIT BORED. 986 00:41:47,069 --> 00:41:49,507 YOU WERE BORED? 987 00:41:49,550 --> 00:41:50,551 IT WAS GREAT! 988 00:41:50,595 --> 00:41:52,422 HA HA HA HA! 989 00:41:52,466 --> 00:41:54,424 AND YOU WERE THE BEST. 990 00:41:54,468 --> 00:41:55,687 SO YOU--YOU LIKED IT? 991 00:41:55,730 --> 00:41:57,950 YEAH. ALL THAT STUFF WITH CAROL WAS BRILLIANT. 992 00:41:57,993 --> 00:42:00,692 I MEAN, DOESN'T SHE LIKE YOU? 993 00:42:00,735 --> 00:42:05,218 NO. NO. IT WAS ALL IN THE TEXT. 994 00:42:05,958 --> 00:42:06,959 Sean: I'M SEAN DALTREY, 995 00:42:07,002 --> 00:42:09,048 PREMIER AGENT TO THE FILM INDUSTRY. 996 00:42:09,091 --> 00:42:10,571 WHERE IS THIS BILLOSKI STAR? 997 00:42:10,615 --> 00:42:12,312 BABY, GET IN THE CUPBOARD. 998 00:42:12,355 --> 00:42:13,269 WHAT? 999 00:42:13,313 --> 00:42:14,357 GET IN THE CUPBOARD. 1000 00:42:14,401 --> 00:42:15,402 REALLY? 1001 00:42:15,445 --> 00:42:16,490 Sean: I LIKE THE SOUND OF THAT NAME. 1002 00:42:16,534 --> 00:42:19,624 I CAN MAKE IT RHYME WITH STANISLAVSKI. 1003 00:42:21,539 --> 00:42:22,714 James: VIC? 1004 00:42:22,757 --> 00:42:26,195 THERE'S SOMEONE TO SEE YOU. 1005 00:42:29,764 --> 00:42:32,288 LOOKS LIKE HE'S GONE. 1006 00:42:48,435 --> 00:42:51,786 WHAT TIME WERE THEY SUPPOSED TO BE HERE? 1007 00:42:51,830 --> 00:42:52,918 NOW. 1008 00:42:52,961 --> 00:42:56,748 AND WHO IS THIS GUY THAT SHE'S BRINGING? 1009 00:42:56,791 --> 00:42:58,140 IS IT HER NEW BOYFRIEND? 1010 00:42:58,184 --> 00:42:59,402 NO, I DON'T THINK SO. 1011 00:42:59,446 --> 00:43:00,360 I THINK HE'S JUST SOMEONE 1012 00:43:00,403 --> 00:43:01,753 SHE'S SEEN A COUPLE OF TIMES. 1013 00:43:01,796 --> 00:43:03,319 I'M GONNA HAVE TO TAKE HIM INTO THE TOILET 1014 00:43:03,363 --> 00:43:05,321 AND TELL HIM ALL ABOUT HER. 1015 00:43:05,365 --> 00:43:06,845 DON'T BE HORRIBLE. 1016 00:43:06,888 --> 00:43:08,977 SHE'S A NICE GIRL. 1017 00:43:09,021 --> 00:43:12,415 SHE'S GOT A LOT OF GOOD QUALITIES. 1018 00:43:12,459 --> 00:43:13,329 NAME THEM. 1019 00:43:13,373 --> 00:43:15,244 OH, THERE THEY ARE. HI. 1020 00:43:15,288 --> 00:43:17,595 HI, ALLIE. HI. 1021 00:43:21,816 --> 00:43:23,296 SYLVIA. 1022 00:43:24,471 --> 00:43:27,082 THIS IS DAVE. 1023 00:43:28,431 --> 00:43:29,519 Victor: OH, SHIT, SORRY. 1024 00:43:29,563 --> 00:43:31,086 NO, IT'S OK, IT'S OK. 1025 00:43:31,130 --> 00:43:32,305 ARE YOU ALL RIGHT? 1026 00:43:32,348 --> 00:43:35,047 YEAH, YEAH, YEAH. IT'S OK. IT'S NOT TOO BAD. 1027 00:43:36,875 --> 00:43:39,747 RIGHT. WE'LL START AGAIN. 1028 00:43:39,791 --> 00:43:42,097 THANK YOU. 1029 00:43:42,141 --> 00:43:43,969 SYLVIA, THIS IS DAVE. 1030 00:43:44,012 --> 00:43:44,883 HI, DAVE. 1031 00:43:44,926 --> 00:43:46,449 AND THIS IS VICTOR. 1032 00:43:46,493 --> 00:43:47,320 VICTOR. 1033 00:43:47,363 --> 00:43:49,191 HI. 1034 00:43:49,235 --> 00:43:52,325 WELL, HERE WE ARE. 1035 00:43:52,368 --> 00:43:54,283 OH, SYLVIA, YOU LOOK GREAT. 1036 00:43:54,327 --> 00:43:57,765 AND YOU, VICTOR, YOU STILL WORKING IN THE SHOP? 1037 00:43:57,809 --> 00:44:00,246 YEAH. YOU STILL LIVING IN THE GYM? 1038 00:44:00,289 --> 00:44:03,553 HMM. THE BEST PART THOUGH HAS BEEN MEETING DAVE. 1039 00:44:03,597 --> 00:44:04,554 HE'S DOING PHYSIOTHERAPY. 1040 00:44:04,598 --> 00:44:06,034 HE HURT HIS BACK IN AN ACCIDENT. 1041 00:44:06,078 --> 00:44:07,166 WAS IT A BAD INJURY? 1042 00:44:07,209 --> 00:44:09,472 NO, NO, IT WASN'T TOO BAD. 1043 00:44:09,516 --> 00:44:11,126 UH, THANKS. 1044 00:44:11,170 --> 00:44:12,040 I FELL OFF A TRACTOR. 1045 00:44:12,084 --> 00:44:13,825 HE'S AN AGRICULTURAL ENGINEER. 1046 00:44:13,868 --> 00:44:15,000 HE'S BEEN IN CALCUTTA 1047 00:44:15,043 --> 00:44:17,437 HELPING THEM DEVELOP IRRIGATION TECHNIQUES. 1048 00:44:17,480 --> 00:44:20,396 AND HAVE YOU GOT A LOT MORE PHYSIO TO DO? 1049 00:44:20,440 --> 00:44:21,267 NO, NO. THANK GOD. 1050 00:44:21,310 --> 00:44:23,312 ONLY GOT A COUPLE OF MONTHS. 1051 00:44:23,356 --> 00:44:24,531 I HATE GYMS. 1052 00:44:24,574 --> 00:44:25,967 THEY'RE FULL OF NARCISSISTIC IDIOTS. 1053 00:44:26,011 --> 00:44:28,404 YEAH, WHO SPEND ALL DAY RAISING WEIGHTS TO COMPENSATE 1054 00:44:28,448 --> 00:44:30,929 FOR THE FACT THEY CAN'T RAISE THEIR PENISES. 1055 00:44:30,972 --> 00:44:32,626 IS THAT WHAT YOU WERE GONNA SAY? 1056 00:44:32,670 --> 00:44:35,455 YEAH. SOMETHING LIKE THAT. 1057 00:44:36,499 --> 00:44:37,762 [ALISON LAUGHS] 1058 00:44:37,805 --> 00:44:39,372 WELL, IF YOU DON'T UNDERSTAND THE MENU, 1059 00:44:39,415 --> 00:44:42,331 JUST ASK DAVE. HE'S THE EXPERT. 1060 00:44:42,375 --> 00:44:44,899 WELL, THAT'S GOOD. SO, UM... 1061 00:44:44,943 --> 00:44:46,118 WHAT DO YOU RECOMMEND? 1062 00:44:46,161 --> 00:44:48,468 IF YOU DON'T LIKE IT TOO HOT, 1063 00:44:48,511 --> 00:44:50,078 TRY THE BADAMI KORMA. 1064 00:44:50,122 --> 00:44:51,471 MM-HMM. 1065 00:44:51,514 --> 00:44:54,735 UH, VICTOR. VICTOR? 1066 00:44:54,779 --> 00:44:55,780 WHAT? 1067 00:44:55,823 --> 00:44:58,173 TRY THE...[SPEAKS FOREIGN LANGUAGE] 1068 00:44:58,217 --> 00:45:00,567 THE WHAT? 1069 00:45:00,610 --> 00:45:01,873 IT'S GOAT'S TESTICLES. 1070 00:45:01,916 --> 00:45:04,832 VERY GOOD FOR THE PULSE. 1071 00:45:06,051 --> 00:45:08,444 UH, I NEED TO GO TO THE LOO. 1072 00:45:08,488 --> 00:45:10,359 WILL YOU EXCUSE ME A MINUTE? 1073 00:45:10,403 --> 00:45:11,970 YEAH. 1074 00:45:12,405 --> 00:45:14,146 YEAH, I THINK I'LL JOIN YOU. 1075 00:45:14,189 --> 00:45:17,715 NO, LOOK, YOU STAY HERE WITH ME. 1076 00:45:18,803 --> 00:45:20,369 WHAT DO YOU THINK? 1077 00:45:20,413 --> 00:45:22,807 YEAH. 1078 00:45:25,505 --> 00:45:27,333 Dave: I REALLY THINK ACCIDENTS 1079 00:45:27,376 --> 00:45:29,204 HAPPEN FOR A REASON. 1080 00:45:29,248 --> 00:45:31,337 THEY'RE NOT JUST BAD LUCK. 1081 00:45:31,380 --> 00:45:32,468 I THINK THIS ACCIDENT 1082 00:45:32,512 --> 00:45:34,296 WAS TRYING TO TELL ME SOMETHING. 1083 00:45:34,340 --> 00:45:36,690 ALTHOUGH IT WILL PROBABLY TAKE ME A WHILE 1084 00:45:36,734 --> 00:45:38,910 TO FIND OUT WHAT IT IS. 1085 00:45:38,953 --> 00:45:42,435 BUT I KNOW THERE WAS AN IMPORTANT REASON 1086 00:45:42,478 --> 00:45:43,828 FOR ME TO COME BACK. 1087 00:45:43,871 --> 00:45:47,266 WHY DID YOU DECIDE TO GO TO INDIA IN THE FIRST PLACE? 1088 00:45:47,309 --> 00:45:49,834 OH, I GOT TIRED OF BUILDING GOLF COURSES 1089 00:45:49,877 --> 00:45:51,444 FOR RICH PEOPLE IN SCOTLAND. 1090 00:45:51,487 --> 00:45:54,099 I THOUGHT I COULD DO SOMETHING MORE USEFUL 1091 00:45:54,142 --> 00:45:55,187 WITH MY LIFE. 1092 00:45:55,230 --> 00:45:55,970 AND WHY INDIA? 1093 00:45:56,014 --> 00:45:58,233 UM, I WANTED TO GET AWAY. 1094 00:45:58,277 --> 00:46:00,235 I'D JUST COME OUT OF A LONG RELATIONSHIP. 1095 00:46:00,279 --> 00:46:01,802 I WANTED SOMETHING VERY DIFFERENT. 1096 00:46:01,846 --> 00:46:04,457 AS IT WAS, I LOVED IT. I'D LOVE TO GO BACK, 1097 00:46:04,500 --> 00:46:06,459 SETTLE DOWN THERE IN THE FUTURE. 1098 00:46:06,502 --> 00:46:09,157 WHY DON'T YOU GO NOW? 1099 00:46:10,463 --> 00:46:11,812 WELL, BECAUSE I'VE BECOME INVOLVED 1100 00:46:11,856 --> 00:46:15,076 IN A REFORESTATION PROGRAM OUTSIDE NEWBURY. 1101 00:46:15,120 --> 00:46:16,208 IT'S MY HOMETOWN. 1102 00:46:16,251 --> 00:46:18,645 LOOKS LIKE IT'S GONNA GO ON FOR A WHILE. 1103 00:46:18,688 --> 00:46:20,081 THAT'S THE TROUBLE WITH THESE JOBS. 1104 00:46:20,125 --> 00:46:23,911 YOU GET SUCKED INTO THEM AND YOU CAN'T LEAVE THEM. 1105 00:46:23,955 --> 00:46:24,956 MMM. 1106 00:46:24,999 --> 00:46:26,261 I SHOULD IMAGINE IT'S A BIT LIKE THAT 1107 00:46:26,305 --> 00:46:27,262 WITH YOUR PATIENTS. 1108 00:46:27,306 --> 00:46:28,829 YOU'RE A PSYCHOLOGIST, AREN'T YOU? 1109 00:46:28,873 --> 00:46:29,743 MM-HMM. 1110 00:46:29,787 --> 00:46:30,875 ONCE YOU START TREATING SOMEONE 1111 00:46:30,918 --> 00:46:32,528 YOU CAN'T LEAVE THEM TILL THEY'RE CURED. 1112 00:46:32,572 --> 00:46:35,314 YEAH, SOMETIMES I WONDER WHETHER SOME OF THEM WILL EVER BE CURED. 1113 00:46:35,357 --> 00:46:38,143 YEAH, SHE HAS TO WORK WITH ALL THESE MADMEN. 1114 00:46:38,186 --> 00:46:39,709 IT MUST BE SO SCARY. 1115 00:46:39,753 --> 00:46:41,059 I'M SURE SOME OF THEM 1116 00:46:41,102 --> 00:46:44,410 ARE POTENTIAL RAPISTS OR SERIAL KILLERS. 1117 00:46:44,453 --> 00:46:46,194 I THINK THE PSYCHOLOGISTS 1118 00:46:46,238 --> 00:46:48,327 ARE THE REAL SCARY ONES. 1119 00:46:48,370 --> 00:46:49,807 THIS IS REALLY DELICIOUS. 1120 00:46:49,850 --> 00:46:53,158 Victor: DID YOU SEE THE WAY THAT GUY WAS LOOKING AT YOU? 1121 00:46:53,201 --> 00:46:54,289 Sylvia: REALLY? 1122 00:46:54,333 --> 00:46:55,377 YOU'RE GONNA HAVE TO BE REALLY CAREFUL, 1123 00:46:55,421 --> 00:46:57,292 BECAUSE HE LOOKS LIKE A STALKER. 1124 00:46:57,336 --> 00:47:00,818 [CHUCKLES] DON'T BE SILLY. 1125 00:47:02,254 --> 00:47:04,386 I MEAN, "I THINK PSYCHOLOGISTS THEMSELVES 1126 00:47:04,430 --> 00:47:05,431 ARE THE REAL SCARY ONES." 1127 00:47:05,474 --> 00:47:07,302 I MEAN, WHAT A CONTEMPTUOUS ATTITUDE 1128 00:47:07,346 --> 00:47:08,564 TOWARD PSYCHOLOGY. 1129 00:47:08,608 --> 00:47:11,306 VIC, HE WAS ONLY JOKING. 1130 00:47:11,741 --> 00:47:12,917 I'M SURPRISED YOU DIDN'T LIKE HIM, 1131 00:47:12,960 --> 00:47:16,224 'CAUSE HIS SENSE OF HUMOR IS A BIT LIKE YOURS. 1132 00:47:16,268 --> 00:47:18,226 WHAT?! 1133 00:47:18,270 --> 00:47:19,227 LIKE MINE? 1134 00:47:19,271 --> 00:47:21,403 OH, COME ON, HOW CAN YOU SAY THAT? 1135 00:47:21,447 --> 00:47:23,318 HE DOESN'T HAVE A SENSE OF HUMOR. 1136 00:47:23,362 --> 00:47:25,712 OH, RIGHT, IS THAT WHAT YOU MEAN? 1137 00:47:25,755 --> 00:47:27,235 AND ALL THAT... SORRY. 1138 00:47:27,279 --> 00:47:28,280 INJURY SHITE. 1139 00:47:28,323 --> 00:47:29,411 I MEAN, THE ONLY REASON HE CAME BACK 1140 00:47:29,455 --> 00:47:31,283 WAS BECAUSE HE'S OBVIOUSLY STILL IN LOVE 1141 00:47:31,326 --> 00:47:32,675 WITH HIS GIRLFRIEND, 1142 00:47:32,719 --> 00:47:35,156 BUT SHE DOESN'T WANT TO HAVE ANYTHING TO DO WITH HIM, 1143 00:47:35,200 --> 00:47:37,680 BECAUSE HE'S SUCH A WANKER. 1144 00:47:38,420 --> 00:47:39,334 [SIGHS] 1145 00:47:39,378 --> 00:47:41,249 YOU KNOW, IT'S FUNNY. 1146 00:47:41,293 --> 00:47:43,599 I THOUGHT IT WAS BECAUSE OF ALISON 1147 00:47:43,643 --> 00:47:44,600 YOU WERE SO SULKY. 1148 00:47:44,644 --> 00:47:46,776 AH, YEAH, ALISON'S ALMOST LIKABLE 1149 00:47:46,820 --> 00:47:48,517 COMPARED TO HIM. 1150 00:47:48,561 --> 00:47:50,258 GOD. 1151 00:47:50,606 --> 00:47:52,913 DID HE GIVE YOU HIS PHONE NUMBER 1152 00:47:52,957 --> 00:47:54,175 WHEN I WAS IN THE TOILET? 1153 00:47:54,219 --> 00:47:55,568 NO, HE DID NOT. WHY WOULD HE? 1154 00:47:55,611 --> 00:47:57,309 BECAUSE YOU WERE DOING BAMBI IMPRESSIONS 1155 00:47:57,352 --> 00:47:59,920 EVERY TIME HE SO MUCH AS GLANCED AT YOU. 1156 00:47:59,964 --> 00:48:01,313 I WAS JUST BEING POLITE. 1157 00:48:01,356 --> 00:48:02,531 OH, REALLY? 1158 00:48:02,575 --> 00:48:05,056 AND HE WASN'T MUCH BETTER. 1159 00:48:05,099 --> 00:48:06,057 I MEAN, DIDN'T HE ASK YOU, 1160 00:48:06,100 --> 00:48:09,277 "WHERE DID YOU GET YOUR BLOUSON?" 1161 00:48:09,321 --> 00:48:10,322 YEAH. 1162 00:48:10,365 --> 00:48:12,324 AND WASN'T HE ALWAYS SERVING YOU WINE 1163 00:48:12,367 --> 00:48:13,586 BEFORE ALISON? 1164 00:48:13,629 --> 00:48:16,197 YEAH, BECAUSE HE WAS SITTING OPPOSITE ME, VIC. 1165 00:48:16,241 --> 00:48:17,416 AND DIDN'T HE ASK YOU 1166 00:48:17,459 --> 00:48:19,853 WHETHER YOU'D SEEN THAT PROGRAM ON CHANNEL 4 1167 00:48:19,897 --> 00:48:22,116 ABOUT PSYCHOLOGISTS PLANTING MEMORIES? 1168 00:48:22,160 --> 00:48:22,987 YES! 1169 00:48:23,030 --> 00:48:25,685 WELL, THERE. I REST MY CASE. 1170 00:48:33,998 --> 00:48:36,565 ALL RIGHT. OK, I CHANGED MY MIND. 1171 00:48:36,609 --> 00:48:39,351 DON'T YOU THINK THAT HIM AND ALISON 1172 00:48:39,394 --> 00:48:41,266 MAKE A PERFECT COUPLE? 1173 00:48:41,309 --> 00:48:43,137 [MUMBLES] 1174 00:48:46,010 --> 00:48:47,098 HI. 1175 00:48:47,141 --> 00:48:48,099 HI. 1176 00:48:48,142 --> 00:48:49,361 WHAT ARE YOU DOING HERE? 1177 00:48:49,404 --> 00:48:51,754 I WAS, UH, JUST LOOKING FOR ALISON. 1178 00:48:51,798 --> 00:48:53,321 OH, SHE LEFT ABOUT HALF AN HOUR AGO. 1179 00:48:53,365 --> 00:48:54,540 I THINK SHE'S GONE HOME. 1180 00:48:54,583 --> 00:48:55,628 OH, WELL, NEVER MIND. 1181 00:48:55,671 --> 00:48:59,153 I WASN'T SURE I WAS GONNA COME ANYWAY. 1182 00:48:59,197 --> 00:49:00,067 DAVE... 1183 00:49:00,111 --> 00:49:01,329 HOW'S YOUR PATIENTS? 1184 00:49:01,373 --> 00:49:02,287 HOW'S YOUR BACK? 1185 00:49:02,330 --> 00:49:03,723 UH, YEAH, MY BACK'S FINE. 1186 00:49:03,766 --> 00:49:05,246 WHAT WAS IT YOU SAID THE OTHER DAY 1187 00:49:05,290 --> 00:49:07,770 ABOUT PSYCHOLOGISTS BEING SCARY? 1188 00:49:07,814 --> 00:49:10,295 OH, NO, I'M SORRY. THAT WAS A STUPID THING TO SAY. 1189 00:49:10,338 --> 00:49:13,254 I'VE GOT NOTHING AGAINST PSYCHOLOGISTS. 1190 00:49:13,298 --> 00:49:14,299 I ADMIRE THEM. 1191 00:49:14,342 --> 00:49:17,215 HONESTLY, I'D LOVE TO DO WHAT YOU DO. 1192 00:49:17,258 --> 00:49:18,433 WHAT? 1193 00:49:18,477 --> 00:49:20,305 HELP PEOPLE. 1194 00:49:20,348 --> 00:49:23,090 I MEAN, SPIRITUALLY WITH THEIR FRUSTRATIONS, 1195 00:49:23,134 --> 00:49:25,440 THEIR PROBLEMS. 1196 00:49:25,484 --> 00:49:27,355 I BASICALLY GROW PLANTS AND FOOD. 1197 00:49:27,399 --> 00:49:31,577 YOU MAKE PEOPLE GROW. THAT'S MORE REWARDING. 1198 00:49:33,622 --> 00:49:35,624 WELL, IT'S NICE TO SEE YOU. 1199 00:49:35,668 --> 00:49:38,627 IT'S NICE TO SEE YOU, TOO. 1200 00:49:43,632 --> 00:49:45,808 UH, SYLVIA? 1201 00:49:46,505 --> 00:49:48,376 YEAH? 1202 00:49:48,420 --> 00:49:50,944 DO YOU, UM... 1203 00:49:50,988 --> 00:49:53,991 DO YOU WANT TO GO FOR A DRINK SOMEWHERE? 1204 00:49:54,034 --> 00:49:55,470 ALL RIGHT. 1205 00:49:55,514 --> 00:49:59,257 [SELIF KEITA SINGING NAYANAMA] 1206 00:50:03,043 --> 00:50:05,089 I'LL SEE YOU. 1207 00:50:45,564 --> 00:50:47,740 HEY, CINDERELLA. 1208 00:50:47,783 --> 00:50:48,958 HEY, SYLVIA. 1209 00:50:49,002 --> 00:50:50,786 THERE'S SOMEBODY WAITING FOR YOU DOWNSTAIRS. 1210 00:50:50,830 --> 00:50:52,440 I KNOW. 1211 00:50:52,484 --> 00:50:54,268 [WHISTLING] 1212 00:50:56,662 --> 00:50:58,533 FUCK. 1213 00:51:01,841 --> 00:51:03,147 HI. 1214 00:51:03,190 --> 00:51:04,409 HIYA. 1215 00:51:04,452 --> 00:51:07,586 UM, WHAT ARE YOU DOING HERE? 1216 00:51:07,629 --> 00:51:08,456 2 TICKETS. 1217 00:51:08,500 --> 00:51:11,198 RADIOHEAD. BRIXTON ACADEMY. 1218 00:51:11,242 --> 00:51:12,330 TONIGHT. 1219 00:51:12,373 --> 00:51:13,374 I THOUGHT YOU WERE SEEING FREDDY TONIGHT. 1220 00:51:13,418 --> 00:51:14,854 WELL, YEAH, I MEAN, I WAS GOING TO, 1221 00:51:14,897 --> 00:51:16,725 BUT THEN I THOUGHT OF THIS. 1222 00:51:16,769 --> 00:51:18,249 HOW DID YOU GET THEM? 1223 00:51:18,292 --> 00:51:19,989 I QUEUED FOR RETURNS. 1224 00:51:20,033 --> 00:51:21,861 ARE YOU SURE THEY'RE FOR TONIGHT? 1225 00:51:21,904 --> 00:51:23,993 'CAUSE I KNOW THEY WERE PLAYING 3 NIGHTS. 1226 00:51:24,037 --> 00:51:27,345 SYLVIA...TONIGHT. 1227 00:51:29,477 --> 00:51:32,089 WHY DIDN'T YOU CALL ME? 1228 00:51:32,132 --> 00:51:37,311 BECAUSE I THOUGHT IT WOULD BE A NICE SURPRISE. 1229 00:51:37,355 --> 00:51:38,704 OH, IT IS. 1230 00:51:38,747 --> 00:51:41,707 IT'S GREAT. IT'S JUST THAT I DIDN'T EXPECT IT. 1231 00:51:41,750 --> 00:51:46,277 WELL, YOU'RE NOT SUPPOSED TO EXPECT SURPRISES, ARE-- 1232 00:51:47,321 --> 00:51:48,322 [WHISTLES] 1233 00:51:48,366 --> 00:51:51,282 DOES THAT MEAN YOU'RE HAPPY ABOUT IT? 1234 00:51:53,675 --> 00:51:54,459 WHAT? 1235 00:51:54,502 --> 00:51:56,591 WE--WE SHOULD GO, DARLING, 1236 00:51:56,635 --> 00:51:59,377 OR WE'RE GONNA BE LATE. 1237 00:51:59,420 --> 00:52:00,943 NO. MMM. 1238 00:52:00,987 --> 00:52:03,424 Victor: WHAT? 1239 00:52:03,468 --> 00:52:05,122 NOTHING. 1240 00:52:05,165 --> 00:52:06,210 SHALL WE GO? 1241 00:52:06,253 --> 00:52:08,342 YEAH. I JUST LEFT SOMETHING UPSTAIRS. 1242 00:52:08,386 --> 00:52:10,649 I WON'T BE A MINUTE. 1243 00:52:12,912 --> 00:52:15,132 [SIGHS] 1244 00:52:17,351 --> 00:52:18,091 WHAT? 1245 00:52:18,135 --> 00:52:20,398 LOOK, HI. I'M SORRY. 1246 00:52:20,441 --> 00:52:21,573 HE'S JUST TURNED UP 1247 00:52:21,616 --> 00:52:22,965 WITH 2 TICKETS FOR RADIOHEAD, 1248 00:52:23,009 --> 00:52:24,402 AND THEY'RE MY FAVORITE BAND, 1249 00:52:24,445 --> 00:52:25,968 SO I COULDN'T SAY NO. 1250 00:52:26,012 --> 00:52:27,056 OH, NO. 1251 00:52:27,100 --> 00:52:28,188 BUT I CAN DEFINITELY SEE YOU TOMORROW, 1252 00:52:28,232 --> 00:52:30,234 LUNCHTIME OR AFTER WORK OR WHENEVER. 1253 00:52:30,277 --> 00:52:32,975 YEAH, OK. WE'VE GOT TO TALK, OK? 1254 00:52:33,019 --> 00:52:33,846 YEAH. 1255 00:52:33,889 --> 00:52:36,327 [WHISTLING] 1256 00:52:39,373 --> 00:52:40,766 [WHISTLING] 1257 00:52:40,809 --> 00:52:42,289 BYE. 1258 00:52:46,337 --> 00:52:48,208 WHAT'S THE MATTER? 1259 00:52:48,252 --> 00:52:49,340 NOTHING. 1260 00:52:49,383 --> 00:52:51,429 I SUDDENLY REMEMBERED THE FUTURE. 1261 00:52:51,472 --> 00:52:54,127 [SIREN] 1262 00:52:58,784 --> 00:53:03,223 EXCUSE ME. I'M LOOKING FOR THIS BOOK. 1263 00:53:03,484 --> 00:53:06,270 WELL, I WOULDN'T. IT'S RUBBISH. 1264 00:53:06,313 --> 00:53:07,314 IS IT? 1265 00:53:07,358 --> 00:53:08,620 YEAH. 1266 00:53:08,663 --> 00:53:11,318 OH, WELL, IT'S NOT FOR ME. IT'S FOR MY BOYFRIEND. 1267 00:53:11,362 --> 00:53:12,450 IT'S HIS BIRTHDAY. 1268 00:53:12,493 --> 00:53:13,842 I KNOW HE PARTICULARLY LIKES THIS WRITER. 1269 00:53:13,886 --> 00:53:15,888 WELL, IT REALLY IS CRAP. 1270 00:53:15,931 --> 00:53:18,760 I DON'T CARE. I KNOW HE'LL LIKE IT. 1271 00:53:18,804 --> 00:53:20,414 AND I CAN'T REALLY AFFORD 1272 00:53:20,458 --> 00:53:23,635 TO GET IT WRONG, YOU SEE. 1273 00:53:23,678 --> 00:53:26,420 GOD, YOU SOUND LIKE ME. 1274 00:53:28,292 --> 00:53:29,423 WHY ARE YOU GOING SO EARLY? 1275 00:53:29,467 --> 00:53:31,251 WELL, I SAID I'D MEET VIC AT THE BOOKSHOP, 1276 00:53:31,295 --> 00:53:33,427 AND WE'D GO AND SEE A FILM. 1277 00:53:33,471 --> 00:53:34,733 WHAT FILM? 1278 00:53:34,776 --> 00:53:36,517 I DON'T KNOW. 1279 00:53:37,562 --> 00:53:39,999 BUT NOW HE ALWAYS LETS ME CHOOSE. 1280 00:53:40,042 --> 00:53:41,435 I MEAN, LIKE THE OTHER DAY, 1281 00:53:41,479 --> 00:53:43,220 I TOOK HIM TO SEE A HUNGARIAN FILM. 1282 00:53:43,263 --> 00:53:46,310 NORMALLY, I WOULD HAVE GOT A LECTURE ON PRETENTIOUS FILMS 1283 00:53:46,353 --> 00:53:48,268 AND BEEN PUNISHED WITH WASHING UP 1284 00:53:48,312 --> 00:53:49,443 FOR 2 DAYS IN A ROW 1285 00:53:49,487 --> 00:53:51,271 OR LENDING HIM HIS FAVORITE JACKET-- 1286 00:53:51,315 --> 00:53:52,272 WHICH IS MINE. 1287 00:53:52,316 --> 00:53:55,623 BUT THIS TIME HE LET ME OFF. 1288 00:53:58,452 --> 00:54:00,715 Dave: THINK HE KNOWS? 1289 00:54:02,108 --> 00:54:04,241 NO. 1290 00:54:04,676 --> 00:54:07,287 Victor: I THINK SHE'S HAVING AN AFFAIR. 1291 00:54:07,331 --> 00:54:10,203 REALLY? THAT'S TRICKY. 1292 00:54:10,247 --> 00:54:11,987 YEAH, IT IS TRICKY. 1293 00:54:12,031 --> 00:54:14,163 I DON'T KNOW WHAT TO DO. 1294 00:54:14,207 --> 00:54:15,295 EVERY SINGLE DAY, 1295 00:54:15,339 --> 00:54:17,689 I TRY AND THINK OF A DIFFERENT APPROACH, 1296 00:54:17,732 --> 00:54:21,214 AND I ALWAYS END UP SAYING THE WRONG THING. 1297 00:54:21,258 --> 00:54:22,911 Dave: WHY DON'T YOU GIVE HIM A CALL? 1298 00:54:22,955 --> 00:54:27,220 TELL HIM... YOU HAVE TO WORK LATE. 1299 00:54:27,264 --> 00:54:29,918 AND THAT YOU'LL GO TO THE PICTURES TOMORROW. 1300 00:54:29,962 --> 00:54:31,572 I KNOW A REALLY GOOD WAY OF FINDING OUT 1301 00:54:31,616 --> 00:54:34,314 WHETHER YOUR PARTNER'S HAVING AN AFFAIR OR NOT. 1302 00:54:34,358 --> 00:54:35,315 DO YOU? 1303 00:54:35,359 --> 00:54:37,317 OH, MIND YOU, IT'S ONLY FOR GIRLS 1304 00:54:37,361 --> 00:54:38,797 WHO SUSPECT THEIR BOYFRIENDS. 1305 00:54:38,840 --> 00:54:40,364 [TELEPHONE RINGS] 1306 00:54:40,407 --> 00:54:43,932 WELL, TRY ME, IT MIGHT WORK. 1307 00:54:44,368 --> 00:54:45,499 HI. 1308 00:54:45,543 --> 00:54:46,674 LOOK, YOU'RE PROBABLY GONNA THINK I'M MAD, 1309 00:54:46,718 --> 00:54:48,459 BUT I WAS TIDYING UP THE ROOM 1310 00:54:48,502 --> 00:54:50,417 AND I PICKED UP ONE OF YOUR JACKETS 1311 00:54:50,461 --> 00:54:52,114 AND A PAIR OF GUY'S PANTS 1312 00:54:52,158 --> 00:54:54,378 FELL OUT ON THE FLOOR AND THEY WEREN'T MINE. 1313 00:54:54,421 --> 00:54:56,031 PAIR OF GUY'S PANTS? 1314 00:54:56,075 --> 00:54:57,772 WHICH WEREN'T YOURS? 1315 00:54:57,816 --> 00:55:00,993 YEAH. THEY WEREN'T VERY CLEAN, EITHER. 1316 00:55:04,213 --> 00:55:05,432 CAN I SEE THESE PANTS? 1317 00:55:05,476 --> 00:55:08,174 NO, YOU CAN'T, 'CAUSE I PUT THEM IN THE WASH. 1318 00:55:09,784 --> 00:55:11,612 AND YOU'RE SURE THEY'RE NOT YOURS? 1319 00:55:11,656 --> 00:55:15,355 DARLING, I THINK I'D RECOGNIZE MY OWN PANTS. 1320 00:55:15,399 --> 00:55:17,139 HMM. 1321 00:55:18,358 --> 00:55:19,751 I DON'T UNDERSTAND. 1322 00:55:19,794 --> 00:55:24,146 I MEAN, HOW CAN A PAIR OF GUY'S PANTS 1323 00:55:24,190 --> 00:55:26,497 WHICH AREN'T YOURS 1324 00:55:26,540 --> 00:55:29,456 GET INTO MY JACKET POCKET? 1325 00:55:29,761 --> 00:55:32,764 UNLESS ONE OF MY SEXUALLY DERANGED PATIENTS 1326 00:55:32,807 --> 00:55:34,983 PUT THEM THERE. 1327 00:55:39,292 --> 00:55:41,338 OH, GOD, YOU PROBABLY THINK 1328 00:55:41,381 --> 00:55:43,165 I'M HAVING AN AFFAIR OR SOMETHING. 1329 00:55:43,209 --> 00:55:45,864 WELL, I MEAN, YOU CAN UNDERSTAND. 1330 00:55:45,907 --> 00:55:47,474 YEAH. 1331 00:55:48,345 --> 00:55:50,782 PROBABLY JUST ONE OF YOUR PATIENTS 1332 00:55:50,825 --> 00:55:52,784 PUT THEM THERE, THOUGH, EH? 1333 00:55:52,827 --> 00:55:54,568 MMM. 1334 00:56:00,269 --> 00:56:03,708 LOOK, ANYWAY, LET'S JUST FORGET ABOUT IT. 1335 00:56:04,317 --> 00:56:05,579 YEAH. 1336 00:56:05,623 --> 00:56:09,322 I'M SORRY IF IT SOUNDED LIKE I DIDN'T TRUST YOU. 1337 00:56:15,197 --> 00:56:18,940 TIDYING UP THE ROOM. 1338 00:56:20,551 --> 00:56:23,989 HUH. WHAT A MESS. 1339 00:56:37,655 --> 00:56:39,352 IT'S BROKEN. 1340 00:56:39,396 --> 00:56:41,006 YEAH. 1341 00:56:50,189 --> 00:56:53,410 I CAN'T DO THIS ANYMORE, VIC. 1342 00:56:57,414 --> 00:56:59,328 I CAN'T LIE TO YOU. 1343 00:56:59,372 --> 00:57:03,245 [SIGHS] 1344 00:57:03,289 --> 00:57:05,900 I DON'T UNDERSTAND. 1345 00:57:10,470 --> 00:57:13,038 I'M MOVING OUT. 1346 00:58:01,434 --> 00:58:03,871 Victor: THAT'S REALLY NICE STUFF YOU'RE PLAYING. 1347 00:58:03,915 --> 00:58:06,439 Pianist: SHE LIKES IT, TOO. 1348 00:58:06,483 --> 00:58:08,397 WHO? THE BARMAID? 1349 00:58:08,441 --> 00:58:10,399 NO, NO. SHE. 1350 00:58:10,443 --> 00:58:13,359 THE MOON. 1351 00:58:16,405 --> 00:58:17,363 THE MOON? 1352 00:58:17,406 --> 00:58:18,625 YEAH, MAN. 1353 00:58:18,669 --> 00:58:21,846 DON'T YOU SEE HER SITTING ON TOP OF MY PIANO? 1354 00:58:21,889 --> 00:58:25,850 SHE ALWAYS COMES DOWN TO LISTEN TO ME PLAY. 1355 00:58:27,416 --> 00:58:30,724 YEAH. I CAN SEE HER. 1356 00:58:30,768 --> 00:58:34,162 NO. SHE'S GONE NOW. 1357 00:58:34,206 --> 00:58:36,861 YOU SCARED HER. 1358 00:58:36,904 --> 00:58:38,297 SORRY. 1359 00:58:38,340 --> 00:58:43,607 IT'S OK. SHE'LL COME BACK WHEN I START PLAYING AGAIN. 1360 00:58:45,565 --> 00:58:47,567 YOU GOT A CIGARETTE? 1361 00:58:47,611 --> 00:58:49,700 YEAH, SURE. 1362 00:58:55,488 --> 00:58:57,446 HAVEN'T SEEN YOU HERE BEFORE. 1363 00:58:57,490 --> 00:58:59,623 LOOK... 1364 00:58:59,666 --> 00:59:03,278 IS THERE A RED-HAIRED WOMAN WORKS IN HERE? 1365 00:59:03,322 --> 00:59:06,151 ABOUT 30? 1366 00:59:06,194 --> 00:59:07,152 BLUE EYES. 1367 00:59:07,195 --> 00:59:09,328 NO. THERE'S ONLY LOUISE, 1368 00:59:09,371 --> 00:59:11,591 SHE ONLY STARTED A COUPLE OF DAYS AGO. 1369 00:59:11,635 --> 00:59:12,766 [GLASS BREAKS] 1370 00:59:12,810 --> 00:59:16,161 I DON'T THINK SHE WAS MADE FOR BARTENDING. 1371 00:59:17,466 --> 00:59:20,295 IT'S SO STRANGE. 1372 00:59:20,339 --> 00:59:23,734 I'M SURE I SAW HER HERE. 1373 00:59:23,777 --> 00:59:28,216 SHE WAS STANDING OVER THERE RIGHT BEHIND THE BAR. 1374 00:59:28,608 --> 00:59:29,827 [LAUGHS] 1375 00:59:29,870 --> 00:59:33,352 MAN, YOU REALLY ARE SEEING THINGS, AREN'T YOU? 1376 00:59:33,395 --> 00:59:36,529 I MUST BE SEEING THINGS. 1377 00:59:43,884 --> 00:59:45,669 EXCUSE ME. 1378 00:59:45,712 --> 00:59:47,235 I'VE ALREADY ASKED THE PIANIST, 1379 00:59:47,279 --> 00:59:50,369 BUT I'M NOT SURE WHETHER OR NOT I TRUST HIS EYESIGHT. 1380 00:59:50,412 --> 00:59:51,544 I KNOW WHAT YOU MEAN. 1381 00:59:51,588 --> 00:59:55,113 IS THERE A RED-HAIRED WOMAN WORKS IN HERE? 1382 00:59:55,156 --> 00:59:59,813 ABOUT 30. BLUE EYES. VERY BEAUTIFUL. 1383 00:59:59,857 --> 01:00:01,467 NO. 1384 01:00:01,510 --> 01:00:03,251 ARE YOU SURE THIS IS THE RIGHT BAR? 1385 01:00:03,295 --> 01:00:04,339 YEAH, I'M SURE. 1386 01:00:04,383 --> 01:00:08,343 UM, WE HAD A LONG CHAT ONE NIGHT. 1387 01:00:08,387 --> 01:00:10,389 SHE WAS VERY SPECIAL. 1388 01:00:10,432 --> 01:00:12,347 SHE GAVE ME THIS. 1389 01:00:12,391 --> 01:00:14,480 CAN I SEE IT? 1390 01:00:16,656 --> 01:00:18,789 IT'S NOT MUCH USE. 1391 01:00:19,441 --> 01:00:23,707 YEAH. WELL, IT WAS RAINING REALLY HARD THAT NIGHT. 1392 01:00:23,750 --> 01:00:26,492 BUT SHE'S OBVIOUSLY NOT HERE YET. 1393 01:00:26,535 --> 01:00:27,449 YET? 1394 01:00:27,493 --> 01:00:29,321 IT'S A LONG STORY. 1395 01:00:29,364 --> 01:00:32,716 I'D BETTER GO. GOOD NIGHT. 1396 01:00:34,718 --> 01:00:36,633 GOOD LUCK. 1397 01:00:40,288 --> 01:00:41,812 Janice: HERE'S TO YOUR FLAT. 1398 01:00:41,855 --> 01:00:43,509 YEAH, THANK YOU. 1399 01:00:44,945 --> 01:00:48,557 HOW ARE THINGS WITH DAVE? 1400 01:00:48,601 --> 01:00:50,777 GOOD. IT'S GOOD. 1401 01:00:50,821 --> 01:00:52,474 I MEAN, THERE'S NO PRESSURE. 1402 01:00:52,518 --> 01:00:54,999 WE DON'T ASK EACH OTHER QUESTIONS, 1403 01:00:55,042 --> 01:00:56,478 SO JUST ENJOY EACH OTHER'S COMPANY. 1404 01:00:56,522 --> 01:00:59,830 GREAT. THAT'S REALLY GREAT. 1405 01:00:59,873 --> 01:01:02,049 HAVE YOU HEARD FROM VIC? 1406 01:01:02,093 --> 01:01:03,398 NO. 1407 01:01:03,442 --> 01:01:08,186 Sylvia: CAN YOU BELIEVE IT? HE HASN'T EVEN PHONED. 1408 01:01:08,490 --> 01:01:12,320 Sylvia: I THINK HE'S ACTUALLY ACCEPTED IT. 1409 01:01:12,581 --> 01:01:15,367 I THOUGHT I'D BE BESIEGED BY HIM, 1410 01:01:15,410 --> 01:01:16,890 AND AS ALWAYS, THE ONLY THING 1411 01:01:16,934 --> 01:01:20,067 I CAN'T FIND AN EXPLANATION FOR IS VIC'S BEHAVIOR. 1412 01:01:20,111 --> 01:01:21,547 I HOPE HE'S OK. 1413 01:01:21,590 --> 01:01:23,680 I SHOULD RING HIM, BUT I THINK IT'S TOO EARLY. 1414 01:01:23,723 --> 01:01:26,421 YEAH. JUST GIVE HIM A LITTLE BIT MORE TIME. 1415 01:01:26,465 --> 01:01:30,687 I HOPE AFTER EVERYTHING, WE CAN STILL BE FRIENDS. 1416 01:01:30,730 --> 01:01:33,820 'CAUSE WE WERE ALWAYS REALLY GOOD FRIENDS. 1417 01:01:33,864 --> 01:01:35,561 YEAH, YOU WERE. 1418 01:01:35,604 --> 01:01:36,431 [LAUGHS] 1419 01:01:36,475 --> 01:01:38,999 CHEERS TO YOU. 1420 01:01:50,010 --> 01:01:51,795 OI, MATE? 1421 01:01:52,491 --> 01:01:55,102 CAN YOU GET ME A BOURBON FROM THE BAR? 1422 01:01:55,146 --> 01:01:57,452 YEAH, SURE. 1423 01:01:59,063 --> 01:02:00,238 HI. HI. 1424 01:02:00,281 --> 01:02:03,589 A BOURBON FOR THE MAESTRO, PLEASE. 1425 01:02:03,632 --> 01:02:05,330 OF COURSE. CAN I GET YOU SOMETHING? 1426 01:02:05,373 --> 01:02:09,290 ALL RIGHT. I'LL HAVE A VODKA AND TONIC, PLEASE. 1427 01:02:09,334 --> 01:02:11,292 OK. 1428 01:02:35,055 --> 01:02:36,274 WHOO. MMM. 1429 01:02:36,317 --> 01:02:37,710 IS THAT VERY STRONG? 1430 01:02:37,754 --> 01:02:40,321 UH-HUH. IT'S OK. 1431 01:02:40,365 --> 01:02:41,714 SORRY. 1432 01:02:41,758 --> 01:02:45,109 YOU HAVEN'T DONE VERY MUCH BAR WORK BEFORE, HAVE YOU? 1433 01:02:45,152 --> 01:02:47,111 NO. 1434 01:02:47,459 --> 01:02:49,896 IN FACT, I'M REALLY A WRITER. 1435 01:02:49,940 --> 01:02:51,419 THE REASON WHY I TOOK THIS JOB 1436 01:02:51,463 --> 01:02:54,509 IS THAT THE MAIN CHARACTER OF THE NOVEL I'M WRITING 1437 01:02:54,553 --> 01:02:55,597 WORKS IN A BAR. 1438 01:02:55,641 --> 01:02:58,252 I UNDERSTAND, BECAUSE I'M AN ACTOR... 1439 01:02:58,296 --> 01:03:01,429 AND I'M WORKING IN A BOOKSHOP JUST NOW 1440 01:03:01,473 --> 01:03:03,257 BECAUSE THE CHARACTER I'M GONNA PLAY 1441 01:03:03,301 --> 01:03:05,520 IN MY NEXT FILM IS A LIBRARIAN. 1442 01:03:05,564 --> 01:03:08,132 MMM. HMM? 1443 01:03:09,481 --> 01:03:11,178 I ALSO NEED THE MONEY. 1444 01:03:11,222 --> 01:03:13,877 [LAUGHS] ME, TOO. 1445 01:03:14,791 --> 01:03:16,836 I'M VICTOR, BY THE WAY. 1446 01:03:16,880 --> 01:03:18,142 I'M LOUISE. 1447 01:03:18,185 --> 01:03:20,231 WELL, ACTUALLY, MY REAL NAME IS LUISA, 1448 01:03:20,274 --> 01:03:23,538 BUT PEOPLE FIND IT HARD TO PRONOUNCE PROPERLY. 1449 01:03:23,582 --> 01:03:24,931 WHERE ARE YOU FROM? 1450 01:03:24,975 --> 01:03:27,368 I'M FROM CORDOBA IN SPAIN. 1451 01:03:27,412 --> 01:03:29,457 SPANISH? 1452 01:03:30,371 --> 01:03:35,942 YA EN LOS NIDOS DE ANTAÑO... 1453 01:03:35,986 --> 01:03:37,335 NO HAY... NO HAY... 1454 01:03:37,378 --> 01:03:40,468 PáRAJOSPáRAJOS HOGANO.HOGANO. 1455 01:03:40,512 --> 01:03:43,080 WHAT THE HELL DOES THAT MAN? 1456 01:03:43,123 --> 01:03:46,344 IT MEANS DON'T LOOK FOR THIS YEAR'S BIRDS 1457 01:03:46,387 --> 01:03:47,693 IN LAST YEAR'S NESTS. 1458 01:03:47,736 --> 01:03:51,131 IT'S FROM DON QUIXOTE. 1459 01:03:51,175 --> 01:03:54,004 WHERE DID YOU HEAR IT? 1460 01:03:54,047 --> 01:03:55,875 I THINK I DREAMED IT. 1461 01:03:55,919 --> 01:03:58,878 LIKE YOUR RED-HAIRED WOMAN? 1462 01:03:58,922 --> 01:03:59,923 DID YOU DREAM HER, TOO? 1463 01:03:59,966 --> 01:04:03,187 THE RED-HAIRED WOMAN AND DON QUIXOTE 1464 01:04:03,230 --> 01:04:05,624 ARE ALL PART OF THE SAME STORY. 1465 01:04:05,667 --> 01:04:07,626 DON QUIXOTE. 1466 01:04:07,669 --> 01:04:08,975 DON QUIXOTE. 1467 01:04:09,019 --> 01:04:11,456 "THE KNIGHT OF THE SORROWFUL FIGURE." 1468 01:04:11,499 --> 01:04:15,155 IN THE END, HE DIED IN HIS BED OF MELANCHOLIA, 1469 01:04:15,199 --> 01:04:17,157 HATING THE BOOKS OF CHIVALRY 1470 01:04:17,201 --> 01:04:20,639 AND BLAMING THEM FOR HIS MADNESS. 1471 01:04:22,075 --> 01:04:23,990 HEY! HMM? 1472 01:04:24,034 --> 01:04:25,862 DON'T FALL ASLEEP. 1473 01:04:25,905 --> 01:04:27,951 YOU STILL HAVEN'T TOLD ME ABOUT THAT BEAUTIFUL 1474 01:04:27,994 --> 01:04:31,693 RED-HAIRED WOMAN YOU ARE LOOKING FOR. 1475 01:04:31,737 --> 01:04:35,523 I CAN'T ACTUALLY TELL YOU ABOUT HER, 1476 01:04:35,567 --> 01:04:40,702 BECAUSE IF I DO, THEN I'LL BREAK THE SPELL. 1477 01:04:43,053 --> 01:04:45,055 LOUISE... 1478 01:04:45,098 --> 01:04:47,100 I'M GONNA GIVE YOU A PAY RISE 1479 01:04:47,144 --> 01:04:49,450 SO YOU CAN AFFORD YOUR BREAKAGES. 1480 01:04:49,494 --> 01:04:51,757 SORRY. 1481 01:04:52,236 --> 01:04:56,370 I THINK I'D BETTER GO HOME. 1482 01:04:56,414 --> 01:04:58,329 DO YOU LIVE NEARBY? 1483 01:04:58,372 --> 01:05:00,418 JUST ACROSS THE ROAD. 1484 01:05:00,461 --> 01:05:02,463 WILL YOU BE OK? 1485 01:05:02,507 --> 01:05:04,901 I'LL BE FINE. 1486 01:05:06,076 --> 01:05:07,729 OH! I'M OK. 1487 01:05:07,773 --> 01:05:10,167 Louise: REALLY? ARE YOU SURE? 1488 01:05:10,210 --> 01:05:12,082 ABSO-FUCKING-LUTELY. 1489 01:05:12,125 --> 01:05:13,344 [THUD] 1490 01:05:13,387 --> 01:05:16,434 DON'T WORRY, LOU. I'LL TAKE CARE OF THE REST. 1491 01:05:16,477 --> 01:05:19,263 OK. IT'S OK. I'M ABSOLUTELY FINE. 1492 01:05:19,306 --> 01:05:21,613 IT'S OK. 1493 01:05:22,222 --> 01:05:25,182 THANK YOU. SEE YOU TOMORROW. 1494 01:05:25,225 --> 01:05:26,531 BYE. 1495 01:05:26,574 --> 01:05:30,143 WAIT A MINUTE. 1496 01:05:30,187 --> 01:05:32,493 DID YOU SEE THAT? 1497 01:05:32,537 --> 01:05:34,060 WHAT? 1498 01:05:34,104 --> 01:05:36,976 THE MOON. 1499 01:05:37,020 --> 01:05:39,370 DID YOU SEE IT? 1500 01:05:41,024 --> 01:05:43,069 ANDA. VAMOS. 1501 01:05:43,113 --> 01:05:45,898 [CHUCKLING] 1502 01:05:46,986 --> 01:05:48,683 WHERE DO YOU LIVE? 1503 01:05:48,727 --> 01:05:50,990 UM... 1504 01:05:51,034 --> 01:05:52,078 AAH! 1505 01:05:52,122 --> 01:05:54,080 HA HA HA! 1506 01:05:54,124 --> 01:05:57,954 [HOWLING] 1507 01:06:04,482 --> 01:06:07,137 [SNORING] 1508 01:06:09,182 --> 01:06:10,836 [TELEPHONE RINGS] 1509 01:06:10,879 --> 01:06:12,359 Louise: HELLO, VICTOR, IT'S LOUISE. 1510 01:06:12,403 --> 01:06:16,711 WE MET LAST NIGHT AT LENNY'S IN CASE YOU DON'T REMEMBER. 1511 01:06:16,755 --> 01:06:19,801 REMEMBER THE FILM I TOLD YOU ABOUT YESTERDAY? 1512 01:06:19,845 --> 01:06:21,325 WELL, IT'S ON AT THE RITZY, 1513 01:06:21,368 --> 01:06:23,544 AND I THOUGHT MAYBE YOU'D LIKE TO COME WITH ME 1514 01:06:23,588 --> 01:06:27,113 TO THE AFTERNOON PERFORMANCE BEFORE I GO TO WORK. 1515 01:06:27,157 --> 01:06:30,464 IT WAS REALLY, REALLY NICE TALKING TO YOU YESTERDAY. 1516 01:06:30,508 --> 01:06:34,381 I'LL LEAVE YOU MY NUMBER IF YOU ARRIVE HOME BEFORE 3:00. 1517 01:06:34,425 --> 01:06:38,037 IT'S 0171-166-9327. 1518 01:06:38,081 --> 01:06:40,126 AND IN CASE YOU'RE WONDERING, 1519 01:06:40,170 --> 01:06:42,694 NOTHING HAPPENED LAST NIGHT. 1520 01:06:43,216 --> 01:06:45,001 [SIGHS] 1521 01:06:46,002 --> 01:06:46,915 [DOOR CLOSES] 1522 01:06:46,959 --> 01:06:49,396 VETE A LA MIERDA. 1523 01:06:58,971 --> 01:07:00,190 HI. 1524 01:07:00,233 --> 01:07:02,496 I'VE BEEN FIRED. 1525 01:07:02,540 --> 01:07:04,716 WHAT? 1526 01:07:04,759 --> 01:07:07,632 I'VE BEEN FIRED. I ARRIVED TONIGHT, 1527 01:07:07,675 --> 01:07:09,329 AND THERE IS SOMEBODY ELSE DOING MY JOB, 1528 01:07:09,373 --> 01:07:12,463 AND THE MANAGER TELLS ME THEY DON'T NEED ME ANYMORE. 1529 01:07:12,506 --> 01:07:13,594 WHY? 1530 01:07:13,638 --> 01:07:15,509 I DON'T KNOW. I HAD A BAD DAY YESTERDAY. 1531 01:07:15,553 --> 01:07:16,684 I BROKE A FEW GLASSES. 1532 01:07:16,728 --> 01:07:20,210 AND THERE'S SOMEBODY ELSE DOING YOUR JOB? 1533 01:07:21,341 --> 01:07:24,127 I'M REALLY SORRY. 1534 01:07:24,518 --> 01:07:27,739 YOU DIDN'T CALL ME YESTERDAY. 1535 01:07:31,612 --> 01:07:34,006 Diane: YOU ALWAYS THINK YOU HAVE SOMETHING SPECIAL. 1536 01:07:34,050 --> 01:07:35,529 SOMETHING UNREPEATABLE. 1537 01:07:35,573 --> 01:07:36,922 THE ONE AND ONLY TRUE LOVE. 1538 01:07:36,965 --> 01:07:40,578 WHY IS IT YOU ALWAYS END UP TELLING THE SAME STORY? 1539 01:07:40,621 --> 01:07:42,319 FUNNY THING IS, I THOUGHT I COULD LIVE WITHOUT HER. 1540 01:07:42,362 --> 01:07:44,843 I WAS DOING OK WITH MY MUSICAL CAREER. 1541 01:07:44,886 --> 01:07:47,628 THEN MY RECORD COMPANY DECIDED TO DROP ME. 1542 01:07:47,672 --> 01:07:48,890 REALLY? I'M SURPRISED, 1543 01:07:48,934 --> 01:07:50,544 BECAUSE YOU HAVE AN INTERESTING FACE. 1544 01:07:50,588 --> 01:07:51,676 THANKS. 1545 01:07:51,719 --> 01:07:54,722 I CAN SPOT A CHARISMATIC FACE A MILE OFF. 1546 01:07:54,766 --> 01:07:58,074 YEAH, WHAT CAN I DO FOR YOU? 1547 01:07:59,162 --> 01:08:01,294 CAN I HELP YOU? 1548 01:08:06,082 --> 01:08:07,605 NO. 1549 01:08:26,058 --> 01:08:28,060 [SIGHS] 1550 01:08:31,150 --> 01:08:34,284 Victor: AW, FUCK. 1551 01:08:47,297 --> 01:08:49,168 [SIGHS] 1552 01:09:00,788 --> 01:09:03,835 DO YOU WANT TO GET DRUNK? 1553 01:09:12,757 --> 01:09:14,976 MMM. 1554 01:09:15,020 --> 01:09:17,022 [MUMBLES] 1555 01:09:17,065 --> 01:09:18,197 WHAT? 1556 01:09:18,241 --> 01:09:19,503 [MUMBLES] 1557 01:09:19,546 --> 01:09:21,113 HMM? 1558 01:09:21,157 --> 01:09:23,376 [GIGGLES] 1559 01:09:23,420 --> 01:09:26,162 [LAUGHS] 1560 01:09:27,511 --> 01:09:29,165 HMM. 1561 01:09:35,171 --> 01:09:36,563 [SIGHS] 1562 01:09:36,607 --> 01:09:39,175 [LOUISE GIGGLES] 1563 01:09:41,699 --> 01:09:45,137 [SALIF KEITA SINGING NAYANAMA] 1564 01:10:19,432 --> 01:10:21,217 Freddy: YOU STILL HAVEN'T LEARNED. 1565 01:10:21,260 --> 01:10:22,653 YOU'LL NEVER GET ANOTHER GIRLFRIEND 1566 01:10:22,696 --> 01:10:24,307 TILL YOU CHANGE YOUR ATTITUDE. 1567 01:10:24,350 --> 01:10:25,786 YEAH. OH, YEAH? 1568 01:10:25,830 --> 01:10:28,876 YOU CAN'T APPROACH A WOMAN YOU FANCY 1569 01:10:28,920 --> 01:10:30,051 WITH AN ALL-OR-NOTHING ATTITUDE. 1570 01:10:30,095 --> 01:10:32,053 IT'S NOT AS BLACK AND WHITE AS THAT. 1571 01:10:32,097 --> 01:10:34,404 THERE'S A LOT OF GRAY GIRLS OUT THERE 1572 01:10:34,447 --> 01:10:37,755 GIVE YOU THE SHAG OF YOUR LIFE. 1573 01:10:37,798 --> 01:10:38,973 LIFE IS TOO SHORT 1574 01:10:39,017 --> 01:10:41,759 FOR ROMANTICS LIKE YOU, MY FRIEND. 1575 01:10:41,802 --> 01:10:44,109 YOU BLINK, THEY GO AFTER SOME OTHER GUY 1576 01:10:44,152 --> 01:10:45,893 WHO EXPECTS LESS FROM THEM. 1577 01:10:45,937 --> 01:10:48,548 WOMEN HAVE CHANGED. THEY'RE MORE LIKE US NOW. 1578 01:10:48,592 --> 01:10:51,029 THEY JUST WANT TO HAVE FUN, YOU KNOW? 1579 01:10:51,072 --> 01:10:54,250 TRY AND GET THAT INTO YOUR SYSTEM. 1580 01:10:54,511 --> 01:10:58,123 OH, DEAR. I'VE GOT TO DO SOMETHING ABOUT THIS. 1581 01:10:58,166 --> 01:11:01,561 STILL, IT'S MAN'S CONDITION, I SUPPOSE. 1582 01:11:01,605 --> 01:11:03,476 IT'S LIKE WOMEN HAVE TITS. 1583 01:11:03,520 --> 01:11:05,086 EXPECT YOU'RE FEELING THE SAME THING. 1584 01:11:05,130 --> 01:11:06,566 NO. IT'S ALL RIGHT. 1585 01:11:06,610 --> 01:11:08,089 SHOW US YOUR BELLY. 1586 01:11:08,133 --> 01:11:09,047 WHAT? 1587 01:11:09,090 --> 01:11:10,309 SHOW US YOUR BELLY. 1588 01:11:10,353 --> 01:11:11,005 WHAT? 1589 01:11:11,049 --> 01:11:13,138 SHOW US YOUR BELLY. 1590 01:11:13,181 --> 01:11:15,009 YOU'RE HOLDING THAT IN. 1591 01:11:15,053 --> 01:11:16,054 I'M NOT. 1592 01:11:16,097 --> 01:11:17,795 I'M NOT! YOU ARE. 1593 01:11:17,838 --> 01:11:20,624 THERE'S A GIRL OVER THERE GIVING ME THE EYE. 1594 01:11:20,667 --> 01:11:22,756 SHE'S COMING THIS WAY. SHE'S NOT BAD. 1595 01:11:22,800 --> 01:11:25,411 SHE'S DEFINITELY COMING THIS WAY. 1596 01:11:25,455 --> 01:11:28,414 SHE'S VERY TASTY. 1597 01:11:28,458 --> 01:11:29,633 DON'T SAY ANYTHING. 1598 01:11:29,676 --> 01:11:32,984 DON'T FUCK IT UP. LEAVE THIS TO ME. 1599 01:11:37,989 --> 01:11:39,338 QUé GUAPA. 1600 01:11:39,382 --> 01:11:42,863 I SEE THAT YOU DO KNOW WHO THIS GUY IS. 1601 01:11:42,907 --> 01:11:44,996 FREDDY, THIS IS LOUISE. 1602 01:11:45,039 --> 01:11:47,215 HI. HI. 1603 01:11:48,042 --> 01:11:49,261 NICE TO MEET YOU. 1604 01:11:49,305 --> 01:11:51,219 SO YOU'RE THE REASON HE HASN'T BEEN NAGGING ME 1605 01:11:51,263 --> 01:11:53,178 THE LAST COUPLE OF MONTHS. I LIKE YOU ALREADY. 1606 01:11:53,221 --> 01:11:55,311 HOW CAN YOU KEEP THIS QUIET FROM ME? 1607 01:11:55,354 --> 01:11:56,964 YOU ALWAYS TELL ME EVERYTHING. 1608 01:11:57,008 --> 01:11:58,444 I KNOW. 1609 01:11:58,488 --> 01:12:00,838 I HOPE HE TOLD YOU ABOUT HIS AUDITION FOR THE BBC SITCOM. 1610 01:12:00,881 --> 01:12:02,927 AN AUDITION FOR A BBC SITCOM? 1611 01:12:02,970 --> 01:12:04,581 AH-AH-AH. TOMORROW. 1612 01:12:04,624 --> 01:12:06,452 WOW, THAT'S FANTASTIC. 1613 01:12:06,496 --> 01:12:09,368 YOU SAID YOU WERE NEVER GONNA DO A SITCOM. 1614 01:12:09,412 --> 01:12:11,109 THAT WAS A LONG TIME AGO. 1615 01:12:11,152 --> 01:12:13,067 THAT WAS BEFORE I MET LOUISE. 1616 01:12:13,111 --> 01:12:14,547 OH. 1617 01:12:14,591 --> 01:12:16,157 HUH? 1618 01:12:19,160 --> 01:12:22,076 ♪ BABY 1619 01:12:26,211 --> 01:12:28,953 ♪ CAN'T KEEP ON LEARNING ♪ 1620 01:12:28,996 --> 01:12:29,780 WHAT? 1621 01:12:29,823 --> 01:12:30,998 CONTRACEPTION. 1622 01:12:31,042 --> 01:12:32,870 OH, MY GOD. HE'S GONE OUT WITHOUT A CONDOM. 1623 01:12:32,913 --> 01:12:36,656 ♪ ALL I WANT YOU TO DO IS FEEL WITH ME... ♪ 1624 01:12:36,700 --> 01:12:37,744 DON'T BE SILLY. 1625 01:12:37,788 --> 01:12:39,093 CONDOMS ARE OLDER THAN FRANK SINATRA. 1626 01:12:39,137 --> 01:12:42,183 ♪ YEAH 1627 01:12:44,925 --> 01:12:49,626 ♪ WE BOTH ARE HURTING 1628 01:12:50,148 --> 01:12:54,544 ♪ AND IT'S GONNA TAKE A LITTLE TIME ♪ 1629 01:12:56,328 --> 01:13:01,115 ♪ TO HEAL ALL THE WOUNDS... ♪ 1630 01:13:01,159 --> 01:13:02,943 WHAT, NOW? 1631 01:13:08,079 --> 01:13:09,994 ♪ ALL I EVER WANTED 1632 01:13:10,037 --> 01:13:11,038 TAKE THE CAR. 1633 01:13:11,082 --> 01:13:13,954 I'LL SEE YOU BACK AT MY PLACE LATER. 1634 01:13:13,998 --> 01:13:15,216 OK. 1635 01:13:15,260 --> 01:13:17,523 OK? 1636 01:13:19,003 --> 01:13:22,136 ♪ REMEMBER CAMPING IN THE MOON LIGHT ♪ 1637 01:13:22,180 --> 01:13:25,357 ♪ HOW WE HELD EACH OTHER ALL NIGHT ♪ 1638 01:13:25,401 --> 01:13:32,973 ♪ ALL I EVER WANTED WAS LOVE ♪ 1639 01:13:33,017 --> 01:13:38,109 ♪ DARLING, DARLING, DARLING ♪ 1640 01:13:38,370 --> 01:13:41,025 ♪ DO YOU WANT TO FEEL THE GOOD SIDE... ♪ 1641 01:13:41,068 --> 01:13:44,463 I'M SURPRISED YOU CALLED. I THOUGHT DAVE KIDNAPPED YOU. 1642 01:13:44,507 --> 01:13:46,900 TRUTH IS, I DON'T SEE MUCH OF HIM LATELY 1643 01:13:46,944 --> 01:13:49,468 HE'S SO DEVOTED TO HIS JOB, 1644 01:13:49,512 --> 01:13:52,253 WHICH IS GREAT 'CAUSE THAT GIVES ME PLENTY OF TIME 1645 01:13:52,297 --> 01:13:55,169 ON MY OWN WHICH I REALLY LIKE. 1646 01:13:55,213 --> 01:13:56,214 GOOD. 1647 01:13:56,257 --> 01:13:58,259 HMM. 1648 01:13:58,608 --> 01:14:01,567 BUT THE TIME I DO SPEND WITH HIM IS BRILLIANT. 1649 01:14:01,611 --> 01:14:05,049 'CAUSE DAVE'S REALLY MATURE AND PERCEPTIVE. 1650 01:14:05,092 --> 01:14:06,137 EXCUSE ME. 1651 01:14:06,180 --> 01:14:08,444 YOU KNOW, I'VE COME TO THE CONCLUSION 1652 01:14:08,487 --> 01:14:12,796 THAT INDEPENDENCE IS THE PILLAR IN ANY RELATIONSHIP. 1653 01:14:12,839 --> 01:14:15,189 'CAUSE RELATIONSHIPS ARE LIKE PLANTS. 1654 01:14:15,233 --> 01:14:18,149 THEY NEED AIR. THEY NEED BREATHING SPACE. 1655 01:14:18,192 --> 01:14:20,412 OTHERWISE THEY WILT. 1656 01:14:20,456 --> 01:14:21,979 SOUNDS LIKE YOU'VE GOT VERY CLEAR IDEAS. 1657 01:14:22,022 --> 01:14:25,461 YEAH. NEVER BEEN MORE FOCUSED IN MY WHOLE LIFE. 1658 01:14:26,157 --> 01:14:28,376 I SHOULD HAVE BEEN YOU, YOU KNOW. 1659 01:14:28,420 --> 01:14:29,943 I SAW HIM FIRST. 1660 01:14:29,987 --> 01:14:31,075 YEAH, I KNOW, 1661 01:14:31,118 --> 01:14:33,033 BUT IT WASN'T HOW I WANTED IT TO HAPPEN. 1662 01:14:33,077 --> 01:14:34,992 IT WAS JUST FATE OR SOMETHING. 1663 01:14:35,035 --> 01:14:37,473 YEAH, MR. FATE'S ALWAYS TO BLAME. 1664 01:14:37,516 --> 01:14:39,736 WELL, IF YOU SEE HIM, SEND HIM TO ME. 1665 01:14:39,779 --> 01:14:42,303 I'D REALLY LIKE TO FUCK HIM. 1666 01:14:42,347 --> 01:14:44,654 WELL, IT ALL SERVED FOR A GOOD PURPOSE. 1667 01:14:44,697 --> 01:14:50,529 AT LEAST YOU MANAGED TO LEAVE THAT REVOLTING VICTOR BEHIND. 1668 01:14:50,573 --> 01:14:52,052 YEAH. 1669 01:14:52,096 --> 01:14:53,489 OH, MY GOD. 1670 01:14:53,532 --> 01:14:55,534 HAVE YOU SEEN HIM ON THAT AWFUL PROGRAM ON WEDNESDAY? 1671 01:14:55,578 --> 01:14:57,057 YEAH. I'VE SEEN IT ONCE. 1672 01:14:57,101 --> 01:14:59,886 I ADMIT HE'S NOT SO BAD, BUT IT'S OBVIOUS 1673 01:14:59,930 --> 01:15:02,715 THAT'S AS FAR AS HE'S GOING TO GET WITH HIS CAREER. 1674 01:15:02,759 --> 01:15:04,369 DID YOU SEE THAT EPISODE 1675 01:15:04,412 --> 01:15:06,327 WHEN HE CAUGHT HIS DAD HIGH ON ECSTASY? 1676 01:15:06,371 --> 01:15:09,374 YEAH. AND THE ONE WHERE HIS DAD WAS ARRESTED 1677 01:15:09,417 --> 01:15:11,898 FOR DANCING NAKED ON STAGE AT GLASTONBURY. 1678 01:15:11,942 --> 01:15:13,117 YEAH, THAT WAS FUNNY, TOO. 1679 01:15:13,160 --> 01:15:17,164 HEY, THOUGHT YOU SAID YOU ONLY SAW IT ONCE. 1680 01:15:17,208 --> 01:15:18,644 WELL, TWICE. 1681 01:15:18,688 --> 01:15:21,429 YEAH? WELL, IT'S YOUR TURN. 1682 01:15:21,473 --> 01:15:23,475 YEAH. 1683 01:15:26,086 --> 01:15:28,915 Louise: DO YOU HAVE ANY CIGARETTES LEFT? 1684 01:15:28,959 --> 01:15:31,222 SOMEWHERE. 1685 01:15:35,618 --> 01:15:37,097 I CAN'T FIND ANY. 1686 01:15:37,141 --> 01:15:39,752 NEITHER CAN I, BABY. 1687 01:15:40,318 --> 01:15:44,148 HERE. THERE IS A LOOSE ONE. 1688 01:15:44,714 --> 01:15:47,020 IS THIS WHERE YOU WRITE YOURSELF MESSAGES 1689 01:15:47,064 --> 01:15:49,632 SO YOU DON'T FORGET THINGS? 1690 01:15:52,243 --> 01:15:54,506 GOOD IDEA. 1691 01:15:54,550 --> 01:15:55,986 NO! 1692 01:15:56,029 --> 01:15:59,076 LOUISE, GOD DAMN IT! 1693 01:15:59,903 --> 01:16:02,819 THIS IS A PERSONAL THING... 1694 01:16:02,862 --> 01:16:05,125 OF MINE. 1695 01:16:11,741 --> 01:16:14,091 SHIT, LOUISE. 1696 01:16:14,134 --> 01:16:16,615 LOU. 1697 01:16:17,137 --> 01:16:19,531 I'M SORRY. I DIDN'T MEAN TO SHOUT. 1698 01:16:19,575 --> 01:16:20,837 EVERY TIME I COME HERE, 1699 01:16:20,880 --> 01:16:22,578 I FEEL LIKE THERE IS SOMEBODY ELSE IN THE HOUSE. 1700 01:16:22,621 --> 01:16:25,624 I DON'T KNOW WHAT HAPPENED TO YOU. 1701 01:16:25,668 --> 01:16:28,453 YOU'VE NEVER WANTED TO TELL ME. 1702 01:16:29,976 --> 01:16:32,936 BUT I CAN'T COMPETE WITH A GHOST. 1703 01:16:37,027 --> 01:16:40,117 I DON'T KNOW, YOUR HEART SEEMS TO BE STUCK SOMEWHERE. 1704 01:16:40,160 --> 01:16:43,947 I DON'T KNOW HOW TO EXPLAIN THIS. 1705 01:16:43,990 --> 01:16:46,776 NONE OF THIS WAS SUPPOSED TO HAPPEN. 1706 01:16:47,385 --> 01:16:49,953 I DON'T EVEN KNOW WHERE I AM SOMETIMES. 1707 01:16:49,996 --> 01:16:52,738 WELL, GO AND FIND OUT. 1708 01:17:10,364 --> 01:17:13,280 "BY NOW YOU SHOULD KNOW HOW FAR DOWN THE PATH 1709 01:17:13,324 --> 01:17:16,632 "OF DISENCHANTMENT YOU ARE. 1710 01:17:16,675 --> 01:17:20,287 "FROM THIS WORLD-WEARIED FLESH 1711 01:17:20,331 --> 01:17:22,594 "EYES LOOK YOUR LAST... 1712 01:17:22,638 --> 01:17:25,684 "ARMS, TAKE YOUR LAST EMBRACE... 1713 01:17:25,728 --> 01:17:29,688 "AND LIPS--O YOU, THE DOORS OF BREATH... 1714 01:17:29,732 --> 01:17:31,995 "SEAL WITH A RIGHTEOUS KISS... 1715 01:17:32,038 --> 01:17:37,653 A DATELESS BARGAIN TO ENGROSSING DEATH." 1716 01:17:42,179 --> 01:17:43,223 [REGGAE MUSIC PLAYING] 1717 01:17:43,267 --> 01:17:46,270 ♪ BROKE YOUR TASK, KILL YOUR PAIN ♪ 1718 01:17:46,313 --> 01:17:49,795 ♪ RIDE ACROSS THE DAYS ON A ROSY TRAIN ♪ 1719 01:17:49,839 --> 01:17:51,971 ♪ TAKE A TRIP WITH ME 1720 01:17:52,015 --> 01:17:54,713 ♪ OOH, BABY, TO A PARADISE... ♪ 1721 01:17:54,757 --> 01:17:55,714 Louise on speaker: YES? 1722 01:17:55,758 --> 01:17:57,629 LOU, I NEED TO SPEAK TO YOU. 1723 01:17:57,673 --> 01:17:59,631 ♪ LIGHT THROUGH THE DIRTY RAIN ♪ 1724 01:17:59,675 --> 01:18:00,588 Louise: NO. 1725 01:18:00,632 --> 01:18:01,764 ♪ WALKING THROUGH MY EYES... ♪ 1726 01:18:01,807 --> 01:18:03,635 EXCUSE ME, I KNOW THIS IS A TERRIBLE THING 1727 01:18:03,679 --> 01:18:05,419 TO HAVE TO ASK YOU, BUT DO YOU THINK 1728 01:18:05,463 --> 01:18:07,987 YOU COULD TURN THAT DOWN A BIT? 1729 01:18:08,031 --> 01:18:09,597 THANKS. 1730 01:18:09,641 --> 01:18:12,426 LOU? I'VE COME A LONG WAY-- 1731 01:18:12,470 --> 01:18:15,429 [CLICK] 1732 01:18:15,473 --> 01:18:17,257 LOU? 1733 01:18:18,563 --> 01:18:19,782 LOU? 1734 01:18:19,825 --> 01:18:23,002 Louise: A LONG WAY. 1735 01:18:24,264 --> 01:18:26,092 YOU JUST LIVE 2 BLOCKS AWAY. 1736 01:18:26,136 --> 01:18:28,312 NO, NO, NO. 1737 01:18:28,355 --> 01:18:32,229 WHAT I MEAN IS THAT YOU WERE RIGHT. 1738 01:18:32,272 --> 01:18:34,013 I THOUGHT THAT I WAS STUCK, 1739 01:18:34,057 --> 01:18:38,452 BUT I KNOW NOW THAT I'M NOT STUCK ANYMORE. 1740 01:18:38,496 --> 01:18:41,151 I'VE COME EVER SUCH A LONG WAY 1741 01:18:41,194 --> 01:18:42,369 WITHOUT EVEN REALIZING IT. 1742 01:18:42,413 --> 01:18:44,589 AND MOST OF IT'S THANKS TO YOU. 1743 01:18:44,632 --> 01:18:46,460 ♪ BABY, CROSS THE LINE 1744 01:18:46,504 --> 01:18:47,766 ♪ I WILL PAY YOUR FARE 1745 01:18:47,810 --> 01:18:51,074 ♪ THEN I'LL STOP THE TIME IN YOUR FINAL STARE ♪ 1746 01:18:51,117 --> 01:18:55,556 ♪ THERE'S A DREAM THAT SHINES ♪ 1747 01:18:55,600 --> 01:18:56,601 HANG ON. 1748 01:18:56,644 --> 01:18:57,820 THANKS. 1749 01:18:57,863 --> 01:18:59,082 [VOLUME INCREASES] ♪ KILL YOUR PAIN 1750 01:18:59,125 --> 01:19:02,955 ♪ RIDE ACROSS THE DAYS ON A ROSY TRAIN ♪ 1751 01:19:02,999 --> 01:19:04,043 [NEW SONG BEGINS] 1752 01:19:04,087 --> 01:19:09,919 ♪ I FOUND MYSELF IN AN OPEN SQUARE ♪ 1753 01:19:09,962 --> 01:19:14,184 ♪ AT 2:00 1754 01:19:14,227 --> 01:19:15,576 ♪ THE SQUARE WAS DIRTY 1755 01:19:15,620 --> 01:19:18,623 ♪ FULL OF GARBAGE, PAPER, PLASTIC, TIN CANS ♪ 1756 01:19:18,666 --> 01:19:21,800 ♪ THERE WERE PEOPLE SLEEPING ON THE BENCHES ♪ 1757 01:19:21,844 --> 01:19:26,196 ♪ WITH BLANKETS MADE OF CARDBOARD ♪ 1758 01:19:27,240 --> 01:19:28,894 ♪ I WASN'T COMFORTABLE 1759 01:19:28,938 --> 01:19:31,941 ♪ I TURNED INSTANTLY FROM WHAT I SAW ♪ 1760 01:19:31,984 --> 01:19:36,119 ♪ STINKING, FILTH, CONDEMNED ♪ 1761 01:19:36,162 --> 01:19:40,993 ♪ ONE OF THEM SMILES AT ME AND SAYS ♪ 1762 01:19:41,037 --> 01:19:42,038 ♪ HEY 1763 01:19:42,081 --> 01:19:46,738 ♪ DON'T GO LOSING CARE TODAY... ♪ 1764 01:19:46,782 --> 01:19:48,044 THANK YOU. 1765 01:19:48,087 --> 01:19:52,048 ♪ HIDING YOUR FACE 1766 01:19:52,091 --> 01:19:56,008 ♪ IN YOUR SOLITUDE 1767 01:19:56,052 --> 01:19:57,227 ♪ I'VE ESCAPED 1768 01:19:57,270 --> 01:20:02,101 ♪ FROM SOCIETY 1769 01:20:02,145 --> 01:20:05,583 ♪ AND I'M TALKING OF KISSES, TOO ♪ 1770 01:20:05,626 --> 01:20:08,368 Women: ♪ KEEPS US TRUE 1771 01:20:08,412 --> 01:20:10,414 ♪ KEEPS US TRUE 1772 01:20:10,457 --> 01:20:12,329 ♪ KEEPS US TRUE 1773 01:20:12,372 --> 01:20:14,200 ♪ KEEPS US TRUE 1774 01:20:14,244 --> 01:20:18,161 ♪ KEEPS US TRUE 1775 01:20:18,204 --> 01:20:20,772 ♪ YOUR FACE 1776 01:20:20,816 --> 01:20:24,907 ♪ IS MY LIGHT, HE SAYS 1777 01:20:24,950 --> 01:20:29,781 ♪ AND THE DAY SHINES BETTER FOR THE VIEW ♪ 1778 01:20:29,825 --> 01:20:32,001 Dave: HI, DARLING. IT'S ME. I'M STILL AT WORK. 1779 01:20:32,044 --> 01:20:33,263 WHEN WILL YOU BE BACK? 1780 01:20:33,306 --> 01:20:35,134 I'LL GET THERE AS SOON AS I CAN, I PROMISE. 1781 01:20:35,178 --> 01:20:37,702 LISTEN, DON'T BOTHER. YOU NEVER COME WHEN I NEED YOU. 1782 01:20:37,745 --> 01:20:38,746 WHAT? 1783 01:20:38,790 --> 01:20:40,313 I WANT TO SHARE SOMETHING REAL, TOO. 1784 01:20:40,357 --> 01:20:43,447 I WANT SOMEONE TO SHARE MY LIFE WITH AND YOU'RE NEVER HERE. 1785 01:20:43,490 --> 01:20:45,144 SYLVIA, YOU DON'T UNDERSTAND. 1786 01:20:45,188 --> 01:20:46,798 NO, I DO UNDERSTAND. I KNOW YOU THINK 1787 01:20:46,842 --> 01:20:49,627 YOU'VE GOT A DEBT TO SOCIETY AND I ADMIRE YOU FOR THAT. 1788 01:20:49,670 --> 01:20:52,848 BUT I ALSO HATE YOU FOR THAT. 1789 01:20:52,891 --> 01:20:54,153 I KNOW WHEN THE TIME COMES 1790 01:20:54,197 --> 01:20:55,981 YOU'RE GONNA CHOOSE SOME FAR-AWAY PLACE OVER ME, 1791 01:20:56,025 --> 01:20:58,897 AND I DON'T WANT TO BE HERE WHEN THAT HAPPENS. 1792 01:20:58,941 --> 01:20:59,724 SYLVIA? 1793 01:20:59,767 --> 01:21:02,466 TV announcer: EMMA FREUD. 1794 01:21:02,509 --> 01:21:04,685 SYLVIA? 1795 01:21:06,470 --> 01:21:08,472 Emma Freud: GOOD EVENING, LADIES AND GENTLEMEN, 1796 01:21:08,515 --> 01:21:11,040 AND WELCOME TO THE 19th BAFTA AWARDS 1797 01:21:11,083 --> 01:21:13,085 WHICH ARE GIVEN TO THE MOST OUTSTANDING FEATURES 1798 01:21:13,129 --> 01:21:15,783 IN BRITISH TELEVISION OVER THE PAST YEAR. 1799 01:21:15,827 --> 01:21:18,438 WITH THESE AWARDS, WE'RE NOT ONLY PLACING BOOKMARKS 1800 01:21:18,482 --> 01:21:20,963 ON THE MOST MEMORABLE PAGES OF A YEAR'S TELEVISION, 1801 01:21:21,006 --> 01:21:23,617 BUT WE'RE ALSO PAYING TRIBUTE TO THOSE FACES 1802 01:21:23,661 --> 01:21:25,576 WE MOST WANTED TO MEET AND HAVE AS COMPANY 1803 01:21:25,619 --> 01:21:27,099 WHEN WE SWITCH ON OUR TELEVISION SETS, 1804 01:21:27,143 --> 01:21:30,450 EITHER BECAUSE THEY MADE US LAUGH OR THEY MOVED US, 1805 01:21:30,494 --> 01:21:32,278 BECAUSE THEY MADE US REMEMBER 1806 01:21:32,322 --> 01:21:35,673 OR SIMPLY BECAUSE THEY MADE US FORGET. 1807 01:21:35,716 --> 01:21:38,110 [APPLAUSE] 1808 01:21:42,636 --> 01:21:44,900 TAXI! 1809 01:21:47,206 --> 01:21:48,773 HELLO? 1810 01:21:49,861 --> 01:21:51,689 FUCK! 1811 01:21:52,211 --> 01:21:54,518 AND THE WINNER... 1812 01:21:54,561 --> 01:21:58,130 AMANDA MOORE FOR LAST CHANCE. 1813 01:22:18,020 --> 01:22:19,760 EXCUSE ME, MISS. DO YOU HAVE AN INVITATION? 1814 01:22:19,804 --> 01:22:21,110 NO, I DON'T, BUT I REALLY NEED 1815 01:22:21,153 --> 01:22:22,241 TO SEE SOMEONE WHO'S IN THERE. 1816 01:22:22,285 --> 01:22:24,504 I'M SORRY, BUT I REALLY CAN'T LET YOU IN 1817 01:22:24,548 --> 01:22:26,028 WITHOUT AN INVITATION. 1818 01:22:26,071 --> 01:22:27,029 IT'S IMPORTANT. 1819 01:22:27,072 --> 01:22:29,857 WE MOVE ON NOW TO BEST COMEDY ACTOR 1820 01:22:29,901 --> 01:22:32,512 AND TO PRESENT THE AWARD, IT IS WITH GREAT PLEASURE 1821 01:22:32,556 --> 01:22:33,992 AND JUST A LITTLE BIT OF ENVY 1822 01:22:34,036 --> 01:22:37,082 THAT I GIVE YOU MISS CAPRICE BOURETT. 1823 01:22:37,126 --> 01:22:40,390 [APPLAUSE] 1824 01:22:40,433 --> 01:22:42,827 Caprice Boure THANK YOU. 1825 01:22:42,870 --> 01:22:46,265 AND THE NOMINEES FOR BEST COMEDY ACTOR ARE... 1826 01:22:46,309 --> 01:22:49,007 EDDIE BEUNOT FOR KENNEWAY... 1827 01:22:49,051 --> 01:22:51,749 [APPLAUSE] 1828 01:22:53,185 --> 01:22:58,103 PAUL JOHNSON FOR WILDED WINDSORS... 1829 01:23:04,240 --> 01:23:08,896 VICTOR BUKOWSKI FOR DAD'S SECOND YOUTH... 1830 01:23:10,202 --> 01:23:13,640 AND LAST BUT NOT LEAST, BARRY... 1831 01:23:13,684 --> 01:23:15,381 HI. HI. 1832 01:23:15,425 --> 01:23:16,556 IS EVERYTHING ALL RIGHT? 1833 01:23:16,600 --> 01:23:19,124 YEAH. I'M SORRY TO DRAG YOU OUT LIKE THIS. 1834 01:23:19,168 --> 01:23:21,474 NO, NO, DON'T WORRY ABOUT THAT. 1835 01:23:21,518 --> 01:23:22,998 I WASN'T GOING TO WIN ANYWAY. 1836 01:23:23,041 --> 01:23:24,129 Caprice: AND THE WINNER IS... 1837 01:23:24,173 --> 01:23:25,478 I NEED TO TALK TO YOU. 1838 01:23:25,522 --> 01:23:31,180 AH, VICTOR BUKOWSKI FOR DAD'S SECOND YOUTH. 1839 01:23:48,066 --> 01:23:49,546 YOU LOOK GREAT. 1840 01:23:49,589 --> 01:23:51,504 YOU LOOK GREAT. 1841 01:23:53,680 --> 01:23:55,900 TELL YOU A SECRET. 1842 01:23:55,943 --> 01:23:56,770 WHAT? 1843 01:23:56,814 --> 01:23:59,295 IT'S HIRED. 1844 01:24:07,346 --> 01:24:12,786 LOUISE, LISTEN, I DON'T WANT TO LIVE IN THE PAST ANYMORE. 1845 01:24:12,830 --> 01:24:15,746 I KNOW WHERE I AM NOW. 1846 01:24:15,789 --> 01:24:20,881 BUT I HAVE TO EXPLAIN TO SYLVIA. 1847 01:24:20,925 --> 01:24:22,318 HUH? 1848 01:24:29,716 --> 01:24:32,328 UM, I'M HIS BEST FRIEND, FREDDY. 1849 01:24:32,371 --> 01:24:34,417 FREDDY SMITH. 1850 01:24:34,460 --> 01:24:36,027 AND I'M SO HAPPY 1851 01:24:36,071 --> 01:24:40,727 BECAUSE I'VE ALWAYS WANTED TO HAVE A FAMOUS FRIEND. 1852 01:24:40,771 --> 01:24:42,033 NO, BUT SERIOUSLY... 1853 01:24:42,077 --> 01:24:44,775 I, UH... 1854 01:24:44,818 --> 01:24:46,733 I DID A STUPID THING. 1855 01:24:46,777 --> 01:24:48,735 I DON'T KNOW WHAT I WAS THINKING. 1856 01:24:48,779 --> 01:24:52,043 WELL, YOU THOUGHT YOU WERE IN LOVE WITH SOMEBODY ELSE 1857 01:24:52,087 --> 01:24:53,871 AND THEN YOU FOUND OUT YOU WEREN'T. 1858 01:24:53,914 --> 01:25:00,399 I KNOW BECAUSE I DID THE SAME THING. 1859 01:25:00,443 --> 01:25:03,707 SEE, WE BOTH MADE THE SAME-- 1860 01:25:03,750 --> 01:25:07,145 WE BOTH DID THE SAME STUPID THING, 1861 01:25:07,189 --> 01:25:10,322 AND IF I HADN'T DONE IT AT FIRST, 1862 01:25:10,366 --> 01:25:15,675 THEN MAYBE YOU WOULDN'T HAVE DONE IT. 1863 01:25:16,981 --> 01:25:17,634 WHAT? 1864 01:25:17,677 --> 01:25:21,203 SYLVIA, I HURT YOU. 1865 01:25:21,246 --> 01:25:26,991 I HAD AN AFFAIR AND--AND THEN I LIED TO YOU. 1866 01:25:27,034 --> 01:25:30,560 AND THEN I LEFT YOU FOR THAT PERSON 1867 01:25:30,603 --> 01:25:31,996 JUST LIKE THAT. 1868 01:25:32,039 --> 01:25:34,129 AND THEN THE SAME AS YOU. 1869 01:25:34,172 --> 01:25:40,135 I ONLY REALIZED MY MISTAKE WHEN I DIDN'T HAVE YOU ANYMORE. 1870 01:25:40,178 --> 01:25:44,139 VIC, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1871 01:25:45,227 --> 01:25:47,881 BUT ISN'T IT TIME WE STOPPED MAKING MISTAKES? 1872 01:25:47,925 --> 01:25:51,929 YES, DARLING, IT IS. 1873 01:25:51,972 --> 01:25:55,237 LOUISE ISN'T A MISTAKE. 1874 01:26:00,720 --> 01:26:05,203 EVEN IF I COULD PRETEND THAT YOU NEVER LEFT ME... 1875 01:26:08,250 --> 01:26:11,949 I COULDN'T PRETEND THAT I DON'T LOVE HER. 1876 01:26:28,792 --> 01:26:30,881 YOU BETTER GO. 1877 01:26:30,924 --> 01:26:32,578 YEAH. 1878 01:26:42,109 --> 01:26:44,982 [SIGHS] 1879 01:26:45,025 --> 01:26:47,027 GOOD LUCK. 1880 01:26:51,118 --> 01:26:52,859 ALSO--THANKS. 1881 01:26:52,903 --> 01:26:56,080 I'D ALSO LIKE TO THANK-- 1882 01:26:56,123 --> 01:26:59,779 UM, ER, VIC BUKOWSKI! 1883 01:26:59,823 --> 01:27:02,042 VIC BUKOWSKI! 1884 01:27:04,088 --> 01:27:07,091 [APPLAUSE] 1885 01:27:14,359 --> 01:27:16,970 MISS? MISS, WAIT A SECOND! 1886 01:27:17,014 --> 01:27:19,495 I THINK YOU'D BETTER TAKE THIS. 1887 01:27:19,538 --> 01:27:23,107 IT'S A BIT FRAYED, BUT IT'S BETTER THAN NOTHING. 1888 01:27:23,150 --> 01:27:24,064 BUT YOU? 1889 01:27:24,108 --> 01:27:28,199 NO WORRIES. I'VE GOT MY HAT. 1890 01:27:28,243 --> 01:27:30,245 THANKS. 1891 01:28:43,579 --> 01:28:45,320 ♪ TAKE ME BY THE HAND 1892 01:28:45,363 --> 01:28:48,410 ♪ SHOW ME THE WAY I CAN GO 1893 01:28:48,453 --> 01:28:50,368 ♪ TAKE ME BY THE HAND 1894 01:28:50,412 --> 01:28:53,980 ♪ SHOW ME THE WAY 1895 01:29:12,172 --> 01:29:15,045 [SINGING IN FOREIGN LANGUAGE] 1896 01:29:48,644 --> 01:29:50,559 ♪ TAKE ME BY THE HAND 1897 01:29:50,602 --> 01:29:53,562 ♪ SHOW ME THE WAY I CAN GO 1898 01:29:53,605 --> 01:29:55,346 ♪ TAKE ME BY THE HAND 1899 01:29:55,390 --> 01:29:57,957 ♪ SHOW ME THE WAY 1900 01:29:58,001 --> 01:30:00,133 ♪ TAKE ME BY THE HAND 1901 01:30:00,177 --> 01:30:03,006 ♪ SHOW ME THE WAY I CAN GO 1902 01:30:03,049 --> 01:30:04,964 ♪ TAKE ME BY THE HAND 1903 01:30:05,008 --> 01:30:07,097 ♪ SHOW ME 1904 01:30:09,142 --> 01:30:12,015 [SINGING IN FOREIGN LANGUAGE] 1905 01:30:45,004 --> 01:30:47,050 ♪ TAKE ME BY THE HAND 1906 01:30:47,093 --> 01:30:50,140 ♪ SHOW ME THE WAY I CAN GO 1907 01:30:50,183 --> 01:30:52,055 ♪ TAKE ME BY THE HAND 1908 01:30:52,098 --> 01:30:54,884 ♪ SHOW ME THE WAY 1909 01:30:54,927 --> 01:30:56,799 ♪ TAKE ME BY THE HAND 1910 01:30:56,842 --> 01:30:59,497 ♪ SHOW ME THE WAY I CAN GO 1911 01:30:59,541 --> 01:31:01,673 ♪ TAKE ME BY THE HAND 1912 01:31:01,717 --> 01:31:03,893 ♪ SHOW ME 1913 01:31:03,936 --> 01:31:06,156 ♪ TAKE ME BY THE HAND 1914 01:31:06,199 --> 01:31:09,028 ♪ SHOW ME THE WAY I CAN GO 1915 01:31:09,072 --> 01:31:11,030 ♪ TAKE ME BY THE HAND 1916 01:31:11,074 --> 01:31:13,990 ♪ SHOW ME THE WAY 1917 01:31:14,033 --> 01:31:15,774 ♪ TAKE ME BY THE HAND 1918 01:31:15,818 --> 01:31:18,342 ♪ SHOW ME THE WAY I CAN GO 1919 01:31:18,385 --> 01:31:20,736 ♪ TAKE ME BY THE HAND 1920 01:31:20,779 --> 01:31:22,564 ♪ SHOW ME... 1921 01:31:23,347 --> 01:31:26,089 CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO 1922 01:31:26,132 --> 01:31:30,572 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1923 01:31:42,018 --> 01:31:43,846 ♪ TAKE ME BY THE HAND 1924 01:31:43,889 --> 01:31:47,066 ♪ SHOW ME THE WAY I CAN GO 1925 01:31:47,110 --> 01:31:48,981 ♪ TAKE ME BY THE HAND 1926 01:31:49,025 --> 01:31:51,027 ♪ SHOW ME THE WAY...