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Against the current, Films.

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In an animation, stylized figures
represent a film crew

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cinematic on both sides of the
screen.

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Spanish Cinema.

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A production of La Terraza Films.

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Turanga Films.

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Sidereal.

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Ikiru Films.

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Between Medina and Genaro.

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A co-production of Halley Production.

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A Spanish-French co-production.

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With the participation of Radiotelevision
Spanish.

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Note Valencian Radiotelevision.

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Movistar Plus.

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Create SGR.

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In association with Film Factory.

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With financing from the Ministry of
Culture, Generalitat Valenciana,

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Valencia of Culture, Community of Madrid
and the Official Credit Institute.

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Oscar Lazarte, Nora Hernández.

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Elvira Mínguez, Eva Ugarte, Carmen
Balaguer.

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Martín Paez, Carlos Serrano.

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Tony Agustí.

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With the special collaboration of Antonio
Resins.

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Assistant director, Javier Petit
Perez. Casting, Marichu Sanz. Address

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art, Mágita Reasons.

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Special effects supervision,
Ignacio Miguel.

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Hallucinate effects, Miguel Costa Templado.

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Direct sound. Sofia Estraface.

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Sound editing, Miriam Pedregal.
Mixtures, Antonín Dalmaso. wardrobe,

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Sanchez. Makeup, Amparo Sánchez.
Hairdresser, Anne Martínez. Address of

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production, Carlos Samoedo. Head of
production, Eduardo Liz. assembly,

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Marín Ver. Original music, Anne -Sophie
Bersnayen. photography direction,

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Aitor Manchola. production design,
Goldo Valles. executive production,

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Castro Otero.

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Ana Camacho, co-produced by Javier
Ugarte, Edmond Roig, Andrea Marcelli and

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Alexandra Leberet. Written by Joaquín
Oristrel, Yolanda García Serrano and

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Gomez Pereira. Based on the work of José
Luis Alonso de Santos, The Dinner of the

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generals, produced by Cristóbal
García, Lina Badenes and Roberto

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Directed by Manuel Gómez Pereira. The
dinner.

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On the facade of the building
Cortes, two people raise a banner

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which reads Viva Franco.

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A motorcycle with a Sidecar passes in front of the
building.

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A sleepy man travels in the Sidecar
with mustache At the command of the motorcycle, another

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militiaman with driving glasses walks
the streets of Madrid.

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They stop dead in front of three women
uniformed with blue shirt and red beret

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They cross the street.

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The man with the mustache wakes up.

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Long live the national movement!

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The motorist gives way to them.

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The motorcycle

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continues his journey.

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They advance down another street while the
lieutenant continues sleeping.

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They stop at the entrance of a
building.

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The lieutenant wakes up.

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Inside, a gray-haired man gives
instructions to two others who hang a

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portrait of General Franco.

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More to the right. More, more, more, more,
more, more. Still.

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A little to the left. And there.

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Hang up

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It's a circle.

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The lieutenant stops in front of the
door on which there is a sign

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indicates Hotel Palace.

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He is dark-skinned, about 35 years old.

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Performed by Mario Casas. look towards
up looking at the façade of the

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building and enters determinedly.

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He puts on his flat cap while
He walks down the hall. The man

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He notices the lieutenant. Go down for some
stairs and follows him.

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It is played by Alberto San Juan.

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The lieutenant opens a red curtain. Ante
he spreads a room with beds

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occupied by sick people.

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Move through the room.

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I'm looking for the person in charge of the hotel.

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I'm looking for the person in charge of the hotel. one
nurse approaches.

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From the hospital, you mean.

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It has been a long time since the Palas stopped being a
hotel.

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The lieutenant looks her up and down and
keep moving forward. The nurse

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The lieutenant opens a door that leads
to a large room.

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Raise your head and see a huge
dome. The space is conditioned

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an operating room.

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The mother who gave birth to me. Sorry, not here
you can be

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They allow us to visit.

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I'm not a visitor. I am here by order
direct from the General Staff. Who is at

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command? A server in charge.

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Genaro Palazón, master of the palace.
Santiago Medina, lieutenant of

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Nice to meet you, sir.

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Up Spain. Always up.

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Santiago and the gray-haired man look at each other.

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You will say. We have to organize a dinner.

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A dinner where?

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Here, tonight.

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Tonight?

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For whom? For Franco.

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For Franco?

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For his generals. At nine in
point.

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We have to move all these people to
the plants above.

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The kitchen.

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Come with me, please.

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Forward.

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And if you give me a second...

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This is not in condition.

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The leader comes in, sees this and gives us a
package.

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But what is the leader going to come in here?
Yes, the leader enters everywhere.

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He sees everything, he watches everything.

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Why do you think we have won the
war?

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Here is the menu.

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Soup at a quarter of an hour.

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Yes.

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Eggs at dawn.

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That is.

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Beef with garnish.

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Exact. And where do I get the
ingredients? That's my thing. I am from

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intendancy. I have been taking out for three years
loaves of stones, three.

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Diners, how many? For now, 60.

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What?

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Impossible, impossible. Tell him for me
to Don Francisco. What's going on, what do you want?

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be accused of rebellion? No, no, no, no
It is rebellion. It's an order.

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And orders must be followed.

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Santiago looks at him threateningly and moves away.

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What do we do with the cooks? How
what do we do?

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There are no cooks, they are in jail.
In jail why? Because they are from

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left. Well, call some of
right.

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Impossible, all the chefs in Madrid
They are leftist. Don't fuck with me, huh...

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Genaro. That's it, everyone.

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The good ones do.

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As long as you don't bring some from Burgos or
Valladolid, eh... I'll recruit cooks from

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barracks, I always have to do it myself
everything.

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And are you going to give them a ranch dinner?
generals at the Palace?

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In my dining room?

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Before I prefer that you hit me
shot.

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Don't tell me twice, huh.

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Genaro approaches and Santiago moves away.

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My lieutenant, and what do you have so much
bad? I couldn't, perhaps, do some kind

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management to get them out of jail. By
one day, nothing more.

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To the reds. They are cooks
excellent.

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You are asking me to serve the State
Mayor a dinner made by communists.

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No one should know.

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The leader always finds out everything,
of everything. It could be hidden there

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right now. The leader will want the best
dinner possible.

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They have prepared banquets for Azaña, for
Einstein, for Empire Argentina.

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Careful. To His Majesty the King,
please.

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Santiago puts his hands behind him and
He turns his back to Génaro.

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Paper and pencil.

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Hey? Paper and pencil.

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Write down their names. Come with me, for
please.

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The nurse comes in while they are talking.

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Let's see.

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For the soup, Antón Avendaño.

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The essential chef.

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Fernando Marín for the beef.

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Vlad Calderón, for the eggs.

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And Epifanio Somoza, for desserts.

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And Ángel Molinero.

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Ángel Molinero is missing.

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Who is that?

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The sommelier.

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The sommelier what?

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The wine manager.

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Franco doesn't drink.

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And the generals?

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Where is a telephone?

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In the hall.

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Sorry, Angel...

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Miller. You mark one and they give you
money.

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The one.

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Santiago leaves.

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I'm risking it for you.

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Thank you.

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You are not the janitor, you are not in the kitchen.
But he's in jail.

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Wow, Spain is in jail.

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Genaro, we were going hunting.

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You probably don't even know how to use a
corkscrew

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Well, he knows how to make children.

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I am pregnant.

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The nurse kisses him on the cheek and
goes.

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Genaro denies. In an office.

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Speaking to José Luis Alonso Candelas, chief
of third of the phalanx.

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Speaking to José Luis Alonso Candelas, chief
of third of the phalanx. At your service.

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I'm in the palas.

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I already know that. What's happening?

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Dinner gets complicated.

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Are you kidding me?

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No. No, of course not, sir.

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Listen to me well.

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00:10:12,980 --> 00:10:17,340
If Franco wants to have dinner at the palas,
will dine at palas for my saints

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There are no cooks. They are in the
jail

186
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Because?

187
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For reds.

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Alonso twists his displeased expression.

189
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And there is no other.

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With so little time I'm afraid not,
sir.

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Well, it's taken out.

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They cook and are returned to prison in
how much the cigars are distributed. It remains

193
00:10:37,250 --> 00:10:40,710
of course! Alonso hangs up and hands over the
telephone to a subordinate.

194
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These sons of bitches are going to kill us
end up feeding.

195
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Come on. Where are you taking us?

196
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Take a walk in the yard.

197
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More than a walk, a little walk.

198
00:10:50,960 --> 00:10:51,960
Are they going to kill us?

199
00:10:52,380 --> 00:10:53,380
They are going to kill us.

200
00:10:53,640 --> 00:10:55,380
Because? Because we have lost the
war.

201
00:10:55,600 --> 00:10:56,419
Because?

202
00:10:56,420 --> 00:10:59,900
Because they had more windows and more
weapons. But we were right. with

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reason wars are not won.

204
00:11:01,600 --> 00:11:02,740
Come on, come on, move!

205
00:11:08,880 --> 00:11:12,120
Five prisoners walk down the hallway
a prison escorted by several

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00:11:12,120 --> 00:11:13,120
guards.

207
00:11:16,470 --> 00:11:19,830
They walk outside and pass through a
sign that reads Cerro Melero.

208
00:11:20,450 --> 00:11:24,010
The group is headed by a bald man, with
beard, over 60 years old.

209
00:11:24,230 --> 00:11:26,250
He is played by Antonio Recine.

210
00:11:27,050 --> 00:11:29,590
They leave the premises and walk through a
dirt ground.

211
00:11:29,870 --> 00:11:32,590
In the background, several soldiers wait
in front of a wall.

212
00:11:47,800 --> 00:11:50,780
The soldiers take aim and the prisoners
They close their eyes.

213
00:11:53,120 --> 00:11:54,880
They kneel and crouch.

214
00:11:57,580 --> 00:11:58,580
Are we dead?

215
00:11:58,840 --> 00:11:59,900
You are idiots.

216
00:12:00,160 --> 00:12:01,160
Who said fire?

217
00:12:01,340 --> 00:12:03,660
Who said fire? Who said
fire? Up, let's go!

218
00:12:04,060 --> 00:12:06,040
This must have been in the yard
women here next door.

219
00:12:06,880 --> 00:12:08,060
Pay attention, platoon!

220
00:12:08,840 --> 00:12:09,840
Take aim!

221
00:12:10,360 --> 00:12:15,000
The command sergeant turns. In the distance
The motorcycle arrives with Sidecar with the

222
00:12:15,000 --> 00:12:16,460
Lieutenant Santiago Medina on board.

223
00:12:20,780 --> 00:12:25,440
Santiago gets out of the Sidecar.

224
00:12:26,280 --> 00:12:28,140
Sergeant, at your service, my lieutenant.

225
00:12:28,600 --> 00:12:29,600
What's happening?

226
00:12:30,780 --> 00:12:31,840
Antona Bendaño?

227
00:12:32,100 --> 00:12:33,100
I.

228
00:12:33,880 --> 00:12:34,880
Fernando Marín?

229
00:12:35,120 --> 00:12:36,120
I.

230
00:12:36,940 --> 00:12:38,140
Blas Calderon?

231
00:12:38,340 --> 00:12:39,340
I.

232
00:12:40,490 --> 00:12:41,490
Epifanio Somoza.

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00:12:41,590 --> 00:12:42,590
I.

234
00:12:43,350 --> 00:12:44,350
Angel Miller

235
00:12:44,490 --> 00:12:46,530
I. They come with me.

236
00:12:46,770 --> 00:12:47,729
With you where?

237
00:12:47,730 --> 00:12:48,589
To the Palace.

238
00:12:48,590 --> 00:12:49,069
That?

239
00:12:49,070 --> 00:12:50,070
To the Palace Hotel.

240
00:12:51,290 --> 00:12:52,290
Come on.

241
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The prisoners follow him.

242
00:12:55,170 --> 00:12:56,730
What's up everyone? Nobody gives a
step.

243
00:12:56,950 --> 00:12:57,729
What's happening?

244
00:12:57,730 --> 00:12:59,570
With all my respect, my lieutenant, does the
order?

245
00:13:00,490 --> 00:13:02,230
Santiago approaches the sergeant.

246
00:13:02,870 --> 00:13:05,270
The order my stripes, sergeant.

247
00:13:05,970 --> 00:13:08,870
My word that tomorrow you will have them
turn to finish the job.

248
00:13:10,380 --> 00:13:11,380
Alright.

249
00:13:11,640 --> 00:13:14,440
Break line! And you outside of me?
Walk, stop the truck.

250
00:13:15,940 --> 00:13:16,940
With them?

251
00:13:17,980 --> 00:13:18,980
Come on, soup.

252
00:13:21,600 --> 00:13:24,040
A truck stops at the entrance to the
Palace Hotel.

253
00:13:25,200 --> 00:13:26,200
Come on.

254
00:13:28,380 --> 00:13:32,100
A group of soldiers get off the
vehicle. From the passenger seat

255
00:13:32,100 --> 00:13:34,520
head of the third of the phalanx, José Luis
Alonso.

256
00:13:34,780 --> 00:13:38,640
He wears a blue military uniform and glasses
of sun. He is dark-skinned, about 40 years old.

257
00:13:39,130 --> 00:13:40,810
played by Azir Echeandía.

258
00:13:45,510 --> 00:13:49,610
Alonso walks down the hall followed by
platoon, stops, takes off his glasses

259
00:13:49,610 --> 00:13:52,530
of sun and observe the general's painting
Franco on the stairs.

260
00:14:03,010 --> 00:14:06,570
Alonso enters the dome room and
contemplates the improvised operating room.

261
00:14:11,850 --> 00:14:14,230
The nurses stop working and
they look

262
00:14:14,530 --> 00:14:17,490
Alonso puts on some glasses and contemplates
something on a table.

263
00:14:22,550 --> 00:14:23,090
A

264
00:14:23,090 --> 00:14:30,410
doctor

265
00:14:30,410 --> 00:14:31,410
is approaching.

266
00:14:41,420 --> 00:14:44,760
We have moved tanks, armies,
airplanes.

267
00:14:45,120 --> 00:14:46,560
The doctor looks at him motionless.

268
00:14:47,140 --> 00:14:48,380
Alonso takes off his cap.

269
00:14:49,220 --> 00:14:51,020
I say that you will be able to move a
operating room.

270
00:14:51,680 --> 00:14:52,680
Mister.

271
00:14:54,000 --> 00:14:55,000
Up Spain.

272
00:14:55,040 --> 00:14:58,920
Genaro Palazón, maître of the palace,
in charge of organizing the dinner. A

273
00:14:59,160 --> 00:15:02,500
If you come with me, in the kitchen I have a
sketch with the distribution of the

274
00:15:03,980 --> 00:15:06,580
Alonso looks stern at the doctor and walks
towards a door.

275
00:15:19,160 --> 00:15:23,360
Alonso glances at the nurse and
follows Genaro, in another part of the

276
00:15:23,360 --> 00:15:24,360
hotel.

277
00:15:26,520 --> 00:15:28,800
The prisoners enter.

278
00:15:37,420 --> 00:15:41,200
The prisoners continue walking. The
nurse takes Ángel to the side of the

279
00:15:41,200 --> 00:15:42,200
hugs him.

280
00:15:44,300 --> 00:15:45,300
They kiss.

281
00:15:45,600 --> 00:15:46,840
A little more and they'll kill me, María.

282
00:15:47,060 --> 00:15:49,040
Don't even think about dying, huh? you raise me to
the patients.

283
00:15:50,240 --> 00:15:54,340
Hey! You, come to the kitchen. I love you,
María, and even if they kill me I will follow you

284
00:15:54,340 --> 00:15:55,340
wanting, okay?

285
00:15:55,680 --> 00:15:56,680
Angel leaves.

286
00:15:56,820 --> 00:15:58,040
Santiago looks seriously at María.

287
00:15:58,740 --> 00:15:59,740
In the kitchen.

288
00:16:00,200 --> 00:16:03,760
If it seems correct to you, there would be the
presidential with the generalissimo and then

289
00:16:03,840 --> 00:16:06,980
two, three, four, five, six tables with
six diners each. The Lord.

290
00:16:09,460 --> 00:16:10,980
I bring you the kitchen team.

291
00:16:13,060 --> 00:16:16,940
Alonso stops in front of Santiago and
the prisoners and observes them with a harsh gesture

292
00:16:16,940 --> 00:16:18,420
after removing the lenses.

293
00:16:19,540 --> 00:16:20,560
What is this, girl?

294
00:16:21,620 --> 00:16:22,900
Santiago remains motionless.

295
00:16:23,620 --> 00:16:25,460
Gender contemplates the scene restlessly.

296
00:16:25,960 --> 00:16:27,620
Alonso is placed behind Santiago.

297
00:16:32,140 --> 00:16:33,140
and they are disgusting.

298
00:16:34,180 --> 00:16:35,760
He took a couple of steps towards Nando.

299
00:16:39,240 --> 00:16:40,520
It smells like shit to me.

300
00:16:42,480 --> 00:16:46,640
Do you really think I'm going to allow
this scum cook for us?

301
00:16:47,380 --> 00:16:52,840
If you allow me, I wash them, they
delouses, they put on their clothes

302
00:16:53,600 --> 00:16:54,760
Work clothes for what?

303
00:16:55,100 --> 00:16:56,019
That for what?

304
00:16:56,020 --> 00:16:58,220
Can someone tell us the hell
what is happening

305
00:16:58,660 --> 00:17:00,840
A banquet must be prepared for him
leader

306
00:17:02,280 --> 00:17:03,280
Who did you say for?

307
00:17:03,340 --> 00:17:05,920
For the leader of the Salvador Movement
from Spain.

308
00:17:06,819 --> 00:17:09,420
Us. The best chefs in
Madrid.

309
00:17:11,760 --> 00:17:13,079
Anton takes a step forward.

310
00:17:16,420 --> 00:17:20,579
Are you seriously asking me to cook?
for that shitty dwarf?

311
00:17:21,079 --> 00:17:22,280
An unexpected honor.

312
00:17:22,980 --> 00:17:27,460
Honor? Sorry, I'm a bit harsh
by ear What did he say?

313
00:17:28,000 --> 00:17:30,940
Nothing, he hasn't said anything at all.
Here's the menu, Antón.

314
00:17:31,980 --> 00:17:35,380
I said that I don't light my stove
to cook for that son of the great

315
00:17:35,380 --> 00:17:36,500
whore That's what I said.

316
00:17:39,120 --> 00:17:41,940
Alonso smiles and points his gun at
Anton.

317
00:17:43,240 --> 00:17:47,080
He shoots him in the forehead and Antón falls to the ground.
dead soil.

318
00:17:47,420 --> 00:17:49,340
Blood splashes on Santiago's face.

319
00:17:50,140 --> 00:17:51,320
Maria contracts.

320
00:17:51,580 --> 00:17:55,520
Alonso and Genaro observe the corpse
while a pool of blood spreads

321
00:17:55,520 --> 00:17:56,600
on the hydraulic floor.

322
00:18:02,380 --> 00:18:03,980
Nando grabs the arm to speak.

323
00:18:04,320 --> 00:18:07,940
Behind, Epifanio, Ángel and María
they remain motionless.

324
00:18:08,460 --> 00:18:12,440
Ángel turns and exchanges a look with
Maria, holding back tears.

325
00:18:13,060 --> 00:18:15,440
Genaro remains still with his face
rigid.

326
00:18:17,000 --> 00:18:20,820
In front of the prisoners, Santiago remains
rigidly looking at Alonso.

327
00:18:21,740 --> 00:18:24,240
Does anyone have anything else to object to?
regarding dinner.

328
00:18:24,440 --> 00:18:25,440
No, sir.

329
00:18:26,120 --> 00:18:27,120
Good.

330
00:18:27,780 --> 00:18:31,080
Alonso glances at Genaro and
Take a few steps towards Santiago.

331
00:18:34,860 --> 00:18:35,960
I leave it in your hands, Medina.

332
00:18:36,200 --> 00:18:37,200
Yes sir.

333
00:18:39,720 --> 00:18:41,040
Alonso leaves the kitchen.

334
00:18:43,620 --> 00:18:45,780
Come on, you've heard. To the patio, to
delouse you.

335
00:18:46,220 --> 00:18:50,240
You, accompany them, the other two. Come, to
Get this man out of here.

336
00:18:50,820 --> 00:18:55,860
Maria, help them, please. Pick up
towels, uniforms, help them. That.

337
00:18:56,620 --> 00:18:58,720
María feels and leaves with the prisoners.

338
00:18:59,040 --> 00:19:02,740
Santiago removes traces of blood from
face. Three soldiers take the

339
00:19:02,740 --> 00:19:03,740
Anton's body.

340
00:19:03,920 --> 00:19:07,800
In the bathroom, Santiago washes his face
the sink, look at your reflection in the mirror

341
00:19:07,800 --> 00:19:09,180
and dried with a cloth.

342
00:19:11,640 --> 00:19:12,800
It's impossible.

343
00:19:13,660 --> 00:19:17,260
Can you win a war without a
captain general? No, right? Well in the

344
00:19:17,260 --> 00:19:18,600
kitchen the chef is the captain general.

345
00:19:18,940 --> 00:19:20,040
Do you want to leave me alone?

346
00:19:20,380 --> 00:19:25,180
Let's see, I haven't slept for 48 hours.

347
00:19:26,080 --> 00:19:28,740
There's only one way to fix this. If
called Juana Sanz.

348
00:19:29,240 --> 00:19:30,219
A woman.

349
00:19:30,220 --> 00:19:32,340
The sous chef. As good or better than Antón.

350
00:19:33,370 --> 00:19:34,510
And where is that woman?

351
00:19:34,970 --> 00:19:37,230
In the Fuencarral mill. and what does
there?

352
00:19:37,630 --> 00:19:39,730
They have turned the mill into a field of
prisoners.

353
00:19:40,090 --> 00:19:42,050
Now he is going to tell me that they have put it in
there for red.

354
00:19:42,530 --> 00:19:45,290
She was the head of the union
CNT hospitality industry.

355
00:19:47,890 --> 00:19:48,890
Anarchist.

356
00:19:49,910 --> 00:19:50,950
Anarcho-syndicalist, it is a nuance.

357
00:19:52,570 --> 00:19:55,470
Santiago picks up his jacket and cap and
He approaches Génaro.

358
00:20:12,200 --> 00:20:13,200
I bring you a comb.

359
00:20:16,520 --> 00:20:21,620
Santiago looks at him with a deep frown and
set aside Genaro sighs. in the street,

360
00:20:21,700 --> 00:20:24,960
two men take down a banner that
indicates they will not pass.

361
00:20:25,380 --> 00:20:29,760
A truck crosses under it.
Santiago and Genaro travel inside.

362
00:20:33,960 --> 00:20:35,100
And Franco, how are you?

363
00:20:37,820 --> 00:20:38,820
Sympathetic?

364
00:20:39,220 --> 00:20:41,000
Or is it rather serious?

365
00:21:02,669 --> 00:21:04,250
Santiago looks at him out of the corner of his eye.

366
00:21:04,610 --> 00:21:08,010
Genaro looks out the window at a
queue of people in front of a stall

367
00:21:08,010 --> 00:21:09,010
rationing.

368
00:21:09,340 --> 00:21:11,420
The vehicle turns in the square, leaving it
back.

369
00:21:24,920 --> 00:21:25,920
Genaro nods.

370
00:21:39,530 --> 00:21:41,930
I met Franco once. And give it.

371
00:21:42,170 --> 00:21:44,290
At a banquet he held years ago.

372
00:21:45,350 --> 00:21:49,370
He seemed short, but with personality.

373
00:21:49,810 --> 00:21:51,350
The very dry woman.

374
00:21:52,510 --> 00:21:54,210
Santiago brakes abruptly.

375
00:21:54,910 --> 00:22:00,150
Look, if you keep talking about Franco, you
I tear out my tongue and eat it.

376
00:22:02,430 --> 00:22:03,430
We are?

377
00:22:04,870 --> 00:22:05,990
Genaro nods.

378
00:22:06,310 --> 00:22:08,010
Santiago resumes his march.

379
00:22:16,040 --> 00:22:17,560
The truck moves down a street.

380
00:22:21,760 --> 00:22:25,980
A soldier accompanies Santiago and Genaro
through an external enclosure closed with

381
00:22:25,980 --> 00:22:27,760
prisoners distributed throughout the space.

382
00:22:32,220 --> 00:22:36,220
The prisoners watch them while they eat lunch.

383
00:22:42,020 --> 00:22:44,900
They cross a door and advance through it.
interior of a mill.

384
00:23:07,260 --> 00:23:10,500
The woman, about 60 years old, turns towards
Genaro.

385
00:23:14,080 --> 00:23:15,080
They hug each other.

386
00:23:16,330 --> 00:23:17,970
What are you doing here? Should we accuse you?

387
00:23:18,270 --> 00:23:19,670
No, I'm not going to accuse anyone.

388
00:23:20,190 --> 00:23:21,370
We have come to get you out.

389
00:23:23,570 --> 00:23:24,970
Is that frasquista coming with you?

390
00:23:25,510 --> 00:23:27,090
That man is Lieutenant Medina.

391
00:23:27,370 --> 00:23:29,470
They have commissioned us to make a banquet
tonight

392
00:23:29,690 --> 00:23:31,490
You have to feed 50 people for dinner.

393
00:23:31,770 --> 00:23:33,150
Franco wants to have dinner on the stick.

394
00:23:33,530 --> 00:23:35,010
Juana pulls away abruptly.

395
00:23:35,370 --> 00:23:36,730
To the big ass or to water.

396
00:23:37,590 --> 00:23:38,710
You're going to do it, Juana.

397
00:23:40,010 --> 00:23:41,090
Not even a glass of wine.

398
00:23:42,730 --> 00:23:44,090
You're going to do it for your son.

399
00:23:55,629 --> 00:23:59,930
At the hotel, María approaches a
guard.

400
00:24:06,330 --> 00:24:07,330
Go into the bathroom.

401
00:24:19,200 --> 00:24:21,000
María takes the uniform.

402
00:24:24,420 --> 00:24:26,740
Ángel takes María by the arm and
they separate.

403
00:24:31,880 --> 00:24:33,800
Ángel kisses her on the lips and neck.

404
00:24:38,520 --> 00:24:39,520
Angel, Angel.

405
00:24:40,760 --> 00:24:41,760
Listen to me, Angel.

406
00:24:42,410 --> 00:24:43,410
You have to escape.

407
00:24:44,330 --> 00:24:45,670
Who? You and everyone.

408
00:24:47,510 --> 00:24:48,510
As?

409
00:24:48,690 --> 00:24:49,690
Taking advantage of dinner.

410
00:24:50,610 --> 00:24:52,050
We are under surveillance, Maria. They are going to us
kill

411
00:24:52,310 --> 00:24:53,310
They are going to kill us no matter what.

412
00:24:53,730 --> 00:24:57,070
Maybe they'll forgive us. No no. That
People don't forgive, darling. You have already seen

413
00:24:57,070 --> 00:24:58,070
what they have done with Antón.

414
00:24:58,630 --> 00:24:59,630
Poor Anton.

415
00:24:59,790 --> 00:25:00,790
He leaves three children.

416
00:25:01,610 --> 00:25:03,290
And you would leave one if you don't run away.

417
00:25:03,850 --> 00:25:04,850
I have a son.

418
00:25:05,310 --> 00:25:06,310
You're going to have it.

419
00:25:08,050 --> 00:25:09,050
Angel, I'm pregnant.

420
00:25:11,560 --> 00:25:12,560
I'm going to be a father.

421
00:25:13,060 --> 00:25:14,060
Hey,

422
00:25:14,940 --> 00:25:16,420
you, out.

423
00:25:17,000 --> 00:25:18,440
I'm going to be a father. Out.

424
00:25:18,880 --> 00:25:20,340
I'm going to be a father, man.

425
00:25:20,660 --> 00:25:23,340
Angela hugs the guard. I father
too.

426
00:25:24,300 --> 00:25:25,560
I have four children, look.

427
00:25:26,240 --> 00:25:28,880
Abdel, Yeshira, Fetima and Mustafa, as
me.

428
00:25:29,320 --> 00:25:31,240
Fuck. Yes, fuck a lot.

429
00:25:31,800 --> 00:25:33,200
Damn, I always can.

430
00:25:34,480 --> 00:25:36,100
The guard steps aside.

431
00:25:36,500 --> 00:25:39,160
Angela presses her uniform against him.
chest and smiles.

432
00:25:39,610 --> 00:25:43,590
Outside, several soldiers escort the
prisoners, already dressed as cooks.

433
00:25:47,150 --> 00:25:48,150
Santiago arrives.

434
00:25:52,410 --> 00:25:53,170
They arrive

435
00:25:53,170 --> 00:26:01,710
Genaro

436
00:26:01,710 --> 00:26:02,710
and Juana.

437
00:26:05,090 --> 00:26:06,830
Ángel hugs Juana.

438
00:26:09,260 --> 00:26:10,260
Tell me, are you okay?

439
00:26:10,620 --> 00:26:11,620
Yes.

440
00:26:11,940 --> 00:26:13,060
I'm going to be a father, mother.

441
00:26:14,180 --> 00:26:15,660
This is not the time to be a father, son.

442
00:26:16,600 --> 00:26:18,380
Many people have died, mother. We will have to
replenish.

443
00:26:18,840 --> 00:26:20,180
If it's a boy I'm going to name him Stalin.

444
00:26:20,620 --> 00:26:22,160
Come on... Hey!

445
00:26:24,260 --> 00:26:25,260
Well, come on.

446
00:26:25,560 --> 00:26:26,680
Come on, everyone, get to work.

447
00:26:26,980 --> 00:26:28,460
This has to work like clockwork.

448
00:26:28,940 --> 00:26:29,940
Come on, hurry.

449
00:26:30,520 --> 00:26:31,520
They unload the food.

450
00:26:32,360 --> 00:26:33,360
And the seafood?

451
00:26:34,320 --> 00:26:35,320
What seafood?

452
00:26:36,120 --> 00:26:38,680
Man, the soup takes a quarter of an hour
seafood.

453
00:26:39,129 --> 00:26:40,370
Seafood, right now in Madrid?

454
00:26:40,990 --> 00:26:42,130
Not a lick, my lieutenant.

455
00:26:42,430 --> 00:26:43,490
Well, you'll tell me.

456
00:26:43,710 --> 00:26:44,850
It's going to be soup in no time.

457
00:26:45,130 --> 00:26:46,330
Well, something else is put on.

458
00:26:46,670 --> 00:26:47,870
Or it goes to the black market.

459
00:26:48,130 --> 00:26:49,870
In Franco's Spain there is no market
black.

460
00:26:55,110 --> 00:26:56,670
Santiago takes out his gun.

461
00:26:58,210 --> 00:26:59,210
Shoot in the air.

462
00:27:00,690 --> 00:27:01,810
Nobody laughs at me!

463
00:27:02,710 --> 00:27:04,350
I've been at war for three years.

464
00:27:04,790 --> 00:27:07,370
I am not going to allow anyone to laugh at
me, is it clear?

465
00:27:08,110 --> 00:27:09,190
Angel nods.

466
00:27:09,950 --> 00:27:11,270
Let the lady change.

467
00:27:11,650 --> 00:27:13,770
A guard grabs Juana by the arm.

468
00:27:14,090 --> 00:27:15,350
What taco?

469
00:27:16,350 --> 00:27:20,530
Juana leaves followed by the guard. The
rest continues unloading the boxes

470
00:27:20,530 --> 00:27:21,530
truck food.

471
00:27:22,010 --> 00:27:23,650
Inside. My lieutenant.

472
00:27:23,890 --> 00:27:24,890
That?

473
00:27:25,590 --> 00:27:28,950
Suppose I can get the
seafood in an hour. don't ask me

474
00:27:29,890 --> 00:27:34,590
And let it be known that I do this for you.
So that you remain like God, my

475
00:27:34,590 --> 00:27:35,590
lieutenant.

476
00:27:36,430 --> 00:27:37,430
Let me think.

477
00:27:37,770 --> 00:27:38,770
You talk to yourself a lot, you.

478
00:27:38,810 --> 00:27:40,070
What a touch, man.

479
00:27:40,870 --> 00:27:41,870
Out.

480
00:27:42,350 --> 00:27:45,710
We must try to get the generals to drink
as much as possible when everyone is

481
00:27:45,710 --> 00:27:49,930
drunks But, Hernando, the Moors who
They watch us, those are not going to drink.

482
00:27:50,390 --> 00:27:51,510
We carve the Moors.

483
00:27:51,750 --> 00:27:53,910
They are armed. We have knives.
Let's see.

484
00:27:54,510 --> 00:27:55,510
And Franco?

485
00:27:56,050 --> 00:27:58,130
Franco doesn't drink? We carve them. A
Frank too.

486
00:27:58,470 --> 00:28:00,070
You have to kill him. What are you saying?

487
00:28:00,330 --> 00:28:03,050
I'll take care of it, you don't worry. What do you
do you shit like a cunt? Like the rat.

488
00:28:03,650 --> 00:28:05,750
Put a little bit on the cake and it won't
not one left alive.

489
00:28:06,370 --> 00:28:07,370
And Gerardo?

490
00:28:07,630 --> 00:28:08,630
What do we do with Genaro?

491
00:28:09,270 --> 00:28:11,110
Let him come with us too. No,
no, no.

492
00:28:11,550 --> 00:28:13,450
Genaro can't find out. It is from
right.

493
00:28:13,850 --> 00:28:15,990
He is monarchist, he is not right-wing.

494
00:28:16,210 --> 00:28:18,110
Well, that, monarchist, is right-wing.

495
00:28:19,470 --> 00:28:20,850
Epifanio grabs a box of food.

496
00:28:21,250 --> 00:28:23,610
Inside, Santiago enters the office
Genaro.

497
00:28:24,670 --> 00:28:25,670
Alright.

498
00:28:25,730 --> 00:28:28,410
Go ahead with the seafood. Talk to your
contacts.

499
00:28:29,030 --> 00:28:30,690
The only thing... The only thing what?

500
00:28:31,650 --> 00:28:33,290
Money. Money is needed.

501
00:28:33,950 --> 00:28:35,150
Francs, pounds, dollars.

502
00:28:35,790 --> 00:28:38,170
The black marketers only accept currency
foreigner.

503
00:28:38,670 --> 00:28:41,130
But where do I get foreign currency?
That's impossible, right?

504
00:28:42,850 --> 00:28:45,450
So... Genaro, show a key.

505
00:28:45,890 --> 00:28:46,890
And so?

506
00:28:47,250 --> 00:28:49,310
The key to Alibaba's cave.

507
00:28:51,050 --> 00:28:54,610
AND? I have more than a thousand bottles saved
in the winery.

508
00:28:56,350 --> 00:28:57,350
AND?

509
00:28:58,810 --> 00:28:59,810
Open up, Caesar.

510
00:29:00,690 --> 00:29:01,950
You don't know the story.

511
00:29:03,050 --> 00:29:04,050
It's the same.

512
00:29:05,820 --> 00:29:10,020
Medina, what I am going to do for you is not
I haven't done it before even for my mother.

513
00:29:10,300 --> 00:29:12,360
Genaro looks at an agenda in the patio.

514
00:29:12,720 --> 00:29:14,420
Look, a dozen red Rioja.

515
00:29:14,920 --> 00:29:18,300
Neither? Let's see, Majuelo, that no
I'm asking you for caviar. I am you

516
00:29:18,300 --> 00:29:19,700
ordering some sad mussels.

517
00:29:20,700 --> 00:29:22,080
Lieutenant Medina? Yes, it's me.

518
00:29:23,120 --> 00:29:25,420
At your service, my lieutenant. We are the
waiters.

519
00:29:25,780 --> 00:29:29,320
Have you been informed of the importance of
today's dinner? For us it is a

520
00:29:29,320 --> 00:29:30,580
honor to serve the leader.

521
00:29:31,140 --> 00:29:32,140
We are all...

522
00:29:32,350 --> 00:29:34,330
of the glorious national movement.

523
00:29:34,710 --> 00:29:37,430
And I from Palanje. Look, here is the
card Very good.

524
00:29:37,750 --> 00:29:42,310
Don't you know what it means to us
see Franco in person after

525
00:29:42,310 --> 00:29:43,930
What have we been through all these years?

526
00:29:44,210 --> 00:29:46,250
They have persecuted us, they have insulted us.

527
00:29:46,550 --> 00:29:49,670
They have tried to kill us several times.
It's okay, ma'am.

528
00:29:50,130 --> 00:29:53,410
Go to the kitchen and wait for me there. To his
orders, my lieutenant. Come on!

529
00:29:53,630 --> 00:29:58,110
They leave except for the woman,
Sgt. The lieutenant. The lieutenant.

530
00:29:59,070 --> 00:30:00,910
With such macho men.

531
00:30:02,149 --> 00:30:03,790
How could we not win the war?

532
00:30:04,510 --> 00:30:05,510
He leaves.

533
00:30:06,130 --> 00:30:07,990
At three thirty, at the hotel.

534
00:30:09,610 --> 00:30:10,610
Gerard.

535
00:30:11,510 --> 00:30:15,010
The waiters come to the kitchen and
They find the cooks with the

536
00:30:15,010 --> 00:30:16,010
preparations.

537
00:30:19,650 --> 00:30:21,010
What are you doing here?

538
00:30:22,010 --> 00:30:24,890
And what are these people doing at dinner?

539
00:30:25,150 --> 00:30:28,130
Rabble? Here the only riffraff there is
It's you, daughter of the great whore.

540
00:30:30,220 --> 00:30:34,620
You'll see when I tell the lieutenant who
you are He has freed us from prison.

541
00:30:35,200 --> 00:30:36,360
You gave us away, right?

542
00:30:37,500 --> 00:30:38,840
Are you talking to me? Yes, to you.

543
00:30:39,440 --> 00:30:41,060
You did it because of Mari with me,
right?

544
00:30:41,860 --> 00:30:45,280
Listen to me, I don't want trouble with anyone,
no less with you. You don't want trouble, but

545
00:30:45,280 --> 00:30:46,360
Because of you they have killed Vasco.

546
00:30:47,060 --> 00:30:48,560
Will it be the Basque? It will be your fucking mother!

547
00:30:48,820 --> 00:30:49,820
Go, go, go.

548
00:30:49,840 --> 00:30:52,640
We were few and the donkey gave birth, eh? The
that was missing.

549
00:30:53,940 --> 00:30:56,640
What are these doing in our kitchen? The
kitchen is no longer yours, lady.

550
00:30:57,040 --> 00:30:58,040
No, Joan.

551
00:30:58,360 --> 00:30:59,780
Things have changed.

552
00:31:00,240 --> 00:31:01,700
You'll see now with Franco.

553
00:31:01,980 --> 00:31:03,120
But what have we done to you?

554
00:31:03,340 --> 00:31:04,340
We haven't done anything to you.

555
00:31:04,960 --> 00:31:06,660
We thought differently, but we worked
together.

556
00:31:06,920 --> 00:31:08,840
Because? Hey? Why you?

557
00:31:09,740 --> 00:31:12,100
Mari, I have nothing against you.

558
00:31:12,500 --> 00:31:15,260
But this Tonzolaba... You Tonzolaba,
hey! Hey!

559
00:31:15,460 --> 00:31:17,140
Hey! Hey! Hey! Hey!

560
00:31:17,560 --> 00:31:19,380
Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!
Hey! Hey! Hey!

561
00:31:20,140 --> 00:31:21,119
Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!

562
00:31:21,120 --> 00:31:22,700
Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!
Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!

563
00:31:22,700 --> 00:31:24,060
Hey! Hey! Hey! Hey! Hey! Hey! Hey!

564
00:31:25,480 --> 00:31:26,480
Hey!

565
00:31:26,880 --> 00:31:28,000
Hey, my lieutenant!

566
00:31:28,400 --> 00:31:31,260
We don't want to work with communists.
We don't want to work with

567
00:31:31,260 --> 00:31:32,920
chibatos! Angel! Nothing funny!

568
00:31:33,180 --> 00:31:36,200
He is a patriot! Bastistas! Already a lot
honor! That's it!

569
00:31:36,440 --> 00:31:37,740
Please, the war is over!

570
00:31:38,620 --> 00:31:41,260
We haven't had enough war, for
the love of God!

571
00:31:43,000 --> 00:31:44,500
Everyone looks to one side.

572
00:31:45,820 --> 00:31:47,060
All Christ his own, come.

573
00:31:48,660 --> 00:31:49,780
Everyone get to work!

574
00:31:50,100 --> 00:31:53,520
Come to... The nurses remove the
rushed operating room.

575
00:31:54,740 --> 00:31:56,540
Alonso shoots from the stairs.

576
00:31:58,700 --> 00:31:59,700
At your service.

577
00:32:01,260 --> 00:32:02,720
The hotel is full of rats.

578
00:32:04,300 --> 00:32:05,560
I hate rats.

579
00:32:07,080 --> 00:32:08,080
Look!

580
00:32:10,480 --> 00:32:11,480
And can these be heard?

581
00:32:14,500 --> 00:32:15,500
Don't you hear them?

582
00:32:16,180 --> 00:32:17,180
Yes sir.

583
00:32:18,860 --> 00:32:19,860
Listen to me.

584
00:32:20,260 --> 00:32:21,460
Franco comes with his wife.

585
00:32:21,840 --> 00:32:23,460
The vast majority of guests too.

586
00:32:24,260 --> 00:32:26,900
A rat can't appear at dinner.
You can't.

587
00:32:27,380 --> 00:32:28,380
No, sir.

588
00:32:28,400 --> 00:32:29,359
Come with me.

589
00:32:29,360 --> 00:32:30,360
In a suite.

590
00:32:30,540 --> 00:32:32,440
Look what time it is. And it's all manga
shoulder.

591
00:32:33,340 --> 00:32:34,860
And on top of that he is without god. Look.

592
00:32:35,400 --> 00:32:36,400
Bear this with me, Benítez.

593
00:32:36,880 --> 00:32:39,360
Benítez holds a model of
distribution of tables.

594
00:32:39,720 --> 00:32:41,460
Now everyone wants to sit on
Franco's table.

595
00:32:42,020 --> 00:32:43,560
There are hosts to sit with him, yes or
no?

596
00:32:43,780 --> 00:32:44,780
Yes sir. Confirmations?

597
00:32:45,240 --> 00:32:46,400
Practically everyone, sir.

598
00:32:46,860 --> 00:32:47,900
Benítez gives him a list.

599
00:32:48,580 --> 00:32:49,840
It's just that lick her ass.

600
00:32:50,180 --> 00:32:52,420
But in the offices they laugh
of him. Yes or no?

601
00:32:52,640 --> 00:32:53,640
Yes sir.

602
00:32:54,340 --> 00:32:55,840
What's Kei's name? Can Caudillo call?

603
00:32:56,180 --> 00:32:57,200
Paca la culona, ​​sir.

604
00:33:08,830 --> 00:33:10,530
Paca la culona, ​​don't get screwed!

605
00:33:11,650 --> 00:33:12,730
Santiago smiles.

606
00:33:13,170 --> 00:33:14,890
Alonso stops laughing and looks at him seriously.

607
00:33:15,870 --> 00:33:16,870
No.

608
00:33:23,690 --> 00:33:25,990
And what do we do with Yahweh, with Aranda and
with Quindelán?

609
00:33:26,410 --> 00:33:27,750
We don't put any fears on it now.

610
00:33:28,450 --> 00:33:30,130
They say that this dinner thing is a
nonsense

611
00:33:31,820 --> 00:33:35,280
And that Spain is in misery. Now,
It doesn't bother you, now he is in misery.

612
00:33:35,520 --> 00:33:37,200
That we have to set an example. Example of
what?

613
00:33:37,720 --> 00:33:38,980
Example of my balls, example.

614
00:33:39,200 --> 00:33:40,200
Example that we have won the war.

615
00:33:40,320 --> 00:33:41,319
That is the example.

616
00:33:41,320 --> 00:33:42,320
I want the best.

617
00:33:42,380 --> 00:33:43,660
The best of the best. Yes.

618
00:33:44,180 --> 00:33:45,180
The best wine.

619
00:33:45,320 --> 00:33:46,320
The best coffee.

620
00:33:46,360 --> 00:33:47,500
The best cigars.

621
00:33:48,920 --> 00:33:49,920
Flowers.

622
00:33:50,100 --> 00:33:51,100
I want flowers.

623
00:33:51,800 --> 00:33:55,320
Flowers. Yes. And an orchestra. I bring you to
the band, sir. No, no, no, no, no, no.

624
00:33:55,740 --> 00:33:56,740
An orchestra.

625
00:33:57,080 --> 00:33:58,080
As God commands.

626
00:33:58,920 --> 00:34:00,880
Find out my favorite songs
leader Mister.

627
00:34:01,260 --> 00:34:02,660
Come on, what's happening? that I have to do it
all me

628
00:34:02,920 --> 00:34:03,920
Well let's go.

629
00:34:04,120 --> 00:34:05,640
Santiago and Benítez leave.

630
00:34:07,920 --> 00:34:09,219
He's coming to kill rats!

631
00:34:09,739 --> 00:34:14,020
Alonso takes his gun. In the living room, the
waiters set the tables.

632
00:34:14,460 --> 00:34:15,460
Carefully.

633
00:34:15,800 --> 00:34:17,100
A little more focused.

634
00:34:17,820 --> 00:34:19,520
There. There it is good.

635
00:34:20,360 --> 00:34:21,360
Perfect.

636
00:34:22,659 --> 00:34:23,659
No.

637
00:34:24,120 --> 00:34:25,239
Hey, huh, huh.

638
00:34:25,760 --> 00:34:27,400
Half a step. More towards me.

639
00:34:27,620 --> 00:34:29,239
Two waiters move a table.

640
00:34:29,520 --> 00:34:30,639
Yes. Yes.

641
00:34:31,940 --> 00:34:33,500
We look for symmetry, gentlemen.

642
00:34:34,080 --> 00:34:35,080
Listen to me, man.

643
00:34:35,320 --> 00:34:36,320
Let's not start.

644
00:34:36,980 --> 00:34:38,139
It is water from Carmen.

645
00:34:39,179 --> 00:34:40,179
Come on now.

646
00:34:40,580 --> 00:34:41,580
Come on, stay still.

647
00:34:41,719 --> 00:34:45,540
The waitress leaves and the young man looks at her.
Santiago goes down the stairs.

648
00:34:45,880 --> 00:34:48,300
Chapero! Chapero smokes a cigarette.

649
00:34:49,800 --> 00:34:52,980
Chapero! And do you also...? They are needed
flowers.

650
00:34:53,340 --> 00:34:55,159
Flowers? Yes, that's what I said.

651
00:34:55,460 --> 00:34:56,920
Where the hell do you want them to get
flowers?

652
00:34:57,160 --> 00:34:59,040
You go with your people and take them by the
gardens.

653
00:34:59,530 --> 00:35:00,850
But if we have bombed everything, my
lieutenant.

654
00:35:01,090 --> 00:35:04,870
Well, you take them from the pots of the
balconies. Find your life at his command.

655
00:35:06,010 --> 00:35:08,570
Gerard. Genaro, yes. This smells terrible.

656
00:35:08,950 --> 00:35:11,070
We have to clean more and better.

657
00:35:11,330 --> 00:35:13,970
We are in it. Very good. don't put
you nervous, man.

658
00:35:14,210 --> 00:35:15,210
No, nothing macho.

659
00:35:15,990 --> 00:35:16,990
Everything is male.

660
00:35:17,210 --> 00:35:18,310
Don't be modest.

661
00:35:21,150 --> 00:35:23,850
This has to shine like gold.
We are.

662
00:35:25,530 --> 00:35:26,530
Come with me, please.

663
00:35:27,190 --> 00:35:28,990
Genaro approaches a switch.

664
00:35:31,970 --> 00:35:34,770
Attention. One.

665
00:35:36,010 --> 00:35:37,410
Two.

666
00:35:41,210 --> 00:35:42,610
Three.

667
00:35:44,670 --> 00:35:46,530
The light came on.

668
00:35:48,070 --> 00:35:50,290
Very good.

669
00:35:53,230 --> 00:35:55,590
This is very good.

670
00:35:58,250 --> 00:35:59,650
Do you know where I can get one
orchestra?

671
00:36:02,230 --> 00:36:06,750
We're not even going to make it to the corner, Mari.

672
00:36:07,490 --> 00:36:08,490
Angel, don't give up.

673
00:36:11,530 --> 00:36:12,530
Maria.

674
00:36:14,330 --> 00:36:15,450
Stay here, don't move.

675
00:36:16,390 --> 00:36:17,390
Maria.

676
00:36:21,610 --> 00:36:22,890
Maria, here it is.

677
00:36:23,550 --> 00:36:26,450
María Jareño, singer of the orchestra
of Palas.

678
00:36:26,690 --> 00:36:27,730
But she was a nurse.

679
00:36:28,110 --> 00:36:31,010
Well, ask sick, sing, can do
two things at once, I can do

680
00:36:31,010 --> 00:36:32,010
up to three.

681
00:36:32,470 --> 00:36:33,470
And the musicians?

682
00:36:34,250 --> 00:36:38,190
Music. We are an orchestra of
ladies. An orchestra of ladies

683
00:36:38,190 --> 00:36:39,190
general, I don't see it.

684
00:36:39,350 --> 00:36:42,050
Let's see, they are very fine, the pearls of the
shovels.

685
00:36:42,510 --> 00:36:46,090
The ladies are going to love them and it is
What's more, there is no other option.

686
00:36:46,650 --> 00:36:48,750
Let's see, can you locate them?

687
00:36:49,010 --> 00:36:49,968
I think so.

688
00:36:49,970 --> 00:36:52,070
Please bring the best
have.

689
00:36:52,410 --> 00:36:54,250
No necklines, very fine.

690
00:36:54,870 --> 00:36:56,270
María leaves smiling.

691
00:36:56,760 --> 00:36:59,560
Oh, Medina, music returns to the
shovels, what a thrill.

692
00:37:00,800 --> 00:37:02,040
Do you like to dance?

693
00:37:02,460 --> 00:37:03,460
Yes.

694
00:37:03,620 --> 00:37:06,300
The young waiter approaches Maria in a
hallway.

695
00:37:06,840 --> 00:37:08,180
Maria, wait.

696
00:37:08,840 --> 00:37:09,840
What do you want?

697
00:37:09,940 --> 00:37:12,120
But what do you think I'm capable of?
report anyone?

698
00:37:12,540 --> 00:37:13,540
I don't know what to think anymore.

699
00:37:14,380 --> 00:37:17,840
Maria, it wasn't me, huh? Neither my aunt nor
none of the waiters. How were we going

700
00:37:17,840 --> 00:37:19,660
to make an opportunity for my colleagues,
the love of God?

701
00:37:19,940 --> 00:37:20,940
Wouldn't you be the first?

702
00:37:21,440 --> 00:37:23,040
Maria, not me, huh? I don't.

703
00:37:23,860 --> 00:37:25,600
Leave it. It doesn't matter anymore.

704
00:37:26,040 --> 00:37:27,040
No, it doesn't matter.

705
00:37:27,480 --> 00:37:30,640
Maria, from now on life will return
to be worth it.

706
00:37:31,300 --> 00:37:34,260
I am going to open a category establishment and
you will sing again.

707
00:37:35,140 --> 00:37:36,140
What's that?

708
00:37:36,340 --> 00:37:37,340
The milkmaid's tale?

709
00:37:37,760 --> 00:37:41,620
I count nothing. It's you and me together
the right place, which is where you have to

710
00:37:41,620 --> 00:37:42,620
be.

711
00:37:44,100 --> 00:37:45,660
I'll do whatever you want if you save Angel.

712
00:37:49,500 --> 00:37:50,500
I can't save Ángel.

713
00:37:52,660 --> 00:37:55,380
But I can save you, Maria.

714
00:38:00,640 --> 00:38:03,720
He pulls her close and kisses her on the cheeks.
lips.

715
00:38:07,600 --> 00:38:10,580
They separate, look into each other's eyes and she
he leaves

716
00:38:16,120 --> 00:38:20,620
She glances back and
continues to walk away.

717
00:38:21,160 --> 00:38:23,220
General and Santiago enter a room.

718
00:38:27,660 --> 00:38:29,600
The best kept treasure in the palace.

719
00:38:30,280 --> 00:38:33,600
I have guarded it like a keeper
throughout the war.

720
00:38:35,020 --> 00:38:36,020
Very good.

721
00:38:36,580 --> 00:38:40,500
Seafood. We are going to achieve it with two
boxes of champagne that I have there.

722
00:38:40,900 --> 00:38:47,080
But first, are you going to try a
authentic work of art. No, no, I am

723
00:38:47,080 --> 00:38:48,560
service. No, I don't drink.

724
00:38:48,860 --> 00:38:51,020
Come on, my lieutenant, wine makes you fat.
blood.

725
00:38:52,480 --> 00:38:54,540
You deserve it, Medina.

726
00:38:56,520 --> 00:38:57,700
We both deserve it.

727
00:38:58,500 --> 00:38:59,500
Both?

728
00:38:59,820 --> 00:39:01,380
Yes. What's wrong?

729
00:39:02,220 --> 00:39:04,000
Well, it happens that we are not both.

730
00:39:05,760 --> 00:39:08,480
Stop acting like you're my friend. No
I am your friend.

731
00:39:08,800 --> 00:39:10,340
Of course you are not my friend.

732
00:39:10,640 --> 00:39:15,380
But I get the cooks, the
seafood, the orchestra, I take out the

733
00:39:15,380 --> 00:39:16,940
fire and you... What about me?

734
00:39:17,200 --> 00:39:18,200
You don't relax.

735
00:39:18,760 --> 00:39:23,060
You are tense, rigid as a club. It is
I haven't seen you smile even once

736
00:39:23,060 --> 00:39:24,060
once in the whole day.

737
00:39:24,500 --> 00:39:25,860
But why would I smile?

738
00:39:26,090 --> 00:39:27,090
For being alive.

739
00:39:27,370 --> 00:39:28,710
Does that seem little to you?

740
00:39:30,510 --> 00:39:33,050
Please.

741
00:39:34,270 --> 00:39:38,670
For the

742
00:39:38,670 --> 00:39:41,490
life.

743
00:39:42,490 --> 00:39:47,050
To be taken for granted.

744
00:39:47,450 --> 00:39:51,350
For life.

745
00:39:54,090 --> 00:39:56,030
Santiago closes his eyes as he swallows.

746
00:39:58,970 --> 00:40:00,170
They both sit down.

747
00:40:00,510 --> 00:40:03,130
Genaro observes him and outlines a slight
smile.

748
00:40:03,590 --> 00:40:04,590
How are you?

749
00:40:04,870 --> 00:40:05,970
It's the host.

750
00:40:07,530 --> 00:40:08,550
It's very good.

751
00:40:09,050 --> 00:40:10,050
Saint Mark?

752
00:40:10,150 --> 00:40:11,150
Italian.

753
00:40:14,110 --> 00:40:15,750
Have you been married long, Lieutenant?

754
00:40:17,090 --> 00:40:18,530
How do you know I'm married?

755
00:40:19,110 --> 00:40:20,110
The ring.

756
00:40:22,030 --> 00:40:23,029
You too?

757
00:40:23,030 --> 00:40:24,030
I am a widower.

758
00:40:24,710 --> 00:40:26,030
My partner died in Barcelona.

759
00:40:27,130 --> 00:40:28,290
In a bombing.

760
00:40:28,770 --> 00:40:31,750
Santiago looks him in the eyes and supports the
hand on his.

761
00:40:32,330 --> 00:40:33,330
I'm sorry.

762
00:40:34,210 --> 00:40:35,210
I'm sorry.

763
00:40:35,890 --> 00:40:37,290
Genaro shakes his head slightly.

764
00:40:39,150 --> 00:40:40,150
Do you have any children?

765
00:40:47,350 --> 00:40:49,050
Mother, it's full of passages.

766
00:40:49,830 --> 00:40:52,630
That door leads to the church of Jesus
in Brinaceli.

767
00:40:53,190 --> 00:40:54,190
Listen.

768
00:40:54,680 --> 00:40:56,420
Here we have saved priests.

769
00:40:57,580 --> 00:40:58,680
It's three o'clock you have to go.

770
00:40:59,440 --> 00:41:02,440
Santiago stands up, drains his glass and
He goes towards the door.

771
00:41:05,040 --> 00:41:06,040
Lieutenant. That?

772
00:41:08,520 --> 00:41:13,000
If everything goes well, you could do something
by the cooks.

773
00:41:14,480 --> 00:41:15,480
Something like what?

774
00:41:16,460 --> 00:41:17,460
Save their lives.

775
00:41:18,900 --> 00:41:20,340
The leader has made it clear.

776
00:41:21,160 --> 00:41:23,300
The blood of those who fell
consent to oblivion.

777
00:41:23,560 --> 00:41:25,560
But those who fell are all, of one
side and the other.

778
00:41:27,180 --> 00:41:28,640
The other ones don't matter a damn.

779
00:41:30,060 --> 00:41:31,140
Santiago leaves.

780
00:41:31,500 --> 00:41:32,780
Genaro is speechless.

781
00:41:33,100 --> 00:41:37,680
In the kitchen, Juana chops an onion,
Cut it into julienne strips and place it in a

782
00:41:37,680 --> 00:41:38,680
tray.

783
00:41:42,100 --> 00:41:45,520
Blas takes several eggs and introduces them
in a pot with boiling water.

784
00:41:46,020 --> 00:41:50,140
Juana picks some vegetables, approaches the
pile and begins to wash a leek.

785
00:41:52,770 --> 00:41:57,710
Blas adds butter cubes to a
casserole, turns your head and crosses a

786
00:41:57,710 --> 00:41:58,970
with the guard who watches over them.

787
00:41:59,470 --> 00:42:03,690
Nando takes a beef tenderloin, places it
on a board and spread salt with the

788
00:42:03,690 --> 00:42:04,690
hand.

789
00:42:09,130 --> 00:42:13,410
At another table, Epifanio opens a space in
a volcano of flour, cracks an egg and

790
00:42:13,410 --> 00:42:14,850
drops it in the center of it.

791
00:42:15,350 --> 00:42:19,010
In the dining room, the waiters wear the
tables with white tablecloths.

792
00:42:25,160 --> 00:42:29,700
A soldier places a flag with the
cross of Burgundy. Flora's nephew

793
00:42:29,700 --> 00:42:31,100
another with the symbol of the phalanx.

794
00:42:31,640 --> 00:42:36,000
Flora approaches a Spanish flag,
He brings it close to his face and closes his eyes.

795
00:42:36,000 --> 00:42:40,560
eyes. In the patio, three extra-pearlists
They deliver buckets of seafood to Genaro.

796
00:42:40,940 --> 00:42:44,060
He gestures to two soldiers who are
They carry the buckets.

797
00:42:44,360 --> 00:42:48,440
Two others introduce boxes with bottles
of champagne in the trunk of the

798
00:42:48,440 --> 00:42:52,880
extraperlists. In the suite, Alonso
walks looking at the relief model

799
00:42:52,880 --> 00:42:54,140
the arrangement of the tables.

800
00:42:54,590 --> 00:42:56,150
It wrinkles it and destroys it.

801
00:43:03,110 --> 00:43:06,410
Three soldiers enter a church.

802
00:43:08,130 --> 00:43:11,530
An old woman watches them as they go towards
the altar

803
00:43:24,590 --> 00:43:26,430
They are required for generalism, father.

804
00:43:26,990 --> 00:43:28,550
For whom? For Zanco.

805
00:43:29,890 --> 00:43:30,890
Up Spain.

806
00:43:31,070 --> 00:43:32,070
Always up.

807
00:43:32,470 --> 00:43:33,490
Come on, guys, hurry up.

808
00:43:33,970 --> 00:43:37,410
You leave the bottles in my office and
Don't let anyone touch them, understand?

809
00:43:37,490 --> 00:43:39,530
Angel, the corkscrew, how are you?

810
00:43:39,750 --> 00:43:40,569
Here we go.

811
00:43:40,570 --> 00:43:41,570
Practice. Okay.

812
00:43:41,950 --> 00:43:43,970
Juana, is everything in order?

813
00:43:44,470 --> 00:43:47,450
The soup smells nourishing and the beef
is already underway.

814
00:43:47,650 --> 00:43:48,650
Look what he told you.

815
00:43:50,310 --> 00:43:51,350
Take the butter.

816
00:43:54,830 --> 00:43:57,090
Blas gestures with his face looking at
Genaro.

817
00:43:57,410 --> 00:43:59,230
He frowns and approaches him.

818
00:44:09,730 --> 00:44:10,730
What's happening?

819
00:44:11,470 --> 00:44:12,470
Epifanio is going to mess things up.

820
00:44:13,290 --> 00:44:17,030
Genaro goes to Epifanio, who is
pouring rat poison into the dough

821
00:44:17,030 --> 00:44:18,030
of the dessert.

822
00:44:18,510 --> 00:44:19,510
Epifanio.

823
00:44:19,690 --> 00:44:20,690
That?

824
00:44:24,520 --> 00:44:25,720
Why are you throwing out the food?

825
00:44:26,440 --> 00:44:27,440
Oh.

826
00:44:27,680 --> 00:44:28,680
Blas approaches.

827
00:44:29,240 --> 00:44:33,000
Genaro discreetly struggles until
snatch the poison box from him.

828
00:44:36,680 --> 00:44:38,680
Are you crazy? I take it on everything.

829
00:44:40,060 --> 00:44:41,400
We can still win the war.

830
00:44:41,680 --> 00:44:45,580
You cannot put any toxic substance
to food.

831
00:44:45,900 --> 00:44:49,380
Because? Let's see, why? Well, between
other things because they can do it to us

832
00:44:49,380 --> 00:44:50,560
try mule head.

833
00:44:50,800 --> 00:44:53,490
I have already said it. You haven't told me that.
Yes, I have told you. When did you do it to me

834
00:44:53,490 --> 00:44:54,590
said? What have you told me?

835
00:44:54,870 --> 00:44:57,810
I told you, if he didn't see me on the run,
He's going to take it for granted.

836
00:44:58,170 --> 00:44:59,190
What a little mouth he has.

837
00:45:00,330 --> 00:45:01,330
The escape?

838
00:45:02,970 --> 00:45:03,970
What leak?

839
00:45:04,330 --> 00:45:05,330
We're going to run away.

840
00:45:06,550 --> 00:45:07,770
Who is it? Us.

841
00:45:08,590 --> 00:45:09,590
The cooks.

842
00:45:10,070 --> 00:45:11,070
You too if you want.

843
00:45:11,430 --> 00:45:13,490
Genaro, you are right-wing, but you are not
bad person

844
00:45:13,730 --> 00:45:16,190
Let's have a little conversation
In my office, please.

845
00:45:16,490 --> 00:45:21,130
Genaro. Kitchen equipment please a
minute everyone to my office to clarify

846
00:45:21,130 --> 00:45:22,049
a theme.

847
00:45:22,050 --> 00:45:23,050
I've already had three.

848
00:45:23,330 --> 00:45:24,269
I open another.

849
00:45:24,270 --> 00:45:27,690
You don't have to open any of these. If
practice with empty bottles, for

850
00:45:27,690 --> 00:45:28,690
please.

851
00:45:30,010 --> 00:45:31,010
Sirs.

852
00:45:33,410 --> 00:45:35,370
The cooks go to the office.

853
00:45:35,830 --> 00:45:37,030
Genaro closes the door.

854
00:45:42,350 --> 00:45:44,490
He stops in front of the cooks.

855
00:45:45,480 --> 00:45:47,160
You can tell what madness this is.

856
00:45:50,380 --> 00:45:52,220
Genaro, we're going to run away.

857
00:45:53,580 --> 00:45:55,120
And you have to help, right?

858
00:45:55,900 --> 00:45:58,380
Don't count on me. Because? Let's see.

859
00:45:58,680 --> 00:46:02,460
Because they are going to kill you. And they are going to us
kill It's nothing new. Or we

860
00:46:02,460 --> 00:46:03,460
or they kill us tomorrow.

861
00:46:03,840 --> 00:46:04,840
Like tomorrow?

862
00:46:05,160 --> 00:46:06,200
We prefer to die fighting.

863
00:46:06,440 --> 00:46:07,439
John, please.

864
00:46:07,440 --> 00:46:09,080
A little sense. How is he not your son?

865
00:46:09,320 --> 00:46:13,680
It is impossible to escape. You haven't heard it,
Genaro. If we don't escape, tomorrow we will

866
00:46:13,680 --> 00:46:14,680
they knife.

867
00:46:15,670 --> 00:46:17,730
We are going to knock out the
soldiers.

868
00:46:17,990 --> 00:46:21,550
We are in a hospital, so it has
there must be chloroform in the warehouse. AND

869
00:46:21,550 --> 00:46:24,430
We will escape through the cellar. From there we leave
to the church and to the fucking street.

870
00:46:24,630 --> 00:46:25,269
To run.

871
00:46:25,270 --> 00:46:26,269
To run.

872
00:46:26,270 --> 00:46:27,650
You can come with us or stay.

873
00:46:28,450 --> 00:46:29,450
Up to you.

874
00:46:31,070 --> 00:46:32,390
I don't want to be killed.

875
00:46:32,590 --> 00:46:35,770
Do what you want, but we need the
cellar key. Why not? Let's go

876
00:46:35,770 --> 00:46:36,770
escape through the cellar.

877
00:46:38,170 --> 00:46:39,170
Genaro nods.

878
00:46:40,630 --> 00:46:41,630
Let's scratch.

879
00:46:41,870 --> 00:46:43,190
The key stays with me.

880
00:46:43,500 --> 00:46:47,600
Give it to us by hook or by crook,
Genaro. You'll have to rip it off from me.

881
00:46:47,960 --> 00:46:49,220
Give it to us, you see.

882
00:46:51,400 --> 00:46:53,900
What is happening here?

883
00:46:54,760 --> 00:46:55,820
It's over!

884
00:46:58,640 --> 00:46:59,960
Do you know what they wanted to do?

885
00:47:01,540 --> 00:47:04,740
Genaro escapes from the cooks and the
points his finger.

886
00:47:07,120 --> 00:47:08,120
That?

887
00:47:08,980 --> 00:47:11,100
That? They wanted to eat dinner.

888
00:47:11,880 --> 00:47:13,870
They. Because they are hungry.

889
00:47:14,330 --> 00:47:16,450
And hunger drives people crazy.

890
00:47:17,470 --> 00:47:18,428
We want to eat.

891
00:47:18,430 --> 00:47:19,209
Yes, yes.

892
00:47:19,210 --> 00:47:20,210
We want to eat.

893
00:47:20,910 --> 00:47:21,910
Now.

894
00:47:22,090 --> 00:47:23,090
Now.

895
00:47:23,390 --> 00:47:24,390
Now. Now.

896
00:47:24,550 --> 00:47:28,090
Everyone to the pogons. Not one
more nonsense. Come on. We are hungry.

897
00:47:28,150 --> 00:47:29,150
We want to eat. Come on.

898
00:47:29,610 --> 00:47:31,390
We want to eat. We want to eat.

899
00:47:31,850 --> 00:47:34,950
Or we eat here, not even God cooks. No
kitchen or God.

900
00:47:35,190 --> 00:47:38,710
Let's not get things out of hand. If you
He's going to feed, but later. That,

901
00:47:38,850 --> 00:47:41,030
come. We want to eat now or there is no
dinner. That.

902
00:47:41,830 --> 00:47:43,340
Medina. Be quiet.

903
00:47:44,060 --> 00:47:45,780
Santiago takes out his gun and takes aim.

904
00:47:46,140 --> 00:47:49,740
The three soldiers of the Moravian Guard who
They watch the kitchen and do the same.

905
00:47:51,200 --> 00:47:52,940
All the wind is going smoothly.

906
00:47:53,800 --> 00:47:55,620
Let's ruin it for something stupid.

907
00:47:57,020 --> 00:47:58,580
It is not essential.

908
00:47:59,040 --> 00:48:00,200
Look at Angel.

909
00:48:00,540 --> 00:48:01,700
Dinner is done without it.

910
00:48:02,380 --> 00:48:06,720
And the wine? You serve the wine. I don't
you fucking need a sommelier.

911
00:48:07,140 --> 00:48:08,760
Sommelier? That.

912
00:48:09,740 --> 00:48:12,220
Go ahead, shoot. Juana comes forward.

913
00:48:12,500 --> 00:48:13,500
Shoot me.

914
00:48:15,140 --> 00:48:16,320
Shoot me too.

915
00:48:16,900 --> 00:48:18,840
But to me. Me.

916
00:48:19,320 --> 00:48:20,420
Chapero arrives.

917
00:48:21,000 --> 00:48:22,700
We already have flowers, my lieutenant.

918
00:48:24,900 --> 00:48:26,520
I got them at the church.

919
00:48:27,160 --> 00:48:29,100
Santiago continues pointing.

920
00:48:30,100 --> 00:48:35,860
Lieutenant, the parish priest's flowers from
Phalanx. I was very happy.

921
00:48:39,890 --> 00:48:44,470
The ladies of music have arrived,
in case you want to tell them something.

922
00:49:01,530 --> 00:49:03,070
Are you playing with fire?

923
00:49:04,990 --> 00:49:09,090
He leaves. The cooks remain
motionless in the center of the kitchen.

924
00:49:09,560 --> 00:49:11,660
Santiago and Chapero enter the dining room.

925
00:49:11,880 --> 00:49:13,860
Maria and six women are waiting standing.

926
00:49:16,200 --> 00:49:17,620
Girls, Lieutenant Medina.

927
00:49:18,160 --> 00:49:19,340
Lieutenant, here's the band.

928
00:49:20,320 --> 00:49:22,040
Good afternoon. Are they all there?

929
00:49:23,100 --> 00:49:26,160
Violin, accordion, double bass, cello,
guitar and piano.

930
00:49:26,560 --> 00:49:27,560
You have to tune it.

931
00:49:28,000 --> 00:49:29,920
And they're going to need a place to
change

932
00:49:30,600 --> 00:49:32,800
Accompany them upstairs, Chapero. By
Of course, my lieutenant.

933
00:49:33,180 --> 00:49:34,760
Come with me, please, miss. By
here.

934
00:49:35,620 --> 00:49:36,620
Thank you so much.

935
00:49:36,680 --> 00:49:37,680
Here.

936
00:49:39,350 --> 00:49:40,328
They leave.

937
00:49:40,330 --> 00:49:42,630
Chapero casts a look at Santiago
from the staircase.

938
00:49:44,490 --> 00:49:48,210
Genaro approaches Santiago.

939
00:49:49,290 --> 00:49:50,950
You've never shot anyone,
right?

940
00:49:53,010 --> 00:49:54,570
Don't be offended, that honors you.

941
00:49:55,230 --> 00:49:56,530
It shows that you are a good person.

942
00:49:56,970 --> 00:50:00,290
No, I'm not a good person. You and I are
good people, that's why we fall

943
00:50:00,290 --> 00:50:03,130
good. But who told you that
I like you? There are things it doesn't do

944
00:50:03,130 --> 00:50:05,050
say. I'm going to break your face, huh?

945
00:50:05,390 --> 00:50:06,490
You wouldn't be the first.

946
00:50:08,060 --> 00:50:09,240
Santiago slaps her.

947
00:50:09,720 --> 00:50:10,720
A woman arrives.

948
00:50:11,100 --> 00:50:12,100
Santiago!

949
00:50:13,200 --> 00:50:14,200
Luchi.

950
00:50:15,020 --> 00:50:17,760
Hey, let me come in, I'm the wife of the
officer in charge.

951
00:50:19,940 --> 00:50:20,940
What are you doing here?

952
00:50:21,620 --> 00:50:22,620
The same as you.

953
00:50:22,800 --> 00:50:23,800
Are you going to dinner?

954
00:50:24,320 --> 00:50:25,320
To dinner?

955
00:50:25,360 --> 00:50:26,520
Man, you're the host.

956
00:50:26,900 --> 00:50:29,360
The normal thing is that you receive Franco with your
wife at the side.

957
00:50:29,600 --> 00:50:30,600
And change.

958
00:50:31,100 --> 00:50:32,820
You're going to be with the same zachoto.

959
00:50:33,280 --> 00:50:36,760
One that thank goodness I think for the
two, huh? Look, here's your uniform

960
00:50:36,760 --> 00:50:37,668
gala

961
00:50:37,669 --> 00:50:40,810
Listen to me you never listen,
sweetie Dinner is for

962
00:50:41,790 --> 00:50:44,150
No, my love. Dinner is for me. And
do you know why?

963
00:50:44,510 --> 00:50:47,670
Because I have also lived through a war and
I deserve it. I know, I know.

964
00:50:48,170 --> 00:50:49,430
But places are limited.

965
00:50:49,650 --> 00:50:53,010
No, it won't occur to you. There is a list. No
I can with art towards the brave. To the

966
00:50:53,010 --> 00:50:57,290
brave is how things are achieved,
Santiago. Brava is how

967
00:50:57,290 --> 00:51:00,550
How to get good positions. AND
I'm not leaving here without doing

968
00:51:00,550 --> 00:51:01,550
friend of Carmen Polo.

969
00:51:01,950 --> 00:51:05,130
Look, I don't have time for this. The
Room is upstairs, I guess, right? Go away

970
00:51:05,130 --> 00:51:06,130
and wait for me And talk.

971
00:51:07,460 --> 00:51:10,360
We will never have a chance like
this one. Luchi, you are putting me in a

972
00:51:10,360 --> 00:51:13,760
commitment. Hey, I just want it
better for us, huh? and you should

973
00:51:13,760 --> 00:51:14,760
want the same

974
00:51:15,060 --> 00:51:16,060
You are my woman.

975
00:51:17,300 --> 00:51:18,300
I am your husband.

976
00:51:18,640 --> 00:51:21,500
And as the husband that I am, I demand that you
go home

977
00:51:21,860 --> 00:51:23,780
No. I demand it of you!

978
00:51:24,060 --> 00:51:25,520
Luchi leaves upstairs.

979
00:51:26,040 --> 00:51:30,260
Santiago observes Genaro walking
towards the kitchen. In a room, the

980
00:51:30,260 --> 00:51:34,080
women tune their instruments. mica,
we have to rehearse. It's been months since

981
00:51:34,080 --> 00:51:35,580
we act. Well let's see how it goes.

982
00:51:35,840 --> 00:51:36,799
Hey, and...

983
00:51:36,800 --> 00:51:39,400
Will they ask us for songs or do we play our own
repertoire?

984
00:51:39,700 --> 00:51:40,800
We go with our thing.

985
00:51:41,540 --> 00:51:43,620
Shall we end as usual, playing the
international?

986
00:51:44,040 --> 00:51:45,480
No, no, no, we touch our faces to the sun.

987
00:51:46,260 --> 00:51:47,620
And do you think they will give us dinner?

988
00:51:47,840 --> 00:51:49,220
Of course, ladies.

989
00:51:49,800 --> 00:51:50,800
Alonso arrives.

990
00:51:50,940 --> 00:51:53,700
I will personally see to it that
They lack nothing.

991
00:51:54,760 --> 00:51:55,760
Thanks a lot.

992
00:51:58,540 --> 00:52:01,260
Alonso stares at María and
approaches Benítez.

993
00:52:04,580 --> 00:52:05,580
Come on, girls.

994
00:52:06,010 --> 00:52:07,010
What are you waiting for?

995
00:52:07,030 --> 00:52:08,790
Is that the idea of ​​bringing whores to you?

996
00:52:09,210 --> 00:52:10,490
They are not whores, no.

997
00:52:10,750 --> 00:52:11,529
Oh, right?

998
00:52:11,530 --> 00:52:14,830
No, they're the nuts and bolts. a band of
girls.

999
00:52:15,610 --> 00:52:16,610
Well that.

1000
00:52:16,850 --> 00:52:17,850
Whores.

1001
00:52:19,110 --> 00:52:22,970
The women leave the room
carrying their instruments and pass between

1002
00:52:22,970 --> 00:52:23,970
Benitez and Alonso.

1003
00:52:27,130 --> 00:52:28,270
Benítez goes after them.

1004
00:52:28,690 --> 00:52:31,250
María stays behind collecting some
sheet music.

1005
00:52:31,870 --> 00:52:33,170
Alonso approaches her.

1006
00:52:34,490 --> 00:52:41,190
Well. So... The pearls of the palas.
María tries to leave and Alonso cuts her off.

1007
00:52:41,190 --> 00:52:42,530
step. One moment.

1008
00:52:44,030 --> 00:52:46,350
Monument. Excuse me, but I have to
go away

1009
00:52:46,590 --> 00:52:47,790
What instrument do you play?

1010
00:52:48,370 --> 00:52:50,650
I'm nothing, I'm the vocalist. Oh, what
you sing.

1011
00:52:51,590 --> 00:52:52,970
Let's see, sing.

1012
00:52:53,950 --> 00:52:54,950
I can't right now.

1013
00:52:55,270 --> 00:52:56,310
He holds her.

1014
00:52:56,570 --> 00:52:57,690
But if I ask you.

1015
00:52:58,390 --> 00:53:01,310
Can? Come on, listen to that song
you were singing

1016
00:53:02,750 --> 00:53:03,750
I have to rehearse.

1017
00:53:04,040 --> 00:53:06,940
Well, rehearse for me because I love you
listen. They are waiting for me.

1018
00:53:07,420 --> 00:53:09,700
I have been waiting for a person for three years
like you

1019
00:53:10,240 --> 00:53:11,240
He hugs her.

1020
00:53:12,040 --> 00:53:13,700
What if I ask you to sing?

1021
00:53:14,400 --> 00:53:15,620
What do you sing?

1022
00:53:16,040 --> 00:53:17,040
Mister.

1023
00:53:17,580 --> 00:53:20,360
That? I better not approach you. By
that?

1024
00:53:20,680 --> 00:53:23,820
I have syphilis. He moves away.

1025
00:53:24,500 --> 00:53:25,500
Go away!

1026
00:53:25,960 --> 00:53:27,360
Maria runs away.

1027
00:53:27,800 --> 00:53:30,380
Alonso washes his hands and tongue in
a basin

1028
00:53:30,830 --> 00:53:33,350
In the kitchen, Nando and Juana are with
Angel.

1029
00:53:42,750 --> 00:53:45,410
Nando opens a conduit that communicates with
the laundry.

1030
00:53:45,870 --> 00:53:49,550
Ángel enters and slides along the
ramp falling over a mountain of

1031
00:53:49,550 --> 00:53:50,550
dirty sheets.

1032
00:53:50,890 --> 00:53:52,770
Nando and Juana return to the kitchen.

1033
00:53:54,090 --> 00:53:57,930
Ángel takes a cloth sack and advances with
caution through the laundry looking at

1034
00:53:57,930 --> 00:53:58,930
both sides.

1035
00:53:59,150 --> 00:54:03,030
He reaches the locker room area and opens
a closet where the children's clothes hang

1036
00:54:03,030 --> 00:54:04,030
waiters.

1037
00:54:05,530 --> 00:54:09,350
He takes out the documentation and leaves it on a
bench while keeping an eye on the door.

1038
00:54:16,870 --> 00:54:20,350
Down the hall, Flora's nephew
He walks smoking a cigarette.

1039
00:54:20,770 --> 00:54:24,230
Enter the locker room, surprise Ángel
and approaches smiling.

1040
00:54:24,550 --> 00:54:25,550
Fuck.

1041
00:54:26,010 --> 00:54:27,450
I thought there were no rats left.

1042
00:54:27,950 --> 00:54:28,950
Blond.

1043
00:54:29,600 --> 00:54:30,600
What the fuck are you doing here?

1044
00:54:32,180 --> 00:54:33,380
I was looking for tobacco.

1045
00:54:34,100 --> 00:54:35,100
Tobacco, my balls?

1046
00:54:35,680 --> 00:54:36,900
He's stealing from us, son of a bitch.

1047
00:54:37,480 --> 00:54:38,620
Drop the bag or I'll take your head off.

1048
00:54:38,920 --> 00:54:40,340
I can't die, man. I'm going to be a father.

1049
00:54:41,480 --> 00:54:42,480
You?

1050
00:54:42,660 --> 00:54:43,920
Father? Yes.

1051
00:54:44,520 --> 00:54:45,720
I'm going to have Mari's child.

1052
00:54:46,540 --> 00:54:49,020
We are going to call that girl Libertad. and
We had thought about that child... No.

1053
00:54:50,260 --> 00:54:51,800
Why not? Yes, he is a beautiful man.

1054
00:54:52,340 --> 00:54:53,340
Mari is mine.

1055
00:54:53,440 --> 00:54:55,980
No. Mari belongs to no one. The Mari is
of the Mari.

1056
00:54:57,580 --> 00:55:00,480
The blonde smiles and turns around trying to
hold back

1057
00:55:06,040 --> 00:55:10,500
Breaks a bottle in the sink leaving
the base broken. Ángel approaches and struggles

1058
00:55:10,500 --> 00:55:12,360
with him bringing it closer to his face.

1059
00:55:20,600 --> 00:55:24,660
Angel kicks him in the crotch. The other
he kneed him in the stomach and

1060
00:55:24,660 --> 00:55:25,660
retrieve the bottle.

1061
00:55:26,120 --> 00:55:30,040
Angel grabs him from behind. The blonde
He breaks free and throws him to the ground.

1062
00:55:30,380 --> 00:55:32,160
Angel crawls back.

1063
00:55:34,600 --> 00:55:41,360
The blonde kicks the air,
slips on spilled alcohol and falls

1064
00:55:41,360 --> 00:55:43,340
ground after hitting the back of the head against the
sink.

1065
00:55:43,880 --> 00:55:46,420
Ángel sits up and watches him motionless.

1066
00:55:50,420 --> 00:55:54,520
María and the girls from the band rehearse
in the living room.

1067
00:55:58,370 --> 00:55:59,910
Genaro blows a kiss to María.

1068
00:56:15,370 --> 00:56:19,630
Genaro smiles. Take a watch out of your vest
pocket with the chain attached to a

1069
00:56:19,630 --> 00:56:21,810
button and notices another loose chain.

1070
00:56:25,740 --> 00:56:29,060
He turns and looks at Flora dancing.
while taking out a cutlery.

1071
00:56:33,440 --> 00:56:35,820
Rora, have you seen the key to the
winery?

1072
00:56:36,080 --> 00:56:37,080
I?

1073
00:56:37,300 --> 00:56:38,300
I have lost her.

1074
00:56:39,320 --> 00:56:40,320
Have you taken it?

1075
00:56:40,560 --> 00:56:43,480
Why would I take it? Why not?
It would be the first time.

1076
00:56:43,700 --> 00:56:47,580
Let's see. That from time to time I cast
a shot does not mean it is a

1077
00:56:47,580 --> 00:56:48,580
drunk Rora.

1078
00:56:48,820 --> 00:56:50,920
And much less a thief.

1079
00:56:51,280 --> 00:56:52,460
Give me the key back, please.

1080
00:56:52,800 --> 00:56:54,960
Well, I haven't taken the damn key,
fuck

1081
00:56:55,780 --> 00:57:00,340
Don't talk to me like that, okay? and you to me
I don't denounce you as a pervert either.

1082
00:57:02,080 --> 00:57:03,220
Did you think I didn't know?

1083
00:57:04,200 --> 00:57:07,300
We all know that you are more of a faggot than
a pigeon, lame.

1084
00:57:08,580 --> 00:57:10,300
He stops before leaving.

1085
00:57:10,880 --> 00:57:12,440
And be careful, huh?

1086
00:57:12,660 --> 00:57:16,080
Because in Franco's Spain there is no
place for people like you.

1087
00:57:17,300 --> 00:57:18,300
Flora leaves.

1088
00:57:18,960 --> 00:57:22,160
Genaro, where can I wash and
change me?

1089
00:57:25,400 --> 00:57:30,220
In my room I can use the 17 in
the first floor. I have soap there,

1090
00:57:30,240 --> 00:57:31,500
Floyd, towels.

1091
00:57:34,080 --> 00:57:37,760
I'm sorry I believed the nerves. No,
before.

1092
00:57:38,840 --> 00:57:40,540
Genaro nods abstractedly.

1093
00:57:41,160 --> 00:57:42,160
Well.

1094
00:57:42,940 --> 00:57:45,260
Santiago leaves. Genaro looks at María.

1095
00:57:50,460 --> 00:57:52,740
Maria sways while singing.

1096
00:57:53,180 --> 00:57:55,820
Genaro walks down a hallway to the
cellar door.

1097
00:58:00,820 --> 00:58:04,160
Find the key in the lock,
He picks up and looks out the window.

1098
00:58:06,320 --> 00:58:07,820
Look down the hall.

1099
00:58:08,540 --> 00:58:09,540
Hello.

1100
00:58:10,700 --> 00:58:13,020
Angel comes out from behind the partition of the
sinks.

1101
00:58:14,620 --> 00:58:16,400
Hello. What are you doing there?

1102
00:58:27,700 --> 00:58:29,960
Genaro approaches and grabs him by the
vest.

1103
00:58:37,280 --> 00:58:39,980
Genaro discovers the blonde's body
on a pool of blood.

1104
00:58:50,800 --> 00:58:51,800
Is he dead?

1105
00:58:52,600 --> 00:58:53,600
Yes.

1106
00:58:53,920 --> 00:58:58,300
Genaro puts his hands on his face,
He crouches down and looks at the blonde's face.

1107
00:59:00,200 --> 00:59:01,540
What do we do now, Angel?

1108
00:59:02,260 --> 00:59:03,760
I was already thinking of putting it in the box office.

1109
00:59:04,420 --> 00:59:05,640
But his aunt is going to realize it.

1110
00:59:05,940 --> 00:59:07,500
If we give him a drink he will forget.

1111
00:59:07,860 --> 00:59:08,860
Help me.

1112
00:59:09,500 --> 00:59:11,980
Help me! How crazy, Angel! What
madness!

1113
00:59:12,240 --> 00:59:13,240
Grab it!

1114
00:59:15,000 --> 00:59:16,000
They drag the body.

1115
00:59:16,340 --> 00:59:17,340
What do you know French?

1116
00:59:18,320 --> 00:59:19,340
French, English, Italian.

1117
00:59:19,560 --> 00:59:20,560
Because?

1118
00:59:20,570 --> 00:59:23,890
If we run away, could you help us?
interpreter. I'm not going to run away

1119
00:59:23,890 --> 00:59:25,330
part. I am neutral.

1120
00:59:25,770 --> 00:59:26,770
No.

1121
00:59:27,050 --> 00:59:28,410
There are no neutrals here, man.

1122
00:59:28,950 --> 00:59:31,390
Either you run away with us or we
you betray

1123
00:59:31,670 --> 00:59:32,670
But you have to choose.

1124
00:59:34,410 --> 00:59:35,790
Help me. Take it.

1125
00:59:36,990 --> 00:59:39,010
Genaro grabs the body by the legs.

1126
00:59:39,510 --> 00:59:44,510
In a room, Luchi finishes
dressing behind a screen. It fits

1127
00:59:44,510 --> 00:59:46,350
clothes and comes out from behind the panel.

1128
00:59:46,810 --> 00:59:49,790
He approaches an oval mirror that
reaches the waist.

1129
00:59:50,140 --> 00:59:51,320
and is observed carefully.

1130
00:59:52,560 --> 00:59:56,480
He jumps a couple of times trying to see himself
whole and twists her face in frustration.

1131
00:59:59,280 --> 01:00:02,780
Direct your gaze to the bottom of the
stay and exits into an elegant hallway.

1132
01:00:07,320 --> 01:00:09,540
It advances along it and stops before a
door.

1133
01:00:10,120 --> 01:00:12,200
He pulls the handle without being able to open it.

1134
01:00:12,920 --> 01:00:17,720
He resumes his pace and, a few more meters
Go ahead, open two sliding doors

1135
01:00:17,720 --> 01:00:20,900
communicate with a room where
find Alonso and Benítez.

1136
01:00:21,800 --> 01:00:24,960
Oh, sorry, I thought it was empty.
Miss. Benitez.

1137
01:00:25,860 --> 01:00:28,600
Alonso smiles. And where has this beauty
come out?

1138
01:00:31,000 --> 01:00:32,620
Are you one of the girls in the
orchestra?

1139
01:00:33,980 --> 01:00:35,020
No, no, no.

1140
01:00:35,360 --> 01:00:37,040
I am the wife of Lieutenant Medina.

1141
01:00:38,080 --> 01:00:39,080
Oh.

1142
01:00:39,860 --> 01:00:42,220
I was looking for a body mirror
whole.

1143
01:00:42,780 --> 01:00:43,940
Well, here you have a mirror.

1144
01:00:44,860 --> 01:00:46,440
Not a whole body, that's me.

1145
01:00:48,930 --> 01:00:51,410
Forward. No, no, no, I don't want to
bother

1146
01:00:51,630 --> 01:00:53,550
It doesn't bother you at all, help yourself
same.

1147
01:00:56,050 --> 01:00:57,050
Thank you.

1148
01:00:57,870 --> 01:01:01,950
Luchi walks to the mirror and turns around
to look at the back of her dress

1149
01:01:01,950 --> 01:01:02,950
gold satin

1150
01:01:03,070 --> 01:01:05,870
She smooths her hair while Alonso
contemplates in admiration.

1151
01:01:07,470 --> 01:01:08,730
Benitez, go get some tobacco.

1152
01:01:08,990 --> 01:01:09,990
You don't smoke, sir.

1153
01:01:10,190 --> 01:01:11,650
I said go get tobacco.

1154
01:01:14,890 --> 01:01:16,070
Benitez leaves.

1155
01:01:16,660 --> 01:01:17,920
Alonso approaches Luchi.

1156
01:01:23,300 --> 01:01:24,780
The dress fits me very well.

1157
01:01:26,360 --> 01:01:27,980
But I think I'd be better off without him.

1158
01:01:28,500 --> 01:01:30,180
She touches her flirty hair.

1159
01:01:30,700 --> 01:01:34,700
In his office, Genaro gives the floor to
Angel in front of the cooks.

1160
01:01:35,040 --> 01:01:36,200
He's going to escape with us.

1161
01:01:37,540 --> 01:01:38,540
Really?

1162
01:01:39,440 --> 01:01:43,860
Genaro, you are better. It's crazy, but
not impossible.

1163
01:01:44,300 --> 01:01:45,500
You have to work as a team.

1164
01:01:45,840 --> 01:01:48,440
Get organized well. We have to function
just like in the kitchen.

1165
01:01:48,820 --> 01:01:51,660
And you have to choose the right moment to
escape.

1166
01:01:51,860 --> 01:01:54,460
And in my opinion this is going to be when
Let's take out the cake.

1167
01:01:54,860 --> 01:01:57,200
We return to the rat-killer. Leave the
rat killer

1168
01:01:59,080 --> 01:02:03,360
Angel, you have to make sure that the
generals drink as much as possible.

1169
01:02:03,700 --> 01:02:04,700
Okay.

1170
01:02:06,440 --> 01:02:09,420
But Franco doesn't drink. If there is a toast
will have to drink.

1171
01:02:09,760 --> 01:02:14,440
It's true. It won't be so stupid. how many
the more toasts the better. I'll take care of it. When

1172
01:02:14,440 --> 01:02:18,190
Let's take out the cake. Maria Cantara,
Spanish soldier.

1173
01:02:18,970 --> 01:02:22,830
Cabanique, that will be the signal for
escape

1174
01:02:23,730 --> 01:02:26,290
Then we launched ourselves down the ramp and
We ended up in the basement.

1175
01:02:26,590 --> 01:02:28,350
But first you have to drug the
soldiers.

1176
01:02:28,590 --> 01:02:29,830
I'll take care of the chlorophon.

1177
01:02:30,170 --> 01:02:32,730
And now, gentlemen, to your task.

1178
01:02:33,830 --> 01:02:38,450
The cooks leave the office.

1179
01:02:38,870 --> 01:02:40,930
Genaro nods, sitting at his desk.

1180
01:02:41,130 --> 01:02:42,450
Juana addresses him.

1181
01:02:44,940 --> 01:02:46,860
May I ask why you have changed
opinion.

1182
01:02:53,020 --> 01:02:54,400
Juana leaves.

1183
01:02:57,100 --> 01:02:59,240
Ángel enters again and closes the door.

1184
01:03:01,060 --> 01:03:02,060
Gerard.

1185
01:03:03,600 --> 01:03:04,780
What song was it?

1186
01:03:07,680 --> 01:03:09,040
Spanish soldier.

1187
01:03:10,660 --> 01:03:11,840
Spanish soldier.

1188
01:03:13,300 --> 01:03:14,440
Tailcoat dress

1189
01:03:14,760 --> 01:03:18,180
Genaro climbs some stairs with several
items of clothing folded in their hands.

1190
01:03:20,700 --> 01:03:24,660
Stops in front of room number 27
and is ready to call.

1191
01:03:24,960 --> 01:03:28,260
Upon discovering the door ajar, the
push gently.

1192
01:03:31,900 --> 01:03:34,540
Enter the darkened room and
close the door.

1193
01:03:35,380 --> 01:03:38,100
He takes a few steps and stops looking
at the bottom.

1194
01:03:38,660 --> 01:03:41,200
In the bathroom, Santiago sleeps inside the
bathtub.

1195
01:03:41,560 --> 01:03:43,440
Genaro remains still watching him.

1196
01:03:43,740 --> 01:03:44,840
With a sustained gaze.

1197
01:03:48,320 --> 01:03:50,760
He approaches the bed and leaves the clothes on
her.

1198
01:03:57,000 --> 01:04:00,000
He leans on the foot of the bed and deflects
looking to the side.

1199
01:04:02,980 --> 01:04:04,460
Santiago continues asleep.

1200
01:04:06,420 --> 01:04:09,220
Genaro approaches the bathroom door
without ever peeking out.

1201
01:04:12,500 --> 01:04:13,780
Lieutenant, it's going to strike seven.

1202
01:04:17,200 --> 01:04:18,640
Santiago does not react.

1203
01:04:19,080 --> 01:04:21,800
Genaro enters slowly and stops next to
to the bathtub.

1204
01:04:27,280 --> 01:04:29,960
He watches the lieutenant for a few seconds and
look away.

1205
01:04:32,440 --> 01:04:37,160
Take a breath, pick up a joint from a
ashtray next to the bathtub and gives it a

1206
01:04:41,930 --> 01:04:44,930
Be careful the tap hits.

1207
01:04:46,530 --> 01:04:47,870
Have you ever tried it?

1208
01:04:48,550 --> 01:04:51,270
I have tried practically everything in
life, my lieutenant.

1209
01:04:52,010 --> 01:04:58,290
It's the first time I feel comfortable
in three years.

1210
01:05:00,110 --> 01:05:02,550
Genaro returns the joint and Santiago
smokes.

1211
01:05:02,830 --> 01:05:05,410
Look at the Met, who keeps his gaze fixed
in front.

1212
01:05:08,330 --> 01:05:09,330
Do you know?

1213
01:05:10,220 --> 01:05:13,720
On the 18th... When was it?

1214
01:05:14,060 --> 01:05:20,960
In July 1936 he was going to leave the army
and set up my own studio

1215
01:05:20,960 --> 01:05:27,940
photography. You know, weddings, baptisms,
communions... I had the word of a

1216
01:05:27,940 --> 01:05:31,000
local. They had granted me a loan and
everything.

1217
01:05:34,640 --> 01:05:35,940
What is the host?

1218
01:05:36,660 --> 01:05:38,740
I had forgotten about hot water.

1219
01:05:39,950 --> 01:05:44,050
Santiago throws soap foam at him from a
blow and water from the bathtub splashes on him.

1220
01:05:58,110 --> 01:06:00,790
Genaro gives him the towel, turning his head.
to one side.

1221
01:06:01,430 --> 01:06:05,170
Santiago comes out of the bathtub naked and
Tie the towel around your waist.

1222
01:06:09,080 --> 01:06:11,300
In Franco's Spain we will all be
rich.

1223
01:06:11,660 --> 01:06:14,640
Genaro sits on the bed while
Santiago goes to the bathroom.

1224
01:06:15,000 --> 01:06:16,260
I know the rich well.

1225
01:06:16,880 --> 01:06:19,180
They would not know how to live in a world without poor people.

1226
01:06:20,480 --> 01:06:24,740
If everything goes well, I'll order a
destination at the Paterna barracks.

1227
01:06:25,620 --> 01:06:26,860
Surely the place is still there.

1228
01:06:28,080 --> 01:06:32,060
Luchi, I don't know who is from Madrid, but I
to me... What if it goes wrong?

1229
01:06:32,860 --> 01:06:34,720
Because it's going to go wrong, everything is ready,
right?

1230
01:06:35,400 --> 01:06:36,900
Yes, of course, but...

1231
01:06:37,340 --> 01:06:40,680
I don't know, if something happened... Something like
what?

1232
01:06:43,260 --> 01:06:48,340
That the soup came out salty, for example,
or the beef turns out to be chewy, if anything

1233
01:06:48,340 --> 01:06:50,740
was twisted... What would happen?

1234
01:06:52,100 --> 01:06:57,460
Well... They'd blame me, I guess.
I'd go to hell.

1235
01:06:58,340 --> 01:07:00,420
But... Listen to me.

1236
01:07:01,440 --> 01:07:03,420
That everything is going to turn out great.

1237
01:07:05,040 --> 01:07:06,400
And partly...

1238
01:07:07,980 --> 01:07:08,980
Thanks to you.

1239
01:07:11,900 --> 01:07:13,460
Male. Male.

1240
01:07:14,240 --> 01:07:19,380
Santiago hugs him. The towel falls to the
ground and Genaro remains paralyzed in the

1241
01:07:19,380 --> 01:07:24,820
dining room. Ladies and gentlemen, now a
tempie for everyone.

1242
01:07:25,740 --> 01:07:28,860
The waiters and the girls in the band
They approach a table.

1243
01:07:33,080 --> 01:07:36,980
Flora approaches Ángel, who
pour a glass of wine to the top.

1244
01:07:40,300 --> 01:07:41,300
And the good red.

1245
01:07:42,560 --> 01:07:43,700
You're not going to despise me.

1246
01:07:47,720 --> 01:07:49,340
Flora takes the cup and drinks.

1247
01:07:53,460 --> 01:07:55,020
Do you know where my nephew is?

1248
01:07:55,840 --> 01:07:56,920
I saw him go out into the street.

1249
01:07:57,540 --> 01:07:58,540
To the street to what?

1250
01:07:59,300 --> 01:08:00,360
I think to buy tobacco.

1251
01:08:01,100 --> 01:08:02,100
Buy tobacco?

1252
01:08:02,720 --> 01:08:04,480
And why are you so happy?

1253
01:08:04,840 --> 01:08:06,100
Because I'm going to be a father, Flora.

1254
01:08:07,220 --> 01:08:09,320
Angel moves away and goes to where he is.
Maria.

1255
01:08:10,390 --> 01:08:11,390
Daya. What's happening?

1256
01:08:11,530 --> 01:08:17,350
I can't run away leaving you alone with
the child

1257
01:08:17,630 --> 01:08:18,630
Angel, you have to do it.

1258
01:08:19,170 --> 01:08:20,550
What if the generals are changed?

1259
01:08:21,430 --> 01:08:24,270
Imagine that they blame you for the
escape and you cannot return. Listen to me.

1260
01:08:24,630 --> 01:08:26,029
You have to get to Endaya no matter what.

1261
01:08:26,910 --> 01:08:28,090
Endaya? Yes.

1262
01:08:29,290 --> 01:08:30,350
That is very far from Madrid.

1263
01:08:31,069 --> 01:08:32,069
In France.

1264
01:08:32,390 --> 01:08:35,609
My uncles, Manuela and Jean, live there.
-Pierre. And they have a bistro called

1265
01:08:35,609 --> 01:08:37,649
Dumb. Will you remember everything?

1266
01:08:38,470 --> 01:08:40,149
I'm not very good with names, anymore
you know it.

1267
01:08:42,029 --> 01:08:45,250
María takes a pen from a stand and
writes on Angel's hand.

1268
01:08:45,930 --> 01:08:47,609
Flora watches them from afar.

1269
01:08:48,950 --> 01:08:50,670
Chez Tontón.

1270
01:08:52,290 --> 01:08:53,590
Chez Tontón.

1271
01:08:55,890 --> 01:09:00,630
Manuela and Jean Pierre.

1272
01:09:01,689 --> 01:09:03,770
I will meet you there as soon as possible
I can, okay?

1273
01:09:04,350 --> 01:09:06,590
A man enters and whispers to Chapero.

1274
01:09:09,100 --> 01:09:10,100
play the lottery with you.

1275
01:09:10,819 --> 01:09:14,800
The bull gets us! The bull gets us!
Everyone to their positions now!

1276
01:09:17,080 --> 01:09:21,040
Santiago, Génaro and Chapero arrive at the
band girls room.

1277
01:09:22,040 --> 01:09:24,600
Ladies, go down please, we
catch the bull.

1278
01:09:25,160 --> 01:09:27,600
Maria. María wears a red dress.

1279
01:09:27,880 --> 01:09:28,880
You are divine.

1280
01:09:29,220 --> 01:09:33,420
When they take out the cake, sing Little Soldier
Spanish, which is the favorite song

1281
01:09:33,420 --> 01:09:35,040
leader How do you know?

1282
01:09:35,779 --> 01:09:37,000
I know many things, María.

1283
01:09:38,950 --> 01:09:40,729
Maria picks up something from the room.

1284
01:09:41,189 --> 01:09:44,870
Genaro pretends to say something to
Chapero, but he gives up and leaves.

1285
01:09:45,350 --> 01:09:46,890
María leaves in another direction.

1286
01:09:47,210 --> 01:09:51,590
In a hallway, Santiago arrives before the
Alonso's room and gestures to

1287
01:09:51,590 --> 01:09:52,590
Benitez.

1288
01:09:53,189 --> 01:09:55,350
At your service, my lieutenant. will not see
to Mr. Alonso.

1289
01:09:55,650 --> 01:09:58,050
It can't be done. If possible. He's busy.

1290
01:09:58,790 --> 01:09:59,930
I don't care how he is.

1291
01:10:02,250 --> 01:10:04,930
Santiago knocks on the door at the same time
Benitez leaves.

1292
01:10:08,240 --> 01:10:09,240
With your permission.

1293
01:10:09,960 --> 01:10:11,780
Lieutenant Medina with news. Mister.

1294
01:10:13,900 --> 01:10:16,280
Mister. Santiago looks at his watch.

1295
01:10:16,800 --> 01:10:19,540
Alonso opens the doors dressed in a
inner shirt.

1296
01:10:20,820 --> 01:10:21,820
What the hell is happening?

1297
01:10:22,080 --> 01:10:23,080
Franco is arriving.

1298
01:10:23,400 --> 01:10:24,860
That's impossible, it's not time yet.

1299
01:10:25,060 --> 01:10:26,060
He's on his way, sir.

1300
01:10:27,560 --> 01:10:28,560
Not everything arrived.

1301
01:10:29,460 --> 01:10:30,600
Always the same, damn.

1302
01:10:31,160 --> 01:10:32,900
Alonso walks away towards the bedroom.

1303
01:10:34,900 --> 01:10:36,800
If he doesn't give a damn, he won't be happy.

1304
01:10:37,830 --> 01:10:42,190
Santiago enters slowly while
contemplates on a chair the dress of

1305
01:10:42,190 --> 01:10:43,190
from Luchi.

1306
01:10:43,750 --> 01:10:44,430
and what

1307
01:10:44,430 --> 01:10:58,250
ago

1308
01:10:58,250 --> 01:10:59,250
your wife here?

1309
01:10:59,770 --> 01:11:01,010
That's what I say.

1310
01:11:01,390 --> 01:11:03,470
This is a generals' dinner. Are you
General?

1311
01:11:03,810 --> 01:11:04,810
No, of course not.

1312
01:11:05,110 --> 01:11:06,550
Then you are not invited to the
dinner.

1313
01:11:07,720 --> 01:11:08,559
No, sir.

1314
01:11:08,560 --> 01:11:09,560
And neither does his wife?

1315
01:11:10,220 --> 01:11:12,940
Yeah, but the dress... What bitch has
given with the dress? Well take the

1316
01:11:12,940 --> 01:11:15,920
dress and wear it if you feel like it.
But come on, Franco is about to

1317
01:11:15,920 --> 01:11:17,480
arrive or has he not found out. Yeah,
Sir.

1318
01:11:18,780 --> 01:11:22,620
Come on! Santiago remains motionless
looking at the bedroom. Fight!

1319
01:11:25,720 --> 01:11:26,720
Medina?

1320
01:11:26,980 --> 01:11:27,980
Luchi!

1321
01:11:28,920 --> 01:11:30,100
Has Medina given you an order?

1322
01:11:31,380 --> 01:11:32,380
Luchi!

1323
01:11:33,720 --> 01:11:35,820
Look. Alonso takes his gun.

1324
01:11:36,340 --> 01:11:37,340
Me...

1325
01:11:45,410 --> 01:11:47,370
He points at his face.

1326
01:11:48,070 --> 01:11:52,970
Santiago looks at him intently while
tightens lips and puffs out

1327
01:11:52,970 --> 01:11:54,270
repressing his fury.

1328
01:11:54,570 --> 01:11:59,010
Shortly, he walks down the hallway where
There are Genaro, Benítez and Chapero.

1329
01:12:02,130 --> 01:12:04,450
He pulls out his gun while looking towards him.
forehead.

1330
01:12:17,800 --> 01:12:23,340
In the locker room, a voice emerges from the
closet.

1331
01:12:30,840 --> 01:12:32,900
Genaro enters the kitchen with Santiago.

1332
01:12:38,940 --> 01:12:39,940
Gentlemen, how are you?

1333
01:12:40,660 --> 01:12:41,880
How are you, buddy? The soup?

1334
01:12:42,640 --> 01:12:43,640
Do you want to try it?

1335
01:12:44,260 --> 01:12:45,440
The lieutenant is going to test it.

1336
01:12:45,940 --> 01:12:47,240
Marching a bowl of soup? No.

1337
01:12:47,720 --> 01:12:48,720
Marching?

1338
01:12:49,380 --> 01:12:51,000
No, it's not necessary.

1339
01:12:51,220 --> 01:12:51,999
It is needed.

1340
01:12:52,000 --> 01:12:53,000
Lieutenant, it's necessary.

1341
01:12:53,680 --> 01:12:56,740
You need to take a break. By
Please make my case.

1342
01:12:57,180 --> 01:12:59,160
Don't do this to me now, please.

1343
01:12:59,660 --> 01:13:01,640
Sit down. Sit down. It's not me.

1344
01:13:03,000 --> 01:13:04,000
Please.

1345
01:13:05,020 --> 01:13:06,520
Some cutlery for the lieutenant.

1346
01:13:07,040 --> 01:13:09,600
I am now in... Listen to me.

1347
01:13:09,940 --> 01:13:13,220
The man carries the entire holy day without
try a bite

1348
01:13:13,440 --> 01:13:15,620
Please, Vlad, some eggs.

1349
01:13:15,860 --> 01:13:17,580
Archando. Angel, came.

1350
01:13:17,920 --> 01:13:20,040
Please. Go. Don't miss anything.

1351
01:13:21,160 --> 01:13:23,040
Nando, could it be a serving of
beef?

1352
01:13:23,360 --> 01:13:25,460
Very good, with the potatoes. Very good.

1353
01:13:26,180 --> 01:13:27,180
Che, che, che, che.

1354
01:13:29,400 --> 01:13:31,020
Come, rest.

1355
01:13:31,660 --> 01:13:32,680
Angel, pour wine.

1356
01:13:33,160 --> 01:13:34,160
Che.

1357
01:13:36,940 --> 01:13:38,140
Angel moves away.

1358
01:13:38,420 --> 01:13:40,360
Santiago looks at the plates on the table.

1359
01:13:42,400 --> 01:13:44,580
The pains with bread are less, my
lieutenant.

1360
01:13:46,420 --> 01:13:48,520
The cooks observe Santiago.

1361
01:13:49,300 --> 01:13:51,540
He takes a spoon and tastes the soup.

1362
01:13:51,980 --> 01:13:53,680
Genaro remains standing behind him.

1363
01:14:00,500 --> 01:14:05,000
Santiago tastes the soup. Take the
knife and fork and try the

1364
01:14:13,320 --> 01:14:15,040
Genaro looks at him expectantly.

1365
01:14:15,540 --> 01:14:19,500
From his seat, Santiago returns to
look towards the cooks

1366
01:14:19,500 --> 01:14:20,500
while swallowing.

1367
01:14:20,800 --> 01:14:23,060
He cuts a piece of meat and takes it to
the mouth

1368
01:14:28,880 --> 01:14:31,700
Chew facing forward and
lean back in the chair.

1369
01:14:35,160 --> 01:14:36,760
Look at the wine glass.

1370
01:14:37,020 --> 01:14:41,680
He looks at Genaro withdrawn and takes a drink.
uncomfortable under the attention of others.

1371
01:14:47,990 --> 01:14:51,710
Put down the glass, finish swallowing, and come back.
to look at the cooks.

1372
01:14:56,210 --> 01:15:02,930
I want to congratulate you for what you have done
today.

1373
01:15:04,910 --> 01:15:09,170
Very few people would have been able
to do something like that under these conditions.

1374
01:15:09,290 --> 01:15:15,390
This is much more than I asked for.

1375
01:15:15,930 --> 01:15:17,350
Santiago stands up.

1376
01:15:17,850 --> 01:15:21,310
This is top notch,
very first

1377
01:15:21,810 --> 01:15:23,230
Genaro smiles.

1378
01:15:23,570 --> 01:15:25,870
They can be very proud of the work
what they have done.

1379
01:15:26,590 --> 01:15:28,270
Bravo. Bravo.

1380
01:15:29,950 --> 01:15:32,250
Santiago congratulates Genaro.

1381
01:15:32,990 --> 01:15:33,990
Bravo.

1382
01:15:35,390 --> 01:15:36,390
Very good.

1383
01:15:38,430 --> 01:15:39,430
Good job.

1384
01:15:41,230 --> 01:15:42,870
Chapero enters applauding.

1385
01:15:43,350 --> 01:15:44,350
Very good.

1386
01:15:44,950 --> 01:15:45,990
Franco, my lieutenant.

1387
01:15:46,350 --> 01:15:47,350
Franc.

1388
01:15:50,950 --> 01:15:54,070
Santiago, Chapero and Genaro leave the
kitchen.

1389
01:16:01,470 --> 01:16:01,990
Santiago

1390
01:16:01,990 --> 01:16:11,930
discover

1391
01:16:11,930 --> 01:16:14,730
on a table a card with the name of
Luchi of Medina.

1392
01:16:15,240 --> 01:16:17,840
He takes it in his hand and crumples it with a gesture
angry.

1393
01:16:20,280 --> 01:16:22,240
Luchi enters and stops in front of him.

1394
01:16:22,860 --> 01:16:24,340
Genaro contemplates the scene.

1395
01:16:24,960 --> 01:16:27,880
Santiago grabs his wife by the arm and
takes her aside.

1396
01:16:41,640 --> 01:16:42,640
They leave the room.

1397
01:16:45,000 --> 01:16:48,020
I know you don't believe me. But what I have
done, I have done it for you.

1398
01:16:48,540 --> 01:16:49,540
For both of us. Go away.

1399
01:16:50,360 --> 01:16:51,820
That without me you are nobody, Santiago.

1400
01:16:52,520 --> 01:16:56,020
Santiago takes off the ring from his finger and
He leaves it on the reception desk.

1401
01:16:57,440 --> 01:16:58,440
Go away. Already.

1402
01:16:59,360 --> 01:17:02,260
Look, I would sleep with the devil himself
to get out of this misery.

1403
01:17:02,600 --> 01:17:03,660
On the other hand, what do you do?

1404
01:17:04,220 --> 01:17:05,220
Nothing.

1405
01:17:05,500 --> 01:17:06,500
Go away, please.

1406
01:17:06,820 --> 01:17:07,820
Medina!

1407
01:17:08,720 --> 01:17:09,720
The anthem!

1408
01:17:10,040 --> 01:17:11,880
A crowd gathers at the door.

1409
01:17:12,320 --> 01:17:14,980
Luchi picks up the alliance and goes towards the
exit.

1410
01:17:17,120 --> 01:17:20,880
A car escorted by two motorcycles
He stops at the hotel entrance.

1411
01:17:21,640 --> 01:17:24,320
Luchi looks seriously at Santiago and walks
to the door.

1412
01:17:25,080 --> 01:17:28,540
Franco's wife smiles from the
inside the car and leaves.

1413
01:17:30,060 --> 01:17:32,120
General Franco gets out of the vehicle.

1414
01:17:32,600 --> 01:17:37,280
Greet Alonso by raising your right arm
and he responds with the same gesture.

1415
01:17:37,380 --> 01:17:40,200
Franco leaves while Luchi leaves.
approaches Alonso.

1416
01:17:42,780 --> 01:17:47,220
Two soldiers pull Luchi away toward the
crowd

1417
01:17:47,500 --> 01:17:54,480
Alonso composes himself

1418
01:17:54,480 --> 01:17:57,280
the jacket, looks at Luchi and smiles
haughty

1419
01:17:57,740 --> 01:17:59,340
Luchi cries in the crowd.

1420
01:17:59,640 --> 01:18:00,700
Inside.

1421
01:18:02,090 --> 01:18:03,090
The anthem.

1422
01:18:03,950 --> 01:18:05,530
Genaro approaches Santiago.

1423
01:18:06,590 --> 01:18:07,950
Sorry. The anthem.

1424
01:18:08,570 --> 01:18:10,510
Maria, the hymn, please.

1425
01:18:14,870 --> 01:18:15,870
The other, Maria.

1426
01:18:16,630 --> 01:18:17,630
Sorry.

1427
01:18:18,430 --> 01:18:19,650
The royal march.

1428
01:18:27,790 --> 01:18:29,450
Genaro looks askance at Santiago.

1429
01:18:30,160 --> 01:18:32,300
Flora shakes her head, contemplating the
band.

1430
01:18:37,760 --> 01:18:38,760
Luck.

1431
01:18:39,860 --> 01:18:40,860
Genaro.

1432
01:18:43,620 --> 01:18:44,620
Luck comes to me.

1433
01:18:45,660 --> 01:18:46,660
They look ahead.

1434
01:18:47,080 --> 01:18:49,760
Above the band hangs a tapestry with the
shield of Spain.

1435
01:18:50,420 --> 01:18:52,060
Genaro snaps his fingers.

1436
01:18:52,640 --> 01:18:53,980
Santiago checks the list.

1437
01:18:54,180 --> 01:18:57,140
The waiters begin to pour wine
the diners.

1438
01:19:02,760 --> 01:19:05,320
Flora looks towards the living room with her arms
located behind.

1439
01:19:05,840 --> 01:19:07,560
Maria starts singing.

1440
01:19:18,600 --> 01:19:21,460
Flora discreetly hides behind a
column.

1441
01:19:21,680 --> 01:19:23,840
He takes out a flask and takes a drink.

1442
01:19:30,350 --> 01:19:34,110
Ángel approaches Franco without turning away
sight of Mary and begins to serve her

1443
01:19:34,110 --> 01:19:35,029
wine.

1444
01:19:35,030 --> 01:19:38,230
Franco covers the glass with his hand and
drink falls on it.

1445
01:19:38,930 --> 01:19:40,530
Genaro looks worried.

1446
01:19:41,350 --> 01:19:44,150
Sorry, they had told us that
We served wine for toasts.

1447
01:19:44,430 --> 01:19:45,430
What do you toast?

1448
01:19:45,490 --> 01:19:46,490
Long live Franco!

1449
01:19:46,650 --> 01:19:47,650
Viva!

1450
01:19:47,970 --> 01:19:49,110
Ángel dries his hand.

1451
01:19:50,150 --> 01:19:51,950
Hello, serve you a little more.

1452
01:19:52,210 --> 01:19:53,650
You're not going to toast with water, Paco.

1453
01:19:55,390 --> 01:19:56,730
Long live the Spanish army!

1454
01:19:57,150 --> 01:19:58,150
Viva!

1455
01:19:58,430 --> 01:19:59,430
Viva!

1456
01:20:00,170 --> 01:20:01,410
Franco and Carmen drink.

1457
01:20:01,830 --> 01:20:03,370
Flora narrows her eyes.

1458
01:20:03,710 --> 01:20:06,050
He scans the room with his eyes and
set aside

1459
01:20:14,070 --> 01:20:16,230
Angel continues enthralled looking at
Maria.

1460
01:20:16,490 --> 01:20:17,710
The soup?

1461
01:20:19,130 --> 01:20:20,130
Very cool.

1462
01:20:22,310 --> 01:20:24,810
Franco looks at him strangely and looks at
Carmen.

1463
01:20:25,150 --> 01:20:28,790
In the kitchen hallway, Epifanio
urine in a tureen.

1464
01:20:29,240 --> 01:20:30,240
Nando approaches.

1465
01:20:31,700 --> 01:20:37,720
The waiters collect the tureens.

1466
01:20:38,480 --> 01:20:40,280
Epifanio approaches one of them.

1467
01:20:43,900 --> 01:20:50,120
The cook places the silver tureen on
a tray and leaves the kitchen.

1468
01:20:57,200 --> 01:20:59,920
In the living room, the waiter serves soup to
Franco.

1469
01:21:04,780 --> 01:21:07,260
Franco scoops up soup with his spoon and
blows.

1470
01:21:07,660 --> 01:21:10,960
Santiago and Genaro watch him attentively.
from one end of the room.

1471
01:21:11,420 --> 01:21:14,440
A priest and a bishop look at him from
their seats.

1472
01:21:14,940 --> 01:21:17,680
After tasting the soup, Franco looks at his
wife.

1473
01:21:21,260 --> 01:21:22,440
Genaro smiles.

1474
01:21:22,680 --> 01:21:23,820
Santiago looks at him seriously.

1475
01:21:26,870 --> 01:21:27,870
Hey?

1476
01:21:28,170 --> 01:21:29,170
Saffron.

1477
01:21:29,990 --> 01:21:32,330
Franco nods and fills his spoon with
new.

1478
01:21:34,610 --> 01:21:35,670
I already touch cheek.

1479
01:21:36,210 --> 01:21:37,530
Angel enters the kitchen.

1480
01:21:38,450 --> 01:21:40,030
I loved the soup, the culona.

1481
01:21:42,510 --> 01:21:44,970
Come, come, come! This would already have
to be plated.

1482
01:21:45,670 --> 01:21:47,270
Juana approaches Ángel.

1483
01:21:48,030 --> 01:21:49,030
Come on,

1484
01:21:50,630 --> 01:21:54,130
The beef, how is it? In the locker room.

1485
01:21:54,930 --> 01:21:55,930
Nephew!

1486
01:21:58,980 --> 01:22:00,940
Flora goes to the closet.

1487
01:22:03,080 --> 01:22:05,260
Rubio, you're here.

1488
01:22:08,180 --> 01:22:11,400
Flora tries to open the lock. In the
living room.

1489
01:22:11,920 --> 01:22:12,920
Up Spain!

1490
01:22:13,180 --> 01:22:14,180
Always up!

1491
01:22:14,620 --> 01:22:15,820
Everyone toasts.

1492
01:22:19,280 --> 01:22:20,320
Allow me, gentleman.

1493
01:22:22,020 --> 01:22:24,780
Alonso gets up from his table and walks
towards Santiago.

1494
01:22:31,940 --> 01:22:33,020
Very good, Medina.

1495
01:22:33,920 --> 01:22:37,300
If things continue like this, I will recommend
so that he stays in Madrid, in the

1496
01:22:37,300 --> 01:22:38,320
of San Cristóbal with me.

1497
01:22:40,360 --> 01:22:41,360
Have you heard me?

1498
01:22:43,100 --> 01:22:47,420
Even with a little luck
I might get you an apartment on the street

1499
01:22:47,420 --> 01:22:48,420
Ferraz.

1500
01:22:48,720 --> 01:22:50,100
So we could be neighbors.

1501
01:22:52,340 --> 01:22:54,440
I'm sure your wife thinks it's an idea.
fantastic.

1502
01:22:56,210 --> 01:22:57,830
Alonso leaves smiling.

1503
01:22:58,510 --> 01:23:01,330
Santiago remains motionless, looking at him with
contained gesture.

1504
01:23:02,390 --> 01:23:05,610
Genaro addresses Carmen Polo. all to
your taste, madam.

1505
01:23:05,910 --> 01:23:10,050
The soup is excellent, but the orchestra
With so many men it doesn't seem like your thing to me.

1506
01:23:10,390 --> 01:23:12,670
They are all conservatory music. No
I say no.

1507
01:23:12,930 --> 01:23:13,930
And from the women's section.

1508
01:23:14,270 --> 01:23:15,410
Carmen looks at him seriously.

1509
01:23:16,610 --> 01:23:19,010
Is it okay with you if we go
already taking out the eggs?

1510
01:23:19,630 --> 01:23:22,270
We have been releasing them since the 18th.
July.

1511
01:23:22,730 --> 01:23:24,650
Flora breaks the lock with a hammer.

1512
01:23:30,750 --> 01:23:36,750
In the lounge, the waiters remain
standing behind the tables holding the

1513
01:23:36,750 --> 01:23:37,750
dishes.

1514
01:23:42,870 --> 01:23:44,630
They serve the dishes to the diners.

1515
01:23:45,090 --> 01:23:47,670
Franco and Carmen look at each other and begin to
eat.

1516
01:23:48,250 --> 01:23:52,470
Outside in the lobby, Chaperó dances to the
beat of the music while smoking a

1517
01:23:52,470 --> 01:23:53,470
joint.

1518
01:23:55,210 --> 01:23:59,170
In the locker room, Flora holds the blonde
that staggers with its head and

1519
01:23:59,170 --> 01:24:00,310
bloody shirt.

1520
01:24:04,690 --> 01:24:07,390
Honey, honey, you have to see a
doctor.

1521
01:24:08,210 --> 01:24:09,210
Wait.

1522
01:24:09,750 --> 01:24:13,370
If they don't catch this gap, they will
get the brains out

1523
01:24:13,610 --> 01:24:16,030
The blonde picks up the hammer. In the kitchen.

1524
01:24:16,330 --> 01:24:18,390
There are ten eggs.

1525
01:24:18,810 --> 01:24:20,150
Happiness. We take out the beef.

1526
01:24:20,350 --> 01:24:22,450
Hears, gentlemen, we take out the veal.

1527
01:24:22,910 --> 01:24:23,910
Juana.

1528
01:24:24,360 --> 01:24:25,840
Juana leaves the pantry.

1529
01:24:30,140 --> 01:24:31,140
Are we ready?

1530
01:24:31,420 --> 01:24:32,520
Everything is prepared.

1531
01:24:34,980 --> 01:24:37,660
What you asked me before, because I have
changed my mind.

1532
01:24:40,020 --> 01:24:42,360
In Franco's Spain there is no place for
someone like me

1533
01:24:43,040 --> 01:24:44,460
Juana kisses him on the cheek.

1534
01:24:44,920 --> 01:24:48,780
In the locker room, the blonde walks towards
the exit wielding the hammer.

1535
01:24:49,700 --> 01:24:50,740
Rubio, where are you going?

1536
01:24:51,440 --> 01:24:55,100
Where are you going that you can't go out like this
in front of everyone?

1537
01:24:57,040 --> 01:24:58,680
The blonde gets away from her.

1538
01:24:59,020 --> 01:25:02,940
Flora falls into the showers, leaving
unconscious, as he leaves.

1539
01:25:07,440 --> 01:25:10,320
In the dining room, the diners continue
having dinner

1540
01:25:10,680 --> 01:25:14,720
Franco makes a frown with his hand
Alonso and he gets up and walks towards

1541
01:25:21,890 --> 01:25:24,170
He pushes Angel away and
tilt.

1542
01:25:24,730 --> 01:25:27,190
Santiago observes them seriously from the
background of the living room.

1543
01:25:27,570 --> 01:25:29,290
Genaro arrives and stops next to him.

1544
01:25:31,810 --> 01:25:33,270
Long live Mrs. Carmen Polo!

1545
01:25:33,590 --> 01:25:34,590
Viva!

1546
01:25:35,330 --> 01:25:37,350
We're almost there.

1547
01:25:37,690 --> 01:25:38,970
All you need to do is take out the cake.

1548
01:25:40,610 --> 01:25:41,890
Alonso approaches them.

1549
01:25:43,190 --> 01:25:46,830
Franco wants to congratulate the chefs.
As soon as they give way to dessert they have

1550
01:25:46,830 --> 01:25:49,070
entered the kitchen to greet them
congratulations personally.

1551
01:25:49,670 --> 01:25:50,670
My diperos!

1552
01:25:51,540 --> 01:25:54,660
Alonso looks at them menacingly, raising a
finger and leaves.

1553
01:25:56,260 --> 01:25:57,480
It's reckless.

1554
01:25:58,380 --> 01:26:00,700
They are red. Anything can happen.

1555
01:26:02,000 --> 01:26:04,000
Franco doesn't have to go into the kitchen.

1556
01:26:05,600 --> 01:26:09,420
Genaro leaves. Santiago remains
standing looking seriously ahead.

1557
01:26:09,860 --> 01:26:10,980
In the kitchen.

1558
01:26:11,620 --> 01:26:12,760
The cake, Juana.

1559
01:26:14,400 --> 01:26:15,540
Give him the cake!

1560
01:26:15,820 --> 01:26:18,680
Let's see, we need help, this is heavy.
a lot, huh?

1561
01:26:21,740 --> 01:26:25,240
The three soldiers of the Moravian Guard
They look and nod.

1562
01:26:28,140 --> 01:26:33,460
The soldiers go to the pantry,
where are the cooks with the cake.

1563
01:26:36,100 --> 01:26:37,100
They go inside.

1564
01:26:37,620 --> 01:26:42,180
Nando, Blas and Epifanio hold them down and
place a cloth with chloroform in the

1565
01:26:42,180 --> 01:26:43,180
face.

1566
01:26:45,460 --> 01:26:47,840
In the living room, Ángel turned to Franco.

1567
01:26:48,440 --> 01:26:51,900
He raises his eyes and reads in his hand the
note that María pointed out to him.

1568
01:26:52,480 --> 01:26:57,900
The cup is filled to the brim and
Angel moves away. In the kitchen, the

1569
01:26:57,900 --> 01:26:59,760
cooks take the cake out of the pantry.

1570
01:27:03,880 --> 01:27:05,620
Epifanio struggles with a guard.

1571
01:27:09,320 --> 01:27:16,180
The blonde arrives at

1572
01:27:16,180 --> 01:27:17,600
hall with hammer in hand.

1573
01:27:21,390 --> 01:27:25,450
And now, taking advantage of the fact that the
dessert, this humble orchestra wants

1574
01:27:25,450 --> 01:27:27,750
offer the generalissimo one of his
favorite songs.

1575
01:27:28,530 --> 01:27:33,370
For your excellency, your distinguished
wife, and for all the saviors of

1576
01:27:33,370 --> 01:27:38,190
homeland and its companions, the piece
immortal of Don Jacinto Guerrero,

1577
01:27:38,190 --> 01:27:42,930
Spanish. Alonso notices the blonde,
bursting between the tables, and

1578
01:27:42,930 --> 01:27:43,930
taking out his gun.

1579
01:27:44,750 --> 01:27:45,750
Son of a bitch!

1580
01:27:47,330 --> 01:27:49,190
The blonde walks towards Ángel.

1581
01:27:49,550 --> 01:27:51,230
Santiago takes a few steps forward.

1582
01:27:54,810 --> 01:27:57,830
Alonso and several generals shoot the
blonde on the chest.

1583
01:27:58,350 --> 01:28:02,670
Genaro and the cooks, already dressed in
street clothes, they look alertly towards the

1584
01:28:02,670 --> 01:28:03,670
kitchen door.

1585
01:28:05,150 --> 01:28:09,410
The blonde slowly falls dejected into the
center of the room with the hammer in the

1586
01:28:11,970 --> 01:28:14,130
Franco observes the scene without getting upset.

1587
01:28:14,590 --> 01:28:16,350
María fixes her gaze on Ángel.

1588
01:28:16,700 --> 01:28:19,160
hidden behind a flowerpot with a face
dislocated

1589
01:28:19,760 --> 01:28:22,680
Santiago and Chapero look shocked
from their sites.

1590
01:28:23,000 --> 01:28:24,960
Alonso remains with the gun in his hand.
hand.

1591
01:28:27,440 --> 01:28:29,200
Santiago sits up slowly.

1592
01:28:29,520 --> 01:28:32,700
Genaro leaves the kitchen and stays
looking bewildered.

1593
01:28:33,140 --> 01:28:34,800
María looks at him from afar.

1594
01:28:38,480 --> 01:28:40,920
Genaro turns around and returns to the
kitchen.

1595
01:28:41,500 --> 01:28:44,120
Paco. Carmen makes a gesture with her face.

1596
01:29:04,560 --> 01:29:06,720
Chapero walks stumbling towards the
kitchen.

1597
01:29:08,780 --> 01:29:11,820
Several soldiers carry the body of the
blonde and they take him away.

1598
01:29:17,650 --> 01:29:22,470
Chapero enters the kitchen
staggering. Look around and

1599
01:29:22,470 --> 01:29:23,470
several stories high.

1600
01:29:23,830 --> 01:29:26,330
He dips his finger in the cream and takes it to
the mouth

1601
01:29:27,210 --> 01:29:31,190
Epifanio leaves Genaro's office
closing his coat, followed by the

1602
01:29:31,570 --> 01:29:32,570
What are you doing?

1603
01:29:33,230 --> 01:29:34,510
And where the hell are you?

1604
01:29:35,690 --> 01:29:37,690
Me at home, it's already very late.

1605
01:29:38,230 --> 01:29:40,030
What's the hurry, man?

1606
01:29:40,250 --> 01:29:41,770
The last one also leaves at ten.

1607
01:29:44,070 --> 01:29:45,070
The cake?

1608
01:29:45,330 --> 01:29:46,570
Who is going to take out the cake?

1609
01:29:47,799 --> 01:29:50,200
What if you take it out? I!

1610
01:29:52,420 --> 01:29:54,760
¡And, and, and!

1611
01:29:55,140 --> 01:29:56,720
¡And, and, and! ¡And, and, and! ¡And, and, and!

1612
01:29:57,340 --> 01:30:00,620
¡And, and, and! ¡And, and, and! ¡And, and, and!
¡And, and, and! And,

1613
01:30:00,620 --> 01:30:09,720
and,

1614
01:30:09,720 --> 01:30:12,060
and!

1615
01:30:12,920 --> 01:30:16,500
He hits him on the head with a frying pan and
Chapero falls on the cake.

1616
01:30:29,220 --> 01:30:32,680
Genaro watches while everyone goes down the
the laundry chute.

1617
01:30:33,180 --> 01:30:36,300
Angel walks quickly through the living room
direction to the kitchen.

1618
01:30:36,640 --> 01:30:38,460
María watches him from the stage.

1619
01:30:38,940 --> 01:30:41,360
Santiago and Alonso look at him with
suspicion

1620
01:30:42,000 --> 01:30:45,600
Ángel enters the kitchen and finds
Chapero collapsed on the cake.

1621
01:30:46,520 --> 01:30:48,440
Angel, Angel, Angel.

1622
01:30:48,980 --> 01:30:50,400
Let's go, let's go, let's go.

1623
01:30:50,680 --> 01:30:51,318
What has happened?

1624
01:30:51,320 --> 01:30:52,139
It's the same.

1625
01:30:52,140 --> 01:30:55,760
They have killed the blonde. I wasn't
already dead He has died twice. Hey?

1626
01:30:56,620 --> 01:30:58,840
Santiago remains thoughtful in the
living room.

1627
01:31:00,460 --> 01:31:01,920
Girls, sweet.

1628
01:31:03,680 --> 01:31:05,360
Santiago walks towards the kitchen.

1629
01:31:05,640 --> 01:31:07,200
Maria starts singing.

1630
01:31:11,130 --> 01:31:15,970
Genaro throws his coat down the pipe
from the laundry. Genaro stays

1631
01:31:15,970 --> 01:31:20,790
paralyzed. Santiago enters the kitchen
and discovers Chapero collapsed on the

1632
01:31:20,790 --> 01:31:24,850
cake He holds him by the neck
jacket and lifts it slightly.

1633
01:31:26,430 --> 01:31:30,730
Genaro remains motionless, looking at him from
the hallway.

1634
01:31:31,010 --> 01:31:34,750
Genaro escapes while Santiago goes towards
the pantry

1635
01:31:35,890 --> 01:31:40,070
Santiago finds the soldiers of the
Guardia Mora unconscious on the ground.

1636
01:31:40,700 --> 01:31:44,540
Genaro descends the ramp of the
laundry and begins to change clothes

1637
01:31:44,540 --> 01:31:45,540
with Angel.

1638
01:31:45,980 --> 01:31:48,940
Santiago walks bewildered toward the
center of the kitchen.

1639
01:31:52,280 --> 01:31:57,820
Little Spanish soldier, brave little soldier,

1640
01:31:57,960 --> 01:32:04,840
the pride of the sun is to kiss you

1641
01:32:04,840 --> 01:32:05,840
the forehead

1642
01:32:05,920 --> 01:32:09,740
Santiago crumples the list he carries in his
hand. The victory was yours.

1643
01:32:21,779 --> 01:32:24,120
Santiago runs across the room toward the
street.

1644
01:32:24,680 --> 01:32:26,340
Alonso looks at him suspiciously.

1645
01:32:45,300 --> 01:32:47,320
Genaro and the others arrive at the warehouse.

1646
01:32:50,040 --> 01:32:53,640
Genaro opens it and everyone runs towards the
door of the passage that communicates with the

1647
01:32:53,640 --> 01:32:54,640
church.

1648
01:32:58,980 --> 01:33:01,080
Flora arrives and discovers them escaping.

1649
01:33:06,160 --> 01:33:10,160
In the church everyone walks at a slow pace
and stealthy with Epifanio at the head.

1650
01:33:19,860 --> 01:33:24,120
In the winery Flora staggers forward
to the table where there are two glasses of

1651
01:33:24,120 --> 01:33:25,960
came served and sits down.

1652
01:33:29,220 --> 01:33:32,520
Take one of the glasses and drink while watching
towards the door of the passage.

1653
01:33:33,280 --> 01:33:37,300
Genaro and the rest stealthily cross between
the church pews to the other

1654
01:33:37,300 --> 01:33:38,300
side of the ship.

1655
01:33:44,120 --> 01:33:46,080
Genaro stumbles and everyone stops.

1656
01:33:46,660 --> 01:33:49,700
They then continue running until
get to the other end.

1657
01:33:54,140 --> 01:33:57,500
They hug each other.

1658
01:34:03,820 --> 01:34:04,820
And now what do we do?

1659
01:34:05,280 --> 01:34:06,680
We're going to Chet, fool.

1660
01:34:07,300 --> 01:34:08,300
I'm going to Teat.

1661
01:34:09,020 --> 01:34:10,020
Here my mother.

1662
01:34:10,680 --> 01:34:11,920
I have a cousin in Poland.

1663
01:34:12,240 --> 01:34:13,240
He lives in Auschwitz.

1664
01:34:13,780 --> 01:34:15,200
I think it is a very beautiful town.

1665
01:34:16,240 --> 01:34:17,420
Everyone looks at Blas.

1666
01:34:19,580 --> 01:34:20,580
Yes.

1667
01:34:22,440 --> 01:34:23,640
May God distribute luck.

1668
01:34:24,160 --> 01:34:25,460
But you believe in God, Juan.

1669
01:34:25,900 --> 01:34:26,679
Maybe yes.

1670
01:34:26,680 --> 01:34:27,780
You have to believe, yes.

1671
01:34:29,020 --> 01:34:30,720
They hug each other.

1672
01:34:35,920 --> 01:34:36,920
Goodbye, Blas.

1673
01:34:37,580 --> 01:34:39,560
Come on. Good luck, Ed. Come with me,
patience

1674
01:34:39,940 --> 01:34:40,940
Come on.

1675
01:34:41,100 --> 01:34:42,480
Ángel approaches Genaro.

1676
01:34:42,960 --> 01:34:46,420
Maria? Maria meets you at Chet
-on -pon. Hey?

1677
01:34:47,940 --> 01:34:49,840
Maria is going to be with you right away, no
you worry

1678
01:34:50,500 --> 01:34:51,500
She's smart, right?

1679
01:34:52,180 --> 01:34:53,180
Like me.

1680
01:34:54,140 --> 01:34:55,140
Run to your mother.

1681
01:34:55,740 --> 01:34:57,240
They kiss each other on the cheeks.

1682
01:34:57,960 --> 01:34:58,960
Thank you.

1683
01:34:59,640 --> 01:35:01,740
Ángel leaves, leaving Genaro alone.

1684
01:35:02,360 --> 01:35:04,280
He slowly advances towards the threshold.

1685
01:35:04,660 --> 01:35:08,600
He looks both ways and walks away.
down the street while putting on a

1686
01:35:08,600 --> 01:35:12,920
hat. Santiago runs towards him.

1687
01:35:31,530 --> 01:35:32,530
Let's go!

1688
01:35:35,310 --> 01:35:38,910
Santiago takes out his gun and points it at him.

1689
01:35:39,770 --> 01:35:41,270
Genaro looks at him motionless.

1690
01:35:43,810 --> 01:35:44,810
What are you going to do?

1691
01:35:45,750 --> 01:35:46,750
Give me a shot?

1692
01:35:48,010 --> 01:35:49,010
Santiago nods.

1693
01:35:49,250 --> 01:35:51,130
Were you going to be the first time in your life?
me?

1694
01:35:52,050 --> 01:35:53,050
Yes.

1695
01:35:55,590 --> 01:35:57,310
Medina, if you stay you are lost.

1696
01:36:01,569 --> 01:36:05,810
At the end of the street appears Alonso, the
who stops when he sees them.

1697
01:36:06,290 --> 01:36:09,610
Genaro notices him and brings his hands closer to
Santiago's gun.

1698
01:36:15,950 --> 01:36:18,210
Genaro shoots him and Alonso falls dead.

1699
01:36:25,470 --> 01:36:27,310
Genaro and Santiago run down the street.

1700
01:36:28,010 --> 01:36:31,030
Alonso's body lies motionless in the
ground in a pool of blood.

1701
01:36:31,670 --> 01:36:33,910
A rat approaches and drinks from it.

1702
01:36:34,510 --> 01:36:35,910
The image fades to black.

1703
01:36:37,330 --> 01:36:42,290
During the day, on a quiet street, a
poster with the label Xiatonton hangs

1704
01:36:42,290 --> 01:36:43,650
the entrance of a restaurant.

1705
01:36:44,010 --> 01:36:48,130
Nine months later, a black vehicle
stops at the door

1706
01:36:48,130 --> 01:36:49,130
establishment.

1707
01:36:50,050 --> 01:36:53,490
Two men in hats and raincoats
They get down and go to the door.

1708
01:36:54,110 --> 01:36:59,130
Inside are Santiago, Genaro,
María, Ángel, Juana, a baby and a couple of

1709
01:36:59,130 --> 01:37:00,130
people.

1710
01:37:00,510 --> 01:37:01,670
Long live the couples!

1711
01:37:03,210 --> 01:37:05,530
Let's see, here, everyone here.

1712
01:37:06,690 --> 01:37:09,690
A little to the right. A little bit to the
left.

1713
01:37:10,010 --> 01:37:11,010
There, perfect.

1714
01:37:11,210 --> 01:37:12,210
Smile.

1715
01:37:13,230 --> 01:37:14,430
Your best smile.

1716
01:37:14,870 --> 01:37:17,310
Come on. Santiago, come on.

1717
01:37:22,160 --> 01:37:23,880
everyone poses in front of a camera

1718
01:37:36,120 --> 01:37:37,900
Hey, ferme! How heavy!

1719
01:37:38,460 --> 01:37:42,420
The cake, the girl, the cake. Do you want a
little more? Yes, come on. Bring the

1720
01:37:42,420 --> 01:37:45,300
dishes, please. Yes, Jean-Pierre, for
Please bring and so we will serve.

1721
01:37:45,340 --> 01:37:46,340
How many are we in the end?

1722
01:37:46,480 --> 01:37:48,280
We can now give him so much joy. Let's see,

1723
01:37:49,040 --> 01:37:49,858
there we go.

1724
01:37:49,860 --> 01:37:50,960
Ajelillo? Okay.

1725
01:37:51,700 --> 01:37:52,920
Oh, how pretty!

1726
01:37:56,300 --> 01:37:57,440
It has turned out incredible.

1727
01:37:57,880 --> 01:37:58,880
Is Manuela yours?

1728
01:37:59,040 --> 01:38:00,040
Okay.

1729
01:38:07,509 --> 01:38:11,590
Genaro goes towards the entrance of the
restaurant and finds Santiago in

1730
01:38:11,590 --> 01:38:12,590
restless

1731
01:38:23,530 --> 01:38:27,690
Enter Franco, an officer with a mustache and
brown uniform and several soldiers.

1732
01:38:30,030 --> 01:38:31,530
Eggs at dawn for everyone.

1733
01:38:32,010 --> 01:38:33,970
Except for the fiure, who is vegetarian.

1734
01:38:37,490 --> 01:38:40,070
Genaro and Santiago look at each other seriously
to the other.

1735
01:38:42,570 --> 01:38:44,030
The image fades to black.

1736
01:38:44,750 --> 01:38:46,350
The credits appear.

1737
01:38:46,890 --> 01:38:48,330
Medina, Mario Cázar.

1738
01:38:48,730 --> 01:38:50,230
Genaro, Alberto San Juan.

1739
01:38:50,750 --> 01:38:52,350
Alonso, Aziede Cheandía.

1740
01:38:52,570 --> 01:38:54,250
María, Nora Hernández.

1741
01:38:54,710 --> 01:38:56,410
Angel, Oscar Lazarte.

1742
01:38:56,770 --> 01:38:58,290
Chapero, Martín Paez.

1743
01:38:58,860 --> 01:39:05,760
Juana Elvira Mínguez, Epifanio, Toni
Agustí, Blas, Ferran Gadea, Nando,

1744
01:39:05,760 --> 01:39:11,340
Ortiz, El Rubio, Carlos Serrano, Flora,
Carmen Balaguer, Luchi, Eva Ugarte,

1745
01:39:11,540 --> 01:39:18,040
Franco, Xavi Francés, Carmen Polo,
Gloria March, Antón, Antonio Recines,

1746
01:39:18,340 --> 01:39:24,680
Mustafa, Abdel Zenouzi, Assistant
Alonso, Rafa Valls, Doctor Beltrán,

1747
01:39:24,680 --> 01:39:28,260
Knight, Jail Command Sergeant,
Vincent Domingo.

1748
01:39:28,830 --> 01:39:34,890
Laura Chelo, Laura Bota, Sofía Pianist,
Sofía López, Violin Girl, Lourdes

1749
01:39:34,890 --> 01:39:40,870
Serrano, Double Bass Girl, Eva Serrano,
Guitar Girl, Ana Zomeno, Girl

1750
01:39:40,870 --> 01:39:47,770
Accordion, Isabel Latorre, Troop Officer
Sales, Enrique Galán, Hitler, David

1751
01:39:47,770 --> 01:39:50,450
Díaz, Recluso, Ulises Andrés Delgado.

1752
01:39:51,050 --> 01:39:55,410
On black background with white letters
titles continue to appear

1753
01:39:55,410 --> 01:39:56,410
credit.