1
00:00:08,379 --> 00:00:11,409
GUESS WHO JUST HAD THE BEST
TEAM AUSTIN AND ALLY MEETING.

2
00:00:11,412 --> 00:00:13,542
UH, WEREN'T YOU
FORGETTING SOMETHING?

3
00:00:15,416 --> 00:00:17,246
NO, WE HAD SNACKS.

4
00:00:17,248 --> 00:00:19,588
( laughs )
SO WHAT'D YOU GUYS TALK ABOUT?

5
00:00:19,590 --> 00:00:21,790
JUST THE GREATEST IDEA
OF ALL TIME.

6
00:00:21,792 --> 00:00:25,462
WE'RE GONNA MAKE OUR VERY OWN
AUSTIN AND ALLY MOVIE!

7
00:00:25,456 --> 00:00:26,626
THE RECORD LABEL THINKS

8
00:00:26,627 --> 00:00:27,757
IT'LL BE GREAT PUBLICITY
FOR YOUR CAREER.

9
00:00:27,758 --> 00:00:30,228
AND IT CAN BE MY BIG BREAK
AS A DIRECTOR.

10
00:00:30,231 --> 00:00:31,531
WE'RE GONNA MAKE
A ROCK-UMENTARY.

11
00:00:31,532 --> 00:00:33,402
YOU KNOW, LIKE THAT
KATY PERRY MOVIE.

12
00:00:33,404 --> 00:00:35,244
THAT MOVIE'S AWESOME!

13
00:00:35,236 --> 00:00:37,566
( clears throat )
OR AT LEAST THAT'S
WHAT I HEARD A GIRL SAY

14
00:00:37,568 --> 00:00:39,568
WHEN I WAS AT
THE THEATER WATCHING...

15
00:00:39,570 --> 00:00:42,210
( deep voice )
A MANLY ACTION MOVIE.

16
00:00:42,213 --> 00:00:43,543
OH, DID YOU SEE
THE MANLY ACTION MOVIE

17
00:00:43,544 --> 00:00:45,224
AFTER WE SAW
THE KATY PERRY MOVIE?

18
00:00:45,216 --> 00:00:47,216
- ( normal voice ) DEZ.
- ( mouthing )

19
00:00:47,218 --> 00:00:49,778
WELL, THE AUSTIN AND ALLY
MOVIE WILL BE EVEN BETTER.

20
00:00:49,780 --> 00:00:52,450
WE'RE GONNA RECREATE
THE BIGGEST MOMENTS
OF YOUR CAREER.

21
00:00:52,453 --> 00:00:54,763
WHEN YOU MET,
WHEN YOU FIRST GOT SIGNED...

22
00:00:54,755 --> 00:00:56,755
WHEN WE TOLD YOU WE'RE
DOING A ROCK-UMENTARY.

23
00:00:56,757 --> 00:00:58,527
WHEN-- WAIT, I SHOULD
BE FILMING THIS RIGHT NOW.

24
00:00:59,790 --> 00:01:02,560
ALLY, HOW DO YOU
FEEL ABOUT THIS?

25
00:01:02,563 --> 00:01:04,673
UM... WELL, I--
( stammering )

26
00:01:04,665 --> 00:01:06,435
CUT! PFFT!
AMATEUR.

27
00:01:07,798 --> 00:01:10,338
IT'S NOT TOO LATE
TO CAST ME IN THE ALLY ROLE.

28
00:01:12,703 --> 00:01:14,553
IT'S LIKE LOOKING
IN A MIRROR.

29
00:01:15,646 --> 00:01:16,846
HEY, IF WE'RE RECASTING,

30
00:01:16,847 --> 00:01:18,377
I WANT RYAN GOSLING
TO PLAY ME.

31
00:01:18,379 --> 00:01:20,679
NO, YOU GUYS ARE BOTH
PLAYING YOURSELVES.

32
00:01:20,681 --> 00:01:23,511
BUT NOT YOUR NORMAL,
BORING SELVES.

33
00:01:23,514 --> 00:01:25,294
WE'RE GONNA COMBINE

34
00:01:25,286 --> 00:01:26,616
DIFFERENT MOVIE STYLES.

35
00:01:26,617 --> 00:01:27,587
THIS ROCK-UMENTARY
IS GONNA HAVE

36
00:01:27,588 --> 00:01:29,188
THE EXCITEMENT
OF A THRILLER,

37
00:01:29,190 --> 00:01:30,690
( chuckling )
THE LAUGHS OF A COMEDY,

38
00:01:30,691 --> 00:01:32,691
AND THE BLOOD AND GUTS
OF A HORROR FILM!

39
00:01:32,693 --> 00:01:34,833
- WE SHOULD DO A SCENE
LIKE AN ACTION MOVIE.
- PERFECT!

40
00:01:34,825 --> 00:01:36,625
- OOH, AND ONE LIKE A MUSICAL.
- LOVE IT!

41
00:01:36,627 --> 00:01:38,627
OOH, AND ONE AS
A HISTORICAL DRAMA

42
00:01:38,629 --> 00:01:40,629
SET IN 17TH CENTURY FRANCE.

43
00:01:40,631 --> 00:01:42,501
( inhales sharply )

44
00:01:42,503 --> 00:01:44,513
YEAH, WE'RE NOT
DOING THAT ONE.

45
00:01:45,636 --> 00:01:47,206
( theme music playing )

46
00:01:49,640 --> 00:01:51,640
♪ WHEN THE CROWD
WANTS MORE ♪

47
00:01:51,642 --> 00:01:53,112
♪ I BRING ON THE THUNDER ♪

48
00:01:53,113 --> 00:01:54,553
♪ 'CAUSE YOU'VE GOT MY BACK ♪

49
00:01:54,545 --> 00:01:56,185
♪ AND I'M NOT GOING UNDER ♪

50
00:01:56,187 --> 00:01:57,517
♪ YOU'RE MY POINT,
YOU'RE MY GUARD ♪

51
00:01:57,518 --> 00:01:59,288
♪ YOU'RE
THE PERFECT CHORD ♪

52
00:01:59,290 --> 00:02:02,350
♪ AND I SEE OUR NAMES TOGETHER
ON EVERY BILLBOARD ♪

53
00:02:02,353 --> 00:02:05,533
♪ WE'RE HEADED FOR THE TOP,
WE'VE GOT IT ON LOCK ♪

54
00:02:05,526 --> 00:02:06,856
♪ WE'LL MAKE 'EM
SAY "HEY!" ♪

55
00:02:06,857 --> 00:02:09,427
♪ AND WE'LL KEEP ROCKIN' ♪

56
00:02:09,430 --> 00:02:13,660
♪ OH, THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪

57
00:02:13,664 --> 00:02:16,544
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA ♪

58
00:02:16,537 --> 00:02:19,667
♪ IT'S NO FUN
WHEN YOU'RE DOING IT SOLO ♪

59
00:02:19,670 --> 00:02:22,670
♪ WITH YOU IT'S LIKE, "WHOA,"
YEAH, AND I KNOW ♪

60
00:02:22,673 --> 00:02:25,683
♪ I OWN THIS DREAM ♪

61
00:02:25,676 --> 00:02:28,716
♪ 'CAUSE I GOT YOU WITH ME ♪

62
00:02:28,719 --> 00:02:31,879
♪ THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪

63
00:02:31,882 --> 00:02:35,362
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA. ♪

64
00:02:43,464 --> 00:02:46,874
AUSTIN, THIS IS THE SCENE
WHERE YOU FIRST MEET ALLY.

65
00:02:46,867 --> 00:02:49,537
THIS IS THE MOST IMPORTANT
MOMENT IN YOUR CAREER.

66
00:02:49,540 --> 00:02:51,900
WITHOUT HER,
YOU'RE JUST A WASTED TALENT,

67
00:02:51,902 --> 00:02:53,872
- A WANNABE, A NOBODY--
- GOT IT.

68
00:02:55,346 --> 00:02:57,946
OKAY, PLACES!
WE'RE LOSING
SUNLIGHT, PEOPLE.

69
00:02:57,948 --> 00:02:59,548
AND ACTION.

70
00:02:59,550 --> 00:03:01,550
( playing drums loudly )

71
00:03:04,255 --> 00:03:05,455
( whistles )

72
00:03:05,456 --> 00:03:07,886
EXCUSE ME,
DO YOU NOT SEE

73
00:03:07,888 --> 00:03:09,788
THE "PLEASE DO NOT PLAY
THE DRUMS" SIGN?

74
00:03:09,790 --> 00:03:12,890
( exhales ) IT'S OKAY,
I'M AN AWESOME DRUMMER.

75
00:03:12,893 --> 00:03:14,903
WHAT YOU JUST SAID
HAS NOTHING TO DO

76
00:03:14,895 --> 00:03:15,965
WITH WHAT I JUST SAID.

77
00:03:18,769 --> 00:03:19,929
ARE THOSE CORNDOGS?

78
00:03:19,930 --> 00:03:21,770
( chuckles ) NO.

79
00:03:21,772 --> 00:03:23,932
THEY'RE WEAPONS IN
A WELL-TRAINED HAND.

80
00:03:25,936 --> 00:03:27,636
- LOOK OUT! NINJAS!
- ( gasps )

81
00:03:29,440 --> 00:03:31,310
THEY MUST BE HERE
TO STEAL MY SONGBOOK.

82
00:03:32,613 --> 00:03:33,613
( yelling )

83
00:03:47,758 --> 00:03:49,758
THE NAME IS MOON.

84
00:03:49,760 --> 00:03:50,900
AUSTIN MOON.

85
00:03:54,905 --> 00:03:56,535
I BELIEVE THIS
BELONGS TO YOU.

86
00:03:56,537 --> 00:03:58,537
THANKS.

87
00:03:58,539 --> 00:03:59,739
AND DON'T TOUCH MY BOOK.

88
00:04:02,313 --> 00:04:03,813
AND CUT!
WHOO!

89
00:04:03,814 --> 00:04:06,254
THAT WAS AWESOME!

90
00:04:06,246 --> 00:04:09,246
I UNDERSTAND YOU WANT TO
MAKE OUR LIVES SEEM MORE
EXCITING,

91
00:04:09,249 --> 00:04:10,949
BUT ARE YOU SURE
THIS IS BELIEVABLE?

92
00:04:10,951 --> 00:04:12,621
( scoffs )
YOU'RE RIGHT.

93
00:04:12,623 --> 00:04:13,783
WE NEED MORE EXPLOSIONS.

94
00:04:13,784 --> 00:04:15,294
I'LL ADD IN
SPECIAL EFFECTS LATER.

95
00:04:16,387 --> 00:04:17,857
SO WHAT SCENE ARE WE
SHOOTING NEXT?

96
00:04:17,858 --> 00:04:19,858
WELL, AFTER YOU GUYS
BECAME PARTNERS,

97
00:04:19,860 --> 00:04:21,260
THE NEXT BIG MOMENT
IN YOUR CAREER

98
00:04:21,261 --> 00:04:22,931
WAS AUSTIN'S FIRST WEBCAST.

99
00:04:22,933 --> 00:04:25,743
ACTUALLY, I WROTE A SCENE
THAT COMES BEFORE THAT...

100
00:04:25,736 --> 00:04:30,396
SOMETHING THAT HIGHLIGHTS
THE IMPORTANCE OF MY ROLE
IN THE AUSTIN AND ALLY STORY.

101
00:04:30,401 --> 00:04:33,041
'CAUSE WITHOUT ME,
YOU'D BOTH BE WASTED TALENTS,

102
00:04:33,043 --> 00:04:34,913
WANNABES, NOBODIES--

103
00:04:34,905 --> 00:04:36,575
Austin and Ally:
OKAY, WE GET IT.

104
00:04:39,780 --> 00:04:42,780
ALL RIGHT, ALLY.
TRISH WROTE THE SCENE
AS A SOAP OPERA,

105
00:04:42,783 --> 00:04:45,293
SO I NEED YOU
TO AMP UP THE DRAMA.

106
00:04:45,285 --> 00:04:47,585
TRISH, JUST BE YOURSELF.

107
00:04:47,588 --> 00:04:48,888
CAMERA!

108
00:04:50,691 --> 00:04:52,861
LIGHTS! MUSIC.

109
00:04:52,863 --> 00:04:54,933
( dramatic music playing )

110
00:04:54,925 --> 00:04:56,425
AND ACTION.

111
00:04:56,427 --> 00:04:58,927
( dramatically )
Ally, did you finish the song

112
00:04:58,929 --> 00:05:00,929
for Austin's first webcast?

113
00:05:02,903 --> 00:05:06,983
( dramatically ) But Trisha,
you weren't supposed to be
back from the gala till...

114
00:05:06,977 --> 00:05:09,307
this evening.

115
00:05:09,309 --> 00:05:11,479
IT ENDED EARLY.

116
00:05:11,482 --> 00:05:13,512
MY EVIL TWIN FRANCESCA...

117
00:05:13,514 --> 00:05:17,024
woke from her coma and drove
her car into my stepfather's
mansion.

118
00:05:17,017 --> 00:05:19,087
( gasps )
Again?

119
00:05:21,752 --> 00:05:24,602
What happened to
the grand piano
Austin gave you?

120
00:05:24,595 --> 00:05:25,595
It's...

121
00:05:25,596 --> 00:05:27,056
( gasps ) missing!

122
00:05:27,057 --> 00:05:29,457
Ah!

123
00:05:29,460 --> 00:05:30,760
PSST.

124
00:05:30,761 --> 00:05:31,761
Ally:
OH.

125
00:05:31,762 --> 00:05:32,902
I SENT IT BACK.

126
00:05:32,903 --> 00:05:34,943
I CAN'T BE
AUSTIN'S PARTNER.

127
00:05:34,935 --> 00:05:37,935
I CAN NO LONGER
BEAR THE THOUGHT OF
WRITING SONGS FOR HIM.

128
00:05:41,041 --> 00:05:43,911
But you two make such
beautiful music together.

129
00:05:43,914 --> 00:05:46,854
You write; he rocks.

130
00:05:46,847 --> 00:05:49,847
I KNOW. IT'S JUST
I'M HAVING SECOND...

131
00:05:49,850 --> 00:05:51,720
THOUGHTS.

132
00:05:51,722 --> 00:05:54,392
( normal voice ) CUT!
DO WE REALLY NEED THIS SCENE?

133
00:05:54,385 --> 00:05:55,555
( groans )

134
00:05:57,988 --> 00:05:59,828
WAIT. DID THAT
ACTUALLY HAPPEN?

135
00:05:59,830 --> 00:06:01,560
YOU WANTED TO END
OUR PARTNERSHIP?

136
00:06:01,562 --> 00:06:02,892
OH! NO.

137
00:06:02,893 --> 00:06:04,033
TRISH JUST WANTED
TO CREATE DRAMA

138
00:06:04,034 --> 00:06:05,874
FOR HER SOAP OPERA.

139
00:06:05,866 --> 00:06:08,636
( normal voice )
NO, ALLY, EVERYTHING IN
THIS SCENE HAPPENED FOR REAL.

140
00:06:08,639 --> 00:06:11,469
WELL, EXCEPT FOR THE PART
ABOUT MY EVIL TWIN FRANCESCA.

141
00:06:11,472 --> 00:06:12,702
BUT THE REST, PRETTY MUCH.

142
00:06:13,904 --> 00:06:15,384
WOW, I DIDN'T KNOW

143
00:06:15,375 --> 00:06:17,575
YOU DIDN'T WANT TO BE
MY PARTNER. WHY NOT?

144
00:06:17,578 --> 00:06:21,408
WELL, IT LOOKED LIKE
YOU HAD STOLEN MY SONG,

145
00:06:21,412 --> 00:06:23,082
YOU EMBARRASSED ME ON LIVE TV

146
00:06:23,083 --> 00:06:25,923
AND... ( chuckles )
HONESTLY, I THOUGHT
YOU MIGHT BE A ONE-HIT WONDER.

147
00:06:26,917 --> 00:06:28,387
ONE-HIT WONDER?!

148
00:06:28,388 --> 00:06:30,718
I-- I SAID "WONDER."
( nervous laugh )

149
00:06:30,721 --> 00:06:32,561
AS IN "WONDERFUL!"

150
00:06:34,465 --> 00:06:35,925
I CAN'T BELIEVE THIS!

151
00:06:35,926 --> 00:06:38,066
OH, COME ON.
WE WERE SO DIFFERENT.

152
00:06:38,068 --> 00:06:40,428
OF COURSE I HAD DOUBTS
ABOUT BEING YOUR PARTNER.

153
00:06:40,431 --> 00:06:42,901
MAN, ALLY, I THOUGHT
YOU BELIEVED IN ME.

154
00:06:42,903 --> 00:06:45,583
( sighs )
BUT NOW I KNOW YOU HAD
NO FAITH IN ME AT ALL.

155
00:06:50,410 --> 00:06:53,080
NOW THAT'S HOW YOU DO
A SOAP OPERA.

156
00:07:04,555 --> 00:07:06,725
AUSTIN, YOU'RE
BEING RIDICULOUS.

157
00:07:06,727 --> 00:07:08,627
ALL THIS HAPPENED
A LONG TIME AGO.

158
00:07:08,629 --> 00:07:09,959
YOU'VE GOTTA
GET OVER IT.

159
00:07:09,960 --> 00:07:11,130
( sighs )

160
00:07:11,131 --> 00:07:13,061
YEAH, BUDDY.
I KNOW YOU'RE UPSET.

161
00:07:13,063 --> 00:07:15,113
BUT WE'VE GOT A BIG
MUSICAL NUMBER COMING UP.

162
00:07:15,105 --> 00:07:17,805
SO PUT A SMILE ON YOUR FACE,
SLAP SOME TWINKLE IN YOUR TOES

163
00:07:17,808 --> 00:07:19,468
AND PUT SOME JAZZ
IN YOUR HANDS.

164
00:07:22,112 --> 00:07:23,942
( sighs )
FINE.

165
00:07:26,046 --> 00:07:27,576
CLOSE.
IT'S MORE LIKE THIS.

166
00:07:27,578 --> 00:07:29,748
( jazz music playing )

167
00:07:30,881 --> 00:07:34,561
Trish:
♪ AUSTIN LOST HIS VOICE ♪

168
00:07:34,555 --> 00:07:37,055
Dez and Ally:
♪ HE'S LOST HIS VOICE ♪

169
00:07:38,228 --> 00:07:40,758
♪ WHAT WILL HE DO? ♪

170
00:07:41,932 --> 00:07:43,932
♪ WHAT WILL HE DO? ♪

171
00:07:44,935 --> 00:07:46,965
♪ DID THE OPERATION WORK? ♪

172
00:07:46,967 --> 00:07:48,837
♪ I REALLY HOPE
HE'S ABLE ♪

173
00:07:48,839 --> 00:07:50,669
♪ IF HE GETS
HIS VOICE BACK ♪

174
00:07:50,671 --> 00:07:52,641
♪ HE CAN SIGN
WITH JIMMY'S LABEL ♪

175
00:07:52,643 --> 00:07:54,583
♪ THIS IS A MOMENT ♪

176
00:07:54,575 --> 00:07:56,905
♪ HE'S DREAMED OF
HIS WHOLE LIFE ♪

177
00:07:56,907 --> 00:08:00,207
♪ DID IT WORK?
DID IT WORK? ♪

178
00:08:00,210 --> 00:08:02,910
♪ DID IT WORK? ♪

179
00:08:02,913 --> 00:08:03,983
( flatly )
YES.

180
00:08:05,155 --> 00:08:06,485
♪ IT WORKED,
IT WORKED ♪

181
00:08:06,486 --> 00:08:07,686
♪ IT WORKED ♪

182
00:08:07,688 --> 00:08:09,858
♪ YAY, THIS IS SO GREAT ♪

183
00:08:09,860 --> 00:08:12,860
♪ LET'S CELEBRATE,
MY DREAM'S COME TRUE ♪

184
00:08:12,863 --> 00:08:14,933
♪ I COULDN'T HAVE DONE IT ♪

185
00:08:14,925 --> 00:08:16,125
♪ WITHOUT YOU ♪

186
00:08:16,126 --> 00:08:18,796
♪ OH-OH ♪

187
00:08:18,799 --> 00:08:21,229
♪ OUR HARD WORK PAID OFF ♪

188
00:08:21,231 --> 00:08:24,611
♪ WE'RE ON OUR WAY ♪

189
00:08:24,605 --> 00:08:27,075
♪ NOTHING CAN STOP US NOW ♪

190
00:08:27,077 --> 00:08:30,907
♪ HOORAY. ♪

191
00:08:30,911 --> 00:08:32,781
( song ends )

192
00:08:34,715 --> 00:08:37,045
CUT!
CUT CUT CUT!

193
00:08:37,047 --> 00:08:39,717
AUSTIN, THAT WAS...

194
00:08:39,720 --> 00:08:41,550
TERRIBLE.

195
00:08:41,552 --> 00:08:42,722
WHAT PART OF "JAZZ HANDS"
DON'T YOU UNDERSTAND?

196
00:08:42,723 --> 00:08:44,023
THE "JAZZ" PART
OR THE "HANDS" PART?

197
00:08:44,024 --> 00:08:45,034
( scoffs )

198
00:08:47,257 --> 00:08:50,827
ARE YOU REALLY
GONNA BE MAD AT ME
IN EVERY SCENE WE SHOOT?

199
00:08:50,831 --> 00:08:52,301
( sighs deeply )

200
00:08:52,302 --> 00:08:54,002
NO. I'LL LET IT GO.

201
00:08:54,004 --> 00:08:55,874
GOOD!
THE NEXT SCENE
WE'RE SHOOTING

202
00:08:55,866 --> 00:08:57,536
IS WHERE ALLY
OVERCOMES HER
STAGE FRIGHT

203
00:08:57,537 --> 00:08:59,567
AT JIMMY STARR'S
HALLOWEEN PARTY.

204
00:08:59,570 --> 00:09:01,570
SHE WAS WEARING A MASK!

205
00:09:01,572 --> 00:09:04,242
IT'S NOT LIKE SHE OVERCAME
HER STAGE FRIGHT FOR REAL.

206
00:09:05,676 --> 00:09:08,076
THAT'S THE SPIRIT!

207
00:09:10,621 --> 00:09:12,251
- ( video camera beeps )
- AND MUSIC!

208
00:09:12,252 --> 00:09:15,092
- ( pirate music playing )
- AND...

209
00:09:15,085 --> 00:09:16,325
ACTION!

210
00:09:18,959 --> 00:09:21,959
CAPTAIN MOON,
THE ENEMY'S FLEET TO STARBOARD!

211
00:09:24,064 --> 00:09:25,704
( pirate voice )
YOU'LL NEVER TAKE ME SHIP!

212
00:09:25,696 --> 00:09:26,696
FIRE!

213
00:09:36,977 --> 00:09:39,647
THIS SONG BE CALLED
"DON'T LOOK DOWN."

214
00:09:39,650 --> 00:09:42,280
IT WAS WRITTEN BY
ME PARTNER ALLY DAWSON.

215
00:09:43,654 --> 00:09:44,824
( normal voice )
OR DID YOU NOT WANNA BE

216
00:09:44,815 --> 00:09:45,985
MY PARTNER
AT THIS POINT?

217
00:09:45,986 --> 00:09:47,016
I CAN'T REMEMBER.

218
00:09:47,017 --> 00:09:49,157
( groans )
STICK TO THE SCRIPT.

219
00:09:51,361 --> 00:09:53,891
( British accent )
AUSTIN, IT'S ME, ALLY.

220
00:09:53,894 --> 00:09:57,074
TAYLOR SWIFT GOT HURT
AND I'M PRETENDING TO BE HER.

221
00:09:57,067 --> 00:09:59,597
( pirate voice )
WHAT ABOUT YOUR STAGE FRIGHT?

222
00:09:59,599 --> 00:10:02,229
THAT'S WHY I'M HIDING
BEHIND THIS EYE PATCH.

223
00:10:05,936 --> 00:10:08,206
( pirate voice )
AYE! GREAT DISGUISE!

224
00:10:10,010 --> 00:10:13,010
SO ARRRGH YE READY
TO SING?

225
00:10:13,914 --> 00:10:16,624
ACTUALLY,
I'M A LITTLE NERVOUS.

226
00:10:16,616 --> 00:10:18,086
WHAT SHOULD I DO?

227
00:10:18,088 --> 00:10:19,088
JUMP.

228
00:10:19,920 --> 00:10:21,920
UM... ( chuckles )

229
00:10:21,922 --> 00:10:23,952
YOU MEAN LIKE
JUMP INTO THE PERFORMANCE

230
00:10:23,954 --> 00:10:25,104
AND DON'T THINK ABOUT IT?

231
00:10:25,095 --> 00:10:26,795
( normal voice )
NO.

232
00:10:26,797 --> 00:10:29,097
JUMP OFF THE PLANK
INTO THE WATER.

233
00:10:29,099 --> 00:10:31,099
I THINK THERE ARE
SHARKS DOWN THERE.

234
00:10:34,104 --> 00:10:35,414
CUT CUT CUT!

235
00:10:35,405 --> 00:10:36,935
CUT.

236
00:10:39,940 --> 00:10:41,940
( whistle tweets )

237
00:10:41,942 --> 00:10:43,012
YOU WON THE DIVISION FINAL.

238
00:10:43,013 --> 00:10:44,723
YOU WON STATE.

239
00:10:44,715 --> 00:10:47,045
WE'RE THIS CLOSE TO GETTING
AUSTIN TO PLAY TIMES SQUARE

240
00:10:47,047 --> 00:10:48,077
ON NEW YEAR'S EVE.

241
00:10:48,078 --> 00:10:49,148
( deep voice )
BUT COACH,

242
00:10:49,149 --> 00:10:50,979
OUR STAR QUARTERBACK
TORE HIS ACL

243
00:10:50,981 --> 00:10:53,121
IN THE FIRST QUARTER.
AND WE'RE DOWN 3,000 MILES

244
00:10:53,123 --> 00:10:54,353
FROM NEW YORK.

245
00:10:54,354 --> 00:10:56,034
CUT!

246
00:10:56,026 --> 00:10:58,326
DO WE REALLY THINK
ME PLAYING TIMES SQUARE

247
00:10:58,328 --> 00:11:00,158
WORKS AS A SPORTS MOVIE?

248
00:11:00,160 --> 00:11:02,090
( normal voice )
YES! KEEP GOING.

249
00:11:03,133 --> 00:11:05,073
I DON'T WANNA HEAR EXCUSES!

250
00:11:05,065 --> 00:11:06,935
You can't win
if you don't play.

251
00:11:06,937 --> 00:11:09,297
Now get out there
and give me 110%!

252
00:11:12,172 --> 00:11:15,182
IT'S MATHEMATICALLY
IMPOSSIBLE TO GIVE
MORE THAN 100%.

253
00:11:15,175 --> 00:11:18,075
BUT I'LL DO MY BEST,
COACH.

254
00:11:18,078 --> 00:11:19,248
GUYS, THIS WHOLE SCENE

255
00:11:19,249 --> 00:11:20,809
JUST SEEMS A LITTLE FORCED.

256
00:11:20,811 --> 00:11:22,281
( sighs )
CUT!

257
00:11:22,282 --> 00:11:24,452
WHAT'S FORCED ABOUT IT?

258
00:11:25,716 --> 00:11:28,016
ME AND ALLY
BEING ON THE SAME TEAM.

259
00:11:28,018 --> 00:11:30,188
CLEARLY, SHE'S NOT SURE
SHE WANTS TO PLAY
FOOTBALL WITH ME.

260
00:11:30,190 --> 00:11:32,290
AUSTIN, COME ON.

261
00:11:32,292 --> 00:11:34,122
YEAH, IF YOU DON'T LET
THIS THING GO BETWEEN
YOU AND ALLY,

262
00:11:34,124 --> 00:11:35,474
WE'RE NEVER GONNA
FINISH THE FILM.

263
00:11:35,465 --> 00:11:36,765
SORRY.

264
00:11:36,767 --> 00:11:37,927
I WISH IT DIDN'T
BOTHER ME SO MUCH.

265
00:11:37,928 --> 00:11:39,098
BUT I CAN'T GET OVER
THAT SHE KEPT SUCH

266
00:11:39,099 --> 00:11:40,099
A BIG SECRET FROM ME.

267
00:11:40,100 --> 00:11:41,100
WHAT'S THE BIG DEAL?!

268
00:11:41,101 --> 00:11:42,071
YOU KEPT A BIGGER SECRET
FROM HER.

269
00:11:43,403 --> 00:11:45,083
YOU DID?

270
00:11:45,075 --> 00:11:47,005
WHAT SECRET
DID YOU KEEP FROM ME?

271
00:11:47,007 --> 00:11:48,107
( stammering )
UH-- UH--

272
00:11:48,108 --> 00:11:49,808
THAT HE FEEDS HIS VEGETABLES

273
00:11:49,810 --> 00:11:51,280
TO HIS DOG UNDER HIS TABLE.

274
00:11:51,281 --> 00:11:53,811
- ( exhales )
- HE DOESN'T HAVE A DOG.

275
00:11:53,814 --> 00:11:55,894
HE KEPT THAT FROM YOU TOO?

276
00:11:55,886 --> 00:11:57,186
WHEN WILL THE SECRETS END?!

277
00:11:57,187 --> 00:11:58,417
( quietly )
I'M SO SORRY.

278
00:11:58,418 --> 00:12:00,418
DEZ, KNOCK IT OFF.

279
00:12:00,420 --> 00:12:02,120
SPILL IT, AUSTIN.

280
00:12:02,122 --> 00:12:03,452
( exhales deeply )

281
00:12:03,453 --> 00:12:04,833
OKAY.

282
00:12:04,825 --> 00:12:06,295
AFTER YOU GOT OVER
YOUR STAGE FRIGHT,

283
00:12:06,296 --> 00:12:08,896
AND YOUR CAREER
WAS TAKING OFF...

284
00:12:08,899 --> 00:12:10,429
I MET WITH
ANOTHER SONGWRITER.

285
00:12:10,430 --> 00:12:13,130
WHAT?
WHY WOULD YOU DO THAT?

286
00:12:13,133 --> 00:12:16,243
BECAUSE YOU WERE BUSY
AND I NEEDED A SONG.

287
00:12:16,236 --> 00:12:19,106
I CAN'T BELIEVE YOU,
AUSTIN.

288
00:12:19,109 --> 00:12:22,409
YOU WERE MAD AT ME,
AND YOU HAD A SECRET
THIS WHOLE TIME.

289
00:12:22,412 --> 00:12:23,912
IT'S NO BIG DEAL.

290
00:12:23,914 --> 00:12:25,754
I JUST WANTED TO MAKE SURE
I HAD A SONGWRITER

291
00:12:25,745 --> 00:12:26,845
WHEN I NEEDED ONE.

292
00:12:26,847 --> 00:12:29,317
HOW CAN YOU SAY
IT'S NO BIG DEAL?

293
00:12:29,319 --> 00:12:32,879
I JUST HAD A LITTLE DOUBT.
YOU WERE THINKING ABOUT
REPLACING ME.

294
00:12:32,883 --> 00:12:34,353
YEAH, AUSTIN!

295
00:12:34,354 --> 00:12:36,494
YOU WERE ONLY WORRIED
ABOUT YOURSELF!

296
00:12:36,486 --> 00:12:38,486
IT'S ALL ABOUT YOU!

297
00:12:38,488 --> 00:12:41,988
YOU KNOW, NOT EVERYONE'S
THAT SELF-CENTERED.

298
00:12:41,992 --> 00:12:43,862
Dez, did you get this
on film?

299
00:12:43,864 --> 00:12:45,374
I'm gonna look great
in this movie!

300
00:12:57,147 --> 00:12:59,147
GOOD MORNING,
ACTORS!

301
00:12:59,149 --> 00:13:00,809
NOTHING LIKE
A GOOD NIGHT'S SLEEP

302
00:13:00,811 --> 00:13:03,551
TO HELP YOU FORGET ALL
THE REASONS WHY YOU'RE
MAD AT SOMEONE.

303
00:13:03,553 --> 00:13:05,263
I HAVEN'T FORGOTTEN.

304
00:13:05,255 --> 00:13:08,055
I'M STILL MAD AT HIM FOR
MEETING WITH ANOTHER SONGWRITER.

305
00:13:08,058 --> 00:13:10,958
AND I'M STILL MAD AT HER
FOR NOT WANTING TO BE MY
PARTNER.

306
00:13:10,961 --> 00:13:12,961
HMM. SO WHAT
I'M HEARING IS THAT

307
00:13:12,963 --> 00:13:14,793
YOU BOTH DIDN'T
GET ENOUGH SLEEP.

308
00:13:15,926 --> 00:13:17,566
YOU GUYS BETTER
SNAP OUT OF THIS.

309
00:13:17,567 --> 00:13:19,967
I PROMISED JIMMY STARR
A ROCK-UMENTARY,

310
00:13:19,970 --> 00:13:23,170
NOT A "YOU BOTH ARE ACTING
LIKE SPOILED BRATS"-UMENTARY.

311
00:13:23,173 --> 00:13:25,343
YEAH, HOW AM I GONNA
FIT THAT ON THE POSTER?

312
00:13:25,335 --> 00:13:26,905
LET'S JUST REHEARSE.

313
00:13:26,907 --> 00:13:27,907
WE'RE GONNA READ THROUGH
THE NEXT SCENE

314
00:13:27,908 --> 00:13:28,908
AND THEN SHOOT IT.

315
00:13:28,909 --> 00:13:30,579
FADE IN.

316
00:13:30,580 --> 00:13:33,080
ALLY'S CHARITY EVENT
IS ABOUT TO BE A TOTAL BUST

317
00:13:33,083 --> 00:13:35,553
WHEN AUSTIN RUSHES IN
TO SAVE THE DAY.

318
00:13:35,545 --> 00:13:38,145
ALLY HURRIES OVER
WITH GRATITUDE IN HER EYES.

319
00:13:38,148 --> 00:13:39,818
( whispering )
AND ACTION, ALLY.

320
00:13:39,819 --> 00:13:41,589
( unenthusiastically )
"THANK YOU FOR SAVING ME,

321
00:13:41,591 --> 00:13:42,591
AUSTIN.

322
00:13:42,592 --> 00:13:44,962
THANK YOU, THANK YOU...

323
00:13:44,955 --> 00:13:46,255
THANK YOU."

324
00:13:47,527 --> 00:13:50,057
DO WE REALLY NEED
DIALOGUE HERE?

325
00:13:50,060 --> 00:13:52,900
SOMETIMES A LOOK SAYS
ALL THE WORDS FOR YOU.

326
00:13:56,306 --> 00:13:58,606
YEAH, THAT LOOK SAYS
A LOT OF WORDS THAT I
CAN'T PUT IN THE MOVIE.

327
00:13:58,608 --> 00:14:00,238
IT'S A FAMILY FILM.

328
00:14:00,240 --> 00:14:03,570
SINCE YOU GUYS CLEARLY
CAN'T GET YOUR ACTS TOGETHER,

329
00:14:03,573 --> 00:14:05,453
WE'RE GONNA HAVE TO TAKE
EXTREME MEASURES.

330
00:14:08,178 --> 00:14:11,548
( imitating Ally )
I LOVE LOVE!

331
00:14:11,551 --> 00:14:13,481
( imitating Austin )
'SUP?

332
00:14:13,483 --> 00:14:16,093
NO ONE'S GONNA BELIEVE
YOU'RE US.

333
00:14:16,086 --> 00:14:18,556
( normal voice )
PEOPLE BELIEVE
ANYTHING IN MOVIES.

334
00:14:18,558 --> 00:14:20,558
YOU THINK CARS
CAN ACTUALLY TALK?

335
00:14:20,560 --> 00:14:21,890
( normal voice )
MY MOM'S CAR DOES.

336
00:14:21,892 --> 00:14:23,562
IT EVEN GIVES US
DIRECTIONS TO PLACES.

337
00:14:23,563 --> 00:14:27,003
( female robotic voice )
TURN LEFT IN 200 FEET.

338
00:14:28,899 --> 00:14:30,499
WHAT SCENE
ARE YOU GONNA DO?

339
00:14:30,500 --> 00:14:33,500
WE'RE GONNA SHOOT THE SCENE
WHERE YOU GUYS HAVE ONE DAY
TO WRITE A SONG.

340
00:14:33,503 --> 00:14:35,613
- YOU MEAN FOR
THE "HELEN SHOW"?
- NO.

341
00:14:35,605 --> 00:14:37,475
YOU MEAN FOR AUSTIN'S
FIRST PERFORMANCE IN THE MALL?

342
00:14:37,477 --> 00:14:39,277
- NO.
- YOU MEAN FOR THE
"HOT SUMMER JAM" CONTEST?

343
00:14:39,279 --> 00:14:40,879
- NO.
- YOU MEAN FOR THE TIME WHEN--

344
00:14:40,880 --> 00:14:43,310
MAN, THERE WERE A LOT
OF TIMES YOU GUYS HAD
ONE DAY TO WRITE A SONG.

345
00:14:43,313 --> 00:14:46,593
YEAH, WHEN THIS MOVIE'S OVER,
WE REALLY NEED TO WORK ON
YOUR TIME MANAGEMENT.

346
00:14:46,586 --> 00:14:48,956
OKAY. CAN WE
SHOOT THIS THING?

347
00:14:52,592 --> 00:14:54,562
- ( video camera beeps )
- AND ACTION!

348
00:14:56,466 --> 00:14:58,296
( imitating Ally )
HEY, AUSTIN.

349
00:14:58,298 --> 00:15:00,298
( imitating Austin )
HEY, ALLY.

350
00:15:04,504 --> 00:15:06,684
We only have 24 hours
to write a song,

351
00:15:06,676 --> 00:15:09,276
or the evil Dr. Starr
will destroy the Earth.

352
00:15:09,279 --> 00:15:12,439
( gasps )
This looks like
a job for Rocker Boy

353
00:15:12,442 --> 00:15:14,112
and Writer Girl!

354
00:15:20,390 --> 00:15:22,390
WHAT DO YOU THINK
OF THIS CHORD?

355
00:15:26,696 --> 00:15:28,556
I HATE IT.

356
00:15:32,332 --> 00:15:35,172
WELL, WHAT'S YOUR
BRILLIANT IDEA?

357
00:15:35,165 --> 00:15:37,165
I'VE GOT THIS GREAT LYRIC.

358
00:15:38,268 --> 00:15:39,268
BOOM.

359
00:15:40,670 --> 00:15:43,370
HOLY ROTTEN SONG LYRIC,
ROCKER BOY!

360
00:15:43,373 --> 00:15:44,673
THAT STINKS.

361
00:15:47,147 --> 00:15:48,577
WE'VE GOT NOTHING.

362
00:15:48,578 --> 00:15:51,578
( emphatically )
THE EARTH IS DOOMED.

363
00:15:51,581 --> 00:15:53,651
TO THE SONG-MOBILE!

364
00:15:57,327 --> 00:15:58,987
THAT'S AWFUL.

365
00:15:58,989 --> 00:16:02,129
YEAH, IT'S HARD WATCHING
YOURSELVES FIGHT, HUH?

366
00:16:02,132 --> 00:16:06,242
NO, IT'S AWFUL WATCHING
YOU GUYS PRETEND TO BE US.

367
00:16:06,236 --> 00:16:09,596
YEAH, WELL, I THINK
IT'S AWFUL WATCHING
YOU GUYS ACT THIS WAY.

368
00:16:09,599 --> 00:16:11,069
I'M GONNA SAY

369
00:16:11,071 --> 00:16:13,701
SOMETHING TO YOU THAT I'VE HEARD
FROM EVERY ONE OF MY BOSSES:

370
00:16:13,703 --> 00:16:16,083
"QUIT SLEEPING ON THE JOB!

371
00:16:16,076 --> 00:16:17,676
YOU'RE BEING UNPROFESSIONAL!"

372
00:16:19,079 --> 00:16:20,609
ONLY THE SECOND PART
APPLIES TO YOU.

373
00:16:20,610 --> 00:16:22,680
FINE.

374
00:16:22,682 --> 00:16:24,512
I CAN BE PROFESSIONAL.

375
00:16:24,514 --> 00:16:25,664
I DON'T KNOW ABOUT HIM.

376
00:16:26,686 --> 00:16:28,686
I CAN BE MORE PROFESSIONAL
THAN SHE CAN.

377
00:16:29,689 --> 00:16:31,359
SO THERE.

378
00:16:32,562 --> 00:16:34,222
VERY MATURE.

379
00:16:34,224 --> 00:16:36,604
I THINK YOU JUST PROVED
I'M MORE PROFESSIONAL
THAN YOU.

380
00:16:36,596 --> 00:16:38,626
- BUT--
- AND I GOT THE LAST WORD!

381
00:16:38,628 --> 00:16:41,128
LA LA LA LA LA LA...

382
00:16:41,131 --> 00:16:43,771
YOU CAN'T SAY
"LA LA LA" FOREVER!

383
00:16:43,773 --> 00:16:45,143
BUT I CAN!

384
00:16:45,135 --> 00:16:47,135
LA LA LA LA LA LA LA...

385
00:16:48,608 --> 00:16:50,738
I HAVE A STRANGE FEELING
THEY'RE NOT GONNA BE
PROFESSIONAL.

386
00:16:50,740 --> 00:16:54,440
( sighs )
I'M REALLY WORRIED
ABOUT THIS MOVIE.

387
00:16:54,444 --> 00:16:57,454
I'M REALLY
WORRIED ABOUT
AUSTIN AND ALLY.

388
00:16:57,447 --> 00:16:59,617
THEY'VE NEVER
BEEN THIS MAD AT
EACH OTHER BEFORE.

389
00:16:59,619 --> 00:17:01,289
WHAT IF THEY NEVER MAKE UP?

390
00:17:01,291 --> 00:17:04,251
THEN OUR MOVIE'S GONNA HAVE
A REALLY SAD ENDING.

391
00:17:04,254 --> 00:17:07,434
OKAY, WE NEED TO COME UP
WITH A PLAN TO REMIND THEM

392
00:17:07,427 --> 00:17:09,497
WHY THEY'RE PARTNERS
AND FRIENDS TO BEGIN WITH.

393
00:17:12,062 --> 00:17:13,362
I GOT IT!

394
00:17:13,363 --> 00:17:15,373
WE SHOULD SHOOT THE SCENE
WHERE AUSTIN HELPS ALLY

395
00:17:15,365 --> 00:17:16,605
OVERCOME HER STAGE FRIGHT.

396
00:17:16,606 --> 00:17:19,436
YEAH! THERE'S NO WAY
THEY CAN SING THAT DUET

397
00:17:19,439 --> 00:17:21,109
AND STILL BE MAD
AT EACH OTHER.

398
00:17:21,111 --> 00:17:22,571
LA LA LA LA LA LA LA...

399
00:17:22,572 --> 00:17:24,442
LA LA LA LA LA LA LA...

400
00:17:29,649 --> 00:17:30,819
OKAY, GUYS, YOU READY?

401
00:17:33,683 --> 00:17:35,663
OKAY, REMEMBER:
WE'RE SHOOTING THIS SCENE

402
00:17:35,655 --> 00:17:38,285
IN THE STYLE
OF A TEEN VAMPIRE MOVIE.

403
00:17:38,288 --> 00:17:39,658
- ( exhales )
- AND DON'T FORGET,

404
00:17:39,659 --> 00:17:41,659
THIS IS ONE OF
THE HAPPIEST MOMENTS

405
00:17:41,661 --> 00:17:43,491
IN THE AUSTIN AND ALLY STORY.

406
00:17:43,493 --> 00:17:45,643
THIS SHOULD BE REALLY EASY
FOR YOU GUYS TO GET THROUGH.

407
00:17:45,635 --> 00:17:46,595
I'M NOT WORRIED ABOUT IT.

408
00:17:46,596 --> 00:17:48,596
I'M MORE NOT WORRIED
ABOUT IT.

409
00:17:50,470 --> 00:17:53,140
OKAY, THAT'S ALMOST
WHAT WE'RE LOOKING FOR.

410
00:17:54,304 --> 00:17:55,654
LET'S SHOOT THIS, DEZ.

411
00:17:57,277 --> 00:17:59,447
AUSTIN, YOU'RE A VAMPIRE.

412
00:17:59,449 --> 00:18:01,579
AND ALL YOU WANNA DO
IS PROTECT HER.

413
00:18:01,581 --> 00:18:03,751
AND YOU'RE NOT A VAMPIRE.

414
00:18:03,753 --> 00:18:05,463
BUT YOU WANNA BE ONE.

415
00:18:05,455 --> 00:18:07,285
BUT SOMETIMES YOU WANNA
BE A WEREWOLF.

416
00:18:08,488 --> 00:18:09,818
BUT FORGET THAT.
YOU'RE INTO THE VAMPIRE.

417
00:18:09,819 --> 00:18:11,519
LIGHTS!

418
00:18:11,521 --> 00:18:14,261
AND...

419
00:18:14,264 --> 00:18:15,604
ACTION!

420
00:18:15,595 --> 00:18:18,395
- ( slow piano music playing )
- AUSTIN.

421
00:18:18,398 --> 00:18:20,728
I DON'T KNOW IF CAN PERFORM.

422
00:18:20,730 --> 00:18:23,230
THERE'S SO MANY...

423
00:18:23,233 --> 00:18:24,573
PEOPLE.

424
00:18:26,706 --> 00:18:28,676
WILL YOU BE THERE
TO PROTECT ME?

425
00:18:28,678 --> 00:18:30,508
ALWAYS.

426
00:18:30,510 --> 00:18:32,280
AND I MEAN LIKE
ALWAYS ALWAYS.

427
00:18:32,282 --> 00:18:34,112
'CAUSE I'M A VAMPIRE

428
00:18:34,113 --> 00:18:36,293
AND I LIVE FOREVER.

429
00:18:36,286 --> 00:18:37,346
( hisses )

430
00:18:48,898 --> 00:18:51,558
♪ WHEN YOU'RE ON YOUR OWN
DROWNING ALONE ♪

431
00:18:51,561 --> 00:18:57,441
♪ AND YOU NEED A ROPE THAT
CAN PULL YOU IN ♪

432
00:18:57,437 --> 00:18:59,767
♪ SOMEONE WILL THROW IT ♪

433
00:18:59,769 --> 00:19:02,739
♪ AND WHEN YOU'RE AFRAID
THAT YOU'RE GONNA BREAK ♪

434
00:19:02,742 --> 00:19:07,622
♪ AND YOU NEED A WAY
TO FEEL STRONG AGAIN ♪

435
00:19:08,678 --> 00:19:11,618
♪ SOMEONE WILL KNOW IT ♪

436
00:19:11,621 --> 00:19:13,681
Both:
♪ AND EVEN WHEN IT HURTS ♪

437
00:19:13,683 --> 00:19:17,533
♪ THE MOST,
TRY TO HAVE A LITTLE HOPE ♪

438
00:19:17,527 --> 00:19:21,727
♪ THAT SOMEONE'S GONNA
BE THERE WHEN YOU DON'T ♪

439
00:19:21,731 --> 00:19:24,561
♪ WHEN YOU DON'T ♪

440
00:19:24,564 --> 00:19:26,744
♪ IF YOU WANNA CRY ♪

441
00:19:26,736 --> 00:19:29,836
♪ I'LL BE YOUR SHOULDER ♪

442
00:19:29,839 --> 00:19:32,669
♪ IF YOU WANNA LAUGH ♪

443
00:19:32,672 --> 00:19:35,652
♪ I'LL BE YOUR SMILE ♪

444
00:19:35,645 --> 00:19:38,675
♪ IF YOU WANNA FLY ♪

445
00:19:38,678 --> 00:19:41,508
♪ I WILL BE YOUR SKY ♪

446
00:19:41,511 --> 00:19:43,351
♪ ANYTHING YOU NEED ♪

447
00:19:43,353 --> 00:19:46,693
♪ THAT'S WHAT I'LL BE ♪

448
00:19:46,686 --> 00:19:49,586
♪ YOU CAN COME TO ME ♪

449
00:19:52,592 --> 00:19:55,902
♪ YOU CAN COME TO ME ♪

450
00:19:55,895 --> 00:19:58,495
♪ YEAH-AH. ♪

451
00:20:03,773 --> 00:20:04,933
I DID IT.

452
00:20:04,934 --> 00:20:06,644
I CONQUERED
MY STAGE FRIGHT.

453
00:20:06,636 --> 00:20:09,206
I ALWAYS KNEW
YOU COULD DO IT.

454
00:20:09,208 --> 00:20:11,638
I FEEL LIKE
I CAN DO ANYTHING.

455
00:20:11,641 --> 00:20:14,641
I KNOW I CAN DO ANYTHING...

456
00:20:14,644 --> 00:20:16,654
AS LONG AS I'M WITH YOU.

457
00:20:21,751 --> 00:20:23,291
PERFECT!
WE GOT IT.

458
00:20:23,293 --> 00:20:24,923
CUT!

459
00:20:28,698 --> 00:20:30,358
I SAID CUT!

460
00:20:31,631 --> 00:20:33,631
OKAY, YOU CAN STOP
KISSING NOW.

461
00:20:34,564 --> 00:20:36,574
WELL, I GUESS
OUR PLAN WORKED.

462
00:20:36,566 --> 00:20:38,706
THEY DON'T SEEM MAD
AT EACH OTHER ANYMORE.

463
00:20:42,272 --> 00:20:44,272
THEY DON'T, DO THEY?

464
00:20:50,950 --> 00:20:54,320
A-ALLY, I'M SO SORRY
I MET WITH ANOTHER
SONGWRITER.

465
00:20:54,324 --> 00:20:56,794
I KNEW YOUR CAREER
WAS TAKING OFF,

466
00:20:56,786 --> 00:20:58,456
AND I THOUGHT
YOU'D LEAVE ME.

467
00:20:58,458 --> 00:21:00,458
AWW. AUSTIN...

468
00:21:00,460 --> 00:21:02,930
I'LL ALWAYS
BE HERE FOR YOU.

469
00:21:02,932 --> 00:21:04,932
I'M SORRY I EVER
DOUBTED OUR PARTNERSHIP.

470
00:21:04,934 --> 00:21:07,744
IT'S THE BEST THING
THAT'S EVER HAPPENED TO ME.

471
00:21:07,737 --> 00:21:09,297
( soft chuckle )

472
00:21:09,299 --> 00:21:10,939
SO WE'RE GOOD?

473
00:21:12,271 --> 00:21:13,701
YEAH.

474
00:21:13,703 --> 00:21:15,513
( exhales )

475
00:21:15,505 --> 00:21:16,645
( clears throat )

476
00:21:16,646 --> 00:21:18,276
SORRY TO INTERRUPT
YOUR MOMENT,

477
00:21:18,277 --> 00:21:20,447
BUT WHAT THE HECK
WAS THAT KISS ABOUT?

478
00:21:21,511 --> 00:21:23,651
Both:
UH...

479
00:21:23,653 --> 00:21:26,823
( chuckling )
IT'S CALLED ACTING.

480
00:21:26,816 --> 00:21:28,816
YEAH, THAT LOOKED LIKE
A LOT MORE THAN JUST...

481
00:21:28,818 --> 00:21:30,758
( mocking chuckle )
ACTING.

482
00:21:30,760 --> 00:21:32,920
I TOLD YOU WE COULD
BE PROFESSIONAL.

483
00:21:32,922 --> 00:21:35,292
IT WAS FOR THE MOVIE...
MAN.

484
00:21:35,294 --> 00:21:36,634
( chuckles ) YEAH.

485
00:21:36,626 --> 00:21:38,366
JUST FOR THE MOVIE, MAN.

486
00:21:38,368 --> 00:21:40,998
YOU'RE A REALLY
GOOD ACTOR, AUSTIN.

487
00:21:41,000 --> 00:21:43,700
- YOU TOO, ALLY.
- ( both chuckle nervously )

488
00:21:44,704 --> 00:21:46,414
- WELL, BYE.
- SEE YA.

489
00:21:48,708 --> 00:21:50,578
I DON'T KNOW, TRISH.

490
00:21:50,580 --> 00:21:52,710
WE SHOT DOZENS
OF SCENES ALREADY.

491
00:21:52,712 --> 00:21:55,392
TRUST ME, NEITHER ONE
OF THEM IS THAT GOOD
OF AN ACTOR.

492
00:21:57,447 --> 00:21:59,747
( ragtime music playing )

493
00:22:11,461 --> 00:22:12,461
( inaudible )


