1 00:00:12,880 --> 00:00:15,682 (whispers) LISBON. LISBON! 2 00:00:25,126 --> 00:00:27,527 DOES IT BITE? 3 00:00:31,664 --> 00:00:32,966 HE COULD'VE KILLED ME. 4 00:00:32,966 --> 00:00:35,536 SHH. 5 00:00:38,238 --> 00:00:41,975 (police radio chatter) 6 00:00:41,975 --> 00:00:43,277 (man) CBI? 7 00:00:43,277 --> 00:00:45,579 YES, SIR. LISBON. JANE. 8 00:00:45,579 --> 00:00:47,615 MULLERY. WHAT TOOK YOU SO LONG? 9 00:00:47,615 --> 00:00:50,551 SHERIFF, I UNDERSTAND THIS IS A TOUGH SITUATION FOR YOU. 10 00:00:50,551 --> 00:00:54,155 TOUGH SITUATION? THIS IS DEPUTY NELSON CAPEL. 11 00:00:54,155 --> 00:00:57,225 BEEN WITH ME 15 YEARS. GOT 3 KIDS. 12 00:00:57,225 --> 00:01:00,628 HE ANSWERED A 9-1-1 CALL LAST NIGHT AT 10:23 FROM 13 00:01:00,628 --> 00:01:02,996 A LOCAL GIRL, KEELEY FARLOWE, ON HER CELL PHONE. 14 00:01:02,996 --> 00:01:06,334 SHE GAVE HER LOCATION HERE, AND THE LINE WENT DEAD. 15 00:01:08,835 --> 00:01:11,704 THIS IS DEPUTY LANCE CONNOR. FIVE YEARS IN. 16 00:01:11,704 --> 00:01:14,608 HIS DAD WAS IN HIGH SCHOOL WITH ME. 17 00:01:14,608 --> 00:01:17,210 THE E.M.T. CAPTAIN YOU SEE THERE 18 00:01:17,210 --> 00:01:19,212 CRYING LIKE A BABY-- 19 00:01:19,212 --> 00:01:21,382 THAT'S MY NEPHEW TODD. 20 00:01:21,382 --> 00:01:23,716 THE REASON HE'S CRYING-- 21 00:01:23,716 --> 00:01:25,718 THAT'S HIS FIANCéE, THROAT CUT. 22 00:01:25,718 --> 00:01:28,688 SO, YEAH, TOUGH SITUATION. YOU GO AHEAD AND LOOK AT 23 00:01:28,688 --> 00:01:31,625 WHATEVER IT IS YOU WANT TO LOOK AT. 24 00:01:31,625 --> 00:01:33,627 LET ME KNOW WHEN YOU'RE DONE, 25 00:01:33,627 --> 00:01:36,329 SO WE CAN TAKE THESE FOLKS SOMEPLACE DECENT. 26 00:01:36,329 --> 00:01:38,966 YEESH. THIS IS TROUBLE. 27 00:01:38,966 --> 00:01:40,634 INTERESTING, THOUGH. 28 00:01:40,634 --> 00:01:42,802 THREE DIFFERENT METHODS OF KILLING. 29 00:01:42,802 --> 00:01:44,472 WHY IS THAT? 30 00:01:44,472 --> 00:01:46,774 IT'S ALWAYS BAD WHEN LOCAL COPS ARE PERSONALLY INVOLVED. 31 00:01:46,774 --> 00:01:49,477 THINK THE FEDS WOULD WANT THIS ONE? 32 00:01:49,477 --> 00:01:51,978 THE BODIES HAVE BEEN ARRANGED AS WELL, 33 00:01:51,978 --> 00:01:53,781 NOT IN AN OSTENTATIOUS WAY, 34 00:01:53,781 --> 00:01:56,317 BUT THERE'S A DEFINITE AESTHETIC AT WORK HERE. 35 00:01:56,317 --> 00:01:58,018 HE TOOK HIS TIME. 36 00:01:58,018 --> 00:02:01,254 YEAH, IT'S A TRULY COMPLICATED MANIAC WE'RE DEALING WITH. 37 00:02:01,254 --> 00:02:03,956 YES. I THINK I WILL CALL THE FEDS. 38 00:02:03,956 --> 00:02:06,093 NO, DON'T DO THAT. 39 00:02:06,093 --> 00:02:08,329 I DON'T KNOW WHY, BUT I... 40 00:02:08,329 --> 00:02:10,631 I WANT THIS CASE. 41 00:02:10,631 --> 00:02:12,865 OR VICE VERSA. 42 00:02:12,865 --> 00:02:16,304 ALL RIGHT, BUT I HAVE A FEELING I'M GONNA BE SORRY. 43 00:02:16,304 --> 00:02:18,004 YOU PEOPLE DONE YET? 44 00:02:18,004 --> 00:02:20,740 SHERIFF MULLERY, JUST SO WE'RE ON THE SAME PAGE, 45 00:02:20,740 --> 00:02:24,010 IN CASES LIKE THESE, WE, THE CBI, HAVE SOLE JURISDICTION. 46 00:02:24,010 --> 00:02:26,913 YOUR DEPARTMENT WOULD HAVE A STRICTLY ADVISORY ROLE. 47 00:02:26,913 --> 00:02:29,917 THAT'S THE WAY-- YOU CAN HAVE ALL THE JURISDICTION YOU WANT. 48 00:02:29,917 --> 00:02:33,253 I SWEAR TO GOD, THE MAN WHO DID THIS WILL NOT LIVE 49 00:02:33,253 --> 00:02:36,189 TO SEE A COURTROOM. 50 00:02:36,189 --> 00:02:37,824 YOU DIDN'T HEAR THAT. 51 00:02:41,127 --> 00:02:44,764 YEP. I'M ALREADY SORRY. 52 00:02:48,968 --> 00:02:49,937 ** 53 00:03:14,026 --> 00:03:16,463 WHAT'S THE PASSWORD FOR Wi-Fi? 54 00:03:16,463 --> 00:03:17,965 SAY? 55 00:03:17,965 --> 00:03:20,033 1-2-3-4. 56 00:03:20,033 --> 00:03:22,068 OF COURSE. 57 00:03:22,068 --> 00:03:23,771 SO... 58 00:03:23,771 --> 00:03:26,539 CBI. TOP GUNS. 59 00:03:26,539 --> 00:03:28,609 NOT REALLY. I'M AGENT GRACE VAN PELT. 60 00:03:28,609 --> 00:03:31,344 BOB WOOLGAR. NUMBER TWO AROUND HERE. 61 00:03:31,344 --> 00:03:33,146 THAT'S HOBBS. 62 00:03:33,146 --> 00:03:36,884 SIR, MAY I HELP YOU? MAY I PLEASE SPEAK WITH WHOEVER IS IN CHARGE 63 00:03:36,884 --> 00:03:38,885 OF THE MURDER INVESTIGATION? 64 00:03:38,885 --> 00:03:43,189 WHY IS THAT? I'M SORRY. ARE YOU IN CHARGE? 65 00:03:43,189 --> 00:03:45,492 NO, BUT I-- I THOUGHT NOT. (chuckles) 66 00:03:45,492 --> 00:03:48,496 SIR, I'M WITH THE CBI. WE'RE IN CHARGE OF THIS INVESTIGATION. 67 00:03:48,496 --> 00:03:51,031 IF YOU HAVE ANY INFORMATION ABOUT THE CASE, 68 00:03:51,031 --> 00:03:55,235 I'D BE MORE THAN HAPPY TO HELP. MISS, NO OFFENSE. YOU ARE FAR TOO YOUNG AND PRETTY 69 00:03:55,235 --> 00:03:58,004 TO HAVE ANY AUTHORITY IN THE MATTER. 70 00:03:58,004 --> 00:04:00,508 I SHALL WAIT FOR YOUR CHIEF. 71 00:04:06,580 --> 00:04:08,014 MM. 72 00:04:09,849 --> 00:04:13,152 (man) IF YOU'RE MEDIA, KEEP MOVIN'. 73 00:04:13,152 --> 00:04:15,155 (gun cocks) 74 00:04:15,155 --> 00:04:18,658 CBI. POLICE. 75 00:04:18,658 --> 00:04:22,129 PUT THE WEAPON DOWN RIGHT NOW. 76 00:04:22,129 --> 00:04:25,098 ALL RIGHT. NO PROBLEM. 77 00:04:25,098 --> 00:04:26,966 NO NEED TO SHOUT. 78 00:04:29,870 --> 00:04:32,139 AND YOU ARE... 79 00:04:32,139 --> 00:04:33,441 I'M JOE HUNNICKER. 80 00:04:33,441 --> 00:04:35,141 KEELEY'S MY GRANDDAUGHTER. 81 00:04:35,141 --> 00:04:37,144 I LIVE HERE WITH HER AND TODD. 82 00:04:37,144 --> 00:04:39,346 COME ON IN. 83 00:04:44,351 --> 00:04:46,954 (Joe) SHE WAS A GOOD GIRL. 84 00:04:46,954 --> 00:04:49,956 YOU KNOW, IF SHE AND TODD HADN'T BROUGHT ME IN HERE, 85 00:04:49,956 --> 00:04:53,526 ON MY V.A. CHECK, I'D BE IN A HOSTEL SOMEWHERE. 86 00:04:53,526 --> 00:04:55,795 (door closes) 87 00:04:55,795 --> 00:04:57,965 LISBON. JANE. 88 00:04:59,332 --> 00:05:02,134 OH. HEY. YES, WE MET. 89 00:05:02,134 --> 00:05:06,072 REALLY, I-I APOLOGIZE FOR MY OUTBURST THERE. 90 00:05:06,072 --> 00:05:08,074 I WAS, UH, A LITTLE CRAZY. 91 00:05:08,074 --> 00:05:09,377 YOU CAN IMAGINE. 92 00:05:09,377 --> 00:05:11,978 CALMED DOWN A LITTLE NOW. 93 00:05:11,978 --> 00:05:15,182 REST ASSURED, I-I WON'T BE PULLING ANY VIGILANTE NONSENSE. 94 00:05:15,182 --> 00:05:16,850 WE'RE VERY SORRY FOR YOUR LOSS. 95 00:05:16,850 --> 00:05:18,851 AND I'M GLAD YOU SEE IT THAT WAY. 96 00:05:18,851 --> 00:05:22,656 THERE'S NO UPSIDE TO TAKING THE LAW INTO YOUR OWN HANDS. 97 00:05:22,656 --> 00:05:25,858 REVENGE TRULY DOESN'T WORK. WELL, THAT'S JUST A SWEEPING STATEMENT, ISN'T IT? 98 00:05:25,858 --> 00:05:28,127 I'M SURE WE CAN ALL THINK OF EXAMPLES 99 00:05:28,127 --> 00:05:31,098 WHERE REVENGE HAS WORKED SPLENDIDLY. THANKS FOR YOUR INPUT. 100 00:05:31,098 --> 00:05:34,033 JUST SAYIN'. 101 00:05:34,033 --> 00:05:36,036 TELL US ABOUT KEELEY. 102 00:05:38,204 --> 00:05:41,040 I DON'T KNOW WHAT TO SAY. 103 00:05:41,040 --> 00:05:42,643 I LOVE HER. 104 00:05:42,643 --> 00:05:45,045 WE'RE GETTING MARRIED. 105 00:05:47,781 --> 00:05:49,081 WE WERE. 106 00:05:49,081 --> 00:05:51,018 PARENTS? 107 00:05:51,018 --> 00:05:53,220 AUTO ACCIDENT ABOUT FIVE YEARS AGO. 108 00:05:53,220 --> 00:05:55,656 DRUNK DRIVER. BOTH DEAD. 109 00:05:55,656 --> 00:05:57,925 WHEN WAS THE LAST TIME YOU SPOKE TO HER? 110 00:05:57,925 --> 00:06:01,629 ABOUT AN HOUR BEFORE SHE WAS DUE HOME... 111 00:06:01,629 --> 00:06:03,896 I CALLED HER AND I... 112 00:06:03,896 --> 00:06:08,100 I ASKED HER TO BRING HOME SOME BEER AND CHIPS. 113 00:06:08,100 --> 00:06:10,637 ME AND HUNNY WERE-- WERE PLAYIN' GIN RUMMY. 114 00:06:10,637 --> 00:06:12,839 AND I COULD'VE PICKED HER UP. 115 00:06:12,839 --> 00:06:15,843 YOU KNOW, I OFTEN DO WHEN IT'S RAINING OR WHATEVER, 116 00:06:15,843 --> 00:06:18,545 BUT LAST NIGHT-- LAST NIGHT I WAS JUST-- 117 00:06:18,545 --> 00:06:20,548 I WAS LAZY, I GUESS. 118 00:06:20,548 --> 00:06:23,983 IT'S BASICALLY MY FAULT THAT SHE'S DEAD. 119 00:06:23,983 --> 00:06:25,985 DON'T. 120 00:06:25,985 --> 00:06:28,187 DON'T SAY THAT, SON. 121 00:06:28,187 --> 00:06:30,156 DON'T TAKE THAT ON YOURSELF. 122 00:06:32,860 --> 00:06:35,062 (voice breaking) PLEASE FIND WHO DID THIS. 123 00:06:35,062 --> 00:06:36,564 (inhales deeply) 124 00:06:36,564 --> 00:06:38,966 I JUST WANT TO KNOW WHY. 125 00:06:41,067 --> 00:06:43,069 WHY? 126 00:06:43,069 --> 00:06:44,737 (door closes) 127 00:06:44,737 --> 00:06:48,776 KEELEY WORKED THE LATE SHIFT FOR THE LAST YEAR. 128 00:06:48,776 --> 00:06:50,577 4:00 TO 10:00, AS RELIABLE AS CLOCKWORK. 129 00:06:50,577 --> 00:06:52,745 GREAT KID. EVERYBODY LOVED HER. 130 00:06:52,745 --> 00:06:56,716 ALWAYS HAD A SMILE FOR YOU, YOU KNOW? YEAH, SHE THOUGHT THE BEST OF FOLKS. 131 00:06:56,716 --> 00:06:59,952 KINDA NAIVE THAT WAY. MEANING ANYONE IN PARTICULAR? 132 00:06:59,952 --> 00:07:02,656 NO, JUST, YOU KNOW, IN GENERAL--TRUSTING. 133 00:07:02,656 --> 00:07:05,125 LAST NIGHT, WHAT TIME DID SHE LEAVE WORK? 134 00:07:05,125 --> 00:07:08,696 10:00, AS ALWAYS, ON THAT SO-AND-SO BICYCLE. 135 00:07:08,696 --> 00:07:10,730 I TOLD HER IT WASN'T SAFE, 136 00:07:10,730 --> 00:07:13,934 BUT SHE SAID IT SAVED MONEY AND KEPT HER SKINNY. DID ANYTHING UNUSUAL 137 00:07:13,934 --> 00:07:16,704 HAPPEN DURING HER SHIFT? ANYTHING AT ALL? 138 00:07:16,704 --> 00:07:18,672 NOT THAT I SAW. 139 00:07:18,672 --> 00:07:21,942 THERE WAS THIS TRUCKER TRIED TO PICK HER UP. 140 00:07:21,942 --> 00:07:24,944 COME IN A FEW TIMES NOW. ALWAYS LEFT HER, LIKE, A 10-BUCK TIP. 141 00:07:24,944 --> 00:07:27,480 HE WAS IN HERE YESTERDAY AROUND CLOSING TIME. 142 00:07:27,480 --> 00:07:28,949 YOU REMEMBER HIM, RUSTY? 143 00:07:28,949 --> 00:07:32,019 SHE USED TO LOVE TO SHOW HER ENGAGEMENT RING TO GUYS 144 00:07:32,019 --> 00:07:34,286 TO SHUT 'EM DOWN, BUT THIS GUY WAS LIKE, "I DON'T CARE." 145 00:07:34,286 --> 00:07:36,956 HE KEPT ON TRYING. DID YOU GET HIS NAME? 146 00:07:36,956 --> 00:07:38,959 IT SAYS "GREG" ON HIS SHIRT. 147 00:07:38,959 --> 00:07:42,194 YOU REMEMBER HIM-- BIG, OLD, GREASY FELLA. 148 00:07:42,194 --> 00:07:43,863 NOPE. CAN'T SAY I DO. 149 00:07:43,863 --> 00:07:47,500 HE DRIVES THIS TRUCK WITH THIS BIG SMILING ORANGE ON THE SIDE, 150 00:07:47,500 --> 00:07:49,702 WITH ARMS, 151 00:07:49,702 --> 00:07:51,904 LIKE, "HI. I'M AN ORANGE." 152 00:07:56,877 --> 00:08:00,346 EXAMPLES WHERE REVENGE WORKED SPLENDIDLY. NICE. 153 00:08:00,346 --> 00:08:01,915 I WAS JUST TEASING. 154 00:08:01,915 --> 00:08:04,918 A LITTLE HYPOCRITICAL OF YOU TO LECTURE HIM ON REVENGE, 155 00:08:04,918 --> 00:08:06,920 DON'T YOU THINK? HOW'S THAT? 156 00:08:06,920 --> 00:08:09,790 UH, ALL THESE YEARS YOU'VE BEEN HELPING ME SEEK REVENGE? 157 00:08:09,790 --> 00:08:11,391 THAT'S DIFFERENT. 158 00:08:11,391 --> 00:08:14,360 HOW'S THAT? I'M IN CONTROL OF THE SITUATION. 159 00:08:14,360 --> 00:08:16,228 OH, REALLY? 160 00:08:18,899 --> 00:08:20,901 SHE MUST HAVE BEEN ABDUCTED 161 00:08:20,901 --> 00:08:22,903 SOMEWHERE ALONG THIS STRETCH OF ROAD. 162 00:08:22,903 --> 00:08:25,004 STRANGE WE HAVEN'T FOUND HER BIKE. 163 00:08:25,004 --> 00:08:27,807 MAYBE SHE DIDN'T HEAD STRAIGHT HOME. 164 00:08:29,175 --> 00:08:30,810 WHAT DO YOU MEAN, 165 00:08:30,810 --> 00:08:33,013 "YOU'RE IN CONTROL OF THE SITUATION"? 166 00:08:33,013 --> 00:08:35,649 WHEN THE DAY COMES, WHEN WE FIND RED JOHN, 167 00:08:35,649 --> 00:08:39,318 I'M GONNA BE THERE TO STOP YOU FROM DOING ANYTHING FOOLISH. 168 00:08:39,318 --> 00:08:42,455 WE'RE GONNA PUT HIM IN FRONT OF A JUDGE AND A JURY. YOU REALLY BELIEVE THAT? 169 00:08:42,455 --> 00:08:44,024 YES, I DO. 170 00:08:44,024 --> 00:08:47,226 REALLY? I JUST ASSUMED YOU TOOK THAT JUDGE AND JURY STUFF 171 00:08:47,226 --> 00:08:49,028 WITH A GRAIN OF SALT. 172 00:08:49,028 --> 00:08:51,063 WELL, YOU ASSUMED WRONG. NO SALT. 173 00:08:53,600 --> 00:08:56,636 YOU KNOW THE REALITY WILL BE DIFFERENT. 174 00:08:56,636 --> 00:08:58,639 RED JOHN IS MINE, 175 00:08:58,639 --> 00:09:00,974 AND I'M GONNA EXACT MY REVENGE ON HIM. 176 00:09:00,974 --> 00:09:02,975 I THINK, WHEN THE TIME COMES, 177 00:09:02,975 --> 00:09:06,212 YOU'LL SEE THAT VIOLENCE IS NOT THE ANSWER. 178 00:09:10,049 --> 00:09:14,187 I HAD NO IDEA YOUR NAIVE IDEALISM WAS SO DEEPLY FELT. 179 00:09:14,187 --> 00:09:15,187 HUSH. 180 00:09:15,187 --> 00:09:16,222 HUSH. 181 00:09:16,222 --> 00:09:17,289 HUSH. 182 00:09:19,125 --> 00:09:21,761 EXCUSE ME. YOU ARE AGENT TERESA LISBON? 183 00:09:21,761 --> 00:09:23,163 YES, I AM. 184 00:09:23,163 --> 00:09:26,700 GOOD EVENING, MA'AM. MY NAME IS ELLIS MARS. 185 00:09:26,700 --> 00:09:28,701 I UNDERSTAND YOU ARE LEADING 186 00:09:28,701 --> 00:09:31,171 THE KEELEY FARLOWE MURDER INVESTIGATION. YES. 187 00:09:31,171 --> 00:09:33,572 AH. POOR GIRL. 188 00:09:33,572 --> 00:09:35,575 I OFTEN SAW HER AROUND TOWN, 189 00:09:35,575 --> 00:09:37,409 SO FRESH, INNOCENT. 190 00:09:37,409 --> 00:09:40,179 YES? 191 00:09:40,179 --> 00:09:42,282 I HAVE INFORMATION. 192 00:09:42,282 --> 00:09:44,985 THE KILLER IS GOING TO STRIKE AGAIN. 193 00:09:44,985 --> 00:09:47,955 SOON. AND HOW DO YOU KNOW THAT, SIR? 194 00:09:47,955 --> 00:09:51,658 WELL, IT'S HARD TO EXPLAIN. SOME CALL IT A THIRD EYE 195 00:09:51,658 --> 00:09:54,027 OR E.S.P. I THINK OF IT SIMPLY AS MY GIFT. 196 00:09:54,027 --> 00:09:56,163 (chuckles) (chuckles) 197 00:09:56,163 --> 00:09:58,264 NOT INTERESTED. THANKS, THOUGH. 198 00:09:58,264 --> 00:10:00,600 WELL, I'VE BEEN WAITING HERE FOR SEVERAL HOURS. 199 00:10:00,600 --> 00:10:02,936 (sighs) WELL, PERHAPS YOU ARE MORE BROAD-MINDED, SIR. 200 00:10:02,936 --> 00:10:04,837 UH, DON'T GET ME STARTED. 201 00:10:04,837 --> 00:10:06,373 I FORGIVE YOUR BRUSQUENESS. 202 00:10:06,373 --> 00:10:09,909 I CAN TELL THAT YOU HAVE BEEN VISITED BY GREAT TRAGEDY. 203 00:10:13,113 --> 00:10:14,748 OH, REALLY? 204 00:10:14,748 --> 00:10:16,850 I'M SORRY. I DID NOT MEAN TO OFFEND. 205 00:10:16,850 --> 00:10:19,519 I JUST, UH, SAW IT IN YOUR EYES. 206 00:10:19,519 --> 00:10:21,421 GOOD-BYE, MR. MARS. 207 00:10:21,421 --> 00:10:24,957 IF YOU DO NEED MY HELP AGAIN, PLEASE CALL ME. 208 00:10:24,957 --> 00:10:26,759 I'LL HAPPILY COME BACK. 209 00:10:28,928 --> 00:10:31,731 (Van Pelt) CHO AND RIGSBY HAVE GONE BACK TO SACRAMENTO 210 00:10:31,731 --> 00:10:34,600 TO PICK UP GREGOR HOBART, DRIVES A TRUCK FOR HAPPY CITRUS FARMS. 211 00:10:34,600 --> 00:10:37,403 WAS SEEN TALKING TO KEELEY AS SHE LEFT WORK. WHAT ABOUT FORENSICS? 212 00:10:37,403 --> 00:10:39,740 THEY PUT A RUSH ON THE REPORT, BE HERE FIRST THING 213 00:10:39,740 --> 00:10:43,009 IN THE MORNING, AND I BOOKED US ROOMS AT THE NEAREST MOTEL-- 214 00:10:43,009 --> 00:10:45,946 REASONABLE PRICE. DEPUTY HOBBS SAYS IT'S CLEAN. 215 00:10:45,946 --> 00:10:48,014 GOOD. IT'S BEEN A LONG DAY. HMM. 216 00:10:48,014 --> 00:10:49,316 YOU ALL RIGHT, JANE? 217 00:10:49,316 --> 00:10:51,851 OH, SMALL-TOWN MOTEL, GAS STATION PIZZA-- 218 00:10:51,851 --> 00:10:54,287 WHAT COULD BE BETTER? (chuckles) 219 00:11:04,230 --> 00:11:07,868 (man) "TIGER, TIGER, BURNING BRIGHT, 220 00:11:07,868 --> 00:11:11,171 "IN THE FORESTS OF THE NIGHT, 221 00:11:11,171 --> 00:11:13,173 "WHAT IMMORTAL HAND OR EYE 222 00:11:13,173 --> 00:11:16,809 COULD FRAME THY FEARFUL SYMMETRY?" 223 00:11:19,511 --> 00:11:21,114 (air hisses) 224 00:11:23,316 --> 00:11:26,318 (Rigsby) GREGOR HOBART? 225 00:11:26,318 --> 00:11:27,653 YES. 226 00:11:27,653 --> 00:11:29,355 DON'T RUN. 227 00:11:29,355 --> 00:11:31,024 WASN'T GOING TO. 228 00:11:31,024 --> 00:11:33,393 YEAH, YOU HAD THAT LOOK ABOUT YOU. 229 00:11:33,393 --> 00:11:35,294 NO ONE CALLS ME GREGOR. 230 00:11:35,294 --> 00:11:36,864 WHAT'S THIS ABOUT? 231 00:11:36,864 --> 00:11:39,331 KEELEY FARLOWE. SHE'S DEAD, MURDERED. 232 00:11:41,533 --> 00:11:43,003 OH, NO. 233 00:11:43,003 --> 00:11:45,538 YOU WERE FOND OF KEELEY, WERE YOU? 234 00:11:45,538 --> 00:11:46,974 YES, I WAS. 235 00:11:46,974 --> 00:11:48,975 DID YOU EVER TELL HER THAT? 236 00:11:48,975 --> 00:11:51,010 SURE. I ASKED HER OUT. 237 00:11:51,010 --> 00:11:53,947 WHAT WAS HER RESPONSE? 238 00:11:53,947 --> 00:11:56,015 UH, I THINK SHE WAS INTRIGUED. 239 00:11:56,015 --> 00:11:58,618 YOU THINK? SHE WAS ENGAGED TO BE MARRIED. 240 00:11:58,618 --> 00:12:00,921 WE'RE ALL SINNERS, BROTHER, 241 00:12:00,921 --> 00:12:04,057 EVEN NICE GIRLS LIKE KEELEY. AND WHEN DID YOU LAST SPEAK TO HER? 242 00:12:04,057 --> 00:12:06,458 YESTERDAY, UH, WHEN SHE LEFT WORK. 243 00:12:06,458 --> 00:12:08,660 WHEN SHE LEFT WORK? WHERE? 244 00:12:08,660 --> 00:12:10,663 OUTSIDE THE DINER, IN THE STREET. 245 00:12:10,663 --> 00:12:14,100 SHE WAS UNLOCKING HER BIKE. THAT MAKES YOU THE LAST PERSON TO SEE HER ALIVE. 246 00:12:14,100 --> 00:12:17,070 MM, APART FROM HER KILLER. RIGHT. SO YOU SAID HI? 247 00:12:17,070 --> 00:12:19,873 MM-HMM. I SAID "HI." SHE SAID "HI." 248 00:12:19,873 --> 00:12:21,374 SHE WAS UPSET, 249 00:12:21,374 --> 00:12:23,911 AND SO I TRIED TO MAKE HER FEEL BETTER. 250 00:12:23,911 --> 00:12:25,913 I TOLD HER A JOKE. 251 00:12:25,913 --> 00:12:28,081 THIS GOAT WALKS INTO A BAR-- 252 00:12:28,081 --> 00:12:30,649 WHAT WAS SHE UPSET ABOUT? 253 00:12:30,649 --> 00:12:33,120 THE COOK AT THE DINNER WAS HASSLING HER ON THE SLY, 254 00:12:33,120 --> 00:12:35,288 GRABBING AT HER. YOU KNOW, A SECRET LECH. 255 00:12:35,288 --> 00:12:38,859 THEY HAD A TUSSLE JUST BEFORE I SAW HER. 256 00:12:38,859 --> 00:12:42,428 SO SHE WAS UPSET. 257 00:12:42,428 --> 00:12:44,831 SO ANYWAY, I MADE HER LAUGH, 258 00:12:44,831 --> 00:12:46,298 SHE RODE OFF HAPPY. 259 00:12:46,298 --> 00:12:48,802 AND THAT'S THE LAST YOU SAW OF HER? 260 00:12:48,802 --> 00:12:49,970 YEAH. 261 00:12:49,970 --> 00:12:53,941 THE STRANGE THING? 262 00:12:53,941 --> 00:12:56,243 WHEN SHE WAS LEAVING, 263 00:12:56,243 --> 00:13:00,179 THE MOON WAS COMING UP OVER THE HILLS, 264 00:13:00,179 --> 00:13:04,716 AND IT LOOKED LIKE SHE WAS RIDING TO THE MOON... 265 00:13:04,716 --> 00:13:06,552 YOU KNOW? 266 00:13:06,552 --> 00:13:10,890 I WAS ADMIRING HOW PRETTY SHE LOOKED. 267 00:13:10,890 --> 00:13:13,759 AND AT THE SAME TIME, 268 00:13:13,759 --> 00:13:17,096 IT GAVE ME A BAD FEELING, 269 00:13:17,096 --> 00:13:19,298 LIKE AN EVIL OMEN. 270 00:13:19,298 --> 00:13:21,835 WE HEAR YOU WERE HARASSING KEELEY FARLOWE, 271 00:13:21,835 --> 00:13:24,837 PUTTING YOUR HANDS ON HER? NO. 272 00:13:24,837 --> 00:13:28,107 WE HEAR YOU HAD A FIGHT WITH HER YESTERDAY. NO. 273 00:13:31,577 --> 00:13:33,880 IT'S HOT IN HERE. ROLL UP YOUR SLEEVES. 274 00:13:33,880 --> 00:13:37,283 THAT'S OKAY. I'M NOT HOT. 275 00:13:45,491 --> 00:13:47,494 LOOK, A CAT DID THIS. 276 00:13:50,297 --> 00:13:54,033 (whistles) 277 00:13:54,033 --> 00:13:56,102 THERE IS NO CAT, RUSTY, 278 00:13:56,102 --> 00:13:58,038 AND FORENSICS WILL FIND YOUR SKIN 279 00:13:58,038 --> 00:14:00,340 UNDER KEELEY'S FINGERNAILS, WON'T THEY? 280 00:14:02,575 --> 00:14:03,943 I WANT A LAWYER. 281 00:14:03,943 --> 00:14:06,346 LEAVE HIM ALONE WITH ME FOR TEN MINUTES. 282 00:14:06,346 --> 00:14:09,048 I'LL GET A CONFESSION. THAT'S A GREAT IDEA. 283 00:14:09,048 --> 00:14:11,183 THAT'S NOT THE WAY WE WORK. 284 00:14:11,183 --> 00:14:15,322 DON'T WORRY ABOUT IT, LITTLE LADY. GO YOURSELF A LATTE. 285 00:14:15,322 --> 00:14:18,691 CHECK YOUR E-MAIL. IT WON'T TAKE LONG. SHERIFF, I BELIEVE WE HAVE SOME CULTURAL DIFFERENCES HERE. 286 00:14:18,691 --> 00:14:22,394 I THINK WE'LL TAKE THIS GENTLEMAN BACK TO SACRAMENTO, 287 00:14:22,394 --> 00:14:25,032 QUESTION HIM THERE, AVOID FRICTION. COME ON. 288 00:14:29,101 --> 00:14:31,504 YOU HAD HER AT "LITTLE LADY." 289 00:14:31,504 --> 00:14:34,807 MY AUNT HAD A CAT-- LITTLE CHARLIE MANSON WITH FUR. 290 00:14:34,807 --> 00:14:35,942 "PERCY"--HE WAS CALLED. 291 00:14:35,942 --> 00:14:38,544 GET IT? PURR... SEE. 292 00:14:38,544 --> 00:14:42,448 INTERESTING ANECDOTE. JUST TRYING TO KEEP OUR FRIEND AT EASE, RIGHT? 293 00:14:48,654 --> 00:14:50,023 WAIT. HEY! 294 00:14:50,023 --> 00:14:52,024 (Rusty grunting) (Todd) YOU'RE A DEAD MAN. 295 00:14:52,024 --> 00:14:54,961 (Rusty panting) LET GO OF ME. 296 00:14:54,961 --> 00:14:56,863 (grunting) 297 00:14:56,863 --> 00:14:58,197 RELAX, SIR. 298 00:14:58,197 --> 00:15:02,902 RELAX AND THE PAIN WILL STOP. 299 00:15:09,642 --> 00:15:12,578 I THINK YOU SHOULD. BUT HE'S A GOOD KID. HE JUST GOT CARRIED AWAY. 300 00:15:12,578 --> 00:15:15,215 ARE WE GONNA RUIN HIS LIFE WITH A CRIMINAL RECORD? 301 00:15:15,215 --> 00:15:20,419 I MEAN, HASN'T HE SUFFERED ENOUGH ALREADY? VENGEANCE IS NOT LEGAL. PEOPLE NEED TO KNOW THAT. 302 00:15:20,419 --> 00:15:22,721 SO I HAVE JUSTICE AND HUMANITY ON MY SIDE, 303 00:15:22,721 --> 00:15:25,692 AND LISBON HAS A TEACHABLE MOMENT. LET ME TALK TO HIM. 304 00:15:25,692 --> 00:15:29,562 I WILL PERSUADE HIM TO DROP THE NOTION OF REVENGE. 305 00:15:29,562 --> 00:15:32,764 I'LL PUT HIM BACK ON THE RIGHT PATH. YOU THINK YOU CAN DO THAT? 306 00:15:32,764 --> 00:15:35,134 I KNOW I CAN. I'VE BEEN THERE. 307 00:15:38,738 --> 00:15:41,341 OKAY, GO DO THAT. 308 00:15:41,341 --> 00:15:44,844 AND IF HE SAYS THE RIGHT THINGS, AND YOU BELIEVE HIM, 309 00:15:44,844 --> 00:15:46,846 THEN HE CAN WALK AWAY. 310 00:15:46,846 --> 00:15:48,514 YES, MA'AM. 311 00:15:57,856 --> 00:15:59,725 HAVE A SEAT. 312 00:16:01,660 --> 00:16:05,164 (sighs deeply) YOU JUST TRIED TO KILL AN INNOCENT MAN. 313 00:16:05,164 --> 00:16:07,167 YOU'RE VERY LUCKY YOU FAILED. 314 00:16:07,167 --> 00:16:09,969 I DIDN'T FAIL. 315 00:16:09,969 --> 00:16:11,971 I MEAN, I WASN'T THINKING. 316 00:16:11,971 --> 00:16:15,442 I DON'T KNOW WHAT I WAS DOING. 317 00:16:15,442 --> 00:16:17,677 YOU'RE SURE HE'S NOT THE GUY? 318 00:16:17,677 --> 00:16:19,546 HE'S NOT THE GUY. TRUST ME. 319 00:16:19,546 --> 00:16:22,682 CBI CHIEF WANTS TO CHARGE YOU WITH ASSAULT. 320 00:16:22,682 --> 00:16:25,585 WELL, I GUESS I GOT IT COMING TO ME. 321 00:16:25,585 --> 00:16:27,453 UNLESS.... UNLESS... 322 00:16:27,453 --> 00:16:30,057 YOU'RE WILLING TO SWEAR YOU'VE LEARNED YOUR LESSON 323 00:16:30,057 --> 00:16:32,658 AND YOU WON'T PURSUE PERSONAL VENGEANCE. 324 00:16:34,226 --> 00:16:36,562 I CAN'T DO THAT, MR. JANE. 325 00:16:38,865 --> 00:16:40,567 I FIND WHO DID THIS TO... 326 00:16:40,567 --> 00:16:44,037 (voice breaking) TO KEELEY, I WILL KILL HIM. 327 00:16:44,037 --> 00:16:47,639 I CAN'T SWEAR TO DO OTHERWISE. 328 00:16:53,446 --> 00:16:56,649 (lowered voice) TODD, YOU REPEAT WHAT I TELL YOU NOW, 329 00:16:56,649 --> 00:16:59,552 AND I WILL DENY EVERY WORD OF IT. 330 00:17:01,453 --> 00:17:04,790 IF YOU TRULY WANT REVENGE, YOU HAVE TO BE HARD. 331 00:17:04,790 --> 00:17:09,461 YOU HAVE TO BE DISHONEST AND DEVIOUS AND COLD. 332 00:17:11,564 --> 00:17:15,301 YOU CAN'T LET PEOPLE SEE WHAT'S IN YOUR HEART. 333 00:17:21,607 --> 00:17:23,742 OKAY. 334 00:17:25,311 --> 00:17:28,748 SO ANYHOW, I'M--I'M VERY SORRY. 335 00:17:28,748 --> 00:17:31,384 I SWEAR IT WILL NEVER HAPPEN AGAIN. 336 00:17:34,653 --> 00:17:37,056 I'M GLAD TO HEAR YOU SAY THAT. 337 00:17:37,056 --> 00:17:40,259 AND I'M GLAD TO SAY THAT YOU CAN WALK OUT OF HERE A FREE MAN. 338 00:17:40,259 --> 00:17:42,461 NO CHARGES. 339 00:17:42,461 --> 00:17:44,663 THANK YOU. 340 00:17:46,633 --> 00:17:48,867 (sighs) 341 00:17:48,867 --> 00:17:50,302 THANK YOU. 342 00:17:52,838 --> 00:17:55,040 THAT WAS ALL B.S., RIGHT? 343 00:17:55,040 --> 00:17:56,843 IT SOUNDED PRETTY SINCERE TO ME. 344 00:17:56,843 --> 00:18:00,078 I HOPE YOU KNOW WHAT YOU'RE DOING. ABOUT 78% SURE. 345 00:18:00,078 --> 00:18:02,582 GRACE, WHAT IS IT? THE BALLISTICS REPORT CAME IN. 346 00:18:02,582 --> 00:18:05,585 DEPUTY CONNOR WAS SHOT WITH THE SAME .45 CALIBER HANDGUN 347 00:18:05,585 --> 00:18:08,887 THAT WAS USED IN THE HOWARD/ORTIZ MURDERS. OH, CRAP. 348 00:18:08,887 --> 00:18:10,457 HOWARD/ORTIZ MURDERS? 349 00:18:10,457 --> 00:18:11,657 (sighs) 350 00:18:11,657 --> 00:18:14,126 TWO MONTHS AGO, SAC P.D. OFFICER JEFF ORTIZ 351 00:18:14,126 --> 00:18:16,128 WAS SHOT DEAD BY A PASSING MOTORIST. 352 00:18:16,128 --> 00:18:18,565 THEN EXACTLY ONE MONTH LATER, 353 00:18:18,565 --> 00:18:21,800 C.H.P. OFFICER RANCE HOWARD WAS SHOT DEAD WITH THE SAME HANDGUN. 354 00:18:21,800 --> 00:18:24,471 BOTH INCIDENTS OCCURRED LATE AT NIGHT ON COUNTRY ROADS. 355 00:18:24,471 --> 00:18:26,439 HOWARD USED TO WORK HERE BEFORE YOUR TIME. GOOD GUY. 356 00:18:26,439 --> 00:18:28,775 THE SAN FRANCISCO OFFICE HAS THE CASE. 357 00:18:28,775 --> 00:18:31,510 DID YOU TALK TO 'EM? YEAH, THEY'RE SENDING OVER A COPY OF THE CASE FILES. 358 00:18:31,510 --> 00:18:34,681 A SERIAL KILLER OF POLICEMEN. VERY INTERESTING. 359 00:18:34,681 --> 00:18:36,682 THIS IS NOT A FASCINATING PUZZLE. 360 00:18:36,682 --> 00:18:39,519 IT'S A MEDIA CRAP STORM. (folder hits table) 361 00:18:39,519 --> 00:18:40,586 OKAY. 362 00:18:40,586 --> 00:18:43,890 SAN FRANCISCO BASICALLY HAS NOTHING 363 00:18:43,890 --> 00:18:45,625 ON THE HOWARD/ORTIZ MURDERS. 364 00:18:45,625 --> 00:18:47,826 NO FORENSICS APART FROM BALLISTICS, 365 00:18:47,826 --> 00:18:49,496 NO WITNESSES, NO LEADS. 366 00:18:49,496 --> 00:18:51,597 AND RUSTY MOORE WAS ON VACATION IN FLORIDA 367 00:18:51,597 --> 00:18:53,299 WHEN THE FIRST MURDER OCCURRED. 368 00:18:53,299 --> 00:18:56,903 HOBART'S COMPANY LOG PUTS HIM OUT OF RANGE IN BOTH INSTANCES. 369 00:18:56,903 --> 00:18:59,872 SO WE CAN DISCARD BOTH OF THEM AS SUSPECTS. WELL, FORENSICS FOUND 370 00:18:59,872 --> 00:19:02,875 NO SUSPICIOUS D.N.A. ON KEELEY OR THE TWO DEPUTIES. 371 00:19:02,875 --> 00:19:06,077 THE TIRE TRACKS AT THE SCENE OF THE CRIME WERE STANDARD MAKE. 372 00:19:06,077 --> 00:19:08,079 OVER 5 MILLION SOLD IN CALIFORNIA ALONE. 373 00:19:08,079 --> 00:19:09,781 WE GOT NOTHING, BASICALLY. 374 00:19:09,781 --> 00:19:11,417 A MONTHLY PATTERN, 375 00:19:11,417 --> 00:19:12,951 A .45 CALIBER HANDGUN, 376 00:19:12,951 --> 00:19:15,054 AND A GRUDGE AGAINST THE POLICE. 377 00:19:15,054 --> 00:19:17,523 BUT WHY KEELEY? SHE'S NOT POLICE. 378 00:19:17,523 --> 00:19:20,159 WHY NOT KEELEY? HE SEES HER RIDING ALONG. 379 00:19:20,159 --> 00:19:21,961 IT'S EASY TO KNOCK HER OFF HER BIKE. 380 00:19:21,961 --> 00:19:24,830 NOW HE HAS BAIT TO LURE THE DEPUTIES INTO A TRAP. 381 00:19:24,830 --> 00:19:27,366 IN ANY CASE, THE KILLER'S GOTTEN MORE ELABORATE. 382 00:19:27,366 --> 00:19:29,501 IT STARTED WITH A SIMPLE DRIVE-BY. 383 00:19:29,501 --> 00:19:31,770 NOW WE HAVE MULTIPLE VICTIMS, STAGING OF BODIES, ARSON. 384 00:19:31,770 --> 00:19:35,474 HE'S BEGINNING TO ENJOY HIMSELF, SPREADING HIS WINGS. 385 00:19:35,474 --> 00:19:36,808 I'M READING YOUR INTERVIEW 386 00:19:36,808 --> 00:19:39,612 WITH HOBART, THE POETICAL TRUCKER. 387 00:19:39,612 --> 00:19:42,582 HE SAYS THAT WHEN KEELEY RODE OFF, AND I QUOTE, 388 00:19:42,582 --> 00:19:44,916 "THE MOON WAS COMING UP OVER THE HILLS, 389 00:19:44,916 --> 00:19:47,920 "AND IT LOOKED LIKE SHE WAS RIDING TO THE MOON, YOU KNOW? 390 00:19:47,920 --> 00:19:50,923 "AND I WAS ADMIRING HOW PRETTY SHE LOOKED, 391 00:19:50,923 --> 00:19:54,192 "AND AT THE SAME TIME, I HAD A BAD FEELING ABOUT IT, 392 00:19:54,192 --> 00:19:56,229 LIKE AN EVIL OMEN." 393 00:19:56,229 --> 00:19:59,030 (folder hits table) 394 00:19:59,030 --> 00:20:01,067 MOON RISES IN THE EAST. 395 00:20:01,067 --> 00:20:04,503 SO SHE WAS RIDING EAST. BUT HER ROUTE HOME IS WEST OF THE DINER. 396 00:20:04,503 --> 00:20:07,707 SHE WASN'T HEADED HOME WHEN SHE LEFT WORK. WE'VE BEEN LOOKING FOR THE ABDUCTION SITE 397 00:20:07,707 --> 00:20:09,808 ON THE WRONG STRETCH OF ROAD. 398 00:20:20,051 --> 00:20:21,520 (whistles) 399 00:20:21,520 --> 00:20:25,657 (Mullery) YEAH, THAT'S KEELEY'S BIKE. 400 00:20:25,657 --> 00:20:28,661 OKAY. WE'RE GONNA HAVE TO CORDON OFF THIS WHOLE AREA. 401 00:20:28,661 --> 00:20:32,598 I'M GONNA CALL FORENSICS, GET SOME TECHS DOWN HERE. 402 00:20:32,598 --> 00:20:34,366 WHERE DOES THIS GO? WHERE--WHERE WAS SHE HEADED? 403 00:20:34,366 --> 00:20:36,368 ABOUT HALF A MILE DOWN, 404 00:20:36,368 --> 00:20:38,904 THERE'S A MAKE-OUT SPOT THAT THE LOCAL KIDS USE. 405 00:20:38,904 --> 00:20:41,173 AFTER THAT, NOTHING TILL YOU GET TO GAINERSVILLE, 406 00:20:41,173 --> 00:20:43,576 20 MILES AWAY. 407 00:20:43,576 --> 00:20:45,577 (Rigsby) HEY, I GOT SOMETHIN'. 408 00:20:45,577 --> 00:20:48,748 LOOKS LIKE A BUTTON FROM A PEACOAT TYPE OF THING, 409 00:20:48,748 --> 00:20:50,349 LIKE SAILORS WEAR? 410 00:20:50,349 --> 00:20:53,586 SAILORS AND, UH, FIREMEN. FIREMEN. 411 00:20:55,555 --> 00:20:57,557 WE'RE INVESTIGATING THE ORCHARD MURDERS. 412 00:20:57,557 --> 00:20:59,558 WE NEED A LIST OF ALL THE FIREFIGHTERS 413 00:20:59,558 --> 00:21:01,560 THAT WEREN'T ON DUTY THE NIGHT BEFORE LAST 414 00:21:01,560 --> 00:21:04,763 AND ANYONE WHO WAS SUPPOSED TO BE ON DUTY BUT DIDN'T SHOW UP. 415 00:21:04,763 --> 00:21:05,998 OKAY. 416 00:21:05,998 --> 00:21:08,099 YOU LOOK TROUBLED. 417 00:21:08,099 --> 00:21:09,801 NO. YEAH, ACTUALLY, 418 00:21:09,801 --> 00:21:12,805 I MEAN, THERE WAS ONE GUY WHO DIDN'T SHOW UP THAT NIGHT, 419 00:21:12,805 --> 00:21:16,008 BUT... THERE'S NO WAY. HE'S--HE'S NOT THAT KIND OF GUY. 420 00:21:16,008 --> 00:21:17,509 WHAT'S HIS NAME? 421 00:21:17,509 --> 00:21:19,811 KITCHEN. BEN KITCHEN. 422 00:21:19,811 --> 00:21:24,550 AND WHERE CAN WE FIND MR. KITCHEN? 423 00:21:24,550 --> 00:21:26,952 YO, KITCH. GET OUT HERE. 424 00:21:30,856 --> 00:21:34,361 THESE DETECTIVES WANT TO TALK TO YOU. 425 00:21:37,963 --> 00:21:39,766 OKAY. WHAT'D I DO? 426 00:21:39,766 --> 00:21:42,101 HOW'D YOU LOSE YOUR EYEBROWS? 427 00:21:42,101 --> 00:21:45,538 BARBECUE ACCIDENT, AT HOME. 428 00:21:45,538 --> 00:21:48,607 AND WHY DIDN'T YOU COME INTO WORK THE NIGHT BEFORE LAST? 429 00:21:48,607 --> 00:21:51,176 STOMACH BUG. MIGHT BE IT WAS THE BARBECUE. 430 00:21:51,176 --> 00:21:52,845 (chuckles) 431 00:21:54,713 --> 00:21:57,483 WHAT'S THIS ABOUT? YOUR LACK OF EYEBROWS. 432 00:21:57,483 --> 00:22:01,554 I KNOW WHAT SHE LOOKS LIKE. 433 00:22:01,554 --> 00:22:03,189 I DIDN'T KILL HER. 434 00:22:03,189 --> 00:22:04,590 I WAS HOME, 435 00:22:04,590 --> 00:22:07,359 LIKE I SAID A MILLION TIMES NOW. 436 00:22:07,359 --> 00:22:10,363 YOU SAY THAT, BUT YOU HAVE NO PROOF. 437 00:22:10,363 --> 00:22:12,664 I DON'T NEED PROOF. YOU NEED PROOF. 438 00:22:12,664 --> 00:22:16,001 YOU HAVE A BAD ATTITUDE. WHAT'S THE MATTER? 439 00:22:16,001 --> 00:22:18,003 MY FACE HURTS. 440 00:22:18,003 --> 00:22:19,771 YOU DON'T LIKE POLICEMEN? 441 00:22:19,771 --> 00:22:20,940 (sighs) 442 00:22:20,940 --> 00:22:22,541 DON'T LOVE 'EM. 443 00:22:22,541 --> 00:22:24,042 (cell phone rings) 444 00:22:24,042 --> 00:22:25,545 IT'S NOTHING PERSONAL. 445 00:22:25,545 --> 00:22:28,714 IT'S A FIREFIGHTER'S TRADITION. (ring) 446 00:22:28,714 --> 00:22:30,182 (ring) 447 00:22:30,182 --> 00:22:32,218 SHERIFF MULLERY. 448 00:22:32,218 --> 00:22:33,586 Hey, Lisbon, 449 00:22:33,586 --> 00:22:36,288 I HEAR YOU GOT A SUSPECT IN CUSTODY. Yeah. 450 00:22:36,288 --> 00:22:39,491 HE LOOKS PRETTY GOOD FOR IT. HUH. FIREFIGHTER, HUH? 451 00:22:39,491 --> 00:22:42,662 YEAH. BEN KITCHEN? Yeah, I know him. 452 00:22:42,662 --> 00:22:44,564 GREAT. LOOK, I'M ON MY WAY TO THE OFFICE NOW. 453 00:22:44,564 --> 00:22:46,465 THAT'S ALL RIGHT, SHERIFF. IT'S EARLY DAYS YET. 454 00:22:46,465 --> 00:22:49,701 We don't even know if he-- DON'T WORRY. I WON'T INTERFERE. 455 00:22:49,701 --> 00:22:51,938 I LEARNED MY LESSON-- (gunshot) 456 00:22:54,006 --> 00:22:56,107 HELLO? 457 00:22:56,107 --> 00:22:58,444 Sheriff? 458 00:22:58,444 --> 00:23:00,880 Sheriff Mullery? Hello? 459 00:23:02,781 --> 00:23:04,483 Hello? 460 00:23:30,009 --> 00:23:32,111 WAITING FOR CONFIRMATION FROM BALLISTICS, 461 00:23:32,111 --> 00:23:35,013 BUT THE M.E. TOOK WHAT LOOKS LIKE A .45 SLUG FROM MULLERY. 462 00:23:35,013 --> 00:23:37,983 SAME CALIBER AS THE PREVIOUS MURDERS, SAME M.O. 463 00:23:37,983 --> 00:23:39,818 SO WE HAVE TO ASSUME IT'S THE SAME SHOOTER, 464 00:23:39,818 --> 00:23:41,287 ONLY A DIFFERENT SCHEDULE. 465 00:23:41,287 --> 00:23:43,490 THREE DAYS FROM THE LAST MURDER INSTEAD OF A MONTH. 466 00:23:43,490 --> 00:23:44,990 WHY THE CHANGE? 467 00:23:44,990 --> 00:23:46,792 BECAUSE HE HAD TO KILL MULLERY. 468 00:23:46,792 --> 00:23:48,994 BECAUSE MULLERY DISCOVERED SOMETHING. 469 00:23:48,994 --> 00:23:51,063 WHY DID MULLERY KEEP IT QUIET THEN? 470 00:23:51,063 --> 00:23:54,967 AND HOW DID THE KILLER KNOW THAT HE HAD DISCOVERED SOMETHING? 471 00:23:54,967 --> 00:23:56,167 GOOD QUESTIONS. 472 00:23:56,167 --> 00:23:58,505 SIR, I DON'T CARE WHAT YOU HAVE TO SAY, 473 00:23:58,505 --> 00:24:01,173 YOU'RE NOT ALLOWED IN. PLEASE, DEPUTY. I AM TRYING TO HELP. 474 00:24:01,173 --> 00:24:03,742 HOBBS, IT'S OKAY. I'LL DEAL WITH HIM. 475 00:24:03,742 --> 00:24:05,978 WHAT BRINGS YOU BACK HERE, MR. MARS? 476 00:24:05,978 --> 00:24:08,279 I'M SORRY. I NEVER CAUGHT YOUR NAME. 477 00:24:08,279 --> 00:24:09,882 PATRICK... JANE. 478 00:24:09,882 --> 00:24:11,049 PATRICK. 479 00:24:11,049 --> 00:24:15,020 PATRICK, I DON'T MEAN TO BE SELF-SERVING, 480 00:24:15,020 --> 00:24:18,223 BUT I DID TELL YOU THERE WOULD BE ANOTHER KILLING. 481 00:24:18,223 --> 00:24:20,527 YES, YOU DID. 482 00:24:20,527 --> 00:24:22,028 POOR MULLERY. 483 00:24:22,028 --> 00:24:26,031 LISBON WAS ACTUALLY ON THE PHONE WITH HIM WHEN HE DIED. 484 00:24:26,031 --> 00:24:29,234 WELL, I SUPPOSE WE OWE YOU AN APOLOGY, BUT, UH... 485 00:24:29,234 --> 00:24:31,037 NO. NO, NO, NO, NO. 486 00:24:31,037 --> 00:24:33,539 WITHOUT DOUBT, THERE CAN BE NO FAITH. (chuckles) 487 00:24:33,539 --> 00:24:35,674 ALL I ASK IS THAT YOU'LL LISTEN TO ME NOW 488 00:24:35,674 --> 00:24:38,176 WITH, UH, AN OPEN MIND. 489 00:24:38,176 --> 00:24:40,880 NOW THAT YOU KNOW WHAT I SAY IS TRUE, 490 00:24:40,880 --> 00:24:45,451 PERHAPS YOU COULD IMAGINE HOW HELPFUL THAT COULD BE TO YOU. 491 00:24:45,451 --> 00:24:48,354 CAN YOU IMAGINE THAT? 492 00:24:48,354 --> 00:24:51,457 ARE YOU TRYING TO HYPNOTIZE ME? 493 00:24:51,457 --> 00:24:52,892 NO. 494 00:24:52,892 --> 00:24:55,461 (chuckles) PATRICK, OF COURSE NOT. 495 00:24:55,461 --> 00:24:57,262 (chuckles) FELT A LITTLE WEIRD. 496 00:24:57,262 --> 00:25:00,700 YEAH. NO. TRYING IS NOTHING. DOING IS EVERYTHING, 497 00:25:00,700 --> 00:25:02,734 AND ALL I'M DOING IS ASKING 498 00:25:02,734 --> 00:25:05,203 FOR YOU TO LET ME HELP YOU. HMM? 499 00:25:05,203 --> 00:25:07,506 I CAN HELP YOU. 500 00:25:10,509 --> 00:25:13,211 YOU CAN HELP US. COME ON IN. 501 00:25:13,211 --> 00:25:15,080 THANK YOU. (clears throat) 502 00:25:17,083 --> 00:25:21,186 LISBON, SHERIFF, YOU REMEMBER MR. MARS? YES. 503 00:25:21,186 --> 00:25:23,088 HE CAN HELP. REALLY? 504 00:25:23,088 --> 00:25:26,092 HE CAN? WELL, I KNOW YOU'RE SKEPTICAL, BUT PLEASE, HEAR HIM OUT. 505 00:25:26,092 --> 00:25:27,960 I THINK YOU'LL BE VERY IMPRESSED. 506 00:25:27,960 --> 00:25:29,929 I NEED TO RUN TO THE STORE. 507 00:25:29,929 --> 00:25:34,299 THEN WE SHOULD TAKE HIM OUT TO KEELEY'S PLACE TO LOOK AROUND. 508 00:25:34,299 --> 00:25:35,968 I'LL BE RIGHT BACK. 509 00:25:35,968 --> 00:25:39,070 (Ellis) I SENSE THAT YOU'RE UPSET. OH, REALLY? 510 00:25:39,070 --> 00:25:41,339 OH, YES, I SEE. 511 00:25:41,339 --> 00:25:43,142 YOU WERE THE LAST PERSON 512 00:25:43,142 --> 00:25:45,344 TO SPEAK WITH SHERIFF MULLERY, WEREN'T YOU? 513 00:25:45,344 --> 00:25:47,078 YES. 514 00:25:47,078 --> 00:25:50,348 OH, I SEE YOU RIGHT THERE WHEN HE DIED. 515 00:25:50,348 --> 00:25:51,951 AHEM. NO. 516 00:25:51,951 --> 00:25:53,184 NO. 517 00:25:53,184 --> 00:25:55,922 RIGHT THERE, BUT NOT THERE. 518 00:25:57,189 --> 00:26:00,358 YOU WERE ON THE PHONE WITH HIM WHEN HE DIED. 519 00:26:00,358 --> 00:26:01,928 WHOA. 520 00:26:01,928 --> 00:26:04,195 HOW DID YOU KNOW THAT? 521 00:26:05,731 --> 00:26:07,666 A PSYCHIC? 522 00:26:09,801 --> 00:26:11,303 YOU'RE KIDDING ME. 523 00:26:14,573 --> 00:26:16,575 COME ON. 524 00:26:16,575 --> 00:26:18,243 THIS GUY'S GOOD. 525 00:26:36,595 --> 00:26:39,198 WHAT ROOM IS THAT? 526 00:26:39,198 --> 00:26:40,499 IT'S THE BATHROOM. 527 00:26:40,499 --> 00:26:41,432 UH-HUH. 528 00:26:41,432 --> 00:26:43,501 SO WHAT--WHAT'S THE GAG? 529 00:26:43,501 --> 00:26:46,972 BECAUSE THIS APPEARS TO BE AN ABSURD WASTE OF TIME. YES, IT DOES, DOESN'T IT? 530 00:26:46,972 --> 00:26:49,942 WAIT A MINUTE, THOUGH. YOU'LL ENJOY THE NEXT PART. 531 00:26:49,942 --> 00:26:53,078 THE MARK OF A GOOD PSYCHIC IS THE ABILITY TO IMPROVISE, 532 00:26:53,078 --> 00:26:56,082 TO USE TO YOUR ADVANTAGE WHATEVER PROPS 533 00:26:56,082 --> 00:26:59,184 MIGHT COME TO HAND. OH. 534 00:27:04,990 --> 00:27:07,759 (Woolgar) WHAT IS IT? A TOOTH? 535 00:27:07,759 --> 00:27:09,228 A WOLF'S TOOTH. 536 00:27:09,228 --> 00:27:12,932 WHERE ON EARTH WOULD A WOLF'S TOOTH COME FROM? 537 00:27:12,932 --> 00:27:17,303 THE KILLER MUST HAVE LEFT IT HERE. 538 00:27:17,303 --> 00:27:19,005 IT'S A SIGN. 539 00:27:20,571 --> 00:27:22,141 AS A CLAIRVOYANT, 540 00:27:22,141 --> 00:27:25,243 A MAN OF CLEAR SIGHT, IF YOU WILL, 541 00:27:25,243 --> 00:27:28,847 IT'S MY OPINION THE KILLER HAS A STRONG LYCANTHROPIC COMPLEX. 542 00:27:28,847 --> 00:27:31,951 HE BELIEVES HE'S A WEREWOLF OR A WOLF MAN-- 543 00:27:31,951 --> 00:27:35,153 "WERE" BEING AN ANGLO-SAXON WORD FOR "MAN." 544 00:27:35,153 --> 00:27:37,655 HENCE, OF COURSE, THE MONTHLY PATTERN OF HIS CRIMES. 545 00:27:37,655 --> 00:27:40,659 HIS BEHAVIOR IS DRIVEN BY THE PHASES OF THE MOON. (man) YOU'RE SAYING 546 00:27:40,659 --> 00:27:43,829 THERE'S A KILLER OUT THERE THAT TURNS INTO A WOLF? NO, NO, NO, NO. 547 00:27:43,829 --> 00:27:45,897 NO, I'M SAYING THERE'S A KILLER OUT THERE 548 00:27:45,897 --> 00:27:47,900 WHO BELIEVES HE TURNS INTO A WOLF, 549 00:27:47,900 --> 00:27:50,936 AND SO HE IS A WOLF AND BEHAVES LIKE ONE. 550 00:27:50,936 --> 00:27:54,440 THE MIND IS A POWERFUL MACHINE. IT CAN CREATE REALITY 551 00:27:54,440 --> 00:27:57,777 NOW I THINK I KNOW WHAT YOUR GAME IS. 552 00:27:57,777 --> 00:27:59,010 REALLY? MM. 553 00:27:59,010 --> 00:28:01,212 I'D BE VERY SURPRISED IF YOU DID. 554 00:28:01,212 --> 00:28:03,414 OUCH! 555 00:28:03,414 --> 00:28:05,017 OF COURSE. YOU'RE RIGHT. 556 00:28:05,017 --> 00:28:07,819 THE KILLER IS DRIVEN BY THE PHASES OF THE MOON. 557 00:28:07,819 --> 00:28:11,323 THAT IS BRILLIANT. HOW DID YOU WORK THAT OUT? SIMPLE DEDUCTION. 558 00:28:11,323 --> 00:28:14,326 AND THE LAST KILLING DIDN'T BREAK THE PATTERN AT ALL. 559 00:28:14,326 --> 00:28:16,595 IT SIMPLY INITIATED A DIFFERENT LUNAR CYCLE. 560 00:28:16,595 --> 00:28:18,130 EXACTLY. 561 00:28:18,130 --> 00:28:20,866 SO TONIGHT-- IT'S A BIG NIGHT, HUH? TONIGHT? 562 00:28:20,866 --> 00:28:22,500 MOON'S AT ITS APOGEE. 563 00:28:22,500 --> 00:28:24,002 I'M NO ASTROLOGER, 564 00:28:24,002 --> 00:28:26,605 BUT, UH, ISN'T THAT A HIGHLY CHARGED MOMENT? 565 00:28:26,605 --> 00:28:29,607 IT CAN BE. IT DEPENDS. AND SINCE SERIAL KILLERS ALWAYS HAVE 566 00:28:29,607 --> 00:28:33,880 A VERY STRONG URGE TO RETURN TO THE SCENE OF THEIR CRIMES... OH? 567 00:28:33,880 --> 00:28:36,182 YEAH. WOULDN'T WANNA BE UP IN THOSE HILLS TONIGHT. 568 00:28:36,182 --> 00:28:40,019 THAT WEREWOLF STUFF GIVES ME THE CREEPS. (laughs) WELL, NO, IT'S, UH, 569 00:28:40,019 --> 00:28:42,020 EASY TO BE SCARED OF THE UNKNOWN, HMM? 570 00:28:42,020 --> 00:28:43,721 WOULD YOU EXCUSE ME? OH, UH, UH... WELL, OF COURSE. 571 00:28:43,721 --> 00:28:45,391 AH. 572 00:28:45,391 --> 00:28:47,026 MM. (chuckles) 573 00:28:51,063 --> 00:28:53,298 SHERIFF WOOLGAR, DO YOU HAVE ANY DEPUTIES 574 00:28:53,298 --> 00:28:55,467 WATCHING OVER THE ORIGINAL CRIME SCENE? 575 00:28:55,467 --> 00:28:57,036 NO. WHY? 576 00:28:57,036 --> 00:28:59,270 WELL, I'VE BEEN THINKING ABOUT ALL THIS WOLF STUFF, 577 00:28:59,270 --> 00:29:01,773 AND IT OCCURS TO ME THAT IT'S VERY LIKELY 578 00:29:01,773 --> 00:29:05,111 THAT THE KILLER WILL RETURN TO THE SCENE OF THE CRIME. WHY? 579 00:29:05,111 --> 00:29:07,746 WELL, SERIAL KILLERS DO, DON'T THEY? 580 00:29:07,746 --> 00:29:10,916 WELL, SOME DO AND SOME DON'T. 581 00:29:10,916 --> 00:29:12,919 SOMEONE THAT THINKS THEY'RE A WOLF 582 00:29:12,919 --> 00:29:14,220 WILL ALMOST CERTAINLY RETURN. 583 00:29:14,220 --> 00:29:17,256 WOLVES ALWAYS RETURN TO THEIR KILLS. 584 00:29:17,256 --> 00:29:19,892 THEY DO. 585 00:29:19,892 --> 00:29:21,928 I'LL PUT SOME MEN UP THERE. 586 00:29:21,928 --> 00:29:24,029 THAT'S SMART. 587 00:29:24,029 --> 00:29:27,499 (insects chirping) 588 00:29:38,009 --> 00:29:39,778 (Ellis) AAH! 589 00:29:39,778 --> 00:29:42,280 (panting) 590 00:29:42,280 --> 00:29:43,315 AAH! 591 00:29:46,785 --> 00:29:48,420 OH! 592 00:29:56,127 --> 00:29:59,265 (continues panting) 593 00:30:09,474 --> 00:30:11,143 (grunts) 594 00:30:15,247 --> 00:30:17,648 (whimpers) 595 00:30:17,648 --> 00:30:20,586 (panting) 596 00:30:36,067 --> 00:30:38,203 (continues panting) 597 00:30:38,203 --> 00:30:40,138 GOOD EVENING. GET IN. 598 00:30:41,874 --> 00:30:43,509 (grunts) GO. 599 00:30:48,413 --> 00:30:50,950 WHAT ON EARTH ARE YOU DOING OUT HERE? 600 00:30:50,950 --> 00:30:52,050 (panting) 601 00:30:52,050 --> 00:30:55,354 I WAS WAITING FOR THE KILLER. 602 00:30:55,354 --> 00:30:57,388 BUT HE SAW ME. 603 00:30:57,388 --> 00:30:58,723 HE CHASED ME. 604 00:30:58,723 --> 00:31:00,726 THAT WASN'T THE KILLER. THAT WAS THE POLICE, 605 00:31:00,726 --> 00:31:04,430 AND NOW THEY PROBABLY THINK YOU'RE THE KILLER. 606 00:31:04,430 --> 00:31:07,098 OH, MY GOD. OH! 607 00:31:07,098 --> 00:31:09,902 THIS IS YOUR FAULT. EXCUSE ME? HOW SO? 608 00:31:09,902 --> 00:31:12,904 DID I TELL YOU TO GO OUT THERE IN THE MIDDLE OF THE NIGHT? 609 00:31:12,904 --> 00:31:16,474 NO, I DID NOT. UH, I'LL GO TO THE POLICE. I'LL EXPLAIN THINGS TO THEM. 610 00:31:16,474 --> 00:31:18,809 THEY'LL SEE IT'S A MISUNDERSTANDING. 611 00:31:18,809 --> 00:31:20,311 YEAH, SURE, THEY WILL. 612 00:31:20,311 --> 00:31:23,414 THEY'LL ONLY KEEP YOU LOCKED UP A COUPLE OF DAYS. 613 00:31:23,414 --> 00:31:27,618 AS LONG AS NO ANGRY COPS TRY TO TAKE REVENGE, YOU'LL BE FINE. OH, MY GOD. OH, MY GOD. 614 00:31:27,618 --> 00:31:29,688 DON'T WORRY. I'LL HELP YOU. 615 00:31:29,688 --> 00:31:32,057 WE CAN FIX THIS, OKAY? 616 00:31:32,057 --> 00:31:34,093 JUST TRUST ME. 617 00:31:39,999 --> 00:31:43,935 TODD. IT'S JANE. MEET ME AT THE SHERIFF'S OFFICE. 618 00:31:46,271 --> 00:31:47,873 (lowered voice) LISBON. 619 00:31:47,873 --> 00:31:52,278 LISBON, GET DRESSED. I HAVE AN EXCELLENT PLAY IN MOTION. 620 00:31:52,278 --> 00:31:53,578 LISBON. 621 00:31:55,814 --> 00:31:57,848 WHAT IS IT? 622 00:31:57,848 --> 00:31:59,351 UH, GET DRESSED. 623 00:31:59,351 --> 00:32:01,686 I HAVE AN EXCELLENT PLAY IN MOTION. 624 00:32:01,686 --> 00:32:02,989 HUH? 625 00:32:02,989 --> 00:32:04,990 (groans) 626 00:32:12,397 --> 00:32:14,700 (Woolgar) WE'RE ABOUT TO CRACK THE BIGGEST CASE 627 00:32:14,700 --> 00:32:17,435 THIS AREA'S HAD IN A LONG TIME, AND WE ARE RUNNING OUT OF TIME. 628 00:32:17,435 --> 00:32:21,940 (telephone ringing) I WANT HIM FLAGGED FOR ARREST AT ALL THE AIRPORTS IN THE AREA. 629 00:32:21,940 --> 00:32:24,042 WHAT'S HAPPENING? THEY FOUND SOMEONE? 630 00:32:24,042 --> 00:32:26,278 ASK SHERIFF WOOLGAR. 631 00:32:26,278 --> 00:32:28,614 WELL, THEN LET ME TALK TO SOMEONE WHO CAN, 632 00:32:28,614 --> 00:32:31,049 FOR CRYING OUT LOUD! YES, I'LL WAIT. 633 00:32:31,049 --> 00:32:34,019 WHAT'S THE RUMPUS? BOB, IT'S OKAY. 634 00:32:34,019 --> 00:32:37,990 I PROMISE I WON'T DO ANYTHING CRAZY. I JUST WANT TO KNOW. 635 00:32:37,990 --> 00:32:41,460 MY GUYS SPOTTED ELLIS MARS CREEPING AROUND THE CRIME SCENE. 636 00:32:41,460 --> 00:32:43,461 HE RAN OFF WHEN CHALLENGED, LEFT HIS CAR. 637 00:32:43,461 --> 00:32:46,332 WE FOUND DRIED BLOOD AND A LONG, DARK HUMAN HAIR 638 00:32:46,332 --> 00:32:50,001 ON THE BACK SEAT. IT'S ON ITS WAY TO FORENSICS NOW. ELLIS MARS? THAT DOESN'T MAKE SENSE. 639 00:32:50,001 --> 00:32:52,804 OH, WE SHOULD HAVE REALIZED BEFORE. 640 00:32:52,804 --> 00:32:56,241 HE KNEW LISBON WAS ON THE PHONE WITH MULLERY WHEN HE DIED. 641 00:32:56,241 --> 00:32:59,411 PSYCHIC POWERS, HE SAID. WAIT. HE KNEW THAT? H-HOW COULD HE KNOW THAT? 642 00:32:59,411 --> 00:33:01,613 EXACTLY. HE'S NOT PSYCHIC. HE WAS THERE. 643 00:33:01,613 --> 00:33:04,316 YEAH, BUT HE-- HE'S BEEN HELPING YOU GUYS. 644 00:33:04,316 --> 00:33:07,019 IT'S A COMMON PSYCHOPATHIC PROFILE, CLASSIC ALMOST. 645 00:33:07,019 --> 00:33:09,087 THEY SEEK A PART IN THE INVESTIGATION, 646 00:33:09,087 --> 00:33:11,156 THEY SEEK THE SPOTLIGHT. WELL, WHERE IS HE NOW? 647 00:33:11,156 --> 00:33:13,525 WE DON'T KNOW. 648 00:33:13,525 --> 00:33:15,926 HEY. THIS IS ACTING SHERIFF WOOLGAR, 649 00:33:15,926 --> 00:33:17,929 VINELAND TOWNSHIP. 650 00:33:17,929 --> 00:33:19,397 YES. 651 00:33:19,397 --> 00:33:22,534 (lowered voice) COUNT TO TEN, THEN MEET ME OUTSIDE. 652 00:33:22,534 --> 00:33:26,704 WELL, WHAT THE HECK DO I HAVE TO DO TO GET PEOPLE AT THE AIRPORT? 653 00:33:26,704 --> 00:33:28,074 YES, NOW! 654 00:33:33,078 --> 00:33:36,214 (engine idling) 655 00:33:39,351 --> 00:33:40,751 GET IN. 656 00:33:43,088 --> 00:33:44,789 WHERE ARE WE GOING? 657 00:33:44,789 --> 00:33:46,125 YOU'LL SEE. 658 00:33:46,125 --> 00:33:48,026 GET IN. 659 00:34:15,853 --> 00:34:18,590 ELLIS MARS IS IN ROOM 21. 660 00:34:18,590 --> 00:34:21,393 (whispering) CONSIDER IT A GIFT FROM A BROTHER IN ARMS. 661 00:34:21,393 --> 00:34:24,596 I HOPE SOMEDAY SOMEONE WILL DO THE SAME FOR ME. 662 00:34:28,800 --> 00:34:30,068 (chuckles) 663 00:34:33,804 --> 00:34:35,641 YOU'RE MESSING WITH ME. 664 00:34:35,641 --> 00:34:38,009 NO. 665 00:34:38,009 --> 00:34:39,744 I'LL SHOW YOU. 666 00:34:53,858 --> 00:34:55,561 (key jangles) 667 00:34:57,929 --> 00:35:00,865 SEE? 668 00:35:00,865 --> 00:35:02,568 OH, MY GOD. 669 00:35:02,568 --> 00:35:04,101 GO AHEAD. 670 00:35:04,101 --> 00:35:06,905 (gasps) 671 00:35:06,905 --> 00:35:08,706 WHAT ARE YOU WAITING FOR? 672 00:35:08,706 --> 00:35:11,242 THIS GUY CUT KEELEY'S THROAT AND WATCHED HER DIE. 673 00:35:11,242 --> 00:35:12,610 I... I DIDN'T. 674 00:35:12,610 --> 00:35:14,746 DON'T BOTHER LYING TO US, MARS. 675 00:35:14,746 --> 00:35:18,916 WE FOUND KEELEY'S BLOOD AND HAIR IN YOUR CAR. THAT'S IMPOSSIBLE! 676 00:35:18,916 --> 00:35:21,920 WHAT'S GOING ON, TODD? 677 00:35:21,920 --> 00:35:24,422 I'M NOT GONNA SHOOT THIS GUY. 678 00:35:24,422 --> 00:35:27,726 ALL THAT TALK OF REVENGE WAS JUST HOT AIR, WAS IT? 679 00:35:27,726 --> 00:35:30,728 YOU DON'T HAVE THE GUTS. OH, I GOT THE GUTS, ALL RIGHT. 680 00:35:30,728 --> 00:35:33,798 I JUST DON'T KNOW FOR SURE HE DID IT. 681 00:35:33,798 --> 00:35:35,800 WE HAVE HARD EVIDENCE AGAINST HIM. 682 00:35:35,800 --> 00:35:39,338 YES, YOU DO, AND I DON'T UNDERSTAND THAT. 683 00:35:39,338 --> 00:35:43,141 I GUESS YOU'RE FRAMING HIM FOR SOME REASON, BUT WHY? 684 00:35:43,141 --> 00:35:45,277 AND WHY WOULD YOU WANT ME 685 00:35:45,277 --> 00:35:48,347 TO KILL SOMEONE WHO DIDN'T REALLY DO IT? 686 00:35:48,347 --> 00:35:51,081 WHAT'S YOUR GAME? 687 00:35:51,081 --> 00:35:52,384 HUH? 688 00:35:52,384 --> 00:35:54,719 YOU'RE SETTING ME UP, AREN'T YOU? 689 00:35:56,121 --> 00:35:58,824 OR I'M SIMPLY TELLING YOU THE TRUTH, 690 00:35:58,824 --> 00:36:00,759 AND MARS IS GUILTY. 691 00:36:00,759 --> 00:36:03,061 NO. 692 00:36:03,061 --> 00:36:05,697 NO? 693 00:36:05,697 --> 00:36:07,266 AND YOU'RE SURE? 694 00:36:10,335 --> 00:36:12,737 YEAH, WELL, YOU'RE RIGHT. 695 00:36:12,737 --> 00:36:16,307 MARS' ONLY CRIME IS FOOLISHNESS AND FRAUD. 696 00:36:16,307 --> 00:36:18,009 I SET HIM UP. 697 00:36:18,009 --> 00:36:19,878 GET OUTTA HERE. 698 00:36:21,880 --> 00:36:23,981 (door opens) 699 00:36:23,981 --> 00:36:25,384 (door closes) 700 00:36:27,985 --> 00:36:29,887 WHAT'S THIS ABOUT? 701 00:36:31,322 --> 00:36:33,925 SEE, THE THING IS, TODD, 702 00:36:33,925 --> 00:36:37,663 THERE'S ONLY ONE WAY YOU CAN BE SO SURE OF HIS INNOCENCE. 703 00:36:37,663 --> 00:36:39,664 IT WAS YOU THAT KILLED KEELEY 704 00:36:39,664 --> 00:36:42,032 AND MULLERY AND ALL OF THOSE COPS. 705 00:36:42,032 --> 00:36:44,001 (sighs) YOU'RE NUTS. 706 00:36:44,001 --> 00:36:46,938 OH, DON'T--DON'T BOTHER WITH THE SONG AND DANCE. 707 00:36:46,938 --> 00:36:48,239 I'M SATISFIED YOU'RE GUILTY. 708 00:36:48,239 --> 00:36:50,041 YOU'RE A GARDEN VARIETY PSYCHOPATH. 709 00:36:50,041 --> 00:36:53,043 PROBABLY BEEN KILLING RANDOM PEOPLE HERE AND THERE FOR YEARS. 710 00:36:53,043 --> 00:36:55,847 I'M NOT SURE WHY YOU TURNED ON COPS ALL OF A SUDDEN, 711 00:36:55,847 --> 00:36:57,849 BUT I'M SURE YOU HAVE YOUR GOOD REASONS. 712 00:36:57,849 --> 00:37:00,585 YOUR DAD WAS A COP, RIGHT? YES, HE WAS. 713 00:37:00,585 --> 00:37:03,588 HE WAS MEAN TO YOU, MADE YOU HATE POLICEMEN, MAYBE? 714 00:37:03,588 --> 00:37:05,824 NO. HE WAS A KIND AND GENTLE MAN. 715 00:37:05,824 --> 00:37:07,826 THEN WHO WAS IT THAT MADE YOU THIS WAY? 716 00:37:07,826 --> 00:37:10,027 AND PLEASE DON'T SAY IT WAS YOUR MOTHER. 717 00:37:10,027 --> 00:37:13,565 THAT'D BE TOO CLICHéD. MY MOTHER WAS A SAINT. 718 00:37:13,565 --> 00:37:15,166 YOU'RE MISTAKEN ABOUT ME. 719 00:37:15,166 --> 00:37:16,668 REALLY. 720 00:37:16,668 --> 00:37:18,304 REALLY? 721 00:37:18,304 --> 00:37:21,606 OH. WELL, LET ME RUN IT DOWN FOR YOU. 722 00:37:21,606 --> 00:37:24,074 YOU KILLED KEELEY BECAUSE SHE WAS GETTING TOO CLINGY. 723 00:37:24,074 --> 00:37:27,278 SHE WAS ASKING TOO MANY QUESTIONS ABOUT YOUR OTHER LIFE. 724 00:37:27,278 --> 00:37:29,547 SHE BUGGED YOU. 725 00:37:29,547 --> 00:37:32,217 MULLERY DIED BECAUSE HE RECOGNIZED THAT BUTTON AS YOURS, 726 00:37:32,217 --> 00:37:34,018 AND HE ASKED YOU ABOUT IT. 727 00:37:34,018 --> 00:37:37,389 YOU STALLED HIM, THEN YOU HAD TO KILL HIM QUICK. 728 00:37:37,389 --> 00:37:39,391 BROKE THE MONTHLY PATTERN, 729 00:37:39,391 --> 00:37:41,726 WHICH WASN'T ABOUT THE MOON, OF COURSE. 730 00:37:41,726 --> 00:37:44,795 ONCE A MONTH, HUNNICKER GOT HIS V.A. CHECK, 731 00:37:44,795 --> 00:37:46,898 GOES ON A BINGE, DRINKS TILL HE BLACKS OUT, 732 00:37:46,898 --> 00:37:50,668 AND GIVES YOU AN ALIBI. HOW AM I DOING SO FAR? 733 00:37:50,668 --> 00:37:53,003 YOU'RE VERY CLEVER, MR. JANE. THANK YOU. 734 00:37:53,003 --> 00:37:55,806 I MUST CONFESS, I UNDERESTIMATED YOU. 735 00:37:55,806 --> 00:37:58,543 MORE LIKE YOU OVERESTIMATED YOURSELF, TODD. 736 00:37:58,543 --> 00:38:00,778 NO. YOU SAY THAT ONLY BECAUSE 737 00:38:00,778 --> 00:38:02,780 YOU DON'T SEE THE WHOLE BIG PICTURE. 738 00:38:02,780 --> 00:38:05,884 THERE'S A REASON FOR EVERYTHING I'VE DONE. 739 00:38:05,884 --> 00:38:07,786 WHAT'S THE BIG PICTURE? 740 00:38:07,786 --> 00:38:11,356 YOU'LL NEVER KNOW. RIGHT. THERE'S NO BIG PICTURE. 741 00:38:11,356 --> 00:38:13,090 OH, TRUST ME. 742 00:38:13,090 --> 00:38:14,893 IT WOULD BLOW... 743 00:38:14,893 --> 00:38:17,161 YOUR... MIND. 744 00:38:17,161 --> 00:38:19,030 (clicks) 745 00:38:19,030 --> 00:38:21,266 (scoffs) (click) 746 00:38:21,266 --> 00:38:22,900 NO FIRING PIN. 747 00:38:22,900 --> 00:38:23,735 OOPS. 748 00:38:23,735 --> 00:38:26,871 OF COURSE. (gun thuds) 749 00:38:26,871 --> 00:38:28,739 CHO! RIGSBY! 750 00:38:28,739 --> 00:38:31,842 DROP THE WEAPON! HANDS ON YOUR HEAD! 751 00:38:31,842 --> 00:38:34,646 (knife thuds) 752 00:38:34,646 --> 00:38:36,847 AH. (handcuffs click) 753 00:38:59,170 --> 00:39:00,838 (clank) 754 00:39:04,041 --> 00:39:06,378 WHAT IS IT? 755 00:39:06,378 --> 00:39:08,380 I'VE CHANGED MY MIND. 756 00:39:08,380 --> 00:39:10,382 I WANT TO TALK. 757 00:39:10,382 --> 00:39:11,882 THAT'S A SMART MOVE. 758 00:39:11,882 --> 00:39:14,853 BUT I'LL ONLY TALK TO MR. JANE. 759 00:39:14,853 --> 00:39:16,755 WHY IS THAT? 760 00:39:16,755 --> 00:39:19,391 WE HAVE A CONNECTION. 761 00:39:19,391 --> 00:39:22,293 MAYBE HE DOESN'T WANT TO TALK TO YOU. 762 00:39:22,293 --> 00:39:26,565 TELL HIM I HAVE A SECRET. 763 00:39:26,565 --> 00:39:28,934 A SECRET ONLY HE WILL UNDERSTAND. 764 00:39:34,271 --> 00:39:35,606 A SECRET, HUH? 765 00:39:35,606 --> 00:39:37,074 THAT'S WHAT HE SAID, 766 00:39:37,074 --> 00:39:39,510 THAT YOU WERE THE ONLY ONE WHO WOULD UNDERSTAND, 767 00:39:39,510 --> 00:39:43,347 THAT YOU AND HE HAD A CONNECTION. MEH. HE'S JUST TRYING TO LEND AN AIR OF MYSTERY 768 00:39:43,347 --> 00:39:47,018 TO HIS SAD LITTLE STORY OF MADNESS. 769 00:39:47,018 --> 00:39:50,387 THE CASE WILL GO A LOT EASIER IF WE CAN GET HIM TO TALK. 770 00:39:50,387 --> 00:39:52,923 I HAVE SPENT ENOUGH TIME WITH THAT CREEP. 771 00:39:52,923 --> 00:39:56,126 STARING INTO THE ABYSS-- YOU KNOW, IT'S NOT HEALTHY. 772 00:39:56,126 --> 00:39:57,663 PLEASE? 773 00:39:57,663 --> 00:39:59,530 JUST HEAR WHAT HE HAS TO SAY. 774 00:39:59,530 --> 00:40:02,300 HE'S RIGHT DOWNSTAIRS IN THE HOLDING CELL. 775 00:40:02,300 --> 00:40:03,902 (sighs deeply) 776 00:40:12,043 --> 00:40:13,512 (keys jangle) 777 00:40:13,512 --> 00:40:15,547 (lock clicks) 778 00:40:27,125 --> 00:40:28,494 (thud) 779 00:40:28,494 --> 00:40:32,764 (hissing) 780 00:40:35,534 --> 00:40:38,637 (panting) 781 00:40:40,137 --> 00:40:43,541 (monitor beeping steadily, air hissing) 782 00:40:46,978 --> 00:40:49,514 P.S.U. IS STARTING AN INVESTIGATION. 783 00:40:49,514 --> 00:40:52,449 THEY FIGURE IT'S SOMEBODY GETTING REVENGE 784 00:40:52,449 --> 00:40:53,918 FOR OFFICER HOWARD. HMM. 785 00:40:53,918 --> 00:40:56,320 THEY'LL NEED TO SPEAK WITH YOU LATER TODAY. 786 00:40:56,320 --> 00:40:58,789 OKAY. 787 00:40:58,789 --> 00:41:01,893 DOCTOR SAYS HIS SYSTEMS ARE SHUTTING DOWN, 788 00:41:01,893 --> 00:41:03,961 THAT HE WON'T REGAIN CONSCIOUSNESS. 789 00:41:06,231 --> 00:41:07,699 (sighs) 790 00:41:10,969 --> 00:41:12,670 OKAY, THEN. 791 00:41:12,670 --> 00:41:15,740 I'M GONNA GO FINISH UP THE PAPERWORK NOW. 792 00:41:24,916 --> 00:41:26,885 (groaning) 793 00:41:35,126 --> 00:41:38,996 (whispers) TIGER, TIGER... 794 00:41:46,938 --> 00:41:50,041 (monitor beeps, emitting continuous tone) 795 00:42:20,304 --> 00:42:23,574 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.