1 00:00:02,090 --> 00:00:03,450 (Helen) LAST WEEK ON WINGS. 2 00:00:03,950 --> 00:00:05,520 A COUPLE OF WEEKS AGO, I WAS IN SAINT CROIX AND I RAN INTO YOUR EX-WIFE. 3 00:00:05,520 --> 00:00:08,030 CAROL IS STOPPING IN BOSTON ON HER WAY TO LONDON. 4 00:00:08,020 --> 00:00:09,130 WHAT? 5 00:00:09,130 --> 00:00:10,630 I'VE GOT TO GET IN TOUCH WITH CAROL. 6 00:00:10,630 --> 00:00:13,660 THIS MIGHT BE MY LAST CHANCE TO WIN HER BACK. 7 00:00:13,660 --> 00:00:14,660 THE MESSAGE IS, 8 00:00:14,660 --> 00:00:18,170 "MEET ME AT THE TOP OF THE PRUDENTIAL BUILDING, 9 00:00:18,670 --> 00:00:20,070 TONIGHT, 8:00." 10 00:00:20,070 --> 00:00:22,440 SOMEBODY'S TRYING TO TAKE OFF IN THIS SOUP. 11 00:00:22,440 --> 00:00:23,870 IT'S MY IDIOT BROTHER. 12 00:00:23,870 --> 00:00:26,380 OK, LOOK, JOE, I KNOW YOU'RE UPSET THAT I TOOK THE PLANE. 13 00:00:26,380 --> 00:00:28,380 I KNOW THAT. BUT I JUST COULD NOT LET THIS OPPORTUNITY 14 00:00:28,380 --> 00:00:30,450 TO SEE CAROL SLIP BY WITHOUT EVEN TRYING. 15 00:00:30,450 --> 00:00:32,650 AND YOU'LL BE HAPPY TO KNOW THAT SHE NEVER SHOWED. 16 00:00:32,650 --> 00:00:34,480 THESE ARE FOR YOU. 17 00:00:34,780 --> 00:00:36,220 SOME LADY NAMED CAROL GAVE 'EM TO ME. 18 00:00:36,220 --> 00:00:37,520 WHAT'D SHE SAY? 19 00:00:37,520 --> 00:00:40,460 "AS MUCH AS IT HURTS, I HAVE TO MOVE ON." 20 00:00:40,460 --> 00:00:42,360 CAROL'S FINALLY GONE. 21 00:00:42,360 --> 00:00:44,060 [elevator bell dings] 22 00:00:47,100 --> 00:00:48,430 (all) CAROL? 23 00:00:49,800 --> 00:00:51,800 [seagulls cawing] 24 00:01:55,000 --> 00:01:57,330 OH! CAROL. 25 00:01:57,330 --> 00:01:58,630 I KNEW YOU'D COME. 26 00:01:58,640 --> 00:02:00,640 I KNEW YOU'D COME BACK. OH, UH... 27 00:02:01,140 --> 00:02:04,140 WELL, YOU'RE ONE UP ON ME. I HAD NO IDEA I'D BE HERE. 28 00:02:04,140 --> 00:02:05,940 THAT'S WHY I SENT THE CAB DRIVER WITH THE FLOWERS. 29 00:02:06,210 --> 00:02:08,380 YEAH, YEAH, LUTHER. OH, GREAT GUY. 30 00:02:08,380 --> 00:02:12,150 I THINK WE'RE ENGAGED. IF WE CAN GET PAST THE RACIAL THING. 31 00:02:12,580 --> 00:02:15,450 HEY, HEY, HEY, HEY, HEY. 32 00:02:15,450 --> 00:02:17,720 BET YOU FEEL PRETTY SILLY NOW, HUH? LOOK WHO SHOWED UP. 33 00:02:17,720 --> 00:02:18,720 [chuckling] 34 00:02:18,720 --> 00:02:21,720 GEE, JOE, THIS IS AN UNEXPECTEDLY 35 00:02:21,720 --> 00:02:23,060 AWKWARD MOMENT. 36 00:02:23,060 --> 00:02:25,260 YEAH, BUT THANK GOD IT'S UNCOMFORTABLE. 37 00:02:25,260 --> 00:02:26,700 YEAH. 38 00:02:26,700 --> 00:02:29,700 THE ONLY REASON I'M HERE IS BECAUSE I THOUGHT YOU WOULDN'T BE. 39 00:02:29,700 --> 00:02:33,400 I FIGURED BRIAN MIGHT NEED SOMEONE TO MAKE SURE HE GOT HOME SAFE AND SOUND. 40 00:02:33,400 --> 00:02:34,910 AH, YOU KNOW JOE. 41 00:02:34,900 --> 00:02:37,810 ONCE A CROSSING GUARD, ALWAYS A CROSSING GUARD. 42 00:02:38,310 --> 00:02:39,910 WELL, WELL, CAROL. 43 00:02:39,910 --> 00:02:43,680 I GUESS I'M THE LAST PERSON ON EARTH YOU EXPECTED TO SEE HERE. 44 00:02:43,680 --> 00:02:45,720 I'M SORRY, DO WE KNOW EACH OTHER? 45 00:02:45,720 --> 00:02:47,120 I'M HELEN CHAPEL. 46 00:02:48,480 --> 00:02:49,990 I'M SORRY. OH, PLEASE, 47 00:02:49,990 --> 00:02:51,990 DON'T TELL ME YOU DON'T KNOW WHO I... 48 00:02:52,490 --> 00:02:55,290 THAT'S RIGHT. LAST TIME YOU SAW ME, 49 00:02:55,290 --> 00:02:56,660 I WAS A LITTLE OVERWEIGHT. 50 00:02:56,660 --> 00:02:57,960 I'M TRYING TO PLACE YOU-- 51 00:02:57,960 --> 00:02:59,830 YOU USED TO CALL ME, "FAT, FAT, THE WATER RAT." 52 00:02:59,830 --> 00:03:02,330 HELEN, APPARENTLY, SHE-- OH, OF COURSE, SHE REMEMBERS WHO I WAS. 53 00:03:02,330 --> 00:03:04,830 I WENT TO SCHOOL WITH HER FOR 8 YEARS, FOR GOD SAKES. 54 00:03:04,830 --> 00:03:06,840 HELEN, WHY DON'T WE SEE WHAT'S OUT THESE OTHER WINDOWS? 55 00:03:06,840 --> 00:03:08,340 I SAT RIGHT NEXT TO YOU IN 4TH GRADE. 56 00:03:08,340 --> 00:03:11,340 I'D DO YOUR HOMEWORK, AND YOU'D GIVE ME YOUR LUNCH. 57 00:03:13,840 --> 00:03:15,850 [stammering] I JUST CAN'T BELIEVE YOU'RE HERE. 58 00:03:15,850 --> 00:03:20,120 UM, CAROL, I KNOW THIS TIME WE'RE REALLY GONNA MAKE IT WORK. 59 00:03:20,120 --> 00:03:23,190 NO, NO, NO, REALLY, AND--AND I-- BRIAN, BRIAN. 60 00:03:23,190 --> 00:03:24,190 [elevator bell dings] 61 00:03:24,190 --> 00:03:26,190 BEFORE YOU GO JUMPING TO ANY CONCLUSIONS, 62 00:03:26,190 --> 00:03:28,560 I'M STILL GOING TO LONDON. I JUST... 63 00:03:28,560 --> 00:03:30,860 I MEAN, I HAVE A JOB THERE. 64 00:03:30,860 --> 00:03:32,360 IT'S JUST, WHEN I GOT ON THE PLANE, 65 00:03:32,360 --> 00:03:34,860 I COULDN'T STOP THINKING OF YOU STANDING HERE ALL BY YOURSELF. 66 00:03:34,860 --> 00:03:39,440 BUT YOU'RE FORGETTING LUTHER AND WHAT WE MEAN TO EACH TOGETHER. 67 00:03:39,440 --> 00:03:41,440 YOU HAD NO WAY OF KNOWING I'D EVEN GET YOUR MESSAGE. 68 00:03:41,440 --> 00:03:43,940 BUT YOU... I KNEW YOU'D BE HERE. 69 00:03:43,940 --> 00:03:46,440 I COULDN'T IGNORE A GESTURE LIKE THAT. 70 00:03:46,440 --> 00:03:48,880 A GESTURE LIKE MINE? WHAT ABOUT YOUR GESTURE? 71 00:03:49,380 --> 00:03:51,250 WHAT DO YOU MEAN? 72 00:03:51,250 --> 00:03:54,250 WELL, I MEAN, FLYING TO LONDON FROM MIAMI, STOPPING IN BOSTON? 73 00:03:54,250 --> 00:03:55,750 THAT'S NOT EXACTLY A DIRECT FLIGHT. 74 00:03:56,250 --> 00:03:59,720 I MEAN, WHY ELSE WOULD YOU WANNA COME HERE OTHER THAN TO SEE ME? 75 00:03:59,720 --> 00:04:02,290 TO SAY GOOD-BYE TO MY PARENTS? 76 00:04:02,290 --> 00:04:03,790 OH. 77 00:04:03,790 --> 00:04:07,430 HEY, DO THEY STILL HAVE THAT 3-LEGGED BLIND CHIHUAHUA? 78 00:04:07,430 --> 00:04:08,870 LUCKY? YEAH. UH-HUH. 79 00:04:12,200 --> 00:04:14,200 WELL, LOOK, BRIAN, I BETTER GO. 80 00:04:14,200 --> 00:04:16,210 I THINK I CAN STILL CATCH THE LATE FLIGHT. 81 00:04:16,210 --> 00:04:17,210 [gasps] 82 00:04:29,050 --> 00:04:30,050 OH. 83 00:04:32,050 --> 00:04:33,060 [exhales] 84 00:04:34,060 --> 00:04:36,460 WE SHOULD'VE KISSED LIKE THAT MORE OFTEN. 85 00:04:36,460 --> 00:04:40,800 I GUESS I WAS ALWAYS TOO BUSY TRYING TO SWALLOW YOUR TONSILS. 86 00:04:40,800 --> 00:04:42,800 LOOK, UH, WE CAN'T LET IT END LIKE THIS. 87 00:04:42,800 --> 00:04:44,300 YOU GOTTA COME BACK TO NANTUCKET WITH ME. 88 00:04:44,300 --> 00:04:46,300 I'M NOT LOOKING FOR A COMMITMENT OR ANYTHING LIKE THAT. 89 00:04:46,300 --> 00:04:48,300 JUST GIVE IT 40 OR 50 YEARS, 90 00:04:48,300 --> 00:04:49,640 AND THEN IF THINGS DON'T WORK OUT, 91 00:04:49,640 --> 00:04:52,210 I'LL POP YOUR TEETH BACK IN AND OFF YOU GO. 92 00:04:54,710 --> 00:04:55,640 [sighing] 93 00:04:58,250 --> 00:04:59,950 WELL, MAYBE IT'S WORTH A TRY. 94 00:04:59,950 --> 00:05:00,950 [exclaims] 95 00:05:00,950 --> 00:05:02,450 OK. 96 00:05:08,960 --> 00:05:10,960 HEY, UH, GUYS, 97 00:05:10,960 --> 00:05:13,960 CAROL IS COMING BACK TO THE ISLAND WITH US. 98 00:05:13,960 --> 00:05:15,970 NO KIDDING. 99 00:05:15,970 --> 00:05:18,370 ISN'T THAT GREAT? 100 00:05:18,700 --> 00:05:22,410 YOUR FATHER USED TO RUN THAT LITTLE ICE CREAM PARLOR ON FEDERAL STREET, RIGHT? 101 00:05:22,410 --> 00:05:24,940 YES, BUT I-- WELL, THAT WAS PRACTICALLY MY 2ND HOME. 102 00:05:24,940 --> 00:05:26,440 OF COURSE, NOW I KNOW THAT I ONLY OVEREAT 103 00:05:26,940 --> 00:05:28,950 BECAUSE I'M NERVOUS OR ANXIOUS ABOUT SOMETHING. 104 00:05:28,950 --> 00:05:30,450 HELEN-- OH, YOU REMEMBER? 105 00:05:30,450 --> 00:05:32,450 YOU PUSHED ME DOWN ON THE SIDEWALK 'CAUSE I SPILLED HOT FUDGE 106 00:05:32,450 --> 00:05:34,620 ALL OVER YOUR NEW DRESS. GIVE IT UP, HELEN. 107 00:05:34,620 --> 00:05:36,120 [sighing] 108 00:05:36,120 --> 00:05:38,120 I'M HUNGRY. IS ANYBODY HUNGRY? 109 00:05:43,530 --> 00:05:46,530 HAVEN'T YOU GOT ANYTHING TO EAT BACK HERE? 110 00:05:46,530 --> 00:05:48,530 SOME PEANUTS OR SOME CRACKERS OR-- 111 00:05:48,530 --> 00:05:50,530 RELAX, WILL YOU? IT'S ONLY A 40-MINUTE FLIGHT. 112 00:05:50,530 --> 00:05:52,540 MAYBE ONE OF THOSE PRE-MOISTENED TOWELETTES. 113 00:05:52,540 --> 00:05:54,540 YOU KNOW, WITH THE LEMON SCENT. 114 00:05:54,540 --> 00:05:56,540 I COULD JUST SORT OF SUCK ON IT. 115 00:05:57,540 --> 00:05:59,040 OH, WOULD YOU LOOK AT THAT MOON? 116 00:05:59,540 --> 00:06:01,040 ISN'T IT BEAUTIFUL? HMM. 117 00:06:02,040 --> 00:06:04,550 AH, WELL, WELL, WELL, 118 00:06:04,550 --> 00:06:07,050 WOULD YOU LOOK AT THE 3 OF US? 119 00:06:07,050 --> 00:06:08,050 [laughs] 120 00:06:08,050 --> 00:06:10,050 YOU KNOW, THERE WAS A TIME WHEN I DIDN'T THINK 121 00:06:10,050 --> 00:06:12,250 I'D BE SPEAKING TO EITHER OF YOU AGAIN. 122 00:06:12,760 --> 00:06:16,590 JOE, ABOUT THAT TIME WHEN--WHEN BRIAN AND I, UM, WELL, YOU KNOW... 123 00:06:16,590 --> 00:06:18,660 YOU MEAN, WHEN YOU DUMPED ME AND RAN OFF WITH BRIAN? 124 00:06:18,660 --> 00:06:20,630 OH, YOU DO REMEMBER. 125 00:06:20,630 --> 00:06:22,630 DON'T WORRY, CAROL, THAT WAS 6 YEARS AGO. 126 00:06:22,630 --> 00:06:24,670 I DON'T EVEN THINK ABOUT IT ANYMORE. 127 00:06:25,170 --> 00:06:25,930 [inaudible] 128 00:06:27,440 --> 00:06:29,440 WELL, CAN I SAY I'M SORRY? 129 00:06:30,410 --> 00:06:32,210 I THINK YOU JUST DID. 130 00:06:32,210 --> 00:06:34,740 SO, UH, I GUESS YOU'RE GONNA BE NEEDING A PLACE TO STAY. 131 00:06:34,740 --> 00:06:35,750 (Carol) OH, I'LL FIND A ROOM. 132 00:06:36,250 --> 00:06:37,750 OH, DON'T BE SILLY. YOU CAN MOVE IN WITH US. 133 00:06:38,250 --> 00:06:39,250 JOE CAN MOVE OUT FOR A FEW DAYS. 134 00:06:39,250 --> 00:06:40,650 ALL RIGHT? UM... 135 00:06:40,650 --> 00:06:43,350 OH, NO, I DON'T WANT TO INCONVENIENCE ANYBODY. 136 00:06:43,350 --> 00:06:45,620 [thudding] WELL, HOW ABOUT HELEN? SHE'S GOT AN EXTRA BEDROOM. 137 00:06:45,620 --> 00:06:47,120 AH, BUT THAT'S OK, REALLY. 138 00:06:47,120 --> 00:06:50,130 I FEEL A LITTLE UNCOMFORTABLE STAYING WITH STRANGERS. 139 00:06:54,960 --> 00:06:58,100 THERE ARE PLENTY OF GUEST HOUSES ON THE ISLAND. I'LL BE FINE. 140 00:06:59,140 --> 00:07:00,570 [plastic crackling] 141 00:07:00,570 --> 00:07:02,940 HA! YEAH! I FOUND A PACKAGE OF ROASTED ALMONDS. 142 00:07:02,940 --> 00:07:04,940 FOUND IT RIGHT BETWEEN THE SEATS. 143 00:07:04,940 --> 00:07:05,910 HA! 144 00:07:07,980 --> 00:07:10,480 [birds chirping] 145 00:07:12,550 --> 00:07:15,050 MORNING, HELEN. WHAT YOU GOT THERE? 146 00:07:15,550 --> 00:07:17,190 NONE OF YOUR BUSINESS. 147 00:07:17,690 --> 00:07:21,690 LOOKS LIKE YOU CRUSHED UP A BAG OF OREOS AND POURED MILK OVER THEM. 148 00:07:22,190 --> 00:07:24,190 I'M ALL OUT OF OAT BRAN, OK? 149 00:07:26,700 --> 00:07:28,900 ARE YOU UPSET ABOUT SOMETHIN'? 150 00:07:28,900 --> 00:07:30,400 I'M NOT UPSET ABOUT ANYTHING. 151 00:07:30,400 --> 00:07:32,400 I'M JUST TRYING TO HAVE A LITTLE BREAKFAST HERE, 152 00:07:32,400 --> 00:07:34,400 AND IF HEAR ONE MORE WORD OUT OF YOU, 153 00:07:34,400 --> 00:07:36,910 I'M GONNA CRAM THIS FRIGGIN' BOWL DOWN YOUR THROAT. 154 00:07:38,810 --> 00:07:40,810 YOU KNOW, FOR A SECOND THERE, 155 00:07:40,810 --> 00:07:42,810 SHE SOUNDED JUST LIKE MY LATE WIFE. 156 00:07:46,320 --> 00:07:47,320 WHERE'S HELEN? 157 00:07:47,320 --> 00:07:49,820 TRUST ME, LOWELL, YOU DON'T WANNA KNOW. 158 00:07:51,320 --> 00:07:52,560 YES, I DO. 159 00:07:54,720 --> 00:07:57,030 I THINK IT'S ONE OF THOSE WOMAN THINGS. 160 00:07:57,530 --> 00:07:59,530 GOD, I'M TIRED OF THOSE. 161 00:08:00,530 --> 00:08:01,630 YOU'RE TIRED OF THEM? 162 00:08:01,630 --> 00:08:02,970 YEAH. 163 00:08:03,970 --> 00:08:06,470 YOU'RE TIRED OF THOSE WOMAN THINGS? 164 00:08:08,970 --> 00:08:12,580 ROY, ARE YOU TELLING ME THAT YOU'RE A WOMAN DRESSED UP LIKE A MAN? 165 00:08:14,380 --> 00:08:15,480 WHAT DID YOU SAY? 166 00:08:15,480 --> 00:08:17,980 AND A HEARING LOSS TO BOOT. 167 00:08:17,980 --> 00:08:21,120 YOU'VE GOT A LOT ON YOUR PLATE, MY FRIEND. 168 00:08:21,120 --> 00:08:23,020 ARE YOU STARK RAVING MAD? 169 00:08:23,020 --> 00:08:25,690 AH, A FIERY WENCH. GUYS LOVE THAT. 170 00:08:27,990 --> 00:08:29,430 YOU STAY AWAY FROM ME. 171 00:08:29,430 --> 00:08:30,930 RELAX, ROY. 172 00:08:30,930 --> 00:08:33,930 MY WIFE WOULD KILL ME IF SHE CAUGHT ME CHEATING ON HER. 173 00:08:35,600 --> 00:08:37,100 HEY, GUYS. HEY, BRIAN, HOW WAS THE FLIGHT? 174 00:08:37,600 --> 00:08:40,100 AH, ROUTINE. THE CONTROLS SEEMED A LITTLE SLUGGISH AT FIRST, 175 00:08:40,100 --> 00:08:42,610 BUT THEN SOME FAT GUY FELL OUT, AND EVERYTHING WAS FINE. 176 00:08:42,610 --> 00:08:43,340 VERY FUNNY. 177 00:08:43,340 --> 00:08:45,340 HEY, JOE. YEAH? 178 00:08:45,340 --> 00:08:47,340 I PROMISED I WOULD TAKE CAROL ON A PICNIC OVER AT SIASCONSET LIGHT. 179 00:08:47,340 --> 00:08:50,410 BUT IN ORDER TO DO THAT, YOU GOTTA TAKE MY NEXT FLIGHT FOR ME, HUH? 180 00:08:50,410 --> 00:08:52,420 SOUNDS LIKE YOU GUYS ARE GETTING ALONG PRETTY WELL. 181 00:08:52,420 --> 00:08:54,820 AH, WE'RE DOING GREAT. IT'S LIKE A FRESH START. 182 00:08:54,820 --> 00:08:57,390 SO, WHAT DO YOU SAY? YOU'LL DO IT, PLEASE? PLEASE, PLEASE, PLEASE? 183 00:08:57,390 --> 00:08:59,260 YEAH, SURE. WHY NOT? AH! GREAT! 184 00:08:59,260 --> 00:09:01,260 I JUST GOTTA DASH OUT AND GET SOME GOODIES. I'LL BE BACK IN 10 MINUTES. 185 00:09:01,260 --> 00:09:02,760 I LOVE YOU. 186 00:09:05,800 --> 00:09:09,300 I'VE GOT TO START PAYING CLOSER ATTENTION AROUND HERE. 187 00:09:10,770 --> 00:09:13,770 GOOD GOD, HELEN, WHAT ARE YOU DOING? 188 00:09:13,770 --> 00:09:15,840 I'M HAVING A LITTLE SNACK. 189 00:09:15,840 --> 00:09:19,640 EVER SINCE CAROL CAME BACK, YOU'VE DONE NOTHING BUT EAT, EAT, EAT. 190 00:09:19,640 --> 00:09:20,910 HELEN, LOOK AT YOURSELF. 191 00:09:20,910 --> 00:09:23,410 YOU'VE GOT PIE ALL OVER YOUR FACE. 192 00:09:27,420 --> 00:09:28,920 OH, GOD. 193 00:09:28,920 --> 00:09:31,990 I'M LETTIN' THIS WOMAN AFFECT ME. 194 00:09:31,990 --> 00:09:34,990 I'VE REVERTED BACK TO MY OLD SELF-DESTRUCTIVE EATING HABITS. 195 00:09:34,990 --> 00:09:36,830 TAKE THAT AWAY FROM ME. GOOD FOR YOU. 196 00:09:37,230 --> 00:09:38,960 UGH! I DON'T WANNA SEE THAT ANYMORE. 197 00:09:38,960 --> 00:09:40,460 I'M DONE PIGGIN' OUT. 198 00:09:40,460 --> 00:09:42,000 THANKS, JOE. 199 00:09:43,330 --> 00:09:45,840 LOWELL, DID YOU GET THE PIZZA? 200 00:09:45,840 --> 00:09:47,840 UH, IT'S OUT IN THE PICKUP. YOU WANT ME TO GET IT? 201 00:09:47,840 --> 00:09:49,840 NO, NO, NO. BRING IT OUT TO THE HANGAR. 202 00:09:49,840 --> 00:09:51,340 THERE'S TOO MANY PRYING EYES AROUND HERE. 203 00:09:51,840 --> 00:09:52,840 RIGHT. 204 00:09:52,840 --> 00:09:54,810 AND WHATEVER YOU DO, DON'T LET JOE SEE YOU. 205 00:09:54,810 --> 00:09:56,310 DON'T WORRY ABOUT JOE. 206 00:09:56,310 --> 00:09:58,820 HE'S GOT OTHER THINGS ON HIS MIND. 207 00:10:00,820 --> 00:10:02,250 [knocking on door] 208 00:10:03,150 --> 00:10:04,790 AM I DISTURBING ANYTHING? 209 00:10:04,790 --> 00:10:06,290 CAROL. 210 00:10:06,290 --> 00:10:08,290 NO, COME IN. I WAS JUST STRAIGHTENING UP MY DESK. 211 00:10:08,290 --> 00:10:10,260 [airplane whirring] 212 00:10:10,260 --> 00:10:11,830 STILL NEAT AS A PIN, HUH? 213 00:10:11,830 --> 00:10:13,330 WELL, HEY, I AM GETTING BETTER. 214 00:10:13,330 --> 00:10:15,330 I MEAN-- I MEAN, DO YOU SEE THAT STAPLER? 215 00:10:15,330 --> 00:10:18,330 IN THE OLD DAYS, THAT WOULD'VE HAD TO HAVE BEEN AT A 90-DEGREE ANGLE. 216 00:10:18,330 --> 00:10:20,840 NOW IT'S ABOUT 82, AND IT DOESN'T BOTHER ME AT ALL. 217 00:10:24,310 --> 00:10:26,780 SO, UH, YOU'RE GOING ON A PICNIC, HUH? 218 00:10:26,780 --> 00:10:30,450 JOE, I HOPE ALL THIS HASN'T BEEN TOO DIFFICULT FOR YOU. 219 00:10:30,450 --> 00:10:33,450 YOU MEAN, SEEING YOU AND BRIAN TOGETHER? 220 00:10:33,450 --> 00:10:36,420 NO, NO, IT'S OK. I'M HAPPY FOR YOU TWO. 221 00:10:36,420 --> 00:10:39,420 I MEAN, IT TOOK ME A WHILE, BUT I FINALLY REALIZED 222 00:10:39,420 --> 00:10:42,790 THAT IT'S NOT GONNA WORK BETWEEN YOU AND ME. AND IF IT'S NOT GONNA-- 223 00:10:43,790 --> 00:10:44,790 CAROL! 224 00:10:45,790 --> 00:10:46,800 CAROL. 225 00:10:57,410 --> 00:10:58,910 NO! NO! 226 00:10:58,910 --> 00:11:00,880 THIS--THIS CAN'T HAPPEN. 227 00:11:00,880 --> 00:11:02,240 YOU CAME BACK FOR BRIAN. 228 00:11:02,240 --> 00:11:04,150 I KNOW I DID. 229 00:11:04,150 --> 00:11:06,650 BUT ALL OF A SUDDEN, ALL THESE FEELINGS FOR YOU CAME WELLING UP INSIDE ME. 230 00:11:06,650 --> 00:11:09,020 I DIDN'T PLAN THIS, JOE. I'M AS SURPRISED AS YOU ARE. 231 00:11:09,020 --> 00:11:10,020 I DOUBT IT. OH. 232 00:11:10,020 --> 00:11:11,520 [both moaning] 233 00:11:14,520 --> 00:11:16,530 [grunting] 234 00:11:16,530 --> 00:11:18,590 WE SHOULD BE ASHAMED OF OURSELVES. 235 00:11:18,590 --> 00:11:21,600 I MEAN, BRIAN IS OUT BUYING BREAD AND CHEESE 236 00:11:22,100 --> 00:11:24,600 AND, I DON'T KNOW, THOSE LITTLE SMOKED OYSTERS, MAYBE, AND--AND... 237 00:11:24,600 --> 00:11:26,700 OH, I HOPE HE DOESN'T GET THOSE LITTLE SMOKED OYSTERS. 238 00:11:26,700 --> 00:11:28,140 I DON'T LIKE THOSE. DO YOU? 239 00:11:28,140 --> 00:11:29,640 NOT MUCH. 240 00:11:29,640 --> 00:11:32,140 WELL, SOMETIMES IF YOU GET THE RIGHT KIND. I LIKE THE ONES... 241 00:11:32,140 --> 00:11:34,880 [moaning] 242 00:11:34,880 --> 00:11:38,880 JOE, WE'VE GOT TO STOP THIS RIGHT NOW BEFORE IT GOES ANY FURTHER. 243 00:11:39,380 --> 00:11:40,680 I COULDN'T AGREE MORE. 244 00:11:40,680 --> 00:11:41,920 [both panting] 245 00:11:47,460 --> 00:11:48,960 WHAT AM I DOING? 246 00:11:49,960 --> 00:11:53,960 JOE, STOP FEELING SO GUILTY. 247 00:11:53,960 --> 00:11:55,400 I'M PARTLY TO BLAME HERE, TOO. 248 00:11:55,800 --> 00:11:57,300 OH, DON'T BE SO HARD ON YOURSELF. 249 00:11:57,300 --> 00:11:59,300 I'M SURE YOU JUST TRIPPED, FELL, AND LANDED ON MY LIPS. 250 00:11:59,800 --> 00:12:01,540 IT COULD HAPPEN TO ANYONE. 251 00:12:01,540 --> 00:12:04,340 I'M SORRY. ARE YOU STILL ANGRY WITH ME? 252 00:12:04,610 --> 00:12:05,340 FURIOUS. 253 00:12:07,380 --> 00:12:09,610 HEY, GUYS? GUYS? 254 00:12:09,610 --> 00:12:11,110 OUT HERE, BRIAN. 255 00:12:12,110 --> 00:12:13,520 HEY. 256 00:12:15,320 --> 00:12:16,820 WHAT HAPPENED TO YOUR DESK? 257 00:12:17,250 --> 00:12:18,760 MY DESK? YEAH. 258 00:12:18,750 --> 00:12:20,990 OH, UH, I WAS JUST POLISHING IT. 259 00:12:20,990 --> 00:12:23,660 AH, IT'S SO NICE AND SHINY. MOM WOULD'VE BEEN PROUD. 260 00:12:24,160 --> 00:12:25,660 OH, I DON'T KNOW. HEY. 261 00:12:27,660 --> 00:12:29,170 HI, THERE. 262 00:12:29,160 --> 00:12:32,470 HEY, I GOT A CAN OF THOSE LITTLE SMOKED OYSTERS I KNOW YOU LIKE SO MUCH. 263 00:12:32,470 --> 00:12:34,470 OOH, YUM, YUM. 264 00:12:34,470 --> 00:12:36,940 HEY, JOE, JOE, I WANNA THANK YOU FOR WHAT YOU DID. 265 00:12:37,370 --> 00:12:39,280 I DIDN'T DO ANYTHING. WHY WOULD I DO SOMETHING? 266 00:12:39,280 --> 00:12:42,250 COME ON, YOU TOOK MY FLIGHT FOR ME, AND I APPRECIATE IT. 267 00:12:42,240 --> 00:12:45,250 OH, THAT. RIGHT. YEAH, HEY, ANYTIME. UH, WHICH REMINDS ME. 268 00:12:45,250 --> 00:12:47,750 I GOTTA GO DO MY FLEE FRIGHT-- UH, MY FREE FLIGHT-- 269 00:12:47,750 --> 00:12:48,680 I--I GOTTA GO. 270 00:12:49,690 --> 00:12:51,190 YEAH. 271 00:12:51,620 --> 00:12:53,990 HEY, CAROL, YOU GOT A PAPER CLIP ON YOUR BACK. 272 00:12:54,990 --> 00:12:55,990 [door closing] 273 00:13:08,540 --> 00:13:10,270 [footsteps pattering] 274 00:13:11,710 --> 00:13:13,210 GOOD NIGHT, JOE. 275 00:13:13,210 --> 00:13:16,510 AND THANKS AGAIN FOR LETTING ME WORK AT SANDPIPER AIR. 276 00:13:16,510 --> 00:13:19,520 YOU'RE WELCOME, FAY, BUT YOU DON'T HAVE TO SAY THAT TO ME EVERY NIGHT. 277 00:13:20,020 --> 00:13:21,220 YOU'VE GOT THE JOB. 278 00:13:21,220 --> 00:13:25,220 OH, UM, WELL, IN THAT CASE, I'D LIKE A DENTAL PLAN. 279 00:13:28,820 --> 00:13:30,330 I'M KIDDING. 280 00:13:30,830 --> 00:13:32,330 SORT OF. 281 00:13:33,360 --> 00:13:34,860 GOOD NIGHT. 282 00:13:36,370 --> 00:13:37,870 WELL, SHE'S ALL LOCKED UP, JOE. 283 00:13:38,370 --> 00:13:39,870 JUST CATCH THE FRONT DOOR ON YOUR WAY OUT. 284 00:13:39,870 --> 00:13:42,370 OK, LOWELL. GOOD NIGHT. 285 00:13:42,370 --> 00:13:43,870 EVERYTHING OK, JOE? 286 00:13:45,370 --> 00:13:47,880 WELL, ACTUALLY, I'VE GOT A LITTLE PROBLEM. 287 00:13:47,880 --> 00:13:51,050 BUT, HEY, EVERYONE HAS PROBLEMS. 288 00:13:51,050 --> 00:13:52,050 NOT LIKE YOURS. 289 00:13:54,050 --> 00:13:57,420 LISTEN, JOE, IF YOU AND BRIAN WANNA DATE EACH OTHER, 290 00:13:57,920 --> 00:14:00,420 WELL, IT'S YOUR OWN BUSINESS. 291 00:14:00,420 --> 00:14:02,930 BUT BEFORE YOU GIVE UP ON THE FAIRER SEX, 292 00:14:02,930 --> 00:14:04,430 GIVE ROY A CALL. 293 00:14:04,430 --> 00:14:07,160 A NICER GAL YOU WON'T FIND ANYWHERE. 294 00:14:15,870 --> 00:14:18,210 LOWELL JUST GAVE ME A REALLY WEIRD LOOK. 295 00:14:18,210 --> 00:14:19,710 HOW COULD YOU TELL? 296 00:14:21,180 --> 00:14:22,680 HEY--HEY, WHAT ARE YOU DOING HERE? 297 00:14:22,680 --> 00:14:24,180 I THOUGHT YOU WENT TO DINNER WITH CAROL. 298 00:14:24,180 --> 00:14:25,680 NAH, I JUST DROPPED HER OFF. 299 00:14:25,680 --> 00:14:27,480 SHE SAID SHE DID SOMETHING TO HER BACK TODAY. 300 00:14:27,480 --> 00:14:29,720 YEAH, THAT CAN HAPPEN. 301 00:14:29,720 --> 00:14:32,090 JOE, I WANT YOU TO KNOW 302 00:14:32,090 --> 00:14:36,090 HOW MUCH I APPRECIATE YOU BEING SUCH A GREAT SPORT ABOUT ALL THIS. 303 00:14:36,990 --> 00:14:39,500 UH, BRIAN, LISTEN. 304 00:14:39,500 --> 00:14:41,000 THERE'S SOMETHING I-- I'VE GOTTA-- 305 00:14:41,000 --> 00:14:42,500 JOE, JOE, JOE, JOE. 306 00:14:42,500 --> 00:14:45,500 IF CAROL AND I DO GET BACK TOGETHER, 307 00:14:45,500 --> 00:14:47,000 MAYBE WE CAN ADD A ROOM ONTO THE HOUSE. 308 00:14:47,340 --> 00:14:48,640 BRIAN, LISTEN TO ME, I-- 309 00:14:49,140 --> 00:14:50,640 OF COURSE, EVENTUALLY WE'LL HAVE TO MOVE INTO SOMETHING A LITTLE BIGGER 310 00:14:50,640 --> 00:14:52,640 ONCE THE LITTLE ONES START ARRIVING. I'D KIND OF LIKE A GIRL. 311 00:14:52,640 --> 00:14:54,640 BRIAN, PLEASE-- WAIT, WAIT, WAIT. WHAT DO YOU THINK-- 312 00:14:54,640 --> 00:14:56,040 WHAT DO YOU THINK ABOUT NAMES? 313 00:14:56,040 --> 00:14:58,550 I'M KIND OF PARTIAL TO DORALDINE. BRIAN. 314 00:14:58,550 --> 00:15:01,550 AH, BUT THERE'LL BE LIKE 6 OTHER DORALDINES IN HER CLASS. 315 00:15:01,550 --> 00:15:04,090 BUT I-- BRIAN, HOW 'BOUT YOU SHUT UP FOR GOD'S SAKE? 316 00:15:05,490 --> 00:15:06,490 BRIAN... 317 00:15:07,990 --> 00:15:09,960 CAROL MADE A PASS AT ME TODAY. 318 00:15:12,360 --> 00:15:13,760 I DON'T BELIEVE YOU. 319 00:15:14,100 --> 00:15:15,600 BRIAN, IT'S TRUE. 320 00:15:15,600 --> 00:15:17,100 AND WHAT'S WORSE IS, 321 00:15:17,100 --> 00:15:20,600 I PASSED BACK. 322 00:15:23,810 --> 00:15:26,810 HMM. WELL, THAT PART I BELIEVE. 323 00:15:28,310 --> 00:15:29,810 OH, BOY. 324 00:15:29,810 --> 00:15:32,420 OH, THIS MUST BE REAL SWEET FOR YOU, HUH? 325 00:15:32,410 --> 00:15:34,780 YEAH, YOU COULDN'T WAIT TO TAKE YOUR REVENGE, COULD YOU? 326 00:15:34,780 --> 00:15:37,120 SO--SO, WHEN DID YOU START PLANNING THIS, HUH? 327 00:15:37,120 --> 00:15:38,620 WHEN YOU HEARD THAT SHE WAS COMING BACK TO NANTUCKET? 328 00:15:39,120 --> 00:15:41,020 OR DIDN'T IT OCCUR TO YOU UNTIL YOU SAW THAT I WAS HAPPY? 329 00:15:41,020 --> 00:15:42,660 THAT'S NOT TRUE! YEAH, IT IS TRUE! 330 00:15:42,660 --> 00:15:44,790 BRIAN, CAROL MADE THE FIRST MOVE. 331 00:15:44,790 --> 00:15:46,060 NOW, YOU SHUT UP! 332 00:15:46,560 --> 00:15:48,560 LOOK, 6 YEARS AGO SHE LEFT ME AND WENT AFTER YOU. 333 00:15:48,560 --> 00:15:51,570 6 MONTHS AGO, SHE LEFT YOU AND--AND WENT AFTER SOME OTHER GUY. 334 00:15:51,570 --> 00:15:52,900 WHY IS IT SO HARD TO BELIEVE? 335 00:15:52,900 --> 00:15:55,000 BECAUSE IT'S DIFFERENT THIS TIME! I KNOW IT IS. 336 00:15:55,000 --> 00:15:57,010 BRIAN, I JUST DON'T WANNA SEE YOU GET HURT AGAIN. 337 00:15:57,010 --> 00:15:58,510 HEY, IF YOU DON'T WANNA GET HURT, 338 00:15:59,010 --> 00:16:00,410 YOU STAY AWAY FROM HER. 339 00:16:00,740 --> 00:16:02,240 BRIAN! 340 00:16:03,750 --> 00:16:05,250 [knocking on door] 341 00:16:06,280 --> 00:16:07,780 [knocking on door] 342 00:16:09,790 --> 00:16:11,290 HELLO, CAROL. 343 00:16:11,290 --> 00:16:13,290 W-W-WHAT DO YOU WANT? HELEN, ISN'T IT? 344 00:16:13,290 --> 00:16:14,790 VERY GOOD. 345 00:16:14,790 --> 00:16:17,190 AREN'T YOU GONNA INVITE ME IN? THANK YOU. 346 00:16:20,200 --> 00:16:21,560 WHAT DO YOU WANT? 347 00:16:21,560 --> 00:16:25,570 NO, THE QUESTION IS WHAT DO YOU WANT? 348 00:16:25,570 --> 00:16:29,200 HAVEN'T YOU SCREWED UP THE HACKETT BOYS' LIFE ENOUGH FOR ONE LIFETIME? 349 00:16:29,200 --> 00:16:31,570 HAVE YOU BEEN DRINKING? 350 00:16:31,570 --> 00:16:35,080 I'VE HAD 4 GLASSES OF CHIANTI WITH MY SPAGHETTI. 351 00:16:35,080 --> 00:16:37,580 AND I HAD 3 HELPINGS OF THAT IF YOU MUST KNOW. 352 00:16:38,910 --> 00:16:41,920 AH, WELL, THAT WOULD EXPLAIN 353 00:16:41,920 --> 00:16:44,920 THAT ATTRACTIVE SPAGHETTI SAUCE STAIN ON YOUR SWEATER THEN. 354 00:16:44,920 --> 00:16:48,420 OH, YEAH, I ACCIDENTALLY BOUNCED A MEATBALL OFF MY LEFT BREAST. 355 00:16:49,730 --> 00:16:51,230 I WANT YOU TO LEAVE. 356 00:16:51,230 --> 00:16:53,230 WELL, THE FEELING IS MUTUAL. 357 00:16:55,230 --> 00:16:58,230 WHERE DO YOU GET OFF NOT REMEMBERING WHO I AM? 358 00:16:58,730 --> 00:17:00,740 WE WERE IN EVERY SCHOOL PRODUCTION TOGETHER. 359 00:17:00,740 --> 00:17:02,740 YOU WERE ALWAYS THE STAR OF THE SHOW, 360 00:17:02,740 --> 00:17:06,240 AND I PLAYED THE CELLO DOWN IN THE PIT. 361 00:17:06,240 --> 00:17:08,240 IF THAT ISN'T A METAPHOR FOR SOMETHING. 362 00:17:10,250 --> 00:17:11,750 YOU EVEN SIGNED MY YEARBOOK. 363 00:17:15,250 --> 00:17:17,750 "I'LL NEVER FORGET YOU. LOVE, CAROL." 364 00:17:19,760 --> 00:17:21,760 THAT'S YOU? 365 00:17:21,760 --> 00:17:23,630 YOU WERE THE FAT, LITTLE CELLIST DOWN IN THE PIT. 366 00:17:23,990 --> 00:17:26,500 YES, YES! THAT WAS ME! YOU REMEMBER! 367 00:17:28,000 --> 00:17:29,000 SO, HOW YOU BEEN? 368 00:17:33,370 --> 00:17:35,370 SO, THAT'S WHAT THIS IS ALL ABOUT? 369 00:17:35,370 --> 00:17:37,370 OH, YES, I REMEMBER YOU. 370 00:17:37,370 --> 00:17:38,870 YOU ALWAYS HATED ME 371 00:17:38,870 --> 00:17:40,710 'CAUSE BRIAN AND JOE WERE INTERESTED IN ME AND NOT YOU. 372 00:17:40,710 --> 00:17:41,980 YOU'RE CRAZY. 373 00:17:41,980 --> 00:17:44,450 THERE WAS PLENTY OF OTHER REASONS TO HATE YOU. 374 00:17:44,450 --> 00:17:46,450 BUT THAT WAS THE BIG ONE, WASN'T IT? 375 00:17:46,450 --> 00:17:48,680 AND APPARENTLY, THINGS HAVEN'T CHANGED. 376 00:17:48,680 --> 00:17:51,690 OH, IT MUST BE SO FRUSTRATING FOR YOU. 377 00:17:51,690 --> 00:17:55,390 I MEAN, IN ONE DAY, I HAVE THE BOYS FALLING ALL OVER EACH OTHER. 378 00:17:55,390 --> 00:17:58,390 SOMETHING YOU HAVEN'T BEEN ABLE TO ACCOMPLISH IN 10 YEARS. 379 00:17:58,390 --> 00:18:00,830 [shouts] I BET YOU REMEMBER ME NOW! 380 00:18:00,830 --> 00:18:02,200 [screaming] 381 00:18:02,700 --> 00:18:04,570 [knocking on door] 382 00:18:04,570 --> 00:18:06,070 [grunting] 383 00:18:07,570 --> 00:18:09,440 [banging on door] 384 00:18:10,740 --> 00:18:12,570 HEY, CAROL! HEY! 385 00:18:12,570 --> 00:18:14,410 (Brian) HELEN, WHAT IS GOIN' ON HERE? 386 00:18:14,410 --> 00:18:15,610 SHE'S DRUNK! 387 00:18:15,610 --> 00:18:17,110 HAVE YOU BEEN DRINKING, HELEN? 388 00:18:17,110 --> 00:18:19,620 [whispering] I HAD A LITTLE WINE WITH DINNER. 389 00:18:21,620 --> 00:18:23,750 NOW, WHAT IS ALL THIS ABOUT? 390 00:18:23,750 --> 00:18:26,260 WELL, LOOK WHO'S ASKING THE QUESTIONS. 391 00:18:26,250 --> 00:18:29,260 I COULD ASK YOU A REAL DOOZY, LOVER-BOY. 392 00:18:29,260 --> 00:18:30,760 AND SO COULD YOUR BROTHER, 393 00:18:30,760 --> 00:18:32,260 [whispering] IF HE KNEW. 394 00:18:33,760 --> 00:18:35,260 I'VE ALREADY TOLD BRIAN. 395 00:18:36,260 --> 00:18:37,270 WHAT DO YOU KNOW ABOUT IT? 396 00:18:37,270 --> 00:18:40,270 OH, I SAW YOU TWO PAWING EACH OTHER. 397 00:18:40,270 --> 00:18:41,770 I BET YOU NEVER GUESSED 398 00:18:41,770 --> 00:18:44,770 THERE WOULD BE SOMEONE SITTING IN THOSE LOCKERS EATING PIZZA. 399 00:18:47,240 --> 00:18:51,480 SHE WAS ALL OVER HIM LIKE SYRUP ON PANCAKES. 400 00:18:51,480 --> 00:18:53,750 OOH, THAT SOUNDS GOOD. 401 00:18:53,750 --> 00:18:56,250 DOES THIS PLACE HAVE ROOM SERVICE? I'LL GO CHECK. 402 00:18:59,150 --> 00:19:01,460 OH, HOW COULD YOU DO THIS TO ME? 403 00:19:01,960 --> 00:19:04,960 BRIAN, I AM SO SORRY IF I HURT YOU. 404 00:19:05,460 --> 00:19:07,960 IT'S JUST, I FEEL LIKE I'M BEING TORN APART. 405 00:19:07,960 --> 00:19:11,470 I MEAN, HALF OF ME WANTS YOU AND ALL THE CRAZINESS THAT GOES WITH YOU, 406 00:19:11,470 --> 00:19:15,270 BUT--BUT THE OTHER HALF WANTS JOE, SO STRONG AND SOLID. 407 00:19:15,270 --> 00:19:17,210 YOU CAN HAVE THE HALF OF HER THAT COOKS. 408 00:19:17,210 --> 00:19:18,970 HOW CAN YOU JOKE ABOUT THIS? 409 00:19:18,970 --> 00:19:20,440 BECAUSE IT'S WHAT I DO. 410 00:19:20,840 --> 00:19:22,840 THIS ISN'T FAIR TO EITHER ONE OF YOU. 411 00:19:22,840 --> 00:19:25,350 I HAVE TO MAKE A DECISION. I KNOW THAT. 412 00:19:25,350 --> 00:19:28,850 COULD YOU JUST GIVE ME A MINUTE, 'CAUSE I CAN'T THINK STRAIGHT. 413 00:19:30,590 --> 00:19:31,890 WE'LL KNOW SOON ENOUGH, EH? 414 00:19:31,890 --> 00:19:33,620 WOULD YOU LISTEN TO YOURSELF? 415 00:19:33,620 --> 00:19:36,130 SHE'S IN THERE DECIDING WHICH ONE OF US SHE'S GONNA PICK. 416 00:19:36,120 --> 00:19:38,630 LIKE WE'RE A-- WE'RE A COUPLE OF MELONS ON A FRUIT STAND. 417 00:19:38,630 --> 00:19:40,630 WELL, I'M TAKING MYSELF OUT OF THE RUNNING. 418 00:19:40,630 --> 00:19:42,930 AND IF YOU HAVE ANY DIGNITY AT ALL, YOU'LL DO THE SAME. 419 00:19:42,930 --> 00:19:44,900 MMM, DIGNITY WAS NEVER MY STRONG SUIT. 420 00:19:44,900 --> 00:19:46,900 LOOK WHAT SHE IS DOING TO US, BRIAN. 421 00:19:46,900 --> 00:19:48,400 THE LAST TIME SHE CAME BETWEEN US, 422 00:19:48,400 --> 00:19:49,910 WE DIDN'T SPEAK FOR 6 YEARS. 423 00:19:49,910 --> 00:19:52,740 NOW, I DON'T WANT THAT TO HAPPEN AGAIN, DO YOU? 424 00:19:52,740 --> 00:19:53,740 NO. 425 00:19:54,210 --> 00:19:56,210 WELL, ONE OF US HAS BEEN UP FRONT WITH YOU. 426 00:19:56,210 --> 00:19:58,210 ONE OF US HAS TOLD YOU THE TRUTH. 427 00:19:58,710 --> 00:20:00,720 AND ONLY ONE OF US REALLY CARES ABOUT YOU. 428 00:20:02,320 --> 00:20:03,820 JUST MY LUCK IT'S YOU. 429 00:20:05,820 --> 00:20:07,160 OH, OH, YOU'RE RIGHT. 430 00:20:07,420 --> 00:20:09,420 OH, THIS WOMAN IS POISON TO US. 431 00:20:09,420 --> 00:20:10,930 PURE STRYCHNINE. 432 00:20:10,930 --> 00:20:11,930 WE'RE MEN, BRIAN. OH. 433 00:20:11,930 --> 00:20:13,930 LET'S ACT LIKE MEN. 434 00:20:13,930 --> 00:20:16,930 RIGHT YOU ARE, JOSEPH. AS FAR AS SHE'S CONCERNED, WE'RE NOT INTERESTED. 435 00:20:16,930 --> 00:20:17,930 [door opening] 436 00:20:19,470 --> 00:20:22,470 WELL, THERE'S NO GRACIOUS WAY TO DO THIS, 437 00:20:22,470 --> 00:20:24,610 SO, UH, I PICK BRIAN. 438 00:20:24,610 --> 00:20:26,110 YES! YES! ALL RIGHT! YES! 439 00:20:26,110 --> 00:20:27,610 MELONS, BRIAN, MELONS. 440 00:20:27,610 --> 00:20:29,110 YEAH, OK, OK, OK. 441 00:20:32,610 --> 00:20:35,550 I'M SORRY, CAROL. I'M NOT INTERESTED. 442 00:20:36,920 --> 00:20:37,920 I SEE. 443 00:20:39,420 --> 00:20:41,420 AND WHAT ABOUT YOU, JOE? 444 00:20:42,420 --> 00:20:44,230 ARE YOU REJECTING ME, TOO? 445 00:20:45,990 --> 00:20:47,000 JOE? 446 00:20:49,630 --> 00:20:51,630 JOE, SHE'S TALKING TO YOU. 447 00:20:53,940 --> 00:20:55,940 NOW, WHAT IS WRONG WITH YOU? YOU'RE AS BAD AS I AM, 448 00:20:55,940 --> 00:20:58,470 FOR CRYING OUT LOUD. YOU'RE RIGHT, YOU'RE RIGHT. LET'S FACE IT. 449 00:20:58,470 --> 00:21:00,980 NEITHER ONE OF US HAS THE PRUNES TO BREAK UP WITH HER. 450 00:21:00,980 --> 00:21:02,880 IT'S GONNA HAVE TO BE A TEAM EFFORT. 451 00:21:02,880 --> 00:21:06,380 WE HAVE TO TELL HER THAT WE CAN'T SEE HER ANYMORE. 452 00:21:06,380 --> 00:21:08,050 LET'S DO IT. 453 00:21:08,050 --> 00:21:09,550 [both grunting] 454 00:21:10,690 --> 00:21:12,690 CAROL, WE CAN'T SEE YOU ANYMORE. 455 00:21:12,690 --> 00:21:14,690 YEAH, YOU'RE NO GOOD FOR US. 456 00:21:14,690 --> 00:21:16,160 WHAT'S GOING ON? 457 00:21:16,160 --> 00:21:18,660 OH, SURE, WE HAD SOME GREAT TIMES TOGETHER, 458 00:21:18,660 --> 00:21:20,660 AND THOSE WILL ALWAYS BE CHERISHED MEMORIES FOR US. 459 00:21:20,660 --> 00:21:22,660 HEY, HEY, HEY, YOU REMEMBER THE FIRST TIME WE SAW HER? 460 00:21:22,660 --> 00:21:25,170 OUR HEARTS SKIPPED A BEAT. YEAH. 461 00:21:25,170 --> 00:21:26,670 NOW'S THE TIME TO SAY GOOD-BYE. 462 00:21:26,670 --> 00:21:28,640 WE'RE BREAKIN' UP WITH YOU, CAROL. 463 00:21:29,040 --> 00:21:32,040 AND PLEASE, PLEASE DON'T TRY TO STOP US. 464 00:21:33,580 --> 00:21:35,480 GOOD-BYE, CAROL. GOOD-BYE, CAROL. 465 00:21:35,980 --> 00:21:38,980 WELL, YOU BOTH KNOW WHAT YOU'RE MISSING. 466 00:21:40,020 --> 00:21:41,020 [both scoffing] 467 00:21:57,830 --> 00:21:59,340 [knocking on door] 468 00:22:00,340 --> 00:22:01,340 I KNEW IT. 469 00:22:04,840 --> 00:22:05,910 HELEN. 470 00:22:05,910 --> 00:22:08,340 GOOD NEWS. THEY DO HAVE ROOM SERVICE. 471 00:22:08,340 --> 00:22:10,350 DO YOU WANNA SEE THE DESSERT MENU?