1 00:00:21,000 --> 00:00:22,966 GOOD MORNING. GOOD MORNING. 2 00:00:23,000 --> 00:00:25,666 MR. WAGNER? YES, RIGHT THIS WAY. 3 00:00:31,033 --> 00:00:34,800 MORNING, DETECTIVE. SUSAN'S OUT. 4 00:00:34,833 --> 00:00:37,466 WELL, ACTUALLY I'M HERE TO SEE YOU. 5 00:00:37,500 --> 00:00:40,533 I WANTED YOU TO KNOW I WOULDN'T BE WORKING FOR YOU ANYMORE. 6 00:00:40,566 --> 00:00:44,833 I'M SORRY TO HEAR THAT. IT LOOKED LIKE YOU AND SUSAN WERE GETTING ALONG. 7 00:00:44,866 --> 00:00:47,700 ‐ SCHEDULING PROBLEMS? ‐ NOT REALLY. 8 00:00:47,733 --> 00:00:51,466 ‐ I JUST DON'T WANT TO BE TAKING YOUR MONEY. ‐ WHY'S THAT? 9 00:00:51,500 --> 00:00:55,966 WELL, THIS WAY, IF YOU KEEP BEATING HER UP, I CAN DO SOMETHING ABOUT IT. 10 00:00:56,000 --> 00:00:58,300 YOU WORKING FOR HER NOW? 11 00:00:58,333 --> 00:01:00,366 MMM, NAH. JUST THE POLICE DEPARTMENT. 12 00:01:00,400 --> 00:01:02,866 THEN MAYBE YOU'LL CONSIDER THAT THIS SITUATION'S... 13 00:01:02,900 --> 00:01:06,366 A LITTLE MORE COMPLICATED THAN YOU'VE BEEN LED TO UNDERSTAND. 14 00:01:07,933 --> 00:01:11,900 NOTHING COMPLICATED ABOUT THOSE BRUISES ON YOUR WIFE'S FACE. 15 00:01:11,933 --> 00:01:15,233 YOU ARE BEYOND YOUR DEPTH, DETECTIVE KELLY. 16 00:01:15,266 --> 00:01:17,233 OUR CONVERSATION IS OVER. 17 00:01:17,266 --> 00:01:19,233 I'M DONE TOO. 18 00:01:19,266 --> 00:01:22,533 JUST TO LET YOU KNOW THAT IF YOU HIT HER AGAIN, 19 00:01:22,566 --> 00:01:25,500 YOU'RE GOING TO BE SORRY YOU EVER MET ME. 20 00:01:33,233 --> 00:01:35,600 [ DOOR CLOSES ] [ SIGHS ] 21 00:03:14,433 --> 00:03:17,000 DETECTIVE. WHAT HO. 22 00:03:17,033 --> 00:03:19,733 WHAT HO. WHAT'S GOING ON IN THERE? 23 00:03:19,766 --> 00:03:22,276 AH, WALKER JUST CAUGHT A CASE. 24 00:03:22,309 --> 00:03:25,776 NOW HE'S VOICING SOME RESERVATIONS TO THE LIEUTENANT ABOUT ME WORKIN' BACKUP. 25 00:03:25,809 --> 00:03:28,509 THIS IS GONNA TAKE SOME TIME, ANDY. COME ON, JOHN. 26 00:03:28,543 --> 00:03:30,609 PLEASE, I UNDERSTAND MY SITUATION. 27 00:03:30,643 --> 00:03:34,209 I SPENT A LONG PERIOD OF TIME BEING SAUCED. I NEED TO WIN BACK MY COLLEAGUES' TRUST. 28 00:03:34,243 --> 00:03:37,843 I'VE GOT TO EXHIBIT A CONTINUOUS POSITIVE APPROACH, 29 00:03:37,876 --> 00:03:39,843 EVEN WITH THIS DIM BULB HERE. 30 00:03:39,876 --> 00:03:43,576 SIPOWICZ, KELLY, ROBBERY, DOUBLE HOMICIDE. 31 00:03:43,609 --> 00:03:46,443 LIQUOR STORE OVER ON JAMES STREET. YOU GUYS WANNA GIVE ME A HAND ? 32 00:03:46,476 --> 00:03:49,409 ‐ YEAH, SURE. GIMME. ‐ OUR PLEASURE. 33 00:03:49,443 --> 00:03:52,576 UH, HERE'S THE ADDRESS. I'LL SEE YOU OVER THERE. 34 00:03:55,643 --> 00:03:58,276 THAT WAS POSITIVE, WASN'T IT? "OUR PLEASURE." 35 00:03:58,309 --> 00:04:00,243 FAIR. 36 00:04:00,276 --> 00:04:03,876 WHAT SHOULD I HAVE SAID? "OUR PLEASURE, ROOTY‐TOOT‐TOOT"? 37 00:04:03,909 --> 00:04:06,943 [ MEN CHATTERING ] 38 00:04:08,876 --> 00:04:12,709 CAN I TALK TO YOU FOR A MINUTE, DETECTIVE? YEAH. 39 00:04:12,743 --> 00:04:15,876 I'LL, UH, I'LL SEE YOU OUTSIDE, ALL RIGHT? YEAH, SURE. 40 00:04:18,476 --> 00:04:20,443 [ SIPOWICZ ] CATCH YOU LATER, TED. 41 00:04:20,476 --> 00:04:23,509 DID YOU GO TO YOUR DAD'S SERVICE? YEAH, I JUST GOT BACK. 42 00:04:23,543 --> 00:04:25,776 HOW'D YOUR MOTHER HOLD UP? OKAY. 43 00:04:25,809 --> 00:04:27,276 YEAH. 44 00:04:27,309 --> 00:04:30,343 I WANTED TO THANK YOU FOR BEING THERE FOR ME THE OTHER NIGHT. 45 00:04:30,376 --> 00:04:33,676 AW, IT'S ALL RIGHT. JOHN, I DON'T WANT IT TO BE OVER FOR US. 46 00:04:33,709 --> 00:04:35,676 THIS IS NOT THE PLACE TO TALK ABOUT IT. 47 00:04:35,709 --> 00:04:39,209 IT'S NOT LIKE YOU LET ME PICK MY SPOTS. OKAY. 48 00:04:39,243 --> 00:04:42,276 I ADMIT I HAVE FEELINGS FOR YOU, BUT IT'S NOT GONNA WORK OUT FOR US. 49 00:04:42,309 --> 00:04:45,909 I'M NOT GONNA TAKE THAT. WE CAN MAKE IT WORK OUT. I GOTTA GO, ALL RIGHT? 50 00:04:50,243 --> 00:04:52,809 [ SIREN WAILING ] 51 00:04:56,376 --> 00:04:59,509 I'D JUST WALKED INTO THE STORE BEHIND THESE OTHER TWO GUYS. 52 00:04:59,543 --> 00:05:03,176 AND THIS GUY, HE COMES OUT FROM THE BACK ROOM WITH A GUN. 53 00:05:03,209 --> 00:05:06,543 HE MADE US ALL COME OVER TO THIS AISLE HERE AND LIE ON OUR STOMACHS. 54 00:05:06,576 --> 00:05:09,509 DID YOU GET A LOOK AT HIM? YEAH, PRETTY GOOD. 55 00:05:09,543 --> 00:05:13,209 HE WAS A WHITE GUY, TALL, ABOUT 50 YEARS OLD. 56 00:05:13,243 --> 00:05:17,343 HE HAD ON LIKE A BLACK TRENCH COAT, DOWN BELOW HIS KNEES. 57 00:05:17,376 --> 00:05:21,676 HE WAS LIKE SIX‐THREE, SIX‐FOUR. GOOD SIZED. 58 00:05:21,709 --> 00:05:24,543 ANY MARKS YOU NOTICED ON HIS FACE OR HANDS? ANY FACIAL HAIRS? 59 00:05:24,576 --> 00:05:29,076 YEAH, HE HAD A MUSTACHE, AND HE SMELLED LIKE HE'D BEEN DRINKING. 60 00:05:29,109 --> 00:05:32,543 HE CAME AND STOOD OVER US, AND THAT'S WHEN I HEARD THE CLICK... 61 00:05:32,576 --> 00:05:35,509 FROM THE GUN OVER MY HEAD. KELLY. 62 00:05:35,543 --> 00:05:38,176 THANK GOD HE MUST'VE USED UP ALL THE BULLETS‐‐ WHITE, 45 OR SO. 63 00:05:38,209 --> 00:05:42,009 AROUND SIX FEET TALL? ALL RIGHT, LET'S GET THESE PEOPLE OVER TO THE PRECINCT. 64 00:05:42,043 --> 00:05:45,176 HAVE THEM TAKE A LOOK AT SOME PICTURES. 65 00:05:45,209 --> 00:05:48,176 MY GUY MAKES THE PERP ABOUT SIX‐THREE OR FOUR, 66 00:05:48,209 --> 00:05:50,176 50 YEARS OLD, A MUSTACHE. 67 00:05:50,209 --> 00:05:52,176 LET'S GET 'EM OVER TO THE PRECINCT. 68 00:05:52,209 --> 00:05:55,109 HERE'S LICENSES FROM THE CARS PARKED OUTSIDE. OKAY. 69 00:05:55,143 --> 00:05:57,776 HEY, WALKER, WE DON'T HAVE TO HOLD HANDS, BUT WOULD YOU MIND... 70 00:05:57,809 --> 00:06:00,343 NOT TALKING TO ME LIKE I'M TIMMY, THE LAUNDRY BOY? 71 00:06:00,376 --> 00:06:03,209 YOU GIVE ME THE LICENSE NUMBERS FOR THE CANVASS. I SAID OKAY. 72 00:06:03,243 --> 00:06:06,443 ALL RIGHT. OKAY, FINE. IT'S MY MISTAKE. ALL RIGHT? 73 00:06:06,476 --> 00:06:08,743 YOU GOT A MINUTE, KELLY? 74 00:06:12,043 --> 00:06:15,776 LOOK, THIS IS NOTICE. I'M NOT TAKING ANY CRAP FROM YOUR FAT FRIEND. 75 00:06:15,809 --> 00:06:19,043 ‐ GIVE HIM A SQUARE SHOT. ‐ I'LL GIVE HIM THE SHOT HE EARNS. 76 00:06:19,076 --> 00:06:21,609 BUT I'M TELLING YOU, IF THAT DRUNK SCREWS UP MY CASE‐‐ 77 00:06:21,643 --> 00:06:25,109 YOU'RE NOT PAYING ATTENTION. HE HASN'T HAD A DRINK IN OVER TWO MONTHS. 78 00:06:25,143 --> 00:06:28,109 SO WHY DON'T YOU TAKE YOUR ATTITUDE AND SHOVE IT UP YOUR ASS? 79 00:06:28,143 --> 00:06:30,609 IS THIS SOMETHING THE WHOLE CLASS CAN APPRECIATE? 80 00:06:30,643 --> 00:06:32,609 WE'RE DONE. 81 00:06:32,643 --> 00:06:37,076 FOLKS, LET'S TAKE A RIDE OVER TO THE PRECINCT HOUSE, TRY AND MAKE A PHOTO I. D. 82 00:06:37,109 --> 00:06:40,209 [ SIREN WAILING ] 83 00:06:43,109 --> 00:06:45,609 HEY, DETECTIVE. HEY. 84 00:06:45,643 --> 00:06:50,076 [ MAN ] SEE ME ON YOUR WAY OUT. DON'T STOP TILL YOU DIE. 85 00:06:50,109 --> 00:06:52,943 OKAY, WE'LL TAKE YOU UPSTAIRS AND SHOW YOU SOME PICTURES. 86 00:06:52,976 --> 00:06:55,343 SEE IF YOU CAN IDENTIFY ANYONE. YEAH, ALL RIGHT. 87 00:06:55,376 --> 00:06:57,743 MRS. WAGNER. 88 00:06:57,776 --> 00:06:59,743 WHAT'S HAPPENING? 89 00:06:59,776 --> 00:07:03,876 MY HUSBAND TOLD ME YOU WON'T BE WORKING FOR US ANYMORE. YEAH, THAT'S RIGHT. 90 00:07:04,976 --> 00:07:07,576 UH... HOW'S THE EYE? 91 00:07:07,609 --> 00:07:10,776 IT'S FINE. PLEASE DON'T QUIT, MR. KELLY. 92 00:07:10,809 --> 00:07:14,409 MRS. WAGNER, YOU DON'T NEED A BODYGUARD FOR WHEN YOU GO OUT IN PUBLIC. 93 00:07:14,443 --> 00:07:16,709 YOUR PROBLEM IS A DOMESTIC SITUATION. 94 00:07:16,743 --> 00:07:19,243 MY ADVICE IS IF YOUR HUSBAND HITS YOU AGAIN, 95 00:07:19,276 --> 00:07:23,209 JUST FILE A CRIMINAL COMPLAINT OR MOVE OUT ON HIM. 96 00:07:23,243 --> 00:07:26,509 WHAT YOU SHOULDN'T DO IS STAY IN THAT BIG APARTMENT AND TAKE IT... 97 00:07:26,543 --> 00:07:29,043 OR TALK THE WAY YOU WERE THE OTHER NIGHT, 98 00:07:29,076 --> 00:07:32,743 WHICH SOUNDED LIKE YOU WERE SOLICITING ME TO COMMIT A CRIME. 99 00:07:32,776 --> 00:07:35,743 WHEN I SAID THAT I WISHED SOMETHING WOULD HAPPEN TO HIM, I WAS UPSET. 100 00:07:35,776 --> 00:07:38,743 I DIDN'T MEAN ANYTHING BY IT. OKAY, MAYBE I MISUNDERSTOOD. 101 00:07:38,776 --> 00:07:41,376 BUT, MRS. WAGNER, A LOT OF WOMEN THAT HAVE HUSBANDS LIKE YOURS... 102 00:07:41,409 --> 00:07:43,709 CAN'T DO ANYTHING TO HELP THEMSELVES. 103 00:07:43,743 --> 00:07:46,743 YOU CAN. YOU CAN MAKE A CHOICE. DO IT. 104 00:07:46,776 --> 00:07:49,909 YOU'RE INDULGING A PREJUDICE, MR. KELLY. 105 00:07:51,209 --> 00:07:53,576 AFFLUENCE DOESN'T ALWAYS PURCHASE OPPORTUNITY. 106 00:08:03,409 --> 00:08:05,776 TAKE A LOOK AT THESE. 107 00:08:11,043 --> 00:08:13,276 HEY, SIPOWICZ. WHAT? 108 00:08:16,409 --> 00:08:18,576 MY WITNESS JUST I. D.'D THIS GUY. 109 00:08:18,609 --> 00:08:21,843 HE'S GOT TWO PRIORS FOR ARMED ROBBERY. SHOW HIM TO YOUR PEOPLE. 110 00:08:21,876 --> 00:08:24,509 HEY, WAIT. THIS GUY'S FIVE‐NINE. 111 00:08:24,543 --> 00:08:28,176 SO WHAT? OUR STATEMENTS MADE THE PERP AT SIX‐THREE OR FOUR. 112 00:08:28,209 --> 00:08:30,176 MINE SAID AROUND SIX. 113 00:08:30,209 --> 00:08:33,009 SIPOWICZ, PEOPLE LOOK TALLER WHEN YOU'RE LYING ON THE GROUND. 114 00:08:33,043 --> 00:08:34,943 SHOW 'EM THE PHOTOGRAPH. 115 00:08:38,943 --> 00:08:40,876 NEW FACES. 116 00:08:42,976 --> 00:08:45,676 NO. [ SIPOWICZ ] ALL RIGHT, TAKE YOUR TIME. 117 00:08:45,709 --> 00:08:48,509 LOOK AT THESE CAREFULLY. THIS DOESN'T HAVE TO BE FAST. WE GOT PLENTY MORE PICTURES. 118 00:08:48,543 --> 00:08:51,743 NO, I DON'T RECOGNIZE ANYBODY. NO! 119 00:08:51,776 --> 00:08:53,709 KELLY. 120 00:08:55,476 --> 00:08:58,443 I GOT A POSITIVE I.D. FROM ONE WITNESS. 121 00:08:58,476 --> 00:09:01,609 THE GUY'S NAME IS COLEMAN. HE'S GOT THE RIGHT PRIORS. I WANT TO PICK HIM UP. 122 00:09:01,643 --> 00:09:04,276 SIPOWICZ THINKS HE MAY BE TOO SHORT. NO, NO, NO, NO. 123 00:09:04,309 --> 00:09:07,576 LET'S PICK HIM UP. MAYBE HE WAS WEARIN' LIFTS. 124 00:09:12,543 --> 00:09:15,476 [ HORN HONKING ] 125 00:09:16,809 --> 00:09:19,743 YEAH, BENSONHURST, JOHN. IT'S A LIKELY LOCALE, HUH? 126 00:09:19,776 --> 00:09:22,609 GUY LIVES HERE, WANTS TO ROB A LIQUOR STORE IN DOWNTOWN MANHATTAN. 127 00:09:22,643 --> 00:09:25,243 ALL HE'S GOTTA DO IS MAKE LIKE, WHAT, NINE, TEN SUBWAY TRANSFERS? 128 00:09:25,276 --> 00:09:28,609 MAYBE HE HAD BUSINESS DOWNTOWN AND CAME BACK AND DID THE STORE THEN. 129 00:09:28,643 --> 00:09:31,676 YEAH, RIGHT. MAYBE HIS DOCTOR'S DOWN ON JAMES STREET, HUH? 130 00:09:31,709 --> 00:09:34,909 THE ONE THAT GIVES HIM HIS HORMONE INJECTIONS THAT PUMP HIM UP TO SIX‐THREE... 131 00:09:34,943 --> 00:09:36,909 WHEN HE'S ABOUT TO PULL A JOB... 132 00:09:36,943 --> 00:09:40,443 AND THEN SHRINK HIM DOWN TO HIS NORMAL FIVE‐NINE RIGHT AFTERWARD, HUH? 133 00:09:40,476 --> 00:09:44,376 [ SIGHS ] SO WHAT'S GOIN' ON WITH YOU AND THAT GIRL? 134 00:09:46,543 --> 00:09:50,576 WHICH GIRL? THE ONE WE HAVEN'T BEEN TALKIN' ABOUT. LICALSI. 135 00:09:50,609 --> 00:09:54,176 NOTHING'S GOIN' ON. HEY, HEY, YOU'RE A DIVORCED MAN, JOHN. 136 00:09:54,209 --> 00:09:57,776 IT'S A HEALTHY URGE. IF SHE WORKED AT A TOPLESS BAR, I'D TAKE A SHOT AT HER MYSELF. 137 00:09:57,809 --> 00:10:00,343 NOTHING IS GOING ON, AND HERE'S THE GUY, ANDY. 138 00:10:00,376 --> 00:10:02,343 ALL RIGHT, LET'S TAKE THE BASTARD. 139 00:10:02,376 --> 00:10:05,609 IF HE DIDN'T DO THE LIQUOR STORE, MAYBE HE DID SOMETHING ELSE. 140 00:10:07,443 --> 00:10:09,876 OH, LOOK AT THIS, JOHN. WHERE'S HIS MUSTACHE, HUH? 141 00:10:09,909 --> 00:10:12,543 OUR WITNESS SAID HE HAD A MUSTACHE. PEOPLE SHAVE. 142 00:10:12,576 --> 00:10:15,043 POLICE OFFICERS. ARE YOU HOWARD COLEMAN? YEAH. 143 00:10:15,076 --> 00:10:17,509 WE NEED TO TALK TO YOU ABOUT YOUR ACTIVITIES THIS MORNING. 144 00:10:17,543 --> 00:10:21,543 I DIDN'T HAVE ANY ACTIVITIES. I WENT TO THE DRUGSTORE. THAT'S THE FIRST I WENT OUT. 145 00:10:21,576 --> 00:10:24,409 YOU WERE SEEN ON JAMES STREET THIS MORNING IN MANHATTAN. 146 00:10:24,443 --> 00:10:26,409 I WASN'T THERE. YOU GET OFF MY PROPERTY. 147 00:10:26,443 --> 00:10:30,243 WE'RE GONNA HAVE TO TAKE YOU IN FOR QUESTIONING. YOU BETTER HAVE A WARRANT... 148 00:10:30,276 --> 00:10:32,876 OR GET AWAY FROM ME! DON'T MAKE THIS ANY TOUGHER THAN IT HAS TO BE. 149 00:10:32,909 --> 00:10:35,576 DADDY, WHAT'S THE MATTER? GO BACK INSIDE. TAKE THIS. IT'S YOUR MEDICINE. 150 00:10:35,609 --> 00:10:37,743 ‐ COME ON! ‐ HEY! HEY, HEY! 151 00:10:37,776 --> 00:10:40,243 DADDY! TAKE IT EASY. 152 00:10:40,276 --> 00:10:43,376 ‐ STOP IT! YOU'RE HURTING HIM! ‐ [ SIPOWICZ ] NO, NO. NOBODY'S GONNA GET HURT. 153 00:10:43,409 --> 00:10:46,176 ‐ NOW YOU'RE UNDER ARREST! ‐ [ SIPOWICZ ] TAKE IT EASY. 154 00:10:46,209 --> 00:10:49,376 DADDY? DADDY! IT'S ALL RIGHT. 155 00:10:49,409 --> 00:10:54,043 ‐ SURE ACTS INNOCENT, DOESN'T HE, SIPOWICZ? ‐ [ FRUSTRATED SCREAM ] 156 00:11:00,309 --> 00:11:02,743 YOU DIDN'T ROB ANY LIQUOR STORE, RIGHT, COLEMAN? 157 00:11:02,776 --> 00:11:05,209 YOU ALWAYS CARRY 850 BUCKS AROUND IN YOUR POCKET. 158 00:11:05,243 --> 00:11:08,109 WHERE'D YOU GET THAT MONEY? I BET A HORSE YESTERDAY. 159 00:11:08,143 --> 00:11:11,343 ‐ WHICH HORSE? WHERE? WHAT RACE WAS HE IN? ‐ SOME HORSE AT AQUEDUCT. 160 00:11:11,376 --> 00:11:13,343 I DON'T REMEMBER THE NAME. 161 00:11:13,376 --> 00:11:16,076 NO ONE'S SAYING YOU WENT IN THAT STORE TO DO MURDER. NOW, WHAT HAPPENED THERE? 162 00:11:16,109 --> 00:11:18,609 TAKING THE PLACE OFF, AND SOMEONE TRIED TO GET VIOLENT WITH YOU? 163 00:11:18,643 --> 00:11:20,776 ‐ WHAT'S YOUR NAME AGAIN? ‐ DETECTIVE WALKER. 164 00:11:20,809 --> 00:11:22,876 DETECTIVE WALKER, I WAS NEVER NEAR ANY LIQUOR STORE ON JAMES STREET TODAY. 165 00:11:22,909 --> 00:11:26,543 I WASN'T IN MANHATTAN, SO WHY DON'T YOU KISS MY ASS? 166 00:11:26,576 --> 00:11:28,443 WHAT IF I GIVE YOU A BROKEN JAW, HUH? 167 00:11:28,476 --> 00:11:30,943 YOU BETTER MAKE SURE THESE GUYS ARE HOLDING ME DOWN. 168 00:11:30,976 --> 00:11:33,109 HERE WE GO. THAT'S IT, WALKER. COME ON. 169 00:11:33,143 --> 00:11:37,409 ‐ THERE YOU GO. ‐ HEY, HOWARD, WHAT'S WRONG WITH YOUR DAUGHTER? 170 00:11:37,443 --> 00:11:41,009 ‐ WHAT DO YOU MEAN? ‐ YOU TOLD HER TO TAKE SOME MEDICINE. 171 00:11:41,043 --> 00:11:43,209 IT'S FOR HER BREATHING. SHE'S GOT ASTHMA. 172 00:11:43,243 --> 00:11:45,176 YEAH? I HAD A KID HAD THAT. 173 00:11:45,209 --> 00:11:48,876 SO WHAT'S THAT SUPPOSED TO DO, MAKE ME LOVE YOU? 174 00:11:48,909 --> 00:11:53,209 I WAS HOPING YOU'D GET SOME DEEP, WARM FEELINGS FOR ME, YEAH. 175 00:11:53,243 --> 00:11:55,209 ALL RIGHT, LET'S GET BACK TO THE MONEY. 176 00:11:55,243 --> 00:11:59,076 YOUR EX‐WIFE'S HERE TO SEE YOU, DETECTIVE. 177 00:12:00,409 --> 00:12:02,409 UH, THANKS. SURE. 178 00:12:13,409 --> 00:12:15,376 HI. 179 00:12:19,276 --> 00:12:21,443 I JUST QUIT MY JOB. 180 00:12:23,043 --> 00:12:24,943 WHAT BROUGHT THAT ABOUT? 181 00:12:26,543 --> 00:12:30,043 THOSE CREEPS HAD ME IN FOR A "CARDS ON THE TABLE" CONVERSATION. 182 00:12:30,076 --> 00:12:34,109 "LAURA, WE NEED YOU TO BE MORE FORTHCOMING ABOUT YOUR PREVIOUS WORK FOR THE CITY. 183 00:12:34,143 --> 00:12:36,909 "WE NEED TO KNOW THEIR APPROACH ON OUR CLIENTS' VARIANCE APPLICATIONS. 184 00:12:36,943 --> 00:12:38,909 HOW DO THEY STAND ON PICHEON AND DEAN?" 185 00:12:38,943 --> 00:12:40,909 "EXCUSE ME," I ASK. 186 00:12:40,943 --> 00:12:43,543 "I GUESS THAT STUFF WHEN I CAME HERE, HOW IT WAS ME YOU WERE INTERESTED IN... 187 00:12:43,576 --> 00:12:46,676 AND NOT MY CONTACTS FROM MY PREVIOUS EMPLOYMENT, ALL THAT WAS A CROCK?" 188 00:12:46,709 --> 00:12:49,509 "LET'S BE ADULTS, LAURA." 189 00:12:49,543 --> 00:12:52,776 SO I TOLD THEM THEY COULD STICK THEIR JOB UP THEIR ASS. 190 00:12:52,809 --> 00:12:55,209 JUST YOUR WAY OF GIVING NOTICE, HUH? 191 00:12:57,709 --> 00:13:00,443 [ CHUCKLES ] YOU'RE NOT GONNA SAY, "I TOLD YOU SO"? 192 00:13:00,476 --> 00:13:03,243 NO. NOT THE TYPE. 193 00:13:12,909 --> 00:13:16,443 ‐ YOU GOT PLANS FOR DINNER? ‐ YOU BUYING? 194 00:13:16,476 --> 00:13:19,443 PICK YOU UP IN A COUPLE OF HOURS. 195 00:13:19,476 --> 00:13:21,876 I'M GONNA BE TRUTHFUL WITH YOU, MR. SCHAUFFNER. 196 00:13:21,909 --> 00:13:24,276 THE WAY THESE LINEUPS WORK, YOU'RE NOT GONNA HELP ME ANY... 197 00:13:24,309 --> 00:13:27,176 IF YOU SAY, "THAT COULD BE HIM" OR "MAYBE THAT'S THE GUY." 198 00:13:27,209 --> 00:13:30,943 YOU GOTTA SAY, "THAT'S HIM. I RECOGNIZE HIM. THAT'S THE GUY." 199 00:13:30,976 --> 00:13:33,509 YOU FOLLOW? I UNDERSTAND. 200 00:13:33,543 --> 00:13:35,576 'COURSE, I'M SAYING, IF YOU RECOGNIZE HIM. 201 00:13:35,609 --> 00:13:38,409 DON'T SAY YOU RECOGNIZE HIM IF YOU DON'T. RIGHT. 202 00:13:38,443 --> 00:13:41,243 NOW YOU KNOW WHAT I NEED, SO WE CAN GET STARTED HERE. KELLY. 203 00:13:41,276 --> 00:13:43,243 IT'S LINEUP TIME. 204 00:13:43,276 --> 00:13:46,409 WALKER JUST FINISHED TOUCHING UP THE BULL'S‐EYE ON COLEMAN'S FOREHEAD. 205 00:13:46,443 --> 00:13:48,843 ALL RIGHT, COME ON. HERE. 206 00:13:48,876 --> 00:13:51,709 TAKE A LOOK. 207 00:13:53,043 --> 00:13:55,043 [ WALKER ] TAKE YOUR TIME. 208 00:13:56,609 --> 00:13:59,376 I SEE HIM. WHICH ONE? 209 00:14:00,609 --> 00:14:03,243 NUMBER THREE. 210 00:14:03,276 --> 00:14:05,276 ARE YOU SURE? 211 00:14:05,309 --> 00:14:07,543 YEAH, I'M SURE. THAT'S THE GUY. 212 00:14:07,576 --> 00:14:09,476 I RECOGNIZE HIM. 213 00:14:11,943 --> 00:14:14,243 [ WALKER ] I LIKE THE GUY REAL GOOD, LIEUTENANT. 214 00:14:14,276 --> 00:14:17,176 HE DID TWO BITS FOR ARMED ROBBERY. WE GOT A POSITIVE‐WITNESS I. D. 215 00:14:17,209 --> 00:14:19,876 PLUS, WHEN WE PINCHED HIM, HE HAD 850 BUCKS IN HIS POCKET... 216 00:14:19,909 --> 00:14:22,543 HE COULDN'T SATISFACTORILY EXPLAIN. 217 00:14:22,576 --> 00:14:26,043 WHAT DO YOU THINK? LOOKS GOOD SO FAR. 218 00:14:26,076 --> 00:14:29,876 WE'LL WANT TO SEE IF CRIME SCENE LIFTS PRINTS AND SO FORTH FROM THAT LIQUOR STORE, 219 00:14:29,909 --> 00:14:32,543 BUT, YOU KNOW, LIKE HE SAYS. 220 00:14:32,576 --> 00:14:35,076 WORK IT UP, GIVE IT TO THE D. A. 221 00:14:36,576 --> 00:14:39,743 [ PHONE RINGS ] LIEUTENANT FANCY. 222 00:14:39,776 --> 00:14:42,743 YEAH, I GOT A COPY OF THE REPORT. YEAH, I READ IT. 223 00:14:42,776 --> 00:14:44,743 WELL, IN THE FUTURE, YOU CAN ASSUME‐‐ 224 00:14:47,609 --> 00:14:49,743 THANKS FOR THE HELP. YEAH. 225 00:14:49,776 --> 00:14:53,043 I DIDN'T MEAN TO BE SO IRRITABLE ALL DAY. NO PROBLEM. 226 00:14:53,076 --> 00:14:56,776 YOU SON OF A BITCH! WHY ARE YOU DOING THIS TO ME? LET'S GET YOU TO THE COURT. 227 00:14:56,809 --> 00:14:59,776 I GOTTA CALL MY DAUGHTER, LET HER KNOW WHAT'S GOING ON. CALL HER FROM THE TOMBS. 228 00:14:59,809 --> 00:15:02,876 I'M TELLIN' YOU, JOHN, HE DIDN'T DO IT. LET IT UNWIND, ANDY. 229 00:15:02,909 --> 00:15:07,609 WE'LL STAY ON IT. YEAH, MEANWHILE, COLEMAN EATS PRISON FOOD. 230 00:15:09,576 --> 00:15:13,209 4B. HOW'S IT GOIN'? 231 00:15:13,243 --> 00:15:16,509 FINE, DETECTIVE. DO YOU HAVE A, UH, A MOMENT FOR ME? 232 00:15:16,543 --> 00:15:18,676 YEAH, COME ON. SEVERAL MATTERS. 233 00:15:18,709 --> 00:15:21,676 FIRST, NEEDLESS TO SAY, OUR TENANTS' READINESS GROUP... 234 00:15:21,709 --> 00:15:24,009 IS EAGER TO HEAR YOUR THOUGHTS TOMORROW EVENING... 235 00:15:24,043 --> 00:15:26,676 BOTH ON THE BUILDING SECURITY AND PERSONAL SAFETY MEASURES. 236 00:15:26,709 --> 00:15:29,843 IS THERE ANYTHING I CAN DO BY WAY OF ADVANCE PREPARATION? 237 00:15:29,876 --> 00:15:33,009 WILL YOU HAVE VISUAL AIDS AND THE LIKE I CAN HELP TO SET UP? 238 00:15:33,043 --> 00:15:35,509 NO, NO VISUAL AIDS. I'LL JUST BE TALKIN' FOR A WHILE. 239 00:15:35,543 --> 00:15:38,176 FINE. I'VE ARRANGED FOR SOME REFRESHMENTS AND THE LIKE. 240 00:15:38,209 --> 00:15:41,276 THE OTHER THING, DETECTIVE, CONCERNS... 241 00:15:41,309 --> 00:15:44,943 THE UPCOMING FIFTH ANNIVERSARY OF MY COLLEGE GRADUATION. 242 00:15:44,976 --> 00:15:48,109 THE ALUMNI MAGAZINE HAS ASKED EACH MEMBER OF MY CLASS... 243 00:15:48,143 --> 00:15:51,176 TO WRITE A BRIEF ACCOUNT OF WHAT'S BECOME OF THEM IN THE INTERVENING YEARS. 244 00:15:51,209 --> 00:15:54,709 AND I FIND, SURPRISINGLY, LOOKING BACK, YOU KNOW, 245 00:15:54,743 --> 00:15:57,109 LEAVING HOME AND MOVING TO NEW YORK AND SO FORTH, 246 00:15:57,143 --> 00:16:00,276 THAT THIS INCIDENT OF GETTING ROBBED AND BEATEN UP... 247 00:16:00,309 --> 00:16:02,543 AND THEN DEALING WITH THE MAN SUBSEQUENTLY, 248 00:16:02,576 --> 00:16:05,776 IN A WAY TAKING BACK MY CITIZENSHIP, 249 00:16:05,809 --> 00:16:08,776 THAT WHOLE EXPERIENCE HAS BEEN VERY FORMATIVE FOR ME. 250 00:16:08,809 --> 00:16:13,076 I WONDER IF I CAN ACCESS YOUR POLICE REPORTS SO I COULD WRITE THE EXPERIENCE UP. 251 00:16:13,109 --> 00:16:16,009 ‐ NO. ‐ NO? 252 00:16:16,043 --> 00:16:19,176 I COULDN'T RELEASE THEM INFORMALLY TO YOU. YOU'D HAVE TO FILL OUT AN APPLICATION. 253 00:16:19,209 --> 00:16:23,709 THAT WOULD TAKE A‐‐ I REALLY FEEL THAT THOSE REPORTS WOULD BE USEFUL TO ME. 254 00:16:23,743 --> 00:16:26,009 4B, WHY DON'T YOU‐‐ 255 00:16:26,043 --> 00:16:29,009 WHY DON'T YOU CONCENTRATE ON YOUR CAREER HIGHLIGHTS, YOUR ACCOMPLISHMENTS? 256 00:16:29,043 --> 00:16:32,409 SEND THAT IN TO YOUR YEARBOOK. WHY WRITE ABOUT A PUNK WHO TRIED TO ROB YA? 257 00:16:32,443 --> 00:16:34,609 BECAUSE IT'S IMPORTANT TO ME. 258 00:16:34,643 --> 00:16:37,609 I THINK YOU'RE GETTING TIED UP IN KNOTS ABOUT THIS. 259 00:16:37,643 --> 00:16:39,609 I‐I DISAGREE, DETECTIVE. 260 00:16:39,643 --> 00:16:43,009 I FEEL AS THOUGH THE SCALES HAVE FALLEN AWAY FROM MY EYES. 261 00:16:43,043 --> 00:16:45,443 I FINALLY UNDERSTAND THIS CITY, YOU KNOW. 262 00:16:45,476 --> 00:16:49,509 WHAT IT TAKES TO DEAL WITH IT, HOW TO MEET IT ON ITS OWN TERMS, 263 00:16:49,543 --> 00:16:51,509 WHAT IT TAKES TO HELP OTHERS, 264 00:16:51,543 --> 00:16:55,209 HOW OTHERS, THEY‐‐ THEY NEED TO BE HELPED. THIS IS NOT HIGH NOON, 4B. 265 00:16:55,243 --> 00:16:58,243 I HAVE TO SAY THAT YOUR REACTION TYPIFIES... 266 00:16:58,276 --> 00:17:01,209 WHAT THE AVERAGE CITIZEN CAN EXPECT FROM LAW ENFORCEMENT. 267 00:17:01,243 --> 00:17:05,709 A‐A KNOWING, HAUGHTY INDIFFERENCE. 268 00:17:09,576 --> 00:17:12,043 I GOTTA GO, 4B. 269 00:17:12,076 --> 00:17:15,643 ME AND MY HAUGHTY INDIFFERENCE WILL BE AT THAT TENANT MEETING TOMORROW NIGHT. 270 00:17:36,576 --> 00:17:38,476 [ RINGS ] 271 00:17:43,076 --> 00:17:44,976 LAURIE. 272 00:17:52,043 --> 00:17:54,009 LAURIE? 273 00:17:54,043 --> 00:17:56,443 [ WATER RUNNING ] 274 00:18:02,743 --> 00:18:06,043 LAURIE! IT'S ME, JOHN. 275 00:18:06,076 --> 00:18:09,176 HI, JOHNNY. THERE'S A BEER IN THE FRIDGE. 276 00:18:09,209 --> 00:18:11,176 OKAY. 277 00:18:11,209 --> 00:18:13,443 I'LL JUST BE A MINUTE. 278 00:18:26,709 --> 00:18:28,609 CAN I GET YOU A TOWEL? 279 00:18:28,643 --> 00:18:31,609 I CAN GET ONE. THANKS. 280 00:18:33,143 --> 00:18:36,243 WELL, I JUST RAN OUT OF EXCUSES FOR COMIN' IN THERE. 281 00:18:37,476 --> 00:18:39,909 SINCE WHEN DID YOU EVER NEED AN EXCUSE? 282 00:19:15,776 --> 00:19:18,043 I COULD COOK FOR US HERE. 283 00:19:19,443 --> 00:19:21,509 I THOUGHT WE WERE GONNA GO OUT. 284 00:19:21,543 --> 00:19:24,076 OKAY. YOU'RE NOT HUNGRY? 285 00:19:24,109 --> 00:19:26,043 NO, THAT'S FINE. 286 00:19:32,609 --> 00:19:34,943 I THINK I CAN GET WORK WITH SOMEONE I WENT TO SCHOOL WITH. 287 00:19:34,976 --> 00:19:39,243 JIMMY CRAIG. JAMES CRAIG WHO PROSECUTES NARCOTICS? 288 00:19:39,276 --> 00:19:41,376 YEAH, IN THE DISTRICT ATTORNEY'S OFFICE. 289 00:19:42,776 --> 00:19:44,743 YOU'RE KIDDING ME. 290 00:19:44,776 --> 00:19:46,743 [ CHUCKLES ] NO, I'M NOT KIDDING. 291 00:19:46,776 --> 00:19:50,743 ‐ ARE YOU NUTS, LAURIE? THOSE PEOPLE ARE SCUMBAGS. ‐ YOU DON'T KNOW JIMMY CRAIG. 292 00:19:50,776 --> 00:19:53,943 I'M NOT TALKING ABOUT JIMMY CRAIG. I'M TALKIN' ABOUT THE PEOPLE YOU PROSECUTE. 293 00:19:53,976 --> 00:19:56,943 I DIDN'T REALIZE I NEEDED A NOTE FROM YOU. 294 00:19:56,976 --> 00:20:02,209 HEY, I AM NOT OUT IN THE STREETS SO YOU CAN WIND UP DEALIN' WITH CREEPS LIKE THAT. 295 00:20:02,243 --> 00:20:05,209 IT'S A JOB, JOHN. I'M NOT MUD WRESTLING WITH THEM. 296 00:20:05,243 --> 00:20:07,709 LOOK, I DON'T EVEN KNOW IF I'M GOING TO DO IT. 297 00:20:07,743 --> 00:20:11,576 DON'T LOAD ME DOWN WITH TEENAGE FANTASIES ABOUT MAKING THE WORLD SAFE WHILE I STAY HOME AND BAKE. 298 00:20:11,609 --> 00:20:14,243 IT MADE ME CRAZY WHILE WE WERE MARRIED. AND THAT WAS JUST SEX? 299 00:20:14,276 --> 00:20:17,443 ‐ YOU GOT IN THE SHOWER WITH ME. ‐ DID YOU PUSH ME AWAY? 300 00:20:17,476 --> 00:20:19,643 [ SIGHS ] 301 00:20:30,876 --> 00:20:32,776 YOU'RE RIGHT. 302 00:20:35,443 --> 00:20:38,776 THIS HAS TO STOP. 303 00:20:38,809 --> 00:20:43,176 I JUST KEPT HOPING THAT WE COULD REMAIN CLOSE. 304 00:20:43,209 --> 00:20:45,543 I MEAN, WE'VE ALWAYS BEEN EACH OTHER'S BEST FRIEND. 305 00:20:45,576 --> 00:20:48,176 I WANNA STAY CLOSE. BUT WE CAN'T. 306 00:20:48,209 --> 00:20:52,776 IT'S TOO COMPLICATED. WE CAN'T STAY INSIDE THE LINES. 307 00:20:52,809 --> 00:20:54,443 [ BEEPING ] PERFECT. 308 00:20:54,476 --> 00:20:58,376 [ BEEPING CONTINUES ] 309 00:21:05,776 --> 00:21:07,709 [ HORN HONKS ] 310 00:21:10,576 --> 00:21:13,076 YEAH, THIS IS DETECTIVE JOHN KELLY OF THE 15TH SQUAD. 311 00:21:13,109 --> 00:21:15,043 I HAVE A SHOOTING VICTIM, D. O. A., 312 00:21:15,076 --> 00:21:18,509 AT 626 PARK AVENUE, 12TH FLOOR. 313 00:21:18,543 --> 00:21:21,409 NO, NO APARTMENT NUMBER. THE WHOLE FLOOR'S AN APARTMENT. 314 00:21:24,276 --> 00:21:27,509 YOU WANT SOME WATER OR SOMETHING TO DRINK? NO. 315 00:21:27,543 --> 00:21:30,443 YOU WANT TO TELL ME WHAT HAPPENED? 316 00:21:30,476 --> 00:21:33,276 HE WAS DRUNK. UH, WE ARGUED. 317 00:21:33,309 --> 00:21:35,276 IN FACT, WE ARGUED ABOUT YOU. 318 00:21:35,309 --> 00:21:38,943 HE HIT ME, I WENT INTO THE BEDROOM AND GOT THE GUN. 319 00:21:38,976 --> 00:21:40,943 I CAME BACK AND TOLD HIM TO LEAVE. 320 00:21:40,976 --> 00:21:43,776 HE HIT ME AGAIN, AND I SHOT HIM. WHERE'D YOU GET THE GUN? 321 00:21:43,809 --> 00:21:47,443 HE GAVE IT TO ME A YEAR AGO WHEN ANOTHER APARTMENT IN THE BUILDING WAS ROBBED. 322 00:21:47,476 --> 00:21:50,376 OKAY, SO YOU WENT INTO THE BEDROOM AND GOT IT... 323 00:21:50,409 --> 00:21:52,443 AFTER HE STRUCK YOU THE FIRST TIME? 324 00:21:52,476 --> 00:21:54,943 YES. OKAY, DID YOU TELL HIM YOU WERE GONNA DO THIS? 325 00:21:54,976 --> 00:21:57,976 NO, HE WENT TO GET A DRINK, AND THAT'S WHEN I GOT THE GUN. 326 00:22:00,243 --> 00:22:04,543 I WANT YOU TO TELL ME AGAIN WHAT HAPPENED WHEN YOU CAME OUT OF THE BEDROOM. 327 00:22:06,109 --> 00:22:08,609 I TOLD HIM TO LEAVE, AND HE HIT ME. 328 00:22:08,643 --> 00:22:10,743 WHILE YOU HELD THE GUN ON HIM. YES. 329 00:22:10,776 --> 00:22:13,676 WHERE DID HE HIT YOU? IN THE FACE. 330 00:22:13,709 --> 00:22:16,176 HOW MANY TIMES? TWO, THREE? SEVERAL TIMES. 331 00:22:16,209 --> 00:22:18,709 THREE. THEN WHAT HAPPENED? 332 00:22:18,743 --> 00:22:20,243 I POINTED THE GUN AND SHOT HIM. 333 00:22:20,276 --> 00:22:22,743 DID HE GRAB AT IT WHILE YOU TRAINED IT ON HIM? 334 00:22:22,776 --> 00:22:24,976 NO, I TOOK A STEP BACK AND THEN I FIRED. 335 00:22:26,776 --> 00:22:29,109 OKAY. 336 00:22:30,776 --> 00:22:33,109 ARE YOU SURE HE HIT YOU, MRS. WAGNER? 337 00:22:33,143 --> 00:22:35,409 [ EXHALES ] 338 00:22:35,443 --> 00:22:37,876 YES. 339 00:22:37,909 --> 00:22:40,776 I'M SURPRISED THAT YOU WOULD ASK ME THAT QUESTION. 340 00:22:40,809 --> 00:22:43,409 I DON'T THINK YOU SHOULD SAY ANY MORE. 341 00:22:43,443 --> 00:22:45,743 WHAT DO YOU MEAN? 342 00:22:45,776 --> 00:22:48,376 NO NEW MARKS OR BRUISES ON YOU. 343 00:22:48,409 --> 00:22:50,743 THE PLACE IS CLEAN, NO SIGN OF A STRUGGLE. 344 00:22:50,776 --> 00:22:54,609 NO CONTACT WOUNDS, POWDER RESIDUE ON YOUR HUSBAND'S BODY... 345 00:22:54,643 --> 00:22:59,243 ‐ THE WAY THERE WOULD BE IF HE WAS SHOT AT CLOSE RANGE. ‐ I'M TELLING THE TRUTH. 346 00:22:59,276 --> 00:23:01,243 I DON'T KNOW WHAT HAPPENED HERE TONIGHT, 347 00:23:01,276 --> 00:23:03,443 BUT YOU'RE NOT TELLING THE TRUTH, SO DON'T SAY ANY MORE. 348 00:23:03,476 --> 00:23:06,309 WHY ARE YOU TALKING TO ME LIKE THIS? 349 00:23:07,643 --> 00:23:09,609 BECAUSE I'VE GOT TO TAKE YOU IN, 350 00:23:09,643 --> 00:23:14,043 SO SHUT UP UNTIL YOU SPEAK TO YOUR ATTORNEY. 351 00:23:14,076 --> 00:23:16,809 [ SIREN WAILING ] 352 00:23:28,543 --> 00:23:32,276 [ SIREN WAILS ] 353 00:23:49,943 --> 00:23:52,576 HOW'S IT GOIN', LIEUTENANT? GOOD MORNING. 354 00:23:53,909 --> 00:23:56,876 GOOD MORNING, LIEUTENANT. GOOD MORNING, SERGEANT. 355 00:23:58,709 --> 00:24:00,676 HOW YA DOIN', SARGE? HEY, DETECTIVE? 356 00:24:00,709 --> 00:24:03,543 WE'RE THROWIN' A RACKET FOR HANSON TOMORROW NIGHT. THE KID'S GETTIN' MARRIED. 357 00:24:03,576 --> 00:24:05,476 ALL RIGHT, HERE. 358 00:24:08,343 --> 00:24:11,309 WHO CAUGHT THAT LIQUOR STORE HOMICIDE YOU WERE OUT ON YESTERDAY, DETECTIVE? 359 00:24:11,343 --> 00:24:14,809 WALKER. UH, LET ME SEE. SOMETHING COME IN? 360 00:24:14,843 --> 00:24:17,143 YEAH. 361 00:24:17,176 --> 00:24:20,243 AND THAT'S THE GUY HE COLLARED'S DAUGHTER. 362 00:24:20,276 --> 00:24:23,343 [ PHONE RINGING ] 363 00:24:26,676 --> 00:24:28,809 YOU ARRESTED MY FATHER YESTERDAY. 364 00:24:28,843 --> 00:24:31,309 THE DETECTIVE HANDLING THAT SHOULD BE HERE ANY MINUTE. 365 00:24:31,343 --> 00:24:35,409 MY FATHER DIDN'T ROB THAT LIQUOR STORE. HE DIDN'T SHOOT THOSE PEOPLE. 366 00:24:35,443 --> 00:24:37,409 YOU SURE ABOUT THAT? YES. 367 00:24:37,443 --> 00:24:39,943 I CAN PROVE IT. 368 00:24:41,643 --> 00:24:43,609 UM, HERE. 369 00:24:43,643 --> 00:24:46,009 LET'S GO IN THERE. 370 00:24:48,243 --> 00:24:50,543 [ PHONE RINGS ] 371 00:24:50,576 --> 00:24:53,476 HE WAS AT HOME WHEN THAT ROBBERY HAPPENED. 372 00:24:53,509 --> 00:24:56,143 HE, UM‐‐ 373 00:24:56,176 --> 00:24:59,976 HE BOOKS NUMBERS. HE STAYS AT HOME TILL THE NUMBER COMES OUT. 374 00:25:00,009 --> 00:25:03,943 THE MONEY HELPS WITH MY MEDICAL BILLS. IT VIOLATES HIS PAROLE. 375 00:25:03,976 --> 00:25:07,309 ‐ THAT'S WHY HE HAD $850 WHEN WE ARRESTED HIM. ‐ YES. 376 00:25:07,343 --> 00:25:09,709 YOU WERE WITH HIM YESTERDAY, IN THE HOUSE THE WHOLE MORNING? 377 00:25:09,743 --> 00:25:14,476 NO, I WAS AT THE DOCTOR'S. I HAVE ASTHMA. BUT I KNOW HE WAS HOME. 378 00:25:15,976 --> 00:25:18,309 OKAY, THAT'S GONNA BE REAL HELPFUL. 379 00:25:18,343 --> 00:25:20,443 ARE YOU GOING TO LET HIM GO? 380 00:25:20,476 --> 00:25:22,776 WE'RE DEFINITELY GONNA KEEP LOOKING INTO THINGS. 381 00:25:22,809 --> 00:25:26,409 WHY CAN'T YOU LET HIM GO? I TOLD YOU HE WAS HOME. 382 00:25:26,443 --> 00:25:31,443 YOU SEE, BEING AT THE DOCTOR, YOU CAN'T ACTUALLY VERIFY YOUR FATHER'S WHEREABOUTS. 383 00:25:36,309 --> 00:25:38,909 I'M BY MYSELF NOW IN THAT HOUSE. 384 00:25:40,476 --> 00:25:43,976 I'M ALONE THERE. WE GOT OTHER INFORMATION COMING IN. 385 00:25:44,009 --> 00:25:48,109 YOU KEEP A GOOD THOUGHT HOW THINGS ARE GONNA WORK OUT. COME ON. 386 00:25:51,076 --> 00:25:54,776 YOU GOT ANY PETS TO KEEP YOU COMPANY? NO. 387 00:25:54,809 --> 00:25:56,776 I'M ALLERGIC. 388 00:25:58,743 --> 00:26:03,243 UH... I'M UP LATE, SO... 389 00:26:03,276 --> 00:26:06,176 IF YOU'RE WORRIED ABOUT ANYTHING, GIVE ME A CALL. 390 00:26:13,476 --> 00:26:17,243 [ SIREN WAILING IN DISTANCE ] 391 00:26:21,076 --> 00:26:24,043 ANYTHING COME IN ABOUT THAT LIQUOR STORE CASE? YEAH. 392 00:26:24,076 --> 00:26:26,709 WE GOT AN ANONYMOUS TIP DURING THE NIGHT. 393 00:26:26,743 --> 00:26:29,709 OF COURSE, YOU ALREADY KNOW THAT, DON'T YOU, SIPOWICZ? 394 00:26:29,743 --> 00:26:32,809 SARGE TOLD ME YOU LOOKED AT MY MESSAGES. YEAH, I GLANCED AT IT. 395 00:26:32,843 --> 00:26:37,243 SOMEONE CALLS IN, HEARD SOMEBODY TALKIN' ABOUT PULLIN' THAT JOB, WE SHOULD CHECK IT OUT. 396 00:26:37,276 --> 00:26:40,776 AN ANONYMOUS TIP FROM A GIN MILL PAY PHONE ABOUT AN OVERHEARD CONVERSATION. 397 00:26:40,809 --> 00:26:42,876 SOUNDS VERY HOT. ALL I'M SAYING IS, 398 00:26:42,909 --> 00:26:46,443 WE SHOULD CHECK THAT BAR OUT, SEE IF ANYBODY KNOWS ANYTHING ABOUT THAT PHONE CALL. 399 00:26:46,476 --> 00:26:49,743 LOOK, SIPOWICZ, WHAT DID YOU DO? TAKE A VOW TO MAKE MY LIFE MISERABLE? 400 00:26:49,776 --> 00:26:51,809 WE POPPED THE GUY WHO DID THIS. 401 00:26:51,843 --> 00:26:54,109 YOU DON'T COME, I'M GOIN' OVER THERE BY MYSELF. 402 00:26:54,143 --> 00:26:57,609 MAYBE YOU'D LIKE THAT. YOU COULD TOSS BACK A FEW SHOTS. 403 00:26:59,276 --> 00:27:01,276 WHO DRIVES? 404 00:27:11,443 --> 00:27:15,609 I THINK MRS. WAGNER'S PATIENCE AND COURTESY HAVE BEEN ABUSED LONG ENOUGH. 405 00:27:15,643 --> 00:27:18,309 I'M SORRY TO DETAIN YOU FOR SO LONG. 406 00:27:18,343 --> 00:27:20,809 WE HAD TO COLLECT THE CRIME SCENE REPORT... 407 00:27:20,843 --> 00:27:23,143 AND MEDICAL EXAMINER'S FINDINGS. 408 00:27:23,895 --> 00:27:26,862 NEITHER ONE SUPPORT MRS. WAGNER'S ACCOUNT OF THE INCIDENT. 409 00:27:26,895 --> 00:27:30,262 IN ADDITION, DETECTIVE KELLY STATES YOU MADE AN INCRIMINATING SOLICITATION... 410 00:27:30,295 --> 00:27:32,195 TO HIM THE NIGHT BEFORE. 411 00:27:32,228 --> 00:27:35,328 UNLESS WE GET MORE INFORMATION, WE'RE GONNA HAVE TO ARRAIGN THIS AS A MURDER. 412 00:27:35,362 --> 00:27:38,828 GENTLEMEN, I'M NOT GONNA TRY THIS CASE IN A DETECTIVES' SQUAD ROOM. 413 00:27:38,862 --> 00:27:41,995 LET ME ASSURE YOU, THE ABSENCE OF POWDER RESIDUE... 414 00:27:42,028 --> 00:27:45,028 DOES NOT PRECLUDE A CLOSE‐RANGE WEAPON DISCHARGE. 415 00:27:45,062 --> 00:27:49,628 NOR DOES AN APARTMENT FAILING TO SHOW SIGNS OF A STRUGGLE MEAN A STRUGGLE DIDN'T HAPPEN. 416 00:27:49,662 --> 00:27:53,828 AS FAR AS MRS. WAGNER'S OSTENSIBLY SOLICITING DETECTIVE KELLY... 417 00:27:53,862 --> 00:27:55,828 TO KILL HER HUSBAND, 418 00:27:55,862 --> 00:27:58,328 IT WOULD TAKE ME FIVE MINUTES TO CONVINCE A JURY... 419 00:27:58,362 --> 00:28:01,862 THAT WAS A CONFUSED AND ULTIMATELY INNOCUOUS REMARK. 420 00:28:01,895 --> 00:28:04,328 SO INNOCUOUS, IN FACT, THAT AT THE TIME, 421 00:28:04,362 --> 00:28:07,295 THE DETECTIVE CHOOSE NOT TO REPORT IT. MRS. WAGNER. 422 00:28:07,328 --> 00:28:10,095 TALK TO ME, DETECTIVE KELLY, AND ONLY TO ME. 423 00:28:10,128 --> 00:28:12,428 ON WHICH SUBJECT, YOU SHOULD ALSO UNDERSTAND... 424 00:28:12,462 --> 00:28:15,495 THAT SINCE YOU FAILED TO GIVE MRS. WAGNER HER MIRANDA WARNING, 425 00:28:15,528 --> 00:28:18,362 NOTHING SHE SAID TO YOU IN HER APARTMENT LAST NIGHT... 426 00:28:18,395 --> 00:28:21,162 IS GOING TO BE ADMISSIBLE IN COURT. 427 00:28:21,195 --> 00:28:25,362 SHE DIDN'T NEED MIRANDA. WHEN SHE TALKED TO ME, SHE WASN'T A SUSPECT. 428 00:28:25,395 --> 00:28:29,495 BUT WHEN SHE BECAME A SUSPECT, I ADVISED HER TO KEEP QUIET UNTIL SHE HAD COUNSEL. 429 00:28:29,528 --> 00:28:32,828 THAT'S A DIFFERENCE OF OPINION WE'LL TAKE UP BEFORE A JUDGE. 430 00:28:32,862 --> 00:28:36,128 AND YOU'RE JUST DYING TO GET TO BAT ON THIS ONE, AREN'T YOU? 431 00:28:36,162 --> 00:28:39,695 ‐ PUMP UP THAT BILL. ‐ WHAT DO YOU THINK I SHOULD DO, DETECTIVE? 432 00:28:39,728 --> 00:28:42,128 HE'S NOT YOUR LAWYER, MRS. WAGNER. 433 00:28:42,162 --> 00:28:44,495 MRS. WAGNER, I CAN IMAGINE SOMETHING LIKE THIS‐‐ 434 00:28:44,528 --> 00:28:46,495 YOUR HUSBAND CAME HOME. HE WAS LOADED. 435 00:28:46,528 --> 00:28:49,628 YOU WERE AFRAID YOU WERE GONNA GET ANOTHER BEATING, SO YOU WENT INTO THE BEDROOM, GOT THE GUN. 436 00:28:49,662 --> 00:28:52,262 WHEN YOU CAME OUT, YOU ASKED HIM TO LEAVE, AND HE WOULDN'T. 437 00:28:52,295 --> 00:28:56,262 MAYBE HE STARTED TOWARD YOU, AND SO YOU SHOT HIM FROM ACROSS THE ROOM. 438 00:28:56,295 --> 00:29:00,128 IT'S NOT‐‐ DON'T ANSWER. SHE'S NOT GONNA ANSWER YOU, DETECTIVE. 439 00:29:00,162 --> 00:29:02,762 IF THAT'S THE WAY IT HAPPENED, YOU BETTER SAY SO NOW... 440 00:29:02,795 --> 00:29:05,262 BECAUSE THE D. A. CAN WRITE THIS UP AS MANSLAUGHTER. 441 00:29:05,295 --> 00:29:07,995 A LEGAL AID ATTORNEY CAN GET YOU EASY TIME, MAYBE EVEN OFF, 442 00:29:08,028 --> 00:29:10,262 LET ALONE A SEVEN‐FIGURE ACE LIKE THIS. 443 00:29:10,295 --> 00:29:12,495 YOU'RE WASTING EVERYBODY'S TIME. 444 00:29:12,528 --> 00:29:14,828 MRS. WAGNER, DON'T UNDERESTIMATE US. 445 00:29:14,862 --> 00:29:17,095 IF YOU LIE, WE WILL NAIL YOU. 446 00:29:17,128 --> 00:29:19,928 TELL THE TRUTH, AND I WILL TESTIFY FOR YOU. 447 00:29:19,962 --> 00:29:24,262 I WILL VERIFY THAT YOU'D BEEN BEATEN UP THE NIGHT BEFORE AND YOU WERE EMOTIONALLY DISTRAUGHT. 448 00:29:24,295 --> 00:29:26,695 DETECTIVE‐‐ BUT THIS SMART SON OF A BITCH... 449 00:29:26,728 --> 00:29:28,762 WANTS YOU TO STICK TO YOUR STORY. 450 00:29:28,795 --> 00:29:32,095 THAT'S GONNA LAND YOU IN CENTRAL BOOKING AND RIKERS ISLAND WITH THE WHORES AND JUNKIES. 451 00:29:32,128 --> 00:29:35,662 NOT HIM, YOU. SO YOU MAKE THE DECISION. 452 00:29:35,695 --> 00:29:38,462 YOU'RE THE ONE WHO'S GONNA BE DOING THE TIME. 453 00:29:38,495 --> 00:29:41,328 LIEUTENANT, I WANT HIM OUT OF THIS ROOM SO I CAN CONSULT WITH MY CLIENT. 454 00:29:51,862 --> 00:29:54,195 HOW'S IT GOING, GUYS? 455 00:29:54,228 --> 00:29:56,695 WERE YOU WORKING HERE LAST NIGHT? 456 00:29:56,728 --> 00:29:59,862 I COME IN AROUND 11:30, PICK UP RECEIPTS. IS THIS YOUR PLACE? 457 00:29:59,895 --> 00:30:03,028 YEAH, NIGHT GUY COMES ON AROUND 7:00 IF YOU WANT TO TALK TO HIM. 458 00:30:03,062 --> 00:30:05,695 WE GOT INFORMATION A PHONE CALL WAS MADE FROM HERE LAST NIGHT, 459 00:30:05,728 --> 00:30:08,828 MAY HAVE A CONNECTION WITH A ROBBERY‐HOMICIDE WE'RE INVESTIGATING. 460 00:30:08,862 --> 00:30:11,695 SOMEBODY OVERHEARD A GUY TALKIN' ON THAT PAY PHONE... 461 00:30:11,728 --> 00:30:15,128 ‐ ABOUT ROBBIN' A LIQUOR STORE YESTERDAY. ‐ IS THAT RIGHT? 462 00:30:15,162 --> 00:30:17,195 NIGHT GUY SAY ANYTHING TO YOU? 463 00:30:17,228 --> 00:30:20,928 ‐ ANYBODY TALK TO HIM ABOUT OVERHEARING A CALL LIKE THAT? ‐ NO. 464 00:30:20,962 --> 00:30:23,995 ‐ WHERE'D YOU GET THIS INFORMATION? ‐ LOOK, I'LL ASK THE QUESTIONS. 465 00:30:24,028 --> 00:30:26,995 HEY, PAL, WERE YOU IN HERE LAST NIGHT? DON'T INVOLVE ME IN THIS. 466 00:30:27,028 --> 00:30:29,662 IS IT A CRIME TO HAVE A BEER AND READ THE PAPER? 467 00:30:29,695 --> 00:30:31,995 HEY, HEY, HEY. WE'RE ONLY ASKING YOU. 468 00:30:32,028 --> 00:30:35,662 DID YOU HEAR SOMEBODY SHOOTIN' OFF THEIR MOUTH ABOUT PULLIN' A JOB? 469 00:30:35,695 --> 00:30:37,928 ABSOLUTELY NOT. 470 00:30:37,962 --> 00:30:40,695 I MIND MY OWN BUSINESS. I DON'T INTERFERE. 471 00:30:40,728 --> 00:30:43,495 AND I EXPECT TO BE TREATED THAT WAY IN RETURN. 472 00:30:43,528 --> 00:30:46,328 OKAY, WELL, WE JUST RECEIVED THIS HOT TIP, 473 00:30:46,362 --> 00:30:48,628 AND, UH, WE'RE COVERING ALL OUR BASES. 474 00:30:48,662 --> 00:30:51,628 UNLESS YOU GOT ANY MORE QUESTIONS. 475 00:30:59,995 --> 00:31:01,962 WAIT HERE. WHAT ARE YOU TALKIN' ABOUT? 476 00:31:01,995 --> 00:31:04,862 WE'RE GONNA WAIT. THAT'S OUR GUY AT THE BAR. THAT SKELL BY THE PHONE? 477 00:31:04,895 --> 00:31:07,628 YOU REALLY ARE IN WARPED TERRITORY NOW, SIPOWICZ. 478 00:31:07,662 --> 00:31:10,128 YEAH, RIGHT. YOU GOT A SERIOUS CASE OF DICK‐BRAIN. 479 00:31:10,162 --> 00:31:13,328 AND I'M TELLING YOU THAT SKELL AT THE CORNER KNOWS SOMETHING, HUH? 480 00:31:13,362 --> 00:31:15,995 HE'S LOOKIN' FOR US. HE'S BEEN SITTIN' THERE WAITIN' FOR US TO COME IN. 481 00:31:16,028 --> 00:31:17,995 GODDAMN YOU. I'VE BEEN WAITING HERE‐‐ THERE HE IS. 482 00:31:18,028 --> 00:31:22,495 HEY. HEY, PAL. HEY, YO. HEY, PAL. COME ON. 483 00:31:22,528 --> 00:31:24,628 I WANNA ASK YOU A QUESTION. WHAT DO YOU WANT? WHAT HAVE I DONE? 484 00:31:24,662 --> 00:31:27,295 I JUST WANNA TALK TO YOU. JUST WANNA ASK A QUESTION. WHAT'S YOUR NAME? 485 00:31:27,328 --> 00:31:30,828 DWIGHT. THIS IS LIKE THE GESTAPO, LIKE A WORLD WAR II MOVIE IN GERMANY. 486 00:31:30,862 --> 00:31:32,828 YOU PHONED THAT TIP IN, DIDN'T YOU? 487 00:31:32,862 --> 00:31:35,862 YOU LEFT A MESSAGE, AND YOU'VE BEEN SITTING, WAITING FOR US TO COME IN. 488 00:31:35,895 --> 00:31:39,462 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. LISTEN TO ME, DWIGHT! 489 00:31:39,495 --> 00:31:42,262 YOU MADE THAT CALL. I KNOW IT. MY PARTNER KNOWS IT. 490 00:31:42,295 --> 00:31:44,595 YOU KNOW IT. SO LET'S STOP KIDDING EACH OTHER, HUH? 491 00:31:44,628 --> 00:31:48,295 I DON'T KNOW ANYTHING, AND I DON'T WANNA‐‐ SETTLE DOWN. 492 00:31:48,328 --> 00:31:51,095 BOY, YOU'D THINK A PERSON WHO LIVES ALONE AND KEEPS TO HIMSELF... 493 00:31:51,128 --> 00:31:53,095 WOULDN'T GET INVOLVED IN SOMETHING LIKE THIS. 494 00:31:53,128 --> 00:31:55,762 YOU ARE INVOLVED, DWIGHT, BECAUSE YOU MADE THAT CALL. 495 00:31:55,795 --> 00:32:00,495 TELL ME WHAT YOU KNOW, AND WE'LL FIGURE THE BEST WAY TO KEEP YOUR NAME OUT OF IT. 496 00:32:00,528 --> 00:32:02,862 COME ON! 497 00:32:06,295 --> 00:32:10,528 ‐ ALL I KNOW IS THAT I WISH HE WOULD MOVE OUT. ‐ WHO? MOVE OUT OF WHERE? 498 00:32:10,562 --> 00:32:12,762 FRANK ARCHER. OUT OF THE DELAWARE ARMS. 499 00:32:12,795 --> 00:32:15,928 ON 46TH? YEAH. 500 00:32:15,962 --> 00:32:18,595 YEAH, WHAT? COME ON. 501 00:32:18,628 --> 00:32:21,595 WHAT IF I TOLD YOU HE FIRED A GUN OFF IN HIS ROOM THE OTHER NIGHT? 502 00:32:21,628 --> 00:32:24,028 HE SHOT A BULLET INTO THE WALL. I SHARE THAT WALL. 503 00:32:24,062 --> 00:32:26,362 I HAVE ADULT‐ONSET DIABETES. HOW DO YOU THINK I FELT? 504 00:32:26,395 --> 00:32:30,262 ‐ WHAT DID HE SHOOT THE GUN OFF FOR, DWIGHT? ‐ WHY ASK ME? 505 00:32:30,295 --> 00:32:33,795 I'M THE ONE FOOLISH ENOUGH TO SEE IF HE WAS ALL RIGHT AFTER I HEARD THE GUNSHOT. 506 00:32:33,828 --> 00:32:37,428 "IT WORKS," HE SAYS, AS HE'S WALKING DOWN THE HALL WITH A GUN IN HIS HAND. 507 00:32:37,462 --> 00:32:39,795 DRUNK AS A SKUNK. HE'S THREE SHEETS TO THE WIND. 508 00:32:39,828 --> 00:32:42,462 THAT WAS THE NIGHT BEFORE LAST? YEAH. 509 00:32:42,495 --> 00:32:45,195 THEN LAST NIGHT HE WALKS INTO THE SHAMROCK, BIG AS LIFE, 510 00:32:45,228 --> 00:32:49,595 BEING A BIG SHOT, TELLING SOME WOMAN ON THE PHONE HOW HE ROBBED A LIQUOR STORE... 511 00:32:49,628 --> 00:32:52,562 WEARING A FAKE MUSTACHE, AND HE JUST CAME INTO A LOT OF MONEY. 512 00:32:54,062 --> 00:32:56,695 HE‐‐ HE SAW ME. 513 00:32:56,728 --> 00:33:00,428 HE KNEW HE NEARLY PUT ME INTO CARDIAC FAILURE BLOWIN' OFF THAT GUN. 514 00:33:00,462 --> 00:33:03,762 DO YOU THINK THAT HE BOUGHT A ROUND FOR ME? 515 00:33:03,795 --> 00:33:06,895 HOW TALL IS THIS GUY, DWIGHT? SIX‐FOOT‐THREE. 516 00:33:18,128 --> 00:33:21,162 TILL JUST RECENTLY, I WAS A TENANT HERE IN THE BUILDING, 517 00:33:21,195 --> 00:33:24,362 BUT TONIGHT I'M GONNA BE SPEAKING TO YOU AS A POLICE OFFICER... 518 00:33:24,395 --> 00:33:27,195 ABOUT SOME OF THE THINGS THAT YOU CAN DO TO MAKE YOURSELVES... 519 00:33:27,228 --> 00:33:29,195 AND YOUR BUILDING MORE SAFE. 520 00:33:29,228 --> 00:33:31,462 ON THE TABLE, I'VE PUT SOME LITERATURE... 521 00:33:31,495 --> 00:33:36,362 WHICH TALKS ABOUT THE DIFFERENT LOCKS AND BOLTS WE THINK ARE MOST EFFECTIVE... 522 00:33:36,395 --> 00:33:39,128 AND SOME OF THE PRECAUTIONS YOU CAN TAKE WHILE ENTERING AND EXITING... 523 00:33:39,162 --> 00:33:41,128 THE COMMON AREAS OF THE BUILDING. 524 00:33:41,162 --> 00:33:44,162 ELEVATORS, HALLWAYS, STAIRS, THINGS LIKE THAT. 525 00:33:44,195 --> 00:33:47,795 IN TERMS OF THE UNPLEASANT REALITY OF ACTUALLY BEING ACCOSTED, 526 00:33:47,828 --> 00:33:51,095 MOST OF YOU KNOW THAT MR. GOLDSTEIN OF APARTMENT 4B... 527 00:33:51,128 --> 00:33:54,462 JUST RECENTLY CURTAILED THE MUGGING CAREER OF A PERPETRATOR... 528 00:33:54,495 --> 00:33:59,162 WHO HAD VICTIMIZED SOME OF THE TENANTS HERE IN THE BUILDING. 529 00:33:59,195 --> 00:34:02,128 MR. GOLDSTEIN HAPPENED TO HAVE A GUN ON HIM... 530 00:34:02,162 --> 00:34:05,128 WHILE HE WAS DOING HIS LAUNDRY, AND THE THIEF ATTEMPTED TO ROB HIM. 531 00:34:05,162 --> 00:34:08,028 AND HE USED IT. AND ON THAT OCCASION, IT WORKED FOR HIM. 532 00:34:08,062 --> 00:34:11,762 BUT I MUST TELL YOU THAT WE DON'T THINK IT'S A GOOD IDEA. 533 00:34:11,795 --> 00:34:14,328 OUR RECOMMENDATION IS, GIVE IT UP. 534 00:34:14,362 --> 00:34:17,128 WHATEVER THEY'RE LOOKING FOR‐‐ MONEY, JEWELRY‐‐ GIVE IT UP. 535 00:34:17,162 --> 00:34:19,828 CALL US, AND WE'LL DO OUR JOB. 536 00:34:19,862 --> 00:34:23,895 NOW, HAVING SAID THAT, HAVING GIVEN YOU THOSE WARNINGS, 537 00:34:25,395 --> 00:34:28,162 I WANT TO SAY DON'T LIVE AFRAID. 538 00:34:28,195 --> 00:34:31,262 DON'T HIDE. DON'T BE ANGRY. 539 00:34:31,295 --> 00:34:35,528 AND DON'T GO OUT AND LOOK FOR VENGEANCE ON THOSE PEOPLE WHO BREAK THE LAW. 540 00:34:35,562 --> 00:34:38,428 THOSE ARE JUST OTHER WAYS OF GIVING UP YOUR FREEDOM... 541 00:34:38,462 --> 00:34:41,428 THE SAME WAY YOU WOULD IF YOU WERE VICTIMIZED BY VIOLENCE. 542 00:34:41,462 --> 00:34:45,328 NOW, IT'S EASY FOR ME TO‐‐ EASY FOR ME TO STAND HERE... 543 00:34:45,362 --> 00:34:48,295 AND SAY THESE THINGS AND TELL YOU HOW TO LIVE YOUR LIVES, 544 00:34:48,328 --> 00:34:51,795 TELL YOU NOT TO REACT TO THE THINGS THAT HAPPEN TO YOU. 545 00:34:51,828 --> 00:34:54,762 AND I WOULD NEVER PUT MYSELF UP AS AN EXPERT... 546 00:34:54,795 --> 00:34:57,362 ON HOW TO NOT HOLD ON TO THINGS. 547 00:34:59,328 --> 00:35:01,762 MY, UH, MY DAD... 548 00:35:01,795 --> 00:35:04,195 WAS SHOT DOWN ON THE STREETS, SO... 549 00:35:04,228 --> 00:35:06,762 I, UH, I TEND TO‐‐ 550 00:35:06,795 --> 00:35:09,195 TEND TO BE A LITTLE BIT MORE CAREFUL. 551 00:35:10,462 --> 00:35:13,962 MAYBE, UH, A LITTLE BIT OVERPROTECTIVE... 552 00:35:17,695 --> 00:35:20,695 [ SIGHS ] TO THE POINT OF, UH, 553 00:35:20,728 --> 00:35:24,028 MAYBE CRAMPING ANOTHER PERSON'S STYLE. 554 00:35:24,062 --> 00:35:26,695 ANYWAY, UH, MY POINT IS... 555 00:35:26,728 --> 00:35:30,195 THAT, UH, THIS IS YOUR CITY. 556 00:35:30,228 --> 00:35:33,095 THIS IS YOUR CITY, NOT THE BAD GUYS'. 557 00:35:33,128 --> 00:35:35,062 THIS IS YOUR LIFE. 558 00:35:36,662 --> 00:35:38,628 SO BE FREE. 559 00:35:40,895 --> 00:35:43,028 LIVE IT AS FREE AS YOU CAN, 560 00:35:43,062 --> 00:35:46,162 AND, UH, WE'LL BE THERE FOR YOU. 561 00:35:46,195 --> 00:35:49,628 AND, UH, WE'LL TRY NOT TO GET IN YOUR WAY. 562 00:35:52,399 --> 00:35:54,333 OKAY? 563 00:35:58,057 --> 00:36:00,190 QUIT PUSHING ME AROUND. COME ON! 564 00:36:00,224 --> 00:36:02,657 I DIDN'T DO ANYTHING. NAH, YOU DIDN'T DO ANYTHING. 565 00:36:02,690 --> 00:36:05,657 WE DIDN'T FIND SEVEN TRAVELER'S CHECKS ENDORSED TO THAT LIQUOR STORE... 566 00:36:05,690 --> 00:36:08,024 LYING ON THE FLOOR OF YOUR PIGSTY ROOM, HUH? 567 00:36:08,057 --> 00:36:10,957 THIS ISN'T A GUN, AND IT DOESN'T CALIBER‐MATCH WITH THE PIECE... 568 00:36:10,990 --> 00:36:13,091 THAT CROAKED THOSE PEOPLE IN THAT STORE. 569 00:36:13,124 --> 00:36:16,291 IT STINKS FROM BEING JUST SHOT OFF. BUT YOU DIDN'T DO ANYTHING! 570 00:36:16,324 --> 00:36:19,758 AND YOU DIDN'T PUKE ALL OVER MY SHOES AND THE BOTTOM OF MY PANTS! 571 00:36:19,791 --> 00:36:23,124 YOU MISERABLE PIECE OF CRAP, YOU! WAIT A SECOND. 572 00:36:23,158 --> 00:36:25,124 HERE IT COMES AGAIN! 573 00:36:25,158 --> 00:36:28,758 [ GAGGING ] HERE, GET HIM IN THERE. 574 00:36:28,791 --> 00:36:31,091 [ STIFLED GRUNTING ] 575 00:36:33,124 --> 00:36:35,724 [ RETCHING ] HOW BAD YOU GONNA MAKE ME LOOK ON THIS? 576 00:36:35,758 --> 00:36:37,958 WHAT ARE YOU TALKIN' ABOUT? DON'T PLAY WITH ME. 577 00:36:37,991 --> 00:36:40,391 I BUSTED THE WRONG GUY. YOU GOT ME BY THE BALLS. 578 00:36:40,424 --> 00:36:42,891 YEAH, THAT'S WHAT I'M AFTER. I WANT ALL THE CREDIT. 579 00:36:42,924 --> 00:36:46,891 I'M GONNA CLIMB OVER YOUR BACK. I'M HOPING I CAN STILL MAKE CHIEF. 580 00:36:46,924 --> 00:36:49,891 LOOK, YOU MADE A WRONG I. D. 581 00:36:49,924 --> 00:36:52,058 IT HAPPENS. NOBODY'S LOOKIN' TO HURT YOU. 582 00:36:52,091 --> 00:36:55,224 AS FAR AS I'M CONCERNED, PICKIN' UP THIS ASSHOLE WAS YOUR IDEA. 583 00:36:55,258 --> 00:36:58,824 HEY, YOU HIT MY SHOES ONE MORE TIME, I'M GONNA FRACTURE YOUR SKULL. 584 00:37:02,758 --> 00:37:05,324 YOU GOT HIM? YEAH, I GOT HIM. 585 00:37:12,924 --> 00:37:14,891 WHAT WAS THAT? 586 00:37:14,924 --> 00:37:18,858 NEW SUSPECT IN THAT LIQUOR STORE SHOOTING. NOTE HIS HEIGHT. 587 00:37:18,891 --> 00:37:21,724 NOTE THE MURDER WEAPON. WAY TO GO, ANDY. 588 00:37:21,758 --> 00:37:25,924 YEAH, ANYBODY ASKS, IT WAS WALKER'S COLLAR. 589 00:37:27,291 --> 00:37:29,691 TEAM PLAYER THAT I AM. 590 00:37:29,724 --> 00:37:31,924 YOU GOING TO HANSON'S RACKET TONIGHT? 591 00:37:31,958 --> 00:37:33,758 I'LL STICK MY FACE IN. 592 00:37:37,058 --> 00:37:39,458 MRS. WAGNER'S ASKED TO MAKE A STATEMENT. 593 00:37:39,491 --> 00:37:42,391 I WANT IT ON THE RECORD THAT IT'S AGAINST ADVICE OF COUNSEL. 594 00:37:48,058 --> 00:37:50,224 [ DOOR CLOSES ] 595 00:37:52,224 --> 00:37:55,924 I DID NOT PLAN TO KILL MY HUSBAND. 596 00:37:55,958 --> 00:37:58,624 WE WERE EXTREMELY UNHAPPY TOGETHER. 597 00:37:58,658 --> 00:38:01,091 WE'D BEEN UNHAPPY FOR A LONG TIME. 598 00:38:01,124 --> 00:38:04,858 AND I'D‐‐ I'D OFTEN, I SUPPOSE‐‐ 599 00:38:04,891 --> 00:38:07,391 I ACTUALLY DID OFTEN WISH THAT HE WOULD DIE. 600 00:38:09,158 --> 00:38:12,124 I REMEMBER SEVEN TIMES IN THE PAST FEW YEARS... 601 00:38:12,158 --> 00:38:15,091 THAT HE BEAT ME WITH HIS FISTS VERY BADLY. 602 00:38:15,124 --> 00:38:18,958 AND I DID FREQUENTLY WISH THAT HE WERE DEAD... 603 00:38:18,991 --> 00:38:22,691 OR THAT THE RELATIONSHIP WOULD BE OVER. 604 00:38:22,724 --> 00:38:25,424 AND I DID SAY THAT I WISHED HE WERE DEAD... 605 00:38:25,458 --> 00:38:28,791 AND THAT IF I HAD COME HOME ONE NIGHT AND FOUND HIM DEAD, THAT I'D HAVE BEEN GLAD, 606 00:38:28,824 --> 00:38:30,758 RELIEVED. 607 00:38:32,258 --> 00:38:34,924 BUT IN NO WAY WAS I ASKING DETECTIVE KELLY... 608 00:38:34,958 --> 00:38:36,924 TO KILL HIM. 609 00:38:36,958 --> 00:38:39,591 DESCRIBE THE EVENTS OF THE OTHER NIGHT THAT LED TO YOUR HUSBAND'S DEATH. 610 00:38:45,291 --> 00:38:49,791 HE CAME HOME, AND I KNEW HE WAS GOING TO BEAT ME BECAUSE OF THE TONE OF HIS VOICE... 611 00:38:49,824 --> 00:38:52,591 AND LOOK HE HAD IN HIS EYES. 612 00:38:52,624 --> 00:38:56,324 AND‐‐ AND I WAS AFRAID. 613 00:38:59,624 --> 00:39:02,524 THE SIDE OF MY‐‐ [ SNIFFS ] 614 00:39:02,558 --> 00:39:05,724 OF MY FACE AND EAR STILL ACHED... 615 00:39:05,758 --> 00:39:10,158 AND RANG FROM WHERE HE'D HIT ME THE OTHER NIGHT. 616 00:39:12,224 --> 00:39:16,124 I WENT INTO THE BEDROOM, GOT THE GUN AND TOLD HIM THAT HE HAD TO LEAVE. 617 00:39:16,158 --> 00:39:18,958 WAS IT IN YOUR MIND AT THAT POINT TO SHOOT HIM? 618 00:39:18,991 --> 00:39:20,924 NO, IT WAS NOT. 619 00:39:20,958 --> 00:39:25,391 I WANTED HIM TO LEAVE. I JUST WANTED HIM... TO LEAVE ME ALONE. 620 00:39:25,424 --> 00:39:29,591 JUST‐‐ JUST DIDN'T WANT HIM TO HIT ME ANYMORE. 621 00:39:29,624 --> 00:39:31,791 TELL ME, THEN WHAT HAPPENED? 622 00:39:31,824 --> 00:39:35,658 HE STARTED TOWARD ME, AND I SAID, "PLEASE LEAVE. I MEAN IT." 623 00:39:37,291 --> 00:39:41,124 BUT HE NEVER PAID ANY ATTENTION TO ME, EVER, 624 00:39:41,158 --> 00:39:44,191 IN ALL THE YEARS THAT WE WERE TOGETHER. 625 00:39:44,224 --> 00:39:48,015 AND HE CAME FORWARD, AND I TOLD HIM TO STOP. 626 00:39:48,048 --> 00:39:51,715 I KEPT BACKING UP, GETTING FURTHER AND FURTHER AWAY FROM HIM. 627 00:39:53,315 --> 00:39:55,281 AND HE LAUGHED AT ME. 628 00:39:57,315 --> 00:40:01,748 HE TOOK A STEP FORWARD, AND I SHOT HIM. 629 00:40:01,781 --> 00:40:03,981 [ SNIFFLES, EXHALES ] 630 00:40:08,348 --> 00:40:11,115 I'M SORRY. 631 00:40:13,781 --> 00:40:15,981 I'M SORRY. 632 00:40:18,781 --> 00:40:21,648 WHAT DOES THAT SOUND LIKE? MANSLAUGHTER TWO. 633 00:40:21,681 --> 00:40:24,748 WHAT KIND OF TIME? THAT WOULD TEND TO BE THE JUDGE'S DECISION. 634 00:40:24,781 --> 00:40:27,415 YEAH, I KNOW, BUT IN TERMS OF WHAT YOU WOULD RECOMMEND. 635 00:40:27,448 --> 00:40:29,515 A GUESS? THREE YEARS. 636 00:40:29,548 --> 00:40:31,748 WHICH HE MIGHT SUSPEND. 637 00:40:31,781 --> 00:40:33,948 WHICH HE MIGHT SUSPEND. 638 00:40:38,281 --> 00:40:41,581 THAT'S A PRETTY SOULFUL LOOK, DETECTIVE. 639 00:40:41,615 --> 00:40:43,615 WHAT'D SHE DO TO YOU? 640 00:40:43,648 --> 00:40:46,681 TAKE A THORN OUT OF YOUR PAW? 641 00:40:56,348 --> 00:41:00,681 ♪ [ JUKEBOX: BLUES ROCK ] [ PEOPLE CHATTERING ] 642 00:41:00,715 --> 00:41:02,881 [ WOMAN SPEAKING, INDISTINCT ] 643 00:41:06,381 --> 00:41:10,348 ♪ BABY, I GOTTA BELIEVE ♪ 644 00:41:10,381 --> 00:41:14,848 ♪ WHAT YOU SAY IS TRUE ♪ HEY. 645 00:41:14,881 --> 00:41:16,815 HOW'S IT GOIN'? 646 00:41:19,881 --> 00:41:21,848 HOLD THAT THOUGHT. 647 00:41:21,881 --> 00:41:24,415 HEY! HEY, CONGRATULATIONS. 648 00:41:24,448 --> 00:41:26,481 YEAH. 649 00:41:26,515 --> 00:41:28,948 YOU MADE IT. COME OVER HERE. YEAH. 650 00:41:28,981 --> 00:41:31,648 UH, NO, I'M JUST STOPPING IN FOR A SECOND. 651 00:41:31,681 --> 00:41:33,648 IS HANSON GONNA MAKE IT? 652 00:41:33,681 --> 00:41:37,748 I SAW HIM CHECKIN' SOME BUS SCHEDULES. I DON'T THINK THEY MEAN ANYTHING THOUGH. 653 00:41:37,781 --> 00:41:41,315 HEY, LOOK WHO'S HERE. HOW YOU DOIN', WALKER? 654 00:41:41,348 --> 00:41:45,815 FANCY GAVE ME THE BIG "ATTABOY" BEFORE FOR MAKIN' THAT NEW COLLAR. 655 00:41:45,848 --> 00:41:48,815 IS THAT RIGHT? I GOTTA HAND IT TO YOU, SIPOWICZ. 656 00:41:48,848 --> 00:41:50,815 YOU STOOD UP FOR ME. NO PROBLEM. 657 00:41:50,848 --> 00:41:53,315 WHEN I'M WRONG ABOUT SOMEBODY, I SAY SO. 658 00:41:53,348 --> 00:41:55,315 HEY, WALKER, NO PROBLEM. CASE CLOSED. 659 00:41:55,348 --> 00:41:58,615 YOU DON'T WANNA BE A BLOOD BROTHER, HUH? [ CHUCKLING ] 660 00:41:58,648 --> 00:42:01,781 I'M GETTIN' MORE AMMO. HAVE SOME. COME ON. 661 00:42:01,815 --> 00:42:05,415 WHAT ARE YOU HAVIN'? CLUB SODA. 662 00:42:05,448 --> 00:42:09,515 LEEANN, CLUB SODA AND ANOTHER BOURBON AND ROCKS. 663 00:42:09,548 --> 00:42:11,515 OKAY. 664 00:42:11,548 --> 00:42:14,281 YOU MARRIED? NOT ANYMORE. 665 00:42:14,315 --> 00:42:16,948 I'VE BEEN MARRIED 27 YEARS. HERE YOU GO. 666 00:42:16,981 --> 00:42:20,515 TWENTY‐SIX ON THE FORCE. 667 00:42:20,548 --> 00:42:23,981 SO YOU REALLY ARE OFF THE BOOZE, HUH? YEAH. 668 00:42:24,015 --> 00:42:26,981 I LIKE TO THROW A FEW BACK. I LIKE TO HAVE A FEW AFTER 5:00, YOU KNOW. 669 00:42:27,015 --> 00:42:30,281 [ CHUCKLES ] YEAH, THAT'S MY LINE IN THE SAND. 670 00:42:30,315 --> 00:42:32,315 NOTHING BEFORE 5:00. 671 00:42:32,348 --> 00:42:34,981 THAT'S HOW I STAY ON TOP OF IT. 672 00:42:36,981 --> 00:42:40,181 [ SNIFFS ] LISTEN, I'M GONNA GET OUT OF HERE. 673 00:42:40,215 --> 00:42:42,281 HEY, UH, WHAT'S IT LIKE? 674 00:42:42,315 --> 00:42:44,348 WHAT DO YOU MEAN? 675 00:42:44,381 --> 00:42:46,948 YOU KNOW. GETTIN' OFF BOOZE. 676 00:42:46,981 --> 00:42:50,815 I GOT SHOT. I WAS UNCONSCIOUS. I DON'T RECOMMEND THE APPROACH. 677 00:42:50,848 --> 00:42:54,148 ‐ YOU GO TO THOSE MEETINGS? ‐ NO. 678 00:42:54,181 --> 00:42:56,748 I'M DOING IT BY THE SEAT OF MY PANTS. 679 00:42:56,781 --> 00:43:00,615 I DON'T FEEL LIKE I'M, UH, QUALIFIED TO GIVE ADVICE. I DON'T NEED ANY ADVICE. 680 00:43:00,648 --> 00:43:04,948 I FIGURE I STICK WITH MY LINE IN THE SAND, I'LL PROBABLY BE OKAY. 681 00:43:08,048 --> 00:43:11,981 YOU WANT A RIDE OR SOMETHING? I DON'T NEED ANY RIDES. 682 00:43:12,015 --> 00:43:16,115 I ALWAYS DRIVE TWICE AS CAREFUL AFTER I HAD A FEW. 683 00:43:17,948 --> 00:43:20,415 I'LL SEE YOU, THEN. YEAH, SEE YOU. 684 00:43:20,448 --> 00:43:23,281 WHAT ARE YOU DOIN'? YOU GONNA STICK AROUND? NAH, I'M GONNA TAKE OFF. 685 00:43:23,315 --> 00:43:25,848 ALL RIGHT. I'LL TALK TO YOU LATER. HAVE A GOOD TIME. 686 00:43:25,881 --> 00:43:28,281 CONGRATULATIONS. KELLY. 687 00:43:28,315 --> 00:43:31,448 HE'S OKAY, YOUR PARTNER. 688 00:43:34,881 --> 00:43:36,815 YEAH. YEAH. 689 00:43:43,615 --> 00:43:45,548 HEY. 690 00:43:49,048 --> 00:43:51,348 IT'S A FREE COUNTRY, RIGHT? 691 00:43:51,381 --> 00:43:53,315 YEAH. 692 00:43:55,481 --> 00:43:57,515 I, UH, 693 00:43:57,548 --> 00:44:01,515 HEARD HOW YOU WENT OUT OF YOUR WAY FOR THAT SOCIETY WOMAN. 694 00:44:01,548 --> 00:44:04,348 YEAH, WELL, I DIDN'T DO IT 'CAUSE SHE'S A SOCIETY WOMAN. 695 00:44:04,381 --> 00:44:06,415 ALL I'M SAYING... 696 00:44:06,448 --> 00:44:10,181 IS THAT YOU KNEW SHE DIDN'T PLAN TO DO WHAT SHE DID... 697 00:44:10,215 --> 00:44:13,981 AND FOUND IT IN YOUR HEART TO TRY AND UNDERSTAND. 698 00:44:14,015 --> 00:44:16,015 WHAT HAPPENED, JOHN? 699 00:44:16,048 --> 00:44:18,481 DID SHE HAVE TO CONFESS BEFORE YOU COULD FORGIVE HER? 700 00:44:18,515 --> 00:44:20,481 YOU'VE HAD TOO MUCH TO DRINK. YEAH. 701 00:44:20,515 --> 00:44:23,715 AND I'M ONLY ON MY SECOND ONE. I AM SUCH AN EASY DATE. 702 00:44:26,515 --> 00:44:29,648 I THINK YOU BETTER GIVE ME MY RIGHTS. 703 00:44:29,681 --> 00:44:31,681 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 704 00:44:31,715 --> 00:44:33,681 I KILLED MARINO AND HIS DRIVER. 705 00:44:33,715 --> 00:44:36,981 I DON'T WANT TO HEAR THIS FROM YOU. I'M CONFESSING. 706 00:44:37,015 --> 00:44:38,981 I'M IN YOUR HANDS. DID YOU HEAR WHAT I SAID? 707 00:44:39,015 --> 00:44:43,148 I KILLED THEM, AND I THINK THAT IN TIME YOU WILL FORGIVE ME. 708 00:44:43,181 --> 00:44:45,148 [ WOMAN ] HERE YOU GO. 709 00:44:48,848 --> 00:44:51,948 DETECTIVE JOHN KELLY? YOU GOT A PHONE CALL. 710 00:44:58,515 --> 00:45:00,981 [ SIREN WAILING ] 711 00:45:08,148 --> 00:45:10,448 HOW IS HE? HE'S SHOT IN THE STOMACH. 712 00:45:10,481 --> 00:45:13,315 THEY'RE TRYING TO GET AN OPERATING ROOM. 713 00:45:13,348 --> 00:45:15,315 WHAT'S HAPPENING? 714 00:45:15,348 --> 00:45:17,315 THIS GOLDSTEIN WAS ON THE "D" TRAIN. 715 00:45:17,348 --> 00:45:19,948 THERE'S THIS KID HOLDING UP A 46‐YEAR‐OLD LADY. 716 00:45:19,981 --> 00:45:22,781 GOLDSTEIN'S GOT THIS TARGET GUN, TRIES TO STOP THE KID. 717 00:45:22,815 --> 00:45:25,648 THE KID'S GOT A GUN TOO, POPS GOLDSTEIN TWICE IN THE BELLY. 718 00:45:25,681 --> 00:45:29,048 THEY CATCH ANYBODY? NO. GOT TWO GOOD DESCRIPTIONS THOUGH. 719 00:45:30,815 --> 00:45:32,781 [ MACHINERY BEEPING ] 720 00:45:32,815 --> 00:45:36,081 HEY. 4B. 721 00:45:36,115 --> 00:45:38,015 DETECTIVE KELLY. 722 00:45:39,115 --> 00:45:41,681 DETECTIVE KELLY, I‐I GOT SHOT. 723 00:45:41,715 --> 00:45:44,081 TAKE IT EASY. I'M LOSIN' BLOOD. 724 00:45:44,115 --> 00:45:47,348 I'M LOSING BLOOD IN THE PERITONEUM, THE DOCTOR SAID. 725 00:45:47,381 --> 00:45:50,115 JUST CALM DOWN, MR. GOLDSTEIN. 726 00:45:50,148 --> 00:45:52,681 [ NO AUDIBLE DIALOGUE ] 727 00:46:40,715 --> 00:46:42,948 [ SIGHS ] 728 00:46:42,981 --> 00:46:44,948 I'M SORRY. 729 00:46:44,981 --> 00:46:46,881 HE'S GONE. 730 00:46:55,881 --> 00:46:57,815 POOR JOSH. 731 00:46:59,515 --> 00:47:01,515 I KNOW. 732 00:47:04,815 --> 00:47:07,815 I'VE GOTTA CALL HIS PARENTS. 733 00:47:07,848 --> 00:47:10,981 I DON'T KNOW THEIR NAMES. THEY LIVE SOMEWHERE OUTSIDE CLEVELAND. 734 00:47:11,015 --> 00:47:13,515 JACK AND FRIEDA GOLDSTEIN. 735 00:47:15,448 --> 00:47:17,415 HOW DO YOU KNOW? 736 00:47:17,448 --> 00:47:19,348 HE TOLD ME. 737 00:47:20,948 --> 00:47:24,281 JACK AND FRIEDA GOLDSTEIN OF SHAKER HEIGHTS, OHIO.