1 00:00:13,033 --> 00:00:15,166 [ SIREN WAILS ] 2 00:00:18,666 --> 00:00:21,966 [ PHONE RINGING ] YEAH, LEWIS. HE'S IN THE HOLDING AREA, BACK THERE. 3 00:00:22,000 --> 00:00:24,000 GOT IT. [ CHATTERING ] 4 00:00:27,933 --> 00:00:30,500 HERE YOU GO. 5 00:00:30,533 --> 00:00:32,666 DOMINIC GENNARO, SARGE. I'M ON A JOB. 6 00:00:32,700 --> 00:00:35,400 JANICE LICALSI AROUND? YEAH, IN THE COMPLAINT ROOM. 7 00:00:35,433 --> 00:00:37,333 THANK YOU. 8 00:00:42,266 --> 00:00:44,866 HOW YOU DOIN', COOKIE? 9 00:00:44,900 --> 00:00:49,333 [ SIGHS ] GOOD, DADDY. 10 00:00:49,366 --> 00:00:52,266 IS EVERYTHING OKAY AT HOME? YEAH, MOM'S GOOD. 11 00:00:55,266 --> 00:00:57,200 WHAT'S UP? 12 00:00:57,233 --> 00:01:00,633 I WANTED TO SEE YOU BEFORE YOU FOUND SOMETHING OUT. 13 00:01:00,666 --> 00:01:04,200 THEY'RE GONNA MAKE AN ANNOUNCEMENT THIS AFTERNOON. 14 00:01:04,233 --> 00:01:07,033 SOME COPS ARE GONNA BE INDICTED. 15 00:01:07,066 --> 00:01:09,100 I'M GONNA BE ONE OF THEM. 16 00:01:11,700 --> 00:01:15,866 IT'S OUT OF THIS GIARDELLA TESTIMONY WITH THE GRAND JURY. 17 00:01:15,900 --> 00:01:19,500 THEY'RE GONNA SAY I TOOK MONEY FROM ANGELO MARINO, I WAS ON HIS PAYROLL. 18 00:01:24,233 --> 00:01:26,433 HOW COME YOU DON'T ASK IF IT'S TRUE? 19 00:01:29,433 --> 00:01:32,233 TELL ME WHAT YOU WANT TO TELL ME. 20 00:01:32,266 --> 00:01:35,200 THEY PAID ME FOR GIVING UP WARRANTS. 21 00:01:35,233 --> 00:01:38,900 WHEN I WAS ON GAMBLING AND NARCOTICS... 22 00:01:38,933 --> 00:01:41,200 I TIPPED THEM IF THERE WAS GONNA BE A RAID. 23 00:01:42,500 --> 00:01:46,233 IT'S BEEN OVER FOR FIVE YEARS, BUT I DID IT. 24 00:01:46,266 --> 00:01:50,333 NOW I'M GLAD WHEN YOU JOINED THE FORCE YOU USED MOM'S NAME. 25 00:01:50,366 --> 00:01:52,900 HOW YOU FEEL PERSONALLY IS ONE THING, 26 00:01:52,933 --> 00:01:55,066 BUT AT LEAST NOBODY'S GONNA KNOW WE'RE RELATED. 27 00:01:55,100 --> 00:01:57,333 I'M NOT ASHAMED TO BE YOUR DAUGHTER. 28 00:02:02,233 --> 00:02:05,166 I WANT YOU TO KNOW I'M PROUD OF YOU. 29 00:02:05,200 --> 00:02:10,133 I'VE ALWAYS BEEN PROUD OF THE WAY YOU CARRIED YOURSELF AND THE KIND OF COP YOU ARE. 30 00:02:10,166 --> 00:02:13,000 I'LL ALWAYS BE GLAD FOR THAT PART, ANYWAY‐‐ 31 00:02:13,033 --> 00:02:17,733 THAT THESE BASTARDS NEVER REACHED OUT TO YOU. 32 00:02:17,766 --> 00:02:20,866 [ SIRENS WAILING ] 33 00:02:24,033 --> 00:02:27,966 YOU OKAY? YOU GOT SOMEONE YOU CAN TALK TO, YOU KNOW? 34 00:02:28,000 --> 00:02:30,366 YEAH, DADDY, I'M FINE. 35 00:02:37,333 --> 00:02:39,966 [ PHONE RINGING ] 36 00:02:40,000 --> 00:02:43,166 [ CHATTERING CONTINUES ] 37 00:04:04,733 --> 00:04:06,933 [ ELEVATOR BELL DINGS ] 38 00:04:39,000 --> 00:04:41,666 [ KNOCKS ON DOOR ] 39 00:04:41,700 --> 00:04:44,533 SIPOWICZ, WHAT ARE YOU DOIN' HERE? 40 00:04:44,533 --> 00:04:46,697 I HEARD A RUMOR THE RAT YOU'RE WATCHIN' IS LEAVIN' TOWN. 41 00:04:46,730 --> 00:04:49,697 KEEP HIM INSIDE, JERRY. IS THAT RIGHT‐‐ THEY'RE TAKING GIARDELLA TO D. C.? 42 00:04:49,730 --> 00:04:51,830 THAT'S NONE OF YOUR BUSINESS. OH, SURE. 43 00:04:51,864 --> 00:04:54,164 JUST 'CAUSE THAT SON OF A BITCH PUT SIX BULLETS IN MY GUT... 44 00:04:54,197 --> 00:04:56,397 DOESN'T MEAN I SHOULD WONDER WHAT'S GOIN' ON. 45 00:04:56,430 --> 00:05:00,130 I KNOW WHAT GIARDELLA DID TO YOU, BUT YOU CAN'T BE COMING AROUND HERE. 46 00:05:00,164 --> 00:05:04,638 DETECTIVE, IF YOU'RE NOT OUT OF HERE IN 30 SECONDS, YOU'LL BE UNDER ARREST FOR INTERFERING WITH FEDERAL MARSHALLS 47 00:05:04,638 --> 00:05:08,805 HOW'S IT GOIN', ALFONSE? YOU HIDIN' UNDER THE BED COVERS, YOU LOWLIFE PIECE OF CRAP? 48 00:05:08,838 --> 00:05:13,305 WHAT IS IT, SIPOWICZ? YOU WANNA SEE THE REST OF MY SUITE? MAYBE TRY ON ONE OF THE BATHROBES? 49 00:05:13,305 --> 00:05:16,638 OH, THERE IT IS. THE UGLIEST WIG IN AMERICA. 50 00:05:16,672 --> 00:05:21,272 HEY, DOUCHE BAG, I GOT 24‐HOUR ROOM SERVICE AND THREE DIRTY MOVIE CHANNELS. 51 00:05:21,305 --> 00:05:25,938 YEAH? HOW'D YOU LIKE TO WATCH 'EM FROM A HOLE IN THE MIDDLE OF YOUR FOREHEAD? 52 00:05:25,972 --> 00:05:28,105 [ SCREAMING ] GET OUT OF HERE, SIPOWICZ! 53 00:05:28,138 --> 00:05:30,505 HEY, THAT'S A GOOD LOOK FOR YOU, ALFONSE! 54 00:05:30,538 --> 00:05:34,472 WHY DON'T YOU MIX THAT MUD IN WITH YOUR RUG? HE'S A SAVAGE, THIS GUY. 55 00:05:34,505 --> 00:05:37,938 I'M NOT DONE WITH YOU, GIARDELLA. YOU AND ME ARE GOING AROUND AGAIN. 56 00:05:37,972 --> 00:05:40,605 DO NOT COME BACK HERE! YEAH, YEAH, YEAH, YEAH. 57 00:05:40,638 --> 00:05:43,172 [ PHONE RINGING ] 58 00:05:43,205 --> 00:05:44,972 SIGN IT RIGHT HERE. 59 00:05:45,005 --> 00:05:47,105 HEY, WHAT'S UP? THANKS. 60 00:05:47,138 --> 00:05:50,172 DETECTIVE KELLY, IS THIS GONNA GO ON FOREVER? 61 00:05:50,205 --> 00:05:52,038 WHAT'S THAT? 62 00:05:52,772 --> 00:05:54,012 YOU PRETENDING I DON'T EXIST. 63 00:05:54,012 --> 00:05:55,357 YOU GOT REAL GUTS, YOU KNOW THAT? 64 00:05:55,390 --> 00:05:59,766 FIGURE YOURSELF LUCKY I DON'T COLLAR YOU FOR HOMICIDE. STAY AWAY FROM ME, ALL RIGHT? 65 00:05:59,799 --> 00:06:02,899 COULD I JUST TALK TO YOU? I NEED TO TALK TO YOU! 66 00:06:02,932 --> 00:06:05,232 NO, YOU DON'T. I UNDERSTAND WHAT HAPPENED. 67 00:06:05,266 --> 00:06:07,999 YOU WERE DIRTY. YOU WERE GETTIN' SQUEEZED. 68 00:06:08,032 --> 00:06:11,399 YOU WHACKED MARINO TO GET LOOSE, AND NOW YOU'RE GONNA GET AWAY WITH IT. 69 00:06:11,432 --> 00:06:14,432 JOHN, YOU'RE THE ONLY ONE I CAN TALK TO. 70 00:06:14,466 --> 00:06:17,332 [ FOOTSTEPS APPROACHING ] I CAN'T, OKAY? 71 00:06:17,366 --> 00:06:21,099 HEY. [ CHUCKLES ] YEAH. YEAH. 72 00:06:21,132 --> 00:06:24,432 REGARDS FROM HARRY TIMMONS. YEAH? HOW'S HE DOIN'? 73 00:06:24,466 --> 00:06:26,899 HOW'S HIS SECURITY BUSINESS? IT'S DOING GREAT, I GUESS. 74 00:06:26,932 --> 00:06:29,999 HE GOT ANY NIGHT WORK FOR YOU? YEAH, I'M BODYGUARDIN' SOME SOCIETY PEOPLE. 75 00:06:30,032 --> 00:06:32,099 I'M MEETING 'EM TONIGHT. 76 00:06:32,132 --> 00:06:34,532 IT'S TOO BAD I MAKE SUCH A LOUSY APPEARANCE. 77 00:06:34,566 --> 00:06:37,766 AS BUSY AS I AM AROUND HERE, I COULD'VE WORKED A DOUBLE SHIFT. 78 00:06:37,799 --> 00:06:41,396 ANDY, STAY COOL, ALL RIGHT? FANCY WANTS TO MAKE SURE YOU GOT YOUR FEET UNDER YOU. 79 00:06:41,429 --> 00:06:43,763 THAT'S ALL. OH, YOU THINK SO, HUH? 80 00:06:43,796 --> 00:06:48,029 I FIGURE HE'S SEEING IF I CAN SET A WORLD'S RECORD FOR TWIDDLIN' MY THUMBS. 81 00:06:48,063 --> 00:06:52,563 ANDY. ANDY, WOULD YOU MIND KEEPIN' AN EYE ON LUTHER AGAIN? YEAH? AHH. 82 00:06:52,596 --> 00:06:55,763 COME ON, MEDAVOY, WHAT AM I, A KENNEL SERVICE HERE? HUH? 83 00:06:55,796 --> 00:07:00,396 I CAN'T LEAVE HIM HOME ALONE, AND THE WIFE'S GONE TILL FRIDAY. ALL RIGHT, ALL RIGHT. 84 00:07:00,429 --> 00:07:02,696 IS HE IN THE LOCKER ROOM? YEAH, YEAH. YOU GOT THE SCOOPER? 85 00:07:02,729 --> 00:07:05,696 YEAH, I GOT THE SCOOPER. YEAH. YOU'RE A PRINCE. 86 00:07:05,729 --> 00:07:09,696 KELLY, YOU GOT A RESIDENTIAL ROBBERY‐ASSAULT, MAYBE A HOMICIDE BY NOW. 87 00:07:09,729 --> 00:07:12,229 THEY DIDN'T THINK THE VICTIM WAS GONNA MAKE IT. 88 00:07:12,263 --> 00:07:15,096 WHO SHOULD I WORK WITH? MARTINEZ. 89 00:07:15,129 --> 00:07:17,296 SIPOWICZ, MY OFFICE. 90 00:07:21,529 --> 00:07:24,929 [ CHATTERING ] 91 00:07:27,563 --> 00:07:29,463 CLOSE THE DOOR. 92 00:07:33,896 --> 00:07:37,596 I JUST HAD A CALL FROM THE FEDERAL MARSHALS. IS THAT SO? 93 00:07:37,629 --> 00:07:40,329 WHAT THE HELL WERE YOU DOING AT GIARDELLA'S HOTEL? 94 00:07:40,363 --> 00:07:42,896 I WAS IN THE NEIGHBORHOOD. I THOUGHT I'D SAY HELLO. 95 00:07:42,929 --> 00:07:47,696 I DON'T GET YOU. YOU KNOW YOU'RE ON PROBATION, AND YOU PUT ON A BOZO ACT. 96 00:07:47,729 --> 00:07:50,596 THAT ASSHOLE SHOT ME, LIEUTENANT. I KNOW HE SHOT YOU‐‐ 97 00:07:50,629 --> 00:07:53,563 AND NOW THE D. A.'S PUTTIN' HIM UP IN SOME JOINT WHERE I CAN'T AFFORD COFFEE. 98 00:07:53,596 --> 00:07:56,229 I AGREE. THEY NEVER SHOULD HAVE CUT GIARDELLA A DEAL. 99 00:07:56,263 --> 00:07:59,740 BUT I'M NOT SUPPOSED TO BE PISSED OFF? YOU CAN BE PISSED OFF. 100 00:07:59,774 --> 00:08:03,907 WHAT YOU CAN'T DO IS GO DOWN THERE AND TRY TO BRAIN HIM WITH A PLANT. 101 00:08:03,940 --> 00:08:08,774 I USED BAD JUDGMENT, ALL RIGHT? LOOK, MAYBE IF I WAS A LITTLE BUSIER‐‐ 102 00:08:08,807 --> 00:08:11,107 IT'S LIKE THE CHICKEN AND THE EGG. 103 00:08:11,140 --> 00:08:14,507 FIRST YOU STOP ACTING LIKE A FLAKE, THEN MAYBE YOU GET BACK ON THE STREET. 104 00:08:14,540 --> 00:08:19,007 LIEUTENANT, I'VE BEEN TAKIN' THE PSYCHO CALLS, FILIN' THE STOP‐AND‐FRISK REPORTS‐‐ 105 00:08:19,040 --> 00:08:21,240 YOU WANT A GOLD STAR? 106 00:08:21,274 --> 00:08:24,674 IS THAT BEIN' A FLAKE, HUH? HOW LONG IS THIS PROBATION THING GONNA GO ON? 107 00:08:24,707 --> 00:08:29,407 I TOLD YOU, I'M GIVING MYSELF TIME TO MAKE UP MY MIND. 108 00:08:29,440 --> 00:08:32,107 I THINK YOU'VE ALREADY MADE UP YOUR MIND, LIEUTENANT. 109 00:08:32,140 --> 00:08:35,607 AND I THINK YOU'RE TRYIN' TO SCREW ME FROM BEHIND THAT DESK. 110 00:08:39,807 --> 00:08:42,174 [ CHATTERING ] 111 00:08:42,207 --> 00:08:44,674 DID YOU SIGN IT? YEAH, IT'S READY TO GO. 112 00:08:44,707 --> 00:08:48,840 [ CHUCKLES, SIGHS ] YOU KNOW WHAT, FELLAS? 113 00:08:48,874 --> 00:08:53,640 I'M CONSIDERING A WHOLE NEW, UH, ORGANIZATIONAL APPROACH ON MY WORK AREA HERE. 114 00:08:53,674 --> 00:08:56,174 YOU SEE THIS SECTION HERE, HUH? 115 00:08:56,207 --> 00:08:59,174 THIS QUADRANT I MAY RESERVE FOR, FOR THESE‐‐ 116 00:08:59,207 --> 00:09:02,607 THESE LITTLE YELLOW NOTE REMINDERS WITH THE GLUE ON THE BACK, YOU KNOW? 117 00:09:02,640 --> 00:09:05,607 AND OVER HERE, THIS AREA I THINK I'M GONNA RESTRICT... 118 00:09:05,640 --> 00:09:08,107 TO, UH, PAPER WEIGHTS AND ANIMAL MAGNETS‐‐ 119 00:09:08,140 --> 00:09:10,440 MAYBE THOSE LITTLE GIRAFFES. 120 00:09:10,474 --> 00:09:13,340 ‐ ALL RIGHT, VERY FUNNY. ‐ NOBODY'S BEIN' FUNNY HERE. 121 00:09:13,374 --> 00:09:15,674 I'M TRYIN' TO FIGURE OUT MY WORK SCHEDULE HERE. 122 00:09:15,707 --> 00:09:18,640 I MEAN, I'M UNDER AN ENORMOUS TIME PRESSURE, YOU KNOW. 123 00:09:18,674 --> 00:09:21,140 I MEAN, I‐I GOTTA REORGANIZE MY DESK. 124 00:09:21,174 --> 00:09:23,607 I GOTTA WALK MEDAVOY'S DOG HERE. 125 00:09:23,640 --> 00:09:26,674 HEY, LIEUTENANT, IF IT STAYS THIS HECTIC AROUND HERE, 126 00:09:26,707 --> 00:09:29,640 WOULD I BE OKAYED FOR OVERTIME? 127 00:09:29,674 --> 00:09:33,307 [ SIGHS ] WHY DON'T THE TWO OF US GET TOGETHER AFTER WORK? 128 00:09:33,340 --> 00:09:36,240 NO RANKS? NO RANKS. JUST FOLKS. 129 00:09:36,274 --> 00:09:38,774 WHY WAIT? AFTER WORK. 130 00:09:42,540 --> 00:09:44,840 KELLY, YOU GOT AN ASSIGNMENT. 131 00:09:44,874 --> 00:09:46,940 DETECTIVE MEDAVOY HERE. I'M SORRY‐‐ 132 00:09:48,540 --> 00:09:50,774 GIVE ME ANOTHER MINUTE. SURE. 133 00:09:52,507 --> 00:09:55,174 [ OFFICER ] YEAH, I'M WAITIN' TO GO ON‐‐ 134 00:09:55,207 --> 00:09:57,640 HIS HIGHNESS HASN'T FINISHED HIS MEAL YET. 135 00:09:57,674 --> 00:09:59,974 WHAT WAS THAT ABOUT WITH FANCY? 136 00:10:00,007 --> 00:10:03,840 ME AND THE LIEUTENANT ARE GONNA GET TOGETHER AFTER WORK, GET TO KNOW EACH OTHER BETTER. 137 00:10:03,874 --> 00:10:07,407 [ SCOFFS, SIGHS ] ANDY. 138 00:10:07,440 --> 00:10:12,940 ANDY! YOU ARE ON THIN ICE WITH THIS GUY ALREADY. HOW IS THIS GONNA HELP YOU? 139 00:10:12,974 --> 00:10:16,607 HEY, LOOK, I'VE BEEN IN THIS PRECINCT FOR 17 YEARS, JOHN, YOU KNOW. 140 00:10:16,640 --> 00:10:18,974 I GOT INFORMANTS ON EVERY OTHER BLOCK. 141 00:10:19,007 --> 00:10:22,940 I KNOW EVERY MERCHANT, EVERY SKEL, ALL THE GOOD GUYS, ALL THE BAD GUYS. 142 00:10:22,974 --> 00:10:25,274 PLUS I WANNA WORK WITH YOU AGAIN. 143 00:10:25,307 --> 00:10:28,007 BUT IF THE ONLY WAY TO GET BACK ON THE STREET‐‐ 144 00:10:28,040 --> 00:10:32,607 BECAUSE THAT AFRICAN‐AMERICAN HUMP IN THERE WON'T GIVE ME A SQUARE SHOT‐‐ 145 00:10:32,640 --> 00:10:35,407 IS TO PUT IN FOR A TRANSFER, THEN THAT'S WHAT I'M GONNA DO. 146 00:10:35,440 --> 00:10:39,440 AND IF THAT'S WHAT I GOTTA DO, I AM GONNA GET MY TWO CENTS IN BEFORE I GO, JOHN. 147 00:10:41,607 --> 00:10:45,274 NOW GO ON, GET OUTTA HERE. YOU GOT A CASE. 148 00:10:45,307 --> 00:10:48,574 GO ON, GET OUT. 149 00:10:48,607 --> 00:10:51,074 [ DOG CHOMPING ] 150 00:10:51,107 --> 00:10:53,807 WHO ARE YOU STARIN' AT? [ DOG GROWLS ] 151 00:10:55,107 --> 00:10:57,474 IS THAT GONNA BE ALL RIGHT, DETECTIVE? 152 00:10:57,507 --> 00:10:59,807 I DON'T KNOW, MARTINEZ. I DON'T KNOW. 153 00:11:06,007 --> 00:11:08,740 IT'S TERRIBLE. 154 00:11:08,774 --> 00:11:11,640 FIGURE THE BASEMENT WINDOW FOR THE ENTRY? 155 00:11:11,674 --> 00:11:14,740 YEAH. ALL RIGHT, LET'S START THE CANVASS HERE. 156 00:11:14,774 --> 00:11:16,740 YOU OKAY? 157 00:11:16,774 --> 00:11:19,907 HER FACE GOIN' COLORS LIKE THAT, THAT'S THE AIR GETTIN' CUT OFF? 158 00:11:19,940 --> 00:11:23,107 THAT'S THE AIR GETTIN' CUT OFF. 159 00:11:23,140 --> 00:11:26,307 MA'AM, I'M JOHN KELLY. 160 00:11:26,340 --> 00:11:28,807 THAT'S JAMES MARTINEZ. WE'RE FROM THE 15 PRECINCT. 161 00:11:28,840 --> 00:11:31,174 SHE'S DEAD? 162 00:11:31,207 --> 00:11:33,340 LOIS CEIZLER? YEAH. 163 00:11:33,374 --> 00:11:37,240 YOU MIND IF I ASK YOUR NAME AND DATE OF BIRTH, MA'AM? 164 00:11:37,274 --> 00:11:42,107 ANNETTE DILEO, MARCH 23, 1935. 165 00:11:42,140 --> 00:11:45,507 OKAY. YOU LIVE IN THE HOUSE ALONE? 166 00:11:45,540 --> 00:11:48,274 UH, I LIVE WITH MY OLDEST SON, MICHAEL. 167 00:11:48,307 --> 00:11:50,340 UH, HE'S‐‐ [ DETECTIVE ] NOBODY THERE‐‐ 168 00:11:50,374 --> 00:11:54,840 WAS BORN ON APRIL 7, 1967. 169 00:11:54,874 --> 00:11:57,107 DO YOU HAVE THE SAME LAST NAME? 170 00:11:57,140 --> 00:11:59,674 WHY, YES. 171 00:11:59,707 --> 00:12:02,607 MRS. DILEO, IS THERE ANY INFORMATION YOU CAN GIVE ME? 172 00:12:02,640 --> 00:12:05,407 ANYTHING UNUSUAL HAPPEN NEXT DOOR THIS MORNING? 173 00:12:05,440 --> 00:12:09,640 I WAS OUT TILL HALF AN HOUR AGO. 174 00:12:09,674 --> 00:12:13,940 I SAW ALL THE AMBULANCES AND ALL WHEN I GOT BACK, 175 00:12:13,974 --> 00:12:16,574 BUT I DIDN'T WANT TO INTERFERE. 176 00:12:16,607 --> 00:12:18,740 WHAT TIME DID YOU LEAVE? 177 00:12:18,774 --> 00:12:21,940 ABOUT A QUARTER AFTER 8:00. I WORK HALF DAYS... 178 00:12:21,974 --> 00:12:23,940 AT, UH, LIEMAN'S BAKERY. 179 00:12:23,974 --> 00:12:25,940 MY SON DROPPED ME OFF. 180 00:12:25,974 --> 00:12:29,507 AND MICHAEL‐‐ MICHAEL? 181 00:12:29,540 --> 00:12:32,907 UH, IS HE HOME, OR, UH, CAN I REACH HIM AT WORK? 182 00:12:32,940 --> 00:12:37,274 HE‐HE BROUGHT MY CAR BACK HERE, THEN HE WENT OUT TO SEE MY OTHER SON. 183 00:12:37,307 --> 00:12:39,607 WHERE DOES HE LIVE? 184 00:12:39,640 --> 00:12:42,974 UH, JAMIE? LIVES IN RIDGEWOOD‐‐ 185 00:12:43,007 --> 00:12:45,140 YEAH, YOU HAVE AN ADDRESS ON HIM? 186 00:12:45,174 --> 00:12:49,940 [ SIGHS ] WELL, IT'S ON TRALTMAN STREET. I DON'T KNOW THE ADDRESS. 187 00:12:49,974 --> 00:12:53,740 EITHER OF YOUR BOYS EVER BEEN IN TROUBLE WITH THE POLICE, MRS. DILEO? 188 00:12:53,774 --> 00:12:55,774 NO. OKAY. 189 00:12:55,807 --> 00:12:58,440 THANK YOU. [ DETECTIVE ] IT'S YOUR WATCH COMMANDER‐‐ 190 00:12:58,474 --> 00:13:01,274 I'M GOING TO, UH, GIVE YOU MY CARD. 191 00:13:01,307 --> 00:13:05,307 AND IF YOU CAN THINK OF ANYTHING THAT MIGHT BE HELPFUL, YOU'LL GIVE ME A CALL? 192 00:13:05,340 --> 00:13:08,007 YES. THANKS AGAIN. 193 00:13:08,040 --> 00:13:10,707 [ POLICE RADIO, INDISTINCT ] 194 00:13:13,140 --> 00:13:16,474 I'M GONNA CHECK FOR MESSAGES. WHAT KIND OF MESSAGES? 195 00:13:18,040 --> 00:13:21,007 I WANT TO RUN A B. C. I. ON THESE TWO BROTHERS. 196 00:13:21,040 --> 00:13:24,574 15 SQUAD, BASE K. YEAH, I WANT TO RUN A B. C. I. ON A RIDGEWOOD ADDRESS. 197 00:13:24,607 --> 00:13:27,274 TAKE CARE OF THAT THING FOR ME? GREAT. JAMES OR JAMIE DILEO. 198 00:13:27,307 --> 00:13:30,640 D‐I‐L‐E‐O. CAUCASIAN, EARLY 20S. 199 00:13:30,674 --> 00:13:36,440 ALSO MICHAEL, SAME LAST NAME, 26, 62 BANK STREET, MANHATTAN. 200 00:13:36,474 --> 00:13:40,674 15 SQUAD, STAND BY. TWENTY‐SIX YEARS OLD, NO JOB, LIVING AT HOME. 201 00:13:40,707 --> 00:13:43,840 MAYBE THAT'S A JUNKIE SAVIN' ON RENT. YEAH. PLUS‐‐ 202 00:13:43,874 --> 00:13:47,407 PLUS HE BROUGHT THE CAR BACK. THAT'S WHAT SHE SAID, RIGHT? YEAH. 203 00:13:47,440 --> 00:13:49,307 15 SQUAD ON THE AIR. 204 00:13:49,340 --> 00:13:52,740 YOUR ADDRESS IN RIDGEWOOD IS 1447 TRALTMAN STREET. 205 00:13:52,774 --> 00:13:55,440 PRIORS ON BOTH NAMES. BINGO. 206 00:14:15,674 --> 00:14:17,374 [ CHATTERING ] 207 00:14:26,507 --> 00:14:28,340 YEAH. 208 00:14:28,374 --> 00:14:32,107 [ MAN ] YES, YES, I'M COMING. 209 00:14:32,140 --> 00:14:34,974 [ TV, INDISTINCT ] YOU THE SUPER? 210 00:14:35,007 --> 00:14:37,774 YOU GOT A JAMES DILEO IN 3J? WHAT DID HE DO? 211 00:14:37,807 --> 00:14:40,840 I'M NOT SURE YET. WHERE'S HIS FIRE ESCAPE LOCATED? 212 00:14:40,874 --> 00:14:43,340 OUT HIS WINDOW. IT DROPS INTO THE SIDE ALLEY. 213 00:14:43,374 --> 00:14:46,174 WHATEVER YOU WANT TO TALK TO HIM ABOUT, HE PROBABLY DID IT. 214 00:14:46,207 --> 00:14:49,207 THE KID LIVES LIKE AN ANIMAL. 215 00:14:50,807 --> 00:14:52,740 [ SUPER ] HOW'RE YOU DOING, MR. DILEO? 216 00:14:52,774 --> 00:14:56,174 [ MARTINEZ ] POLICE! I GOT HIM! I GOT OUTSIDE. 217 00:15:08,774 --> 00:15:11,140 MIKE, COPS! GET OUT! 218 00:15:14,840 --> 00:15:17,174 STOP! 219 00:15:19,207 --> 00:15:22,674 FREEZE, ASSHOLE! FREEZE! 220 00:15:22,707 --> 00:15:24,807 NO, MARTINEZ! 221 00:15:24,840 --> 00:15:28,140 ‐ JAMES, ARE YOU ALL RIGHT? ‐ YEAH. 222 00:15:28,174 --> 00:15:31,307 ‐ WHAT ARE YOU, A CIRCUS COP? ‐ YEAH. FLYING JAMES MARTINEZ. 223 00:15:31,340 --> 00:15:34,140 HANG IN THERE. 224 00:15:34,174 --> 00:15:37,940 [ TV ANNOUNCER ] AND NOW TO OUR OWN LANNY CHRISMAN WITH DETAILS... 225 00:15:37,974 --> 00:15:40,474 HERE YOU GO. ON THOSE JUST‐ANNOUNCED INDICTMENTS... 226 00:15:40,507 --> 00:15:43,507 THANKS. OF NEW YORK CITY POLICE OFFICERS. LANNY. 227 00:15:43,540 --> 00:15:46,007 [ REPORTER ] EARLY THIS AFTERNOON... THEY INDICTED 14 COPS. 228 00:15:46,040 --> 00:15:49,107 THE DISTRICT ATTORNEY ANNOUNCED THE INDICTMENT OF 14 NEW YORK CITY POLICE OFFICERS. 229 00:15:49,140 --> 00:15:52,140 ‐ ANYBODY FROM OUR PRECINCT? ‐ THE GRAND JURY TESTIMONY OF ORGANIZED CRIME LEADER... 230 00:15:52,174 --> 00:15:54,274 ‐ WHAT YOU GOT? ‐ ALFONSE GIARDELLA. 231 00:15:54,307 --> 00:15:56,907 [ CONTINUES, INDISTINCT ] WE LIKE THESE, UH, THESE DILEO BROTHERS. 232 00:15:56,940 --> 00:15:59,274 THEY BOTH USE. THEY BOTH GOT SHEETS FOR BURGLARY. 233 00:15:59,307 --> 00:16:02,174 ‐ ANY VIOLENCE? ‐ NO, I THINK THEY WERE JUST DOING A ROBBERY. 234 00:16:02,207 --> 00:16:04,307 THE OLD LADY SURPRISED THEM. 235 00:16:04,340 --> 00:16:06,974 TELL NARCOTICS TO LET THE JUNKIES KNOW... 236 00:16:07,007 --> 00:16:09,840 THERE'S A WALK FOR ANYBODY THAT GIVES THESE GUYS UP. 237 00:16:09,874 --> 00:16:12,307 [ TV, INDISTINCT ] OKAY. 238 00:16:14,474 --> 00:16:17,407 MARTINEZ, WOULD YOU REACH OUT TO NARCOTICS, PLEASE? 239 00:16:17,440 --> 00:16:19,907 NO PROBLEM. 240 00:16:19,940 --> 00:16:21,907 HEY. HEY. 241 00:16:21,940 --> 00:16:24,407 4B. HI. 242 00:16:25,171 --> 00:16:29,371 HOW'S THE NOSE? WOULD YOU LIKE TO HEAR SOMETHING INTERESTING, DETECTIVE KELLY? 243 00:16:29,405 --> 00:16:32,738 I'M BREATHING BETTER THAN AT ANY TIME SINCE ADOLESCENCE. 244 00:16:32,771 --> 00:16:35,971 THAT IS INTERESTING. I'M HERE ABOUT MY GUN. 245 00:16:36,005 --> 00:16:38,971 IT WAS CONFISCATED THE OTHER NIGHT AFTER THE INCIDENT. YEAH. 246 00:16:39,005 --> 00:16:42,005 WELL, I HAVE A HEARING IN A FEW HOURS BEFORE THE POLICE PERMIT BOARD, 247 00:16:42,038 --> 00:16:45,371 AND I WONDER IF I CAN IMPOSE ON YOU TO DRAFT UP... I'M GONNA PASS, 4B. 248 00:16:45,405 --> 00:16:47,671 A SHORT STATEMENT‐‐ I'M GONNA PASS. 249 00:16:47,705 --> 00:16:51,638 DO YOU MIND IF I ASK WHY? WELL, BECAUSE I DON'T THINK YOU SHOULD HAVE A WEAPON RIGHT NOW. 250 00:16:51,671 --> 00:16:55,471 I THINK YOU'D AGREE, DETECTIVE, THAT AS MATTERS DEVELOPED IN THAT LAUNDRY ROOM... 251 00:16:55,505 --> 00:16:58,371 IT WAS PRETTY LUCKY THAT I HAD MY GUN WITH ME. MAYBE. BUT THEN AGAIN, 252 00:16:58,405 --> 00:17:02,571 IF YOU DIDN'T, THEN MAYBE YOU WOULDN'T HAVE BEEN DOWN THERE DOING LAUNDRY TEN TIMES A WEEK, 253 00:17:02,605 --> 00:17:05,638 WAITIN' FOR THAT MUGGER TO COME BACK SO YOU COULD PLUG HIM, RIGHT? 254 00:17:05,671 --> 00:17:10,371 SO BECAUSE I SUCCESSFULLY FOUGHT OFF AN ASSAULT, I SHOULD FORFEIT MY RIGHT TO BEAR ARMS? 255 00:17:10,405 --> 00:17:14,738 NO, WHAT I'M SAYING IS, YOU WERE ROBBED AND BEATEN UP, 4B. THAT'S AN AWFUL EXPERIENCE. 256 00:17:14,771 --> 00:17:17,905 YEAH. SOME PEOPLE HAVE TO GO INTO TREATMENT TO GET OVER IT. 257 00:17:17,938 --> 00:17:21,405 SOME PEOPLE NEVER GO OUTSIDE AGAIN. AND SOME PEOPLE GET PISSED OFF, 258 00:17:21,438 --> 00:17:24,705 DECIDE THEY'RE GONNA SQUARE THINGS UP, AND THEY START LOOKIN' FOR TROUBLE. 259 00:17:24,738 --> 00:17:27,371 WHICH IS WHAT YOU THINK I'M DOING? 260 00:17:27,405 --> 00:17:30,371 [ NERVOUS CHUCKLE ] TRY THIS. 261 00:17:30,405 --> 00:17:34,038 WHY DON'T YOU FORGET ABOUT YOUR GUN FOR A WHILE AND LET THINGS UNWIND? 262 00:17:34,071 --> 00:17:36,338 NO, DETECTIVE. 263 00:17:36,371 --> 00:17:39,571 WHAT I'M GOING TO DO IS PURSUE MY RIGHTS UNDER THE SECOND AMENDMENT. 264 00:17:39,605 --> 00:17:41,571 OKAY. OKAY. 265 00:17:41,605 --> 00:17:44,071 THANK YOU FOR YOUR TIME. 266 00:17:48,271 --> 00:17:51,671 [ SIPOWICZ ] SO YOU GOT YOUR COAT HANGERS HANGING FROM YOUR WINDOWS? 267 00:17:51,705 --> 00:17:54,671 DID YOU STRING FOUR HANGERS PER PANE? 268 00:17:54,705 --> 00:17:58,571 RADIO AND ULTRAVIOLET WAVES, YEAH, YEAH. 269 00:17:58,605 --> 00:18:02,705 ANY ATTEMPT WHATSOEVER TO CONTROL YOUR MIND FROM BEYOND YOUR WINDOWS, 270 00:18:02,738 --> 00:18:04,971 THOSE HANGERS ARE GONNA NEUTRALIZE, RIGHT. 271 00:18:05,005 --> 00:18:07,671 WHAT ABOUT THE ALUMINUM FOIL? DID YOU COVER YOUR CEILING? 272 00:18:07,705 --> 00:18:10,305 MM‐HMM. YEAH. WELL, THEN YOU'RE IN BUSINESS. 273 00:18:10,338 --> 00:18:13,838 YOU GOT YOURSELF AN ALIEN‐THOUGHT‐PROOF ROOM THERE, RIGHT. 274 00:18:13,871 --> 00:18:18,671 LOOK, ONE OTHER THING EFFECTIVE WITH THESE CONTROL RAYS IS, UH, 275 00:18:18,705 --> 00:18:21,071 REFUSE TO THINK ABOUT 'EM, YOU KNOW? 276 00:18:21,105 --> 00:18:23,338 TAKE A WALK, READ A BOOK. 277 00:18:23,371 --> 00:18:25,571 WE CALL THAT DELUSION TECHNIQUE. 278 00:18:25,605 --> 00:18:27,738 YOU FEND 'EM OFF WITH WHAT YOU'RE THINKING, 279 00:18:27,771 --> 00:18:30,238 AND IT GRADUALLY WEAKENS THEIR HOLD, YEAH. 280 00:18:30,271 --> 00:18:32,238 ALL RIGHT, YEAH. WONDERFUL. YEAH. 281 00:18:32,271 --> 00:18:34,505 OKAY, SURE THING. KEEP IN TOUCH. 282 00:18:36,705 --> 00:18:40,038 HEY, I'M, UH‐‐ I'M ON MY WAY OUT... 283 00:18:40,071 --> 00:18:43,571 TO SEE THESE, UH, PEOPLE THAT TIMMONS HAS ME BODYGUARDIN'. 284 00:18:43,605 --> 00:18:46,471 WELL, HAVE A DANDY TIME. 285 00:18:46,505 --> 00:18:49,505 YEAH. HEY. HEY. 286 00:18:49,538 --> 00:18:52,171 [ CHATTERING, DOOR CLOSES ] 287 00:18:52,205 --> 00:18:54,538 THIS THING WITH THE LIEUTENANT‐‐ 288 00:18:56,771 --> 00:19:00,205 MY UNDERSTANDING IS, YOU WANNA BE BACK OUT ON THE STREET. 289 00:19:00,238 --> 00:19:04,071 IF YOU CAN REMEMBER WHAT YOU'RE TRYIN' TO ACCOMPLISH... 290 00:19:04,105 --> 00:19:07,905 WHEN YOU TALK TO SOMEBODY LIKE HIM, THEN YOU WON'T FLY OFF THE HANDLE. 291 00:19:07,938 --> 00:19:11,838 YEAH. FOCUS ON WHAT YOU WANT. 292 00:19:11,871 --> 00:19:13,971 THEN WE HAVE CONTROL, YOU KNOW? 293 00:19:14,005 --> 00:19:17,471 ALL RIGHT. YEAH, I GOT YOU, KELLY. I GOT YOUR DRIFT. 294 00:19:17,505 --> 00:19:19,971 YEAH. ALL RIGHT. SEE YOU LATER? 295 00:19:20,005 --> 00:19:23,671 YEAH. [ MUTTERS ] [ CAR HORN HONKING ] 296 00:19:27,338 --> 00:19:29,805 [ SIREN WAILING ] KELLY. 297 00:19:29,838 --> 00:19:33,205 [ OFFICER ] WE GOT ANOTHER COMPLAINT FROM THAT LADY‐‐ 298 00:19:33,238 --> 00:19:36,505 [ CONTINUES, INDISTINCT ] 299 00:19:40,705 --> 00:19:43,738 WAS YOUR FATHER ONE OF THE COPS INDICTED? 300 00:19:43,771 --> 00:19:47,238 THAT WHAT YOU WERE TRYING TO TELL ME THIS MORNING? 301 00:19:47,271 --> 00:19:49,905 OH. 302 00:19:49,938 --> 00:19:52,905 I'M SO WORRIED ABOUT HIM. 303 00:19:52,938 --> 00:19:54,771 I'M SORRY. 304 00:19:56,538 --> 00:19:59,005 [ PHONE RINGING ] 305 00:20:01,605 --> 00:20:04,838 [ CHATTERING CONTINUES ] 306 00:20:10,205 --> 00:20:16,038 FORTUNE MAGAZINE PUTS MY PERSONAL WORTH AT OVER $250 MILLION, DETECTIVE. 307 00:20:16,071 --> 00:20:20,738 TIMESAYS THAT I'M ONE OF THE TEN MOST EFFECTIVE... 308 00:20:20,771 --> 00:20:23,205 PRIVATE CITIZENS IN THE COUNTRY. 309 00:20:23,238 --> 00:20:27,971 MY ART COLLECTION IS MUSEUM QUALITY. 310 00:20:28,005 --> 00:20:32,371 AND NONE OF IT WOULD MEAN ANYTHING IF MY WIFE WERE TO BE JEOPARDIZED. 311 00:20:32,405 --> 00:20:35,138 WELL, I'LL TRY NOT TO LET THAT HAPPEN. 312 00:20:35,171 --> 00:20:37,471 I HOPE YOU DO A LITTLE MORE THAN TRY. 313 00:20:37,505 --> 00:20:41,338 I WAS, UH‐‐ THAT WAS JUST A WAY OF SPEAKING. I WON'T LET ANYTHING HAPPEN TO HER. 314 00:20:41,371 --> 00:20:44,038 OH, SUSAN, THIS IS DETECTIVE JOHN KELLY. 315 00:20:44,071 --> 00:20:46,871 HI, MA'AM. HOW DO YOU DO? 316 00:20:46,905 --> 00:20:51,038 SUSAN WILL TELL YOU THE DETAILS OF HER EVENING CALENDAR. UH, DO YOU OWN A TUXEDO? 317 00:20:51,071 --> 00:20:53,405 UH, YES. REALLY? 318 00:20:53,438 --> 00:20:56,938 WELL, IF THAT'S A FIB, BILL ME FOR THE RENTAL. 319 00:20:59,505 --> 00:21:02,038 HERE'S MY SCHEDULE, MR. KELLY. 320 00:21:02,071 --> 00:21:05,005 DO YOU FEEL LIKE BENEFITING THE NATIONAL DIABETIC FUND TOMORROW NIGHT? 321 00:21:05,038 --> 00:21:08,705 SURE. IS THERE ANYTHING THAT MY HUSBAND HASN'T TOLD YOU? 322 00:21:08,738 --> 00:21:10,971 NOTHING COMES TO MIND. 323 00:21:11,005 --> 00:21:14,838 SO HE HAS MADE YOU AWARE THAT HE'S ONE OF AMERICA'S MOST EFFECTIVE PRIVATE CITIZENS? 324 00:21:14,871 --> 00:21:17,071 THAT HIS ART COLLECTION IS MUSEUM QUALITY? 325 00:21:17,105 --> 00:21:19,171 WELL, UH, THAT CAME UP. 326 00:21:19,205 --> 00:21:22,538 MM, GOOD. THEN WE'RE ALL ON THE SAME PAGE. 327 00:21:22,571 --> 00:21:24,838 SO I'LL PICK YOU UP AT 7:30 TOMORROW NIGHT. 328 00:21:24,871 --> 00:21:26,705 7:30 TOMORROW. GREAT. 329 00:21:26,738 --> 00:21:29,771 I'LL SEND MY CAR FOR YOU. OKAY. ALL RIGHT. 330 00:21:38,105 --> 00:21:40,038 YOU READY? 331 00:21:40,071 --> 00:21:42,205 YEP. 332 00:21:47,071 --> 00:21:49,238 CATCH THE DOOR. 333 00:21:54,171 --> 00:21:57,571 OKAY, I'M OUT FROM BEHIND MY DESK. 334 00:21:57,605 --> 00:22:01,305 WE'LL SEE HOW FAR. WHAT YOU SAID THIS MORNING WAS WRONG. 335 00:22:01,338 --> 00:22:04,505 I GOT MY PERSONAL OPINIONS ABOUT YOU. I THINK YOU'RE AN ASSHOLE‐‐ 336 00:22:04,538 --> 00:22:08,338 I THINK YOU'RE AN ASSHOLE. BUT THAT HASN'T AFFECTED HOW I'VE TREATED YOU ON THE JOB. 337 00:22:08,371 --> 00:22:11,505 YOU REALLY BELIEVE THAT? YOU GUYS MAKE ME LAUGH. YEAH, I REALLY BELIEVE IT. 338 00:22:11,538 --> 00:22:14,742 NOW, WHAT GUYS WOULD YOU BE REFERRING TO? 339 00:22:14,775 --> 00:22:17,709 BLACK BOSSES. WELL, THAT DIDN'T TAKE LONG. 340 00:22:17,742 --> 00:22:20,375 I THOUGHT I WAS SUPPOSED TO FEEL FREE TO EXPRESS MY OPINIONS. 341 00:22:20,409 --> 00:22:22,909 WELL, FOR YOU, I GUESS THAT MEANS BEING A BIGOT. 342 00:22:22,942 --> 00:22:25,875 HEY, I'M NOT UP NIGHTS THINKIN' ABOUT THE TWO OF US OUT FOR RIBS, 343 00:22:25,909 --> 00:22:28,642 BUT ALL I WAS SAYIN' IS, YOU GUYS LIVE INSIDE THE BOOKS. 344 00:22:28,675 --> 00:22:32,375 YOU ACT LIKE MACHINES. YOU DON'T LIKE SOMEBODY, YOU GO AFTER 'EM LIKE ROBO‐HUMPS. 345 00:22:32,409 --> 00:22:36,975 WELL, YOU MIGHT THINK WE PLAY IT CLOSE TO THE VEST BECAUSE PEOPLE ARE WATCHING FOR US TO MESS UP. 346 00:22:37,009 --> 00:22:39,042 OH, MAKES YOU NERVOUS, DOESN'T IT, HUH? 347 00:22:39,075 --> 00:22:41,975 SOMEBODY ALWAYS LOOKIN' OVER YOUR SHOULDERS, WAITIN' FOR YOU TO MAKE A MISTAKE. 348 00:22:42,009 --> 00:22:45,042 JUST HOW EXACTLY DO YOU FIGURE I TRIED TO SCREW YOU, SIPOWICZ? 349 00:22:45,075 --> 00:22:48,209 I'VE WATCHED YOU CRAWL INSIDE A BOTTLE AND SET UP HOUSEKEEPING. 350 00:22:48,242 --> 00:22:50,642 I'VE WATCHED YOU CARRY ON A PRIVATE WAR WITH SOME HOOD... 351 00:22:50,675 --> 00:22:54,075 THAT MADE YOU CRAZY FOR REASONS I WILL NEVER UNDERSTAND. 352 00:22:54,109 --> 00:22:56,142 THE TRUTH IS, I'VE CUT YOU SLACK... 353 00:22:56,175 --> 00:22:59,909 BECAUSE YOU WERE A GOOD COP AND YOU WERE A GOOD TEACHER. 354 00:22:59,942 --> 00:23:04,575 I COULD BE THAT AGAIN IF YOU WOULD JUST GET YOUR DAMN FOOT OFF MY NECK. 355 00:23:04,609 --> 00:23:07,975 FOR GOD'S SAKE, I HAVEN'T HAD A DRINK IN 63 DAYS. 356 00:23:08,009 --> 00:23:11,109 YOU GOIN' TO 12‐STEP MEETINGS? I'M DOING THIS MY OWN WAY. 357 00:23:11,142 --> 00:23:15,109 HOW? SITTIN' AT HOME IN FRONT OF YOUR TV WITH YOUR FINGERS DIGGIN' INTO YOUR SOFA? 358 00:23:15,142 --> 00:23:17,442 THERE'S A DIFFERENCE BETWEEN DRY AND SOBER. 359 00:23:17,475 --> 00:23:20,742 HEY, LOOK. LOOK! I JUST WANT TO BE ABLE TO DO MY JOB, HUH? 360 00:23:20,775 --> 00:23:23,375 I DON'T WANT TO HAVE TO TRANSFER TO ANOTHER PRECINCT. 361 00:23:23,409 --> 00:23:25,375 I DON'T DO GOOD IN NEW SITUATIONS. 362 00:23:25,409 --> 00:23:27,775 I'VE RAISED THAT KID. RAISED WHO? 363 00:23:27,809 --> 00:23:31,775 KELLY. [ SIGHS, PANTING ] 364 00:23:31,809 --> 00:23:34,275 YOU LIKE THIS, HUH? 365 00:23:34,309 --> 00:23:37,475 SEEIN' PEOPLE EMBARRASS THEMSELVES? 366 00:23:37,509 --> 00:23:40,809 YOU'RE NOT EMBARRASSING YOURSELF. 367 00:23:40,842 --> 00:23:43,009 NOT NOW. 368 00:23:46,575 --> 00:23:49,675 I GOT SOME THINKIN' TO DO. I'LL SEE YOU IN THE MORNING. 369 00:24:12,429 --> 00:24:15,229 HEY, HOW'S THE ARM? IT'S A LITTLE STIFF. 370 00:24:15,263 --> 00:24:17,329 HEY, UH, NARCOTICS OVER IN THE 12... 371 00:24:17,363 --> 00:24:20,363 JUST PICKED UP THOSE DILEO BROTHERS ON A JUNKIE SWEEP, DETECTIVE. 372 00:24:20,396 --> 00:24:22,825 ARE THEY CHARGED? THEY HADN'T COPPED YET WHEN THEY GOT PICKED UP, 373 00:24:22,859 --> 00:24:26,025 BUT ONE OF THEM HAD A VCR AND SAID HIS MOTHER GAVE IT TO HIM. 374 00:24:26,059 --> 00:24:28,392 SHE BACKED HIS STORY WHEN NARCOTICS CALLED HER UP. 375 00:24:28,425 --> 00:24:30,659 WHAT WAS NARCOTICS SPEAKING TO THE MOTHER FOR? 376 00:24:30,692 --> 00:24:33,092 THEY DIDN'T KNOW WE WANTED THESE GUYS FOR OUR CASE. 377 00:24:33,125 --> 00:24:35,425 WHICH ONE HAD THE VCR? UH, MICHAEL, THE ONE IN THE PEN. 378 00:24:35,459 --> 00:24:37,992 ‐ I'LL TALK TO HIM FIRST. ‐ WANT ME TO DO THE INTERVIEW? 379 00:24:38,025 --> 00:24:39,992 NO, I'LL DO IT. SURE. NO PROBLEM. 380 00:24:40,025 --> 00:24:42,025 I'LL TALK TO HIM IN A MINUTE. OKAY. 381 00:24:45,025 --> 00:24:47,559 HOW'D IT GO LAST NIGHT? 382 00:24:47,592 --> 00:24:50,192 I DON'T KNOW. 383 00:24:50,225 --> 00:24:54,192 LIEUTENANT SAID HE'D INFORM ME THIS MORNING WHAT HE DECIDED. 384 00:24:58,292 --> 00:25:02,992 SIPOWICZ WILL WORK WITH YOU ON THE CEIZLER INVESTIGATION. 385 00:25:03,025 --> 00:25:06,092 ‐ GREAT. ‐ THAT'S, UH, OUTDOORS, INDOORS? 386 00:25:06,125 --> 00:25:08,559 OUTDOORS, INDOORS, FULL DUTY. 387 00:25:11,592 --> 00:25:13,425 THANKS, LIEUTENANT. 388 00:25:21,059 --> 00:25:24,259 SO YOU UNDERSTAND YOUR RIGHTS AS I'VE GIVEN THEM TO YOU? 389 00:25:24,292 --> 00:25:27,925 YEAH. AND YOU'RE SURE YOU DON'T WANT AN ATTORNEY? 390 00:25:27,959 --> 00:25:30,425 I DON'T NEED ONE. I DIDN'T DO NOTHIN'. OKAY. 391 00:25:30,459 --> 00:25:33,392 IF YOU CHANGE YOUR MIND, YOU LET ME KNOW. 392 00:25:40,792 --> 00:25:43,025 YOU'RE A HELL OF AN ACROBAT. 393 00:25:43,059 --> 00:25:45,759 [ LAUGHS ] YEAH, YOU GUYS SCARED US YESTERDAY. 394 00:25:45,792 --> 00:25:48,859 WE WANTED TO TALK TO YOU ABOUT WHAT HAPPENED TO YOUR NEXT‐DOOR NEIGHBOR. 395 00:25:48,892 --> 00:25:51,259 YEAH, WE DIDN'T KNOW WHAT YOU GUYS WANTED. 396 00:25:51,292 --> 00:25:54,359 YEAH. DID YOU HEAR WHAT HAPPENED TO HER‐‐ MRS. CEIZLER? 397 00:25:54,392 --> 00:25:57,192 YEAH, ON THE NEWS, AND MY MOTHER SAID. 398 00:25:57,225 --> 00:26:01,759 YEAH, WELL, SHE GOT ROBBED, STRANGLED, AND HER THROAT WAS CUT. 399 00:26:01,792 --> 00:26:04,567 WE DIDN'T HAVE NOTHIN' TO DO WITH IT. 400 00:26:04,601 --> 00:26:07,767 I MEAN, I BARELY KNEW HER. YOU KNOW, I JUST KNEW HER TO SAY HELLO TO. 401 00:26:09,001 --> 00:26:11,467 WHAT ARE YOU DOIN' FOR A LIVING? 402 00:26:11,501 --> 00:26:15,067 ODD JOBS. YOU KNOW, MECHANICAL REPAIR, THAT KIND OF THING. 403 00:26:15,101 --> 00:26:18,501 I NOTICED THE NARCOTICS COLLARS ON YOUR SHEET. 404 00:26:18,534 --> 00:26:21,101 ARE YOU USING NOW? 405 00:26:21,134 --> 00:26:24,467 [ SNIFFS ] WELL, I'M NOT A HUNDRED PERCENT, 406 00:26:24,501 --> 00:26:26,934 BUT, YOU KNOW, I'M NOT AS BAD AS I WAS. 407 00:26:26,967 --> 00:26:30,101 YEAH. YOU MOVE BACK IN WITH YOUR MOM TO GET STRAIGHT? 408 00:26:30,134 --> 00:26:31,967 THAT'S PART OF IT. 409 00:26:32,001 --> 00:26:35,434 MM‐HMM. THAT MUST BE TOUGH. 410 00:26:35,467 --> 00:26:38,301 YOU'RE TRYING TO GET STRAIGHT, AND YOUR BROTHER'S STILL USIN'. 411 00:26:38,334 --> 00:26:41,067 THAT'S HARD. 412 00:26:41,101 --> 00:26:44,401 HE EVER AGITATE YOU INTO GETTIN' HIGH? 413 00:26:44,434 --> 00:26:46,634 YOU'D HAVE TO TALK TO HIM. 414 00:26:48,501 --> 00:26:52,767 YEAH. I'LL TELL YOU, MICHAEL, I DON'T KNOW. 415 00:26:52,801 --> 00:26:56,667 IF YOU WERE INVOLVED, I CAN'T SEE YOU WITH THE BREAK‐IN. 416 00:26:56,701 --> 00:27:01,434 NOT LIVIN' NEXT DOOR. MAYBE IT WAS YOUR BROTHER. 417 00:27:01,467 --> 00:27:03,767 I MEAN, I KNOW YOU TWO WERE HOME. 418 00:27:03,801 --> 00:27:07,067 YOU DROPPED YOUR MOTHER OFF AT WORK. 419 00:27:07,101 --> 00:27:11,001 MAYBE HE WAS LOOKIN' FOR A PLACE TO BREAK IN, GET SOME MONEY, GET HIGH. 420 00:27:11,034 --> 00:27:14,167 LOOK, I WASN'T IN THAT LADY'S HOUSE YESTERDAY, AND NEITHER WAS MY BROTHER. 421 00:27:14,201 --> 00:27:19,067 YOU SEE, WHEN SOMETHING LIKE THIS HAPPENS, IT'S USUALLY A BURGLARY GONE OUT OF WHACK. 422 00:27:19,101 --> 00:27:23,434 NOBODY'S MEANT TO GET HURT. IT JUST GETS OUT OF CONTROL. 423 00:27:28,200 --> 00:27:31,100 THAT'S NOT WHAT HAPPENED. I HAD NOTHIN' TO DO WITH THIS. 424 00:27:31,133 --> 00:27:35,200 HOW ABOUT THE VCR? JAMIE STEAL IT FROM YOUR MOTHER? 425 00:27:35,233 --> 00:27:38,200 SHE GAVE THAT TO US. 426 00:27:38,233 --> 00:27:43,000 NO. NO. 427 00:27:43,033 --> 00:27:47,700 HE TOOK IT FROM YOUR MOTHER, BUT YOU WOULDN'T LET HIM SELL IT. 428 00:27:53,966 --> 00:27:57,066 I MEAN, THEY JUST‐‐ THEY JUST PUT ME ON THIS, YOU KNOW. 429 00:27:57,100 --> 00:27:59,333 IT'S A STRAIGHT‐UP BURGLARY, IT LOOKS TO ME. 430 00:27:59,366 --> 00:28:02,100 AND THAT WOMAN MUST'VE WALKED IN, ALL HELL BROKE LOOSE. 431 00:28:02,133 --> 00:28:04,433 THINGS HAPPENED NO ONE MEANT TO HAPPEN. 432 00:28:04,466 --> 00:28:07,200 LOOK, I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 433 00:28:07,233 --> 00:28:09,766 THAT'S WHY YOU DOVE OUT THAT WINDOW YESTERDAY WHEN THE COPS CAME? 434 00:28:09,800 --> 00:28:12,033 IS THAT A CRIME? NO, I DIDN'T THINK SO. 435 00:28:12,066 --> 00:28:14,666 I'M JUST SAYIN' THAT'S WHAT YOU DID, JAMIE. 436 00:28:14,700 --> 00:28:18,433 NOW, IN THE DETECTIVE'S HANDBOOK, WE CALL THAT "SUSPICIOUS BEHAVIOR." 437 00:28:18,466 --> 00:28:20,933 LOOK, ARE YOU GONNA CHARGE ME WITH ANYTHING? 438 00:28:22,733 --> 00:28:24,900 WHAT'S YOUR HURRY, JAMIE? 439 00:28:24,933 --> 00:28:28,100 HEY, YOU'RE NOT JONESING ON ME NOW, ARE YOU? 440 00:28:28,133 --> 00:28:30,766 HOW LONG SINCE YOU FIXED? ARE YOU GONNA CHARGE ME OR RELEASE ME? 441 00:28:30,800 --> 00:28:33,833 I MAY SMACK YOU IN YOUR FACE, YOU LITTLE TURD‐‐ 442 00:28:33,866 --> 00:28:36,933 UP YOURS, DICK‐HEAD, ALL RIGHT? I WANNA BE CHARGED OR RELEASED. 443 00:28:36,966 --> 00:28:40,366 WHAT ARE THESE, NEW SNEAKERS? HUH? WHAT HAPPENED TO YOUR OTHER ONES? 444 00:28:40,400 --> 00:28:42,700 THEY GOT COVERED WITH BLOOD? 445 00:28:42,733 --> 00:28:45,600 WATCH IT. WATCH YOUR BALANCE. 446 00:28:58,866 --> 00:29:02,066 DETECTIVE KELLY AGAIN, MRS. DILEO. 447 00:29:02,100 --> 00:29:06,033 THAT'S DETECTIVE SIPOWICZ. 448 00:29:06,066 --> 00:29:08,000 MA'AM. 449 00:29:08,033 --> 00:29:10,366 WE NEED TO TALK ABOUT JAMIE AND MICHAEL AGAIN. 450 00:29:10,400 --> 00:29:13,266 WHY? COULD WE COME IN? 451 00:29:13,300 --> 00:29:16,100 NO. THEY HAVEN'T DONE ANYTHING. 452 00:29:16,133 --> 00:29:19,333 MRS. DILEO, YESTERDAY YOU TOLD ME THEY NEVER HAD TROUBLE WITH THE POLICE BEFORE. 453 00:29:19,366 --> 00:29:23,900 I SAID, NOT FOR SEVERAL YEARS! YOU SHOULD LET 'EM START OVER. 454 00:29:23,933 --> 00:29:26,533 THEY WERE PICKED UP TRYIN' TO BUY HEROIN, 455 00:29:26,566 --> 00:29:29,366 AND THEY WERE TRYIN' TO GET IT BY SELLIN' YOUR VCR. 456 00:29:29,400 --> 00:29:32,866 WELL, THAT'S‐THAT'S MINE. IT'S GOT NOTHIN' TO DO WITH LOIS CEIZLER. 457 00:29:32,900 --> 00:29:36,533 SO YOU'RE SAYIN' THAT YOU GAVE THEM YOUR VCR TO BUY HEROIN? 458 00:29:36,566 --> 00:29:38,700 I WANT YOU TO LEAVE ME ALONE! 459 00:29:38,733 --> 00:29:41,866 MRS. DILEO, IT GETS TO THE POINT... 460 00:29:41,900 --> 00:29:44,333 WHERE A MOTHER'S LOVE ISN'T ENOUGH. 461 00:29:44,366 --> 00:29:46,500 IT ISN'T WHAT CHILDREN NEED. 462 00:29:46,533 --> 00:29:49,100 LOOK, LOOK, YOUR SONS ROBBED YOU, DIDN'T THEY? 463 00:29:49,133 --> 00:29:53,033 THEY TOOK THAT VCR WHILE YOU WERE AT WORK, AND THEY DID THE SAME THING NEXT DOOR. 464 00:29:53,066 --> 00:29:56,900 THEY BROKE IN, THAT WOMAN WAS HOME, AND THEY DID SOMETHIN' TERRIBLE TO HER. 465 00:29:56,933 --> 00:29:59,666 NO, NO, I GAVE IT TO 'EM. I DON'T KNOW NOTHIN' ABOUT NEXT DOOR. 466 00:29:59,700 --> 00:30:03,233 NO, YOU KNOW THAT WOMAN WAS ROBBED AND STRANGLED AND HER THROAT WAS CUT. 467 00:30:03,266 --> 00:30:05,900 HOW LONG DID SHE LIVE NEXT DOOR TO YOU? 468 00:30:05,933 --> 00:30:07,866 TWENTY‐THREE YEARS. 469 00:30:07,900 --> 00:30:12,166 WE BOTH LOST OUR HUSBANDS WITHIN TWO YEARS OF EACH OTHER. 470 00:30:12,200 --> 00:30:15,266 YEAH, WELL, YOU KNOW SHE DIDN'T DESERVE WHAT HAPPENED TO HER. 471 00:30:15,300 --> 00:30:19,400 I KNOW. WE WANT YOU TO TELL THE TRUTH ABOUT THIS VCR, MRS. DILEO. 472 00:30:19,433 --> 00:30:23,333 WE WANT TO KEEP YOUR BOYS IN CUSTODY WHILE WE INVESTIGATE THIS OTHER MATTER. 473 00:30:23,366 --> 00:30:27,333 ALL THAT CAN HAPPEN IS THEY GET CLEAN, THEY GET OFF THE DOPE'S INFLUENCE... 474 00:30:27,366 --> 00:30:29,200 AND THEY CAN'T HURT ANYBODY ELSE. 475 00:30:29,233 --> 00:30:31,666 NOBODY WANTS TO CHARGE THEM FOR NEXT DOOR RIGHT NOW. 476 00:30:31,700 --> 00:30:35,000 MAYBE WE'LL FIND OUT THEY WEREN'T INVOLVED. I'M SO CONFUSED. 477 00:30:35,033 --> 00:30:39,600 I'M‐I'M ASKIN' YOU, PLEASE, JUST LEAVE ME ALONE! 478 00:30:39,633 --> 00:30:42,600 YOU BELIEVE IN GOD, DON'T YOU, MRS. DILEO? YES! 479 00:30:42,633 --> 00:30:45,666 THEN PRAY TO GOD. ASK HIM WHAT HE WANTS YOU TO DO. 480 00:30:45,700 --> 00:30:50,433 OH, PLEASE, PLEASE, JUST GIVE ME TIME. 481 00:30:50,466 --> 00:30:53,200 DO YOU STILL HAVE MY CARD? 482 00:30:53,233 --> 00:30:55,300 YES. IT'S INSIDE. 483 00:30:58,466 --> 00:31:02,733 I'LL PRAY. I'LL ASK GOD WHAT TO DO. 484 00:31:19,866 --> 00:31:22,633 [ CHATTERING ] 485 00:31:29,066 --> 00:31:31,066 WHAT DO YOU THINK, MR. KELLY? 486 00:31:31,100 --> 00:31:34,066 I THINK THE PEOPLE RUNNING THIS CHARITY SHOULD BE HAPPY. 487 00:31:34,100 --> 00:31:37,066 WE'RE GOING TO RAISE OVER A HALF‐MILLION DOLLARS TONIGHT. 488 00:31:37,100 --> 00:31:40,733 IT'S HOW THE IDLE RICH PERSUADE THEMSELVES THEY'RE LEADING USEFUL LIVES. 489 00:31:42,700 --> 00:31:45,733 MY HUSBAND JUST GOT HERE, MR. KELLY. 490 00:31:45,766 --> 00:31:48,233 SEE, THERE'S TOM, AND THAT'S GREG SACCA, 491 00:31:48,266 --> 00:31:52,100 ONE OF HIS UNPRINCIPLED ASSISTANTS WHO'S BEARDING FOR HIM THIS EVENING. 492 00:31:52,133 --> 00:31:56,400 THE BLONDE ON MR. SACCA'S ARM IS MY HUSBAND'S NEW MISTRESS. 493 00:31:58,266 --> 00:32:01,866 I THINK I'M GOING TO PRETEND TO GO AND POWDER MY NOSE. EXCUSE ME. 494 00:32:01,900 --> 00:32:04,900 I'M GONNA‐‐ I'LL WALK YOU TO THE DOOR. 495 00:32:06,466 --> 00:32:10,166 EXCUSE ME. HI, JOHNNY. 496 00:32:10,200 --> 00:32:12,700 HEY. HI. 497 00:32:12,733 --> 00:32:14,833 BIG DOINGS, HUH? 498 00:32:14,866 --> 00:32:19,066 HMM. MY FIRM TOOK A TABLE. WAS THAT SUSAN WAGNER, THOMAS WAGNER'S WIFE? 499 00:32:19,100 --> 00:32:21,200 YEAH, I'M, I'M DOING SECURITY FOR 'EM. 500 00:32:21,233 --> 00:32:23,400 OH. 501 00:32:23,433 --> 00:32:25,933 YOU LOOK GREAT. THANKS. 502 00:32:25,966 --> 00:32:28,566 YOU LOOK VERY DASHING YOURSELF. YEAH, WELL‐‐ 503 00:32:30,366 --> 00:32:33,700 HOW'S THE NEW JOB? IT'S INTERESTING. 504 00:32:33,733 --> 00:32:38,033 YEAH. I'M GONNA TAKE OFF. I'LL TALK TO YOU LATER. SEE YOU, JOHNNY. 505 00:32:38,066 --> 00:32:40,900 SHALL WE TAKE A LITTLE DETOUR, MR. KELLY? YEAH, SURE. 506 00:32:40,933 --> 00:32:42,566 I MISS YOU. 507 00:32:44,400 --> 00:32:48,266 HELLO. I WAS JUST COMING TO FIND YOU. LOVELY GOWN. 508 00:32:48,300 --> 00:32:51,000 AREN'T YOU SWEET. YOU REMEMBER MR. KELLY. 509 00:32:51,033 --> 00:32:52,700 HI. OF COURSE. 510 00:32:52,733 --> 00:32:55,000 ‐ GOOD EVENING, GREG. ‐ MRS. WAGNER. 511 00:32:55,033 --> 00:32:57,833 LOOKS LIKE A GREAT EVENT. DO YOU KNOW GRETA WEISNER? 512 00:32:57,866 --> 00:33:00,900 HOW DO YOU DO, GRETA? I'M SUSAN, TOM'S WIFE. 513 00:33:00,933 --> 00:33:04,900 ‐ HOW DO YOU DO? ‐ WELL, TOM, YOU SEEM TO BE ENJOYING... 514 00:33:04,933 --> 00:33:08,166 THE COMPANY OF GREG AND GRETA SO MUCH, WHY DON'T WE HAVE THEM JOIN US AT OUR TABLE? 515 00:33:08,200 --> 00:33:10,833 LET'S JUST LEAVE THE SEATING THE WAY IT IS. 516 00:33:10,866 --> 00:33:13,833 PERHAPS WE'LL GET TO KNOW EACH OTHER ANOTHER TIME. 517 00:33:13,866 --> 00:33:17,666 ‐ AND I DO HOPE THIS DOESN'T MAKE FOR ANY AWKWARDNESS. ‐ WHAT DO YOU MEAN? 518 00:33:17,700 --> 00:33:20,866 CONSCIENCE PANGS WHILE YOU'RE SCREWING HIM, THAT SORT OF THING. 519 00:33:20,900 --> 00:33:23,566 ‐ SUSAN‐‐ ‐ MAYBE YOU'RE NOT AFFLICTED IN THAT WAY. 520 00:33:23,600 --> 00:33:25,900 ‐ GOD KNOWS MY HUSBAND ISN'T. ‐ THAT'S ENOUGH. 521 00:33:25,933 --> 00:33:29,000 I THINK YOU'RE RIGHT. I THINK, ACTUALLY, 522 00:33:29,033 --> 00:33:33,866 UH, I WILL CALL IT A NIGHT, IF YOU'LL LET GO OF MY ARM. 523 00:33:37,233 --> 00:33:39,300 MR. KELLY? 524 00:33:44,133 --> 00:33:46,733 [ HORN HONKING ] 525 00:33:55,700 --> 00:33:59,666 DOES THAT MAKE YOUR LIST OF MOST MISERABLE EVENINGS, MR. KELLY? 526 00:33:59,700 --> 00:34:02,933 WELL, AT LEAST IT WASN'T RAININ', RIGHT? 527 00:34:02,966 --> 00:34:08,433 I SEEM TO HAVE BECOME SOMEONE WHO FINDS SATISFACTION IN PUBLIC EMBARRASSMENTS... 528 00:34:08,466 --> 00:34:11,366 AND WHO CONFIDES HER PERSONAL PROBLEMS TO STRANGERS. 529 00:34:11,400 --> 00:34:14,266 I HEAR PEOPLE'S PERSONAL PROBLEMS ALL THE TIME. 530 00:34:14,300 --> 00:34:17,666 I EXPECT YOU DO. I HOPE YOU'RE NOT GOING TO QUIT. 531 00:34:17,700 --> 00:34:21,733 NO. NO, YOU'RE SAFE, RIGHT? WE GOT THROUGH THE SHIFT. 532 00:34:21,766 --> 00:34:26,033 [ SIGHS ] 533 00:34:26,066 --> 00:34:29,566 I'M GONNA, UH‐‐ I'M GONNA GET GOIN'. 534 00:34:29,600 --> 00:34:32,366 THANK YOU FOR TAKING CARE OF ME. 535 00:34:32,400 --> 00:34:34,600 NIGHT. GOOD NIGHT. 536 00:34:37,800 --> 00:34:39,800 [ ELEVATOR BELL DINGS ] 537 00:35:09,966 --> 00:35:12,066 MRS. DILEO? 538 00:35:18,033 --> 00:35:20,533 YOU WANT TO TALK TO ME? 539 00:35:22,566 --> 00:35:24,433 HEY. 540 00:35:31,800 --> 00:35:35,600 I'M GONNA LOUSE UP YOUR DAY REAL GOOD, JAMIE. 541 00:35:41,066 --> 00:35:46,733 YOUR MOTHER GAVE YOU UP. [ CHUCKLES ] 542 00:35:48,366 --> 00:35:51,033 I DIDN'T DO NONE OF THE VIOLENCE. 543 00:35:51,066 --> 00:35:55,700 ALLS I WAS WAS THE LOOKOUT. JAMIE BEEN WANTIN' TO TAKE THAT HOUSE OUT FOR LIKE FOUR MONTHS. 544 00:35:55,733 --> 00:35:58,066 YOUR BROTHER JAMIE? 545 00:35:58,100 --> 00:36:00,566 SO I'M STANDIN' OUTSIDE IN THE BACK, 546 00:36:00,600 --> 00:36:03,733 AND HE GOES IN THROUGH THE BASEMENT... 547 00:36:04,969 --> 00:36:09,236 AND THEN I STARTED TO HEAR SCUFFLING AND SO FORTH. 548 00:36:11,003 --> 00:36:13,403 YOU SEE, WE DIDN'T EXPECT THAT WOMAN TO BE HOME. 549 00:36:13,436 --> 00:36:16,669 YOU GO INSIDE? I WENT IN. 550 00:36:18,269 --> 00:36:20,769 AND THIS WOMAN WAS RESISTING. 551 00:36:22,269 --> 00:36:25,236 AND JAMIE'S GOT HIS HANDS ON HER THROAT... 552 00:36:25,269 --> 00:36:28,536 AND HE SQUEEZED HER THROAT UNTIL SHE WENT OUT. 553 00:36:28,569 --> 00:36:32,103 SHE WAS OUT, AND JAMIE WENT UPSTAIRS TO GET THE JEWELRY. 554 00:36:32,136 --> 00:36:34,369 WHAT'D YOU DO? 555 00:36:34,403 --> 00:36:37,803 I WENT BACK OUTSIDE. 556 00:36:37,836 --> 00:36:40,103 SO‐‐ [ SNIFFS ] 557 00:36:40,136 --> 00:36:44,403 BUT THEN IN A COUPLE OF MINUTES, I STARTED TO HEAR MORE SCUFFLING. 558 00:36:44,436 --> 00:36:47,569 SO I WENT BACK IN... 559 00:36:47,603 --> 00:36:50,803 AND... SHE MUST'VE GOT UP... 560 00:36:50,836 --> 00:36:54,203 BECAUSE SHE WAS UPSTAIRS WHERE JAMIE WAS. 561 00:36:54,236 --> 00:36:56,303 HE GOT THIS LAMP CORD... 562 00:36:56,336 --> 00:36:59,703 AND WRAPPED IT AROUND HER NECK. 563 00:36:59,736 --> 00:37:01,969 FINALLY SHE WENT DOWN. 564 00:37:02,003 --> 00:37:04,769 WHEN DID HER THROAT GET CUT? 565 00:37:04,803 --> 00:37:07,936 WELL, FIRST HE WENT TO THE DRAWERS TO GET THE JEWELRY. 566 00:37:07,969 --> 00:37:13,069 AND THEN WHEN HE WAS GOIN' OUT, HE GOT THIS RING OFF HER FINGER, 567 00:37:13,103 --> 00:37:15,669 AND THAT'S WHEN HE CUT HER THROAT. 568 00:37:23,269 --> 00:37:25,303 THEN WHAT HAPPENED? 569 00:37:27,836 --> 00:37:31,469 THEN WE SOLD PEGGY THE JEWELRY, AND THEN WE COPPED. 570 00:37:34,836 --> 00:37:38,203 HOW MUCH SMACK DID YOU GET FOR THE JEWELRY? 571 00:37:38,236 --> 00:37:41,236 THREE DIME BAGS. 572 00:37:41,269 --> 00:37:44,636 THAT WAS COOL. THAT WAS ENOUGH, YOU KNOW? 573 00:37:44,669 --> 00:37:47,303 WE COULD BOTH GET OFF. 574 00:37:50,836 --> 00:37:54,803 [ CRYING ] AND I WOULDN'T LET JAMIE SELL THAT VCR... 575 00:37:59,236 --> 00:38:02,103 BECAUSE THAT‐‐ 576 00:38:02,136 --> 00:38:04,269 THAT BELONGED TO MY MOTHER. 577 00:38:04,303 --> 00:38:07,136 [ CONTINUES CRYING ] 578 00:38:19,136 --> 00:38:23,869 [ PHONE RINGING ] I'LL DO WHAT I CAN, BUT I CAN'T PROMISE ANYTHING. 579 00:38:23,903 --> 00:38:26,536 [ CHATTERING ] IS HE DONE? 580 00:38:26,569 --> 00:38:29,436 YEAH, HE JUST SIGNED A STATEMENT. I'M GONNA CALL THE D. A. 581 00:38:29,469 --> 00:38:32,703 YOU DID A GOOD JOB. ANDY MOVED THE MOTHER. 582 00:38:32,736 --> 00:38:34,636 GOOD. 583 00:38:34,669 --> 00:38:38,203 NICE GOIN', PARTNER. LIKE RIDIN' A BIKE, HUH? 584 00:38:38,236 --> 00:38:40,969 YEAH. HEY, LIEUTENANT. [ CLEARS THROAT ] 585 00:38:41,003 --> 00:38:45,136 I DON'T KNOW IF YOU HEARD ME YESTERDAY SAYIN' I WAS GRATEFUL. 586 00:38:45,169 --> 00:38:49,069 YOU MET ME HALFWAY ON THIS‐‐ UH, MORE THAN HALFWAY. 587 00:38:49,103 --> 00:38:52,136 DOES THIS MEAN WE'RE GOIN' OUT FOR RIBS? 588 00:38:52,169 --> 00:38:55,036 NO, I DIDN'T MEAN ANYTHING PERSONAL WITH THAT. 589 00:38:55,069 --> 00:38:57,203 JUST DO A GOOD JOB, ANDY. 590 00:38:57,236 --> 00:39:00,403 [ PHONE RINGING ] 591 00:39:02,603 --> 00:39:05,303 HEY, DETECTIVE. THE, UH, ONE BROTHER ROLLED, HUH? 592 00:39:05,336 --> 00:39:08,369 YEAH. YEAH. YOU GOIN' BACK TO ANTICRIME? 593 00:39:08,403 --> 00:39:10,303 THAT'S WHAT THEY TOLD ME, YEAH. 594 00:39:10,336 --> 00:39:13,403 HEY, I ENJOYED WORKIN' WITH YA. 595 00:39:13,436 --> 00:39:15,803 SAME HERE, DETECTIVE. I FELT LIKE I LEARNED A LOT. 596 00:39:15,836 --> 00:39:18,469 I'LL SEE YOU AROUND. FLYING JAMES. 597 00:39:21,069 --> 00:39:25,369 HEY, I JUST WANTED TO LET YOU KNOW, UH, I'M GETTIN' MY GUN BACK. 598 00:39:25,403 --> 00:39:29,303 EVIDENTLY, THE PERMIT BOARD DIDN'T SHARE YOUR RESERVATIONS ABOUT MY RELIABILITY. 599 00:39:29,336 --> 00:39:31,803 WELL, THAT'S WHY THEY MAKE VANILLA AND CHOCOLATE, 4B. 600 00:39:31,836 --> 00:39:35,036 YOU KNOW, POSSIBLY THERE WAS SOME MERIT IN WHAT YOU SAID THE OTHER DAY. 601 00:39:35,069 --> 00:39:39,703 POSSIBLY, UH, YOU KNOW, GETTIN' ROBBED AND BEATEN UP HAS UPSET ME. 602 00:39:39,736 --> 00:39:41,636 IN FACT, I'D SAY IT HAS. 603 00:39:41,669 --> 00:39:45,103 BUT I'M STILL A HUMAN BEING WHO NEEDS TO FUNCTION IN THIS CITY. 604 00:39:45,136 --> 00:39:48,703 YOU WANT TO DO SOMETHIN' SMART? TAKE YOUR GUN OVER TO THE PROPERTY ROOM IN QUEENS. 605 00:39:48,736 --> 00:39:51,536 NO. NO. NO, YOU KNOW WHAT? WAIT. GIVE IT TO ME. 606 00:39:51,569 --> 00:39:55,169 GIVE IT TO ME. I'LL HOLD ONTO IT TILL YOU SORT STUFF OUT. 607 00:39:57,069 --> 00:40:00,603 NO, UH, BUT THANKS FOR YOUR CONCERN. 608 00:40:00,636 --> 00:40:03,436 YOU KNOW, I STILL CONSIDER MYSELF YOUR FRIEND. 609 00:40:03,469 --> 00:40:06,369 I HOPE YOU FEEL LIKEWISE. I DO. 610 00:40:06,403 --> 00:40:11,136 BECAUSE, UH, I HAVEN'T MADE THAT MANY FRIENDS IN NEW YORK. 611 00:40:12,469 --> 00:40:15,136 [ CHUCKLES, SIGHS ] 612 00:40:18,903 --> 00:40:22,869 I'M A RESPECTABLE PERSON. I'M A CHEF AT THE SEVILLE HOTEL. 613 00:40:22,903 --> 00:40:25,403 RESPECTABLE PEOPLE GET CAUGHT WITH WHORES ALL THE TIME. 614 00:40:25,436 --> 00:40:28,736 [ CHEF ] I'M A MARRIED MAN. I GOT KIDS. I DON'T WANT THIS TO COME OUT. 615 00:40:28,769 --> 00:40:31,603 YOU SHOULD'VE THOUGHT OF THAT BEFORE YOU UNZIPPED YOUR FLY. 616 00:40:31,636 --> 00:40:35,569 HEY, SARGE, WHAT DO WE GOT? SOLICITATION. HE WAS TRYIN' TO PICK UP A WHORE. 617 00:40:35,603 --> 00:40:39,736 HMM. LISTEN, LET ME TALK TO THIS MAN FOR A SECOND, WILL YOU, DETECTIVE? 618 00:40:39,769 --> 00:40:43,603 HOLD OFF ON WRITIN' THAT UP JUST TWO SECONDS, ALL RIGHT? SURE. 619 00:40:43,636 --> 00:40:46,269 COME HERE. WHAT'S YOUR NAME? FRANK KENNEDY. 620 00:40:46,303 --> 00:40:48,469 YEAH, FRANK, JUST STEP HERE A SECOND. 621 00:40:48,503 --> 00:40:51,136 I CAN'T BELIEVE I LET SOMETHING LIKE THIS HAPPEN TO ME. 622 00:40:51,169 --> 00:40:55,403 WELL, SOMETIMES WE FOLLOW OUR LITTLE CAPTAINS INTO BATTLE THERE, DON'T WE? 623 00:40:55,436 --> 00:40:58,569 NOW, UH, DO I UNDERSTAND THAT YOU'RE A CHEF AT THE HOTEL SEVILLE? 624 00:40:58,603 --> 00:41:01,036 YEAH, FOR THE PAST 12 YEARS. SO IN OTHER WORDS, 625 00:41:01,069 --> 00:41:04,069 YOU WOULD BE INVOLVED IN PREPARING ROOM SERVICE MEALS, FOR EXAMPLE? 626 00:41:04,103 --> 00:41:06,203 YEAH, THAT'S WHAT I DO. 627 00:41:06,236 --> 00:41:11,236 [ CLEARS THROAT ] SOMEONE WE RECENTLY ARRESTED HAS BEEN STAYIN' AT THE SEVILLE. 628 00:41:11,269 --> 00:41:14,269 OH, THE SECRET GOVERNMENT WITNESS GUY? THAT'S CORRECT. 629 00:41:14,303 --> 00:41:17,269 MR. LASAGNA, WE CALL HIM. MR. LASAGNA, EH? 630 00:41:17,303 --> 00:41:20,303 WELL, THAT'S ALL HE EVER ORDERS. AND YOU PREPARE THE MEAL? 631 00:41:20,336 --> 00:41:23,703 YEAH. I'M IN A LOT OF TROUBLE HERE. 632 00:41:23,736 --> 00:41:25,469 NOT NECESSARILY. 633 00:41:27,736 --> 00:41:30,236 HEY, LUTH, GOOD DOG. HEY, ANDY. 634 00:41:30,269 --> 00:41:33,869 UH, MEDAVOY, YOU WANT ME TO TAKE LUTHER THERE FOR A STROLL? 635 00:41:33,903 --> 00:41:36,136 YEAH, GEEZ, ANDY, THAT'D BE GREAT. 636 00:41:36,169 --> 00:41:38,903 I GOT A BUNCH OF PHONE CALLS TO MAKE ON A ROBBERY. 637 00:41:38,936 --> 00:41:41,736 YEAH, UH, GIVE ME HIS SCOOPER THERE. 638 00:41:41,769 --> 00:41:43,869 YEAH. HERE YOU GO. YEAH. 639 00:41:43,903 --> 00:41:46,203 THANKS. HEY, NO PROBLEM. 640 00:41:46,236 --> 00:41:49,436 ALL RIGHT, LUTHER, WANNA LAY A LOAF? 641 00:41:49,469 --> 00:41:51,336 [ BARKING ] 642 00:41:55,003 --> 00:41:57,169 RIGHT THIS WAY, SIR. 643 00:42:01,836 --> 00:42:04,203 THANKS. 644 00:42:05,270 --> 00:42:08,803 THANK YOU FOR COMING, MR. KELLY. I KNOW WE WEREN'T SCHEDULED. 645 00:42:08,837 --> 00:42:13,003 ‐ THAT'S OKAY. ‐ I HAVE ABSOLUTELY NO NEED FOR YOUR SERVICES. 646 00:42:13,037 --> 00:42:15,837 I DON'T HAVE ANY EXCUSE FOR ASKING YOU TO COME OVER. 647 00:42:15,870 --> 00:42:19,137 I WANTED SOMEONE TO KEEP ME COMPANY, AND YOU CAME TO MIND. 648 00:42:19,170 --> 00:42:21,770 HOW'D YOU GET THE EYE? 649 00:42:21,803 --> 00:42:24,670 MY HUSBAND BEAT ME UP AFTER THE FESTIVITIES LAST NIGHT. 650 00:42:24,703 --> 00:42:28,070 I'M SURE IT MADE FOR BETTER SEX AFTERWARD WITH GRETA. 651 00:42:28,103 --> 00:42:32,070 [ SIGHS ] THIS IS A HORRIBLE WAY TO LIVE. 652 00:42:32,103 --> 00:42:34,937 THIS IS NOT HOW I WANTED MY LIFE TO BE. 653 00:42:34,970 --> 00:42:38,003 WHAT ABOUT MAKING SOME CHANGES? 654 00:42:38,037 --> 00:42:41,470 UH‐HUH. I SHOULD. I SHOULD, UH‐‐ 655 00:42:41,503 --> 00:42:43,970 I SHOULD DIVORCE HIM. 656 00:42:44,003 --> 00:42:47,103 MY HUSBAND DOESN'T WANT THAT. 657 00:42:47,137 --> 00:42:51,470 I THINK HE'S ACTUALLY FOUND EXACTLY THE ARRANGEMENT HE'S BEEN LOOKING FOR. 658 00:42:51,503 --> 00:42:55,303 HE HAS A MISTRESS AND THE BIMBOS HE CHEATS ON HER WITH. 659 00:42:55,337 --> 00:42:58,437 AND THEN EVERY SO OFTEN HE GETS TO BEAT UP... 660 00:42:58,470 --> 00:43:02,337 HIS WELLBORN AND GENTEELLY IMPOVERISHED WIFE. 661 00:43:02,370 --> 00:43:06,070 HE SAYS THAT HE'S INSULATED THE ASSETS. 662 00:43:06,103 --> 00:43:08,303 HE SAYS THAT, UH, IF I FILE FOR DIVORCE, 663 00:43:08,337 --> 00:43:10,770 HE'LL TIE UP THE PROCESS FOR FIVE YEARS... 664 00:43:10,803 --> 00:43:13,737 AND MEANWHILE I'LL BE PENNILESS. 665 00:43:13,770 --> 00:43:16,670 AND, UH... 666 00:43:16,703 --> 00:43:20,070 I, I JUST FEEL‐‐ 667 00:43:20,103 --> 00:43:24,437 I FEEL... SO HELPLESS. 668 00:43:24,470 --> 00:43:27,470 AND I FEEL TRAPPED... 669 00:43:30,270 --> 00:43:33,103 AND ASHAMED AND AFRAID, AND I WISH HE WERE DEAD. 670 00:43:36,137 --> 00:43:40,337 [ SIGHS ] AM I UNDER ARREST? 671 00:43:43,337 --> 00:43:46,270 WISHES DON'T GET YOU BUSTED, MRS. WAGNER. 672 00:43:46,303 --> 00:43:49,003 IT'S MORE THAN A WISH, MR. KELLY. 673 00:43:49,037 --> 00:43:53,070 IF THERE WAS SOME WAY THAT I COULD COME HOME ONE NIGHT AND HE'D BEEN SHOT‐‐ 674 00:43:53,103 --> 00:43:55,737 WELL, WE'RE GETTIN' INTO A BAD AREA NOW, MRS. WAGNER. 675 00:43:55,770 --> 00:43:58,570 [ PAGER BEEPING ] 676 00:43:58,603 --> 00:44:01,170 SAVED BY THE BELL. 677 00:44:04,603 --> 00:44:08,270 ‐ YOU GOT A PHONE I CAN USE? ‐ MMM. 678 00:44:20,170 --> 00:44:22,270 OH, LOOK AT THIS. UNBELIEVABLE. 679 00:44:22,303 --> 00:44:25,470 RELAX. RELAX. MAYBE ENGLISH ISN'T YOUR FIRST LANGUAGE, SIPOWICZ. 680 00:44:25,503 --> 00:44:29,337 IS THAT THE PROBLEM? THIS IS MY FAREWELL VISIT. I JUST WANT TO APOLOGIZE. 681 00:44:29,370 --> 00:44:32,437 I MEAN, YOU GOT A JOB TO DO. YOU KNOW, YOU PUT US RIGHT IN THE MIDDLE. 682 00:44:32,470 --> 00:44:35,170 WELL, I HAD A BEE IN MY BONNET ABOUT THIS GUY, 683 00:44:35,203 --> 00:44:38,103 AND I WASN'T LOOKIN' AT THINGS FROM YOUR POINT OF VIEW. 684 00:44:38,137 --> 00:44:40,670 [ GIARDELLA ] WHO'S THAT OUT THERE? IS THAT WHO I THINK IT IS? 685 00:44:40,703 --> 00:44:43,770 DON'T WORRY ABOUT IT. THE SITUATION'S UNDER CONTROL. HEY, HEY, THERE HE IS. 686 00:44:43,803 --> 00:44:47,337 I'LL TELL YOU SOMETHIN', SIPOWICZ. I'M GONNA MISS YOU DOWN THERE IN D. C. 687 00:44:47,370 --> 00:44:49,837 BACK AT YOU, ALFONSE. THAT'S WHY I CAME TO SAY GOOD‐BYE. 688 00:44:49,870 --> 00:44:52,437 YOU KNOW, YOU'RE LIKE THAT GEYSER‐‐ OLD RELIABLE. 689 00:44:52,470 --> 00:44:55,503 WHO AM I GONNA COUNT ON TO MAKE AN ASSHOLE OUT OF HIMSELF? 690 00:44:55,537 --> 00:44:58,570 [ MARSHAL ] YOUR FOOD'S COMING, GIARDELLA. WHY DON'T YOU GO BACK INSIDE? 691 00:44:58,603 --> 00:45:01,170 [ GIARDELLA ] YOU SEE, THEY'RE DELIVERIN' MY EXPENSIVE DINNER NOW. 692 00:45:01,203 --> 00:45:03,503 WHAT ARE YOU EATIN' TONIGHT? BIG MAC AND FRIES? 693 00:45:03,537 --> 00:45:06,003 I'M A REALIST, ALFONSE. [ MARSHAL ] BRING IT IN. 694 00:45:06,037 --> 00:45:09,237 WHATEVER I'M GONNA EAT TONIGHT I KNOW WON'T COMPARE TO WHAT'S UNDER THAT TRAY. 695 00:45:09,270 --> 00:45:12,970 WHAT'S THE SPECIAL OF THE DAY? BEEF DE MERDE? WHO KNOWS? 696 00:45:13,003 --> 00:45:15,803 I'M HAVIN' SOME NICE LASAGNA. IF YOU'LL EXCUSE ME NOW. 697 00:45:15,837 --> 00:45:18,337 YEAH. GO ON. BON APPETIT. 698 00:45:20,137 --> 00:45:23,303 UH, YOU KNOW WHAT? I DON'T‐‐ I DON'T NEED TO STICK AROUND. 699 00:45:23,337 --> 00:45:26,003 JUST CONVEY MY SENTIMENTS TO THE RELIEF GUY, HUH? 700 00:45:26,037 --> 00:45:28,603 JUST TELL HIM WHAT I EXPRESSED. 701 00:45:28,637 --> 00:45:32,637 [ GIARDELLA YELLS ] MY GOD! THIS IS CRAP! 702 00:45:32,670 --> 00:45:35,670 SIPOWICZ! HE POISONED ME! 703 00:45:35,703 --> 00:45:39,103 CALL 9‐1‐1! THE RAT BASTARD POISONED ME! 704 00:46:07,170 --> 00:46:09,270 HE'S DEAD. 705 00:46:09,303 --> 00:46:11,303 YOUR FATHER? 706 00:46:11,337 --> 00:46:14,037 "CLEANING HIS GUN." 707 00:46:27,937 --> 00:46:32,003 HE LEFT ME THIS... LETTER IN MY APARTMENT. 708 00:46:36,703 --> 00:46:39,770 [ DEEP SIGH ] "I DON'T WANT YOU TO FEEL BAD. 709 00:46:39,803 --> 00:46:43,737 "THERE'S REASONS THIS MAKES SENSE. 710 00:46:43,770 --> 00:46:46,137 "THIS WAY MOMMY GETS BENEFITS, 711 00:46:46,170 --> 00:46:48,770 "WHICH I DON'T FEEL IT'S RIGHT SHE'D LOSE. 712 00:46:48,803 --> 00:46:51,437 "'CAUSE WHATEVER ELSE, THAT WAS STILL ME... 713 00:46:51,470 --> 00:46:55,403 "GOING THROUGH THOSE DOORS 22 YEARS. 714 00:46:55,437 --> 00:46:58,170 "THE ONE THING I CAN REST EASY WITH: 715 00:46:59,770 --> 00:47:02,837 [ CRYING ] "YOU'RE A GOOD PERSON... 716 00:47:02,870 --> 00:47:05,670 "AND YOU'RE ON YOUR WAY... 717 00:47:05,703 --> 00:47:08,703 AND YOU WEREN'T TOUCHED BY ANY OF THIS." 718 00:47:13,170 --> 00:47:15,470 OH, GOD. 719 00:47:15,503 --> 00:47:19,103 HE USED TO HOLD ME IN HIS ARMS... 720 00:47:21,703 --> 00:47:24,670 AND I'D FEEL... 721 00:47:24,703 --> 00:47:28,170 THAT NOTHING COULD GO WRONG IN THE WHOLE WORLD. 722 00:47:28,203 --> 00:47:30,870 [ CONTINUES CRYING ] 723 00:47:39,170 --> 00:47:41,037 HEY.