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1
00:00:01,501 --> 00:00:05,754
[eerie music]
2
00:00:05,839 --> 00:00:07,881
(narrator)
THERE IS A FIFTH DIMENSION
3
00:00:07,966 --> 00:00:10,426
BEYOND THAT WHICH
IS KNOWN TO MAN.
4
00:00:10,510 --> 00:00:13,387
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,471 --> 00:00:16,390
AND AS TIMELESS
AS INFINITY.
6
00:00:16,474 --> 00:00:20,019
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,
7
00:00:20,103 --> 00:00:22,187
BETWEEN SCIENCE
AND SUPERSTITION.
8
00:00:22,230 --> 00:00:25,441
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:25,525 --> 00:00:28,360
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:28,403 --> 00:00:31,030
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:31,114 --> 00:00:35,034
IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.
12
00:00:58,516 --> 00:01:01,894
[snoring]
13
00:01:06,733 --> 00:01:10,319
IN THIS CORNER OF THE
UNIVERSE A PRIZEFIGHTER NAMED BOLIE JACKSON.
14
00:01:10,403 --> 00:01:13,989
ONE HUNDRED AND
EIGHTY-THREE POUNDS, AND AN HOUR AND A HALF AWAY
15
00:01:14,074 --> 00:01:16,450
FROM A COMEBACK
AT ST. NICK'S ARENA.
16
00:01:16,534 --> 00:01:19,495
MR. BOLIE JACKSON,
WHO BY THE STANDARDS OF HIS PROFESSION
17
00:01:19,579 --> 00:01:22,664
IS AN AGING,
OVER-THE-HILL RELIC OF WHAT WAS,
18
00:01:22,749 --> 00:01:27,127
AND WHO NOW SEES A REFLECTION
OF A MAN WHO HAS LEFT TOO MANY PIECES OF HIS YOUTH
19
00:01:27,212 --> 00:01:30,005
IN TOO MANY STADIUMS
FOR TOO MANY YEARS
20
00:01:30,090 --> 00:01:32,841
BEFORE TOO MANY
SCREAMING PEOPLE.
21
00:01:32,926 --> 00:01:34,968
MR. BOLIE JACKSON,
22
00:01:35,053 --> 00:01:38,138
WHO M IGHT DO WELL TO LOOK
FOR SOME GENTLE MAGIC
23
00:01:38,223 --> 00:01:41,558
IN THE HARD-SURFACED GLASS
THAT STARES BACK AT HIM.
24
00:01:49,234 --> 00:01:51,110
[crack]
25
00:01:59,744 --> 00:02:01,578
FEELING GOOD, BOLI E?
26
00:02:01,663 --> 00:02:04,248
FEELING SHARP?
TAKE THE TIG ER TONIGHT, HUH, BOLI E?
27
00:02:04,332 --> 00:02:07,876
I'M GONNA TAKE THE TIG ER,
HENRY. I'LL GIVE HIM A LEFT THEN A RIGHT.
28
00:02:07,961 --> 00:02:11,130
AND I'M GOING TO THE
STOMACH, THEN PICK HIM U P BY THE TAI L
29
00:02:11,214 --> 00:02:13,549
AND THROW HIM RIGHT UP
INTO THE N I NTHROW.
30
00:02:13,633 --> 00:02:16,802
YOU'RE LOOKING
GOOD, BOLI E. YOU'RE LOOKING SHARP.
31
00:02:16,845 --> 00:02:18,178
YOU GONNA WATCH?
32
00:02:18,263 --> 00:02:20,180
YOU FOOLING?
I'LL YELL SO LOU D
33
00:02:20,265 --> 00:02:22,558
YOU'LL HEAR ME
ALL THE WAY TO ST. N ICK'S.
34
00:02:22,642 --> 00:02:24,059
[Iaughs]
35
00:02:28,523 --> 00:02:30,732
YOU KNOW,
36
00:02:30,817 --> 00:02:34,194
A FIGHTER DON'T NEED
A SCRAPBOOK, HENRY.
37
00:02:34,279 --> 00:02:37,656
ANYONE KNOW
WHAT HE'S DONE, WHERE HE'S FOUGHT,
38
00:02:37,740 --> 00:02:40,325
YOUREAD IT
IN HIS FACE.
39
00:02:40,368 --> 00:02:44,496
HE'S GOT THE WHOLE
STORY CUT INTO HIS FLESH.
40
00:02:45,999 --> 00:02:50,002
ST. LOU IS, 1 949.
41
00:02:50,086 --> 00:02:52,546
GUY NAMED
SAI LOR LEVITT.
42
00:02:52,630 --> 00:02:55,340
REAL FAST BOY.
43
00:02:55,383 --> 00:03:00,429
HERE, AND THIS,
M EMORIAL STADI U M, SYRACUSE, NEW YORK.
44
00:03:00,513 --> 00:03:02,848
ITALIAN BOY.
45
00:03:02,932 --> 00:03:07,519
FOUGHT LIKE
HENRY ARMSTRONG. ALL HAN DS AND ARMS.
46
00:03:07,562 --> 00:03:11,607
JUST LIKE A WIN DM I LL,
ALL OVER YOU.
47
00:03:11,691 --> 00:03:17,362
FIRST TIME I EVER
GOT MY NOSE BROKE TWICE IN ONE FIGHT.
48
00:03:17,405 --> 00:03:20,199
AND THEN MOVE
SOUTH, HENRY.
49
00:03:22,160 --> 00:03:25,204
M IAM I, FLORI DA.
50
00:03:25,288 --> 00:03:28,248
THAT BOY GOT ME UP
AGAINST THE RING POST.
51
00:03:28,333 --> 00:03:30,542
HE DID THIS
WITH HIS LACES.
52
00:03:34,964 --> 00:03:37,216
TIRED OLD MAN.
53
00:03:39,510 --> 00:03:43,722
TIRED OLD MAN
TRYING TO CATCH A BUS
54
00:03:45,475 --> 00:03:47,976
AND THE BUS IS
ALREADY GON E.
55
00:03:48,061 --> 00:03:50,229
LEFT A COUPLE
OF YEARS AGO.
56
00:03:53,900 --> 00:03:56,026
ARMS H EAVY.
57
00:03:58,613 --> 00:04:01,990
LEGS LIKE RU BBER.
SHORT OF WIN D.
58
00:04:02,075 --> 00:04:04,952
ONE EYE ALMOST GON E.
59
00:04:07,622 --> 00:04:10,999
THERE I GO,
RU N NING DOWN THE STREET
60
00:04:11,084 --> 00:04:14,253
TRYING TO CATCH
THAT BUS TO GLORY.
61
00:04:24,847 --> 00:04:28,350
BOLI E, YOU ARE
GOING TO CATCH THE TIG ER TONIGHT.
62
00:04:28,434 --> 00:04:30,519
I'M GONNA MAKE A WISH.
63
00:04:30,603 --> 00:04:33,605
I'M GONNA MAKE
A BIG, TALL WISH.
64
00:04:33,648 --> 00:04:37,359
AND YOU AIN'T GON NA
GET H U RT NONE EITHER. YOU HEAR, BOLI E?
65
00:04:37,443 --> 00:04:41,113
YOU BEEN H U RT
ENOUGH ALREADY. AND YOU'RE MY FRI EN D, BOLI E.
66
00:04:41,155 --> 00:04:44,408
YOU'RE MY GOOD
AND CLOSE FRIEND.
67
00:04:55,920 --> 00:04:59,965
YOU HAVE QU ITE A
BOY THERE, FRANCES. YOU GOT QU ITE A BOY.
68
00:05:00,049 --> 00:05:02,884
TALKS LIKE A LITTLE
OLD MAN, YOU KNOW?
69
00:05:02,969 --> 00:05:05,971
I'M HIS GOOD AND CLOSE
FRI EN D. THAT'S WHAT HE TELLS ME.
70
00:05:06,014 --> 00:05:10,183
REAL, REAL I NTENSE.
I'M HIS GOOD AND CLOSE FRI EN D.
71
00:05:10,268 --> 00:05:12,894
WELL, YOU'RE GOOD
TO HIM, BOLI E.
72
00:05:12,979 --> 00:05:16,231
REAL GOOD.
TAKING HIM TO BALL GAM ES ALL THE TIME
73
00:05:16,316 --> 00:05:18,525
AND TAKING
HIM FOR WALKS.
74
00:05:20,445 --> 00:05:24,531
TAKE CARE OF
YOURSELF, BOLI E. DON'T GET H U RT NON E.
75
00:05:24,615 --> 00:05:26,742
I'LL WORK HARD
TRYING NOT TO.
76
00:05:26,826 --> 00:05:28,952
[footsteps]
77
00:05:32,582 --> 00:05:34,249
I'M GONNA MAKE
A WISH, BOLI E.
78
00:05:34,334 --> 00:05:37,544
I'M GONNA MAKE A WISH
NOTHING HAPPENS TO YOU.
79
00:05:37,628 --> 00:05:39,838
SO DON'T YOU
BE AFRAI D, BOLI E.
80
00:05:39,881 --> 00:05:43,008
UNDERSTAND?
DON'T YOU BE AFRAI D.
81
00:05:43,092 --> 00:05:44,509
OH, GO ON.
82
00:05:46,220 --> 00:05:49,014
BOLI E, THAT BOY'S
GOT YOU IN A SH RIN E.
83
00:05:49,098 --> 00:05:54,770
WHO? A SCARED OLD MAN WHO
DON'T REMEMBER NOTHING EXCEPT HOW TO BLEED?
84
00:05:54,854 --> 00:05:58,273
I DON'T F IT
NO SH RIN ES, FRANCES.
85
00:05:58,358 --> 00:06:01,193
BUT YOU TELL
HIM, FRANCES, YOU TELL HIM
86
00:06:01,235 --> 00:06:04,404
HOW MUCH I'M OBLIGED
TO HIM FOR HIS WISH.
87
00:06:04,489 --> 00:06:07,407
HE'S ALL THE
TIME WISHING.
88
00:06:07,492 --> 00:06:10,410
WHY, JUST THE
OTHER NIGHT H E--
89
00:06:10,495 --> 00:06:12,788
WHAT?
90
00:06:12,872 --> 00:06:16,458
OH, I NEEDED $1 5
FOR THE RENT.
91
00:06:16,542 --> 00:06:19,252
HENRY SAID HE WAS
GONNA MAKE THE BIG, TALL WISH.
92
00:06:19,337 --> 00:06:22,714
THAT'S THE BIGG EST WISH.
THE BIG, TALL WISH.
93
00:06:22,799 --> 00:06:24,966
HE DON'T WASTE THAT
ON JUST ANYTHING.
94
00:06:25,051 --> 00:06:29,262
THAT'S WHAT HE CALLS
THE MOST IMPORTANT KIND. THAT WAS LAST FRI DAY.
95
00:06:29,347 --> 00:06:33,266
AND A WOMAN I DID SOME
N U RSING FOR ON THE ISLAND SENT ME A CHECK.
96
00:06:33,351 --> 00:06:36,395
A CHECK FOR $1 5.
97
00:06:37,814 --> 00:06:40,148
LITTLE BOYS.
98
00:06:40,233 --> 00:06:44,403
LITTLE BOYS WITH
THEIR H EADS FU LL U P WITH DREAMS.
99
00:06:46,489 --> 00:06:48,782
AND WHEN DO THEY
F IN D OUT, FRANCES?
100
00:06:48,866 --> 00:06:51,743
WHEN DO THEY
SU DDEN LY F IN D OUT
101
00:06:51,786 --> 00:06:55,789
THAT THERE
AIN'T ANY MAG IC?
102
00:06:55,873 --> 00:07:00,252
WHEN DOES SOMEBODY PUSH
THEIR FACE DOWN ON THE SIDEWALK AND SAY TO 'EM,
103
00:07:00,294 --> 00:07:04,005
"HEY, LITTLE BOY,
IT'S CONCRETE.
104
00:07:04,090 --> 00:07:07,300
THAT'S WHAT THE WORLD
IS MADE OUT OF, CONCRETE."
105
00:07:09,303 --> 00:07:13,515
WHEN DO THEY
F IN D OUT THAT YOU CAN WISH YOUR LIFE AWAY?
106
00:07:20,940 --> 00:07:22,858
GOOD LUCK
TONIGHT, BOLI E.
107
00:07:22,942 --> 00:07:24,276
SURE, FRANCES.
108
00:07:24,360 --> 00:07:26,027
WE'LL BE
WAITING FOR YOU.
109
00:07:26,112 --> 00:07:28,447
TELL HIM I'LL
SEE HIM LATER.
110
00:07:31,909 --> 00:07:33,618
HEY, BOLI E.
111
00:07:33,661 --> 00:07:36,288
GOOD LUCK, BABY.
YOU CAN TAKE HIM.
112
00:07:36,372 --> 00:07:38,039
TAKE HIM FOR ME.
113
00:07:40,042 --> 00:07:43,128
BEST OF LUCK, BOLI E.
WE'LL BE WATCHING.
114
00:08:00,313 --> 00:08:02,147
TRY IT, BOLI E.
115
00:08:03,858 --> 00:08:05,025
FEELS OKAY?
116
00:08:05,109 --> 00:08:06,943
FEELS GOOD, JOE. THANKS.
117
00:08:09,238 --> 00:08:10,864
HE'S ALL READY.
118
00:08:17,038 --> 00:08:19,414
BUTT IT OUT,
WILL YOU, THOMAS? I WANNA BREATH E.
119
00:08:19,499 --> 00:08:21,666
YOU H I RED ME
FOR THE NIGHT, BOLI E BABY.
120
00:08:21,751 --> 00:08:24,377
IT'S A PACKAG E DEAL.
ME AND THE CIGAR.
121
00:08:24,462 --> 00:08:26,713
I SAID BUTT IT OUT.
122
00:08:29,133 --> 00:08:32,219
[crowd yelling]
123
00:08:41,145 --> 00:08:45,190
FE ISTY LITTLE OLD MAN.
124
00:08:45,233 --> 00:08:50,195
THE OLDER THEY GET,
THE LOU DER THEY TALK AND THE MORE THEY WANT.
125
00:08:50,279 --> 00:08:52,739
AND THE LESS CHANCE
THEY GOT TO GET IT.
126
00:08:52,823 --> 00:08:54,449
HOW DID I GET
YOU TONIGHT?
127
00:08:54,534 --> 00:08:56,743
OH, I'M A
BARGAI N, BOLI E.
128
00:08:56,827 --> 00:09:00,956
I'M A EXPERT
ON HAS-BEENS.
129
00:09:03,042 --> 00:09:05,126
I SEEN YOUR BOYS.
130
00:09:05,211 --> 00:09:08,213
CATCH ES, AREN'T THEY?
131
00:09:08,297 --> 00:09:10,590
G UARANTEED TWO
ROU N DS EACH.
132
00:09:10,675 --> 00:09:13,802
SHOVEL THEM I N,
SHOVEL THEM OUT.
133
00:09:13,886 --> 00:09:15,762
SEW THEM TOGETHER
FOR THE NEXT TIME.
134
00:09:15,846 --> 00:09:17,514
[chuckIes]
135
00:09:17,598 --> 00:09:20,225
WELL, THAT'S
THE ONLY WAY TO DO IT, CHAM P.
136
00:09:20,309 --> 00:09:23,645
A MONTH OR SO FROM NOW
MAYBE I'LL SIGN YOU AT THE BACK DOOR.
137
00:09:23,729 --> 00:09:27,065
WHY NOT?
YOU'RE LONG GON E, BOLI E.
138
00:09:27,149 --> 00:09:30,735
YOU'VE HAD IT.
WAIT TILL AFTER TONIGHT.
139
00:09:30,820 --> 00:09:33,780
YOU'LL WANNA GET
IN THE STABLE, TOO.
140
00:09:33,864 --> 00:09:36,992
ALL YOU HAVE TO DO
IS GUARANTEE TWO ROU N DS.
141
00:09:37,076 --> 00:09:40,078
TWO, THREE
PRELI MS EVERY MONTH.
142
00:09:40,162 --> 00:09:43,999
WHY, YOU CAN DO THAT
STANDING ON YOUR H EAD.
143
00:09:46,377 --> 00:09:48,503
CAN'T YOU?
144
00:09:48,588 --> 00:09:53,091
I THOUGHT THE SM ELL
CAME WITH THE CIGAR. YOU WEAR IT ALL OVER YOU.
145
00:09:53,134 --> 00:09:56,511
YOU STIN K, THOMAS.
146
00:09:56,596 --> 00:10:00,015
YOU TELL 'EM, CHAM P.
147
00:10:00,099 --> 00:10:01,933
YOU TELL 'EM.
148
00:10:01,976 --> 00:10:04,769
[man knocking]
JACKSON, TEN M INUTES.
149
00:10:06,897 --> 00:10:08,940
HE'LL BE THERE.
150
00:10:13,571 --> 00:10:17,699
WHAT ABOUT TONIGHT?
WHAT DO I WATCH OUT FOR?
151
00:10:17,783 --> 00:10:22,370
I'VE ONLY SEEN THIS BOY
FIGHT ONCE. THAT WAS A COUPLE OF YEARS AGO.
152
00:10:22,455 --> 00:10:24,748
I AIN'T NEVER SEEN HIM.
153
00:10:29,795 --> 00:10:35,050
YOU WATCH ED HIM FIGHT. YOU'VE
SEEN HIM FIGHT SIX, SEVEN TIMES IN THE PAST YEAR.
154
00:10:35,134 --> 00:10:37,385
YOU P I ECE
OF GARBAG E, YOU.
155
00:10:37,470 --> 00:10:39,471
YOU'RE BETTING
ON HIM, AREN'T YOU?
156
00:10:39,555 --> 00:10:42,140
IT AIN'T ENOUGH
HE SELLS FLESH BY THE POU N D.
157
00:10:42,183 --> 00:10:46,144
HE COMES IN HERE FOR A DIRTY
$20. SU PPOSED TO H ELP ME AND BETS ON THE OTHER GUY.
158
00:10:46,187 --> 00:10:48,313
I MAY BE A BUM UPSTAIRS
IN ANOTHER TEN MINUTES
159
00:10:48,356 --> 00:10:50,815
BUT NOW I'M GONNA FIGHT
A BEAUTIFUL FIRST ROU N D.
160
00:10:50,858 --> 00:10:53,276
YOU TOUCH ME AND
I'LL HAVE YOU UP FOR TEN YEARS.
161
00:10:53,361 --> 00:10:58,198
I SWEAR TO YOU, BOLI E,
I'LL F IX YOUR WAGON GOOD. LAY OFF ME, YOU CU N NING FREAK!
162
00:11:02,161 --> 00:11:05,121
LET ME LOOK
AT THAT. S IT DOWN.
163
00:11:14,006 --> 00:11:17,342
WASN'T ENOUGH
SPOTTING 'EM ALL THOSE YEARS, BOLI E?
164
00:11:17,426 --> 00:11:22,764
WASN'T ENOUGH HOW YOU
GOTTA GO IN THE RING WITH FOUR BUSTED KN UCKLES?
165
00:11:22,848 --> 00:11:25,684
OKAY, JACKSON, YOU'RE ON.
166
00:11:30,731 --> 00:11:32,273
WELL?
167
00:11:32,358 --> 00:11:34,275
WELL, NOTHING.
LET'S DO IT.
168
00:11:38,948 --> 00:11:42,826
OH, POOR LITTLE
HENRY TEM PLE.
169
00:11:46,288 --> 00:11:50,083
I'VE GIVEN HIM
TWO STRI KES ON ALL HIS MAG IC.
170
00:11:50,167 --> 00:11:53,294
TWO STRI KES.
171
00:11:53,379 --> 00:11:54,963
WHOSE?
172
00:11:55,047 --> 00:11:59,968
NOTHING.
173
00:12:01,429 --> 00:12:04,472
THERE AIN'T NO SUCH--
[groaning]
174
00:12:04,557 --> 00:12:07,642
THERE AIN'T NO
SUCH THING AS MAG IC.
175
00:12:38,841 --> 00:12:42,135
[people yelling]
176
00:12:42,219 --> 00:12:46,806
[punching]
177
00:12:54,940 --> 00:12:57,734
(announcer)
THERE'S ANOTHER LEFT. ANOTHER RIGHT.
178
00:13:11,415 --> 00:13:13,708
JACKSON'S KNEES ARE
WOBBLING. HE'S HURT.
179
00:13:13,793 --> 00:13:15,710
BOLIE JACKSON IS
DEFINITELY HURT.
180
00:13:15,795 --> 00:13:17,796
CONSIGLIO MOVES IN ON HIM.
181
00:13:20,132 --> 00:13:22,467
[people cheer]
182
00:13:28,808 --> 00:13:32,060
HE JABS HIM
TO THE RIGHT. JACKSON IS DOWN.
183
00:13:32,144 --> 00:13:36,397
BOLIE, BOLIE, BOLIE.
184
00:13:36,482 --> 00:13:40,902
ON E, TWO, THREE,
185
00:13:40,986 --> 00:13:44,948
FOU R, FIVE, SIX,
186
00:13:48,327 --> 00:13:50,870
SEVEN, EIGHT,
187
00:13:50,955 --> 00:13:53,748
[no audio]
188
00:13:53,833 --> 00:13:55,041
N IN E.
189
00:13:55,125 --> 00:13:56,626
[silence]
190
00:14:10,975 --> 00:14:12,767
TEN.
191
00:14:12,852 --> 00:14:14,936
[audience yelling]
192
00:14:38,043 --> 00:14:40,211
YOU DONE DAN DY, BOLI E.
193
00:14:40,296 --> 00:14:43,464
HEY, JOE,
YOU WERE WRONG.
194
00:14:43,549 --> 00:14:45,884
JUST BRU ISED,
I GU ESS, HUH?
195
00:14:45,926 --> 00:14:49,929
G EE, IT H U RT LIKE ANYTHING
BUT SOMEBODY SAID I GOT HIM WITH IT.
196
00:14:50,014 --> 00:14:52,223
COULDN'T HAVE BEEN
BROKEN AFTER ALL.
197
00:14:52,308 --> 00:14:53,808
WHO SAID IT WAS?
198
00:14:53,893 --> 00:14:58,563
YOU SAID.
J EEZ, FELT LIKE IT, TOO.
199
00:14:58,647 --> 00:15:03,443
COULD FEEL THE KN UCKLES
COMING RIGHT UP TO THE BAN DAG ES.
200
00:15:03,527 --> 00:15:06,070
I COULD HAVE SWORN
IT WAS BROKE.
201
00:15:06,113 --> 00:15:07,989
AND THEN WHEN H E
KNOCKED ME DOWN--
202
00:15:08,073 --> 00:15:10,783
WHAT? WHEN HE WHAT?
203
00:15:10,868 --> 00:15:15,079
WHEN HE KNOCKED
ME DOWN, JOE.
204
00:15:15,164 --> 00:15:17,206
WHEN HE KNOCKED ME DOWN.
205
00:15:19,376 --> 00:15:22,128
I DON'T EVEN
REMEMBER GETTING UP.
206
00:15:22,212 --> 00:15:24,839
THE NEXT THING I KNEW,
THERE HE WAS AT MY FEET.
207
00:15:24,924 --> 00:15:29,469
WE MUST HAVE BEEN IN
DIFFERENT ARENAS TOGETHER.
208
00:15:29,553 --> 00:15:32,013
YOU DIDN'T GET
KNOCKED DOWN, BOLI E.
209
00:15:32,097 --> 00:15:34,474
YOU WAS NEVER
OFF YOUR FEET.
210
00:15:34,558 --> 00:15:36,184
I WASN'T?
211
00:15:36,268 --> 00:15:40,480
NO. YOU CARRI ED THIS
ONE ALL THE WAY, BABY.
212
00:15:40,564 --> 00:15:41,814
[chuckIes]
213
00:15:41,899 --> 00:15:46,027
JOE! I WASN'T
OFF MY FEET?
214
00:15:46,111 --> 00:15:47,654
I DIDN'T GO DOWN?
215
00:15:47,738 --> 00:15:49,781
READ ABOUT IT
IN THE PAPERS.
216
00:15:49,823 --> 00:15:52,951
GOOD NIGHT, OLD-TIMER.
217
00:15:52,993 --> 00:15:55,328
I'M PROU D OF YOU.
218
00:16:09,510 --> 00:16:11,844
BEAUTIFUL, BOLI E,
BEAUTIFUL.
219
00:16:11,929 --> 00:16:14,013
YOU WERE
JUST GREAT, MAN. JUST WON DERFU L.
220
00:16:14,098 --> 00:16:17,225
YOU WE GREAT, BOLI E,
WE'VE SEEN YOU ON TELEVIS ION.
221
00:16:17,309 --> 00:16:20,812
THAT WAS A RIGHT.
THAT WAS THE REAL RIGHT.
222
00:16:30,114 --> 00:16:33,658
HEY, WHAT DO YOU
SAY, HENRY TEM PLE?
223
00:16:33,701 --> 00:16:36,577
YOU ARE A TIG ER, BOLI E.
YOU ARE A REAL TIG ER.
224
00:16:36,662 --> 00:16:37,829
DID IT LOOK OKAY?
225
00:16:37,871 --> 00:16:39,747
JUST LIKE A CHAM P.
226
00:16:39,832 --> 00:16:42,417
YOU KNOW SOMETHING?
THAT BOY MUST HAVE H IT ME SO HARD
227
00:16:42,501 --> 00:16:44,502
IT KNOCKED ALL THE
H U RT RIGHT OUT OF ME.
228
00:16:44,586 --> 00:16:47,338
I DON'T REMEMBER
A DOGGONE THING, HENRY.
229
00:16:47,381 --> 00:16:49,674
I MUST HAVE REALLY
BEEN PU NCHY FOR A SECON D
230
00:16:49,758 --> 00:16:53,094
'CAUSE I THOUGHT
HE HAD ME ON MY BACK.
231
00:16:53,178 --> 00:16:55,430
AND THERE I WAS,
LYING THERE,
232
00:16:55,514 --> 00:16:58,766
LOOKING UP
AT THE REF WAVING HIS ARM DOWN ON ME,
233
00:16:58,851 --> 00:17:02,186
STARING AT THE LIGHT,
BLIN KING MY EYES.
234
00:17:02,271 --> 00:17:05,440
THERE MUST HAVE BEEN
SOME KIND OF A DREAM OR SOMETHING 'CAUSE--
235
00:17:09,194 --> 00:17:11,404
HENRY?
236
00:17:15,159 --> 00:17:18,703
HENRY, IN EVER
WENT DOWN.
237
00:17:18,787 --> 00:17:21,205
I WAS NEVER
OFF MY FEET.
238
00:17:23,625 --> 00:17:26,627
HENRY, IN EVER
WENT DOWN.
239
00:17:30,174 --> 00:17:35,303
HENRY, WAS I?
WAS I ON MY BACK AND ON MY WAY OUT?
240
00:17:44,021 --> 00:17:46,272
NOBODY REMEMBERS IT.
241
00:17:48,609 --> 00:17:51,569
NOBODY AT ALL
EXCEPT ME.
242
00:17:51,612 --> 00:17:55,782
I THOUGHT IT HAPPENED,
BUT IT DIDN'T.
243
00:17:55,866 --> 00:17:59,952
I THOUGHT I WAS
LYING THERE ON MY BACK, BEING COU NTED OUT,
244
00:18:00,037 --> 00:18:03,164
AND EVERYBODY
TELLS ME THAT--
245
00:18:04,666 --> 00:18:07,126
BOLI E, I MADE
THE BIG WISH THEN.
246
00:18:07,211 --> 00:18:09,504
I WISHED YOU WAS
NEVER KNOCKED DOWN.
247
00:18:09,588 --> 00:18:13,674
I JUST SHUT MY EYES,
AND I, I WISH ED REAL HARD.
248
00:18:13,759 --> 00:18:18,012
IT WAS MAG IC, BOLI E.
WE HAD TO HAVE MAGIC THEN.
249
00:18:18,097 --> 00:18:22,767
HAD TO, BOLIE. NOTHING
LEFT FOR US THEN. HAD TO MAKE A WISH.
250
00:18:22,851 --> 00:18:25,520
THERE AIN'T NO MAG IC
OR WISHING OR NOTHING LIKE THAT.
251
00:18:25,604 --> 00:18:29,649
YOU'RE TOO BIG TO HAVE N UTSY
THOUGHTS. YOU'RE TOO BIG TO BELIEVE IN FAIRY TALES.
252
00:18:29,733 --> 00:18:32,944
IF YOU WISH HARD
ENOUGH, BOLI E, IT'LL COME TRU E.
253
00:18:32,986 --> 00:18:34,654
IF YOU WISH
HARD ENOUGH--
254
00:18:34,738 --> 00:18:37,115
SOMEBODY GOTTA
KNOCK IT OUT OF YOU.
255
00:18:37,157 --> 00:18:40,451
SOMEBODY GOTTA TAKE YOU
BY THE HAIR AND RU B YOUR FACE INTO THE WORLD
256
00:18:40,536 --> 00:18:43,746
TILL YOU GET THE TASTE AND
FEEL OF THE WAY THINGS ARE, DON'T THEY?
257
00:18:46,917 --> 00:18:50,169
LISTEN, KI D, I'VE BEEN
WISHING ALL MY LIFE.
258
00:18:50,254 --> 00:18:53,381
YOU UNDERSTAND, HENRY?
I GOT A GUT ACH E FROM WISHING,
259
00:18:53,465 --> 00:18:57,385
AND ALL I GOT
TO SHOW FOR IT IS A FACE FU LL OF SCARS
260
00:18:57,469 --> 00:19:00,179
AND A H EAD FU LL
OF-OF MEMORI ES
261
00:19:00,264 --> 00:19:02,265
OF ALL THE H U RT
AND M ISERY
262
00:19:02,349 --> 00:19:06,894
I'VE HAD TO LIVE
AND SLEEP WITH ALL MY MISERABLE LIFE.
263
00:19:09,148 --> 00:19:12,233
CRAZY KI D, YOU TRYING
TO TELL ME YOU WISH ED ME INTO A KNOCKOUT?
264
00:19:12,317 --> 00:19:17,655
YOU TRYING TO TELL ME IT
WAS MAGIC THAT MADE ME GET UP OFF MY BACK?
265
00:19:17,739 --> 00:19:20,741
YOU'RE A LITTLE
KOOK, HENRY. THAT'S WHAT YOU ARE.
266
00:19:20,826 --> 00:19:24,036
HOW DID I EVER GET M IXED
U P WITH YOU? I AIN'T GOT ENOUGH TROU BLE.
267
00:19:24,121 --> 00:19:26,414
I GOT M IXED UP
WITH SOME DOPEY KI D--
268
00:19:26,498 --> 00:19:31,919
IF YOU DON'T BELIEVE,
BOLI E, IT WON'T BE TRU E. THAT'S THE WAY MAGIC WORKS.
269
00:19:32,004 --> 00:19:37,592
LISTEN. LISTEN, BOY.
THERE AIN'T NO MAG IC. NO MAG IC, HENRY.
270
00:19:37,676 --> 00:19:41,095
I HAD THAT FIGHT
COMING AND GOING. I HAD IT IN MY POCKET.
271
00:19:41,180 --> 00:19:45,725
I WAS THE NUMBER ONE OUT
THERE. IT WAS ME WHO DONE IT. ME, BOLI E JACKSON.
272
00:19:45,809 --> 00:19:48,227
H ITTI N' AND
SLUGG I N' AND WIN N I N'.
273
00:19:48,312 --> 00:19:50,229
WIN N I N'!
274
00:19:53,942 --> 00:19:56,235
HENRY.
275
00:19:56,320 --> 00:20:00,781
I CAN'T BELIEVE.
I'M TOO OLD.
276
00:20:00,866 --> 00:20:03,451
AND I'M TOO
H U RT TO BELIEVE.
277
00:20:03,535 --> 00:20:05,369
I CAN'T, BOY.
I JUST CAN'T.
278
00:20:05,412 --> 00:20:09,207
NOW, HENRY, THERE AIN'T
NO SUCH THING AS MAG IC.
279
00:20:09,291 --> 00:20:11,542
GOD H ELP US BOTH.
I WISH THERE WERE.
280
00:20:11,627 --> 00:20:13,836
BOLI E, YOU'VE
GOT TO BELIEVE.
281
00:20:13,921 --> 00:20:16,881
I CAN'T, BOY.
I CAN'T, BOY.
282
00:20:16,924 --> 00:20:18,382
YOU'VE GOT
TO BELIEVE.
283
00:20:18,467 --> 00:20:19,842
I CAN'T.
284
00:20:19,927 --> 00:20:22,220
PLEASE, BELIEVE.
285
00:20:22,304 --> 00:20:23,804
I CAN'T.
286
00:20:23,889 --> 00:20:26,682
YOU'VE GOT
TO BELIEVE, BOLIE.
287
00:20:39,071 --> 00:20:40,363
TEN.
288
00:20:40,447 --> 00:20:42,823
[audience yelling]
289
00:20:51,667 --> 00:20:54,377
[audience cheers]
290
00:21:10,769 --> 00:21:12,687
YOU SHOU LD'VE
STOOD IN BED.
291
00:21:12,771 --> 00:21:15,064
HOW COME YOU
DI DN'T USE YOUR RIGHT?
292
00:21:48,473 --> 00:21:50,308
HE'S IN BED, BOLI E.
293
00:21:50,350 --> 00:21:52,226
CAN I SEE HIM?
294
00:21:52,311 --> 00:21:56,188
SURE. I EXPECT
HE'S WAITING FOR YOU.
295
00:21:57,983 --> 00:22:00,026
BOLI E?
296
00:22:00,110 --> 00:22:02,945
I'M REAL SORRY.
297
00:22:15,459 --> 00:22:19,337
AH, I PULLED
A ROCK, HENRY.
298
00:22:19,421 --> 00:22:22,381
I TH REW A PU NCH
BEFORE I SHOU LD HAVE.
299
00:22:22,466 --> 00:22:25,718
H IT A WALL.
BUSTED MY KN UCKLES.
300
00:22:25,802 --> 00:22:28,095
I WENT IN WITH HALF
MY ARTILLERY GON E.
301
00:22:28,180 --> 00:22:30,848
YOU LOOKED LIKE
A TIG ER EVEN SO.
302
00:22:30,932 --> 00:22:33,100
YOU LOOKED LIKE
A REAL TIG ER.
303
00:22:33,185 --> 00:22:37,772
I WAS PROU D
OF YOU, BOLI E. I WAS REAL PROU D.
304
00:22:46,198 --> 00:22:48,115
BOLI E?
305
00:22:48,200 --> 00:22:50,201
NOW YOU GO TO SLEEP.
306
00:22:50,243 --> 00:22:52,411
TOMORROW WE'LL GO
TO A HOCKEY GAM E,
307
00:22:52,496 --> 00:22:55,456
AND WE'LL GET
SOME HOT DOGS IN THE PARK MAYBE.
308
00:22:55,540 --> 00:22:58,125
SURE THING, BOLI E.
THAT WILL BE N ICE.
309
00:22:58,210 --> 00:23:01,587
BOLI E?
310
00:23:01,671 --> 00:23:04,382
I AIN'T GONNA MAKE
NO MORE WISH ES, BOLI E.
311
00:23:04,466 --> 00:23:06,717
I'M TOO OLD FOR WISH ES.
312
00:23:06,760 --> 00:23:11,806
AND THERE AIN'T
NO SUCH THING AS MAG IC, IS THERE?
313
00:23:13,725 --> 00:23:16,227
I GU ESS NOT, HENRY.
314
00:23:16,269 --> 00:23:19,146
OR MAYBE--
315
00:23:19,231 --> 00:23:23,526
MAYBE THERE IS MAG IC,
AND MAYBE THERE'S WISH ES, TOO.
316
00:23:23,610 --> 00:23:26,779
I GU ESS THE
TROU BLE IS--
317
00:23:26,863 --> 00:23:32,743
I GU ESS THE TROU BLE IS
THERE'S NOT ENOUGH PEOPLE AROUND TO BELIEVE.
318
00:23:32,828 --> 00:23:35,830
GOOD NIGHT, BOY.
319
00:23:35,914 --> 00:23:38,874
GOOD NIGHT, BOLI E.
320
00:23:38,959 --> 00:23:42,837
(narrator)
MR. BOLIE JACKSON, 1 83 POUNDS,
321
00:23:42,921 --> 00:23:46,715
WHO LEFT A SECOND
CHANCE LYING IN A HEAP
322
00:23:46,800 --> 00:23:50,761
ON A ROSIN-SPATTERED
CANVAS AT ST. NICK'S ARENA.
323
00:23:50,804 --> 00:23:55,766
MR. BOLIE JACKSON,
WHO SHARES THE MOST COMMON AILMENT OF ALL MEN.
324
00:23:55,809 --> 00:24:01,147
THE STRANGE AND PERVERSE
DISINCLINATION TO BELIEVE IN A M IRACLE,
325
00:24:01,231 --> 00:24:04,775
THE KIND OF M IRACLE
TO COME FROM THE M IND OF A LITTLE BOY.
326
00:24:04,860 --> 00:24:09,447
PERHAPS ONLY TO BE FOUND
IN THE TWILIGHT ZONE.
327
00:24:14,077 --> 00:24:16,829
(male presenter)
ROD SERLING, THE CREATOR OF
328
00:24:16,913 --> 00:24:21,083
WILL TELL YOU ABOUT NEXT
WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.
329
00:24:23,128 --> 00:24:24,712
AND NOW, MR. SERLING.
330
00:24:24,796 --> 00:24:27,131
G REETINGS FROM
THE LOW-RENT DISTRICT.
331
00:24:27,215 --> 00:24:30,968
NEXT WEEK WE FOLLOW THE
FORTU N ES AND M ISFORTU N ES OF MR. LARRY BLYDEN,
332
00:24:31,011 --> 00:24:33,262
WHO PLAYS THE ROLE
OF ONE ROCKY VALENTIN E
333
00:24:33,346 --> 00:24:36,807
AN ITIN ERANT SECON D-STORY
MAN WHO'S SHOT TO DEATH IN AN ALLEY ONE NIGHT
334
00:24:36,850 --> 00:24:38,893
AND GOES TO
HIS JUST REWARDS.
335
00:24:38,977 --> 00:24:41,145
THIS LITTLE ITEM
HERE BEING ONE OF THEM.
336
00:24:41,188 --> 00:24:43,814
THIS ONE YOU CAN WATCH
WITH THE TONG U E IN YOUR CH EEK.
337
00:24:43,899 --> 00:24:47,735
IT'S CALLED A NICE PLA CE
TO VISIT, NEXT WEEK ON THE TWILIGHT ZONE.
338
00:24:51,072 --> 00:24:54,700
[eerie music]
339
00:25:31,363 --> 00:25:34,406
(male presenter)
KIMBERLY-CLARK INVITES YOU TO
340
00:25:34,491 --> 00:25:36,867
IN WANTED DEAD OR ALIVE.
341
00:25:36,952 --> 00:25:40,621
SATURDAY NIGHTS OVER
MOST OF THE SAME STATIONS.
342
00:25:40,671 --> 00:25:45,221
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