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1
00:00:03,534 --> 00:00:04,534
ONE TWO, THREE, FOUR,
2
00:00:04,534 --> 00:00:05,667
ONE, TWO, THREE,
FOUR, FIVE, SIX.
3
00:00:05,667 --> 00:00:06,667
SHAKE IT, DUDE.
4
00:00:06,667 --> 00:00:22,634
5
00:00:33,801 --> 00:00:35,467
♪ OH THIS THING
CALLED LOVE ♪
6
00:00:35,467 --> 00:00:38,267
♪ I JUST CAN'T
HANDLE IT ♪
7
00:00:38,267 --> 00:00:41,234
♪ THIS THING
CALLED LOVE ♪
8
00:00:41,234 --> 00:00:44,133
♪ I MUST GET
RID OF IT ♪
9
00:00:44,133 --> 00:00:45,567
♪ I AIN'T READY ♪
10
00:00:45,567 --> 00:00:49,234
♪ CRAZY LITTLE
THING CALLED LOVE ♪
11
00:00:49,234 --> 00:00:53,167
♪ WELL THIS THING
CALLED LOVE... ♪
12
00:00:53,167 --> 00:00:55,667
WELL, THAT
COULD BE COUNTER-
PRODUCTIVE.
13
00:00:55,667 --> 00:00:57,167
YOU KNOW, YOU TWO
OUGHTA CALM DOWN.
14
00:00:57,167 --> 00:00:58,901
AREN'T YOU EVEN
JUST A TEENY,
TINY BIT NERVOUS?
15
00:00:58,901 --> 00:01:00,100
WHY SHOULD
I BE NERVOUS?
16
00:01:00,100 --> 00:01:01,501
I'LL BE IN AND
OUT OF THERE
IN TWO MINUTES.
17
00:01:01,501 --> 00:01:03,133
BING! BANG! BOOM!
18
00:01:03,133 --> 00:01:04,901
SO WHY ARE
YOU FIDGETING?
19
00:01:04,901 --> 00:01:07,567
BECAUSE I HAVEN'T
TOUCHED MYSELF
IN THREE DAYS.
20
00:01:07,567 --> 00:01:08,934
YOU'D BE
FIDGETING TOO.
21
00:01:10,067 --> 00:01:11,901
Woman:
NOVOTNY?
PRESENT.
22
00:01:11,901 --> 00:01:12,901
I MEAN...
I'M HERE.
23
00:01:12,901 --> 00:01:14,067
FOLLOW ME.
24
00:01:15,367 --> 00:01:16,300
WISH ME LUCK.
25
00:01:17,968 --> 00:01:19,501
WE LOVE YOU.
WE LOVE YOU.
26
00:01:19,501 --> 00:01:24,200
27
00:01:24,200 --> 00:01:25,901
♪ I GOTTA BE COOL ♪
28
00:01:25,901 --> 00:01:26,901
♪ RELAX ♪
Melanie:
[ Chuckle ]
29
00:01:26,901 --> 00:01:29,000
♪ GET HIP ♪
30
00:01:29,000 --> 00:01:30,534
♪ GET ON MY TRACKS ♪
31
00:01:30,534 --> 00:01:32,934
♪ TAKE A BACKSEAT
OR HITCHHIKE ♪
32
00:01:32,934 --> 00:01:36,033
♪ TAKE A LONG RIDE
ON MY MOTORBIKE ♪
33
00:01:36,033 --> 00:01:37,434
♪ GET READY... ♪
34
00:01:37,434 --> 00:01:38,868
HERE'S FOR
YOUR SPECIMEN.
35
00:01:40,367 --> 00:01:41,767
A BIT OPTIMISTIC,
AREN'T WE?
36
00:01:41,767 --> 00:01:45,100
AND HERE ARE
YOUR TISSUES TO
WIPE UP AFTER.
37
00:01:45,100 --> 00:01:47,701
"MOISTURIZING
CREAM ADDED
FOR EXTRA SOFT-
NESS". NICE.
38
00:01:47,701 --> 00:01:51,501
LUBRICANT'S
OVER HERE, AND
THE MAGAZINES
ARE HERE.
39
00:01:51,501 --> 00:01:54,501
THE JULY
"HUSTLER"
IS NASTY.
40
00:01:54,501 --> 00:01:56,100
DON'T TAKE
TOO LONG.
41
00:01:56,100 --> 00:01:57,767
THE CLINIC
CLOSES AT 5:00.
42
00:01:57,767 --> 00:01:59,701
WELL, HOPEFULLY,
WE'LL BOTH GET
OFF BY THEN.
43
00:02:07,767 --> 00:02:09,968
NOT A DICK IN SIGHT.
44
00:02:17,968 --> 00:02:18,901
UH...
45
00:02:32,767 --> 00:02:33,801
[ Sigh ]
46
00:02:35,000 --> 00:02:36,934
[ Violin ♪♪♪ ]
47
00:02:36,934 --> 00:02:39,167
NERVOUS?
HUH...
48
00:02:39,167 --> 00:02:41,000
I'LL TAKE
"QUESTIONS WHOSE
ANSWERS ARE PAIN-
FULLY OBVIOUS"
49
00:02:41,000 --> 00:02:42,367
FOR 100, ALEX.
50
00:02:42,367 --> 00:02:44,501
"THIS DEVASTATINGLY
HANDSOME VIOLINIST
51
00:02:44,501 --> 00:02:47,033
DAZZLED THE
JUDGES AT THE
SEMI-FINALS
52
00:02:47,033 --> 00:02:49,767
AND CONSISTENTLY
TAKES JUSTIN TAYLOR'S
BREATH AWAY."
53
00:02:49,767 --> 00:02:51,734
WHO IS...
ETHAN GOLD?
54
00:02:52,801 --> 00:02:53,734
BING, BING, BING!
55
00:02:57,667 --> 00:02:59,000
YOU'RE
MY MUSE.
HMM.
56
00:02:59,000 --> 00:03:00,534
YOU KNOW
THAT, RIGHT?
57
00:03:00,534 --> 00:03:02,300
I COULDN'T DO
THIS WITHOUT YOU.
SURE YOU COULD.
58
00:03:04,534 --> 00:03:07,434
WHEN MY MOM
CALLED, SAID MY
GRANDFATHER WAS
TOO SICK TO TRAVEL,
59
00:03:07,434 --> 00:03:09,534
I ALMOST
DIDN'T COME.
60
00:03:09,534 --> 00:03:11,434
I'VE BEEN PLAY-
ING FOR HIM MY
WHOLE LIFE,
61
00:03:11,434 --> 00:03:13,834
PRACTICING DAY
AND NIGHT FOR
THIS MOMENT.
62
00:03:13,834 --> 00:03:16,834
WITHOUT HIM, WHO
WAS I DOING IT FOR?
63
00:03:16,834 --> 00:03:18,300
YOU'RE NEXT,
MR. GOLD.
64
00:03:18,300 --> 00:03:19,667
I BETTER
TAKE MY SEAT.
65
00:03:19,667 --> 00:03:22,934
NO, STAY HERE,
WHERE I CAN
SEE YOU.
66
00:03:24,467 --> 00:03:25,934
I'LL BE PLAYING
FOR YOU.
67
00:03:25,934 --> 00:03:29,133
[ Ending of ♪♪♪ ]
[ Applause ]
68
00:03:36,434 --> 00:03:41,501
PLAYING THE
"SCHERZO-TARANTELLA,
OPUS 16" BY WIENIAWSKI,
69
00:03:41,501 --> 00:03:42,801
ETHAN GOLD.
70
00:04:18,467 --> 00:04:20,934
[ Violin ♪♪♪ ]
71
00:04:26,167 --> 00:04:28,100
[ Violin ♪♪♪ ]
72
00:04:45,734 --> 00:04:47,701
IF YOU TWO LOVE-
BIRDS ARE FINISHED,
73
00:04:47,701 --> 00:04:49,267
HOW ABOUT REGIS-
TERING TO VOTE?
74
00:04:50,334 --> 00:04:51,267
NO.
75
00:04:52,901 --> 00:04:54,267
PUBLIC DISPLAYS
OF AFFECTION
76
00:04:54,267 --> 00:04:57,100
AREN'T YOUR ONLY
CIVIC DUTY, YOU KNOW.
77
00:04:57,100 --> 00:04:59,667
IT'S OUR RESPONSIBILITY
TO SUPPORT THE CANDIDATES
78
00:04:59,667 --> 00:05:01,234
WHO ARE WILLING
TO FIGHT FOR
79
00:05:01,234 --> 00:05:03,200
AND DEFEND THE RIGHTS
OF OUR COMMUNITY.
80
00:05:03,200 --> 00:05:05,467
YEAH, YOU
TELL 'EM, SIS.
81
00:05:05,467 --> 00:05:08,067
SO, UH, HOW MANY
NEW VOTERS HAVE
YOU SIGNED UP?
82
00:05:08,067 --> 00:05:11,167
SIX. HOW
ABOUT YOU?
FOUR.
83
00:05:11,167 --> 00:05:12,434
CHRIST, WITH AN
ELECTION COMIN' UP,
84
00:05:12,434 --> 00:05:14,367
YOU'D THINK
THESE GUYS WOULD
GIVE A SHIT
85
00:05:14,367 --> 00:05:16,634
ABOUT SOMETHING
ELSE BESIDES
GETTING THEIR
DICKS SUCKED.
86
00:05:16,634 --> 00:05:17,901
HOW ABOUT
A RIM JOB,
87
00:05:17,901 --> 00:05:19,634
OR A GOOD OLD-
FASHIONED FUCK?
HUH.
88
00:05:19,634 --> 00:05:21,200
THAT'S WHAT
I LIKE, A NON-
PARTISAN OPINION.
89
00:05:21,200 --> 00:05:23,100
NOW WHEN'S
THE LAST TIME
YOU VOTED?
90
00:05:23,100 --> 00:05:25,067
UH, LET'S SEE,
THAT WOULD
HAVE TO BE...
91
00:05:25,067 --> 00:05:27,200
THE BIG
BASKET CONTEST
AT WOODY'S.
92
00:05:27,200 --> 00:05:28,801
VOTING'S A
SERIOUS BUSINESS.
93
00:05:28,801 --> 00:05:29,801
ESPECIALLY
THIS YEAR.
94
00:05:29,801 --> 00:05:31,801
WHAT IF THAT
ASSHOLE GETS
ELECTED?
95
00:05:31,801 --> 00:05:33,601
WHICH ASSHOLE?
96
00:05:33,601 --> 00:05:35,167
CHRIST, WHERE
THE FUCK HAVE
YOU BEEN?
97
00:05:35,167 --> 00:05:37,000
BABYLON,
THE BATHS.
98
00:05:37,000 --> 00:05:38,100
Vince:
OUR ILLUSTRIOUS
POLICE CHIEF
99
00:05:38,100 --> 00:05:39,501
IS RUNNING
FOR MAYOR.
100
00:05:39,501 --> 00:05:41,434
AND THE POLLS SHOW
THAT HE'S RUNNING
NECK-AND-NECK
101
00:05:41,434 --> 00:05:42,968
WITH COUNCILMAN
DEEKINS.
102
00:05:42,968 --> 00:05:44,200
LET ME KNOW
WHO WINS.
103
00:05:45,734 --> 00:05:47,534
Debbie:
HOLD IT!
104
00:05:47,534 --> 00:05:48,801
YOU MEAN YOU DON'T CARE?
105
00:05:48,801 --> 00:05:50,434
YOU MEAN YOU'RE
SURPRISED?
106
00:05:50,434 --> 00:05:52,534
I MEAN I DON'T
GIVE A FUCK.
107
00:05:52,534 --> 00:05:55,267
YOU KNOW, WHETHER
IT'S THE DEMOCRAT WHO
PRETENDS HE LIKES YOU,
108
00:05:55,267 --> 00:05:57,868
OR THE REPUBLICAN
WHO HATES YOU AND
LETS YOU KNOW IT,
109
00:05:57,868 --> 00:05:59,133
EITHER WAY, ONCE
THEY'RE IN OFFICE,
110
00:05:59,133 --> 00:06:01,400
THEY'RE NOT GOING TO
DO A GODDAMN THING.
111
00:06:01,400 --> 00:06:04,467
SO I SAY, MAY THE
BEST SELF-SERVING
SON OF A BITCH WIN.
112
00:06:07,767 --> 00:06:09,434
YOU KNOW, I
ALMOST HATE TO
SAY IT BUT...
113
00:06:09,434 --> 00:06:10,868
THEN KEEP YOUR
TRAP SHUT.
114
00:06:11,934 --> 00:06:13,601
[ Violin ♪♪♪ ]
115
00:06:48,567 --> 00:06:50,133
[ Knocking on door ]
Nurse:
MR. NOVOTNY?
116
00:07:07,200 --> 00:07:08,400
[ Moan ]
117
00:07:08,400 --> 00:07:10,200
[ Applause ]
118
00:07:11,267 --> 00:07:12,200
[ Knocking on door ]
119
00:07:16,934 --> 00:07:19,434
Nurse:
MR. NOVOTNY,
120
00:07:19,434 --> 00:07:22,067
THE CLEANING CREW WOULD
LIKE TO GET IN THERE,
121
00:07:22,067 --> 00:07:24,000
AND I'D LIKE TO GO HOME.
122
00:07:43,601 --> 00:07:45,701
Jennifer:
HELLO, MY NAME IS...
123
00:07:47,234 --> 00:07:48,901
DO YOU HAVE
JUST A MOMENT
FOR...
124
00:07:48,901 --> 00:07:50,634
SO I C...
NO, I'M SORRY.
125
00:07:50,634 --> 00:07:52,567
YOU KNOW, IF I
COULD JUST HAVE
126
00:07:52,567 --> 00:07:54,334
JUST A MOMENT...
NOT TODAY.
127
00:07:54,334 --> 00:07:55,834
HEY, GUYS!
128
00:07:55,834 --> 00:07:57,667
LOOK AT YOU IN
YOUR LITTLE CAP.
129
00:07:57,667 --> 00:08:01,334
YEAH, WELL,
DEB'S GOT ALL
US PFLAG PARENTS
OUT VOLUNTEERING.
130
00:08:01,334 --> 00:08:02,334
HAVE YOU
REGISTERED?
131
00:08:02,334 --> 00:08:04,033
YEAH, I-I SIGNED
UP YESTERDAY.
132
00:08:04,033 --> 00:08:05,267
YOU DID?
133
00:08:05,267 --> 00:08:07,033
I ASKED IF YOU
WANTED TO TAKE
STRIP AEROBICS.
134
00:08:09,100 --> 00:08:11,501
I BELIEVE
JENNIFER MEANS
TO VOTE.
135
00:08:11,501 --> 00:08:14,601
OH, THAT.
IT'S JUST THAT
SORT OF APATHY
136
00:08:14,601 --> 00:08:16,434
THAT GETS THE
WRONG MAN ELECTED.
137
00:08:16,434 --> 00:08:18,367
I, ON THE OTHER
HAND, HAVE BEEN A
REGISTERED REPUBLICAN
138
00:08:18,367 --> 00:08:20,200
FOR ALMOST,
UH...
WHAT?
139
00:08:20,200 --> 00:08:22,000
A REPUBLICAN.
140
00:08:22,000 --> 00:08:23,200
ARE YOU TELLING ME
I'VE BEEN LIVING
WITH A YANKEE
141
00:08:23,200 --> 00:08:24,501
AND A REPUBLICAN?
142
00:08:24,501 --> 00:08:26,400
GIVE ME THAT.
143
00:08:26,400 --> 00:08:28,400
ALTHOUGH ONCE
WE MOVE, I'LL
PROBABLY HAVE
TO RE-REGISTER.
144
00:08:28,400 --> 00:08:29,534
YOU'RE MOVING?
145
00:08:29,534 --> 00:08:31,067
YEAH, WE'RE LOOKING
FOR A HOUSE.
146
00:08:31,067 --> 00:08:32,767
WONDERFUL.
147
00:08:32,767 --> 00:08:34,968
I... SUPPOSE
YOU ALREADY
HAVE A REALTOR.
148
00:08:34,968 --> 00:08:35,901
NO, NO YET.
149
00:08:37,033 --> 00:08:39,767
WELL, YOU DO NOW.
150
00:08:39,767 --> 00:08:41,901
I WOULD BE
DELIGHTED...
151
00:08:42,968 --> 00:08:45,567
TO HELP YOU FIND
YOUR DREAM HOME.
152
00:08:45,567 --> 00:08:47,901
EXCELLENT.
PERFECT.
153
00:08:47,901 --> 00:08:51,701
BEFORE ANNOUNCING
THE WINNER OF THIS
YEAR'S COMPETITION,
154
00:08:51,701 --> 00:08:55,868
I'D LIKE TO COMPLIMENT
ALL OF OUR BRILLIANTLY
TALENTED YOUNG FINALISTS.
155
00:08:55,868 --> 00:08:58,067
[ Applause ]
156
00:08:58,067 --> 00:08:59,200
Man:
WELL DONE.
WELL DONE.
157
00:08:59,200 --> 00:09:00,701
AS WE WIT-
NESSED TODAY,
158
00:09:00,701 --> 00:09:02,133
EACH IS A SUPERB
159
00:09:02,133 --> 00:09:04,200
AND REMARKABLY
GIFTED MUSICIAN.
160
00:09:06,167 --> 00:09:07,901
THE HEIFETZ
PRIZE GOES TO...
161
00:09:11,067 --> 00:09:12,767
LING LIU.
162
00:09:12,767 --> 00:09:13,701
[ Applause ]
163
00:09:29,868 --> 00:09:31,501
[ Mixed chatter ]
164
00:09:34,601 --> 00:09:36,267
IT WAS THE
CANTABILE.
165
00:09:36,267 --> 00:09:37,467
THE GODDAMN
CANTABILE!
166
00:09:37,467 --> 00:09:39,300
I FUCKED
IT UP GOOD.
167
00:09:39,300 --> 00:09:41,234
MY FINGERS
TIGHTENED UP.
I COULD... I
COULD FEEL IT.
168
00:09:41,234 --> 00:09:44,400
IT'S OKAY. IT
DOESN'T MATTER.
169
00:09:44,400 --> 00:09:46,901
YOU WERE STILL
WONDERFUL.
[ Sigh ]
170
00:09:50,400 --> 00:09:51,334
COME ON.
171
00:09:53,167 --> 00:09:54,100
LET'S GO HOME.
172
00:09:55,501 --> 00:09:57,000
OKAY.
173
00:09:57,000 --> 00:09:59,334
OKAY.
Man:
MR. GOLD?
174
00:09:59,334 --> 00:10:00,434
THAT'S RIGHT.
175
00:10:00,434 --> 00:10:03,667
GLEN BISHOP,
ARTISTS MANAGEMENT
ASSOCIATES.
176
00:10:03,667 --> 00:10:05,367
GLEN BISHOP.
ARTISTS MANAGEMENT.
177
00:10:05,367 --> 00:10:07,300
JUSTIN TAYLOR.
MORAL SUPPORT.
178
00:10:07,300 --> 00:10:09,300
HOW YOU DOING?
179
00:10:09,300 --> 00:10:10,934
YOU GAVE A DAZZLING
PERFORMANCE.
180
00:10:10,934 --> 00:10:13,267
APPARENTLY, NOT
DAZZLING ENOUGH.
181
00:10:13,267 --> 00:10:15,300
WELL, THE JUDGES
HAVE THEIR
OWN STANDARDS,
BUT I HAVE MINE.
182
00:10:16,467 --> 00:10:18,868
THE AUDIENCE
WAS CAPTIVATED
BY YOUR PASSION,
183
00:10:18,868 --> 00:10:20,400
YOUR VIRTUOSITY.
184
00:10:20,400 --> 00:10:21,834
YOU HAVE REAL
PRESENCE....
185
00:10:21,834 --> 00:10:23,400
AND A GREAT LOOK.
186
00:10:23,400 --> 00:10:25,767
UH... THANKS.
187
00:10:25,767 --> 00:10:27,567
THE PROGRAMME
SAYS YOU'RE
FROM PITTSBURGH.
188
00:10:27,567 --> 00:10:28,567
YEAH, THAT'S RIGHT.
189
00:10:28,567 --> 00:10:30,000
WHEN ARE YOU
HEADING BACK?
190
00:10:30,000 --> 00:10:31,634
UH, TOMORROW
MORNING.
191
00:10:31,634 --> 00:10:33,801
I'M GOING TO
HAVE A FEW DRINKS
BEFORE THAT THOUGH.
192
00:10:33,801 --> 00:10:35,901
CAN I BUY YOU
ONE OF THEM?
193
00:10:35,901 --> 00:10:38,801
UM, YOU BUYING FOR
MY BOYFRIEND TOO?
194
00:10:38,801 --> 00:10:40,400
OH, BY ALL MEANS.
195
00:10:40,400 --> 00:10:41,334
ALL RIGHT.
196
00:10:43,367 --> 00:10:44,300
AFTER YOU.
197
00:10:46,801 --> 00:10:49,100
AND IT DOESN'T HELP
THAT THERE'S A ROOM
FULL OF PEOPLE
198
00:10:49,100 --> 00:10:50,934
RIGHT OUTSIDE THE
DOOR WHO KNOW EXACTLY
199
00:10:50,934 --> 00:10:52,234
WHAT YOU'RE
DOING IN THERE.
200
00:10:52,234 --> 00:10:53,667
WELL, YOU SHOULD'VE
LEFT THE DOOR OPEN.
201
00:10:53,667 --> 00:10:55,434
WHAT COULD
BE HOTTER THAN
HAVING A BUNCH
OF BREEDERS
202
00:10:55,434 --> 00:10:56,667
WATCHING YOU WHILE
YOU JERK OFF?
203
00:10:56,667 --> 00:10:58,100
EVEN YOU
WOULDN'T DO THAT.
204
00:10:58,100 --> 00:10:59,701
THAT'S TRUE.
205
00:10:59,701 --> 00:11:01,067
I WENT TO THE "GRAVEL PIT"
AND WATCHED WHILE SOME GUY
206
00:11:01,067 --> 00:11:03,267
TOOK IT UP THE BUTT
FROM A CONGA LINE.
207
00:11:03,267 --> 00:11:04,400
YOU WHIPPED
UP THE BATTER
208
00:11:04,400 --> 00:11:06,300
THAT EVENTUALLY BECAME
GUS IN A SEX CLUB?
209
00:11:06,300 --> 00:11:09,234
IT'S DISGUSTING.
NOT LIKE LOOKING AT
PICTURES OF SOME TWAT
210
00:11:09,234 --> 00:11:11,434
SPREAD HER LIPS
IN A CUM-STAINED
COPY OF "HUSTLER".
211
00:11:11,434 --> 00:11:12,634
WHICH ONE
OF YOU SAID,
212
00:11:12,634 --> 00:11:13,801
"HOLD THE MAYO"?
213
00:11:13,801 --> 00:11:15,234
THAT WOULD BE
MR. MIRACLE WHIPPER.
214
00:11:16,601 --> 00:11:18,701
HOW DID IT
GO? HUH?
215
00:11:18,701 --> 00:11:20,434
DID YOU SHOOT
YOUR LOAD?
MOTHER!
216
00:11:20,434 --> 00:11:22,601
BET IT WAS A
WHOPPER. HUH!
217
00:11:22,601 --> 00:11:23,801
THE GRASSI SIDE
OF THE FAMILY
218
00:11:23,801 --> 00:11:25,834
ARE ITALIAN
STALLIONS,
ALL OF 'EM.
219
00:11:25,834 --> 00:11:28,033
UH-HUH. WELL, THIS
ONE DIDN'T PONY UP.
220
00:11:29,100 --> 00:11:30,968
WHAT?
221
00:11:30,968 --> 00:11:32,634
THANKS FOR AN-
NOUNCING THE
NEWS. WHILE
YOU'RE AT IT,
222
00:11:32,634 --> 00:11:33,968
WHY DON'T YOU
GIVE US THE SPORTS
AND THE WEATHER?
223
00:11:33,968 --> 00:11:35,901
WHAT HAPPENED,
HONEY?
224
00:11:35,901 --> 00:11:37,434
TELL ME.
225
00:11:37,434 --> 00:11:39,100
NOTHING HAPPENED.
226
00:11:39,100 --> 00:11:41,701
FIRST OBLI-
GATION TO BEING
A FATHER, AND
I BLEW IT.
227
00:11:41,701 --> 00:11:43,434
WELL, DON'T BE SO
HARD ON YOURSELF.
228
00:11:43,434 --> 00:11:44,634
I WOULDN'T MEN-
TION "HARD-ON".
229
00:11:44,634 --> 00:11:47,067
HONEY, A LOT OF
PEOPLE FREEZE UP
UNDER PRESSURE.
230
00:11:47,067 --> 00:11:49,200
YOU KNOW, IT'S
CALLED PERFOR-
MANCE ANXIETY,
231
00:11:49,200 --> 00:11:51,968
RIGHT, BRIAN?
NEVER HEARD OF IT.
232
00:11:51,968 --> 00:11:53,501
IT'S NOTHING TO
BE ASHAMED OF.
233
00:11:53,501 --> 00:11:54,701
I MEAN, WHO COULD
GET A STIFFIE
234
00:11:54,701 --> 00:11:56,634
IN A STERILE
ENVIRONMENT
LIKE THAT ANYWAY?
235
00:12:00,934 --> 00:12:02,601
WHY DON'T YOU
HAVE BEN PULL
IT FOR YOU,
236
00:12:02,601 --> 00:12:03,667
YOU KNOW, WHILE
YOU HOLD THE CUP?
237
00:12:03,667 --> 00:12:05,334
WOULD YOU
PLEASE STOP?
238
00:12:05,334 --> 00:12:06,634
WHAT? WE'RE
TALKING
CLINICALLY.
239
00:12:06,634 --> 00:12:07,834
WE'RE NOT
TALKING AT ALL!
240
00:12:07,834 --> 00:12:10,267
FINE. HANDLE
IT YOURSELF.
241
00:12:10,267 --> 00:12:11,267
HE ALREADY DID.
242
00:12:11,267 --> 00:12:12,834
SHUT UP! YOU KNOW WHAT?
243
00:12:12,834 --> 00:12:14,400
I DON'T KNOW WHY EVERY-
BODY IN PITTSBURGH
244
00:12:14,400 --> 00:12:15,567
NEEDS TO KNOW
MY BUSINESS
245
00:12:15,567 --> 00:12:17,901
AND FEEL FREE TO
COMMENT ON IT.
I'M GOING HOME,
246
00:12:17,901 --> 00:12:20,901
TO WHACK OFF, AND
THAT'S THE LAST
ANYBODY NEEDS TO
HEAR ABOUT IT!
247
00:12:26,000 --> 00:12:27,267
Man:
ANYBODY KNOW
WHERE HE LIVES?
248
00:12:31,033 --> 00:12:34,000
Glen:
OUR FIRM REPRESENTS
SOME OF THE HOTTEST
YOUNG CONCERT ARTISTS
249
00:12:34,000 --> 00:12:35,100
PERFORMING IN
THE BUSINESS.
250
00:12:35,100 --> 00:12:36,767
SINGERS, DANCERS,
MUSICIANS.
251
00:12:36,767 --> 00:12:38,067
SO YOU'RE WHAT,
AN AGENT?
252
00:12:38,067 --> 00:12:39,801
TALENT REPRESENTATIVE.
253
00:12:39,801 --> 00:12:41,601
WE ARRANGE FOR BOOKINGS,
254
00:12:41,601 --> 00:12:42,934
RECORDING CONTRACTS,
255
00:12:42,934 --> 00:12:45,267
TOURS, BOTH IN THE
STATES AND ABROAD.
256
00:12:45,267 --> 00:12:46,501
TOURS?
257
00:12:46,501 --> 00:12:47,801
ONCE PEOPLE KNOW
WHO YOU ARE,
258
00:12:47,801 --> 00:12:49,868
THEY'RE GOING TO
WANT TO SEE AND
HEAR YOU PERFORM.
259
00:12:49,868 --> 00:12:51,534
HOW ARE THEY GOING
TO KNOW THAT?
260
00:12:51,534 --> 00:12:52,667
WELL, LEAVE
THAT UP TO US.
261
00:12:52,667 --> 00:12:54,167
THAT'S OUR JOB.
262
00:12:54,167 --> 00:12:55,801
SO, ARE YOU...
263
00:12:55,801 --> 00:12:58,167
ARE YOU SAYING YOU
WANT TO REPRESENT ME?
264
00:12:58,167 --> 00:12:59,701
THAT'S EXACTLY
WHAT I'M SAYING.
265
00:13:03,501 --> 00:13:05,667
BUT WHY? WHY ME?
266
00:13:05,667 --> 00:13:07,501
I DIDN'T EVEN WIN. I
WASN'T EVEN THE BEST.
267
00:13:07,501 --> 00:13:10,067
HAVE YOU BEEN IN
A RECORD STORE
LATELY, ETHAN?
268
00:13:10,067 --> 00:13:11,534
IN THE CLASSICAL
DEPARTMENT?
269
00:13:11,534 --> 00:13:12,767
WELL, YEAH, I
MAKE MY OWN CDs.
270
00:13:12,767 --> 00:13:14,501
I LIKE TO CHECK
OUT THE COMPETITION,
271
00:13:14,501 --> 00:13:16,067
SEE WHAT JOSHUA BELL
IS UP TO.
272
00:13:16,067 --> 00:13:17,734
OKAY, SO
YOU'VE NOTICED
273
00:13:17,734 --> 00:13:19,968
IT'S STARTING TO
LOOK A LOT LIKE
THE ROCK DEPARTMENT.
274
00:13:19,968 --> 00:13:23,100
THERE'S NO MORE
COVERS WITH SNOWY-
HAIRED GRANDFATHERS
275
00:13:23,100 --> 00:13:25,133
PROPPED UP LIKE CORPSES
AT THEIR BABY GRANDS,
276
00:13:25,133 --> 00:13:27,100
OR CLUTCHING
THEIR VIOLINS.
277
00:13:27,100 --> 00:13:28,634
ARTISTS THESE
DAYS ARE YOUNG,
278
00:13:28,634 --> 00:13:29,934
HIP, SEXY...
279
00:13:31,000 --> 00:13:32,033
MUCH LIKE YOURSELF.
280
00:13:33,834 --> 00:13:35,934
Justin:
SO IS THAT WHY
YOU'RE INTERESTED
IN HIM?
281
00:13:35,934 --> 00:13:37,133
BECAUSE HE'S CUTE?
282
00:13:38,601 --> 00:13:39,934
Glen:
I'M INTERESTED
IN HIM
283
00:13:39,934 --> 00:13:41,834
BECAUSE HE'S AN EX-
TRAORDINARY TALENT.
284
00:13:41,834 --> 00:13:43,467
ALL THE MORE
EXTRAORDINARY
285
00:13:43,467 --> 00:13:44,834
BECAUSE HE'S A
TALENT I CAN SELL.
286
00:13:46,133 --> 00:13:48,534
SO I'M A... SO
I'M A COMMODITY.
287
00:13:50,467 --> 00:13:52,868
I CAN'T VERY
WELL SELL MOZART.
288
00:13:52,868 --> 00:13:55,234
UNLIKE EMINEM, HE
HASN'T WRITTEN ANYTHING
NEW IN 300 YEARS.
289
00:13:57,367 --> 00:13:58,901
Justin:
CAN YOU EXCUSE
ME FOR A MOMENT?
290
00:13:58,901 --> 00:13:59,834
[ Whispering ]
HAVE TO PEE.
291
00:14:01,601 --> 00:14:02,601
HE'S A
NICE KID.
292
00:14:02,601 --> 00:14:04,701
YEAH.
293
00:14:04,701 --> 00:14:05,801
HE'S AN
AMAZING ARTIST.
294
00:14:05,801 --> 00:14:07,067
REALLY?
295
00:14:07,067 --> 00:14:08,734
HE'S GOOD-
LOOKING TOO.
296
00:14:08,734 --> 00:14:09,934
DON'T GET ANY IDEAS.
297
00:14:09,934 --> 00:14:10,868
[ Chuckling ]
298
00:14:12,534 --> 00:14:13,467
I LIKED MEETING HIM...
299
00:14:15,701 --> 00:14:17,501
BUT IF YOU DECIDE
TO SIGN WITH ME,
300
00:14:17,501 --> 00:14:18,801
I DON'T WANT TO
SEE HIM AGAIN.
301
00:14:20,434 --> 00:14:21,734
WHAT?
302
00:14:21,734 --> 00:14:23,968
AS FAR AS YOUR
PROFESSIONAL
CAREER IS
CONCERNED...
303
00:14:25,033 --> 00:14:25,968
HE DOESN'T EXIST.
304
00:14:31,701 --> 00:14:33,467
[ Mixed chatter ]
305
00:14:40,334 --> 00:14:42,467
JUST AS I
EXPECTED,
306
00:14:42,467 --> 00:14:46,501
PLENTY OF PRICEY
PREY SWIMMING
IN THESE WATERS.
307
00:14:46,501 --> 00:14:48,200
PERISCOPE DEPTH.
308
00:14:48,200 --> 00:14:49,133
FOCUS.
309
00:14:50,367 --> 00:14:52,200
THAT'S BILL RANSON
OVER THERE.
310
00:14:52,200 --> 00:14:54,234
Vance:
JERUSALEM STEEL.
311
00:14:54,234 --> 00:14:56,834
THE REDHEAD
BESIDE HIM IS
THE GATEKEEPER.
312
00:14:56,834 --> 00:14:58,834
GET BY HER,
YOU'RE IN.
313
00:14:58,834 --> 00:15:01,567
DIANE OVERTON.
BLACK DRESS,
BY THE BAR.
314
00:15:02,634 --> 00:15:03,834
CHECK.
315
00:15:03,834 --> 00:15:05,501
CARNEGIE FOUNDATION.
316
00:15:05,501 --> 00:15:07,367
LOTS OF GOOD
LEADS THROUGH HER.
317
00:15:13,767 --> 00:15:16,100
AH, THE MAN OF
THE HOUR WHOM
EVERYONE'S...
318
00:15:16,100 --> 00:15:17,200
HI.
319
00:15:17,200 --> 00:15:19,534
...ANTED UP FIVE
THOU TO SHAKE
HANDS WITH,
320
00:15:19,534 --> 00:15:21,234
JIM STOCKWELL.
321
00:15:21,234 --> 00:15:23,167
HOW ARE YOU?
THANKS SO MUCH
FOR COMING.
322
00:15:23,167 --> 00:15:25,968
323
00:15:25,968 --> 00:15:27,267
YOU LISTENING?
324
00:15:27,267 --> 00:15:29,067
I PAID A SHITLOAD
OF CASH TO GET
US IN HERE.
325
00:15:29,067 --> 00:15:30,901
326
00:15:30,901 --> 00:15:32,901
FOR WHICH I
AM ETERNALLY
GRATEFUL.
327
00:15:32,901 --> 00:15:34,400
WHERE ARE
YOU GOING?
328
00:15:34,400 --> 00:15:36,267
TO FIRE A TORPEDO, CAP'N.
329
00:15:36,267 --> 00:15:48,367
330
00:15:48,367 --> 00:15:49,601
Both:
[ Moaning ]
331
00:15:49,601 --> 00:15:51,501
332
00:15:51,501 --> 00:15:52,934
[ Flushing of toilet ]
333
00:16:09,467 --> 00:16:10,901
SO YOU'RE RUNNING
FOR MAYOR.
334
00:16:13,734 --> 00:16:15,234
THAT'S RIGHT.
335
00:16:15,234 --> 00:16:16,467
HOW'S IT GOING?
336
00:16:16,467 --> 00:16:19,367
VERY WELL,
THANKS.
REALLY?
337
00:16:19,367 --> 00:16:21,334
BECAUSE WITH
ALL THIS MONEY
YOU'RE RAISING...
338
00:16:21,334 --> 00:16:23,234
[ Clearing
of throat ]
YOU SHOULD BE
OUT IN FRONT,
339
00:16:23,234 --> 00:16:25,067
BUT THE POLLS
SHOW YOU TRAILING
COUNCILMAN DEEKINS.
340
00:16:26,400 --> 00:16:27,934
MY OPPONENT
IS AHEAD AT
THIS POINT,
341
00:16:27,934 --> 00:16:30,100
BY THE NARROWEST
OF MARGINS.
342
00:16:30,100 --> 00:16:32,934
HOWEVER, MY
ADVISORS HAVE
INFORMED ME
343
00:16:32,934 --> 00:16:35,033
THAT WE'RE WELL
POSITIONED TO TAKE
OVER THE LEAD.
344
00:16:36,834 --> 00:16:39,601
YOUR ADVISORS
ARE BLOWING SMOKE
UP YOUR ASS.
345
00:16:39,601 --> 00:16:40,734
AND YOUR PRE-
PARED REMARKS
346
00:16:40,734 --> 00:16:43,033
ARE AS STALE
AS THE CAMPAIGN
YOU'RE RUNNING.
347
00:16:43,033 --> 00:16:45,234
THANK YOU FOR
YOUR OPINION,
MR... UH...
348
00:16:45,234 --> 00:16:47,534
KINNEY.
BRIAN KINNEY.
349
00:16:47,534 --> 00:16:49,701
IT'S ALWAYS HELP-
FUL HEARING FROM
ONE'S SUPPORTERS.
350
00:16:49,701 --> 00:16:51,100
I'M NOT A
SUPPORTER.
351
00:16:51,100 --> 00:16:52,834
I'M AN ADMAN,
TRYING TO DRUM
UP SOME BUSINESS
352
00:16:52,834 --> 00:16:55,300
AMONG YOUR RICH AND
POWERFUL FRIENDS.
353
00:16:55,300 --> 00:16:56,234
HUH.
354
00:16:57,701 --> 00:16:59,801
AT LEAST
YOU'RE HONEST.
355
00:16:59,801 --> 00:17:01,801
AND I FIGURE THE
BEST WAY TO GET
IN WITH THEM
356
00:17:01,801 --> 00:17:02,801
IS TO GET
IN WITH YOU,
357
00:17:02,801 --> 00:17:05,033
SO IF YOU EVER
GET TIRED
358
00:17:05,033 --> 00:17:06,701
OF PISSING
AWAY YOUR
PALS' MILLIONS
359
00:17:06,701 --> 00:17:08,634
ON AN AD CAMPAIGN
THAT HAS YOU
POSITIONED
360
00:17:08,634 --> 00:17:11,167
EXACTLY WHERE
YOUR ADVISORS
WANT YOU TO BE...
361
00:17:12,400 --> 00:17:13,334
GIVE ME A CALL.
362
00:17:17,334 --> 00:17:18,868
Michael:
WHAT TIME
IS IT?
363
00:17:18,868 --> 00:17:19,801
OH, IT'S 5:30.
364
00:17:21,033 --> 00:17:22,400
IT'S SO EARLY.
365
00:17:22,400 --> 00:17:23,901
YEAH, CLASS
IS AT 8:00.
366
00:17:23,901 --> 00:17:25,534
COME BACK HERE.
367
00:17:25,534 --> 00:17:27,567
JUST FOR
A MINUTE.
368
00:17:27,567 --> 00:17:29,167
AH... HO-HO.
369
00:17:30,667 --> 00:17:32,634
[ Clearing
of throat ]
I THOUGHT
WE COULD...
370
00:17:32,634 --> 00:17:35,267
YEAH, I WANT
TO HIT THE GYM
BEFORE CLASS.
THERE'S TIME.
371
00:17:35,267 --> 00:17:37,701
I WAS HOPING
YOU COULD HELP ME
MAKE A LITTLE...
372
00:17:37,701 --> 00:17:39,033
CUP OF LOVE.
373
00:17:40,100 --> 00:17:41,734
MAYBE LATER.
374
00:17:41,734 --> 00:17:43,367
OH, COME ON.
YOU'RE SO HOT.
375
00:17:43,367 --> 00:17:45,868
IT WON'T TAKE
ME VERY LONG.
376
00:17:45,868 --> 00:17:47,434
IT'S IMPORTANT
THAT I GET IT
TO MEL AND LINZ
377
00:17:47,434 --> 00:17:48,634
AS SOON
AS POSSIBLE.
WELL, IT'S
IMPORTANT TO ME
378
00:17:48,634 --> 00:17:50,801
THAT I GET TO
THE GYM AS SOON
AS POSSIBLE.
379
00:17:50,801 --> 00:17:52,901
OKAY, I
HAVE TO GO...
380
00:17:52,901 --> 00:17:53,834
NOW.
381
00:17:59,100 --> 00:18:00,033
[ Slamming of door ]
382
00:18:02,000 --> 00:18:03,734
YOU HARDLY
SAID A WORD THE
ENTIRE FLIGHT...
383
00:18:05,067 --> 00:18:06,868
OR LAST
NIGHT EVEN.
384
00:18:06,868 --> 00:18:08,601
IF IT WAS ME,
385
00:18:08,601 --> 00:18:10,267
I WOULD BE
RUNNING AROUND,
TELLING EVERYONE.
386
00:18:10,267 --> 00:18:11,701
"MY BOYFRIEND'S
GOING TO
BE A STAR!"
387
00:18:11,701 --> 00:18:13,467
Man:
GREAT.
388
00:18:13,467 --> 00:18:15,100
HEY, COULD WE
GO TO THE DINER?
389
00:18:15,100 --> 00:18:16,200
IF YOU'RE
NOT GOING
TO SHOW OFF,
390
00:18:16,200 --> 00:18:17,667
YOU GOTTA LET ME
DO IT FOR YOU.
391
00:18:17,667 --> 00:18:18,601
WAIT.
392
00:18:19,667 --> 00:18:20,601
WHAT'S WRONG?
393
00:18:22,601 --> 00:18:25,033
GLEN SAID IF
I SIGN WITH
HIM, I HAVE
TO BE STRAIGHT.
394
00:18:27,567 --> 00:18:29,467
STRAIGHT?
395
00:18:29,467 --> 00:18:31,167
I CAN'T BE
OUT. NOBODY CAN
KNOW I'M GAY.
396
00:18:32,634 --> 00:18:34,501
ARE YOU KIDDING?
397
00:18:34,501 --> 00:18:36,501
HE SAID IT WAS
A CONDITION OF
THE CONTRACT
398
00:18:36,501 --> 00:18:38,200
THAT I COULDN'T
BE SEEN WITH
YOU IN PUBLIC,
399
00:18:38,200 --> 00:18:39,300
OR ACKNOWLEDGE YOU.
400
00:18:40,400 --> 00:18:42,701
WHA... THAT'S
TOTALLY FUCKED.
401
00:18:42,701 --> 00:18:44,634
IT'S NONE OF
HIS BUSINESS,
SO WHAT DOES
IT HAVE TO DO
402
00:18:44,634 --> 00:18:45,934
WITH PLAYING
THE VIOLIN?
403
00:18:45,934 --> 00:18:48,601
ABSOLUTELY
NOTHING. IT'S
ALL ABOUT THE
ALBUM COVER,
404
00:18:48,601 --> 00:18:51,167
HAVING SOME YOUNG
HOT STUD WITH
TUSSLED HAIR,
405
00:18:51,167 --> 00:18:52,667
SHIRT UNBUTTONED
DOWN TO HERE,
406
00:18:52,667 --> 00:18:53,968
STROKING
HIS VIOLIN.
407
00:18:53,968 --> 00:18:55,334
BUT YOU'RE A
SERIOUS ARTIST.
408
00:18:55,334 --> 00:18:56,934
YEAH WELL, IF
THAT'S ALL HE
CARED ABOUT,
409
00:18:56,934 --> 00:18:59,234
HE'D BE TALKING
TO LING LIU.
410
00:18:59,234 --> 00:19:01,300
YOU KNOW, ALL
GLEN AND THE
RECORD COMPANIES
411
00:19:01,300 --> 00:19:03,734
CARE ABOUT IS
PURSE POWER.
412
00:19:03,734 --> 00:19:06,634
ALL THOSE YOUNG
WOMEN WHO SPEND
BILLIONS A
YEAR ON CDs,
413
00:19:06,634 --> 00:19:09,300
WHO PROBABLY THINK
PAGANINI IS A BRAND
OF FROZEN PIZZA,
414
00:19:09,300 --> 00:19:11,634
WHO MIGHT NOT
BUY ETHAN GOLD'S
LATEST CD
415
00:19:11,634 --> 00:19:13,534
IF THEY KNEW
HE WAS...
416
00:19:13,534 --> 00:19:14,467
FUCK.
417
00:19:19,534 --> 00:19:21,000
WELL, WHERE DOES
THIS LEAVE US?
418
00:19:23,334 --> 00:19:25,434
TOGETHER. 'CAUSE
I'M NOT SIGNING.
419
00:19:30,200 --> 00:19:31,133
ARE YOU SURE?
420
00:19:32,767 --> 00:19:35,501
IT'S YOUR
BIG BREAK.
421
00:19:35,501 --> 00:19:37,434
IT'S ALSO
MY TALENT,
422
00:19:37,434 --> 00:19:39,200
MY HARD WORK...
423
00:19:39,200 --> 00:19:40,701
MY LIFE, MY
DECISION...
424
00:19:42,434 --> 00:19:43,367
AND MY BOYFRIEND.
425
00:19:50,834 --> 00:19:52,100
Woman:
BRIAN, YOU WON'T
BELIEVE ...
426
00:19:52,100 --> 00:19:53,667
ANY CALLS?
NO, BUT
YOU'LL...
427
00:19:53,667 --> 00:19:55,167
WELL, DID BROWN'S
SEND THEIR PROOFS
BACK YET?
THEY CAME YESTERDAY,
428
00:19:55,167 --> 00:19:56,234
BUT THE HELL WITH
BROWN'S. IT...
429
00:19:56,234 --> 00:19:58,334
IT WON'T MATTER
WHEN I TELL
YOU WHO'S...
430
00:19:58,334 --> 00:20:00,667
CHIEF STOCKWELL.
GOOD MORNING,
MR. KINNEY,
431
00:20:00,667 --> 00:20:02,901
HOPE YOU DON'T
MIND MY DROPPING
BY UNANNOUNCED.
432
00:20:02,901 --> 00:20:04,901
ACTUALLY, I WAS
EXPECTING YOU.
433
00:20:04,901 --> 00:20:07,534
I WANTED MY ADVISORS,
NANCY HENDERSON AND
DOMINIC SCOLOTTO,
434
00:20:07,534 --> 00:20:09,968
TO MEET YOU, AND
TO HEAR FIRSTHAND
WHAT YOU TOLD ME
435
00:20:09,968 --> 00:20:11,167
IN THE MEN'S ROOM
THE OTHER NIGHT.
436
00:20:11,167 --> 00:20:12,968
WHAT, TO MAKE
SURE YOU FLUSH?
437
00:20:14,167 --> 00:20:15,467
OR THAT YOU'RE
PISSING AWAY THE MONEY
438
00:20:15,467 --> 00:20:16,601
YOU'VE SPENT ON
YOUR AD CAMPAIGN.
439
00:20:17,701 --> 00:20:19,834
WHICH AMOUNTS TO
THE SAME THING.
440
00:20:19,834 --> 00:20:21,634
MR. KINNEY, DO
YOU MIND IF I ASK,
441
00:20:21,634 --> 00:20:24,234
WHAT DO YOU KNOW
ABOUT RUNNING A
POLITICAL CAMPAIGN?
442
00:20:24,234 --> 00:20:25,901
NOT A GODDAMN THING.
443
00:20:25,901 --> 00:20:27,501
THEN WHAT THE HELL
ARE WE DOING HERE?
444
00:20:27,501 --> 00:20:29,367
BECAUSE WHAT
KINNEY SAID
IS TRUE,
445
00:20:29,367 --> 00:20:31,434
AND HE'S THE ONLY
ONE WHO'S HAD THE
BALLS TO SAY IT.
446
00:20:31,434 --> 00:20:32,968
PLEASE CONTINUE.
447
00:20:32,968 --> 00:20:35,534
WELL, LIKE I WAS
SAYING, I MAY NOT KNOW
ANYTHING ABOUT POLITICS,
448
00:20:35,534 --> 00:20:37,067
BUT I DO KNOW
WHAT SELLS.
449
00:20:37,067 --> 00:20:39,567
AND RIGHT NOW, YOU'VE
GOT A PRODUCT THAT
NO ONE'S BUYING.
450
00:20:39,567 --> 00:20:41,667
YOU MAKE HIM
SOUND LIKE A BOX
OF CORN FLAKES.
451
00:20:41,667 --> 00:20:43,334
WELL, THAT'S
EXACTLY WHAT
HE IS.
452
00:20:43,334 --> 00:20:45,501
LUCKY FOR YOU,
SELLING CORN FLAKES
IS WHAT I DO BEST.
453
00:20:45,501 --> 00:20:47,167
Nancy:
MR. KINNEY...
454
00:20:47,167 --> 00:20:50,100
JIM STOCKWELL HAS
A 15-YEAR RECORD
OF FIGHTING CRIME.
455
00:20:50,100 --> 00:20:52,868
AS CHIEF OF
POLICE, HE'S
DEFENDED NOT
ONLY OUR STREETS,
456
00:20:52,868 --> 00:20:54,834
BUT OUR TRADITIONS,
OUR MORAL VALUES.
457
00:20:54,834 --> 00:20:57,133
HIS MANDATE
TO SERVE IS
BASED UPON THAT
COMMITMENT.
458
00:20:57,133 --> 00:20:59,334
WOULD YOU MIND SPARING
ME THE BULLSHIT RHETORIC?
459
00:21:00,601 --> 00:21:02,901
WE ALL KNOW YOU
LOVE YOUR FAMILY,
460
00:21:02,901 --> 00:21:04,767
YOUR FLAG, YOUR MOTHER,
461
00:21:04,767 --> 00:21:06,601
BUT IT'S NOT GOING
TO GET YOU ARRESTED.
462
00:21:06,601 --> 00:21:09,667
OR IN THIS
CASE, ELECTED.
WHAT WILL?
463
00:21:09,667 --> 00:21:12,501
SOMETHING THAT
WILL MAKE THE
CONSUMER WANT TO
BUY YOUR BRAND
464
00:21:12,501 --> 00:21:14,000
RATHER THAN
THE COMPETITION.
465
00:21:14,000 --> 00:21:15,200
SOMETHING THAT
WILL ATTRACT
THEIR ATTENTION
466
00:21:15,200 --> 00:21:16,734
FOR MORE THAN
15 MINUTES.
467
00:21:18,167 --> 00:21:19,767
SOMETHING THAT
WILL MAKE YOU POP.
468
00:21:22,968 --> 00:21:25,033
♪ COME ON TO MY HOUSE
MY HOUSE ♪
469
00:21:25,033 --> 00:21:28,234
♪ I'M GONNA
GIVE YOU CANDY ♪
470
00:21:28,234 --> 00:21:30,234
♪ COME ON TO MY HOUSE
MY HOUSE ♪
471
00:21:30,234 --> 00:21:32,767
♪ I'M GONNA GIVE
YOU APPLE PLUM ♪
472
00:21:32,767 --> 00:21:35,234
♪ AND APRICOT TOO AH... ♪
473
00:21:35,234 --> 00:21:36,934
Jennifer:
THIS ONE'S A STEAL.
474
00:21:36,934 --> 00:21:39,534
BRAND NEW. NEVER
BEEN OCCUPIED.
475
00:21:39,534 --> 00:21:41,267
THE BUILDER WENT
BANKRUPT, SO...
476
00:21:41,267 --> 00:21:43,968
I'M SURE YOU COULD
GET IT FOR A SONG.
477
00:21:43,968 --> 00:21:46,467
WELL, I'M ENJOYING
THE MUSIC.
478
00:21:48,000 --> 00:21:49,200
I SAY WE
GO FOR IT.
479
00:21:49,200 --> 00:21:51,601
HOW ABOUT YOU,
EM? DON'T YOU
LOVE IT?
480
00:21:51,601 --> 00:21:54,400
WELL, LOVE'S A...
VERY STRONG WORD.
481
00:21:54,400 --> 00:21:56,133
WELL, WHAT'S
WRONG WITH IT?
482
00:21:56,133 --> 00:21:58,567
WELL, IT'S
NOT EXACTLY MY
DREAM HOUSE.
483
00:21:58,567 --> 00:22:00,334
OF COURSE, UH,
YOU HAVE TO
PICTURE IT
484
00:22:00,334 --> 00:22:01,968
WITH YOUR
POSSESSIONS,
485
00:22:01,968 --> 00:22:03,968
YOUR FURNITURE,
PRINTS ON
THE WALL...
486
00:22:03,968 --> 00:22:06,000
RIGHT, USE A
LITTLE IMAGINATION.
487
00:22:06,000 --> 00:22:07,868
OH, I-I AM.
488
00:22:07,868 --> 00:22:11,734
AND, UM... AND
WITH A LITTLE
IMAGINATION,
489
00:22:11,734 --> 00:22:13,400
I'M PICTURING...
490
00:22:15,033 --> 00:22:16,567
A PLACE LIKE THIS.
491
00:22:17,834 --> 00:22:20,267
THIS WAS BUILT
IN THE '40s.
492
00:22:20,267 --> 00:22:23,334
BATHROOMS
AND KITCHEN,
ALL ORIGINAL.
493
00:22:23,334 --> 00:22:25,634
AND DON'T YOU
JUST ADORE
494
00:22:25,634 --> 00:22:27,100
THE LITTLE
PICKET FENCE
OUT FRONT
495
00:22:27,100 --> 00:22:29,033
WITH THE
ROSEBUSHES?
YEAH...
496
00:22:29,033 --> 00:22:31,067
IT'S GOT SUCH, UM...
SUCH CHARACTER.
497
00:22:31,067 --> 00:22:32,400
YEAH, IT'S
GOT CHARACTER,
ALL RIGHT.
498
00:22:32,400 --> 00:22:34,200
YOU'D HAVE TO BE
ONE TO LIVE HERE.
499
00:22:34,200 --> 00:22:35,968
I DON'T SEE ANY-
THING THE MATTER.
IT NEEDS
NEW PLUMBING,
500
00:22:35,968 --> 00:22:37,434
NEW WIRING, A NEW ROOF.
501
00:22:37,434 --> 00:22:38,767
I MEAN, DO YOU HAVE ANY
IDEA WHAT IT WOULD COST
502
00:22:38,767 --> 00:22:40,234
TO RENOVATE
THIS PLACE?
503
00:22:40,234 --> 00:22:42,634
IT COULD USE A
LITTLE UPDATING.
504
00:22:42,634 --> 00:22:44,400
WHAT IT COULD USE
IS A WRECKING BALL.
505
00:22:44,400 --> 00:22:46,400
I SAY WE GO
WITH THIS ONE.
506
00:22:46,400 --> 00:22:47,734
IT'S IN MOVE-
IN CONDITION.
507
00:22:47,734 --> 00:22:50,100
IT'S SO... COLD.
CONTEMPORARY.
508
00:22:50,100 --> 00:22:52,234
DEVOID OF
PERSONALITY.
FULL OF
POSSIBILITIES.
509
00:22:52,234 --> 00:22:54,367
A BARGAIN.
A WISE
INVESTMENT.
510
00:22:54,367 --> 00:22:55,667
I SAY WE GO
WITH THIS ONE.
511
00:22:55,667 --> 00:22:57,634
IT'S DECREPIT.
LIVED-IN.
512
00:22:57,634 --> 00:22:58,934
RUN-DOWN.
CHARMING.
513
00:22:58,934 --> 00:23:00,434
CLAUSTROPHOBIC.
COSY.
514
00:23:00,434 --> 00:23:01,367
[ Sigh ]
515
00:23:02,601 --> 00:23:04,200
WHAT DO YOU
THINK, JENNIFER?
516
00:23:04,200 --> 00:23:06,901
YEAH, JENNIFER,
WHAT DO YOU THINK?
517
00:23:06,901 --> 00:23:08,801
I THINK...
518
00:23:08,801 --> 00:23:10,901
THAT I'LL JUST LET
YOU GUYS TALK IT OVER.
519
00:23:10,901 --> 00:23:13,400
520
00:23:13,400 --> 00:23:14,868
♪ COME ON TO MY HOUSE ♪
521
00:23:16,534 --> 00:23:17,534
[ Chiming of bell ]
522
00:23:17,534 --> 00:23:19,167
[ Mixed chatter ]
523
00:23:19,167 --> 00:23:20,167
HERE YOU
GO, GIRLS.
524
00:23:20,167 --> 00:23:22,868
TWO PINK PLATE
SPECIALS.
525
00:23:22,868 --> 00:23:24,067
OH, WHAT'S
ALL THIS?
526
00:23:24,067 --> 00:23:25,567
WE ONLY ORDERED
A TUNA MELT...
TO SHARE.
527
00:23:25,567 --> 00:23:27,334
OH, I MUSTA
GOTTEN THE
ORDER WRONG.
528
00:23:27,334 --> 00:23:29,601
YOU NEVER GET
THE ORDER WRONG.
529
00:23:29,601 --> 00:23:31,300
[ Whispering ]
SHH. WE'RE
FAMILY NOW.
530
00:23:31,300 --> 00:23:33,234
[ Giggles ]
531
00:23:33,234 --> 00:23:34,834
WE MAY NOT BE
FAMILY FOR LONG
532
00:23:34,834 --> 00:23:36,167
UNLESS MICHAEL
COMES THROUGH.
533
00:23:37,234 --> 00:23:38,367
'SCUSE ME?
534
00:23:38,367 --> 00:23:39,501
DID I JUST
HEAR...
535
00:23:39,501 --> 00:23:41,501
MY BELOVED SON'S
NAME MENTIONED?
536
00:23:41,501 --> 00:23:43,667
MELANIE WAS
JUST SAYING...
537
00:23:43,667 --> 00:23:45,734
WHAT WERE YOU
SAYING, MEL?
538
00:23:45,734 --> 00:23:48,501
WE... W-WE'RE
IN A BIT OF
A TIME CRUNCH.
539
00:23:48,501 --> 00:23:50,400
THERE'S NO NEED
TO WORRY. MICHAEL
CAN DO THIS.
540
00:23:50,400 --> 00:23:52,467
HE'S A RED-
BLOODED ALL-
AMERICAN GAY BOY,
541
00:23:52,467 --> 00:23:54,200
WHICH MEANS HE HAS
A WHACK-ATTACK,
542
00:23:54,200 --> 00:23:55,801
OH, THREE, FOUR
TIMES A DAY.
543
00:23:55,801 --> 00:23:57,868
WELL, THEN HE
BETTER START
WHACKING.
544
00:23:57,868 --> 00:24:00,234
WE ONLY HAVE A
THREE-DAY WINDOW
OF OPPORTUNITY.
545
00:24:00,234 --> 00:24:01,467
Brian:
SPEAKING
OF WINDOWS,
546
00:24:01,467 --> 00:24:04,801
DO YOU MIND
IF I PUT THIS
UP IN YOURS?
547
00:24:04,801 --> 00:24:07,400
WHAT THE FUCK
ARE YOU DOING
WITH THAT?
548
00:24:07,400 --> 00:24:08,601
SAY HEY TO MY
NEW ACCOUNT.
549
00:24:08,601 --> 00:24:10,601
THAT FASCIST PIG?
550
00:24:10,601 --> 00:24:13,100
OH, IT'S LIKE
"WOODSTOCK REMEMBERED".
551
00:24:13,100 --> 00:24:15,100
I'LL HAVE A REGULAR
COFFEE TO GO.
552
00:24:15,100 --> 00:24:16,300
Lindsay:
JESUS, BRIAN,
YOU KNOW HOW
STOCKWELL
553
00:24:16,300 --> 00:24:17,968
FEELS ABOUT
GAY PEOPLE.
554
00:24:17,968 --> 00:24:19,234
HOW COULD YOU
SELL YOUR SOUL
TO THE DEVIL?
555
00:24:19,234 --> 00:24:20,601
I HAVEN'T SOLD MY SOUL,
556
00:24:20,601 --> 00:24:22,234
I'M JUST BILLING FOR
TIME AND EXPENSES.
557
00:24:22,234 --> 00:24:23,467
WELL, ANY-
THING YOU DO
558
00:24:23,467 --> 00:24:24,868
TO HELP HIM
GET ELECTED
IS HURTING US.
559
00:24:24,868 --> 00:24:26,400
HERE'S YOUR ORDER,
PIPING HOT.
560
00:24:26,400 --> 00:24:27,400
SCALD YOURSELF.
561
00:24:27,400 --> 00:24:29,400
THANKS FOR
THE TIP, DEB.
562
00:24:29,400 --> 00:24:30,734
EXCUSE ME IF I
DON'T LEAVE YOU ONE.
563
00:24:30,734 --> 00:24:32,534
WELL, AT LEAST
THERE'S SOMEONE
IN THIS WORLD
564
00:24:32,534 --> 00:24:34,367
LEFT WITH A
LITTLE INTEGRITY.
565
00:24:34,367 --> 00:24:36,467
ETHAN WAS OFFERED
A CONTRACT WITH
A BIG AGENT,
566
00:24:36,467 --> 00:24:38,100
AND HE TURNED
IT DOWN
567
00:24:38,100 --> 00:24:40,167
'CAUSE THEY WANTED
SUNSHINE HERE OUT
OF THE PICTURE.
568
00:24:40,167 --> 00:24:41,167
Melanie:
MMM!
569
00:24:41,167 --> 00:24:42,701
ETHAN
DID THAT?
570
00:24:42,701 --> 00:24:44,100
IT WOULD'VE
MEANT CONCERT
DATES,
571
00:24:44,100 --> 00:24:45,467
EVEN A
RECORD DEAL.
572
00:24:45,467 --> 00:24:48,167
SO NOW HE'S
BACK ON THE
STREET, PLAYING
FOR PEANUTS?
573
00:24:48,167 --> 00:24:51,067
SOMEONE SHOULD TELL
HIM THERE'S NOTHING
NOBLE ABOUT BEING POOR.
574
00:24:51,067 --> 00:24:52,601
[ Slurp ]
MMM...
575
00:24:52,601 --> 00:24:53,701
OW! FUCK!
576
00:24:55,834 --> 00:24:56,834
OOPS.
577
00:24:57,901 --> 00:24:58,901
Various:
[ Moaning ]
578
00:25:01,100 --> 00:25:02,968
Michael:
JERKING OFF
USED TO BE FUN.
579
00:25:02,968 --> 00:25:05,167
IT WAS... IT
WAS SOMETHING TO
LOOK FORWARD TO
580
00:25:05,167 --> 00:25:07,901
AND NOW IT'S...
NOW IT'S THIS
OBLIGATION.
581
00:25:07,901 --> 00:25:09,200
YOU KNOW, THERE...
THERE'S THIS...
582
00:25:09,200 --> 00:25:10,801
BIG TIME CLOCK
HANGING OVER MY HEAD
583
00:25:10,801 --> 00:25:13,100
AND PEOPLE ARE EX-
PECTING ME TO PERFORM
584
00:25:13,100 --> 00:25:16,167
AND IT'S FUCKING
HARD WORK.
585
00:25:16,167 --> 00:25:18,300
HOW THE HELL ARE
YOU SUPPOSED TO
COME ON DEMAND?
586
00:25:18,300 --> 00:25:19,267
Man:
[ Moan of ecstasy ]
587
00:25:21,400 --> 00:25:22,767
TRUST ME, IT
CAN BE DONE.
588
00:25:24,534 --> 00:25:26,501
LOOK, YOU'RE MAKING
TOO MUCH OUT OF THIS.
589
00:25:26,501 --> 00:25:28,100
YOU'RE CREATING
A MENTAL BLOCK.
590
00:25:28,100 --> 00:25:31,133
YOU JUST... YOU
NEED TO RELAX,
EASE INTO IT.
591
00:25:31,133 --> 00:25:33,334
GET BEN TO GIVE
YOU A HAND.
592
00:25:33,334 --> 00:25:35,133
I TRIED THIS MORNING,
593
00:25:35,133 --> 00:25:36,734
BUT HE PRACTICALLY
BIT MY HEAD OFF.
594
00:25:36,734 --> 00:25:38,501
[ Opening/closing
of door ]
595
00:25:44,934 --> 00:25:45,968
HERE YOU GO.
596
00:25:45,968 --> 00:25:46,901
THANKS.
597
00:25:50,701 --> 00:25:52,167
WHO'S THAT?
598
00:25:52,167 --> 00:25:53,701
THAT'S MY NEW
SUPER-JERKER.
599
00:25:53,701 --> 00:25:55,033
I HAVE YOU TO THANK.
600
00:25:55,033 --> 00:25:56,300
IT'S "RAGING HARD-ON".
601
00:25:57,734 --> 00:26:00,033
HE LOOKS GREAT
ON-SCREEN.
602
00:26:00,033 --> 00:26:01,300
AH, MOVE A LITTLE
TO THE LEFT.
603
00:26:03,067 --> 00:26:04,934
THAT'S IT.
604
00:26:04,934 --> 00:26:07,701
ALL RIGHT, NOW LET'S
SEE YOU UNLEASH
THOSE SUPERPOWERS.
605
00:26:07,701 --> 00:26:11,334
606
00:26:11,334 --> 00:26:12,834
[ Chuckling ]
607
00:26:12,834 --> 00:26:14,968
ANYWAY, AS I WAS
SAYING, YEAH, YOU
JUST NEED TO RELAX.
608
00:26:14,968 --> 00:26:18,100
STOP FRETTING,
'CAUSE YOU'LL
SEE A HOT GUY,
609
00:26:18,100 --> 00:26:19,667
YOU'LL GET
TURNED ON, YOU...
[ Moaning ]
610
00:26:19,667 --> 00:26:36,234
611
00:26:36,234 --> 00:26:37,167
MICHAEL?
612
00:26:38,434 --> 00:26:39,601
TEDDY?
613
00:26:39,601 --> 00:26:41,033
YEAH?
614
00:26:41,033 --> 00:26:42,701
DO YOU HAVE
A CUP?
615
00:26:42,701 --> 00:26:43,701
A CUP?
616
00:26:43,701 --> 00:26:46,501
617
00:26:46,501 --> 00:26:47,434
A CUP. UH...
618
00:26:48,601 --> 00:26:49,801
YEAH, A CUP, UH...
619
00:26:49,801 --> 00:26:51,234
OH, A CUP. A CUP.
620
00:26:51,234 --> 00:26:55,467
621
00:26:55,467 --> 00:26:58,033
♪ THIS THING CALLED LOVE ♪
622
00:26:58,033 --> 00:27:01,133
♪ I JUST CAN'T
HANDLE IT ♪
623
00:27:01,133 --> 00:27:04,033
♪ THIS THING CALLED LOVE ♪
624
00:27:04,033 --> 00:27:07,000
♪ I MUST GET
RID OF IT ♪
625
00:27:07,000 --> 00:27:08,767
♪ I AIN'T READY ♪
626
00:27:08,767 --> 00:27:11,667
♪ CRAZY LITTLE
THING CALLED LOVE ♪
627
00:27:11,667 --> 00:27:14,400
♪ CRAZY LITTLE
THING CALLED LOVE ♪
628
00:27:14,400 --> 00:27:16,934
♪ CRAZY LITTLE
THING CALLED LOVE ♪
629
00:27:16,934 --> 00:27:17,968
♪ CRAZY LITTLE
THING... ♪
630
00:27:17,968 --> 00:27:19,000
TA DA!
631
00:27:19,000 --> 00:27:20,300
SUCCESS!
AT LAST!
632
00:27:20,300 --> 00:27:22,033
I ALMOST DIDN'T
MAKE IT.
633
00:27:22,033 --> 00:27:23,667
SOME IDIOT
IN A PICK-UP
ALMOST HIT ME.
THANKS, SWEETIE.
634
00:27:26,100 --> 00:27:27,100
HONEY!
635
00:27:27,100 --> 00:27:28,801
SURE, LINZ.
636
00:27:28,801 --> 00:27:30,534
NO PROBLEM. GOOD LUCK.
637
00:27:30,534 --> 00:27:31,634
[ Panting ]
638
00:27:35,067 --> 00:27:36,067
GOT IT!
639
00:27:36,067 --> 00:27:37,601
MICHAEL'S SPERM.
640
00:27:37,601 --> 00:27:39,968
OH, THERE'S
A... LOT OF IT.
641
00:27:39,968 --> 00:27:40,968
WE KNEW HE
WAS GENEROUS.
642
00:27:40,968 --> 00:27:42,367
NOW, QUICK, GET
YOUR LEGS UP.
643
00:27:48,267 --> 00:27:49,834
MEL, THIS ISN'T THE
IMMACULATE CONCEPTION.
644
00:27:49,834 --> 00:27:51,200
YOU'RE GOING TO HAVE TO
TAKE OFF YOUR PANTIES.
645
00:27:51,200 --> 00:27:52,934
OH, RIGHT!
646
00:27:54,767 --> 00:27:55,701
[ Sigh ]
647
00:28:00,501 --> 00:28:02,267
JUST THINK.
648
00:28:02,267 --> 00:28:04,567
WE'RE MAKING A BABY.
649
00:28:04,567 --> 00:28:06,167
A LIFE.
650
00:28:06,167 --> 00:28:07,934
OKAY, NOW SPREAD
YOUR LEGS.
651
00:28:07,934 --> 00:28:10,300
WAIT, WAIT-
WAIT-WAIT.
652
00:28:10,300 --> 00:28:12,834
WE NEED TO EXPERI-
ENCE THIS MOMENT.
653
00:28:15,234 --> 00:28:16,167
SWEETIE...
654
00:28:23,667 --> 00:28:24,601
I LOVE YOU.
655
00:28:26,501 --> 00:28:27,868
I LOVE YOU TOO.
656
00:28:40,267 --> 00:28:41,200
OKAY?
657
00:28:42,501 --> 00:28:43,901
YOU READY?
658
00:28:43,901 --> 00:28:44,834
YEAH.
659
00:28:45,667 --> 00:28:47,534
[ Violin ♪♪♪ ]
660
00:28:48,934 --> 00:28:50,601
Michael:
AFTER WHAT I'VE
BEEN THROUGH,
661
00:28:50,601 --> 00:28:51,667
I COULD USE A
NIGHT OF BABYLON
662
00:28:51,667 --> 00:28:53,267
TO TAKE MY MIND
OFF OF PUSSY.
663
00:28:53,267 --> 00:28:55,567
[ Chuckling ]
WHO TOLD YOU TO
THINK ABOUT IT?
664
00:28:55,567 --> 00:28:57,033
I COULDN'T HELP
IT, YOU KNOW?
665
00:28:57,033 --> 00:28:59,434
KNOWING I WAS
SENDING MY
LITTLE SOLDIERS
OFF TO DO BATTLE.
666
00:28:59,434 --> 00:29:01,200
I'M SURE THEY
KNEW IT WAS FOR
THE GREATER GOOD.
667
00:29:01,200 --> 00:29:03,434
I WONDER IF
IT WORKED.
668
00:29:03,434 --> 00:29:07,000
THE OLD TURKEY
BASTER'S PUT MORE
THAN ONE BIRD
IN THE OVEN.
669
00:29:07,000 --> 00:29:09,868
AH, FUCK. I'LL
MEET YOU THERE.
OKAY.
670
00:29:09,868 --> 00:29:11,534
[ Violin ♪♪♪ ]
671
00:29:22,534 --> 00:29:23,801
Ethan:
KEEP YOUR MONEY,
I DON'T NEED IT.
672
00:29:24,868 --> 00:29:26,133
THAT'S NOT
WHAT I HEARD.
673
00:29:27,734 --> 00:29:29,400
YOU'RE STILL
WORKING THE
STREETS LIKE
ANY OTHER WHORE.
674
00:29:29,400 --> 00:29:30,634
I'M NOT A WHORE.
675
00:29:30,634 --> 00:29:32,634
NO, YOU'RE RIGHT.
676
00:29:32,634 --> 00:29:33,634
THEY PEDDLE THEIR ASSES,
677
00:29:33,634 --> 00:29:35,100
YOU'RE SELLING
YOUR MUSIC,
678
00:29:35,100 --> 00:29:37,200
YOUR... FORGIVE THE
EXPRESSION, SOUL.
679
00:29:37,200 --> 00:29:39,501
AND WHAT THE FUCK
WOULD YOU KNOW ABOUT,
680
00:29:39,501 --> 00:29:42,033
FORGIVE THE
EXPRESSION, SOUL?
681
00:29:42,033 --> 00:29:43,767
I KNOW THAT YOU
MUST'VE WORKED EVERY
DAY OF YOUR LIFE
682
00:29:43,767 --> 00:29:45,634
SINCE YOU WERE A KID...
683
00:29:45,634 --> 00:29:47,100
PLAYING IT TILL YOUR
FINGERS WERE NUMB.
684
00:29:49,901 --> 00:29:52,000
POURING YOUR
HEART INTO EVERY
MEASURE TO MAKE
IT PERFECT.
685
00:29:53,234 --> 00:29:54,934
SO THAT ONE DAY YOU
WOULD BE A GREAT ARTIST.
686
00:29:59,200 --> 00:30:01,000
BUT...
687
00:30:01,000 --> 00:30:02,033
WHO'S GOING TO
HEAR YOU NOW?
688
00:30:06,334 --> 00:30:08,634
WHY DO YOU
GIVE A SHIT?
689
00:30:08,634 --> 00:30:10,000
BECAUSE YOU DE-
SERVE TO BE HEARD.
690
00:30:14,000 --> 00:30:15,434
THEY WANTED ME
TO SELL OUT.
691
00:30:16,501 --> 00:30:17,734
YOU SHOULD DO IT.
692
00:30:17,734 --> 00:30:18,934
SO YOU CAN GET
JUSTIN BACK?
693
00:30:18,934 --> 00:30:21,000
[ Chuckling ]
I DON'T WANT HIM.
694
00:30:21,000 --> 00:30:22,901
I JUST HATE
TO SEE SOMEONE
HOLDING ONTO
THEIR INTEGRITY
695
00:30:22,901 --> 00:30:24,033
FOR NO GOOD
REASON.
696
00:30:24,033 --> 00:30:25,934
I'D EXPECT YOU
TO SAY SOMETHING
LIKE THAT.
697
00:30:25,934 --> 00:30:28,100
YOU PROBABLY
WOULDA PLAYED FOR
THE NAZIS TOO.
698
00:30:29,234 --> 00:30:31,033
IF IT HAD KEPT
ME ALIVE FOR
ONE MORE DAY,
699
00:30:31,033 --> 00:30:32,467
YOU'RE GODDAMN
FUCKING RIGHT
I WOULD.
700
00:30:34,701 --> 00:30:36,934
ALL THEY'RE ASKING
IS FOR YOU TO
PLAY THEIR GAME.
701
00:30:36,934 --> 00:30:38,567
IF YOU'RE SMART,
YOU'LL FIGURE
OUT A WAY
702
00:30:38,567 --> 00:30:39,834
TO PLAY IT TO
YOUR ADVANTAGE.
703
00:30:39,834 --> 00:30:41,467
I'D RATHER WORK
THE STREET,
THANK YOU.
704
00:30:41,467 --> 00:30:42,734
THAT'S YOUR CALL.
705
00:30:44,234 --> 00:30:47,767
BUT THERE'S
NOTHING NOBLE
ABOUT BEING POOR.
706
00:31:02,200 --> 00:31:03,901
♪ COME ON, BARBIE,
LET'S GO PARTY ♪
707
00:31:03,901 --> 00:31:07,834
♪ I'M A BARBIE GIRL
IN THE BARBIE WORLD ♪
708
00:31:07,834 --> 00:31:10,000
♪ LIFE IN PLASTIC ♪
709
00:31:10,000 --> 00:31:11,234
♪ IT'S FANTASTIC ♪
710
00:31:11,234 --> 00:31:13,000
♪ YOU CAN BRUSH
MY HAIR ♪
711
00:31:13,000 --> 00:31:15,167
♪ UNDRESS ME EVERYWHERE ♪
712
00:31:15,167 --> 00:31:18,467
♪ IMAGINATION, LIFE
IS YOUR CREATION ♪
713
00:31:18,467 --> 00:31:19,767
714
00:31:19,767 --> 00:31:21,601
♪ I'M A BLONDE
SINGLE GIRL ♪
715
00:31:21,601 --> 00:31:23,501
♪ IN THE FANTASY WORLD ♪
716
00:31:23,501 --> 00:31:25,300
♪ DRESS ME UP
MAKE THE TIME ♪
717
00:31:25,300 --> 00:31:27,033
♪ I'M YOUR DOLLIE ♪
718
00:31:27,033 --> 00:31:29,033
♪ YOU'RE MY DOLL
ROCK AND ROLL ♪
719
00:31:29,033 --> 00:31:30,801
♪ FEEL THE
GLAMOUR AND PAIN ♪
720
00:31:30,801 --> 00:31:32,667
♪ KISS ME HERE
TOUCH ME THERE ♪
721
00:31:32,667 --> 00:31:34,667
♪ HANKY-PANKY ♪
722
00:31:34,667 --> 00:31:38,434
♪ YOU CAN TOUCH
YOU CAN PLAY ♪
723
00:31:38,434 --> 00:31:42,601
♪ IF YOU SAY I'M ALWAYS
YOURS OOOH WHOA ♪
724
00:31:42,601 --> 00:31:44,033
♪ I'M A BARBIE GIRL... ♪
725
00:31:44,033 --> 00:31:46,868
THE ONE I LIKE
IS IN MOVE-IN
CONDITION,
726
00:31:46,868 --> 00:31:48,834
A PERFECT SPACE AT
A PERFECT PRICE.
727
00:31:48,834 --> 00:31:52,534
AND THE ONE I LIKE
HAS THE SWEETEST,
LITTLE KITCHEN
728
00:31:52,534 --> 00:31:55,000
WITH A BREAKFAST
NOOK, AND A
BACK ROOM...
729
00:31:55,000 --> 00:31:55,934
A BACK ROOM?
730
00:31:57,300 --> 00:31:58,834
THAT WE CAN CON-
VERT INTO A DEN...
731
00:31:58,834 --> 00:32:00,567
TURN IT INTO A FULLY-
EQUIPPED DUNGEON
732
00:32:00,567 --> 00:32:01,801
YOU CAN SELL TO
SOME LEATHER QUEEN
733
00:32:01,801 --> 00:32:03,834
FOR TWICE WHAT
YOU PAID FOR IT.
734
00:32:03,834 --> 00:32:06,801
LOOK, EM, I
KNOW YOU LOVE
THAT HOUSE.
735
00:32:06,801 --> 00:32:08,000
IT'S THE HOUSE
OF YOUR DREAMS,
736
00:32:08,000 --> 00:32:09,801
BUT DREAMS
AREN'T PRACTICAL.
737
00:32:09,801 --> 00:32:11,734
NOW, I HAPPEN
TO KNOW ABOUT
PROPERTY VALUES
738
00:32:11,734 --> 00:32:13,067
AND INVESTMENT
POSSIBILITIES,
739
00:32:13,067 --> 00:32:15,334
AND I'M
TELLING YOU...
A-A-ALL RIGHT.
740
00:32:15,334 --> 00:32:16,634
ALL RIGHT, TEDDY,
YOU KNOW WHAT?
741
00:32:16,634 --> 00:32:18,133
IF IT WILL
MAKE YOU HAPPY,
742
00:32:18,133 --> 00:32:19,868
BEING "PRACTICAL",
743
00:32:19,868 --> 00:32:22,400
WE WILL GO WITH THE
HOUSE THAT YOU LIKE.
744
00:32:22,400 --> 00:32:24,868
O-OKAY? IT...
IT-IT-IT-IT'S...
IT'S FINE.
745
00:32:24,868 --> 00:32:26,501
NOW CAN WE
PLEASE, PLEASE,
746
00:32:26,501 --> 00:32:28,033
TALK ABOUT SOME-
THING MORE PLEASANT?
747
00:32:28,033 --> 00:32:30,868
748
00:32:30,868 --> 00:32:32,901
ISN'T THAT THE
SECOND ONE THAT'S
O.D.ed TONIGHT?
749
00:32:32,901 --> 00:32:34,834
MUST BE A
BAD BATCH.
750
00:32:34,834 --> 00:32:37,801
OR SOME DUMB KID
WHO SHOULD KNOW
NOT TO TAKE CANDY
FROM STRANGERS.
751
00:32:37,801 --> 00:32:39,067
IT NEVER CHANGES.
752
00:32:40,534 --> 00:32:42,834
SOMEBODY DROPS.
WE DON'T KNOW
IF THEY'RE DEAD
OR ALIVE,
753
00:32:42,834 --> 00:32:44,400
AND NOBODY MISSES A BEAT.
754
00:32:44,400 --> 00:32:45,734
THE THUMPA-
THUMPA GOES ON.
755
00:32:46,801 --> 00:32:48,467
SO WHO WANTS
ANOTHER COSMO?
756
00:32:48,467 --> 00:32:50,300
757
00:32:50,300 --> 00:32:52,200
HEY, BABY.
758
00:32:52,200 --> 00:32:54,300
WHAT ARE YOU
DOING HERE?
I THOUGHT YOU
WERE AT THE GYM.
759
00:32:57,634 --> 00:32:58,634
I WAS MISSING YOU.
760
00:32:58,634 --> 00:33:03,167
761
00:33:03,167 --> 00:33:04,167
YOU STILL
LOVE ME?
762
00:33:04,167 --> 00:33:10,567
763
00:33:10,567 --> 00:33:13,467
MMM, SO
HOW ABOUT...
764
00:33:13,467 --> 00:33:15,234
WE FIND A DARK,
SECLUDED CORNER
765
00:33:15,234 --> 00:33:17,968
WHERE I CAN
KISS YOU AND
SUCK YOU AND...
I'D LOVE TO,
766
00:33:17,968 --> 00:33:19,567
BUT I-I PROMISED
MEL AND LINZ
767
00:33:19,567 --> 00:33:21,200
I'D BRING THEM
ANOTHER LOAD.
JESUS CHRIST!
768
00:33:21,200 --> 00:33:22,434
SINCE WHEN DO THESE
THESE FUCKING LESBIANS
769
00:33:22,434 --> 00:33:23,501
CONTROL
OUR LIFE?
770
00:33:23,501 --> 00:33:25,200
IT'S ONLY FOR A
COUPLE MORE DAYS.
771
00:33:25,200 --> 00:33:26,200
FORGET IT.
772
00:33:27,467 --> 00:33:29,601
WHAT THE HELL IS
THE MATTER WITH YOU?
773
00:33:29,601 --> 00:33:31,601
EVERYTHING SEEMS
TO PISS YOU OFF
THESE DAYS,
774
00:33:31,601 --> 00:33:32,934
ESPECIALLY ME.
775
00:33:32,934 --> 00:33:35,434
♪ LET'S GO PARTY ♪
♪ OOOH OOOH ♪
776
00:33:35,434 --> 00:33:37,200
♪ COME ON BARBIE
LET'S GO PARTY ♪
777
00:33:37,200 --> 00:33:38,934
♪ AH AH AH YEAH ♪
778
00:33:38,934 --> 00:33:41,100
♪ COME ON BARBIE
LET'S GO PARTY ♪
779
00:33:41,100 --> 00:33:42,968
♪ OOOH OOOH ♪
780
00:33:42,968 --> 00:33:45,400
♪ COME ON BARBIE
LET'S GO PARTY ♪
♪ AH AH ♪
781
00:33:45,400 --> 00:33:46,734
Vance:
DO YOU HAVE ANY IDEA
782
00:33:46,734 --> 00:33:48,300
THE DOORS
THAT WOULD
OPEN FOR US
783
00:33:48,300 --> 00:33:49,801
IF STOCKWELL
WERE ELECTED?
784
00:33:51,801 --> 00:33:54,067
HIS CORPORATE
BACKERS WOULD
BE HURLING THEM-
SELVES AT US
785
00:33:54,067 --> 00:33:56,367
TO HANDLE
THEIR ACCOUNTS.
786
00:33:56,367 --> 00:33:58,934
IT COULD BE
THE CRITICAL
MASS WE NEED
787
00:33:58,934 --> 00:34:01,367
TO LAUNCH THE
NEW YORK OFFICE.
788
00:34:01,367 --> 00:34:02,968
IF HE WINS,
AND...
789
00:34:02,968 --> 00:34:04,067
IF HE
COMES BACK.
790
00:34:05,667 --> 00:34:08,534
YOUR FAVOURITE
CLIENT IS IN
THERE, WAITING
FOR YOU.
791
00:34:08,534 --> 00:34:10,634
HMM, THANKS
FOR THE HEADS
UP, CYNTHIA.
792
00:34:10,634 --> 00:34:11,834
COULDN'T HE
CALL FIRST?
793
00:34:13,067 --> 00:34:14,267
HE DOESN'T
HAVE TO.
794
00:34:16,667 --> 00:34:18,000
MORNING, JIM.
795
00:34:18,000 --> 00:34:19,367
GOOD MORNING.
796
00:34:19,367 --> 00:34:20,567
I'D LIKE
YOU TO MEET
GARDNER VANCE.
797
00:34:20,567 --> 00:34:22,434
HE'S MY PARTNER
IN THE FIRM.
798
00:34:22,434 --> 00:34:23,434
NICE TO
MEET YOU.
799
00:34:23,434 --> 00:34:25,000
PLEASURE HAVING
YOU WITH US.
800
00:34:25,000 --> 00:34:28,067
SO WHAT CAN
WE DO FOR YOU?
801
00:34:28,067 --> 00:34:29,667
I BELIEVE I'VE
FOUND SOMETHING
802
00:34:29,667 --> 00:34:31,000
THAT'LL
MAKE ME POP.
803
00:34:49,501 --> 00:34:50,434
WHAT'S ALL THIS?
804
00:34:51,667 --> 00:34:52,601
A CELEBRATION.
805
00:35:00,234 --> 00:35:02,801
THAT STUFF'S
NOT CHEAP.
806
00:35:02,801 --> 00:35:05,334
COST ME MY ENTIRE
DAY'S WAGES,
807
00:35:05,334 --> 00:35:07,000
BUT YOU ARE
WORTH IT.
808
00:35:10,467 --> 00:35:11,901
SO, WHAT'RE
WE CELEBRATING?
809
00:35:15,434 --> 00:35:17,534
YOU AND
ME, BEING
TOGETHER...
810
00:35:19,667 --> 00:35:20,901
I'LL DRINK
TO THAT.
811
00:35:23,133 --> 00:35:24,567
NO MATTER
WHAT HAPPENS?
812
00:35:25,767 --> 00:35:27,133
WHY WOULD ANY-
THING HAPPEN?
813
00:35:29,534 --> 00:35:31,467
I'VE BEEN
THINKING ABOUT
SIGNING THE DEAL.
814
00:35:39,133 --> 00:35:40,467
WHAT MADE YOU
CHANGE YOUR MIND?
815
00:35:42,100 --> 00:35:43,801
I CAN'T PLAY
ON THE STREET
FOREVER.
816
00:35:45,467 --> 00:35:46,767
NO ONE EXPECTS
YOU TO.
817
00:35:48,567 --> 00:35:50,200
BUT THIS GUY...
818
00:35:50,200 --> 00:35:52,501
WANTS YOU TO DENY
WHO YOU ARE...
819
00:35:52,501 --> 00:35:53,467
TO DENY US.
820
00:35:54,801 --> 00:35:57,200
THERE'S NOTHING
NOBLE ABOUT
BEING POOR.
821
00:35:59,267 --> 00:36:00,334
WHERE'D YOU
HEAR THAT?
822
00:36:03,634 --> 00:36:04,934
SO WHEN
YOU'RE SAYING
823
00:36:04,934 --> 00:36:06,367
THAT WE'LL BE
TOGETHER NO
MATTER WHAT,
824
00:36:06,367 --> 00:36:09,267
HOW EXACTLY
ARE WE SUPPOSED
TO DO THAT?
825
00:36:09,267 --> 00:36:11,267
WE'LL MAKE IT
AN ADVENTURE.
826
00:36:11,267 --> 00:36:14,434
SECRET RENDEZVOUS,
TORRID ENCOUNTERS.
827
00:36:14,434 --> 00:36:15,767
I CAME OUT OF
THE CLOSET ONCE,
828
00:36:15,767 --> 00:36:16,901
I'M NOT GOING
BACK IN.
829
00:36:16,901 --> 00:36:19,801
I'M NOT ASKING
YOU TO.
830
00:36:19,801 --> 00:36:23,067
ALL I'M SAYING
IS PEOPLE DON'T
NEED TO KNOW
WHO WE ARE...
831
00:36:23,067 --> 00:36:25,968
OR WHAT WE MEAN
TO EACH OTHER.
832
00:36:25,968 --> 00:36:27,667
ALL THAT MATTERS
IS THAT WE KNOW.
833
00:36:45,767 --> 00:36:48,534
WHEN I WAS
GROWING UP BACK
IN HAZELHURST,
834
00:36:48,534 --> 00:36:51,367
MY FAMILY WAS
SO POOR THAT
ONE YEAR,
835
00:36:51,367 --> 00:36:53,067
WE ALL HAD TO
LIVE IN A TENT.
836
00:36:54,400 --> 00:36:55,767
THAT IS POOR.
837
00:36:55,767 --> 00:36:58,200
TRAILER TRASH
WOULD'VE BEEN A
STEP UP FOR US.
838
00:36:59,601 --> 00:37:01,100
AND AS FOR
HAVING OUR
OWN HOUSE,
839
00:37:01,100 --> 00:37:03,868
GOD, THAT WAS
BEYOND EVEN MY
WILDEST DREAMS.
840
00:37:03,868 --> 00:37:08,234
WELL, NOW YOU'RE
FINALLY GOING
TO HAVE ONE.
MMM.
841
00:37:08,234 --> 00:37:10,567
EVEN IF IT'S
NOT THAT SWEET
LITTLE COTTAGE.
842
00:37:10,567 --> 00:37:12,834
MMM, MICHAEL,
YOU SHOULD'VE
SEEN IT.
843
00:37:12,834 --> 00:37:16,467
IT WAS SO WARM,
SO WELCOMING.
844
00:37:16,467 --> 00:37:19,868
YOU... YOU WALK
THROUGH THE FRONT
DOOR, AND...
845
00:37:21,834 --> 00:37:23,167
WELL, YOU
KNOW WHAT?
846
00:37:23,167 --> 00:37:24,634
I'M NOT GOING TO
THINK ABOUT IT.
847
00:37:24,634 --> 00:37:26,901
I AM GONNA COUNT
MY BLESSINGS
848
00:37:26,901 --> 00:37:29,267
AND BE GRATEFUL
FOR WHAT I'VE GOT:
849
00:37:29,267 --> 00:37:30,901
A GOOD DEAL...
850
00:37:30,901 --> 00:37:33,200
A SMART
INVESTMENT...
851
00:37:34,501 --> 00:37:36,734
AND SOMEHOW
I'LL LEARN
TO LOVE IT.
852
00:37:42,267 --> 00:37:47,334
853
00:37:47,334 --> 00:37:48,901
Ted:
HEY!
HEY.
854
00:37:48,901 --> 00:37:51,100
MMM, THEY ACCEPTED
OUR OFFER.
855
00:37:52,234 --> 00:37:54,601
CONGRATULATIONS,
YOU GUYS ARE
HOMEOWNERS.
856
00:37:54,601 --> 00:37:57,200
HOW EXCITING!
THERE'S NOTHING
LIKE OWNING
857
00:37:57,200 --> 00:37:59,300
THE ROOF OVER
YOUR HEAD.
EVEN WHEN
IT LEAKS.
858
00:37:59,300 --> 00:38:01,367
[ Chuckle ]
AND HAVING YOUR
OWN BACKYARD.
859
00:38:01,367 --> 00:38:02,968
EVEN THOUGH YOU
HAVE TO KEEP
RESEEDING IT
860
00:38:02,968 --> 00:38:05,200
'CAUSE THE
GODDAMN CRAB-
GRASS KILLS
EVERYTHING.
861
00:38:05,200 --> 00:38:06,501
OR KNOWING THAT
IF THE COLD,
862
00:38:06,501 --> 00:38:08,334
COLD WORLD TREATS
YOU LIKE SHIT,
863
00:38:08,334 --> 00:38:11,100
IT'S STILL YOURS
TO KEEP YOU WARM.
864
00:38:11,100 --> 00:38:13,067
EVEN IF THE
FUCKING FURNACE
KEEPS BREAKING DOWN.
865
00:38:13,067 --> 00:38:14,901
VIC!
866
00:38:14,901 --> 00:38:16,200
I'M SURE
YOU'LL BE VERY
HAPPY THERE.
867
00:38:16,200 --> 00:38:17,634
I KNOW IT.
868
00:38:17,634 --> 00:38:20,634
OH, GOD. LOOK
AT THESE GORGEOUS
ROSEBUSHES.
869
00:38:20,634 --> 00:38:22,133
AND THAT CUTE
LITTLE PICKET FENCE.
870
00:38:22,133 --> 00:38:23,367
NO-NO.
NO-NO-NO.
871
00:38:23,367 --> 00:38:24,701
THOSE...
THOSE ARE THE
WRONG PICTURES.
872
00:38:24,701 --> 00:38:25,901
THAT'S ANOTHER
HOUSE.
873
00:38:25,901 --> 00:38:28,501
NO, THOSE ARE THE
CORRECT PICTURES.
874
00:38:28,501 --> 00:38:29,501
NO...
THAT'S...
875
00:38:29,501 --> 00:38:30,834
OUR NEW HOUSE.
876
00:38:30,834 --> 00:38:35,300
877
00:38:35,300 --> 00:38:36,367
JENNIFER WAS
BRILLIANT.
878
00:38:36,367 --> 00:38:37,868
SHE GOT THEM
TO KNOCK THE
PRICE DOWN.
879
00:38:37,868 --> 00:38:39,968
BUT, LOOK, EVEN
IF SHE HADN'T...
880
00:38:41,767 --> 00:38:43,934
I WANTED YOU TO
BE HAPPY. SO...
881
00:38:45,300 --> 00:38:46,234
TEDDY...
882
00:38:47,534 --> 00:38:48,467
OH MY GOD.
883
00:38:49,567 --> 00:38:50,501
WE BOUGHT A HOUSE!
884
00:38:52,467 --> 00:38:53,834
WE BOUGHT A HOUSE!
885
00:38:53,834 --> 00:38:56,300
886
00:38:56,300 --> 00:38:58,634
Man: [ On television ]
... AFTERMATH OF
THREE DRUG OVER-
DOSES AT BABYLON.
887
00:38:59,434 --> 00:39:02,000
Vic:
LOOK. SHH, SHH.
888
00:39:02,000 --> 00:39:03,801
LAST NIGHT'S UNFORTUNATE
AND TRAGIC INCIDENT
889
00:39:03,801 --> 00:39:06,033
HAS REAFFIRMED MY
COMMITMENT TO PUT AN END
890
00:39:06,033 --> 00:39:07,934
TO THE CORRUPTION
AND DRUG USE
891
00:39:07,934 --> 00:39:09,968
THAT PLAGUE CERTAIN
PARTS OF OUR CITY.
892
00:39:09,968 --> 00:39:12,934
WHY DOESN'T
HE JUST SAY
LIBERTY AVENUE?
893
00:39:12,934 --> 00:39:15,434
AS MAYOR, I WILL
INTENSIFY MY FIGHT
894
00:39:15,434 --> 00:39:17,000
TO TAKE BACK
THE STREETS...
895
00:39:17,000 --> 00:39:18,467
SINCE WHEN
ARE THEY HIS?
896
00:39:18,467 --> 00:39:20,734
Jim:
TO PROTECT OUR KIDS,
897
00:39:20,734 --> 00:39:23,634
TO MAKE PITTSBURGH
FAMILY FRIENDLY.
898
00:39:23,634 --> 00:39:25,968
"FAMILY"? WHAT
THE FUCK ARE WE?
899
00:39:25,968 --> 00:39:29,067
900
00:39:50,534 --> 00:40:06,467
901
00:40:24,267 --> 00:40:37,067
902
00:40:37,067 --> 00:40:38,067
FUCK OFF.
903
00:40:38,067 --> 00:40:39,734
I'M BUSY.
904
00:40:39,734 --> 00:40:40,901
FUCK OFF.
905
00:40:45,100 --> 00:40:46,901
YOU SHOULD TAKE
A NUMBER, LIKE
EVERYONE ELSE.
906
00:40:46,901 --> 00:40:49,367
AND YOU
SHOULD KEEP
YOUR BIG FUCKING
MOUTH SHUT.
907
00:40:49,367 --> 00:40:50,901
I WASN'T THE
ONE GIVING
THE BLOW JOB.
908
00:40:50,901 --> 00:40:52,133
WHAT DID YOU TELL ETHAN?
909
00:40:53,234 --> 00:40:54,734
THE TRUTH.
910
00:40:54,734 --> 00:40:56,667
"THERE'S NOTHING NOBLE
ABOUT BEING POOR"?
911
00:40:57,734 --> 00:40:59,133
OH, HE ACTUALLY
LISTENED.
912
00:40:59,133 --> 00:41:01,834
HE MORE THAN
LISTENED. HE
SIGNED THE PAPERS.
913
00:41:01,834 --> 00:41:03,334
GOOD FOR HIM.
914
00:41:03,334 --> 00:41:05,734
WHAT? THAT
HE SOLD OUT?
915
00:41:05,734 --> 00:41:07,901
MAYBE HIS
RECORDINGS'LL
DO THE SAME,
916
00:41:07,901 --> 00:41:11,300
ALTHOUGH PERSON-
ALLY, I COULD
NEVER REALLY STAND
VIOLIN MUSIC.
917
00:41:11,300 --> 00:41:13,234
SOUNDS LIKE
SOMEONE TOR-
TURING A CAT.
918
00:41:14,334 --> 00:41:15,567
WHAT ABOUT ME?
919
00:41:15,567 --> 00:41:16,534
WHAT ABOUT YOU?
920
00:41:19,234 --> 00:41:21,167
YOU EXPECT HIM
TO SACRIFICE
HIS CAREER
921
00:41:21,167 --> 00:41:23,067
FOR A PIECE OF
BLONDE BOY ASS?
922
00:41:23,067 --> 00:41:28,434
923
00:41:28,434 --> 00:41:30,567
IS THAT YOUR
IDEA OF TRUE
LOVE, SUNSHINE?
924
00:41:30,567 --> 00:41:37,701
925
00:41:37,701 --> 00:41:43,133
♪ IT'S ALL YOU
EVER NEEDED ♪
926
00:41:43,133 --> 00:41:59,067
927
00:42:02,067 --> 00:42:06,100
♪ YOU ARE ♪
928
00:42:06,100 --> 00:42:09,601
♪ YOU ARE ♪
929
00:42:09,601 --> 00:42:13,501
♪ YOU ARE ♪
930
00:42:13,501 --> 00:42:16,033
♪ YOU ARE ♪
931
00:42:16,033 --> 00:42:18,033
♪ HERE'S TO YOU ♪
932
00:42:18,033 --> 00:42:33,934
933
00:42:48,901 --> 00:42:50,334
♪ IT SHOULD BE YOU ♪
934
00:42:50,334 --> 00:42:52,434
♪ IT COULD BE YOU ♪
935
00:42:52,434 --> 00:42:57,534
♪ IT'S ALL THAT
YOU EVER WANTED ♪
936
00:42:57,534 --> 00:43:03,701
937
00:43:03,701 --> 00:43:07,067
♪ IT HAS TO BE
IT'S GOT TO BE ♪
938
00:43:07,067 --> 00:43:13,601
♪ IT'S ALL YOU EVER NEEDED ♪
939
00:43:13,601 --> 00:43:17,334
♪ YOU ARE ♪
940
00:43:17,334 --> 00:43:20,868
♪ YOU ARE ♪
941
00:43:20,868 --> 00:43:24,801
♪ YOU ARE ♪
942
00:43:24,801 --> 00:43:28,234
♪ YOU ARE ♪
943
00:43:28,234 --> 00:43:29,767
♪ YOU ARE ♪
944
00:43:32,167 --> 00:43:36,100
♪ YOU ARE ♪
945
00:43:36,100 --> 00:43:39,567
♪ YOU ARE ♪
946
00:43:39,567 --> 00:43:43,267
♪ YOU ARE ♪
947
00:43:43,267 --> 00:43:45,267
♪ YOU ARE... ♪
948
00:43:45,267 --> 00:43:48,801
MOO!
949
00:43:48,801 --> 00:43:50,567
♪ YOU ARE ♪
950
00:43:50,567 --> 00:43:53,701
♪ YOU ARE ♪
951
00:43:53,701 --> 00:44:01,334
68590
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