Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:22,146 --> 00:00:25,785
* BEAUTIFUL ISLE
AHEM.
2
00:00:25,818 --> 00:00:30,194
* BEAUTIFUL ISLE
OF MAKE-BELIEVE *
3
00:00:30,229 --> 00:00:31,530
GEE, PAW,
WHY DO YOU KEEP SINGING
4
00:00:31,564 --> 00:00:32,766
THAT SAME THING
ALL THE TIME?
5
00:00:32,798 --> 00:00:36,373
I'M PRACTICING.
6
00:00:36,406 --> 00:00:40,548
* BEAUTIFUL ISLE
OF MAKE-BELIEVE. *
7
00:00:40,582 --> 00:00:41,784
HOW IS THE QUARTET
COMING, ANDY?
8
00:00:41,816 --> 00:00:43,554
FINE.
9
00:00:43,588 --> 00:00:45,524
HOWARD SPRAGUE'S GOING TO
SING HIGH TENOR FOR US.
10
00:00:45,558 --> 00:00:46,761
HE'S GOT
A PRETTY GOOD VOICE.
11
00:00:46,794 --> 00:00:50,169
OHH, HE MAKES A VERY
NICE APPEARANCE
12
00:00:50,202 --> 00:00:51,570
AND THAT'S VERY IMPORTANT,
13
00:00:51,604 --> 00:00:54,277
IN FRONT OF AN AUDIENCE,
YOU KNOW, NEATNESS.
14
00:00:54,310 --> 00:00:55,679
YES, RIGHT.
15
00:00:55,712 --> 00:00:57,716
HOW DOES BURT AND WALLY
FEEL ABOUT HIM?
16
00:00:57,749 --> 00:00:59,387
FINE.
17
00:00:59,419 --> 00:01:02,693
OF COURSE, WE'RE ALL
A LITTLE NERVOUS, YOU KNOW?
18
00:01:02,726 --> 00:01:04,663
WHY?
19
00:01:04,697 --> 00:01:06,834
BECAUSE IF WE WIN
THE CONTEST,
20
00:01:06,866 --> 00:01:08,471
THIS WILL BE THE THIRD
YEAR IN A ROW
21
00:01:08,505 --> 00:01:09,739
AND WE'LL GET TO KEEP
THE TROPHY PERMANENTLY.
22
00:01:09,772 --> 00:01:11,877
OH, YEAH.
23
00:01:11,910 --> 00:01:13,814
YOU KNOW, PAW, US KIDS
GOT A QUARTET, TOO.
24
00:01:13,847 --> 00:01:15,584
YOU HAVE?
25
00:01:15,619 --> 00:01:17,355
WHAT PART
DO YOU TAKE OFF?
26
00:01:17,389 --> 00:01:19,527
WHAT DO YOU MEAN?
WHAT DO YOU SING --
27
00:01:19,559 --> 00:01:20,662
YOU SING TENOR, BASS,
BARITONE
28
00:01:20,695 --> 00:01:22,233
OH, WE ALL TAKE TURNS.
29
00:01:22,266 --> 00:01:23,668
YOU DO?
30
00:01:23,701 --> 00:01:25,839
SURE. IT DOESN'T MAKE MUCH
DIFFERENCE, ANYWAY --
31
00:01:25,871 --> 00:01:27,776
ALL OUR VOICES
ARE CHANGING.
32
00:01:27,808 --> 00:01:30,415
OH.
33
00:01:34,489 --> 00:01:36,593
OH, I FORGOT TO TELL YOU --
WE'RE GOING TO PRACTICE
34
00:01:36,626 --> 00:01:37,763
OVER HERE
TOMORROW NIGHT.
35
00:01:37,796 --> 00:01:39,767
OH, FINE.
36
00:01:39,800 --> 00:01:42,239
THEN I'LL HAVE THE LEMONADE
AND COOKIES ALL READY.
37
00:01:42,273 --> 00:01:44,442
GOOD.
38
00:01:44,477 --> 00:01:48,684
* BEAUTIFUL ISLE
OF MAKE-BELIEVE *
39
00:01:53,527 --> 00:01:55,464
IT AIN'T LIKE HOWARD
TO BE LATE FOR REHEARSAL.
40
00:01:55,499 --> 00:01:57,702
SOMETHING'S HAPPENED TO HIM.
I CAN FEEL IT!
41
00:01:57,736 --> 00:01:59,340
HE'LL BE HERE
IN A LITTLE BIT.
42
00:01:59,373 --> 00:02:01,411
THINK IT WOULD DO ANY GOOD
TO GIVE HIM ANOTHER CALL?
43
00:02:01,443 --> 00:02:02,946
I'VE CALLED TWICE
AND HE ISN'T THERE.
44
00:02:02,979 --> 00:02:04,383
HIS MOTHER OUGHT
TO BE HOME.
45
00:02:04,416 --> 00:02:05,718
SHE'D KNOW WHAT
HAPPENED TO HIM.
46
00:02:05,752 --> 00:02:07,021
HIS MOTHER'S
IN RALEIGH, BURT.
47
00:02:07,053 --> 00:02:08,524
HERE YOU ARE.
48
00:02:08,558 --> 00:02:10,060
YOU CAN HAVE IT
WHENEVER YOU WANT IT.
49
00:02:10,093 --> 00:02:12,398
THANKS, AUNT BEE.
HOWARD ISN'T HERE YET.
50
00:02:12,432 --> 00:02:14,337
WHERE IS HE?
I DON'T KNOW.
51
00:02:14,369 --> 00:02:15,839
WOULDN'T YOU KNOW?
HERE IT IS NEARLY TIME
52
00:02:15,871 --> 00:02:17,975
FOR THE CONTEST
AND HE'S LATE.
53
00:02:18,009 --> 00:02:19,546
WHY DON'T WE START
WITHOUT HIM?
54
00:02:19,580 --> 00:02:20,882
HOWARD'S GOT
THE PITCH PIPE.
55
00:02:20,914 --> 00:02:22,353
WE'LL USE THE PIANO.
56
00:02:22,386 --> 00:02:24,088
BESIDES, WE CAN'T
REHEARSE WITHOUT A TENOR.
57
00:02:24,120 --> 00:02:25,592
WELL, AUNT BEE'S
NOT A TENOR,
58
00:02:25,624 --> 00:02:26,926
BUT SHE'S GOT
A FINE VOICE.
59
00:02:26,961 --> 00:02:27,928
THANK YOU, ANDY.
60
00:02:27,963 --> 00:02:29,566
WOMEN CAN'T TAKE
TENOR PARTS.
61
00:02:29,600 --> 00:02:30,701
THEY'RE SOPRANOS.
62
00:02:30,734 --> 00:02:32,339
WHAT DIFFERENCE
DOES IT MAKE?
63
00:02:32,373 --> 00:02:34,843
WHY DON'T WE START OFF
WITH "IN THE GLOAMING"
64
00:02:34,877 --> 00:02:36,514
IN CASE THEY WANT
AN ENCORE.
65
00:02:36,546 --> 00:02:39,686
HERE.
ALL RIGHT.
66
00:02:39,719 --> 00:02:40,855
COME ON.
67
00:02:40,889 --> 00:02:42,393
COME ON, WALLY.
68
00:02:43,760 --> 00:02:44,930
THERE'S
YOUR NOTE, WALLY.
69
00:02:44,963 --> 00:02:45,932
* MI-MI
70
00:02:45,965 --> 00:02:46,934
BURT.
71
00:02:46,967 --> 00:02:47,969
* MI-MI-MI
72
00:02:48,003 --> 00:02:48,971
AUNT BEE.
73
00:02:49,005 --> 00:02:50,808
* MI-MI-MI
74
00:02:50,842 --> 00:02:53,881
* IN THE GLOAMING
75
00:02:53,915 --> 00:02:56,753
* OH, MY DARLING
76
00:02:56,786 --> 00:03:01,396
* WHEN THE LIGHTS ARE DIM
AND LOW... *
77
00:03:01,430 --> 00:03:03,132
HOLD IT.
78
00:03:03,165 --> 00:03:05,772
BURT, YOU'RE OFF.
79
00:03:05,804 --> 00:03:07,709
WELL, SOMETHING'S
THROWING ME.
80
00:03:07,743 --> 00:03:09,479
WHAT'S THROWING
YOU, BURT?
81
00:03:09,512 --> 00:03:11,048
WELL, NO OFFENSE,
BEATRICE,
82
00:03:11,081 --> 00:03:12,652
BUT YOU'RE
TOO SQUEAKY.
83
00:03:12,686 --> 00:03:14,121
BURT WILKINS,
I AM NOT SQUEAKY.
84
00:03:14,154 --> 00:03:15,792
MY VOICE MAY BE
MORE BELL-LIKE
85
00:03:15,824 --> 00:03:17,061
THAN YOU'RE ACCUSTOMED TO
86
00:03:17,093 --> 00:03:18,797
BUT IT'S DEFINITELY
NOT SQUEAKY.
87
00:03:18,830 --> 00:03:20,534
NOW DON'T GET
UPSET, AUNT BEE...
88
00:03:21,937 --> 00:03:22,906
COME IN.
89
00:03:22,939 --> 00:03:23,941
OH, HOWARD. GOOD.
90
00:03:23,975 --> 00:03:25,544
GOLLY, I'M SORRY
I'M LATE.
91
00:03:25,579 --> 00:03:26,613
WHERE YOU BEEN?
92
00:03:26,647 --> 00:03:28,451
I HAD TO GO TO
THE DRUGSTORE
93
00:03:28,485 --> 00:03:29,920
TO GET SOME
THROAT SPRAY.
94
00:03:29,953 --> 00:03:31,223
THROAT SPRAY?
95
00:03:31,255 --> 00:03:33,595
OH, IT'S NOTHING
TO BE ALARMED ABOUT.
96
00:03:33,628 --> 00:03:35,499
PURELY A PRECAUTIONARY
MEASURE.
97
00:03:35,532 --> 00:03:37,166
PRECAUTIONARY
FOR WHAT, HOWARD?
98
00:03:37,201 --> 00:03:40,107
WELL, I'VE HAD THIS
LITTLE TICKLING
IN MY THROAT.
99
00:03:40,140 --> 00:03:42,077
TOLD YOU SOMETHING
HAPPENED TO HIM.
100
00:03:42,111 --> 00:03:45,117
OH, HOWARD, IT ISN'T
GOING TO AFFECT
YOUR VOICE, IS IT?
101
00:03:45,150 --> 00:03:47,121
THE CONTEST IS ONLY
TWO DAYS AWAY.
102
00:03:47,154 --> 00:03:48,591
OH, I'M SURE IT WON'T.
103
00:03:48,625 --> 00:03:50,562
IT WON'T AFFECT
MY VOICE AT ALL.
104
00:03:51,763 --> 00:03:53,700
SOUNDS LIKE
IT ALREADY HAS.
105
00:03:53,735 --> 00:03:56,139
YOU WANT TO SING
JUST A LITTLE BIT
106
00:03:56,172 --> 00:03:58,545
OF "IN THE GLOAMING,"
HOWARD?
107
00:04:03,920 --> 00:04:05,892
* MM
108
00:04:05,924 --> 00:04:08,697
* IN THE GLOAMING
109
00:04:08,731 --> 00:04:10,067
* OH...
110
00:04:15,077 --> 00:04:17,114
IT'S JUST
A LITTLE TICKLE.
111
00:04:17,146 --> 00:04:19,786
GEE, THAT JUST SOUNDS
AWFUL, HOWARD.
112
00:04:19,820 --> 00:04:21,757
IT'S JUST
A LITTLE TICKLE.
113
00:04:21,790 --> 00:04:23,895
IT MIGHT TICKLE
YOU, BUT IT AIN'T
FUNNY TO ME.
114
00:04:23,927 --> 00:04:25,030
ME NEITHER.
115
00:04:25,063 --> 00:04:26,767
YOU KNOW, IF YOU
TAKE MY ADVICE
116
00:04:26,800 --> 00:04:28,136
HOWARD SHOULDN'T PRACTICE.
117
00:04:28,168 --> 00:04:30,941
HE SHOULD GO HOME
AND TAKE CARE OF THAT THROAT.
118
00:04:30,974 --> 00:04:33,079
THAT MIGHT BE
THE BEST IDEA.
119
00:04:33,113 --> 00:04:34,348
AND KEEP YOUR
THROAT WARM.
120
00:04:34,381 --> 00:04:35,752
WRAP SOMETHING
AROUND IT.
121
00:04:35,784 --> 00:04:37,054
GET YOURSELF
A BEAVER PELT.
122
00:04:37,087 --> 00:04:38,890
BEST THING
IN THE WORLD
FOR WARMTH.
123
00:04:38,924 --> 00:04:40,328
BUT I'M QUITE POSITIVE
124
00:04:40,360 --> 00:04:43,768
THERE'S NOTHING BASICALLY
WRONG WITH MY THROAT.
125
00:04:43,800 --> 00:04:45,370
DON'T WORRY,
IT WILL BE GOOD AS NEW
126
00:04:45,403 --> 00:04:47,776
IN THE MORNING,
YOU'LL SEE.
127
00:04:58,997 --> 00:05:03,741
HEY, SARAH. SARAH, RING
HOWARD SPRAGUE'S OFFICE.
128
00:05:03,774 --> 00:05:06,145
I DON'T KNOW.
I DON'T KNOW, SARAH.
129
00:05:06,179 --> 00:05:08,750
WELL, THAT'S
WHAT I'M CALLING FOR.
130
00:05:08,784 --> 00:05:12,290
WELL, CHICKEN SOUP DOESN'T CURE
EVERYTHING, SARAH.
131
00:05:12,324 --> 00:05:13,427
Man:
HEY, SHERIFF.
132
00:05:13,460 --> 00:05:14,896
WHAT?
133
00:05:14,930 --> 00:05:17,301
HOW ABOUT TIME OFF
FOR GOOD BEHAVIOR?
134
00:05:17,334 --> 00:05:18,770
YOU SHOULD HAVE
THOUGHT OF THAT
135
00:05:18,805 --> 00:05:20,307
BEFORE YOU WENT AROUND
PICKING POCKETS.
136
00:05:20,340 --> 00:05:22,445
I CAN'T STAND BEING
COOPED UP LIKE THIS.
137
00:05:22,477 --> 00:05:23,948
HUSH.
138
00:05:23,980 --> 00:05:25,217
NO, NO.
139
00:05:25,250 --> 00:05:26,687
WELL, TRY HIS HOUSE.
140
00:05:26,721 --> 00:05:28,390
I'VE GIVEN YOU FIVE DAYS
FOR FIGHTING
141
00:05:28,423 --> 00:05:30,327
AND TEN DAYS
FOR STEALING CHICKENS
142
00:05:30,360 --> 00:05:32,164
AND NOW YOU'RE PICKING POCKETS.
143
00:05:32,197 --> 00:05:33,367
YOU'LL JUST STAY THERE
144
00:05:33,399 --> 00:05:35,403
TILL YOU LEARN
TO ACT LIKE SOMEBODY.
145
00:05:35,438 --> 00:05:37,342
WHY DON'T YOU GET A JOB
AND GO TO WORK?
146
00:05:37,375 --> 00:05:38,344
IT'S NOT HARD.
147
00:05:38,377 --> 00:05:39,947
YOU THINK STEALING IS EASY?
148
00:05:39,979 --> 00:05:42,484
NOT THERE, SARAH, HUH?
149
00:05:42,517 --> 00:05:44,421
WELL, THANK YOU.
150
00:05:45,924 --> 00:05:47,362
WELL, HOW ABOUT IT,
SHERIFF?
151
00:05:47,395 --> 00:05:49,967
DO I GET TIME OFF
FOR GOOD BEHAVIOR OR NOT?
152
00:05:49,999 --> 00:05:51,202
LET ME SEE SOME.
153
00:05:59,251 --> 00:06:00,721
COMING.
154
00:06:06,433 --> 00:06:07,835
HI.
155
00:06:07,869 --> 00:06:10,006
WHY DIDN'T YOU
ANSWER THE PHONE?
156
00:06:10,040 --> 00:06:12,377
:
WELL, I GUESS
157
00:06:12,411 --> 00:06:15,016
I DIDN'T HEAR IT
WITH THIS TOWEL ON.
158
00:06:15,050 --> 00:06:16,152
YOU SOUND AWFUL.
159
00:06:16,184 --> 00:06:17,454
I'M NOT AT MY BEST.
160
00:06:17,488 --> 00:06:19,190
DID YOU SEE THE DOCTOR?
161
00:06:19,224 --> 00:06:21,129
WELL, I WAS
THINKING OF IT.
162
00:06:21,161 --> 00:06:22,498
WELL, GET YOUR
BRITCHES ON.
163
00:06:22,531 --> 00:06:24,902
MAYBE HE'LL GIVE YOU
A SHOT OF PENICILLIN.
164
00:06:24,937 --> 00:06:26,204
I'M ALLERGIC
TO PENICILLIN.
165
00:06:26,238 --> 00:06:28,444
HE'S OUT, I TELL YOU,
HE'S JUST OUT.
166
00:06:28,476 --> 00:06:30,448
WHAT ARE YOU GOING
TO DO, ANDY?
167
00:06:30,480 --> 00:06:32,116
WHAT ARE YOU
GOING TO DO?
168
00:06:32,151 --> 00:06:33,988
I DON'T KNOW, FLOYD.
169
00:06:34,020 --> 00:06:35,458
NO CHANCE
OF HIM IMPROVING?
170
00:06:35,491 --> 00:06:36,927
NOT IN TIME.
171
00:06:36,961 --> 00:06:38,329
WHAT ARE YOU GOING
TO DO, ANDY?
172
00:06:38,363 --> 00:06:39,833
I DON'T KNOW,
FLOYD.
173
00:06:39,867 --> 00:06:41,369
THE DOCTOR SAID
IT WOULD TAKE HIM A WEEK
174
00:06:41,403 --> 00:06:43,038
TO GET HIS VOICE
BACK TO NORMAL.
175
00:06:43,073 --> 00:06:44,075
OF ALL THE BREAKS.
176
00:06:44,107 --> 00:06:45,377
WHAT ARE YOU GOING
TO DO, ANDY?
177
00:06:45,411 --> 00:06:47,415
I DON'T KNOW,
FLOYD!
178
00:06:47,448 --> 00:06:48,918
YOU DON'T
HAVE TO YELL.
179
00:06:48,951 --> 00:06:50,620
I'M SORRY.
180
00:06:50,653 --> 00:06:53,125
GO ACROSS THE STREET
AND GET BURT
181
00:06:53,158 --> 00:06:54,462
AND TELL HIM TO COME OVER
TO THE COURTHOUSE.
182
00:06:54,496 --> 00:06:55,999
WE GOT TO GET A TENOR,
RIGHT AWAY.
183
00:06:56,032 --> 00:06:58,135
RIGHT, RIGHT, RIGHT.
184
00:07:12,564 --> 00:07:14,101
WELL, HERE YOU ARE, JEFF.
185
00:07:14,134 --> 00:07:16,004
HEY, SHERIFF,
HOW ABOUT TIME OFF
186
00:07:16,038 --> 00:07:17,475
FOR GOOD BEHAVIOR, HUH?
187
00:07:17,507 --> 00:07:20,247
WILL YOU STOP WORRYING
ME TO DEATH
188
00:07:20,279 --> 00:07:21,582
ABOUT TIME OFF?
EAT.
189
00:07:21,616 --> 00:07:23,586
HEY, FRIED CHICKEN,
MASHED POTATOES AND GRAVY.
190
00:07:23,620 --> 00:07:24,923
AT LEAST
THE FOOD'S GOOD.
191
00:07:24,957 --> 00:07:26,158
YEAH.
192
00:07:26,192 --> 00:07:27,495
HEY, THEY FORGOT
TO GIVE ME A KNIFE.
193
00:07:27,527 --> 00:07:30,000
WHY DON'T YOU USE
THE ONE YOU'VE GOT?
194
00:07:30,032 --> 00:07:32,204
WHAT ONE DO I HAVE?
195
00:07:32,236 --> 00:07:34,240
THE ONE YOU STOLE
FROM YOUR BREAKFAST TRAY.
196
00:07:35,578 --> 00:07:37,682
WHY DON'T YOU QUIT TRYING
TO BREAK OUT OF HERE?
197
00:07:37,714 --> 00:07:39,085
IT WOULD TAKE YOU 20 YEARS.
198
00:07:39,118 --> 00:07:41,154
YOU CAN'T BLAME A GUY
FOR TRYING.
199
00:07:41,189 --> 00:07:43,026
I WISH YOU'D TRY
SOMETHING WORTHWHILE.
200
00:07:43,059 --> 00:07:45,564
A YOUNG FELLA LIKE YOURSELF
COULD TURN OVER A NEW LEAF.
201
00:07:45,598 --> 00:07:47,233
GET YOURSELF
A JOB.
202
00:07:47,266 --> 00:07:50,406
PLEASE, SHERIFF, NO LECTURES
ON AN EMPTY STOMACH, HUH?
203
00:07:50,440 --> 00:07:52,044
YOU'LL HAVE A LOT
OF EMPTY STOMACHS
204
00:07:52,077 --> 00:07:53,245
IF YOU DON'T STRAIGHTEN OUT.
205
00:07:53,278 --> 00:07:54,448
HAVE YOU GOT ANY SALT?
206
00:07:58,524 --> 00:08:00,060
Floyd:
OH, ANDY.
207
00:08:00,093 --> 00:08:02,665
I'LL BE WITH YOU
IN A MINUTE, FLOYD.
208
00:08:02,698 --> 00:08:04,400
COME ON IN, SIT DOWN.
209
00:08:04,435 --> 00:08:07,073
DID YOU FIGURE OUT
WHAT TO DO YET?
210
00:08:07,107 --> 00:08:08,610
NO, FLOYD.
211
00:08:08,643 --> 00:08:10,380
YOU GOT
ANY PEPPER?
212
00:08:10,412 --> 00:08:11,749
I'M NOT RUNNING A HOTEL
213
00:08:11,783 --> 00:08:14,621
AND YOU'RE NOT DOING
THE COUNTY ANY BIG FAVOR
214
00:08:14,655 --> 00:08:15,623
BY BEING HERE.
215
00:08:15,657 --> 00:08:18,096
EAT!
216
00:08:18,128 --> 00:08:20,767
ARE YOU SURE HE MIGHT
NOT BE WELL IN TIME?
217
00:08:20,801 --> 00:08:22,171
I'M SURE, FLOYD.
218
00:08:22,203 --> 00:08:25,110
OH, THAT HOWARD.
219
00:08:25,142 --> 00:08:27,446
GETTING A SORE THROAT
AT A TIME LIKE THIS.
220
00:08:27,480 --> 00:08:29,819
HE HAS NO SENSE
OF LOYALTY.
221
00:08:29,851 --> 00:08:33,258
DID HE TRY
THE BEAVER PELT?
222
00:08:33,293 --> 00:08:34,596
HE'S OUT, BURT.
HE'S JUST OUT.
223
00:08:34,629 --> 00:08:35,798
THE MAN'S GOT
NO VOICE.
224
00:08:35,830 --> 00:08:37,234
NOW, WE'RE GOING
TO HAVE TO FIND
225
00:08:37,266 --> 00:08:38,303
ANOTHER TENOR
THAT KNOWS
226
00:08:38,335 --> 00:08:39,470
"BEAUTIFUL ISLE
OF MAKE-BELIEVE"
227
00:08:39,504 --> 00:08:41,242
AND "IN THE GLOAMING."
228
00:08:41,274 --> 00:08:43,614
Floyd: I CAN'T THINK OF ANYBODY
WHO COULD DO THE JOB.
229
00:08:43,647 --> 00:08:45,416
Wally: WE KNOW ALL
THE TENORS IN TOWN.
230
00:08:45,449 --> 00:08:46,620
NONE OF THEM'S
GOOD ENOUGH.
231
00:08:46,653 --> 00:08:48,455
WE JUST THINK
WE KNOW THEM ALL.
232
00:08:48,488 --> 00:08:50,193
THERE'S GOT
TO BE SOMEBODY.
233
00:08:50,227 --> 00:08:52,832
IF WE DON'T FIND ONE, WE'LL
WIND UP NOT GOING TO MT. PILOT.
234
00:08:52,864 --> 00:08:54,367
Burt: I KNOW WHO
WE CAN GET.
235
00:08:54,400 --> 00:08:55,638
A GREAT TENOR.
236
00:08:55,671 --> 00:08:57,373
FRED CALLAHAN.
237
00:08:57,406 --> 00:08:59,878
FRED CALLAHAN'S
PASSED AWAY.
238
00:08:59,911 --> 00:09:01,081
OH, THAT'S RIGHT.
239
00:09:01,081 --> 00:09:04,288
BUT HE WAS
A GREAT TENOR.
240
00:09:04,321 --> 00:09:06,324
CLIFF! CLIFF PAMALY!
241
00:09:06,359 --> 00:09:07,526
HE'S GOT
A FINE TENOR.
242
00:09:07,561 --> 00:09:09,130
CLIFF'S HARD OF HEARING.
243
00:09:09,165 --> 00:09:10,700
DON'T AFFECT
HIS VOICE NONE.
244
00:09:10,733 --> 00:09:12,672
HE HAS TO SING SO LOUD
TO HEAR HIMSELF
245
00:09:12,704 --> 00:09:14,307
HE DROWNS OUT EVERYBODY ELSE.
246
00:09:14,341 --> 00:09:16,144
MAYBE YOU COULD
STAND HIM IN THE BACK
247
00:09:16,179 --> 00:09:17,347
SO YOU COULDN'T HEAR HIM.
248
00:09:17,380 --> 00:09:18,717
NO, FLOYD.
249
00:09:18,749 --> 00:09:20,688
THEN JUST MUFFLE
HIM A LITTLE BIT.
250
00:09:20,721 --> 00:09:21,889
NO, FLOYD.
251
00:09:21,923 --> 00:09:24,595
WELL, THEN STUFF
A CLOTH IN HIS MOUTH.
252
00:09:28,670 --> 00:09:30,272
THAT'S NOT FUNNY, FLOYD.
253
00:09:35,651 --> 00:09:37,354
YOU KNOW WHAT WOULD HURT?
254
00:09:37,386 --> 00:09:38,956
YOU KNOW WHAT WOULD REALLY HURT?
255
00:09:38,989 --> 00:09:40,293
All: WHAT?
256
00:09:40,327 --> 00:09:42,231
IF WE WAS TO LOSE THAT TROPHY
257
00:09:42,264 --> 00:09:44,534
TO SHERIFF WILSON
OVER IN MT. PILOT.
258
00:09:44,567 --> 00:09:46,905
I OUGHT NOT TO SAY THIS,
BUT I WILL--
259
00:09:46,940 --> 00:09:48,209
I DON'T LIKE HIM.
260
00:09:48,243 --> 00:09:50,280
HE'S GOT
A MEAN STREAK IN HIM.
261
00:09:51,950 --> 00:09:54,321
WELL, I GUESS THE ONLY THING
WE CAN DO
262
00:09:54,355 --> 00:09:55,758
IS SPREAD THE WORD AROUND
263
00:09:55,791 --> 00:09:58,629
THAT WE'RE HOLDING AUDITIONS
FOR ANOTHER TENOR.
264
00:09:58,663 --> 00:09:59,931
WE DON'T HAVE
MUCH TIME
265
00:09:59,966 --> 00:10:01,201
WE'LL HAVE TO HOLD THEM
IN THE COURTHOUSE.
266
00:10:01,201 --> 00:10:02,772
ALL RIGHT, ANDY
267
00:10:02,805 --> 00:10:04,006
WE'LL SPREAD
THE WORD.
268
00:10:04,040 --> 00:10:06,279
Floyd:
YEAH, WE'LL GET
ON THE BALL.
269
00:10:06,311 --> 00:10:07,446
WE'LL SEE YOU, ANDY.
270
00:10:13,293 --> 00:10:16,665
:
* IN THE GLOAMING
271
00:10:16,700 --> 00:10:20,741
* OH, MY DARLING
272
00:10:20,774 --> 00:10:27,954
* WHEN THE LIGHTS ARE
DIM AND LOW *
273
00:10:27,988 --> 00:10:32,596
* LA-DA-DE-DA
274
00:10:32,631 --> 00:10:38,910
* DA-DA-DE-EE
275
00:10:38,944 --> 00:10:41,715
* SOFTLY COME
276
00:10:41,749 --> 00:10:49,029
* AND SOFTLY GO.
277
00:10:50,667 --> 00:10:57,514
:
* ...MAGICAL ISLE OF LOVE.
278
00:10:59,049 --> 00:11:00,587
WELL, UH... UH...
279
00:11:00,619 --> 00:11:03,459
I THINK WE'VE, UH,
GOT THE PICTURE.
280
00:11:03,492 --> 00:11:04,929
RIGHT. YEAH.
281
00:11:04,962 --> 00:11:07,934
OF COURSE, I SOUND BETTER
WHEN I'M SINGING WITH A GROUP.
282
00:11:07,968 --> 00:11:09,370
OH, WELL,
YEAH, YEAH.
283
00:11:09,405 --> 00:11:11,441
I SURE WOULD LIKE
TO JOIN YOU FELLAS.
284
00:11:11,474 --> 00:11:13,111
WHAT DO YOU SAY?
285
00:11:13,145 --> 00:11:15,583
WELL, THAT WOULD BE...
THAT'D BE GOOD, TOM.
286
00:11:15,616 --> 00:11:16,920
THAT'D BE GOOD,
EXCEPT, UH...
287
00:11:16,952 --> 00:11:18,689
FOR ONE THING,
YOU'RE TOO SHORT.
288
00:11:18,724 --> 00:11:19,825
TOO SHORT?
289
00:11:19,859 --> 00:11:21,395
WELL, WE...
WE KIND OF FEEL
290
00:11:21,429 --> 00:11:22,764
THAT WHEN THE
GUYS ARE ALL
291
00:11:22,797 --> 00:11:24,535
YOU KNOW, ABOUT
THE SAME HEIGHT
292
00:11:24,567 --> 00:11:26,405
WHY, THEIR VOICES
BLEND BETTER.
293
00:11:26,439 --> 00:11:27,742
OH. YEAH.
BUT WE, UH...
294
00:11:27,774 --> 00:11:28,877
WE WILL TALK
ABOUT IT
295
00:11:28,910 --> 00:11:30,780
AND IF WE DECIDE
THAT WE CAN USE YOU
296
00:11:30,813 --> 00:11:33,084
WHY, WE'LL, YOU KNOW,
WE'LL GIVE YOU A CALL.
297
00:11:33,118 --> 00:11:35,056
AND THANK YOU SO
MUCH FOR COMING BY.
298
00:11:35,089 --> 00:11:37,527
OH, GLAD TO.
RIGHT, TOM.
299
00:11:37,561 --> 00:11:39,665
YOU CAN REACH ME
AT THE STORE, ANDY.
300
00:11:39,697 --> 00:11:41,669
RIGHT, RIGHT. THANKS.
301
00:11:43,606 --> 00:11:45,978
WELL... ANYBODY ELSE?
302
00:11:46,011 --> 00:11:47,681
NO. HE WAS THE LAST.
303
00:11:47,714 --> 00:11:48,749
OH...
304
00:11:57,200 --> 00:11:59,571
Andy:
WELL...
OF THE CROWD
305
00:11:59,605 --> 00:12:01,441
I'D SAY PERRY PLUMMER
WAS THE BEST.
306
00:12:01,441 --> 00:12:03,078
Wally:
OH, NO, NO,
NO, NO.
307
00:12:03,112 --> 00:12:04,648
MY PICK'D BE BILL WATKINS.
308
00:12:04,681 --> 00:12:07,052
WELL, WHAT DO YOU...
WHAT DO YOU THINK, BURT?
309
00:12:07,086 --> 00:12:08,523
WATKINS OR PLUMMER?
310
00:12:08,555 --> 00:12:11,628
I STILL THINK
THERE MUST BE SOMEBODY ELSE.
311
00:12:11,661 --> 00:12:18,107
:
* IN THE GLOAMING,
OH, MY DARLING... *
312
00:12:18,142 --> 00:12:19,277
QUIET IN THERE.
313
00:12:19,309 --> 00:12:21,649
WE'RE TRYING TO THINK.
314
00:12:24,955 --> 00:12:26,825
SING THAT AGAIN, SON.
315
00:12:28,963 --> 00:12:35,810
* IN THE GLOAMING,
OH, MY DARLING *
316
00:12:35,843 --> 00:12:39,084
* SOFTLY COME
317
00:12:39,117 --> 00:12:44,760
* AND SOFTLY GO.
318
00:12:45,762 --> 00:12:46,832
NO.
319
00:12:46,865 --> 00:12:48,302
BUT, ANDY, WHAT A VOICE.
320
00:12:48,334 --> 00:12:51,675
WITH A TENOR LIKE THAT,
WE'D BE A CINCH TO WIN.
321
00:12:51,709 --> 00:12:54,715
THE MAN'S IN JAIL
FOR COMMITTING A CRIME.
322
00:12:54,748 --> 00:12:56,752
BUT YOU COULD LET HIM OUT,
JUST FOR TOMORROW NIGHT.
323
00:12:56,785 --> 00:12:59,858
HE'D TRY TO ESCAPE.
PUT HIM ON HIS
GOOD BEHAVIOR.
324
00:12:59,891 --> 00:13:01,561
HE DON'T KNOW ABOUT
GOOD BEHAVIOR.
325
00:13:01,561 --> 00:13:04,267
BUT YOU GOT TO DO IT,
ANDY, IT'S OUR ONLY CHANCE!
326
00:13:04,300 --> 00:13:05,770
I CAN'T.
327
00:13:05,803 --> 00:13:08,007
IT'S NOT LEGAL,
IT'S NOT ACCORDING TO THE LAW
328
00:13:08,041 --> 00:13:09,277
AND BESIDES THAT, IT...
329
00:13:09,309 --> 00:13:11,681
IT'S JUST NOT RIGHT.
330
00:13:12,683 --> 00:13:14,186
NO.
331
00:13:14,219 --> 00:13:17,093
BUT, ANDY, THEY SAY
HE'S GOT A GREAT VOICE.
332
00:13:17,125 --> 00:13:20,199
I'M NOT LETTING HIM OUT
TO SING WITH US, FLOYD.
333
00:13:20,231 --> 00:13:23,205
NOW, IF WE DON'T
COME UP WITH SOMEBODY
BY THIS AFTERNOON
334
00:13:23,237 --> 00:13:25,643
WE'LL JUST HAVE TO GO
WITH PERRY PLUMMER.
335
00:13:25,677 --> 00:13:27,915
WELL, SAY SOMEBODY
LEFT THE CELL DOOR OPEN.
336
00:13:27,947 --> 00:13:29,651
YOU KNOW, BY MISTAKE, YOU SEE.
337
00:13:29,685 --> 00:13:30,887
THEN JEFF COULD ESCAPE.
338
00:13:30,921 --> 00:13:32,724
I'M NOT LETTING
HIM OUT, FLOYD.
339
00:13:32,756 --> 00:13:34,227
BUT IT'D ALL BE LEGAL, ANDY.
340
00:13:34,260 --> 00:13:35,963
YOU'D CAPTURE HIM RIGHT AWAY
341
00:13:35,997 --> 00:13:38,268
AND THEN WHEN YOU'RE
DRIVING BACK TO JAIL
342
00:13:38,302 --> 00:13:40,239
YOU COULD TAKE
A LITTLE DETOUR...
343
00:13:40,272 --> 00:13:41,910
SAY UP TO MT. PILOT.
344
00:13:41,942 --> 00:13:44,748
I'M NOT LETTING
HIM OUT, FLOYD.
345
00:13:46,251 --> 00:13:48,889
WELL... JUST A THOUGHT.
346
00:14:05,488 --> 00:14:08,427
HI, ANDY. FLOYD.
347
00:14:08,462 --> 00:14:10,266
HOW YOU DOING, BLAKE?
348
00:14:10,298 --> 00:14:12,302
YOU OVER HERE
ON OFFICIAL BUSINESS?
349
00:14:12,335 --> 00:14:15,241
NO, JUST PASSING THROUGH
ON MY WAY TO BIXBY.
350
00:14:15,276 --> 00:14:17,180
HAD TO STOP AND GET SOME GAS
351
00:14:17,213 --> 00:14:19,818
AND I HEARD
SOME VERY DISTRESSING NEWS.
352
00:14:19,850 --> 00:14:21,989
CAME BY TO OFFER MY CONDOLENCES.
353
00:14:22,023 --> 00:14:23,793
OH?
354
00:14:23,826 --> 00:14:26,430
HEARD YOU LOST YOUR TENOR.
355
00:14:26,464 --> 00:14:28,970
WELL, IT WAS MIGHTY
CONSIDERATE OF YOU, BLAKE,
356
00:14:29,003 --> 00:14:31,775
TO COME OUT OF YOUR WAY
LIKE THIS TO CONSOLE US.
357
00:14:31,809 --> 00:14:33,444
FOUND ANOTHER ONE YET?
358
00:14:33,478 --> 00:14:35,148
WE'RE WORKING ON IT.
359
00:14:35,181 --> 00:14:38,054
WELL, I SURE HOPE
YOU FIND A GOOD ONE.
360
00:14:38,087 --> 00:14:39,926
OH, YES.
361
00:14:39,959 --> 00:14:41,294
NO, BUT I DO.
362
00:14:41,328 --> 00:14:42,562
WELL YOU KNOW
SOMETHING, ANDY?
363
00:14:42,595 --> 00:14:44,099
WE'RE GOING TO BEAT YOU
THIS YEAR
364
00:14:44,133 --> 00:14:47,306
AND I HATE TO BEAT A MAN
WITH A BUILT-IN EXCUSE
365
00:14:47,340 --> 00:14:48,944
LIKE LOSING HIS TENOR.
366
00:14:48,977 --> 00:14:50,279
NO MATTER WHAT HAPPENS,
367
00:14:50,312 --> 00:14:52,582
YOU WON'T HEAR ME MAKING
ANY EXCUSES.
368
00:14:52,615 --> 00:14:54,219
OH, AND DON'T FEEL TOO BAD
369
00:14:54,253 --> 00:14:56,324
ABOUT NOT BRINGING
THAT TROPHY HOME.
370
00:14:56,358 --> 00:14:58,328
IT'S REALLY TOO GOOD
FOR MAYBERRY.
371
00:14:58,362 --> 00:15:01,801
IT BELONGS IN A BIG TOWN,
LIKE MT. PILOT.
372
00:15:10,585 --> 00:15:13,357
I PROMISE NOT TO TRY TO ESCAPE
ON MY WAY TO MT. PILOT...
373
00:15:13,392 --> 00:15:16,097
I PROMISE NOT TO
TRY TO ESCAPE ON MY
WAY TO MT. PILOT...
374
00:15:16,131 --> 00:15:17,333
WHILE I'M IN MT. PILOT...
375
00:15:17,365 --> 00:15:18,534
WHILE I'M IN MT. PILOT...
376
00:15:18,568 --> 00:15:20,105
ON MY WAY BACK
FROM MT. PILOT.
377
00:15:20,139 --> 00:15:21,473
ON MY WAY BACK
FROM MT. PILOT.
378
00:15:21,508 --> 00:15:23,378
I GUESS THAT DOES IT.
I GUESS THAT...
379
00:15:23,412 --> 00:15:25,248
YOU DON'T HAVE
TO SAY THAT PART.
380
00:15:42,682 --> 00:15:44,619
Opie:
"TO STAGE
AND DRESSING ROOMS."
381
00:15:44,654 --> 00:15:46,158
OH, MY GOODNESS.
382
00:15:46,190 --> 00:15:49,129
OOH, ISN'T IT EXCITING
TO BE BACKSTAGE, ANDY?
383
00:15:49,164 --> 00:15:50,399
OH, THERE'S THE CUP.
384
00:15:50,432 --> 00:15:51,668
YEAH.
385
00:15:51,700 --> 00:15:53,572
OH, ISN'T IT BEAUTIFUL?
JUST BEAUTIFUL.
386
00:15:53,605 --> 00:15:56,310
I CERTAINLY WISH I COULD BE
A PART OF ALL OF THIS.
387
00:15:56,343 --> 00:15:58,714
WELL, MAYBE NEXT
YEAR, HOWARD,
MAYBE NEXT YEAR.
388
00:15:58,747 --> 00:16:01,287
PAW, WILL I BE ABLE TO
SIT IN THE FRONT ROW?
389
00:16:01,320 --> 00:16:01,921
WE'LL TRY.
390
00:16:01,921 --> 00:16:04,260
ANDY, ANDY,
YOU BETTER CHECK US IN.
391
00:16:04,294 --> 00:16:06,264
OH, YEAH,
I'LL BE BACK.
392
00:16:06,298 --> 00:16:07,599
HI, MR. JOHNSTON.
393
00:16:07,633 --> 00:16:10,172
OH, SHERIFF TAYLOR,
NICE SEEING YOU AGAIN.
394
00:16:10,205 --> 00:16:11,540
IT'S NICE TO BE BACK.
395
00:16:11,573 --> 00:16:14,046
NOW, LET'S SEE, WE HAVE YOU
SCHEDULED FOR 8:30.
396
00:16:14,079 --> 00:16:15,516
8:30-- THAT'S TWO HOURS.
397
00:16:15,548 --> 00:16:18,122
I ALWAYS BELIEVE IN SAVING
THE BEST TILL THE LAST.
398
00:16:18,154 --> 00:16:19,423
WELL...
399
00:16:19,457 --> 00:16:21,761
AND WE HAVE YOU ASSIGNED
TO DRESSING ROOM "F."
400
00:16:21,793 --> 00:16:23,032
"F."
401
00:16:23,065 --> 00:16:24,399
IT'S A LITTLE
ON THE SMALL SIDE.
402
00:16:24,433 --> 00:16:26,403
I GUESS YOU'LL HAVE
TO TAKE TURNS IN IT.
403
00:16:26,437 --> 00:16:28,075
OH, THAT'S ALL RIGHT.
404
00:16:28,107 --> 00:16:30,479
OH, AND, SHERIFF, IF YOU DON'T
MIND GETTING DRESSED SOON
405
00:16:30,512 --> 00:16:32,115
WE'D LIKE TO TAKE
SOME PICTURES.
406
00:16:32,150 --> 00:16:33,218
OH... FINE.
407
00:16:34,353 --> 00:16:36,258
OH, ANDY, IT IS
BEAUTIFUL, ISN'T IT?
408
00:16:36,290 --> 00:16:37,526
PAW, YOU GOING
TO FIX IT
409
00:16:37,560 --> 00:16:39,229
SO WE CAN HAVE
THAT FOR KEEPS?
410
00:16:39,264 --> 00:16:40,365
WE'LL TRY, HUH?
411
00:16:40,398 --> 00:16:41,534
WE'LL TRY.
412
00:16:41,568 --> 00:16:43,105
FELLAS, FELLAS...
413
00:16:43,138 --> 00:16:44,239
I JUST WANT YOU TO KNOW
414
00:16:44,274 --> 00:16:45,808
THAT EVEN THOUGH
I WON'T BE OUT THERE
415
00:16:45,841 --> 00:16:48,048
ON THE STAGE WITH YOU
SHOULDER TO SHOULDER
416
00:16:48,082 --> 00:16:50,385
I'LL BE THINKING OF YOU
EVERY MINUTE OF THE TIME.
417
00:16:50,418 --> 00:16:51,554
GOOD LUCK.
418
00:16:51,588 --> 00:16:53,125
GIVE IT ALL YOU GOT.
419
00:16:53,158 --> 00:16:54,826
WE'LL TRY.
420
00:16:54,859 --> 00:16:57,233
OH, AND MR. NELSON,
I MEANT TO TELL YOU
421
00:16:57,265 --> 00:17:00,706
I THINK IT'S AWFULLY
NICE OF YOU TO PROMISE
SHERIFF TAYLOR
422
00:17:00,739 --> 00:17:02,042
THAT YOU WOULDN'T
TRY TO ESCAPE.
423
00:17:02,042 --> 00:17:05,481
WELL, YOU JUST GIVE IT
ALL YOU'VE GOT, HMM?
424
00:17:05,516 --> 00:17:06,783
YES, MA'AM.
425
00:17:06,818 --> 00:17:09,489
WELL, THERE'S NO NEED
IN GETTING TOO EXCITED.
426
00:17:09,523 --> 00:17:11,327
WE DON'T GO ON
FOR TWO HOURS.
427
00:17:11,361 --> 00:17:12,396
TWO HOURS?
TWO HOURS?
428
00:17:12,430 --> 00:17:13,565
THAT'S WHAT
THE MAN SAID.
429
00:17:13,597 --> 00:17:15,168
BUT HE WANTS US
TO GET DRESSED
430
00:17:15,201 --> 00:17:16,737
'CAUSE THEY WANT
TO TAKE A PICTURE.
431
00:17:16,770 --> 00:17:18,474
OH, PICTURES...
432
00:17:18,507 --> 00:17:20,879
WELL, THAT'S THE WAY
IT IS WHEN YOU'RE
A FAMOUS QUARTET.
433
00:17:20,911 --> 00:17:25,622
OPIE, OPIE,
COME ON, COME ON.
434
00:17:29,796 --> 00:17:30,832
HURRY UP, WALLY.
435
00:17:30,865 --> 00:17:32,336
I'M COMING.
436
00:17:32,369 --> 00:17:34,506
YOU'RE GOING TO CHANGE
NEXT, AREN'T YOU, JEFF?
437
00:17:34,539 --> 00:17:35,776
YEAH, I GUESS SO.
438
00:17:35,809 --> 00:17:38,882
HERE. UH, ANDY, COULD
I HOLD THOSE FOR YOU?
439
00:17:38,914 --> 00:17:40,619
WELL... WELL.
440
00:17:40,652 --> 00:17:42,823
YEAH... THAT'S IT.
441
00:17:45,329 --> 00:17:46,298
OH.
442
00:17:46,331 --> 00:17:47,300
SHERIFF.
443
00:17:47,333 --> 00:17:48,335
SHERIFF.
444
00:17:50,505 --> 00:17:52,843
WELL, SO YOU FOUND YOURSELF
A TENOR.
445
00:17:52,875 --> 00:17:55,316
YEAH, WE FOUND OURSELVES
A TENOR.
446
00:17:55,349 --> 00:17:57,853
HEY, HAVEN'T I SEEN YOU
SOMEPLACE BEFORE?
447
00:17:57,885 --> 00:17:59,324
YEAH, YOU MIGHT HAVE.
448
00:17:59,357 --> 00:18:00,726
YOU EVER BEEN
TO NEW YORK?
449
00:18:00,759 --> 00:18:02,162
YEAH, I'VE BEEN
TO NEW YORK.
450
00:18:02,162 --> 00:18:05,536
WELL, MAYBE YOU
SAW HIM IN THE
METROPOLITAN OPERA.
451
00:18:05,568 --> 00:18:07,839
HE'S A REAL
FAMOUS SINGER.
452
00:18:13,652 --> 00:18:15,989
JEFF'S SURE TAKING
A LONG TIME TO CHANGE.
453
00:18:16,022 --> 00:18:18,394
YEAH, HE SURE IS.
454
00:18:23,572 --> 00:18:24,673
JEFF?
455
00:18:25,841 --> 00:18:27,246
JEFF?
456
00:18:49,489 --> 00:18:50,558
HI.
457
00:18:51,861 --> 00:18:52,963
HI.
458
00:18:57,572 --> 00:18:59,844
I'VE SEEN YOU SOMEPLACE.
459
00:18:59,877 --> 00:19:01,580
YEAH?
460
00:19:01,613 --> 00:19:03,418
AND I SEEN YOU, TOO.
461
00:19:03,452 --> 00:19:05,020
AND I'LL TELL YOU WHERE.
462
00:19:05,053 --> 00:19:07,725
WE WAS IN JAIL TOGETHER
OVER IN BIXBY.
463
00:19:07,759 --> 00:19:09,664
YEAH.
464
00:19:10,731 --> 00:19:12,502
HERE, HAVE SOME COFFEE, PAL.
465
00:19:12,536 --> 00:19:13,605
THANKS.
466
00:19:16,042 --> 00:19:17,479
WHERE YOU HEADED?
467
00:19:17,512 --> 00:19:18,615
I DON'T KNOW.
468
00:19:18,647 --> 00:19:19,783
JUST GOT LOOSE.
469
00:19:19,817 --> 00:19:21,720
I WAS IN JAIL OVER IN MAYBERRY.
470
00:19:21,753 --> 00:19:22,856
MAYBERRY?
471
00:19:22,890 --> 00:19:24,827
WELL, WELL...
472
00:19:24,860 --> 00:19:26,998
SHERIFF TAYLOR STILL OVER THERE?
473
00:19:27,030 --> 00:19:28,066
YEAH.
474
00:19:28,099 --> 00:19:29,437
OH, HE'S A GOOD GUY.
475
00:19:29,469 --> 00:19:30,439
I LIKE HIM.
476
00:19:31,508 --> 00:19:32,843
YEAH, HE AIN'T A BAD GUY.
477
00:19:32,876 --> 00:19:34,514
I'LL SAY HE
AIN'T A BAD GUY.
478
00:19:34,547 --> 00:19:36,717
YOU KNOW WHAT IT IS
WITH SHERIFF TAYLOR?
479
00:19:36,750 --> 00:19:38,152
WHAT?
480
00:19:38,186 --> 00:19:40,124
WELL, YOU SEE,
THE REST OF THESE GUYS
481
00:19:40,156 --> 00:19:42,795
THEY JUST TOSS YOU IN
AND YOU'RE NOTHING. NOTHING.
482
00:19:42,829 --> 00:19:45,436
MAKES YOU FEEL
LIKE DIRT.
483
00:19:45,469 --> 00:19:47,705
BUT WITH TAYLOR,
I DON'T KNOW...
484
00:19:47,739 --> 00:19:50,044
TREATS YOU WITH
A LITTLE RESPECT.
485
00:19:50,077 --> 00:19:52,550
MAKES YOU FEEL LIKE
A REGULAR GUY.
486
00:19:52,583 --> 00:19:54,554
YEP.
487
00:19:54,587 --> 00:19:57,993
YOU KNOW, EVERY TIME
I'VE BEEN IN THAT MAYBERRY JAIL
488
00:19:58,026 --> 00:20:01,166
I COME WALKING OUT
KIND OF FEELING... DIFFERENT.
489
00:20:01,198 --> 00:20:04,406
MAKE YOU FEEL LIKE...
YOU CAN BE TRUSTED.
490
00:20:06,811 --> 00:20:08,514
THINK I'LL TURN IN.
491
00:20:08,548 --> 00:20:10,719
GRAB YOURSELF A
PIECE OF GROUND.
492
00:20:21,039 --> 00:20:22,943
YES, SIR...
493
00:20:22,976 --> 00:20:24,713
NEXT TIME I
GET ARRESTED
494
00:20:24,747 --> 00:20:28,522
I'LL TRY AND
GET ARRESTED
OVER AT TAYLOR'S.
495
00:20:28,555 --> 00:20:30,925
HE'S A GOOD MAN.
496
00:20:37,905 --> 00:20:40,979
Johnston:
WELL, FOLKS, THAT WAS
YOUR MT. PILOT QUARTET.
497
00:20:41,012 --> 00:20:42,014
NO LUCK?
498
00:20:42,048 --> 00:20:43,050
NO LUCK.
499
00:20:43,083 --> 00:20:44,185
THERE GOES
THE TROPHY.
500
00:20:44,217 --> 00:20:46,122
WELL, THAT'S NOT
AS IMPORTANT TO ME
501
00:20:46,156 --> 00:20:47,291
AS LOSING A PRISONER.
502
00:20:47,324 --> 00:20:49,729
WELL, I GUESS I...
503
00:20:49,764 --> 00:20:50,999
WHERE YOU BEEN?
504
00:20:51,032 --> 00:20:52,201
WELL, SHERIFF, I...
505
00:20:52,233 --> 00:20:54,305
NEVER SANG BEFORE
A LIVE AUDIENCE BEFORE
506
00:20:54,338 --> 00:20:56,544
SO I GUESS I GOT
A CASE OF COLD FEET
507
00:20:56,578 --> 00:20:59,048
AND TOOK A LITTLE WALK
TO CALM DOWN?
508
00:20:59,082 --> 00:21:01,887
YOU'VE ALL BEEN WAITING
FOR THE MAYBERRY QUARTET.
509
00:21:01,920 --> 00:21:03,892
BUT DUE TO UNFORESEEN
CIRCUMSTANCES
510
00:21:03,924 --> 00:21:05,294
THEY HAVE HAD
TO WITHDRAW.
511
00:21:05,327 --> 00:21:08,199
UH, MR. JOHNSTON...
512
00:21:08,233 --> 00:21:11,673
UH, THE UNFORESEEN
CIRCUMSTANCES HAVE
BEEN CLEARED UP.
513
00:21:11,707 --> 00:21:14,012
WOULD YOU STALL THEM,
AND I'LL CHANGE.
514
00:21:14,045 --> 00:21:15,079
SURE.
515
00:21:16,248 --> 00:21:17,819
LADIES AND GENTLEMEN...
516
00:21:17,853 --> 00:21:20,189
STAY WITH HIM,
JUST... RIGHT WITH HIM.
517
00:21:24,999 --> 00:21:27,606
All:
* MMM...
518
00:21:27,640 --> 00:21:33,282
* BEAUTIFUL ISLE
OF MAKE-BELIEVE *
519
00:21:33,317 --> 00:21:39,027
* MAGICAL ISLE OF LOVE
520
00:21:39,061 --> 00:21:44,238
* WONDERFUL DREAMS
WITH THEIR MARVELOUS SCENES *
521
00:21:44,272 --> 00:21:52,756
* THAT SEEM LIKE THE HEAVENS
SO FAR UP ABOVE *
522
00:21:52,790 --> 00:21:58,433
* MAKE-BELIEVE ISLE
WITH ITS TREASURES OF GOLD *
523
00:21:58,466 --> 00:22:04,980
* MAKING COME TRUE
ALL MY MEMORIES OF OLD *
524
00:22:05,014 --> 00:22:11,460
* BEAUTIFUL ISLE
OF MAKE-BELIEVE *
525
00:22:11,493 --> 00:22:17,238
* MAGICAL ISLAND OF LOVE
526
00:22:17,270 --> 00:22:24,317
* BEAUTIFUL ISLAND
OF MAKE-BELIEVE *
527
00:22:24,353 --> 00:22:28,795
* MAGICAL ISLAND OF...
528
00:22:28,827 --> 00:22:35,307
* MAGICAL ISLAND OF LOVE.
529
00:22:47,564 --> 00:22:49,235
LADIES AND GENTLEMEN...
530
00:22:49,268 --> 00:22:51,171
IT DIDN'T TAKE
THE JUDGES LONG
531
00:22:51,205 --> 00:22:52,776
TO DECIDE ON A WINNER.
532
00:22:52,810 --> 00:22:55,247
THE MAYBERRY QUARTET.
533
00:23:00,926 --> 00:23:02,529
SHERIFF TAYLOR...
534
00:23:02,561 --> 00:23:06,168
SINCE YOU HAVE WON
THIS CONTEST FOR THREE
CONSECUTIVE YEARS
535
00:23:06,201 --> 00:23:07,840
IT GIVES US GREAT PLEASURE
TO PRESENT THIS TROPHY
536
00:23:07,872 --> 00:23:11,479
TO YOU FOR YOUR
PERMANENT POSSESSION.
537
00:23:15,020 --> 00:23:16,122
THANK YOU.
538
00:23:16,156 --> 00:23:18,260
THANK YOU VERY MUCH.
539
00:23:18,293 --> 00:23:19,529
WE APPRECIATE IT.
540
00:23:24,372 --> 00:23:26,878
HOW ABOUT THAT?
36789
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
