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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,211 --> 00:00:13,047 STARRING ANDY GRIFFITH... 2 00:00:13,081 --> 00:00:15,683 WITH RONNY HOWARD... 3 00:00:15,716 --> 00:00:18,319 ALSO STARRING DON KNOTTS. 4 00:00:33,801 --> 00:00:37,071 AND THEN HE BURST INTO THE HOUSE, UNINVITED, 5 00:00:37,105 --> 00:00:40,208 AND STARTED BEHAVING IN THE MOST PECULIAR MANNER. 6 00:00:40,241 --> 00:00:41,542 LIKE WHAT, MISS WILEY? 7 00:00:41,575 --> 00:00:44,678 OH, HE STUCK HIS HAND IN THE PUNCH BOWL. 8 00:00:44,712 --> 00:00:47,148 AND HE ATE EVERY BIT OF THE WATERMELON RIND. 9 00:00:47,181 --> 00:00:48,582 AND IF THAT WASN'T ENOUGH, 10 00:00:48,616 --> 00:00:51,119 HE SOAKED THE PAPER NAPKINS IN THE PUNCH 11 00:00:51,152 --> 00:00:53,387 AND THEN HE THREW THEM AT THE CEILING. 12 00:00:53,421 --> 00:00:55,789 WELL, DIDN'T ANYBODY TRY TO STOP HIM? 13 00:00:55,823 --> 00:00:58,592 MR. SCHWAB TRIED TO PINCH HIM. 14 00:00:58,626 --> 00:01:00,694 BUT HE JUST GIGGLED AND JUMPED AWAY. 15 00:01:00,728 --> 00:01:03,164 YOU SAY YOU NEVER SAW THIS MAN BEFORE? 16 00:01:03,197 --> 00:01:05,399 NEVER, AND I HOPE I NEVER SEE HIM AGAIN. 17 00:01:05,433 --> 00:01:06,700 DID HE TAKE ANYTHING? 18 00:01:06,734 --> 00:01:08,136 NO. 19 00:01:08,169 --> 00:01:10,671 HE JUST CAME IN DEMANDING TO MEET A WOMAN. 20 00:01:10,704 --> 00:01:13,141 -AS BLATANTLY AS THAT. 21 00:01:13,174 --> 00:01:15,809 AND WHEN I ORDERED HIM TO LEAVE, HE BECAME INCENSED 22 00:01:15,843 --> 00:01:18,212 AND COMPLETELY LOST CONTROL OF HIMSELF. 23 00:01:18,246 --> 00:01:19,680 HERE'S THE ROCK, MRS. WILEY. 24 00:01:19,713 --> 00:01:21,482 OH, YES. THANK YOU, RAMONA. 25 00:01:21,515 --> 00:01:23,517 HE THREW THIS ROCK THROUGH THE WINDOW. 26 00:01:23,551 --> 00:01:26,354 I THOUGHT YOU MIGHT LIKE IT TO STUDY FOR FINGERPRINTS. 27 00:01:26,387 --> 00:01:30,458 MAY I ASK JUST HOW MANY OF YOU PEOPLE HAVE HANDLED THIS ROCK? 28 00:01:30,491 --> 00:01:31,725 JUST ME. 29 00:01:31,759 --> 00:01:33,661 OH, MRS. POKE. 30 00:01:33,694 --> 00:01:36,597 OH, RAMONA AND MR. SCHWAB. 31 00:01:36,630 --> 00:01:40,168 YOU LAYPEOPLE HAVE GOT TO LEARN TO LEAVE EVIDENCE ALONE! 32 00:01:40,201 --> 00:01:42,636 IT'S GOING TO MAKE IT VERY DIFFICULT NOW 33 00:01:42,670 --> 00:01:44,572 FOR US AND THE BOYS AT THE LAB. 34 00:01:44,605 --> 00:01:46,574 -PLEASE, ANDY. 35 00:01:46,607 --> 00:01:49,543 WELL, WE WANT TO THANK ALL OF YOU FOR YOUR COOPERATION. 36 00:01:49,577 --> 00:01:50,811 WE'LL TAKE IT FROM HERE. 37 00:01:50,844 --> 00:01:52,846 WE'LL ANALYZE THIS ROCK CHEMICALLY. 38 00:01:52,880 --> 00:01:54,582 THAT'S TO DETERMINE ITS ORIGIN. 39 00:01:54,615 --> 00:01:56,684 THAT WAY WE'LL KNOW WHERE THE MAN CAME FROM 40 00:01:56,717 --> 00:01:59,153 AND WHETHER OR NOT HE BROUGHT THE ROCK WITH HIM 41 00:01:59,187 --> 00:02:00,821 OR WHETHER OR NOT IT'S A LOCAL ROCK. 42 00:02:00,854 --> 00:02:03,157 NOW, WE ALSO WANT YOUR IMPRESSIONS 43 00:02:03,191 --> 00:02:05,459 OF THE MAN'S APPEARANCE, BOTH PHYSICAL 44 00:02:05,493 --> 00:02:09,297 AND OTHER ASPECTS OF HIS LOOKS AND APPEARANCE. 45 00:02:09,330 --> 00:02:11,465 NOW, FROM THIS INFORMATION, 46 00:02:11,499 --> 00:02:14,302 OUR STAFF ARTIST WILL RE-CREATE HIS FACE 47 00:02:14,335 --> 00:02:16,870 AND WE'LL KNOW EXACTLY WHO WE'RE AFTER. 48 00:02:16,904 --> 00:02:19,407 -ERNEST T. BASS. -YEAH, THAT'S A LEAD. 49 00:02:19,440 --> 00:02:21,842 IT'S MORE THAN THAT. I'M POSITIVE THAT'S WHO IT IS. 50 00:02:21,875 --> 00:02:23,577 THE ROCK AND THE WILD GIGGLING. 51 00:02:23,611 --> 00:02:26,280 DIRTY HAND IN THE PUNCH. YEAH, IT'S ERNEST T. ALL RIGHT. 52 00:02:26,314 --> 00:02:28,882 WE'LL HAVE THIS MAN IN CUSTODY WITHIN AN 18-HOUR PERIOD. 53 00:02:28,916 --> 00:02:30,351 YOU CAN BANK ON THAT. 54 00:02:30,384 --> 00:02:31,952 THANK YOU, MISS WILEY. LET'S GO, BARNEY. 55 00:02:31,985 --> 00:02:33,554 OKAY. SEE YA. 56 00:02:33,587 --> 00:02:35,556 I WANT TO THANK YOU AGAIN FOR YOUR COOPERATION. 57 00:02:35,589 --> 00:02:36,824 COME ON, BARNEY. 58 00:02:36,857 --> 00:02:38,426 RIGHT, ANGE. 59 00:02:38,459 --> 00:02:40,861 YOUR COOPERATION AND YOUR DETAILED INFORMATION. 60 00:02:40,894 --> 00:02:42,430 LET'S GO, BARNEY. 61 00:02:42,463 --> 00:02:43,764 I'M COMING, ANGE. 62 00:02:45,299 --> 00:02:47,335 THE ROCK. 63 00:02:49,002 --> 00:02:50,604 DON'T TOUCH IT. DON'T TOUCH IT. 64 00:03:10,791 --> 00:03:13,561 WELL, NOW WHAT? 65 00:03:13,594 --> 00:03:15,663 WE'VE LOOKED ON EVERY STREET. 66 00:03:15,696 --> 00:03:19,933 IN EVERY STORE AND RESTAURANT, EVEN LOOKED UNDER TWO HOUSES. 67 00:03:19,967 --> 00:03:21,802 DOGGONE THAT ERNEST T. BASS. 68 00:03:21,835 --> 00:03:23,471 EVERY TIME HE HITS TOWN, 69 00:03:23,504 --> 00:03:25,839 HE'S NUMBER ONE ON OUR WANTED LIST. 70 00:03:25,873 --> 00:03:27,475 YEAH. I SURE WISH 71 00:03:27,508 --> 00:03:29,677 THERE WAS SOME WAY WE COULD STRAIGHTEN HIM OUT. 72 00:03:29,710 --> 00:03:31,412 OH, NOBODY CAN. 73 00:03:31,445 --> 00:03:34,848 THE MAN'S HOSTILITY IS INGRAINED. 74 00:03:34,882 --> 00:03:37,385 IT'S CARVED IN THE DEEPEST RECESSES 75 00:03:37,418 --> 00:03:38,819 OF HIS SUBCONSCIOUS ID. 76 00:03:38,852 --> 00:03:40,354 HIS BEHAVIOR PATTERNS 77 00:03:40,388 --> 00:03:42,856 ARE A PERMANENT FIXTURE OF HIS BEHAVIOR. 78 00:03:42,890 --> 00:03:46,527 NOW, WHEN YOU GOT PATTERNS THAT ARE INGRAINED, 79 00:03:46,560 --> 00:03:49,530 WELL, ANY CONFLICTING CONFLICTS THAT YOU MIGHT INFLICT, 80 00:03:49,563 --> 00:03:54,868 WELL, THEY CAN CAUSE A TRAUMATIC...TRAUMA. 81 00:03:54,902 --> 00:03:58,372 YOU BEEN READING AGAIN, AIN'T YOU? 82 00:03:58,406 --> 00:03:59,907 "ASPECTS OF THE LAW." 83 00:03:59,940 --> 00:04:01,775 I GOT IT FIVE MORE DAYS IF YOU WANT TO TAKE A LOOK. 84 00:04:01,809 --> 00:04:03,544 I DO. 85 00:04:05,045 --> 00:04:07,748 SURE WISH THERE WAS SOME WAY WE COULD HELP HIM. 86 00:04:07,781 --> 00:04:10,518 AW, FORGET IT. HE'S TOO FAR GONE. 87 00:04:10,551 --> 00:04:14,322 I WOULDN'T TOUCH HIS ID WITH A 10-FOOT POLE. 88 00:04:14,355 --> 00:04:16,790 WELL, LET'S GO IN. 89 00:04:25,633 --> 00:04:30,003 WELL, I GUESS WE CAN START LOOKING FOR HIM IN THE MORNING. 90 00:04:30,037 --> 00:04:31,805 MY OLD UNIFORM? 91 00:04:31,839 --> 00:04:33,807 WHAT IN THE WORLD? 92 00:04:33,841 --> 00:04:35,843 HOWDY, SHERIFF. HOWDY, DEPUTY. 93 00:04:35,876 --> 00:04:37,445 ERNEST T. 94 00:04:37,478 --> 00:04:39,880 SURPRISE, SURPRISE. 95 00:04:39,913 --> 00:04:41,582 I COULD SEE IT IN YOUR EYES. 96 00:04:41,615 --> 00:04:43,050 I BET YOU DIDN'T EVEN KNOW I WAS HERE IN TOWN, DID YOU? 97 00:04:47,388 --> 00:04:50,458 WE KNEW ALL RIGHT, ERNEST T. 98 00:04:50,491 --> 00:04:52,593 MISS WILEY CALLED US ABOUT THE BROKEN WINDOW. 99 00:04:52,626 --> 00:04:55,028 YOU SURE CAUSED A LOT OF TROUBLE OVER AT MRS. WILEY'S. 100 00:04:55,062 --> 00:04:56,897 THEY WERE PRETTY SHOOK UP OVER THERE. 101 00:04:56,930 --> 00:04:58,499 ALLST I WANTED WAS A GIRL. 102 00:04:58,532 --> 00:05:00,934 THAT MISS WILEY, SHE JUST GOT MAD ALL OVER. 103 00:05:00,968 --> 00:05:02,703 THE LAST TIME YOU WAS IN TOWN, 104 00:05:02,736 --> 00:05:05,673 WE GAVE YOU BARNEY'S UNIFORM TO HELP YOU GET A GIRL. 105 00:05:05,706 --> 00:05:08,476 UH-HUH. UH-HUH. THAT WAS THE PLAN, ALL RIGHT. 106 00:05:08,509 --> 00:05:09,910 BUT IT DIDN'T TAKE AHOLD. 107 00:05:09,943 --> 00:05:11,512 THAT'S WHY I BRUNG IT BACK. 108 00:05:11,545 --> 00:05:13,814 SEE, WHEN I WENT HOME WEARING THAT UNIFORM, 109 00:05:13,847 --> 00:05:16,784 I EXPECTED ALL THE GIRLS JUST TO GO PLUNK, 110 00:05:16,817 --> 00:05:18,686 FLOP RIGHT DOWN AT MY FEET. 111 00:05:18,719 --> 00:05:20,454 BUT NAH, SAME AS ALWAYS. 112 00:05:20,488 --> 00:05:22,523 JUST GAZED RIGHT ON THROUGH ME. 113 00:05:22,556 --> 00:05:26,460 WELL, I'M SORRY TO HEAR THAT, ERNEST T. 114 00:05:26,494 --> 00:05:28,962 I KNOW HOW IMPORTANT IT IS TO YOU TO GET A GIRL. 115 00:05:28,996 --> 00:05:32,633 I TRIED COURTING OLD HOG WINSLOW'S DAUGHTER, HOGETTE. 116 00:05:32,666 --> 00:05:34,067 PRETTY NAME. 117 00:05:34,101 --> 00:05:36,737 HOGETTE? YEAH, IT'S FRENCH. FRENCH NAME. 118 00:05:36,770 --> 00:05:39,707 I COURTED HER JUST AS PROPER AS PROPER CAN BE. 119 00:05:39,740 --> 00:05:41,675 FIRST OFF, I WROTE HER A LOVE NOTE 120 00:05:41,709 --> 00:05:43,577 ASKING HER TO GO ON OUT WITH ME. 121 00:05:43,611 --> 00:05:45,012 AND THEN I TIED THAT LOVE NOTE 122 00:05:45,045 --> 00:05:47,415 ON TO THE PRETTIEST ROCK YOU EVER DID SEE. 123 00:05:47,448 --> 00:05:50,384 AND THEN I GIVE IT THE PRETTIEST TOSS YOU EVER DID SEE 124 00:05:50,418 --> 00:05:51,952 RIGHT THROUGH HER FRONT WINDOW. 125 00:05:51,985 --> 00:05:53,654 WELL, DID HOGETTE COME OUT WITH YOU? 126 00:05:53,687 --> 00:05:54,888 COULDN'T. 127 00:05:54,922 --> 00:05:57,425 CAUGHT HER RIGHT THERE. 128 00:05:57,458 --> 00:05:59,393 SEVEN STITCHES. 129 00:05:59,427 --> 00:06:02,830 ALL MY CHARM, GOOD LOOKS, AND LOVABLE TRAITS 130 00:06:02,863 --> 00:06:04,998 DIDN'T MEAN A PECKITY THING. 131 00:06:05,032 --> 00:06:06,500 ERNEST T., 132 00:06:06,534 --> 00:06:09,036 YOU DON'T THROW ROCKS THROUGH WINDOWS. 133 00:06:09,069 --> 00:06:11,672 NOW, MAYBE IF YOU GAVE IT ANOTHER CHANCE WITH HOGETTE 134 00:06:11,705 --> 00:06:13,006 WITH A MORE PROPER COURTSHIP. 135 00:06:13,040 --> 00:06:14,675 SHE'S ACCOUNTED FOR NOW. 136 00:06:14,708 --> 00:06:16,910 SHE'S GONNA MARRY THE TAXIDERMIST 137 00:06:16,944 --> 00:06:18,579 WHAT SEWED UP HER HEAD. 138 00:06:20,814 --> 00:06:24,151 YEAH, I RECKON BEST THING IS FOR ME TO DO 139 00:06:24,184 --> 00:06:28,121 IS FIND MYSELF A CAVE AND JUST HERMITIZE MYSELF. 140 00:06:28,155 --> 00:06:29,990 ERNEST T.? 141 00:06:30,023 --> 00:06:31,124 HMM? 142 00:06:31,158 --> 00:06:33,694 I'D LIKE TO TRY TO HELP YOU. 143 00:06:33,727 --> 00:06:35,095 -YEAH. 144 00:06:35,128 --> 00:06:37,097 NOW, ARE YOU WILLING TO LEARN? THAT'S IMPORTANT. 145 00:06:37,130 --> 00:06:39,867 AND AFTER THE LEARNING, THERE'LL BE A WOMAN? 146 00:06:39,900 --> 00:06:41,502 IT'S -- IT'S POSSIBLE. 147 00:06:46,940 --> 00:06:48,642 DON'T GET INVOLVED. AIN'T IT BAD ENOUGH 148 00:06:48,676 --> 00:06:50,544 WE HAVE TO RUN HIM OUT OF TOWN ONCE A MONTH? 149 00:06:50,578 --> 00:06:52,546 ALL I WANT TO DO IS TRY TO HELP HIM. 150 00:06:52,580 --> 00:06:54,948 YOU KNOW, CLEAN HIM UP, TEACH HIM A FEW MANNERS. 151 00:06:54,982 --> 00:06:57,985 MAYBE HE'LL EVEN QUIT THROWING ROCKS. 152 00:06:58,018 --> 00:07:00,854 THAT'S IMPOSSIBLE. LOOK AT HIM. 153 00:07:03,824 --> 00:07:05,493 HE'S A CHALLENGE. 154 00:07:05,526 --> 00:07:07,995 HE'S A MESS. 155 00:07:08,028 --> 00:07:09,730 LIKE THAT? 156 00:07:09,763 --> 00:07:11,465 THAT'S IT. 157 00:07:11,499 --> 00:07:13,734 THERE YOU GO. 158 00:07:13,767 --> 00:07:16,537 MR. BASS? WILL YOU PASS THE BREAD, PLEASE? 159 00:07:16,570 --> 00:07:18,138 YEAH. HERE IT IS. 160 00:07:18,171 --> 00:07:19,239 MR. BASS! 161 00:07:19,272 --> 00:07:21,008 THROWING FOOD IS A SIN. 162 00:07:21,041 --> 00:07:22,242 IT CERTAINLY IS. 163 00:07:22,275 --> 00:07:24,144 YOU PASS IT, YOU DON'T THROW IT. 164 00:07:24,177 --> 00:07:27,548 I JUST DON'T COTTON TO ALL THIS. TOO DAGGONE MANY RULES. 165 00:07:27,581 --> 00:07:29,650 I DON'T LIKE IT. I DON'T LIKE IT. 166 00:07:29,683 --> 00:07:31,051 NOW, ERNEST T., 167 00:07:31,084 --> 00:07:33,954 WE'RE JUST TRYING TO HELP YOU FIT INTO SOCIETY. 168 00:07:33,987 --> 00:07:36,590 NOW, YOU WANT A GIRL OR DON'T YOU? 169 00:07:36,624 --> 00:07:38,826 WOULD YOU PASS THE POTATOES, PLEASE? 170 00:07:40,928 --> 00:07:42,863 HERE YOU GO. 171 00:07:42,896 --> 00:07:46,033 WELL, WHAT'S THE MATTER? I PASSED IT. 172 00:07:46,066 --> 00:07:47,701 I DIDN'T HEAVE IT. 173 00:07:47,735 --> 00:07:51,539 YOU DON'T PASS ONE. YOU PASS THE WHOLE THING. 174 00:07:51,572 --> 00:07:52,706 WHOLE THING? 175 00:07:52,740 --> 00:07:54,174 THE WHOLE THING. 176 00:08:02,149 --> 00:08:03,851 HI, ANDY. 177 00:08:03,884 --> 00:08:07,220 OH, HI, BARN. 178 00:08:07,254 --> 00:08:10,624 WELL, HOW IS THE BIG EXPERIMENT WITH ERNEST T. COMING? 179 00:08:10,658 --> 00:08:12,092 FINE. 180 00:08:12,125 --> 00:08:14,528 HE HAD SUPPER WITH US. HE'S UPSTAIRS CLEANING UP. 181 00:08:14,562 --> 00:08:16,163 YEAH, I SUSPECT HE WOULD BE. 182 00:08:16,196 --> 00:08:19,633 WELL, I STILL SAY THE WHOLE THING IS A WASTE OF TIME. 183 00:08:19,667 --> 00:08:22,302 YOU GOING TO WORK ON HIM SOME MORE TONIGHT? 184 00:08:22,335 --> 00:08:24,938 MM-HMM. HE'S SHOWING PROGRESS. 185 00:08:24,972 --> 00:08:28,208 I BET WHEN I GET THROUGH WITH HIM, YOU WON'T RECOGNIZE HIM. 186 00:08:28,241 --> 00:08:30,678 YOU WANT TO KNOW WHAT I'M GOING TO DO? 187 00:08:30,711 --> 00:08:31,945 I'M GONNA KEEP WORKING AT HIM 188 00:08:31,979 --> 00:08:33,814 AND TRY TO PASS HIM OFF AT MISS WILEY'S. 189 00:08:33,847 --> 00:08:35,315 YOU'RE KIDDING. 190 00:08:35,348 --> 00:08:37,184 NO, I'M GONNA TRY. 191 00:08:37,217 --> 00:08:39,219 OH, THIS I GOT TO SEE. 192 00:08:39,252 --> 00:08:40,854 OUGHT TO BE BETTER THAN A MOVIE. 193 00:08:47,828 --> 00:08:49,630 HEY, DEPUTY. 194 00:08:49,663 --> 00:08:51,331 OH, HE'S COMING RIGHT ALONG. 195 00:08:51,364 --> 00:08:52,833 FOR A MINUTE THERE, 196 00:08:52,866 --> 00:08:55,836 I THOUGHT IT WAS THE COUNT OF MONTE CRISTO. 197 00:08:55,869 --> 00:08:58,939 IT TAKES TIME. 198 00:08:58,972 --> 00:09:00,941 UH, ERNEST T.? 199 00:09:00,974 --> 00:09:03,844 THERE'S SOMETHING WE GOT TO TALK ABOUT. 200 00:09:03,877 --> 00:09:06,780 AND THAT'S THE WAY YOU COME INTO A ROOM. 201 00:09:06,814 --> 00:09:09,850 TOO SLOW? 202 00:09:09,883 --> 00:09:13,053 NO. NO. IT WAS -- IT WAS TOO NOISY, 203 00:09:13,086 --> 00:09:14,254 TOO HECTIC. 204 00:09:14,287 --> 00:09:15,789 NOW, YOU GOT TO REMEMBER, 205 00:09:15,823 --> 00:09:17,157 WHEN YOU COME INTO A ROOM FULL OF STRANGERS, 206 00:09:17,190 --> 00:09:19,660 THEY JUDGE YOU BY THE FIRST TIME THEY SEE YOU. 207 00:09:19,693 --> 00:09:21,128 -YEAH. 208 00:09:21,161 --> 00:09:22,896 BARNEY, SUPPOSE YOU SHOW ERNEST T. 209 00:09:22,930 --> 00:09:24,665 THE PROPER WAY TO COME INTO A ROOM. 210 00:09:24,698 --> 00:09:27,735 OH, NO, DON'T INVOLVE ME IN THIS. 211 00:09:27,768 --> 00:09:30,771 YOU SEE, BARNEY IS A PERFECT EXAMPLE 212 00:09:30,804 --> 00:09:32,873 OF A YOUNG MAN ABOUT TOWN. 213 00:09:32,906 --> 00:09:34,307 GRANTED, ON THE OUTSIDE, 214 00:09:34,341 --> 00:09:37,144 HE LOOKS LIKE A TOUGH WEATHER-BEATEN LAWMAN. 215 00:09:37,177 --> 00:09:39,780 BUT COMING THROUGH THAT ROUGH EXTERIOR, 216 00:09:39,813 --> 00:09:41,114 THAT ROUGH HIDE, 217 00:09:41,148 --> 00:09:44,284 IS A SOPHISTICATED, WELL-MANNERED GENTLEMAN. 218 00:09:44,317 --> 00:09:46,854 YOU CAN AFFORD TO BE MIGHTY PROUD OF YOURSELF. 219 00:09:48,989 --> 00:09:50,357 ANDY, I GOT AN IDEA. 220 00:09:50,390 --> 00:09:51,992 WHAT'S THAT, BARN? 221 00:09:52,025 --> 00:09:54,628 WHY DON'T I SHOW ERNEST T. HOW TO COME INTO A ROOM? 222 00:09:54,662 --> 00:09:57,164 NOW, THAT'S A GOOD IDEA. 223 00:09:57,197 --> 00:10:00,834 OKAY. 224 00:10:00,868 --> 00:10:02,770 WHAT KIND OF A GATHERING IS IT? 225 00:10:02,803 --> 00:10:03,971 MM, SOCIAL. 226 00:10:04,004 --> 00:10:05,806 -NECKTIES. 227 00:10:05,839 --> 00:10:06,907 -FORMAL. -RIGHT. 228 00:10:06,940 --> 00:10:07,941 ANY CITY OFFICIALS? 229 00:10:07,975 --> 00:10:09,176 NO, JUST FOLKS. 230 00:10:09,209 --> 00:10:10,277 HOW MANY PEOPLE? 231 00:10:10,310 --> 00:10:11,945 ARE YOU GOING TO ENTER 232 00:10:11,979 --> 00:10:13,413 OR ARE YOU PLANNING ON BRINGING THE SANDWICHES? 233 00:10:13,446 --> 00:10:16,383 ANDY, IF YOU'RE GONNA DO SOMETHING, DO IT RIGHT! 234 00:10:16,416 --> 00:10:19,152 NOW, THERE'S DIFFERENT ENTRANCES FOR DIFFERENT AFFAIRS. 235 00:10:19,186 --> 00:10:22,055 JIMINY CHRISTMAS. 236 00:10:23,724 --> 00:10:25,693 WATCH THIS. 237 00:10:27,460 --> 00:10:29,029 ABOUT 10 COUPLES YOU FIGURE? 238 00:10:29,062 --> 00:10:31,064 -ABOUT. 239 00:10:31,098 --> 00:10:32,332 NO. NO. MAKE YOUR ENTRANCE. 240 00:10:32,365 --> 00:10:33,701 COMING IN. 241 00:10:35,102 --> 00:10:37,370 I WONDER WHO THAT CAN BE? 242 00:10:58,391 --> 00:10:59,827 I CAN'T HEAR HIM. 243 00:10:59,860 --> 00:11:01,094 I CAN'T HEAR HIM. 244 00:11:01,128 --> 00:11:02,963 NOW, HOW AM I GONNA LEARN IF I CAN'T HEAR?! 245 00:11:02,996 --> 00:11:05,298 DOGGONE YOU, ERNEST T., THEM ARE THE AMENITIES! 246 00:11:05,332 --> 00:11:07,167 NOW, YOU DON'T YELL OUT AMENITIES! 247 00:11:07,200 --> 00:11:08,769 I CAN'T HEAR YOUR "AMENINIES"! 248 00:11:08,802 --> 00:11:10,470 BARNEY, I DON'T MEAN TO CRITICIZE. 249 00:11:10,503 --> 00:11:13,140 I MEAN, YOU CAME IN FINE, FRIENDLY AND EVERYTHING, 250 00:11:13,173 --> 00:11:14,875 AND I GOT A RIGHT NICE IMPRESSION. 251 00:11:14,908 --> 00:11:16,209 BUT I GOT TO ADMIT, 252 00:11:16,243 --> 00:11:18,111 THE MOUTH WORK WAS A NEW ONE ON ME, TOO. 253 00:11:18,145 --> 00:11:19,446 YOU TRY IT, ERNEST T. 254 00:11:19,479 --> 00:11:21,849 -RIGHT. 255 00:11:21,882 --> 00:11:27,154 HOW DO YOU DO, MRS. WILEY? 256 00:11:27,187 --> 00:11:28,822 AGAIN. 257 00:11:28,856 --> 00:11:33,794 HOW DO YOU DO, MRS. WILEY? 258 00:11:33,827 --> 00:11:35,028 ONCE MORE. 259 00:11:35,062 --> 00:11:40,233 HOW DO YOU DO, MRS. WILEY? 260 00:11:40,267 --> 00:11:42,335 NOW, THAT'S COMING ALONG PRETTY GOOD. 261 00:11:42,369 --> 00:11:44,171 NOW TRY TO TALK THROUGH YOUR MOUTH MORE. 262 00:11:44,204 --> 00:11:45,505 YOU'RE TWANGING. 263 00:11:45,538 --> 00:11:47,841 YOU SEEM TO BE TALKING THROUGH YOUR NOSE. 264 00:11:47,875 --> 00:11:52,079 OH, WELL, I DO THAT ON PURPOSE SO'S I CAN TALK WHILST I EAT. 265 00:11:52,112 --> 00:11:54,848 LET'S JUST KEEP WORKING ON IT. 266 00:11:54,882 --> 00:12:00,387 HOW DO YOU DO, MRS. WILEY? 267 00:12:02,823 --> 00:12:04,858 COME ON, ERNEST T. 268 00:12:16,069 --> 00:12:18,138 NOW, THAT'S THE WAY TO COME INTO A ROOM. 269 00:12:18,171 --> 00:12:20,007 MR. BASS, YOU ARE STUNNING. 270 00:12:20,040 --> 00:12:21,408 GO ON, ERNEST T. 271 00:12:21,441 --> 00:12:23,176 SAY IT TO HER LIKE YOU'VE BEEN PRACTICING. 272 00:12:23,210 --> 00:12:27,147 HOW DO YOU DO, MRS. WILEY? 273 00:12:27,180 --> 00:12:30,217 GOOD. GOOD. 274 00:12:30,250 --> 00:12:33,220 Y'ALL SET? 275 00:12:33,253 --> 00:12:35,923 I BROUGHT THE CAR TO DRIVE YOU OVER TO MRS. WILEY'S. 276 00:12:35,956 --> 00:12:37,124 -GOOD. -HI, AUNT BEE. 277 00:12:37,157 --> 00:12:38,826 -HI. -HI, THERE. 278 00:12:38,859 --> 00:12:42,095 WELL, WHERE IS OL' ERNEST T.? I WANT TO GET A GOOD L-- 279 00:12:42,129 --> 00:12:43,463 ERNEST T.! 280 00:12:43,496 --> 00:12:47,434 HOW DO YOU DO, MRS. WILEY? 281 00:12:47,467 --> 00:12:49,302 YOU BOYS HAVE A GOOD TIME. 282 00:12:49,336 --> 00:12:51,471 WHAT DO YOU THINK, HUH? 283 00:12:51,504 --> 00:12:53,106 ANDY, YOU'RE A GENIUS. 284 00:12:53,140 --> 00:12:54,808 I DIDN'T EVEN KNOW HIM. 285 00:12:54,842 --> 00:12:56,543 YOU'VE CREATED A NEW PERSON. 286 00:12:56,576 --> 00:12:58,912 YOU'VE TAKEN A RAW PIECE OF CLAY, 287 00:12:58,946 --> 00:13:00,580 AND YOU'VE MOLDED IT INTO A -- 288 00:13:00,613 --> 00:13:02,549 WELL, YOU'RE JUST A GENIUS. 289 00:13:02,582 --> 00:13:04,417 THAT'S GOOD, ERNEST T. GOOD. 290 00:13:04,451 --> 00:13:07,320 HOW DO YOU DO, MRS. WILEY? 291 00:13:09,489 --> 00:13:12,459 CAN HE SAY ANYTHING BESIDES "HOW DO YOU DO, MRS. WILEY"? 292 00:13:12,492 --> 00:13:14,561 WELL, SURE. TALK TO BARNEY, ERNEST T. 293 00:13:14,594 --> 00:13:17,330 GOOD EVENING. 294 00:13:17,364 --> 00:13:19,499 GOOD. GOOD. 295 00:13:19,532 --> 00:13:20,567 THAT'S GOOD. 296 00:13:20,600 --> 00:13:22,369 NICE EVENING, AIN'T IT? 297 00:13:22,402 --> 00:13:26,339 MAY I HAVE THIS DANCE? THANK YOU FOR THE DANCE. 298 00:13:26,373 --> 00:13:28,108 MAY I HAVE THE NEXT DANCE? 299 00:13:28,141 --> 00:13:32,245 NO COFFEE, TEA, OR PUNCH, THANK YOU. 300 00:13:32,279 --> 00:13:34,047 MM-HMM. 301 00:13:34,081 --> 00:13:35,883 WHO ARE YOU GONNA PASS HIM OFF AS? 302 00:13:35,916 --> 00:13:37,918 MY COUSIN FROM RALEIGH, OLIVER GOSSAGE. 303 00:13:37,951 --> 00:13:39,619 -OH, OLLIE. -YEAH. 304 00:13:39,652 --> 00:13:42,022 THIS IS ONE NIGHT I'D JUST LOVE TO BE A WALL AT MRS. WILEY'S. 305 00:13:42,055 --> 00:13:44,391 -JUST LOVE TO BE A WALL THERE. 306 00:13:44,424 --> 00:13:46,927 WHY DON'T YOU GO HOME AND CHANGE AND MEET US THERE? 307 00:13:46,960 --> 00:13:49,129 I'M GONNA DO JUST THAT. 308 00:13:49,162 --> 00:13:50,463 GO AHEAD. 309 00:13:50,497 --> 00:13:52,065 YOU KNOW, IF YOU WROTE THIS INTO A PLAY, 310 00:13:52,099 --> 00:13:53,566 NOBODY'D BELIEVE IT. 311 00:13:55,602 --> 00:13:58,038 YOUR COUSIN FROM RALEIGH. 312 00:13:58,071 --> 00:13:59,406 WELL, HOW NICE. 313 00:13:59,439 --> 00:14:02,042 IT WAS SO THOUGHTFUL OF YOU TO BRING HIM. 314 00:14:02,075 --> 00:14:04,044 WE DO NEED ELIGIBLE YOUNG MEN. 315 00:14:04,077 --> 00:14:05,578 WELL, THANK YOU, MRS. WILEY. 316 00:14:05,612 --> 00:14:08,081 WELL, WE'LL JUST MINGLE AND SOCIALIZE. 317 00:14:08,115 --> 00:14:12,085 NO, NO. YOU'RE NOT GONNA STEAL HIM AWAY FROM ME. 318 00:14:12,119 --> 00:14:14,321 OLIVER AND I ARE GOING TO GET ACQUAINTED. 319 00:14:14,354 --> 00:14:17,457 WELL, HE'S VERY SHY. 320 00:14:17,490 --> 00:14:19,326 THAT'S WHAT WE'RE HERE FOR. 321 00:14:19,359 --> 00:14:22,129 NOW YOU GO TALK TO RAMONA, SHERIFF. 322 00:14:22,162 --> 00:14:24,932 OLIVER, YOU COME WITH ME. 323 00:14:24,965 --> 00:14:27,634 WELL, UH, I'LL SEE YOU, OLIVER. 324 00:14:32,005 --> 00:14:37,377 WELL, NOW, OLIVER, TELL ME ALL ABOUT YOURSELF. 325 00:14:37,410 --> 00:14:41,381 HOW DO YOU DO, MRS. WILEY? 326 00:14:41,414 --> 00:14:42,950 YES. 327 00:14:42,983 --> 00:14:46,053 HAVE YOU AND THE SHERIFF BEEN HAVING A NICE VISIT? 328 00:14:46,086 --> 00:14:49,322 WHAT HAVE YOU BEEN DOING IN TOWN? 329 00:14:49,356 --> 00:14:52,425 WELL, I'VE BEEN COMING INTO ROOMS NICE. 330 00:14:52,459 --> 00:14:54,394 I AIN'T BEEN SHAKING LADIES' HANDS. 331 00:14:54,427 --> 00:14:57,998 OH! 332 00:14:58,031 --> 00:15:00,400 OH, NOW, BE SERIOUS. 333 00:15:00,433 --> 00:15:03,570 OH, NO. NO, THANK YOU, MILDRED. 334 00:15:03,603 --> 00:15:07,474 NO COFFEE, TEA, OR PUNCH, THANK YOU. 335 00:15:07,507 --> 00:15:10,410 WILL YOU SAY THAT AGAIN? 336 00:15:10,443 --> 00:15:12,579 NO COFFEE, TEA, OR PUNCH, THANK YOU. 337 00:15:12,612 --> 00:15:14,581 ONCE MORE. 338 00:15:14,614 --> 00:15:18,185 NO COFFEE, TEA, OR PUNCH, THANK YOU. 339 00:15:18,218 --> 00:15:21,488 SOMETHING FUNNY IS GOING ON HERE. 340 00:15:24,591 --> 00:15:26,426 EVENING, MISS ANCRUM 341 00:15:26,459 --> 00:15:30,363 GOOD EVENING, SHERIFF... IF IT DOESN'T RAIN. 342 00:15:30,397 --> 00:15:32,199 HUH? 343 00:15:32,232 --> 00:15:33,566 OH, YES. 344 00:15:33,600 --> 00:15:35,802 IT WILL BE A NICE EVENING IF IT DOESN'T RAIN. 345 00:15:39,672 --> 00:15:41,574 EXCUSE ME A MOMENT. 346 00:15:41,608 --> 00:15:43,710 GO RIGHT AHEAD, SHERIFF. 347 00:15:45,445 --> 00:15:49,082 OH, EVENING, MR. SCHWAB. 348 00:15:49,116 --> 00:15:50,250 HOW'S IT GOING? 349 00:15:50,283 --> 00:15:51,484 SO FAR, SO GOOD. 350 00:15:51,518 --> 00:15:53,486 ERNEST T. IS REALLY BEHAVING HIMSELF. 351 00:15:53,520 --> 00:15:56,523 SHE AIN'T AT ALL SUSPICIOUS? 352 00:15:56,556 --> 00:15:58,391 NOT SO FAR. KEEP YOUR FINGERS CROSSED. 353 00:15:58,425 --> 00:16:00,460 THIS COULD BE A WHOLE NEW LIFE FOR ERNEST T. 354 00:16:01,628 --> 00:16:04,431 HE SURE GOT SLIM PICKINGS HERE. 355 00:16:04,464 --> 00:16:07,100 -DOGS. NOTHING BUT DOGS. -BARNEY. 356 00:16:07,134 --> 00:16:09,636 ANDY, IF YOU FLEW A QUAIL THROUGH THIS ROOM, 357 00:16:09,669 --> 00:16:11,438 EVERY WOMAN IN IT WOULD POINT. 358 00:16:11,471 --> 00:16:14,174 DON'T TALK LIKE THAT. 359 00:16:14,207 --> 00:16:16,143 -UH-OH. 360 00:16:16,176 --> 00:16:17,477 I DON'T KNOW YET. 361 00:16:17,510 --> 00:16:20,047 I WANT TO SPEAK WITH YOU, SHERIFF TAYLOR. 362 00:16:20,080 --> 00:16:21,514 WILL YOU EXCUSE US, DEPUTY? 363 00:16:25,585 --> 00:16:28,721 DID YOU THINK YOU COULD REALLY FOOL ME? 364 00:16:28,755 --> 00:16:30,257 NOW, MISS WILEY. 365 00:16:30,290 --> 00:16:32,759 SHERIFF, I HAVE BEEN AROUND A LONG TIME. 366 00:16:32,792 --> 00:16:35,362 AND I'VE BEEN TO A GREAT MANY PLACES. 367 00:16:35,395 --> 00:16:37,230 THIS MAN IS NOT FROM RALEIGH. 368 00:16:37,264 --> 00:16:39,666 I KNOW. I'M SORRY. 369 00:16:39,699 --> 00:16:43,470 DEFINITELY BACK BAY, BOSTON. 370 00:16:43,503 --> 00:16:45,605 HOW'S THAT? 371 00:16:45,638 --> 00:16:48,575 WHY DIDN'T YOU TELL ME THE TRUTH? 372 00:16:48,608 --> 00:16:50,110 OH, WELL. 373 00:16:50,143 --> 00:16:53,380 I WANTED EVERYBODY TO BE AT EASE AROUND HIM. 374 00:16:53,413 --> 00:16:55,448 WELL, THAT WAS A MIGHTY SWEET THOUGHT, 375 00:16:55,482 --> 00:16:57,317 BUT GO ON, MOVE AROUND THE ROOM, 376 00:16:57,350 --> 00:16:58,451 HAVE HIM MEET PEOPLE. 377 00:16:58,485 --> 00:17:00,387 HAVE HIM DANCE WITH RAMONA. 378 00:17:00,420 --> 00:17:01,754 YES, MA'AM. 379 00:17:03,690 --> 00:17:04,757 HUH 380 00:17:04,791 --> 00:17:07,327 I THOUGHT IT WAS ALL OVER. 381 00:17:07,360 --> 00:17:10,197 SHE THINKS HE'S FROM BOSTON. 382 00:17:10,230 --> 00:17:11,831 SHE THINKS HE'S FROM BOSTON. 383 00:17:11,864 --> 00:17:14,334 -YEAH. 384 00:17:14,367 --> 00:17:15,668 EITHER YOU DID YOU THAT GOOD A JOB 385 00:17:15,702 --> 00:17:18,505 OR MRS. WILEY IS A NUT. 386 00:17:18,538 --> 00:17:21,408 ERNEST T., YOU'RE COMING ALONG LIKE A MILLION DOLLARS. 387 00:17:21,441 --> 00:17:24,511 HI, ERNEST T. 388 00:17:24,544 --> 00:17:27,114 HOW DO YOU DO, MRS. WILEY? 389 00:17:27,147 --> 00:17:28,448 YOU SAID THAT ALREADY. 390 00:17:28,481 --> 00:17:30,317 NOW, GET A GIRL TO DANCE A LITTLE. 391 00:17:30,350 --> 00:17:31,518 WHERE? 392 00:17:31,551 --> 00:17:32,752 YOU SEE THAT GIRL RIGHT OVER THERE? 393 00:17:32,785 --> 00:17:34,854 HER NAME IS RAMONA. 394 00:17:34,887 --> 00:17:36,823 NOW GO ASK HER TO DANCE WITH YOU. 395 00:17:36,856 --> 00:17:38,258 WELL, I DON'T KNOW. 396 00:17:38,291 --> 00:17:39,792 YOU WANT TO KNOW GIRLS, DON'T YOU? 397 00:17:39,826 --> 00:17:42,495 WELL, GO ON. DANCE LIKE YOU'VE BEEN PRACTICING. 398 00:17:42,529 --> 00:17:44,431 -GO AHEAD. 399 00:17:44,464 --> 00:17:46,099 YEAH, YOU GOT IT. GO ON. 400 00:17:58,645 --> 00:18:01,281 MAY I HAVE THIS DANCE? 401 00:18:01,314 --> 00:18:04,151 I'D BE DELIGHTED. 402 00:18:13,360 --> 00:18:15,728 IT RAINED LAST WEEK, YOU KNOW? 403 00:18:15,762 --> 00:18:18,231 UH-HUH. YEAH. 404 00:18:18,265 --> 00:18:20,567 I WAS RIGHT THERE IN IT. 405 00:18:20,600 --> 00:18:22,902 DOING GOOD, HUH? 406 00:18:22,935 --> 00:18:25,438 YEAH, HE'S GOT A GOOD RHYTHM. 407 00:18:25,472 --> 00:18:28,841 YOU WANT TO DANCE WITH ANYBODY? 408 00:18:28,875 --> 00:18:30,810 NO. 409 00:18:41,654 --> 00:18:45,758 IT'S SUPPOSED TO RAIN TONIGHT, BUT I DON'T THINK IT WILL. 410 00:18:45,792 --> 00:18:47,560 DO YOU? 411 00:18:47,594 --> 00:18:50,730 MA'AM, YOU HAVE TO KEEP TALKING ABOUT RAIN? 412 00:18:50,763 --> 00:18:52,232 WELL, NO. 413 00:18:52,265 --> 00:18:54,934 WHAT DO YOU WANT TO TALK ABOUT? 414 00:18:54,967 --> 00:18:58,171 LET'S TALK ABOUT ME. YOU WANT TO KNOW ABOUT ME? 415 00:18:58,205 --> 00:19:00,540 I DON'T SPILL AT THE TABLE. I DON'T THROW FOOD. 416 00:19:00,573 --> 00:19:02,609 AND I TRY NOT TO TALK THROUGH MY NOSE. 417 00:19:02,642 --> 00:19:04,877 THAT'S WONDERFUL! 418 00:19:04,911 --> 00:19:06,379 AND I'M STRONG. 419 00:19:06,413 --> 00:19:09,216 YOU KNOW I CAN LIFT YOU REAL EASY, MA'AM. 420 00:19:09,249 --> 00:19:10,283 MR. GOSSAGE. 421 00:19:10,317 --> 00:19:11,718 NO, I COULD. I COULD. 422 00:19:11,751 --> 00:19:14,354 WHY DON'T YOU LET ME HEFT YOU ONCE, HUH? 423 00:19:14,387 --> 00:19:15,955 I'LL SET YOU RIGHT DOWN AS SOON AS YOU SAY. 424 00:19:15,988 --> 00:19:18,458 HERE. -OH! 425 00:19:18,491 --> 00:19:19,726 SEE THAT? 426 00:19:19,759 --> 00:19:22,829 MR. GOSSAGE, YOU ARE STRONG. 427 00:19:22,862 --> 00:19:26,633 I ONCE HELD UP A GOAT LIKE THIS WHILST THE VET GAVE HIM A SHOT. 428 00:19:26,666 --> 00:19:28,468 OH, MY. 429 00:19:28,501 --> 00:19:30,203 LADIES AND GENTLEMEN, 430 00:19:30,237 --> 00:19:33,206 NOW WE'RE GOING TO HAVE OUR WEEKLY -- 431 00:19:33,240 --> 00:19:35,675 WHERE IS MR. GOSSAGE? RAMONA? 432 00:19:35,708 --> 00:19:38,378 RAMONA? 433 00:19:38,411 --> 00:19:40,647 WE BETTER GO INSIDE. 434 00:19:40,680 --> 00:19:42,649 MM-HMM. 435 00:19:42,682 --> 00:19:46,419 RAMONA? 436 00:19:46,453 --> 00:19:49,789 OH, THERE YOU ARE! 437 00:19:49,822 --> 00:19:51,324 I DIDN'T THINK YOU'D WANT TO MISS THIS. 438 00:19:51,358 --> 00:19:53,626 WE'RE GOING TO HAVE A TAG DANCE. 439 00:19:53,660 --> 00:19:55,395 NOW, YOU ALL KNOW THE RULES. 440 00:19:55,428 --> 00:19:58,265 WHEN YOU'RE TAGGED, YOU GIVE UP YOUR PARTNER. 441 00:19:58,298 --> 00:20:00,467 READY? 442 00:20:04,904 --> 00:20:09,242 WHERE DO YOU SUPPOSE ERNEST T. AND RAMONA WAS OFF TO? 443 00:20:09,276 --> 00:20:10,543 I DON'T KNOW. 444 00:20:10,577 --> 00:20:12,712 APPARENTLY HE DIDN'T DO NOTHING WRONG. 445 00:20:12,745 --> 00:20:14,314 SHE SEEMS TO LIKE HIM. 446 00:20:14,347 --> 00:20:15,515 YEAH. 447 00:20:25,492 --> 00:20:27,394 -AIN'T FAIR. -IT'S PERFECTLY ALL RIGHT. 448 00:20:27,427 --> 00:20:29,629 NOW, IF YOU WANT TO DANCE WITH SOMEBODY ELSE, 449 00:20:29,662 --> 00:20:31,698 WELL, YOU JUST TAG AND YOU GET YOUR TURN. 450 00:20:31,731 --> 00:20:33,700 -JUST LIKE THAT. 451 00:20:48,014 --> 00:20:49,649 IT DIDN'T TAKE. 452 00:20:49,682 --> 00:20:51,618 WELL, YOU DIDN'T TAG HIM FIRM ENOUGH. 453 00:20:51,651 --> 00:20:53,453 -LET HIM KNOW YOU'RE THERE. 454 00:20:53,486 --> 00:20:54,721 TELL HIM YOU'RE CUTTING IN. 455 00:20:54,754 --> 00:20:56,623 -THAT'S THE IDEA. 456 00:20:56,656 --> 00:20:58,625 FIRM. 457 00:21:20,480 --> 00:21:21,814 CUTTING IN. 458 00:21:21,848 --> 00:21:24,951 HE AIN'T GONNA GET YOU AWAY FROM ME THIS WAY. 459 00:21:24,984 --> 00:21:26,853 ERNEST T., PUT THAT GIRL DOWN. 460 00:21:26,886 --> 00:21:28,655 OH, NO! IT'S HIM. 461 00:21:28,688 --> 00:21:30,957 THAT ANIMAL. THAT CREATURE. 462 00:21:30,990 --> 00:21:34,394 CREATURE? WHO ARE YOU CALLING A CREATURE? 463 00:21:34,427 --> 00:21:36,496 AAHHH! 464 00:21:48,941 --> 00:21:50,343 COME ON! 465 00:21:58,117 --> 00:22:00,987 HE WOULDN'T GIVE ME BACK MY CHOSEN WOMAN. 466 00:22:01,020 --> 00:22:02,355 IT AIN'T FAIR. 467 00:22:02,389 --> 00:22:04,824 AND SHE CALLED ME A CREATURE. 468 00:22:04,857 --> 00:22:06,859 ERNEST T. BASS, I WAS RIGHT ABOUT YOU. 469 00:22:06,893 --> 00:22:08,528 THERE AIN'T NO CHANGING YOU. 470 00:22:08,561 --> 00:22:10,763 YOU CAN'T MAKE A SILK PURSE OUT OF A SOW'S EAR. 471 00:22:10,797 --> 00:22:14,100 I AIN'T NO SOW'S EAR, AND I AIN'T NO CREATURE! 472 00:22:14,133 --> 00:22:15,735 JUST CALM DOWN. 473 00:22:19,439 --> 00:22:23,676 I -- I THANK YOU FOR TRYING ANYWAY, SHERIFF. 474 00:22:23,710 --> 00:22:26,979 I'LL PAY YOU FOR THE CLOTHINGS. 475 00:22:27,013 --> 00:22:29,982 FORGET IT, ERNEST T. 476 00:22:30,016 --> 00:22:32,752 LET'S GO. 477 00:22:32,785 --> 00:22:38,425 WELL, I RECKON I'LL GIVE UP MY THOUGHTS OF FEMALING. 478 00:22:38,458 --> 00:22:40,126 BACHELOR LIFE AIN'T TOO BAD 479 00:22:40,159 --> 00:22:44,130 IF YOU GET ENOUGH CHIPMUNKS AND SQUIRRELS TO MOVE IN WITH YOU. 480 00:22:44,163 --> 00:22:47,600 SHERIFF! MR. GOSSAGE, WAIT! 481 00:22:47,634 --> 00:22:49,068 WAIT FOR ME! 482 00:22:49,101 --> 00:22:53,973 MR. GOSSAGE, YOU'RE NOT LEAVING, ARE YOU? 483 00:22:54,006 --> 00:22:55,842 HUH? 484 00:22:55,875 --> 00:23:00,913 WELL, I WAS HOPING WE COULD SPEND SOME MORE TIME TOGETHER. 485 00:23:00,947 --> 00:23:05,452 YOU 486 00:23:05,485 --> 00:23:08,154 OF COURSE I DO. 487 00:23:08,187 --> 00:23:11,891 I SURELY DID ENJOY OUR LITTLE TALK AND OUR DANCE 488 00:23:11,924 --> 00:23:14,594 AND THE PORCH. 489 00:23:14,627 --> 00:23:16,696 YOU MEAN WHEN I... 490 00:23:16,729 --> 00:23:18,130 YEAH. 491 00:23:41,187 --> 00:23:43,089 WELL, I GUESS IT'S TRUE. 492 00:23:43,122 --> 00:23:45,625 THERE IS A WOMAN FOR EVERY MAN. 493 00:23:50,663 --> 00:23:54,033 YOU KNOW, IT'S AMAZING, IT'S JUST AMAZING. 494 00:23:54,066 --> 00:23:55,502 WHAT? 495 00:23:55,535 --> 00:23:57,937 OH, I DON'T KNOW, LIFE'S LITTLE TRICKS. 496 00:23:57,970 --> 00:24:00,239 I MEAN THE WAY THINGS TURNED OUT. 497 00:24:00,272 --> 00:24:03,142 RAMONA ANCRUM RUNNING OFF AFTER ERNEST T. BASS 498 00:24:03,175 --> 00:24:05,645 THE WAY SHE DID -- IT'S JUST AMAZING. 499 00:24:05,678 --> 00:24:08,815 IT'S THE DARNEDEST THING I EVER SAW. 500 00:24:08,848 --> 00:24:12,485 NOW WHAT WOULD CAUSE A QUIET, SWEET, DEMURE GIRL 501 00:24:12,519 --> 00:24:13,986 TO SUDDENLY GO APE? 502 00:24:14,020 --> 00:24:16,556 I MEAN, SHE COMES FROM SUCH A RESPECTABLE FAMILY. 503 00:24:16,589 --> 00:24:19,258 THE ANCRUM CHARCOAL COMPANY HAS BEEN IN BUSINESS FOR YEARS. 504 00:24:19,291 --> 00:24:21,561 WELL, YOU'RE GETTING CLOSE. 505 00:24:21,594 --> 00:24:24,997 SHE'S THE GRANDDAUGHTER OF ROTTEN RAY ANCRUM. 506 00:24:25,031 --> 00:24:27,600 ROTTEN RAY ANCRUM. 507 00:24:27,634 --> 00:24:31,003 COME DOWN OUT OF THE HILLS IN 1870 AND BURNT THE TOWN DOWN. 508 00:24:31,037 --> 00:24:32,539 BURNT THE TOWN -- 509 00:24:32,572 --> 00:24:34,807 AND THEN WENT INTO THE CHARCOAL BUSINESS? 510 00:24:34,841 --> 00:24:36,075 -RIGHT. 511 00:24:36,108 --> 00:24:38,511 BLOOD WILL TELL. BREEDING WILL OUT. 512 00:24:38,545 --> 00:24:40,547 THIS IS FANTASTIC. 513 00:24:40,580 --> 00:24:42,682 YOU KNOW, IF YOU WROTE THIS INTO A PLAY, 514 00:24:42,715 --> 00:24:44,216 NOBODY'D BELIEVE IT. 35759

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