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1
00:00:10,644 --> 00:00:13,181
STARRING ANDY GRIFFITH...
2
00:00:13,214 --> 00:00:16,184
WITH RONNY HOWARD...
3
00:00:16,217 --> 00:00:19,220
ALSO STARRING DON KNOTTS.
4
00:00:26,260 --> 00:00:28,662
WHAT IN THE WORLD
YOU GOT IN THERE, ANYHOW?
5
00:00:28,696 --> 00:00:30,231
JUST PERSONAL EFFECTS.
6
00:00:30,264 --> 00:00:32,766
I HOPE YOU GOT ROOM
FOR HER IN THIS GARAGE.
7
00:00:32,800 --> 00:00:35,803
WE'LL FIND A SPOT.
READY
8
00:00:35,836 --> 00:00:37,171
YEAH. LET'S HIT IT.
9
00:00:37,205 --> 00:00:38,606
OVER TO THESE SHELVES
ON THE LEFT.
10
00:00:38,639 --> 00:00:39,607
ALL RIGHT.
11
00:00:43,111 --> 00:00:44,745
SET HER DOWN.
SET HER DOWN.
12
00:00:44,778 --> 00:00:46,447
I HEARD SOMETHING RIP.
13
00:00:46,480 --> 00:00:47,481
YEAH. SO DID I.
14
00:00:47,515 --> 00:00:48,782
TURN AROUND.
15
00:00:48,816 --> 00:00:51,719
YOU'RE ALL CLEAR.
HOW ABOUT ME?
16
00:00:51,752 --> 00:00:54,322
10-4.
17
00:00:54,355 --> 00:00:57,391
THIS SHELF HERE
WILL DO IT.
18
00:00:57,425 --> 00:01:00,394
LISTEN, THIS AIN'T GONNA BE
IN YOUR WAY, NOW, IS IT?
19
00:01:00,428 --> 00:01:01,395
OH, NO.
20
00:01:01,429 --> 00:01:02,663
MY LANDLADY
JUST INSISTED
21
00:01:02,696 --> 00:01:05,399
I GET THE DARN TRUNK
OUT OF THE CELLAR.
22
00:01:05,433 --> 00:01:07,635
WHAT'S SHE GONNA USE
THE CELLAR FOR --
23
00:01:07,668 --> 00:01:09,103
SPARE ROOM OR SOMETHING?
24
00:01:09,137 --> 00:01:10,138
NO. MUSHROOMS.
25
00:01:10,171 --> 00:01:11,439
MUSHROOMS?
26
00:01:11,472 --> 00:01:13,674
SHE'S GONNA GROW
'EM IN HER CELLAR.
27
00:01:13,707 --> 00:01:16,277
SHE SEEN THIS AD IN
THE BACK OF A MAGAZINE --
28
00:01:16,310 --> 00:01:18,679
"GROW MUSHROOMS AT HOME
FOR FUN AND PROFIT."
29
00:01:18,712 --> 00:01:20,381
OH. I'VE SEEN THOSE ADS.
30
00:01:20,414 --> 00:01:22,116
"V.J. OF CINCINNATI
31
00:01:22,150 --> 00:01:24,218
REPORTS EARNINGS
UP TO $600 A MONTH."
32
00:01:24,252 --> 00:01:26,454
"S.D. OF TEXARKANA SAYS
'MY SPARE TIME
33
00:01:26,487 --> 00:01:28,356
IS NOW A MONEY-MAKING
PROPOSITION.'"
34
00:01:28,389 --> 00:01:31,159
YEAH. THEM'S THE ONES.
YEAH.
35
00:01:31,192 --> 00:01:33,894
MRS. MENDELBRIGHT SURE IS
FULL OF AMBITION, AIN'T SHE?
36
00:01:33,927 --> 00:01:36,697
YES. LAST YEAR, SHE
SENT AWAY FOR A MACHINE
37
00:01:36,730 --> 00:01:39,433
THAT TORE CAR TIRES
INTO LONG SHREDS OF RUBBER.
38
00:01:39,467 --> 00:01:40,868
WHAT IN THE WORLD FOR?
39
00:01:40,901 --> 00:01:42,670
OH, SHE WEAVED 'EM
INTO FLOOR MATS
40
00:01:42,703 --> 00:01:45,573
AND PURSES AND SEAT COVERS
AND OTHER ATTRACTIVE ITEMS.
41
00:01:45,606 --> 00:01:47,508
UM, I'VE SEEN
THOSE ADS TOO.
42
00:01:47,541 --> 00:01:49,710
"R.A. SAYS, 'OLD TIRES SENT
MY DAUGHTER
43
00:01:49,743 --> 00:01:52,513
THROUGH
BEAUTICIAN'S COLLEGE.'"
44
00:01:52,546 --> 00:01:55,749
WELL, I'M SURE GLAD
SHE'S TAKING UP MUSHROOMS.
45
00:01:55,783 --> 00:01:57,318
FOR A SOLID YEAR,
46
00:01:57,351 --> 00:01:59,720
I SLEPT WITH A TIRE SHREDDER
IN THE NEXT ROOM.
47
00:01:59,753 --> 00:02:01,489
MUSHROOMS
ARE PRETTY QUIET.
48
00:02:01,522 --> 00:02:03,424
I HOPE SO.
49
00:02:03,457 --> 00:02:06,194
GUESS WE GOT HER
ALL CLEANED OFF.
50
00:02:06,227 --> 00:02:07,495
YOU READY?
51
00:02:07,528 --> 00:02:08,762
OH. ALL RIGHT.
OKAY.
52
00:02:08,796 --> 00:02:09,897
ON THREE, OKAY?
53
00:02:09,930 --> 00:02:11,432
ALL RIGHT.
54
00:02:11,465 --> 00:02:12,566
ONE... TWO...
55
00:02:12,600 --> 00:02:13,934
THREE!
THREE!
56
00:02:13,967 --> 00:02:16,404
THERE WE GO!
57
00:02:16,437 --> 00:02:18,706
SEE HOW LIGHT THAT WAS?
IT'S THE COUNTING.
58
00:02:20,241 --> 00:02:23,844
OH, DURN HER MUSHROOMS!
59
00:02:23,877 --> 00:02:25,746
HEY, I KNOW, I KNOW.
HERE.
60
00:02:25,779 --> 00:02:26,780
GET AHOLD.
61
00:02:26,814 --> 00:02:28,616
NOW, WE TURN HER OVER
62
00:02:28,649 --> 00:02:31,285
AND USE THE TOP
FOR THE BOTTOM.
63
00:02:31,319 --> 00:02:32,453
OKAY.
64
00:02:32,486 --> 00:02:34,622
OKAY
65
00:02:34,655 --> 00:02:36,724
WELL, THAT'S WHY
YOU'RE THE SHERIFF
66
00:02:36,757 --> 00:02:38,259
AND I'M THE DEPUTY.
67
00:02:39,293 --> 00:02:40,294
OKAY.
68
00:02:40,328 --> 00:02:41,529
NOW, LET'S SEE --
69
00:02:41,562 --> 00:02:43,797
TENNIS RACKET.
70
00:02:43,831 --> 00:02:45,899
WHAT IN THE WORLD'S THAT?
71
00:02:45,933 --> 00:02:47,268
UH.
72
00:02:49,670 --> 00:02:52,306
WHAT YOU SAVING
THIS OLD ROCK FOR?
73
00:02:52,340 --> 00:02:53,541
IS IT WORTH ANYTHING?
74
00:02:53,574 --> 00:02:54,808
WELL, NOT MONEY-WISE.
75
00:02:54,842 --> 00:02:56,910
GOT A LOT OF
SENTIMENTAL VALUE, THOUGH.
76
00:02:56,944 --> 00:02:57,911
OH?
77
00:02:57,945 --> 00:02:59,380
IT WAS MY DADDY'S ROCK.
78
00:02:59,413 --> 00:03:01,215
OH, I'M SORRY, BARN.
79
00:03:01,249 --> 00:03:02,616
OH, LISTEN, DON'T FEEL SAD.
80
00:03:02,650 --> 00:03:05,386
THERE'S A LOT OF HAPPINESS
CONNECTED WITH THAT ROCK.
81
00:03:05,419 --> 00:03:06,587
THERE IS?
82
00:03:06,620 --> 00:03:08,256
YEAH. IT USED TO SIT
ON MY DADDY'S DESK.
83
00:03:08,289 --> 00:03:10,324
I USED TO STRIKE
KITCHEN MATCHES ON IT
84
00:03:10,358 --> 00:03:11,892
AND HOLD 'EM
TO DADDY'S PIPE.
85
00:03:11,925 --> 00:03:14,828
FOR A LITTLE FELLA, IT WAS
A BIG KICK TO STRIKE A MATCH
86
00:03:14,862 --> 00:03:16,930
AND HOLD IT
TO YOUR DAD'S PIPE.
87
00:03:16,964 --> 00:03:18,732
YEAH, I REMEMBER.
88
00:03:18,766 --> 00:03:21,735
I USED TO STRIKE MATCHES ON THE
BOTTOM OF MY DADDY'S BOOTS.
89
00:03:21,769 --> 00:03:24,338
OH, THAT WOULDN'T WORK
ON MY DAD'S SOLES.
90
00:03:24,372 --> 00:03:25,573
TOO SOFT.
91
00:03:25,606 --> 00:03:27,375
PROBABLY MADE
OUT OF OLD TIRES.
92
00:03:32,045 --> 00:03:33,314
HEY, YOUR CUTLASS!
93
00:03:33,347 --> 00:03:34,448
HUH?
94
00:03:34,482 --> 00:03:36,750
OLD HIGH SCHOOL YEARBOOK.
95
00:03:36,784 --> 00:03:38,986
I AIN'T SEEN ONE OF THESE
FOR YEARS.
96
00:03:39,019 --> 00:03:40,721
AUNT BEE GAVE MINE AWAY
TO A DISEASE DRIVE.
97
00:03:49,062 --> 00:03:50,664
OH, NO.
98
00:03:50,698 --> 00:03:51,865
OH, NO!
99
00:03:51,899 --> 00:03:53,033
LET ME SEE.
100
00:03:53,066 --> 00:03:54,535
LOOKY THERE.
101
00:03:54,568 --> 00:03:57,605
Barney:
"ANDREW JACKSON TAYLOR,
102
00:03:57,638 --> 00:03:59,740
"SECOND VICE-PRESIDENT 4-H,
103
00:03:59,773 --> 00:04:03,043
SECRETARY, PHILOMATHIAN
LITERARY SOCIETY."
104
00:04:03,076 --> 00:04:04,412
YEAH.
105
00:04:04,445 --> 00:04:07,448
WHAT WAS THAT
PHILOMATHIAN, ANGE?
106
00:04:07,481 --> 00:04:09,450
IT WAS A GROUP
THAT GOT TOGETHER
107
00:04:09,483 --> 00:04:10,984
AND CUT OUT
CURRENT EVENTS
108
00:04:11,018 --> 00:04:12,586
AND PASTED 'EM
IN A BOOK.
109
00:04:12,620 --> 00:04:14,455
SORRY I DIDN'T
GET IN ON THAT.
110
00:04:14,488 --> 00:04:15,556
SOUNDS LIKE FUN.
111
00:04:15,589 --> 00:04:17,591
WELL, YOU WAS UP
FOR IT...
112
00:04:17,625 --> 00:04:19,527
BUT WE WON'T GET INTO THAT.
113
00:04:19,560 --> 00:04:21,662
WOULD YOU LOOK
AT THAT HEAD OF HAIR?
114
00:04:21,695 --> 00:04:23,831
THERE MUST BE
TEN POUNDS OF IT.
115
00:04:23,864 --> 00:04:26,567
DID SOMEBODY
BLACKBALL ME OR SOMETHING?
116
00:04:26,600 --> 00:04:29,337
JACK EGBERT DIDN'T LIKE YOU.
117
00:04:29,370 --> 00:04:31,572
DON'T YOU REMEMBER I TOLD YOU
ABOUT IT AND YOU CRIED?
118
00:04:31,605 --> 00:04:33,741
OH, YEAH.
119
00:04:33,774 --> 00:04:35,776
JACK EGBERT.
120
00:04:37,044 --> 00:04:39,647
HEY. HEY, LOOK AT YOU, BARN.
121
00:04:39,680 --> 00:04:41,482
OH!
122
00:04:41,515 --> 00:04:44,051
YEAH. I WAS PAINFULLY
THIN THEN.
123
00:04:44,084 --> 00:04:46,954
YEAH. YOU WAS MIGHTY SLOW
IN FILLING OUT.
124
00:04:46,987 --> 00:04:49,022
WELL, I GOT
MY MOTHER'S FAMILY'S FRAME.
125
00:04:49,056 --> 00:04:51,925
WHEN I WAS 17, I COULD REACH
INTO A MILK BOTTLE
126
00:04:51,959 --> 00:04:53,394
AND TAKE OUT AN EGG.
127
00:04:53,427 --> 00:04:54,862
YOU CAN'T DO THAT
ANYMORE.
128
00:04:54,895 --> 00:04:56,029
NO!
129
00:04:56,063 --> 00:04:57,831
THAT PROVES YOU
FILLED OUT SOME.
130
00:04:57,865 --> 00:04:59,367
YEAH.
131
00:04:59,400 --> 00:05:01,034
YOU WANT TO KNOW SOMETHING?
132
00:05:01,068 --> 00:05:02,035
HMM?
133
00:05:02,069 --> 00:05:04,304
JACK EGBERT WAS NO PRIZE.
134
00:05:09,810 --> 00:05:11,912
"BERNARD MILTON FIFE,
135
00:05:11,945 --> 00:05:14,047
"BOARD OF DIRECTORS,
TIN-FOIL DRIVE,
136
00:05:14,081 --> 00:05:17,385
"HALL MONITOR, VOLLEYBALL
COURT MAINTENANCE CREW,
137
00:05:17,418 --> 00:05:18,786
SPANISH CLUB."
138
00:05:18,819 --> 00:05:20,954
I DIDN'T KNOW
YOU WAS IN SPANISH CLUB.
139
00:05:20,988 --> 00:05:22,423
Sí.
140
00:05:25,593 --> 00:05:28,396
HEY! RAMONA WILEY!
141
00:05:28,429 --> 00:05:29,830
"ALWAYS, RAMONA."
142
00:05:29,863 --> 00:05:31,365
THAT SOUNDS
PRETTY SERIOUS.
143
00:05:31,399 --> 00:05:34,034
DON'T YOU REMEMBER
HOW CRAZY SHE WAS ABOUT ME?
144
00:05:34,067 --> 00:05:35,703
IT WAS A BIG THING, HUH?
145
00:05:35,736 --> 00:05:36,904
AH! OH, WELL...
146
00:05:36,937 --> 00:05:38,772
WELL, IT WAS ALL ONE-SIDED.
147
00:05:38,806 --> 00:05:40,774
I MEAN, I WASN'T INTERESTED,
148
00:05:40,808 --> 00:05:43,544
BUT, BOY, SHE REALLY HAD
A CASE ON ME.
149
00:05:43,577 --> 00:05:47,080
I'LL NEVER FORGET
ONE NOTE SHE WROTE --
150
00:05:47,114 --> 00:05:48,816
"BARNEY, BELOVED,
151
00:05:48,849 --> 00:05:53,654
THE TEARS ON MY PILLOW BESPEAK
THE PAIN THAT IS IN MY HEART."
152
00:05:53,687 --> 00:05:55,756
I CAN'T REMEMBER ANY OF THAT.
153
00:05:55,789 --> 00:05:57,791
NO WONDER --
YOU AND SHARON DeSPAIN
154
00:05:57,825 --> 00:05:59,026
WERE SO MUCH IN LOVE,
155
00:05:59,059 --> 00:06:00,961
YOU DIDN'T KNOW
WHAT WAS GOING ON.
156
00:06:00,994 --> 00:06:02,930
SHARON DeSPAIN,
SHARON DeSPAIN...
157
00:06:02,963 --> 00:06:04,565
AH! THERE SHE IS.
158
00:06:04,598 --> 00:06:05,599
AH.
159
00:06:05,633 --> 00:06:07,000
WHAT A KNOCKOUT, HUH?
160
00:06:07,034 --> 00:06:09,036
BOY, YOU TWO
SURE WERE THICK.
161
00:06:09,069 --> 00:06:11,405
WEREN'T YOU VOTED
COUPLE OF THE YEAR
162
00:06:11,439 --> 00:06:12,473
TWO YEARS RUNNING?
163
00:06:12,506 --> 00:06:14,174
YEAH. JUNIOR
AND SENIOR YEARS.
164
00:06:14,207 --> 00:06:15,443
YEAH.
165
00:06:15,476 --> 00:06:16,410
HUH.
166
00:06:18,446 --> 00:06:21,882
A LITTLE, UH... PUMPING
IN THE CHEST, HUH, ANDY?
167
00:06:21,915 --> 00:06:23,417
HMM?
168
00:06:23,451 --> 00:06:24,718
A LITTLE, YEAH.
169
00:06:24,752 --> 00:06:26,186
YOU KNOW WHAT THEY SAY --
170
00:06:26,219 --> 00:06:28,589
YOUR FIRST FLAME
NEVER QUITE BURNS OUT.
171
00:06:28,622 --> 00:06:30,858
WE EVEN TALKED
ABOUT GETTING MARRIED ONE TIME.
172
00:06:30,891 --> 00:06:32,025
HOW COME YOU DIDN'T?
173
00:06:32,059 --> 00:06:34,628
HMM... I DON'T KNOW.
174
00:06:34,662 --> 00:06:37,130
WONDER WHERE
SHE IS NOW.
175
00:06:37,164 --> 00:06:38,999
LAST I HEARD, SHE WAS DOING
176
00:06:39,032 --> 00:06:41,101
SOME KIND OF DESIGNING WORK
IN CHICAGO.
177
00:06:41,134 --> 00:06:42,470
OH, YEAH?
178
00:06:42,503 --> 00:06:44,004
I WONDER WHERE THEY ALL ARE NOW.
179
00:06:44,037 --> 00:06:45,172
YEAH.
180
00:06:45,205 --> 00:06:47,441
BE NICE TO SEE 'EM
AGAIN, WOULDN'T IT?
181
00:06:47,475 --> 00:06:48,509
YEAH.
182
00:06:48,542 --> 00:06:51,144
JARVIS ELDRIDGE.
LILLIANE BECKER.
183
00:06:51,178 --> 00:06:52,145
YEAH.
184
00:06:52,179 --> 00:06:53,547
PEARLY MAY DuBOIS.
185
00:06:53,581 --> 00:06:55,182
WOW! YEAH.
186
00:06:58,085 --> 00:06:59,887
HEY, BARN?
HUH?
187
00:06:59,920 --> 00:07:01,522
WHAT YOU THINK
OUR CHANCES WOULD BE
188
00:07:01,555 --> 00:07:03,090
OF GETTING 'EM
ALL TOGETHER?
189
00:07:03,123 --> 00:07:04,558
WHAT DO YOU MEAN?
190
00:07:04,592 --> 00:07:06,827
A REUNION. SOME SCHOOLS
HAVE 'EM EVERY YEAR.
191
00:07:06,860 --> 00:07:08,228
HEY, THAT'S
A GREAT IDEA!
192
00:07:08,261 --> 00:07:10,531
I WOULDN'T KNOW
WHERE TO START, THOUGH.
193
00:07:10,564 --> 00:07:12,199
WE START RIGHT HERE
IN MAYBERRY.
194
00:07:12,232 --> 00:07:14,502
THERE'S EIGHT OR NINE
OF US STILL HERE.
195
00:07:14,535 --> 00:07:16,670
WE GET A COMMITTEE
TOGETHER. LET'S DO IT!
196
00:07:16,704 --> 00:07:18,105
IT'S KIND OF
SCARY, AIN'T IT?
197
00:07:18,138 --> 00:07:19,473
WHAT DO YOU MEAN?
198
00:07:19,507 --> 00:07:20,941
WELL, YOU KNOW,
THE IDEA OF SEEING
199
00:07:20,974 --> 00:07:22,209
HOW OLD
EVERYBODY'S GOTTEN.
200
00:07:22,242 --> 00:07:23,744
YEAH. THEY'LL
SURE BE SHOCKED
201
00:07:23,777 --> 00:07:25,546
TO FIND WE HAVEN'T
CHANGED A BIT, HUH?
202
00:07:27,247 --> 00:07:29,817
COME ON.
203
00:07:29,850 --> 00:07:31,952
HI, MARY LEE.
204
00:07:31,985 --> 00:07:35,188
ANDY, BARNEY...
205
00:07:35,222 --> 00:07:37,124
YOU'LL NEVER BELIEVE
WHAT HAPPENED.
206
00:07:37,157 --> 00:07:38,692
WE SENT OUT 35 INVITATIONS
207
00:07:38,726 --> 00:07:40,661
AND SO FAR,
WE GOT 20 ACCEPTANCES.
208
00:07:40,694 --> 00:07:42,029
OH, GREAT!
209
00:07:42,062 --> 00:07:44,732
THE ONES I'VE CHECKED
ARE COMING.
210
00:07:44,765 --> 00:07:46,967
THERE SHE IS, ANDY --
SHARON DeSPAIN.
211
00:07:47,000 --> 00:07:48,802
WE HAVEN'T HEARD
FROM SHARON YET.
212
00:07:48,836 --> 00:07:50,103
I SENT AN INVITATION
213
00:07:50,137 --> 00:07:52,205
TO HER LAST ADDRESS --
IT WAS IN PHILADELPHIA.
214
00:07:52,239 --> 00:07:53,574
WHAT ABOUT
RAMONA WILEY?
215
00:07:53,607 --> 00:07:55,709
SHE'S COMING.
SHE'S THIRD ON THE LIST.
216
00:07:55,743 --> 00:07:57,678
SEE?
"MRS. HARRY BEKTORIS."
217
00:07:57,711 --> 00:07:59,747
"HARRY BEKTORIS," HUH?
218
00:07:59,780 --> 00:08:04,151
WELL, LET'S JUST HOPE THAT
MR. BEKTORIS, WHOEVER HE MAY BE,
219
00:08:04,184 --> 00:08:07,254
DON'T HAVE ANY JEALOUS BONES
IN HIS BODY.
220
00:08:07,287 --> 00:08:10,591
BOY, I HOPE RAMONA EXERCISES
A LITTLE SELF-CONTROL
221
00:08:10,624 --> 00:08:11,925
AND DON'T HORSE AROUND.
222
00:08:14,695 --> 00:08:16,597
CHEER UP, ANDY.
WE'LL HEAR FROM SHARON.
223
00:08:16,630 --> 00:08:18,265
THEY'RE AWFUL GOOD
224
00:08:18,298 --> 00:08:19,867
ABOUT FORWARDING
MAIL, ANDY.
225
00:08:19,900 --> 00:08:21,034
EVEN IF SHE
DON'T COME,
226
00:08:21,068 --> 00:08:22,803
WE'RE IN FOR THE TIME
OF OUR LIVES.
227
00:08:22,836 --> 00:08:24,271
YEAH.
IT'S GONNA BE GREAT.
228
00:08:24,304 --> 00:08:27,007
YEAH, THE OLD
ORANGE AND BLUE.
229
00:08:27,040 --> 00:08:28,942
YEAH.
230
00:08:28,976 --> 00:08:33,881
* MAYBERRY UNION HIGH
231
00:08:33,914 --> 00:08:38,318
All:
* VICTORY IS YOURS WELL NIGH
232
00:08:38,351 --> 00:08:42,956
* WE'LL HIT THE LINE
FOR POINTS EVERY TIME *
233
00:08:42,990 --> 00:08:49,329
* THE ORANGE AND BLUE
WILL TRY, TRY, TRY, TRY *
234
00:08:49,362 --> 00:08:53,867
* AND WHEN THE VICTORY'S WON
235
00:08:53,901 --> 00:08:58,071
* YOU'LL BE OUR FAVORITE SON
236
00:08:58,105 --> 00:09:04,612
* PROUD WAVES YOUR BANNER
IN THE SKY *
237
00:09:04,645 --> 00:09:11,785
* MAYBERRY UNION HIGH
238
00:09:14,988 --> 00:09:17,591
[ "CHATTANOOGA CHOO-CHOO"
PLAYS ]
239
00:09:35,242 --> 00:09:37,845
EXCUSE ME.
240
00:09:37,878 --> 00:09:39,847
THANK YOU.
241
00:09:41,949 --> 00:09:43,116
ANDY TAYLOR.
242
00:09:43,150 --> 00:09:44,718
THAT'S RIGHT, THERE.
243
00:09:44,752 --> 00:09:47,354
I THOUGHT
YOU'D FORGOTTEN ME
THERE FOR A MINUTE.
244
00:09:47,387 --> 00:09:49,256
YOU SURE ARE
LOOKING GOOD.
245
00:09:49,289 --> 00:09:51,258
AND THIS IS
THE MISSUS, HUH?
246
00:09:51,291 --> 00:09:52,760
THAT'S RIGHT, ANDY.
247
00:09:52,793 --> 00:09:54,695
YOU SURE
HAVEN'T
CHANGED.
248
00:09:54,728 --> 00:09:56,764
YOU WAS
IN DEBATE,
WASN'T YOU?
249
00:09:56,797 --> 00:09:58,265
YES, SHE WAS.
250
00:09:58,298 --> 00:10:03,070
YES, SIR, YOU SURE DID DO
SOME FINE DEBATING IN YOUR TIME.
251
00:10:03,103 --> 00:10:05,138
SHE SURE DID--
PAUL REVERE HIGH SCHOOL
252
00:10:05,172 --> 00:10:06,239
CHICAGO, ILLINOIS.
253
00:10:06,273 --> 00:10:07,340
OH.
254
00:10:07,374 --> 00:10:08,809
JACK SWEET.
255
00:10:08,842 --> 00:10:10,644
OH, YOU REMIND ME
A LOT OF A GIRL
256
00:10:10,678 --> 00:10:13,180
THAT WAS IN DEBATE HERE
WITH US-- EDNA THOKE.
257
00:10:13,213 --> 00:10:14,347
JACK SWEET.
258
00:10:14,381 --> 00:10:16,650
DO MY BLOODSHOT EYES
DECEIVE ME,
259
00:10:16,684 --> 00:10:19,052
OR IS THAT BARNEY FIFE
LURKING THERE?
260
00:10:19,086 --> 00:10:22,122
WELL, WELL, WELL,
IF IT AIN'T OLD JACK SWEET.
261
00:10:22,155 --> 00:10:24,057
AND THIS IS MIZ
SWEET, BARN.
262
00:10:24,091 --> 00:10:27,995
WE ARE MR. AND MRS.
RALPH HAYNES.
263
00:10:29,963 --> 00:10:32,265
HOW COULD YOU MAKE A
MISTAKE LIKE THAT, BARN?
264
00:10:32,299 --> 00:10:33,934
IS THAT HIM
OR AIN'T IT?
265
00:10:33,967 --> 00:10:35,302
IT'S THE RIGHT PICTURE,
266
00:10:35,335 --> 00:10:38,038
BUT IT BELONGS TO
THE NAME ON THE LEFT.
267
00:10:38,071 --> 00:10:40,273
"RALPH HAYNES," YEAH.
268
00:10:40,307 --> 00:10:42,676
"WRESTLING, BOXING,
FOOTBALL, BASKETBALL,
269
00:10:42,710 --> 00:10:45,813
POLE VAULTING,
WEIGHT LIFTING, MILE RUN."
270
00:10:45,846 --> 00:10:48,816
OH, I REMEMBER HIM.
HE WAS ALWAYS SWEATING.
271
00:10:48,849 --> 00:10:50,684
YOU KNOW THIS FELLA?
272
00:10:50,718 --> 00:10:52,319
WELL, HERE THEY ARE.
273
00:10:52,352 --> 00:10:54,321
WHY,
YOU TWO CHICKEN THIEVES.
274
00:10:54,354 --> 00:10:56,189
WHY, HOW THE HECK
ARE YOU?
275
00:10:56,223 --> 00:10:57,357
YOU SON OF A GUN.
276
00:10:57,390 --> 00:10:59,192
YOU SURE ARE
LOOKING GOOD.
277
00:10:59,226 --> 00:11:00,794
WELL, SO ARE YOU,
ANDY.
278
00:11:00,828 --> 00:11:02,195
WELL...
279
00:11:02,229 --> 00:11:03,196
NATE BRACEY.
280
00:11:03,230 --> 00:11:04,164
NATE BRACEY.
281
00:11:04,197 --> 00:11:05,465
NATE BRACEY
282
00:11:05,498 --> 00:11:07,935
NATE BRACEY, NATE BRACEY.
283
00:11:07,968 --> 00:11:08,836
NATE BRACEY!
284
00:11:08,869 --> 00:11:09,970
NATE BRACEY.
285
00:11:10,003 --> 00:11:11,238
I ALWAYS SAID YOU HAD
286
00:11:11,271 --> 00:11:13,841
ONE OF THE MOST MUSICAL NAMES
I EVER HEARD.
287
00:11:13,874 --> 00:11:14,975
OH, THANKS.
288
00:11:15,008 --> 00:11:16,777
HOW ABOUT
SOME PUNCH, NATE?
289
00:11:16,810 --> 00:11:17,745
WELL, UH... UM...
290
00:11:17,778 --> 00:11:19,012
IS IT SPIKED?
291
00:11:19,046 --> 00:11:21,314
IF IT IS, I'M NOT
SUPPOSED TO KNOW ABOUT IT.
292
00:11:21,348 --> 00:11:22,449
I'M THE SHERIFF HERE.
293
00:11:22,482 --> 00:11:24,084
SAY, I KNOW YOU'RE SHERIFF.
294
00:11:24,117 --> 00:11:25,452
THE WHOLE GANG IS TALKING
295
00:11:25,485 --> 00:11:28,188
ABOUT WHAT A NICE JOB
YOU'VE DONE WITH THE LAW.
296
00:11:28,221 --> 00:11:29,356
WELL...
297
00:11:29,389 --> 00:11:31,124
WHERE YOU LIVING NOW, NATE?
298
00:11:31,158 --> 00:11:32,292
NATE, NATE.
299
00:11:32,325 --> 00:11:33,761
OH. YES, SUGAR.
300
00:11:33,794 --> 00:11:36,463
THEY'RE PLAYING
A CHA-CHA-CHA.
301
00:11:36,496 --> 00:11:39,933
OH... YOU'LL HAVE TO
EXCUSE ME, FELLAS.
302
00:11:39,967 --> 00:11:41,935
WE TOOK LESSONS.
303
00:11:45,438 --> 00:11:46,740
BOY, THIS STRUGGLING
304
00:11:46,774 --> 00:11:48,175
TO REMEMBER
NAMES AND FACES
305
00:11:48,208 --> 00:11:49,743
IS ABOUT TO WEAR ME OUT.
306
00:11:49,777 --> 00:11:50,911
YEAH. ME, TOO.
307
00:11:50,944 --> 00:11:52,746
UH-OH. HERE
COMES ANOTHER ONE.
308
00:11:52,780 --> 00:11:54,782
LET'S JUST BE HONEST
AND TELL THEM
309
00:11:54,815 --> 00:11:56,449
WE DON'T REMEMBER
THEIR NAMES.
310
00:11:56,483 --> 00:11:58,518
THEY CAN'T PUT YOU
IN JAIL, RIGHT?
311
00:11:58,551 --> 00:11:59,820
RIGHT.
312
00:11:59,853 --> 00:12:01,254
HOWDY.
I'M ANDY TAYLOR.
313
00:12:01,288 --> 00:12:02,890
THIS HERE'S
BARNEY FIFE.
314
00:12:02,923 --> 00:12:06,393
YOU'LL HAVE TO EXCUSE ME,
BUT I CAN'T QUITE PLACE YOU.
315
00:12:06,426 --> 00:12:09,062
WELL, IT WOULD BE
PRETTY FUNNY IF YOU DID.
316
00:12:09,096 --> 00:12:10,530
I'M JUST HERE
BY MARRIAGE.
317
00:12:10,563 --> 00:12:11,865
HARRY BEKTORIS.
318
00:12:11,899 --> 00:12:13,066
OH. BEKTORIS.
319
00:12:13,100 --> 00:12:14,768
I'M RAMONA WILEY'S HUSBAND.
320
00:12:15,836 --> 00:12:17,070
RAMONA WILEY?
321
00:12:17,104 --> 00:12:19,506
YOU FELLAS
REMEMBER HER?
322
00:12:19,539 --> 00:12:20,841
UH, WELL...
323
00:12:20,874 --> 00:12:21,842
I'LL GO GET HER.
324
00:12:21,875 --> 00:12:22,810
DON'T DO THAT.
325
00:12:22,843 --> 00:12:24,211
NO. I'LL BE RIGHT BACK.
326
00:12:25,512 --> 00:12:27,314
WHAT AM I GOING
TO DO, ANDY?
327
00:12:27,347 --> 00:12:28,448
WHAT DO YOU MEAN?
328
00:12:28,481 --> 00:12:30,283
I DON'T WANT TO
WRECK A MARRIAGE.
329
00:12:30,317 --> 00:12:32,119
DON'T GIVE HER
ANY ENCOURAGEMENT.
330
00:12:32,152 --> 00:12:33,220
HERE THEY COME.
331
00:12:33,253 --> 00:12:35,222
UH... I'LL WASH
THESE GLASSES.
332
00:12:36,523 --> 00:12:39,192
WELL, ANDY TAYLOR,
IT'S DELIGHTFUL TO SEE YOU.
333
00:12:39,226 --> 00:12:41,094
IT'S WONDERFUL
SEEING YOU, RAMONA.
334
00:12:41,128 --> 00:12:43,063
YOU CERTAINLY HAVEN'T
CHANGED MUCH.
335
00:12:43,096 --> 00:12:45,198
MARY LEE TELLS ME
YOU HAVE A LITTLE BOY.
336
00:12:45,232 --> 00:12:46,433
THAT'S RIGHT.
337
00:12:46,466 --> 00:12:49,970
HARRY AND I HAVE
A BOY AND A GIRL.
338
00:12:50,003 --> 00:12:51,204
THAT'S
WONDERFUL.
339
00:12:51,238 --> 00:12:54,307
YOU ARE JUST THE MAN
I'VE BEEN LOOKING FOR.
340
00:12:54,341 --> 00:12:55,943
WOULD YOU GIVE US
TWO GLASSES
341
00:12:55,976 --> 00:12:57,477
OF PUNCH, BARTENDER?
342
00:12:59,079 --> 00:13:00,313
BARTENDER?
343
00:13:00,347 --> 00:13:02,449
THIS IS BARNEY FIFE.
344
00:13:02,482 --> 00:13:05,252
OH, WELL, DELIGHTED
TO MEET YOU, MR. FIFE.
345
00:13:05,285 --> 00:13:07,454
OH, COME OFF IT, RAMONA.
346
00:13:07,487 --> 00:13:10,123
I BEG YOUR PARDON?
347
00:13:10,157 --> 00:13:11,258
BARNEY.
348
00:13:11,291 --> 00:13:12,359
BARNEY FIFE.
349
00:13:12,392 --> 00:13:13,827
SOCIAL STUDIES 1-A.
350
00:13:15,228 --> 00:13:16,363
"TWEAKY."
351
00:13:17,430 --> 00:13:19,266
I-I-I'M SORRY.
352
00:13:19,299 --> 00:13:23,570
I-I'M TRYING TO PLACE YOU,
BUT I'M AFRAID I CAN'T.
353
00:13:23,603 --> 00:13:25,839
IT HAS BEEN A LONG
TIME, MR. FIFE.
354
00:13:25,873 --> 00:13:27,207
WHAT DO YOU KNOW ABOUT IT?
355
00:13:27,240 --> 00:13:28,475
UH... EASY, BARN.
356
00:13:28,508 --> 00:13:31,111
WHAT DO YOU SAY
WE DANCE, HONEY?
357
00:13:31,144 --> 00:13:34,181
UH, YES... YES,
I-I GUESS WE'D BETTER.
358
00:13:34,214 --> 00:13:37,084
IT-IT WAS NICE
SEEING YOU BOTH AGAIN.
359
00:13:38,585 --> 00:13:41,922
THE TEARS ON MY PILLOW BESPEAK
THE PAIN THAT'S IN MY HEART!
360
00:13:46,393 --> 00:13:48,228
YOU KNOW WHAT
SHE'S DOING, BARN?
361
00:13:48,261 --> 00:13:50,097
SHE'S-SHE'S COVERING UP.
362
00:13:50,130 --> 00:13:51,932
SHE'S-SHE'S FIGHTING IT.
363
00:14:05,312 --> 00:14:07,580
YOU KNOW, I AIN'T HAD A CHANCE
TO EAT ALL EVENING.
364
00:14:07,614 --> 00:14:09,316
HOW ABOUT A LITTLE
TURKEY ON RYE?
365
00:14:09,349 --> 00:14:10,918
NO, YOU GO AHEAD.
366
00:14:10,951 --> 00:14:12,485
TURKEY SANDWICH?
367
00:14:12,519 --> 00:14:16,089
NO, THANK YOU.
I'M NOT HUNGRY.
368
00:14:16,123 --> 00:14:17,590
YOU AIN'T
FEELING SAD
369
00:14:17,624 --> 00:14:19,392
'CAUSE SHARON
DIDN'T SHOW UP, ARE YOU?
370
00:14:19,426 --> 00:14:21,428
HMM. I'M A LITTLE
DISAPPOINTED.
371
00:14:21,461 --> 00:14:24,031
YOU DIDN'T ACTUALLY
EXPECT HER TO COME, DID YOU?
372
00:14:24,064 --> 00:14:26,533
NO. I KNEW IT WAS
A LONG SHOT, BUT...
373
00:14:26,566 --> 00:14:28,268
I WAS HOPING.
374
00:14:28,301 --> 00:14:29,369
YEAH. TOUGH BREAK.
375
00:14:29,402 --> 00:14:30,971
UH-UH. ANDY.
376
00:14:32,005 --> 00:14:34,007
WHAT WAS THAT
ALL ABOUT?
377
00:14:34,041 --> 00:14:35,042
HUH?
378
00:14:36,276 --> 00:14:39,079
DO I GOT SOMETHING
ON MY BACK?
379
00:14:49,957 --> 00:14:52,559
WELL, I'LL BE DOGGED.
380
00:15:11,244 --> 00:15:12,412
HI, SHARON.
381
00:15:13,480 --> 00:15:16,016
ANDY.
382
00:15:19,619 --> 00:15:20,954
DANCE?
383
00:15:22,055 --> 00:15:23,290
WHY NOT?
384
00:15:33,166 --> 00:15:34,701
LOOK AT THAT.
385
00:15:34,734 --> 00:15:38,071
IT WAS ONE OF
THE GREAT NATURAL
ROMANCES OF ALL TIME,
386
00:15:38,105 --> 00:15:39,639
AND IT'S STILL
GOING ON.
387
00:15:48,715 --> 00:15:52,519
THE ORIGINAL
CARL BENSON'S WILDCATS?
388
00:15:52,552 --> 00:15:54,554
ALL BUT THE
LADY UP FRONT.
389
00:15:54,587 --> 00:15:56,523
THAT'S CARL'S MOTHER.
390
00:16:14,274 --> 00:16:17,510
MAYBERRY HASN'T
CHANGED A BIT.
391
00:16:17,544 --> 00:16:19,246
NO, NOT MUCH.
392
00:16:22,282 --> 00:16:24,251
YOU HAVEN'T, EITHER,
YOU KNOW.
393
00:16:24,284 --> 00:16:26,353
OH, YES, I HAVE.
394
00:16:26,386 --> 00:16:28,088
CROW'S FEET.
395
00:16:28,121 --> 00:16:29,522
AND A LITTLE
MORE HERE.
396
00:16:31,291 --> 00:16:33,093
YOU'RE THE ONE
HASN'T CHANGED.
397
00:16:33,126 --> 00:16:34,261
OH...
398
00:16:34,294 --> 00:16:36,263
YOU STILL HAVE
ALL YOUR HAIR.
399
00:16:36,296 --> 00:16:39,532
WELL, I'VE LOST A FEW GROSS
AROUND THE EDGES.
400
00:16:39,566 --> 00:16:41,268
PUT ON A FEW GROSS.
401
00:17:12,632 --> 00:17:14,267
I SURE AM GLAD
TO SEE YOU.
402
00:17:14,301 --> 00:17:16,603
IT'S WONDERFUL
SEEING YOU, ANDY.
403
00:17:18,305 --> 00:17:19,639
YOU KNOW, THIS IS
404
00:17:19,672 --> 00:17:22,275
A LOT LIKE
GRADUATION NIGHT.
405
00:17:22,309 --> 00:17:24,277
YES.
406
00:17:24,311 --> 00:17:25,678
I REMEMBER,
AT ONE POINT
407
00:17:25,712 --> 00:17:28,448
WE DECIDED WE'D TAKE
A WALK IN THE GARDEN.
408
00:17:28,481 --> 00:17:31,284
YOU WANTED TO TAKE YOUR
SHOES OFF, I THINK.
409
00:17:31,318 --> 00:17:33,553
I DID NOT.
410
00:17:33,586 --> 00:17:37,690
MAYBE I WANTED TO TAKE MY
SHOES OFF. I DON'T KNOW.
411
00:17:37,724 --> 00:17:41,328
I KNOW WE WANTED TO
GET OFF BY OURSELVES.
412
00:17:41,361 --> 00:17:42,295
AND THEN?
413
00:17:42,329 --> 00:17:43,863
WELL, THEN I, UH...
414
00:17:43,896 --> 00:17:46,666
I SAID SOMETHING
PRETTY CLEVER
415
00:17:46,699 --> 00:17:49,602
LIKE, UH, LIKE,
"IT MUST BE
416
00:17:49,636 --> 00:17:51,838
AWFUL CHILLY OUT
HERE FOR YOU."
417
00:17:51,871 --> 00:17:54,574
I SAID THAT SO
THAT I COULD, UH...
418
00:18:01,381 --> 00:18:04,351
AND... THEN?
419
00:18:06,786 --> 00:18:10,290
WELL, UH... THEN...
420
00:18:26,839 --> 00:18:28,275
I BELIEVE THAT'S...
421
00:18:28,308 --> 00:18:30,710
ABOUT THE WAY IT
HAPPENED, WASN'T IT?
422
00:18:30,743 --> 00:18:32,179
YES.
423
00:18:36,949 --> 00:18:41,654
WELL, WITH A
START LIKE THAT,
424
00:18:41,688 --> 00:18:44,391
HOW COME WE NEVER...?
425
00:18:44,424 --> 00:18:47,394
I MEAN, WHAT EVER
HAPPENED TO US?
426
00:18:47,427 --> 00:18:49,829
DON'T YOU REMEMBER LATER?
427
00:18:49,862 --> 00:18:51,931
WE HAD A PRETTY BIG FIGHT
THAT NIGHT.
428
00:18:51,964 --> 00:18:53,933
YEAH. I REMEMBER
THE FIGHT, YEAH.
429
00:18:53,966 --> 00:18:55,935
I DON'T REMEMBER
WHAT IT WAS ABOUT.
430
00:18:55,968 --> 00:18:58,171
I DON'T, EITHER.
431
00:18:59,972 --> 00:19:02,242
FUNNY, AIN'T IT?
432
00:19:02,275 --> 00:19:04,344
HERE WE ARE PICKING UP
433
00:19:04,377 --> 00:19:07,514
RIGHT WHERE WE LEFT
OFF THAT NIGHT,
434
00:19:07,547 --> 00:19:11,918
STILL ABLE TO BE AS
CLOSE AS WE WERE.
435
00:19:11,951 --> 00:19:14,387
MAKES YOU WONDER
HOW COME.
436
00:19:14,421 --> 00:19:16,656
HOW COME WHAT?
437
00:19:16,689 --> 00:19:20,393
HOW COME WE NEVER...
438
00:19:20,427 --> 00:19:22,395
YOU KNOW.
439
00:19:22,429 --> 00:19:23,663
I DON'T KNOW, EITHER.
440
00:19:23,696 --> 00:19:25,398
HMM.
441
00:19:25,432 --> 00:19:27,934
IT'S A SHAME.
442
00:19:27,967 --> 00:19:30,270
IT IS.
443
00:19:32,372 --> 00:19:35,308
YOU KNOW WHAT
WE SOUND LIKE?
444
00:19:35,342 --> 00:19:36,976
A COUPLE OF OLD FOLKS
445
00:19:37,009 --> 00:19:41,548
ACTING LIKE IT'S TOO LATE
TO DO ANYTHING ABOUT IT.
446
00:19:41,581 --> 00:19:44,251
WELL, MAYBE IT'S, UM...
447
00:19:44,284 --> 00:19:46,253
MAYBE IT'S NOT.
448
00:19:46,286 --> 00:19:48,688
MAYBE NOT.
449
00:19:54,627 --> 00:19:56,929
I'M GLAD YOU CAME.
450
00:19:56,963 --> 00:19:58,531
OH, YES.
451
00:19:58,565 --> 00:20:01,000
I WOULDN'T HAVE MISSED IT
FOR THE WORLD.
452
00:20:01,033 --> 00:20:03,703
I WOULDN'T, EITHER.
453
00:20:03,736 --> 00:20:05,572
CAN YOU, UH...
454
00:20:05,605 --> 00:20:07,240
CAN YOU STAY AWHILE?
455
00:20:07,274 --> 00:20:08,375
HMM...
456
00:20:08,408 --> 00:20:10,677
I'D LOVE TO, ANDY.
457
00:20:10,710 --> 00:20:12,412
I CAN'T.
458
00:20:12,445 --> 00:20:13,813
WHY NOT?
459
00:20:13,846 --> 00:20:16,249
MAYBERRY'S MIGHTY NICE
THIS TIME OF THE YEAR.
460
00:20:16,283 --> 00:20:17,684
I JUST CAN'T, REALLY.
461
00:20:17,717 --> 00:20:19,419
I HAVE TO GET BACK
TO CHICAGO.
462
00:20:19,452 --> 00:20:20,887
WHY?
463
00:20:22,589 --> 00:20:25,392
WHAT'S SO SPECIAL
ABOUT CHICAGO?
464
00:20:25,425 --> 00:20:27,460
WELL, THERE'S MY WORK.
465
00:20:27,494 --> 00:20:30,563
WELL, THERE'S A LOT
NEEDS DOING HERE.
466
00:20:31,631 --> 00:20:33,500
I KNOW.
467
00:20:33,533 --> 00:20:35,635
I ENJOYED GROWING UP HERE.
468
00:20:35,668 --> 00:20:38,305
OH, IT'S A MIGHTY
NICE PLACE.
469
00:20:38,338 --> 00:20:40,307
LOT OF FRIENDS.
470
00:20:40,340 --> 00:20:42,309
I KNOW...
471
00:20:42,342 --> 00:20:45,778
BUT YOU CAN'T LIVE UP
TO YOUR POTENTIAL HERE.
472
00:20:45,812 --> 00:20:46,979
IN A BIG CITY,
473
00:20:47,013 --> 00:20:50,383
YOU HAVE ROOM
TO GROW, EXPAND.
474
00:20:50,417 --> 00:20:52,919
YOU LIVE
A DIFFERENT KIND OF LIFE.
475
00:20:52,952 --> 00:20:54,721
WELL...
476
00:20:54,754 --> 00:20:57,457
HOW CAN LIFE
BE THAT MUCH DIFFERENT
477
00:20:57,490 --> 00:20:58,625
IF YOU'RE HAPPY?
478
00:20:58,658 --> 00:21:00,727
AND THAT'S THE MAIN THING,
AIN'T IT?
479
00:21:00,760 --> 00:21:04,431
THAT'S-THAT'S THE GOAL THAT
EVERY INDIVIDUAL AS A PERSON
480
00:21:04,464 --> 00:21:05,998
IS SHOOTING FOR, AIN'T IT?
481
00:21:06,032 --> 00:21:08,735
I MEAN, IT'S KIND OF THE PRIZE
OF THE GAME--
482
00:21:08,768 --> 00:21:10,603
TO... BE HAPPY?
483
00:21:10,637 --> 00:21:11,771
YES.
484
00:21:11,804 --> 00:21:14,407
HOW CAN YOU FIND THAT HERE?
485
00:21:14,441 --> 00:21:17,944
I LIKE TRYING TO BE A BIG FISH
IN A BIG POND,
486
00:21:17,977 --> 00:21:20,813
NOT A BIG FISH
IN A LITTLE POND.
487
00:21:20,847 --> 00:21:22,482
WHAT'S WRONG WITH THAT?
488
00:21:22,515 --> 00:21:25,752
WELL, WHAT'S WRONG WITH IT
IS I DON'T CARE FOR THAT.
489
00:21:25,785 --> 00:21:28,955
WELL, I DO.
490
00:21:28,988 --> 00:21:30,957
I REALLY DO.
491
00:21:30,990 --> 00:21:32,825
I'VE FOUND WHAT I WANT.
492
00:21:32,859 --> 00:21:33,993
HOW DO YOU KNOW?
493
00:21:34,026 --> 00:21:36,429
YOU'VE NEVER TRIED
ANYTHING ELSE.
494
00:21:36,463 --> 00:21:39,699
I DON'T HAVE TO.
495
00:21:39,732 --> 00:21:41,100
I DON'T HAVE TO.
496
00:21:41,133 --> 00:21:44,637
EVEN IF I DID TRY, I'D FIND OUT
I ALREADY FOUND IT.
497
00:21:54,614 --> 00:21:56,749
UH, YOU KNOW
SOMETHING?
498
00:21:58,785 --> 00:22:01,754
IT'S UH... IT'S
COMING BACK TO ME.
499
00:22:01,788 --> 00:22:04,023
IT'S COMING
BACK TO ME
500
00:22:04,056 --> 00:22:08,027
WHY YOU AND ME
NEVER GOT TOGETHER.
501
00:22:08,060 --> 00:22:12,031
'CAUSE OF WHAT WE'RE
TALKING ABOUT RIGHT NOW.
502
00:22:12,064 --> 00:22:14,434
YOUR WANTING
TO GO YOUR WAY.
503
00:22:14,467 --> 00:22:17,970
ME WANTING
TO GO MY WAY.
504
00:22:18,004 --> 00:22:20,707
YOU RECKON?
505
00:22:20,740 --> 00:22:22,709
I RECKON.
506
00:22:31,684 --> 00:22:35,154
HOW ABOUT A COUPLE OF OLD
FRIENDS HAVING THAT LAST DANCE?
507
00:22:35,187 --> 00:22:37,123
I'D LOVE IT.
508
00:22:48,901 --> 00:22:50,570
YEAH.
509
00:22:50,603 --> 00:22:54,741
ONE OF THE GREAT NATURAL
ROMANCES OF ALL TIME.
510
00:23:05,652 --> 00:23:08,154
ALTOGETHER, I'D SAY IT WAS
AN EMOTION-PACKED EVENING,
511
00:23:08,187 --> 00:23:09,522
WOULDN'T YOU?
512
00:23:09,556 --> 00:23:10,823
I'D SAY THAT.
513
00:23:15,227 --> 00:23:19,699
* MAYBERRY UNION HIGH
514
00:23:19,732 --> 00:23:24,170
Both:
* VICTORY IS YOURS WELL NIGH
515
00:23:24,203 --> 00:23:28,808
* WE'LL HIT THE LINE
FOR POINTS EVERY TIME *
516
00:23:28,841 --> 00:23:36,048
* THE ORANGE AND BLUE WILL
TRY, TRY, TRY, TRY *
517
00:23:36,082 --> 00:23:40,219
* AND WHEN THE VICTORY'S WON
518
00:23:40,252 --> 00:23:44,891
* YOU'LL BE OUR FAVORITE SON
519
00:23:44,924 --> 00:23:51,731
* PROUD WAVES YOUR BANNER
IN THE SKY *
520
00:23:51,764 --> 00:23:59,672
* MAYBERRY UNION HIGH
521
00:24:04,176 --> 00:24:06,679
KIND OF GETS TO YOU
A LITTLE BIT, DOESN'T IT?
522
00:24:06,713 --> 00:24:07,947
OH, NO.
523
00:24:07,980 --> 00:24:09,982
WELL, YEAH.
524
00:24:10,016 --> 00:24:12,084
YOU KNOW, SEEING
ALL THOSE PEOPLE
525
00:24:12,118 --> 00:24:14,521
YOU KNEW AS KIDS
GROWING OLDER --
526
00:24:14,554 --> 00:24:16,556
KIND OF MAKES YOU SAD.
527
00:24:16,589 --> 00:24:17,924
YEAH, I KNOW.
528
00:24:20,292 --> 00:24:22,194
DO THE TEARS
ON YOUR PILLOW
529
00:24:22,228 --> 00:24:24,797
BESPEAK THE PAIN
THAT'S IN YOUR HEART?
530
00:24:27,133 --> 00:24:29,135
YEAH.
531
00:24:29,168 --> 00:24:32,171
ME TOO.
35026
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