Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,511 --> 00:00:13,047
STARRING ANDY GRIFFITH...
2
00:00:13,081 --> 00:00:15,349
WITH RONNY HOWARD...
3
00:00:15,383 --> 00:00:19,087
ALSO STARRING DON KNOTTS.
4
00:00:24,425 --> 00:00:25,793
MORNING.
5
00:00:32,433 --> 00:00:34,602
HOWDY, ALVIN.
6
00:00:37,838 --> 00:00:39,407
OH, HI, ANDY.
7
00:00:39,440 --> 00:00:40,808
YOU WAITING FOR ME?
8
00:00:40,841 --> 00:00:42,410
OH, YEAH.
MORNING, FLOYD.
9
00:00:42,443 --> 00:00:44,412
THOUGHT I'D CATCH YOU
NICE AND EARLY
10
00:00:44,445 --> 00:00:45,813
BEFORE YOU GET BUSY.
11
00:00:45,846 --> 00:00:47,548
YEAH. THAT'S
A GOOD IDEA.
YEAH.
12
00:00:48,882 --> 00:00:50,584
HOLD THIS
FOR ME, WILL YOU, ANDY?
13
00:00:50,618 --> 00:00:52,453
I ALSO FIGURED
IT'D BE RIGHT SMART
14
00:00:52,486 --> 00:00:53,854
IF I GOT MY HAIRCUT
15
00:00:53,887 --> 00:00:55,323
BEFORE YOU
HAD YOUR LUNCH.
16
00:00:55,356 --> 00:00:56,357
HUH?
17
00:00:56,390 --> 00:00:57,525
IN CASE YOU'RE
HAVING ONIONS.
18
00:00:57,558 --> 00:00:58,626
IN CASE I'M HAVING...
19
00:00:58,659 --> 00:01:00,194
OH, I NEVER HAVE...
20
00:01:00,228 --> 00:01:01,362
OH, YOU'RE
PULLING MY LEG!
21
00:01:04,198 --> 00:01:06,600
I'LL GET MY SIGN
OUT OF HERE, ANDY.
22
00:01:06,634 --> 00:01:07,835
YOU JUST MAKE
YOURSELF AT HOME.
23
00:01:07,868 --> 00:01:09,103
OKAY.
24
00:01:09,137 --> 00:01:10,371
OH, THANK YOU.
25
00:01:10,404 --> 00:01:11,772
SIT DOWN THERE.
26
00:01:13,141 --> 00:01:15,109
THERE'S A LETTER
FOR YOU, FLOYD.
27
00:01:15,143 --> 00:01:16,510
OH, IS THAT SO?
28
00:01:16,544 --> 00:01:18,179
YEAH. FLOYD LAWSON.
29
00:01:18,212 --> 00:01:20,314
"FLOYD LAWSON
ENTERPRISES"?
30
00:01:20,348 --> 00:01:22,650
"FLOYD LAWSON
ENTERPRISES"?
31
00:01:22,683 --> 00:01:25,453
OH, YES. THAT IS
FOR ME, THAT LETTER.
32
00:01:25,486 --> 00:01:27,388
THANK YOU
VERY MUCH, ANDY.
33
00:01:27,421 --> 00:01:28,789
WHAT'S THE
ENTERPRISES?
34
00:01:28,822 --> 00:01:30,391
OH, IT'S BUSINESS.
35
00:01:30,424 --> 00:01:31,792
JUST BUSINESS, ANDY.
36
00:01:31,825 --> 00:01:34,795
IT'S FOR TAX PURPOSES
IS WHAT IT REALLY IS.
37
00:01:34,828 --> 00:01:37,398
IT'S JUST BUSINESS,
BUSINESS, BUSINESS.
38
00:01:37,431 --> 00:01:40,134
AH, AH, AH! THERE!
39
00:01:42,170 --> 00:01:43,671
AIN'T YOU GONNA
READ IT?
40
00:01:43,704 --> 00:01:45,273
HUH
41
00:01:45,306 --> 00:01:47,375
WELL, YEAH. MAYBE
IT'S IMPORTANT.
42
00:01:47,408 --> 00:01:50,144
MAYBE U.S. STEEL
WANTS TO MERGE WITH YOU.
43
00:01:50,178 --> 00:01:51,812
OH, READ IT? YES.
44
00:01:51,845 --> 00:01:53,681
UHH...
45
00:01:54,848 --> 00:01:58,152
OH, MY GOOD GLASSES
ARE IN THE BACK ROOM.
46
00:01:58,186 --> 00:02:00,488
JUST EXCUSE ME
A MINUTE, NOW.
47
00:02:08,829 --> 00:02:11,932
YOU GOT A LITTLE SOMETHING
GOING FOR YOU ON THE SIDE
48
00:02:11,965 --> 00:02:13,534
HAVE YOU, FLOYD?
49
00:02:13,567 --> 00:02:15,503
WHAT ARE YOU IN--
IMPORT/EXPORT?
50
00:02:15,536 --> 00:02:17,538
MAYBE YOU BOUGHT
A BOWLING ALLEY.
51
00:02:17,571 --> 00:02:20,774
MAYBE YOU GOT A PIECE
OF A PRIZEFIGHTER, HUH, FLOYD?
52
00:02:20,808 --> 00:02:22,776
OH!
WHAT'S THE MATTER?
53
00:02:22,810 --> 00:02:24,378
OH, NO!
MY DEAR SENSE...
54
00:02:24,412 --> 00:02:25,779
OH, NO! OH...
55
00:02:25,813 --> 00:02:27,381
WHAT IS IT, FLOYD?
56
00:02:27,415 --> 00:02:28,916
YOU'RE AS WHITE
AS A SHEET.
57
00:02:28,949 --> 00:02:30,518
IS SOMETHING
THE MATTER?
58
00:02:30,551 --> 00:02:31,685
IS SOMETHING
THE MATTER?!
59
00:02:31,719 --> 00:02:33,321
OF COURSE SOMETHING...
60
00:02:33,354 --> 00:02:35,189
I'M SO SORRY, ANDY,
BUT SOMETHING'S COME UP
61
00:02:35,223 --> 00:02:36,890
AND I'VE -- I'VE GOT
TO LEAVE TOWN.
62
00:02:36,924 --> 00:02:40,628
YES, I'VE GOT TO GO
TO... TO... TO NASHVILLE.
63
00:02:40,661 --> 00:02:41,762
WAIT A MINUTE!
64
00:02:41,795 --> 00:02:43,564
WHAT'S HAPPENED?
65
00:02:43,597 --> 00:02:45,866
OH! OHH!
66
00:02:50,504 --> 00:02:53,707
"DEAR FLOYD,
JUST A LINE TO LET YOU KNOW
67
00:02:53,741 --> 00:02:56,310
"I AM LEAVING BALTIMORE
ON FRIDAY
68
00:02:56,344 --> 00:02:58,912
"AND DRIVING
TO MY PALM BEACH HOME
69
00:02:58,946 --> 00:03:00,481
"AND I'LL BE PASSING
THROUGH MAYBERRY
70
00:03:00,514 --> 00:03:03,451
"AND LOOK FORWARD,
AT LONG LAST, TO MEETING YOU.
71
00:03:03,484 --> 00:03:07,588
FONDLY, MADELINE GRAYSON."
72
00:03:07,621 --> 00:03:08,922
WHO'S MADELINE GRAYSON?
73
00:03:08,956 --> 00:03:10,558
WHAT'S THAT
GOT TO DO
74
00:03:10,591 --> 00:03:12,560
WITH FLOYD LAWSON
ENTERPRISES?
75
00:03:12,593 --> 00:03:14,962
IT'S A STORY THAT JUST
MAKES ME WANT TO BLUSH.
76
00:03:14,995 --> 00:03:16,797
FLOYD...
77
00:03:16,830 --> 00:03:18,799
ALL RIGHT, ALL RIGHT.
HERE IT IS.
78
00:03:18,832 --> 00:03:20,934
I MIGHT AS WELL TELL YOU.
79
00:03:20,968 --> 00:03:25,273
I BELONG TO A LONELY HEARTS
CORRESPONDENCE CLUB.
80
00:03:25,306 --> 00:03:26,807
NOW, FOR SOME TIME NOW
81
00:03:26,840 --> 00:03:30,244
I'VE BEEN CORRESPONDING
WITH A MRS. MADELINE GRAYSON.
82
00:03:30,278 --> 00:03:32,546
WELL, IT'S ONLY NATURAL,
ISN'T IT
83
00:03:32,580 --> 00:03:35,249
A LONELY WIDOW
AND A LONELY WIDOWER
84
00:03:35,283 --> 00:03:37,451
GETTING TOGETHER IN LETTERS?
85
00:03:37,485 --> 00:03:39,853
SURE, FLOYD. IT SOUNDS FINE.
86
00:03:39,887 --> 00:03:41,489
SOUNDS FINE! HAH!
87
00:03:41,522 --> 00:03:42,790
FLOYD.
88
00:03:42,823 --> 00:03:46,460
ANYWAY, THIS MRS. GRAYSON
IS A WEALTHY WIDOW.
89
00:03:46,494 --> 00:03:50,030
SHE'S GOT A HOME IN BALTIMORE
AND PALM BEACH.
90
00:03:50,063 --> 00:03:52,666
AND NOW,
HERE IT COMES.
91
00:03:52,700 --> 00:03:56,036
IN ORDER TO MEASURE UP
AND LOOK GOOD TO HER
92
00:03:56,069 --> 00:03:58,839
I... I LIED TO HER ABOUT MYSELF.
93
00:03:58,872 --> 00:04:01,842
I LIED ABOUT WHO I AM
AND WHAT I AM.
94
00:04:01,875 --> 00:04:02,943
HOW DID YOU DO THAT?
95
00:04:02,976 --> 00:04:04,412
I WROTE TO HER
96
00:04:04,445 --> 00:04:06,013
THAT I WAS A RICH MILLIONAIRE--
97
00:04:06,046 --> 00:04:07,581
A WEALTHY BUSINESSMAN.
98
00:04:07,615 --> 00:04:11,319
OH, AND THAT'S HOW COME
FLOYD LAWSON ENTERPRISES.
99
00:04:11,352 --> 00:04:14,288
IT'S MY COMPANY.
100
00:04:14,322 --> 00:04:17,591
MY... OH...
101
00:04:17,625 --> 00:04:19,293
RUN BY THAT FLOYD LAWSON.
102
00:04:19,327 --> 00:04:21,395
FLOYD LAWSON,
YOU'RE NOTHING BUT A LIAR
103
00:04:21,429 --> 00:04:23,331
A CHEAT AND A SCOUNDREL.
I HATE YOU!
104
00:04:23,364 --> 00:04:24,632
OH, NOW, FLOYD...
105
00:04:24,665 --> 00:04:26,434
OH, HOW COULD
I HAVE DONE IT?
106
00:04:26,467 --> 00:04:27,701
HOW COULD I DO IT
107
00:04:27,735 --> 00:04:30,571
TO THIS LOVELY,
SWEET, TRUSTING...?
108
00:04:32,039 --> 00:04:33,974
IS THAT HER?
YUP.
109
00:04:34,007 --> 00:04:35,576
SHE'S PRETTY.
110
00:04:35,609 --> 00:04:36,977
OH, SHE'S A DOLL.
111
00:04:37,010 --> 00:04:39,847
THIS IS THE PICTURE
I SENT HER.
112
00:04:39,880 --> 00:04:41,715
LOOK. THAT'S ME.
113
00:04:43,116 --> 00:04:44,718
THAT'S YOU?
114
00:04:44,752 --> 00:04:46,354
WHERE'S THE GRAY HAIR?
115
00:04:46,387 --> 00:04:48,622
OH, TOUCH-UP,
TOUCH-UP. I JUST...
116
00:04:48,656 --> 00:04:50,758
OH, I'M SO ASHAMED.
117
00:04:50,791 --> 00:04:52,360
OH, NOW, FLOYD...
118
00:04:52,393 --> 00:04:54,027
WHO WOULD
HAVE THOUGHT
119
00:04:54,061 --> 00:04:56,029
THAT SHE'D
BE COMING HERE?
120
00:04:56,063 --> 00:04:58,031
OH, THE DECEPTION
OF IT ALL!
121
00:04:58,065 --> 00:05:00,067
THE VANITY OF IT!
122
00:05:00,100 --> 00:05:01,969
FLOYD LAWSON,
I AM ASHAMED OF YOU.
123
00:05:02,002 --> 00:05:04,438
YOU'RE NOTHING
BUT A LYING, DECEITFUL...
124
00:05:04,472 --> 00:05:05,739
FLOYD, WAIT.
125
00:05:05,773 --> 00:05:08,742
I TELL YOU,
I JUST HAVE
TO LEAVE HERE!
126
00:05:08,776 --> 00:05:10,010
SHE'LL COME,
AND NOT SEE ME
127
00:05:10,043 --> 00:05:11,412
AND THAT'LL BE
THE END OF IT.
128
00:05:11,445 --> 00:05:12,580
NO, NOW, FLOYD, WAIT.
129
00:05:12,613 --> 00:05:14,748
YOU WANT TO KNOW WHAT I THINK?
130
00:05:14,782 --> 00:05:17,418
I THINK SHE DID
THE SAME THING AS YOU DID.
131
00:05:17,451 --> 00:05:19,753
YES, SIR, THAT'S EXACTLY
WHAT HAPPENED.
WHAT?
132
00:05:19,787 --> 00:05:21,021
DON'T YOU SEE?
133
00:05:21,054 --> 00:05:22,890
SHE WANTS TO IMPRESS YOU, TOO.
134
00:05:22,923 --> 00:05:24,725
SHE PROBABLY LIED
ABOUT BEING RICH.
135
00:05:24,758 --> 00:05:26,727
AS FOR THIS PICTURE,
WAIT TILL SHE GETS HERE.
136
00:05:26,760 --> 00:05:28,396
I BET SHE WON'T
LOOK A THING LIKE IT.
137
00:05:28,429 --> 00:05:29,897
YOU'LL BOTH PROBABLY
HAVE A BIG LAUGH OVER IT
138
00:05:29,930 --> 00:05:31,432
'CAUSE SHE
DECEIVED YOU, TOO.
139
00:05:33,100 --> 00:05:35,536
TAKE THAT BACK.
WAIT!
140
00:05:35,569 --> 00:05:36,704
THERE'S NO MORE
TO BE SAID ABOUT IT.
141
00:05:36,737 --> 00:05:37,771
I'M GOING TO NASHVILLE.
142
00:05:37,805 --> 00:05:39,440
WAIT A MINUTE.
143
00:05:39,473 --> 00:05:41,842
YOU CAN'T DO THAT.
YOU GOT TO STAY HERE
AND FACE HER.
144
00:05:41,875 --> 00:05:44,678
OH, ANDY, I CANNOT FACE HER
AS FLOYD THE BARBER.
145
00:05:44,712 --> 00:05:45,913
SHE'S GONNA COME HERE
146
00:05:45,946 --> 00:05:48,115
EXPECTING TO SEE
THIS FELLOW IN THE PICTURE
147
00:05:48,148 --> 00:05:49,550
THAT I SENT HER.
148
00:05:49,583 --> 00:05:52,486
AND THEN THIS FELL...
FELLOW IN THE PIC...
149
00:05:52,520 --> 00:05:53,887
WAIT A MINUTE.
150
00:05:53,921 --> 00:05:55,489
I CAN FACE HER.
151
00:05:55,523 --> 00:05:57,090
YOU'LL HAVE TO HELP ME.
152
00:05:57,124 --> 00:05:58,559
HOW CAN I HELP YOU?
153
00:05:58,592 --> 00:06:01,429
HELP ME POSE
AS THE MAN I WROTE I WAS.
154
00:06:01,462 --> 00:06:03,797
SHE'S ONLY GONNA
BE HERE FOR A DAY.
155
00:06:03,831 --> 00:06:06,400
SO, LET HER SEE ME
AS SHE BELIEVES ME TO BE.
156
00:06:06,434 --> 00:06:08,669
WELL, THAT'D BE LIE
ON TOP OF LIE, FLOYD.
157
00:06:08,702 --> 00:06:10,070
I CAN'T DO THAT.
158
00:06:10,103 --> 00:06:11,839
THEN I'M GOING
TO NASHVILLE.
WAIT A MINUTE.
159
00:06:11,872 --> 00:06:13,641
YOU'RE NOT GOING ANYWHERE.
160
00:06:13,674 --> 00:06:15,976
QUIT FLYING ALL OVER THE ROOM
AND GIVE ME THAT HAIRCUT.
161
00:06:16,009 --> 00:06:18,779
OH, "HAIRCUT," HE SAYS.
I CAN'T GIVE YOU A HAIRCUT!
162
00:06:18,812 --> 00:06:21,782
I JUST HAVEN'T GOT IT
THIS MORNING, THAT'S ALL!
163
00:06:21,815 --> 00:06:23,817
"MY HAIRCUT," HE SAYS.
164
00:06:23,851 --> 00:06:25,453
OH! OHH!
165
00:06:25,486 --> 00:06:27,921
WRETCH! WRETCH!
DECEITFUL WRETCH!
166
00:06:27,955 --> 00:06:31,158
AND QUIT HOLLERING AT YOURSELF
IN THAT LOOKING GLASS.
167
00:06:35,195 --> 00:06:36,764
IT'S ALL EMPTIED, PA.
168
00:06:36,797 --> 00:06:38,932
YOU DON'T NEED ME
FOR ANYTHING ELSE, DO YOU?
169
00:06:38,966 --> 00:06:41,101
OH, I DON'T NEED YOU
FOR ANY MORE CHORES,
170
00:06:41,134 --> 00:06:43,003
BUT I SURE DO ENJOY
YOUR COMPANY.
171
00:06:43,036 --> 00:06:44,538
WELL, I'M GLAD, PA,
172
00:06:44,572 --> 00:06:45,873
BUT I THINK
I'D RATHER GO OUT AND PLAY.
173
00:06:45,906 --> 00:06:48,476
ALL RIGHT. WELL,
WHY DON'T YOU JUST DO THAT?
174
00:06:52,546 --> 00:06:53,781
FLOYD,
WHAT ARE YOU DOING?
175
00:06:53,814 --> 00:06:55,816
I'VE COME TO SAY GOODBYE.
176
00:06:55,849 --> 00:06:56,817
WELL, WHERE ARE YOU GOING?
177
00:06:56,850 --> 00:06:57,851
I'M GOING TO NASHVILLE.
178
00:06:57,885 --> 00:06:59,019
WHY, FLOYD?
179
00:06:59,052 --> 00:07:00,754
"WHY?"
BECAUSE YOU KNOW WHY --
180
00:07:00,788 --> 00:07:02,222
BECAUSE I'M A MISERABLE,
DECEITFUL WRETCH -- THAT'S WHY.
181
00:07:02,255 --> 00:07:03,591
OH, FLOYD.
182
00:07:04,658 --> 00:07:06,860
OPIE, I THOUGHT YOU SAID
YOU WAS GOING OUT AND PLAY.
183
00:07:06,894 --> 00:07:08,862
I WAS, PA,
BUT CAN I STAY AND HEAR
184
00:07:08,896 --> 00:07:11,799
ABOUT WHY FLOYD'S
A MISERABLE, DECEITFUL WRETCH?
185
00:07:11,832 --> 00:07:13,601
NO.
I'LL SEE YOU LATER, OPIE.
186
00:07:13,634 --> 00:07:15,435
OKAY, PA.
187
00:07:16,570 --> 00:07:17,605
NOW, FLOYD --
188
00:07:17,638 --> 00:07:19,006
IT'S NO USE.
189
00:07:19,039 --> 00:07:20,941
I'VE... I'VE MADE UP MY MIND.
190
00:07:20,974 --> 00:07:22,843
I'M GOING TO NASHVILLE.
191
00:07:22,876 --> 00:07:24,011
FLOYD, WAIT A MINUTE!
192
00:07:24,044 --> 00:07:25,579
NO, NO, NO, NO, NO.
193
00:07:25,613 --> 00:07:26,914
I SUGGESTED A WAY OUT
194
00:07:26,947 --> 00:07:29,550
TO SPARE THIS FINE WOMAN
ANY HURT OR HUMILIATION
195
00:07:29,583 --> 00:07:31,885
BUT YOU REFUSED TO HELP ME.
196
00:07:31,919 --> 00:07:34,221
I'LL FIND A WAY OUT.
I'LL GET OVER IT.
197
00:07:34,254 --> 00:07:35,923
YES. WHAT WAS THAT SAYING?
198
00:07:35,956 --> 00:07:37,525
LET ME SEE...
199
00:07:37,558 --> 00:07:40,528
TEMPUS EDAX RERUM--
200
00:07:40,561 --> 00:07:42,963
"TIME HEALS EVERYTHING."
201
00:07:42,996 --> 00:07:44,932
YOU KNOW WHO SAID THAT?
202
00:07:44,965 --> 00:07:47,835
MY LATIN TEACHER
AT BARBER COLLEGE.
203
00:07:47,868 --> 00:07:50,237
SO I'LL JUST GO TO NASHVILLE.
204
00:07:50,270 --> 00:07:52,139
I'LL STAY THERE FOR A FEW DAYS.
205
00:07:52,172 --> 00:07:55,976
MAYBE I'LL COME BACK,
AND MAYBE I WON'T.
206
00:07:56,009 --> 00:07:58,612
MAYBE I'LL GO
INTO A MONASTERY.
207
00:08:00,714 --> 00:08:03,216
SO GOOD-BYE, ANDY.
208
00:08:03,250 --> 00:08:04,852
FRIEND.
209
00:08:07,120 --> 00:08:09,222
FRIEND.
210
00:08:10,724 --> 00:08:12,225
FLOYD.
211
00:08:12,259 --> 00:08:13,861
YES?
212
00:08:16,764 --> 00:08:19,933
I KNOW I SHOULDN'T,
BUT I GUESS I WILL.
213
00:08:19,967 --> 00:08:22,803
WILL WHAT, ANDY?
HUH WHAT?
214
00:08:22,836 --> 00:08:25,072
CLIFF DEVEREAUX'S GOT HIS FAMILY
DOWN IN NEW ORLEANS
215
00:08:25,105 --> 00:08:26,674
FOR A FEW DAYS.
216
00:08:26,707 --> 00:08:28,642
HE'S GOT A BIG,
FINE-LOOKING HOUSE.
217
00:08:28,676 --> 00:08:29,910
I GOT THE KEYS
218
00:08:29,943 --> 00:08:32,813
SO I CAN CHECK ON IT
EVERY NOW AND THEN.
219
00:08:32,846 --> 00:08:36,016
I GUESS YOU CAN STAY THERE WHILE
YOUR GIRLFRIEND'S IN TOWN
220
00:08:36,049 --> 00:08:37,317
BUT JUST LONG ENOUGH
221
00:08:37,350 --> 00:08:38,852
FOR HER TO SEE YOU LOOKING
LIKE A BIG SHOT,
222
00:08:38,886 --> 00:08:40,120
AND THEN WE'VE GOT TO GET
OUT OF THERE.
223
00:08:40,153 --> 00:08:41,855
YOU WANT TO, UH...
224
00:08:41,889 --> 00:08:44,858
YOU MEAN
YOU'LL ACTUALLY LET... LET ME...
225
00:08:44,892 --> 00:08:48,328
OH... OH... WHY, YOU'RE JUST...
226
00:08:48,361 --> 00:08:49,963
YOU KNOW WHAT YOU ARE, ANDY?
227
00:08:49,997 --> 00:08:51,131
YOU'RE A PRINCE OF A FELLA.
228
00:08:51,164 --> 00:08:52,666
THAT'S WHAT YOU ARE-- A PRINCE.
229
00:08:52,700 --> 00:08:55,302
YEAH. I STILL THINK
IT'S A SILLY THING TO DO
230
00:08:55,335 --> 00:08:57,871
BUT I SAID I'D HELP YOU,
AND I WILL.
231
00:08:57,905 --> 00:09:00,874
A PRINCE! A PRINCE!
THAT'S WHAT YOU... A PRINCE.
232
00:09:00,908 --> 00:09:02,610
ALL RIGHT, FLOYD,
233
00:09:02,643 --> 00:09:04,645
IF WE'RE GONNA DO THIS,
WE MIGHT AS WELL DO IT RIGHT.
234
00:09:04,678 --> 00:09:07,247
I EXPECT WE CAN USE
THE HELP OF AUNT BEE.
235
00:09:07,280 --> 00:09:10,918
ANYTHING YOU SAY, PRINCE.
236
00:09:16,056 --> 00:09:18,058
THERE YOU ARE.
237
00:09:19,192 --> 00:09:22,162
JUST LIKE FIFI
THE UPSTAIRS MAID.
238
00:09:22,195 --> 00:09:24,632
THIS IS KIND
OF FUN AT THAT, ANDY.
239
00:09:24,665 --> 00:09:26,166
IT'S LIKE PLAYACTING.
240
00:09:26,199 --> 00:09:28,636
YEAH, THAT'S JUST EXACTLY
WHAT IT IS, AUNT BEE.
241
00:09:28,669 --> 00:09:30,638
I HAVEN'T DONE
ANYTHING LIKE THIS
242
00:09:30,671 --> 00:09:32,305
SINCE I WAS A LITTLE GIRL
IN SUNDAY SCHOOL.
243
00:09:32,339 --> 00:09:33,907
I PLAYED THE QUEEN
244
00:09:33,941 --> 00:09:36,176
IN SIX WHO PASS
WHILE THE LENTILS BOIL.
245
00:09:36,209 --> 00:09:37,878
I'D JUST LIKE TO GET
THIS FOOLISHNESS OVER WITH --
246
00:09:37,911 --> 00:09:39,212
THAT'S ALL.
247
00:09:39,246 --> 00:09:40,781
I'D HATE TO THINK WHAT
THE DEVEREAUXS WOULD SAY
248
00:09:40,814 --> 00:09:42,015
IF THEY WAS TO CATCH US
249
00:09:42,049 --> 00:09:43,283
MESSING AROUND WITH
THEIR HOUSE THIS WAY.
250
00:09:43,316 --> 00:09:44,918
THE WHOLE THING'S JUST
A SILLY WASTE OF TIME
251
00:09:44,952 --> 00:09:46,620
BUT YOU TRY TO
TELL THAT TO FLOYD.
252
00:09:47,888 --> 00:09:49,289
WELL!
253
00:09:54,828 --> 00:09:57,230
IS IT ALL RIGHT?
IS IT DEBONAIR?
254
00:09:57,264 --> 00:09:59,132
THAT'S THE WAY I WANT
TO LOOK LIKE -- DEBONAIR.
255
00:09:59,166 --> 00:10:01,134
YOU LOOK GOOD ENOUGH
TO PUT IN A J.C. PENNEY WINDOW.
256
00:10:01,168 --> 00:10:03,103
FLOYD, YOU LOOK FINE.
OH, THANK YOU.
257
00:10:03,136 --> 00:10:05,038
OH, LOOK AT HER.
DOESN'T...
258
00:10:05,072 --> 00:10:06,974
I KNOW THIS IS ALL
TERRIBLY DECEITFUL
259
00:10:07,007 --> 00:10:08,776
BUT IT'S THE ONLY WAY --
IT'S THE ONLY WAY.
260
00:10:08,809 --> 00:10:11,211
I STILL THINK
IT'S SILLY.
SHH! ISN'T THAT A CAR?
261
00:10:11,244 --> 00:10:14,214
GO SEE, FLOYD.
OH, YEAH, YEAH.
262
00:10:16,449 --> 00:10:17,417
IS IT HER?
263
00:10:17,450 --> 00:10:19,086
OH, MY! YES, IT'S HER.
264
00:10:19,119 --> 00:10:20,654
OH, DEAR. SHE'S HERE!
265
00:10:20,688 --> 00:10:22,355
WHAT'S SHE DRIVING
AN OLD JALOPY?
266
00:10:28,829 --> 00:10:30,163
WHAT'S SHE LOOK LIKE?
267
00:10:30,197 --> 00:10:31,765
TERRIBLE?
268
00:10:43,844 --> 00:10:47,347
AREN'T YOU ASHAMED?
269
00:10:55,956 --> 00:10:57,457
IT'S HER! SHE'S AT THE DOOR!
I BETTER LET HER IN!
270
00:10:57,490 --> 00:10:59,893
NO, WAIT A MINUTE, FLOYD,
YOU DON'T GO TO THE DOOR.
271
00:10:59,927 --> 00:11:02,395
YOU'RE ENTERPRISES.
THE MAID ANSWERS THE DOOR.
GO AHEAD, AUNT BEE.
272
00:11:02,429 --> 00:11:03,430
WHAT SHOULD I DO?
273
00:11:03,463 --> 00:11:05,766
JUST BE DEBONAIR.
274
00:11:05,799 --> 00:11:08,435
RIGHT, RIGHT, DEBONAIR.
275
00:11:14,074 --> 00:11:16,710
HELLO. I'M MADELINE GRAYSON.
276
00:11:16,744 --> 00:11:18,879
I WAS... FLOYD...
277
00:11:18,912 --> 00:11:20,781
FLOYD LAWSON.
278
00:11:20,814 --> 00:11:23,884
HOW PERFECTLY MARVELOUS
TO MEET YOU.
279
00:11:23,917 --> 00:11:26,987
YES. WELL, HOW
MARVELOUS TO MEET ME.
280
00:11:27,020 --> 00:11:28,455
UH...
281
00:11:28,488 --> 00:11:31,024
HELLO. HOW ARE YOU,
MRS. GRAYSON?
282
00:11:31,058 --> 00:11:32,125
"MRS. GRAYSON?"
283
00:11:32,159 --> 00:11:33,293
SO FORMAL?
284
00:11:33,326 --> 00:11:35,495
WE DO BETTER IN OUR LETTERS,
DON'T WE?
285
00:11:35,528 --> 00:11:36,897
THE LETTERS...
286
00:11:36,930 --> 00:11:38,031
AREN'T YOU GOING TO
INTRODUCE ME
287
00:11:38,065 --> 00:11:39,266
TO THIS NICE YOUNG MAN?
288
00:11:39,299 --> 00:11:41,268
OH, OH, YES,
EXCUSE ME.
289
00:11:41,301 --> 00:11:44,071
UH, MRS. GRAYSON--
UH, MADELINE--
290
00:11:44,104 --> 00:11:46,473
I'D LIKE TO HAVE
YOU MEET ANDY
291
00:11:46,506 --> 00:11:49,242
AND ANDY, THIS
IS MRS. MADELSON.
292
00:11:49,276 --> 00:11:51,144
GRAYSON.
293
00:11:51,178 --> 00:11:52,379
HELLO.
294
00:11:52,412 --> 00:11:53,781
HOW DO YOU DO?
295
00:11:53,814 --> 00:11:54,915
WHO IS ANDY?
296
00:11:56,549 --> 00:11:58,518
ANDY?
297
00:11:58,551 --> 00:12:00,821
WELL, HE'S MY SON!
298
00:12:02,422 --> 00:12:05,358
UH, HE'S A BIG
FELLA, ISN'T HE?
299
00:12:05,392 --> 00:12:06,827
HI, SON.
300
00:12:06,860 --> 00:12:08,128
HI, POP.
301
00:12:08,161 --> 00:12:10,130
UH, DAD WANTED ME
TO MEET YOU
302
00:12:10,163 --> 00:12:11,198
DIDN'T YOU, DAD?
303
00:12:11,231 --> 00:12:12,365
YES, I DID.
304
00:12:12,399 --> 00:12:14,301
DAD'S TOLD ME
AN AWFUL LOT ABOUT YOU.
305
00:12:14,334 --> 00:12:17,437
OH, OH, EXCUSE
ME, MRS. GRAY...
306
00:12:17,470 --> 00:12:18,872
UH, MADELINE.
307
00:12:18,906 --> 00:12:20,507
THIS IS AUNT BEE.
308
00:12:20,540 --> 00:12:21,842
"AUNT BEE"?
309
00:12:21,875 --> 00:12:23,310
OH, SHE'S BEEN WITH US
SO LONG
310
00:12:23,343 --> 00:12:25,345
WE'VE COME TO THINK OF HER
AS ONE OF THE FAMILY.
311
00:12:25,378 --> 00:12:27,114
RIGHT, BEATRICE?
312
00:12:27,147 --> 00:12:28,816
WELL, NOW, FLOYD,
I DIDN'T KNOW
313
00:12:28,849 --> 00:12:30,283
YOU HAD A BOY
AS BIG AS THIS.
314
00:12:30,317 --> 00:12:32,485
YOU NEVER MENTIONED HIM
IN YOUR LETTERS.
315
00:12:32,519 --> 00:12:35,355
UH, NO, I DIDN'T, UH,
AND THAT'S BECAUSE...
316
00:12:35,388 --> 00:12:36,423
HE'S AWAY A LOT.
317
00:12:36,456 --> 00:12:37,524
THAT'S RIGHT.
318
00:12:37,557 --> 00:12:38,859
I'M IN SCHOOL.
319
00:12:38,892 --> 00:12:40,794
I'M, UH,
I'M STILL STUDYING.
320
00:12:40,828 --> 00:12:41,829
OH, REALLY?
321
00:12:41,862 --> 00:12:42,996
WHAT?
322
00:12:43,030 --> 00:12:45,198
CHIROPRACTOR.
323
00:12:45,232 --> 00:12:46,499
UH, THAT'S IT.
324
00:12:46,533 --> 00:12:49,369
THAT'S BECAUSE HE'S GOT
THOSE NICE, BIG HANDS.
325
00:12:49,402 --> 00:12:51,038
SHOW HER YOUR
HANDS, SON.
326
00:12:51,071 --> 00:12:52,840
AREN'T THOSE
NICE, BIG ONES?
327
00:12:52,873 --> 00:12:55,142
WON'T YOU SIT DOWN,
MRS. GRAYSON?
328
00:12:55,175 --> 00:12:56,509
WHY, THANK YOU.
329
00:13:01,281 --> 00:13:02,515
UH, BEATRICE?
330
00:13:02,549 --> 00:13:03,817
HMM?
331
00:13:03,851 --> 00:13:05,986
DON'T YOU THINK
YOU BETTER MAKE US
332
00:13:06,019 --> 00:13:07,220
SOME TEA?
333
00:13:07,254 --> 00:13:08,388
OH...
334
00:13:08,421 --> 00:13:10,790
VERY GOOD, SIR.
335
00:13:15,095 --> 00:13:16,396
SHE'S A JEWEL.
336
00:13:16,429 --> 00:13:17,564
A REAL JEWEL.
337
00:13:17,597 --> 00:13:19,332
RIGHT, DAD?
338
00:13:19,366 --> 00:13:20,868
OH, YOU'RE SO LUCKY.
339
00:13:20,901 --> 00:13:23,403
GOOD HELP
IS SO HARD TO FIND NOWADAYS.
340
00:13:23,436 --> 00:13:25,405
OH, IMPOSSIBLE.
341
00:13:36,083 --> 00:13:37,550
OH, HI, AUNT BEE.
342
00:13:37,584 --> 00:13:39,419
IS PA HERE?
343
00:13:39,452 --> 00:13:40,954
OH, HI, PA.
344
00:13:40,988 --> 00:13:42,089
UH, HI, OPE.
345
00:13:42,122 --> 00:13:44,057
WHY DON'T YOU RUN
OUT TO THE KITCHEN
346
00:13:44,091 --> 00:13:45,893
AND GET SOME
COOKIES AND MILK?
347
00:13:45,926 --> 00:13:47,160
NOW, OPIE, COME ALONG.
348
00:13:47,194 --> 00:13:48,195
BUT, AUNT BEE...!
349
00:13:48,228 --> 00:13:49,863
DARLING LITTLE BOY.
350
00:13:49,897 --> 00:13:50,998
WHO IS HE?
351
00:13:51,031 --> 00:13:52,132
OH, HE'S MINE.
352
00:13:52,165 --> 00:13:53,566
THIS IS MY OTHER SON.
353
00:13:53,600 --> 00:13:55,135
THAT LITTLE ONE?
354
00:13:55,168 --> 00:13:56,569
YES, MA'AM,
THAT'S BROTHER.
355
00:13:56,603 --> 00:13:59,206
WHAT WAS THAT HE CALLED YOU--
"PA"?
356
00:13:59,239 --> 00:14:01,641
PAUL, PAUL. THAT'S
MY MIDDLE NAME--
357
00:14:01,674 --> 00:14:03,176
ANDREW PAUL LAWSON.
358
00:14:03,210 --> 00:14:05,145
HE SOMETIMES
CALLS ME THAT.
359
00:14:05,178 --> 00:14:06,513
MY KID BROTHER.
360
00:14:06,546 --> 00:14:09,582
WELL, NOW, FLOYD,
I DIDN'T KNOW YOU HAD TWO BOYS.
361
00:14:09,616 --> 00:14:12,519
THEY'RE QUITE A BIT APART
IN AGE, AREN'T THEY?
362
00:14:12,552 --> 00:14:15,055
UH, WELL, WELL, HOW
THAT HAPPENED WAS
363
00:14:15,088 --> 00:14:17,090
WHEN I WAS GROWING UP,
I WAS AN ONLY CHILD
364
00:14:17,124 --> 00:14:20,060
AND I WAS KIND OF LONELY,
AND SO MOM AND DAD
365
00:14:20,093 --> 00:14:22,129
THEY DECIDED THAT I
NEEDED A COMPANION
366
00:14:22,162 --> 00:14:24,364
AND ALONG CAME OPIE.
367
00:14:24,397 --> 00:14:26,033
HOW NICE.
368
00:14:26,066 --> 00:14:28,001
YES. WELL, IF
YOU'LL EXCUSE ME
369
00:14:28,035 --> 00:14:29,536
I'LL GO OUT
IN THE KITCHEN
370
00:14:29,569 --> 00:14:32,072
AND SEE HOW
BROTHER'S
GETTING ALONG.
371
00:14:32,105 --> 00:14:33,573
UH, YES, AND
I'LL GO WITH YOU.
372
00:14:33,606 --> 00:14:34,975
THAT'S ALL RIGHT, DAD.
373
00:14:35,008 --> 00:14:36,543
YOU STAY HERE AND
TALK TO MISS GRAYSON.
374
00:14:36,576 --> 00:14:38,111
:
I DON'T WANT
TO STAY HERE ALONE.
375
00:14:38,145 --> 00:14:39,947
FLOYD, YOU GOT TO.
YOU GOT TO TALK TO HER.
376
00:14:39,980 --> 00:14:40,948
IT'S JUST FOR
A FEW HOURS.
377
00:14:40,981 --> 00:14:42,515
BUT WHAT'LL
I TALK ABOUT?
378
00:14:42,549 --> 00:14:45,085
TALK ABOUT ANYTHING.
TALK ABOUT
YOUR ENTERPRISES.
379
00:14:45,118 --> 00:14:46,386
EXCUSE ME,
MRS. GRAYSON.
380
00:14:55,128 --> 00:14:58,265
UH, SIT HERE, FLOYD, BY ME.
381
00:15:03,603 --> 00:15:06,006
WELL, WE'RE ALONE
AT LAST, AREN'T WE?
382
00:15:06,039 --> 00:15:07,274
OH, NOT REALLY.
383
00:15:07,307 --> 00:15:08,708
THEY'RE ALL
IN THE KITCHEN.
384
00:15:08,741 --> 00:15:11,644
I CAN'T TELL YOU HOW NICE
IT IS MEETING YOU IN PERSON
385
00:15:11,678 --> 00:15:13,981
AND YOU KNOW WHAT THE
NICEST PART ABOUT IT IS?
386
00:15:14,014 --> 00:15:15,015
WHAT?
387
00:15:15,048 --> 00:15:16,383
FINDING YOU TO BE
388
00:15:16,416 --> 00:15:18,418
EXACTLY AS YOU DESCRIBED
YOURSELF IN YOUR LETTERS.
389
00:15:18,451 --> 00:15:19,652
WELL, THAT'S GOOD.
390
00:15:19,686 --> 00:15:22,055
WHY? WHAT
DID YOU EXPECT?
391
00:15:22,089 --> 00:15:23,623
OH, GOODNESS,
ALMOST ANYTHING.
392
00:15:23,656 --> 00:15:26,193
WOULD YOU BELIEVE
IT, FLOYD, IN THESE
CORRESPONDENCE CLUBS
393
00:15:26,226 --> 00:15:27,660
THERE ARE SOME MEN
394
00:15:27,694 --> 00:15:29,429
WHO ACTUALLY MISREPRESENT
THEMSELVES?
395
00:15:29,462 --> 00:15:30,430
NO!
396
00:15:30,463 --> 00:15:31,498
OH, YES.
397
00:15:31,531 --> 00:15:33,133
OF COURSE, IN MY CASE
398
00:15:33,166 --> 00:15:35,302
IT'S EASY TO SEE
WHY THEY MIGHT DO IT.
399
00:15:35,335 --> 00:15:38,038
THEY DISCOVER I'M A WIDOW
WITH A LOT OF MONEY
400
00:15:38,071 --> 00:15:41,274
AND BEFORE VERY LONG, THEY
SIMPLY TAKE ADVANTAGE OF ME.
401
00:15:41,308 --> 00:15:43,310
OH. OH, THAT'S TERRIBLE.
402
00:15:43,343 --> 00:15:44,644
THAT'S TERRIBLE.
403
00:15:44,677 --> 00:15:47,414
BUT I KNEW SOMEHOW
THAT I COULD TRUST YOU.
404
00:15:47,447 --> 00:15:48,415
IS THAT A FACT?
405
00:15:48,448 --> 00:15:49,582
AND NOW THAT I SEE YOU
406
00:15:49,616 --> 00:15:51,318
IN PERSON, I KNOW I WAS RIGHT.
407
00:15:51,351 --> 00:15:52,619
YOU KNOW HOW I CAN TELL?
408
00:15:52,652 --> 00:15:54,554
FROM YOUR EYES.
409
00:15:54,587 --> 00:15:56,189
MY EYES?
410
00:15:56,223 --> 00:16:00,627
YOU HAVE THE CLEAREST, BLUEST,
MOST HONEST EYES.
411
00:16:00,660 --> 00:16:02,229
OH, REALLY? I NEVER...
412
00:16:02,262 --> 00:16:04,431
OH, THEY'RE WONDERFULLY CLEAR
AND BLUE.
413
00:16:04,464 --> 00:16:07,367
YES. THEY'RE SORT OF AN AZURE.
414
00:16:07,400 --> 00:16:10,303
I WAS CERTAIN THAT YOU AND I
WOULD GET ON WELL.
415
00:16:10,337 --> 00:16:13,206
OH, I DO WISH I COULD SPEND
MORE TIME WITH YOU.
416
00:16:13,240 --> 00:16:14,707
YEAH. I WISH YOU COULD, TOO.
417
00:16:14,741 --> 00:16:16,043
YOU DO?
418
00:16:16,076 --> 00:16:18,278
WELL, THEN, WHY DON'T I?
419
00:16:18,311 --> 00:16:19,379
HUH?
420
00:16:19,412 --> 00:16:20,613
AFTER ALL, I'M REALLY
421
00:16:20,647 --> 00:16:22,215
NOT IN SUCH A HURRY
TO GET TO PALM BEACH.
422
00:16:22,249 --> 00:16:23,283
WHEN I DO GET THERE
423
00:16:23,316 --> 00:16:24,784
I'LL JUST BE ALONE
IN A BIG HOUSE
424
00:16:24,817 --> 00:16:26,486
WITH ONLY SERVANTS
TO TALK TO.
425
00:16:26,519 --> 00:16:28,021
I'D MUCH RATHER
STAY HERE
426
00:16:28,055 --> 00:16:30,123
AND SPEND SOME TIME
WITH YOU AND YOUR BOYS.
427
00:16:30,157 --> 00:16:31,724
OH, YOU'RE SUCH A DEAR
TO ASK ME.
428
00:16:31,758 --> 00:16:34,194
NOW, DON'T YOU TRY
TO TALK ME INTO A LONG VISIT.
429
00:16:34,227 --> 00:16:35,762
I CAN'T STAY
ANY LONGER THAN A WEEK.
430
00:16:35,795 --> 00:16:37,130
A WEEK!
431
00:16:37,164 --> 00:16:38,431
WHAT A MARVELOUS IDEA.
432
00:16:38,465 --> 00:16:40,267
OH, LOOK, I'LL GO TO THE CAR
AND GET MY THINGS.
433
00:16:40,300 --> 00:16:42,435
UH, WOULD YOU ASK BEATRICE
OR YOUR BOY
434
00:16:42,469 --> 00:16:43,570
TO COME AND HELP ME?
435
00:16:43,603 --> 00:16:46,639
OH, WHAT
A SIMPLY WONDERFUL IDEA.
436
00:16:53,113 --> 00:16:54,414
WHAT'S THE MATTER, FLOYD?
437
00:16:54,447 --> 00:16:55,548
WHERE'S MISS GRAYSON?
438
00:16:55,582 --> 00:16:56,816
SHE GONE?
439
00:16:56,849 --> 00:17:00,053
N-N-NO, NO, NO, NO.
SHE'S OUT, OUT... THE...
440
00:17:00,087 --> 00:17:01,188
AT THE, AND THE...
441
00:17:01,221 --> 00:17:02,289
WHAT IS IT?
442
00:17:02,322 --> 00:17:03,823
W-W-WELL, IT-IT-IT'S
JUST TERRIBLE!
443
00:17:03,856 --> 00:17:05,558
TERRIBLE, JUST...
TERRIBLE NEWS, ANDY.
444
00:17:05,592 --> 00:17:07,327
WELL, WHAT IS IT?!
445
00:17:07,360 --> 00:17:08,328
SHE WANTS TO STAY --
SHE WANTS TO STAY
RIGHT HERE WITH US.
446
00:17:08,361 --> 00:17:09,829
YEAH. SHE WANTS TO...
447
00:17:09,862 --> 00:17:11,764
FOR A WEEK,
SHE WANTS TO STAY.
WHAT?!
448
00:17:11,798 --> 00:17:14,334
YES, A WEEK, A WHOLE WEEK,
SHE WANTS TO STAY HERE
WITH ME AND MY BOYS!
449
00:17:14,367 --> 00:17:15,768
SHE CAN'T DO THAT.
450
00:17:15,802 --> 00:17:17,604
I KNOW THAT -- DON'T YOU SUPPOSE
I DON'T KNOW THAT?
451
00:17:17,637 --> 00:17:19,406
THE DEVEREAUXS WILL
BE BACK ANY DAY NOW.
452
00:17:19,439 --> 00:17:20,707
WE GOT TO GET
HER OUT OF HERE.
453
00:17:20,740 --> 00:17:22,209
WE ALL GOT TO
GET OUT OF HERE.
454
00:17:22,242 --> 00:17:24,111
YES, I KNOW, BUT HOW
DO WE DO IT? WHAT DO WE --
455
00:17:24,144 --> 00:17:25,845
NOW CAN I GO
TO NASHVILLE?!
456
00:17:25,878 --> 00:17:28,681
WAIT A MINUTE!
WHAT DO WE DO NOW?!
457
00:17:28,715 --> 00:17:30,417
I TELL YOU WHAT WE DO.
458
00:17:30,450 --> 00:17:31,718
WE DO WHAT WE SHOULD HAVE
DONE IN THE FIRST PLACE --
459
00:17:31,751 --> 00:17:33,353
WE TELL HER THE TRUTH.
460
00:17:34,487 --> 00:17:36,289
THERE'S NO OTHER
WAY OUT, FLOYD.
461
00:17:36,323 --> 00:17:37,590
IF YOU HAD TOLD THE
TRUTH TO START WITH
462
00:17:37,624 --> 00:17:39,759
WE WOULDN'T BE
IN THIS FIX RIGHT NOW.
463
00:17:39,792 --> 00:17:42,429
NO, I COULDN'T. IT MIGHT BREAK
THAT POOR LITTLE WOMAN'S HEART.
I COULDN'T DO THAT.
464
00:17:42,462 --> 00:17:44,497
THEN I'LL TELL HER.
WHERE IS SHE?
465
00:17:44,531 --> 00:17:46,633
SHE'S OUT THERE, IN
THE CAR GETTING HER THINGS.
OH, DEAR, DEAR, DEAR, DEAR.
466
00:17:46,666 --> 00:17:48,868
BEFORE SHE COMES BACK, GET
ON OUT IN THE KITCHEN WITH
AUNT BEE, AND I'LL TELL HER.
467
00:17:48,901 --> 00:17:51,271
WHY DID I EVER --
GO ON, FLOYD!
468
00:17:51,304 --> 00:17:54,707
OH, WRETCH!
MISERABLE, DECEITFUL WRETCH!
469
00:18:01,581 --> 00:18:05,285
OH, ANDY, THERE ARE
SOME LARGER CASES IN THE TRUNK.
470
00:18:05,318 --> 00:18:07,620
WOULD YOU GET THEM FOR ME,
PLEASE?
471
00:18:07,654 --> 00:18:09,622
UH, MISS, UH,
MS. GRAYSON?
472
00:18:09,656 --> 00:18:12,392
UH, MAYBE, UH, MAYBE
YOU BETTER SIT DOWN.
473
00:18:12,425 --> 00:18:14,827
THERE'S SOMETHING
WE GOT TO TALK OVER.
474
00:18:17,264 --> 00:18:18,531
IS ANYTHING WRONG?
475
00:18:18,565 --> 00:18:20,267
UM, SORT OF.
476
00:18:23,803 --> 00:18:25,472
WELL, WHAT IS IT?
477
00:18:25,505 --> 00:18:27,874
UM, WON'T YOU SIT DOWN?
478
00:18:27,907 --> 00:18:29,809
UH, MS. GRAYSON,
WE ALL KNOW
479
00:18:29,842 --> 00:18:33,180
THAT IN SOME OF THESE,
UH, CORRESPONDENCE CLUBS
480
00:18:33,213 --> 00:18:35,315
LIKE WHERE YOU
MET UP WITH FLOYD
481
00:18:35,348 --> 00:18:38,451
THERE'S SOMETIMES
A LITTLE BIT OF EXAGGERATING
482
00:18:38,485 --> 00:18:40,753
THAT GOES ON
IN THE LETTER WRITING.
483
00:18:40,787 --> 00:18:43,190
SOMETIMES
DOWNRIGHT LYING.
484
00:18:43,223 --> 00:18:45,325
WHAT ARE YOU GETTING AT?
485
00:18:45,358 --> 00:18:48,228
WELL, WHAT I'M GETTING AT,
MS. GRAYSON
486
00:18:48,261 --> 00:18:52,432
IS, UH, THAT THE TIME'S COME
FOR PLAIN TALK AND PLAIN FACTS
487
00:18:52,465 --> 00:18:55,635
AND THE FACT IS,
I'M NOT FLOYD'S BOY AT ALL.
488
00:18:55,668 --> 00:18:57,204
YOU'RE NOT?
489
00:18:57,237 --> 00:18:59,272
NO, MA'AM.
MY NAME'S ANDY TAYLOR.
490
00:18:59,306 --> 00:19:00,573
I'M THE SHERIFF HERE.
491
00:19:00,607 --> 00:19:02,609
NOW, AS FOR FLOYD...
492
00:19:05,478 --> 00:19:06,679
WOULDN'T YOU KNOW IT?
493
00:19:06,713 --> 00:19:08,948
WOULDN'T YOU JUST KNOW IT?
494
00:19:08,981 --> 00:19:10,750
NOW, LOOK, MS. GRAYSON...
495
00:19:10,783 --> 00:19:12,585
ALL RIGHT, SHERIFF, ALL RIGHT.
496
00:19:12,619 --> 00:19:14,454
WELL, JUST TELL ME ONE THING.
497
00:19:14,487 --> 00:19:16,223
WHERE DID I MAKE MY MISTAKE?
498
00:19:16,256 --> 00:19:20,627
WHERE DID I
GIVE MYSELF AWAY?
499
00:19:20,660 --> 00:19:21,728
MA'AM?
500
00:19:21,761 --> 00:19:23,730
WHAT DID YOU DO, CHECK UP ON ME?
501
00:19:23,763 --> 00:19:25,698
FIND OUT THAT WAS A RENTED CAR?
502
00:19:25,732 --> 00:19:27,834
OR DID YOU
CALL SOMEONE?
503
00:19:27,867 --> 00:19:29,836
HOW DID YOU
FIND OUT?
504
00:19:30,970 --> 00:19:32,405
WELL...
505
00:19:32,439 --> 00:19:33,740
OH, WHAT'S
THE DIFFERENCE?
506
00:19:33,773 --> 00:19:35,475
IT DOESN'T
REALLY MATTER NOW.
507
00:19:35,508 --> 00:19:37,844
WELL, LET ME TELL YOU
ONE THING, SHERIFF.
508
00:19:37,877 --> 00:19:39,946
ALL RIGHT. SO I POSE
AS A RICH WIDOW
509
00:19:39,979 --> 00:19:43,616
IN ORDER TO SPONGE A LITTLE BIT
OFF RICH OLD BOYS LIKE FLOYD
510
00:19:43,650 --> 00:19:44,851
BUT SO WHAT?
511
00:19:44,884 --> 00:19:48,221
THERE ARE WORSE WAYS
OF MAKING A LIVING.
512
00:19:48,255 --> 00:19:49,622
YEAH.
513
00:19:49,656 --> 00:19:51,591
I PROBABLY
WOULDN'T HAVE TAKEN FLOYD
514
00:19:51,624 --> 00:19:53,293
FOR MORE THAN A FEW HUNDRED.
515
00:19:53,326 --> 00:19:55,962
AND HOW DO YOU KNOW THAT
I WOULDN'T HAVE PAID IT BACK
516
00:19:55,995 --> 00:19:57,497
IN A FEW MONTHS?
517
00:19:57,530 --> 00:20:01,601
ACTUALLY, YOU DON'T HAVE
ANYTHING ON ME, DO YOU?
518
00:20:01,634 --> 00:20:03,370
NO, I RECKON I DON'T.
519
00:20:03,403 --> 00:20:04,871
WELL, WHAT DO WE DO NOW?
520
00:20:04,904 --> 00:20:06,706
ARE YOU GOING TO ARREST ME?
521
00:20:06,739 --> 00:20:09,842
OH, OH, NO, NO, NO.
I'M NOT GOING TO ARREST YOU
522
00:20:09,876 --> 00:20:13,446
BECAUSE, LIKE YOU SAY,
I DON'T HAVE ANYTHING ON YOU.
523
00:20:13,480 --> 00:20:15,815
SO, I GUESS
THE BEST THING WOULD BE
524
00:20:15,848 --> 00:20:19,452
FOR YOU TO JUST PUT YOUR STUFF
BACK IN THAT RENTED CAR
525
00:20:19,486 --> 00:20:20,720
AND JUST GO ON.
526
00:20:27,760 --> 00:20:29,862
YOU KNOW SOMETHING,
SHERIFF?
527
00:20:29,896 --> 00:20:31,631
YOU'RE A SMART COOKIE.
528
00:20:31,664 --> 00:20:35,368
THIS IS THE FIRST TIME
IT'S EVER HAPPENED TO ME.
529
00:20:38,505 --> 00:20:40,640
UH, MS. GRAYSON?
530
00:20:40,673 --> 00:20:43,443
IF I WAS YOU, I'D BE
RIGHT CAREFUL FROM NOW ON.
531
00:20:43,476 --> 00:20:44,744
YOU CAN'T TELL BUT WHAT
532
00:20:44,777 --> 00:20:46,913
THAT NEXT RICH,
OLD FELLOW ON YOUR LIST
533
00:20:46,946 --> 00:20:49,382
HE MIGHT HAVE A SON
WHO'S THE SHERIFF, TOO.
534
00:21:04,997 --> 00:21:06,799
ANDY?
535
00:21:06,833 --> 00:21:07,967
DID YOU TELL
HER, ANDY?
536
00:21:08,000 --> 00:21:10,370
LISTEN, FLOYD,
WAIT TILL YOU HEAR.
537
00:21:10,403 --> 00:21:11,671
YOU TOLD HER,
DIDN'T YOU?
538
00:21:11,704 --> 00:21:13,673
I DID, AND HAVE I GOT
SOMETHING TO TELL YOU.
539
00:21:13,706 --> 00:21:14,907
WELL, HOW DID SHE TAKE IT?
DID SHE TAKE IT HARD?
540
00:21:14,941 --> 00:21:16,476
WELL, WAIT TILL YOU HEAR.
541
00:21:16,509 --> 00:21:18,044
DID SHE SEEM HURT?
DID SHE SEEM HURT REAL BAD?
542
00:21:18,077 --> 00:21:19,712
FLOYD, LISTEN,
THAT WOMAN...
543
00:21:19,746 --> 00:21:21,548
I DON'T THINK I COULD STAND IT
IF SHE WAS HURT REAL BAD.
544
00:21:21,581 --> 00:21:22,849
SUCH A LOVELY FACE
545
00:21:22,882 --> 00:21:25,552
AND THAT, THAT INNOCENT,
SWEET SMILE.
546
00:21:25,585 --> 00:21:27,787
I DON'T THINK
I COULD STAND IT
547
00:21:27,820 --> 00:21:29,956
IF SHE WAS HURT
REAL BAD.
548
00:21:36,763 --> 00:21:38,931
SHE WASN'T HURT BAD, FLOYD.
549
00:21:38,965 --> 00:21:41,368
SHE UNDERSTOOD.
550
00:21:41,401 --> 00:21:42,802
SHE DID?
551
00:21:42,835 --> 00:21:44,404
OH, THAT'S GOOD.
552
00:21:44,437 --> 00:21:45,538
THAT'S GOOD.
553
00:21:45,572 --> 00:21:47,073
OH, I'M GLAD OF THAT.
554
00:21:47,106 --> 00:21:48,908
YEAH. I'M REALLY GLAD.
555
00:21:48,941 --> 00:21:52,044
WHAT WAS THAT YOU WANTED
TO SAY TO ME BEFORE?
556
00:21:52,078 --> 00:21:53,646
OH, NOTHING, NOTHING.
557
00:21:53,680 --> 00:21:55,948
JUST THAT SHE
TOOK IT REAL FINE.
558
00:21:55,982 --> 00:21:58,651
OH, GOOD, GOOD.
559
00:21:58,685 --> 00:22:02,355
SHE'S A REAL SPORT,
ISN'T SHE?
560
00:22:02,389 --> 00:22:04,391
YES, SHE IS.
561
00:22:07,760 --> 00:22:09,962
SO ARE YOU, FLOYD.
562
00:22:11,931 --> 00:22:13,900
SO ARE YOU.
563
00:22:21,974 --> 00:22:23,009
OH, HI, ANDY.
564
00:22:23,042 --> 00:22:24,744
OH, MORNING, FLOYD.
565
00:22:24,777 --> 00:22:26,446
I'VE COME TO GET
566
00:22:26,479 --> 00:22:27,914
THAT HAIRCUT I WAS SUPPOSED
TO GET THE OTHER DAY,
567
00:22:27,947 --> 00:22:32,785
BUT NEVER DID GET
BECAUSE OF, UM, YOU KNOW WHY.
568
00:22:34,153 --> 00:22:36,656
BOY, THAT --
OOH, WHAT A DAY.
569
00:22:36,689 --> 00:22:38,625
WHAT A DAY!
570
00:22:38,658 --> 00:22:39,992
AND IF IT WASN'T FOR YOU
HELPING ME OUT, ANDY,
571
00:22:40,026 --> 00:22:41,894
I JUST DON'T KNOW
WHAT I --
572
00:22:41,928 --> 00:22:44,531
WELL, I'LL JUST
NEVER FORGET YOU, ANDY.
I'LL JUST NEVER FOR--
573
00:22:44,564 --> 00:22:46,866
YOU KNOW WHAT YOU ARE, ANDY?
YOU'RE -- YOU'RE -- YOU'RE --
574
00:22:46,899 --> 00:22:48,668
A PRINCE, RIGHT?
575
00:22:48,701 --> 00:22:51,604
A PRINCE,
JUST A REAL PRINCE.
576
00:22:51,638 --> 00:22:53,406
WELL, I HOPE YOU LEARNED
YOUR LESSON
577
00:22:53,440 --> 00:22:55,642
AND WATCH WHAT YOU SAY
IN THEM LETTERS FROM NOW ON.
578
00:22:55,675 --> 00:22:57,076
OH, ARE YOU KIDDING?
579
00:22:57,109 --> 00:22:59,512
OH, YOU'LL NEVER HAVE TO TELL ME
ABOUT THAT AGAIN.
580
00:22:59,546 --> 00:23:01,881
OH, NEVER, BUT NEVER AGAIN.
581
00:23:01,914 --> 00:23:03,683
GOOD. NOW LET'S HAVE
THAT HAIRCUT.
582
00:23:03,716 --> 00:23:05,485
OH, ALL RIGHT.
583
00:23:05,518 --> 00:23:07,186
BOY, YOU'LL NEVER HAVE TO SAY
A THING ABOUT THAT ANYMORE
584
00:23:07,219 --> 00:23:08,555
BECAUSE I --
585
00:23:08,588 --> 00:23:10,189
DON'T YOU EVER PICK UP
YOUR MAIL?
586
00:23:11,791 --> 00:23:13,092
"MR. FLOYD LAWSON,
587
00:23:13,125 --> 00:23:16,529
CARE OF
LAWSON PICTURES INCORPORATED."
588
00:23:16,563 --> 00:23:19,866
OH, THAT WAS...
589
00:23:19,899 --> 00:23:23,135
A MOVIE COMPANY?
YOU'RE A MOVIE PRODUCER?
590
00:23:23,169 --> 00:23:25,972
OOH, THAT WAS
FROM A LONG TIME AGO!
591
00:23:26,005 --> 00:23:28,107
THAT WAS FROM
BEFORE I LEARNED MY LESSON.
592
00:23:28,140 --> 00:23:30,677
OH, YOU WOULDN'T HAVE TO
TELL ME THAT AGAIN,
593
00:23:30,710 --> 00:23:32,579
'CAUSE I'LL --
I'LL REMEMBER --
594
00:23:32,612 --> 00:23:34,046
OHH!
595
00:23:34,080 --> 00:23:35,915
UH.
596
00:23:35,948 --> 00:23:37,684
GO AHEAD. SAY IT.
597
00:23:37,717 --> 00:23:39,752
UH, FLOYD LAWSON, YOU'RE
A MISERABLE, DECEITFUL WRETCH.
598
00:23:39,786 --> 00:23:42,622
AGAIN.
FLOYD LAWSON, YOU'RE
A MISERABLE, DECEITFUL WRETCH.
599
00:23:42,655 --> 00:23:45,992
LOUDER!
FLOYD LAWSON, YOU'RE
A MISERABLE, DECEITFUL WRETCH!
41310
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
