Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,677 --> 00:00:12,046
STARRING ANDY GRIFFITH...
2
00:00:12,080 --> 00:00:15,283
WITH RONNIE HOWARD.
3
00:00:15,316 --> 00:00:18,119
ALSO STARRING DON KNOTTS.
4
00:00:21,722 --> 00:00:24,558
* NITA
5
00:00:24,592 --> 00:00:27,361
* JUANITA
6
00:00:27,395 --> 00:00:33,601
* LA DA DEE DEE DEE
7
00:00:33,634 --> 00:00:37,271
* NITA
8
00:00:37,305 --> 00:00:40,841
* JUANITA
9
00:00:40,874 --> 00:00:46,847
* DA DA DEE DA DA
10
00:00:46,880 --> 00:00:48,749
* NITA
11
00:00:48,782 --> 00:00:50,118
UH, HEY
12
00:00:50,151 --> 00:00:51,452
YEAH?
13
00:00:51,485 --> 00:00:53,354
ARE THEY THE NEW WANTED FLYERS
14
00:00:53,387 --> 00:00:55,089
THAT COME IN FROM RALEIGH?
15
00:00:55,123 --> 00:00:57,358
YEAH.
16
00:00:57,391 --> 00:00:58,659
* NITA
17
00:00:58,692 --> 00:01:00,828
UH, BARN?
18
00:01:00,861 --> 00:01:02,763
ANYTHING INTERESTING IN 'EM,
19
00:01:02,796 --> 00:01:06,234
LIKE, MAYBE, A SUSPECT
WE MIGHT FIND IN THE AREA?
20
00:01:06,267 --> 00:01:09,370
NO.
21
00:01:09,403 --> 00:01:12,773
* NITA
22
00:01:12,806 --> 00:01:16,877
* DEE DEE DEE DA DA DA DA
23
00:01:16,910 --> 00:01:18,779
Bee: LUNCH, EVERYBODY!
24
00:01:18,812 --> 00:01:21,349
Andy: OH, HI, AUNT BEE!
25
00:01:21,382 --> 00:01:23,551
HI, BOYS --
OH, I HOPE IT'S GOOD!
26
00:01:23,584 --> 00:01:24,785
OH, IT'LL BE FINE.
27
00:01:24,818 --> 00:01:26,454
I'LL GET WASHED UP.
28
00:01:26,487 --> 00:01:28,589
AUNT BEE, BARNEY'S
BEEN SINGING AGAIN.
29
00:01:28,622 --> 00:01:30,591
I DON'T KNOW
HOW HE DOES IT
30
00:01:30,624 --> 00:01:32,760
BUT HE'S GOT A KNACK
OF HITTIN' A NOTE
31
00:01:32,793 --> 00:01:35,629
JUST ENOUGH OFF
TO MAKE YOUR SKIN CRAWL.
32
00:01:35,663 --> 00:01:37,731
OH, ANDY,
EVERYBODY CAN'T SING.
33
00:01:37,765 --> 00:01:39,900
YOU'VE GOT TO BE
TOLERANT OF HIM.
34
00:01:39,933 --> 00:01:46,274
Barney:
* NITA, JUANITA
35
00:01:46,307 --> 00:01:49,643
* AH-DAH-DAH-DEE
DAH-DA-DA-DA *
36
00:01:49,677 --> 00:01:51,512
HAVE A SANDWICH, BARNEY.
37
00:01:51,545 --> 00:01:54,382
YEAH, FILL UP YOUR
MOUTH THERE, BARN.
38
00:01:54,415 --> 00:01:55,649
EAT SLOW.
39
00:01:55,683 --> 00:01:57,918
EAT A WHOLE LOT
AND EAT REAL SLOW.
40
00:01:57,951 --> 00:01:59,587
ALL RIGHT.
41
00:01:59,620 --> 00:02:01,155
WELL, HOWDY, JOHN.
42
00:02:01,189 --> 00:02:02,290
Bee:
HELLO, JOHN.
43
00:02:02,323 --> 00:02:03,524
HELLO, BEE.
44
00:02:03,557 --> 00:02:05,559
Andy:
WELL, WHAT'S
THE TROUBLE?
45
00:02:05,593 --> 00:02:08,496
ANDY, I'VE GOT
TO TALK TO YOU.
46
00:02:08,529 --> 00:02:10,298
WELL, WON'T YOU
HAVE A SANDWICH?
47
00:02:10,331 --> 00:02:11,632
NO. NO, THANK YOU.
48
00:02:11,665 --> 00:02:14,168
ANDY, WE'VE GOT
A BIG PROBLEM WITH THE CHOIR.
49
00:02:14,202 --> 00:02:15,169
WE HAVE?
50
00:02:15,203 --> 00:02:16,737
RALPH PRITCHARD IS DROPPING OUT.
51
00:02:16,770 --> 00:02:18,672
OH, NO.
NO, HE'S NOT.
52
00:02:18,706 --> 00:02:20,874
YES, SIR --
WITH HIS NEW JOB OF HIS,
53
00:02:20,908 --> 00:02:23,444
HE'S ON THE ROAD
TWO WEEKS OUT OF THREE
54
00:02:23,477 --> 00:02:24,845
SO HE HAS TO STEP OUT.
55
00:02:24,878 --> 00:02:27,848
WHAT IN THE WORLD ARE WE GOING
TO DO ABOUT A FIRST TENOR?
56
00:02:27,881 --> 00:02:30,918
I JUST DON'T KNOW, ANDY.
57
00:02:30,951 --> 00:02:32,886
Bee:
WHAT ABOUT FRED MASON?
58
00:02:32,920 --> 00:02:34,955
WORKS NIGHTS,
CAN'T EVER MAKE PRACTICE.
59
00:02:34,988 --> 00:02:36,757
AND WITH THAT CONCERT
COMING UP
60
00:02:36,790 --> 00:02:38,259
WE NEED PLENTY
OF PRACTICE.
61
00:02:38,292 --> 00:02:39,327
WE SURE DO THAT.
62
00:02:39,360 --> 00:02:40,694
HOW ABOUT
RICK JACKSON?
63
00:02:40,728 --> 00:02:43,331
MAYBE HE'S A TENOR
NOW THAT HE'S HAD
HIS TONSILS AND...
64
00:02:43,364 --> 00:02:44,465
NO.
NO?
65
00:02:44,498 --> 00:02:46,467
HE'S GOT THAT FOGHORN VOICE
66
00:02:46,500 --> 00:02:48,469
EVEN WITH HIS PASSAGES
CLEARED OUT.
67
00:02:48,502 --> 00:02:50,204
ORDINARILY,
IT WOULDN'T BE SO BAD.
68
00:02:50,238 --> 00:02:51,805
I MEAN,
WE COULD GET BY
69
00:02:51,839 --> 00:02:53,907
BUT YOU KNOW THE JUDGES OF THE
STATE CONTEST WILL BE THERE.
70
00:02:53,941 --> 00:02:55,609
Andy:
THAT'S RIGHT.
71
00:02:55,643 --> 00:02:57,811
YES, THEY WILL -- AND IF WE
DON'T MAKE A GOOD SHOWING
72
00:02:57,845 --> 00:02:59,580
FOR THEM,
WE WON'T EVEN BE CONSIDERED
73
00:02:59,613 --> 00:03:00,681
FOR THE FINALS AT ROANOKE.
74
00:03:00,714 --> 00:03:02,450
Bee:
AFTER US WORKING
SO HARD ALL YEAR.
75
00:03:02,483 --> 00:03:04,452
YEAH, IT'S TOUGH,
ALL RIGHT.
76
00:03:04,485 --> 00:03:06,887
AS MY OLD VOICE TEACHER
USED TO SAY
77
00:03:06,920 --> 00:03:08,756
A CHOIR
WITHOUT ITS TENOR
78
00:03:08,789 --> 00:03:11,325
IS LIKE A STAR
WITHOUT ITS GLIMMER.
79
00:03:15,596 --> 00:03:18,499
YOU KNOW WHO
USED TO SAY THAT?
80
00:03:18,532 --> 00:03:20,501
MY OLD VOICE TEACHER.
81
00:03:20,534 --> 00:03:24,805
THAT'S THE TEACHER I HAD
WHEN I STUDIED VOICE.
82
00:03:24,838 --> 00:03:26,774
BARNEY, YOU HAVE
A TRAINED VOICE?
83
00:03:26,807 --> 00:03:29,510
I DIDN'T KNOW
YOU STUDIED SINGING.
84
00:03:29,543 --> 00:03:31,445
OH, WELL,
JUST A LITTLE.
85
00:03:31,479 --> 00:03:32,646
UH, JOHN...
86
00:03:32,680 --> 00:03:34,682
ANDY, THIS COULD SOLVE
EVERYTHING FOR US!
87
00:03:34,715 --> 00:03:35,916
BARNEY, WHAT PART DID YOU SING?
88
00:03:35,949 --> 00:03:38,452
OH, FIRST TENOR.
89
00:03:38,486 --> 00:03:40,488
OH, TENOR.
JOHN...
90
00:03:40,521 --> 00:03:42,990
WELL, BARNEY, HOW ABOUT
YOU JOINING THE CHOIR?
91
00:03:43,023 --> 00:03:43,991
ME?
92
00:03:44,024 --> 00:03:45,359
SURE! WITH ALL
YOUR TRAINING
93
00:03:45,393 --> 00:03:47,661
YOU'RE JUST WHAT
WE'VE BEEN LOOKING FOR.
94
00:03:47,695 --> 00:03:49,363
WELL, GOSH... GEE...
95
00:03:49,397 --> 00:03:52,500
GOLLY,
I NEVER GAVE THAT MUCH THOUGHT.
96
00:03:52,533 --> 00:03:53,901
DID YOU, ANDY?
97
00:03:53,934 --> 00:03:56,637
NO, I SURE NEVER DID.
98
00:03:56,670 --> 00:03:58,406
YOU NEED A TENOR, HUH?
99
00:03:58,439 --> 00:03:59,940
OH, WITH THAT
CONCERT COMING UP
100
00:03:59,973 --> 00:04:02,009
IN LESS THAN TWO WEEKS,
WE'RE DESPERATE.
101
00:04:02,042 --> 00:04:04,412
OH, WELL...
I GUESS I WOULDN'T BE
102
00:04:04,445 --> 00:04:07,014
A VERY CIVIC-MINDED CITIZEN
IF I REFUSED, WOULD I?
103
00:04:07,047 --> 00:04:08,982
YOU CAN COUNT
ON OLD BARN, JOHN.
104
00:04:09,016 --> 00:04:11,885
I'LL STEP IN AND HELP YOU OUT --
WHEN'S PRACTICE?
105
00:04:11,919 --> 00:04:13,020
PRACTICE IS TONIGHT
AT THE TOWN HALL.
106
00:04:13,053 --> 00:04:14,788
AND YOU CAN COME
RIGHT ALONG WITH ANDY.
107
00:04:14,822 --> 00:04:15,789
RIGHT, SHERIFF?
108
00:04:15,823 --> 00:04:16,957
OH, YEAH, YEAH.
109
00:04:16,990 --> 00:04:18,292
I'LL BRING HIM.
110
00:04:18,326 --> 00:04:20,428
BARNEY, THAT'S
JUST WONDERFUL.
111
00:04:20,461 --> 00:04:22,596
ISN'T THAT JUST
WONDERFUL, BEE?
112
00:04:22,630 --> 00:04:24,298
YES.
113
00:04:24,332 --> 00:04:28,569
BARNEY, SPEAKING
FOR THE WHOLE CHOIR,
WELCOME ABOARD.
114
00:04:28,602 --> 00:04:31,972
WELL, THANK YOU, JOHN.
115
00:04:32,005 --> 00:04:33,607
WAIT TILL THELMA LOU
HEARS ABOUT THIS.
116
00:04:33,641 --> 00:04:35,075
SHE'LL BE THRILLED.
117
00:04:35,108 --> 00:04:39,046
BARNEY'S GOING TO BE IN
THE CHOIR
118
00:04:39,079 --> 00:04:40,314
THAT'S RIGHT.
119
00:04:40,348 --> 00:04:41,449
BUT BARNEY CAN'T SING.
120
00:04:41,482 --> 00:04:42,616
I KNOW.
121
00:04:42,650 --> 00:04:44,352
HE'S A WARM, WONDERFUL PERSON
122
00:04:44,385 --> 00:04:46,487
AND I LOVE HIM DEARLY,
BUT HE CAN'T SING.
123
00:04:46,520 --> 00:04:47,521
THAT'S TRUE.
124
00:04:47,555 --> 00:04:48,689
HE'S KIND,
CONSIDERATE
125
00:04:48,722 --> 00:04:51,492
THE MOST GENTLE PERSON
I'VE EVER KNOWN
126
00:04:51,525 --> 00:04:52,560
BUT HE CAN'T SING.
127
00:04:52,593 --> 00:04:54,061
YOU'RE RIGHT.
128
00:04:54,094 --> 00:04:55,128
HE'S THE MAN I WANT TO MARRY,
129
00:04:55,162 --> 00:04:56,930
THE MAN I WANT TO BE THE FATHER
OF MY CHILDREN...
130
00:04:56,964 --> 00:04:57,931
BUT HE CAN'T SING.
131
00:04:57,965 --> 00:04:58,832
NOT A LICK.
132
00:04:58,866 --> 00:05:00,834
WELL, I'M AFRAID HE'S GONNA SING
133
00:05:00,868 --> 00:05:02,970
AND THERE'S NOTHING
WE CAN DO ABOUT IT.
134
00:05:03,003 --> 00:05:05,406
JOHN MASTERS ALREADY
WELCOMED HIM ABOARD.
135
00:05:05,439 --> 00:05:08,609
WHAT'S GOING TO HAPPEN
AT CHOIR PRACTICE TONIGHT?
136
00:05:08,642 --> 00:05:12,446
WELL, I EXPECT EVERYBODY
WILL FIND OUT BARNEY CAN'T SING.
137
00:05:12,480 --> 00:05:14,748
NOT A LICK.
138
00:05:16,450 --> 00:05:19,019
PLEASE TURN TO NUMBER 14-A
FOR OUR FIRST SELECTION.
139
00:05:19,052 --> 00:05:21,655
READY
140
00:05:24,392 --> 00:05:27,027
:
* WELCOME, SWEET SPRINGTIME
141
00:05:27,060 --> 00:05:30,631
* WE GREET THEE IN SONG...
142
00:05:30,664 --> 00:05:32,466
OH, OH... SHH.
143
00:05:32,500 --> 00:05:37,505
FOLKS, I THINK I DETECTED
A LITTLE FLAT NOTE THERE.
144
00:05:37,538 --> 00:05:39,773
WELL, PERHAPS
I'M MISTAKEN.
145
00:05:39,807 --> 00:05:42,776
BUT LET'S JUST TRY IT
AGAIN, SHALL WE?
146
00:05:42,810 --> 00:05:44,778
HAZEL...
147
00:05:47,681 --> 00:05:50,150
* WELCOME, SWEET SPRINGTIME
148
00:05:50,183 --> 00:05:52,553
* WE GREET THEE IN SONG...
149
00:05:52,586 --> 00:05:54,655
NO, NO, NO, NO.
150
00:05:54,688 --> 00:05:55,856
SHH. FOLKS...
151
00:05:55,889 --> 00:05:57,658
I DEFINITELY HEARD IT
THIS TIME.
152
00:05:57,691 --> 00:06:00,761
SOMEONE IS DEFINITELY
SINGING OFF-KEY.
153
00:06:00,794 --> 00:06:02,696
NOW, LET'S JUST WATCH IT,
SHALL WE?
154
00:06:02,730 --> 00:06:04,732
HAZEL...
155
00:06:04,765 --> 00:06:06,534
:
EXCUSE ME.
156
00:06:06,567 --> 00:06:07,535
WHAT?
157
00:06:07,568 --> 00:06:09,002
MAYBE I CAN HELP YOU OUT.
158
00:06:09,036 --> 00:06:12,506
I'LL SORT OF MOVE AROUND,
SEE IF I CAN SPOT WHO IT IS.
159
00:06:12,540 --> 00:06:13,807
VERY GOOD, BARNEY.
160
00:06:18,078 --> 00:06:19,780
HAZEL...
161
00:06:19,813 --> 00:06:24,184
* WELCOME, SWEET SPRINGTIME
162
00:06:24,217 --> 00:06:27,421
* WE GREET THEE IN SONG
163
00:06:27,455 --> 00:06:30,824
* MURMURS OF GLADNESS
164
00:06:30,858 --> 00:06:34,061
* FALL ON THE EAR
165
00:06:34,094 --> 00:06:39,433
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
166
00:06:41,769 --> 00:06:45,773
* ECHOING FAR AND NEAR...
167
00:06:47,775 --> 00:06:50,143
I THINK YOU CUT OUT
A LITTLE TOO SOON.
168
00:06:50,177 --> 00:06:52,780
I DIDN'T HAVE A CHANCE
TO SPOT WHO IT WAS.
169
00:06:52,813 --> 00:06:53,814
KEEP IT GOING.
170
00:06:57,885 --> 00:07:00,654
YOU SURE HE DIDN'T
FOLLOW YOU?
171
00:07:00,688 --> 00:07:01,655
OH, NO.
172
00:07:01,689 --> 00:07:04,592
AFTER HE TOOK ME HOME,
I WAITED TILL HE DROVE OFF
173
00:07:04,625 --> 00:07:07,661
AND THEN JUST TO MAKE SURE,
I SLIPPED OUT THE BACK WAY.
174
00:07:07,695 --> 00:07:08,929
GOOD.
175
00:07:08,962 --> 00:07:10,864
WELL, THELMA LOU,
I GUESS YOU KNOW
176
00:07:10,898 --> 00:07:12,866
WHY I CALLED THIS
EMERGENCY MEETING.
177
00:07:12,900 --> 00:07:15,035
I'M GOING TO TELL BARNEY FIFE
TO GET OUT OF THE CHOIR.
178
00:07:15,068 --> 00:07:16,870
NOW, JOHN, YOU CAN'T
KICK HIM OUT
179
00:07:16,904 --> 00:07:18,706
THE VERY DAY
YOU ASKED HIM TO JOIN.
180
00:07:18,739 --> 00:07:20,874
I'VE GOT TO, ANDY,
OR HE'LL RUIN THE CHOIR.
181
00:07:20,908 --> 00:07:23,577
WELL, THERE'S BOUND
TO BE ANOTHER WAY.
182
00:07:25,913 --> 00:07:29,950
UH, THELMA LOU,
YOU'RE HIS GIRL...
183
00:07:29,983 --> 00:07:33,687
OH, NO, I-I COULDN'T.
184
00:07:33,721 --> 00:07:36,624
AUNT BEE, HE LIKES YOU.
185
00:07:36,657 --> 00:07:39,059
WELL, WHY ME?
186
00:07:39,092 --> 00:07:40,994
ANDY, YOU'RE HIS FRIEND.
187
00:07:41,028 --> 00:07:43,263
OH, NO.
NO, NO, NO, NO.
188
00:07:43,296 --> 00:07:44,898
THEN I'LL TELL HIM.
189
00:07:44,932 --> 00:07:46,500
NO. YOU CAN'T DO THAT, JOHN.
190
00:07:46,534 --> 00:07:47,801
WELL, WHAT DO YOU SUGGEST?
191
00:07:47,835 --> 00:07:52,005
MAYBE HE'LL FALL DOWN
AND BREAK HIS MOUTH.
192
00:08:00,013 --> 00:08:00,981
Andy:
HI, JOHN.
193
00:08:01,014 --> 00:08:01,982
HI. COME ON IN.
194
00:08:02,015 --> 00:08:02,983
HOW ARE YOU?
195
00:08:03,016 --> 00:08:03,984
HI, GANG.
196
00:08:04,017 --> 00:08:04,885
All:
HI.
197
00:08:04,918 --> 00:08:07,054
BOY, YOU SURE DID WAIT
TILL THE LAST MINUTE
198
00:08:07,087 --> 00:08:09,089
TO CHANGE THE MEETING
PLACE. HOW COME?
199
00:08:09,122 --> 00:08:11,892
WE FIGURED WE HAD
TO HAVE ONE PRACTICE
WITHOUT BARNEY
200
00:08:11,925 --> 00:08:14,027
SO'S WE GET AN IDEA
OF WHERE WE'RE GOING.
201
00:08:14,061 --> 00:08:15,228
THE POOR BOY.
202
00:08:15,262 --> 00:08:17,731
HE'LL BE EXPECTING US
ALL OVER AT TOWN HALL.
203
00:08:17,765 --> 00:08:18,799
THAT'S THE TRUTH.
204
00:08:18,832 --> 00:08:20,534
WELL, I HAD
TO DO SOMETHING.
205
00:08:20,568 --> 00:08:22,235
DO YOU REALIZE THAT CONCERT
IS A WEEK FROM TONIGHT
206
00:08:22,269 --> 00:08:24,672
AND WE HAVEN'T SUNG
ONE NUMBER THROUGH ON KEY.
207
00:08:26,674 --> 00:08:29,610
WELL, OF COURSE,
THERE'S ALWAYS
THE ALTERNATIVE.
208
00:08:29,643 --> 00:08:31,178
I COULD TELL HIM
TO HIS FACE.
209
00:08:31,211 --> 00:08:32,179
NO...
OH, NO.
210
00:08:32,212 --> 00:08:34,014
DON'T DO THAT.
WE'LL DO IT.
211
00:08:34,047 --> 00:08:35,783
THEN LET'S BEGIN,
SHALL WE?
212
00:08:35,816 --> 00:08:37,050
BEE...
213
00:08:37,084 --> 00:08:38,586
THELMA LOU...
214
00:08:38,619 --> 00:08:39,587
ANDY...
215
00:08:39,620 --> 00:08:40,588
THANK YOU.
216
00:08:40,621 --> 00:08:41,521
ALL RIGHT NOW.
217
00:08:41,555 --> 00:08:43,857
NOW, EVERYBODY -- 14-A,
FROM THE BEGINNING.
218
00:08:43,891 --> 00:08:44,958
EVERYBODY READY?
219
00:08:44,992 --> 00:08:47,060
NOW A NICE GROUP, PLEASE...
NICE GROUP.
220
00:08:47,094 --> 00:08:48,061
READY?
221
00:08:48,095 --> 00:08:50,163
HAZEL...
222
00:08:54,602 --> 00:08:57,805
* WELCOME, SWEET SPRINGTIME
223
00:08:57,838 --> 00:09:01,642
* WE GREET THEE IN SONG
224
00:09:01,675 --> 00:09:09,650
* MURMURS OF GLADNESS
FALL ON THE EAR *
225
00:09:09,683 --> 00:09:12,720
* VOICES LONG HUSHED
226
00:09:12,753 --> 00:09:16,356
* NOW THEIR FULL NOTES
PROLONG... *
227
00:09:31,004 --> 00:09:32,005
HI, JOHN.
228
00:09:32,039 --> 00:09:33,373
HI, EVERYBODY.
229
00:09:33,406 --> 00:09:34,708
HI, BARN.
230
00:09:34,742 --> 00:09:36,810
GEE, YOU CHANGED THE
MEETIN' PLACE, HUH?
231
00:09:36,844 --> 00:09:38,145
GOLLY, IT'S A LUCKY THING
232
00:09:38,178 --> 00:09:40,714
I TURNED DOWN ELM STREET
AND HEARD THE SINGING.
233
00:09:40,748 --> 00:09:42,750
NEXT TIME YOU CHANGE
THE MEETING PLACE
234
00:09:42,783 --> 00:09:44,184
YOU OUGHT TO LET
A FELLA KNOW.
235
00:09:44,217 --> 00:09:46,920
WHO'S THE PHONE COMMITTEE?
236
00:09:46,954 --> 00:09:50,791
OH, UH, DIDN'T ANYBODY
CALL YOU, BARN?
237
00:09:50,824 --> 00:09:51,892
NO, THEY DIDN'T.
238
00:09:51,925 --> 00:09:53,093
I'M SORRY, BARNEY.
239
00:09:53,126 --> 00:09:55,395
I DON'T KNOW HOW
THAT OVERSIGHT CAME ABOUT.
240
00:09:55,428 --> 00:09:56,797
WELL, NO HARM DONE.
241
00:09:56,830 --> 00:09:58,198
ALL'S WELL
THAT ENDS WELL.
242
00:09:58,231 --> 00:09:59,800
HERE I AM.
243
00:09:59,833 --> 00:10:00,801
LET'S GET STARTED.
244
00:10:00,834 --> 00:10:02,736
OH, GOOD OLD 14-A.
245
00:10:04,938 --> 00:10:05,973
* ME-ME-ME-ME
246
00:10:06,006 --> 00:10:07,875
* ME-ME-ME-ME, AAAH...
247
00:10:07,908 --> 00:10:09,376
OKAY.
248
00:10:10,844 --> 00:10:12,079
HAZEL...
249
00:10:17,084 --> 00:10:20,420
* WELCOME, SWEET SPRINGTIME
250
00:10:20,453 --> 00:10:23,657
* WE GREET THEE IN SONG
251
00:10:23,691 --> 00:10:27,360
* MURMURS OF GLADNESS...
252
00:10:27,394 --> 00:10:30,430
I'M SORRY, ANDY,
BUT MY MIND IS MADE UP.
253
00:10:30,463 --> 00:10:31,832
THIS CANNOT GO ON.
254
00:10:31,865 --> 00:10:33,967
THE CONCERT IS
DAY AFTER TOMORROW
255
00:10:34,001 --> 00:10:35,769
AND I WILL NOT
HAVE IT RUINED
256
00:10:35,803 --> 00:10:37,304
BY THAT
CATERWAULING TENOR.
257
00:10:37,337 --> 00:10:38,338
WELL?
258
00:10:38,371 --> 00:10:40,708
WHAT'S IT TO BE?
259
00:10:40,741 --> 00:10:42,009
YOU OR ME?
260
00:10:42,042 --> 00:10:44,144
ALL RIGHT, JOHN,
IF IT'S GOT TO BE DONE
261
00:10:44,177 --> 00:10:45,979
I GUESS IT'S
OUR PLACE TO DO IT.
262
00:10:46,013 --> 00:10:47,280
THELMA LOU, YOU AND BARNEY
263
00:10:47,314 --> 00:10:49,249
COME ON OVER
TO THE HOUSE TONIGHT
264
00:10:49,282 --> 00:10:51,251
AND WE'LL TRY TO THINK
OF SOME WAY
265
00:10:51,284 --> 00:10:53,120
TO KEEP HIM FROM SHOWING UP
266
00:10:53,153 --> 00:10:54,387
AT THAT CONCERT.
267
00:10:54,421 --> 00:10:56,089
WELL, ALL RIGHT, BUT HOW?
268
00:10:56,123 --> 00:10:59,259
WELL, AFTER SUPPER,
WE'LL, WE'LL TAKE HIM IN
269
00:10:59,292 --> 00:11:01,929
AND SET HIM DOWN,
AND TALK TO HIM --
270
00:11:01,962 --> 00:11:04,898
REASON WITH HIM,
EXPLAIN IT ALL TO HIM --
271
00:11:04,932 --> 00:11:08,902
THEN WE'LL TIE HIM UP
AND PUT HIM IN THE CLOSET.
272
00:11:13,741 --> 00:11:15,943
YEAH, THAT WAS REALLY,
REALLY GOOD TO EAT, YEAH.
273
00:11:15,976 --> 00:11:19,713
I BELIEVE I'LL HAVE
SOME MORE OF THAT COFFEE.
274
00:11:25,853 --> 00:11:28,889
UH, HEY, BARN?
275
00:11:28,922 --> 00:11:30,057
HUH?
276
00:11:30,090 --> 00:11:31,058
THERE'S, UH...
277
00:11:31,091 --> 00:11:32,192
THERE'S SOMETHING
278
00:11:32,225 --> 00:11:34,327
WE'VE BEEN WANTING
TO TALK WITH YOU ABOUT.
279
00:11:34,361 --> 00:11:37,898
SOMETHING WE'VE BEEN THINKING
ABOUT THE CHOIR.
280
00:11:37,931 --> 00:11:39,800
AND I BET I KNOW
JUST WHAT IT IS.
281
00:11:39,833 --> 00:11:41,902
THE WAY WE BEEN
SINGING GOOD OLD 14-A
282
00:11:41,935 --> 00:11:43,403
LEAVES A LOT
TO BE DESIRED.
283
00:11:43,436 --> 00:11:45,072
LISTEN, WHILE
WE'RE ALL HERE
284
00:11:45,105 --> 00:11:47,808
WHY DON'T WE JUST GET IN
A LITTLE EXTRA PRACTICE?
285
00:11:47,841 --> 00:11:48,909
WELL, THAT'S...
286
00:11:48,942 --> 00:11:50,944
WELL, IT WOULDN'T
HURT NONE, YOU KNOW?
287
00:11:50,978 --> 00:11:52,212
I MEAN,
NO MATTER HOW GOOD WE ARE
288
00:11:52,245 --> 00:11:54,247
THERE'S ALWAYS ROOM
FOR IMPROVEMENT.
289
00:11:54,281 --> 00:11:55,482
NONE OF US IS PERFECT.
290
00:11:55,515 --> 00:11:56,784
COME ON, THELMA LOU
291
00:11:56,817 --> 00:11:58,018
YOU CAN TICKLE
THE OLD IVORIES.
292
00:11:58,051 --> 00:11:59,152
SET RIGHT DOWN
HERE NOW.
293
00:11:59,186 --> 00:12:02,890
ONE THING ABOUT SINGING,
YOU NEVER GET TOO MUCH PRACTICE.
294
00:12:02,923 --> 00:12:05,192
THAT'S WHAT MY VOICE TEACHER
USED TO SAY.
295
00:12:05,225 --> 00:12:06,026
HERE IT IS.
296
00:12:06,059 --> 00:12:07,861
ALL RIGHT, COME ON.
COME ON, COME ON!
297
00:12:07,895 --> 00:12:09,963
THAT'S THE PLACE,
I BELIEVE.
298
00:12:09,997 --> 00:12:10,964
ALL RIGHT.
299
00:12:10,998 --> 00:12:12,232
* ME...ME...ME.
300
00:12:12,265 --> 00:12:14,067
OKAY, EVERYBODY READY?
301
00:12:14,101 --> 00:12:16,003
ALL RIGHT.
302
00:12:16,036 --> 00:12:20,507
:
* WELCOME, SWEET SPRINGTIME
303
00:12:20,540 --> 00:12:22,843
* WE GREET THEE IN SONG
304
00:12:22,876 --> 00:12:25,078
SOMEBODY
SOUNDS TERRIBLE.
305
00:12:25,112 --> 00:12:31,852
* MURMURS OF GLADNESS
FALL ON THE EAR *
306
00:12:31,885 --> 00:12:33,353
IT'S BARNEY!
307
00:12:33,386 --> 00:12:39,126
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
308
00:12:39,159 --> 00:12:40,293
HEY, HOLD IT.
HOLD IT!
309
00:12:40,327 --> 00:12:41,895
DID SOMEBODY
HIT A SOUR NOTE?
310
00:12:41,929 --> 00:12:43,797
WORSE THAN THAT.
OPEN UP YOUR MOUTH.
311
00:12:43,831 --> 00:12:44,832
HUH?
312
00:12:44,865 --> 00:12:45,833
OPEN YOUR MOUTH.
313
00:12:45,866 --> 00:12:47,334
I WANT TO SEE SOMETHING.
314
00:12:47,367 --> 00:12:49,069
AH...
AH...
315
00:12:49,102 --> 00:12:50,070
AH...
316
00:12:50,103 --> 00:12:51,071
AH...
317
00:12:51,104 --> 00:12:52,205
OH-OH.
318
00:12:52,239 --> 00:12:53,206
OH
319
00:12:53,240 --> 00:12:54,107
AUNT BEE
320
00:12:54,141 --> 00:12:56,810
YOU AND THELMA LOU LOOK,
SEE IF YOU SEE IT.
321
00:12:56,844 --> 00:12:57,811
OPEN UP. AH.
322
00:12:57,845 --> 00:12:59,813
OH, IT'S ALL RED!
323
00:12:59,847 --> 00:13:00,914
IT'S RED AS CAN BE.
324
00:13:00,948 --> 00:13:01,915
IT IS?
325
00:13:01,949 --> 00:13:02,983
YES. AND SWELLED UP.
326
00:13:03,016 --> 00:13:05,052
OH, THERE'S A LUMP
IN THERE THAT BIG.
327
00:13:05,085 --> 00:13:06,553
WELL, ANDY,
I DON'T FEEL SICK.
328
00:13:06,586 --> 00:13:07,587
I MEAN, NOT VERY.
329
00:13:07,620 --> 00:13:09,222
IT'S LIKELY
IT JUST STARTED.
330
00:13:09,256 --> 00:13:10,490
YOU'LL BE FEELING
IT IN A FEW HOURS.
331
00:13:10,523 --> 00:13:11,859
I THINK YOU BETTER GET TO BED.
332
00:13:11,892 --> 00:13:13,927
GET TO BED?!
FOR HOW LONG?
333
00:13:13,961 --> 00:13:15,996
I MEAN, THERE'S THE CONCERT
AND EVERYTHING!
334
00:13:16,029 --> 00:13:17,164
OH, WELL, YOU'LL HAVE TO
FORGET ABOUT THAT.
335
00:13:17,197 --> 00:13:19,366
HUH
NOT BE IN IT?
336
00:13:19,399 --> 00:13:21,101
LEAVE YOU WITHOUT
A FIRST TENOR?
337
00:13:21,134 --> 00:13:23,904
WELL, IT'LL BE
A BLOW TO THE GROUP.
338
00:13:23,937 --> 00:13:26,039
BLOW TO THE GROUP,
THERE'S NO DOUBT ABOUT THAT
339
00:13:26,073 --> 00:13:28,341
BUT, WELL, IT
CAN'T BE HELPED.
340
00:13:28,375 --> 00:13:30,243
BUT, ANDY, I THINK
I CAN MAKE IT.
341
00:13:30,277 --> 00:13:32,245
BARNEY, YOU
HAVE TO THINK
OF THE OTHERS.
342
00:13:32,279 --> 00:13:33,246
I MEAN, THEIR HEALTH --
THEIR HEALTH.
343
00:13:33,280 --> 00:13:35,048
YOU HAVE TO THINK
OF THEIR HEALTH.
344
00:13:35,082 --> 00:13:36,249
EVEN IF YOU
COULD MAKE IT
345
00:13:36,283 --> 00:13:38,185
YOU WOULDN'T WANT
TO SPREAD YOUR GERMS
346
00:13:38,218 --> 00:13:39,987
ALL OVER EVERYBODY ELSE,
WOULD YOU?
347
00:13:40,020 --> 00:13:41,254
HONEY, I'LL
TAKE YOU HOME.
348
00:13:41,288 --> 00:13:42,856
NOW GO ALONG
WITH HER, BARNEY.
349
00:13:42,890 --> 00:13:44,624
AND DON'T YOU THINK
ABOUT THE CONCERT.
350
00:13:44,657 --> 00:13:46,393
YOU JUST THINK
ABOUT GETTING WELL.
351
00:13:46,426 --> 00:13:47,560
BUT TO BE
THIS CLOSE...
352
00:13:47,594 --> 00:13:48,896
REST, BARNEY, REST.
353
00:13:58,271 --> 00:14:01,541
WHO COULD THAT BE
AT THIS HOUR?
354
00:14:01,574 --> 00:14:02,642
I DON'T KNOW.
355
00:14:02,675 --> 00:14:05,212
I RECKON I BETTER SEE,
HADN'T I?
356
00:14:09,282 --> 00:14:11,018
BARNEY, WHAT ARE YOU
DOING HERE?
357
00:14:11,051 --> 00:14:12,285
ANDY, I GOT GREAT NEWS!
358
00:14:12,319 --> 00:14:14,021
MY THROAT AIN'T
SORE AFTER ALL.
359
00:14:14,054 --> 00:14:15,155
HOW'D YOU FIND OUT?
360
00:14:15,188 --> 00:14:17,224
HE INSISTED ON
STOPPING BY
DOC KRAVITS.
361
00:14:17,257 --> 00:14:18,291
THIS WAS IMPORTANT.
362
00:14:18,325 --> 00:14:20,260
I DIDN'T WANT TO LET
THE GROUP DOWN.
363
00:14:20,293 --> 00:14:21,962
I FIGURED MAYBE
HE COULD GIVE ME
364
00:14:21,995 --> 00:14:23,663
ONE OF THEM MIRACLE
DRUGS OR SOMETHING.
365
00:14:23,696 --> 00:14:25,265
YOU KNOW WHAT
THE MIRACLE WAS?
366
00:14:25,298 --> 00:14:27,267
THERE AIN'T NOTHING
WRONG WITH MY THROAT.
367
00:14:27,300 --> 00:14:29,369
MY THROAT AIN'T
NO DIFFERENT THAN
ANYBODY ELSE'S.
368
00:14:29,402 --> 00:14:30,603
THAT'S WHAT
THE DOC SAID.
369
00:14:30,637 --> 00:14:31,604
GOOD OLD DOC.
370
00:14:31,638 --> 00:14:33,473
YOU KNOW THAT
LUMP YOU SEEN?
371
00:14:33,506 --> 00:14:34,541
THAT'S THE UVULA.
372
00:14:34,574 --> 00:14:35,976
EVERYBODY'S GOT ONE.
373
00:14:36,009 --> 00:14:37,677
DID YOU KNOW
YOU HAD A UVULA, ANDY?
374
00:14:37,710 --> 00:14:38,678
OPEN YOUR MOUTH.
GO ON, OPEN IT!
375
00:14:38,711 --> 00:14:40,513
THERE'S THE
OLD UVULA.
376
00:14:40,547 --> 00:14:41,514
SEE, YOU GOT A UVULA.
377
00:14:41,548 --> 00:14:43,050
THEY GOT A UVULA.
378
00:14:43,083 --> 00:14:44,251
I GOT A UVULA.
379
00:14:44,284 --> 00:14:46,920
ALL GOD'S CHILDREN
GOT A UVULA.
380
00:14:46,954 --> 00:14:48,055
HALLELUJAH.
381
00:14:51,024 --> 00:14:52,292
IT'S JUST INCREDIBLE
382
00:14:52,325 --> 00:14:55,295
HOW A MAN CAN SING SO FLAT
AND TALK SO NORMAL.
383
00:14:55,328 --> 00:14:56,429
YUP.
384
00:14:56,463 --> 00:14:59,566
SHAME BARNEY CAN'T
TALK HIS PART.
385
00:14:59,599 --> 00:15:00,600
YEAH.
386
00:15:02,435 --> 00:15:03,403
HI, EVERYBODY.
387
00:15:03,436 --> 00:15:04,471
GEE, I'M SORRY I'M LATE.
388
00:15:04,504 --> 00:15:06,306
HOPE I DIDN'T
HOLD YOU UP.
389
00:15:06,339 --> 00:15:07,407
WHY, NO, BARN.
390
00:15:07,440 --> 00:15:10,143
MATTER OF FACT, WE
WAS JUST DISCUSSING
391
00:15:10,177 --> 00:15:12,145
A NEW IDEA
THAT INVOLVES YOU.
392
00:15:12,179 --> 00:15:15,048
OH, YEAH? SOMETHING
TO DO WITH THE GROUP?
393
00:15:15,082 --> 00:15:16,549
YOU BETTER KNOW
IT HAS.
394
00:15:16,583 --> 00:15:18,685
UH, WE'RE GOING
TO MAKE YOU SOLOIST.
395
00:15:18,718 --> 00:15:19,686
RIGHT, JOHN?
396
00:15:19,719 --> 00:15:21,188
SOLOIST?
YEAH.
397
00:15:21,221 --> 00:15:22,189
SOLOIST
398
00:15:22,222 --> 00:15:24,024
YEAH, AND YOU'RE
GOING TO HAVE
399
00:15:24,057 --> 00:15:26,126
YOUR OWN MICROPHONE
AND EVERYTHING!
400
00:15:26,159 --> 00:15:27,460
I AM?
OH, YEAH.
401
00:15:27,494 --> 00:15:28,528
WE HAVE TO KEEP YOU
402
00:15:28,561 --> 00:15:30,363
WAY SEPARATE
FROM THE GROUP.
403
00:15:30,397 --> 00:15:31,698
YOU DO?
404
00:15:31,731 --> 00:15:32,966
YEAH. THAT'S SO
405
00:15:33,000 --> 00:15:35,202
YOUR RECITATIONS
WILL STAND OUT.
406
00:15:35,235 --> 00:15:36,169
MY RECITATIONS?
407
00:15:36,203 --> 00:15:39,406
YEAH. THERE'S GOING
TO BE ONE IN EVERY NUMBER.
408
00:15:39,439 --> 00:15:41,208
AND YOU'RE GOING
TO DO 'EM.
409
00:15:41,241 --> 00:15:43,143
YOU MEAN I DON'T
GET TO SING?
410
00:15:43,176 --> 00:15:44,144
I JUST TALK?
411
00:15:44,177 --> 00:15:45,512
OH, IT WILL BE
SO EFFECTIVE.
412
00:15:45,545 --> 00:15:46,513
WON'T IT?
413
00:15:47,614 --> 00:15:49,082
EFFECTIVE!
414
00:15:49,116 --> 00:15:51,218
RIGHT IN THE MIDDLE
OF ALL THIS SINGING
415
00:15:51,251 --> 00:15:53,220
WILL COME
YOUR DRAMATIC VOICE...
416
00:15:53,253 --> 00:15:54,454
SPEAKING YOUR PART.
417
00:15:54,487 --> 00:15:56,089
WON'T THAT BE EFFECTIVE?
418
00:15:57,324 --> 00:15:59,226
WELL, IF YOU'RE
ALL AGREED
419
00:15:59,259 --> 00:16:01,194
I GUESS THE
LEAST I CAN DO
420
00:16:01,228 --> 00:16:02,495
IS GIVE HER A TRY.
421
00:16:02,529 --> 00:16:03,696
OH, GOOD, GOOD.
422
00:16:03,730 --> 00:16:06,633
YOU STAND OVER HERE
KIND OF BY YOURSELF
423
00:16:06,666 --> 00:16:08,101
AND WE'LL DO 14-A.
424
00:16:08,135 --> 00:16:10,637
AND WHEN WE GET
TO THE SECOND VERSE
425
00:16:10,670 --> 00:16:12,205
YOU TALK IT, RIGHT?
426
00:16:12,239 --> 00:16:13,606
OKAY, GOOD OLD 14
427
00:16:13,640 --> 00:16:16,376
LET'S START AT
"VOICES LONG HUSHED."
428
00:16:16,409 --> 00:16:17,377
ALL RIGHT, ANDY.
429
00:16:17,410 --> 00:16:18,378
NOW, TALK.
430
00:16:18,411 --> 00:16:20,313
HAZEL.
431
00:16:20,347 --> 00:16:26,686
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
432
00:16:26,719 --> 00:16:32,592
* ECHOING FAR AND NEAR
433
00:16:34,727 --> 00:16:39,566
"BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING.
434
00:16:39,599 --> 00:16:45,505
SWIFTLY TO NATURE,
NEW VIGOR BESTOWING."
435
00:16:45,538 --> 00:16:47,540
* OH, HOW MY HEART
436
00:16:47,574 --> 00:16:50,643
* BEATS WITH RAPTURE ANEW
437
00:16:50,677 --> 00:16:52,412
HOLD IT!
438
00:16:52,445 --> 00:16:54,214
YOU'RE SUPPOSED
TO BE TALKING.
439
00:16:54,247 --> 00:16:55,548
OH, IT'S NO USE, ANDY.
440
00:16:55,582 --> 00:16:57,284
CAN YOU TELL
A BIRD TO TALK?
441
00:16:57,317 --> 00:16:58,418
CAN YOU TELL A BIRD
442
00:16:58,451 --> 00:17:00,220
TO JUST GO CHIRP,
CHIRP, CHIRP?
443
00:17:00,253 --> 00:17:01,521
NO, ANDY, I'M
LIKE A BIRD.
444
00:17:01,554 --> 00:17:02,555
I WAS BORN TO SING.
445
00:17:02,589 --> 00:17:03,823
BARNEY, BARNEY, BARNEY.
446
00:17:03,856 --> 00:17:05,158
IF YOU'LL EXCUSE ME
447
00:17:05,192 --> 00:17:07,094
I GOT SOME THROAT SPRAY
IN THE CAR.
448
00:17:07,127 --> 00:17:08,295
IF I'M DOING SOLOS
449
00:17:08,328 --> 00:17:10,230
I BETTER GIVE MYSELF
A COUPLE SQUIRTS.
450
00:17:12,465 --> 00:17:15,368
YOU STILL WANT TO
GO THROUGH WITH IT?
451
00:17:15,402 --> 00:17:16,503
LET HIM SING SOLO?
452
00:17:16,536 --> 00:17:17,504
NO, ANDY, NO.
453
00:17:17,537 --> 00:17:18,705
WAIT A MINUTE,
JOHN.
454
00:17:18,738 --> 00:17:19,739
IT'LL WORK.
455
00:17:19,772 --> 00:17:21,308
IT COME TO ME YESTERDAY
456
00:17:21,341 --> 00:17:24,811
WHEN I SAW BARNEY LISTENING
TO A PHONOGRAPH RECORD.
457
00:17:24,844 --> 00:17:25,812
NOW, LISTEN.
458
00:17:25,845 --> 00:17:27,847
BARNEY'LL DO THE SOLOS
ALL RIGHT.
459
00:17:27,880 --> 00:17:29,816
BUT IT WON'T BE
WITH HIS VOICE.
460
00:17:29,849 --> 00:17:32,085
YOU SEE, BARNEY,
HE'LL BE ON STAGE
461
00:17:32,119 --> 00:17:34,187
SINGING INTO A DEAD MICROPHONE.
462
00:17:34,221 --> 00:17:36,356
THE LIVE MICROPHONE
WILL BE BACKSTAGE
463
00:17:36,389 --> 00:17:38,391
WITH GLEN CRIPE
SINGING INTO IT.
464
00:17:38,425 --> 00:17:39,759
IT'S AS SIMPLE AS THAT.
465
00:17:39,792 --> 00:17:42,395
BUT GLEN CRIPE
IS NOT A TENOR.
466
00:17:42,429 --> 00:17:43,263
IT'LL WORK, JOHN.
467
00:17:43,296 --> 00:17:45,732
HOW ARE YOU GOING
TO KEEP BARNEY QUIET?
468
00:17:45,765 --> 00:17:47,300
EVEN THOUGH
HIS MICROPHONE IS DEAD
469
00:17:47,334 --> 00:17:48,868
PEOPLE CAN
STILL HEAR HIM.
470
00:17:48,901 --> 00:17:50,237
I ALREADY GOT THAT
WORKED OUT.
471
00:17:50,270 --> 00:17:51,238
JUST LEAVE IT TO ME
472
00:17:51,271 --> 00:17:55,242
AND DON'T WORRY.
473
00:17:55,275 --> 00:17:57,710
THIS HERE IS A SOLO MICROPHONE.
474
00:17:57,744 --> 00:17:59,679
VERY, VERY, SENSITIVE.
475
00:17:59,712 --> 00:18:04,217
THIS THING WILL AMPLIFY
YOUR VOICE A THOUSAND TIMES.
476
00:18:04,251 --> 00:18:05,852
REALLY STRONG, HUH?
477
00:18:05,885 --> 00:18:07,320
STRONG
478
00:18:07,354 --> 00:18:08,788
YOU BLAST AWAY
AT THIS THING
479
00:18:08,821 --> 00:18:10,623
AND YOU'LL BUST
EVERY EARDRUM
480
00:18:10,657 --> 00:18:11,824
IN THE AUDITORIUM.
481
00:18:11,858 --> 00:18:13,126
WHAT DO I DO?
482
00:18:13,160 --> 00:18:15,428
YOU HAVE TO SING
REAL LOW, REAL LOW.
483
00:18:15,462 --> 00:18:16,763
NOW TRY IT.
484
00:18:16,796 --> 00:18:18,231
OKAY.
485
00:18:19,299 --> 00:18:21,268
* BALMY AND LIFE...
486
00:18:21,301 --> 00:18:22,869
HOLD IT.
HOLD IT.
487
00:18:22,902 --> 00:18:26,306
TOO LOUD. LOW.
488
00:18:26,339 --> 00:18:27,807
* BALMY AND LIFE...
489
00:18:27,840 --> 00:18:30,377
THAT'S STILL TOO LOUD,
BARNEY.
490
00:18:30,410 --> 00:18:32,912
WHEN I MEAN LOW,
I MEAN REAL LOW.
491
00:18:32,945 --> 00:18:35,515
IT DON'T TAKE MUCH
TO BE HEARD.
492
00:18:35,548 --> 00:18:36,616
TRY IT AGAIN.
493
00:18:36,649 --> 00:18:38,385
TRY IT AGAIN, OKAY.
494
00:18:38,418 --> 00:18:44,724
* BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING *
495
00:18:44,757 --> 00:18:46,226
WAS THAT ALL RIGHT?
496
00:18:46,259 --> 00:18:47,727
THAT'S STILL
TOO LOUD, BARNEY.
497
00:18:47,760 --> 00:18:49,329
STILL WAY YONDER
TOO LOUD.
498
00:18:49,362 --> 00:18:50,463
BELIEVE ME, NOW
499
00:18:50,497 --> 00:18:52,865
TOMORROW NIGHT,
WHEN THIS MICROPHONE'S HOT
500
00:18:52,899 --> 00:18:54,701
AND THE AMPLIFIERS
ARE AMPLIFYING
501
00:18:54,734 --> 00:18:56,703
AND THE ACOUSTICS AND ALL...
502
00:18:56,736 --> 00:18:57,904
WHY, I TELL YOU WHAT.
503
00:18:57,937 --> 00:19:00,273
YOU JUST KEEP SINGING
SOFTER AND SOFTER
504
00:19:00,307 --> 00:19:01,874
AND WHEN YOU GOT IT
ABOUT RIGHT
505
00:19:01,908 --> 00:19:03,610
I'LL TELL YOU.
506
00:19:03,643 --> 00:19:04,644
OKAY.
507
00:19:04,677 --> 00:19:08,948
* BALMY AND LIFE...
508
00:19:08,981 --> 00:19:12,585
* BALMY AND LIFE...
509
00:19:12,619 --> 00:19:15,822
* BALMY AND...
510
00:19:15,855 --> 00:19:18,358
* BALMY AND...
511
00:19:19,492 --> 00:19:21,194
THAT'S IT!
512
00:19:21,228 --> 00:19:24,331
THAT'S IT!
THAT'S IT! YOU GOT IT!
513
00:19:24,364 --> 00:19:25,698
NOW YOU DO IT
JUST LIKE THAT
514
00:19:25,732 --> 00:19:27,567
AND YOU'LL COME
THROUGH FINE.
515
00:19:27,600 --> 00:19:30,337
ANDY, I WAS BARELY
MAKING A SOUND.
516
00:19:30,370 --> 00:19:32,472
YOU THINK YOU WAS
BARELY MAKING A SOUND
517
00:19:32,505 --> 00:19:33,473
BUT TOMORROW NIGHT
518
00:19:33,506 --> 00:19:37,344
WHEN THIS MICROPHONE'S ON
AND YOU SING LIKE THAT
519
00:19:37,377 --> 00:19:38,845
YOUR GLORIOUS VOICE
520
00:19:38,878 --> 00:19:41,281
WILL REVERBERATE
ALL THROUGH THIS HALL.
521
00:19:41,314 --> 00:19:43,283
WON'T IT, GANG?
522
00:19:46,253 --> 00:19:52,492
* WELCOME, SWEET SPRINGTIME,
WE GREET THEE IN SONG *
523
00:19:52,525 --> 00:20:00,767
* MURMURS OF GLADNESS
FALL ON THE EAR *
524
00:20:00,800 --> 00:20:08,275
* VOICES LONG HUSHED,
NOW THEIR FULL NOTES PROLONG *
525
00:20:08,308 --> 00:20:15,915
* ECHOING FAR AND NEAR
526
00:20:15,948 --> 00:20:19,419
* OOH
527
00:20:19,452 --> 00:20:26,926
* SUNSHINE NOW WAKES
ALL THE FLOWERS FROM SLEEP *
528
00:20:26,959 --> 00:20:36,403
* JOY-GIVING INCENSE
FLOATS ON THE AIR *
529
00:20:36,436 --> 00:20:44,544
* SNOWDROPS AND PRIMROSE
BOTH TIMIDLY PEEP *
530
00:20:44,577 --> 00:20:53,520
* PALING THE GLAD NEW YEAR
531
00:20:53,553 --> 00:21:02,562
:
* BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING *
532
00:21:02,595 --> 00:21:10,937
* SWIFTLY TO NATURE,
NEW VIGOR BESTOWING *
533
00:21:10,970 --> 00:21:17,344
* OH, HOW MY HEART BEATS
WITH RAPTURE ANEW *
534
00:21:17,377 --> 00:21:27,987
* EARTH'S FAIREST BEAUTY
AGAIN MEETS MY VIEW *
535
00:21:28,020 --> 00:21:35,495
* SUNSHINE NOW WAKES
ALL THE FLOWERS FROM SLEEP *
536
00:21:35,528 --> 00:21:42,902
* JOY-GIVING INCENSE
FLOATS ON THE AIR *
537
00:21:42,935 --> 00:21:52,379
* SNOWDROPS AND PRIMROSE
BOTH TIMIDLY PEEP *
538
00:21:52,412 --> 00:22:00,987
* PALING THE GLAD NEW YEAR
539
00:22:01,020 --> 00:22:06,693
* NEW YEAR *
540
00:22:33,920 --> 00:22:34,987
YOU KNOW, ANDY...
541
00:22:35,021 --> 00:22:36,456
I JUST CAN'T GET OVER
542
00:22:36,489 --> 00:22:38,891
THAT STRANGE FEELING
I HAD LAST NIGHT --
543
00:22:38,925 --> 00:22:40,660
WHEN I HEARD MY LITTLE VOICE
544
00:22:40,693 --> 00:22:43,430
COMING OVER THE LOUDSPEAKER
BACK AT ME, I...
545
00:22:43,463 --> 00:22:45,632
WELL, IT JUST DIDN'T
SOUND LIKE ME.
546
00:22:45,665 --> 00:22:47,667
THAT'S COMMON.
IT IS?
547
00:22:47,700 --> 00:22:50,837
SURE! EVER HEAR YOURSELF
ON TELEPHONE?
548
00:22:50,870 --> 00:22:52,572
YOU WOULDN'T HARDLY
BELIEVE IT'S YOU.
549
00:22:52,605 --> 00:22:54,807
YEAH, YEAH, THAT'S RIGHT.
550
00:22:54,841 --> 00:22:57,410
WELL, IT SURE WAS A LUCKY DAY
ALL AROUND
551
00:22:57,444 --> 00:22:59,712
WHEN THEY ASKED ME
TO JOIN THAT CHOIR.
552
00:22:59,746 --> 00:23:02,081
I SURE AM GOING TO ENJOY
SINGING WITH THEM
553
00:23:02,114 --> 00:23:04,517
DOWN THROUGH THE YEARS.
554
00:23:04,551 --> 00:23:08,555
OH, UH, ABOUT THAT,
BARNEY, UH...
555
00:23:08,588 --> 00:23:11,858
I'M AFRAID THAT
WON'T BE POSSIBLE.
556
00:23:11,891 --> 00:23:13,025
HUH?
557
00:23:13,059 --> 00:23:14,761
WELL, YOU KNOW THAT AWARD
THEY GIVE YOU
558
00:23:14,794 --> 00:23:16,429
FOR BEING THE OUTSTANDING
PERFORMER?
559
00:23:16,463 --> 00:23:19,031
YOU MEAN, THE $10
MERCHANDISE CERTIFICATE?
560
00:23:19,065 --> 00:23:22,201
YEAH -- YOU KNOW WHAT
THAT MEANS, DON'T YOU?
561
00:23:22,234 --> 00:23:25,071
THAT MEANS YOU ARE
A PROFESSIONAL SINGER.
562
00:23:25,104 --> 00:23:26,473
WHAT?
563
00:23:26,506 --> 00:23:27,974
THAT'S RIGHT,
THAT'S RIGHT.
564
00:23:28,007 --> 00:23:30,610
THEY GIVE YOU REMUNERATION
FOR YOUR TALENT,
565
00:23:30,643 --> 00:23:32,979
AND THAT MAKES YOU
A PROFESSIONAL SINGER,
566
00:23:33,012 --> 00:23:36,583
AND YOU ARE NO LONGER ELIGIBLE
TO SING WITH THE AMATEUR RANKS.
567
00:23:36,616 --> 00:23:40,787
NOT SING WITH THE CHOIR?
EVER
568
00:23:40,820 --> 00:23:43,456
WELL, YOU WOULDN'T WANT
THE MAYBERRY CHOIR TO BE
569
00:23:43,490 --> 00:23:45,858
DISQUALIFIED FROM STATE
COMPETITION, WOULD YOU?
570
00:23:45,892 --> 00:23:48,027
WELL, NO! BUT...
571
00:23:48,060 --> 00:23:50,830
WELL, THEN...
572
00:23:50,863 --> 00:23:55,001
OH, GEE, ANDY, THIS COMES AS
DISAPPOINTING NEWS.
573
00:23:55,034 --> 00:23:57,203
IN ONE WAY.
574
00:23:57,236 --> 00:24:00,106
COURSE, IN ANOTHER WAY, IT COULD
BE A BLESSING IN DISGUISE.
575
00:24:00,139 --> 00:24:02,542
I MEAN, IF THE DEPUTY SHERIFF
BUSINESS
576
00:24:02,575 --> 00:24:05,678
EVER FALTERS, I'VE GOT
AN ACE IN THE HOLE.
577
00:24:05,712 --> 00:24:09,015
YOU KNOW, I COULD MOVE RIGHT
OVER INTO THE SHOWBUSINESS.
578
00:24:09,048 --> 00:24:11,217
YOU KNOW, SINGING AT WEDDINGS
AND FUNERALS.
579
00:24:11,250 --> 00:24:13,986
OH, ABSOLUTELY, YEAH.
580
00:24:14,020 --> 00:24:15,755
OF COURSE, IN CASE
THAT EVER HAPPENS,
581
00:24:15,788 --> 00:24:17,524
I BETTER KEEP
THE OLD VOICE IN SHAPE!
582
00:24:17,557 --> 00:24:21,260
* NITA
583
00:24:21,293 --> 00:24:25,264
* JUANITA
584
00:24:25,297 --> 00:24:31,470
* DA DA DA DA DA
DA DA *
39311
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
