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These are the user uploaded subtitles that are being translated: 1 00:01:03,580 --> 00:01:06,014 [♪♪♪] 2 00:01:28,072 --> 00:01:31,806 [CLASSICAL PIANO PIECE PLAYS] 3 00:01:31,875 --> 00:01:34,509 [♪♪♪] 4 00:02:00,537 --> 00:02:03,338 [♪♪♪] 5 00:02:10,147 --> 00:02:11,480 NURSE? 6 00:02:13,117 --> 00:02:14,549 [COUGHS] 7 00:02:14,618 --> 00:02:16,318 WHAT ARE YOU DOING? 8 00:02:16,353 --> 00:02:18,353 WHO ARE YOU? 9 00:02:20,357 --> 00:02:23,525 YOU... 10 00:02:23,560 --> 00:02:25,693 HOUNDING ME TO THE GRAVE, 11 00:02:25,729 --> 00:02:28,330 YOU AND ALL THE OTHERS. 12 00:02:28,398 --> 00:02:30,698 I TOLD YOU, 13 00:02:30,734 --> 00:02:31,899 YOU WILL FIND NOTHING, 14 00:02:31,968 --> 00:02:34,503 YOU WILL GET NOTHING, 15 00:02:34,538 --> 00:02:38,373 NOT NOW, NOT EVER! 16 00:02:38,442 --> 00:02:41,376 IT'S GONE... 17 00:02:41,411 --> 00:02:43,778 BURIED. 18 00:02:43,813 --> 00:02:47,782 I WON'T HAVE IT STAINING MY NAME, 19 00:02:47,851 --> 00:02:49,484 MY LEGACY, 20 00:02:49,520 --> 00:02:51,953 YOU HEAR ME? 21 00:02:51,988 --> 00:02:56,491 I... I TRIED... 22 00:02:56,527 --> 00:02:59,528 TO MAKE AMENDS... 23 00:02:59,563 --> 00:03:03,565 I'VE T-TRIED. 24 00:03:08,305 --> 00:03:10,405 [MONITORS FLATLINING] 25 00:03:23,353 --> 00:03:24,686 NO, SERIOUSLY, DAD, 26 00:03:24,721 --> 00:03:26,388 I DON'T KNOW WHY YOU EVER SIGNED ME UP FOR BASKETBALL. 27 00:03:26,423 --> 00:03:27,455 I BELIEVE YOU DID THAT 28 00:03:27,524 --> 00:03:28,690 ALL BY YOURSELF. 29 00:03:28,725 --> 00:03:30,258 WELL, WHY DIDN'T YOU TALK ME OUT OF IT? 30 00:03:30,294 --> 00:03:31,359 AS I RECALL, 31 00:03:31,395 --> 00:03:33,195 THERE WAS NO TALKING YOU OUT OF ANYTHING. 32 00:03:33,230 --> 00:03:34,829 LOGAN, WE ARE SORRY THAT YOUR TEAM DIDN'T WIN, 33 00:03:34,864 --> 00:03:36,531 BUT YOU DID YOUR BEST. 34 00:03:36,600 --> 00:03:37,765 NOW, HAVE SOME PIZZA. 35 00:03:37,801 --> 00:03:38,700 YOU'LL FEEL BETTER. 36 00:03:38,735 --> 00:03:39,767 LEMONADE? 37 00:03:40,804 --> 00:03:42,637 OKAY. 38 00:03:42,673 --> 00:03:43,805 I'M SORRY, DAD, 39 00:03:43,873 --> 00:03:44,839 I'M JUST... 40 00:03:44,874 --> 00:03:46,208 FRUSTRATED, YOU KNOW? 41 00:03:46,243 --> 00:03:48,510 I MEAN, WE HAVE A DECENT TEAM AND ALL, 42 00:03:48,579 --> 00:03:51,079 WE JUST CAN'T GET OUR OFFENSE IN SYNC. 43 00:03:51,114 --> 00:03:52,947 WELL, I'M SURE THE LAST THING YOU NEED RIGHT NOW 44 00:03:52,982 --> 00:03:54,816 IS FATHERLY ADVICE, 45 00:03:54,884 --> 00:03:56,218 SO WHY DON'T WE JUST SIT HERE AND ENJOY THE PIZZA? 46 00:03:56,253 --> 00:03:57,519 LEMONADE? 47 00:03:57,554 --> 00:03:58,453 AH, PLEASE. 48 00:03:59,923 --> 00:04:02,290 THIS LOOKS DELICIOUS, HONEY. 49 00:04:02,359 --> 00:04:03,525 IS THAT, UH, SUN-DRIED TOMATOES? 50 00:04:03,560 --> 00:04:04,826 YES, WITH A LITTLE BIT OF GARLIC. 51 00:04:04,861 --> 00:04:06,261 AH. 52 00:04:08,031 --> 00:04:09,531 OKAY, GO AHEAD. 53 00:04:11,101 --> 00:04:12,967 MM, DELICIOUS. 54 00:04:13,036 --> 00:04:14,236 DAD... 55 00:04:14,271 --> 00:04:15,870 I'M GIVING YOU AN OPEN LANE HERE. 56 00:04:15,905 --> 00:04:18,440 OH, ALL RIGHT. 57 00:04:18,475 --> 00:04:19,741 WELL, IN MY EXPERIENCE, 58 00:04:19,776 --> 00:04:21,008 AT SOME POINT, 59 00:04:21,044 --> 00:04:22,910 SOMEONE HAS TO STEP UP AND BE THE TEAM LEADER, 60 00:04:22,946 --> 00:04:24,779 AND IN MY OPINION, I THINK THAT SHOULD BE YOU. 61 00:04:24,814 --> 00:04:26,147 -ME? -MM-HMM. 62 00:04:26,182 --> 00:04:27,215 NO, DAD, I-- 63 00:04:27,284 --> 00:04:28,316 YOU'RE A GOOD BALL HANDLER, 64 00:04:28,352 --> 00:04:29,718 YOU'RE A SOLID PASSER, 65 00:04:29,753 --> 00:04:30,752 YOU KNOW HOW TO RUN THE COURT. 66 00:04:30,787 --> 00:04:33,020 AND MOST IMPORTANTLY, YOU'RE SMART. 67 00:04:33,056 --> 00:04:34,789 YOU ARE REALLY SMART. 68 00:04:34,824 --> 00:04:38,727 I'LL BET YOU THAT NEXT PIECE OF PIZZA THERE 69 00:04:38,795 --> 00:04:39,794 THAT YOU ALMOST KNOW THE GAME 70 00:04:39,829 --> 00:04:41,429 AS WELL AS YOUR COACH. 71 00:04:44,368 --> 00:04:45,267 FOUL! 72 00:04:45,302 --> 00:04:46,468 [LAUGHS] 73 00:04:46,503 --> 00:04:47,535 DADDY TAKES IT. 74 00:04:47,571 --> 00:04:48,703 [CHUCKLING] 75 00:04:52,676 --> 00:04:54,442 YOU ARE REALLY GOOD WITH HIM, JASON. 76 00:04:54,511 --> 00:04:56,344 HEY, I'VE BEEN THERE. 77 00:04:56,380 --> 00:04:58,613 DIDN'T YOUR TEAM WIN THE LEAGUE CHAMPIONSHIP 78 00:04:58,649 --> 00:05:00,014 THREE YEARS IN A ROW? 79 00:05:00,049 --> 00:05:02,016 UH, YES, ONLY TO LOSE THE STATE CHAMPIONSHIP 80 00:05:02,051 --> 00:05:02,950 THREE YEARS IN A ROW. 81 00:05:02,986 --> 00:05:03,918 AW... 82 00:05:03,953 --> 00:05:05,219 AND BACK THEN, 83 00:05:05,255 --> 00:05:06,354 IT WAS A MORE LEVEL PLAYING FIELD. 84 00:05:06,390 --> 00:05:08,189 I WASN'T GOING UP AGAINST 6'10" MONSTERS 85 00:05:08,224 --> 00:05:09,457 WHO COULD 360 DUNK. 86 00:05:10,594 --> 00:05:12,160 WELL, LIKE YOU SAID, LOGAN IS SMART. 87 00:05:12,195 --> 00:05:13,662 HE'LL FIGURE IT OUT. 88 00:05:13,697 --> 00:05:15,297 I'M JUST GLAD HE HAS YOU TO LEAN ON. 89 00:05:15,332 --> 00:05:16,164 THANK YOU. 90 00:05:16,199 --> 00:05:17,031 [CELL PHONE RINGS] OOH. 91 00:05:19,068 --> 00:05:20,001 WHO IS IT? 92 00:05:20,036 --> 00:05:21,169 HANNAH. 93 00:05:21,237 --> 00:05:22,136 HEY, SWEETHEART, WHAT'S UP? 94 00:05:22,205 --> 00:05:23,772 MOM, I KNOW IT'S LATE, 95 00:05:23,840 --> 00:05:24,872 AND I HATE TO HIT YOU UP, 96 00:05:24,908 --> 00:05:25,973 BUT MY DEBIT CARD JUST MAXED OUT, AGAIN, 97 00:05:26,009 --> 00:05:27,942 AND I'VE GOT STUDY GROUP GOING ON HERE, 98 00:05:27,977 --> 00:05:29,010 AND CAFFEINE IS, LIKE, 99 00:05:29,045 --> 00:05:30,378 SUPER CRITICAL AT THIS JUNCTURE, 100 00:05:30,414 --> 00:05:31,346 AND BESIDES, IT'S MY TURN TO BUY THE NEXT ROUND, SO... 101 00:05:31,381 --> 00:05:32,747 HANNAH... 102 00:05:32,783 --> 00:05:34,849 MAYBE A J-O-B IS IN ORDER HERE. 103 00:05:34,884 --> 00:05:36,250 A JOB? 104 00:05:36,286 --> 00:05:37,619 THERE'S GOT TO BE SOMETHING I CAN FIND PART-TIME. 105 00:05:37,654 --> 00:05:39,253 NEVER MIND, MOM. 106 00:05:39,289 --> 00:05:40,188 I'VE GOT THIS. 107 00:05:40,223 --> 00:05:41,222 LOVE YOU. 108 00:05:41,257 --> 00:05:42,857 -LOVE YOU, TOO. - BYE. 109 00:05:42,892 --> 00:05:44,158 OH, BOY, KIDS IN CRISIS. 110 00:05:44,227 --> 00:05:45,393 FILM AT 11:00. 111 00:05:45,429 --> 00:05:47,161 WELL, HOPEFULLY, WE'LL BE IN DREAMLAND BY THEN. 112 00:05:47,197 --> 00:05:48,062 [CHUCKLES] 113 00:05:52,235 --> 00:05:53,835 [SIGHS GROGGILY] 114 00:05:55,839 --> 00:05:56,771 [CLEARS THROAT] 115 00:05:58,342 --> 00:06:00,809 ROUGH NIGHT, MR. DWYER? 116 00:06:00,844 --> 00:06:03,578 WE'LL CALL IT OVERTIME. 117 00:06:03,613 --> 00:06:05,213 BY THE WAY... 118 00:06:05,281 --> 00:06:06,448 IT'S OFFICIAL. 119 00:06:09,519 --> 00:06:12,119 AUF WIEDERSEHEN, MR. DIETZ. 120 00:06:12,155 --> 00:06:13,621 HMM. 121 00:06:13,657 --> 00:06:15,923 DEATHBED CONFESSION WOULD HAVE BEEN NICE. 122 00:06:15,992 --> 00:06:18,025 AT LEAST NOW WE CAN START LIQUIDATING 123 00:06:18,094 --> 00:06:19,861 THE REST OF THE ESTATE. 124 00:06:19,896 --> 00:06:22,397 WHO KNOWS, MAYBE WE'LL FIND IT. 125 00:06:22,466 --> 00:06:24,031 YES, WELL, BURIED TREASURE ASIDE, 126 00:06:24,100 --> 00:06:26,534 THE AUCTION IS STILL ONLY TWO DAYS OFF. 127 00:06:27,838 --> 00:06:29,371 WE'LL DO A THOROUGH SWEEP OF THE RESIDENCE, 128 00:06:29,439 --> 00:06:30,739 PHOTOGRAPH ANYTHING LEFT OF VALUE, 129 00:06:30,774 --> 00:06:32,374 THEN WE'LL EMAIL AN ADDENDUM LIST 130 00:06:32,409 --> 00:06:34,342 TO ALL THOSE WHO RSVP'D. 131 00:06:34,378 --> 00:06:35,577 SHALL I START IN THE LIBRARY? 132 00:06:35,612 --> 00:06:36,811 ABSOLUTELY. 133 00:06:36,880 --> 00:06:38,212 PACK UP THE ENTIRE ROOM. 134 00:06:38,248 --> 00:06:39,981 I'M GOING TO NEED SOME TIME TO SIFT THROUGH ALL THIS. 135 00:06:40,016 --> 00:06:41,483 YES, SIR. 136 00:06:45,221 --> 00:06:46,120 [♪♪♪] 137 00:06:46,155 --> 00:06:47,088 LOGAN, WE SHOULD GET GOING. 138 00:06:47,123 --> 00:06:48,623 WHERE'S YOUR BACKPACK? 139 00:06:48,658 --> 00:06:49,791 IT'S JUST UPSTAIRS. 140 00:06:49,826 --> 00:06:51,359 GO GRAB IT. 141 00:06:52,929 --> 00:06:54,362 HONEY, DID YOU SEE THIS? 142 00:06:54,398 --> 00:06:55,830 KARL DIETZ PASSED AWAY LAST NIGHT. 143 00:06:55,866 --> 00:06:56,798 OH, NO. 144 00:06:56,833 --> 00:06:57,832 DIETZ... 145 00:06:57,868 --> 00:07:00,034 WHY DO I KNOW THAT NAME? 146 00:07:00,069 --> 00:07:01,936 THE DIETZ RECITAL HALL? 147 00:07:02,005 --> 00:07:03,304 THE ONE YOUR DAD SPENT 148 00:07:03,339 --> 00:07:04,639 TWO YEARS OF HIS LIFE BUILDING? 149 00:07:04,674 --> 00:07:06,474 OH, RIGHT. 150 00:07:06,510 --> 00:07:07,876 NOT ONLY DID MR. DIETZ FUND IT, 151 00:07:07,911 --> 00:07:10,612 HE WOULD FOLLOW ME AROUND AND MICRO-MANAGE EVERY DETAIL. 152 00:07:10,647 --> 00:07:12,680 HE WAS THE ULTIMATE PERFECTIONIST. 153 00:07:12,716 --> 00:07:14,048 HE WAS ALSO VERY GENEROUS. 154 00:07:14,083 --> 00:07:15,784 DANI AND I ARE SUPPOSED TO GO TO HIS ESTATE SALE 155 00:07:15,819 --> 00:07:16,818 LATER THIS WEEK. 156 00:07:16,887 --> 00:07:18,019 AND ALL THE PROCEEDS 157 00:07:18,054 --> 00:07:19,987 ARE GOING TO THE DIETZ RECITAL HALL FUND 158 00:07:20,023 --> 00:07:21,088 OR LOCAL MUSIC PROGRAMS. 159 00:07:21,124 --> 00:07:22,424 HOW LONG HAS IT BEEN ON THE CALENDAR? 160 00:07:22,459 --> 00:07:23,558 ABOUT A MONTH. 161 00:07:23,593 --> 00:07:25,259 SHOULDN'T YOU BE, LIKE, OFFICIALLY DEAD 162 00:07:25,328 --> 00:07:27,729 BEFORE YOUR ESTATE GETS AUCTIONED OFF? 163 00:07:27,764 --> 00:07:29,030 NOT IF YOU'RE 92, AND IN FAILING HEALTH. 164 00:07:29,065 --> 00:07:31,666 IT'S CALLED "GETTING YOUR AFFAIRS IN ORDER." 165 00:07:31,701 --> 00:07:32,801 ANYWAY, THE MAN WAS A FRIEND, 166 00:07:32,836 --> 00:07:34,903 AND HE DEFINITELY MADE ME A BETTER BUILDER. 167 00:07:34,938 --> 00:07:36,704 HE'LL BE MISSED. 168 00:07:36,740 --> 00:07:37,972 WELL... 169 00:07:38,007 --> 00:07:38,873 I AM DEFINITELY GOING TO BE LATE 170 00:07:38,909 --> 00:07:39,741 IF I DON'T GET A MOVE-ON. 171 00:07:40,877 --> 00:07:42,577 GREAT PANCAKES, DAD. 172 00:07:42,646 --> 00:07:43,945 PATENT THAT RECIPE. 173 00:07:43,980 --> 00:07:45,079 THANK YOU. MAYBE I WILL. 174 00:07:45,114 --> 00:07:46,581 WHAT ARE YOU MAKING FOR DINNER? 175 00:07:49,152 --> 00:07:51,118 [SHOP BELL JINGLES] 176 00:07:51,154 --> 00:07:52,554 WHOA. 177 00:07:52,589 --> 00:07:54,255 LOOKS LIKE SOMEONE SPRINKLED A LITTLE AMBITION 178 00:07:54,324 --> 00:07:55,523 IN THEIR MORNING COFFEE. 179 00:07:55,559 --> 00:07:56,658 COFFEE, 180 00:07:56,693 --> 00:07:58,593 AND NUDGING FROM MY DAMSEL IN DISTRESS. 181 00:07:58,628 --> 00:07:59,727 WELL... 182 00:08:01,665 --> 00:08:04,265 WELL, MY WORK HERE IS DONE. 183 00:08:04,300 --> 00:08:05,834 YOU LADIES HAVE A NICE DAY NOW. 184 00:08:07,637 --> 00:08:09,938 UM, I DON'T MEAN TO BREAK UP THE MOOD, 185 00:08:09,973 --> 00:08:11,506 BUT DID YOU HAPPEN TO SORT THROUGH THE BILLS? 186 00:08:11,541 --> 00:08:14,075 YES, I, UH, PUT THEM IN TWO PILES. 187 00:08:14,110 --> 00:08:16,410 "PAY NOW" AND "PAY LATER." 188 00:08:16,446 --> 00:08:18,646 OOH, "PAY LATER" IS RATHER LARGE. 189 00:08:18,682 --> 00:08:19,747 THAT'S WHAT I THOUGHT. 190 00:08:19,783 --> 00:08:20,782 OH, DEAR. 191 00:08:20,817 --> 00:08:22,484 HELEN! 192 00:08:22,519 --> 00:08:23,518 SO NICE TO SEE YOU. 193 00:08:23,553 --> 00:08:24,953 GOOD MORNING, JENNIFER. 194 00:08:24,988 --> 00:08:26,454 A LITTLE BIRD TOLD ME 195 00:08:26,490 --> 00:08:29,457 YOU CAME ACROSS SOME PRE-WAR DRESDEN CHINA? 196 00:08:29,493 --> 00:08:31,893 YES, THAT LITTLE BIRD WAS ME. 197 00:08:31,928 --> 00:08:33,695 WELL, THANK YOU FOR THE CALL, MY DEAR. 198 00:08:33,730 --> 00:08:34,996 SHALL I GET IT FOR YOU TO LOOK AT? 199 00:08:35,031 --> 00:08:36,097 I'LL BE RIGHT BACK. 200 00:08:36,132 --> 00:08:37,665 BY THE WAY, DID YOU HEAR? 201 00:08:37,734 --> 00:08:39,266 KARL DIETZ PASSED AWAY. 202 00:08:39,335 --> 00:08:40,902 YES, I READ ABOUT THAT IN THE PAPER. 203 00:08:40,971 --> 00:08:42,904 A FELLOW BERLINER, 204 00:08:42,939 --> 00:08:45,773 THOUGH I NEVER MUCH CARED FOR THE MAN. 205 00:08:45,809 --> 00:08:47,041 A BIT STIFF FOR A CAREER DIPLOMAT, 206 00:08:47,110 --> 00:08:48,109 DON'T YOU THINK? 207 00:08:48,144 --> 00:08:49,243 I WOULDN'T KNOW. 208 00:08:49,278 --> 00:08:50,344 WE NEVER MET. 209 00:08:50,380 --> 00:08:51,713 WELL, HE DID HAVE EXCELLENT TASTE, 210 00:08:51,748 --> 00:08:53,180 I'LL GRANT HIM THAT. 211 00:08:53,216 --> 00:08:54,883 DID YOU GET A CHANCE 212 00:08:54,918 --> 00:08:57,151 TO LOOK THROUGH HIS ESTATE AUCTION CATALOGUE? 213 00:08:58,555 --> 00:08:59,787 THERE'S THIS, UM, 214 00:08:59,823 --> 00:09:00,922 LANDSCAPE PAINTING 215 00:09:00,957 --> 00:09:02,924 ON PAGE TWO... 216 00:09:02,993 --> 00:09:04,191 OH, RIGHT, OF COURSE. 217 00:09:04,227 --> 00:09:06,828 THE CASPAR DAVID FRIEDRICH. 218 00:09:06,897 --> 00:09:09,063 WELL, IT'S A BIT PRICEY FOR US, BUT GORGEOUS. 219 00:09:09,098 --> 00:09:10,598 [SIGHING] JENNIFER, I... 220 00:09:10,634 --> 00:09:12,066 I CAN'T SHAKE THE FEELING 221 00:09:12,101 --> 00:09:14,536 THAT I SAW THIS PAINTING 222 00:09:14,571 --> 00:09:16,337 AT OUR FAMILY HOME BACK IN GERMANY. 223 00:09:16,372 --> 00:09:18,105 REALLY? 224 00:09:18,141 --> 00:09:19,774 HELEN, ARE YOU SURE? 225 00:09:19,843 --> 00:09:23,011 WELL, I CAN'T BE CERTAIN. 226 00:09:23,079 --> 00:09:27,015 I WAS ONLY SIX WHEN WE FLED EAST BERLIN. 227 00:09:27,050 --> 00:09:30,317 BUT I DO RECALL SOMETHING QUITE SIMILAR 228 00:09:30,353 --> 00:09:31,920 HANGING IN AN UPSTAIRS BEDROOM. 229 00:09:31,988 --> 00:09:34,455 NOW, THIS WAS AFTER THE WAR, OF COURSE, 230 00:09:34,490 --> 00:09:37,692 AND BY THEN, EVERYTHING HAD BEEN DESTROYED, 231 00:09:37,727 --> 00:09:39,460 SOLD, LOST... 232 00:09:39,495 --> 00:09:41,763 HELEN, WE CAN INQUIRE ABOUT THE PANTING'S PROVENANCE. 233 00:09:41,798 --> 00:09:44,532 YES, THAT WOULD BE VERY HELPFUL, MY DEAR. 234 00:09:44,568 --> 00:09:47,035 BUT IN THE MEANTIME, I AM GOING TO BID ON IT. 235 00:09:47,070 --> 00:09:48,369 HEAVEN KNOWS, 236 00:09:48,404 --> 00:09:50,004 MOTHER AND FATHER WOULD HAVE. 237 00:09:52,576 --> 00:09:53,841 [♪♪♪] 238 00:09:53,877 --> 00:09:56,210 SO, MY MATH TEACHER, MRS. BELLOWS, 239 00:09:56,279 --> 00:09:58,980 SHE HANDS US THIS REALLY WEIRD MID-TERM ASSIGNMENT. 240 00:09:59,049 --> 00:10:00,882 SHE WANTS US TO LOOK AT PARTS OF OUR LIFE 241 00:10:00,917 --> 00:10:02,050 THAT NEED IMPROVEMENT, 242 00:10:02,118 --> 00:10:04,085 AND USE STATISTICS TO COME UP WITH A PLAN. 243 00:10:04,120 --> 00:10:05,887 OH, WELL, THAT SOUNDS INTERESTING. 244 00:10:05,922 --> 00:10:07,221 DOES THAT MEAN YOU'RE GONNA HELP? 245 00:10:07,290 --> 00:10:08,990 OH, NO, I'M DONE WITH HIGH SCHOOL. 246 00:10:09,025 --> 00:10:10,725 -DAD? -OH, LIKEWISE. 247 00:10:10,760 --> 00:10:12,426 BUT REMEMBER WHAT WE TALKED ABOUT 248 00:10:12,495 --> 00:10:13,360 LAST NIGHT? 249 00:10:13,396 --> 00:10:14,361 TEAM LEADERSHIP. 250 00:10:14,430 --> 00:10:17,198 MAYBE WITH SOME STATS IN HAND... 251 00:10:17,233 --> 00:10:19,200 AND IT COULD HELP FORM A GAME PLAN. 252 00:10:19,235 --> 00:10:20,768 YEAH. 253 00:10:20,804 --> 00:10:22,036 YOU'RE RIGHT. 254 00:10:22,072 --> 00:10:23,671 [HANNAH SINGING] ♪ SHE GOT A JOB ♪ 255 00:10:23,707 --> 00:10:24,872 ♪ NOW SHE'S OKAY ♪ 256 00:10:24,908 --> 00:10:27,274 ♪ NOW SHE CAN AFFORD A DOUBLE LATTE... ♪ 257 00:10:27,310 --> 00:10:28,843 OH, HANNAH, THAT'S WONDERFUL. 258 00:10:28,878 --> 00:10:29,844 [LAUGHS] 259 00:10:29,879 --> 00:10:31,613 STUDENT TUTORING, 15 AN HOUR, 260 00:10:31,648 --> 00:10:32,480 CAN YOU BELIEVE IT? 261 00:10:32,515 --> 00:10:34,015 -SERIOUSLY? -MM-HMM. 262 00:10:34,050 --> 00:10:34,916 CONGRATS. WHEN DO YOU START? 263 00:10:34,951 --> 00:10:36,017 TOMORROW. 264 00:10:36,052 --> 00:10:37,251 I'VE BEEN ASSIGNED A FOOTBALL PLAYER 265 00:10:37,286 --> 00:10:39,253 WHO HAS A TON OF MAKE-UP WORK TO GET THROUGH. 266 00:10:39,288 --> 00:10:40,588 FOOTBALL... 267 00:10:40,657 --> 00:10:41,522 WHAT'S HIS NAME? 268 00:10:41,557 --> 00:10:42,824 UH, RICK NASON? 269 00:10:42,859 --> 00:10:44,726 -RICK NASON? -MM-HMM. 270 00:10:44,761 --> 00:10:46,193 HANNAH, HE'S THE STARTING QUARTERBACK. 271 00:10:46,229 --> 00:10:47,729 WELL, NOT FOR LONG 272 00:10:47,797 --> 00:10:49,430 IF HE DOESN'T GET HIS ACT TOGETHER. 273 00:10:49,465 --> 00:10:50,765 HE'S ALREADY ON ACADEMIC PROBATION. 274 00:10:50,800 --> 00:10:52,700 OKAY, HANNAH, LOOK AT ME. 275 00:10:52,736 --> 00:10:54,102 RICK NASON IS CARRYING 276 00:10:54,137 --> 00:10:55,603 THE ENTIRE FOOTBALL TEAM, OKAY? 277 00:10:55,639 --> 00:10:56,971 YOU CANNOT LET HIM FAIL. 278 00:10:57,040 --> 00:10:58,405 LOGAN, LOOK AT ME. 279 00:10:58,441 --> 00:10:59,540 HE'S NOT GOING TO FAIL. 280 00:10:59,575 --> 00:11:01,109 OKAY, LOOK AT ME, 281 00:11:01,144 --> 00:11:02,877 LET'S EAT. 282 00:11:08,918 --> 00:11:10,584 GOSH, I'VE NEVER SEEN A RED CARPET 283 00:11:10,654 --> 00:11:12,520 AT AN ESTATE AUCTION BEFORE. 284 00:11:12,588 --> 00:11:14,588 I FEEL A LITTLE UNDERDRESSED. 285 00:11:14,624 --> 00:11:15,523 OH, THERE'S DEAN! HEY! 286 00:11:15,558 --> 00:11:16,524 HI! 287 00:11:16,559 --> 00:11:17,992 HEY! JENN! DANI! 288 00:11:18,028 --> 00:11:19,426 DID YOU BRING YOUR CHECKBOOKS? 289 00:11:19,462 --> 00:11:20,294 WE DID, DID YOU? 290 00:11:20,363 --> 00:11:21,362 ARE YOU KIDDING ME? 291 00:11:21,397 --> 00:11:22,830 DID HAYDN WEAR A WIG? 292 00:11:22,866 --> 00:11:23,931 [LAUGHING] 293 00:11:23,967 --> 00:11:25,599 -LADIES... -HE DID. 294 00:11:26,770 --> 00:11:28,602 HI, HELEN. 295 00:11:29,773 --> 00:11:31,238 THANK YOU. 296 00:11:33,309 --> 00:11:35,442 THIS IS A GOOD TURNOUT. 297 00:11:35,478 --> 00:11:37,745 YES, A NICE FAT COMMISSION 298 00:11:37,781 --> 00:11:39,681 IN THIS OFFERING, 299 00:11:39,716 --> 00:11:41,783 BUT A DISAPPOINTMENT NONETHELESS. 300 00:11:41,818 --> 00:11:43,851 SIR, I WENT OVER EVERY SQUARE INCH 301 00:11:43,887 --> 00:11:45,452 OF THE DIETZES' RESIDENCE. 302 00:11:45,488 --> 00:11:47,021 I WENT THROUGH EVERY DRAWER IN HIS DESK, 303 00:11:47,090 --> 00:11:49,223 I EVEN PULLED UP THE FLOORBOARDS. 304 00:11:49,258 --> 00:11:50,758 I'M TELLING YOU, 305 00:11:50,794 --> 00:11:52,994 WHAT YOU SEE IS WHAT WE'VE GOT. 306 00:11:53,029 --> 00:11:54,929 AND I'M TELLING YOU THERE'S MORE, DWYER. 307 00:11:54,964 --> 00:11:57,165 A KING'S RANSOM TUCKED AWAY SOMEWHERE, 308 00:11:57,200 --> 00:12:00,902 PROBABLY... RIGHT UNDERNEATH OUR NOSES. 309 00:12:04,908 --> 00:12:06,140 OTHERWISE, WHY WOULD HE BE HERE? 310 00:12:06,209 --> 00:12:07,842 HMM? 311 00:12:07,877 --> 00:12:09,177 JACQUES GRENIER. 312 00:12:10,413 --> 00:12:11,946 KEEP AN EYE ON HIM. 313 00:12:11,981 --> 00:12:13,347 YES, SIR. 314 00:12:25,829 --> 00:12:27,361 GOOD AFTERNOON, LADIES AND GENTLEMEN. 315 00:12:27,430 --> 00:12:30,031 I AM YOUR HOST AND AUCTIONEER, 316 00:12:30,066 --> 00:12:32,166 CONRAD SILES. 317 00:12:32,202 --> 00:12:34,468 NOW THEN, LET US COMMENCE 318 00:12:34,537 --> 00:12:38,206 WITH THE KARL L. DIETZ CHARITABLE ESTATE AUCTION. 319 00:12:38,274 --> 00:12:40,474 ITEM NUMBER ONE... 320 00:12:40,543 --> 00:12:43,477 AN EXCEPTIONAL BIEDERMEIER ARMOIRE WARDROBE 321 00:12:43,512 --> 00:12:45,913 IN PURE WALNUT, 322 00:12:45,949 --> 00:12:48,482 CIRCA 1840. 323 00:12:48,517 --> 00:12:51,252 AND WE WILL START THE BIDDING AT $6,000. 324 00:12:51,287 --> 00:12:52,854 6,000? 325 00:12:52,889 --> 00:12:54,222 6,500... 326 00:12:54,257 --> 00:12:55,456 DO I HEAR 7,000? 327 00:12:59,229 --> 00:13:00,128 [COUGHS] 328 00:13:01,664 --> 00:13:03,264 7,000. 329 00:13:03,299 --> 00:13:04,932 DO I HEAR 8,000? 330 00:13:06,770 --> 00:13:07,769 8,000 GOING... 331 00:13:07,804 --> 00:13:09,137 GOING... 332 00:13:10,506 --> 00:13:11,505 SOLD! [BANGS GAVEL] 333 00:13:11,540 --> 00:13:13,340 $7,000, 334 00:13:13,409 --> 00:13:17,411 TO THE GENTLEMEN WITH PADDLE NUMBER 44. 335 00:13:17,480 --> 00:13:19,147 [APPLAUSE] 336 00:13:20,483 --> 00:13:21,783 NEXT UP, 337 00:13:21,851 --> 00:13:24,152 A DELIGHTFUL LANDSCAPE PAINTING 338 00:13:24,187 --> 00:13:26,120 FROM A TRUE MASTER OF ROMANTICISM, 339 00:13:26,156 --> 00:13:27,755 CASPAR DAVID FRIEDRICH. 340 00:13:27,791 --> 00:13:28,722 [WHISPERING] THAT'S IT. 341 00:13:28,758 --> 00:13:30,524 THAT'S THE ONE. 342 00:13:30,593 --> 00:13:31,392 ARE YOU SURE, HELEN? 343 00:13:31,427 --> 00:13:32,726 YES. 344 00:13:32,762 --> 00:13:34,528 NOW I'M CERTAIN. 345 00:13:34,563 --> 00:13:36,497 AND WE WILL START THE BIDDING AT 15,000. 346 00:13:36,532 --> 00:13:37,965 OH, DEAR. 347 00:13:39,502 --> 00:13:40,835 I'M AFRAID I'M TOO OLD 348 00:13:40,870 --> 00:13:43,271 TO TAKE OUT A SECOND MORTGAGE. 349 00:13:43,306 --> 00:13:44,405 AW... 350 00:13:54,150 --> 00:13:55,216 YOU BREAK IT, 351 00:13:55,251 --> 00:13:57,018 YOU STILL PAY FOR IT. 352 00:13:57,053 --> 00:13:58,286 HMM... 353 00:13:58,321 --> 00:14:02,123 CONRAD SILES' BAGMAN, I PRESUME? 354 00:14:02,192 --> 00:14:07,195 AND WHAT DID YOU BRING HOME FROM THE WAR, SERGEANT? 355 00:14:07,230 --> 00:14:09,730 THE CASHIER IS THAT WAY. 356 00:14:18,407 --> 00:14:22,443 WE HAVE AN ACCEPTED STANDING BID OF $30,000. 357 00:14:22,478 --> 00:14:24,245 LOT #2 IS NOW SOLD. 358 00:14:24,280 --> 00:14:25,246 [BANGS GAVEL] 359 00:14:25,281 --> 00:14:27,381 I'M SORRY, HELEN. 360 00:14:27,450 --> 00:14:29,650 [POLITE APPLAUSE] 361 00:14:36,226 --> 00:14:37,658 [DEAN]: LOOK AT THAT, LADIES. 362 00:14:37,693 --> 00:14:39,994 IS THAT A VESTONE- DOBROTT PLAYER PIANO? 363 00:14:40,029 --> 00:14:41,795 YES, A 1910, TO BE EXACT. 364 00:14:41,865 --> 00:14:42,830 IT'S ON THE ADDENDUM LIST. 365 00:14:42,866 --> 00:14:44,031 DID YOU NOT GET ONE? 366 00:14:44,067 --> 00:14:45,132 NO. 367 00:14:45,168 --> 00:14:46,467 IT WAS EMAILED TO ME LAST NIGHT. 368 00:14:46,502 --> 00:14:48,102 WELL, I DIDN'T SEE ONE. 369 00:14:48,171 --> 00:14:49,337 IT SAYS IT'S IN FAIR CONDITION. 370 00:14:49,372 --> 00:14:51,038 "FAIR" BEING CODE 371 00:14:51,107 --> 00:14:52,639 FOR "BARELY FUNCTIONING." 372 00:14:52,708 --> 00:14:54,909 IT COMES WITH SIX MUSIC ROLLS. 373 00:14:54,978 --> 00:14:56,510 I KNOW SOMEONE WHO WOULD PAY A FORTUNE 374 00:14:56,545 --> 00:14:57,678 FOR THIS PIANO, 375 00:14:57,747 --> 00:14:58,913 ONCE IT'S RESTORED, OF COURSE. 376 00:15:01,251 --> 00:15:02,483 HEY, HELEN, DID YOU SEE THIS? 377 00:15:02,518 --> 00:15:05,086 LOOK, THERE'S A PAIR OF LANDSCAPE PAINTINGS, 378 00:15:05,121 --> 00:15:06,687 "SUNRISE" AND "SUNSET." 379 00:15:06,722 --> 00:15:08,822 IT SAYS THE ARTIST COMES FROM THE MUNICH SCHOOL. 380 00:15:08,858 --> 00:15:10,291 THE STYLE COULD BE REMINISCENT 381 00:15:10,326 --> 00:15:11,993 OF CASPAR DAVID FRIEDRICH. 382 00:15:12,028 --> 00:15:14,095 OH MY, THAT SOUNDS INTERESTING. 383 00:15:14,130 --> 00:15:15,796 AND THEY'RE PROBABLY AFFORDABLE. 384 00:15:15,831 --> 00:15:17,398 ARE YOU IN? 385 00:15:17,433 --> 00:15:18,632 I'M IN. 386 00:15:18,667 --> 00:15:19,833 NEXT... 387 00:15:19,869 --> 00:15:21,903 A VESTONE-DOBROTT PIANO. 388 00:15:21,938 --> 00:15:24,171 AND WE'LL START THE BIDDING AT $2,000. 389 00:15:24,207 --> 00:15:25,506 2,000. 390 00:15:25,541 --> 00:15:27,308 2,200...? 391 00:15:27,377 --> 00:15:28,709 IT'S FUN! 392 00:15:28,744 --> 00:15:30,144 WELL, I'D SAY 393 00:15:30,179 --> 00:15:32,079 WE'VE EARNED SOME CHAMPAGNE. 394 00:15:32,115 --> 00:15:34,748 HELEN GOT HER "SUNRISE" AND "SUNSET" PAINTINGS, 395 00:15:34,784 --> 00:15:36,517 AND DEAN GOT HIS VIOLA, 396 00:15:36,552 --> 00:15:39,387 AND RAGS-TO-RICHES NOW OWNS KAISER WILHELM'S PIANO. 397 00:15:39,422 --> 00:15:42,123 WELL... LET'S DRINK TO THAT. 398 00:15:42,158 --> 00:15:43,291 HAPPY AUCTION DAY, EVERYONE! 399 00:15:43,326 --> 00:15:44,491 HAPPY AUCTION DAY, EVERYONE! 400 00:15:44,560 --> 00:15:46,493 AUCTION DAY. 401 00:15:46,529 --> 00:15:48,062 IT DOESN'T LOOK TOO BAD. 402 00:15:48,131 --> 00:15:50,531 SOME WD-40, SOME SANDPAPER, 403 00:15:50,566 --> 00:15:52,033 MAYBE A LITTLE DUCT TAPE... 404 00:15:52,068 --> 00:15:53,534 [CHUCKLING] OH, DEAN, STOP. 405 00:15:53,569 --> 00:15:55,736 JUST GIVE ME ABOUT AN HOUR TO TAKE A LOOK AT IT, 406 00:15:55,771 --> 00:15:57,138 AND WRITE UP AN ESTIMATE, 407 00:15:57,173 --> 00:15:59,506 FACTORING IN THE FRIENDS AND FAMILY DISCOUNT, OF COURSE. 408 00:15:59,542 --> 00:16:01,242 THANK YOU. 409 00:16:01,277 --> 00:16:02,076 EXCUSEZ-MOI. 410 00:16:02,111 --> 00:16:03,077 MAY I HAVE A MOMENT? 411 00:16:04,180 --> 00:16:05,479 MY NAME IS JACQUES, 412 00:16:05,514 --> 00:16:08,416 AND, UNFORTUNATELY, I WAS NOT IN THE ROOM 413 00:16:08,451 --> 00:16:10,584 WHEN THEY PRESENT THIS MARVELOUS PIANO, 414 00:16:10,619 --> 00:16:12,286 AND I NEVER RECEIVED 415 00:16:12,322 --> 00:16:14,021 THE ADDENDUM LIST, 416 00:16:14,057 --> 00:16:17,524 SO I WOULD LIKE TO KNOW IF YOU WOULD CONSIDER AN OFFER? 417 00:16:17,593 --> 00:16:19,793 I COULD GO UP, UH, 20%? 418 00:16:19,862 --> 00:16:21,195 [CHUCKLES POLITELY] 419 00:16:21,230 --> 00:16:22,930 WELL, THANK YOU, BUT IT'S NOT FOR SALE. 420 00:16:22,966 --> 00:16:24,465 25%? 421 00:16:24,500 --> 00:16:27,501 UH, THAT'S VERY GENEROUS, BUT I'M NOT SELLING. 422 00:16:27,536 --> 00:16:29,370 MADAME... 423 00:16:29,439 --> 00:16:30,704 THIS IS VERY IMPORTANT TO ME. 424 00:16:32,208 --> 00:16:33,407 PLEASE SAY YOUR PRICE. 425 00:16:35,345 --> 00:16:36,610 THE LADY SAID NO. 426 00:16:36,645 --> 00:16:38,645 WELL... 427 00:16:38,681 --> 00:16:41,748 THAT IS A REAL SHAME. 428 00:17:07,877 --> 00:17:10,144 [♪♪♪] 429 00:17:13,216 --> 00:17:14,315 [ENTRY BELL CHIMES] 430 00:17:14,350 --> 00:17:15,983 DEAN! 431 00:17:18,587 --> 00:17:20,121 DEAN, YOU BACK THERE? 432 00:17:26,529 --> 00:17:28,262 DEAN? 433 00:17:34,904 --> 00:17:36,370 DEAN! 434 00:17:42,845 --> 00:17:43,944 [DIALING] 435 00:17:43,979 --> 00:17:45,812 9-1-1, WHAT'S YOUR EMERGENCY? 436 00:17:45,881 --> 00:17:47,081 YES, OPERATOR, UH, 437 00:17:47,116 --> 00:17:50,184 THERE'S BEEN AN ATTACK AT 166 SOUTH GROVE. 438 00:17:50,253 --> 00:17:52,253 THE VICTIM IS UNCONSCIOUS, I NEED AN AMBULANCE RIGHT AWAY. 439 00:17:56,526 --> 00:17:58,692 [ENTRY BELL CHIMES] 440 00:18:04,867 --> 00:18:06,033 OH, FRANK, 441 00:18:06,069 --> 00:18:07,468 DEAN IS SUCH A SWEET GUY. 442 00:18:07,503 --> 00:18:09,636 I DON'T KNOW WHAT WOULD HAVE PROVOKED THIS KIND OF ATTACK. 443 00:18:09,705 --> 00:18:11,004 IT'S MOST LIKELY A ROBBERY GONE WRONG. 444 00:18:14,243 --> 00:18:16,277 CHECK THE TILL HERE... 445 00:18:18,114 --> 00:18:21,014 THERE'S 500 OR SO DOLLARS STILL LEFT IN THE TILL. 446 00:18:21,050 --> 00:18:23,517 THAT'S STRANGE, FOR A ROBBERY. 447 00:18:23,553 --> 00:18:25,152 HMM... 448 00:18:25,188 --> 00:18:26,687 THESE INSTRUMENTS, 449 00:18:26,722 --> 00:18:28,255 THEY SEEM LIKE THEY'RE PRETTY VALUABLE. 450 00:18:31,994 --> 00:18:33,494 JENN? 451 00:18:33,529 --> 00:18:36,197 THE PIANO... 452 00:18:36,265 --> 00:18:38,199 THE FRONT PANELS WERE YANKED OFF. 453 00:18:38,234 --> 00:18:40,334 THE ASSAILANT WAS PROBABLY LOOKING FOR SOMETHING. 454 00:18:40,369 --> 00:18:41,335 MONEY, DRUGS... 455 00:18:41,370 --> 00:18:42,669 I'VE SEEN STRANGER THINGS. 456 00:18:42,738 --> 00:18:44,438 FRANK, DEAN AND I WERE APPROACHED AFTER THE AUCTION 457 00:18:44,474 --> 00:18:45,406 BY A GENTLEMAN, 458 00:18:45,441 --> 00:18:46,707 HE SAID HIS NAME WAS "JACQUES." 459 00:18:46,775 --> 00:18:48,175 MEDIUM HEIGHT, FRENCH ACCENT. 460 00:18:48,244 --> 00:18:49,977 HE WANTED TO BUY THE PIANO. 461 00:18:50,012 --> 00:18:51,345 WHEN I DECLINED HIS OFFER, 462 00:18:51,380 --> 00:18:53,280 HE GOT VERY INSISTENT. 463 00:18:53,316 --> 00:18:54,582 DEAN HAD TO INTERVENE. 464 00:18:54,617 --> 00:18:55,782 HMM... 465 00:18:55,851 --> 00:18:57,718 THAT DEFINITELY SOUNDS LIKE A MOTIVE. 466 00:18:57,753 --> 00:18:59,120 I TAKE IT HE DIDN'T GIVE YOU HIS CARD? 467 00:18:59,155 --> 00:19:00,287 NO. 468 00:19:00,323 --> 00:19:02,490 OH, BUT I DID SEE HIM PLACE A WINNING BID 469 00:19:02,525 --> 00:19:03,457 ON A BIEDERMEIER DRESSER, 470 00:19:03,493 --> 00:19:04,858 WHICH MEANS 471 00:19:04,927 --> 00:19:06,494 THE AUCTION HOUSE WOULD HAVE A RECORD OF THAT PURCHASE. 472 00:19:06,562 --> 00:19:08,329 GOOD, I'LL FOLLOW UP. 473 00:19:08,364 --> 00:19:10,197 IN THE MEANTIME, I'M GONNA TAKE A LOOK AROUND 474 00:19:10,266 --> 00:19:11,265 AND SEE IF ANYTHING ELSE WAS TAKEN. 475 00:19:15,538 --> 00:19:16,470 FRANK... 476 00:19:16,506 --> 00:19:17,571 MM-HMM? 477 00:19:17,607 --> 00:19:19,706 THERE MIGHT BE A GUITAR MISSING. 478 00:19:19,742 --> 00:19:20,508 LOOK RIGHT THERE, 479 00:19:20,543 --> 00:19:21,775 SLOT G-4? 480 00:19:21,810 --> 00:19:23,144 OKAY... 481 00:19:23,179 --> 00:19:24,145 ALL RIGHT, 482 00:19:24,213 --> 00:19:26,747 LET'S SEE IF MR. CONNICK 483 00:19:26,782 --> 00:19:29,816 HAS ANY LISTED HERE... 484 00:19:29,885 --> 00:19:31,752 ALL RIGHT, G-3, G-5, 485 00:19:31,820 --> 00:19:33,820 G-4... 486 00:19:33,856 --> 00:19:37,057 IT'S A 1937 MARTIN D-28 GUITAR. 487 00:19:37,092 --> 00:19:38,492 SOUNDS REALLY EXPENSIVE. 488 00:19:38,528 --> 00:19:40,761 A VINTAGE MARTIN COULD BE WORTH $8,000. 489 00:19:40,796 --> 00:19:42,196 WHO'S THE OWNER? 490 00:19:42,231 --> 00:19:43,197 THERE ISN'T ANYTHING ELSE LISTED HERE, 491 00:19:43,232 --> 00:19:44,931 EXCEPT FOR THE INITIALS "H-N." 492 00:19:44,967 --> 00:19:45,832 DOES THAT RING A BELL? 493 00:19:45,901 --> 00:19:47,268 NO. 494 00:19:47,303 --> 00:19:48,769 LOOK, IF YOU DON'T NEED ME, 495 00:19:48,837 --> 00:19:50,804 I'M GOING TO GO TO THE HOSPITAL AND SEE HOW DEAN IS DOING. 496 00:19:50,839 --> 00:19:51,938 OKAY. 497 00:19:51,974 --> 00:19:53,207 WELL, I'M GOING TO STICK AROUND 498 00:19:53,242 --> 00:19:55,309 AND LOOK AT THE SECURITY FOOTAGE ON THE CAMERAS. 499 00:19:55,344 --> 00:19:57,744 IT'S TOO BAD THEY DIDN'T HAVE A CAMERA MOUNTED IN THE BACK. 500 00:19:57,780 --> 00:19:59,112 YEAH. 501 00:19:59,182 --> 00:20:00,080 IT IS TOO BAD. 502 00:20:04,480 --> 00:20:05,902 HOW'S MR. CONNICK FARING? 503 00:20:05,952 --> 00:20:08,086 WELL, HE'S CONSCIOUS, BUT HE'S STILL IN ICU. 504 00:20:08,154 --> 00:20:10,288 THIS IS THE NEUROLOGIST IN CHARGE. 505 00:20:10,324 --> 00:20:12,457 SHE SAID HE'S NOT READY FOR VISITORS YET. 506 00:20:12,526 --> 00:20:14,326 OKAY, THANKS. 507 00:20:14,361 --> 00:20:16,127 NOW, THIS MAN YOU MENTIONED, 508 00:20:16,162 --> 00:20:18,062 THE ONE WHO APPROACHED YOU AFTER THE AUCTION... 509 00:20:18,098 --> 00:20:19,264 YES, JACQUES. 510 00:20:19,333 --> 00:20:20,565 OKAY, WELL, 511 00:20:20,634 --> 00:20:22,567 I MAY HAVE FOUND SOMETHING. 512 00:20:26,540 --> 00:20:28,172 CHECK THIS OUT. 513 00:20:28,242 --> 00:20:29,774 THE MARTIN GUITAR IS STILL THERE. 514 00:20:29,809 --> 00:20:30,709 SLOT G-4. 515 00:20:30,744 --> 00:20:32,043 YEAH, I SAW THAT. 516 00:20:32,979 --> 00:20:35,247 HERE WE GO. 517 00:20:35,282 --> 00:20:36,281 THAT'S HIM. THAT'S "JACQUES." 518 00:20:36,350 --> 00:20:37,148 ARE YOU SURE? 519 00:20:37,183 --> 00:20:38,316 YES. 520 00:20:38,352 --> 00:20:40,151 OKAY, WELL, WE HAVE A BONA FIDE SUSPECT. 521 00:20:40,186 --> 00:20:42,654 I JUST HOPE THAT MR. CONNICK CAN I.D. HIM. 522 00:20:44,324 --> 00:20:45,257 LIKE A DOG AFTER A BONE. 523 00:20:45,292 --> 00:20:47,459 OR A MAN AFTER A PIANO. 524 00:20:47,527 --> 00:20:48,393 [CHUCKLES] 525 00:20:51,030 --> 00:20:52,330 ALL RIGHT. 526 00:20:52,399 --> 00:20:54,866 58 SECONDS OFF-CAMERA. 527 00:20:54,901 --> 00:20:56,268 YOU THINK THAT WAS ENOUGH TIME? 528 00:20:56,303 --> 00:20:57,969 WHAT, ENOUGH TIME TO KNOCK OUT YOUR FRIEND? 529 00:20:58,004 --> 00:20:59,437 TEAR THE PANELS OFF YOUR PIANO, 530 00:20:59,506 --> 00:21:00,872 AND DO A SEARCH-AND-SEIZE? 531 00:21:00,907 --> 00:21:02,474 YEAH, PLENTY OF TIME. 532 00:21:02,509 --> 00:21:04,942 QUESTION IS, WHAT WAS HE LOOKING FOR? 533 00:21:06,647 --> 00:21:07,545 ALL RIGHT, I'M GOING TO FAST-FORWARD 534 00:21:07,614 --> 00:21:08,480 A LITTLE BIT HERE. 535 00:21:09,983 --> 00:21:13,351 THERE'S ONE OTHER PERSON THAT CAME IN BEFORE YOU ARRIVED. 536 00:21:13,387 --> 00:21:14,586 THERE HE IS, 537 00:21:14,621 --> 00:21:15,820 OUR ROCK-'N'-ROLLER. 538 00:21:15,889 --> 00:21:17,355 WELL, HE LOOKS FAMILIAR. 539 00:21:17,391 --> 00:21:19,791 "H-N..." 540 00:21:19,826 --> 00:21:22,427 OH, YOU KNOW WHAT, I THINK THAT'S HOWIE NASH. 541 00:21:22,462 --> 00:21:23,428 HE'S A LOCAL MUSICIAN. 542 00:21:23,497 --> 00:21:24,929 VERY POPULAR AMONG HANNAH'S CROWD. 543 00:21:24,964 --> 00:21:27,031 OH, FYI, HE PLAYS FOLK, NOT ROCK. 544 00:21:27,066 --> 00:21:28,199 I HEARD HIS CD. HE'S PRETTY GOOD. 545 00:21:28,234 --> 00:21:29,734 OH, YEAH? 546 00:21:29,803 --> 00:21:31,503 HE'S A VERY BAD THIEF. 547 00:21:35,809 --> 00:21:37,175 [SIGHS] OH... 548 00:21:37,243 --> 00:21:38,777 THAT'S NOT GOOD. 549 00:21:38,812 --> 00:21:40,378 HOW LONG WAS HE OFF-CAMERA? 550 00:21:40,414 --> 00:21:42,614 16 SECONDS. 551 00:21:42,649 --> 00:21:43,782 STILL WITHIN THE TIMEFRAME, 552 00:21:43,817 --> 00:21:46,083 STILL A SUSPECT. 553 00:21:52,726 --> 00:21:53,958 SHANNON, 554 00:21:53,993 --> 00:21:55,159 WHAT ARE YOU DOING? 555 00:21:55,228 --> 00:21:56,227 I DIDN'T GIVE YOU THE AFTERNOON OFF, LET'S GO. 556 00:21:56,262 --> 00:21:57,529 I KNOW, COACH, I KNOW. 557 00:21:57,564 --> 00:21:59,163 I'M JUST CRUNCHING SOME DATA HERE. 558 00:21:59,199 --> 00:22:00,432 YEAH, DID YOU KNOW 559 00:22:00,467 --> 00:22:02,033 WE'RE SHOOTING ALMOST 60% FROM THE TOP OF THE KEY? 560 00:22:02,068 --> 00:22:03,702 BUT ONLY 30% INSIDE THE PAINT? 561 00:22:03,737 --> 00:22:05,303 WHAT ARE YOU, MY STATISTICIAN NOW? 562 00:22:05,339 --> 00:22:07,739 NO, NO, I'M JUST GOING OVER SOME MATH HOMEWORK. 563 00:22:07,774 --> 00:22:09,407 LOOK, I WAS THINKING, 564 00:22:09,443 --> 00:22:11,976 MAYBE WE COULD WORK OFF SOME OF THESE STATS, YOU KNOW? 565 00:22:12,011 --> 00:22:12,877 DESIGN SOME NEW PLAYS? 566 00:22:12,912 --> 00:22:13,845 OH, YEAH? 567 00:22:13,880 --> 00:22:14,979 I'VE GOT A BETTER IDEA. 568 00:22:15,014 --> 00:22:16,214 HOW ABOUT 10 FULL-COURT SPRINTS? 569 00:22:17,351 --> 00:22:18,350 [BLOWS WHISTLE] 570 00:22:18,385 --> 00:22:19,317 LET'S GO! ON THE LINE! 571 00:22:19,386 --> 00:22:20,719 10 SPRINTS, LET'S GO! HUSTLE UP! 572 00:22:20,754 --> 00:22:22,721 LET'S GO! LET'S GO! LET'S GO! 573 00:22:24,123 --> 00:22:25,523 COME ON, KID, 574 00:22:25,559 --> 00:22:27,792 WE HAVE YOU ON TAPE AT THE CRIME SCENE. 575 00:22:27,828 --> 00:22:29,193 STOP WITH THE THIRD DEGREE, MAN. 576 00:22:29,262 --> 00:22:31,128 ME AND DEAN? 577 00:22:31,197 --> 00:22:32,364 YOU HAVE NO IDEA. 578 00:22:32,399 --> 00:22:33,297 OKAY. 579 00:22:33,333 --> 00:22:34,866 WELL, ENLIGHTEN ME. 580 00:22:34,934 --> 00:22:36,735 YEAH, MAYBE I'LL START WITH THEFT, 581 00:22:36,770 --> 00:22:38,503 AND THEN I'LL WORK MY WAY UP TO ASSAULT. 582 00:22:38,538 --> 00:22:39,871 OR VICE-VERSA, WHATEVER YOU-- 583 00:22:39,939 --> 00:22:41,439 THE MARTIN GUITAR IS MINE, OKAY? 584 00:22:42,476 --> 00:22:43,341 THIS RIGHT HERE 585 00:22:43,377 --> 00:22:45,677 IS A PRE-PAID RECEIPT... 586 00:22:45,712 --> 00:22:47,111 FOR NEW STRINGS 587 00:22:47,146 --> 00:22:48,880 AND FRET REPAIR. 588 00:22:48,915 --> 00:22:50,314 MR. CONNICK 589 00:22:50,350 --> 00:22:53,050 IS THE ONLY HUMAN ON THE PLANET I'D LET TOUCH MY D-28. 590 00:22:53,086 --> 00:22:54,786 THE MAN'S A GOOD FRIEND, 591 00:22:54,855 --> 00:22:56,287 BEEN A MENTOR TO ME 592 00:22:56,322 --> 00:22:58,256 SINCE I PICKED UP A TOY UKULELE. 593 00:22:58,291 --> 00:22:59,624 WHY WOULD I WANT TO HURT HIM? 594 00:22:59,693 --> 00:23:01,225 SO, WHY DIDN'T YOU CALL 9-1-1? 595 00:23:01,261 --> 00:23:03,361 BECAUSE I HAD NO IDEA HE HAD BEEN ROLLED, OKAY? 596 00:23:03,430 --> 00:23:04,562 I THOUGHT I COULD HEAR HIM 597 00:23:04,598 --> 00:23:05,764 MOVING AROUND IN THE BACK THERE. 598 00:23:05,799 --> 00:23:08,032 AND THE DOOR WAS SHUT, MUSIC WAS ON... 599 00:23:08,067 --> 00:23:09,467 HE WAS IN WORK MODE. 600 00:23:09,503 --> 00:23:10,334 WELL, THEN YOU KNOCK. 601 00:23:10,404 --> 00:23:12,236 NO. YOU DON'T KNOCK. 602 00:23:12,272 --> 00:23:13,872 HE'D HEAR THE DOOR ENTRY BUZZER. 603 00:23:13,907 --> 00:23:15,940 IF HE'S NOT THERE WHEN YOU WALK IN, YOU WAIT. 604 00:23:15,975 --> 00:23:17,909 IT MEANS HE'S BUSY. 605 00:23:17,944 --> 00:23:19,944 COULD BE HOLDING A STRADIVARIUS, KNOW WHAT I'M SAYING? 606 00:23:19,979 --> 00:23:20,912 BUT YOU COULDN'T WAIT. 607 00:23:21,981 --> 00:23:23,047 I GOT A GIG TONIGHT. 608 00:23:23,082 --> 00:23:23,948 ARE WE DONE? 609 00:23:25,985 --> 00:23:27,952 I WANNA GO BY THE HOSPITAL. 610 00:23:27,987 --> 00:23:30,187 YOU'RE WASTING YOUR TIME. 611 00:23:38,031 --> 00:23:40,097 RICK? 612 00:23:40,133 --> 00:23:41,165 HEY, THERE. 613 00:23:41,200 --> 00:23:42,567 I DON'T THINK WE'VE MET. 614 00:23:42,636 --> 00:23:44,602 HI, I'M HANNAH, YOUR NEW TUTOR. 615 00:23:45,539 --> 00:23:46,538 YOU'RE KIDDING. 616 00:23:46,573 --> 00:23:47,705 MY COACH SAID 617 00:23:47,741 --> 00:23:48,840 HE'D HANDLE THIS. 618 00:23:48,875 --> 00:23:50,107 HE DID. 619 00:23:50,143 --> 00:23:51,810 THAT'S WHY I'M HERE. 620 00:23:51,878 --> 00:23:53,411 YOU DO KNOW THAT ACADEMIC PROBATION 621 00:23:53,480 --> 00:23:55,012 CAN LEAD TO TEAM SUSPENSION, RIGHT? 622 00:23:55,048 --> 00:23:58,550 ANYWAY, I'VE VISITED ALL YOUR PROFESSORS, 623 00:23:58,585 --> 00:23:59,884 AND, WOW, 624 00:23:59,953 --> 00:24:01,252 CLEARLY, WE HAVE A LOT OF MAKE-UP WORK TO GET AFTER. 625 00:24:01,287 --> 00:24:03,721 YEAH, WELL, I GOT PRACTICE IN A COUPLE MINUTES, SO-- 626 00:24:03,757 --> 00:24:05,356 WELL, I CAN MEET IN THE LIBRARY RIGHT AFTER? 627 00:24:05,391 --> 00:24:06,925 LET'S SAY TOMORROW. 628 00:24:11,798 --> 00:24:13,631 SO, WHY WASN'T I INFORMED? 629 00:24:13,667 --> 00:24:15,299 YOU HAD NO RIGHT TO HOLD AN ESTATE SALE 630 00:24:15,368 --> 00:24:16,968 TO SELL OFF MY FAMILY HEIRLOOMS! 631 00:24:17,003 --> 00:24:18,603 I HAD EVERY RIGHT, MISS TURNER. 632 00:24:18,638 --> 00:24:21,105 I HAVE HERE A LETTER FROM MY GRANDFATHER, 633 00:24:21,174 --> 00:24:22,173 WRITTEN TO MY MOTHER, HELGA, 634 00:24:22,208 --> 00:24:23,207 SIX MONTHS AGO, 635 00:24:23,242 --> 00:24:24,275 ASSURING US THAT EVERYTHING, 636 00:24:24,310 --> 00:24:25,443 AND I MEAN EVERYTHING IN HIS ESTATE, 637 00:24:25,479 --> 00:24:26,544 WOULD BE LEFT TO US. 638 00:24:26,580 --> 00:24:28,145 AND I HAVE HERE 639 00:24:28,181 --> 00:24:30,648 A LEGALLY-BINDING CONTRACT 640 00:24:30,684 --> 00:24:32,750 SIGNED BY YOUR LATE GRANDFATHER, KARL DIETZ, 641 00:24:32,786 --> 00:24:33,818 EIGHT WEEKS AGO, 642 00:24:33,854 --> 00:24:35,487 GIVING ME PERMISSION TO APPRAISE, 643 00:24:35,522 --> 00:24:36,888 CATALOGUE, AND AUCTION 644 00:24:36,923 --> 00:24:38,890 ALL ITEMS LISTED HERE WITHIN, 645 00:24:38,925 --> 00:24:42,460 THE NET PROFITS TO BE PLACED IN HIS CHARITABLE TRUST. 646 00:24:42,496 --> 00:24:43,427 TWO MONTHS AGO. 647 00:24:43,463 --> 00:24:44,829 HOW CONVENIENT. 648 00:24:45,866 --> 00:24:47,365 DETECTIVE, MA'AM. 649 00:24:47,433 --> 00:24:48,766 MR. SILES IS AT THE TOP OF THE STAIRS. 650 00:24:48,802 --> 00:24:50,234 HE'S EXPECTING YOU. 651 00:24:50,269 --> 00:24:51,903 THANK YOU. 652 00:24:54,474 --> 00:24:56,207 HEY, JENN, THANKS FOR MEETING ME HERE. 653 00:24:56,242 --> 00:24:57,709 I FIGURED YOU'RE AN ANTIQUE EXPERT, 654 00:24:57,744 --> 00:24:59,944 SO YOU SHOULD BE ABLE TO SPEAK SILES'S LANGUAGE. 655 00:24:59,980 --> 00:25:01,245 OF COURSE. 656 00:25:01,280 --> 00:25:02,714 HAS HOWIE BEEN CLEARED? 657 00:25:02,749 --> 00:25:04,315 FOR NOW. 658 00:25:04,350 --> 00:25:05,449 [SILES]: ...WELL, CLEARLY, MY CONTRACT 659 00:25:05,485 --> 00:25:06,751 SUPERSEDES YOUR LETTER. 660 00:25:06,786 --> 00:25:07,986 SPEAKING OF WHICH, 661 00:25:08,021 --> 00:25:09,521 WHEN WAS THE LAST TIME YOU SAW YOUR GRANDFATHER? 662 00:25:09,556 --> 00:25:11,322 NINE, TEN YEARS AGO? 663 00:25:11,391 --> 00:25:12,557 HOW DARE YOU? 664 00:25:12,592 --> 00:25:13,558 I'M SORRY. 665 00:25:13,593 --> 00:25:15,192 YOUR GRIEF AND CONCERN 666 00:25:15,228 --> 00:25:16,494 IS DULY NOTED. 667 00:25:16,530 --> 00:25:17,862 AND I HAVE NO DOUBT 668 00:25:17,898 --> 00:25:20,297 THAT YOU MANIPULATED A SICK, FEEBLE OLD MAN. 669 00:25:20,333 --> 00:25:21,265 YOU'LL BE HEARING FROM MY ATTORNEY. 670 00:25:21,300 --> 00:25:23,334 GOOD EVENING, MISS TURNER. 671 00:25:23,369 --> 00:25:24,268 AH, DETECTIVE, 672 00:25:24,303 --> 00:25:26,070 PLEASE, COME IN. 673 00:25:26,139 --> 00:25:27,471 SORRY ABOUT THE SPOT OF DRAMA. 674 00:25:27,507 --> 00:25:29,541 COMES WITH THE TERRITORY, I'M AFRAID. 675 00:25:29,576 --> 00:25:31,208 I'M SURE. 676 00:25:31,244 --> 00:25:33,344 NOW THEN, 677 00:25:33,379 --> 00:25:35,246 HOW MAY I BE OF ASSISTANCE? 678 00:25:35,281 --> 00:25:37,348 IS THAT A FRIEDRICH EISENLOHR? 679 00:25:37,383 --> 00:25:38,850 OH, WHY, YES. 680 00:25:38,885 --> 00:25:39,984 UM, CIRCA... 681 00:25:40,020 --> 00:25:42,319 1836. 682 00:25:42,355 --> 00:25:43,354 HUH. 683 00:25:43,389 --> 00:25:44,689 MISS...? 684 00:25:44,758 --> 00:25:46,257 OH, UH, SHANNON. 685 00:25:46,292 --> 00:25:49,827 I LOVE THE BAHNHAUSLE DESIGN. 686 00:25:49,863 --> 00:25:51,162 JENNIFER OWNS AN ANTIQUE STORE IN TOWN, 687 00:25:51,197 --> 00:25:52,096 RAGS-TO-RICHES. 688 00:25:52,131 --> 00:25:53,765 AH, YES, YES. 689 00:25:53,833 --> 00:25:55,833 RUMOR HAS IT YOU HAVE THE HABIT OF UNEARTHING A RARE GEM 690 00:25:55,869 --> 00:25:56,935 NOW AND THEN. 691 00:25:56,970 --> 00:26:00,371 WELL, I CERTAINLY UNEARTHED ONE TODAY. 692 00:26:00,406 --> 00:26:02,774 I'M THE ONE WHO PURCHASED MR. DIETZ'S PLAYER PIANO. 693 00:26:02,809 --> 00:26:04,042 OH, YES, 694 00:26:04,077 --> 00:26:05,843 WELL, WHAT A DELIGHTFUL AND ARCANE INSTRUMENT. 695 00:26:05,879 --> 00:26:07,311 YES. 696 00:26:07,346 --> 00:26:09,013 OH, OF COURSE, NOW I RECOGNIZE YOU. 697 00:26:09,082 --> 00:26:11,515 AND WASN'T THAT, UM, DEAN CONNICK 698 00:26:11,551 --> 00:26:12,817 I SAW YOU WITH? 699 00:26:13,954 --> 00:26:16,187 ACTUALLY, THAT'S WHY WE'RE HERE. 700 00:26:16,222 --> 00:26:18,489 MR. CONNICK WAS ASSAULTED THIS AFTERNOON, 701 00:26:18,524 --> 00:26:20,024 SHORTLY AFTER TRANSPORTING THE PLAYER PIANO 702 00:26:20,093 --> 00:26:21,158 BACK TO HIS SHOP. 703 00:26:21,227 --> 00:26:22,760 OH, THAT IS DISTRESSING. 704 00:26:22,829 --> 00:26:24,462 WE HAVE A WITNESS... 705 00:26:25,531 --> 00:26:27,465 THE SAME INDIVIDUAL 706 00:26:27,533 --> 00:26:30,201 WHO PLACED THE WINNING BID ON THE BIEDERMEIER ARMOIRE. 707 00:26:30,236 --> 00:26:32,503 ALSO SEEMS TO HAVE QUITE THE ZEALOUS INTEREST 708 00:26:32,538 --> 00:26:34,872 IN MRS. SHANNON'S PIANO. 709 00:26:34,908 --> 00:26:36,173 SAYS HIS NAME IS "JACQUES." 710 00:26:37,510 --> 00:26:41,312 I VAGUELY RECOGNIZE THE FACE, DETECTIVE, 711 00:26:41,347 --> 00:26:45,549 BUT I'M AFRAID I CANNOT HELP YOU, UH... 712 00:26:45,585 --> 00:26:46,584 THE GENTLEMAN, IF YOU CAN CALL HIM THAT, 713 00:26:46,653 --> 00:26:48,285 LEFT WITHOUT THE ARMOIRE, 714 00:26:48,321 --> 00:26:49,887 AND DID NOT LEAVE A CHECK TO PLACE IT ON HOLD, 715 00:26:49,923 --> 00:26:51,823 THEREFORE WE HAVE NO RECORD OF HIM, I'M AFRAID. 716 00:26:51,858 --> 00:26:53,725 HE WASN'T ON THE INVITE LIST? 717 00:26:53,760 --> 00:26:56,027 NO, BUT, UH, WE OFTEN GET CRASHERS, 718 00:26:56,062 --> 00:26:58,329 AND THIS ONE PICKED UP A PADDLE AND MADE A BID. 719 00:26:58,364 --> 00:27:00,264 UM... 720 00:27:00,299 --> 00:27:02,066 SORRY I COULDN'T BE OF MORE HELP, DETECTIVE. 721 00:27:03,503 --> 00:27:04,468 AND MS. SHANNON, 722 00:27:04,504 --> 00:27:06,104 PLEASE EXTEND MY HEARTFELT WISHES 723 00:27:06,139 --> 00:27:07,404 TO MR. CONNICK 724 00:27:07,440 --> 00:27:09,974 FOR A FULL AND COMPLETE RECOVERY. 725 00:27:10,010 --> 00:27:11,308 WILL DO. 726 00:27:11,344 --> 00:27:12,576 THANK YOU. 727 00:27:14,347 --> 00:27:15,212 GOOD NIGHT. 728 00:27:25,187 --> 00:27:26,921 HEY, HON'. 729 00:27:26,956 --> 00:27:28,689 OH, HEY, SWEETHEART. 730 00:27:28,758 --> 00:27:30,925 I GOT YOUR MESSAGE ABOUT DEAN. 731 00:27:30,960 --> 00:27:32,326 ANY UPDATES FROM THE HOSPITAL? 732 00:27:32,361 --> 00:27:34,028 UH, YES, HE IS STILL IN ICU, 733 00:27:34,097 --> 00:27:35,663 BUT HIS MRI CAME BACK CLEAR. 734 00:27:35,732 --> 00:27:36,864 WELL, THAT'S ENCOURAGING. 735 00:27:36,899 --> 00:27:38,032 SOMETHING SMELLS GOOD. 736 00:27:38,067 --> 00:27:39,133 WHAT ARE YOU COOKING? 737 00:27:39,168 --> 00:27:40,467 OH, I'M TRYING THAT NEW DELIVERY SERVICE 738 00:27:40,503 --> 00:27:41,902 THAT DANI KEEPS RAVING ABOUT. 739 00:27:41,938 --> 00:27:43,170 OH... 740 00:27:43,205 --> 00:27:44,839 NOT THE "DON'T PANIC, IT'S ORGANIC" EXPRESS? 741 00:27:44,874 --> 00:27:45,906 YES! 742 00:27:45,942 --> 00:27:47,574 PANEER VINDALOO WITH EGGPLANT. 743 00:27:47,610 --> 00:27:49,844 [SIGHS] 744 00:27:49,879 --> 00:27:51,979 OH, COME ON, WHERE'S YOUR SENSE OF ADVENTURE? 745 00:27:52,015 --> 00:27:53,380 JUST GO EASY ON THE CURRY. 746 00:27:53,415 --> 00:27:54,448 [CHUCKLES] 747 00:27:54,517 --> 00:27:56,216 HEY, YOU WORKING ON A NEW PROJECT? 748 00:27:56,285 --> 00:27:57,417 ACTUALLY, IT'S AN OLD ONE. 749 00:27:57,453 --> 00:27:59,286 THOSE ARE THE ORIGINAL BLUEPRINTS 750 00:27:59,321 --> 00:28:00,721 FROM THE DIETZ RECITAL HALL. 751 00:28:00,757 --> 00:28:02,289 I THOUGHT I'D DONATE THEM, 752 00:28:02,324 --> 00:28:04,558 YOU KNOW, MAYBE GET 'EM FRAMED, AND HANG THEM IN THE LOBBY? 753 00:28:04,593 --> 00:28:06,426 WOULD YOU LIKE ME TO GET THEM FRAMED FOR YOU? 754 00:28:06,495 --> 00:28:08,195 THAT IS A TERRIFIC IDEA. 755 00:28:08,230 --> 00:28:09,496 [CHUCKLING] 756 00:28:09,565 --> 00:28:11,465 HIS GRANDDAUGHTER'S PUTTING ON A MEMORIAL SERVICE 757 00:28:11,534 --> 00:28:12,533 IN A COUPLE OF DAYS. 758 00:28:12,568 --> 00:28:14,334 THEY'VE ASKED ME TO HELP PLAN IT 759 00:28:14,370 --> 00:28:16,637 SINCE I KNOW EVERY SQUARE INCH OF THE PLACE. 760 00:28:16,706 --> 00:28:17,838 AND THERE'S A REHEARSAL TOMORROW, 761 00:28:17,874 --> 00:28:19,807 SO MAYBE IF YOU COULD DROP THEM BY THEN? 762 00:28:19,842 --> 00:28:20,908 OH, WOW, A RUSH JOB. 763 00:28:20,943 --> 00:28:22,877 HUH, WELL, I'M ON IT. 764 00:28:22,912 --> 00:28:24,045 THANK YOU. 765 00:28:26,082 --> 00:28:27,548 HEY, JASON... 766 00:28:27,583 --> 00:28:28,716 THIS ISN'T YOUR HANDWRITING. 767 00:28:28,751 --> 00:28:32,086 THOSE ARE MR. DIETZ'S NOTES AND ADJUSTMENTS. 768 00:28:32,121 --> 00:28:34,021 THAT'S WHY I WANTED TO DONATE THE PRINTS. 769 00:28:34,057 --> 00:28:36,157 LIKE I SAID, THE MAN WAS A PERFECTIONIST. 770 00:28:36,192 --> 00:28:37,291 HE EVEN BROUGHT HIS OWN PEOPLE IN 771 00:28:37,326 --> 00:28:38,425 TO DO THE ACOUSTICS, 772 00:28:38,460 --> 00:28:39,927 THE STAGE FLOORING, VIP SEATS... 773 00:28:42,198 --> 00:28:43,764 WHAT? 774 00:28:46,703 --> 00:28:48,703 WELL, I WAS JUST THINKING, 775 00:28:48,771 --> 00:28:50,237 SOMEONE WENT TO GREAT LENGTHS 776 00:28:50,272 --> 00:28:51,538 TO SEARCH KARL DIETZ'S PIANO. 777 00:28:51,574 --> 00:28:53,373 THEY WERE EVEN WILLING TO HURT DEAN. 778 00:28:53,409 --> 00:28:55,342 IT MAKES YOU WONDER... 779 00:28:55,411 --> 00:28:56,543 DID KARL DIETZ DIE 780 00:28:56,579 --> 00:28:58,179 FROM SOMETHING OTHER THAN A HEART ATTACK? 781 00:28:58,214 --> 00:28:59,313 JENN... 782 00:28:59,348 --> 00:29:01,281 DON'T OVER-THINK THIS. 783 00:29:01,317 --> 00:29:03,283 MR. DIETZ HAD A HISTORY OF HEART TROUBLE. 784 00:29:03,352 --> 00:29:04,518 HE WAS IN A HOME HOSPICE. 785 00:29:04,553 --> 00:29:06,286 YES, BUT THAT WOULDN'T NECESSARILY REMOVE HIM 786 00:29:06,322 --> 00:29:07,387 FROM HARM'S WAY, 787 00:29:07,423 --> 00:29:09,023 WOULD IT? 788 00:29:11,360 --> 00:29:13,293 [♪♪♪] 789 00:29:16,833 --> 00:29:18,432 TELL ME, MR. DWYER, 790 00:29:18,467 --> 00:29:20,701 HOW UP ARE YOU ON YOUR PHILOSOPHERS? 791 00:29:20,737 --> 00:29:22,502 OH, I'VE READ A LITTLE NIETZSCHE, 792 00:29:22,538 --> 00:29:24,905 A LITTLE BIT OF MARCUS AURELIUS. 793 00:29:24,941 --> 00:29:27,507 I TAKE IT YOU'VE NEVER HEARD OF YANG ZHU? 794 00:29:27,543 --> 00:29:28,776 FOURTH CENTURY. 795 00:29:28,811 --> 00:29:30,177 CHINESE. 796 00:29:30,246 --> 00:29:32,346 BELIEVED IN AN "EVERYTHING FOR MYSELF" OUTLOOK. 797 00:29:32,381 --> 00:29:35,649 IS THERE A POINT TO THIS, SIR? 798 00:29:35,684 --> 00:29:37,885 NOT A POINT. 799 00:29:37,920 --> 00:29:39,954 A REVELATION. 800 00:29:41,157 --> 00:29:44,358 TUCKED AMONG THE VOLUMES IN DIETZ'S LIBRARY... 801 00:29:46,195 --> 00:29:48,863 THE MISSING LINK TO A MISSING FORTUNE, PERHAPS? 802 00:29:48,898 --> 00:29:50,865 OUTSTANDING. 803 00:29:50,900 --> 00:29:53,067 SO... WHAT HAVE YOU FOUND? 804 00:29:53,102 --> 00:29:54,201 PATIENCE. 805 00:29:54,237 --> 00:29:55,202 I'VE JUST STARTED SIFTING THROUGH IT ALL, 806 00:29:55,238 --> 00:29:56,370 AND MY GERMAN IS A LITTLE RUSTY, 807 00:29:56,405 --> 00:29:57,304 BUT... 808 00:29:58,574 --> 00:29:59,907 I DID FIND A NOTE. 809 00:30:01,210 --> 00:30:02,810 A PERSONAL REMINDER 810 00:30:02,845 --> 00:30:04,779 REGARDING THE TWO MUNICH SCHOOL PAINTINGS 811 00:30:04,814 --> 00:30:06,413 WE FOUND HANGING BEHIND HIS DESK. 812 00:30:06,448 --> 00:30:08,615 THE "SUNRISE" AND "SUNSET" LANDSCAPES? 813 00:30:08,651 --> 00:30:10,151 YES. 814 00:30:10,186 --> 00:30:11,618 HE ASKED FOR THEM 815 00:30:11,654 --> 00:30:14,188 TO BE MOVED TO THE VAULT FOR SAFEKEEPING. 816 00:30:15,357 --> 00:30:17,124 FORTUNATELY, HE NEVER GOT AROUND TO IT 817 00:30:17,160 --> 00:30:18,859 BEFORE HIS HEALTH TOOK A TURN FOR THE WORSE. 818 00:30:18,895 --> 00:30:20,360 UNFORTUNATELY... 819 00:30:20,396 --> 00:30:21,762 [SIGHS] 820 00:30:21,798 --> 00:30:23,697 I JUST SOLD THEM OFF AT AUCTION. 821 00:30:23,732 --> 00:30:26,466 YOU THINK THEY MAY CONTAIN A CLUE TO THIS VAULT? 822 00:30:27,736 --> 00:30:29,203 ALL I KNOW IS, 823 00:30:29,238 --> 00:30:32,840 KARL DIETZ KEPT HIS SECRETS VERY CLOSE. 824 00:30:32,875 --> 00:30:35,075 PERHAPS HANGING ON A WALL BEHIND HIS DESK. 825 00:30:35,111 --> 00:30:36,476 SO... 826 00:30:36,512 --> 00:30:38,645 WHO OWNS THE PAINTINGS NOW? 827 00:30:38,681 --> 00:30:40,915 A MRS. HELEN BAUER. 828 00:30:43,052 --> 00:30:44,318 HOW'S THAT? 829 00:30:44,353 --> 00:30:45,152 PERFECT. 830 00:30:45,188 --> 00:30:46,287 THANKS. 831 00:30:46,322 --> 00:30:47,454 WHY DON'T YOU COME ON IN? 832 00:30:47,523 --> 00:30:49,290 WE'RE JUST FINALIZING SOME DETAILS. 833 00:30:49,325 --> 00:30:50,490 OKAY. 834 00:30:52,728 --> 00:30:54,528 SO, AFTER THE MENDELSSOHN OCTET, 835 00:30:54,563 --> 00:30:56,096 WE'LL HAVE THE MUSICIANS LEAVE WITH THEIR CHAIRS, 836 00:30:56,132 --> 00:30:58,065 AND THEN WE'LL FINISH WITH THE MOZART FANTASIA. 837 00:30:58,100 --> 00:30:58,933 AGREED? 838 00:30:59,001 --> 00:30:59,834 OKAY, WONDERFUL. 839 00:30:59,869 --> 00:31:01,101 THANK YOU, EVERYONE. 840 00:31:01,137 --> 00:31:02,102 CAROLYN? 841 00:31:02,138 --> 00:31:03,170 YES? 842 00:31:03,239 --> 00:31:04,104 HEY, I WANTED TO INTRODUCE YOU 843 00:31:04,140 --> 00:31:05,372 TO MY WIFE, JENNIFER. 844 00:31:05,407 --> 00:31:07,541 JENN, THIS IS CAROLYN, KARL DIETZ'S GRANDDAUGHTER. 845 00:31:07,609 --> 00:31:09,743 IT'S NICE TO FORMALLY MEET YOU. 846 00:31:09,778 --> 00:31:10,777 WE CROSSED PATHS 847 00:31:10,847 --> 00:31:12,213 AT THE AUCTION HOUSE EARLIER. 848 00:31:12,281 --> 00:31:13,580 I'M SO SORRY 849 00:31:13,615 --> 00:31:15,049 YOU HAD TO WITNESS MY LITTLE TEMPER TANTRUM THERE. 850 00:31:15,084 --> 00:31:15,782 IT WAS BAD TIMING, I'M AFRAID. 851 00:31:15,852 --> 00:31:17,251 OH, EXCUSE ME, 852 00:31:17,320 --> 00:31:18,785 THE BACK STAGE DOOR IS WARPED, 853 00:31:18,821 --> 00:31:20,821 I'VE GOT TO MAKE SURE THEY FIX THE LOCK. 854 00:31:20,890 --> 00:31:22,522 IT'S ALWAYS SOMETHING. 855 00:31:22,558 --> 00:31:24,791 OH, MY GOSH, HE HAS BEEN SUCH A HELP. 856 00:31:24,827 --> 00:31:27,361 WELL, HE WORKED VERY CLOSELY WITH YOUR GRANDFATHER 857 00:31:27,396 --> 00:31:28,329 BUILDING THIS PLACE. 858 00:31:28,364 --> 00:31:31,131 I'M SO SORRY FOR YOUR LOSS. 859 00:31:31,167 --> 00:31:32,766 SO, I TAKE IT YOU HAD NO IDEA 860 00:31:32,801 --> 00:31:34,501 THERE WAS GOING TO BE AN ESTATE AUCTION? 861 00:31:34,536 --> 00:31:36,503 NO, NONE WHATSOEVER. 862 00:31:36,538 --> 00:31:38,638 I'VE BEEN OVERSEAS ON ASSIGNMENT THESE PAST FEW MONTHS. 863 00:31:38,707 --> 00:31:40,074 I'M A CRISIS MANAGER FOR THE CDC. 864 00:31:41,077 --> 00:31:43,143 OH, WOW, A REAL HUMANITARIAN. 865 00:31:43,179 --> 00:31:45,545 OH, WELL... 866 00:31:45,581 --> 00:31:46,580 IT CAN BE REWARDING 867 00:31:46,648 --> 00:31:48,249 AND EXHAUSTING. 868 00:31:48,284 --> 00:31:50,417 BUT, UH... 869 00:31:50,452 --> 00:31:52,686 YEAH, I'M STILL WORKING THROUGH A LOT OF THE GUILT AND REGRET 870 00:31:52,721 --> 00:31:54,788 OVER NOT BEING ABLE TO GET BACK BEFORE MY GRANDPA DIED. 871 00:31:56,893 --> 00:31:58,525 HE DIDN'T TREAT MY MOTHER VERY WELL 872 00:31:58,560 --> 00:31:59,927 WHEN I WAS GROWING UP, 873 00:31:59,962 --> 00:32:00,827 I CALLED HIM OUT ON IT, 874 00:32:00,897 --> 00:32:02,596 AND THAT WAS THAT. 875 00:32:02,664 --> 00:32:03,397 HE CUT US BOTH OFF. 876 00:32:03,432 --> 00:32:05,099 I'M SORRY. 877 00:32:06,302 --> 00:32:08,269 ABOUT SIX MONTHS AGO, MY MOM TOLD ME 878 00:32:08,337 --> 00:32:09,904 THAT GRANDPA WANTED TO REINSTATE US IN THE WILL, 879 00:32:09,972 --> 00:32:11,138 AND SHE GAVE ME A LETTER TO THAT EFFECT, 880 00:32:11,173 --> 00:32:12,072 FROM HIM. 881 00:32:12,108 --> 00:32:13,107 REALLY? 882 00:32:13,142 --> 00:32:15,175 MY MOM, 883 00:32:15,211 --> 00:32:16,911 SHE PASSED AWAY A FEW MONTHS AGO, 884 00:32:16,946 --> 00:32:17,844 WHILE I WAS OVERSEAS, 885 00:32:17,914 --> 00:32:19,046 AND THEN... 886 00:32:19,081 --> 00:32:20,714 GRANDPA'S HEALTH DECLINED, 887 00:32:20,749 --> 00:32:23,517 AND THAT'S WHEN CONRAD SILES SWOOPED IN. 888 00:32:23,552 --> 00:32:25,552 HE'S A PROFESSIONAL VULTURE, THAT MAN. 889 00:32:26,855 --> 00:32:27,988 I'M SORRY. I DON'T MEAN TO VENT. 890 00:32:28,024 --> 00:32:30,925 OH, IT'S PERFECTLY ALL RIGHT. 891 00:32:30,960 --> 00:32:33,527 I FIGURE I'LL JUST LEAVE IT TO THE LAWYERS TO SORT IT OUT. 892 00:32:33,562 --> 00:32:35,562 WELL, I'M VERY SORRY 893 00:32:35,597 --> 00:32:37,164 THAT YOU'RE HAVING TO GO THROUGH THIS, 894 00:32:37,199 --> 00:32:38,732 BUT IF IT'S ANY CONSOLATION, 895 00:32:38,801 --> 00:32:41,135 YOUR GRANDFATHER MEANT A GREAT DEAL TO THIS COMMUNITY. 896 00:32:41,170 --> 00:32:42,903 AND I THINK IT'S LOVELY 897 00:32:42,939 --> 00:32:45,772 THAT YOU'RE HONORING HIS MEMORY AND HIS CONTRIBUTIONS. 898 00:32:45,808 --> 00:32:47,474 THANK YOU. 899 00:32:48,777 --> 00:32:50,477 NOW IF I COULD JUST DO SOMETHING ABOUT MY NERVES. 900 00:32:50,512 --> 00:32:51,678 I'VE VOLUNTEERED TO PLAY 901 00:32:51,747 --> 00:32:54,214 THE MOZART "FANTASIA IN D MINOR." 902 00:32:54,250 --> 00:32:55,015 OH, MY! 903 00:32:55,051 --> 00:32:56,216 [CHUCKLING] 904 00:32:56,285 --> 00:32:58,052 YEAH, IT WAS MY GRANDPA'S FAVORITE. 905 00:32:58,087 --> 00:32:59,686 HE TAUGHT IT TO MY MOTHER, AND THEN TO ME. 906 00:32:59,721 --> 00:33:01,788 I AM SURE YOU WILL BE FINE. 907 00:33:01,824 --> 00:33:02,923 THANK YOU. 908 00:33:02,959 --> 00:33:04,391 I SHOULD REALLY GET BACK TO WORK. 909 00:33:04,427 --> 00:33:05,892 UM, I'LL SEE YOU AT THE MEMORIAL? 910 00:33:05,928 --> 00:33:06,760 OF COURSE, YOU WILL. 911 00:33:11,667 --> 00:33:12,899 WELL, TO BE HONEST, 912 00:33:12,969 --> 00:33:15,069 I CAN UNDERSTAND CAROLYN'S FRUSTRATION. 913 00:33:15,104 --> 00:33:16,971 DO YOU THINK SILES MIGHT HAVE MANIPULATED DIETZ 914 00:33:17,006 --> 00:33:18,105 INTO AN ESTATE AUCTION? 915 00:33:18,140 --> 00:33:20,407 HER LAWYER CERTAINLY THINKS SO. 916 00:33:20,443 --> 00:33:21,741 THE DEPARTMENT WAS JUST NOTIFIED 917 00:33:21,777 --> 00:33:23,877 THAT HE'S PREPARING TO FILE CHARGES AGAINST SILES 918 00:33:23,912 --> 00:33:25,980 FOR DEFRAUDING THE GRANDFATHER 919 00:33:26,015 --> 00:33:27,314 OUT OF WHAT SHE CONSIDERS 920 00:33:27,383 --> 00:33:29,716 HER RIGHTFUL INHERITANCE. 921 00:33:29,751 --> 00:33:31,118 THEY'VE ALREADY DRAWN UP A LIST OF ITEMS, 922 00:33:31,153 --> 00:33:32,519 ASSETS FROM THE ESTATE-- 923 00:33:32,588 --> 00:33:34,254 PIANO INCLUDED? 924 00:33:34,290 --> 00:33:36,190 PIANO INCLUDED. 925 00:33:36,225 --> 00:33:37,257 SHE'S ALSO EXPRESSED 926 00:33:37,293 --> 00:33:38,925 HER DISPLEASURE AT THE DEPARTMENT 927 00:33:38,961 --> 00:33:40,394 FOR NOT RELEASING DIETZ'S BODY YET. 928 00:33:41,630 --> 00:33:42,929 AND YOU HAVEN'T BECAUSE...? 929 00:33:44,166 --> 00:33:45,599 BECAUSE THERE ARE QUESTIONS... 930 00:33:46,668 --> 00:33:48,969 ...WHICH I DON'T CARE TO COMMENT ON. 931 00:33:49,005 --> 00:33:50,770 THE PAPER SAID HE DIED OF HEART FAILURE. 932 00:33:50,806 --> 00:33:52,339 CARDIAC ARREST. 933 00:33:52,375 --> 00:33:56,276 WHICH, ACCORDING TO DR. TRAMMEL, WAS TRIGGERED BY AN EMBOLISM. 934 00:33:56,312 --> 00:33:57,577 I MEAN, JENN, 935 00:33:57,613 --> 00:33:59,613 COME ON, THE GUY WAS ALMOST A HUNDRED YEARS OLD. 936 00:33:59,648 --> 00:34:00,780 92. 937 00:34:00,816 --> 00:34:01,915 CLOSE ENOUGH. 938 00:34:02,951 --> 00:34:05,019 LET'S TURN THE PAGE HERE FOR A SECOND. 939 00:34:05,054 --> 00:34:06,786 I WENT AND PAID YOUR FRIEND A VISIT, 940 00:34:06,822 --> 00:34:08,422 MR. CONNICK. 941 00:34:08,457 --> 00:34:10,657 ACCORDING TO HIM, HE WAS CLUBBED FROM BEHIND, 942 00:34:10,692 --> 00:34:12,526 SO THAT'S WHY HE DIDN'T SEE THE ASSAILANT. 943 00:34:12,594 --> 00:34:13,660 IT SEEMED A LITTLE STRANGE TO ME, 944 00:34:13,729 --> 00:34:15,896 CONSIDERING THE SIGHT LINE'S TO THE DOOR. 945 00:34:15,931 --> 00:34:18,098 SO I HAD ONE OF MY TECH GUYS GO OVER THERE, 946 00:34:18,134 --> 00:34:20,100 AND CHECK OUT THE REAR WINDOW OF THE SHOP, 947 00:34:20,136 --> 00:34:22,169 AND, WELL, ACCORDING TO THE EVIDENCE, 948 00:34:22,204 --> 00:34:23,337 IT WAS JIMMIED. 949 00:34:23,372 --> 00:34:25,705 SO, THE ATTACKER HAD AN ENTRY AND EXIT POINT. 950 00:34:25,741 --> 00:34:27,908 YES. 951 00:34:27,976 --> 00:34:31,778 WHICH LEAVES ME AT A DEAD END UNTIL I FIND JACQUES. 952 00:34:31,847 --> 00:34:33,047 WHO LEFT THROUGH THE FRONT DOOR. 953 00:34:33,082 --> 00:34:34,314 WELL, PROBABLY BECAUSE 954 00:34:34,350 --> 00:34:35,815 HE NOTICED THE SURVEILLANCE CAMERAS, 955 00:34:35,851 --> 00:34:36,883 BUT THAT DOESN'T MEAN 956 00:34:36,919 --> 00:34:37,951 HE COULDN'T HAVE WALKED AROUND TO BACK. 957 00:34:38,020 --> 00:34:40,454 SO WE HAVE JACQUES AT THE AUCTION, 958 00:34:40,489 --> 00:34:42,556 LOOKING FOR SOMETHING INSIDE THE BIEDERMEIER DRESSER. 959 00:34:42,591 --> 00:34:43,557 HE DOESN'T FIND IT, 960 00:34:43,592 --> 00:34:44,758 SO HE CHUCKS IT. 961 00:34:44,826 --> 00:34:46,593 THEN SET HIS SIGHTS ON YOUR PIANO, 962 00:34:46,628 --> 00:34:48,895 WHICH HE TRACKS DOWN TO DEAN'S SHOP, 963 00:34:48,931 --> 00:34:50,197 HAS A LOOK-SEE-- 964 00:34:50,232 --> 00:34:51,831 NOT A VERY THOROUGH ONE. 965 00:34:51,867 --> 00:34:54,268 WELL, EITHER HE FOUND WHAT HE WAS LOOKING FOR, 966 00:34:54,303 --> 00:34:55,269 OR SOMEONE SPOOKED HIM. 967 00:34:55,337 --> 00:34:56,803 MAYBE IT WAS HOWIE? 968 00:34:56,838 --> 00:34:59,339 HE SAID DEAN'S WORKSHOP DOOR WAS CLOSED WHEN HE GOT THERE, 969 00:34:59,408 --> 00:35:01,341 AND HE THOUGHT HE HEARD SOMEONE MOVING AROUND INSIDE? 970 00:35:01,377 --> 00:35:02,809 WHICH HE ASSUMED WAS MR. CONNICK. 971 00:35:02,844 --> 00:35:04,445 BUT IT MIGHT HAVE BEEN JACQUES. 972 00:35:04,480 --> 00:35:05,312 HMM... 973 00:35:05,381 --> 00:35:06,913 THIS ATTACK HAD A GOAL, 974 00:35:06,949 --> 00:35:08,215 A PURPOSE, 975 00:35:08,250 --> 00:35:12,719 AND ALL CLUES SEEM TO LEAD TO KARL DIETZ'S PIANO. 976 00:35:12,754 --> 00:35:14,020 OH, EXCUSE ME, 977 00:35:14,056 --> 00:35:16,756 CAN I GET A SLICE OF MUD PIE FOR MY FRIEND? 978 00:35:16,792 --> 00:35:18,225 THANK YOU. 979 00:35:18,260 --> 00:35:20,127 I DIDN'T SAY I WANTED A MUD PIE. 980 00:35:20,162 --> 00:35:21,828 YOU DIDN'T SAY YOU DIDN'T. 981 00:35:21,863 --> 00:35:22,762 UH... 982 00:35:25,968 --> 00:35:28,268 [♪♪♪] 983 00:35:35,130 --> 00:35:37,530 WELCOME TO RAGS-TO-RICHES. 984 00:35:37,565 --> 00:35:38,664 IT'S A NICE SHOP, 985 00:35:38,700 --> 00:35:39,632 VERY CHARMING. 986 00:35:39,667 --> 00:35:41,267 THANK YOU. 987 00:35:41,302 --> 00:35:42,301 DIDN'T I SEE YOU 988 00:35:42,370 --> 00:35:43,436 AT THE AUCTION THE OTHER DAY? 989 00:35:43,504 --> 00:35:44,637 OUI. 990 00:35:44,672 --> 00:35:46,139 I AM HERE ABOUT THE PIANO. 991 00:35:46,174 --> 00:35:48,074 AH, THE PIANO. 992 00:35:48,110 --> 00:35:50,343 THE PIANO ISN'T ACTUALLY FOR SALE. 993 00:35:50,378 --> 00:35:51,845 WELL, I WILL TAKE A LOOK ANYWAY. 994 00:35:51,880 --> 00:35:52,846 OH. 995 00:35:52,914 --> 00:35:55,381 [TELEPHONE RINGS] 996 00:35:55,416 --> 00:35:57,817 HELLO, RAGS-TO-RICHES. 997 00:35:57,853 --> 00:35:59,919 OH, HEY, DANI, HAS THE PIANO ARRIVED YET? 998 00:35:59,955 --> 00:36:01,721 MAIS OUI. 999 00:36:01,757 --> 00:36:03,656 YES, WE HAVE A CUSTOMER LOOKING AT IT RIGHT NOW. 1000 00:36:03,691 --> 00:36:05,424 IT'S JACQUES, ISN'T IT? 1001 00:36:05,460 --> 00:36:06,425 HE'S THERE. 1002 00:36:06,494 --> 00:36:07,426 -OUI. -YES. 1003 00:36:07,462 --> 00:36:08,628 YEAH, YOU GOT IT, SISTER. 1004 00:36:08,663 --> 00:36:10,130 DISPATCH? 1005 00:36:10,165 --> 00:36:14,033 I NEED ANY AVAILABLE UNIT AT 9179 MAIN STREET, ASAP. 1006 00:36:14,069 --> 00:36:15,401 DANI, REMAIN CALM. 1007 00:36:15,436 --> 00:36:17,370 FRANK IS ON HIS WAY THERE AND THE POLICE ARE EN ROUTE. 1008 00:36:17,405 --> 00:36:20,473 OH, THAT'S WONDERFUL NEWS. 1009 00:36:20,508 --> 00:36:22,375 I WOULD LIKE TO SEE THE PIANO BENCH 1010 00:36:22,410 --> 00:36:24,010 AND THE MUSIC SCROLLS, MADAME. 1011 00:36:24,045 --> 00:36:25,645 AH-- [SHOP BELL JINGLES] 1012 00:36:25,680 --> 00:36:27,080 DREW! 1013 00:36:27,115 --> 00:36:28,614 OH, DREW, I'M SO HAPPY TO SEE YOU! 1014 00:36:28,650 --> 00:36:30,049 OH! 1015 00:36:30,085 --> 00:36:31,184 I TOLD YOU I'D BE DROPPING OFF THE NEW LIGHT FIXTURES. 1016 00:36:31,219 --> 00:36:32,152 UH, DREW, THIS IS JACQUES. 1017 00:36:32,187 --> 00:36:33,719 HE'S INTERESTED IN THE PIANO. 1018 00:36:33,755 --> 00:36:35,021 FORMIDABLE, JACQUES. 1019 00:36:35,056 --> 00:36:36,022 HEY, LET'S START IT UP! [POLICE SIRENS OUTSIDE] 1020 00:36:36,057 --> 00:36:37,023 WHERE'D YOU PUT THOSE MUSIC ROLLS? 1021 00:36:37,058 --> 00:36:38,024 THEY'RE IN THE PIANO BENCH, RIGHT? 1022 00:36:38,093 --> 00:36:38,925 LET'S GO GET THEM-- 1023 00:36:38,960 --> 00:36:40,026 I'M SORRY, 1024 00:36:40,061 --> 00:36:41,094 I FORGOT I HAVE ANOTHER APPOINTMENT. 1025 00:36:41,163 --> 00:36:43,696 PERHAPS, UH, SOME OTHER TIME. 1026 00:36:43,765 --> 00:36:44,630 [SHOP BELL JINGLES] 1027 00:36:44,666 --> 00:36:46,232 [SIGHS IN RELIEF] 1028 00:36:46,268 --> 00:36:47,967 [POLICE SIRENS APPROACH] 1029 00:36:56,644 --> 00:36:57,944 MY TRAVEL BAG--? 1030 00:36:58,013 --> 00:36:59,312 NO, JUST A MINUTE. 1031 00:37:01,082 --> 00:37:03,116 HMM, YOU'RE QUITE THE WORLD TRAVELER, 1032 00:37:03,151 --> 00:37:04,851 HUH, MR. GRENIER? 1033 00:37:04,886 --> 00:37:05,852 WELL, FOR NOW, 1034 00:37:05,887 --> 00:37:06,853 IN OUR ZIP CODE, AT LEAST, 1035 00:37:06,922 --> 00:37:08,254 YOU'RE FACING FELONY ASSAULT. 1036 00:37:09,390 --> 00:37:12,258 BUT I HAVE NOT ASSAULTED ANYONE. 1037 00:37:12,294 --> 00:37:13,492 WELL, WE HAVE SURVEILLANCE FOOTAGE OF YOU 1038 00:37:13,561 --> 00:37:15,195 CONFRONTING MR. CONNICK 1039 00:37:15,230 --> 00:37:16,696 BEFORE HE WOUND UP IN THE ICU. 1040 00:37:16,731 --> 00:37:20,200 WE ALSO HAVE WITNESSES WHO CAN TESTIFY 1041 00:37:20,235 --> 00:37:22,035 TO YOUR KEEN INTEREST IN THE PLAYER PIANO 1042 00:37:22,070 --> 00:37:23,036 THAT WAS AT HIS SHOP, 1043 00:37:23,071 --> 00:37:24,003 THE ONE THAT WAS SLIGHTLY DAMAGED 1044 00:37:24,039 --> 00:37:25,538 AFTER THE ATTACK-- 1045 00:37:25,573 --> 00:37:27,841 I MERELY INQUIRED ABOUT THE PIANO. 1046 00:37:27,876 --> 00:37:30,810 YES, THREE TIMES, AT MY LAST COUNT. 1047 00:37:30,846 --> 00:37:34,180 IT MUST HOLD DEEP SENTIMENTAL VALUE TO YOU. 1048 00:37:34,216 --> 00:37:35,348 AS I SAID, 1049 00:37:35,383 --> 00:37:37,483 IF I COULD RETRIEVE MY TRAVEL BAG-- 1050 00:37:37,552 --> 00:37:38,751 [DOOR LOCK BUZZES] 1051 00:37:38,786 --> 00:37:40,019 AH! HERE IT IS. 1052 00:37:40,055 --> 00:37:41,520 MERCI, MONSIEUR. 1053 00:37:51,032 --> 00:37:53,299 WHAT DO WE HAVE HERE? 1054 00:37:53,335 --> 00:37:55,134 A BERETTA NINE-MIL. 1055 00:37:55,203 --> 00:37:56,870 MY SERVICE WEAPON. 1056 00:37:56,905 --> 00:37:58,838 AND WHAT SERVICE WOULD THAT BE? 1057 00:37:58,874 --> 00:38:01,841 THE EUROPEAN MINISTRY OF CRIMINAL AFFAIRS. 1058 00:38:01,877 --> 00:38:04,810 MY PERMIT AND I.D. ARE ALSO IN THE BAG. 1059 00:38:14,256 --> 00:38:16,689 EMCA, HUH? 1060 00:38:16,758 --> 00:38:20,026 SO, WHAT BRINGS YOU HERE, INSPECTOR, 1061 00:38:20,061 --> 00:38:23,229 BESIDES AN OLD ARMOIRE AND A PLAYER PIANO? 1062 00:38:23,265 --> 00:38:24,898 KARL DIETZ. 1063 00:38:24,933 --> 00:38:26,832 I'VE BEEN PURSUING HIM FOR A VERY LONG TIME. 1064 00:38:26,868 --> 00:38:27,967 WHY? 1065 00:38:28,003 --> 00:38:29,735 CALL IT, UH... 1066 00:38:29,771 --> 00:38:31,004 RESTITUTION. 1067 00:38:31,039 --> 00:38:32,138 WELL... 1068 00:38:32,173 --> 00:38:34,107 YOU'RE A LITTLE LATE FOR THAT. 1069 00:38:34,142 --> 00:38:35,741 THE MAN IS DEAD. 1070 00:38:35,777 --> 00:38:36,742 OUI. 1071 00:38:36,778 --> 00:38:39,012 NOW, IF ONLY THE DEAD COULD TALK. 1072 00:38:40,715 --> 00:38:41,881 WHAT DOES THAT MEAN? 1073 00:38:41,917 --> 00:38:43,983 AH, IT IS MY TURN NOW, DETECTIVE. 1074 00:38:44,019 --> 00:38:47,387 TELL ME, WHAT DO YOU KNOW ABOUT THE LATE KARL DIETZ? 1075 00:38:47,422 --> 00:38:49,222 ALL RIGHT. 1076 00:38:49,291 --> 00:38:51,024 GERMAN-BORN, 1077 00:38:51,092 --> 00:38:53,026 WORKED AS A DIPLOMATIC LIAISON FOR NATO, 1078 00:38:53,061 --> 00:38:55,661 RETIRED OUT HERE ABOUT 20 YEARS AGO. 1079 00:38:55,696 --> 00:38:57,563 HE WAS A FRIEND OF THE MAYOR, 1080 00:38:57,598 --> 00:38:59,132 AND HE'S A VERY GENEROUS BENEFACTOR 1081 00:38:59,167 --> 00:39:00,300 TO THE COMMUNITY, 1082 00:39:00,335 --> 00:39:02,001 UNDERWRITING THE LOCAL RECITAL HALL, 1083 00:39:02,037 --> 00:39:03,436 THE ORCHESTRA-- 1084 00:39:03,471 --> 00:39:05,704 YES-YES, I AM SURE HE IS A TRUE PATRON OF THE ARTS. 1085 00:39:05,740 --> 00:39:06,739 AH... 1086 00:39:06,808 --> 00:39:09,142 I DETECT A NOTE OF SARCASM THERE. 1087 00:39:09,177 --> 00:39:11,411 THIS MAN YOU SPEAK OF, 1088 00:39:11,446 --> 00:39:13,913 THIS, UH... RETIRED DIPLOMAT, 1089 00:39:13,949 --> 00:39:16,416 THIS MAGNANIMOUS BENEFACTOR, 1090 00:39:16,451 --> 00:39:18,985 IS A MASQUERADE, 1091 00:39:19,020 --> 00:39:21,554 A REINVENTION. 1092 00:39:21,589 --> 00:39:25,425 THE KARL DIETZ I KNOW IS SOMEONE ELSE ENTIRELY. 1093 00:39:25,460 --> 00:39:28,061 SOMEONE WHO TOOK FULL ADVANTAGE 1094 00:39:28,096 --> 00:39:29,662 OF THE DIRE SITUATION 1095 00:39:29,697 --> 00:39:32,631 THAT FOLLOWED THE WAR IN GERMANY. 1096 00:39:32,700 --> 00:39:34,700 COULD YOU BE A LITTLE MORE SPECIFIC? 1097 00:39:34,735 --> 00:39:37,337 HE ABUSED THE POWERS AND PRIVILEGES 1098 00:39:37,405 --> 00:39:38,604 BESTOWED UPON HIM, 1099 00:39:38,639 --> 00:39:39,872 AND FOR THAT, 1100 00:39:39,907 --> 00:39:42,141 HE WILL ATONE. 1101 00:39:42,177 --> 00:39:43,076 EVEN FROM THE GRAVE. 1102 00:39:45,513 --> 00:39:46,980 NOW, DETECTIVE... 1103 00:39:47,015 --> 00:39:48,414 TELL ME, 1104 00:39:48,450 --> 00:39:51,750 DO I NEED TO CONTACT AN ATTORNEY? 1105 00:39:55,723 --> 00:39:57,523 [SHOP BELL JINGLES] 1106 00:39:57,558 --> 00:40:00,126 OH, JUST LET ME KNOW IF YOU NEED ANY HELP. 1107 00:40:00,161 --> 00:40:01,227 THE VESTONE... 1108 00:40:02,763 --> 00:40:04,330 IT'S HERE. 1109 00:40:04,366 --> 00:40:06,265 YES. 1110 00:40:06,301 --> 00:40:09,068 WE JUST GOT THAT AT AN ESTATE AUCTION. 1111 00:40:09,104 --> 00:40:11,137 ARE YOU FAMILIAR WITH THE VESTONE-DOBROTT MODEL? 1112 00:40:11,172 --> 00:40:12,972 VERY FAMILIAR. 1113 00:40:13,041 --> 00:40:14,974 THIS WAS MY GRANDFATHER'S. 1114 00:40:15,010 --> 00:40:16,142 HE TAUGHT ME TO PLAY ON IT. 1115 00:40:17,345 --> 00:40:18,777 MR. DIETZ WAS YOUR GRANDFATHER? 1116 00:40:18,813 --> 00:40:20,246 YES. 1117 00:40:21,616 --> 00:40:22,848 SORRY. I'M CAROLYN. 1118 00:40:22,917 --> 00:40:24,117 CAROLYN TURNER. 1119 00:40:24,152 --> 00:40:25,518 I MET JENNIFER AT THE MEMORIAL REHEARSAL. 1120 00:40:25,553 --> 00:40:27,220 OH. I'M DANI, I'M HER PARTNER. 1121 00:40:27,288 --> 00:40:28,354 OH, GREAT. 1122 00:40:28,390 --> 00:40:29,622 I'M ACTUALLY HERE 1123 00:40:29,657 --> 00:40:31,391 BECAUSE I NEED AN APPRAISAL ON SOME OF THE ITEMS 1124 00:40:31,426 --> 00:40:33,393 FROM THE DIETZ ESTATE AUCTION, 1125 00:40:33,461 --> 00:40:34,660 INCLUDING THIS PIANO. 1126 00:40:34,695 --> 00:40:35,794 OH. 1127 00:40:35,830 --> 00:40:38,564 WELL, THAT'S VERY NICE OF YOU, 1128 00:40:38,633 --> 00:40:40,366 AND A BIT AWKWARD. 1129 00:40:40,435 --> 00:40:41,800 AWKWARD, YES... 1130 00:40:43,571 --> 00:40:45,304 AND REGRETTABLE. 1131 00:40:50,211 --> 00:40:51,810 YOU AGAIN. 1132 00:40:51,846 --> 00:40:52,912 WHAT'S THIS? 1133 00:40:52,947 --> 00:40:54,380 MY LETTER OF RESIGNATION, AS YOUR TUTOR. 1134 00:40:54,416 --> 00:40:56,649 PARAGRAPH TWO CITES YOUR LACK OF COOPERATION, 1135 00:40:56,684 --> 00:40:58,184 VIOLATING YOUR ACADEMIC PROBATION, 1136 00:40:58,253 --> 00:40:59,552 SO HAVE FUN WARMING THE BENCH. 1137 00:40:59,587 --> 00:41:01,187 WAIT, COME ON... 1138 00:41:01,222 --> 00:41:03,289 YOU DON'T HAVE TO COME DOWN SO HEAVY HERE. 1139 00:41:03,324 --> 00:41:04,623 I DON'T WANT TO, 1140 00:41:04,659 --> 00:41:07,460 BUT IF YOU'RE NOT WILLING TO HELP YOURSELF... 1141 00:41:07,495 --> 00:41:09,128 LOOK, FOR ME, I LOSE A PAYCHECK. 1142 00:41:09,164 --> 00:41:10,463 SO WHAT? 1143 00:41:10,498 --> 00:41:12,398 BUT FOR YOU, YOUR TEAM... 1144 00:41:12,434 --> 00:41:14,833 THERE'S A WHOLE LOT MORE AT STAKE HERE. 1145 00:41:25,713 --> 00:41:27,480 YOU OKAY, HON'? 1146 00:41:27,549 --> 00:41:31,150 OH, YEAH, YEAH, I WAS JUST THINKING. 1147 00:41:31,186 --> 00:41:34,554 IF WE LIVED UNTIL WE WERE 92, 1148 00:41:34,589 --> 00:41:36,222 HOW MANY GRANDKIDS DO YOU THINK WE'LL HAVE? 1149 00:41:36,257 --> 00:41:37,356 [CHUCKLES] 1150 00:41:37,392 --> 00:41:38,291 I HAVE NO IDEA. 1151 00:41:39,961 --> 00:41:42,962 DID KARL DIETZ EVER TALK ABOUT HIS FAMILY? 1152 00:41:42,997 --> 00:41:44,564 NO, I DIDN'T KNOW HE HAD A FAMILY 1153 00:41:44,599 --> 00:41:45,864 UNTIL I MET CAROLYN. 1154 00:41:45,900 --> 00:41:48,167 MAYBE THEY DIDN'T HEAL THAT FAMILY RIFT. 1155 00:41:48,203 --> 00:41:50,236 WELL... 1156 00:41:53,641 --> 00:41:56,576 WE ARE NOT GOING TO LET THAT HAPPEN HERE. 1157 00:41:56,611 --> 00:41:58,511 WE'RE GOING TO STAY CONNECTED, 1158 00:41:58,546 --> 00:41:59,745 WE'RE GOING TO STAY CLOSE, 1159 00:41:59,780 --> 00:42:03,048 AND WHATEVER WE HAVE AT THE END OF THE JOURNEY, 1160 00:42:03,084 --> 00:42:05,218 IT'S GOING TO STAY IN THE FAMILY. 1161 00:42:05,253 --> 00:42:06,185 DEAL. 1162 00:42:06,221 --> 00:42:07,186 DEAL. 1163 00:42:07,255 --> 00:42:09,355 [CELL PHONE RINGS] 1164 00:42:10,391 --> 00:42:12,091 HELLO? 1165 00:42:12,127 --> 00:42:13,426 HELEN, ARE YOU OKAY? 1166 00:42:13,461 --> 00:42:15,561 OH, NO. 1167 00:42:15,597 --> 00:42:16,395 ARE THE POLICE THERE? 1168 00:42:17,765 --> 00:42:20,065 WELL, THAT'S GOOD. 1169 00:42:20,101 --> 00:42:21,066 WELL, NO. 1170 00:42:21,102 --> 00:42:22,568 NO, IT'S NO TROUBLE. 1171 00:42:22,637 --> 00:42:24,170 OKAY. 1172 00:42:24,205 --> 00:42:25,871 IT'S HELEN BAUER. 1173 00:42:25,906 --> 00:42:26,939 SOMEONE BROKE INTO HER HOUSE. 1174 00:42:27,008 --> 00:42:28,141 THE POLICE ARE THERE, 1175 00:42:28,176 --> 00:42:29,542 BUT I THINK SHE COULD USE SOME HAND HOLDING. 1176 00:42:29,611 --> 00:42:30,676 OF COURSE. 1177 00:42:30,745 --> 00:42:31,777 GO. 1178 00:42:33,181 --> 00:42:34,180 I WAS IN BED 1179 00:42:34,215 --> 00:42:37,683 WHEN MY DOG, MIMI, HEARD A COMMOTION, 1180 00:42:37,718 --> 00:42:39,084 AND RAN DOWNSTAIRS, 1181 00:42:39,154 --> 00:42:42,155 BIT THE THIEF, AND RAN HIM OFF, 1182 00:42:42,223 --> 00:42:44,323 BUT NOT BEFORE HE DID SOME DAMAGE. 1183 00:42:44,359 --> 00:42:45,958 HELEN, WAS ANYTHING TAKEN? 1184 00:42:45,993 --> 00:42:47,760 NOT THAT I KNOW OF. 1185 00:42:47,795 --> 00:42:50,429 WHERE IS THE "SUNSET" PAINTING? 1186 00:42:50,498 --> 00:42:52,131 OH, IT'S TUCKED BEHIND THE COUCH 1187 00:42:52,167 --> 00:42:54,567 I WAS GOING TO HANG IT TOMORROW. 1188 00:43:10,151 --> 00:43:11,884 -FRANK... -HMM? 1189 00:43:11,919 --> 00:43:13,252 CAN I SEE THE BACK OF THAT FOR A SECOND? 1190 00:43:13,288 --> 00:43:14,520 SURE. 1191 00:43:20,395 --> 00:43:22,295 THE CANVAS STRETCHER ON THE "SUNSET" PAINTING 1192 00:43:22,330 --> 00:43:23,396 IS THICKER THAN THIS ONE. 1193 00:43:23,431 --> 00:43:26,031 CAN WE TAKE THIS OUT OF THE FRAME? 1194 00:43:26,067 --> 00:43:27,466 YEAH, LET'S SEE, LET'S CHECK IT OUT. 1195 00:43:32,039 --> 00:43:33,306 [GASPS] 1196 00:43:33,341 --> 00:43:34,873 THERE'S A WHOLE OTHER PANTING IN HERE. 1197 00:43:36,110 --> 00:43:37,210 [GASPS] 1198 00:43:38,213 --> 00:43:40,913 OH, WOW. 1199 00:43:42,217 --> 00:43:43,816 I THINK THIS IS A HERMANN HERZOG. 1200 00:43:43,851 --> 00:43:45,585 [GASPS] 1201 00:43:45,620 --> 00:43:48,987 AN ORIGINAL HERMANN HERZOG. 1202 00:43:49,023 --> 00:43:51,209 AND IF IT IS ORIGINAL, 1203 00:43:51,259 --> 00:43:53,125 WELL, THIS PAINTING IS WORTH TEN TIMES 1204 00:43:53,194 --> 00:43:54,493 WHAT HELEN PAID FOR THESE OTHER TWO PAINTINGS. 1205 00:44:00,962 --> 00:44:02,225 WHAT DO YOU THINK? 1206 00:44:02,275 --> 00:44:03,608 WELL, I MEAN, 1207 00:44:03,643 --> 00:44:05,676 YOU WOULD HAVE TO TAKE IT TO A PROFESSIONAL 1208 00:44:05,712 --> 00:44:06,577 TO GET IT AUTHENTICATED, 1209 00:44:06,646 --> 00:44:08,446 BUT GIVEN THE LINEN CANVAS, 1210 00:44:08,481 --> 00:44:09,480 THE LAYERS OF PAINT, 1211 00:44:09,549 --> 00:44:11,749 AND THE SIGNATURE OF THE ARTIST, 1212 00:44:11,817 --> 00:44:13,651 I THINK IT'S A GENUINE HERMANN HERZOG. 1213 00:44:14,820 --> 00:44:16,287 I'M SURPRISED CONRAD SILES NEVER CAUGHT THIS. 1214 00:44:17,423 --> 00:44:19,523 THEN AGAIN... NOT EVERYONE HAS YOUR EYE. 1215 00:44:21,361 --> 00:44:24,662 FRANK, THESE PAINTINGS CAME FROM THE DIETZ ESTATE. 1216 00:44:24,697 --> 00:44:25,963 IF ANYONE KNEW A MASTERPIECE WAS BEING CONCEALED, 1217 00:44:25,998 --> 00:44:26,930 IT WOULD BE-- 1218 00:44:26,966 --> 00:44:28,031 KARL DIETZ. 1219 00:44:28,067 --> 00:44:30,668 AND OBVIOUSLY SOMEONE ELSE AS WELL. 1220 00:44:30,703 --> 00:44:31,902 WHAT ABOUT 1221 00:44:31,937 --> 00:44:34,272 THAT CASPAR DAVID FRIEDRICH PAINTING? 1222 00:44:34,340 --> 00:44:36,173 YOU ASK ME, 1223 00:44:36,208 --> 00:44:39,209 I THINK THAT AUCTIONEER IS UP TO NO GOOD. 1224 00:44:46,952 --> 00:44:48,519 BONJOUR, SERGEANT. 1225 00:44:48,588 --> 00:44:50,521 WHAT DO YOU WANT, JACQUES? 1226 00:44:50,556 --> 00:44:51,889 OH, THE SAME THING AS YOU. 1227 00:44:51,924 --> 00:44:53,924 EVERYTHING THAT KARL DIETZ 1228 00:44:53,959 --> 00:44:56,360 NEGLECTED TO PLACE ON THE AUCTION TABLE. 1229 00:44:56,396 --> 00:44:58,529 MISSING ART. 1230 00:44:58,564 --> 00:45:00,197 MISSING ANTIQUITIES. 1231 00:45:00,266 --> 00:45:03,267 MISSING JEWELS. 1232 00:45:03,336 --> 00:45:04,835 OH, COME, SERGEANT, 1233 00:45:04,870 --> 00:45:07,004 OUR INTERESTS HERE COULD BE BENEFITED MUTUALLY, NO? 1234 00:45:07,039 --> 00:45:09,273 UNLESS YOU PREFER TO CONTINUE 1235 00:45:09,309 --> 00:45:11,175 BEING THE MINION 1236 00:45:11,210 --> 00:45:14,845 OF THAT CHARLATAN, CONRAD SILES? 1237 00:45:14,880 --> 00:45:15,879 OUI. 1238 00:45:15,915 --> 00:45:17,181 WELL... 1239 00:45:17,249 --> 00:45:19,049 THINK ABOUT IT. 1240 00:45:19,084 --> 00:45:21,084 A BIENTOT, SERGEANT. 1241 00:46:27,453 --> 00:46:29,387 [♪♪♪] 1242 00:46:37,764 --> 00:46:39,797 FIND ANYTHING NEW, SIR? 1243 00:46:39,866 --> 00:46:42,466 I HAVE HERE A LETTER 1244 00:46:42,502 --> 00:46:44,769 WRITTEN BY DIETZ'S DAUGHTER, HELGA, 1245 00:46:44,804 --> 00:46:46,437 A LITTLE MORE THAN THREE MONTHS AGO, 1246 00:46:46,506 --> 00:46:48,338 SHORTLY BEFORE HER PASSING. 1247 00:46:48,374 --> 00:46:50,274 SHE OUTRIGHT REJECTS 1248 00:46:50,309 --> 00:46:52,910 HER FATHER'S OFFER TO RECONCILE THEIR DIFFERENCES, 1249 00:46:52,945 --> 00:46:55,178 OR TO HAVE HER OR HER DAUGHTER, CAROLYN, 1250 00:46:55,247 --> 00:46:58,115 REINSTATED IN HIS WILL. 1251 00:46:58,183 --> 00:47:00,684 THAT CERTAINLY HEADS OFF ANY LAWSUIT COMING YOUR WAY. 1252 00:47:00,720 --> 00:47:01,652 YES, INDEED. 1253 00:47:01,687 --> 00:47:04,221 BUT THERE'S MORE. 1254 00:47:04,256 --> 00:47:07,124 SHE SAYS HERE, AND I QUOTE, 1255 00:47:07,159 --> 00:47:10,561 "I DO NOT WANT YOUR PRECIOUS PIANO, 1256 00:47:10,596 --> 00:47:12,830 "AND I WILL NOT HAVE CAROLYN MADE LIABLE 1257 00:47:12,865 --> 00:47:14,465 "FOR YOUR ILL-GOTTEN GAINS. 1258 00:47:14,534 --> 00:47:17,234 "IF YOU HAD ANY INTEGRITY LEFT AT ALL, 1259 00:47:17,303 --> 00:47:18,536 "YOU WILL MAKE AMENDS, 1260 00:47:18,571 --> 00:47:20,738 "AND OFFER RESTITUTION TO THOSE YOU HAVE WRONGED. 1261 00:47:20,773 --> 00:47:24,642 THEN, MAYBE, WE CAN ALL DIE IN PEACE." 1262 00:47:26,879 --> 00:47:28,512 [CHUCKLING] 1263 00:47:28,548 --> 00:47:30,948 IT'S THE VESTONE-DOBROTT PLAYER PIANO, DWYER. 1264 00:47:30,983 --> 00:47:34,885 IT MUST CONTAIN THE KEY TO DIETZ'S HIDDEN VAULT! 1265 00:47:34,954 --> 00:47:37,120 THAT'S WHY JACQUES GRENIER BROKE INTO DEAN CONNICK'S SHOP. 1266 00:47:37,156 --> 00:47:39,423 MAKES SENSE. 1267 00:47:39,492 --> 00:47:40,858 YES, BUT NOW HE'S WANTED BY THE POLICE, 1268 00:47:40,893 --> 00:47:43,393 WHICH GIVES US THE ADVANTAGE. 1269 00:47:43,429 --> 00:47:45,896 ARE YOU SUGGESTING LIBERATING ANOTHER ITEM? 1270 00:47:45,965 --> 00:47:47,431 DO YOU HAVE A PROBLEM WITH THAT? 1271 00:47:47,467 --> 00:47:49,199 NO, SIR. 1272 00:47:50,069 --> 00:47:51,068 GOOD. 1273 00:47:51,136 --> 00:47:52,035 I BELIEVE YOU'LL FIND THE PIANO 1274 00:47:52,104 --> 00:47:53,136 AT A SHOP CALLED RAGS-TO-RICHES. 1275 00:47:54,874 --> 00:47:56,874 BY THE WAY, HOW'S THE ARM? 1276 00:47:56,909 --> 00:48:00,243 IT COULD PROBABLY USE A FEW STITCHES. 1277 00:48:00,279 --> 00:48:01,679 YES, WELL, SEE TO IT. 1278 00:48:01,714 --> 00:48:04,782 I WANT THIS TAKEN CARE OF AS QUICKLY AS POSSIBLE, DWYER. 1279 00:48:04,817 --> 00:48:06,049 WE'VE ALREADY MISSED ONE OPPORTUNITY HERE. 1280 00:48:06,085 --> 00:48:06,951 DO NOT FAIL. 1281 00:48:08,020 --> 00:48:09,954 NO, SIR. 1282 00:48:19,599 --> 00:48:21,198 IT'S A GOOD FIND, 1283 00:48:21,266 --> 00:48:23,166 BUT HOW CAN WE BE CERTAIN IT BELONGED TO DIETZ? 1284 00:48:23,235 --> 00:48:24,935 WELL, IT WAS FOUND IN HIS PIANO BENCH, 1285 00:48:25,004 --> 00:48:26,370 THE CONTENTS ARE WRITTEN IN GERMAN, 1286 00:48:26,405 --> 00:48:27,270 AND IT'S DIETZ'S HANDWRITING. 1287 00:48:28,407 --> 00:48:29,740 WELL, I COMPARED SOME NOTES 1288 00:48:29,775 --> 00:48:31,375 THAT HE SCRIBBLED ONTO JASON'S RECITAL HALL BLUEPRINTS. 1289 00:48:31,410 --> 00:48:32,643 OKAY. 1290 00:48:32,678 --> 00:48:34,011 I'M CONVINCED. 1291 00:48:37,383 --> 00:48:41,084 JEEZ, LOOK AT ALL THE DATES, PLACES... 1292 00:48:41,120 --> 00:48:42,219 BERLIN, 1293 00:48:42,254 --> 00:48:43,888 DRESDEN, LEIPZIG. 1294 00:48:43,956 --> 00:48:45,422 AND NAMES. 1295 00:48:45,457 --> 00:48:46,757 SOME OF THEM FAMOUS ARTISTS. 1296 00:48:46,792 --> 00:48:48,091 GOYA, MENZEL, DELACROIX. 1297 00:48:48,160 --> 00:48:49,793 OH, AND LOOK HERE... 1298 00:48:51,096 --> 00:48:53,263 CASPAR DAVID FRIEDRICH, 1299 00:48:53,298 --> 00:48:55,365 AND HERMANN HERZOG. 1300 00:48:56,502 --> 00:48:59,169 SO, THIS IS WHAT JACQUES WAS AFTER. 1301 00:48:59,204 --> 00:49:01,539 WHY DIDN'T YOU SAY SO, INSPECTOR? 1302 00:49:01,607 --> 00:49:03,240 FRANK, WHAT'S WRONG? 1303 00:49:03,275 --> 00:49:04,474 JACQUES? 1304 00:49:04,510 --> 00:49:05,976 YEAH, HE LIED TO ME, JENN. 1305 00:49:06,012 --> 00:49:09,079 I FOUND OUT THAT HE'S ACTUALLY EX-EMCA. 1306 00:49:09,114 --> 00:49:10,881 HE HAD BEEN FIRED OVER A YEAR AGO 1307 00:49:10,917 --> 00:49:12,950 FOR USING EXCESSIVE FORCE ON SUSPECTS 1308 00:49:12,985 --> 00:49:14,985 CONNECTED TO AN ART THEFT CASE. 1309 00:49:15,054 --> 00:49:16,887 SPECIFICALLY, THE KARL DIETZ CASE. 1310 00:49:16,923 --> 00:49:18,355 HOWEVER, 1311 00:49:18,390 --> 00:49:19,523 I DID FIND OUT 1312 00:49:19,592 --> 00:49:20,991 THAT HE WAS RECENTLY HIRED 1313 00:49:21,060 --> 00:49:23,861 BY THE STOLEN ART RECOVERY LEAGUE. 1314 00:49:23,896 --> 00:49:25,295 EVER HEARD OF THEM? 1315 00:49:25,330 --> 00:49:27,297 YES, THEY WERE FORMED TOWARD THE END OF WORLD WAR II. 1316 00:49:27,366 --> 00:49:29,232 THEY'RE RESPONSIBLE FOR RECOVERING 1317 00:49:29,301 --> 00:49:30,935 HUNDREDS OF LOST AND STOLEN ARTWORKS. 1318 00:49:30,970 --> 00:49:32,235 WHO KNOWS? 1319 00:49:32,271 --> 00:49:36,173 MAYBE HE USED THEM AS A COVER FOR HIS OWN AGENDA. 1320 00:49:36,208 --> 00:49:37,841 WHAT I DO KNOW... 1321 00:49:37,910 --> 00:49:39,577 IS I DON'T TRUST THE GUY. 1322 00:49:39,612 --> 00:49:41,311 NOR HAVE I BEEN ABLE TO LOCATE HIM AGAIN. 1323 00:49:41,346 --> 00:49:43,581 THE GOOD NEWS? 1324 00:49:43,616 --> 00:49:46,984 WE HAVE BOTH THE HERZOG AND FRIEDRICH PAINTINGS 1325 00:49:47,019 --> 00:49:48,652 LOGGED IN HERE, 1326 00:49:48,688 --> 00:49:50,120 SO THAT GIVES ME DUE CAUSE 1327 00:49:50,155 --> 00:49:52,522 TO GET A SEARCH WARRANT FOR THE SILES' AUCTION RECORDS. 1328 00:50:08,908 --> 00:50:09,840 [GUN COCKING] 1329 00:50:09,875 --> 00:50:10,874 [SHOTS BLAST] 1330 00:50:15,881 --> 00:50:17,648 THAT'S ABOUT WHAT'S GOING TO HAPPEN. 1331 00:50:29,161 --> 00:50:31,194 SORRY FOR THE EARLY HOUR, MR. DWYER. 1332 00:50:31,230 --> 00:50:33,130 I CALLED, RANG THE BELL, 1333 00:50:33,165 --> 00:50:34,197 NO ANSWER. 1334 00:50:34,266 --> 00:50:36,934 WELL, MR. SILES IS A HEAVY SLEEPER, 1335 00:50:36,969 --> 00:50:39,603 ESPECIALLY AFTER A COUPLE OF GLASSES OF PORT. 1336 00:50:39,639 --> 00:50:41,872 WHAT'S THIS ABOUT, SIR? 1337 00:50:43,776 --> 00:50:44,708 I HAVE A WARRANT, 1338 00:50:44,744 --> 00:50:47,310 SIGNED BY JUDGE MALLARY, 1339 00:50:47,379 --> 00:50:48,445 TO SEARCH ALL RECORDS 1340 00:50:48,514 --> 00:50:49,747 PERTAINING TO THE DIETZ ESTATE AUCTION. 1341 00:50:51,583 --> 00:50:55,385 YOU'LL FIND EVERYTHING IS IN ORDER. 1342 00:50:59,692 --> 00:51:00,858 [ENTRY LOCK BEEPS OPEN] 1343 00:51:02,862 --> 00:51:04,427 [KNOCKING ON OFFICE DOOR] 1344 00:51:04,463 --> 00:51:05,428 MR. SILES? 1345 00:51:08,034 --> 00:51:09,599 MR. SILES! 1346 00:51:09,635 --> 00:51:11,568 CALL IT IN. 1347 00:51:13,305 --> 00:51:15,773 DO YOU HAVE A PERMIT FOR THAT GUN? 1348 00:51:15,808 --> 00:51:16,740 ARMS OUT, AWAY FROM YOUR SIDES. 1349 00:51:24,684 --> 00:51:25,949 SOMETHING WRONG WITH YOUR ARM THERE, MR. DWYER? 1350 00:51:27,219 --> 00:51:28,518 IT'S JUST SOME TENDONITIS. 1351 00:51:28,554 --> 00:51:30,154 THEN YOU WOULDN'T MIND ROLLING UP YOUR SLEEVE. 1352 00:51:41,000 --> 00:51:43,500 MEET ANY DOGS LATELY? 1353 00:51:45,304 --> 00:51:46,603 CUFF HIM. 1354 00:51:49,641 --> 00:51:50,507 [HANDCUFFS CLINKING] 1355 00:51:58,355 --> 00:52:01,690 GOT A HOLD OF YOUR MILITARY JACKET HERE, SERGEANT. 1356 00:52:01,758 --> 00:52:03,592 LET'S HAVE A LOOK. 1357 00:52:04,528 --> 00:52:06,994 OOH, FOUR TOURS IN IRAQ, 1358 00:52:07,030 --> 00:52:08,630 LED A SPECIAL DETACHMENT 1359 00:52:08,665 --> 00:52:09,864 CHARGED WITH SECURING AND PROTECTING 1360 00:52:09,899 --> 00:52:13,901 HIGH-VALUE ART AND ANTIQUES IN COMBAT ZONES. 1361 00:52:13,937 --> 00:52:16,404 AH... THAT'S WHY MR. SILES HIRED YOU. 1362 00:52:16,440 --> 00:52:17,805 I DIDN'T KILL HIM. 1363 00:52:17,841 --> 00:52:18,940 WELL, WE'LL LET BALLISTICS WEIGH IN ON THAT. 1364 00:52:20,244 --> 00:52:22,444 YOU ARE WASTING YOUR TIME. 1365 00:52:22,512 --> 00:52:24,279 I HEAR THAT A LOT. 1366 00:52:24,314 --> 00:52:26,114 FOR THE RECORD, WHERE WERE YOU LAST NIGHT? 1367 00:52:26,149 --> 00:52:29,884 BESIDES THE EAST SIDE URGENT CARE CLINIC? 1368 00:52:29,953 --> 00:52:33,054 YEAH, I HAVE THE, UH,... TREATMENT SUMMARY RIGHT HERE. 1369 00:52:34,358 --> 00:52:37,192 HMM, REALLY GLAD YOU GOT THAT DOG BITE TAKEN CARE OF. 1370 00:52:37,261 --> 00:52:40,027 ANYWAY... LAST NIGHT? 1371 00:52:40,063 --> 00:52:41,229 I HAD A BEER. 1372 00:52:41,298 --> 00:52:42,930 PETEY'S TAVERN. 1373 00:52:42,966 --> 00:52:46,868 OH, YES, THE LOCAL MARINE CORPS WATERING HOLE. 1374 00:52:46,903 --> 00:52:49,170 YOU'VE READ ME MY RIGHTS. 1375 00:52:49,239 --> 00:52:50,838 WHEN DO I GET MY PHONE CALL? 1376 00:52:50,874 --> 00:52:52,674 JUST A FEW MORE QUESTIONS. 1377 00:52:54,478 --> 00:52:56,378 DID KARL DIETZ EVER ASK YOUR BOSS 1378 00:52:56,413 --> 00:52:59,013 TO HANDLE ANY ARTWORK OF QUESTIONABLE PROVENANCE? 1379 00:52:59,048 --> 00:53:01,283 NOT THAT I'M AWARE OF. 1380 00:53:01,318 --> 00:53:03,017 WHAT WAS INSIDE THE EMPTY LETTER BOX? 1381 00:53:03,052 --> 00:53:05,920 I'M GUESSING LETTERS. 1382 00:53:05,955 --> 00:53:07,389 BELONGING TO DIETZ OR SILES? 1383 00:53:07,424 --> 00:53:09,090 NO IDEA. 1384 00:53:09,159 --> 00:53:10,224 HMM. 1385 00:53:10,294 --> 00:53:11,192 HERE'S MY GUESS... 1386 00:53:13,297 --> 00:53:14,929 THEY BELONGED TO DIETZ. 1387 00:53:14,998 --> 00:53:17,465 SOMETHING HAD TO CLUE YOUR BOSS IN 1388 00:53:17,501 --> 00:53:20,101 AS TO THE WHEREABOUTS OF THE HERZOG PAINTING. 1389 00:53:20,170 --> 00:53:21,369 HOW ELSE WOULD HE HAVE KNOWN TO ASK YOU 1390 00:53:21,405 --> 00:53:23,438 TO STEAL IT BACK? 1391 00:53:26,109 --> 00:53:27,041 LAWYER. 1392 00:53:28,144 --> 00:53:29,110 RIGHT. 1393 00:53:29,145 --> 00:53:30,312 [SLAPS TABLE] 1394 00:53:30,380 --> 00:53:31,413 THOUGHT SO. 1395 00:53:36,520 --> 00:53:37,352 SO... 1396 00:53:37,387 --> 00:53:38,386 I'VE BEEN SUSPENDED. 1397 00:53:38,422 --> 00:53:39,554 HAPPY NOW? 1398 00:53:39,589 --> 00:53:41,088 NO. 1399 00:53:41,124 --> 00:53:43,157 YOU KNOW, IT'S NOT TOO LATE TO TURN YOUR SITUATION AROUND. 1400 00:53:43,193 --> 00:53:45,960 I HAVE YOUR SCHEDULE HERE, 1401 00:53:45,995 --> 00:53:46,795 AND I NOTICED 1402 00:53:46,830 --> 00:53:48,129 THAT YOU HAVE AN HOUR 1403 00:53:48,198 --> 00:53:49,664 BETWEEN TWO OF YOUR MORNING CLASSES 1404 00:53:49,700 --> 00:53:52,434 AND AN HOUR BETWEEN TWO OF YOUR AFTERNOON CLASSES, 1405 00:53:52,469 --> 00:53:55,002 AS WELL AS AN HOUR LUNCH BREAK. 1406 00:53:55,038 --> 00:53:56,471 THAT GIVES US AT LEAST THREE HOURS A DAY 1407 00:53:56,506 --> 00:53:57,505 TO WORK TOGETHER, 1408 00:53:57,574 --> 00:53:58,573 GET YOU BACK UP TO SPEED. 1409 00:54:00,043 --> 00:54:01,543 I HAVE GIVEN YOU MY GAME PLAN. 1410 00:54:01,578 --> 00:54:03,144 WHAT'S YOURS? 1411 00:54:08,685 --> 00:54:10,485 WAIT. 1412 00:54:12,356 --> 00:54:14,689 YOU SURE YOU CAN STAND ME FOR THREE HOURS A DAY? 1413 00:54:16,560 --> 00:54:18,192 AS LONG AS THEY'RE PAYING ME. 1414 00:54:20,196 --> 00:54:21,095 [GIGGLES] 1415 00:54:21,130 --> 00:54:22,797 [♪♪♪] 1416 00:54:30,139 --> 00:54:31,439 DR. TRAMMEL? 1417 00:54:31,475 --> 00:54:32,607 AH, JENNIFER, I GOT YOUR TEXT-- 1418 00:54:32,642 --> 00:54:33,641 OH, THANK YOU. 1419 00:54:33,710 --> 00:54:34,743 SORRY, I ONLY HAVE A MINUTE. 1420 00:54:34,778 --> 00:54:35,810 BUSY DAY, 1421 00:54:35,846 --> 00:54:37,479 PEOPLE JUST DYING TO GET IN HERE. 1422 00:54:37,514 --> 00:54:38,613 [CHUCKLES DRYLY] 1423 00:54:38,648 --> 00:54:40,849 SO, WHO ARE WE VISITING TODAY? 1424 00:54:40,884 --> 00:54:41,983 CONRAD SILES. 1425 00:54:42,018 --> 00:54:44,018 OH-HO-HO, GOING ONCE... 1426 00:54:44,087 --> 00:54:46,888 GOING TWICE... 1427 00:54:46,923 --> 00:54:48,690 AND, UM... 1428 00:54:51,027 --> 00:54:52,861 TWO CLOSE-RANGE GUNSHOT WOUNDS. 1429 00:54:52,896 --> 00:54:53,795 [CHUCKLES RUEFULLY] 1430 00:54:53,830 --> 00:54:54,929 THAT'S PERSONAL, ISN'T IT? 1431 00:54:54,964 --> 00:54:56,865 WELL, YOU CAN READ INTO IT HOWEVER YOU LIKE. 1432 00:54:56,900 --> 00:54:57,932 AND YOU CAN CHECK WITH BALLISTICS 1433 00:54:58,001 --> 00:54:59,333 IF YOU WANT SPECIFICS. 1434 00:54:59,369 --> 00:55:01,002 THEY GOT THE BULLETS. 1435 00:55:01,070 --> 00:55:02,437 ANYTHING ELSE? 1436 00:55:02,472 --> 00:55:03,571 KARL DIETZ. 1437 00:55:03,607 --> 00:55:05,039 DETECTIVE LYNNWOOD SAID 1438 00:55:05,074 --> 00:55:06,974 YOU'D CONCLUDED HE DIED FROM CARDIAC ARREST? 1439 00:55:07,010 --> 00:55:08,075 WELL, A PULMONARY EMBOLISM 1440 00:55:08,111 --> 00:55:10,211 HAS BEEN KNOWN TO TRIGGER SUCH THINGS. 1441 00:55:10,246 --> 00:55:12,313 EVEN IN ELDERLY PEOPLE WITH CHRONIC HEART FAILURE? 1442 00:55:12,348 --> 00:55:13,715 WHY NOT? 1443 00:55:13,750 --> 00:55:15,683 THEN WHY ARE YOU HOLDING ONTO THE BODY? 1444 00:55:15,719 --> 00:55:18,352 OH-HOO-HOO... YOU ARE A CRAFTY ONE. 1445 00:55:18,422 --> 00:55:19,754 SORRY! 1446 00:55:19,790 --> 00:55:20,988 TIME'S UP. 1447 00:55:21,024 --> 00:55:22,524 OH, OH, JUST TWO MORE QUESTIONS. 1448 00:55:22,559 --> 00:55:24,191 I'M ASSUMING YOU HAVE A COPY 1449 00:55:24,260 --> 00:55:25,593 OF KARL DIETZ'S HOSPITAL RECORDS? 1450 00:55:25,629 --> 00:55:26,594 YES. 1451 00:55:26,663 --> 00:55:28,563 ONE DOWN, ONE TO GO. 1452 00:55:28,632 --> 00:55:29,798 WOULD YOU MIND TELLING ME 1453 00:55:29,833 --> 00:55:31,866 WHO HE PUT DOWN FOR HIS EMERGENCY CONTACT? 1454 00:55:31,902 --> 00:55:33,367 JENNIFER, SHAME ON YOU, 1455 00:55:33,403 --> 00:55:35,737 THAT WOULD BE A VIOLATION OF DOCTOR-PATIENT CONFIDENTIALITY. 1456 00:55:35,772 --> 00:55:36,905 EVEN IF THE PATIENT IS DEAD? 1457 00:55:36,940 --> 00:55:38,673 TOUCHE. 1458 00:55:38,708 --> 00:55:42,143 MR. DIETZ'S EMERGENCY CONTACT WAS... 1459 00:55:42,178 --> 00:55:45,079 OH, WHAT DO YOU KNOW? 1460 00:55:45,148 --> 00:55:46,614 -CONRAD SILES. -MM-HMM. 1461 00:55:47,617 --> 00:55:49,517 ALL RIGHT, YOU WIN. 1462 00:55:49,553 --> 00:55:51,619 I AM HOLDING ONTO MR. DIETZ'S BODY 1463 00:55:51,655 --> 00:55:53,387 BECAUSE I'M STILL NAGGED BY THE FACT THAT 1464 00:55:53,423 --> 00:55:55,423 HIS VENTRICULAR ASSIST MACHINE 1465 00:55:55,459 --> 00:55:56,958 DIDN'T SOUND THE ALARM SOONER. 1466 00:55:56,993 --> 00:55:59,293 THIS IS A DIGITAL READOUT 1467 00:55:59,329 --> 00:56:02,063 OF HIS CARDIOGRAM, 1468 00:56:02,098 --> 00:56:03,030 AND O-2 SAT READINGS, 1469 00:56:03,066 --> 00:56:07,435 RECORDED AT THE TIME IN QUESTION. 1470 00:56:07,504 --> 00:56:08,803 SEE HOW HIS HEART RATE 1471 00:56:08,839 --> 00:56:10,905 MOVES SHARPLY INTO A-FIB HERE? 1472 00:56:10,941 --> 00:56:12,774 THAT'S PROBABLY WHEN THE EMBOLISM STRUCK. 1473 00:56:12,843 --> 00:56:14,075 WHEN DID THE ALARM GO OFF? 1474 00:56:14,143 --> 00:56:17,078 HERE. 18 SECONDS LATER. 1475 00:56:17,113 --> 00:56:20,615 WHICH SUGGESTS THAT THERE WAS A GLITCH IN THE MACHINERY. 1476 00:56:20,650 --> 00:56:22,116 OR PERHAPS SABOTAGE? 1477 00:56:22,151 --> 00:56:25,419 OH, YOU JUST HAD TO GO THERE... 1478 00:56:25,489 --> 00:56:27,088 WELL, THE ALARMS ON THESE MACHINES 1479 00:56:27,123 --> 00:56:27,922 CAN BE SWITCHED ON AND OFF, RIGHT? 1480 00:56:27,958 --> 00:56:29,223 [GROANS] 1481 00:56:29,258 --> 00:56:30,992 JUST SAYIN'... 1482 00:56:34,330 --> 00:56:35,196 HEY, FRANK? 1483 00:56:35,231 --> 00:56:36,263 WHAT'S UP? 1484 00:56:36,332 --> 00:56:37,365 HEY, JENN. 1485 00:56:37,400 --> 00:56:38,600 I THOUGHT YOU SHOULD KNOW 1486 00:56:38,635 --> 00:56:40,301 THE BALLISTICS REPORTS CAME BACK. 1487 00:56:40,370 --> 00:56:41,669 DWYER'S BERETTA IS NOT A MATCH 1488 00:56:41,705 --> 00:56:43,304 FOR THE BULLETS THAT KILLED SILES. 1489 00:56:43,339 --> 00:56:44,772 WELL, YOU CAN STILL CHARGE HIM 1490 00:56:44,808 --> 00:56:46,107 WITH THE BREAK-IN AT HELEN'S, RIGHT? 1491 00:56:46,142 --> 00:56:48,710 YES, I'M CONFIDENT WE CAN GET AN INDICTMENT THERE, 1492 00:56:48,745 --> 00:56:51,813 ONCE THE LAB FINISHES PROCESSING ALL THE KEY EVIDENCE. 1493 00:56:51,882 --> 00:56:53,214 THE BAD NEWS? 1494 00:56:53,249 --> 00:56:54,315 DWYER MADE BAIL. 1495 00:56:54,350 --> 00:56:55,182 OH, NO... 1496 00:56:55,218 --> 00:56:56,417 AFRAID SO. 1497 00:56:56,452 --> 00:56:57,318 SO... 1498 00:56:58,454 --> 00:57:01,022 THE SCREENSHOTS YOU SENT ME? 1499 00:57:01,057 --> 00:57:01,956 THE LOGOS MATCH. 1500 00:57:01,992 --> 00:57:04,291 IT MEANS 1501 00:57:04,360 --> 00:57:05,693 THAT DIETZ WAS AN OFFICER 1502 00:57:05,729 --> 00:57:07,929 IN THE EAST GERMAN SECURITY SERVICE. 1503 00:57:07,964 --> 00:57:09,864 NOW, I HAD THOUGHT AFTER MY INTERVIEW WITH JACQUES, 1504 00:57:09,900 --> 00:57:11,566 THAT, WELL, MAYBE DIETZ WAS A COP 1505 00:57:11,635 --> 00:57:12,767 BEFORE HE WAS A DIPLOMAT. 1506 00:57:12,802 --> 00:57:13,601 MAYBE A CORRUPT COP? 1507 00:57:13,637 --> 00:57:15,102 JACQUES SAID 1508 00:57:15,138 --> 00:57:17,405 DIETZ "ABUSED THE POWER AND PRIVILEGE 1509 00:57:17,473 --> 00:57:18,806 THAT WAS BESTOWED UPON HIM." 1510 00:57:18,842 --> 00:57:20,008 COULD BE. 1511 00:57:20,076 --> 00:57:23,377 I MEAN, AT THE VERY LEAST, YOU KNOW, 1512 00:57:23,413 --> 00:57:26,648 DIETZ'S JOURNAL APPEARS TO BE A LOG FOR STOLEN ARTIFACTS. 1513 00:57:26,716 --> 00:57:28,516 IT'S JUST SO HARD TO BELIEVE 1514 00:57:28,552 --> 00:57:30,151 AFTER EVERYTHING HE'S DONE FOR THE COMMUNITY. 1515 00:57:30,186 --> 00:57:31,085 YEAH. 1516 00:57:31,120 --> 00:57:32,554 I KNOW. 1517 00:57:32,589 --> 00:57:35,189 HOW'S THE RESEARCH GOING ON THE HERZOG PAINTING? 1518 00:57:35,224 --> 00:57:36,958 WELL, ACCORDING TO THE STOLEN ARTS RECOVERY LEAGUE, 1519 00:57:36,993 --> 00:57:38,259 IT WENT MISSING SOON AFTER THE WAR. 1520 00:57:38,294 --> 00:57:39,326 INTERESTING. 1521 00:57:39,362 --> 00:57:40,628 AND THEN THERE'S MRS. BAUER'S CLAIM 1522 00:57:40,664 --> 00:57:41,763 REGARDING 1523 00:57:41,798 --> 00:57:43,097 THE CASPAR DAVID FRIEDRICH PROVENANCE. 1524 00:57:43,132 --> 00:57:44,098 I... 1525 00:57:44,133 --> 00:57:45,867 YOU KNOW WHAT? 1526 00:57:45,902 --> 00:57:47,168 I'M GOING TO FIND A GERMAN TRANSLATOR 1527 00:57:47,203 --> 00:57:48,269 TO BREAK ALL THIS DOWN. 1528 00:57:48,304 --> 00:57:49,938 FRANK, THERE'S SOMETHING BOTHERING ME 1529 00:57:49,973 --> 00:57:51,272 ABOUT DIETZ'S DEATH, 1530 00:57:51,340 --> 00:57:52,306 AND THE TIMING OF ALL OF THIS. 1531 00:57:53,610 --> 00:57:55,743 WOULD YOU MIND IF I TOOK A LOOK AROUND HIS HOUSE? 1532 00:57:58,014 --> 00:57:59,513 [SIGHS] 1533 00:58:03,587 --> 00:58:05,286 OKAY, DON'T TOUCH ANYTHING. 1534 00:58:05,321 --> 00:58:06,454 WHAT AM I, NEW? 1535 00:58:06,489 --> 00:58:07,722 [CHUCKLES] 1536 00:58:08,858 --> 00:58:13,194 ALL RIGHT, THE IV PUMP HAD THREE LINES, 1537 00:58:13,229 --> 00:58:14,862 ONE SALINE, 1538 00:58:14,898 --> 00:58:16,464 ONE FOR IVABRADINE-- 1539 00:58:16,499 --> 00:58:17,999 I THINK THAT'S HOW YOU SAY IT-- 1540 00:58:18,068 --> 00:58:20,001 AND DOPAMINE, FOR PAIN. 1541 00:58:21,370 --> 00:58:22,436 WHERE DID YOU SAY 1542 00:58:22,472 --> 00:58:24,706 THE NURSES' CALL BUTTON WAS FOUND? 1543 00:58:24,741 --> 00:58:27,441 UM... BESIDE THE BED, 1544 00:58:27,477 --> 00:58:29,611 RIGHT NEXT TO A SYRINGE WRAPPER 1545 00:58:29,646 --> 00:58:31,746 AND AN END CAP. 1546 00:58:33,016 --> 00:58:35,116 ON THE TABLE THERE, THERE WAS THREE SYRINGES, 1547 00:58:35,151 --> 00:58:36,784 ONE OF THEM USED IN CPR, 1548 00:58:36,853 --> 00:58:39,687 A HEPARIN INJECTION. 1549 00:58:39,756 --> 00:58:42,090 WAS THE WRAPPER A MATCH 1550 00:58:42,125 --> 00:58:43,725 TO THE ONE ON THE FLOOR? 1551 00:58:43,760 --> 00:58:44,859 LET'S SEE, 1552 00:58:44,894 --> 00:58:45,526 I'VE GOT A PHOTO HERE. 1553 00:58:53,469 --> 00:58:55,336 THAT'S INTERESTING. 1554 00:58:55,371 --> 00:58:57,204 GENERIC WRAPPER. 1555 00:58:57,240 --> 00:58:58,572 HEY, FRANK? 1556 00:58:58,608 --> 00:58:59,573 MM-HMM? 1557 00:58:59,609 --> 00:59:01,075 TAKE A LOOK AT THIS. 1558 00:59:01,144 --> 00:59:01,976 IT LOOKS LIKE THERE'S A PUNCTURE MARK 1559 00:59:02,012 --> 00:59:04,946 ON THIS TUBE. 1560 00:59:07,483 --> 00:59:08,449 CIRCULAR. 1561 00:59:08,484 --> 00:59:10,251 VERY CLEAN. 1562 00:59:10,286 --> 00:59:12,520 LOOKS LIKE IT COULD HAVE BEEN DONE BY A NEEDLE. 1563 00:59:16,192 --> 00:59:17,591 [SIGHING] OKAY... 1564 00:59:17,661 --> 00:59:19,060 THIS IS JUST A THEORY, 1565 00:59:19,129 --> 00:59:21,295 BUT COULD SOMEONE HAVE COME IN, AND TURNED OFF THE ALARM? 1566 00:59:21,330 --> 00:59:23,531 AND GIVEN MR. DIETZ AN UNSCHEDULED INJECTION? 1567 00:59:23,566 --> 00:59:26,233 DR. TRAMMEL SAID IT WAS A PULMONARY EMBOLISM 1568 00:59:26,269 --> 00:59:27,969 THAT TRIGGERED CARDIAC ARREST. 1569 00:59:28,038 --> 00:59:29,837 WELL, IF WHAT YOU'RE SAYING IS TRUE, 1570 00:59:29,873 --> 00:59:32,439 WE'RE NOT JUST TALKING ABOUT A HEART FAILURE. 1571 00:59:32,475 --> 00:59:34,042 WE'RE LOOKING AT PREMEDITATED MURDER. 1572 00:59:49,166 --> 00:59:50,131 [SHOP BELL JINGLES] 1573 00:59:52,936 --> 00:59:55,503 BONJOUR, MRS. SHANNON. 1574 00:59:55,538 --> 00:59:58,239 INSPECTOR GRENIER. 1575 00:59:58,275 --> 00:59:59,674 HOW DID YOU GET IN HERE? 1576 00:59:59,709 --> 01:00:01,509 THROUGH THE FRONT DOOR. 1577 01:00:01,544 --> 01:00:02,610 WHICH WAS LOCKED. 1578 01:00:02,645 --> 01:00:03,477 WAS IT? 1579 01:00:03,546 --> 01:00:05,246 IF SO, NOT VERY WELL. 1580 01:00:05,282 --> 01:00:07,748 MY FRIEND, DETECTIVE LYNNWOOD, IS LOOKING FOR YOU. 1581 01:00:07,784 --> 01:00:09,083 OH, I AM SURE. 1582 01:00:09,119 --> 01:00:12,020 I UNDERSTAND YOU HAVE RECOVERED A HERZOG PAINTING? 1583 01:00:13,256 --> 01:00:14,755 I DO HAVE MY SOURCES. 1584 01:00:14,791 --> 01:00:15,957 THROUGH THE EMCA, RIGHT? 1585 01:00:17,327 --> 01:00:18,293 I HAVE MY SOURCES, TOO. 1586 01:00:18,328 --> 01:00:19,627 WELL... 1587 01:00:19,662 --> 01:00:22,163 I WOULD VERY MUCH LIKE TO FINISH MY EXAMINING 1588 01:00:22,199 --> 01:00:23,064 OF YOUR VESTONE PIANO, 1589 01:00:23,099 --> 01:00:24,165 AND... 1590 01:00:24,201 --> 01:00:25,834 THE MUSIC SCROLL, 1591 01:00:25,902 --> 01:00:26,767 S'IL VOUS PLAIT. 1592 01:00:26,803 --> 01:00:28,102 WHY? 1593 01:00:28,171 --> 01:00:30,538 IT PERTAINS TO A CASE I AM WORKING ON. 1594 01:00:30,606 --> 01:00:32,406 THE CASE INVOLVING THE LATE KARL DIETZ? 1595 01:00:34,177 --> 01:00:35,509 IT WAS HIS PIANO. 1596 01:00:35,545 --> 01:00:36,978 STANDS TO REASON. 1597 01:00:37,013 --> 01:00:39,848 YOU KNOW, I THINK YOU KNOW MORE THAN YOU ARE LETTING ON. 1598 01:00:39,883 --> 01:00:43,617 I KNOW THAT MR. DIETZ WAS A FORMER EAST GERMAN POLICEMAN. 1599 01:00:43,653 --> 01:00:46,154 HOW CORRUPT WAS HE, JACQUES? 1600 01:00:46,189 --> 01:00:48,522 THE MAN BETRAYED EVERYONE IN HIS PATH, 1601 01:00:48,591 --> 01:00:51,359 INCLUDING MEMBERS OF HIS CRIMINAL ORGANIZATION. 1602 01:00:51,394 --> 01:00:53,261 NOW... 1603 01:00:53,296 --> 01:00:54,428 MAY I? 1604 01:00:55,798 --> 01:00:58,867 I WOULD FEEL BETTER IF DETECTIVE LYNNWOOD WAS HERE. 1605 01:00:58,935 --> 01:01:00,134 I HAVE HIM ON SPEED DIAL. 1606 01:01:00,170 --> 01:01:01,535 WE CAN MAKE AN APPOINTMENT. 1607 01:01:01,571 --> 01:01:03,838 I'M SORRY, BUT I PREFER TO PURSUE THIS INVESTIGATION 1608 01:01:03,874 --> 01:01:05,206 ON MY OWN. 1609 01:01:05,275 --> 01:01:07,608 AND I WOULD PREFER IF DETECTIVE LYNNWOOD WERE HERE. 1610 01:01:17,954 --> 01:01:20,554 SO, JACQUES IS STILL AROUND, HUH? 1611 01:01:20,590 --> 01:01:22,190 HE'S STILL ON THE HUNT. 1612 01:01:22,225 --> 01:01:23,892 YOU WOULDN'T HAPPEN TO KNOW WHERE HE'S STAYING, WOULD YOU? 1613 01:01:23,927 --> 01:01:25,927 NO, BUT I GOT THE MAKE, MODEL, AND LICENSE PLATE 1614 01:01:25,996 --> 01:01:28,329 OF HIS RENTAL CAR. 1615 01:01:28,365 --> 01:01:30,398 VERY WELL DONE. 1616 01:01:31,768 --> 01:01:34,435 BY THE WAY, OUR CT HAS FOUND EVIDENCE 1617 01:01:34,470 --> 01:01:35,904 THAT THE GROUND-FLOOR WINDOW OF THE AUCTION HOUSE 1618 01:01:35,939 --> 01:01:36,905 HAD BEEN JIMMIED. 1619 01:01:36,940 --> 01:01:38,472 FROM THERE, 1620 01:01:38,508 --> 01:01:39,207 THE ASSAILANT WOULD HAVE MADE THEIR WAY 1621 01:01:39,276 --> 01:01:41,910 UP TO SILES' STUDY. 1622 01:01:41,945 --> 01:01:43,177 I THINK WE'RE LOOKING AT A REAL PRO HERE. 1623 01:01:43,213 --> 01:01:44,178 [SIGHS] 1624 01:01:44,214 --> 01:01:45,213 NOT TO MENTION A KILLER. 1625 01:01:45,282 --> 01:01:47,215 SPEAKING OF, 1626 01:01:47,250 --> 01:01:49,717 DR. TRAMMEL HAS NOW CHANGED THE CAUSE OF DEATH 1627 01:01:49,752 --> 01:01:50,851 FOR KARL DIETZ. 1628 01:01:50,887 --> 01:01:52,753 HE'S NOW SAYING 1629 01:01:52,789 --> 01:01:55,223 THAT THE EMBOLISM WAS PURPOSELY INDUCED 1630 01:01:55,258 --> 01:01:56,324 BY AN AIR BUBBLE, 1631 01:01:56,359 --> 01:01:58,059 MOST LIKELY BY A WIDE-BORE SYRINGE. 1632 01:02:00,263 --> 01:02:02,363 I NOW HAVE A DOUBLE HOMICIDE ON MY HANDS 1633 01:02:02,399 --> 01:02:04,098 AND A VERY UNHAPPY MAYOR. 1634 01:02:09,572 --> 01:02:10,905 [BLOWS WHISTLE] GUYS! 1635 01:02:12,708 --> 01:02:14,042 WE NEED TO FEED OFF FROM THE TOP OF THE KEY, 1636 01:02:14,110 --> 01:02:15,643 AND CROSS-COURT PASS TO THE CORNERS. 1637 01:02:15,678 --> 01:02:16,744 HEY, HEY, HEY! 1638 01:02:16,779 --> 01:02:18,079 WHAT THE IN THE WIDE-WIDE WORLD OF SPORTS 1639 01:02:18,148 --> 01:02:19,147 IS GOING ON HERE? 1640 01:02:19,182 --> 01:02:20,815 UH, THEY'RE JUST 1641 01:02:20,850 --> 01:02:21,715 HELPING ME WITH MY HOMEWORK, COACH. 1642 01:02:21,751 --> 01:02:23,418 YOUR HOMEWORK? 1643 01:02:23,453 --> 01:02:24,685 YES, SIR. 1644 01:02:24,720 --> 01:02:26,854 THIS A STATISTICAL ANALYSIS 1645 01:02:26,889 --> 01:02:28,189 OF ALL THEIR SHOOTING PERCENTAGES, 1646 01:02:28,224 --> 01:02:30,358 AND BEST PASSING LANES... 1647 01:02:30,393 --> 01:02:33,061 AND YOU TOOK IT UPON YOURSELF TO WORK UP SOME NEW PLAYS? 1648 01:02:33,096 --> 01:02:35,263 BASED ON THESE STATS HERE, YES. 1649 01:02:38,568 --> 01:02:40,201 I LIKE WHAT I'M SEEING HERE. 1650 01:02:40,236 --> 01:02:42,003 BUT GIVE ME THE WHISTLE. 1651 01:02:42,038 --> 01:02:42,937 GIMME... 1652 01:02:45,241 --> 01:02:47,342 ALL RIGHT, GUYS, RUN THE PLAY. 1653 01:02:47,377 --> 01:02:48,309 LET ME SEE IT, LET'S GO. 1654 01:02:48,345 --> 01:02:49,510 [BLOWS WHISTLE] 1655 01:02:57,020 --> 01:02:59,320 [SOLO PIANIST PLAYING] 1656 01:02:59,356 --> 01:03:00,821 [♪♪♪] 1657 01:03:02,758 --> 01:03:06,027 [FINISHES PIECE] 1658 01:03:07,964 --> 01:03:10,664 [APPLAUSE] 1659 01:03:18,308 --> 01:03:20,441 SHE WAS SO GOOD, 1660 01:03:20,510 --> 01:03:22,343 AND, JASON, YOU DID AN INCREDIBLE JOB 1661 01:03:22,379 --> 01:03:23,277 WITH THIS PLACE. 1662 01:03:23,313 --> 01:03:24,345 THANK YOU. 1663 01:03:24,414 --> 01:03:25,913 I FORGOT HOW MUCH I LOVE THE THEATER. 1664 01:03:25,948 --> 01:03:27,215 DO YOU REMEMBER WHEN WE WERE SENIORS, 1665 01:03:27,250 --> 01:03:28,349 AND I WAS THE LIGHTING DESIGNER 1666 01:03:28,385 --> 01:03:29,950 AND THE STAGE MANAGER? 1667 01:03:29,986 --> 01:03:31,319 HELLO? 1668 01:03:31,388 --> 01:03:32,453 DO YOU REMEMBER THAT KISS WE SHARED ON THE CATWALK. 1669 01:03:32,522 --> 01:03:33,821 I KNEW YOU'D GO THERE. 1670 01:03:33,856 --> 01:03:35,256 YOU GUYS, I'LL MEET YOU OUTSIDE. 1671 01:03:35,291 --> 01:03:36,090 I'M JUST GOING TO TALK TO CAROLYN 1672 01:03:40,530 --> 01:03:42,063 CAROLYN, I JUST WANTED TO SAY 1673 01:03:42,098 --> 01:03:43,864 THAT THAT WAS WONDERFUL. 1674 01:03:43,900 --> 01:03:45,466 IT WAS SUCH A BEAUTIFUL PERFORMANCE. 1675 01:03:45,502 --> 01:03:46,800 THANK YOU. 1676 01:03:46,836 --> 01:03:48,769 AND I KNOW THIS MIGHT NOT BE THE RIGHT TIME OR PLACE, 1677 01:03:48,804 --> 01:03:50,071 BUT I'D LIKE TO TALK TO YOU 1678 01:03:50,106 --> 01:03:51,539 ABOUT THE PIANO THAT YOU BOUGHT AT THE AUCTION. 1679 01:03:51,574 --> 01:03:53,874 YES, MY PARTNER, DANI, DID MENTION THAT. 1680 01:03:53,910 --> 01:03:55,743 I'M SORRY, IT'S BEEN A REALLY EMOTIONAL TIME, 1681 01:03:55,778 --> 01:03:57,078 AND I DON'T KNOW HOW ELSE TO SAY THIS, 1682 01:03:57,147 --> 01:03:59,080 BUT I'D LIKE TO GET BACK SOME OF MY FAMILY HEIRLOOMS, 1683 01:03:59,115 --> 01:03:59,947 ESPECIALLY THAT PIANO. 1684 01:04:01,384 --> 01:04:02,750 I'M WILLING TO MAKE A VERY FAIR OFFER. 1685 01:04:02,785 --> 01:04:03,817 WELL, AS YOU KNOW, 1686 01:04:03,853 --> 01:04:05,786 I DID PROMISE THE PIANO TO A CLIENT, 1687 01:04:05,821 --> 01:04:07,321 BUT... 1688 01:04:07,357 --> 01:04:09,623 LET ME CALL HIM, AND-AND SEE WHAT I CAN DO. 1689 01:04:09,659 --> 01:04:11,392 THAT WOULD MEAN SO MUCH TO ME. 1690 01:04:11,428 --> 01:04:12,360 THANK YOU. 1691 01:04:12,395 --> 01:04:13,394 OF COURSE. 1692 01:04:13,430 --> 01:04:14,695 YOUR GRANDFATHER WOULD BE PROUD. 1693 01:04:25,741 --> 01:04:27,308 YOU WANT YOUR INHERITANCE? 1694 01:04:29,479 --> 01:04:30,644 I CAN HELP. 1695 01:04:30,680 --> 01:04:32,380 WHAT IS THIS? 1696 01:04:32,449 --> 01:04:34,282 I HAVE INFORMATION. 1697 01:04:34,317 --> 01:04:36,217 YOU HAVE INFORMATION. 1698 01:04:36,252 --> 01:04:38,152 WE COULD PARTNER UP. 1699 01:04:38,188 --> 01:04:40,254 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1700 01:04:52,368 --> 01:04:53,901 -MISS TURNER? -THANK YOU. 1701 01:04:53,936 --> 01:04:54,835 YES. 1702 01:04:54,870 --> 01:04:55,869 DETECTIVE LYNNWOOD. 1703 01:04:55,938 --> 01:04:57,171 I GOT YOUR VOICEMAIL. 1704 01:04:57,240 --> 01:04:58,106 THANK YOU FOR SEEING ME. 1705 01:04:58,141 --> 01:05:00,074 YEAH, NO PROBLEM. 1706 01:05:00,143 --> 01:05:01,809 SO, YOU HAD A RUN-IN WITH MR. DWYER AT THE RECITAL HALL? 1707 01:05:01,844 --> 01:05:02,910 MM-HMM. 1708 01:05:02,945 --> 01:05:04,212 AND I READ IN THE PAPERS THIS MORNING 1709 01:05:04,247 --> 01:05:05,846 THAT HIS BOSS WAS FOUND MURDERED? 1710 01:05:05,881 --> 01:05:07,415 SHOULD I BE CONCERNED? 1711 01:05:07,450 --> 01:05:08,716 I'VE ALREADY CONTACTED HIS ATTORNEY 1712 01:05:08,751 --> 01:05:10,351 ABOUT THE ALTERCATION YOU TWO HAD. 1713 01:05:10,386 --> 01:05:11,419 HE'S BEING ISSUED A SUMMONS. 1714 01:05:12,622 --> 01:05:14,088 I'M BEGINNING TO THINK 1715 01:05:14,124 --> 01:05:15,456 IT'S TIME FOR ME TO GET BACK TO MY JOB AT THE CDC, DETECTIVE. 1716 01:05:15,525 --> 01:05:17,191 HMM. 1717 01:05:17,227 --> 01:05:18,559 BATTLING PLAGUE OUTBREAKS SEEMS A LOT SAFER 1718 01:05:18,595 --> 01:05:19,627 THAN STICKING AROUND HERE. 1719 01:05:19,662 --> 01:05:20,728 RIGHT. 1720 01:05:20,763 --> 01:05:21,629 WELL, WE'RE ON IT, NOT TO WORRY. 1721 01:05:21,697 --> 01:05:22,530 [CELL PHONE RINGS] 1722 01:05:22,565 --> 01:05:23,564 OH. 1723 01:05:23,633 --> 01:05:24,798 I'VE GOT TO TAKE THIS. 1724 01:05:24,834 --> 01:05:25,633 OKAY. THANK YOU. 1725 01:05:26,769 --> 01:05:29,036 HEY, JENN, THANKS FOR CALLING BACK. 1726 01:05:29,071 --> 01:05:32,373 IT SEEMS THAT DWYER HAS BEEN STALKING DIETZ'S GRANDDAUGHTER. 1727 01:05:32,408 --> 01:05:33,907 SHE FILED A RESTRAINING ORDER. 1728 01:05:33,943 --> 01:05:35,276 [SHOP BELL JINGLES] [JENN]: OH, NO. 1729 01:05:35,311 --> 01:05:37,245 WHAT HAPPENED TO JACQUES? 1730 01:05:37,280 --> 01:05:39,780 [FRANK CHUCKLES] OUR SLIPPERY FRENCHMAN? 1731 01:05:39,815 --> 01:05:42,450 I DON'T KNOW WHAT TO MAKE OF THE GUY. 1732 01:05:42,485 --> 01:05:44,519 ON THE ONE HAND, HE LIED TO ME. 1733 01:05:44,554 --> 01:05:46,854 ON THE OTHER HAND, HE ACTUALLY CHECKS OUT. 1734 01:05:46,889 --> 01:05:49,657 IN FACT, I JUST RECEIVED AN OFFICIAL REQUEST 1735 01:05:49,725 --> 01:05:51,058 FROM THE STOLEN ART RECOVERY LEAGUE 1736 01:05:51,093 --> 01:05:53,093 TO HAND OVER THE HERZOG PAINTING TO HIM. 1737 01:05:53,129 --> 01:05:54,928 NO... 1738 01:05:54,964 --> 01:05:56,297 YES. 1739 01:05:56,366 --> 01:05:58,666 ACTUALLY, YOU KNOW WHAT, I'VE GOT TO GO. 1740 01:05:58,701 --> 01:05:59,667 OKAY, I'LL TALK TO YOU LATER. 1741 01:05:59,702 --> 01:06:01,269 OKAY. 1742 01:06:01,304 --> 01:06:02,203 [SIGHING] 1743 01:06:02,238 --> 01:06:03,638 SO, HELEN WILL BE BY 1744 01:06:03,673 --> 01:06:04,938 TO PICK UP THE DRESDEN TOMORROW, 1745 01:06:04,974 --> 01:06:07,875 AND I TUCKED JASON'S BLUEPRINTS DOWN THERE. 1746 01:06:07,910 --> 01:06:09,243 -OH, THANK YOU. -YOU'RE WELCOME. 1747 01:06:09,312 --> 01:06:10,378 [SHOP BELL JINGLES] 1748 01:06:10,446 --> 01:06:11,479 WHAT'S WRONG WITH THIS PICTURE? 1749 01:06:11,514 --> 01:06:13,247 WHY AM I NOT HEARING MUSIC? 1750 01:06:13,283 --> 01:06:14,515 DEAN! 1751 01:06:14,551 --> 01:06:15,683 [CHUCKLING IN DELIGHT] IT'S SO GOOD TO SEE YOU! 1752 01:06:16,619 --> 01:06:18,118 HOW ABOUT SOME BRAHMS? 1753 01:06:18,154 --> 01:06:19,887 THE PERFECT ANTIDOTE FOR A MIGRAINE. 1754 01:06:19,922 --> 01:06:20,921 [CHUCKLING] 1755 01:06:20,990 --> 01:06:22,022 OH, I WOULD LIKE YOU TO MEET 1756 01:06:22,058 --> 01:06:24,091 MY CHAUFFEUR- SLASH-VIRTUOSO-CAREGIVER, 1757 01:06:24,126 --> 01:06:25,226 HOWIE NASH. 1758 01:06:25,261 --> 01:06:27,127 I THINK HIS BEDSIDE GUITAR PICKING 1759 01:06:27,163 --> 01:06:29,463 HAS WORKED MIRACLES. 1760 01:06:29,499 --> 01:06:30,464 HEY, ALL. 1761 01:06:30,533 --> 01:06:31,699 NICE TO MEET YOU, HOWIE. 1762 01:06:31,734 --> 01:06:33,201 BUT, DEAN, SHOULDN'T YOU BE HOME, THOUGH, 1763 01:06:33,236 --> 01:06:34,168 TAKING IT EASY? 1764 01:06:34,204 --> 01:06:35,102 AND WHAT DO YOU KNOW ABOUT THAT? 1765 01:06:36,138 --> 01:06:37,071 TOUCHE. 1766 01:06:37,106 --> 01:06:38,038 [LAUGHTER] 1767 01:06:38,074 --> 01:06:39,674 SO, DOES IT WORK? 1768 01:06:39,709 --> 01:06:41,309 WELL, IT DID AT AUCTION, 1769 01:06:41,377 --> 01:06:42,410 BUT I HAVEN'T TRIED IT 1770 01:06:42,445 --> 01:06:44,845 SINCE IT WAS VANDALIZED AT YOUR STORE. 1771 01:06:44,880 --> 01:06:46,347 BRAHMS, WAS IT? 1772 01:06:46,416 --> 01:06:47,781 ALWAYS A GOOD PLACE TO START. 1773 01:06:47,850 --> 01:06:48,749 I'M A LITTLE PARTIAL 1774 01:06:48,784 --> 01:06:50,017 TO MOZART, 1775 01:06:50,052 --> 01:06:51,919 "FANTASIA IN D MINOR," IF YOU DON'T MIND. 1776 01:06:51,954 --> 01:06:52,820 LET ME DO THAT FOR YOU. 1777 01:06:52,888 --> 01:06:53,787 THANK YOU. 1778 01:06:53,856 --> 01:06:54,755 IT'S RIGHT THERE ON THE LEFT. 1779 01:06:59,295 --> 01:07:00,728 YOU SEE PRONGS ON EACH SIDE OF THE WINDOW THERE? 1780 01:07:02,998 --> 01:07:04,298 OKAY. 1781 01:07:05,468 --> 01:07:07,201 IT SHOULD POP RIGHT IN... 1782 01:07:13,710 --> 01:07:15,309 OH, SO THAT'S HOW YOU DO IT. 1783 01:07:15,345 --> 01:07:17,111 BOY, WE HAD THAT REALLY WRONG. 1784 01:07:17,179 --> 01:07:19,280 YEAH, REALLY WRONG. 1785 01:07:19,315 --> 01:07:21,449 AND THE SWITCH IS RIGHT BELOW THE KEYBOARD TO YOUR RIGHT. 1786 01:07:22,752 --> 01:07:23,984 WE'RE ALL SET. 1787 01:07:24,019 --> 01:07:25,018 [MECHANISM WHIRRING] 1788 01:07:26,356 --> 01:07:27,121 [ATONAL PIANO CHORDS PLAY] 1789 01:07:27,156 --> 01:07:28,989 OW! WHAT IS THAT? 1790 01:07:29,024 --> 01:07:30,358 THESE ARE FRAGILE PEOPLE HERE! 1791 01:07:31,527 --> 01:07:33,527 [TURNS OFF PIANO] 1792 01:07:34,830 --> 01:07:35,863 MAYBE I PUT IT IN WRONG? 1793 01:07:35,898 --> 01:07:36,930 DO YOU MIND 1794 01:07:36,966 --> 01:07:38,299 IF I TAKE A LOOK AT THAT FOR A SECOND? 1795 01:07:42,071 --> 01:07:44,472 DEAN, LOOK AT THIS. 1796 01:07:44,507 --> 01:07:46,707 THE MOZART LOOKS LIKE IT'S ON DIFFERENT PAPER STOCK. 1797 01:07:46,743 --> 01:07:48,476 OH, IT'S DEFINITELY A NEWER PAPER, 1798 01:07:48,511 --> 01:07:49,910 MAYBE A FEW YEARS OLD, AS OPPOSED TO THE BRAHMS, 1799 01:07:49,945 --> 01:07:51,779 WHICH HAS YELLOWED WITH TIME. 1800 01:07:51,847 --> 01:07:53,814 COULD IT BE FROM A DIFFERENT PIANO MAYBE? 1801 01:07:53,849 --> 01:07:54,749 A NEWER MODEL? 1802 01:07:54,784 --> 01:07:56,216 POSSIBLY. 1803 01:07:56,252 --> 01:07:57,785 BUT WHY WOULD THE ROLLS BE IN WITH THESE? 1804 01:07:59,455 --> 01:08:00,954 THIS WAS DIETZ'S FAVORITE PIECE. 1805 01:08:00,990 --> 01:08:03,557 HE TAUGHT IT TO HIS DAUGHTER, HIS GRANDDAUGHTER. 1806 01:08:03,593 --> 01:08:05,459 I THINK THIS IS HERE FOR A REASON. 1807 01:08:05,495 --> 01:08:07,995 A MYSTERY WRAPPED UP IN MOZART. 1808 01:08:08,030 --> 01:08:09,163 YOU GOTTA LOVE IT. 1809 01:08:09,198 --> 01:08:10,164 [LAUGHTER] 1810 01:08:10,199 --> 01:08:11,965 DEAN, I'D BETTER GET YOU HOME. 1811 01:08:12,001 --> 01:08:13,434 WHAT? 1812 01:08:13,469 --> 01:08:15,002 OH, COME ON, THINGS ARE JUST STARTING TO GET INTERESTING. 1813 01:08:15,037 --> 01:08:16,370 I PROMISED YOUR DOCTORS. 1814 01:08:16,406 --> 01:08:18,038 SAY "SO LONG". 1815 01:08:18,073 --> 01:08:19,373 SO LONG, EVERYONE. 1816 01:08:21,010 --> 01:08:22,376 DEAN, I'M GLAD YOU'RE DOING WELL. 1817 01:08:22,412 --> 01:08:23,811 SO AM I. 1818 01:08:23,846 --> 01:08:24,779 WE'RE OUTTA HERE. 1819 01:08:24,814 --> 01:08:26,447 BYE. 1820 01:08:26,516 --> 01:08:28,048 LISTEN, I'M GONNA TAKE OFF, TOO. 1821 01:08:28,083 --> 01:08:29,483 WE HAVE DINNER RESERVATIONS. 1822 01:08:29,519 --> 01:08:30,384 ARE YOU OKAY TO LOCK UP? 1823 01:08:30,420 --> 01:08:31,552 I AM FINE. YOU HAVE FUN. 1824 01:08:31,587 --> 01:08:32,853 OKAY. 1825 01:08:32,888 --> 01:08:34,288 [SHOP BELL JINGLES] 1826 01:08:41,171 --> 01:08:42,571 [SHOP BELL JINGLES] 1827 01:08:42,621 --> 01:08:43,586 HEY, JENN! 1828 01:08:43,655 --> 01:08:44,621 HEY, GUYS, 1829 01:08:44,656 --> 01:08:45,755 WHAT A NICE SURPRISE. 1830 01:08:45,791 --> 01:08:47,123 WE THOUGHT WE'D STOP BY BEFORE THE BIG GAME. 1831 01:08:47,158 --> 01:08:48,291 OH, THAT'S RIGHT. 1832 01:08:48,359 --> 01:08:49,325 GOOD LUCK, LOGAN. 1833 01:08:49,360 --> 01:08:50,527 OH, HE WON'T NEED ANY LUCK. 1834 01:08:50,562 --> 01:08:52,495 ACCORDING TO COACH BYERS, 1835 01:08:52,564 --> 01:08:54,864 LOGAN'S COME UP WITH A WINNING GAME PLAN. 1836 01:08:54,900 --> 01:08:55,965 YEAH. 1837 01:08:56,000 --> 01:08:57,300 TELL ME THAT AFTER THE FINAL BUZZER. 1838 01:08:57,335 --> 01:08:58,401 [CHUCKLES FONDLY] 1839 01:08:59,538 --> 01:09:01,037 WHAT'S THIS? 1840 01:09:01,072 --> 01:09:03,339 WELL, IT'S SUPPOSED TO BE 1841 01:09:03,408 --> 01:09:05,408 MOZART'S "FANTASIA IN D MINOR," 1842 01:09:05,444 --> 01:09:07,209 BUT TURNS OUT IT'S JUST A BUNCH OF NOISE. 1843 01:09:07,245 --> 01:09:10,613 AND I'M FAIRLY CERTAIN THERE'S A CODE EMBEDDED IN HERE. 1844 01:09:10,649 --> 01:09:12,582 I JUST DON'T KNOW HOW TO FIGURE IT OUT. 1845 01:09:12,651 --> 01:09:14,617 DO YOU HAVE ANY OTHER AUTHENTIC ROLLS OF MUSIC? 1846 01:09:14,653 --> 01:09:15,952 I DO. 1847 01:09:15,987 --> 01:09:16,920 I HAVE A PIECE BY BRAHMS. 1848 01:09:16,955 --> 01:09:18,187 WELL THEN, 1849 01:09:18,222 --> 01:09:20,022 PRINT OFF THE BRAHMS SHEET MUSIC OFF THE INTERNET, 1850 01:09:20,091 --> 01:09:21,491 AND, YOU KNOW, 1851 01:09:21,560 --> 01:09:24,494 MARK DOWN THE CORRECT NOTES ALONGSIDE EACH PERFORATION. 1852 01:09:24,529 --> 01:09:26,496 AND THAT WAY I CAN CROSS-REFERENCE 1853 01:09:26,531 --> 01:09:29,866 TO SEE WHICH NOTE EACH PERFORATION REPRESENTS. 1854 01:09:29,901 --> 01:09:31,534 LOGAN, YOU ARE A GENIUS. 1855 01:09:32,737 --> 01:09:34,671 WHAT IF THE PIECE IS WRITTEN IN D MINOR? 1856 01:09:34,706 --> 01:09:37,674 WELL THEN, "D" WOULD REPRESENTS THE NUMBER ONE, 1857 01:09:37,709 --> 01:09:38,908 AND "E" THE NUMBER TWO, 1858 01:09:38,944 --> 01:09:40,343 YOU KNOW, AND SO ON AND SO FORTH. 1859 01:09:40,378 --> 01:09:41,544 WHAT ABOUT SHARPS AND FLATS? 1860 01:09:41,580 --> 01:09:44,714 THAT COULD BE... LETTERS? 1861 01:09:44,749 --> 01:09:46,850 D-SHARP COULD REPRESENT THE LETTER "A", 1862 01:09:46,885 --> 01:09:48,785 OR MAYBE 1863 01:09:48,820 --> 01:09:51,053 IT'S THE FIRST SHARP OR FLAT AFTER "D" MINOR. 1864 01:09:51,089 --> 01:09:52,522 I DON'T KNOW, YOU'LL HAVE TO PLAY WITH IT. 1865 01:09:52,557 --> 01:09:53,823 AND, UH, WE HAVE A GAME TO PLAY, 1866 01:09:53,859 --> 01:09:54,757 SO WE SHOULD GO. 1867 01:09:54,793 --> 01:09:55,925 RIGHT. SO, GOOD LUCK, MOM. 1868 01:09:55,961 --> 01:09:57,293 GOOD LUCK TO YOU, TOO, LOGAN, 1869 01:09:57,362 --> 01:09:58,194 AND JUST HAVE FUN. 1870 01:10:00,532 --> 01:10:02,966 [SIGHING EAGERLY] 1871 01:10:04,569 --> 01:10:05,535 HANNAH! 1872 01:10:05,604 --> 01:10:06,536 HEY, HANNAH! 1873 01:10:06,605 --> 01:10:07,604 YOU DID IT. 1874 01:10:07,639 --> 01:10:09,105 I GOT A B! 1875 01:10:09,173 --> 01:10:10,473 YOU DID IT, RICK. 1876 01:10:10,509 --> 01:10:11,875 HIGH-FIVE. 1877 01:10:14,746 --> 01:10:15,845 [LAUGHS] 1878 01:10:15,881 --> 01:10:18,581 [♪♪♪] 1879 01:10:21,586 --> 01:10:23,753 [ROAR OF SPORTS CROWD] 1880 01:10:25,757 --> 01:10:26,856 [CROWD CHEERING] 1881 01:10:26,892 --> 01:10:28,324 [FINAL BUZZER BLARES] 1882 01:10:28,359 --> 01:10:29,993 WHOO! 1883 01:10:30,028 --> 01:10:32,094 [TEAM CHEERING] 1884 01:10:34,833 --> 01:10:36,866 LOGAN! 1885 01:10:36,902 --> 01:10:38,735 BRILLIANT. WELL DONE. 1886 01:10:38,770 --> 01:10:40,102 THANK YOU, SIR. 1887 01:10:40,138 --> 01:10:41,303 YOU'VE GOT YOURSELF QUITE THE STRATEGIST HERE, 1888 01:10:41,339 --> 01:10:42,171 MR. SHANNON. 1889 01:10:42,240 --> 01:10:43,706 DON'T I KNOW IT. 1890 01:10:45,644 --> 01:10:46,809 WHAT DID I TELL YOU? 1891 01:10:47,946 --> 01:10:49,078 YOU STEPPED UP, 1892 01:10:49,113 --> 01:10:50,179 AND YOU WERE THE RIGHT PERSON TO DO IT. 1893 01:10:50,214 --> 01:10:52,348 THANKS FOR THE ENCOURAGEMENT, DAD, 1894 01:10:52,417 --> 01:10:54,316 AND ALL THE SUPPORT. 1895 01:10:54,385 --> 01:10:55,251 IT MEANS A LOT. 1896 01:10:55,286 --> 01:10:56,953 ANYTIME, SON. 1897 01:10:56,988 --> 01:10:58,187 NOW, GO ON, 1898 01:10:58,256 --> 01:10:59,455 PARTY WITH THE GUYS. 1899 01:11:00,759 --> 01:11:01,658 WHOO! 1900 01:11:04,295 --> 01:11:06,863 [TOGETHER]: JETS! JETS! JETS! JETS! JETS! 1901 01:11:06,898 --> 01:11:08,531 [CHEERING] WHOO! 1902 01:11:12,537 --> 01:11:14,537 [MUTTERING] SHARPS, FLATS... 1903 01:11:14,573 --> 01:11:16,405 OR THE NOTE THAT COMES BEFORE "D" MINOR, 1904 01:11:16,441 --> 01:11:18,741 I THINK THAT'S A "C"... 1905 01:11:18,777 --> 01:11:20,043 [DOOR RATTLING] 1906 01:11:24,248 --> 01:11:25,181 [SPEED-DIALING] 1907 01:11:25,216 --> 01:11:26,148 [FRAME SPLINTERS] 1908 01:11:26,184 --> 01:11:27,650 [GASPS IN FRIGHT] FRANK! 1909 01:11:27,686 --> 01:11:28,718 DWYER JUST BROKE INTO MY STORE! 1910 01:11:28,753 --> 01:11:29,953 MR. DWYER! 1911 01:11:30,021 --> 01:11:31,353 I'VE CALLED THE POLICE! 1912 01:11:31,389 --> 01:11:32,455 FRANK, ARE YOU THERE? 1913 01:11:32,490 --> 01:11:33,355 YEAH, I'M STILL HERE, JENN. 1914 01:11:33,424 --> 01:11:34,490 UNITS ARE ABOUT A BLOCK AWAY. 1915 01:11:34,559 --> 01:11:35,524 I'LL BE ARRIVING SHORTLY. 1916 01:11:47,072 --> 01:11:48,504 WE HAVE AN ALL-POINTS OUT ON DWYER NOW, 1917 01:11:48,539 --> 01:11:50,339 AND I'M GOING TO KEEP A PATROL UNIT 1918 01:11:50,374 --> 01:11:51,340 HERE AT YOUR SHOP. 1919 01:11:51,409 --> 01:11:52,441 DO YOU WANT ONE AT YOUR RESIDENCE? 1920 01:11:52,477 --> 01:11:53,542 ABSOLUTELY. THANKS, FRANK. 1921 01:11:53,578 --> 01:11:54,543 THANK YOU. 1922 01:11:54,579 --> 01:11:55,912 YEAH, NO PROBLEM. 1923 01:11:55,947 --> 01:11:57,413 HEY, I HEAR CONGRATULATIONS ARE IN ORDER? 1924 01:11:57,448 --> 01:11:59,315 OH, YEAH. LOGAN'S TEAM WON THEIR FIRST GAME. 1925 01:11:59,350 --> 01:12:00,216 HEY, WELL, GIVE HIM MY BEST. 1926 01:12:00,251 --> 01:12:01,183 I WILL. 1927 01:12:04,756 --> 01:12:06,489 [♪♪♪] 1928 01:12:08,326 --> 01:12:09,726 CRACK IT YET, MOM? 1929 01:12:09,761 --> 01:12:11,995 MM, I HOPE SO. 1930 01:12:12,030 --> 01:12:12,996 I THINK I'M GETTING CLOSE, 1931 01:12:13,031 --> 01:12:14,864 BUT THERE COULD BE THREE LINES OF CODE. 1932 01:12:14,899 --> 01:12:16,499 YOU SEE THESE TWO COLUMNS 1933 01:12:16,534 --> 01:12:17,466 THAT ARE VERTICAL RIGHT HERE? 1934 01:12:17,502 --> 01:12:18,701 THEY'RE THE ONLY TWO GROUPED TOGETHER 1935 01:12:18,770 --> 01:12:19,936 ON THE ENTIRE ROLL, 1936 01:12:19,971 --> 01:12:21,137 AND THE NUMBERS AND THE LETTERS, 1937 01:12:21,205 --> 01:12:22,571 THEY MATCH UP PERFECTLY. 1938 01:12:22,607 --> 01:12:23,740 HMM... 1939 01:12:23,775 --> 01:12:25,074 BOTH ALPHA-NUMERIC... 1940 01:12:26,811 --> 01:12:27,877 WAIT... 1941 01:12:27,912 --> 01:12:30,813 THOSE LOOK JUST LIKE GPS COORDINATES. 1942 01:12:30,849 --> 01:12:32,015 YOU THINK? 1943 01:12:32,083 --> 01:12:33,549 HOLD ON. 1944 01:12:41,159 --> 01:12:42,058 YUP. 1945 01:12:42,093 --> 01:12:43,259 SEE? 1946 01:12:44,696 --> 01:12:47,563 LOGAN, THAT'S THE DIETZ RECITAL HALL! 1947 01:12:48,700 --> 01:12:50,700 THIS IS INCREDIBLE. 1948 01:12:50,735 --> 01:12:53,569 DO YOU HAVE ANY IDEA WHAT THESE NUMBERS MIGHT BE? 1949 01:12:53,604 --> 01:12:56,405 WELL, IT'S NOT LONGITUDE OR LATITUDE. 1950 01:12:56,474 --> 01:12:58,174 THERE'S NOT ENOUGH DIGITS THERE. 1951 01:12:58,209 --> 01:13:00,409 SO, UH... 1952 01:13:00,444 --> 01:13:02,178 YEAH, I HAVEN'T GOT A CLUE, SORRY, MOM. 1953 01:13:02,213 --> 01:13:03,980 THAT'S OKAY, LOGAN, YOU HAVE BEEN A BIG HELP. 1954 01:13:04,015 --> 01:13:05,281 I'M GONNA GRAB YOUR DAD'S SET OF BLUEPRINTS 1955 01:13:05,316 --> 01:13:06,182 FROM MY STORE, 1956 01:13:06,217 --> 01:13:07,116 AND I'M GONNA CALL FRANK. 1957 01:13:07,185 --> 01:13:08,217 THANK YOU. 1958 01:13:10,989 --> 01:13:12,689 [SHOP BELL JINGLES] 1959 01:13:14,826 --> 01:13:16,258 -HI. -HI. 1960 01:13:16,294 --> 01:13:17,226 BYE. 1961 01:13:19,230 --> 01:13:21,263 FRANK, I'M ON MY WAY TO THE RECITAL HALL. 1962 01:13:21,299 --> 01:13:22,799 I HOPE YOU CAN MEET ME THERE. 1963 01:13:25,970 --> 01:13:28,270 [STARTS ENGINE] 1964 01:13:44,655 --> 01:13:46,288 BONJOUR, MRS. SHANNON. 1965 01:13:46,357 --> 01:13:48,191 WE MEET AGAIN. 1966 01:13:48,226 --> 01:13:49,759 SO WE DO. 1967 01:13:49,794 --> 01:13:51,227 THE HERZOG PAINTING. 1968 01:13:51,262 --> 01:13:52,561 WHERE IS IT? 1969 01:13:52,597 --> 01:13:55,631 SAFELY IN THE HANDS OF THE AUSTRIAN CONSULATE, 1970 01:13:55,666 --> 01:13:57,767 SOON BE RETURNED TO ITS RIGHTFUL HEIR, 1971 01:13:57,802 --> 01:14:00,002 A JEWISH FAMILY FROM VIENNA 1972 01:14:00,038 --> 01:14:01,437 WHOSE PARENTS HAD IT TAKEN FROM THEM 1973 01:14:01,472 --> 01:14:03,405 DURING THE ANSCHLUSS OF 1938. 1974 01:14:03,441 --> 01:14:05,007 THAT'S GOOD NEWS. 1975 01:14:06,310 --> 01:14:08,010 SO, WHAT ARE YOU DOING HERE? 1976 01:14:08,079 --> 01:14:09,045 BESIDES STALKING ME? 1977 01:14:10,048 --> 01:14:11,580 STALKING? NO, MADAME, 1978 01:14:11,649 --> 01:14:14,383 I AM MERELY HERE TO OFFER ASSISTANCE. 1979 01:14:14,418 --> 01:14:17,887 YOU SEE, KARL DIETZ WAS NOT THE ONLY ONE... 1980 01:14:17,956 --> 01:14:18,855 TO KEEP A JOURNAL. 1981 01:14:20,658 --> 01:14:23,226 DETECTIVE LYNNWOOD INDICATED TO MY SUPERIORS 1982 01:14:23,294 --> 01:14:25,628 THAT YOU FOUND HIS JOURNAL, 1983 01:14:25,663 --> 01:14:28,231 SO I THOUGHT NOW WOULD BE A GOOD TIME TO COMPARE NOTES. 1984 01:14:29,333 --> 01:14:31,768 DO ANY OF THESE NAMES, 1985 01:14:31,803 --> 01:14:33,702 OR DATES, ARTISTS, 1986 01:14:33,738 --> 01:14:35,504 LOOK FAMILIAR? 1987 01:14:35,539 --> 01:14:36,472 GOYA... 1988 01:14:37,541 --> 01:14:38,574 MENZEL... 1989 01:14:41,545 --> 01:14:44,346 YOU KNEW ABOUT THE CASPAR DAVID FRIEDRICH? 1990 01:14:44,382 --> 01:14:48,184 WELL, I DID NOT JUST MERELY SIT BEHIND THE DESK AT THE EMCA 1991 01:14:48,253 --> 01:14:49,585 FOR ALL THOSE YEARS. 1992 01:14:49,620 --> 01:14:51,087 [INHALES DEEPLY] 1993 01:14:51,156 --> 01:14:55,057 NOW... WHAT BROUGHT YOU HERE WITH YOUR HUSBAND'S BLUEPRINTS? 1994 01:14:57,195 --> 01:14:59,495 OF COURSE. 1995 01:14:59,530 --> 01:15:01,264 IT'S PERFECT. 1996 01:15:01,299 --> 01:15:02,598 THE RECITAL HALL. 1997 01:15:02,667 --> 01:15:04,267 AND DIETZ HELPED TO MAKE IT! 1998 01:15:04,302 --> 01:15:05,634 [STAMMERING EXCITEDLY] 1999 01:15:05,670 --> 01:15:08,437 AND THAT PIANO, DID THE PIANO HAVE A... A MAP? 2000 01:15:08,506 --> 01:15:12,474 A CODE, IN A PIANO ROLL. 2001 01:15:12,543 --> 01:15:14,844 MOZART'S "FANTASIA IN D MINOR". 2002 01:15:14,879 --> 01:15:15,778 [SMACKS BOOK] 2003 01:15:15,814 --> 01:15:18,414 I KNEW IT! I KNEW IT! 2004 01:15:18,449 --> 01:15:19,448 LET ME SHOW YOU, 2005 01:15:19,517 --> 01:15:21,483 UM... THIS DATA ENTRY. 2006 01:15:21,519 --> 01:15:23,986 THESE ARE SHIPPING AND CRATING SERVICES, 2007 01:15:24,055 --> 01:15:25,688 CARGO CONTAINER I.D. NUMBERS. 2008 01:15:25,723 --> 01:15:27,156 I TRACED THEM ALL BACK TO A TIME 2009 01:15:27,192 --> 01:15:29,391 WHEN KARL DIETZ WAS A NATO LIAISON. 2010 01:15:29,427 --> 01:15:31,227 YOU SEE, HIS DIPLOMATIC STATUS 2011 01:15:31,262 --> 01:15:34,297 ALLOW HIM TO, UH, BYPASS U.S. CUSTOMS, HUH? 2012 01:15:34,332 --> 01:15:36,365 I BELIEVE HE USE HIS PRIVILEGE 2013 01:15:36,400 --> 01:15:39,302 TO SMUGGLE ART AND STOLEN JEWELS 2014 01:15:39,337 --> 01:15:40,303 OUT OF GERMANY INTO THIS COUNTRY, 2015 01:15:40,338 --> 01:15:41,770 PIECE BY PIECE. 2016 01:15:41,806 --> 01:15:43,405 SO, THAT'S HOW HE DID IT. 2017 01:15:43,474 --> 01:15:44,941 YES, 2018 01:15:44,976 --> 01:15:46,008 HOWEVER, A FEW YEARS AGO, 2019 01:15:46,077 --> 01:15:47,844 THE EMCA RECEIVED AN ANONYMOUS TIP, 2020 01:15:47,879 --> 01:15:50,179 WHICH I BELIEVE CAME FROM DIETZ'S DAUGHTER, HELGA. 2021 01:15:50,215 --> 01:15:53,682 BUT BEFORE THE FBI COULD FILE A SEARCH WARRANT, 2022 01:15:53,718 --> 01:15:57,286 DIETZ HID HIS STOLEN GOODS. 2023 01:15:57,322 --> 01:15:58,487 BUT WHERE? 2024 01:15:58,556 --> 01:16:00,156 THAT WAS ALWAYS THE MYSTERY. 2025 01:16:01,025 --> 01:16:02,258 NOW... 2026 01:16:02,293 --> 01:16:05,427 THE MOZART IN D MINOR DIRECTED YOU HERE. 2027 01:16:07,465 --> 01:16:09,265 I THINK THE LOCK ON THE STAGE DOOR 2028 01:16:09,300 --> 01:16:11,200 MIGHT BE BROKEN. 2029 01:16:11,236 --> 01:16:12,201 FOLLOW ME. 2030 01:16:27,970 --> 01:16:29,269 [SIGHS] 2031 01:16:29,337 --> 01:16:31,537 I GUESS JASON FIXED THE LOCK. 2032 01:16:31,606 --> 01:16:32,939 WELL, HE IS EFFICIENT. 2033 01:16:32,975 --> 01:16:35,208 ALLOW ME, MADAME. 2034 01:16:35,244 --> 01:16:36,509 SOMETIMES, TO CATCH A THIEF... 2035 01:16:38,380 --> 01:16:40,080 YOU HAVE TO PLAY THE THIEF. 2036 01:16:45,587 --> 01:16:46,486 VOILA! 2037 01:16:49,792 --> 01:16:51,224 [♪♪♪] 2038 01:16:56,731 --> 01:16:58,698 THIS FIRST SET OF NUMBERS... 2039 01:17:00,735 --> 01:17:03,336 IT'S TOO SHORT TO BE A TRACKING NUMBER 2040 01:17:03,371 --> 01:17:05,138 OR A ZIP CODE. 2041 01:17:07,742 --> 01:17:10,210 THERE HAS TO BE SOME CORRELATION 2042 01:17:10,245 --> 01:17:12,279 TO THE RECITAL HALL. 2043 01:17:18,353 --> 01:17:19,452 JACQUES... 2044 01:17:19,487 --> 01:17:20,586 MY HUSBAND SAID 2045 01:17:20,622 --> 01:17:22,789 THAT KARL DIETZ HAD HIS OWN SPECIALISTS 2046 01:17:22,825 --> 01:17:24,657 WHO DID THE ACOUSTICS, THE STAGE FLOORING, 2047 01:17:24,726 --> 01:17:25,625 AND THE VIP SEATS. 2048 01:17:29,464 --> 01:17:31,364 HERE'S KARL DIETZ'S CHAIR. 2049 01:17:31,399 --> 01:17:33,066 "B-9." 2050 01:17:33,135 --> 01:17:36,102 "SL-R1-B9." 2051 01:17:36,138 --> 01:17:37,070 OF COURSE, 2052 01:17:37,105 --> 01:17:38,839 IT'S "STAGE LEFT, ROW ONE, B-9." 2053 01:17:38,874 --> 01:17:41,407 WE HAVE A MATCH. 2054 01:17:45,147 --> 01:17:46,980 HEY. 2055 01:17:47,015 --> 01:17:49,082 THERE IS AN ELECTRICAL CONDUIT RUNNING UNDER EACH SEAT. 2056 01:17:50,652 --> 01:17:52,018 PERHAPS IT'S JUST FOR THE LIGHT. 2057 01:17:52,087 --> 01:17:54,221 WAIT A MINUTE. 2058 01:17:54,256 --> 01:17:55,989 IT LOOKS LIKE THERE MIGHT BE A... 2059 01:17:56,024 --> 01:17:57,157 A SWITCH DOWN HERE. 2060 01:17:58,327 --> 01:17:59,259 [MECHANISM WHIRS] 2061 01:18:11,206 --> 01:18:13,039 ALLOW ME, MADAME. 2062 01:18:15,010 --> 01:18:16,309 [HATCH CREAKING] 2063 01:18:18,380 --> 01:18:20,213 [GASPING] 2064 01:18:20,282 --> 01:18:22,415 KARL DIETZ'S VAULT. 2065 01:18:22,450 --> 01:18:23,783 AT LAST. 2066 01:18:24,987 --> 01:18:26,753 BLESS YOU, MS. SHANNON. 2067 01:18:26,788 --> 01:18:29,055 WORDS CANNOT EXPRESS HOW I FEEL. 2068 01:18:29,091 --> 01:18:30,023 YOU MUST UNDERSTAND, 2069 01:18:30,058 --> 01:18:31,391 THIS IS WHAT MY LIFE, 2070 01:18:31,459 --> 01:18:34,094 WHAT MY WORK IS ALL ABOUT. 2071 01:18:34,129 --> 01:18:35,762 RESTITUTION? 2072 01:18:36,698 --> 01:18:38,631 OUI. 2073 01:18:38,666 --> 01:18:40,367 RESTITUTION. 2074 01:18:45,607 --> 01:18:47,440 WAIT A MINUTE. 2075 01:18:52,047 --> 01:18:54,014 OH, HERE IT IS. 2076 01:18:54,049 --> 01:18:57,951 THE ORIGINAL MOZART "FANTASIA IN D MINOR," 2077 01:18:58,020 --> 01:19:00,620 WHICH CONFIRMS THAT KARL DIETZ MANUFACTURED THE OTHER ONE. 2078 01:19:02,391 --> 01:19:04,657 OH, WAIT A MINUTE. 2079 01:19:04,692 --> 01:19:05,558 WHAT? 2080 01:19:05,627 --> 01:19:07,627 IT'S CAROLYN. 2081 01:19:07,662 --> 01:19:09,629 CAROLYN, SHE HAD TO HAVE KNOWN. 2082 01:19:09,697 --> 01:19:10,997 THAT'S WHY SHE'S BEEN ON ME 2083 01:19:11,033 --> 01:19:12,865 TO BUY BACK THE VESTONE. 2084 01:19:12,935 --> 01:19:13,800 ACTUALLY... 2085 01:19:15,270 --> 01:19:17,971 I'VE ALWAYS HATED THAT WHEEZING EXCUSE FOR A PIANO. 2086 01:19:19,174 --> 01:19:21,908 BUT THANKS TO YOU, JENNIFER, 2087 01:19:21,944 --> 01:19:24,510 I NOW HAVE MY INHERITANCE. 2088 01:19:24,579 --> 01:19:27,447 WHICH YOU ASSUMED WAS YOURS ALL ALONG, DIDN'T YOU? 2089 01:19:28,817 --> 01:19:31,884 I MEAN, YOU HAD THE LETTER 2090 01:19:31,920 --> 01:19:33,686 FROM YOUR GRANDFATHER TO YOUR MOTHER, 2091 01:19:33,721 --> 01:19:36,489 INFORMING HER THAT YOU HAD BEEN 2092 01:19:36,524 --> 01:19:38,558 REINSTATED IN HIS WILL... 2093 01:19:40,162 --> 01:19:42,562 BUT AFTER YOUR MOTHER DIED, 2094 01:19:42,597 --> 01:19:45,365 AFTER YOU RETURNED FROM OVERSEAS, 2095 01:19:45,400 --> 01:19:48,234 YOU SUDDENLY FOUND OUT THAT THINGS HAD CHANGED... 2096 01:19:50,339 --> 01:19:51,404 THAT YOUR MOTHER AND GRANDFATHER 2097 01:19:51,473 --> 01:19:53,206 DIDN'T HEAL THEIR RIFT, 2098 01:19:53,275 --> 01:19:54,807 AND THAT YOUR GRANDFATHER DECIDED 2099 01:19:54,876 --> 01:19:56,676 TO SELL HIS ESTATE FOR CHARITY, 2100 01:19:56,711 --> 01:19:58,278 LEAVING YOU CUT OFF ONCE AGAIN. 2101 01:19:59,247 --> 01:20:00,246 [DIETZ, MUMBLING]: NURSE? 2102 01:20:03,385 --> 01:20:05,285 WHAT ARE YOU DOING? 2103 01:20:06,788 --> 01:20:08,654 WHO ARE YOU? 2104 01:20:11,426 --> 01:20:13,259 YOU... 2105 01:20:13,295 --> 01:20:15,695 HOUNDING ME TO THE GRAVE, 2106 01:20:15,730 --> 01:20:17,497 YOU AND ALL THE OTHERS. 2107 01:20:17,565 --> 01:20:18,564 [JENNIFER]: SO, YOU DECIDED TO RETALIATE... 2108 01:20:19,767 --> 01:20:20,967 ...AND YOU ENDED HIS LIFE. 2109 01:20:21,003 --> 01:20:22,335 HE WAS A HORRIBLE MAN, 2110 01:20:22,371 --> 01:20:24,437 WHO HAD OUTLIVED HIS USEFULNESS. 2111 01:20:24,473 --> 01:20:26,406 AND YOU HAD WHAT YOU NEEDED, 2112 01:20:26,475 --> 01:20:28,574 HIS LETTER TO YOUR MOTHER, 2113 01:20:28,610 --> 01:20:31,011 AND THE CLUE TO HIS HIDDEN TREASURE, 2114 01:20:31,046 --> 01:20:32,379 THE PLAYER PIANO... 2115 01:20:32,414 --> 01:20:34,647 WHICH IS WHY YOU BROKE INTO MY FRIEND'S SHOP 2116 01:20:34,682 --> 01:20:36,383 AND ASSAULTED HIM. 2117 01:20:39,454 --> 01:20:41,687 [HEAVY THUD] 2118 01:20:45,994 --> 01:20:47,394 [SHOP ENTRY BELL CHIMES] 2119 01:20:47,429 --> 01:20:48,995 BUT YOUR SEARCH WAS CUT SHORT 2120 01:20:49,031 --> 01:20:50,330 WHEN HOWIE NASH ARRIVED. 2121 01:20:50,365 --> 01:20:53,699 YOU HAD TO GET OUT OF THERE IN A HURRY. 2122 01:20:53,735 --> 01:20:55,168 THEN THINGS BECAME MORE URGENT 2123 01:20:55,203 --> 01:20:56,269 WHEN YOU LEARNED 2124 01:20:56,304 --> 01:20:57,737 THE HERZOG PAINTING HAD BEEN FOUND, 2125 01:20:57,772 --> 01:21:00,006 TUCKED AWAY INSIDE A RELATIVELY WORTHLESS PIECE OF ART. 2126 01:21:00,042 --> 01:21:01,307 YES, WELL, ACCORDING TO MOTHER, 2127 01:21:01,343 --> 01:21:03,276 GRANDPA WAS A VERY CLEVER SMUGGLER. 2128 01:21:03,311 --> 01:21:04,310 YOU MEAN CRIMINAL-- 2129 01:21:04,379 --> 01:21:05,745 DO I LOOK LIKE I CARE? 2130 01:21:05,780 --> 01:21:06,979 JACQUES IS RIGHT. 2131 01:21:07,015 --> 01:21:08,181 THINGS DID GET MUCH MORE URGENT 2132 01:21:08,250 --> 01:21:09,582 BECAUSE YOU REALIZED 2133 01:21:09,617 --> 01:21:11,384 THAT SILES HAD SECURED 2134 01:21:11,420 --> 01:21:13,386 EVERYTHING IN YOUR GRANDFATHER'S LIBRARY, 2135 01:21:13,455 --> 01:21:15,055 INCLUDING HIS PERSONAL CORRESPONDENCE. 2136 01:21:16,391 --> 01:21:18,191 I BELIEVE THERE WAS ANOTHER LETTER, 2137 01:21:18,226 --> 01:21:20,193 FROM YOUR MOTHER TO YOUR GRANDFATHER, 2138 01:21:20,262 --> 01:21:21,761 ONE IN WHICH 2139 01:21:21,796 --> 01:21:24,130 SHE OUTRIGHT REJECTED HIS OFFER OF AN INHERITANCE. 2140 01:21:24,166 --> 01:21:25,765 NOW YOU'RE JUST SPECULATING. 2141 01:21:25,800 --> 01:21:27,233 AM I? 2142 01:21:27,269 --> 01:21:28,935 THEN WHY WEREN'T YOU LISTED AS NEXT OF KIN 2143 01:21:29,003 --> 01:21:30,002 ON HIS HOSPITAL PAPERS? 2144 01:21:31,906 --> 01:21:32,972 YOUR MOTHER WANTED 2145 01:21:33,041 --> 01:21:34,607 NOTHING TO DO WITH YOUR GRANDFATHER, 2146 01:21:34,676 --> 01:21:35,875 AND THE IRONY IS, 2147 01:21:35,910 --> 01:21:39,245 SHE WAS TRYING TO PROTECT YOU FROM HIS CRIMES, 2148 01:21:39,281 --> 01:21:42,014 BUT WHEN YOU REALIZED SILES HAD HER LETTER... 2149 01:21:43,685 --> 01:21:46,352 WELL, YOU COULDN'T AFFORD TO LET HIM EXPOSE THAT... 2150 01:21:46,388 --> 01:21:47,287 [GUN COCKS] 2151 01:21:52,227 --> 01:21:54,327 COLLATERAL DAMAGE, I'M AFRAID. 2152 01:21:54,362 --> 01:21:56,262 AS ARE YOU! 2153 01:21:56,298 --> 01:21:57,163 SHUT THE HATCH. 2154 01:22:04,639 --> 01:22:06,672 ALL RIGHT, LET'S GO. 2155 01:22:06,741 --> 01:22:08,575 STAGE RIGHT, IF YOU WILL. 2156 01:22:08,610 --> 01:22:09,742 COME ON, GO! 2157 01:22:09,811 --> 01:22:11,010 MAY I ASK YOU WHAT LED YOU 2158 01:22:11,045 --> 01:22:12,745 TO THE MOZART IN D MINOR? 2159 01:22:12,780 --> 01:22:14,680 MOTHER'S LETTERS TO GRANDPA. 2160 01:22:14,716 --> 01:22:16,483 THANKS FOR CRACKING THE CODE, BY THE WAY. 2161 01:22:16,518 --> 01:22:18,184 YOUR MOTHER WAS THE ONE WHO CONTACTED EMCA, YES? 2162 01:22:18,253 --> 01:22:19,152 YES. 2163 01:22:19,221 --> 01:22:21,020 SHE WAS THE ONE 2164 01:22:21,055 --> 01:22:22,688 WHO WANTED EVERYTHING RETURNED TO ITS RIGHTFUL OWNER? 2165 01:22:22,724 --> 01:22:23,689 MOTHER ALWAYS HAD 2166 01:22:23,758 --> 01:22:24,724 A WAYWARD SENSE OF MORALITY. 2167 01:22:24,759 --> 01:22:25,592 WHERE IS YOURS, MISS TURNER? 2168 01:22:26,561 --> 01:22:27,360 [PULLEYS SPIN] 2169 01:22:29,364 --> 01:22:30,296 [GASPS] 2170 01:22:34,169 --> 01:22:35,301 JENN! 2171 01:22:36,538 --> 01:22:37,837 ARE YOU TWO ALL RIGHT? 2172 01:22:37,872 --> 01:22:38,838 [PANTING] 2173 01:22:38,873 --> 01:22:40,140 YES. YES, WE'RE-- 2174 01:22:40,175 --> 01:22:41,574 [JACQUES]: MAGNIFIQUE. 2175 01:22:43,211 --> 01:22:44,210 OUI. 2176 01:22:44,246 --> 01:22:45,211 [CHUCKLES IN RELIEF] 2177 01:22:47,582 --> 01:22:48,448 HELEN! 2178 01:22:48,483 --> 01:22:49,449 JENNIFER. 2179 01:22:49,518 --> 01:22:50,416 LOVELY TO SEE YOU. 2180 01:22:50,485 --> 01:22:51,484 LOVELY TO SEE YOU. 2181 01:22:51,520 --> 01:22:52,952 HOW WAS MY HUSBAND'S DRIVING? 2182 01:22:52,987 --> 01:22:54,053 EXCELLENT. 2183 01:22:54,088 --> 01:22:55,321 RIGHT IN HERE. 2184 01:22:57,359 --> 01:22:59,259 OH, MY. 2185 01:22:59,294 --> 01:23:01,060 JENNIFER, WHAT'S GOING ON HERE? 2186 01:23:01,095 --> 01:23:02,962 IT'S NOT MY BIRTHDAY. 2187 01:23:02,997 --> 01:23:04,631 HELEN, I WOULD LIKE YOU TO MEET 2188 01:23:04,666 --> 01:23:05,798 INSPECTOR JACQUES GRENIER. 2189 01:23:05,867 --> 01:23:07,267 IT'S A PLEASURE, MADAME. 2190 01:23:07,335 --> 01:23:08,968 JACQUES WAS FORMERLY 2191 01:23:09,003 --> 01:23:11,271 WITH EUROPEAN MINISTRY OF CRIMINAL AFFAIRS, 2192 01:23:11,306 --> 01:23:14,874 BUT NOW HE IS WITH THE LOST ART RECOVERY LEAGUE. 2193 01:23:14,942 --> 01:23:16,008 HE'S RESPONSIBLE FOR TRACKING DOWN 2194 01:23:16,077 --> 01:23:17,210 A LOT OF THE ARTWORK 2195 01:23:17,245 --> 01:23:18,878 THAT MR. DIETZ ILLEGALLY CONFISCATED. 2196 01:23:18,913 --> 01:23:20,480 STILL SO SHOCKING. 2197 01:23:20,515 --> 01:23:21,947 HARD TO BELIEVE. 2198 01:23:21,983 --> 01:23:24,750 FORTUNATELY, THE DNA WAS A MATCH TO CAROLYN 2199 01:23:24,819 --> 01:23:27,753 ON THE SYRINGE WRAPPER FOUND IN HER GRANDFATHER'S BEDROOM. 2200 01:23:27,789 --> 01:23:29,556 THE D.A. WILL BE INDICTING HER FOR MURDER. 2201 01:23:29,591 --> 01:23:30,723 OH, AND AS FAR AS 2202 01:23:30,758 --> 01:23:32,124 MR. DWYER IS CONCERNED, 2203 01:23:32,160 --> 01:23:33,726 HE WAS FOUND AND APPREHENDED. 2204 01:23:33,761 --> 01:23:35,295 HE WILL BE FACING BURGLARY CHARGES. 2205 01:23:36,631 --> 01:23:38,764 WELL, NOW FOR SOME EVEN BETTER NEWS. 2206 01:23:38,800 --> 01:23:40,233 LOGAN, SINCE YOU HELPED CRACK THE CODE, 2207 01:23:40,268 --> 01:23:41,734 WOULD YOU LIKE TO DO THE HONORS? 2208 01:23:47,375 --> 01:23:48,208 RECOGNIZE THIS, MRS. BAUER? 2209 01:23:48,243 --> 01:23:50,109 OF COURSE. 2210 01:23:50,144 --> 01:23:52,412 THE PROVENANCE WAS FORGED, HELEN. 2211 01:23:52,447 --> 01:23:53,379 JACQUES AND I FOUND 2212 01:23:53,415 --> 01:23:54,681 THE ORIGINAL CERTIFICATE OF OWNERSHIP 2213 01:23:54,716 --> 01:23:56,082 IN MR. DIETZ'S FILES. 2214 01:23:56,117 --> 01:23:58,451 IT BELONGED TO, AND STILL BELONGS TO, 2215 01:23:58,520 --> 01:24:00,520 THE BAUER FAMILY. 2216 01:24:00,555 --> 01:24:02,121 OH, MY GOODNESS. 2217 01:24:02,156 --> 01:24:03,923 WELL... 2218 01:24:05,093 --> 01:24:07,293 AS MY MOTHER ALWAYS SAID, 2219 01:24:07,329 --> 01:24:10,496 "ALL GOOD THINGS COME TO THOSE WHO WAIT." 2220 01:24:12,133 --> 01:24:14,234 WELL, WE HAVE WAITED LONG ENOUGH. 2221 01:24:14,269 --> 01:24:15,768 WHO WOULD LIKE SOME CHAMPAGNE? 2222 01:24:15,837 --> 01:24:17,069 OH. I WOULD. 2223 01:24:17,138 --> 01:24:18,003 [CORK POPS, EVERYONE CHEERS] 2224 01:24:18,039 --> 01:24:19,972 WHOO! YEAH! 2225 01:24:23,077 --> 01:24:27,012 [♪♪♪] 148377

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