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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,589 --> 00:00:23,524 HEY, JAMES. 2 00:00:25,091 --> 00:00:26,527 THANK YOU NOTE FROM ME AND GINA. 3 00:00:26,560 --> 00:00:27,728 LOTS OF HAPPINESS. 4 00:00:27,761 --> 00:00:29,395 YEAH. THEY'RE BEAUTIFUL DISHES. 5 00:00:29,429 --> 00:00:32,498 AS FAR AS THE ELOPEMENT, I HOPE EVERYONE UNDERSTOOD. 6 00:00:32,533 --> 00:00:33,700 OH, YEAH, SURE. 7 00:00:33,734 --> 00:00:35,702 GINA WENT HOME EARLY? 8 00:00:35,736 --> 00:00:37,003 YEAH. SHE CAME HOME AROUND 2:00. 9 00:00:37,037 --> 00:00:38,238 SHE WAS FEELING A LITTLE QUEASY. 10 00:00:38,271 --> 00:00:39,540 I GUESS THAT'S TO BE EXPECTED. 11 00:00:39,573 --> 00:00:40,541 AFTERNOON, ALL. 12 00:00:40,574 --> 00:00:41,374 GREG. HEY. GREG. 13 00:00:45,712 --> 00:00:46,580 HOW'S IT GOIN', ANDY? 14 00:00:46,613 --> 00:00:49,916 STOCKING UP FOR OUR 4:00 TO 1:00? 15 00:00:49,950 --> 00:00:51,885 4.75 FOR SNACK REPLACEMENTS. 16 00:00:51,918 --> 00:00:52,919 OH, YEAH. 17 00:00:52,953 --> 00:00:56,056 4.75. SAY NO MORE. 18 00:00:56,089 --> 00:00:57,090 EVEN THOUGH, UH... 19 00:00:57,123 --> 00:00:59,425 I'M NO LONGER DRINKING DAIRY. 20 00:00:59,459 --> 00:01:01,562 HEY. 21 00:01:01,595 --> 00:01:02,563 HOW'S IT GOIN'? 22 00:01:02,596 --> 00:01:03,730 4.75 FOR SNACK REPLACEMENTS. 23 00:01:03,764 --> 00:01:05,532 UH, TOMORROW OK? YEAH. 24 00:01:05,566 --> 00:01:08,101 THERE YOU GO. 25 00:01:08,134 --> 00:01:09,603 BROUGHT YOUR DINNER, HUH? 26 00:01:09,636 --> 00:01:11,437 YEAH. I MADE PASTA SALAD, WHICH MY KIDS HATE. 27 00:01:11,471 --> 00:01:13,439 NOW I'M EATING IT THE LAST 3 NIGHTS. 28 00:01:13,473 --> 00:01:14,941 LONG AS I BRING A MEAL, 29 00:01:14,975 --> 00:01:16,442 I DON'T MIND A 4:00 TO 1:00. 30 00:01:16,476 --> 00:01:17,944 I SORT OF ENJOY IT. 31 00:01:17,978 --> 00:01:19,445 ME, TOO. 32 00:01:19,479 --> 00:01:20,914 YOU MISS YOUR TV SHOWS. 33 00:01:20,947 --> 00:01:23,116 THAT'S ONE NEGATIVE. 34 00:01:23,149 --> 00:01:24,484 THAT'S TRUE, HUH? 35 00:01:26,086 --> 00:01:27,721 HEY. HEY, HEY. HEY. HEY. 36 00:01:27,754 --> 00:01:31,457 YOU KNOW, YOU NEED PSYCHIATRIC TREATMENT. 37 00:01:31,491 --> 00:01:33,560 WHAT ARE YOU TALKING ABOUT, ANDY? 38 00:01:33,594 --> 00:01:36,930 ABOUT EVERY TIME I COLLECT FOR SNACK REPLACEMENTS, 39 00:01:36,963 --> 00:01:39,132 YOU STIFF ME ON THE CHANGE. 40 00:01:39,165 --> 00:01:40,466 WHAT HAPPENED? OH. 41 00:01:40,501 --> 00:01:42,636 I PUT IN A NICKEL FOR A QUARTER. 42 00:01:42,669 --> 00:01:43,970 THAT'S... 43 00:01:44,004 --> 00:01:46,306 THAT'S NOT EXACTLY A FEDERAL CASE. 44 00:01:46,339 --> 00:01:48,642 LAST TIME, YOU PAY YOUR SHARE WITH PENNY ROLLS. 45 00:01:48,675 --> 00:01:51,578 BANK TELLER BUSTS SYLVIA. SHE'S 14 CENTS LIGHT. 46 00:01:51,612 --> 00:01:52,646 [TELEPHONE RINGS] 47 00:01:52,679 --> 00:01:54,480 EXCUSE ME. 48 00:01:54,515 --> 00:01:55,582 15th SQUAD. 49 00:01:55,616 --> 00:01:56,617 THANKS. 50 00:01:58,519 --> 00:01:59,452 ANDY. 51 00:01:59,485 --> 00:02:00,954 HE DID IT AGAIN. 52 00:02:00,987 --> 00:02:02,956 WE GOT A DOA UNDER THE FDR. 53 00:02:02,989 --> 00:02:04,490 CAR FIRE. 54 00:02:04,525 --> 00:02:06,660 OH, MY GOD, ABBY. ARE YOU ALL RIGHT? 55 00:02:06,693 --> 00:02:08,662 IS YOUR STOMACH ALL RIGHT? 56 00:02:08,695 --> 00:02:09,763 I'LL BE RIGHT OVER THERE. 57 00:02:09,796 --> 00:02:11,497 JUST SIT DOWN. 58 00:02:11,532 --> 00:02:13,534 TRY AND STAY CALM. 59 00:02:15,301 --> 00:02:16,637 WHAT'S THE MATTER, MEDAVOY? 60 00:02:16,670 --> 00:02:19,272 PUSH?IN ROBBERY AT HER AND KATHY'S APARTMENT. 61 00:02:19,305 --> 00:02:20,674 James: IS ABBY ALL RIGHT? 62 00:02:20,707 --> 00:02:23,343 ABBY'S SHOT IN THE ARM. KATHY'S DEAD. 63 00:02:23,376 --> 00:02:24,377 OH, MY GOD. 64 00:03:45,291 --> 00:03:47,227 WHAT DO YOU GOT? 65 00:03:47,260 --> 00:03:48,428 FEMALE DOA. 66 00:03:48,461 --> 00:03:49,930 SHOT DURING A ROBBERY. 67 00:03:49,963 --> 00:03:51,431 2 WOMEN SHARED THE RESIDENCE. 68 00:03:51,464 --> 00:03:52,766 ONE OF THEM'S ON THE JOB. 69 00:03:52,799 --> 00:03:53,734 YEAH. WE KNOW ABBY. 70 00:03:53,767 --> 00:03:54,935 SHE'S PREGNANT, 71 00:03:54,968 --> 00:03:58,371 BUT SHE WAS LIVING WITH THE FEMALE DOA. 72 00:03:58,404 --> 00:03:59,472 YEAH. OK. 73 00:04:01,074 --> 00:04:04,611 YOU WANT SOME WATER TO DRINK? 74 00:04:04,645 --> 00:04:06,613 UH, NO. THANKS, GREG. 75 00:04:06,647 --> 00:04:07,914 HI, ABBY. 76 00:04:07,948 --> 00:04:10,450 ABBY, I'M SO SORRY. 77 00:04:10,483 --> 00:04:12,118 I CAN'T BELIEVE ALL THIS HAPPENED. 78 00:04:12,152 --> 00:04:14,387 CAN YOU TRY AND TELL US ABOUT IT? 79 00:04:14,420 --> 00:04:17,257 WE'D COME HOME FROM GROCERY SHOPPING. 80 00:04:17,290 --> 00:04:21,427 THE GUY MUST HAVE FOLLOWED US INTO THE BUILDING. 81 00:04:21,461 --> 00:04:23,463 KATHY HAD JUST UNLOCKED THE DOOR 82 00:04:23,496 --> 00:04:26,299 WHEN HE PUT THE GUN IN MY BACK 83 00:04:26,332 --> 00:04:28,134 AND TOLD US BOTH TO GO INSIDE. 84 00:04:28,168 --> 00:04:31,638 WE DID EXACTLY WHAT HE SAID. 85 00:04:31,672 --> 00:04:34,274 AND THEN I TOLD HIM 86 00:04:34,307 --> 00:04:35,942 TO JUST TAKE THE MONEY AND GO. 87 00:04:39,846 --> 00:04:42,749 Jill: THEN WHAT HAPPENED? 88 00:04:42,783 --> 00:04:46,486 KATHY TRIED TO GET THE GUN THAT WE KEEP IN THAT DRAWER. 89 00:04:46,520 --> 00:04:47,754 WAS HE GETTING VIOLENT? 90 00:04:47,788 --> 00:04:49,455 IS THAT WHY SHE DID THAT? 91 00:04:49,489 --> 00:04:51,291 I DON'T KNOW. 92 00:04:51,324 --> 00:04:52,835 WHAT, HE JUST SUDDENLY SHOT? 93 00:04:53,657 --> 00:04:56,059 SHE WAS WORRIED ABOUT ME. 94 00:04:56,092 --> 00:04:59,062 I COULD SEE HER GETTING MORE AND MORE WORRIED, 95 00:04:59,095 --> 00:05:02,799 AND, UH, AND THEN SHE JUST SUDDENLY PROTECTED ME. 96 00:05:02,832 --> 00:05:04,901 AND THE GUY SHOT HER. 97 00:05:04,934 --> 00:05:07,637 I RAN FOR THE BEDROOM, AND THE GUY SHOT ME, TOO. 98 00:05:07,671 --> 00:05:09,473 AND THAT'S WHEN YOU GOT HIT IN THE ARM. 99 00:05:10,674 --> 00:05:12,609 THEN HE LEFT. 100 00:05:13,843 --> 00:05:15,979 I DON'T THINK THE WHOLE THING 101 00:05:16,012 --> 00:05:17,647 COULD HAVE TAKEN MORE THAN A MINUTE. 102 00:05:17,681 --> 00:05:19,983 WHAT KIND OF A LOOK DID YOU GET AT HIM, ABBY? 103 00:05:20,016 --> 00:05:21,317 WHITE. 104 00:05:21,350 --> 00:05:23,753 UH...30s. 105 00:05:23,787 --> 00:05:26,089 DRUGGIE LOOK. 106 00:05:26,122 --> 00:05:27,591 NO FACIAL HAIR. 107 00:05:27,624 --> 00:05:28,958 MAYBE 5'10". 108 00:05:28,992 --> 00:05:30,459 SO, PRETTY NONDESCRIPT?LOOKING. 109 00:05:30,494 --> 00:05:32,328 WHAT DID HE TAKE? 110 00:05:32,361 --> 00:05:34,831 UH, JUST THE KEYS. 111 00:05:34,864 --> 00:05:37,000 BUT HE MADE NO EFFORT TO ROB THE PLACE? 112 00:05:37,033 --> 00:05:38,334 NO. 113 00:05:38,367 --> 00:05:39,603 HE PROBABLY GOT YOUR CAR. 114 00:05:39,636 --> 00:05:41,337 I'LL WANT TO GET THOSE PARTICULARS FROM YOU. 115 00:05:41,370 --> 00:05:43,840 I NEED TO LIE DOWN. 116 00:05:43,873 --> 00:05:45,308 SURE. 117 00:05:52,482 --> 00:05:55,351 WE'LL DO WHAT WE CAN TO CATCH THIS GUY. 118 00:05:55,384 --> 00:05:57,854 AS TRAGIC AS IT IS, 119 00:05:57,887 --> 00:05:59,355 YOUR JOB RIGHT NOW 120 00:05:59,388 --> 00:06:01,357 IS TO TAKE CARE OF YOURSELF AND THE BABY. 121 00:06:01,390 --> 00:06:02,659 OK. 122 00:06:10,834 --> 00:06:13,036 NO BLOOD TRAIL FROM THE DOOR TO THE PHONE. 123 00:06:13,069 --> 00:06:14,303 NO. 124 00:06:14,337 --> 00:06:15,371 NOT TOO MUCH SIGN OF A STRUGGLE, EITHER. 125 00:06:15,404 --> 00:06:16,372 SHE SAID THE WHOLE THING 126 00:06:16,405 --> 00:06:17,874 WAS OVER IN ABOUT A MINUTE. 127 00:06:17,907 --> 00:06:18,842 RIGHT. 128 00:06:18,875 --> 00:06:20,877 YOU WANNA GO KNOCK ON SOME DOORS? 129 00:06:20,910 --> 00:06:22,411 LET'S DO IT. 130 00:06:37,060 --> 00:06:38,227 BE CAREFUL. 131 00:06:38,261 --> 00:06:39,863 STILL HOT AS HELL. 132 00:06:39,896 --> 00:06:40,830 WHAT HAPPENED? 133 00:06:40,864 --> 00:06:42,566 CAR WENT UP ABOUT 4:00. 134 00:06:42,599 --> 00:06:43,867 FIRE STARTED IN THE INTERIOR. 135 00:06:43,900 --> 00:06:45,502 GIRL SITTING IN THE PASSENGER SEAT 136 00:06:45,535 --> 00:06:47,003 WITH A BULLET IN HER HEAD. 137 00:06:47,036 --> 00:06:48,572 YOU KNOW IT'S A GIRL? 138 00:06:48,605 --> 00:06:50,707 YOU CAN STILL MAKE OUT SOME MUSCLE TISSUE 139 00:06:50,740 --> 00:06:52,241 IN THE BREAST AREA. 140 00:06:52,275 --> 00:06:52,876 HAVE ANY I. D.? 141 00:06:52,909 --> 00:06:54,744 NOT ON HER. 142 00:06:54,778 --> 00:06:56,412 CAR'S REGISTERED TO A JERRY TORELLI. 143 00:06:56,445 --> 00:06:58,582 SOME SON OF A BITCH. 144 00:06:58,615 --> 00:07:00,416 WANTED HER GOOD AND DEAD. 145 00:07:00,449 --> 00:07:02,886 THAT GUY OVER THERE SAW WHAT HAPPENED. 146 00:07:02,919 --> 00:07:03,787 ALL RIGHT. 147 00:07:04,888 --> 00:07:06,255 I'LL TALK TO THE FIREMEN. 148 00:07:10,226 --> 00:07:11,561 THANKS. 149 00:07:11,595 --> 00:07:12,428 HOW YOU DOIN', SIR? 150 00:07:12,462 --> 00:07:13,930 WHAT'S YOUR NAME? 151 00:07:13,963 --> 00:07:15,599 JIM CHANEY. I SAW IT FROM MY WINDOW RIGHT THERE. 152 00:07:15,632 --> 00:07:16,600 WHAT'D YOU SEE, JIM? 153 00:07:16,633 --> 00:07:19,903 WHITE GUY DUMPS GASOLINE INTO THE CAR, 154 00:07:19,936 --> 00:07:22,772 LIGHTS IT??BOOM?? EXPLOSION. INFERNO. 155 00:07:22,806 --> 00:07:24,207 THEN WHAT HAPPENED? 156 00:07:24,240 --> 00:07:25,875 THE GUY RUNS THAT WAY, 157 00:07:25,909 --> 00:07:27,110 GETS IN THE CAR THAT'S WAITING, 158 00:07:27,143 --> 00:07:28,377 CAR JAMS OFF SOON AS HE'S IN. 159 00:07:28,411 --> 00:07:29,946 DID YOU GET A LOOK AT HIM, 160 00:07:29,979 --> 00:07:31,781 WHAT HE WAS WEARING? 161 00:07:31,815 --> 00:07:33,382 NO, CHIEF. MY EYES WAS ON THAT FIRE. 162 00:07:33,416 --> 00:07:34,718 YEAH, OK. 163 00:07:34,751 --> 00:07:37,286 LISTEN, UM, I DIDN'T KNOW THERE WAS A GIRL INSIDE. 164 00:07:37,320 --> 00:07:39,889 OTHERWISE, I'D HAVE TRIED TO HELP. 165 00:07:39,923 --> 00:07:41,791 YOU TALKED TO US. YOU HELPED. 166 00:07:41,825 --> 00:07:43,126 DID YOU GIVE THE COP 167 00:07:43,159 --> 00:07:44,561 YOUR NAME AND NUMBER AND ALL THAT? 168 00:07:44,594 --> 00:07:45,595 YES. 169 00:07:45,629 --> 00:07:47,597 THEY SAID THE FIRE MARSHAL CALLED THE OWNER. 170 00:07:47,631 --> 00:07:48,965 THEY KNOW NOT TO DO THAT. 171 00:07:48,998 --> 00:07:49,799 WELL, LUCKILY, THEY DIDN'T REACH HIM. 172 00:07:49,833 --> 00:07:51,334 ALL RIGHT. LET'S GET OVER THERE. 173 00:08:06,115 --> 00:08:07,450 Man: WHO'S THERE? 174 00:08:07,484 --> 00:08:10,253 DETECTIVES. 175 00:08:10,286 --> 00:08:11,755 IS THERE A PROBLEM? 176 00:08:11,788 --> 00:08:13,990 YOU JERRY TORELLI? YEAH. 177 00:08:14,023 --> 00:08:15,492 I'M DETECTIVE SIPOWICZ. 178 00:08:15,525 --> 00:08:16,826 THIS IS DETECTIVE SIMONE AND RUSSELL. 179 00:08:16,860 --> 00:08:18,595 NOTHING BAD HAPPENED, DID IT? 180 00:08:18,628 --> 00:08:19,829 YOU DRIVE A '92 PONTIAC? 181 00:08:19,863 --> 00:08:21,765 MY DAUGHTER JULIE DOES. 182 00:08:21,798 --> 00:08:23,667 IT'S REGISTERED IN MY NAME. 183 00:08:23,700 --> 00:08:24,834 DOES JULIE LIVE HERE WITH YOU, SIR? 184 00:08:24,868 --> 00:08:26,503 YEAH. SHE'S JUST OUT OF HIGH SCHOOL. 185 00:08:26,536 --> 00:08:28,337 AS LONG AS SHE'S ALL RIGHT. 186 00:08:28,371 --> 00:08:29,506 WHEN DID YOU LAST SEE JULIE? 187 00:08:29,539 --> 00:08:31,007 WE JUST SAW HER. 188 00:08:31,040 --> 00:08:32,476 SHE WAS JUST HERE FOR MY BIRTHDAY PARTY 189 00:08:32,509 --> 00:08:33,977 TILL, UH, MAYBE 3:00. 190 00:08:34,010 --> 00:08:34,944 LONG AS SHE'S ALL RIGHT, 191 00:08:34,978 --> 00:08:36,846 THE HELL WITH WHAT HAPPENED TO THE CAR. 192 00:08:36,880 --> 00:08:38,682 THAT CAR'S LICENSE PLATE IS INVOLVED IN AN INVESTIGATION 193 00:08:38,715 --> 00:08:40,617 THAT WE'RE CONDUCTING RIGHT NOW, MR. TORELLI. 194 00:08:40,650 --> 00:08:42,118 SO NOTHING TO BE ALARMED ABOUT. 195 00:08:42,151 --> 00:08:44,621 WHERE'D YOUR DAUGHTER GO WHEN SHE LEFT? 196 00:08:44,654 --> 00:08:45,655 I PRESUME ERRANDS. 197 00:08:45,689 --> 00:08:47,190 SHE GOT A BOYFRIEND, MR. TORELLI? 198 00:08:47,223 --> 00:08:49,025 I HAD TO BREAK THAT OFF. 199 00:08:49,058 --> 00:08:50,960 SO WHAT'S THE STORY WITH THE LICENSE PLATE? 200 00:08:50,994 --> 00:08:52,328 SOMEONE PUT IT ON ANOTHER CAR? 201 00:08:52,361 --> 00:08:53,663 WHAT ELSE CAN YOU TELL US 202 00:08:53,697 --> 00:08:54,864 ABOUT HER FORMER BOYFRIEND, SIR? 203 00:08:54,898 --> 00:08:56,466 Woman: YOUR ICE CREAM'S MELTING, JERRY. 204 00:08:56,500 --> 00:08:59,202 YEAH. THESE ARE POLICE DETECTIVES. 205 00:08:59,235 --> 00:09:01,337 THEY THINK THE JERK STOLE THE LICENSE PLATE 206 00:09:01,370 --> 00:09:02,371 OFF JULIE'S CAR. 207 00:09:02,405 --> 00:09:04,040 Simone: HELLO, MA'AM. 208 00:09:04,073 --> 00:09:05,542 ARE YOU HER MOTHER? 209 00:09:05,575 --> 00:09:06,843 NO. LOIS IS INSIDE. 210 00:09:06,876 --> 00:09:07,977 I'M JERRY'S SISTER?IN?LAW. 211 00:09:08,011 --> 00:09:09,345 THE JERK'S NAME IS SAM DePAUL. 212 00:09:09,378 --> 00:09:10,213 YEAH, JERK. 213 00:09:10,246 --> 00:09:12,148 OR "THE CREEP," WE CALL HIM. 214 00:09:12,181 --> 00:09:13,216 WE NEED TO TALK TO HIM. 215 00:09:13,249 --> 00:09:14,884 MY NIECE JAMIE KNOWS WHERE HE LIVES. 216 00:09:14,918 --> 00:09:16,385 SHE'S HERE, TOO. 217 00:09:16,419 --> 00:09:18,021 WE'LL NEED TO TALK TO HER THEN, IF THAT'S OK. 218 00:09:18,054 --> 00:09:19,155 SO, WHAT, THE JERK USED HER PLATE 219 00:09:19,188 --> 00:09:21,157 TO PULL OFF SOME KIND OF ROBBERY? 220 00:09:21,190 --> 00:09:22,826 THAT'S WHAT THE INVESTIGATION'S ABOUT? 221 00:09:22,859 --> 00:09:24,728 LET US JUST TALK WITH YOUR NIECE. 222 00:09:24,761 --> 00:09:26,730 DID I SAY THIS WAS A BAD KID? 223 00:09:26,763 --> 00:09:27,997 IS MY JUDGMENT CONFIRMED? 224 00:09:28,031 --> 00:09:30,333 TAKE IT EASY IN FRONT OF LOIS. 225 00:09:30,366 --> 00:09:32,035 COME ON. JUST LET HER KNOW 226 00:09:32,068 --> 00:09:33,369 THERE'S NO CAUSE FOR CONCERN. 227 00:09:33,402 --> 00:09:35,238 MY WIFE'S THE NERVOUS TYPE. 228 00:09:40,076 --> 00:09:41,545 WHAT IS IT, JERRY? 229 00:09:41,578 --> 00:09:42,546 EVERYTHING'S FINE. 230 00:09:42,579 --> 00:09:44,748 HONEY, THESE ARE DETECTIVES. 231 00:09:44,781 --> 00:09:47,416 THEY HAVE SOME QUESTIONS ABOUT THE JERK. 232 00:09:47,450 --> 00:09:48,585 MY WIFE LOIS. 233 00:09:48,618 --> 00:09:50,920 WELL, JULIE WASN'T SEEING SAM ANYMORE. 234 00:09:50,954 --> 00:09:52,255 WE UNDERSTAND THAT, MA'AM. 235 00:09:52,288 --> 00:09:53,590 WE'RE HOPING THAT JAMIE 236 00:09:53,623 --> 00:09:55,559 WILL KNOW WHERE WE CAN FIND HIM. 237 00:09:55,592 --> 00:09:56,526 ME? 238 00:09:56,560 --> 00:09:58,061 IS YOUR NAME JAMIE? 239 00:09:58,094 --> 00:10:00,096 DO YOU KNOW WHERE JULIE WENT THIS AFTERNOON? 240 00:10:00,129 --> 00:10:01,364 NO. 241 00:10:01,397 --> 00:10:04,267 TELL THEM ABOUT THE PHONE CALL. 242 00:10:04,300 --> 00:10:07,370 JULIE GOT A PHONE CALL JUST AFTER LUNCH. 243 00:10:07,403 --> 00:10:08,938 SUDDENLY SHE'S IN A BIG HURRY 244 00:10:08,972 --> 00:10:10,106 TO SKIP OUT ON JERRY'S BIRTHDAY. 245 00:10:10,139 --> 00:10:11,107 WHERE WAS SHE GOING? 246 00:10:11,140 --> 00:10:12,408 I'M NOT GETTING HER IN TROUBLE. 247 00:10:12,441 --> 00:10:14,578 NO ONE'S GETTING INTO TROUBLE. 248 00:10:14,611 --> 00:10:15,779 WHO CALLED FOR JULIE? 249 00:10:15,812 --> 00:10:17,080 SAM DePAUL? 250 00:10:18,414 --> 00:10:20,584 ALL RIGHT. YEAH. SHE WAS GONNA GO MEET HIM, 251 00:10:20,617 --> 00:10:21,951 BUT SHE MUST HAVE CHANGED HER MIND. 252 00:10:21,985 --> 00:10:24,387 'CAUSE SAM CALLED BACK LATER, SAID SHE NEVER SHOWED UP. 253 00:10:24,420 --> 00:10:25,388 UH?HUH. 254 00:10:25,421 --> 00:10:27,290 SO I DON'T KNOW WHERE SHE IS. 255 00:10:27,323 --> 00:10:28,291 BUT DO YOU KNOW WHERE HE LIVES? 256 00:10:28,324 --> 00:10:29,959 I KNOW HIS BLOCK. 257 00:10:29,993 --> 00:10:31,394 WANNA TAKE A RIDE WITH US? 258 00:10:31,427 --> 00:10:33,062 MAYBE YOU CAN POINT IT OUT. 259 00:10:33,096 --> 00:10:35,164 GETS ME OUT OF CLEANING UP. 260 00:10:37,433 --> 00:10:40,604 Jerry: AT LEAST WE KNOW JULIE'S ALL RIGHT. 261 00:10:40,637 --> 00:10:41,938 THANKS. 262 00:10:44,173 --> 00:10:45,809 WE'LL STAY IN TOUCH. 263 00:10:59,416 --> 00:11:00,850 I DON'T THINK THAT'S SOMETHING 264 00:11:00,884 --> 00:11:03,086 TO BE CONCERNED ABOUT NECESSARILY, GINA. 265 00:11:03,119 --> 00:11:04,381 M.E.'S ON NOTICE. AS SOON AS THEY'RE DONE WITH KATHY, 266 00:11:04,414 --> 00:11:06,349 HE'S GONNA CONTACT ME. 267 00:11:06,383 --> 00:11:09,853 ABBY??ABBY, DON'T WORRY ABOUT THAT NOW. 268 00:11:09,887 --> 00:11:12,556 TOMORROW'S TIME ENOUGH. 269 00:11:12,590 --> 00:11:14,191 YEAH. I PERSONALLY 270 00:11:14,224 --> 00:11:15,759 PUT THE FELONY ALARM OUT ON YOUR CAR. 271 00:11:17,260 --> 00:11:19,362 TRY AND GET SOME REST. 272 00:11:19,396 --> 00:11:21,431 I'LL CALL YOU WITH ANY DEVELOPMENTS. 273 00:11:23,601 --> 00:11:24,501 ABBY? 274 00:11:24,535 --> 00:11:28,205 WORRIED ABOUT KATHY'S ARRANGEMENTS. 275 00:11:28,238 --> 00:11:30,574 THAT DOCTOR FROM NYU IS COMING UP?? 276 00:11:30,608 --> 00:11:31,842 GUY FROM ACROSS THE HALL. 277 00:11:31,875 --> 00:11:34,244 HE IS? GOOD. 278 00:11:34,277 --> 00:11:36,413 YEAH. I'LL BE INTERESTED TO HEAR HIS STORY. 279 00:11:36,446 --> 00:11:38,415 WHAT DO YOU MEAN BY THAT, JILL? 280 00:11:38,448 --> 00:11:40,083 GREG, GUY WHO LIVES ACROSS THE HALL 281 00:11:40,117 --> 00:11:41,351 CALLS AND WANTS TO TALK TO US, 282 00:11:41,384 --> 00:11:43,086 WE WANT TO HEAR WHAT HE HAS TO SAY. 283 00:11:43,120 --> 00:11:44,387 OH, YEAH. NO. THAT'S TRUE ENOUGH. 284 00:11:44,421 --> 00:11:45,255 THAT'S ALL. 285 00:11:45,288 --> 00:11:46,256 YEAH. 286 00:11:46,289 --> 00:11:48,258 Jill: THAT'S THE GUY. 287 00:11:50,894 --> 00:11:52,596 ARE YOU DETECTIVE KIRKENDALL? 288 00:11:52,630 --> 00:11:54,197 YEAH. THANKS FOR COMING IN. 289 00:11:54,231 --> 00:11:56,033 SURE. 290 00:11:56,066 --> 00:11:57,367 THIS IS DETECTIVE MEDAVOY. 291 00:11:57,400 --> 00:11:59,436 HE'S ALSO WORKING ON THE CASE. 292 00:11:59,469 --> 00:12:01,271 HELLO. HOW DO YOU DO? 293 00:12:01,304 --> 00:12:02,472 DETECTIVE MARTINEZ. 294 00:12:03,607 --> 00:12:05,275 I REALIZE HI. YOU PROBABLY THINK 295 00:12:05,308 --> 00:12:08,078 I SHOULD HAVE STAYED IN MY APARTMENT, 296 00:12:08,111 --> 00:12:09,246 BUT I'M A RESIDENT AT NYU 297 00:12:09,279 --> 00:12:10,948 AND I HAD JUST BEEN CALLED TO OPERATE. 298 00:12:10,981 --> 00:12:12,215 WE UNDERSTAND. 299 00:12:12,249 --> 00:12:13,383 WHAT CAN YOU TELL US 300 00:12:13,416 --> 00:12:15,553 ABOUT THE INCIDENT ACROSS THE HALL? 301 00:12:15,586 --> 00:12:19,623 I HEARD A GUNSHOT COME FROM THE LESBIANS' APARTMENT. 302 00:12:19,657 --> 00:12:23,260 I WENT TO MY PEEPHOLE TO SEE WHAT WAS GOING ON 303 00:12:23,293 --> 00:12:25,295 AFTER, OH, A MINUTE OR SO, 304 00:12:25,328 --> 00:12:26,897 THE LESBIAN WHO'S A COP 305 00:12:26,930 --> 00:12:28,632 CAME TO THE DOOR AND LOOKED OUT. 306 00:12:28,666 --> 00:12:33,136 SHE WAS CRYING AND SCREAMED THAT KATHY WAS DEAD. 307 00:12:33,170 --> 00:12:35,072 THAT'S THE OTHER LOVER. 308 00:12:35,105 --> 00:12:36,406 DID YOU SAY ANYTHING TO HER? 309 00:12:36,439 --> 00:12:38,308 I WASN'T SURE WHAT WAS GOING ON. 310 00:12:38,341 --> 00:12:39,943 I MEAN, IF SHE HAD JUST USED A GUN, 311 00:12:39,977 --> 00:12:41,311 I DIDN'T WANT TO BE HER NEXT TARGET. 312 00:12:41,344 --> 00:12:42,946 OH, SO YOU JUST KEPT WATCHING HER 313 00:12:42,980 --> 00:12:44,247 THROUGH THE PEEPHOLE, 314 00:12:44,281 --> 00:12:46,249 A PREGNANT WOMAN AT RISK FROM A MURDERER. 315 00:12:46,283 --> 00:12:49,820 EXCUSE ME. I DIDN'T KNOW WHAT THE SITUATION WAS. 316 00:12:49,853 --> 00:12:52,289 AND THERE WAS CERTAINLY NO GUNMAN IN THE HALLWAY. 317 00:12:52,322 --> 00:12:54,291 SO, IF YOU ASK ME, 318 00:12:54,324 --> 00:12:56,259 SHE WOULD BE YOUR MOST LIKELY SUSPECT. 319 00:12:56,293 --> 00:12:58,996 GOD KNOWS, SHE AND THE OTHER ONE FOUGHT ENOUGH. 320 00:12:59,029 --> 00:13:00,497 YOU AN EXPERT ON THAT THROUGH YOUR PEEPHOLE? 321 00:13:00,531 --> 00:13:01,999 WHAT IS YOUR PROBLEM? 322 00:13:02,032 --> 00:13:05,002 DR. BONAN, AS CONCERNED AS YOU UNDERSTANDABLY WERE 323 00:13:05,035 --> 00:13:07,170 ABOUT MIGHT BE GOING ON IN THE HALL 324 00:13:07,204 --> 00:13:09,172 IN THE APARTMENT ACROSS THE WAY, 325 00:13:09,206 --> 00:13:10,340 DID YOU GO RIGHT TO YOUR PEEPHOLE 326 00:13:10,373 --> 00:13:11,642 WHEN YOU HEARD THE GUNSHOT? 327 00:13:11,675 --> 00:13:14,978 I DON'T KNOW WHAT YOU MEAN BY "RIGHT TO THE PEEPHOLE." 328 00:13:15,012 --> 00:13:17,180 SHE MEANS, WAS THERE AN INTERVAL 329 00:13:17,214 --> 00:13:18,515 BEFORE YOU LOOKED OUT? 330 00:13:18,549 --> 00:13:20,483 MAYBE...A MINUTE. 331 00:13:21,985 --> 00:13:24,788 IT'S A STRESSFUL THING HEARING SHOTS LIKE THAT. 332 00:13:24,822 --> 00:13:26,189 PARTICULARLY FOR SOMEONE LIKE YOURSELF?? 333 00:13:26,223 --> 00:13:28,526 RUNS AWAY, DOESN'T HAVE THE DECENCY 334 00:13:28,559 --> 00:13:30,460 TO CALL IN WHAT HE SAW FOR SEVERAL HOURS. 335 00:13:30,493 --> 00:13:31,361 GREG. 336 00:13:31,394 --> 00:13:33,296 AND THEN DESCRIBES PEOPLE WITH EPITHETS. 337 00:13:33,330 --> 00:13:34,364 I'M REPORTING WHAT I SAW, 338 00:13:34,397 --> 00:13:36,033 AND I'M ENTITLED TO MY SUSPICIONS. 339 00:13:36,066 --> 00:13:38,168 ABSOLUTELY, SIR. YES, YOU ARE. 340 00:13:38,201 --> 00:13:40,470 DO YOU HAVE ANY OTHER QUESTIONS? 341 00:13:40,503 --> 00:13:42,806 UH, NO. 342 00:13:42,840 --> 00:13:44,241 I APPRECIATE YOUR COMING IN. 343 00:13:50,247 --> 00:13:51,314 ASSHOLE. 344 00:13:51,348 --> 00:13:54,051 GREG, I THINK YOU GOTTA HOLD OPEN THE POSSIBILITY 345 00:13:54,084 --> 00:13:56,319 THAT THERE ARE PROBLEMS WITH ABBY'S STORY. 346 00:13:56,353 --> 00:13:57,721 IN WHAT REGARD? 347 00:13:57,755 --> 00:13:59,356 I'D BE MORE COMFORTABLE PERSONALLY 348 00:13:59,389 --> 00:14:00,323 IF THERE WAS A BLOOD TRAIL 349 00:14:00,357 --> 00:14:02,025 FROM WHERE ABBY GOT SHOT TO THE PHONE. 350 00:14:02,059 --> 00:14:04,394 THERE'S A MILLION POSSIBLE EXPLANATIONS FOR THAT. 351 00:14:04,427 --> 00:14:05,863 OF COURSE THERE ARE, 352 00:14:05,896 --> 00:14:07,330 AND THE FACT THAT THIS JERK ACROSS THE HALL 353 00:14:07,364 --> 00:14:09,232 DIDN'T SEE ANYBODY LEAVE THE APARTMENT. 354 00:14:09,266 --> 00:14:10,834 YOU YOURSELF ESTABLISHED A POSSIBLE EXPLANATION FOR THAT?? 355 00:14:10,868 --> 00:14:12,570 THE INTERVAL BEFORE HE WENT TO THE PEEPHOLE. 356 00:14:12,603 --> 00:14:14,037 YEAH, I KNOW. 357 00:14:14,071 --> 00:14:16,239 SO HOW CAN YOU JUMP TO ABBY'S LYING? 358 00:14:16,273 --> 00:14:18,909 GREG, WE GOTTA LOOK AT THE POSSIBILITY OF A QUARREL. 359 00:14:18,942 --> 00:14:22,379 ABBY IN A STATE OF ANGER MAYBE SHOT KATHY. 360 00:14:22,412 --> 00:14:23,413 [TELEPHONE RINGS] 361 00:14:23,446 --> 00:14:25,248 I'M AGHAST AT YOU FOR SAYING THAT, JAMES. 362 00:14:25,282 --> 00:14:28,218 Jill: IT'S JUST A POSSIBILITY. 363 00:14:28,251 --> 00:14:29,352 NO, I REALLY AM. 364 00:14:29,386 --> 00:14:31,021 15th SQUAD. 365 00:14:31,054 --> 00:14:32,523 DETECTIVE MEDAVOY? 366 00:14:32,556 --> 00:14:34,391 YEAH. WHAT'S UP? 367 00:14:34,424 --> 00:14:35,526 YOU CAUGHT A HOMICIDE 368 00:14:35,559 --> 00:14:36,927 INVOLVING A UNIFORM IN THIS PRECINCT? 369 00:14:36,960 --> 00:14:38,095 UH, YEAH. ABBY SULLIVAN. 370 00:14:38,128 --> 00:14:40,030 WE'RE LOOKING AT IT, ALSO. 371 00:14:40,063 --> 00:14:41,431 IS THAT RIGHT? 372 00:14:41,464 --> 00:14:42,766 SOME PEOPLE IN THE BUILDING 373 00:14:42,800 --> 00:14:44,367 ARE TALKING TO REPORTERS, 374 00:14:44,401 --> 00:14:45,603 SAYING THAT IT WAS A LOVERS' QUARREL. 375 00:14:45,636 --> 00:14:49,573 ABBY SAYS THE PERPETRATOR WAS A PUSH?IN STICKUP GUY. 376 00:14:49,607 --> 00:14:51,374 DID ABBY? 377 00:14:51,408 --> 00:14:54,444 THEY JUST RECOVERED OFFICER SULLIVAN'S CAR. 378 00:14:54,477 --> 00:14:58,281 UH, WE SHOULD CHECK OUT THAT CAR ANGLE. 379 00:14:58,315 --> 00:15:01,451 UM, OBVIOUSLY KEEP YOU APPRISED. 380 00:15:01,484 --> 00:15:02,653 YEAH, ALL RIGHT. 381 00:15:04,822 --> 00:15:06,624 WOULD YOU MIND IF I DON'T GO OVER THERE 382 00:15:06,657 --> 00:15:07,591 AND CHECK OUT ABBY'S CAR WITH YOU? 383 00:15:07,625 --> 00:15:09,459 NO. THAT'S FINE, JAMES. 384 00:15:09,492 --> 00:15:11,061 CRIME SCENE PROBABLY WON'T PROCESS IT 385 00:15:11,094 --> 00:15:12,295 TILL MORNING ANYWAYS. 386 00:15:12,329 --> 00:15:13,564 WAS THAT GINA BEFORE? 387 00:15:13,597 --> 00:15:14,798 YEAH. I'M CONCERNED WITH HER. 388 00:15:14,832 --> 00:15:16,567 SHE'S HAVING SOME FEMININE DIFFICULTY. 389 00:15:16,600 --> 00:15:18,068 SHE'S A LITTLE CONCERNED, SO I WANT TO BE WITH HER. 390 00:15:18,101 --> 00:15:19,469 OH, ABSOLUTELY. 391 00:15:19,502 --> 00:15:20,303 HER MOTHER'S COMING DOWN, 392 00:15:20,337 --> 00:15:22,272 BUT I WANT TO BE WITH HER, AS WELL. 393 00:15:22,305 --> 00:15:23,974 DON'T TAKE WHAT WE WERE SAYING WRONG, GREG. 394 00:15:24,007 --> 00:15:25,308 I'M SURE THERE'S AN EXPLANATION FOR EVERYTHING. 395 00:15:25,342 --> 00:15:26,610 OH! YEAH, YEAH. 396 00:15:26,644 --> 00:15:27,978 I HOPE GINA'S OK. 397 00:15:28,011 --> 00:15:29,613 SEE YA LATER. 398 00:15:29,647 --> 00:15:31,414 WANNA GO OVER 61s 399 00:15:31,448 --> 00:15:32,583 FOR PUSH?INS IN THAT NEIGHBORHOOD 400 00:15:32,616 --> 00:15:35,318 UNTIL CRIME SCENE GETS IN TOUCH? 401 00:15:35,352 --> 00:15:36,987 I'LL LOOK FOR SIMILAR PATTERNS 402 00:15:37,020 --> 00:15:38,488 CREDITING ABBY'S STORY. 403 00:15:38,522 --> 00:15:39,757 YEAH. WHY DON'T WE DO THAT? 404 00:15:39,790 --> 00:15:41,992 THAT SOUNDS LIKE A PLAN, JILL. 405 00:15:42,025 --> 00:15:43,493 I DIDN'T MEAN TO SNAP BEFORE. 406 00:15:43,527 --> 00:15:46,329 I UNDERSTAND. 407 00:15:46,363 --> 00:15:48,498 MY GOD, WHAT'LL WE DO IF IT'S ABBY? 408 00:15:48,532 --> 00:15:51,368 LET'S JUST LOOK AT THE 61s. 409 00:16:06,516 --> 00:16:08,351 Sipowicz: JUST WALK ON IN. 410 00:16:08,385 --> 00:16:10,453 LOOK, I DON'T WANNA GO NO FURTHER. 411 00:16:10,487 --> 00:16:11,822 ALL RIGHT, BUT YOU'RE SURE THIS IS THE BUILDING? 412 00:16:11,855 --> 00:16:14,357 I DON'T WANT NO MORE TO DO WITH IT. 413 00:16:14,391 --> 00:16:16,493 IF HE PULLED A ROBBERY 414 00:16:16,527 --> 00:16:17,360 USING A FALSE LICENSE PLATE, LIKE YOU SAID, 415 00:16:17,394 --> 00:16:19,129 I DON'T KNOW WHAT ELSE HE COULD DO. 416 00:16:19,162 --> 00:16:20,531 WHY DON'T I TAKE YOU HOME NOW, JAMIE? 417 00:16:20,564 --> 00:16:21,699 COULD YOU DROP ME 418 00:16:21,732 --> 00:16:23,033 SOMEPLACE DIFFERENT FROM HOME? 419 00:16:23,066 --> 00:16:24,635 YEAH. I'LL DROP YOU WHEREVER YOU WANT TO GO. 420 00:16:24,668 --> 00:16:26,403 I'LL SEND A SECTOR CAR FOR YOU GUYS. 421 00:16:28,405 --> 00:16:29,406 YEAH. 422 00:16:32,342 --> 00:16:33,977 PEOPLE LIKE THESE FAMILY MEMBERS 423 00:16:34,011 --> 00:16:36,146 BEING IN THE COMMUNICATIONS ROOM OF THE TITANIC 424 00:16:36,179 --> 00:16:37,514 IS HOW THAT VESSEL SANK. 425 00:16:37,548 --> 00:16:39,817 YOU DON'T LIVE HERE. 426 00:16:39,850 --> 00:16:41,719 WE'RE LOOKING FOR SAM DePAUL. 427 00:16:41,752 --> 00:16:43,320 NO LOITERING IN THE BUILDING 428 00:16:43,353 --> 00:16:45,022 GOES DOUBLE IF YOU KNOW THAT JERK. 429 00:16:45,055 --> 00:16:46,724 OH. POLICE. 430 00:16:46,757 --> 00:16:48,526 Sipowicz: YOU KNOW SAM DePAUL? 431 00:16:48,559 --> 00:16:49,560 THE SCUMBAG LIVES IN 2?F. 432 00:16:49,593 --> 00:16:50,994 YOU SEEN HIM TONIGHT? 433 00:16:51,028 --> 00:16:53,496 NO. HIS MOM AND STEPDAD ARE HOME, THOUGH. 434 00:16:53,531 --> 00:16:55,566 HEARD THEM COME IN, FIGHTING AS USUAL. 435 00:16:55,599 --> 00:16:57,568 GREAT PLACE TO LIVE, HUH? 436 00:16:57,601 --> 00:16:59,069 THANKS A LOT. 437 00:16:59,102 --> 00:17:00,571 IT'D BREAK MY HEART 438 00:17:00,604 --> 00:17:02,072 IF HE WASN'T MY NEIGHBOR NO MORE. 439 00:17:03,607 --> 00:17:05,008 SAY 2?B? 440 00:17:05,042 --> 00:17:06,276 F. 441 00:17:08,546 --> 00:17:10,548 [MAN AND WOMAN ARGUING] 442 00:17:10,581 --> 00:17:11,715 Man: NO. NO, NO, NO. 443 00:17:11,749 --> 00:17:13,283 Woman: BENNY! 444 00:17:16,286 --> 00:17:17,521 HELLO. 445 00:17:17,555 --> 00:17:18,689 DETECTIVES, MA'AM. 446 00:17:18,722 --> 00:17:20,190 WHAT DO YOU WANT? 447 00:17:20,223 --> 00:17:21,692 Sipowicz: ASK THE LADY SOME QUESTIONS. 448 00:17:21,725 --> 00:17:24,427 I'M ON THE JOB, MANHATTAN NORTH. WHAT'S IT ABOUT? 449 00:17:24,461 --> 00:17:25,596 IT'S KINDA SERIOUS. 450 00:17:25,629 --> 00:17:27,430 WE DON'T WANT TO GET INTO PARTICULARS. 451 00:17:27,464 --> 00:17:28,766 SHOW SOME RESPECT. I SAID I'M ON THE JOB. 452 00:17:28,799 --> 00:17:29,933 MANHATTAN SOUTH PIECE OF CRAP. 453 00:17:29,967 --> 00:17:31,535 HOW ABOUT YOU TAKE A WALK? 454 00:17:31,569 --> 00:17:33,036 HOW ABOUT YOU TRY WORKING HARLEM? 455 00:17:33,070 --> 00:17:34,605 SEE WHAT REAL POLICE WORK IS. 456 00:17:34,638 --> 00:17:36,607 I WORKED HARLEM WHEN YOU WERE IN HIGH SCHOOL. 457 00:17:36,640 --> 00:17:39,442 NOW BACK AWAY BEFORE I FORGET YOU'RE ON THE JOB. 458 00:17:39,476 --> 00:17:41,745 RIGHT THERE, BENNY. RIGHT THERE. 459 00:17:41,779 --> 00:17:43,413 RIGHT THERE, BUDDY. 460 00:17:44,948 --> 00:17:47,284 YOUR SON SAM DePAUL? 461 00:17:47,317 --> 00:17:48,285 YEAH. 462 00:17:48,318 --> 00:17:49,953 WE NEED TO TALK TO HIM. 463 00:17:49,987 --> 00:17:52,122 MY STEPSON'S NOT SAYING A WORD TO YOU ASSHOLES. 464 00:17:52,155 --> 00:17:54,124 GO INSIDE. GO INSIDE. COME ON. 465 00:17:55,492 --> 00:17:57,460 HE'S A DECENT GUY, YOU KNOW... 466 00:17:57,494 --> 00:17:59,963 EXCEPT WHEN HE, UH...WHEN HE DRINKS, HE GETS, UH... 467 00:17:59,997 --> 00:18:01,431 WHERE'S SAM? 468 00:18:01,464 --> 00:18:03,634 I DON'T KNOW. UH, HE GOES OUT LATE. 469 00:18:03,667 --> 00:18:05,603 MA'AM, YOUR SON MAY BE INVOLVED 470 00:18:05,636 --> 00:18:07,137 IN A SERIOUS SITUATION. 471 00:18:07,170 --> 00:18:09,006 WE NEED TO TALK TO HIM. 472 00:18:10,173 --> 00:18:11,975 ALL RIGHT. ALL RIGHT, I'LL TELL HIM. 473 00:18:12,009 --> 00:18:13,777 IF HE COMES BACK, I'LL TELL HIM. 474 00:18:13,811 --> 00:18:16,513 DON'T TELL HIM. CALL AND LET US KNOW. 475 00:18:18,015 --> 00:18:19,016 OK. 476 00:18:21,351 --> 00:18:23,621 I??I GOTTA GO BACK INSIDE. 477 00:18:28,792 --> 00:18:31,529 BETTER LET NIGHT WATCH SET UP ON THIS PLACE. 478 00:18:32,863 --> 00:18:34,998 WE GOTTA GO BACK AND TELL THAT FAMILY, ANDY. 479 00:18:35,032 --> 00:18:36,800 YEAH. THAT'S GONNA BE FUN. 480 00:18:47,310 --> 00:18:49,279 OH. WE STILL DIDN'T HEAR FROM JULIE. 481 00:18:49,312 --> 00:18:51,281 IS YOUR WIFE WITH YOU, MR. TORELLI? 482 00:18:51,314 --> 00:18:52,515 YEAH. COME ON IN. 483 00:18:58,722 --> 00:19:00,490 SWEETIE, THE DETECTIVES ARE HERE AGAIN. 484 00:19:00,524 --> 00:19:01,491 OH. 485 00:19:01,525 --> 00:19:03,326 HERE. HAVE?? HAVE A SEAT. 486 00:19:06,329 --> 00:19:09,533 SO, SOME NEWS ABOUT THE...STOLEN CAR? 487 00:19:10,734 --> 00:19:13,503 MR. AND MRS. TORELLI, THERE'S NOTHING MORE WE'D LIKE 488 00:19:13,537 --> 00:19:15,706 THAN NOT TO HAVE TO TELL YOU THIS. 489 00:19:15,739 --> 00:19:17,541 NO. 490 00:19:17,575 --> 00:19:19,476 YOUR CAR WAS RECOVERED. 491 00:19:19,509 --> 00:19:22,512 YOUR DAUGHTER WAS FOUND DEAD INSIDE. 492 00:19:23,513 --> 00:19:24,715 SHE'D BEEN SHOT, 493 00:19:24,748 --> 00:19:27,718 AND THE CAR WAS THEN SET ON FIRE. 494 00:19:27,751 --> 00:19:29,186 IS SHE DEAD? 495 00:19:31,522 --> 00:19:33,356 YES, I'M AFRAID SO, MRS. TORELLI. 496 00:19:33,390 --> 00:19:35,726 YOU SAID JUST THE CAR WAS STOLEN. 497 00:19:39,262 --> 00:19:42,499 WHO DID IT? THE KID I FORBADE HER TO SEE? 498 00:19:42,533 --> 00:19:45,903 HE IS OUR MAIN SUSPECT, THIS SAM DePAUL. 499 00:19:45,936 --> 00:19:48,238 WE'D HOPED TO HAVE HIM IN CUSTODY BY NOW, 500 00:19:48,271 --> 00:19:50,207 BUT WE'RE STILL WORKING ON THAT. 501 00:19:50,240 --> 00:19:52,543 LOOK, FOLKS, AS HARD AS IT'LL BE, 502 00:19:52,576 --> 00:19:54,077 IF HE DOES TRY AND CONTACT YOU, 503 00:19:54,111 --> 00:19:56,513 WE WOULD APPRECIATE YOU NOT SAYING THAT YOU KNOW 504 00:19:56,547 --> 00:19:57,848 WHAT HAPPENED TO YOUR DAUGHTER. 505 00:19:57,881 --> 00:19:59,750 GET IN TOUCH WITH US INSTEAD. 506 00:19:59,783 --> 00:20:01,852 [SOBBING] FORBADE ME TO END IT SOONER. 507 00:20:01,885 --> 00:20:04,522 HOW MANY TIMES DID I SAY HE WAS TROUBLE? 508 00:20:04,555 --> 00:20:06,524 IT'S UNDER THE BRIDGE NOW. 509 00:20:06,557 --> 00:20:09,560 SOON AS WE TALK TO SAM, WE'LL GET IN TOUCH WITH YOU. 510 00:20:09,593 --> 00:20:11,929 WE'LL??WE'LL STAY OUT OF YOUR HAIR. 511 00:20:11,962 --> 00:20:12,930 [SOBBING] JULIE! 512 00:20:12,963 --> 00:20:14,364 OHHH... 513 00:20:14,397 --> 00:20:17,768 [SOBBING LOUDLY] JULIE! 514 00:20:17,801 --> 00:20:18,769 WHY? 515 00:20:18,802 --> 00:20:20,270 GO TO YOUR WIFE. 516 00:20:20,303 --> 00:20:21,772 Mrs. Torelli: GOD! 517 00:20:21,805 --> 00:20:24,975 OH...MY...GOD. 518 00:20:27,978 --> 00:20:29,146 OH, MY... 519 00:20:32,950 --> 00:20:35,485 OH, MY BABY. 520 00:21:03,282 --> 00:21:04,283 OHH! 521 00:21:06,084 --> 00:21:08,553 HEY, SARGE, WE LIKE THIS GUY FOR KILLING HIS GIRLFRIEND. 522 00:21:08,587 --> 00:21:10,088 UH, PASS 'EM OUT TO THE DAY TOUR? 523 00:21:10,122 --> 00:21:11,123 YEAH, SURE. 524 00:21:16,175 --> 00:21:17,142 HEY. 525 00:21:17,176 --> 00:21:18,143 HEY. 526 00:21:18,177 --> 00:21:20,145 HOW YOU DOIN'? OH. COFFEE? 527 00:21:20,179 --> 00:21:22,147 SOMEBODY'S BEEN BOOSTIN' ALL THE TEA BAGS. 528 00:21:22,181 --> 00:21:23,648 DID YOU SLEEP AT ALL? 529 00:21:23,682 --> 00:21:26,651 AHH. WE SPENT HALF THE NIGHT AT THE E. R. 530 00:21:26,685 --> 00:21:29,688 THE DOA's MOTHER PUT HER HAND THROUGH THE WALL 531 00:21:29,722 --> 00:21:30,956 WHEN WE TOLD HER. 532 00:21:30,990 --> 00:21:32,792 NIGHT TOUR SITTIN' ON THIS GUY'S PLACE? 533 00:21:32,825 --> 00:21:34,293 HERE YOU GO. 534 00:21:34,326 --> 00:21:36,195 ANDY'S GOTTA GO FOR THAT SINUS OPERATION. 535 00:21:36,228 --> 00:21:38,297 NOW HE'S TRYING TO CATCH AN HOUR'S SLEEP 536 00:21:38,330 --> 00:21:39,698 UP THERE ON?? YOU KNOW, THE CRIB. 537 00:21:39,732 --> 00:21:41,701 THIS IS LIKE A MORTAR ATTACK. 538 00:21:41,734 --> 00:21:45,304 HEY, BOBBY. YOU LOOKIN' FOR THIS SAM DePAUL? 539 00:21:45,337 --> 00:21:46,872 WHY? YOU GOT ANYTHING? 540 00:21:46,906 --> 00:21:48,040 HE WAS A PASSENGER 541 00:21:48,073 --> 00:21:49,875 IN A CAR STOP I DID 5:00 THIS MORNING. 542 00:21:49,909 --> 00:21:50,876 WHERE WAS THIS? 543 00:21:50,910 --> 00:21:53,045 HAD TO BE RIGHT IN FRONT OF HIS PLACE. 544 00:21:53,078 --> 00:21:54,714 HIS BUDDY'S DRIVIN'. 545 00:21:54,747 --> 00:21:56,381 WHILE I'M WRITIN' HIM UP FOR A BUSTED HEADLIGHT, 546 00:21:56,415 --> 00:21:59,051 THIS ONE GETS OUT, WALKS INTO THE BUILDING. 547 00:21:59,084 --> 00:22:00,886 YOU DIDN'T HAPPEN TO SEE 548 00:22:00,920 --> 00:22:02,722 2 DETECTIVES SITTIN' ON THE PLACE? 549 00:22:02,755 --> 00:22:04,056 YEAH, I SAW 'EM. 550 00:22:04,089 --> 00:22:06,158 AND THEY DON'T MOVE ON THE GUY WHEN HE'S WALKIN' IN? 551 00:22:06,191 --> 00:22:09,528 WELL, UH, THEY WEREN'T PAYIN' TOO MUCH ATTENTION. 552 00:22:09,561 --> 00:22:11,530 YOU GOT YOUR RACK LIGHTS ON, AND THESE MORONS, 553 00:22:11,563 --> 00:22:13,498 THEY'RE SLEEPIN' THROUGH THE WHOLE THING. 554 00:22:13,532 --> 00:22:15,835 I GUESS YOU KNOW WHERE TO PICK THIS GUY UP. 555 00:22:15,868 --> 00:22:18,738 DRIVER'S NAME IS, UH, JOE RIZOLLI. 556 00:22:18,771 --> 00:22:20,773 HERE'S HIS PEDIGREE. 557 00:22:23,909 --> 00:22:26,879 THEY'RE SLEEPIN' WHILE THE SUSPECT IS WALKIN' IN. 558 00:22:26,912 --> 00:22:29,414 THOSE GUYS, THEY COULD SLEEP FOR ANDY. 559 00:22:29,448 --> 00:22:32,051 AFTER I LEFT YOU AND ANDY LAST NIGHT 560 00:22:32,084 --> 00:22:33,685 AND DROPPED THAT GIRL OFF, 561 00:22:33,719 --> 00:22:34,920 I WENT BY A FILLING STATION 562 00:22:34,954 --> 00:22:36,588 ABOUT A BLOCK FROM THE CRIME SCENE. 563 00:22:36,621 --> 00:22:38,590 GUY ALMOST PASSED OUT DENYING HE SOLD GAS 564 00:22:38,623 --> 00:22:40,092 IN A CONTAINER YESTERDAY. 565 00:22:40,125 --> 00:22:42,094 PROBABLY THIS RIZOLLI AND HIS PAL SAM 566 00:22:42,127 --> 00:22:44,296 ARE WHO HE DIDN'T SELL IT TO. 567 00:22:48,433 --> 00:22:49,601 GOOD MORNING. 568 00:22:49,634 --> 00:22:52,071 ANDY, YOU'RE NOT GONNA BELIEVE THIS. 569 00:22:52,104 --> 00:22:55,607 THAT SAM DePAUL? HE GETS TO HIS PLACE AT 5:00 THIS MORNING, 570 00:22:55,640 --> 00:22:57,542 NIGHT WATCH TOTALLY MISSES HIM. 571 00:22:57,576 --> 00:22:58,711 NO, THEY DIDN'T. 572 00:22:58,744 --> 00:23:00,880 MARTELLI FROM DOWNSTAIRS, 573 00:23:00,913 --> 00:23:02,782 HE PULLS OVER THIS CAR WITH A BUSTED HEADLIGHT. 574 00:23:02,815 --> 00:23:04,049 DePAUL IS THE PASSENGER. 575 00:23:04,083 --> 00:23:05,718 NOW, THERE'S NO WAY THAT MARTELLI KNOWS 576 00:23:05,751 --> 00:23:07,119 THAT WE'RE LOOKIN' FOR THIS GUY. 577 00:23:07,152 --> 00:23:10,122 SO HE LETS DePAUL OUT WHILE HE'S WRITING THE DRIVER UP. 578 00:23:10,155 --> 00:23:12,057 DePAUL JUST WALKS ACROSS THE STREET, 579 00:23:12,091 --> 00:23:14,226 RIGHT INTO HIS BUILDING. BOOM. 580 00:23:14,259 --> 00:23:15,627 AND BOTH NIGHT WATCH GUYS GOT THEIR HEADS 581 00:23:15,660 --> 00:23:17,129 UP THEIR ASS ASLEEP, HUH? 582 00:23:17,162 --> 00:23:18,964 I DON'T KNOW HOW ANYBODY SLEEPS 583 00:23:18,998 --> 00:23:21,133 ANYWHERE BUT THEIR OWN BED, ANYWAYS. 584 00:23:21,166 --> 00:23:22,968 HIM AND ME, WE'RE UPSTAIRS TRYING TO CATCH ONE HOUR 585 00:23:23,002 --> 00:23:24,804 IN THE CRIB. NOT A WINK. 586 00:23:24,837 --> 00:23:27,072 Fancy: WHAT'S GOIN' ON? 587 00:23:27,106 --> 00:23:29,441 ANOTHER SLEEPLESS NIGHT FOR US, 588 00:23:29,474 --> 00:23:30,943 BUT THEM MORONS ON NIGHT WATCH... 589 00:23:30,976 --> 00:23:32,477 THE GUY THAT WE LIKE FOR THIS HOMICIDE, 590 00:23:32,511 --> 00:23:34,446 THEY LET HIM WALK PAST INTO HIS HOUSE, 591 00:23:34,479 --> 00:23:36,115 AND THEY SNOOZE RIGHT THROUGH IT. 592 00:23:36,148 --> 00:23:38,617 LET'S GO PICK HIM UP. WE OUGHT TO GET THIS OTHER GUY 593 00:23:38,650 --> 00:23:40,252 OFF THE STREET, TOO. 594 00:23:40,285 --> 00:23:43,322 YEAH. THIS IS A JOE RIZOLLI. HE WAS DRIVING THIS DePAUL AROUND. 595 00:23:43,355 --> 00:23:44,990 Martinez: HEY. 596 00:23:45,024 --> 00:23:46,658 HEY. HOW'S IT GOIN'? 597 00:23:46,691 --> 00:23:48,660 ACTUALLY, GINA'S NOT DOIN' GOOD WITH HER PREGNANCY. 598 00:23:48,693 --> 00:23:50,662 SHE'S WHAT THEY CALL SPOTTING. 599 00:23:50,695 --> 00:23:51,997 OH, SORRY, JAMES. 600 00:23:52,031 --> 00:23:53,432 Fancy: SHE SEEING A DOCTOR? 601 00:23:53,465 --> 00:23:54,666 Martinez: 9:15. 602 00:23:54,700 --> 00:23:56,001 YOU WANT TO GO THERE, JAMES? 603 00:23:56,035 --> 00:23:57,502 SHE TOLD ME TO GO TO WORK 604 00:23:57,536 --> 00:23:59,104 WHILE HER MOTHER TAKES HER IN, BUT I DID THINK 605 00:23:59,138 --> 00:24:01,506 I'D GO OVER THERE IN ABOUT AN HOUR'S TIME. 606 00:24:01,540 --> 00:24:03,008 ANY NEWS ON ABBY SULLIVAN? 607 00:24:03,042 --> 00:24:05,510 UM, YEAH. THE CAR WAS PRETTY BADLY VANDALIZED. 608 00:24:05,544 --> 00:24:07,012 JILL'S FOLLOWING THAT OUT. 609 00:24:07,046 --> 00:24:09,148 AND GREG WENT TO TALK WITH ABBY AGAIN. 610 00:24:10,149 --> 00:24:12,017 GO PICK THIS JERK UP. 611 00:24:12,051 --> 00:24:15,687 TALK WITH ANTI?CRIME FOR BACKUP ON THE OTHER GUY. 612 00:24:15,721 --> 00:24:17,689 I'LL HAVE A GOOD THOUGHT, MARTINEZ. 613 00:24:17,723 --> 00:24:18,657 THANKS, ANDY. 614 00:24:29,869 --> 00:24:31,837 THIS IS SO THOUGHTFUL OF YOU, GREG. 615 00:24:31,871 --> 00:24:33,839 I JUST GOT WHAT YOU USUALLY ASK FOR. 616 00:24:33,873 --> 00:24:35,507 I APPRECIATE IT. 617 00:24:38,077 --> 00:24:39,378 HOW'S YOUR ARM? 618 00:24:39,411 --> 00:24:41,046 IT'S ALL RIGHT. 619 00:24:41,080 --> 00:24:44,850 CRIME SCENE GET ANYTHING OFF MY CAR YET? 620 00:24:44,884 --> 00:24:46,852 UH...YEAH. THEY'RE, UH, THEY'RE FOLLOWING THAT OUT 621 00:24:46,886 --> 00:24:49,889 TO...SEE IF THEY CAN LIFT SOME PRINTS. 622 00:24:51,590 --> 00:24:53,092 JILL'S ON THAT. 623 00:24:55,861 --> 00:24:58,063 I SHOULD TELL YOU, ABBY, UH... 624 00:24:58,097 --> 00:25:00,565 YOUR CAR WAS PRETTY BADLY VANDALIZED. 625 00:25:00,599 --> 00:25:02,567 STRIPPED, YOU MEAN? 626 00:25:02,601 --> 00:25:05,070 NO. VANDALIZED... 627 00:25:05,104 --> 00:25:08,073 LIKE, UH...SOMEONE WAS ACTING IN ANGER. 628 00:25:08,107 --> 00:25:11,576 YOU KNOW ANYONE WHO'D WANT TO HURT YOU LIKE THAT? 629 00:25:11,610 --> 00:25:12,611 NO. 630 00:25:15,547 --> 00:25:18,417 I'VE, UH...I'VE GOT SOME OTHER QUESTIONS 631 00:25:18,450 --> 00:25:19,885 IF YOU'RE UP TO IT. 632 00:25:19,919 --> 00:25:20,886 SURE. 633 00:25:20,920 --> 00:25:22,888 UM, ONE OF YOUR NEIGHBORS 634 00:25:22,922 --> 00:25:26,591 SAID HE HEARD A LOT OF FIGHTING BETWEEN YOU AND KATHY. 635 00:25:26,625 --> 00:25:28,360 OH, THE JERK RESIDENT AT NYU? 636 00:25:28,393 --> 00:25:30,029 HE HATES US. 637 00:25:30,062 --> 00:25:33,265 IS IT TRUE, THOUGH? HAD YOU AND KATHY BEEN FIGHTING? 638 00:25:33,298 --> 00:25:36,035 WE'D BEEN UNDER A LOT OF STRESS 'CAUSE OF THE BABY. 639 00:25:36,068 --> 00:25:37,202 I'D HAVE MORNING SICKNESS, 640 00:25:37,236 --> 00:25:39,371 AND KATHY WOULD JUST BE WORRIED ABOUT ME. 641 00:25:39,404 --> 00:25:40,773 UH?HUH. 642 00:25:40,806 --> 00:25:43,075 DISAGREEMENTS ANYONE WOULD HAVE. 643 00:25:43,108 --> 00:25:44,777 RIGHT. 644 00:25:44,810 --> 00:25:47,813 GREG...KATHY AND I LOVED EACH OTHER. 645 00:25:49,114 --> 00:25:50,615 WE WERE A COUPLE. 646 00:25:50,649 --> 00:25:51,951 AND??AND COUPLES HAVE DISAGREEMENTS. 647 00:25:51,984 --> 00:25:53,919 I??I UNDERSTAND WHAT YOU'RE SAYING. 648 00:25:53,953 --> 00:25:55,955 AND NOW SHE'S DEAD. 649 00:26:02,594 --> 00:26:05,297 ON THE OTHER HAND, ABBY, UH... 650 00:26:05,330 --> 00:26:07,566 THERE'S NO WITNESSES TO CORROBORATE YOUR STORY. 651 00:26:07,599 --> 00:26:08,768 CERTAIN DETAILS 652 00:26:08,801 --> 00:26:10,402 NOT CORROBORATED BY THE CRIME SCENE?? 653 00:26:10,435 --> 00:26:12,972 SAY WHAT YOU'RE GETTING AT, GREG. 654 00:26:13,005 --> 00:26:16,075 LACK OF A BLOOD TRAIL TO THE PHONE, FOR EXAMPLE, 655 00:26:16,108 --> 00:26:18,077 CORROBORATING YOUR ACTIONS AFTER YOU WERE SHOT. 656 00:26:18,110 --> 00:26:19,812 I PRESSED MY ARM AGAINST MY SHIRT. 657 00:26:19,845 --> 00:26:21,146 I SEE. 658 00:26:21,180 --> 00:26:23,415 ASK THE QUESTION YOU WANT TO ASK, GREG. 659 00:26:23,448 --> 00:26:26,418 I THINK YOU KNOW THE QUESTION, ABBY... 660 00:26:26,451 --> 00:26:29,488 IF POSSIBLY YOU AND KATHY HAD A FIGHT, 661 00:26:29,521 --> 00:26:30,489 AND IN YOUR ANGER?? 662 00:26:30,522 --> 00:26:32,324 DID I KILL HER? 663 00:26:32,357 --> 00:26:33,625 DID I KILL KATHY? 664 00:26:33,658 --> 00:26:35,327 YOU KNOW THESE TYPE CRIMES, 665 00:26:35,360 --> 00:26:37,262 THE SPOUSE IS ALWAYS THE FIRST SUSPECT. 666 00:26:37,296 --> 00:26:39,598 NO, I DON'T KNOW ABOUT THESE TYPE CRIMES! 667 00:26:39,631 --> 00:26:41,834 I KNOW THE PERSON I LOVED IS DEAD. 668 00:26:41,867 --> 00:26:44,003 AND THE ANSWER TO YOUR QUESTION IS NO, 669 00:26:44,036 --> 00:26:46,005 I DID NOT KILL HER. 670 00:26:46,038 --> 00:26:48,307 ALL RIGHT, ALL RIGHT. 671 00:26:48,340 --> 00:26:49,541 MY GOD, GREG. 672 00:27:04,556 --> 00:27:06,525 I BELIEVE WHAT YOU'VE TOLD ME, ABBY... 673 00:27:06,558 --> 00:27:08,327 AS FAR AS IT GOES. 674 00:27:08,360 --> 00:27:10,329 BUT I BELIEVE THERE'S MORE YOU COULD SAY 675 00:27:10,362 --> 00:27:12,564 ABOUT THE VANDALIZING OF YOUR CAR. 676 00:27:16,568 --> 00:27:20,239 THE CAR BEIN' ON DELANCY, THAT'S MAYBE SIGNIFICANT. 677 00:27:21,841 --> 00:27:23,575 OK. 678 00:27:24,744 --> 00:27:27,813 I HAVE AN OLD GIRLFRIEND WHO LIVES THERE. 679 00:27:27,847 --> 00:27:29,849 DENISE McCALL. 680 00:27:30,582 --> 00:27:32,551 IT'S BEEN 2 YEARS NOW, 681 00:27:32,584 --> 00:27:34,553 BUT SHE TOOK US BREAKING UP REALLY BAD. 682 00:27:34,586 --> 00:27:36,388 LIKE HOW? 683 00:27:36,421 --> 00:27:39,358 LIKE SHE WOULDN'T LEAVE ME ALONE FOR MONTHS AFTER... 684 00:27:39,391 --> 00:27:41,193 CALLING, COMING OVER. 685 00:27:41,226 --> 00:27:43,428 IT WAS VERGING ON STALKING. 686 00:27:47,566 --> 00:27:49,702 HAVE YOU SEEN HER RECENTLY? 687 00:27:51,270 --> 00:27:54,573 2 WEEKS AGO, I GO INTO THE SUBWAY, AND THERE SHE IS. 688 00:27:54,606 --> 00:27:58,177 OBVIOUSLY, SHE SAW THAT I WAS PREGNANT. 689 00:27:58,210 --> 00:28:00,545 THE LOOK ON HER FACE... 690 00:28:00,579 --> 00:28:02,547 DID SHE SPEAK TO YOU AT ALL... 691 00:28:02,581 --> 00:28:04,216 MAKE ANY SORT OF THREAT? 692 00:28:04,249 --> 00:28:06,251 NOT IN SO MANY WORDS. 693 00:28:06,285 --> 00:28:08,687 BUT SHE WAS REALLY UPSET... 694 00:28:08,721 --> 00:28:10,255 ANGRY. 695 00:28:12,624 --> 00:28:15,027 DO YOU THINK SHE COULD BE INVOLVED IN THIS SOMEHOW... 696 00:28:15,060 --> 00:28:18,597 POSSIBLY HIRED THE GUY THAT DID THIS? 697 00:28:18,630 --> 00:28:20,599 I THINK IT COULD BE POSSIBLE. 698 00:28:20,632 --> 00:28:23,068 THAT WOULD EXPLAIN WHY HE DIDN'T ROB ANYTHING. 699 00:28:23,102 --> 00:28:26,238 DAMN IT, ABBY! YOU SHOULD'VE TOLD ME ABOUT THIS BEFORE! 700 00:28:26,271 --> 00:28:27,606 I ONLY STARTED THINKING ABOUT IT 701 00:28:27,639 --> 00:28:29,574 AFTER YOU TOLD ME WHERE THE CAR WAS FOUND. 702 00:28:29,608 --> 00:28:31,276 A FORMER LOVER WHO WAS STALKING YOU! 703 00:28:31,310 --> 00:28:32,778 YOU DIDN'T FIND THAT GERMANE! 704 00:28:32,812 --> 00:28:35,380 NO! I THOUGHT IT WAS A PUSH?IN ROBBERY, GREG! 705 00:28:35,414 --> 00:28:36,615 OH, SURE. A PUSH?IN ROBBERY 706 00:28:36,648 --> 00:28:38,383 WHERE NOTHIN' HAPPENS TO GET STOLEN, 707 00:28:38,417 --> 00:28:40,786 BUT ONE OF THE LOVERS MURDERED. 708 00:28:40,820 --> 00:28:42,755 WHY ARE YOU TALKING TO ME LIKE THIS? 709 00:28:42,788 --> 00:28:44,623 IF DENISE WAS INVOLVED, 710 00:28:44,656 --> 00:28:46,625 I OBVIOUSLY KNEW NOTHING ABOUT IT. 711 00:28:49,161 --> 00:28:50,295 YEAH. 712 00:28:51,496 --> 00:28:52,664 ALL RIGHT. 713 00:28:58,003 --> 00:29:00,339 WHAT'S THIS DENISE'S ADDRESS? 714 00:29:04,309 --> 00:29:05,610 IF SHE'S NOT THERE, 715 00:29:05,644 --> 00:29:08,781 YOU SHOULD CHECK AT A BAR CALLED LULA'S. 716 00:29:08,814 --> 00:29:10,850 SOME LESBIAN BAR? 717 00:29:12,017 --> 00:29:13,485 YEAH, GREG. 718 00:29:38,773 --> 00:29:40,175 JAMES. HEY. 719 00:29:40,209 --> 00:29:41,743 WHAT'S THE NEWS WITH GINA? 720 00:29:41,776 --> 00:29:43,412 SHE IS HAVING SYMPTOMS, 721 00:29:43,445 --> 00:29:45,247 WITH HER PREGNANCY BEING AT RISK, 722 00:29:45,280 --> 00:29:46,581 BUT NOTHING'S FOREGONE. 723 00:29:46,615 --> 00:29:49,251 I WAS WORRIED WE WERE IN THE PROCESS 724 00:29:49,284 --> 00:29:51,186 OF, UH, THE BABY DYIN'. 725 00:29:51,220 --> 00:29:53,088 OH, WELL, THAT'S NOT A FOREGONE CONCLUSION. 726 00:29:53,122 --> 00:29:55,857 NO. SHE HAS TO COMPLETELY REST AND BE OFF HER FEET. 727 00:29:55,890 --> 00:29:57,759 WELL, SHE SHE HAS TO COULD DO THAT. 728 00:29:57,792 --> 00:29:59,928 FOR THE NEXT 3 TO 4 WEEKS, ABSOLUTELY. 729 00:29:59,962 --> 00:30:01,930 YEAH. WELL, I?I?I'D SAY 730 00:30:01,964 --> 00:30:03,933 THAT'S A BASIS, UH, CAUTIOUS OPTIMISM. 731 00:30:03,966 --> 00:30:04,934 YEAH. 732 00:30:04,967 --> 00:30:06,368 [CHUCKLES] 733 00:30:06,401 --> 00:30:08,770 HEY, GREG, I REALLY APPRECIATE YOUR CONCERN. 734 00:30:08,803 --> 00:30:10,439 I KNOW YOU GOT A LOT OF OTHER STUFF ON YOUR PLATE. 735 00:30:10,472 --> 00:30:13,408 DON'T BE SILLY. WELFARE OF A MOTHER AND CHILD. 736 00:30:13,442 --> 00:30:16,946 YEAH. I KNOW THAT'S THE SAME SITUATION WITH ABBY. 737 00:30:16,979 --> 00:30:18,948 YEAH. WELL, UH... 738 00:30:18,981 --> 00:30:21,250 ON THAT FRONT, UH... 739 00:30:21,283 --> 00:30:23,252 IT TURNS OUT THAT A?ABBY THINKS 740 00:30:23,285 --> 00:30:25,754 THIS, UH, MAY HAVE BEEN SOME KIND OF, UH, 741 00:30:25,787 --> 00:30:27,489 VENGEANCE HOMICIDE FOR HIRE. 742 00:30:30,159 --> 00:30:31,126 HEY. 743 00:30:31,160 --> 00:30:32,627 WERE YOU ABLE TO GET ANY LIFTS? 744 00:30:32,661 --> 00:30:34,729 WE GOT A HIT ON A PRINT FROM THE REARVIEW MIRROR. 745 00:30:34,763 --> 00:30:36,798 IT MATCHES A TOMMY LANG. 746 00:30:36,831 --> 00:30:38,733 2 PUSH?IN ROBBERIES ON HIS SHEET. 747 00:30:38,767 --> 00:30:40,802 UH, WELL, AS??AS FAR AS, UH, 748 00:30:40,835 --> 00:30:43,072 THIS DENISE ABBY TOLD ME ABOUT, UH... 749 00:30:43,105 --> 00:30:47,642 UH, SHE WASN'T AT HOME OR THE BAR ABBY SAID. 750 00:30:47,676 --> 00:30:49,644 THIS LANG GAVE HIS PAROLE OFFICER 751 00:30:49,678 --> 00:30:51,780 A GOOD ADDRESS 7 WEEKS AGO. 752 00:30:52,814 --> 00:30:54,249 LET'S TRY THAT. 753 00:30:54,283 --> 00:30:56,986 THINKING ABBY'S FORMER LOVER MIGHT'VE HIRED THE GUY? 754 00:30:57,019 --> 00:30:59,989 YEAH. UH...THAT'D BE THE SCENARIO. 755 00:31:00,022 --> 00:31:01,023 HMM. 756 00:31:05,794 --> 00:31:07,963 3 HOURS SLEEP, AND YOU GUYS DRAG ME IN. 757 00:31:07,997 --> 00:31:09,264 ALL RIGHT, LOOK, SAM, YOU DON'T WANT 758 00:31:09,298 --> 00:31:10,665 TO BE COMPLAININ' ABOUT NO SLEEP. ALL RIGHT? 759 00:31:10,699 --> 00:31:12,767 I'M JUST SAYIN' THIS BETTER BE SOMETHIN' GOOD. 760 00:31:12,801 --> 00:31:14,169 YOU GOT NO IDEA WHAT IT'S ABOUT. RIGHT, SAM? 761 00:31:14,203 --> 00:31:15,337 THAT'S RIGHT. 762 00:31:15,370 --> 00:31:16,771 DID YOU CALL YOUR GIRLFRIEND JULIE'S 763 00:31:16,805 --> 00:31:19,341 FAMILY YESTERDAY SAYING SHE DIDN'T SHOW UP TO SEE YOU? 764 00:31:19,374 --> 00:31:20,609 YEAH. I TALKED TO HER ON THE PHONE. 765 00:31:20,642 --> 00:31:22,777 SHE WAS GONNA PICK ME UP, AND THEN, UH, SHE BLEW ME OFF. 766 00:31:22,811 --> 00:31:24,679 HMM. 'CAUSE JULIE HASN'T BEEN SEEN SINCE. 767 00:31:24,713 --> 00:31:26,681 OH, SO THAT'S HOW YOU'RE GONNA BE, HUH? 768 00:31:26,715 --> 00:31:28,783 YOU GO AHEAD AND YOU ASK JULIE'S COUSIN 769 00:31:28,817 --> 00:31:30,852 THAT I CALLED TO TELL HER JULIE NEVER SHOWED. 770 00:31:30,885 --> 00:31:33,688 YOU GOT YOUR ALIBI TIED UP IN A NICE BOW. 771 00:31:33,722 --> 00:31:35,890 THAT'S WHAT HAPPENED, MY MAN. 772 00:31:38,727 --> 00:31:40,195 YOU SEE, SAM, I SAY ALIBI, 773 00:31:40,229 --> 00:31:42,797 AND YOU DON'T EVEN BLINK. 774 00:31:42,831 --> 00:31:43,865 WELL, WHEN'D YOU SAY THAT? 775 00:31:43,898 --> 00:31:45,968 THAT MUST'VE WENT RIGHT BY ME. 776 00:31:46,001 --> 00:31:48,370 HEY! HEY! YOU SHOOT A GIRL IN THE HEAD, 777 00:31:48,403 --> 00:31:49,804 YOU BURN HER PAST RECOGNITION. 778 00:31:49,838 --> 00:31:52,041 YOU'RE GONNA SIT HERE AND CRACK WISE WITH US?! 779 00:31:52,074 --> 00:31:53,175 HUH?! 780 00:31:53,208 --> 00:31:54,509 [KNOCK ON DOOR] 781 00:31:55,744 --> 00:31:57,479 WE GOT YOUR BUDDY JOE RIZOLLI 782 00:31:57,512 --> 00:31:59,381 ACROSS THE HALL THERE, SAM. 783 00:31:59,414 --> 00:32:00,882 SUPPOSE WE ASK HIM?? 784 00:32:00,915 --> 00:32:03,252 GO AHEAD AND ASK HIM. ASK HIM WHAT DID HE ACTUALLY SEE. 785 00:32:18,100 --> 00:32:19,734 JOE RIZOLLI, 786 00:32:19,768 --> 00:32:21,436 DETECTIVES SIMONE AND SIPOWICZ. 787 00:32:22,771 --> 00:32:24,906 SHE'S PRETTY GOOD?LOOKING FOR A DETECTIVE, ISN'T SHE? 788 00:32:24,940 --> 00:32:27,776 LOOKS KINDA LIKE A CHARLIE'S ANGEL OR SOMETHING. 789 00:32:30,612 --> 00:32:32,881 SO NOW YOU GONNA TELL ME WHAT THIS IS ABOUT? 790 00:32:37,953 --> 00:32:39,754 YOU KNOW A JULIE TORELLI? 791 00:32:39,788 --> 00:32:42,757 YEAH. SHE USED TO DATE A FRIEND OF MINE. 792 00:32:42,791 --> 00:32:44,526 YOU SEE HER LAST NIGHT? 793 00:32:44,559 --> 00:32:46,395 I WENT CLUBBIN' LAST NIGHT. 794 00:32:46,428 --> 00:32:47,529 WITH WHO? 795 00:32:47,562 --> 00:32:49,198 SAM DePAUL. 796 00:32:49,231 --> 00:32:50,765 WHO DATED JULIE TORELLI. 797 00:32:50,799 --> 00:32:52,935 LOOK. SAM AND ME WENT CLUBBIN' LAST NIGHT. 798 00:32:52,968 --> 00:32:55,604 PEOPLE AT ADONIS' WILL VOUCH. 799 00:32:55,637 --> 00:32:56,771 BUT BEFORE YOU AND SAM WENT CLUBBIN' 800 00:32:56,805 --> 00:32:58,941 YOU HAD A LITTLE ADVENTURE WITH GASOLINE. 801 00:32:58,974 --> 00:32:59,942 EXCUSE ME? 802 00:32:59,975 --> 00:33:01,743 YOU HELPED SAM DePAUL 803 00:33:01,776 --> 00:33:03,912 BURN UP JULIE TORELLI'S BODY IN HER CAR, JOE. 804 00:33:03,946 --> 00:33:05,614 THAT PUTS YOU IN A BAD SPOT. 805 00:33:05,647 --> 00:33:06,949 SEE, THAT DON'T PUT ME NOWHERE. 806 00:33:06,982 --> 00:33:08,783 I DIDN'T KNOW NOTHIN' ABOUT NO FIRE. 807 00:33:08,817 --> 00:33:10,619 ARE??ARE YOU A DUMMY, JOE? 808 00:33:11,820 --> 00:33:14,957 YOU WANT TO BE LOCKED UP FOR LIFE OVER THIS? 809 00:33:14,990 --> 00:33:18,093 YOU, JOE RIZOLLI, THE ACCESSORY TO MURDER? 810 00:33:18,127 --> 00:33:19,794 LISTEN TO ME. LOOK, 811 00:33:19,828 --> 00:33:22,164 I DIDN'T KNOW NOTHIN' ABOUT NO GASOLINE. 812 00:33:23,465 --> 00:33:25,935 LOOK, ALL I KNOW IS, 813 00:33:25,968 --> 00:33:26,969 SAM CALLED TO PICK HIM UP. 814 00:33:27,002 --> 00:33:28,938 I GET THERE, AND HE?? 815 00:33:28,971 --> 00:33:31,406 HE'S GOT THIS PEPSI BOTTLE FULL OF GAS. 816 00:33:31,440 --> 00:33:33,976 I SAID, "I'LL TAKE YOU WHERE YOU WANT TO GO, 817 00:33:34,009 --> 00:33:35,244 BUT I DON'T WANT TO KNOW NOTHIN' 818 00:33:35,277 --> 00:33:37,980 ABOUT THAT PEPSI BOTTLE." SO THAT'S WHAT HAPPENED. 819 00:33:38,013 --> 00:33:39,949 I TOOK HIM WHERE HE WANTED. 820 00:33:39,982 --> 00:33:41,951 HE GOT OUT. I WAITED. HE??HE COME BACK. 821 00:33:41,984 --> 00:33:44,786 WE WENT TO THE CLUB. 822 00:33:44,819 --> 00:33:45,820 [SNICKERS] CONGRATULATIONS, JOE. 823 00:33:45,854 --> 00:33:47,922 THAT STORY BOUGHT YOU A LETHAL INJECTION. 824 00:33:47,957 --> 00:33:50,292 THE HELL WRITE HIM UP THE IF IT DOES! 825 00:33:50,325 --> 00:33:51,926 WAIT, WAIT, WAIT! LISTEN TO ME! 826 00:33:51,961 --> 00:33:53,963 HE HAD ME STAY AROUND THE CORNER 827 00:33:53,996 --> 00:33:55,830 SO I COULDN'T SEE WHAT WAS GONNA HAPPEN. 828 00:33:58,000 --> 00:34:02,671 LOOK, A FEW MINUTES AFTER HE GOT OUT OF THE CAR... 829 00:34:02,704 --> 00:34:04,606 I SAW THIS BIG FIREBALL. 830 00:34:04,639 --> 00:34:06,942 THEN HERE COMES SAM RUNNIN' BACK. 831 00:34:06,976 --> 00:34:10,812 SAYS, "NOW NOBODY'LL EVEN KNOW SHE WAS SHOT." 832 00:34:14,216 --> 00:34:16,018 [SIGHS] 833 00:34:16,986 --> 00:34:18,853 SO HOW ABOUT THAT? 834 00:34:18,887 --> 00:34:20,722 YEAH. THAT'S GOOD. 835 00:34:32,401 --> 00:34:33,502 [DOOR OPENS] 836 00:34:33,535 --> 00:34:34,803 HE GAVE YOU UP, SAM. 837 00:34:34,836 --> 00:34:35,971 RIGHT. 838 00:34:36,005 --> 00:34:37,872 YOU AND YOUR PEPSI BOTTLE FILLED WITH GASOLINE. 839 00:34:37,906 --> 00:34:40,042 HEY, JOE RIZOLLI DIDN'T SEE CRAP. 840 00:34:41,076 --> 00:34:42,877 SO HE COULDN'T GIVE CRAP UP. 841 00:34:42,911 --> 00:34:43,912 SIT DOWN! 842 00:34:47,582 --> 00:34:51,653 "NOW THEY WON'T EVEN KNOW SHE WAS SHOT." 843 00:34:51,686 --> 00:34:53,188 THOSE WORDS RING A BELL THERE, SAM? 844 00:34:53,222 --> 00:34:55,890 'CAUSE JOE RIZOLLI TOLD US WHAT YOU SAID. 845 00:34:55,924 --> 00:34:57,526 HE TOLD US YOU CONFESSED. 846 00:34:57,559 --> 00:35:00,895 YEAH. BUT PLEASE SUSTAIN THAT SMART?ASS ATTITUDE 847 00:35:00,929 --> 00:35:02,164 A LITTLE WHILE LONGER, 848 00:35:02,197 --> 00:35:03,565 SO I CAN HAVE THE PLEASURE 849 00:35:03,598 --> 00:35:05,400 OF BEATIN' YOUR BALLS OFF EVERY WALL IN THIS ROOM 850 00:35:05,434 --> 00:35:07,169 UNTIL I TIRE MYSELF OUT. 851 00:35:07,202 --> 00:35:09,404 LOOK, SAM, IF THIS WASN'T MURDER, 852 00:35:09,438 --> 00:35:11,540 NO ONE IS LOOKING TO MAKE IT THAT. 853 00:35:11,573 --> 00:35:13,042 IF YOU AND JULIE 854 00:35:13,075 --> 00:35:14,243 WERE TALKING OUT RELATIONSHIP PROBLEMS, 855 00:35:14,276 --> 00:35:15,577 AND YOU JUST HAPPENED TO HAVE A GUN? 856 00:35:15,610 --> 00:35:17,712 AUTOMATICS. THEY CAN GO OFF LIKE THAT. 857 00:35:17,746 --> 00:35:18,913 NO, IT DIDN'T HAPPEN, 858 00:35:18,948 --> 00:35:19,914 'CAUSE I WOULD NEVER HURT JULIE. 859 00:35:19,949 --> 00:35:21,083 WELL, I'M JUST SAYING, 860 00:35:21,116 --> 00:35:22,584 MAKE IT AN ACCIDENT, NOT A HOMICIDE, 861 00:35:22,617 --> 00:35:23,918 WHERE YOU'D NEVER HURT HER INTENTIONALLY. 862 00:35:23,953 --> 00:35:25,220 WE WERE ATTACKED, MAN. 863 00:35:25,254 --> 00:35:26,421 YOU WANT TO KNOW WHAT HAPPENED? 864 00:35:26,455 --> 00:35:28,423 WE WE SITTIN' IN JULIE'S CAR TALKING. 865 00:35:28,457 --> 00:35:29,924 MATTER OF FACT, WE WERE GETTING BACK TOGETHER. 866 00:35:29,959 --> 00:35:32,594 BUT, SAM...DON'T FORGET ABOUT THE GASOLINE. 867 00:35:32,627 --> 00:35:34,029 I'M TELLIN' YOU, MAN, 868 00:35:34,063 --> 00:35:36,065 THIS GUY COMES UP, THIS SON?OF?SAM?TYPE GUY 869 00:35:36,098 --> 00:35:38,100 YOU TOLD JOE RIZOLLI YOU SHOT HER. 870 00:35:43,138 --> 00:35:45,407 WE WERE BACK TOGETHER... 871 00:35:45,440 --> 00:35:48,110 AND THIS GUN JUST GOES OFF... 872 00:35:48,143 --> 00:35:50,379 TOTALLY ON ACCIDENT. 873 00:35:50,412 --> 00:35:53,915 IT WAS JUST BAD LUCK. 874 00:35:53,949 --> 00:35:55,917 AND I GOT SO SCARED, SO I CALLED JOE, 875 00:35:55,951 --> 00:35:59,421 AND I GOT THE GAS TO SET HER CAR OFF. 876 00:35:59,454 --> 00:36:02,424 IT WAS JUST THIS CHAIN OF BAD LUCK. 877 00:36:02,457 --> 00:36:05,394 THIS IS WHERE YOU LIT JULIE'S CAR ON FIRE 878 00:36:05,427 --> 00:36:06,895 WITH JULIE IN IT, 879 00:36:06,928 --> 00:36:08,897 AFTER YOU HAD SHOT HER... 880 00:36:08,930 --> 00:36:10,966 INADVERTENTLY. 881 00:36:11,000 --> 00:36:13,768 YEAH. 882 00:36:13,802 --> 00:36:15,137 WHERE'S THE GUN? 883 00:36:15,170 --> 00:36:18,907 I THREW PIECES OF IT OUT THE WINDOW RIDING THE L.I.E. 884 00:36:18,941 --> 00:36:19,908 THEY'RE BY SOME MARKER, 885 00:36:19,942 --> 00:36:21,410 YOU KNOW, SO AND SO'S RESPONSIBLE 886 00:36:21,443 --> 00:36:23,145 FOR KEEPING THIS PART OF THE HIGHWAY CLEAN. 887 00:36:23,178 --> 00:36:24,479 THE NAME WILL COME TO ME. 888 00:36:24,513 --> 00:36:26,081 WHEN IT COMES BACK TO YOU, YOU LET US KNOW. 889 00:36:26,115 --> 00:36:27,649 WE'LL GET SOMEBODY TO PICK IT UP. 890 00:36:27,682 --> 00:36:29,151 IS IT VIC??VIC DAMONE? 891 00:36:29,184 --> 00:36:30,352 YEAH. I??I DON'T KNOW. 892 00:36:32,454 --> 00:36:34,656 ME AND JULIE, WE'D MADE UP. 893 00:36:34,689 --> 00:36:36,425 THAT'S??THAT'S WHAT'S SO TRAGIC. 894 00:36:36,458 --> 00:36:38,327 100% ACCIDENT. 895 00:36:38,360 --> 00:36:41,330 YOU JUST REMEMBER TO SAY ALL THAT... 896 00:36:41,363 --> 00:36:42,864 WHEN YOU WRITE IT DOWN. 897 00:36:51,706 --> 00:36:53,342 I DON'T GET THE WOMAN DETECTIVE? 898 00:36:53,375 --> 00:36:55,010 NAH. SHE'S GONNA LET US HANDLE THIS. 899 00:36:55,044 --> 00:36:57,279 HOW ABOUT A REFRESHMENT? 900 00:36:57,312 --> 00:36:58,347 HOW ABOUT "SHUT UP"? 901 00:36:58,380 --> 00:36:59,614 YOU WANT A COOL DRINK 902 00:36:59,648 --> 00:37:01,316 AFTER A HARD NIGHT OF SHOOTING PEOPLE 903 00:37:01,350 --> 00:37:02,784 AND TEARING UP THEIR CAR, TOMMY? 904 00:37:02,817 --> 00:37:04,353 OH, MAN, I?? COME ON. 905 00:37:04,386 --> 00:37:07,022 WE KNOW WHAT YOU DID. WE GOT YOUR PRINTS. 906 00:37:07,056 --> 00:37:08,023 MY PRINTS? 907 00:37:08,057 --> 00:37:09,191 YEAH. THAT CAR YOU KNIFED UP 908 00:37:09,224 --> 00:37:10,692 AFTER YOU STOLE IT? IT HAD YOUR PRINTS. 909 00:37:10,725 --> 00:37:13,362 NO. THE CUTTING UP IS ON SOMEONE ELSE. 910 00:37:13,395 --> 00:37:15,164 AND THAT'D BE WHO? 911 00:37:15,197 --> 00:37:17,532 NUT?JOB WOMAN TEQUILA PUT ME WITH. 912 00:37:17,566 --> 00:37:18,667 SHE PLANNED THIS WHOLE THING. 913 00:37:18,700 --> 00:37:19,668 WHO'S TEQUILA? 914 00:37:19,701 --> 00:37:20,970 A FRIEND. 915 00:37:21,003 --> 00:37:22,537 HE KNOWS THE NUT JOB FROM THAT BAR LULA'S, 916 00:37:22,571 --> 00:37:23,538 WHERE THEY MET. 917 00:37:23,572 --> 00:37:25,140 SHE'S A DYKE. 918 00:37:25,174 --> 00:37:25,874 WHO'S A DYKE? 919 00:37:25,907 --> 00:37:27,176 DENISE WHO HIRED ME. 920 00:37:27,209 --> 00:37:29,344 SHE WANTED SOMEONE TO TAKE OUT THE OTHER DYKE. 921 00:37:29,378 --> 00:37:30,879 SO TEQUILA SAYS "I KNOW WHO YOU CAN GET." 922 00:37:30,912 --> 00:37:32,047 SHE PUTS ME WITH HER. 923 00:37:32,081 --> 00:37:33,882 BUT I WASN'T GONNA DO IT. 924 00:37:33,915 --> 00:37:36,986 I JUST WANTED TO GET A LITTLE ROBBERY OUT OF IT FOR MYSELF. 925 00:37:37,019 --> 00:37:38,353 THEN I GET ATTACKED. 926 00:37:38,387 --> 00:37:40,389 SO WHAT HAPPENED WAS SELF?DEFENSE. 927 00:37:40,422 --> 00:37:42,157 YOU WANT TO LOOK AT MY SHEET? 928 00:37:42,191 --> 00:37:43,892 I GOT ONE THING ON THERE WITH A KNIFE. 929 00:37:43,925 --> 00:37:45,560 THAT WAS ALSO SELF?DEFENSE. 930 00:37:45,594 --> 00:37:47,896 SO, YOU WERE GONNA DOUBLE?CROSS DENISE, 931 00:37:47,929 --> 00:37:49,864 TAKE HER MONEY, BUT??BUT NOT DO THE MURDER. 932 00:37:49,898 --> 00:37:51,000 SHE'S A DYKE. 933 00:37:51,033 --> 00:37:53,368 THE TWO RUNNING AROUND THE APARTMENT, 934 00:37:53,402 --> 00:37:54,503 DYKES, TOO. 935 00:37:54,536 --> 00:37:56,071 Martinez: YEAH, WE KNOW THAT. 936 00:37:56,105 --> 00:37:57,339 SO WHAT DID DENISE SAY TO DO? 937 00:37:57,372 --> 00:37:59,074 KILL THE ONE WHO AIN'T PREGNANT, 938 00:37:59,108 --> 00:38:00,375 TAKE THE CAR, 939 00:38:00,409 --> 00:38:01,876 MAKE IT LOOK LIKE A ROBBERY. 940 00:38:01,910 --> 00:38:03,912 SHE KNEW THEIR SCHEDULE, 941 00:38:03,946 --> 00:38:05,380 WHEN THEY WENT SHOPPING, 942 00:38:05,414 --> 00:38:06,748 AND EVERYTHING ELSE. 943 00:38:06,781 --> 00:38:08,883 SO, YOU, UH, YOU FOLLOWED 'EM HOME, 944 00:38:08,917 --> 00:38:09,884 BUSTED INTO THE APARTMENT?? 945 00:38:09,918 --> 00:38:11,886 AND WAS GONNA ROB 'EM, 946 00:38:11,920 --> 00:38:13,388 AND THEN THERE WAS COMPLICATIONS, 947 00:38:13,422 --> 00:38:15,890 'CAUSE DENISE, WHO ACTS LIKE SHE KNOWS EVERYTHING, 948 00:38:15,924 --> 00:38:19,094 DIDN'T SAY NOTHIN' ABOUT THERE BEING A GUN IN THE HOUSE. 949 00:38:19,128 --> 00:38:20,362 THE ONE I'M SUPPOSED TO SHOOT?? 950 00:38:20,395 --> 00:38:21,696 KATHY. 951 00:38:21,730 --> 00:38:22,864 THE ONE WHO AIN'T PREGNANT. 952 00:38:22,897 --> 00:38:25,567 SHE GOES INTO A DESK DRAWER, GETS A GUN. 953 00:38:25,600 --> 00:38:27,869 NOW WHAT AM I SUPPOSED TO DO WITH THAT? 954 00:38:27,902 --> 00:38:29,438 THAT IS AN ACT OF SELF?DEFENSE. 955 00:38:29,471 --> 00:38:31,440 SO YOU AND SELF?DEFENSE ARE, LIKE, BEST FRIENDS. 956 00:38:31,473 --> 00:38:33,275 I WAS NEVER RAISING A GUN TO THEM 957 00:38:33,308 --> 00:38:35,377 UNTIL SHE GOT ONE HERSELF. 958 00:38:35,410 --> 00:38:38,713 I TOLD THE OTHER ONE TO GO IN THE BEDROOM. 959 00:38:38,747 --> 00:38:39,881 WAS GONNA GRAB THE LOOT I COULD GET 960 00:38:39,914 --> 00:38:41,283 AND BE DONE WITH IT. 961 00:38:41,316 --> 00:38:43,385 BUT THEN THE TOUGH ONE'S GOTTA RUN, GET A GUN, 962 00:38:43,418 --> 00:38:44,919 TURN THE WHOLE THING INTO A SHOOTOUT. 963 00:38:44,954 --> 00:38:47,889 BUT SHE DIDN'T GET A SHOT OFF AT YOU. 964 00:38:47,922 --> 00:38:49,391 NO. 965 00:38:49,424 --> 00:38:51,994 TURNS OUT I'M THE QUICKER DRAW. 966 00:38:55,330 --> 00:38:56,298 LOOK... 967 00:38:56,331 --> 00:39:00,235 WHO YOU'RE AFTER IS THIS DENISE. 968 00:39:00,269 --> 00:39:03,138 SHE IS JUST THIS SIDE OF CRAZY. 969 00:39:03,172 --> 00:39:05,307 SO WHERE DO WE FIND HER? 970 00:39:05,340 --> 00:39:07,977 I'D TRY LULA'S. 971 00:39:08,010 --> 00:39:09,611 OR WHERE SHE LIVES. 972 00:39:11,113 --> 00:39:12,081 YEAH, THAT'S GREAT. 973 00:39:12,114 --> 00:39:13,182 [KNOCK ON DOOR] 974 00:39:17,352 --> 00:39:18,287 WHAT'S UP? 975 00:39:18,320 --> 00:39:19,654 YEAH, UM... 976 00:39:19,688 --> 00:39:21,290 ABBY JUST CALLED. 977 00:39:21,323 --> 00:39:22,791 DENISE McCALL IS SITTING ACROSS THE STREET 978 00:39:22,824 --> 00:39:23,993 FROM HER APARTMENT. 979 00:39:24,026 --> 00:39:24,826 IS SHE ARMED? 980 00:39:24,859 --> 00:39:25,827 I DON'T KNOW. 981 00:39:25,860 --> 00:39:27,296 BUT YOU'D BETTER GET OVER THERE. 982 00:39:27,329 --> 00:39:29,331 HANK WILL TAKE CARE OF THIS GUY. HANK? 983 00:39:29,364 --> 00:39:30,832 UH...SO, MY SITUATION? 984 00:39:30,865 --> 00:39:32,667 Martinez: I DON'T KNOW, TOMMY. 985 00:39:32,701 --> 00:39:34,169 YOU JUST ADMIT YOU SHOT A WOMAN DEAD. 986 00:39:34,203 --> 00:39:36,338 I DON'T KNOW IF WE CAN JUST LET WALK RIGHT AWAY. 987 00:39:36,371 --> 00:39:39,174 I TOLD YOU THE CIRCUMSTANCES. 988 00:39:45,880 --> 00:39:50,019 Woman: PEOPLE HAVE A RIGHT TO THE DREAMS OF THEIR LIVES, 989 00:39:50,052 --> 00:39:50,852 AND THEY HAVE A RIGHT 990 00:39:50,885 --> 00:39:52,121 TO THE COURAGE OF SEEKING HAPPINESS. 991 00:39:52,154 --> 00:39:53,355 Greg: HOW WOULD THAT APPLY TO THIS? 992 00:39:53,388 --> 00:39:54,856 THE INSTANCE OF ABBY'S... 993 00:39:54,889 --> 00:39:57,359 [WOMAN TALKING] 994 00:39:57,392 --> 00:39:58,827 Greg: YEAH, WE WOULD. 995 00:40:00,395 --> 00:40:02,831 ABBY AND I WERE THE ONES TALKING ABOUT HAVING A BABY. 996 00:40:02,864 --> 00:40:05,034 WE WERE THE ONES MADE PLANS FOR OUR FAMILY. 997 00:40:05,067 --> 00:40:06,868 THEN COMES THE INTERLOPER. 998 00:40:06,901 --> 00:40:08,203 MEANING KATHY. 999 00:40:08,237 --> 00:40:10,172 PEOPLE PRESCRIBE THEIR OWN TRAGEDIES, YOU KNOW. 1000 00:40:10,205 --> 00:40:11,706 IF EVERYONE HAD JUST BEHAVED, 1001 00:40:11,740 --> 00:40:12,975 SHE'D BE ALIVE, 1002 00:40:13,008 --> 00:40:14,876 AND I'D BE LOOKING AT MOTHERHOOD. 1003 00:40:14,909 --> 00:40:16,178 NOW KATHY'S DEAD. 1004 00:40:16,211 --> 00:40:18,313 BUT YOU'RE STILL NOT ON YOUR WAY TO HAVING A BABY. 1005 00:40:18,347 --> 00:40:19,481 Denise: THAT'S OK. 1006 00:40:19,514 --> 00:40:21,383 DOOR'S OPEN FOR ABBY AND ME NOW. 1007 00:40:21,416 --> 00:40:22,884 YOU'RE WAY OFF, DENISE. 1008 00:40:22,917 --> 00:40:24,686 SHE DOESN'T WANT NOTHIN' TO DO WITH YOU. 1009 00:40:24,719 --> 00:40:27,356 WELL, WITHOUT THE WANNABE NOVELIST IN THE PICTURE 1010 00:40:27,389 --> 00:40:28,890 WHO WRITES LIKE CRAP?? 1011 00:40:28,923 --> 00:40:30,059 AND I SHOULD KNOW, 1012 00:40:30,092 --> 00:40:31,060 'CAUSE I WAS AT ONE OF HER PATHETIC READINGS?? 1013 00:40:31,093 --> 00:40:32,561 YOU FOLLOWED 'EM AROUND, DIDN'T YOU? 1014 00:40:32,594 --> 00:40:34,029 I DID MY HOMEWORK. 1015 00:40:34,063 --> 00:40:35,330 YOU FOLLOWED 'EM UNTIL YOU KNEW THEIR PATTERNS, 1016 00:40:35,364 --> 00:40:37,332 AND THEN YOU STUCK THIS TOMMY ON 'EM. 1017 00:40:37,366 --> 00:40:40,069 I HAD HIM PUT PEOPLE IN THEIR RIGHTFUL PLACES. 1018 00:40:40,102 --> 00:40:42,404 WAS IT YOU TORE UP ABBY'S CAR? 1019 00:40:42,437 --> 00:40:44,739 IN A FIT OF LOVE. 1020 00:40:44,773 --> 00:40:45,907 OH, YEAH. 1021 00:40:45,941 --> 00:40:49,411 YOU GIVE ME ALL THE WEIRD LOOKS YOU WANT, OK? 1022 00:40:49,444 --> 00:40:52,714 BUT SHE'S GONNA COME AROUND NOW. 1023 00:40:52,747 --> 00:40:54,849 FEELING AS STRONGLY AS YOU DO, DENISE, 1024 00:40:54,883 --> 00:40:56,251 YOU WANT TO MAKE SURE 1025 00:40:56,285 --> 00:40:57,852 YOUR SIDE OF IT GETS ON RECORD. 1026 00:40:57,886 --> 00:40:59,354 MAYBE STARTING WITH HIRING THIS TOMMY LANG 1027 00:40:59,388 --> 00:41:00,889 TO KILL KATHY. 1028 00:41:00,922 --> 00:41:03,258 OH, GEE, I THOUGHT YOU'D NEVER ASK. 1029 00:41:03,292 --> 00:41:07,896 THEN WE CAN STACK MY WRITING UP AGAINST HERS. 1030 00:41:14,803 --> 00:41:16,105 Martinez: SO, UH, DENISE, 1031 00:41:16,138 --> 00:41:17,806 DO YOU WANT TO PUT AN END TO THIS? 1032 00:41:19,474 --> 00:41:20,775 Denise: ABBY AND I... 1033 00:41:20,809 --> 00:41:22,477 [VOICES CONTINUE] 1034 00:41:33,322 --> 00:41:37,960 DOESN'T SHOW AN OUNCE OF REMORSE. 1035 00:41:37,993 --> 00:41:40,795 I'D NEVER SAY IT IN COURT, BUT... 1036 00:41:40,829 --> 00:41:42,064 DENISE HAS CROSSED THE LINE 1037 00:41:42,097 --> 00:41:44,299 OF NOT UNDERSTANDING RIGHT AND WRONG. 1038 00:41:44,333 --> 00:41:47,802 SHE'S NOT THE PERSON YOU KNEW. 1039 00:41:47,836 --> 00:41:50,639 SHE WAS JEALOUS WHENEVER WE WERE TOGETHER. 1040 00:41:50,672 --> 00:41:52,807 POSSESSIVE OF MY TIME. 1041 00:41:52,841 --> 00:41:56,311 OF WHAT I WAS THINKING. 1042 00:41:56,345 --> 00:42:00,115 FIRST, I WAS JUST SO GLAD TO BE LOVED. 1043 00:42:04,019 --> 00:42:05,487 WHEN I KNEW IT WAS OVER, 1044 00:42:05,520 --> 00:42:07,322 WE WENT TO COUNSELING FOR 6 MONTHS 1045 00:42:07,356 --> 00:42:09,491 TO HELP HER GET READY. 1046 00:42:09,524 --> 00:42:12,427 I KNEW NOTHING WAS GONNA GET HER OVER IT. 1047 00:42:12,461 --> 00:42:14,496 FINALLY, I JUST LEFT... 1048 00:42:14,529 --> 00:42:17,499 CUT OUT EVERY PART OF MY LIFE 1049 00:42:17,532 --> 00:42:18,833 WHERE DENISE WAS INVOLVED 1050 00:42:18,867 --> 00:42:20,502 SO SHE WOULDN'T HAVE TO SEE ME, 1051 00:42:20,535 --> 00:42:23,505 TRY TO KEEP FROM HURTING HER. 1052 00:42:23,538 --> 00:42:24,806 EVEN BEFORE KATHY AND I MET 1053 00:42:24,839 --> 00:42:28,310 AND DENISE REALLY STARTED STALKING US, 1054 00:42:28,343 --> 00:42:30,512 I'D FEEL HER FOLLOWING ME 1055 00:42:30,545 --> 00:42:33,949 LIKE SOME... HAUNTED SPIRIT. 1056 00:42:33,983 --> 00:42:35,350 [SIGHS] 1057 00:42:35,384 --> 00:42:38,620 BECAUSE I'VE BEEN THAT WAY MYSELF. 1058 00:42:38,653 --> 00:42:40,522 NO, ABBY. 1059 00:42:40,555 --> 00:42:41,823 NOT JEALOUS. 1060 00:42:41,856 --> 00:42:47,662 BUT JUST WANTING SO MUCH TO BE LOVED. 1061 00:42:47,696 --> 00:42:51,333 LIKE YOU'RE JUST AN ACHE WITH BEING SO LONELY... 1062 00:42:51,366 --> 00:42:55,037 AND WANTING TO BE A PART OF LIFE. 1063 00:42:58,407 --> 00:43:00,475 BUT I STILL... 1064 00:43:00,509 --> 00:43:02,077 HAVE MY BABY. 1065 00:43:03,412 --> 00:43:05,480 I AM A PART OF LIFE. 1066 00:43:05,514 --> 00:43:07,882 OF COURSE YOU ARE. 1067 00:43:14,889 --> 00:43:18,693 NO INTENTION OTHER THAN FRIENDSHIP, ABBY. 1068 00:43:20,762 --> 00:43:23,198 I HOPE YOU'LL LET ME BE A RESOURCE FOR YOU. 1069 00:43:23,232 --> 00:43:26,068 THANKS, GREG. 1070 00:43:26,101 --> 00:43:28,903 WE'LL BE PART OF LIFE TOGETHER. 1071 00:43:36,778 --> 00:43:37,846 ABBY... 1072 00:43:37,879 --> 00:43:38,713 ABBY! 1073 00:43:38,747 --> 00:43:40,015 HOW COULD YOU DO THIS TO ME? 1074 00:43:40,049 --> 00:43:40,882 ABBY! 1075 00:43:40,915 --> 00:43:42,851 I LOVE YOU, BABY. I LOVE YOU SO MUCH! 1076 00:43:42,884 --> 00:43:44,586 I'LL TAKE CARE OF YOU NOW! 1077 00:43:44,619 --> 00:43:45,854 I LOVE YOU! 1078 00:43:45,887 --> 00:43:47,589 I LOVE YOU! 1079 00:43:47,622 --> 00:43:49,058 I LOVE YOU! 1080 00:43:49,091 --> 00:43:51,560 WE WERE MEANT TO BE TOGETHER! 1081 00:43:51,593 --> 00:43:53,762 I KNOW IT. I FEEL IT IN MY HEART. 1082 00:43:53,795 --> 00:43:55,530 I LOVE YOU! 1083 00:43:55,564 --> 00:43:56,565 DON'T LEAVE ME! 1084 00:43:56,598 --> 00:43:58,533 DON'T LEAVE ME! 1085 00:43:58,567 --> 00:44:00,135 DON'T LEAVE ME! 1086 00:44:08,310 --> 00:44:12,314 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1087 00:44:12,364 --> 00:44:16,914 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 75532

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