All language subtitles for The Muse (1999) Online On 0123Movies

[ Applause ]

[ Applause ]

[ Woman ] This evening we are very proud
to honor a gentleman...

who has written over
17 motion pictures,

many of them having dealt
with the human condition.

This gentleman was nominated
for an Academy Award in 1993...

for his motion picture,
Mcormick Place.

Tonight, along with the other
distinguished artists,

we are proud to award
this year's Humanitarian Prize
to Mr. Steven Phillips!

[ Applause ]

ongratulations.

Thank you very much.

You know, l would not
even be here tonight...

if it wasn't
for my family.

My beautiful wife, Laura,
my daughters,

Mary and Julie.

Without their love
and support, God knows,

l'm sure l would be down
on Western Avenue in some seedy bar.

- [ Laughter ]
- Not that l'm not going there anyway.

lt's just l'll drop
you guys off first.

Uh, being a screenwriter
in Hollywood is, uh--

- lt's a lot like being
a eunuch at an orgy.
- [ Laughter ]

The only difference is,
the eunuchs get to watch...

and l'm not even
invited to the set.

[ Laughter ]

l really don't know how to thank you.
l-- l do appreciate it.

As soon as l get home,

l'm going to put this up there
on the mantel with the other ones...

and, uh, that'll make
a total of two.

[ Laughter ]

Thank you very much and...

l'm king of the room!

[ Man oughs ]

Thank you.

[ Traffic Sounds ]

This looks like a penis.

What did you say? What?
Where'd you learn that word?

- From Howard Stern.
- You're not supposed
to be listening to him.

Why is she listening to him?
No more F.M. That's off-limits to you.

They say that word
on A.M. too.

Then no more radio of any kind.
Never listen to the radio again.

- What's wrong with ''penis''?
- l don't wanna hear that word, girls.

Unless we're in a doctor's office,
that word is off-limits to the family.

So when do you start
shooting the new one?

Well, first they have to give me a go,
and then they'll do the casting.

- What's a ''go''?
- lt's when they say ''yes,'' sweetheart.

When do you think you'll hear?

l should've heard already.
Probably this week.

- So who is gonna be in it?
- l don't know.

an l star
in the movie, Daddy?

Yes, darling,
as soon as you're an older man.

Good night.
Good night.

- ongratulations, Daddy. l love you.
- l love you.

- l'm so happy you were there.
- Me too.

lt was really important to me.
Don't stay up too late.

Okay.

Good night, baby.

Daddy, what exactly
is a humanitarian?

lt's someone who's
never won the Oscar.

Go to sleep.

- Hello, hello.
- Hello.

Josh read your script
and he's ready to see you.

- How did he sound?
- He sounded great.

Hey, Steven.
ome on in.

Oh, nice--
nice couch.

- Did you see Saving Private Ryan?
- No, l didn't.

- That's the couch
they used in the picture.
- Oh.

l love to get props
before anybody else does.

You know, it's sort of
like a collecting thing.

Someday all this stuff
is gonna be worth a fortune.

Gee, does Paramount let you take
all this stuff when you leave here?

Who says l'm leaving here?

No, l just meant if.

l'll worry about that
when the time comes. Did you eat?

- No. Well, you know,
l had a little Jell-O.
- Well, come on.

- l'll treat you to lunch.
- Oh, great.

ls that blood?

[ Patrons hattering ]

Hey, congratulations on that, uh,
humanitarian thing.

Thank you.
You make it sound so important.

What was that for exactly?

- What do you mean?
- Was it for this year?

Well, it wasn't for any particular year.
lt was for a career.

Well, it's wonderful.
You had a great career.

What do you mean ''had''?

l'm still having it,
aren't l?

Um, l read your script.

And?

Well, let me put this in a form
that isn't insulting,

because l tend to be too direct.

All my friends tell me that.
The script's no good.

That's the form
that's not insulting?

What would
the insulting form be?

Oh, good one.

- What are you doing?
- Oh, l write down lines l like.

l like that line.

You know, l think
that's called stealing.

So what's wrong with the script?
l don't understand.

l think what's wrong
with the script is you.

lt's not that the script,
per se, is bad.

You know, it's flat.
lt feels like it's been done before.

- Well, it has been done before.
- Right.

lt's an action movie.
lt's been done a million times.

But you guys keep making them,
so here's a good one.

- Josh, how's it goin'?
- Hey, Lorenzo, l was
just talking about you.

Lorenzo Lamas,
Steven Phillips.

Hey, nice to meet you.

Hey, l'm halfway through your script.
lt's brilliant.

[ Lorenzo ]
Thank you.

l'll call you tomorrow.
Really great work.

Wow. Thank you so much.
Nice meeting you.

Yeah.

So give me notes.

l'll-l'll fix
whatever's wrong.

- lt's beyond notes.
- Well, nothing's beyond notes.

- l'm a writer. What do you want done?
- [ Sighs ]

Listen to me.

Did you ever stop and think
maybe you're at that point
in your life...

- where you should be
heading in a new direction?
- What?

l read in the Wall Street Journal where
everybody has at least three careers.

- Did you read that?
- No.

Well, possibly writing
is something you
shouldn't do anymore.

- l mean, maybe you're heading
for your third career.
- l never had a second career.

- Okay, you're heading
for your second career.
- l'm not heading for anything.

l'm a damn good writer.
l just got a major award.

[ huckling ]
The humanitarian award? Please.

Everybody gets that.
That's nothing.

Oh, thank you, Josh.

You know, l couldn't put my finger on
exactly what the award was.

l just think
you've lost your edge.

l see.

Okay. So, you guys
don't wanna make this movie.

You'll give it to me in turnaround,
l'll make it somewhere else.

That's not exactly
what l'm tryin' to say.

- l don't think your deal here
is gonna work out.
- What?

We don't wanna keep
rejecting your work just
to fill a three-picture deal.

You know, go, go.
Take some time off.

Get your edge back.
lt'll be good for your head.

Oh, please don't tell me
what's good for my head.

l can't afford to take time off.
l have a family.

- l have to make an income.
- That's not our problem.

l can't believe that all of this
happened over one script.

Well, it wasn't
just one script.

l mean, we were all a little
disappointed in your last picture.

- Everybody said it did well.
- Everybody lied.

- Hello, Josh.
- Hey, Jennifer.

You never called me.
What happened?

- l thought l did.
- No, no.

- You never called me.
- Oh. Jennifer Tilly, this is--

l don't want to meet any more people
at this moment in my life.

- Just do what you need to do.
- Fine.

Listen, l'll call you tomorrow.
l-l promise.

- You promise?
- You have my word.

- lsn't Josh a doll?
- Oh, yeah.

No, h-he's really a doll.

He's a regular little huckie.

[ Sighs ]

So just cut to the chase.
Just what exactly are you telling me?

- We'd like you outta here by 5:00.
- What?

lt would really help us out.
Brian DePalma needs your office.

Well, you can't give
Brian DePalma my office.

lt's not really your office.
l mean, we're all just
using space here.

l'm where Lucille Ball
used to be.

Huh. Too bad you're not
where she is now.

- Oh. Good one.
- You write that down,
l'll cut off your head.

l knew that's what he was gonna say.
He called me first.

- So why didn't you tell me
and save me the embarrassment?
- You're a persuasive guy.

l thought maybe
you'd change his mind.

- So we'll set it up
elsewhere, right?
- That's gonna be tough.

l've been lookin' into it.
They don't seem to want
to make action anymore.

What are you talking about?
That's all they make is action.

They don't wanna make
this kind of action.
lt's not your forte, anyway.

- You should go back to
writing the smaller films.
- You told me not to do that.

l did, and that was very
good advice, because they're
not really buying those either.

You know what? Maybe now's
the time to go into television.

Find an independent.

l'll take less money.
Set it up that way.

l've been tryin'.
Nobody's buyin'.

Well, l don't understand.
What's the criticism?

- People say it has no edge.
- l keep hearing this
''no edge'' bullshit.

l don't even know
what this means.

lt's an action movie.
There's plenty of edge.

Give me a week.
l'll fix it.

- lt'll be all edge.
- lt's not just this script.

The other two are getting
the same comments.

There's people--
l don't agree with them--
that think you're--

How shall l put this?
Past your prime.

Past my prime?

Picasso painted until
he was 90, for God's sake.

Yeah, but he never wrote
a good screenplay.
Know what you should do?

- ool out. Take a year off.
lear your head.
- l can't take a year off, Hal.

l have a family to feed.
Get me a meeting with Steven Spielberg.

He'll make this movie.
l know it.

- Steve doesn't take meetings anymore.
- He'll take this one.

We're old friends.
l used to buy him sushi 25 years ago.

l just read in some magazine
where he doesn't eat sushi anymore.

Who cares about
the sushi?

Just get me
a meeting with him!

- Hello.
- Yes, sir?

- Yes, l'm here to see
Mr. Spielberg.
- What is your name?

Steven Phillips.

- You don't have a drive-on.
- Hmm?

You'll have to make a U-turn here,
park across the street and walk.

Do you know where
the building is?

Yeah, it's like
nine miles from here.

- lt is a little far.
- l don't have a drive-on?

- No, sir. You have a walk-on.
- Uh-huh.

ls that the worst a person can get,
or is there a crawl-on?

l beg your pardon?

Just never mind. Thanks.

[ Bell Dings ]

[ Woman Over Loudspeaker ]
On your right are the sound stages...

where they filmed
the movie Liar, Liar.

On your left
is a man who,

obviously,
did not get a drive-on.

[ Panting ]

[ lndistinct ]

[ Woman ]
Steven Spielberg. l'll connect you.

[ Phones Ringing ]

[ Woman #2 ]
Steven Spielberg.

[ Woman #3 ]
Steven Spielberg.

[ Phones Ringing ]

- May l help you?
- My name is Steven Phillips.

l'm here to see
Mr. Spielberg.

[ Woman #2 ]
Steven Spielberg. l'll connect you.

[ Woman #3 ]
Steven Spielberg. One moment, please.

- [ Phones Ringing ]
- [ Woman #2 ] Steven Spielberg.

[ Phones Ringing ]

[ Woman #3 ]
Steven Spielberg.

- [ Phones Ringing ]
- Here you go.

You go to the second floor.
lt's office 202.

Thanks.

Yes, sir. Well, you have
an appointment right now.

l think the gentleman is here.
Yes, l'll send him right in.

- Are you Mr. Phillips?
- Yes, l am.

- Mr. Spielberg will see you.
- Thank you.

[ Video Game Noises ]

ome in. lose the door.
We'll have some privacy.

[ Scream From Video Game ]

l would get up,
but my feet hurt.

- Have a seat.
- Who are you?

l'm Stan Spielberg.
l'm Steven's cousin.

all me Stan.

You're a writer?

Yeah, but what--
Where's Steven?

l haven't seen Steven
in almost a year.

- Oh, no.
- l saw him on television once.

Anyway, let's get down to business.
What did you write?

- What?
- l have a lot of things on my mind.

What did you do?

Oh, oh, you did
the talkin' dog thing.

Listen to me, my friend.
lt's been done before.

l-l did not do anything
about a talking dog.

Really?

What did the guy who's
in here now write?

Oh, that's right.
l hated it.

Thanks.

Well, apparently,
l didn't like yours either.

Uh-huh. What is it that
you do here exactly?

You know, l don't--
l don't really know.

Steven gave me the job
and l never questioned it.

What'd you do before this?
l'm just curious.

This is my first
real employment.

All right, we're done.
Thanks.

Just remember:

Make it in color.
The people love color.

l've hit the wall.

My career has hit the wall.
l have no other options now.
There's nowhere to turn.

Talk to Jack.
He'll make you feel better.

l-l don't wanna do that.
lt's humiliating.

Why is it humiliating?
That's what friends are for.

But, you know, he'll pity me,
and that's no good.

- Why don't you write
somethin' for his company?
- He hasn't asked me.

lf he knew the deal fell through,
maybe he would.

- l don't want charity.
- Go talk to him.

You're the same age.
Nobody's tellin' him he's over the hill.

lsn't he doin' better
now than ever?

- Yeah, l guess.
- He'll put things in perspective.

He knows what you're goin' through.

l'm sure once in his life
a studio has told him the same
thing they're telling you.

Okay, l'll talk to him.

[ Engine Starts ]

[ Man ]
So, how's it goin', buddy?

- You look bad.
- Oh, Jack.

l'm having
a terrible week.

W-What's the matter?
You in trouble? Money?

No, it's not money.
Not yet, anyway.

Well, what's the problem?

Well, before we get to me,
are you having an affair?

Why would you say that?

Who was the woman
that got in the cab?

- You saw that?
- Well, l wasn't spying or anything.

l just arrived
when it happened.

- l can't talk about it.
- You're having an affair!

- No, no, l'm not.
l just can't talk about it.
- ome on.

l'm your friend.
l'll keep a secret. Who is she?

Don't ask me
any questions about this.

- Okay.
- Let's just drop it.

- H-how is, uh--
How's your new script?
- Oh, great.

Paramount is not
going to make it.

Why? That was a great idea.
They don't like it?

Oh, it's way beyond that.
They've stopped liking me.

- They terminated my deal.
- You're kidding.

They're telling me
l've lost my edge.

This is the worst week
l've ever had in my life.

- Buddy.
- Seven days ago l was
on top of the world.

Now it's over.
lt's just over for me.

You've had this
feeling before, yes?

- No.
- No?

No one's ever told you
that you're over the hill?

No, no, they haven't.

Great.
l'm telling you something.

lf l didn't have a family,
l think l'd be out
buying heroin right now.

Buddy, l-l don't like
to hear you talkin' like this.

That's the way l feel.
l mean, why not?

Okay. M-Maybe there's
something l can do.

Oh, God, l'm not
supposed to do this.

Not supposed to do what?
You're sounding so mysterious.

ome on, uh,
take a walk with me.

l'm gonna-- l'm gonna
tell you something you're
probably not gonna believe.

Do you know
what a muse is?

- A muse?
- Yeah.

- l think so.
- Well, you know about
mythology, right?

They were the daughters of Zeus.
There were nine of them.

They inspired all creativity.
That's, uh--

That's where the word
''music'' comes from.

That's interesting.
l didn't know that. What's the point?

- What if l told you
they-they still exist?
- Muses?

l would tell you l rode
over here on a unicorn.

No, l'm, uh--
l'm being dead serious.

l-l want you to listen
to what l have to say...

and try to keep
an open mind.

Have a seat.

Uh, that-that woman...

- that you saw this morning
getting into the taxi?
- Mm-hmm?

She's a muse.

- ome on.
- No.

l met her at a party
a couple of years ago.

- Rob Reiner
introduced us.
- Rob Reiner?

Yeah, there were a lot
of writers there, directors.

She seemed
to know them all.

l just thank God
that l met her,

because if you're lucky
enough to be with her,

you write better than
you've ever written in your whole life.

You know, l must look
pretty pathetic...

that you have to be soothing me
with this fairy tale.

No, no, no.
This is not a fairy tale.

- This is real.
- lt's real?

You remember a year and a half ago, uh,
l couldn't break that hotel story?

- Yeah.
- She figured that out.

- She wrote it for you?
- No, no.

She doesn't actually write.
She inspires.

Where is she from?
Greece?

l don't know
where she's from.

Her family tree apparently
goes all the way back
to the beginning of time.

l never really
ask questions.

l've just taken
what she's offered.

- You're being serious.
- l'm being serious.

- You swear to God?
- l swear to God.

Okay, l believe you. l want in.
How do l meet her?

l don't, uh-- l don't know
if l can do that.

- Well, you have to do it.
- She's funny about
taking on new people.

l'm not new people.
l'm one of your best friends.

You have to call her.
all her now.

This is what l need.

This is why l'm here.
l didn't know exactly why l came.

This is why.
all her.

Please.

And he's really a good,
uh, uh, friend.

- A-And he needs you.
- [ Whispering ]
Tell her l got nominated.

Oh, he was nominated
for an Academy Award.
Did you see McAllister Place?

- Mcormick Place.
- Mcormick Place?

Well, it was good.
You should see it.

[ Whispering ] l got the tape.
l have a tape.

Anyway, he's in trouble.

ould you at least, uh,
meet with him?

Fantastic.

Fantastic, Sarah.

l-l can't thank you enough.
This is wonderful.

Oh, a-and by the way,
you were right once again.

A-About Toronto.
So much better.

No-no, than--
No, than Quebec.

Yes, l know.
Too much French.

All right,
and S-Sarah,

thank you again.
You're a doll.

You're gonna
see her today at 4:00.

Oh, my God.
l can't believe it.

You're amazing.
Are you going to anada?

No, no, no, uh--
l'm setting a movie in anada.

She convinced me Toronto
is much better than Quebec.

She does locations too?
This is a miracle. lt's a miracle.

Now here's the address.

You saved me.
l don't know how else to put it.

- You saved me.
- All l did was
get you the meeting.

You're gonna have to do the rest,
but l'll tell you this.

You get her, your life
is never gonna be the same.

[ Doorbell Rings ]

- an l help you?
- Yes. ls Sarah Little here?

- No. She lives in the guest house.
- Where would that be?

Oh, it's around the back.
lt has its own gate.

- Oh.
- Who are you?

- l'm just a friend.
- Are you her husband?

- Oh, no, no, no.
- Then how come you don't have a gift?

- What?
- How come you're
not bringin' her anything?

- Everyone else does.
- l don't know anything about that.

- l'm-l'm new.
- Well, you better have a gift.

[ Knocking ]

- Yes?
- Hello.

l'm Steven Phillips.
l'm Jack's friend.

Oh, l'm sorry.
Something came up for me today.

- l'll have to see you tomorrow morning.
- Tomorrow?

- Did you bring any
of your scripts with you?
- No.

- Didn't know l was supposed to.
- Have someone messenger over
some of your work.

l'll read it tonight,
l'll see you tomorrow at 10:30, okay?

So, then that's the end
of this meeting?

Was there something else
you wanted?

H-How did this go?
Okay?

[ huckles ]
Yeah, went fine.

[ Steven ]
So she couldn't really see me.

She wants me to send over
some of my work
and come back in the morning.

[ Jack ]
Did you bring her a gift?

- What?
- l hope you didn't
go empty-handed.

- Well, you didn't say
anything about this.
- Listen to me.

Go to Tiffany's right now,
bring her something.

Tiffany's? l don't shop
for my wife at Tiffany's.

Your wife can't
save your career.

- Do what l'm telling you.
- What's her taste?
How much money do l have to spend?

- Get her something very-- [ Static ]
- Hello?

- Hello?
- l'm losing you.

- an't hear you.
- Hello?

- Hello?
- How much do l have to spend?

- Good luck, buddy.
- H-How much money?

ls that Steven?

Phyllis.

- Hi.
- How are you?

What are you buying?

- Well, it's a secret.
- Oh. Does Laura know?

No. That's what a secret means.

- ls it her birthday?
- No.

- Special occasion?
- Mm-mm.

- l wish Frank was like you.
- [ huckles ]

Well, since you don't really
know this woman, you can't
go wrong with one of these.

Everyone loves them.

Well, l-l'll leave you
and your little shopping dilemma.

- This is not what you think.
- l don't think anything.

Bye-bye.

Phyllis, it's just a business gift.
That's all this is.

- My lips are sealed.
- Your lips don't have to be sealed.

lt's not a lip-sealing situation,
Phyllis!

Unseal 'em!

Let your lips
just do what they do.

[ Sighs ]
Let's see.

They're all pretty.

How much would, um, this be?

That one is 3,500.

Oh, God, no.
No, no, no, no, no.

l was thinking
more like, um,

fifty, sixty.

- Sixty what?
- Dollars.

Oh, l see. Well,

these sterling silver
key rings are $60.

Oh, well,
that's beautiful.

Feminine and pretty and--
What woman wouldn't love this?

- Does this come with a Tiffany box?
- Yes, it does.

- Wrap that up.
- Okay.

- Who is she?
- She's nobody.

You were at Tiffany's
for nobody?

Phyllis doesn't
know anything.

lf l told you what l was
doing there, you're not
gonna believe me anyway.

So just forget it for now.
l'll tell you later.

Are you in love
with someone?

Yes. You.

Well, then why didn't you
buy me a present?

- How do you know l didn't?
- Did you?

- Well, not today, no.
- Oh, this makes me feel weird.

l don't like hearin'
these things from my friends.

- She's not your friend.
She's a big, fat gossip.
- Well, what did you buy?

l bought a little key ring, that's all.
Just a key ring.

Well, why did you have
to buy it at Tiffany's?

Do me a favor.
Give me 24 hours.

Let me figure this all out,
then l can explain it to you.

lt's just they-they told me not
to say too much right now.

- Who's they?
- Please, no questions.

- Just give me a hint.
- Okay.

One hint.

lt's mystical.
lt's magical.

- lt just might save my life.
- And it wanted a key ring?

Yes, it did.

[ Knocking ]

Hello. Here.

- ome on in. Thank you.
- Okay.

ome in.
Sit down.

Gee, now that
l've seen your taste,

- l don't think l got you
the right gift.
- Oh, it's fine.

- No, it isn't fine.
- No, it's lovely, l'm sure.

l'm a little worried
because l see what you like.

- Forget about it.
- All right.

l read two
of your scripts.

- Yes?
- l can see why you need me.

- Well, that doesn't
sound very good.
- Oh, don't be offended.

You have a--
a lot of talent.

lt's just that
you're losing your edge.

Jesus. l am hearing this
from everybody.

That's because it's true.
But l have good news for you.

- l'm taking you on.
- Really?

So l've got a muse.
l've got my own muse.

First l'm going to need
somewhere to live.

Try getting me a very nice suite
at the Four Seasons Hotel,

something on
a high floor.

lt's much quieter that way.
Now secondly, l have--

W-W-W-W-Wait.
Let's just go to the firstly.

You want what?
A suite at the Four Seasons?

Yes. On a higher floor, please.

What's wrong with this place?
lt's lovely.

Oh, it's a guest house,
and l've already told them
that l'm leaving.

You see, the way l work is,
my new client takes on all my expenses.

And, well,
you're my new client.

- l am?
- Mmm.

- Am l the only new client?
- Yes.

- Jack, for example,
he's not a new client?
- No.

So then like, Jack is not
gonna be kickin' in for the suite here?

- No, he wouldn't.
- Okay, then.

- Gee. Whoo.
- Secondarily--

l just-- You know--
lt's a new piece of information.

l have special dietary needs.
l assume that this suite
will have a kitchenette.

l'll need you to fill that with food.
A concise list will follow.

You're not
writing this down.

You want me
to write it down?

Nobody said anything.

[ Muttering ]

[ Whispering ] l've got this small
piece of paper here.

l don't-- l don't-- Oh.

- Uh. Uh.
- Huh?

Oh.

[ Sighs ]

Okay.

A suite. Right.

- You said the high floor?
- Mm-hmm.

l'm assuming something
above eight would be sufficient?

[ huckles ]
Oh, no.

All right.
Then the dietary needs.

Uh,

how long will this
musing process take?

More than a day?

lnspiration?

lt can take a week to six months.
That depends on you.

Six months? You don't want--
You don't want to--

You don't want to be in the
Four Seasons for six months.
That's not good.

- Why not?
- Well, a lot of reasons.

First of all, you know,
it's too high.

- l'll be fine.
- Maybe high isn't what l meant.

- You're concerned about
the cost, correct?
- No, no. Yeah, yeah.

lf this process works
and you sell this script,

you're going to make
a lot of money.

You need to think of this
as an investment.

[ Whispering ]
l'll write that down.

- And transportation.
- [ Whispering ] Transportation.

- A limousine. Limousine.
- What?

- Oh, you don't need that.
- Yes, yes, yes, l do.

l'm happy to drive you
wherever you wanna go.
You don't need a limo.

What if l need something
in the middle of the night?

The Four Seasons has a concierge,
and l'm available.

You're covered. One person or another,
you're gonna be all right.

- l am used to having my own car.
- How about if l make
a deal with you?

You get me one of those Oscars
that you got Jack,
and l'll drive you to the moon.

l mean, l'll be on call
24 hours a day.

- All right,
we'll try it your way.
- All right.

At least that.
So that's no limo.

Now, in terms of working,
we'll work at my hours.

Sometimes if l'm up
in the middle of the night...

and l can't sleep
and l feel productive,
l'm gonna expect you to work.

Um, do you actually do
some of the writing?

- No.
- So, it's not like Rumpelstiltskin?

- l'm not gonna wake up with a script?
- You won't wake up with a script.

[ Sighs ]
All right.

Now, l need you to go to
the Four Seasons today to make
sure that you like the suite,

because l wanna
move tomorrow.

So, on your way
over to the hotel,

take these to the Royal leaners
on anon Drive...

and make sure that
they're dry-cleaned.

Because if you don't
specify dry cleaning,
they'll wash them.

[ Knocking ]

Hello.

Daddy said thank you,
and he wanted me to give you this.

Well, you tell your dad
l said thank you very much.

- Okay.
- Okay.

Bye, honey.
[ Giggles ]

[ Sighs ]

Hmm. Hmm.

Holy shit,
did l give you the wrong gift.

You're not gonna like it.
My gift is not ready.

This is just like a little
temporary pre-gift.

The real gift
is being built.

lt wasn't what l wanted.
They convinced me and l told 'em no.

So l'm gonna go and get
what l really wanted.

You would clog up your toilet
trying to flush this.

- This is dreck.
- Do you have your list?

[ Door loses ]

Okay.

Why don't you
get settled?

l'm gonna run down to
the lobby for one minute.

Hi again.

l'm back.

lf she's here
more than three days,

doesn't a discount
kick in then?

Nothing is going to kick in, sir.
l've told you this.

But say you're a resident.
l'm sure you've got people
who live in the hotel.

- They get a discount, don't they?
- She's not a resident.

- How many days qualifies as a resident?
- More than 30.

Look, l'll tell you what.

ome to me in a month.
We'll talk.

All right.
One last thing.

For 1,700 a day, shouldn't you
fill up the refrigerator?

lt just seems odd
that l have to do that.

- Why don't you
fill it up with food?
- Are you joking?

Are we laughing?

You're an interesting man, sir.
Please leave.

Psst!

[ Whispers ]
Tip him.

- You didn't tip him yet?
- l don't tip.

- He's been standing here
the whole time?
- Just do it.

[ Sighs ]
Here you go.

- Thanks.
- Thank you.

- So what'd you give him?
- Ten dollars.

[ Giggles ]
That's not enough.

You've gotta give 'em at least 20,
or they feel slighted.

What should l do?
Run after him and give him more money?

No. You can do it
next time.

Right. l'll get him
the next time.

- So, what do we think?
- Yeah, the suite's nice.

lt's just that, you know,
it's over the pool.

[ Scoffs ] This is where
you wanna be in this hotel.

This is the premium side,
the pool side.

The street's the bad side.
The pool's the good side.

- This is 1,700 a night.
- Don't talk about prices.

l have many important things
in my mind.

- l don't have room
for thoughts of money.
- Why would you?

Now, we need to do
some grocery shopping.

l don't know you that well,
but just so l understand
the way you talk,

- when you say ''we,'' you mean me.
- Yeah.

You... need to get
some groceries.

There's my list.

- Oh.
- And please go to
the health food store...

because l don't like
the other kind.

You know what?
l psychically knew that.

- Hi, Daddy. Look, Daddy's here.
- [ Gasps ]

- Yes.
- Hi.

Honey, go get some soda.
l wanna talk to your father.

- What kind of soda?
- Any kind you want.

- Oh, boy.
- Hi.

- How are you?
- What are you doin' here?

- l'm shopping.
- You're shopping.

- Yeah.
- You're shopping for us?

l was hungry. There wasn't
really anything in the house,
so l thought l would help out.

Who eats these?

- The snails? l do.
- Since when?

Well, there's a lot of things
you don't know about me.

Like your need for tampons.

l'm shopping
for her, okay?

l was gonna tell you about it
if it went well, which it did.

l'm gonna be working with this
woman now, and l just had to
pick up a few things for her.

Who the hell are you working with
that makes you go shopping?

- l don't get it.
- Well, she lives in a hotel
and she doesn't have a car.

- ln a hotel? What hotel?
- She's at the Four Seasons.

- Why is she there?
- That's where l put her.

You put someone up
at the Four Seasons Hotel?
Those rooms cost a fortune.

We can talk about it, but we don't wanna
discuss it in the market.

- Let's talk about it at home.
- Who the hell is this person?

Tell me right now.
l may not see you at home.

- What are you threatening?
- Who is she?

She's a muse.

- l don't think l heard you.
- She's a muse.

A real live muse.

That's who eats snails,
the muse?

- Yes.
- l'll see you later.

Somethin' is wrong with you.
l am really quite worried.

Listen to me.
Laura, honey, trust me.

l don't say that
unless l mean it. Trust me.

Just buy the snails and the tampons.
l'll talk to you later.

l swear to God
l'm telling the truth!

Ask Jack!
She's a real muse!

She's not the only one!

They live amongst us!

[ Muttering ]

What did arl say
when he left you?

[ Woman ] He didn't say anything.
l found a note.

l'm so confused.
l thought everything was okay with us.

- Well, what if he's
telling you the truth?
- The truth?

- That he met a muse?
Are you crazy?
- Hey, l have an idea.

- Follow him.
- l'm not gonna follow him.

l'm just disappointed on so many levels.
Maybe he really has lost it.

You would think as a writer,
he would come up with
a better excuse than this.

Yeah, l don't know.
l guess it does sound a little weird.

l'm too upset right now.
l'll talk to you later.

Okay. Well, take care
of yourself, all right?

Mommy? Are you and Daddy
getting a divorce?

What? No!
No, honey, of course not.

What's going on?

l don't know.
Maybe nothing.

Daddy's just a little
confused right now.

- Has Daddy lost it?
- No. Why do you say that?

My friend Karen says that
all writers lose it eventually.
That's why they kill themselves.

That's not true,
and they don't kill themselves.

- Margaux Hemingway did.
- You're thinking of Ernest Hemingway.

- So did Margaux Hemingway.
- We're not the Hemingways.

lf you and Daddy split up,
can l get my own apartment?

First of all, we're not splitting up.
Second of all, you're 12.

You're not getting
your own apartment.

- My friend Sandy did.
- Sandy's parents are in the mob.

l don't wanna talk
about it anymore.

So, Jack's known her
for a year.

- Longer than that.
- And he says she's real.

Since he's met her,
he's had the best period
of his entire life.

He got the Oscar,
for God's sake.

- And other writers know her?
- Yes, tons.

[ Phone Ringing ]

Who could be calling this late?
Oh, God, l hope nobody died.

- Hello?
- Steven?

lt's okay.
W-What's wrong?

l don't like
the room service here.

How could that be?
You're at the Four Seasons.

[ rying ]
l want a Waldorf salad.

So, order one.

[ rying ]
But they won't make it after 10:00.

All right, calm down.
Take it easy.

There's a reason
for that.

l just read in the newspaper
where it's unhealthy to eat
lettuce in the evening.

They did this
study at Harvard,

and anybody who had any kind
of greens after, like, 8:00...

had a lot of
colon problems.

You don't want colon
problems, do you?

- [ huckles ] l want the salad.
- Damn it.

[ Whispers ]
lt's her. She wants a salad.

Oh.

Listen, you know, nothing's open now.
lt's too late.

- Spago's open.
- Spago?

Are you sure Spago even
makes a Waldorf salad?

[ Sighs ]
Maybe we made a mistake.

- What?
- Maybe you and l
shouldn't work together.

Why? Because
l'm questioning your order?

Just make sure they don't put
any cheese on it.

Are you writing
this down?

Yes, l'm always
writing it down.

No... cheese.

Also, stop at the drugstore
and get me bobby pins.

- Bobby pins?
- See you soon.

[ Dial Tone ]

You know what?
l'm starting to believe you.

l don't know
who this woman is,

- but at least l know you're
not having sex with her.
- Why?

Because you could never
get aroused by someone who
made you do this many errands.

[ Woman Over Radio ]
He's carrying a salad.
l think he's on 15.

- May l help you, sir?
- Hmm?

- l'm goin' to 1515.
- Are you a guest, sir?

No. l'm feeding a guest.

[ Knocking ]

Oh.

One Waldorf.

- all me tomorrow. l'm sleeping.
- Well, what about this?

- You eat it.
- l don't want it.

Well, give it
to the homeless.

Oh, that's a swell idea.
They can eat it with the bobby pins.

Oh, l forgot. The bobby pins.
all me tomorrow.

- l have a question--
- [ Woman ]
Get some identification, Bob.

Oh, geez! Ow!

- l'm sorry, sir.
- Ow!

- Are you all right?
- l'm fine.

[ Dog Barking ]

[ Phone Ringing ]

- dd [ ''Super Freak'' ]
- Hello?

- dd
- Good morning!

- What?
- lt's 10:00.

- Let's go to Long Beach.
- Long Beach?

l was reading about this new aquarium,
and it looks really beautiful.

- Let's go check it out.
- Aquarium?

Just pick me up.

- [ Dial Tone ]
- an we go a little later, 'cause
l didn't get to sleep-- Hello?

So why this place?

l saw an ad, then l had a dream.
l have a good feeling about this.

- Should l be thinking
of an idea right now?
- Quiet.

Just enjoy yourself.
You know, take it all in.

- All right.
- Just try to have some fun today.

l'm gonna try to have
a little fun.

You know something?

l don't think l've ever
seen a good movie shot
in a place like this.

There were those Willy movies,
but l don't think they
shot 'em here anyway.

- l never saw them.
- l'm telling you,

there's never been
a great movie in this
kind of a location.

Doesn't this just lend itself
to one of those big summer comedies?

- lt just feels like it, doesn't it?
- lt does to me.

l mean, imagine Jim arrey
working in a place like this.

That sounds funny already.
Jim arrey and all these fish, right?

Oh, l just love Jim arrey.
The Truman Show
l'm particularly proud of.

What?

[ Whispers ] l can't talk about it.
lt just slipped out.

You know.

You did The Truman Show?

[ Whispers ] l can't really talk
about it, you know.

Just erase it
from your mind.

Huh?

Well, l think you should
put the Queen Mary in.

Because it's great production value
and it's good luck.

- Really?
- Well, you know the
boat thing has been big.

Sarah? Sarah!

Ah! Oh!

Hey! Hi!

Oh, it's so good
to see you!

Hey. Hi, Katie.

- Oh, how are you?
- Good.

- Good.
- lt's so nice to see you.

- Nice to see you too.
- Thank you so much for
The American President.

[ Sarah ]
Oh, no.

- Really, l feel like l just never--
- No, no.

- ome on. You know.
- No, you're just--

- ome on.
- Oh, well.

- Thank you so much. Bye.
- Oh, you.

- Was that Rob Reiner?
- Yeah. l'm just crazy about him.

- How long have you known him?
- Oh, that's confidential.

So we're there for like
30 minutes, and it hits me.

This could be the biggest idea
for a summer comedy anybody's ever had.

l love it.
What's the basic idea?

Well, you know,
it's not formulated yet,
but here's what l'm thinking.

Say Jim arrey, okay?

He inherits this aquarium from,
like, a rich uncle.

You know, at the--
You open up the movie
with like a funeral scene.

And then they're
reading the will...

and all of a sudden
he owns this aquarium.

- [ Laughs ]
- And from day one it's problems.

l mean, there's bill collectors
and he hires bad people...

and the tanks leak.

One thing after another.
lt's just like a mess.

Oh, this is wonderful.
This was her idea?

No, it was my idea.
lt's all my idea.

You know, she doesn't write,
she just inspires.

- She sort of points you
in the right direction.
- l love this direction.

You know, l've been trying
to figure out how to write
one of these summer comedies forever.

- l think l've got it.
- Jim arrey would be hysterical.

- Wouldn't he?
- Jim arrey was her idea?

My idea.
lt's all my idea, me.

Well, you sure seem inspired,
and that's all that matters.

Maybe it all
will be worth it.

l hope so. lt sure is costin'
us a lot of money.

You gotta look at it
like an investment.

- lt really is an investment.
- Hmm.

- By the way, she wants
to have lunch with you.
- Why?

Well, just to know you,
make you feel better
about this whole thing.

- Just, you know,
go meet her.
- She's your muse.

l don't have anything to say to her.
l don't need to meet her.

What's the big deal?
Let her buy you lunch.
What can it hurt?

What am l talking about?
She doesn't buy anything.

l'll buy you two lunch.

[ Both Laughing ]

- That is hilarious. You are so funny.
- You think so?

- Who cuts your hair?
- Somethin' wrong with it?

No. l love it.

Oh, this guy Otto.
He works at Umberto's.

- l've heard of that place.
- Would you like me to call him?

That would be great.

- So, was your mother a muse?
- Yes.

- All of the women in my family.
- How about your father?

- An alcoholic.
- Really? We have somethin' in common.

- Yours too?
- lt wasn't so bad when we were kids,

but it was really embarrassing
when we got in high school.

- ls he still living?
- Yeah, they're still together.

- They live in Florida.
- Well, that sounds nice.

- They seem to like it.
Now they can drink together.
- [ Laughs ]

- Did you go to college?
- ULA.

- What did you study?
- l was pre-law. Got bored.

lt's just that
you have this quality.

And it makes me think
that you could be great
working with the public.

- You know, it's so funny
you should say that.
- Why?

Because l always wanted
to go into business,

but, l don't know,
it just never happened.

Well, what did
you want to do?

The one thing l inherited
from my mother is cooking.

She was the world's greatest
cook, and l can do it too.

l make these cookies,
l swear they're the best
cookies you've ever had.

Really? l love that.

- What kind?
- Well...

my favorites ones are
the chocolate-oatmeal blend.

lt's a wonderful kind
of combination of tastes.

You get smoothness from the chocolate
and the crunchiness from the oatmeal.

And anyone who's ever tasted them,
they never forget it.

So... why aren't you Mrs. Fields?

Oh, l don't know.
l've been raising my family, and--

- Anyway, it's too late now.
- No, it is never too late.

That Famous Amos guy,
he must have been 60
when he got started.

They're always looking for new
people in the bakery business.

That's where that expression
''Flavor of the Month'' came from.

Oh, well.
l guess l could think about it again.

- Are you tired?
- [ Yawning ] Excuse me. l'm sorry.

Oh, it's just that, you know,
l don't sleep very well at the hotel.

Oh, l know it can't be the hotel.
Steven went all out for you.

You've got one of the best suites
they have.

Oh, l'm not complaining
about the suite.

lt's just,
you know, sometimes...

- l get lonely.
- So, where were you before?

- Guest house.
- And you had to leave?

No, l elected to leave.
l never stay in one place too long.

Well, would you like
to stay in another hotel?

No. [ huckles ]
Hotel's a hotel.

Well, forget about it.
Look, let's just talk
about you and those cookies.

Sure would save us
a lot of money.

Something tells me
she shouldn't live in the house.

ostin' us
$10,000 a week.

You don't even know that
she wants to move out of the hotel.

She says she's not
sleeping well.

Well, how can she?
She's ordering too much.

When you're on the phone
with room service
24 hours a day,

- how can you sleep?
- Whatever. l'm just trying to help.

Boy, you must have had
some lunch that you want
her to live with us.

- l was just thinking of you.
- How so?

Well, you're running
all these errands.

Wouldn't it be a lot easier
if she was close by?

At least then,
when you run to the store,
you could come right home.

l don't think it's a good idea.
Anyway, there's no place
for her to stay.

lf you moved your office back in here,
she could stay out there.

The guest house is mine.

There's a reason l moved out of here.
There's no room for me in the house.

Fine. l'm just trying to help.

l'm not moving my office.
Let her stay where she is.

l'm just beginning to work.
Let's just leave it be.

But if she's not happy,
her musing abilities
might not be as good.

Boy, you know,
l can't believe you.

You went from her
biggest skeptic to her
biggest supporter.

l'm not her supporter.
l'm just thinking of us.

- lt's not a good idea.
- [ Phone Ringing ]

- Hello.
- l have a craving.

She can live here.

Originally, when we moved in here,
this room was a mess.

- Do you like the walls?
- l really don't.

- l don't know if it's-- [ lndistinct ]
- [ Grunting ]

[ Sarah, Laura ontinue, lndistinct ]

[ Grunting ] Ooh--

- [ Banging ]
- This is a little heavier
than l thought.

Ladies, we were gonna
do this together.

- [ lattering ]
- This was gonna be a project. Ladies?

- l'm not sure about yellow.
- What're you worried about yellow?

l'm not gonna be able
have children anymore.

- Where do you want this damn thing?
- [ Together ] There!

All right, l'm having a heart attack.

So l'm gonna
put it right here.

And when the paramedics come,
they'll move it where you want it.

As long as we're here,
l think we should get you
some cooking utensils.

lf you're gonna be Mrs. Fields,
you're gonna need to have
all the right equipment.

Oh, l was just talking.
l don't really think
l want to do that.

Of course you want to do that.
You wouldn't have said it
if you didn't want to do it.

l need an egg beater.
Do you think that's
too much money?

Oh, nothing's
too much money.

- Do you have a uisinart?
- Oh, no. l really don't need that.

Oh, well, honestly you're
not gonna be a real cook.

Real cooks have...
uisinarts.

- All right, l need one.
- Uh-uh-uh-uh.

You have
a lot to learn.

[ No Audible Dialogue ]

[ Snoring ]

[ Phone Ringing ]

- Hello.
- The walls are too bright.

What is that, some sort
of World War ll code?

l don't like the color.
l won't be able to sleep well.

- We need to paint them something else.
- Here we go again with ''we.''

What would you like
''we'' to paint them?

- Dark gray.
- Aren't the curtains gray?

- Why don't you just
look at the curtains?
- l'll call a professional.

No-no-no-no.
l'm on my way.

[ Exhales ]

Well, honey, it's back
to the hardware store.

- What you doin'?
- ooking.

- Looks like you're cooking for a city.
- l am.

- What does that mean?
- l really think l'm gonna try this.

- Try what?
- Why can't l be Mrs. Fields?

My stuff is just as good as hers.
Maybe better.

Mrs. Fields?
Honey, you don't want be Mrs. Fields.

- Where did this come from?
- What's wrong with Mrs. Fields?

Well, first of all,
you're Mrs. Phillips.

Also, isn't she divorced?

Maybe there's a reason,
you know?

l don't know. Honey,

l don't have room to even
breathe in the den.

We have no more guest house.

l really don't think
we should be running
a business out of our home.

We don't have
the room, do we?

This works out, l'll find
a big kitchen somewhere.
Don't you worry about it.

- Just concentrate on your writing.
- Well, that's good advice.

lf you need me, l'll be
in the creative section at HomeBase.

Hi.
Did you get the paint?

You just told me 40 seconds ago.
l didn't have time
to do the actual errand.

Oh. Well, l'd like
to paint today.

- The sooner l paint,
the sooner l can sleep.
- Okay.

- 'Kay.
- l have a question.

Was it your idea to get
my wife into business?

lt's never my idea.
That's not how l work.

- She wants to be this chef now.
- You've got nothing to worry about.

You should be excited. [ Whispers ]
She's gonna make a fortune.

Well, l don't need her
to make a fortune.
l can support our family.

- [ huckles ] an you?
- What does that mean?

Nothing. lt's just that l don't
really think that this should be
about who makes the money.

Let her blossom.
And you've got some writing to do.

How can l write?
You want me to paint.

Oh, that reminds me.
When you go to the hardware
store, l need tacks.

l'm turnin' into somethin'
l don't wanna be. [ huckles ]

[ Sniffing ]

- Do you want me to be honest?
- Yes, of course.

These are
the best cookies l ever had.

- Yes!
- Ever.

-They simply melt in your mouth.
-Are they good enough to sell?

You make
Famous Amos look dead.

l think he is dead.

- l'm finished.
- Honey, don't walk on the floor.

l'm not an astronaut.
l have to touch something.

That's not the color of paint
you're gonna use, is it?

lt looks lighter on my face
than it does on the wall.

Why don't you run upstairs real quick?
See if you can sleep.

Here, honey,
taste these.

Oh, God.
These are sensational.

People would
buy them, right?

Sure people would buy them,
but is that what you really wanna do?

Why don't you just bake 'em
for all of us?

Why don't you want her
to sell them?

Whose muse are you?

l'll be upstairs
looking at the wall.

Look, l-l just
want to try this.

Sarah knows someone
at this restaurant...

and we're just gonna
take some over there
and see what happens.

- Restaurant? What restaurant?
- Spago.

Spago?
Spago's gonna take the cookies?

- Well, Sarah knows Wolfgang.
- Wolfgang?

Oh, my. l'm at a hardware store
20 minutes and you're
now calling him ''Wolfgang.''

- l'm sure nothing will come of this.
- l'm sure everything will come of it.

Sweetheart, there's something
in my mind and l want to get it out.

And l want to say it in,
you know, the correct way,
because l love you very much.

So how do l phrase this
in a way that's delicate,

without... overdoing it,
and l wanna make sure that it's right.

- l have no script!
- [ Gasps ]

l got nothing! l have a little bit
of writing in the beginning,

and then the pages
slowly go to white.

Then l have lots of white pages.
lt's like little clouds on my desk.

Studios hate white.
They don't pay for that.

Did you see The Shining?
l'm jealous of him!

He, at least, had one good sentence!
l don't have that!

And, sure, he repeated it too much,
but it was a good one.

Steven runs an errand.
l could do that. l could try that.

l have nothing!
And l'm just a little afraid...

- that if she--
- What? What?

- lf she gives to me it takes from you?
- l didn't say that, exactly.

- But that's what you're thinking.
- l don't know how a muse works, do you?

Look at mythology.
Why were there nine of them?

l think they all had
a little, teeny task.

Each one had an assignment.
Maybe we're overloading her.

Maybe writing and cooking
is not something she can do.

lt's like
an electrical socket.

lt'll take
a toaster and a lamp,

but then you plug in the dryer
and the house goes dark!

And l think our house
is starting to go dark.

She can help you with your writing.
l can cook on my own.

No-no-no-no-no.
l don't want to do that.
You use her. Go ahead, use her.

l'm just saying that--

Use her.

- She's actually living with you?
- She's not living with us.

She's just staying with us
for a while, that's all.

Where?

She's in the guest house.
lt used to be my office.

Where are you?

l'm in the den.

Steven, you know, be careful.
Don't get too close.

- What does that mean?
- Well, just...

keep your distance.

Never get
too close to a muse.

You never
told me this before.

ls there some list
of muse rules l need to know?

- No, no. Not really.
- Let me ask you this.

You think she can help
too many people at once?

What?

She's starting to help out Laura
and l'm just wondering,
do you think that's okay?

Doesn't it maybe
take from, you know,
the idea of helping me?

What's she doing with Laura?

Laura wants
to be Mrs. Fields.

- She's going into the cookie business.
- Oh, really?

And Sarah's helping her.
Well, that's-- Good for her.

What about that?
Do you think that's okay?

Don't you think that diminishes
her capacity?

l-l wouldn't
worry about it.

- You ready?
- Yeah. l've been ready since 7:00.

Oh, by the way. l need to see
her for about an hour, later.

- ls that okay?
- No. lt's really not okay.

l haven't had two minutes
by myself with this woman.

lt's only gonna take a little while.
l just have to run an idea past her.

Sure. ome on over.
Bring your luggage. Move in.

l can just rot outside.
l don't care.

- Oh, thanks, man.
- Yeah.

You're doin' real good
with the game here.
Give me the number of that teacher.

- ls he alive?
- You ready?

l'm gonna go inside and take a piss.
You keep playing.

Spectacular.
lt's unbelievable.

This is the cookie
equivalent of my pizza.

- Told you.
- l'm so flattered.
l think you're brilliant.

We will start serving them at Spago,
then l'll take it to hinois.

lf it works there,
the sky is the limit.

- l don't know how to thank you.
- Wolf, you're a doll.

By the way, Sarah,
l have a little something for you.

- ome with me.
- [ Giggles ]

Thanks for all your help on Postrio.
lt's doing so wonderful.

How did he make the decision
so quickly?

- l thought it would
take a long time.
- That's the way he operates.

When he came up with pizza,
it took him about 30 seconds...

to decide between goat cheese
and mozzarella.

How do
you know that?

Honey.

- Honey?
- Not now, baby. l'm baking.

- l'm starving.
- Have a cookie.

l'm not six.
l'd like a meal.

Take the kids.
Go to McDonald's. Please?
l'm up to my ears in this.

Hey, buddy!

- Hey.
- What's he doing here?

Just raping her for her
last remaining drops of inspiration.

Everything sold out by 9:00.
9:00. lsn't that amazing?

That is fantastic, honey.

So now you did it.
You proved it.

Now we can go back
to the way we were.

What, are you crazy?
Why should we go back?

lt's happening.
l'm hiring two more people.

We don't have the room
here for that.

- l found a place.
- Where?

Sarah found me this wonderful
old bakery on Venice.

lt's absolutely perfect.
l can have it month to month.
lt even has stoves that work.

l'm supposed to be getting help
with my writing.

l don't have a third act,
and you're taking out a lease.

- l'm not takin' out a lease.
lt's month to month.
- Stop being literal.

Hey, this works out,
you won't have to sell your script.
l can support us.

l just don't see you going back
to the water anytime soon.

[ Whispers ]
That's all l can say right now.

So, no sequel?

[ oos ] No.

- l can't thank you enough, Sarah.
- You come see me anytime.

l will. Bye-bye.

- Almost forgot.
- Okay. l'll open it later.

You'll like it.
l bought it after the Titanic bonus.

- lt's not--
- [ Laughs ] God, no.

[ Muttering ]

No water.
Stay out of the water.

Stay away
from the water.

- Don't go near the water.
- [ Door loses ]

- Don't go near the water.
- [ Door loses ]

Hey.
an we talk for a second?

- l'm late. We'll talk later.
- Where you going?

l don't ask you
those questions, do l?

l haven't had a minute with you
for days.

l need to write.
You're so busy with everybody else.

- What do you need?
- How about a third act?

l'd go back to the aquarium.
That's what l think.

- l have to go back there?
- Then don't.

Don't take my advice.
See you.

Oh, no. Oh, no.

l'll go back there. lt's all right.
lt's just, what am l gonna find?

- Why don't you go,
and then you can tell me?
- Okay, but please answer this.

Should Jim arrey
sell the park?

l don't know whether to introduce
a new character...

at this stage in the script,
like someone who would
come in and buy it.

Do you understand what l'm asking?
What do you think? l'm confused.

[ Engine Starts ]

What? Did you say don't or do?

Sell it?
No, sell it or not?

Don't? Do?

Uh.

You're going where?

- lt's called the Aquarium
of the Pacific.
- Why?

l don't wanna say too much.
lt's sort of what l'm working on.

What, you're afraid
l'm gonna steal it?

No. Yeah.

By the way,
l need to come over tomorrow.
l need about a half an hour.

Maybe you oughta start bringing
some food with you.

l'll bring some food
with me if you want.

How long do you think she's
gonna be living with you?

Actually, l wanted to
talk to you about that.

- l figured once l got my script,
l would ask her to leave.
- Steven,

- be careful.
- Be careful? Of what?

Just make sure
you don't piss her off.

You don't
want to piss off a muse.

lf you get them angry,
they could do...

the opposite of what
they're supposed to do.

- What's the opposite?
- You might never think up
another idea again.

Oh, my God. That can't be true.
ls that true?

- You don't even want to know.
- Oh, no. No.

- Hello.
- Hi. How many today?

- One.
- Okay. That's $13.95.

What time does
the next show go on?

- The next show is cancelled, sir.
- ancelled? Why?

- One of the sea lions
is not feeling well.
- You're kidding?

No. l'm sorry, sir.

- The fish isn't feeling well
and he doesn't have to work?
- Apparently not.

Gee, if l'm not feeling well,
they make me show up.

- l guess l'm in the wrong species.
- Guess you are, sir.

- Thank you.
- Thank you.

How do you like that?

Who even knew
fish got sick?

What do they do,
stick a thermometer in their tush?

How do they even know?

Oh, my God.

That's it!

That's it! Sick fish!

[ Wheezing Laugh ]

They don't do any tricks.
They're on stretchers...

and they got slings
on their fins.

And then they start dying.
an you see it?

He's got huge crowds,
they're all waitin' for something
and he's got dead fish to show off.

- This is wonderful!
- lsn't it?

Where do you come up with this
stuff? This is the funniest
thing l've heard in years.

- You're gonna
have yourself a big hit.
- So, make the deal now.

'ause l really need the cash.
You can make a deal based
on an idea, can't you?

You're so close to finishing.
Just finish up the script.

- We'll get ten times as much.
- Don't you want to strike
while the iron's hot?

Finish the goddamn script.
The iron will be on fire.

Hey, you know
what might be funny?

They should open up
a sushi bar at the park and
they can eat the dead fish.

[ Forced Laugh ]

You negotiate.
Let me write.

lt's just an idea.
lf you don't like 'em, don't use 'em.

- Does anybody ever use them?
- No, not really.

l didn't think so. All right.
l'll talk to you later.

- By the way, congratulations.
- On what?

Those cookies your wife is making.
lt's all over town.

They're terrific--
the hit of Spago.

Oh, yeah.
Thanks. l'll tell her.

- Think about eatin' those dead fish.
- Okay. No good.

[ Knocking ontinues ]

- Hello. May l help you?
- What?

- Oh, my God.
- ls Sarah here?

lf she doesn't answer the door,
l don't think she's there.

Damn it! Damn it! Oh, God.
l've been trying to get,
and l can't get a hold of her.

l've been trying to work this thing out,
and l'm right in the middle of it.

By the way, your parking
here is nonexistent.
lt really is a problem.

- You should do something.
- Give me six months, l'll put in a lot.

- You know what time she's getting back?
- No, l don't.

- Do you have a room where l can wait?
- No, it's my private home.

- l really don't have a waiting room.
- Tell her Marty was here, okay?

- Yeah.
- l gotta get this figured out.
l'm right in the middle of it.

- What are you working on?
- Promise you won't tell anybody?

- Yeah.
- l'm working on a remake
of Raging Bull.

- Really?
- This time l'm doing it
with a real thin guy.

Real thin.
an you see it? an you see it?

- Yeah, l see it.
- Not like normal thin,
but really thin.

- A real thin guy.
- Thin, but angry.

- Angry.
- Angry. an you see it?

- Angry too.
- Thin and angry. Thin and angry.
Thin and angry.

- Wow.
- Yeah.
- Good idea.

- ls there a Starbucks near here?
- l'd be careful if l were you.

- You might've had your quota.
- Yeah. l guess l've had my--

''Quota''! That gives me an idea
for something else entirely. Thank you.

We never had this conversation.
l don't know who you are.
We never spoke.

By the way, the gift's in the mail.
Tell her, okay?

- Hey, l sent you a script
two years ago.
- Never got it.

- You are doing a great job.
- Thanks to you.

- Ready to go to lunch?
- Oh, all righty.

l'll be back.

l have a proposal for you.

l'm listening.

What if you went
into business with me?

You're the one who inspired all this.
l could put you on the board.

You could have
a big part.

Oh, l can't get too involved.
That's not what a muse does.

l wish you would think about it.
l really like having you around.

l have to be careful.
l can't overstep my bounds.

l could anger the gods,
and that could be dangerous.

- Really? You could anger the gods?
- [ Laughs ]

What could happen to you?
Would they punish you?

Oh, you don't
want to know.

You don't know what wrath is
till you've seen Zeus get pissed.

Oh, my God. l keep forgetting
your life is so incredible.

Did you ever
meet Zeus?

Meet him?

- He's my father.
- Wow!

He was the one
with the drinking problem?

Honey, all the gods drink.

Oh, you have been so nice to me,
and so has Steven.

And l know you've gone
out of your way to make
me comfortable in your home,

but l have a problem.

l'm not sleeping well.
l'm not comfortable in the guest house.

And you know how sensitive l am
as to where l sleep.

You know,
a muse needs her sleep.

l need a calm, secure,
restful place.

We'll fix it.

What can we do?
l'll take care of it.

Oh, l don't think
there's anything you can do.

lt just--

lt feels wrong.

Well, what if you were
to move into the main house?

How would
you like that?

Do you think l'd be more comfortable
on the couch?

You don't have to sleep
on the couch.

Just give me some time.
l can figure this out.

- We don't want you to go.
l'll figure something out.
- Oh--

We gave her
the damn guest house.

lf she's not happy,
let her move back to the hotel.

l'm not that happy either,
by the way.

Every time l come home here,
it's like the Friars' lub.

l don't know
who l'm gonna see next.

We don't want her
to move back to the hotel.

Now listen. l have an idea.
What if we gave her the bedroom?

The guest house is barely
big enough for one person,
let alone two.

- Where are we gonna sleep?
- That's not exactly
what l had in mind.

- l don't even want to hear this.
- She could bunk in here with me.

You could sleep out there.
Just for a while,
till she gets comfortable.

She could bunk
in here with you?

Did you join the Girl Scouts
when l wasn't looking?

Since when have you used
the word ''bunk''?

Forget it.
l'm just trying to help.

lt's a bad idea.
l don't want to give up the bedroom.

Forget it.

You're not...
attracted to her, are you?

You don't want
to sleep with her? [ Gasps ]

- l am not gonna even dignify
that with an answer.
- Oh, come on.

- Dignify it with a ''no.''
- l'm just trying to make her happy.

The happier she is,
the better muse she is.

Don't you want the best muse
you can get?

l want the best muse
l can get that does not
live in the bed.

[ hattering, Laughing ]

This is my girl.
l'm so proud of her.

Wolf, l think she should open stores.
What do you think?

Yes, but not so fast.
l don't want to lose her.

Don't worry. l'm not goin' anywhere.
l owe you a lot.

You don't owe me anything.
l owe you.

We'll make
a fortune with you.

[ ltalian Accent ]
What kind of line of food are you in?

No-no-no.
l keep telling you, l'm not in food.

l'm a writer.
A screenwriter.

Ah, cream! Gelato.

My brother-in-law also,
he make tiramisu.
That's very good.

No-no-no-no-no--
Screenwriter. l write--

But you say you write on the cream.
You mean, in the birthday cake?

Yes, that's it. That's good.
That's what l do.

l'm a birthday
cake writer.

l write ''Happy,''
and my partner writes ''Birthday.''

Ah, yes.

But, no, l mean to say,
what you really do in your real life?

lt's about the 88th time l've told you,
but l'm happy to tell you again.

l'm a screenwriter.
l write with a pen. Yeah, l write.

- Ah, rider! You mean horse.
- Yes! You got it.

- That's right.
- l love horse. l eat horse also.

- You eat a horse?
- Oh, yes. No, l mean--

The horse meat with asparagus.
lt's delicious.

- l have not had that.
- What's the name of your horse?

onfusion is the name of my horse.

- Ah, hinese.
- Yes, a hinese horse. That's right.

l'm only here because Wolfgang Puck,
he's throwing a party for my wife.

- Wolf in a park?
- No, no, no. Him--

Wolfgang Puck is the guy
who owns this restaurant.

- ln the park? You work in the park?
- Yes. l work in the park.

l'm a ranger.
l'm a park ranger.

Why can't we freeze these cookies?
That's what Sara Lee does, really.

l'll look into it.
l haven't tried them yet.

- Are they that good?
- Bruno, they're unbelievable.

So, l'm curious.

- How long have you been
in this country?
- l was born here.

Oh. Well,
here's to the school system.

- Oh, you have a sister at school?
- Yes, l do.

- What your sister teach?
- My sister teaches horseback riding.

- That's how l got the horse.
l got a good deal on the horse.
- Everything com--

- Everything comes together.
- ombines. ombines?

- You say ''combines''?
- Wasn't it E.T. who said...

- ''l'll see you at home''?
Okay. God bless you.
- Okay. Salute.

- Wolfgang, this is my husband.
- Mr. Fields.

Yeah, Mr. Fields.

- Laura tells me you're a writer.
- That's right.

He was nominated
for an Academy Award.

Really? How come you never
came to my Oscar party?

- Well, nobody ever invited me.
- All the nominees are there.

- Maybe you're not telling me the truth.
- No, l'm telling the truth.

l think Mr. Fields
is a big, fat liar.

l'm doing this
for one night only.

That's it. Then, we have to think
of something else.

You're a doll.
But we're only makin' her happy.

l'm sure your third act
will come that much faster.

l don't know what was wrong
with the guest house.

l was out there for years.
lt seemed fine to me.

Listen, l made a decision.

As soon as l'm through with my script,
l'm gonna ask her very gently to leave.

Are you sure that's okay?
You know what Jack said.

l don't care what Jack said.
What can l do?

lf she wants to take away my creativity,
then she'll do it.

But l want my house back.

This is like the muse
who came to dinner.

- Hi.
- Hey! How are you?

Do you have an extra drawer?
Because l'd really like to
unpack before l go to sleep.

You have all these
very particular rules about
sleeping. lt's interesting.

Me, l would just leave the stuff
in the suitcase.

Here. Take this drawer.

Oh!

dd [ Humming ]

- Sarah?
- Yeah.

- After you get your
wonderful night's sleep,
- Yeah.

maybe in the morning
you'll sit down with me?

l-- l would
love to write.

Well, you know? lt's not really my job
to come up with ideas.

lt's my job to inspire.

But l'm sleeping
in the garage...

so maybe you could come up
with at least one idea.

Okay. But just one.

You know how the whole
alifornia coast has a lot
of oil running underneath it?

Yes, l do.

And in your script you're building
this big fish tank, right?

Right.
They're constructing a huge one.

So, you've got one of these
big construction machines...

and it's digging
and digging, and bam!

lt hits oil
and everybody's a millionaire.

- You mean like The Beverly Hillbillies?
- Yeah.

- That sounds hysterical.
- So what you're saying is...

even though they've lost a huge
amount of money on the park,

all of a sudden they're like
these millionaires for a reason
we don't even know about.

Exactly.

lf he's now this millionaire,
he could give the park to charity.

- He can free all the Willies!
- There you go.

- You got your third act.
- This is great!

- Okay. Honey,
l'll see you in the morning.
- Good night, honey.

l've got a place to go now.

So, what side
of the bed do you want?

Oh. You're gonna sleep
in the bed too?

- Well, what was your idea?
- No, that's okay.

- We can share the bed.
- You want the whole bed?

Well, hey, it's your house, you know?
Whatever you want to do.

Oh, my God.
You want the whole bed, take it.

- Where will you sleep?
- Oh, l'll sleep on the floor.

- l couldn't let you do that.
- Forget about it. l've always
wanted to try the floor.

- l couldn't let you do that.
- Forget about it. l've always
wanted to try the floor.

l'm gonna need a big pillow and
a pair of those fluffy pajamas--
the fluffier the better.

And do you have one of those
things that you go like that
and it turns the lights out?

'ause that's a little far for me.
l'll wait here.

Sweet dreams.

l want you to try to get at least
a B-plus on your test...

or l'm gonna
be very disappointed.

- l will, Aunt Sarah.
- Okay.

- Bye.
- Bye, honey.

- Bye, Aunt Sarah. l love you.
- l love you too.

- Bye, Dad.
- Bye, Dad.

Gee, one night out
of the house and there goes
the good morning kiss.

- When did they start calling you Aunt?
- The day l got here.

l didn't know that.

Sorry l used the bedroom.
l had to get dressed.

So, did you get any
writing done last night?

What if l told you
l finished?

l did! The Beverly Hillbillies
stuff was fantastic.

Every idea worked.

- Every one.
- Well, l told you not to worry.

- Well--
- [ Bones rackling ]

Oh! [ Sucks Air, Groans ]

l feel a little guilty.

You look like you're in pain.
Meanwhile, l slept like a dream.

- Don't worry about it.
- Well, if you'll excuse me,
l'm gonna go take a shower.

- Do you know where the towels are?
- As a matter of fact, l do.

The hot water's
a little slow to come on.
But don't worry, it'll come.

Well, we better fix that.

Yes, we better.
Somethin' we gotta do now.
We're gonna fix it.

That's what
we're all about.

Listen, honey. l know you weren't crazy
about giving up the bedroom,

but look how things have worked out.
You've got a brilliant script.

But l don't care. No script
is worth me not being able
to share the marital bed.

- We have to figure something out.
- We'll think of something.

- We have to figure something out.
- We'll think of something.

- [ Doorbell Rings ]
- Maybe it's Marty Scorsese again.

This time he's probably doing a remake
of Taxi Driver with all women.

- Morning. May l help you?
- Are you Steven Phillips?

- Yes.
- My name is Dr. Jacobson.

This is Nurse Rennert.

- May we come in, please?
- What is this in regard to?

Do you have a Sarah Little
residing with you?

- What do you mean by ''residing''?
- Does Sarah Little live here?

Well, she's staying with us,
if-if that's what you're asking.

We need to talk to you.
ls there somewhere we can sit down?

- Sit in here.
- Hmm.

What is it, honey?

These people here
seem to know Sarah.

Will you please
sit down, ma'am.

There's something
you two need to know.

- Miss Little is not well.
- Not well? What do you mean ''not well''?

She lives in a sanitarium
outside incinnati.

- Have you heard of
the Breyerton lnstitute?
- No.

That's where Sarah lives,
and every few years
she tends to run away.

She doesn't seem to appreciate
her surroundings.

- The Breyerton lnstitute?
- She needs to be on medication.

She is a...
multiple personality.

Without her drugs,
she tends to act up.

- This is a joke, right? You're joking?
- This isn't a joke.

Whatever we do, we can't
seem to keep her there.

The last time she left,
she ran off to Paris.

She claimed to be
Picasso's daughter.

an you imagine?
And people believed her.
[ Laughs ]

- Stupid people.
- [ Laughing ontinues ]

But the muse part though is correct?
Yes? She is a muse?

- A what?
- Sarah claims to be a muse.

- That's right, yes?
- A muse?

- [ Both Laughing ]
- There they go again.

Well, that's the best one yet.

l love that.
an you imagine?

First Picasso's daughter,
and then she's a muse?

l'm assuming
this laughing is a no?

You have to hand it to her.
She's got quite an imagination.

Do you people have credentials?
Maybe they're not real doctors.

What kind of credentials
would you expect us to have?

l don't carry
my diploma with me.

You certainly could have made a mistake.
l make mistakes every day.

You made a mistake.
lt's that simple.

- l've made no mistake, sir.
- Mr. Phillips, this is Hollywood.

l wouldn't beat yourself up
that you believed her.

People here believe
anything, don't they?

- Well, uh--
- lf you don't mind,
l need to speak with Sarah.

- Where is she?
- Actually, she's not even here for--

- She's in the shower.
- No. No.

- You're not gonna hurt her, are you?
- No! No. No.

- We're going to be very gentle.
- But a multiple personality?

That's impossible.
We know her.

She has one personality.

lt's a classic case.

A muse. [ Laughs ]
That is so funny!

Wait till l tell the other doctors.
[ huckles ]

Go up and go with him.
He doesn't know where the shower is.

But the thing is, she has
all of these brilliant ideas.

She fits the muse
profile perfectly.

l'm not going
to argue with you, sir.

Nurse Rennert, would
you please come up here?

lmmediately.

Oh, my God.
Our best sheets.

That is so low
on our problem scale right now.

- Now what do we do?
- l don't know.

l don't think l have the energy
to start looking again.
l don't know what to do.

As long as we're out here
maybe we should at least...

- see that Universal tour.
- We'll talk about this privately.

So what do you do now?
Go after her?

[ Sighs ]
Uh... l guess.

You have to understand,
we have our other patients too.

There's just so much time we can give
to these Sarah searches.

The lnstitute isn't a prison.
lf she really wants to leave,
what can we do?

- Bye-bye.
- See you later.

Oh, uh-- Nurse Rennert
said something earlier that
l thought was interesting.

- Yeah?
- ould you get us into
the Universal tour?

Puhfft.

- So then, who was she?
- She was just a person.

- She wasn't a muse?
- Apparently not, honey.

Although according to Hal,
l'm gonna sell my new script...

faster than any one
l've ever written.

And l'm going
to open my first store.

- Really?
- A cookie store?

ongratulations.
Where's the store gonna be?

Sarah found me a place on Robertson.
lt's a great location.

- l can move in next month.
- Wow.

You were using Sarah
as a real estate agent, huh?

Gives a whole new meaning
to ''multiple listings.''

- an l work there, Mom?
- Yes, honey.

- Me too?
- Yes, honey.
- Me too?

So you think
he liked it?

l heard him laughing and laughing
when he was reading it.

- l think he loves it.
- Oh, that's great.
l'm very proud of this.

- [ Door Opens ]
- Hey, Steven.
ome on in. No calls.

Well, put the important
ones through.

Well, put 'em all through.

Have a seat.

All right. l'm not
gonna beat around the bush.

Your script is brilliant.

Thank you very much, Josh.
oming from you,
that's quite a compliment.

- l'm very surprised
at your agent though.
- Why?

Why'd he have me read a script another
studio's planning to film?

l'm sorry. l didn't hear you.
What did you say?

l just found out Universal's
weeks away from shooting this.

That's not a possibility,
because l just wrote it.
So how could that be?

Well, so did Rob Reiner.

Rob Reiner?

The muse gave it
to Rob Reiner?

- ''The muse''?
- [ Stammers ] But what-- But we were--

He was at the aquarium with--

- That's impossible!
- l-l don't know what
you're talking about.

l mean, it's not the same idea.
lt-lt's not.

There's lots of movies that feel
the same, but they're not.

Remember Big, the Tom Hanks?
There were like nine of those,
but they were all different.

So that's the case here.
Remember one guy got high
and the other was small?

And they all made money.
And this one's gonna make money too.

- lt's-lt's gonna be different.
- lt's the same exact movie.

They even got Jim arrey,
just like you wanted.

She took Jim arrey?
She took my cast!

This is against
the Writers' Guild rules.

You're not allowed to do this.
This isn't fair.

- Nothing's fair, Steven.
That's what life is.
- l have a great idea.

Let's get the scripts
right now and read them
out loud together.

We can order in and just read out loud.
And l'm sure they'll be different!

You'll see. We'll start with page one
and we can both read.

- And by page ten,
we're gonna go off like a road.
- You're scaring me.

We're ending
this meeting right now.

Why don't you take my advice
and head into that new career?

Take a vacation. Do something.
lt's stressful to write,
and obviously it's gotten to you.

- You know, here's a reason
writers don't live very long.
- Yeah, people like you.

Because you're the devil!
Why don't you finally admit it?

Say it! ''l'm the devil!''
Say it! 'Fess up!

l want you out of my office right now.
l don't want to see you again. Get out.

l apologize about the devil thing.
lt was wrong to say.

But the point is that
the muse stole it from me.

- That's what l'm telling you!
- Oh, the muse again.

The devil and the muse.
Why don't you go write that?

- Sounds like a good buddy movie.
- Why would Rob Reiner
be at the aquarium?

He's not gonna go to the aquarium.
He's got a lot to do.

l didn't want to go either.
She says, ''Let's go.''

And she said the same thing to him.
And there he was, and he waved.

You know what l'm trying
to tell you, don't you?

As a matter of fact, l do.
We're gonna need some help
in here immediately.

lt's my idea.
The muse took it. She stole it.

The muse.
The muse.

The goddamn muse.

l want that one,
that one and that one.

And by the way,
l didn't get a free sample.

l want my free sample!

l already gave you a free sample,
and if you ask me again...

l'm gonna unscrew your head
and put it in a cookie machine.

Then you'll be part of a cookie
and you can eat yourself!

- Be nice to the customer.
- ustomer?

lsn't the definition
of a customer at least
somebody over ten?

l keep telling you,
l want another sample!

- That's it! One choke!
- Don't you touch him.
We could get sued.

She'll
take care of you.

lf you need me, l'll be out back.
l'll be the one
with the gun in my mouth.

Oh, Hal's on the phone.
He says it's important.

What does he want,
raisins instead of nuts?

- Yes?
- Are you sitting down?

No. You want me
to pull up a bag of flour?

l got great news for you.
Your life is about to change.

- Paramount is gonna make your movie.
- What did you say?

[ Shouts ]
Paramount is gonna make your movie!

Now get over there right away.
They want to have a creative meeting.

They have a few problems
but they're not worried about it.

They know you can fix it.
ongratulations.
l told you this was gonna happen.

Well what about the Rob Reiner picture?
Aren't they worried about that?

- Not going.
Universal pulled the plug.
- What happened?

Who the hell cares?
Just get over to Paramount!
lt's your script they're interested in.

Oh, my God, Hal.

You don't know what's going on.
This call came just in time.

- Just get over there.
- Yeah.

Hi, Anne.
l'm back.

- ongratulations.
The buzz around here is wonderful.
- Oh, thanks.

Boy, l tell you,
after the last meeting with Josh...

who would have ever thought
we'd be workin' together again?

- l certainly didn't.
- Well, in fact, you're not.

- Josh was let go last week.
- What?

- He was caught stealing.
- No.

All that stuff he liked to collect?
lt belonged to other people.

- l knew something
was wrong this guy.
- Don't worry about it.

You'll love hristine. She's brilliant.
Everyone loves working with her.

- Anne, dear, have you made
a lunch reservation?
- Yes.

- You're Steven?
- Oh, shit!

l just loved your script.
Of course, it does have a few problems.

That aquarium thing doesn't really work,
but we'll fix that.

Anne, we'll be back in about an hour.
Let's go have a nice big lunch.

l'm not really hungry.
Help!

By the way,
l left my purse at home.

- You have plenty of money on you.
- Huh?

Don't you?

Money?
No more money!

[ Man ] d When l can't find
words and wisdom d

d ln my life d

d And barriers abound d

d Should l feel
blinded by the light d

d Knee-deep up to my neck
in heavy water d

d l conjure up my muse d

d She's my means to achieve
the simple quota d

d When it's make or break d

d Oh, make no mistake d

d Oh, she appears d

d Like lightning
in a bottle d

d l catch the spark d

d Oh
And she lights the dark d

d The knot's undone d

d Oh, the ideas come d

d Like two hands
on the throttle d

- d There's a place d
- d There's a place d

d Of one way streets
and doubt d

d No red lights ever change d

d We wind up
with no exit out d

d Facts are facts and stumbling blocks
delay the mind d

d That's when
my muse arrives d

d To sew, loosen up
and tie d

d When it's
make or break d

d Oh, make no mistake d

d She appears
like lightning in a bottle d

d Yeah d

d l catch the spark d

d Oh, she lights the dark d

d The knot's undone d

d Oh, the ideas come
Yeah d

d Like two hands
on the throttle d

d Do, do, do
Yeah d

d Oh, oh, yeah d

d Do, do
Oh-oh, oh-oh, yeah d

d Ooh, ooh d

d Oh, yeah d

d When it's
make or break d

d Oh, make no mistake d

d She appears
like lightning d

d ln a bottle d

d l catch the spark d

d Oh
And she lights the dark d

d The knot's undone d

d Oh, the ideas come d

d Yeah
Like two hands d

d On the throttle d

d Oh-oh
Like two hands d

d On the throttle d

d Ohh, oh-oh-ohh d

d Yeah d

d Ooh, yeah d

d Ye-Ye-Yeah d

d Ooh-ooh-ooh d

d Ooh-ooh-ooh d

d Ooh-ooh-ooh d

d Ooh-yeah dd