All language subtitles for Tomb Raider (2018) - (2160p HDR 5.1 x265 10bit Phun Psyz)_track3_eng

RICHARD: May 17th, 2009.

Further research on Himiko.

According to legend, Himiko,
the first queen of Japan,

was a powerful sorceress who ruled
her empire through dark magic,

spreading death and destruction
by the mere touch of her hand.

She was only stopped
by a single twist of fate.

An army of her own generals
bound and dragged Himiko

to an uninhabitable island

in the middle of the treacherous
Devil's Sea.

There, she remains entombed
beneath the mountains.

I found a speck on an old map
that no one else has.

And she's there,

waiting to be unleashed.

I have to get there first.

Even if it means doing
the last thing I'd ever want to do...

Leaving my Lara behind.

TERRY: You gotta make decisions, Lara.
You gotta make something happen.

(GROANING)

WOMAN: Watch it! Watch it!

TERRY: Counter-punching
doesn't work for you.

You don't have the skill.

- Thanks, Terry.
- You're welcome.

Come on, Lara!

Stop dancing, start fighting.

SOPHIE: Yes, girl!

(GROANING)

Come on!

(GRUNTING)

Nice one, Lara! You've got this!

- It's over.
- Isn't!

Then get out of it!

(GRUNTING)

Come on, Lara! Tap out.

(CHOKING)

(GRUNTS)

(GASPING)

Don't say it.

You got whupped, girl. You got whupped.

- Not whupped.
- Okay. Not whupped.

Marmalized.

"Marmalized"?
She's not a freakin' superhero.

Truth is, I let her--

We cool?

Yeah, we're cool.

Was fun actually!

Thanks.

(CHUCKLES)

I'll get you next time.

I'll marmalize you.

(BOTH LAUGHING)

- You're home early tonight, right?
- Yup.

Catch you later.

LARA: Laters.

Who stole my apple?

Should've known it was you.

Why would I do a thing like that?

"Cause you can't afford your own.

Just seen you're behind
with your payments.

Terry, look, I'll catch up
on the payments, I promise.

I'll make it up to you.

Get a job, Lara.

Do you think
I'm dressed like this for fun?

I like you, Lara. I really do, but...

(POP MUSIC PLAYING)

(ALL GREETING IN OTHER LANGUAGE)

-(IN ENGLISH) Hey.
-Hey!

- All good?
- Yeah. Havin' a great day.

You?

- Yeah.
- Yeah?

Ask her more.
Ask her for dinner or something. Do it.

Come on.

Anything else?

No, no, no.

(ALL SPEAKING OTHER LANGUAGE)

What is your problem?
Why didn't you ask her? Stupid boy.

(MUSIC CONTINUES)

BILL: You got that fox hunt sorted, Rog?

ROG: Yeah, more or less.

Got 30 hounds signed up.
Just gotta find a fox now.

- BILL: Tough one, that.
- Mmm.

Need someone quick enough
to make it interesting.

- Yeah. No fun if they ain't quick.
- But dumb enough to think they can win.

-(LAUGHS)
- What are you two plotting?

We're gonna do a fox hunt.

- A what?
- BILL: Well, it's like a race.

Except the fox gets a head start,
leavin' a paint trail behind his bike.

For the baying hounds to follow.

And if they haven't caught him
by the time the paint runs out...

- He wins all the money.
- He wins all the money.

How much money?

Six hundred quid.

I think you just found yourself a fox.

(BOTH LAUGH)

Oh, you're bein' serious?

- Not quick or dumb enough for you?
- No, I mean, I just--

You're on.

"Hide Fox, and all after!"

BRUCE: Ooh, Shakespeare?

Hamlet, is it?

Don't know.
Things just stick in my brain.

You know it's Hamlet.

And I ask you once again,
why on earth are you a bike courier?

You, Bruce.

I wanna be close to you.

(ALL LAUGHING)

(ALL CHEERING)

(WHISTLING)

(HORN BLARES)

ALL: Five, four, three, two, one! Go!

(HORN BLARES)

Hey!

(BICYCLE BELL RINGING)

Excuse me! (CHUCKLES)

(GRUNTS)

-(CYCLISTS SHOUTING)
(LAUGHS)

(SHOUTING INDISTINCTLY)

ROG: Go, go, go!

MAN: Where is she, bro?

(SIREN WAILING IN DISTANCE)

(GROANS)

(INDISTINCT CHATTER)

RICHARD: I won't be long, my love.

(INDISTINCT CHATTER)

- Oil Watch where you're going!
- Use your mirrors!

(BRAKES SCREECHING)

-(GROANS)
-(HORN BLARES)

(INDISTINCT CHATTER)

MAN: Go! Go!

-(PANTING)
-(INDISTINCT RADIO CHATTER)

(BUZZER SOUNDS)

(FOOTSTEPS APPROACHING)

Fancy seeing you here.

Ana.

You didn't have to come.
I don't need a guardian anymore.

Really?

Have you been decorating?

Haven't seen you for a long time.

You've never seen me.

I'm sorry.

Thanks for coming.

What was today about?

I needed the money.

No, you don't. There's an inheritance
waiting for you if only you would step--

I won't.

It's been seven years, Lara.

Tokyo police stopped looking
for your father five years ago.

Private investigators
won't even take our money anymore.

I know it's difficult to accept.

But you really must come in
and sign those papers now.

Hmm.

That's why you came.

No. I came for you.

Just think what you can do
for the world,

with your potential, with your wealth.

His wealth. Not mine.

Listen, it's very simple.

If you don't sign the papers,

then everything your father worked for
will be sold off.

Not just the company,

but Croft Manor, also.

Can you imagine
how he would feel if you lost the house?

Lara, your father's gone.

But you can pick up where he left off.

It's in your blood.

I'm sorry.

I'm just not that kind of Croft.

YOUNG LARA:
But I don't want you to go, Daddy.

I won't be long, my love.

You must understand.

We Crofts, we have responsibilities,
jobs to do.

But I'll miss you.

I know. I'll miss you, too.

But I may have a solution to that.

See this?

This was your mother's,
so it has special powers.

What do you mean?

Ever you want to feel close to someone,

just put it in your hand,
and you hold it tightly.

And you think of that person,
and they'll know.

- Really?
- Yeah.

It's magic.

And it means that we'll always
be together, wherever I am.

Okay?

I'll be back before you know I'm gone.

(SIGHS)

Oil

Couriers round the back.

Uh, I'm not a courier.

Well, I am.

- Right. So round the back.
-(KEYBOARD CLACKING)

I'm here to see Ana Miller.

(CHUCKLES) Well, you gotta sign in
like everyone else. What's your name?

- Lara.
-(TYPING)

Lara.

- Croft.
-(TYPING STOPS)

The pages that require a signature
are marked for your convenience.

Would you like Mr. Yaffe
to take you through the particulars?

I gather I sign...

And Dad is dead.

I can imagine
how difficult this is for you.

I miss him, too.

That was Dad's.

Yes, Miss Croft.
According to Richard's will,

in the event of his death,

I was to give it to you.

Karakuri. Japanese puzzle.

Um, technically speaking,
you're meant to sign the papers first.

(CLICKING)

I could never understand your father's
obsession with those things.

Wouldn't believe how many of these
were lying around the house.

- There was gonna be some purpose to it.
-(CLICKS)

(BREATHES DEEPLY)

"The first letter
from my final destination."

But he didn't leave a letter.

- If you'll excuse me.
- ANA: Lara, I--

(BIRD CALLING)

(DOOR CREAKING)

(GASPS) "My final destination."

The first letter.

(GASPS SOFTLY)

(LATCH CLICKING)

(SOFTLY) What the--

Dad, what were you up to?

Hello, Sprout.

I knew I could trust you
to solve my puzzle.

Unfortunately,
if you're watching this tape

then it means that I must be dead.

It'll be obvious to you by now
that there was more to my life

than just boardrooms and business deals.

Things that I couldn't
tell you about before.

When your mother died,
grief nearly destroyed me.

I began searching the world

desperate for a hint of another realm,

for proof that the supernatural is real.

Anything to feel her with me again.

I made quite a hobby of it, Sprout.

Now...

I need you to do me a favor.

I need you to burn all my research
on the Himiko project.

Just burn all of it.

The notebooks, the tapes, everything.
It's very important.

If it falls into the wrong hands,
then it could be catastrophic,

So please do it straightaway.

I know you hate being told what to do,

but please promise me that.

I hope you never have to see this tape.

But if you do...

You've found my secret calling.

I hope you find yours.

Dad loves you.

"Himiko."

RICHARD: (ON SPEAKER) October 5th.

They called Queen Himiko
the "Mother of Death."

All the stories about her end in
rivers running red with blood.

Bewitching people, controlling minds,

spreading death and destruction
with just the touch of her hand.

The bloodshed only ended when her own
generals buried her alive in a tomb

sealing her away from the outside world,
on an island no one could reach.

History's all but erased its existence.

The lost island of Yamatai.

I'm certain this is the place.

July 29th, 2011.

I finally found a captain
willing to take me to the island.

I must get there first

to ensure her powers
will never fall into the wrong hands.

(GASPS)

SHOP OWNER: Uh...

LARA: That amulet was given to my father
by Emperor Showa of Japan.

Right. Right. Well...

(SNIFFS)

This ain't from Japan.

You're correct.

Emperor Showa was given it
by the grandson

of the former emperor of Maratha.

"Maratha"?
You're having a laugh, in't ya?

And he, himself, got it from Thibaw,
the last king of Burma

when he was exiled in India.

-"Exiled in India."
- Mmm.

What a fascinating tale.

And you got all this, uh, provenance
down on paper, do ya?

If I had the provenance on paper,
I'd be at Christie's, wouldn't I?

But, um...

This is your lucky day.

-(LAUGHS) Is it?
- Yeah.

Alan! What have I told you about
flirting with the customers?

I'm not flirting.
I'm just naturally charismatic.

I was not flirting. I'm sorry.

(WHISPERS) I was flirting.

Have a look.

(WHISPERS INDISTINCTLY)

Big smiles, nice and casual.

Right, well, I'm pleased to say we're in
a position to make you an offer.

Ten.

Please?

Just a tad bit more.
That's all I have to remember my dad by.

Oh. Oh, your dad died.

(SIGHING) That's a shame.

It's a terrible thing
for a young woman to lose her father.

Really. All right. Fair enough.

9,000.

You just said 10.

Well, people come in here
trying the dead dad shit all the time.

And you fall for it all the time.

- I don't fall for it all the time.
- WOMAN: Yes, you do.

- Last week, you fell for it twice.
- I've fallen for it twice.

It's the truth.

(SIGHS) Fine.
I'm happy to keep negotiating.

Because now the price is eight.

- Okay. You win.
- Ah, finally.

- Thank you. Really.
-(BANGS)

-(EXCLAIMS)
- Thank you.

(LAUGHS) For just such occasions.

(GRUNTS)

For just such occasions.

- You burnt me taters!
- Sort yourself out, Alan.

- What?
- Seriously. Sort it out.

That is hot coffee.

(INDISTINCT CHATTER)

- Excuse me, do you speak English?
- Sorry, no.

No? Thank you.

Sorry. Excuse me.

Do you know a I. Ren? I. Ren?

Not even a tiny bit?

(SPEAKS OTHER LANGUAGE)

- Do you speak English?
- BOY: Lady.

You need help?

(CHUCKLING) Yes. I do.

(STAMMERS)
I'm looking for this guy called I. Ren.

Um, he's supposed to...

- I. Ren boat.
- Yes.

Endurance. Over there.

LARA: "Endurance"? Which one?

Oil

Wait!

(GRUNTS)

(GRUNTS)

(SHOUTS IN OTHER LANGUAGE)

(INDISTINCT CHATTER)

(GRUNTING)

Stay back.

(BOY GROANING)

Gimme the bag.

(GROANING)

You just lost your tip.

You just lose your tongue.

(GRUNTS)

LARA: I.! I. Ren!

Help! Help!

-(SPEAKS OTHER LANGUAGE)
(GUNSHOT)

(SPEAKS CANTONESE)

-(IN ENGLISH) Thank you.
-(GUN CLICKS)

(SPEAKS OTHER LANGUAGE)

(IN ENGLISH) What?

(IN ENGLISH) I said what
are you doing on my boat?

(STAMMERS) I'm not with them.
I'm looking for a man named I. Ren?

Congratulations, you found me.
Now get lost.

Please. Wait. Just listen. I need--

-(GUN COCKS)
- Okay, let's go.

- I'm not here to make any trouble.
- Keep walking.

Could you please put that gun down
and just--

(GROANS)

Oh, for God's sake.

(GASPS)

My father, Richard Croft,
tried to buy a boat from you.

No. No. Not me, he didn't.

Yes, he did.

Your name is I. Ren.

This is from you.

Yes, I know my name, thanks.

It's the same as my father's,
and he wrote that, not me.

(GROANS)

Well, then I need to talk to him.

You and 100 other people he owed money--

- Where is he?
- I don't know, okay?

One day, he just left on his boat,
and I never saw him again, all right?

Was this seven years ago?

I think I know where they went.
Our dads.

LU REN: To the bottom of the sea?

They were headed to
an uninhabited island.

Somewhere off the coast of Japan.
It used to be called Yamatai.

I'm gonna go there and find out
what happened to them.

Good luck. There's at least
6,000 islands off the coast of Japan

and hardly any of them are populated.

LARA: Well, I have a map.

Now, all I need to do is
to figure out what these are.

I think these are coordinates.

The location.

They're clock hands.

(SCOFFS)

They're not clock hands.

Definitely not clock hands. They're...

They are clock hands.

(CHUCKLES)

Three...

(CHUCKLES)

That's the one.

That's right in the middle
of the Devil's Sea.

You might as well
tie a stone to your foot

and jump off the boat now.

It'll be an adventure.

Death is not an adventure.

(GROANS)

Don't you even want to know
what happened to them?

I just don't care anymore, okay?

Look, I'm a busy guy. I got stuff to do.

(SIGHS)

How much did you lose last night?

What makes you think I lost?

Well, it looked like you were
drowning your sorrows, not celebrating.

Yours if you help me get to Yamatai.

And what will I spend it on, a coffin?

Then I'll go and get myself
two rust buckets like this with that.

Even if you had a boat, or two,

you'd sink 'em
before you even left the harbor.

What you need is an experienced captain.

So, what's in the other shoe?

RICHARD: June 23rd. I may have found
the next piece to the puzzle.

Ancient drawings hint
to the location of the tomb

and an elaborate door
to keep her contained.

I found a way to decipher the codes.

I'm sure I can get to her.

The ancient Nihongi Chronicles state

that within the tomb,
one must face the "Ordeals of Himiko."

Cross the Chasm of Souls,

pray to survive the faces of Himiko,

behold her army of 1,000 handmaidens,

descend upon
Himiko's final resting place,

unleashing her scourge.

July 6th. I'm convinced that my progress
IS being monitored.

I know them by name now,

The Order of Trinity.

An ancient militant organization
that seeks control over the supernatural

to rule the fate of mankind.

(ON SPEAKERS)
What if Himiko is the weapon

that Trinity has been seeking?

Can't sleep?

It's beautiful.

LU REN: Enjoy it while you can.

We're headed into
the most dangerous stretch of water

between Hong Kong and California.

Your dad sure knew
how to pick a holiday.

Yeah. He had a knack for the unexpected.
Apparently.

I am starting to wonder
if he'd gone mad, though.

(CHUCKLES)

He didn't seem to know what was real
and what wasn't,

obsessing over some
ancient Japanese death queen.

Hey, some men like dangerous women.

Some men are foolish. (CHUCKLES)

LU REN: What?

Good night, I. Ren. Sweet dreams.

- Not William Tell yet, but you're close.
- William Tell was a myth, Dad.

Well, all myths
have foundation in reality.

- I have to head off, Sprout.
- But you've only just come back.

- I'll be back before--
- I even know you're gone.

Ana will keep an eye on you.

I don't need one of your employees
babysitting me.

I can take care of myself.

My girl.

Lara...

Never forget Dad loves you.

I know.

-(RUMBLING)
-(GASPS)

(WIND HOWLING)

(GRUNTS)

Thought that might wake you.

Your island's found us.

(THUNDER RUMBLING)

Yamatai.

-(THUDS)
-(GRUNTS)

(ALARM BLARING)

LU REN: We've lost all control!

- We need to abandon ship.
- What?

LU REN: We're dead in the water.

It's not gonna hold much longer.
We need to get off this boat now.

Wait!

Dad's papers!

Forget them! Lara!

Oh! (SCREAMS)

(GASPS)

Lara. Come on!

Lu!

(GRUNTS)

The lifeboat!

Watch out!

(GASPING)

Lu!

Lu!

(BREATHING HEAVILY)

(GROANS)

Where am I?

Ah! She's awake.

I was beginning
to get worried about you.

(BREATHING HEAVILY)

A reef.

You hit it.

Thank God I found you.

Most people who try to come here
die in the currents.

Almost impossible to get here.

Even harder to leave.

Where's my--

Right here.

What are you doing here, Lara?

I have two daughters.

Dark hair like you.

Pretty like you.

Forgive me. Rude. I haven't hosted
a guest here in a very long time.

My name is Mathias Vogel.

You must be hungry.

You know, I used to imagine

that I might find an ear
inside one of those cans eventually.

Isn't that mad?

I guess being on this island for so long
can make you a little crazy.

The only person that I get to talk to

is on the other end of this phone.

And they always say the same thing,

I can't go home until
my work on the island is done.

(EXPLOSION)

(INDISTINCT SHOUTING)

What kind of work do you do?

Oh, a mix of things.
At the mercy of my employer.

-(MAN SHOUTS)
-(EXPLOSION)

You looking for this?

The machinations of fate
never cease to amaze me.

"The door to Himiko."

Richard had the entrance.

All that wasted time.

You have brought me the thing
that I most wanted in this world.

Thank you.

What do you know about my father?

Now I see the likeness.

The intelligence in the face.

The recklessness.

All he had to do was cooperate.

Of course, being Richard, he refused.

Thought he was saving the world.

Where is he?

Where is he?

He's with God now. I killed him.

I'm sorry if I was too blunt.
I'm out of practice.

It's been seven years.

Seven years.

MAN: Come on.

Come on, come on!

Get down there.

MAN: Get those skids moving!

(WHISPERS)

Move.

Move!

Let's go!

Pick it up!

Come on, go!

Tie her up!

MAN: Okay, winch it up!

Back to work.

VOGEL: Lara Croft.

You shouldn't have come here.

But I'm glad that you did.

Pack it up. We're moving camp!

(GUNSHOTS)

- All right, let's pack it up!
- MAN 1: Okay, move out!

MAN 2: We're moving camp!

LIEUTENANT: Keep it moving! You, move!

Move it, move it.

Pick it up! Come on, let's go!

Who are these people?

Some are shipwrecked fishermen.

And some paid smugglers
to take 'em to a better life.

Instead, they brought 'em here.

MAN: Come on!
We're backed up here. Move!

He said he killed my dad.

He killed mine.

They saw it.

Cold-blooded murder.

I'm sorry.

I'm sorry that I brought you here.

Well, you did take advantage
of a drunken sailor.

MAN: Come on, move!

At least we're not dead yet.

No shit.

(INDISTINCT CHATTER)

MAN: I need some CL 20 up here!

(INDISTINCT CHATTER)

MAN: Come on, let's go!

(COUGHING)

You okay?

- Get him up and back to work right now.
- I. REN: Hang on.

- ROCKET: Right now!
- Let him rest. We'll manage.

- Get him back to work right now!
- He's sick, man. He needs to rest.

(MAN COUGHING)

(BREATHING HEAVILY)

(GUN CLICKS)

Get back to work!

(INDISTINCT SHOUTING)

MAN: You heard him!
Let's get back to work!

(GRUNTS)

(SOFTLY) Hey, Lara.

Lara! Get ready.

Hey.

Go!

Go!

(GRUNTS)

Look out!

(GRUNTING)

MAN: Let's spread out! Spread out!

(GUN FIRING)

(GROANING)

Get her!

MAN: Get a move on!

(GASPS)

MAN: Grab her!

(GRUNTING)

(GASPING)

She's in the river.
You want us to follow?

No.

I'm sending Rocket to track her.

If she survives, he'll bring her back.

(SHOUTING)

(BREATHING HEAVILY)

(GRUNTS)

(SCREAMS)

(GRUNTS)

(PANTING)

(GRUNTING)

(GROANING)

(CREAKING)

(GRUNTS)

(GRUNTING)

(BREATHING HEAVILY)

Really?

(GRUNTS)

(YELLS)

(SCREAMS)

(GROANS)

(PANTING)

(GASPS)

(GRUNTS)

(YELLS)

(GRUNTING)

(GROANS)

(COUGHING)

(GASPS)

(GASPING)

(GROANING)

(GROANING)

(GASPING)

(GROANING)

(THUNDER RUMBLING)

(LEAVES RUSTLING)

(LEAVES RUSTLING)

(TWIG SNAPS)

(BREATHING HEAVILY)

(GASPS)

Easy now, easy.
I'm taking you back to camp.

(GRUNTING)

(SCREAMING)

(GRUNTING)

(CHOKES)

- Stop struggling!
-(CHOKING)

(BOTH GRUNTING)

(GUNSHOT)

(LARA SCREAMING)

(LEAVES RUSTLING)

(GASPS)

(GASPS)

Wait!

(BREATHING HEAVILY)

No, no, no, no!

(BREATHING HEAVILY)

(GRUNTING)

(GRUNTING)

(BREATHING HEAVILY)

I'm not mad. I'm not mad, I'm not mad.
Just ignore it. It'll go away.

Dad?

It's me.

Dad?

It's not real. Ignore it. It'll go away.
It always does.

No, look at me, look at me.

Please.

Do you remember this? Do you remember...

We used to...

It's me.

(BREATHING HEAVILY)

It's Lara.

Sprout.

What the blazes are you doing here?

(GROANS)

Dad, I'm hurt.

It's all right.

(LARA GROANS)

(GROANS)

(BREATHING HEAVILY)

This will hurt me
more than it hurts you.

What? (SCREAMS)

All right,

You're all right. You're all right.

All right. It's all right.

- It's done.
-(BREATHING HEAVILY)

Rest now.

Will you stay with me?

I'm not going anywhere.

(INDISTINCT SHOUTING)

MAN: Vogel! We found it!

Yeah, we found it!

(GUN FIRING)

MAN: Vogel! We found it! Yeah!

Yeah! Come on! We found it!

(BEEPING)

I found it.

Send the transport.

(WAVES CRASHING)

I thought you'd gone.

Usually when I see you on this island,
it's you who disappears.

Let me do that.

Come here.

So, Sprout, where did you end up?

Did you go to Oxford or Cambridge?

Come on, which was it?

You know what, Dad?

I didn't go to university.

Well, there's time yet.
You're still only a child.

No, I was a child when you left me.

Ah, careful.

Hardest day of my life,

when I gave up
trying to get back to you.

But I realized she'd never let me leave.

What are you talking about? Who's "she"?

Himiko.

Trinity had sent Vogel to find her tomb

so that he could wake her
and get her power.

I had to stop them.

Right.

Vogel can't find the tomb without me.

And since I'm dead and since
you've burnt the rest of my research,

he'll never find it.

So...

About that.

What part of "burn all my papers"
did you not understand?

If I'd burned the papers,
I wouldn't have found you.

I set diversions
and false leads wherever I could.

I watched for years
as they got it wrong.

And now you lead them by the hand.

So a gun-toting psychopath
finds some ancient remains.

So what?

If Vogel opens that tomb

Himiko's curse will be unleashed
on the world.

Dad, listen--

You coming here was a mistake.

I came here to find out
what happened to you.

So long as the tomb was safe...

You were safe.

I was trying to keep you safe.

But I underestimated your--

My what?

- Stupidity?
- No.

Your bravery.

We have to get off this island.

There's no way off, Lara.

Vogel's got a satellite phone.
We can get to it. We can call for help.

Vogel has an army.

You were the one who taught me
to never give up.

That was a different time.

When I was a different man.

- Lara.
- Well, I'm still his daughter.

Lara!

JORDI: Come on!

(INDISTINCT CHATTER)

VOGEL: Try another combination.

And another one, and another one.

(GASPS)

(SIGHS)

Come on. Come on, give me the damn code.

(PHONE VIBRATES)

Hey. We're trying the explosives again.
Set another charge.

MAN: Yes, boss.

MAN: Get over there. Stop talking.

(INDISTINCT SHOUTING)

(GROANS)

Get the guns.
I'm gonna get the sat phone.

And we'll find a way for all of us
to get out of here.

We need to leave now.

(SPEAKING OTHER LANGUAGE)

MAN: Vogel!

Go!

MAN: Shoot them!

(MEN SHOUTING)

- Get them to safety.
- Okay.

I'll be right behind you. Go.

(INDISTINCT SHOUTING)

(GROANS)

(GROANS)

-(GUNFIRE IN DISTANCE)
-(BREATHING HEAVILY)

(INDISTINCT SHOUTING)

-(GROANS)
(GUN CLICKING)

Shit.

(MEN SHOUTING IN OTHER LANGUAGE)

(BOTH GRUNTING)

(CONVERSING IN CANTONESE)

(MOUTHING)

It's beautiful, isn't it, Richard?

I wish I would've known
that you were alive all these years.

At least I would've had
somebody to talk to.

-(GRUNTS)
(GROANS)

(GROANS)

I need your help, Richard.

Get the door open for me.

It's been seven years.
I'm going home to see my family.

If I open that tomb,
you won't have a family.

VOGEL: Open it!

Open it!

Open it!

Never!

Have it your way.

With or without you,
I'm getting inside that tomb.

(GROANS)

Put that down!

Put it down.

You don't think I can pull this trigger
before you hit me with that arrow.

Shoot him, Lara. Shoot him!

Come on, put your weapon down.

Shoot him, Lara.
We can't let him get to Himiko.

You really don't believe
this nonsense, do you?

Tell your father to open the door,
or he's dead.

You can make him do it, Lara.

Transport's already on its way.

We can all be off this goddamn island.

RICHARD: Let him shoot me.

Sacrificing one life
is worth saving millions.

- It's your decision.
-(GUN CLICKS)

It's your finger
that's pulling this trigger.

- I'm sorry.
- No.

I haven't come all this way
to see you die.

I'll do it.

I'll open it.

Finally, a Croft with some sense.

(MACHINERY THUDDING)

(LOUD THUDDING)

Ladies first.

Mark the path.

(PANTING)

(GASPS)

(WIND RUSHING)

She's still breathing.

Or it's a change in
atmospheric pressure.

Keep walking.

(RUMBLING)

(BREATHING HEAVILY)

(CHUCKLES)

You should've seen the look on your--

(ALL GASP)

That wasn't designed to keep people out.

That was put there to keep people in.

Dad?

(INDISTINCT WHISPERING)

Chasm of Souls.

-(CLANGING)
-(GASPS)

(GASPING)

(CHUCKLES SOFTLY)

You go next.

(INDISTINCT WHISPERING)

"Pray to survive the faces of Himiko."

We're getting closer.

"The Death Queen turns day to night.

"She must die to bring back life."

Oh, shit.

- No!
- No!

(GRUNTS)

- The floor!
- Lara!I

(LARA GRUNTS)

There's gotta be a way to stop this.

Look around!

Come on. Come on!

Vogel, what's going on?

(LARA GRUNTING)

"Pray to survive."

It's a keyhole. We need a key!

The prayer wheels!

Lara!I

- It's not working.
- Check the other prayer wheels.

Try this!

No.

Wait.

It's a color puzzle.

"The Death Queen
turns the day to night."

- Black.
- Black! Here!

Shit!

JORDI: Blue!

- No!
- RICHARD: Here!

It doesn't work.

Lara!

(GRUNTS)

Last one! Yellow!

(GRUNTS)

It's not working.

Just try them all, damn it!

"The Death Queen
turns the day to night."

"She must die to bring back..."

"Life."

Come on!

The color of life.

I'm running out of floor!

(GRUNTS)

Green!

(PANTING)

(LARA EXHALES)

(GASPING)

You always were the brains
of the family, Sprout.

-(RICHARD PANTING)
-(SIGHS)

Well, let's get going, Sprout.

(STRAINING)

Where's the floor?

Gone.

VOICE: (WHISPERS) Himiko.

Flare.

Come on, Lara.

(SPEAKING CANTONESE)

Himiko's army of 1,000 handmaidens.

They sacrificed themselves
in ritual suicide

to serve their queen in the afterlife.

Exactly as your notes.

VOGEL: We found her.

(INDISTINCT WHISPERING)

All right, this is It.
We're finishing this.

It's not too late to change your mind.

There's a very big difference
between myth and reality, Richard.

Something that
you could never understand.

Gentlemen.

Open it.

(LARA GASPS)

You see? I told you
there was nothing to be afraid of.

It's just

a little old lady.

Prepare her for transport.

Something doesn't add up.

She's not a monster
in any of these paintings.

It looks like
she was taking herself here.

Not being forced.

RICHARD: The Death Queen
turns day to night.

She must die to bring back life.

"Bring back life."

RICHARD: Spreading death and destruction
with just the touch of her hand.

Go on.

All myths have foundation in reality.

In reality.

Sacrificing one life
is worth saving millions.

Wait!

She was sacrificing herself.

She was protecting the world.

(LAUGHING)

See?

Smoke and mirrors.

All right, let's bag her up. Come on.

(GROANING)

They thought it was magic.

She was a carrier.

She was immune.

(CHOKING)

It's a disease.

(GROANS)

(SCREAMING)

(YELLING)

(LIEUTENANT CHOKING)

This is what Trinity wants.
This gets me home.

If you take this out into the world,
it's genocide.

I just need to take
a very small piece of you.

(LARA GRUNTS)

(GROANS)

(PANTING)

Go! Get her! Get her!

(GUNSHOT)

(LARA PANTING)

VOGEL: Well, this is it, Richard.

- All we have to do is walk out of here.
- You're not going anywhere.

(PANTING)

Come on, Richard.

Think of your daughter.

(GUN CLICKS)

Come on.

Come on.

(YELLS)

(BOTH GRUNTING)

(PANTING)

(YELLS)

(SCREAMS)

- Dad.
- Lara.

Vogel's gone.

- You need to go after him.
- Come on, let's go.

- No, stay back. Stay back.
- What are you talking...

I'm done for.

I'm infected.

No.

You can't touch me. Don't touch.

You must stop Vogel
and get the hell out of here.

And I'll bury Himiko once and for all.

I've only just found you.

Promise me you'll stop him. Promise me!

There must be another way.

Lara.

You're a very, very bright young woman.

There's no other way.

(SOBBING)

I need you.

No, you don't. You're worth 10 of me.

You said you don't believe in magic.
Well, what's this, my darling?

All this time here,

I wished I could see you grow up.

No.

- And now I have.
- No.

It's a miracle.

Chin up, Sprout.

There's jobs to do.

Go on, go!

There's no time, Lara.

Go on, go!

Dad loves you.

I love you.

(BREATHING HEAVILY)

(PANTING)

(GRUNTS)

(SHOUTS)

(VOGEL GRUNTS)

Oh, you really wanna do this,
little girl? Let's just go home.

(GROANING)

-(VOGEL YELLS)
(GROANS)

You're not savin' anyone.

(GROANING)

Trinity is everywhere.

-(GRUNTS)
(GROANS)

Yeah?

(GROANS)

-(YELLS)
-(GROANS)

(BOTH GROANING)

I made a promise.

No. No. No. No!

You're not getting out of here.

No! No!

(GROANING)

(SOBBING)

(YELLS)

(GASPS)

(BREATHING HEAVILY)

When you see Richard,

send him my regards.

(BREATHING HEAVILY)

(GRUNTS)

(CHOKING)

Send them yourself.

(CHOKING)

You messed with the wrong family.

(RUMBLING)

(RUMBLING IN DISTANCE)

(YELLING)

(GRUNTS)

(GRUNTS)

LU REN: Lara!

(GRUNTS)

Lara!

Lara?

(LARA GRUNTING FAINTLY)

(LARA GRUNTING)

Well...

We're not dead yet.

No shit.

(SCOFFS)

(HELICOPTER WHIRRING)

(GASPS)

Vogel, Vogel,
this is Patna Transport Bravo 5. Over.

Vogel, Vogel, are you reading me? Over.

Boss.

You're takin' us home, yeah?

Officially gone. Like magic.

I don't think he has gone.

(SIGHS)

-I see so much of him in you.
- Thanks, Ana.

Really.

You're in charge now, Lara.

This is a list of all our assets.

Thank you.

No, I think you'd better stay on top
of the day-to-day things, Ana.

Well, as you wish.

Boardrooms and business deals.
I'm just not that kind of Croft.

(CHUCKLES)

Neither was Dad, as it turns out.

Are all these companies owned by us?

Yes.

RICHARD: I know them by name now,

The Order of Trinity.

An ancient militant organization that
seeks control over the supernatural

in order to rule the fate of mankind.

LARA: What kind of work do you do?

VOGEL: Oh, a mix of things.
At the mercy of my employer.

LARA: Are all these companies
owned by us?

VOGEL: You're not savin' anyone.

Trinity is everywhere.

ANA: I know it's difficult to accept.

But you really must come in
and sign those papers now.

LARA: I think you'd better stay on top
of the day-to-day things, Ana.

ANA: As you wish.

VOGEL: The only person
that I get to talk to

is on the other end of this phone.

(GASPS)

RICHARD: You must understand.

We Crofts, we have responsibilities.

Jobs to do.

Oh.

You again.

I came back for the amulet.

Shame. I was hoping you'd forgotten.
It's worth a bloody fortune.

I did tell you it was your lucky day.

Yes, you did.

(WOMAN CLEARS THROAT)

- At it again, are we, Alan?
- ALAN: I'm not at it.

ALAN: I don't know
if you've noticed or not,

but, uh, you can't
be too careful these days

because the world has gone bloody mad.

Yes, yes, thank you, Alan.

What you got there is
an HK USP 9 mil. extended mag.

It's my personal favorite.

You like that??

I do.

Mmm.

I'll take two.

English - SDH