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ahoy i am back with
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more tips on how you can make any
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location
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cinematic b-roll look even more
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interesting
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with certain clips without actually
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needing all these
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transitions how you can grab the
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viewer's attention
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what am i talking about well in today's
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video i'm going to be using iphone 12
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pro and dji or m4 gimbal but
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that really doesn't matter because you
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can do this with any camera
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and any gimbal if you are new here
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welcome my name is azden kadurla if you
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are interested
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in outdoor filming tutorials with
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cameras with gimbals with action cameras
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with smartphones
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where i'll explain everything including
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settings and gimbal settings
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consider subscribing we are going to be
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filming a cinematic
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b-roll of this location but first i'm
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going to play
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a short b-roll kind of like a beginner's
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style
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but not such a beginner like in the last
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video where
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something is missing
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[Music]
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well raise your arm if you know what is
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missing
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wait did you actually raise your arm
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well the b-roll was plain it showed a
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beautiful location with variety of shots
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wide medium and close-ups but
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you can make it a lot more playful if
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you're going to be doing connecting
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shots
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well in today's tutorial i'm going to be
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doing a few of those sequences of those
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connecting shots so you get better
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understanding
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how you can actually use them in your
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videos
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i'm going to be filming in djm memo in
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automatic mode because today's again
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advanced video is now the pro pro is
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coming up and i'm going to be filming in
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a higher frame rate
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60 frames per second so i can slow down
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some of the clips if i need to in the
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post and i'm going to make sure the
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resolution is
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4k now because i'm filming in automatic
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mode i cannot lock
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the white balance but every time i'm
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gonna be filming
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before i'll hit the record button i'm
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gonna make sure that i lock the
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brightness
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and focus on the screen just a quick tip
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it's the best if you calibrate the
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gimbal before you start filming
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and if your camera shows
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the motor in the shot if you are using
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ultra wide angle lens then just
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turn it off move a little bit the phone
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to the left and then turn it back on
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it's gonna be
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not as balanced anymore but you're not
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gonna see the motor in a shot
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i'm going to start with the revealing
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shot so first one will be just showing
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off
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this line of trees and i'm gonna be
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selecting ultra wide angle lens i'm
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gonna be going from the ground
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up very slowly for that i am having
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following mode just to make sure that
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the gimbal kind of
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goes smoothly up and i'm going to be
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simply going forward
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[Music]
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[Applause]
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[Music]
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the first revealing shot is here and
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it's to give
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the viewer an idea where we are i'm
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gonna do one more shot
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just like that now when you are
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selecting a lens
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to foam you have to always look first
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how it looks like in that shot with
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ridge lens
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so what i do i always try to look at it
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with the ultra wide angle lens and then
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i try standard which one looks better
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the side shot i'm going to do now looks
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way better with the standard lens
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i'll do one more shot to introduce even
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more of the location
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and that one will be shot with telephoto
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lens
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i'm gonna go from high up very low to
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the ground so for that i'm using
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following mode on the gimbal and again
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i am going to bring the sound down
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because it is a bit overexposed
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i'll make sure i'll start at the top and
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i'm gonna go
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very low to the ground
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[Music]
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i might go a little bit closer to the
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trees here so i kind of get it
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first sequence of connecting shots is
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here and it's going to be combination of
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shots in motion and it can be going
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forward you can be going sideways you
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can be going to the left or to the right
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but please make sure you choose only one
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side so you don't end up
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being at the tennis court
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the first shot will be happening by this
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not so nice
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fence but once you go very close to it
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and you select ultra wide angle lens
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you will actually see that the fence
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looks pretty good in a picture make sure
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you're not
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shooting above the fence it's not gonna
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do anything for you
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and i'm purposely tapping at the end of
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the fence because that's what i want in
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focus
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and i'm going close to the fence
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[Music]
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another movement shot will be right here
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what i'm gonna do i'm just gonna be
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walking
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underneath the trees i'm gonna be
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filming the top of the trees
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how am i gonna do that well i'm gonna
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select tilt
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follow mode bring the gimbal up make
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sure
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i'll point the phone up bug the focus
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and i'm just going to keep walking
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forward obviously i'm not going to be
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looking up i'm going to be looking down
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because
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the ground is not really straightforward
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i'm going to end up on my nose
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i'm going to stay with the green this
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time i'm going to go all the way to the
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ground though
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grass looks always good in the shells
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especially if you're gonna slow it down
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so
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for this one i'm just gonna flip the
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gimbal
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upside down the other way i'm gonna
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select still following mode again i
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don't want it to go up and down and i'm
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gonna just
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keep walking sideways i am selecting
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just a standard lens
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for this one and i'm just gonna go
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very low to the ground so i kind of see
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just the tips
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of the grass
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[Music]
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last connecting shot last movement shot
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will happen right here i'm gonna be
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going down
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to the lake for this one again tilt
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following mode it is because obviously
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as i assemble in times you don't want to
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go up i'm going to be going very low to
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the ground
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very close to the ground to make sure i
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don't show too much of a location but
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i'll still
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show a lot of the ground and i'm going
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forward
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[Music]
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first sequence of connecting shots is
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over so it's time to actually reveal
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this place hopefully i'm not gonna melt
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by that time because we are on a heat
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wave here again and uh
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yeah it's getting a little bit warmer
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for this one i'm going to select
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telephoto lens and since it is really
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really bright
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i have to really pull the sound down as
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much as i can
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and again because it is a telephoto lens
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you have to move very slow
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[Music]
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[Music]
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now all i have to do is just turn it
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around because
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this view is spectacular i'm gonna try
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to use the reflection i'm gonna do just
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few shots here
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[Music]
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the last shot of this location will be
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right here what i'm going to do i'm just
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going to go a little bit forward
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and then aim up to the sky when i'm
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gonna transition on the sky to another
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place
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so for this one you want to have all the
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follow mode set up on your gimbal
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because
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you need that whip to go up i'm shooting
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just with the standard lens i'm finding
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that
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the white is a little bit too wide
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[Music]
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next set of connecting shots is here and
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in case you're wondering why the light
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has changed
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well because i'm shooting the next day
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what happened yesterday i finished
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this last shot came here and fortunately
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the gardeners came so they were cutting
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the grass
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they were putting the plants in which is
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a good thing now it looks good
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i simply had to wrap it up so i'm here
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again
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let's keep going the previous shot ended
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on the sky so now i have to go from the
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sky down now i could not find
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open sky where there were no trees so i
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will hide the transition with
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a transition to get to this location and
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again i'm starting from
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the sky and
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i'm simply going to go down
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next two shots will follow just showing
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the gazebo with ultra wide angle lens
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just a typical shot like we would see
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from normal eyes perspective
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and all i'm going to do is just tiny
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steps forward
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and i just do another shot of it a
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different angle
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and i'll make sure i actually walk under
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because i want to see
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again the structure
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[Music]
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i picked this structure because it's
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just very very strong
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shapes whenever you're filming a b-roll
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or you're planning on filming a
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cinematic
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video you always want to surprise the
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viewer with a shot
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he would not or she would not expect
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like right now i'm gonna show you this
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beautiful morning shot
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the same thing is with the b-roll so
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what i'm going to do i'm going to
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pull out my monopod i'm going to do shot
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from above i'm going to do
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shot literally crawling on the ground
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i'm going to do
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shots just showing those shapes from a
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different
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angle something you don't normally see
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from your eye level
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you need to go very high or very down or
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look up
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or look down all we see is this
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and that's all we are used to and for us
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it's just like yeah i've seen it i've
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been here i've seen it but if you're
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gonna show them very very very different
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view
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it's gonna be interesting i'm gonna go
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very high
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on the top
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pull back
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and again i'll do it from the front view
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now
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[Music]
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for this shot i'm going to simply go
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forward and leave this location by
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flying out
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[Music]
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looking up to the ceiling i see a very
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strong shape over here so i'm just gonna
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follow it
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[Music]
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forward
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to change the color porch would be
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another one get very close with it to
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the lens you're going to get a very
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different view
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[Music]
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i found this structure here when i'm
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looking at it from the top
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and i'll start kind of wiggling with the
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phone it's going to give me a very
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interesting look i'm leaving it in a
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tilt lock mode and you will see why
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just have to make sure my shoes are not
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in a shot
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and they are so i need to go backwards a
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lot
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that's why i was doing this kind of a
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wave the phone was kind of working with
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me
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it's always nice to try something from
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the top kind of waving and
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moving you will get something completely
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different than what's out there
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last scene is here behind me i started
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with the tree so i'm going to end up
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with a tree the light is here coming
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from the side leading up
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this whole era very nicely and i'm going
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to be playing with
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more creative modes fpv and spin shot
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now
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when it comes to those connecting shots
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the spinning shots you want to do
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maximum two or three because
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you don't want your uber to get sick and
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then take gravel
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i have ultra wide angle lens and i have
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a fbv mode i'm gonna just first
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move forward and then i'm kind of gonna
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start
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the slow movements
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and big movement time to do the spin
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shot i'm just gonna do
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two clips or three clips but i'm maybe
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gonna choose just one
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which one is the best i'm gonna aim for
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the leaves now when you're doing the
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spin shot as you're
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cutting it into the fpv you have to kind
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of follow the movement so if i went this
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way then i need to spin it the same way
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[Music]
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now i'm gonna finish it with spin shot
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of
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this tree line very tricky one
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as i need to make sure that i end up in
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a horizon
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level
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[Music]
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[Applause]
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and closure the last shot going forward
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and just kind of going down to the
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ground
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for this one i'm using again ultra wide
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angle lens
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[Music]
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do we have enough clips i think so let's
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play the final
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[Music]
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b-roll
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[Music]
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me
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[Applause]
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[Music]
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[Applause]
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[Music]
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for those looking for music for your
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videos i'm using epidemic sound for a
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number of years i'm very happy with them
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link can be found in the video
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description below and first month is
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free
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what you should take away from this
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video is
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to free up your mind it's not about the
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rules about
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transitions and frame rates be a kid
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explore have fun play
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hit the thumbs up if you liked today's
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video and subscribe to videos like these
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coming up action cameras handheld
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footage
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filming with car filming with models
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if you have any questions comments
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simply want to say hi or ahoy
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you know what to do leave it below and
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i'll see my friends
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in the next video ciao
26628
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