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Previously on Dance Academy...
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Sir Jeffery has a list
of who fits his vision.
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00:00:05,140 --> 00:00:09,224
He revises it for injury
or change of body shape.
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That's enough.
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00:00:12,950 --> 00:00:16,062
She's fine. My teachers
did that to me all the time.
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00:00:16,146 --> 00:00:21,230
I have managed to lure back one
of the company's leading lights.
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I'm sick of it! I keep thinking,
when is this going to stop?
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I want so much to be rid of you.
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Subtitles by MemoryOnSmells
http://UKsubtitles.ru.
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We're definitely reaching
the pointy end of the year.
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Everyone is feeling that.
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Change.
It's, like, lurking everywhere.
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I said,
I think we should be together.
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Yeah, I got that part.
15
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Why?
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You told me once.
17
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I have to figure out what I
wanted long-term, and I did.
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00:01:36,544 --> 00:01:40,492
Two things.
I'm going to do everything I can
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00:01:40,512 --> 00:01:45,484
to get into the company,
and I want to be with you.
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Christian, Tara,
you guys need to see this.
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Think it over.
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After 16 years
as artistic director
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00:01:55,468 --> 00:02:00,528
of the National Ballet
and a lifetime in the theatre,
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00:02:00,548 --> 00:02:05,508
I feel the day has come
to exit the stage gracefully.
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00:02:05,528 --> 00:02:07,504
Whoa.
Game changer.
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00:02:07,524 --> 00:02:10,536
I do leave assured my legacy will
be in safe hands
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00:02:11,452 --> 00:02:13,532
under the new artistic director,
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00:02:14,452 --> 00:02:17,504
my gifted protegee,
Rebecca Braithwaite.
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00:02:17,524 --> 00:02:19,548
At this early stage
the new artistic director
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00:02:20,468 --> 00:02:23,480
refused to be drawn on her
personal vision for the company.
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Things just got interesting.
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00:02:25,508 --> 00:02:27,548
Critics may claim
she's too young,
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00:02:28,468 --> 00:02:30,464
too inexperienced
for this appointment.
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00:02:30,484 --> 00:02:33,516
It does suggest there is
a push away from tradition.
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00:02:33,532 --> 00:02:35,528
One thing is certain -
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00:02:35,548 --> 00:02:40,452
the ballet community
faces a tumultuous new era.
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I got it! I'm Swanhilde!
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00:02:42,484 --> 00:02:44,468
Ollie - Macbeth.
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00:02:45,496 --> 00:02:48,464
Ben and Christian, you'll both be
dancing Prince Charming.
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00:02:50,500 --> 00:02:53,524
Tara, you'll be doing Firebird.
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00:02:53,544 --> 00:02:56,496
I'm making you an appointment
to see Dr Wicks.
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00:02:56,512 --> 00:02:58,512
And Abigail...
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00:02:58,532 --> 00:03:02,476
Sorry - how can you assign
our final audition solos
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00:03:02,496 --> 00:03:05,460
when we don't know what
Rebecca is looking for?
45
00:03:13,452 --> 00:03:16,500
You can't keep applying heat
cream and hope it fixes itself.
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00:03:16,520 --> 00:03:20,508
I'm putting her on low-impact -
no arabesques, no allegro.
47
00:03:20,528 --> 00:03:23,472
But auditions are less than
three weeks away.
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00:03:23,492 --> 00:03:25,496
It's just muscular.
I'm not doing damage.
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00:03:25,516 --> 00:03:28,496
Don't you love it when they
get their medical degrees?
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00:03:28,516 --> 00:03:31,504
If you've gained a skerrick
of sense since last year,
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00:03:31,520 --> 00:03:33,500
you'll listen to Dr Wicks.
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00:03:33,520 --> 00:03:37,460
Again?
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00:03:37,476 --> 00:03:41,464
One, two, three.
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00:03:43,524 --> 00:03:46,520
Go ask if Sir Jeffery's list
went with him.
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00:03:46,540 --> 00:03:51,472
I would have thought you'd be
desperate to do some networking.
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00:03:51,492 --> 00:03:55,488
No-one's ever gotten into the
company dancing a Macbeth solo.
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00:03:55,504 --> 00:03:57,492
It's fact - it's cursed.
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00:03:57,512 --> 00:04:01,516
It's a good thing I've got
another option, then.
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00:04:02,520 --> 00:04:05,536
Congratulations on Firebird.
One of your favourites, right?
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00:04:06,456 --> 00:04:09,476
I have no reason to trust this
born-again Christian thing.
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00:04:09,496 --> 00:04:11,516
Good line.
You can't say what you said
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like it cancels out everything
and go, 'Think it over.'
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How do I have head space for that?
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00:04:17,484 --> 00:04:18,528
You're right. Focus on auditions
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while I prove to you
I'm stepping up.
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00:04:21,488 --> 00:04:25,460
Thrilled to hear it.
Come and find me later.
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00:04:25,480 --> 00:04:28,500
Nice evacuation, third-years.
Your fire warden salutes you.
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Compared to Sir Jeffery,
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00:04:30,476 --> 00:04:32,492
how would you describe
your aesthetic,
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00:04:32,508 --> 00:04:35,476
more contemporary, surely?
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00:04:35,492 --> 00:04:36,536
My aesthetic is simple.
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00:04:37,456 --> 00:04:41,504
I want the best dancers on the
planet, wherever they come from.
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00:04:41,520 --> 00:04:43,492
Excuse me.
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00:04:47,508 --> 00:04:54,476
Lulu, in certain situations,
speed is more important than form.
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00:04:55,540 --> 00:04:57,484
Six, seven, eight!
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One, two, three, four, five, six,
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00:05:00,480 --> 00:05:03,464
seven, eight.
And one, two, three, four,
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00:05:03,480 --> 00:05:04,524
five, six, seven, eight.
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And one, two, three,
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00:05:06,516 --> 00:05:08,524
four, five, six, seven, eight.
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00:05:08,540 --> 00:05:11,500
And one, two, three, four...
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00:05:21,520 --> 00:05:23,532
Potential backup dancers,
I salute you.
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00:05:23,548 --> 00:05:26,528
Thanks for not embarrassing me.
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00:05:26,548 --> 00:05:29,496
We'll be in contact tonight about
call-back,
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00:05:29,516 --> 00:05:36,508
so whatever you do, don't
drop your phone in your coffee.
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Hey, I just want to say, huge fan.
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00:05:41,496 --> 00:05:42,528
Oh, cheers.
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00:05:42,548 --> 00:05:46,488
Meeka's the best. It's hard
not to look good doing a chory.
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00:05:46,508 --> 00:05:50,496
I know. I'm slightly terrified
she agreed to do my tour.
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00:05:50,512 --> 00:05:52,480
But I actually meant your music.
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00:05:52,500 --> 00:05:54,464
You're all over
my Pilates playlist.
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00:05:54,484 --> 00:05:58,492
I may have sent Jess the link to
your web channel for inspiration.
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00:05:58,512 --> 00:06:01,512
That's crazy.
You're Jessica Mauboy,
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00:06:01,528 --> 00:06:04,508
which you obviously know.
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00:06:04,524 --> 00:06:06,520
Does this mean I get a call-back?
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00:06:06,540 --> 00:06:10,460
For backup dancing?
I think we could aim higher.
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00:06:13,488 --> 00:06:17,476
The end of the school year also
means the end of your scholarship.
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00:06:17,496 --> 00:06:20,496
Have you thought about how you'll
cover living expenses? Absolutely.
99
00:06:20,516 --> 00:06:23,528
I plan on getting a contract with
the National Ballet Company.
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00:06:23,544 --> 00:06:26,520
You might have heard of it.
101
00:06:26,536 --> 00:06:28,528
I hope you do.
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00:06:28,548 --> 00:06:31,500
If that doesn't eventuate,
the audition circuit is expensive,
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00:06:31,520 --> 00:06:36,464
particularly if you need
to head overseas. Of course.
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00:06:36,484 --> 00:06:40,508
I found some grants
you might be eligible for.
105
00:06:40,528 --> 00:06:45,504
I don't need them.
I can get a job.
106
00:06:45,524 --> 00:06:48,504
I should have been working
this year, saving up.
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00:06:48,524 --> 00:06:50,536
No-one is suggesting
we throw you out.
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00:06:51,456 --> 00:06:55,532
I appreciate that,
but you guys have done enough.
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00:06:57,508 --> 00:06:59,524
Two. Glissade, cabriole.
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Gather for force.
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00:07:01,504 --> 00:07:03,540
Explode!
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00:07:05,456 --> 00:07:08,452
You're behind the music. Come on.
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Christian, keep up.
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00:07:14,496 --> 00:07:15,544
Benjamin!
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I have a plan.
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00:07:19,472 --> 00:07:20,516
Come this way.
117
00:07:20,532 --> 00:07:22,472
How many of my unique
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00:07:22,492 --> 00:07:24,488
private coaching sessions
shall we pencil in?
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00:07:24,508 --> 00:07:27,504
I'm going to work through
this one on my own.
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00:07:27,524 --> 00:07:30,548
You and Ben both doing Prince
Charming, that was my call.
121
00:07:31,468 --> 00:07:34,508
I can help you find
a unique take.
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00:07:34,524 --> 00:07:36,460
I'm good with the solo.
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00:07:36,480 --> 00:07:39,492
You're not going to be around
forever to hold my hand.
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00:07:39,508 --> 00:07:41,516
I've got this one.
125
00:07:49,484 --> 00:07:51,472
Look at Saskia.
126
00:07:51,488 --> 00:07:52,548
Why?
127
00:07:54,452 --> 00:07:56,520
Oh! Is this the night
she broke her ankle?
128
00:07:56,540 --> 00:08:00,512
How am I supposed to match that
if I'm not allowed to rehearse?
129
00:08:00,532 --> 00:08:03,460
Lead role
in the end-of-year production!
130
00:08:03,476 --> 00:08:05,536
The casting coup of the ages!
131
00:08:06,456 --> 00:08:09,504
Children, please. Can we just
get to the ulterior motive?
132
00:08:09,520 --> 00:08:11,472
School leavers around the country
133
00:08:11,492 --> 00:08:12,853
are indulging in
graduation pranks.
134
00:08:13,456 --> 00:08:15,520
Third-years are banned
from such tomfoolery.
135
00:08:15,540 --> 00:08:18,480
On pain of being excluded from
auditions.
136
00:08:18,496 --> 00:08:21,480
However, being a second-year...
137
00:08:21,496 --> 00:08:23,480
I'm exempt from such punishment.
138
00:08:23,500 --> 00:08:25,500
You are the perfect
pranker-by-proxy.
139
00:08:25,520 --> 00:08:29,472
This is what is occupying
your attention,
140
00:08:29,488 --> 00:08:31,460
not the new artistic director?
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00:08:31,480 --> 00:08:36,464
It's a rite of passage.
The fun shouldn't have to die.
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00:08:36,484 --> 00:08:41,492
Benjamin, I'm sorry,
but I can't risk Raine wrath.
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00:08:41,508 --> 00:08:43,532
So that's a yes?
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00:08:43,548 --> 00:08:46,512
Oliver, it's a very firm no.
145
00:08:46,532 --> 00:08:52,516
Wes and I are researching.
Rebecca has a PhD in kinesiology.
146
00:08:52,532 --> 00:08:54,468
She's literally a dance doctor.
147
00:08:54,488 --> 00:08:58,492
Wes, can you tell her that
she can spend an hour
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00:08:58,512 --> 00:09:00,548
to backup sing in one audition.
One song.
149
00:09:01,468 --> 00:09:04,484
It's pointless. You're not going
to throw away your company chance
150
00:09:04,504 --> 00:09:07,460
to be the opening act
of some pop star.
151
00:09:07,480 --> 00:09:11,524
Beg for it, Ollie -
hands and knees.
152
00:09:14,476 --> 00:09:17,472
You're a very talented performer,
153
00:09:17,488 --> 00:09:22,516
and you make me better than I am.
154
00:09:24,520 --> 00:09:28,476
Will you help me crack
the Rebecca enigma?
155
00:09:44,524 --> 00:09:46,508
What do you want?
156
00:09:46,528 --> 00:09:54,500
You're busy. I'm unemployed. I've
got all the time in the world.
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00:09:54,516 --> 00:09:56,472
I heard a rumour, but...
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00:09:56,492 --> 00:10:00,492
The official line is that I'm not
a good fit for the new company.
159
00:10:00,512 --> 00:10:03,540
Rebecca couldn't wait to purge
Sir Jeffery's favourites.
160
00:10:04,456 --> 00:10:05,524
I'm so sorry.
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00:10:05,544 --> 00:10:11,508
The board still knows I'm a draw
card. I'm going to fight this.
162
00:10:11,524 --> 00:10:14,480
What do you need?
163
00:10:14,500 --> 00:10:17,520
I've been given Firebird
as my company audition piece.
164
00:10:17,536 --> 00:10:21,524
You dance it better than anyone
165
00:10:21,544 --> 00:10:24,484
and know how to work around
an injury.
166
00:10:24,504 --> 00:10:28,532
I was wondering if maybe
you'd help me...
167
00:10:28,548 --> 00:10:31,460
Cheat?
168
00:10:35,524 --> 00:10:38,468
I was thinking of changing
the cabriole derriere
169
00:10:38,488 --> 00:10:42,516
to something more back-friendly
like a saut de basque.
170
00:10:42,536 --> 00:10:46,484
If you extend the phrasing
of the releves,
171
00:10:46,504 --> 00:10:50,524
no-one is going to care that
the arabesque is lower.
172
00:10:50,544 --> 00:10:54,484
Have you considered doing a solo
that's less intense?
173
00:10:54,504 --> 00:10:57,484
I've been dancing 60 hours a week
for three years.
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I WANT to be intense and dramatic.
175
00:11:06,468 --> 00:11:07,748
What about the long term though?
176
00:11:08,464 --> 00:11:10,496
You push yourself
through the pain barrier
177
00:11:10,516 --> 00:11:13,528
day after day, year after year...
I don't recommend it.
178
00:11:13,548 --> 00:11:16,504
If you don't want to help...
Listen.
179
00:11:16,524 --> 00:11:19,504
A girl in my year did Persephone
for her audition.
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00:11:19,520 --> 00:11:21,468
I already know Persephone.
181
00:11:21,488 --> 00:11:24,528
I did it before I came
to the academy. It's too easy.
182
00:11:24,544 --> 00:11:26,476
Technically, yes,
183
00:11:26,496 --> 00:11:29,508
but artistically you could
make it whatever you want.
184
00:11:29,524 --> 00:11:31,492
If you persist with Firebird,
185
00:11:31,512 --> 00:11:34,516
I can't help you.
I won't help you.
186
00:11:49,496 --> 00:11:51,452
So obviously a stunt
187
00:11:51,472 --> 00:11:54,452
to cash in on her next
straight-to-Netflix movie.
188
00:11:54,472 --> 00:11:56,524
Miss Raine, as Lulu is
playing my best friend,
189
00:11:56,544 --> 00:12:02,476
could you tell her to get
in character? You're tottering.
190
00:12:03,540 --> 00:12:07,484
Oh! Good pain, good pain!
191
00:12:09,536 --> 00:12:12,492
So, Muck Up Day.
192
00:12:12,512 --> 00:12:16,476
Remember last year's war
against my esteemed classmates?
193
00:12:16,496 --> 00:12:19,532
Of course.
Presumably you had battle plans
194
00:12:19,548 --> 00:12:21,536
that were never enacted.
195
00:12:22,452 --> 00:12:24,484
Dust them off.
196
00:12:25,488 --> 00:12:29,508
Rebecca said they're looking for
the best dancers on the planet.
197
00:12:29,528 --> 00:12:32,476
Subtext - she has no loyalty
to the academy,
198
00:12:32,496 --> 00:12:34,516
which makes sense,
'cause she never got in.
199
00:12:34,536 --> 00:12:40,544
We'll get to Rebecca later. Just
shut up and look pretty. Rude!
200
00:13:44,516 --> 00:13:48,524
You think you've got it, boy
You think you know it all
201
00:13:48,540 --> 00:13:50,508
This world is big and bad
202
00:13:50,528 --> 00:13:53,456
You don't know what it's got
in store
203
00:13:53,476 --> 00:13:56,548
Got to fight so hard
like you see me
204
00:13:57,464 --> 00:14:00,548
And it's starting tonight
205
00:14:01,464 --> 00:14:02,532
Yeah
206
00:14:02,652 --> 00:14:04,436
So turn it up
Let the speakers blow
207
00:14:04,556 --> 00:14:06,520
Burn it up
We can make fire
208
00:14:06,540 --> 00:14:09,456
Turn it up
Let the speakers blow
209
00:14:09,476 --> 00:14:11,464
Everybody know
Ollie got the flow
210
00:14:11,484 --> 00:14:13,508
I own the night
There's nowhere to run
211
00:14:13,524 --> 00:14:15,536
And nowhere to hide
212
00:14:16,452 --> 00:14:18,472
I'm ready
213
00:14:18,488 --> 00:14:22,452
No-one can't bring me down
214
00:14:22,472 --> 00:14:26,520
I will hold the crown
for the best around
215
00:14:26,540 --> 00:14:30,464
So let's take it to the floor
Girl, give me more
216
00:14:30,484 --> 00:14:34,508
Ain't nobody going to stop me
No
217
00:14:34,528 --> 00:14:38,508
You can't stop me now
You can't stop me now
218
00:14:38,524 --> 00:14:40,528
I'm going to hold you down
219
00:14:40,548 --> 00:14:44,516
You can't stop me now
You can't stop me now
220
00:14:44,532 --> 00:14:46,504
You can't stop me now
221
00:14:46,520 --> 00:14:48,520
I'm going to hold you down
222
00:14:48,536 --> 00:14:51,508
You can't stop me now.
223
00:14:57,524 --> 00:15:00,512
I'm supporting Jessica Mauboy!
224
00:15:00,532 --> 00:15:05,484
It's been such a tough year.
This is the first win I've had.
225
00:15:05,504 --> 00:15:08,452
Abigail,
we really didn't meet yet.
226
00:15:08,468 --> 00:15:09,524
So amazing.
227
00:15:09,544 --> 00:15:12,532
We'll find a great replacement.
Sorry?
228
00:15:13,452 --> 00:15:15,484
Maybe half a dozen.
Fill out the stage.
229
00:15:15,500 --> 00:15:17,496
But you're a duo.
230
00:15:17,512 --> 00:15:19,516
No, I'm a solo artist,
231
00:15:19,536 --> 00:15:22,540
and Abigail is already tied up to
another audition process.
232
00:15:23,456 --> 00:15:25,512
We want this.
233
00:15:25,528 --> 00:15:27,516
Just this.
234
00:15:32,484 --> 00:15:35,452
How is it feeling?
235
00:15:35,472 --> 00:15:38,500
Fine. It's just,
the solo is too straightforward.
236
00:15:38,520 --> 00:15:42,488
There's nothing to push through
to get to...
237
00:15:42,504 --> 00:15:44,524
Where?
238
00:15:44,540 --> 00:15:47,488
I call it, my magic place.
239
00:15:48,492 --> 00:15:53,504
You must know -
where everything suddenly works.
240
00:15:53,524 --> 00:15:58,484
The lights fade
and it's just me and the music.
241
00:15:58,504 --> 00:16:04,500
Tara, speaking from experience,
those moments can be unreliable.
242
00:16:04,516 --> 00:16:07,468
They're also why I love dancing.
243
00:16:07,488 --> 00:16:09,540
That's fantastic.
Love it all you like,
244
00:16:10,460 --> 00:16:13,532
but being a professional is about
what you do on your worst night,
245
00:16:13,852 --> 00:16:15,484
when it's your hundredth
performance,
246
00:16:15,504 --> 00:16:17,472
the orchestra is
playing too fast,
247
00:16:17,488 --> 00:16:18,524
your costume falls off.
248
00:16:18,544 --> 00:16:22,516
You can't just stop
and turn to the audience and say,
249
00:16:22,532 --> 00:16:24,464
'Sorry - no magic.'
250
00:16:24,480 --> 00:16:27,544
So, what, you just fake it?
251
00:16:28,464 --> 00:16:30,544
No. You trust that you've done
your homework,
252
00:16:31,464 --> 00:16:33,532
that you've crafted
your performance
253
00:16:34,452 --> 00:16:37,472
and infused meaning into
every step.
254
00:16:37,488 --> 00:16:40,492
That's how the grown-ups do it.
255
00:16:45,452 --> 00:16:48,472
Does this mean
you've found the head space?
256
00:16:48,488 --> 00:16:49,548
Where are you?
257
00:17:00,472 --> 00:17:01,504
You're a lifeguard?
258
00:17:01,520 --> 00:17:03,516
I'm in training to be one, yes.
259
00:17:03,536 --> 00:17:07,468
Just because you didn't organise
it doesn't make it wrong.
260
00:17:07,488 --> 00:17:10,484
What happened to your speech about
getting into the company?
261
00:17:10,504 --> 00:17:14,504
Did you want to get in or did you
just say that for effect?
262
00:17:14,524 --> 00:17:17,452
I'm 90% sure I want to.
Christian!
263
00:17:17,472 --> 00:17:22,508
If I don't get in,
I'll need some cash as a buffer.
264
00:17:22,524 --> 00:17:24,548
My shift is almost over.
265
00:17:25,468 --> 00:17:29,544
Why don't you help me
with some rescue skills?
266
00:17:34,504 --> 00:17:37,512
Maybe we need
conversation embargoes,
267
00:17:37,532 --> 00:17:40,464
dangerous subjects
we put into the no-fly zone.
268
00:17:40,484 --> 00:17:42,520
Like your career
and my expectations?
269
00:17:42,536 --> 00:17:45,500
You don't try and fix me.
270
00:17:45,520 --> 00:17:48,512
You don't retreat.
You tell me what you're thinking.
271
00:17:48,528 --> 00:17:50,540
Like right now?
272
00:17:51,460 --> 00:17:53,488
You want to know
what I'm thinking?
273
00:18:02,516 --> 00:18:04,528
Kind of a magic moment.
274
00:18:04,544 --> 00:18:07,492
I hear those are unreliable.
275
00:18:17,508 --> 00:18:20,528
They've only contracted
economy-class travel.
276
00:18:20,548 --> 00:18:27,464
Think we need an agent? Can you
stop pretending to read that?
277
00:18:30,508 --> 00:18:33,536
I'm here now.
How do you want to dig for dirt?
278
00:18:37,496 --> 00:18:41,540
Strictly for argument's sake,
this tour is a bird in the hand.
279
00:18:42,460 --> 00:18:44,480
It's performing in front of
thousands every night.
280
00:18:44,496 --> 00:18:45,528
It's a career.
281
00:18:45,548 --> 00:18:48,540
The company is a total unknown.
You're saying...
282
00:18:49,460 --> 00:18:52,548
How stupid would we feel
if we turned this offer down
283
00:18:53,464 --> 00:18:55,468
and Rebecca takes none of us?
284
00:19:08,468 --> 00:19:09,508
What?
285
00:19:09,528 --> 00:19:13,524
Doesn't matter. I was going to
tell you about my solo,
286
00:19:13,544 --> 00:19:18,476
but we should put that on
the banned list. I get anxious.
287
00:19:18,492 --> 00:19:20,492
This is stupid.
288
00:19:20,512 --> 00:19:23,464
I suddenly don't know
what to say to you.
289
00:19:23,480 --> 00:19:26,484
There are minefields.
290
00:19:26,504 --> 00:19:29,516
Can we really do rules
so we don't end up fighting?
291
00:19:29,532 --> 00:19:31,516
Hey, come here.
292
00:19:34,516 --> 00:19:37,544
Have you ever thought that
if it was going to work...
293
00:19:38,460 --> 00:19:41,492
It would have happened by now?
294
00:19:41,512 --> 00:19:47,460
It's not like we haven't tried
lots of times.
295
00:19:47,476 --> 00:19:48,948
I cling onto those magic moments,
296
00:19:49,468 --> 00:19:51,536
then the rest of the time
we just fight.
297
00:19:52,452 --> 00:19:55,460
And hurt each other. I know.
298
00:19:58,472 --> 00:19:59,524
So do you think it's...
299
00:19:59,540 --> 00:20:01,500
Over?
300
00:20:02,536 --> 00:20:05,452
Do you?
301
00:20:05,472 --> 00:20:07,484
Can't we just rewind
five minutes?
302
00:20:12,520 --> 00:20:14,472
What if...
303
00:20:14,488 --> 00:20:16,492
What?
304
00:20:16,512 --> 00:20:20,544
I don't think
I'm ever going to love anyone
305
00:20:21,460 --> 00:20:24,472
the way I love you.
306
00:20:32,492 --> 00:20:36,540
I can't help feeling manipulated
by all those love stories
307
00:20:37,460 --> 00:20:40,500
in all those movies
and books and ballets.
308
00:20:40,520 --> 00:20:44,548
They teach that if you suffer
enough, it works out in the end.
309
00:20:45,464 --> 00:20:47,460
I think I'm going to retire.
310
00:20:47,480 --> 00:20:51,504
What? Any company in the world
would take you in an instant.
311
00:20:51,524 --> 00:20:56,452
I'm sick of starting each morning
with coffee and a painkiller.
312
00:20:56,472 --> 00:21:00,460
I don't want to push myself
so hard anymore.
313
00:21:00,480 --> 00:21:04,484
Anyway, Persephone - you need to
tell the story with every step.
314
00:21:04,504 --> 00:21:07,468
I guess the key phrase is,
love story.
315
00:21:07,488 --> 00:21:10,540
I can't live in a magic,
made-up world any longer.
316
00:21:14,472 --> 00:21:17,528
It's time to force myself
to be present,
317
00:21:17,544 --> 00:21:20,460
treat love like the best dancing,
318
00:21:20,480 --> 00:21:25,544
aim for effortless, pain-free,
beautiful in its simplicity.
319
00:21:34,548 --> 00:21:39,500
If it was Sir Jeffery with his
list, I'd say we take the tour
320
00:21:39,520 --> 00:21:43,468
but with Rebecca
we still don't know anything.
321
00:21:43,488 --> 00:21:48,544
OK, research aside, what are your
gut feelings about Rebecca?
322
00:21:53,468 --> 00:21:55,464
I think...
323
00:21:58,540 --> 00:22:02,532
..I think she loves ballet
more than anything.
324
00:22:07,472 --> 00:22:11,488
Tails, you risk everything
on the company.
325
00:22:11,504 --> 00:22:14,476
Heads, tour with Mauboy.
326
00:22:22,476 --> 00:22:24,480
Best of three?
327
00:22:24,496 --> 00:22:25,528
Nice and orderly, please.
328
00:22:25,548 --> 00:22:29,460
Straight through
the emergency exit.
329
00:22:37,468 --> 00:22:39,548
Mate, we've got to go.
330
00:22:41,472 --> 00:22:46,480
I don't deserve it, but if I'm
going to be Prince Charming,
331
00:22:46,496 --> 00:22:49,508
I'm going to need your help.
332
00:22:49,524 --> 00:22:51,476
Come on. Let's go.
333
00:22:54,508 --> 00:22:56,548
Persephone is far too prosaic.
334
00:22:57,164 --> 00:22:59,036
I disagree. I'll make it special.
335
00:22:59,456 --> 00:23:01,488
No, you'll take the time
as instructed,
336
00:23:01,504 --> 00:23:03,468
then do the solo I selected.
337
00:23:03,488 --> 00:23:05,456
Respectfully, I won't,
Miss Raine.
338
00:23:05,476 --> 00:23:11,484
I'll keep working with Saskia.
I'm learning a lot from her.
339
00:23:17,520 --> 00:23:19,468
Happy Muck Up Day, everyone.
340
00:23:26,544 --> 00:23:29,488
Katrina Karamakov! Here, now!
341
00:23:37,472 --> 00:23:40,536
This is our last wharf battle.
We graduate in three weeks.
342
00:23:43,484 --> 00:23:46,548
Game on, Tara Webster. Game on.
343
00:23:59,401 --> 00:24:31,031
Subtitles by MemoryOnSmells
http://UKsubtitles.ru.
344
00:24:31,081 --> 00:24:35,631
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