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When the world says self-tune Follow my voice wherever it leads
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The mountains prevail, to deep all their seeds
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The golden bones of the breeze are the breeze
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Autumn hung over the land in a soft, warm haze
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On the fringes of the wildwood, golden grasses gleamed in the slanted sunlight
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Against the blackness of the unlit beaches
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Cow parsley fattened its seeds in the years laid warmth
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And in five acre meadow, the yellows and blues of spring and summer
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Had given way to the serious purple of the Thistleflower
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Under the willow branches, the river flowed heavily before the winter storms
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Roused it to a race, and everywhere thoughts reached ahead to the cold that was to come
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Good heavens, it was the pirates!
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The pirates?
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What have you found, Mo? What do you mean?
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It was the pirates.
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I'm sorry, I was looking through Badger's scrapbook
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And the very first one in the village hoip, brand new then, was the pirates of Penn's Ants
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Let me have a look, Mo.
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Ah, now that I do remember.
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I'd been to see the original production at the Opera comic in London
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And we fondly imagined we could do it better here.
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We, Badger?
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Your dear father and I told.
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Here he is in the program, Major General Stanley.
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Mr. Töl, he was splendid. Splendid.
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Well, of course he was.
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Oh, we tell them he could sing.
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Yeah? What?
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I said you mind.
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How long ago was that then, Mo?
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Uh, where was he, 1885?
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800, that's so fun.
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Plus.
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Twenty-five, Badger. It was twenty-five years ago.
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Good heavens, so long.
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And have you done a show every year since Badger?
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Well, yes.
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I suppose I have.
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Badger than this year will be your twenty-fifth.
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Twenty-fifth.
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Oh, by Joe Badger, that's it.
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That's what we'll do. The pirates of Penn's Ants.
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Oh, well, uh...
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I say what a spiffing idea.
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Yes, Badger, to celebrate.
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To mark the twenty-fifth year of your productions.
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Oh, no, no.
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It's a tall order.
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There would be time, Badger.
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And an outdoor performance in the grounds of Toad Hall
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would be a memory to see us through the winter.
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Oh, it's so much work, Ratty.
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So much work.
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But worth it.
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Badger, yes.
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Come on, Badger. I'll rehearse the chorus.
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Say yes.
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No.
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Very well then.
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Yes.
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I can paint the scenery.
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Yeah, I wonder which part I should play.
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What's that told?
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Well, you see, if it's the pirates of Penn's Ants,
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I really ought to play the pirate king.
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Well, then my father, you say, was the Major General, so perhaps a year...
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Oh, and the Sergeant of Police is an awfully good part.
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Oh, it's really jolly difficult, you see.
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Quite incredible, Toad.
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What? Oh.
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Oh, that's putting it a bit too strong.
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But I suppose I am unusually talented.
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Toad.
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Oh, um, yes, Badger.
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The pirate, say.
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Well, then.
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Auditions in two days' time.
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Rehearsals start next week.
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And now, if you don't mind, I need to think.
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No, no, of course not Badger, oh man.
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You think away, and if you can't think of something, just let me know.
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And I would...
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Badger means that he wants a bit of peace and quiet.
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Yes. Oh, well, yes, er...
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Well, goodbye Badger, oh man.
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Yes, goodbye Toad.
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Goodbye Badger.
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Goodbye.
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Goodbye.
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I'm very good at integral and differential calculus.
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I know the scientific names of beings and enm
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in shorting matters of a modern,
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in shorting matters of a modern,
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very good mode. Excellent.
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Yes, it was. It was. Really quite nice.
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Oh, thank you.
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It's, erm...
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Quite a big part, isn't it?
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The major general.
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My word, yes.
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It's the biggest part I've ever played.
102
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Must be a worry to you, eh?
103
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Well, I suppose it is a bit.
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Toad, what are you up to?
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Up to.
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I'm not up to anything.
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I'm just a little bit concerned about my friend Mo.
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Oh, yes.
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Yes.
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Was merely wondering if it wouldn't be fairer.
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To Mo, let him play the Sergeant of Police
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while I took over the bigger role.
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Toad, you are playing the Sergeant,
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and Mo is playing the major general.
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Look, I really don't mind if Toad wants the part.
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It isn't a question of wanting the part.
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I don't want the part.
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It's merely that the Sergeant only has a couple of decent souls
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and the major general.
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No, Toad.
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I mean, we've had major generals in the family, you see, whereas Mo...
122
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No, Toad.
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Well, really.
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Goodness me. Look at the time.
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Haven't we better get on?
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Yes, I suppose we had.
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Right, Toad, let's rehearse your first solo, shall we?
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The Sergeant of Police.
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Mo, all right.
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Very well.
131
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I hardly need to rehearse it, really.
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Oh?
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Well, I mean, I know it so well, you see.
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My object also bla...
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Hey?
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I shall achieve in time...
137
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Po!
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To make the punishment fit the crime,
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the punishment fit the crime,
140
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and make each prisoner pay...
141
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It's the wrong opera.
142
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And we need a re...
143
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What?
144
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That is the wrong opera.
145
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It's the Nicardo.
146
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Mm.
147
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Will anybody notice?
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What anyone else?
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Well, it's all about crime and punishment, isn't it?
150
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It's just the thing for a Sergeant of Police.
151
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Toad, think what Badger would say.
152
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Phew!
153
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I don't care what Badger would...
154
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Oh, yes, yes, I suppose you're right.
155
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So, can we rehearse the right song?
156
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When the foaming bears his steel?
157
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No, I don't know that one.
158
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Oh, Toad!
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He's not my fault, is he?
160
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The covers!
161
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Fall it off the book!
162
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Oh, my words.
163
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Fascinating, his silly old opera.
164
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Mabel.
165
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Oh, Frederick, cannot you reconcile it with your conscience
166
00:08:03,000 --> 00:08:07,000
to say something that will relieve my father's sorrow?
167
00:08:07,000 --> 00:08:08,000
Frederick.
168
00:08:08,000 --> 00:08:10,000
I will try, dear Mabel.
169
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But why does he sit here,
170
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night after night, in this drafty old ruin?
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Me.
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Me.
173
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With feeling.
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Why do I sit here?
175
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Why do I sit here?
176
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Um...
177
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Oh.
178
00:08:29,000 --> 00:08:32,000
Why do I sit here?
179
00:08:32,000 --> 00:08:34,000
Um...
180
00:08:34,000 --> 00:08:37,000
Why do I sit here to escape from the parrot's clutches?
181
00:08:37,000 --> 00:08:39,000
I describe myself as an orphan,
182
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and heaven forgive me, I am no orphan.
183
00:08:42,000 --> 00:08:46,000
I...
184
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Oh, bother.
185
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Never remember it.
186
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Oh, no.
187
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No, a flat.
188
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Oh, dear, dear, dear.
189
00:09:25,000 --> 00:09:28,000
Try again.
190
00:09:37,000 --> 00:09:40,000
When the firm and bear see steal to run to run to run to run,
191
00:09:40,000 --> 00:09:43,000
we uncomfortable feel to run to run,
192
00:09:43,000 --> 00:09:52,000
trouble feel to run to run, and we something something something to run to run to run to run is to something something else to run to run.
193
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Dirty, dirty, though, with a mute to run to run to run to run to dirty,
194
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dirty, dirty in your boots to run to run.
195
00:10:00,000 --> 00:10:06,000
There is nothing brings it round like the what's it's Marshall sound like the thingy's Marshall's.
196
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Ha ha ha.
197
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Ha ha ha.
198
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Ha ha ha.
199
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Ha ha ha.
200
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Ha ha ha.
201
00:10:21,000 --> 00:10:23,000
Whoo.
202
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What boring you stuff.
203
00:10:25,000 --> 00:10:28,000
Still, I know that pretty well.
204
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Ha ha ha.
205
00:10:38,000 --> 00:10:42,000
Wow.
206
00:10:42,000 --> 00:10:46,000
Ha ha ha.
207
00:10:46,000 --> 00:10:49,000
Hey.
208
00:10:49,000 --> 00:10:52,000
Hey.
209
00:10:52,000 --> 00:11:01,000
Hey.
210
00:11:01,000 --> 00:11:06,000
Hey.
211
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Hey.
212
00:11:10,000 --> 00:11:28,000
Hey.
213
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Hey.
214
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Hey.
215
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Hey.
216
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Hey.
217
00:12:52,000 --> 00:13:13,000
Hey.
218
00:13:13,000 --> 00:13:34,000
Hey.
219
00:13:34,000 --> 00:13:55,000
Hey.
220
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Hey.
221
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Hey.
222
00:14:20,000 --> 00:14:41,000
Hey.
223
00:14:41,000 --> 00:15:02,000
Hey.
224
00:15:02,000 --> 00:15:23,000
Hey.
225
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Hey.
226
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Hey.
227
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Hey.
228
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Hey.
229
00:16:08,000 --> 00:16:12,000
Hey.
230
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Hey.
231
00:16:33,000 --> 00:16:37,000
Hey.
232
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Hey.
233
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Hey.
234
00:17:02,000 --> 00:17:03,000
Hey.
235
00:17:03,000 --> 00:17:04,000
Hey.
236
00:17:04,000 --> 00:17:05,000
Hey.
237
00:17:05,000 --> 00:17:29,000
Hey.
238
00:17:29,000 --> 00:17:30,000
Hey.
239
00:17:30,000 --> 00:17:31,000
Hey.
240
00:17:31,000 --> 00:17:32,000
Hey.
241
00:17:32,000 --> 00:17:33,000
Hey.
242
00:17:33,000 --> 00:18:00,000
Hey.
243
00:18:00,000 --> 00:18:25,000
Hey.
244
00:18:25,000 --> 00:18:29,000
Hey.
245
00:18:29,000 --> 00:18:56,000
Hey.
246
00:18:56,000 --> 00:19:21,000
Hey.
247
00:19:21,000 --> 00:19:48,000
Hey.
248
00:19:48,000 --> 00:20:08,000
Hey.
14964
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