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1
00:01:54,013 --> 00:01:57,540
BOY, FOLLOWIN' THOSE BEEFSTEAKS
SURE MAKES A FELLA HUNGRY.
2
00:01:58,184 --> 00:02:00,846
YEAH, I WAS JUST THINKIN' THE SAME
THING.
3
00:02:00,186 --> 00:02:04,953
I COULD EAT ONE OF THOSE STEERS RIGHT NOW,
HORNS AND ALL. WITH OR WITHOUT KETCHUP ?
4
00:02:04,491 --> 00:02:07,620
YOU KNOW WHAT I'l:> no IF I WAS RICH ?
[All 1 YEAH.
5
00:02:07,126 --> 00:02:08,594
BUY A RESTAURANT.
6
00:02:09,429 --> 00:02:11,591
JUST WAIT'LL WE GET TO DALFORT.
7
00:02:11,764 --> 00:02:13,766
I CAN JUST CLOSE MY EYES...
8
00:02:13,566 --> 00:02:16,831
AND SEE THAT BIG TABLE IN MRS.
O'BRIEN'S DINING ROOM,
9
00:02:17,871 --> 00:02:20,932
ALL THE FOOD YOU CAN EAT PILED IN
FRONT OF YOU...
10
00:02:20,340 --> 00:02:23,469
WITH MORE COMING IN FROM THE
KITCHEN ALL THE TIME.
11
00:02:23,910 --> 00:02:25,742
POTATO SOUP, IRISH STEW,
12
00:02:26,779 --> 00:02:29,305
FRIED CHICKEN, HOT BISCUITS AND
GRAVY.
13
00:02:30,416 --> 00:02:32,180
THE BEST MEALS IN TOWN.
14
00:02:32,752 --> 00:02:35,187
AND WHAT HAVE WE GOT ? ONE
DOUGHNUT.
15
00:02:38,291 --> 00:02:39,850
HERE YOU ARE, BERT.
16
00:02:43,229 --> 00:02:45,596
THAT'S JERRY'S. HERE YOU ARE, FRED.
17
00:02:46,399 --> 00:02:48,959
THANKS, GENE. MAYBE I DON'T
DESERVE IT.
18
00:02:48,768 --> 00:02:52,602
YOU SAID IT, STOOP. WHAT YOU
DESERVE IS A GOOD POKE IN THE NOSE.
19
00:02:51,905 --> 00:02:55,375
HONEST, FELLAS, I DIDN'T THINK I WAS
DOING NOTHIN' WRONG.
20
00:02:54,741 --> 00:02:57,108
HE TAKES ALL OUR PAY, A WEEK'S PAY,
21
00:02:57,577 --> 00:03:00,842
AND HE GIVES IT TO A STRANGER HE
MEETS ON THE STREET.
22
00:03:00,513 --> 00:03:03,539
BUT HE DIDN'T THINK HE WAS DOING
ANYTHING WRONG.
23
00:03:02,615 --> 00:03:06,483
IT WAS LIKE I SAID. I WAS STANDING IN
FRONT OF THIS RESTAURANT...
24
00:03:05,985 --> 00:03:09,717
WHEN THIS STRANGER COMES UP AND
SAYS-- "GOOD MORNING, COWBOY."
25
00:03:09,956 --> 00:03:14,120
THEN HE WINDS UP BUYING A HALF INTEREST
IN A RESTAURANT WITH OUR DOUGH.
26
00:03:13,793 --> 00:03:16,524
WELL, HE DIDN'T LOOK LIKE A CROOK.
HONEST.
27
00:03:16,062 --> 00:03:19,191
[Together] "I THOUGHT IT WAS A GOOD
INVESTMENT."
28
00:03:18,565 --> 00:03:19,794
[ Knocking ]
29
00:03:21,868 --> 00:03:24,530
HELLO, MRS. O'BRIEN. IS SOMETHING
WRONG ?
30
00:03:25,171 --> 00:03:27,606
YOU CAN JUST BET YOUR LIFE THERE IS.
31
00:03:27,774 --> 00:03:32,143
THAT NO-GOOD PARTNER OF YOURS IS ON HIS
WAY UP THE FRONT STEPS RIGHT NOW...
32
00:03:31,511 --> 00:03:35,175
AND HE'S STILL GOT THEM BLASTED
MUSICAL INSTRUMENTS WITH HIM.
33
00:03:34,814 --> 00:03:39,251
WELL, WE SENT HIM TO THE HOCK SHOP WITH THEM.
YOU HEARD US WHEN WE TOLD HIM.
34
00:03:38,384 --> 00:03:41,217
IT DOESN'T MAKE ANY DIFFERENCE
WHAT I HEARD.
35
00:03:40,553 --> 00:03:43,284
AND I'M NOT LISTENING TO YOU BOYS
ANYMORE.
36
00:03:44,123 --> 00:03:48,185
YOU OWE ME FOR YOUR BOARD AND ROOM,
AND I'M NOT TAKIN' ANY MORE TALK.
37
00:03:47,927 --> 00:03:50,794
NOW, EITHER THAT BOY BRINGS BACK
THE MONEY...
38
00:03:50,763 --> 00:03:54,529
OR I'M TAKIN' THEM MUSICAL
INSTRUMENTS TO THE PAWN SHOP MESELF.
39
00:03:54,634 --> 00:03:56,466
HEY, FELLAS. GUESS WHAT.
40
00:03:57,303 --> 00:04:01,331
ALONG THE WAY TO THE HOCK SHOP, I
RAN INTO A STRANGER, AND HE SAYS--
41
00:04:01,040 --> 00:04:03,873
[Together] YOU RAN INTO WHAT ? A
STRANGER.
42
00:04:04,777 --> 00:04:08,441
DON'T WORRY. NOT LIKE FREDDY'S
STRANGER. THIS GUY'S NO CROOK.
43
00:04:07,680 --> 00:04:11,344
IT'S ON THE UP-AND-UP. HE'S OPENING
UP A NEW STORE DOWN HERE.
44
00:04:10,316 --> 00:04:12,785
WHAT KIND OF A STORE ? A SADDLE
SHOP.
45
00:04:12,318 --> 00:04:15,379
IT'S ACROSS THE STREET FROM THE
CATTLEMEN'S BANK.
46
00:04:14,120 --> 00:04:17,681
ALL WE GOT TO DO IS STAND OUT
FRONT AND PLAY A FEW TUNES...
47
00:04:17,156 --> 00:04:19,591
TO GET THE CUSTOMERS INTO THE
STORE.
48
00:04:19,892 --> 00:04:23,829
WHAT TIME IS IT, BEAUTIFUL ? HE
WANTS US THERE AT NOON ON THE DOT.
49
00:04:22,695 --> 00:04:25,062
IT'S 20 MINUTES TO 12:00 RIGHT NOW.
50
00:04:26,065 --> 00:04:29,535
YOUNG MAN, IF YOU'RE PULLING SOME
KIND OF A TRICK ON ME--
51
00:04:28,568 --> 00:04:33,199
OH, THIS IS NO TRICK. HONEST. WE GET 20
BUCKS NOW AND ANOTHER 20 WHEN WE FINISH.
52
00:04:33,272 --> 00:04:35,707
YEAH ? WHEN DO WE GET THE FIRST 20
?
53
00:04:36,376 --> 00:04:38,902
GOT IT ALREADY. HERE IT IS RIGHT
HERE.
54
00:04:38,478 --> 00:04:40,537
TWO BEAUTIFUL BRAND-NEW TENS.
55
00:04:41,314 --> 00:04:43,316
HANG ON TO IT FOR US, GENE.
56
00:04:43,516 --> 00:04:46,542
MAYBE I'D BETTER HANG ON TO THAT
FOR YOU MESELF.
57
00:04:46,486 --> 00:04:48,853
NOW, THAT'LL PAY UP YOUR BACK BILL,
58
00:04:48,688 --> 00:04:52,056
AND lT'LL ALSO PAY YOU FOR A DAY
AND A HALF IN ADVANCE.
59
00:04:52,392 --> 00:04:54,554
WELL, GOOD-BYE FOR TODAY, BOYS.
60
00:04:54,694 --> 00:04:56,958
GOOD LUCK TO YOU ON YOUR NEW JOB.
61
00:05:00,400 --> 00:05:03,404
,6O BROTHERS AND SISTERS HERE'S
THE LOWDOWN ,6O
62
00:05:04,337 --> 00:05:07,204
,6O WHEN IT COMES TIME TO HAVE A
SHOWDOWN ,6O
63
00:05:07,306 --> 00:05:10,776
,6O THERE'S NOTHIN' LIKE A GOOD
OLD-FASHIONED HOEDOWN ,6O
64
00:05:11,177 --> 00:05:13,407
,6O TO CHASE YOUR BLUES AWAY ,6O
65
00:05:15,014 --> 00:05:18,018
,6O WHEN LADY LUCK GIVES YOU THE
THROW DOWN ,6O
66
00:05:18,051 --> 00:05:20,884
,6O AND OLD MAN WORRY STARTS TO
MOW DOWN ,6O
67
00:05:22,155 --> 00:05:25,625
,6O THERE'S NOTHIN' LIKE A GOOD
OLD-FASHIONED HOEDOWN ,6O
68
00:05:25,658 --> 00:05:27,820
,6O TO BRIGHTEN UP YOUR DAY ,6O
69
00:05:28,961 --> 00:05:31,692
,6O GRAB YOUR PARTNER SWING HER
AROUND ,6O
70
00:05:31,197 --> 00:05:33,359
,6O AND CIRCLE ON YOUR HEEL ,6O
71
00:05:33,199 --> 00:05:37,363
,6O ONE, TWO, THREE, FOUR GREASE YOUR
KNEE FOR A REAL VIRGINIA REEL ,6O
72
00:05:36,769 --> 00:05:39,500
,6O GET READY NOW TO PUT YOUR TOE
DOWN ,6O
73
00:05:40,873 --> 00:05:44,036
,6O AND ONCE YOU'VE STARTED DON'T
YOU SLOW DOWN ,6O
74
00:05:43,810 --> 00:05:47,280
,6O THERE'S NOTHIN' LIKE A GOOD
OLD-FASHIONED HOEDOWN ,6O
75
00:05:47,680 --> 00:05:49,910
,6O TO CHASE YOUR BLUES AWAY ,6O
76
00:05:56,989 --> 00:05:59,993
,6O BROTHERS AND SISTERS HERE'S
THE LOWDOWN ,6O
77
00:06:00,760 --> 00:06:03,627
,6O WHEN IT COMES TIME TO HAVE A
SHOWDOWN ,6O
78
00:06:03,896 --> 00:06:07,366
,6O THERE'S NOTHIN' LIKE A GOOD
OLD-FASHIONED HOEDOWN ,6O
79
00:06:07,467 --> 00:06:09,697
,6O TO CHASE YOUR BLUES AWAY ,6O
80
00:06:11,637 --> 00:06:14,641
,6O WHEN LADY LUCK GIVES YOU THE
THROW DOWN ,6O
81
00:06:15,441 --> 00:06:18,274
,6O AND OLD MAN WORRY STARTS TO
MOW DOWN ,6O
82
00:06:18,311 --> 00:06:21,781
,6O THERE'S NOTHIN' LIKE A GOOD
OLD-FASHIONED HOEDOWN ,6O
83
00:06:22,281 --> 00:06:24,443
,6O TO BRIGHTEN UP YOUR DAY ,6O
84
00:06:25,752 --> 00:06:28,483
,6O GRAB YOUR PARTNER SWING HER
AROUND ,6O
85
00:06:27,820 --> 00:06:29,982
,6O AND CIRCLE ON YOUR HEEL ,6O
86
00:06:30,022 --> 00:06:34,459
,6O ONE, TWO, THREE, FOUR GREASE YOUR
KNEE FOR A REAL VIRGINIA REEL-- ,6O,6O
87
00:06:32,692 --> 00:06:36,219
STOP ! STOP THAT NOISE ! DO YOU
HEAR ME ? I SAID STOP IT!
88
00:06:37,563 --> 00:06:41,625
WHAT'S THE BIG IDEA ? HAVE YOU GOT
A LICENSE TO MAKE ALL THIS NOISE ?
89
00:06:41,734 --> 00:06:44,396
WE WERE HIRED BY THE OWNER OF
THIS STORE.
90
00:06:43,936 --> 00:06:48,169
YOU WERE NOT HIRED BY THE OWNER OF THIS STORE.
I HAPPEN TO BE THE OWNER.
91
00:06:47,206 --> 00:06:50,369
ARE YOU GOING TO TELL ME THAT I
HIRED YOU FELLAS...
92
00:06:49,609 --> 00:06:52,772
TO MAKE ALL THIS NOISE AND DRIVE
OFF MY CUSTOMERS ?
93
00:06:52,545 --> 00:06:55,708
HE'S NOT THE FELLA THAT GAVE ME
THE 20 BUCKS, GENE.
94
00:06:55,181 --> 00:06:58,185
WELL, WHO DID ? LIKE I SAID, I MET THIS
FELLA--
95
00:06:57,850 --> 00:07:02,913
I'll GIVE YOU JUST TWO MINUTES TO CLEAR AWAY
FROM THIS SHOP. THEN I'M CALLING THE POLICE.
96
00:07:01,454 --> 00:07:04,389
NOW, WAIT A MINUTE. WE GOT
ANOTHER $20 COMING.
97
00:07:04,690 --> 00:07:08,160
SOMEBODY GAVE YOU $20, AND
SOMEBODY TOLD US TO COME HERE.
98
00:07:07,660 --> 00:07:12,097
I DON'T CARE WHO TOLD YOU TO COME HERE.
I'M TELLING YOU TO GET OUT OF HERE--
99
00:07:11,264 --> 00:07:12,493
[ Gunshots ]
100
00:07:33,653 --> 00:07:36,816
LET ME HAVE YOUR KEYS, MISTER.
WE'LL BE RIGHT BACK.
101
00:07:36,022 --> 00:07:38,889
HEY, JUST A MINUTE HERE. DON'T
WORRY, MISTER.
102
00:07:38,524 --> 00:07:41,528
HEY, WHAT'S THE IDEA ? COME BACK
WITH THAT CAR.
103
00:07:42,295 --> 00:07:43,729
COME BACK HERE!
104
00:07:49,502 --> 00:07:50,628
THAT WAY!
105
00:09:10,783 --> 00:09:14,014
WHAT ARE WE STOPPING FOR ? THAT
ROADSTER BACK THERE.
106
00:09:13,052 --> 00:09:17,285
IT'S ONLY A GAL, ISN'T IT ? YEAH, BUT
SHE'LL KNOW IF SHE PASSED SOMEONE.
107
00:09:19,125 --> 00:09:20,752
HEY! [ Honks Horn]
108
00:09:21,127 --> 00:09:22,788
[Honking Continues]
109
00:09:23,429 --> 00:09:26,660
BET SHE THINKS WE'RE A BUNCH OF
CROOKS OR SOMETHING.
110
00:09:26,065 --> 00:09:28,591
OR A BUNCH OF ROMEOS OUT FOR A
PICKUP.
111
00:09:36,475 --> 00:09:37,943
[Siren Wailing]
112
00:09:52,892 --> 00:09:54,621
YOU AND YOUR STRANGER.
113
00:09:55,261 --> 00:09:58,595
YOU'RE GETTING AS BAD AS FRED AND
HIS RESTAURANT DEAL.
114
00:09:58,564 --> 00:10:01,090
AW, GEE, FELLAS, HOW DID I KNOW
THAT--
115
00:10:04,837 --> 00:10:06,669
ARE THESE THE MEN ? YES.
116
00:10:06,839 --> 00:10:09,865
AND I DID NOT HIRE THEM TO PLAY
OUTSIDE MY SHOP.
117
00:10:09,675 --> 00:10:12,838
MAYBE IT WAS HIS PARTNER THAT GAVE
ME THE 20 BUCKS.
118
00:10:11,978 --> 00:10:15,414
I HAVE NO PARTNER. THANK YOU.
THAT'LL BE ALL, MR. HAMBY.
119
00:10:19,785 --> 00:10:24,723
WHY DON'T YOU GUYS COME CLEAN ? YOU'RE CAUGHT
WITH YOUR GARTERS DOWN, AND YOU KNOW IT.
120
00:10:22,521 --> 00:10:26,048
ALL WE KNOW IS THAT WE WERE HIRED
TO MAKE A LITTLE MUSIC--
121
00:10:25,391 --> 00:10:27,519
MAKE A LITTLE NOISE, YOU MEAN.
122
00:10:27,193 --> 00:10:31,426
YOUR PART OF THE HOLDUP WAS TO CREATE
A DISTRACTION ACROSS THE STREET...
123
00:10:30,329 --> 00:10:34,391
WHILE THE REST OF YOUR MOB GOT AWAY
WITH A COOL $100,000 IN CURRENCY.
124
00:10:33,399 --> 00:10:36,630
THAT ISN'T TRUE. THEN YOU HOPPED
INTO A STOLEN CAR--
125
00:10:35,601 --> 00:10:37,763
WE WERE JUST TRYING-- OH, SURE.
126
00:10:37,403 --> 00:10:40,532
YOU WERE JUST GONNA CHASE THE
BANK BANDITS FOR US.
127
00:10:39,939 --> 00:10:42,203
WHO DO YOU THINK YOU'RE KIDDING ?
128
00:10:41,941 --> 00:10:44,501
THAT STOLEN MONEY WAS ALL IN NEW
BILLS.
129
00:10:44,143 --> 00:10:47,169
THOSE SERIAL NUMBERS WON'T BE TOO
HARD TO TRACE.
130
00:10:47,179 --> 00:10:48,738
NOW, LISTEN, AUTRY,
131
00:10:48,781 --> 00:10:52,786
YOU ONLY GOT ONE CHANCE TO BEAT
THIS RAP, AND THAT'S TO COME CLEAN.
132
00:10:51,484 --> 00:10:54,249
I WANNA KNOW WHO THE REST OF THAT
GANG WAS.
133
00:10:53,819 --> 00:10:58,290
I NEVER SAW THOSE FELLAS UNTIL THEY
JUMPED IN THAT SEDAN OUTSIDE OF THE BANK.
134
00:10:56,922 --> 00:10:59,391
I WOULDN'T KNOW 'EM IF I SAW 'EM NOW.
135
00:10:59,058 --> 00:11:02,289
I DON'T SUPPOSE YOU EVER SAW THIS
GUY BEFORE EITHER.
136
00:11:02,228 --> 00:11:05,289
- I NEVER DID. - [Jerry] HEY, THAT'S THE
FELLA.
137
00:11:04,697 --> 00:11:08,429
- [Gene] WHAT FELLA ? - THE FELLA
THAT GAVE ME THE 20 BUCKS.
138
00:11:07,133 --> 00:11:10,194
HIS NAME IS BLINKY CHARLESTON,
ALIAS DAN CHARLES,
139
00:11:09,201 --> 00:11:11,670
ALIAS CHARLES DANIELS, AND HE'S
DEAD.
140
00:11:11,203 --> 00:11:15,538
THE BANK GUARD SHOT HIM AS HE WAS SITTING
AT THE WHEEL OF THE GETAWAY CAR.
141
00:11:14,774 --> 00:11:17,300
HIS FRIENDS PUSHED HIM OUT OF THE
CAR.
142
00:11:17,643 --> 00:11:18,906
YOUR FRIENDS.
143
00:11:19,845 --> 00:11:23,179
AND YOU'RE TRYING TO GIVE ME A DEAD
MAN FOR AN ALIBI ?
144
00:11:22,415 --> 00:11:24,179
YOU GUYS MAKE ME LAUGH.
145
00:11:24,617 --> 00:11:28,281
HERE. THIS CAME FOR YOU OVER AT
MRS. O'BRIEN'S BOARDINGHOUSE.
146
00:11:27,720 --> 00:11:29,882
I READ IT. HOPE YOU DON'T MIND.
147
00:11:31,390 --> 00:11:35,156
IT'S FROM MY SISTER. UNCLE MART
DIED YESTERDAY. THAT'S TOO BAD.
148
00:11:36,462 --> 00:11:39,898
HEY, HE WILLED US HIS CATTLE RANCH
OUT IN HIDDEN VALLEY.
149
00:11:39,298 --> 00:11:42,928
I'M A CATTLE BARON. A LOT OF GOOD
IT'S GONNA DO YOU IN HERE.
150
00:11:42,401 --> 00:11:45,530
SHE'S WIRING ME A HUNDRED BUCKS
TO COME OUT THERE.
151
00:11:44,904 --> 00:11:49,137
IT'LL TAKE A LOT MORE THAN A HUNDRED
BUCKS TO GET YOU OUT OF THIS PLACE.
152
00:11:50,042 --> 00:11:53,068
DID YOU WANNA SEE ME, CAP ? TAKE A
LOOK AT THIS.
153
00:11:52,445 --> 00:11:55,710
A COPY OF A TELEGRAM SENT TO OUR
COWBOY BANK BANDITS.
154
00:11:56,549 --> 00:12:00,315
SO THEY INHERIT A RANCH. YOU THINK
IT'S ON THE LEVEL ? DO YOU ?
155
00:12:00,319 --> 00:12:01,582
CODE MESSAGE.
156
00:12:02,488 --> 00:12:06,550
THE REST OF THE GANG DOESN'T KNOW
WE PICKED UP THEIR MUSICAL STOOGES.
157
00:12:06,459 --> 00:12:11,124
THIS RANCH IS THE RENDEZVOUS WHERE THEY'RE
SUPPOSED TO MEET TO DIVVY UP THE HAUL.
158
00:12:10,529 --> 00:12:11,473
LAC EY,
159
00:12:13,165 --> 00:12:16,191
I'M GOING TO RELEASE THOSE MUSICAL
BANK BANDITS.
160
00:12:16,368 --> 00:12:19,133
RELEASE 'EM ? I WANT THE REST OF
THAT GANG.
161
00:12:19,338 --> 00:12:23,468
AS FAR AS I CAN SEE, THOSE OTHER HOODS
ARE STRICTLY FROM OUT OF STATE.
162
00:12:22,842 --> 00:12:25,106
TAKE BLINKY CHARLESTON FROM OHIO.
163
00:12:26,078 --> 00:12:28,240
I ALSO WANT THAT HUNDRED GRAND.
164
00:12:28,447 --> 00:12:32,384
IF WE TURN OUR COWBOYS LOOSE, THEY'RE
BOUND TO GO AFTER THEIR CUT.
165
00:12:32,017 --> 00:12:33,849
YOUR JOB IS TO TAIL 'EM,
166
00:12:34,620 --> 00:12:37,146
EVEN IF IT TAKES YOU HALFWAY TO
CHINA.
167
00:12:38,724 --> 00:12:42,160
,6O GOIN' BACK TO MY GOOD OLD
TEXAS HOME, HOME, HOME ,6O
168
00:12:43,996 --> 00:12:46,465
,6O DOWN BY THE SLEEPY RIO GRANDE
,6O
169
00:12:49,001 --> 00:12:52,130
,6O WHERE THE LONESOME TURTLE
DOVE IS GRIEVIN' ,6O
170
00:12:53,873 --> 00:12:56,638
,6O AND THE MOON IS SHININ' ON THE
SAND ,6O
171
00:12:58,110 --> 00:13:01,774
,6O GOIN' BACK WHERE THE LONGHORN
CATTLE ROAM, ROAM, ROAM ,6O
172
00:13:03,716 --> 00:13:07,243
,6O WHERE YOUR BEST FRIEND IS YOUR
BRONCO AND YOUR GUN ,6O
173
00:13:08,954 --> 00:13:11,821
,6O AND I KNOW I'll NEVER MORE BE
LEAVIN' ,6O
174
00:13:14,226 --> 00:13:17,059
,6O TEXAS HOME MY RAMBLIN' DAYS
ARE DONE ,6O
175
00:13:19,165 --> 00:13:21,293
,6O GIVE ME BACK MY SADDLE ,6O
176
00:13:21,767 --> 00:13:23,769
,6O GIVE ME BACK MY GUN ,6O
177
00:13:24,270 --> 00:13:27,296
,6O GIVE ME BACK THAT GOOD OL'
BRONC OF MINE ,6O
178
00:13:29,375 --> 00:13:31,639
,6O GIVE ME BACK THE CAMPFIRE ,6O
179
00:13:31,777 --> 00:13:33,802
,6O WHEN THE DAY IS DONE ,6O
180
00:13:34,313 --> 00:13:37,180
,6O LET ME HEAR THE LONESOME
COYOTE WHINE ,6O
181
00:13:39,451 --> 00:13:43,115
,6O GOIN' BACK WHERE THE LONGHORN
CATTLE ROAM, ROAM, ROAM ,6O
182
00:13:44,390 --> 00:13:47,917
,6O WHERE YOUR BEST FRIEND IS YOUR
BRONCO AND YOUR GUN ,6O
183
00:13:49,028 --> 00:13:51,895
,6O AND I KNOW I'll NEVER MORE BE
LEAVIN' ,6O
184
00:13:54,600 --> 00:13:57,604
,6O TEXAS HOME MY RAMBLIN' DAYS
ARE DONE ,6O,6O
185
00:14:26,732 --> 00:14:28,200
"REST AND PEACE."
186
00:14:28,534 --> 00:14:31,367
HMM. THEY OUGHT TO CALL IT, "REST IN
PEACE."
187
00:14:31,003 --> 00:14:35,634
TOO BAD THEY DIDN'T SEND A RECEPTION
COMMITTEE OUT TO MEET THE NEW CATTLE BARON.
188
00:14:42,348 --> 00:14:43,509
HELLO, DAD.
189
00:14:45,117 --> 00:14:48,280
COULD YOU TELL US HOW TO GET OUT
TO HIDDEN VALLEY ?
190
00:14:47,786 --> 00:14:49,447
HIDDEN VALLEY ? YEAH.
191
00:14:49,989 --> 00:14:52,253
IT'S OUT THATAWAY. QUITE A SPELL.
192
00:14:53,392 --> 00:14:56,828
- BUT YOU'LL NEVER FIND IT ? - NEVER
FIND IT ? WHY NOT ?
193
00:14:58,964 --> 00:15:01,968
WHY DO YOU SUPPOSE THEY CALL IT
HIDDEN VALLEY ?
194
00:15:22,354 --> 00:15:23,480
HIYA, POP.
195
00:15:24,356 --> 00:15:28,122
DID YOU HAPPEN TO SEE FOUR MEN ON
HORSEBACK A FEW MINUTES AGO ?
196
00:15:28,060 --> 00:15:29,994
YEP. EVER SEE 'EM BEFORE ?
197
00:15:30,863 --> 00:15:31,637
NO.
198
00:15:33,065 --> 00:15:34,794
DID THEY TALK TO YOU ?
199
00:15:35,067 --> 00:15:37,229
YEAH. WELL, WHAT DID THEY SAY ?
200
00:15:37,269 --> 00:15:39,704
ASKED ME WHICH WAY TO HIDDEN
VALLEY.
201
00:15:40,673 --> 00:15:42,675
WHICH WAY IS IT ? THATAWAY.
202
00:15:46,145 --> 00:15:48,147
THERE A HOTEL AROUND HERE ?
203
00:15:47,946 --> 00:15:48,822
YEAH.
204
00:15:49,715 --> 00:15:50,716
WHERE ?
205
00:15:51,917 --> 00:15:53,646
THATAWAY. THAN KS, POP.
206
00:16:06,098 --> 00:16:09,227
HELLO, CAP. I'M AT A WHISTLE-STOP
CALLED SERENITY.
207
00:16:10,202 --> 00:16:12,136
SERENITY. S-E-R-E-N-I-T-Y.
208
00:16:14,173 --> 00:16:18,701
OUR MUSICAL BANK ROBBERS JUST CHECKED
THROUGH HERE ON THEIR WAY TO THAT RANCH.
209
00:16:17,676 --> 00:16:22,204
- THEY'RE RIGHT ON SCHEDULE.- GREAT.
FROM HERE IN, PLAY IT CLOSE TO THE BELT.
210
00:16:21,914 --> 00:16:26,476
I'll SEND YOU A LIST OF THOSE SERIAL
NUMBERS AS SOON AS I GET IT FROM THE BANK.
211
00:16:26,251 --> 00:16:29,380
MAIL IT TO ME, CARE OF GENERAL
DELIVERY, SERENITY.
212
00:16:29,421 --> 00:16:33,483
I'll CHECK WITH YOU TOMORROW. OH,
AND YOU BETTER NOT TRY TO PHONE ME.
213
00:16:50,042 --> 00:16:52,875
WHAT A WRECK. DON'T WORRY, MR.
CATTLE BARON.
214
00:16:53,212 --> 00:16:56,546
THE PLACE WILL LOOK ALL RIGHT
WHEN WE GET IT FIXED UP.
215
00:17:03,922 --> 00:17:05,356
,6O,6O [Piano]
216
00:17:08,093 --> 00:17:10,118
HELLO, BOYS. HELLO ! HELLO!
217
00:17:10,963 --> 00:17:12,829
HI, SIS. HELLO, VIRGINIA.
218
00:17:15,134 --> 00:17:17,068
WELCOME TO HAUNTED CASTLE.
219
00:17:17,136 --> 00:17:19,298
HAUNTED IS RIGHT. HOW ARE YOU ?
220
00:17:20,506 --> 00:17:23,737
I KNOW. DON'T TELL ME. IT NEEDS "THE
WOMAN'S TOUCH."
221
00:17:23,876 --> 00:17:27,141
LOOKS LIKE NOBODY'S LIVED HERE FOR
YEARS. NOBODY HAS.
222
00:17:26,645 --> 00:17:29,876
WHO TAKES CARE OF THE STOCK ?
STOCK ? THAT'S SIMPLE.
223
00:17:30,416 --> 00:17:33,078
- THERE ISN'T ANY. - THAT'S GREAT.
GREAT.
224
00:17:34,219 --> 00:17:36,847
A CATTLE RANCH WITHOUT ANY
CATTLE ON IT.
225
00:17:38,924 --> 00:17:40,392
[Gene Laughing]
226
00:17:44,163 --> 00:17:48,100
WHAT DO YOU AND JERRY PLAN TO DO
WITH THE RANCH ? WHAT CAN WE DO ?
227
00:17:47,466 --> 00:17:51,232
I'VE A LITTLE OVER $300, AND YOU
CAN'T STOCK A RANCH WITH THAT.
228
00:17:50,736 --> 00:17:54,570
WHY DON'T YOU SELL IT ? MAYBE TO
ONE OF THE NEIGHBORING RANCHES.
229
00:17:54,440 --> 00:17:57,774
FROM THE LOOKS OF THE TOWN,
THEY'RE AS POOR AS WE ARE.
230
00:17:57,643 --> 00:18:00,772
DID YOU SEE THE TOWN ? YEAH, WE
SAW IT, ALL RIGHT.
231
00:17:59,978 --> 00:18:01,446
"REST AND PEACE."
232
00:18:02,414 --> 00:18:04,746
THERE'S A LOT OF THAT AROUND HERE.
233
00:18:04,383 --> 00:18:07,011
SAY, THAT'S AN IDEA. [Virginia] WHAT ?
234
00:18:06,385 --> 00:18:09,150
WHY DON'T YOU SELL THAT ? "REST
AND PEACE."
235
00:18:09,788 --> 00:18:12,621
YOU KNOW, A DUDE RANCH FOR TIRED
CITY FOLKS.
236
00:18:12,624 --> 00:18:14,991
AND YOU DON'T NEED CATTLE FOR
THAT.
237
00:18:14,693 --> 00:18:17,253
WE COULD CLEAN THIS PLACE UP ALL
RIGHT.
238
00:18:16,628 --> 00:18:19,256
WE COULD ADVERTISE IN A FEW CITY
PAPERS.
239
00:18:19,798 --> 00:18:23,166
WE'LL DO IT. AND YOU'LL BE THE
MANAGER. OH, NO. NOT ME.
240
00:18:23,402 --> 00:18:26,428
I DON'T KNOW A THING ABOUT RUNNING
A DUDE RANCH.
241
00:18:25,604 --> 00:18:29,734
WELL, NEITHER DO I. ANYWAY, IT WAS
YOUR IDEA AND YOU'RE STUCK WITH IT.
242
00:18:40,152 --> 00:18:42,814
- LOOK ALL RIGHT, CHAMP ? -[
Whinnying ]
243
00:18:55,534 --> 00:18:58,595
ABOUT FINISHED UP ? YEAH. LET'S SEE
HOW IT WORKS.
244
00:19:04,476 --> 00:19:06,478
[Both ] HEY, GENE ! GENE!
245
00:19:08,947 --> 00:19:10,210
[ Hammering ]
246
00:19:17,823 --> 00:19:19,882
ALMOST THROUGH ? YEP. ALMOST.
247
00:19:48,120 --> 00:19:49,986
[Train Whistle Blowing]
248
00:19:56,028 --> 00:19:58,895
WATCH YOUR STEP, LADIES. [Man ] ALL
ABOARD!
249
00:20:09,908 --> 00:20:11,672
RIGHT UP THERE, MISTER.
250
00:20:13,478 --> 00:20:16,004
EVERYBODY HAPPY ? YEAH. GREAT.
THANKS.
251
00:20:26,091 --> 00:20:27,422
COME ON, BOYS.
252
00:20:44,376 --> 00:20:48,438
YOU HAVE THE HONOR OF BEING THE FIRST
GUEST TO REGISTER. THAT'S FINE.
253
00:20:47,579 --> 00:20:50,446
I'M SURE YOU'LL HAVE A PLEASANT
STAY. THANKS.
254
00:20:49,648 --> 00:20:52,310
I, UH-- I KNOW I CAME TO THE RIGHT
PLACE.
255
00:20:52,384 --> 00:20:55,718
WE HAVE A NICE ROOM UPSTAIRS FOR
YOU IN THE EAST WING.
256
00:20:54,553 --> 00:20:56,555
YOU'LL HAVE PRIVACY. SWELL.
257
00:20:56,555 --> 00:20:59,559
AND IF I GET LONESOME, I'll JUST
BROWSE AROUND.
258
00:21:00,592 --> 00:21:02,959
THE RATES ARE $10 A DAY, MR. LACEY.
259
00:21:03,161 --> 00:21:04,788
THAT INCLUDES MEALS.
260
00:21:09,501 --> 00:21:11,970
THERE'S A WEEK IN ADVANCE. THANK
YOU.
261
00:21:11,603 --> 00:21:15,039
EXCUSE ME. WE'LL SHOW YOU TO YOUR
ROOM IN JUST A MINUTE.
262
00:21:16,408 --> 00:21:18,342
[Virginia] NEXT, PLEASE.
263
00:21:20,779 --> 00:21:22,213
WHAT'S UP ? SHH.
264
00:21:22,581 --> 00:21:24,948
BOYS, WE GOT TROUBLES ON OUR
HANDS.
265
00:21:24,583 --> 00:21:27,348
TROUBLE ? WHAT TROUBLE ? WHAT DO
YOU MEAN ?
266
00:21:26,785 --> 00:21:30,517
THE FIRST GUY WHO SIGNS THE
REGISTER IS THE DICK FROM DALFORT.
267
00:21:29,121 --> 00:21:30,748
A COP ? A DETECTIVE.
268
00:21:31,123 --> 00:21:35,253
THAT MEANS THEY STILL THINK WE HAD
SOMETHING TO DO WITH THAT BANK JOB.
269
00:21:33,425 --> 00:21:35,792
THEY TURNED US LOOSE, DIDN'T THEY ?
270
00:21:35,560 --> 00:21:39,929
YEAH, BUT MAYBE THEY FIGURED, GIVE US
ENOUGH ROPE AND WE'LL HANG OURSELVES.
271
00:21:38,463 --> 00:21:42,900
BUT WE DIDN'T HAVE NOTHING TO DO WITH
IT, SO WHAT DO WE GOT TO WORRY ABOUT ?
272
00:21:41,333 --> 00:21:43,392
WE GOT PLENTY TO WORRY ABOUT,
273
00:21:43,335 --> 00:21:45,861
ONLY I DON'T KNOW JUST WHAT IT IS
YET.
274
00:21:46,104 --> 00:21:47,833
KEEP YOUR EYES PEELED.
275
00:21:52,077 --> 00:21:54,079
I'll OPEN WITH TEN. I'M IN.
276
00:21:57,349 --> 00:21:58,475
I'll STAY.
277
00:21:59,351 --> 00:22:01,012
HOW MANY CARDS ? TWO.
278
00:22:02,921 --> 00:22:04,480
TWO. GIVE ME THREE.
279
00:22:05,223 --> 00:22:07,225
THREE. AND I'll DRAW THREE.
280
00:22:09,961 --> 00:22:11,019
YOU OPEN.
281
00:22:13,198 --> 00:22:14,632
WELL, I BET TEN.
282
00:22:16,802 --> 00:22:17,826
I'M OUT.
283
00:22:21,473 --> 00:22:23,134
I'll HAVE TO SEE YOU.
284
00:22:24,142 --> 00:22:25,769
THREE PRETTY EIGHTS.
285
00:22:27,079 --> 00:22:28,137
BEATS ME.
286
00:22:29,414 --> 00:22:31,883
A HUNDRED G's. THAT'S A LOT OF
DOUGH.
287
00:22:33,018 --> 00:22:36,352
ESPECIALLY IF YOU DON'T HAVE TO
SPLIT IT WITH ANYBODY.
288
00:22:35,487 --> 00:22:37,819
CUT IT OUT, DUKE. TWO WHOLE WEEKS.
289
00:22:39,358 --> 00:22:42,885
A DAME CAN GO A LONG WAYS IN TWO
WEEKS. I SAID CUT IT OUT.
290
00:22:42,894 --> 00:22:46,524
WHOSE IDEA WAS IT THAT WE DON'T
GET TOGETHER FOR TWO WEEKS ?
291
00:22:45,964 --> 00:22:47,728
TAKE IT EASY, YOU GUYS.
292
00:22:49,134 --> 00:22:52,900
ALL RIGHT, SO IT WAS JULIE'S IDEA,
BUT IT WAS FOR YOUR BENEFIT.
293
00:22:52,704 --> 00:22:55,469
YOU'RE THE ONLY ONE THAT'S HOT
AROUND HERE.
294
00:22:54,973 --> 00:22:58,910
WE COULD LIVE IN TEXAS THE REST OF
OUR LIVES AND NEVER GET TAGGED.
295
00:22:58,143 --> 00:22:59,770
[Knocking At Door]
296
00:23:02,614 --> 00:23:04,343
[Knocking Continues]
297
00:23:13,925 --> 00:23:17,395
WE WERE JUST TALKING ABOUT YOU,
JULIE. THAT IS, DUKE WAS.
298
00:23:16,995 --> 00:23:20,226
YOU DON'T HAVE TO TELL ME WHAT HE
WAS SAYING EITHER.
299
00:23:19,164 --> 00:23:22,190
STOP THE BEEF. THE DOUGH'S HERE.
LET'S SPLIT IT.
300
00:23:24,803 --> 00:23:27,568
WHAT DO YOU WANT ME TO DO WITH
THESE RODS ?
301
00:23:26,805 --> 00:23:29,467
I'll SHOW YOU WHAT TO DO WITH ONE
OF 'EM.
302
00:23:28,907 --> 00:23:31,774
HEY, WHAT IS THIS ? GUESS. YOU CAN
ALL GUESS.
303
00:23:31,810 --> 00:23:35,474
I'll GIVE YOU THREE GUESSES. NOW,
GET OVER AGAINST THAT WALL.
304
00:23:34,613 --> 00:23:36,479
YOU HEARD ME. GET MOVING.
305
00:23:36,882 --> 00:23:39,908
YOU CAN'T GET AWAY WITH IT, DUKE. I
CAN'T, HUH ?
306
00:23:39,951 --> 00:23:41,282
JUST WATCH ME.
307
00:23:41,920 --> 00:23:44,787
TURN AROUND AND LOOK AT THE WALL.
ALL OF YOU
308
00:23:48,427 --> 00:23:50,759
LOOK AT THE NICE, PRETTY PICTURES.
309
00:23:58,937 --> 00:24:02,771
YOU'RE ASKING FOR IT, DUKE. I'll FIND
YOU. YOU CAN DEPEND ON IT.
310
00:24:02,340 --> 00:24:04,206
DON'T SCARE ME LIKE THAT.
311
00:24:05,010 --> 00:24:06,478
SO LONG, KIDDIES.
312
00:24:10,916 --> 00:24:11,792
ACE 1
313
00:24:25,230 --> 00:24:28,256
THIS IS A FINE TIME TO BE READING THE
NEWSPAPER.
314
00:24:47,786 --> 00:24:51,017
[Man] THIS IS A GREAT TIME TO BE
READING THIS ONE.
315
00:24:50,722 --> 00:24:53,885
WE'RE TAKING A LITTLE TRIP, JULIE,
JUST YOU AND ME.
316
00:25:01,566 --> 00:25:04,035
WELCOME TO SERENITY RANCH. I HOPE
SO.
317
00:25:03,835 --> 00:25:07,305
CAN I HELP YOU ? NO. THOSE ARE MY
PILLS. I'll TAKE THOSE.
318
00:25:06,905 --> 00:25:08,839
RIGHT THIS WAY, GENTLEMEN.
319
00:25:26,391 --> 00:25:30,328
HERE WE ARE, GENTLEMEN. AND YOU
CAN BE SURE WE'LL DO EVERYTHING...
320
00:25:28,660 --> 00:25:31,391
TO MAKE YOUR STAY AS PLEASANT AS
POSSIBLE.
321
00:25:30,662 --> 00:25:32,664
WOULD YOU PLEASE REGISTER ?
322
00:25:33,131 --> 00:25:36,761
WHAT ARE THE RATES ? TEN DOLLARS
A DAY. THAT INCLUDES MEALS.
323
00:25:36,868 --> 00:25:40,202
IT INCLUDES EVERYTHING. HORSEBACK
RIDING, IF YOU LIKE.
324
00:25:39,838 --> 00:25:42,842
[Duke] IS A COUPLE OF WEEKS IN
ADVANCE OKAY ?
325
00:25:42,040 --> 00:25:43,474
FINE. THANK YOU.
326
00:25:45,277 --> 00:25:47,041
OH, WHAT NICE NEW ONES.
327
00:25:48,580 --> 00:25:51,242
WHAT WE COULDN'T DO WITH A BALE
OF THESE.
328
00:25:51,750 --> 00:25:54,515
HOWDY, PARTNER. [ Laughs] THAT'S
COW TALK.
329
00:25:56,988 --> 00:25:59,514
OH, MR. MANSFIELD, I'M A LITTLE TIRED.
330
00:25:59,991 --> 00:26:02,426
I'M GOING UP TO REST IN MY ROOM NOW.
331
00:26:02,260 --> 00:26:05,093
BUT I THOUGHT MAYBE LATER ON THIS
AFTERNOON,
332
00:26:04,596 --> 00:26:07,429
YOU WOULD JOIN ME IN A SMALL
HORSEBACK RIDE.
333
00:26:07,465 --> 00:26:09,593
THAT'S KIND OF OUT OF MY LINE.
334
00:26:09,267 --> 00:26:12,430
YEAH. AS A MATTER OF FACT, IT'S OUT
OF MY LINE TOO.
335
00:26:11,836 --> 00:26:14,362
I'VE NEVER BEEN ON A HORSE IN MY
LIFE.
336
00:26:14,406 --> 00:26:16,773
ALL I EVER STRADDLED WAS A STOOL...
337
00:26:16,408 --> 00:26:18,843
JUST ABOUT THIS HIGH OFF THE
GROUND.
338
00:26:18,410 --> 00:26:20,674
SHOE SALESMAN. WHAT'S YOUR LINE ?
339
00:26:21,146 --> 00:26:23,513
ME ? I'M-- I'M INTERESTED IN BANKS.
340
00:26:24,582 --> 00:26:26,107
JERRY. YEAH, GENE.
341
00:26:26,084 --> 00:26:29,145
WILL YOU SHOW MR. MANSFIELD TO HIS
ROOM ? SURELY.
342
00:26:28,954 --> 00:26:31,980
OH ! OH, MERCY. IT'S 11:00. IT'S A
MINUTE AFTER.
343
00:26:32,223 --> 00:26:35,989
PLEASE GET ME SOME WATER, SOMEBODY, PLEASE.
DO YOU FEEL FAINT ?
344
00:26:35,327 --> 00:26:39,764
NO, I DON'T FEEL FAINT NOW. BUT I WILL
FEEL FAINT IF I DON'T TAKE THIS PILL.
345
00:26:38,029 --> 00:26:40,657
RIGHT THIS WAY. I'll GET YOU SOME
WATER.
346
00:26:43,702 --> 00:26:46,763
THERE IS A MAN THAT APPARENTLY
ENJOYS ILL HEALTH.
347
00:26:47,505 --> 00:26:50,975
THAT'S RIGHT. COULD YOU, UH,
CHANGE A 20 FOR ME, PLEASE ?
348
00:26:51,676 --> 00:26:52,837
I THINK SO.
349
00:27:06,191 --> 00:27:07,852
SOMETHING WRONG ? NO.
350
00:27:08,293 --> 00:27:11,923
ONLY THESE ARE SO OLD, I WANTED TO
MAKE SURE THEY WERE REAL.
351
00:27:22,440 --> 00:27:25,466
I THINK YOU'LL FIND THIS ROOM VERY
SATISFACTORY.
352
00:27:25,577 --> 00:27:27,511
SAY, THANKS. THANKS A LOT.
353
00:27:28,113 --> 00:27:32,118
IF THERE'S ANYTHING ELSE YOU WANT--
THERE IS. THE KEY TO THAT DOOR.
354
00:27:31,049 --> 00:27:34,917
A KEY ? SAY, I'M SORRY, BUT THERE'S
NOT A KEY ON THE WHOLE RANCH.
355
00:27:35,420 --> 00:27:40,358
DON'T WORRY NONE, THOUGH, BECAUSE THE OTHER
THING WE DON'T HAVE AROUND HERE IS CROOKS.
356
00:28:19,697 --> 00:28:20,573
HERE.
357
00:28:21,699 --> 00:28:25,363
THINK THIS WILL BE ALL RIGHT ? YES,
THIS WILL BE VERY FINE...
358
00:28:24,369 --> 00:28:26,133
IF THERE ARE NO DRAFTS.
359
00:28:26,371 --> 00:28:29,807
JUST A MINUTE, BOYS, BEFORE YOU GO.
FOR YOU AND FOR YOU.
360
00:28:29,707 --> 00:28:32,335
NOW, CLEAR OUT. GEE, THANKS, MR.
HAINES.
361
00:28:32,110 --> 00:28:34,442
THANKS VERY MUCH. QUITE ALL RIGHT.
362
00:28:34,646 --> 00:28:36,171
,60,6O [Humming]
363
00:28:38,083 --> 00:28:39,084
PLEASE.
364
00:29:06,211 --> 00:29:07,440
[ Clicking ]
365
00:29:09,714 --> 00:29:11,944
IS THERE A DOCTOR IN THE HOUSE ?
366
00:29:12,884 --> 00:29:15,251
,6O ONCE A MAN COULD ROAM ABOUT
,6O
367
00:29:15,954 --> 00:29:18,218
,6O THE PRAIRIE WILD AND FREE ,6O
368
00:29:18,022 --> 00:29:20,457
,6O BUT THE OLD WIDE OPEN SPACES
,6O
369
00:29:20,325 --> 00:29:22,657
,6O AIN'T WHAT THEY USED TO BE ,6O
370
00:29:22,794 --> 00:29:25,320
,6O WHERE HERDS OF CATTLE
WANDERED ,6O
371
00:29:25,029 --> 00:29:27,054
,6O YOU HARDLY SEE A COW ,6O
372
00:29:27,398 --> 00:29:30,026
,6O THINGS HAVE CHANGED ON THE
RANGE ,6O
373
00:29:29,868 --> 00:29:31,927
,6O IT'S A DUDE RANCH NOW ,6O
374
00:29:31,870 --> 00:29:34,032
,6O AT THE MERRY-GO-ROUNDUP ,6O
375
00:29:34,539 --> 00:29:36,541
,6O ON TENDERFOOT RANGE ,6O
376
00:29:36,674 --> 00:29:39,939
,6O WHERE THE ROW-DE-DOW BOYS
LEARN TO BE COWBOYS ,6O
377
00:29:39,711 --> 00:29:42,146
,6O MY, HOW THE WEST HAS CHANGED
,6O
378
00:29:41,613 --> 00:29:43,980
,6O THEY'RE SINGIN' AND DANCIN' ,6O
379
00:29:43,882 --> 00:29:46,146
,6O AND THE RHYTHM IS STRANGE ,6O
380
00:29:46,251 --> 00:29:49,516
,6O AT THE PLOWIN' THE GROUND UP
MERRY-GO-ROUNDUP ,6O
381
00:29:49,053 --> 00:29:51,055
,6O ON TENDERFOOT RANGE ,6O
382
00:29:51,055 --> 00:29:53,285
,6O WHERE VARIETY OF SOCIETY ,6O
383
00:29:53,158 --> 00:29:55,286
,6O PEPS UP EACH OLD FOGEY ,6O
384
00:29:55,927 --> 00:29:58,760
,6O WHEN THEY EXERCISE HOW THEY
VOCALIZE ,6O
385
00:29:58,263 --> 00:30:00,425
,6O GET ALONG, LITTLE DOGIE ,6O
386
00:30:00,298 --> 00:30:02,460
,6O AT THE MERRY-GO-ROUNDUP ,6O
387
00:30:02,534 --> 00:30:04,536
,6O ON TENDERFOOT RANGE ,6O
388
00:30:04,969 --> 00:30:08,234
,6O WHERE THE ROW-DE-DOW BOYS
LEARN TO BE COWBOYS ,6O
389
00:30:07,338 --> 00:30:09,773
,6O MY, HOW THE WEST HAS CHANGED
,6O
390
00:30:10,308 --> 00:30:13,334
,6O BIG-TOWN OFFICE BOYS MAKE A
LOT OF NOISE ,6O
391
00:30:12,477 --> 00:30:14,536
,6O LOPIN' ON THE PRAIRIE ,6O
392
00:30:14,546 --> 00:30:17,607
,6O BUNKHOUSE TENEMENTS FILLED
WITH LINIMENTS ,6O
393
00:30:17,015 --> 00:30:18,949
,6O AND IT'S NECESSARY ,6O
394
00:30:19,017 --> 00:30:21,179
,6O AT THE MERRY-GO-ROUNDUP ,6O
395
00:30:21,553 --> 00:30:23,555
,6O ON TENDERFOOT RANGE ,6O
396
00:30:23,922 --> 00:30:27,256
,6O WHERE THE CITY SLICKERS ROMP IN
THEIR KNICKERS ,6O
397
00:30:26,124 --> 00:30:29,560
,6O THE OLD WILD WEST, SHE AIN'T
WHAT SHE USED TO BE ,6O
398
00:30:28,459 --> 00:30:31,019
,6O MY, HOW THE WEST HAS CHANGED
,6O,6O
399
00:30:33,031 --> 00:30:34,760
GOOD WORK THERE, BOYS.
400
00:30:35,567 --> 00:30:37,695
EVERYBODY HAVING A GOOD TIME ?
401
00:30:37,569 --> 00:30:41,096
GOODNESS. IT'S 10:00, A MINUTE AFTER,
WAY PAST BY BEDTIME.
402
00:30:40,638 --> 00:30:44,108
EXCUSE ME, PLEASE. DOCTOR'S
ORDERS, YOU KNOW. GOOD NIGHT.
403
00:30:43,274 --> 00:30:44,435
GOOD NIGHT.
404
00:30:45,276 --> 00:30:47,608
WELL, I THINK I'll TURN IN MYSELF.
405
00:30:47,278 --> 00:30:49,508
THIS NIGHTLIFE, IT'S KILLING ME.
406
00:30:49,080 --> 00:30:53,313
DO JUST AS YOU PLEASE. THAT'S WHAT WE
WANT YOU FOLKS TO DO AROUND HERE--
407
00:30:52,517 --> 00:30:54,349
MAKE YOURSELVES AT HOME.
408
00:30:54,485 --> 00:30:58,115
WE SHOULDN'T KEEP YOU UP ALL NIGHT
EITHER, GENE. GOOD NIGHT.
409
00:30:57,422 --> 00:30:58,583
GOOD NIGHT.
410
00:30:59,724 --> 00:31:01,783
GOOD NIGHT, GENE. GOOD NIGHT.
411
00:31:48,840 --> 00:31:50,501
CLOSE THE DOOR, DUKE.
412
00:31:52,910 --> 00:31:54,344
I SAID CLOSE IT.
413
00:31:58,016 --> 00:32:00,849
THERE'S NO LOCK. PROP A CHAIR UP
AGAINST IT.
414
00:32:03,054 --> 00:32:05,056
PROP A CHAIR UP AGAINST IT.
415
00:32:14,098 --> 00:32:16,624
WHERE IS IT, DUKE ? WHAT'S IT BUY ME
?
416
00:32:16,901 --> 00:32:20,565
IT DOESN'T BUY YOU ANYTHING. YOU'RE
BETTING ON THE LONG SHOT.
417
00:32:23,241 --> 00:32:26,472
YOU, UH, FORGOT TO PULL THE
DRAWERS ALL THE WAY OUT.
418
00:32:28,413 --> 00:32:30,939
I DIDN'T HAVE TIME. SUPPOSE YOU DO IT.
419
00:33:04,349 --> 00:33:07,785
FELLAS, GET DOWNSTAIRS. BE
CAREFUL WHEN YOU GET OUTSIDE.
420
00:33:56,234 --> 00:33:59,169
HE'S OUT THERE AFOOT, FELLAS. HE
CAN'T GO FAR.
421
00:33:58,302 --> 00:34:00,464
LET'S GET SOME HORSES UNDER US.
422
00:34:11,849 --> 00:34:12,975
GET GOING.
423
00:34:28,966 --> 00:34:30,400
WELL, THAT'S IT.
424
00:34:30,968 --> 00:34:34,802
LET'S GET TO A TELEPHONE. MAYBE WE
CAN HAVE 'EM CUT OFF IN TOWN.
425
00:34:37,141 --> 00:34:38,666
DID THEY SPOT US ?
426
00:34:39,343 --> 00:34:41,368
NO, BUT THEY TAGGED THE CAR.
427
00:34:43,314 --> 00:34:46,181
LET'S FIND SOME NICE, DEEP WATER
AND SINK IT.
428
00:34:45,983 --> 00:34:48,748
ARE YOU KIDDING ? HOW AM I GONNA
GET HOME ?
429
00:34:48,586 --> 00:34:51,851
YOU WANNA GO HOME WITH A HUNDRED
GRAND ON THE LOOSE ?
430
00:35:00,798 --> 00:35:03,927
THIS MAN'S NAME ISN'T MANSFIELD.
HE'S DUKE MANTEL.
431
00:35:04,402 --> 00:35:07,929
DUKE MANTEL ? YEAH. THE SLICKEST
BANK ROBBER IN THE STATE.
432
00:35:08,806 --> 00:35:12,174
JUST FINISHED A STRETCH AT
HUNTSVILLE A FEW MONTHS AGO.
433
00:35:10,842 --> 00:35:13,971
MY GOODNESS. HE MUST HAVE BEEN
PLANNING TO ROB US.
434
00:35:13,311 --> 00:35:15,473
I DOUBT IT. BANKS ARE HIS LINE.
435
00:35:15,613 --> 00:35:18,674
HE PROBABLY COME UP TO CASE THE
BANK AT SERENITY.
436
00:35:18,749 --> 00:35:20,376
TAKE HIM DOWN, BOYS.
437
00:35:20,751 --> 00:35:23,982
ANY IDEAS ON THIS ? NOTHING MORE
THAN I'VE TOLD YOU.
438
00:35:24,222 --> 00:35:26,452
TWO PEOPLE IN THAT CAR GOT AWAY.
439
00:35:26,023 --> 00:35:30,153
WELL, LOOKS LIKE I'll HAVE TO GO
THROUGH MY USUAL QUESTIONING ROUTINE.
440
00:35:30,661 --> 00:35:33,494
GET ALL THE FOLKS TOGETHER, WILL
YOU ? SURE.
441
00:35:37,768 --> 00:35:40,533
HOWDY, FOLKS. WE'RE MIGHTY GLAD TO
SEE YOU.
442
00:35:40,638 --> 00:35:44,506
WELCOME TO SERENITY RANCH, THE
FINEST LITTLE REST RANCH IN TEXAS.
443
00:35:44,175 --> 00:35:46,109
THAT'S ALL, FOLKS. THANKS.
444
00:35:46,711 --> 00:35:49,976
WELL, IT SEEMS THAT NOBODY KNOWS
ANYTHING ABOUT THIS.
445
00:35:49,680 --> 00:35:52,615
I'll BE BACK LATER WITH MY
FINGERPRINT EXPERT.
446
00:35:52,350 --> 00:35:55,376
DON'T LET ANYBODY IN THE ROOM
WHERE IT HAPPENED.
447
00:35:54,418 --> 00:35:57,683
I DON'T THINK WE'LL HAVE ANY
TROUBLE IN THAT RESPECT.
448
00:35:56,587 --> 00:36:00,023
YOU KNOW, IT'S FUNNY THAT CAR
NEVER SHOWED UP SOMEPLACE.
449
00:35:59,357 --> 00:36:02,361
I'll PUT THE DESCRIPTION ON THE
STATE TELETYPE.
450
00:36:02,026 --> 00:36:03,653
THANKS A LOT, FOLKS.
451
00:36:04,795 --> 00:36:07,730
WHAT'S THE PICTURE FOR ? THE
SERENITY JOURNAL.
452
00:36:07,165 --> 00:36:09,827
BUT I'll SEND IT TO THE NEWS SERVICE
TOO.
453
00:36:08,966 --> 00:36:12,402
GUESS WHAT. A MAN WAS MURDERED IN
THIS HOUSE LAST NIGHT.
454
00:36:12,837 --> 00:36:16,501
NO. REALLY ? WELL, WHAT'S A PICTURE
OF US GOT TO DO WITH IT ?
455
00:36:15,907 --> 00:36:19,434
HUMAN INTEREST STUFF. "NEW GUESTS
ARRIVE AT MURDER RANCH."
456
00:36:19,010 --> 00:36:23,174
WELL, THANKS AGAIN, FOLKS. HOPE YOU
HAVE A NICE REST AT THE REST RANCH.
457
00:36:27,385 --> 00:36:29,513
GLAD TO HAVE YOU WITH US, SIR.
458
00:36:29,687 --> 00:36:31,815
A ROOM FOR YOURSELF AND WIFE ?
459
00:36:32,023 --> 00:36:35,027
No. TWO ROOMS, FOR MYSELF AND
NURSE. [Coughs]
460
00:36:34,959 --> 00:36:38,589
I CAME HERE FOR MY HEALTH. THEN
YOU CAME TO THE RIGHT PLACE.
461
00:36:37,962 --> 00:36:41,091
YES, I THINK THIS IS JUST WHAT THE
DOCTOR ORDERED.
462
00:36:40,598 --> 00:36:44,034
I THINK YOU OUGHT TO LIE DOWN FOR A
WHILE, MR. PRESCOTT.
463
00:36:43,067 --> 00:36:46,401
THE TRIP MUST HAVE TIRED YOU. YES, I
GUESS I'D BETTER.
464
00:36:46,203 --> 00:36:48,467
SOMETHING IN ADVANCE ? THANK YOU.
465
00:36:48,005 --> 00:36:51,475
WE HAVE TWO ROOMS FOR YOU RIGHT
HERE ON THE GROUND FLOOR.
466
00:36:51,309 --> 00:36:54,313
BOYS, TAKE THE FOLKS TO THEIR
ROOMS, WILL YOU ?
467
00:36:53,878 --> 00:36:56,813
DON'T YOU HAVE SOMETHING UPSTAIRS
? I'M SORRY.
468
00:36:56,380 --> 00:37:00,544
WE ONLY HAVE ONE VACANCY UPSTAIRS AND
I CAN'T GIVE IT TO YOU RIGHT NOW.
469
00:37:00,017 --> 00:37:04,386
YOU'LL LIKE IT DOWN HERE BETTER. lT'LL
SAVE YOU FROM WALKING UP THE STAIRS.
470
00:37:03,120 --> 00:37:05,384
WELL, THE STAIRS DON'T BOTHER ME.
471
00:37:04,922 --> 00:37:08,552
AS A MATTER OF FACT, I'M SUPPOSED
TO HAVE A LITTLE EXERCISE.
472
00:37:07,091 --> 00:37:10,959
YOU KNOW, DOCTOR'S ORDERS. WE'LL
TAKE LITTLE WALKS, MR. PRESCOTT,
473
00:37:10,294 --> 00:37:12,296
IN THE COOL OF THE EVENING.
474
00:37:12,496 --> 00:37:14,055
OH, YES, OF COURSE.
475
00:38:53,898 --> 00:38:54,922
H-HELP!
476
00:38:56,500 --> 00:38:59,265
OH ! HELP ! SOMEBODY! PLEASE ! MR.
AUTRY!
477
00:38:59,403 --> 00:39:01,030
SOMEBODY! [Yells]
478
00:39:02,907 --> 00:39:04,671
AS I WAS SAYING, HELP!
479
00:39:06,610 --> 00:39:08,237
HELP! HELP! HELP!
480
00:39:09,547 --> 00:39:10,912
MURDER! HELP!
481
00:39:15,019 --> 00:39:18,580
OH ! OH, THIS IS AWFUL. I FEEL
TERRIBLE. MY HEAD, MY HEART.
482
00:39:18,422 --> 00:39:20,891
CALL SEVERAL DOCTORS. WHAT
HAPPENED ?
483
00:39:20,224 --> 00:39:23,387
WHAT HAPPENED ? BURGLARS IN HERE.
THOUSANDS OF 'EM.
484
00:39:22,593 --> 00:39:25,358
A MAN AND A WOMAN, RIGHT HERE IN
THIS ROOM.
485
00:39:24,929 --> 00:39:28,456
DID MY HAIR TURN WHITE ? LOOK WHAT
THEY DID TO MY DRESSER.
486
00:39:30,201 --> 00:39:33,762
IT'S ALL RIGHT, FOLKS. HE JUST HAD A
NIGHTMARE. GOOD NIGHT.
487
00:39:34,505 --> 00:39:36,940
NIGHTMARE ? WHY, THEY WERE
BURGLARS.
488
00:39:36,807 --> 00:39:39,037
YES, YES, OF COURSE, MR. HAINES,
489
00:39:38,809 --> 00:39:41,278
BUT LET'S NOT WORRY THE OTHER
GUESTS.
490
00:39:41,011 --> 00:39:44,675
SURE. YOU WOULDN'T WANNA SCARE
THEM, WOULD YOU ? SCARE THEM ?
491
00:39:43,447 --> 00:39:45,677
I'M THE ONE THAT'S SCARED. LOOK.
492
00:39:45,783 --> 00:39:49,219
I WAS RIGHT HERE IN MY OWN BED,
MINDING MY OWN BUSINESS.
493
00:39:47,585 --> 00:39:50,247
I KNOW. I KNOW. YOUR NERVES ARE ALL
SHOT.
494
00:39:50,654 --> 00:39:53,487
YES, AND YOU'RE NOT HELPING.
THANKS. PLEASE.
495
00:39:53,824 --> 00:39:57,454
YOU BETTER TAKE A COUPLE OF PILLS.
I'll TAKE A LOT OF PILLS.
496
00:39:57,361 --> 00:39:59,125
GOOD NIGHT. GOOD NIGHT.
497
00:39:59,363 --> 00:40:01,365
I THINK I'll GO TO BED TOO.
498
00:40:01,365 --> 00:40:02,423
OH!OH!
499
00:40:09,573 --> 00:40:11,439
YOU SURE MUFFED THAT ONE.
500
00:40:11,776 --> 00:40:14,837
WELL, IT WAS THE CARD ON THE DOOR
THAT FOOLED ME.
501
00:40:13,844 --> 00:40:17,576
WOULDN'T YOU THINK IT WAS DUKE'S
ROOM ? BUT YOU OUGHT TO KNOW.
502
00:40:16,247 --> 00:40:19,512
YOU WERE THERE BEFORE. BUT I WENT
THROUGH THE WINDOW.
503
00:40:18,415 --> 00:40:21,976
NEXT TIME I'll TRY THE WINDOW AGAIN.
NOT TONIGHT YOU DON'T.
504
00:40:21,452 --> 00:40:24,080
YOU'VE CAUSED ENOUGH EXCITEMENT
ALREADY.
505
00:40:30,795 --> 00:40:33,924
WE HEARD A COMMOTION UPSTAIRS. IS
ANYTHING WRONG ?
506
00:40:32,930 --> 00:40:35,558
NO. MR. HAINES JUST HAD A
NIGHTMARE. OH.
507
00:40:35,699 --> 00:40:38,566
THAT'S WHAT COMES FROM TAKING
TOO MANY PILLS.
508
00:40:38,068 --> 00:40:40,696
REMIND ME TO CUT DOWN ON MINE. YES,
SIR
509
00:40:40,471 --> 00:40:42,940
WELL, GOOD NIGHT. [All] GOOD NIGHT.
510
00:40:45,042 --> 00:40:48,706
SAY, HAVE YOU STILL GOT THOSE
BANKNOTES DUKE MANTEL GAVE US ?
511
00:40:48,245 --> 00:40:51,909
WHY, YES. I'VE BEEN TOO BUSY TO
MAKE ANY BANK DEPOSITS. WHY ?
512
00:40:51,248 --> 00:40:54,252
LET ME HAVE 'EM. KEEP YOUR EYES
OPEN FOR LACEY.
513
00:41:04,528 --> 00:41:07,259
HERE WE ARE. WHAT'S THIS ALL ABOUT,
GENE ?
514
00:41:07,698 --> 00:41:11,066
I THINK THESE BANKNOTES ARE PART
OF THE MONEY STOLEN...
515
00:41:10,034 --> 00:41:12,867
FROM THE CATTLEMEN'S TRUST AND
SAVINGS BANK.
516
00:41:12,503 --> 00:41:14,733
WELL, WHAT GIVES YOU THAT IDEA ?
517
00:41:14,505 --> 00:41:17,440
MAINLY WHAT JUST HAPPENED UP IN
DROOPY'S ROOM.
518
00:41:16,540 --> 00:41:19,202
I DON'T GET THE CONNECTION. NEITHER
DO I.
519
00:41:19,076 --> 00:41:22,102
THE MAN AND WOMAN THAT SEARCHED
DROOPY'S ROOM...
520
00:41:21,946 --> 00:41:24,574
THOUGHT THEY WERE IN DUKE
MANTEL'S ROOM.
521
00:41:24,348 --> 00:41:28,819
DUKE MANTEL, THE BANK ROBBER. BUT WHY
WOULD THEY WANNA SEARCH AN EMPTY ROOM ?
522
00:41:27,718 --> 00:41:29,846
TO FIND THE REST OF THE MONEY.
523
00:41:30,221 --> 00:41:31,950
I FIGURE IT LIKE THIS.
524
00:41:32,223 --> 00:41:35,853
CAPTAIN DANFORTH SAID THE MONEY
STOLEN WAS IN NEW BANKNOTES.
525
00:41:36,126 --> 00:41:38,857
DUKE PAID US IN NEW MONEY. IT ALL
ADDS UP.
526
00:41:39,330 --> 00:41:43,665
EXCEPT FOR ONE THING. ISN'T IT STRANGE
THAT LACEY DID NOTHING ABOUT DUKE ?
527
00:41:42,499 --> 00:41:46,663
HE MUST HAVE RECOGNIZED HIM. HE
PROBABLY THOUGHT WE WERE IN WITH HIM...
528
00:41:45,769 --> 00:41:48,704
AND WAS WAITING TO GET THE GOODS
ON ALL OF US.
529
00:41:47,771 --> 00:41:51,332
HEY, THAT'S WHY LACEY'S BEEN
ASKING US FOR CHANGE SO OFTEN,
530
00:41:50,941 --> 00:41:54,275
HOPING TO GET HIS HANDS ON SOME OF
THOSE STOLEN BILLS.
531
00:41:53,177 --> 00:41:56,738
THAT'S IT. WE'RE LUCKY HE DIDN'T GET
AHOLD OF ANY OF THESE.
532
00:41:56,680 --> 00:42:01,550
WE'D ALL BE IN THE SOUP. BUT, GENE, IF YOU
TURN THOSE BILLS OVER TO CAPTAIN DANFORTH,
533
00:42:00,651 --> 00:42:03,484
WOULDN'T HE REALIZE YOU BOYS WERE
INNOCENT ?
534
00:42:02,653 --> 00:42:05,884
HE'D THINK WE WERE JUST TRYING TO
PULL A FAST ONE...
535
00:42:04,955 --> 00:42:07,117
AND THROW US BACK IN THE CLINK.
536
00:42:06,957 --> 00:42:09,585
THERE'S ONLY ONE WAY TO CLEAR
OURSELVES.
537
00:42:09,526 --> 00:42:12,188
THAT'S BY FINDING THE REST OF THIS
MONEY.
538
00:42:11,328 --> 00:42:14,855
WELL, WHAT ARE WE WAITING FOR ?
WHY DON'T WE LOOK AROUND ?
539
00:42:13,998 --> 00:42:16,729
LATER, WHEN WE'RE SURE THEY'RE ALL
ASLEEP.
540
00:42:24,475 --> 00:42:26,637
WELL, THAT WAS A WASTE OF TIME.
541
00:42:26,277 --> 00:42:30,111
IF THAT MONEY'S IN THERE, IT'LL TAKE
SHERLOCK HOLMES TO FIND IT.
542
00:42:35,586 --> 00:42:37,918
DON'T YOU FOLKS EVER GO TO SLEEP ?
543
00:42:38,022 --> 00:42:42,186
MR. HAINES WAS FEELING A LITTLE JITTERY.
WE WERE KEEPING HIM COMPANY...
544
00:42:41,425 --> 00:42:43,359
TO HELP SETTLE HIS NERVES.
545
00:42:43,427 --> 00:42:45,191
GOOD NIGHT. GOOD NIGHT.
546
00:43:05,316 --> 00:43:06,943
[Knocking At Door]
547
00:43:18,529 --> 00:43:20,258
HEY, WHAT'S THE IDEA ?
548
00:43:23,267 --> 00:43:24,894
TAKE A LOOK AT THIS.
549
00:43:25,269 --> 00:43:26,737
TAKE A GOOD LOOK.
550
00:43:32,042 --> 00:43:33,874
NOW TAKE A LOOK AT THAT.
551
00:43:39,249 --> 00:43:43,277
WELL, DON'T JUST STAND THERE LIKE A
MORON. CAN'T YOU ADD THE SCORE ?
552
00:43:41,819 --> 00:43:45,824
SURE. I CAN ADD THAT SCORE. COME
ON. LET'S PACK OUR SILK UNDERWEAR.
553
00:43:46,190 --> 00:43:47,248
LET'S GO.
554
00:44:12,683 --> 00:44:13,844
SING, GENE.
555
00:44:15,953 --> 00:44:17,512
,6O DA DA DA DA ,6O
556
00:44:19,790 --> 00:44:21,451
,6O OF A LIFETIME ,6O
557
00:44:23,394 --> 00:44:24,919
,60,6O [Humming]
558
00:44:27,431 --> 00:44:28,990
,6O AT NOONTIME ,6O
559
00:44:30,434 --> 00:44:32,300
,6O YOU'RE THE MOMENT ,6O
560
00:44:33,404 --> 00:44:34,963
,6O DA DA DA DA ,6O
561
00:44:36,874 --> 00:44:39,935
,6O YOU'RE THE TENDER LIGHT OF A
STARRY NIGHT ,6O
562
00:44:41,178 --> 00:44:42,703
,60,6O [Humming]
563
00:44:44,314 --> 00:44:46,146
,6O JUST TO KNOW YOU ,6O
564
00:44:47,518 --> 00:44:49,384
,6O IS TO LOVE YOU ,6O,6O
565
00:44:51,188 --> 00:44:53,054
HEY, THE BARN'S ON FIRE!
566
00:44:53,557 --> 00:44:55,685
LET'S GET GOING ! THE HORSES!
567
00:44:57,061 --> 00:44:58,005
FIRE!
568
00:45:12,276 --> 00:45:16,213
GET SOME BUCKETS OUT OF THE PUMP
HOUSE, BOYS. I'll GET THE HORSES.
569
00:45:19,116 --> 00:45:21,346
SAY, THIS IS REALLY YOUR LUCKY--
570
00:45:22,453 --> 00:45:23,887
OR WAS IT LUCK ?
571
00:45:24,455 --> 00:45:25,980
COULD BE. COME ON.
572
00:45:36,300 --> 00:45:37,927
[Horses Whinnying]
573
00:45:58,355 --> 00:45:59,584
AH, NO SOAP.
574
00:46:00,557 --> 00:46:02,582
WE HAVEN'T EVEN STARTED YET.
575
00:46:22,613 --> 00:46:25,674
WHERE ARE YOU GOING ? I WANNA
HELP WITH THE FIRE.
576
00:46:25,682 --> 00:46:28,014
IT'S DOING ALL RIGHT WITHOUT HELP.
577
00:46:27,684 --> 00:46:29,914
HERE. KEEP THE CHANGE. THANK YA.
578
00:46:43,167 --> 00:46:46,728
THERE'S NOBODY HOME. THAT'S FINE.
LET'S TAKE A LOOK AROUND.
579
00:47:01,852 --> 00:47:05,982
[Julie] IF I HAD MY WAY, I'D RATHER
LOOK FOR A NEEDLE IN A HAYSTACK.
580
00:47:05,656 --> 00:47:08,819
[Jim] DUKE SHOULD'VE BEEN MORE
CONSIDERATE. YEAH.
581
00:47:11,495 --> 00:47:12,337
JIM.
582
00:47:27,978 --> 00:47:30,606
[Nick ] WHAT ARE YOU LOOKING FOR,
JIM ?
583
00:47:32,182 --> 00:47:34,617
- HELLO, NICK. - HE SAYS HELLO, ACE.
584
00:47:36,220 --> 00:47:39,850
YOU LOOKIN' FOR THE STUFF YOU HAD
THE DUKE STICK US UP FOR ?
585
00:47:38,889 --> 00:47:40,914
JIM WASN'T IN ON THAT, NICK.
586
00:47:40,891 --> 00:47:43,451
I SUPPOSE YOU MET HIM HERE BY
ACCIDENT.
587
00:47:43,293 --> 00:47:45,853
JIM TAILED HIM. THAT'S THE TRUTH,
NICK.
588
00:47:46,363 --> 00:47:49,697
WE AIN'T ALL DUMB LIKE THE DUKE
WAS. GET HIS ROD, ACE.
589
00:47:51,768 --> 00:47:55,636
I DIDN'T TEAM UP WITH DUKE. ASK JULIE.
HE'S TELLING YOU STRAIGHT
590
00:47:54,805 --> 00:47:59,436
OKAY, YOU TAILED HIM, BUT IT ALL ADDS UP THE SAME.
YOU BUMPED HIM FOR THE DOUGH.
591
00:48:00,944 --> 00:48:04,608
- WHERE IS IT ? - NICK, TAKE IT EASY. I'D
TELL YOU IF I KNEW.
592
00:48:04,915 --> 00:48:07,941
WHY DO YOU THINK WE'RE TEARING
THIS ROOM APART ?
593
00:48:10,287 --> 00:48:14,952
- IS THIS THE DUKE'S ?
- SURE. IT TOOK A FIRE TO GIVE US A CHANCE TO LOOK AROUND.
594
00:48:16,827 --> 00:48:19,489
GO AHEAD. LOOK. ME AND ACE WILL
HELP YOU.
595
00:48:20,063 --> 00:48:22,395
SURE. LET'S KEEP IT IN THE FAMILY.
596
00:48:21,865 --> 00:48:25,392
SURE. I ALWAYS INTENDED TO CUT YOU
GUYS IN. YOU KNOW THAT.
597
00:48:30,440 --> 00:48:32,704
WELL, SHE'S ALMOST UNDER CONTROL.
598
00:48:33,410 --> 00:48:36,038
THANK GOODNESS IT WASN'T THE
HOUSE. YES.
599
00:48:36,013 --> 00:48:39,017
AND THANKS TO GENE WE GOT THE
HORSES OUT. YEAH.
600
00:48:43,220 --> 00:48:45,848
OH, GENE, YOUR HAND. OH, IT'S ALL
RIGHT.
601
00:48:46,089 --> 00:48:48,421
WELL, LET ME SEE IT. IT'S NOTHING.
602
00:48:48,925 --> 00:48:51,360
THAT CAN WAIT. THE FIRE COMES FIRST.
603
00:48:54,398 --> 00:48:57,732
IF A COCKROACH WAS HIDING IN THERE,
I'D HAVE FOUND IT.
604
00:48:57,567 --> 00:49:00,400
YOU SURE YOU AIN'T GIVING US THE
RUNAROUND ?
605
00:49:00,070 --> 00:49:04,007
YOU KNOW ME BETTER THAN THAT, NICK.
THEN WHAT'S YOUR EXPLANATION ?
606
00:49:03,240 --> 00:49:05,868
SOMEBODY BEAT US TO IT. HOW COULD
THEY ?
607
00:49:05,342 --> 00:49:08,903
YOU SAID THE ROOM'S BEEN CLOSED
SINCE THE DUKE CHECKED OUT.
608
00:49:08,078 --> 00:49:11,309
THAT'S THE ORDERS THE LAW GAVE
THE COWBOY IN CHARGE.
609
00:49:10,047 --> 00:49:13,813
- BUT HOW DO WE KNOW HE CARRIED
THEM OUT ? - THAT HAS TO BE IT.
610
00:49:12,950 --> 00:49:15,612
AUTRY'S BEEN DOING SOME PRIVATE
SNOOPING.
611
00:49:15,152 --> 00:49:17,985
WHO'S AUTRY ? THE COWBOY WHO
RUNS THE JOINT.
612
00:49:18,155 --> 00:49:20,988
HE'D HAVE A BETTER CHANCE THAN
ANYBODY ELSE.
613
00:49:20,290 --> 00:49:24,761
HE PROBABLY GOT CURIOUS AND STARTED
LOOKING AROUND AND STUMBLED ON THE DOUGH.
614
00:49:24,594 --> 00:49:28,258
SUPPOSE HE TURNED IT OVER TO THE
LAW ? NOBODY'D BE THAT DUMB.
615
00:49:27,664 --> 00:49:31,532
HE WOULDN'T DARE FLASH IT AT THE
BANK, SO IT MUST BE AROUND HERE.
616
00:49:30,968 --> 00:49:32,970
YEAH ? WHERE ? YOU TELL ME.
617
00:49:34,037 --> 00:49:38,372
LOOK, JULIE AND I ARE ALL SET HERE.
WE'LL STICK AROUND AND WATCH THIS GUY.
618
00:49:37,507 --> 00:49:40,738
OKAY. ACE AND I'll STICK AROUND AND
WATCH YOU WATCH.
619
00:49:40,911 --> 00:49:44,973
ALL RIGHT, HAVE IT YOUR WAY. BUT
LET'S STRAIGHTEN UP THIS ROOM FIRST.
620
00:49:52,889 --> 00:49:56,154
THE GUY, UH, HAS HE GOT A DAME
HUNG AROUND HIS NECK ?
621
00:49:57,594 --> 00:50:00,859
WHAT GUY ? WHAT GUY YOU THINK WE
BEEN TALKING ABOUT ?
622
00:50:00,664 --> 00:50:02,530
THE COWBOY. LISTEN, JIM--
623
00:50:02,999 --> 00:50:06,435
I'M WAY AHEAD OF YOU. YOU WANT ME
TO SIC JULIE ON AUTRY.
624
00:50:06,269 --> 00:50:08,601
SURE. SHE DID IT TO A BANKER ONCE.
625
00:50:08,739 --> 00:50:10,969
A COWBOY OUGHT TO BE A PUSHOVER.
626
00:50:11,108 --> 00:50:13,236
WELL, BABY ? WHAT DO YOU SAY ?
627
00:50:14,010 --> 00:50:15,944
WELL, COME TO THINK OF IT,
628
00:50:16,480 --> 00:50:19,040
THIS MIGHT BE MORE FUN THAN THE
BANKER.
629
00:50:28,992 --> 00:50:30,756
TOO FAST ? NO. PERFECT.
630
00:50:34,331 --> 00:50:36,197
WAIT ! I'VE LOST MY HAT!
631
00:50:36,400 --> 00:50:38,630
STAY WHERE YOU ARE. I'll GET IT.
632
00:50:46,076 --> 00:50:47,020
GENE!
633
00:50:49,079 --> 00:50:51,081
HELP ! GENE ! HELP ! HELP!
634
00:50:52,682 --> 00:50:53,911
GENE, HELP!
635
00:50:54,684 --> 00:50:55,628
HELP!
636
00:51:21,044 --> 00:51:21,988
HELP!
637
00:51:38,462 --> 00:51:39,406
WHOA!
638
00:51:40,263 --> 00:51:41,788
[Sobbing 1 THERE.
639
00:51:42,899 --> 00:51:46,233
IT'S ALL RIGHT. THERE'S NO NEED TO
CARRY ON LIKE THAT.
640
00:51:46,636 --> 00:51:47,899
I KNOW, BUT--
641
00:51:48,972 --> 00:51:51,100
I DON'T KNOW HOW TO THANK YOU.
642
00:51:52,709 --> 00:51:53,767
ORDOI?
643
00:52:03,553 --> 00:52:05,885
,60,6O [Gene Singing In Spanish]
644
00:52:14,531 --> 00:52:16,693
,60,6O [Continues In Spanish]
645
00:52:36,653 --> 00:52:38,815
,60,6O [Continues In Spanish]
646
00:53:10,287 --> 00:53:12,119
,6O JUST TO KNOW YOU ,6O
647
00:53:15,058 --> 00:53:16,787
,6O IS TO LOVE YOU ,6O
648
00:53:19,362 --> 00:53:21,126
,6O AND TO LOVE YOU ,6O
649
00:53:24,134 --> 00:53:25,602
,6O IS DIVINE ,6O
650
00:53:28,104 --> 00:53:29,663
ISN'T LOVE PEACHY ?
651
00:53:32,275 --> 00:53:33,936
,6O OF A LIFETIME ,6O
652
00:53:37,514 --> 00:53:39,642
,6O TELL ME YOU'LL BE MINE ,6O
653
00:53:42,218 --> 00:53:43,379
,6O ALL ,6O
654
00:53:45,388 --> 00:53:46,753
,6O MINE ,6O,6O
655
00:53:58,802 --> 00:54:01,271
ALL RIGHT, EVERYBODY OFF. OKAY.
OKAY.
656
00:54:08,612 --> 00:54:09,670
OH, GENE.
657
00:54:13,316 --> 00:54:14,750
OH, UH, DROOPY!
658
00:54:16,286 --> 00:54:18,448
WILL YOU HELP ME DOWN, PLEASE ?
659
00:54:20,023 --> 00:54:20,899
AAH!
660
00:54:26,696 --> 00:54:29,461
DON'T TROUBLE YOURSELF. I CAN GET
UP ALONE.
661
00:54:29,432 --> 00:54:30,957
PLEASE, MR. AUTRY.
662
00:54:33,670 --> 00:54:36,002
YOU CAN HELP ME UP IF YOU WANT TO.
663
00:54:40,677 --> 00:54:42,839
IT WAS A PERFECT EVENING, GENE.
664
00:54:42,679 --> 00:54:44,909
I'M GLAD YOU LIKED IT. LIKE IT ?
665
00:54:46,149 --> 00:54:47,776
WHAT GIRL WOULDN'T ?
666
00:54:52,922 --> 00:54:55,584
MOVE, PLEASE. ARE YOU ALL RIGHT,
DROOPY ?
667
00:54:55,425 --> 00:54:57,086
OUT OF MY WAY, WOMAN.
668
00:54:57,427 --> 00:54:59,896
PLEASE. PARDON ME. PARDON ME,
PLEASE.
669
00:54:59,462 --> 00:55:01,692
OUT OF MY WAY, PLEASE. MY PILLS.
670
00:55:01,431 --> 00:55:04,662
PLEASE. PARDON ME. OUT OF MY WAY,
PLEASE. PARDON ME.
671
00:55:06,269 --> 00:55:08,499
PILLS. OUT OF MY WAY, EVERYBODY.
672
00:55:10,640 --> 00:55:13,974
OH, MY PILLS. OUT OF THE WAY. MAKE
WAY FOR A SICK MAN.
673
00:55:14,310 --> 00:55:16,574
OH, NO. WHERE ARE MY PILLS ? OH!
674
00:55:29,626 --> 00:55:30,684
VIRGINIA.
675
00:55:35,031 --> 00:55:38,467
ABOUT THAT NURSE-- YOU GOT THE
WRONG IDEA. WHY TELL ME ?
676
00:55:39,035 --> 00:55:41,868
SHE DON'T GIVE A HOOT ABOUT ME. OH,
REALLY ?
677
00:55:42,539 --> 00:55:45,770
LOOK, AM I GONNA HAVE TO SHAKE
SOME SENSE INTO YOU ?
678
00:55:46,176 --> 00:55:49,646
SURE I'VE BEEN PLAYING UP TO HER,
BUT CAN'T YOU SEE WHY ?
679
00:55:49,245 --> 00:55:52,772
I'M REALLY NOT INTERESTED. I'VE BEEN
TRYING TO FIND OUT...
680
00:55:52,182 --> 00:55:56,244
WHETHER OR NOT SHE AND PRESCOTT HAD
ANYTHING TO DO WITH KILLING DUKE.
681
00:55:55,819 --> 00:55:57,184
WELL, THEY DID.
682
00:55:59,856 --> 00:56:03,690
HOW DID YOU FIND OUT ? BECAUSE
SHE'S BEEN PUMPING ME ABOUT DUKE.
683
00:56:03,359 --> 00:56:07,227
WHAT ROOM HE HAD, HINTING THAT I'D
FOUND SOMETHING IN HIS ROOM...
684
00:56:06,730 --> 00:56:09,495
AND IF I WOULDN'T LET HER IN ON THE
SECRET.
685
00:56:08,531 --> 00:56:10,659
THE STOLEN MONEY ? WHAT ELSE ?
686
00:56:12,168 --> 00:56:16,196
THE MONEY'S STILL THERE. OTHERWISE,
THEY WOULDN'T BE HANGING AROUND
687
00:56:15,805 --> 00:56:19,810
BUT, GENE, IT CAN'T BE. WE SEARCHED
THE ROOM OURSELVES, THOROUGHLY.
688
00:56:19,209 --> 00:56:23,077
MAYBE NOT THOROUGHLY ENOUGH. I
THINK WE BETTER LOOK AROUND AGAIN.
689
00:56:22,645 --> 00:56:24,773
WHAT ABOUT TONIGHT ? TOMORROW.
690
00:56:24,914 --> 00:56:28,179
BUT ISN'T NIGHT THE LOGICAL TIME ?
MAYBE TOO LOGICAL.
691
00:56:28,218 --> 00:56:31,779
THAT DETECTIVE SLEEPS WITH ONE EYE
OPEN AND ON THE KEYHOLE.
692
00:56:33,089 --> 00:56:36,525
HE ALMOST CAUGHT US THE FIRST TIME
WE SEARCHED THE ROOM.
693
00:56:36,392 --> 00:56:40,829
HE HAS A DATE TO PLAY BRIDGE THE FIRST
THING IN THE MORNING WITH THE AHERNS.
694
00:56:39,362 --> 00:56:41,126
WE'LL HAVE A LOOK THEN.
695
00:56:58,915 --> 00:57:01,145
DON'T MOVE ! GET YOUR HANDS UP!
696
00:57:02,018 --> 00:57:04,487
YOU HEARD ME. THE WHOLE BUNCH OF
YOU.
697
00:57:04,621 --> 00:57:06,248
UP WITH THOSE HANDS.
698
00:57:09,325 --> 00:57:13,057
WELL, I'VE BEEN WAITING FOR A BREAK
LIKE THIS FOR A LONG TIME.
699
00:57:12,462 --> 00:57:15,124
WHAT BREAK ? WHAT ARE YOU
TALKING ABOUT ?
700
00:57:15,031 --> 00:57:18,467
THE SHERIFF TOLD YOU TO KEEP
EVERYBODY OUT OF THIS ROOM.
701
00:57:18,468 --> 00:57:21,335
LOOKS LIKE HE TOLD THE WRONG MAN,
DIDN'T HE ?
702
00:57:20,904 --> 00:57:23,430
FACE THE WALL, THE WHOLE BUNCH OF
YOU.
703
00:57:23,239 --> 00:57:24,900
COME ON. TURN AROUND.
704
00:57:45,695 --> 00:57:47,527
WELL, JUST AS I THOUGHT.
705
00:57:47,897 --> 00:57:51,424
ALL RIGHT, TURN AROUND AND START
TALKING AND MAKE IT FAST.
706
00:57:50,500 --> 00:57:55,233
WHERE'S THE REST OF THE MONEY STOLEN FROM
THE CATTLEMEN'S TRUST AND SAVINGS BANK ?
707
00:57:54,304 --> 00:57:56,568
WHAT'S GOING ON HERE, MR. LACEY ?
708
00:57:56,306 --> 00:57:58,832
THEY'RE UNDER ARREST FOR BANK
ROBBERY.
709
00:57:58,107 --> 00:58:01,042
I'M A DETECTIVE WITH THE DALFORT
POLICE FORCE.
710
00:58:00,109 --> 00:58:02,771
[Gene] WE DIDN'T STEAL THAT MONEY.
NO ?
711
00:58:03,079 --> 00:58:06,242
I SUPPOSE YOU JUST FOUND THESE ON
A TREE SOMEWHERE.
712
00:58:05,515 --> 00:58:09,042
WE GOT THEM FROM DUKE MANTEL.
SURE. THAT'S WHAT I THOUGHT.
713
00:58:09,185 --> 00:58:13,019
FIRST YOU USE YOUR CANARY VOICE
TO GIVE HIM A CRACK AT THE BANK.
714
00:58:13,056 --> 00:58:16,924
AND THEN WHEN HE MEETS YOU HERE
WITH THE HAUL, YOU KNOCK HIM OFF,
715
00:58:15,358 --> 00:58:17,827
GRAB THE DOUGH AND-- THAT'S NOT
TRUE.
716
00:58:17,293 --> 00:58:21,161
MANTEL PAID IN ADVANCE FOR HIS
ROOM. THAT'S HOW WE GOT THE BILLS.
717
00:58:19,662 --> 00:58:21,494
THAT'S RIGHT. I SAW HIM.
718
00:58:22,432 --> 00:58:26,699
QUIET. I'M GONNA LOCK YOU UP UNTIL THE
SHERIFF GETS HERE. NEED ANY HELP ?
719
00:58:26,002 --> 00:58:29,768
IF THERE'S ONE THING I HATE, IT'S
DOUBLE-CROSSING BANK ROBBERS.
720
00:58:29,539 --> 00:58:33,669
YOU KNOW HOW TO HANDLE ONE OF THESE THINGS ?
A GUY EXPLAINED IT TO ME.
721
00:58:32,976 --> 00:58:35,843
WE DID SOME TARGET PRACTICE. OKAY,
YOU'LL DO.
722
00:58:35,778 --> 00:58:38,782
I'VE BEEN LOOKING OVER THE PUMP
HOUSE OUT BACK.
723
00:58:37,647 --> 00:58:41,652
HELP ME HERD THEM OUT TO IT. YOU'VE
GOT THIS FIGURED OUT ALL WRONG.
724
00:58:40,517 --> 00:58:42,952
GET STARTED, AUTRY. YOU TOO,
SISTER.
725
00:58:44,053 --> 00:58:47,387
YOU'D BETTER RUN AHEAD AND OPEN
THE DOOR FOR 'EM, ACE.
726
00:58:54,330 --> 00:58:57,391
WANT ME TO CALL THE SHERIFF FOR
YOU ? WOULD YOU ?
727
00:58:56,766 --> 00:58:59,895
CERTAINLY. I'll ASK HIM TO BRING ALL
HIS DEPUTIES.
728
00:59:02,538 --> 00:59:05,166
[Lacey] ALL RIGHT, HURRY UP. LET'S
GO.
729
00:59:15,084 --> 00:59:17,746
WHAT'S THE IDEA, JIM ? WE'RE TAKING
OVER.
730
00:59:17,954 --> 00:59:21,219
ALL RIGHT, PUT YOUR HANDS UP. WHAT
ARE YOU GONNA DO ?
731
00:59:19,856 --> 00:59:22,518
WE'RE GONNA TAKE YOU FOR A LITTLE
STROLL.
732
00:59:22,058 --> 00:59:25,494
SEE IF EVERYTHING'S ALL RIGHT
OUTSIDE, JULIE. ALL RIGHT.
733
00:59:24,494 --> 00:59:28,431
NOBODY'S GONNA GET HURT IF YOU
PAY ATTENTION AND DO AS I TELL YOU.
734
00:59:30,066 --> 00:59:32,728
OKAY. FOLLOW THE LITTLE LADY. SNAP
IT UP.
735
00:59:34,704 --> 00:59:36,365
HURRY UP. STEP ON IT.
736
00:59:42,845 --> 00:59:45,849
THIS WILL HOLD YOU UNTIL THE
SHERIFF GETS HERE.
737
00:59:45,114 --> 00:59:48,880
YOU'RE GONNA FEEL MIGHTY FOOLISH
WHEN YOU LEARN THE REAL SETUP.
738
00:59:47,383 --> 00:59:49,010
ALL RIGHT, LET'S GO.
739
00:59:56,292 --> 00:59:57,623
WHAT IS THIS ?
740
01:00:00,530 --> 01:00:02,259
HOLD THIS ON THE DOOR.
741
01:00:04,901 --> 01:00:07,905
I TOLD YOU YOU WERE BETTING ON THE
WRONG HORSE.
742
01:00:10,707 --> 01:00:13,267
IF YOU'RE LOOKING FOR TOOLS,
FORGET IT.
743
01:00:12,508 --> 01:00:16,513
I CHECKED THAT WHEN I FIRST THOUGHT
OF USING THIS PLACE FOR A JAIL.
744
01:00:16,346 --> 01:00:17,677
[ Chattering ]
745
01:00:18,348 --> 01:00:21,579
THIS IS AN OUTRAGE. WHAT ARE YOU
GONNA DO ABOUT IT ?
746
01:00:22,618 --> 01:00:24,882
[Man ] YOU'LL PAY FOR THIS, BUD.
747
01:00:29,726 --> 01:00:32,593
DITCH YOUR GUN. I'll TAKE CARE OF
THIS YOKEL.
748
01:00:34,263 --> 01:00:35,492
WHOA. HOWDY.
749
01:00:36,966 --> 01:00:39,799
ARE YOU MR. FULTON ? GOT A
TELEGRAM FOR HIM.
750
01:00:40,536 --> 01:00:43,005
YOU'LL FIND HIM IN THE STORAGE
HOUSE.
751
01:00:42,972 --> 01:00:46,135
WHAT ARE YOU WAITING FOR ? GET
DOWN AND DELIVER IT.
752
01:00:50,079 --> 01:00:51,103
COME ON.
753
01:00:56,386 --> 01:00:57,911
ALL RIGHT, GET IN.
754
01:00:58,388 --> 01:01:01,517
IF WE CAN GET THESE HINGES OFF,
WE'D BE ALL RIGHT.
755
01:01:01,090 --> 01:01:03,024
IF WE ONLY HAD SOME TOOLS.
756
01:01:03,092 --> 01:01:05,754
A SCREWDRIVER WOULD COME IN
MIGHTY HANDY.
757
01:01:06,562 --> 01:01:07,688
HOLD THIS.
758
01:01:18,474 --> 01:01:20,306
LEND ME YOUR GUN, LACEY.
759
01:02:03,352 --> 01:02:04,683
[ Clattering ]
760
01:02:42,792 --> 01:02:44,954
[ Droopy] WHAT ARE YOU DOING ?
761
01:02:44,994 --> 01:02:48,055
[Coughing 1 GOODNESS. I THOUGHT
YOU WERE GHOSTS.
762
01:02:48,364 --> 01:02:51,299
WE'RE LOOKING FOR A BIG PILE OF
DOUGH. MONEY ?
763
01:02:51,400 --> 01:02:54,961
WHO DOES IT BELONG TO ? [Nick] THE
GUY THAT GOT MURDERED.
764
01:02:53,769 --> 01:02:55,794
HE SENT US A SPIRIT MESSAGE.
765
01:02:55,771 --> 01:02:58,001
HE WANTED US TO FIND IT FOR HIM.
766
01:03:03,312 --> 01:03:05,644
IT'S NOT IN THERE. IT COULDN'T BE.
767
01:03:06,149 --> 01:03:08,208
THAT CHAIR CAME FROM MY ROOM.
768
01:03:09,018 --> 01:03:10,884
WHAT'S IT DOING IN HERE ?
769
01:03:11,354 --> 01:03:12,879
I BROUGHT IT HERE.
770
01:03:13,356 --> 01:03:16,417
SO YOU'VE BEEN SNOOPING, EH ? WHAT
DID YOU FIND ?
771
01:03:16,425 --> 01:03:17,688
NOTH-NOTHING.
772
01:03:18,628 --> 01:03:20,995
UH-- UH, MY CHAIR HAD A BROKEN LEG.
773
01:03:21,430 --> 01:03:24,297
SO I CHANGED THIS ONE FOR THE ONE
IN MY ROOM.
774
01:03:35,478 --> 01:03:36,639
HEY, LOOK!
775
01:03:44,020 --> 01:03:46,682
IS THAT THE SPIRIT'S MONEY ? [
Whistles ]
776
01:03:51,060 --> 01:03:54,394
HEY. HEY, NOW, WAIT. WAIT A MINUTE.
YOU CAN'T DO THAT.
777
01:03:53,930 --> 01:03:55,261
THAT'S MY BAG.
778
01:04:05,808 --> 01:04:07,572
WELL, THAT'S ALL OF IT.
779
01:04:10,246 --> 01:04:12,977
LET'S GET OUT OF HERE. WAIT A
MINUTE, JIM.
780
01:04:12,815 --> 01:04:13,976
[Gunshot]
781
01:04:18,721 --> 01:04:20,951
NOW, WAIT A MINUTE. NICK, DON'T.
782
01:04:22,291 --> 01:04:27,024
WE'RE WORKING TOGETHER. YOU WEREN'T WHEN
YOU AND THE RAT DUCKED OUT ON ACE AND ME.
783
01:04:26,996 --> 01:04:30,022
NOW, NICK, YOU WOULDN'T HURT A
LADY, WOULD YOU ?
784
01:05:14,644 --> 01:05:15,975
COME ON, BOY!
785
01:05:18,814 --> 01:05:21,283
HEY, YOU'RE GONNA LAND US IN A
DITCH.
786
01:05:20,616 --> 01:05:23,881
I'M GONNA LAND US ON THE NEXT TRAIN
LEAVING SERENITY.
787
01:05:26,055 --> 01:05:28,387
[Banging 1 I'LL SEE WHAT THAT ls.
788
01:05:29,725 --> 01:05:31,989
THERE'S SOME GUNS UNDER THE DESK.
789
01:05:33,929 --> 01:05:35,590
[Banging Continues]
790
01:05:41,270 --> 01:05:43,034
HEY, WHERE'S MY WAGON ?
791
01:05:43,339 --> 01:05:47,003
THEM LOW-DOWN DUDES MUST'VE
SWIPED IT. THEY LIT OUT FOR TOWN.
792
01:05:46,475 --> 01:05:49,945
TO MAKE THE 5:00 TRAIN. TELL LACEY
I'M SADDLING MY HORSE.
793
01:05:56,352 --> 01:05:57,683
COME ON, BOY!
794
01:07:19,902 --> 01:07:20,778
YAH 1
795
01:07:46,061 --> 01:07:47,392
COME ON, BOY!
796
01:07:51,567 --> 01:07:52,796
[ Gunshots ]
797
01:08:14,056 --> 01:08:16,184
I GUESS THAT SETTLED HIS HASH.
798
01:08:16,759 --> 01:08:18,090
COME ON, BOY!
799
01:08:55,898 --> 01:08:57,764
[Train Whistle Blowing]
800
01:09:03,138 --> 01:09:06,142
THAT'S THE 5:00 TRAIN, NICK. BETTER
STEP ON IT.
801
01:09:05,374 --> 01:09:07,900
IT'S CURTAINS IF WE MISS IT. WE WON'T.
802
01:10:33,963 --> 01:10:35,431
WHOA, BOY. WHOA!
803
01:10:35,965 --> 01:10:37,433
WHOA, BOY. WHOA!
804
01:10:52,548 --> 01:10:55,984
,6O GOIN' BACK TO MY GOOD OLD
TEXAS HOME, HOME, HOME ,6O
805
01:10:57,620 --> 01:11:00,089
,6O DOWN BY THE SLEEPY RIO GRANDE
,6O
806
01:11:02,057 --> 01:11:05,687
,6O WHERE THE LONESOME TURTLE
DOVE IS GRIEVIN' ,6O 807 01:1165662
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