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Hello.
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This time, we
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Let's learn the final time that Bryce prepared at Colelos, the closing drawn on the illustration, and the correction and finishing time.
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Hearing about the long river of hard work, this time and for the last time.
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Finally, we organized the flow of these illustrations and showed the various functions of Photoshop
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or other digital painting programs.
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Let's fill in the gaps in the illustration a bit and then come together to see the parts that need to be prepared before uploading the illustration.
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The so-called calibration phase is more than the imaginary process of adding something, where we either use fire or, like other airbrushes
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using the painting tools.
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It would be great to take the unsalvageable parts and use the benefits of digital programming to make up for a little weakness.
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So, instead of brushes, we'll use the mouse or Photoshop's various filters or layer compositing features as the main focus.
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Subtitled by
online-courses.club
We compress knowledge for you!
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And these processes, no matter what the drawing is, are always the same, the
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It's the content that can be kept after it's cooked
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Please turn the process over whenever you need it, and I would like to apply it to my own work if there is something valid about it.
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First of all, when making corrections, we first remember that in order to facilitate the editing of this image, we will merge it in addition to the background.
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So far, for painting purposes, we have distinguished between Marionette and the character.
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This part will also be combined by us to facilitate the correction.
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The original layer group, hold down the control and click on both layer groups, if both are selected, draw the eggs and duplicate them.
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When control 2 is pressed, the group will be combined into a pattern image.
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So, the remaining layers easily emphasize the eyes and pretty much become the characters I'm going to correct now, so assign the color as a temporary color so that the color looks good.
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Keep it off, then turn it on, then check.
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The first thing to note when line number correction is that it is better to do the color correction first.
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The 3 attributes that make up the color have Achies non-chromatic brightness, which is slightly compensated from bottom to top.
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So you should start with the luminosity first to compensate.
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This request is shown at the bottom and you can make a half-moon correction menu.
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We want to create this layer, and the first thing we need to use is the function Curve.
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And then cut and paste the character to make it compensate.
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Draw so that it's always seen from a distance.
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Overall, the picture is a little bit dark, so it's slightly brighter overall, and the darker areas can't be brighter, so it will be lowered again.
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Such a huge difference would spoil our description.
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So you just need to do a slight correction, then turn this off and on, and then check what the difference will be.
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If you look closely at the auxiliary rate, reduce the transparency or the band here and determine the correction strength of the speed
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Like the theoretical curve correction, we move the color that has the image into the precipitation, which may cause some damage.
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Therefore, please do not use the curves directly in the original layer, but always create a compensation layer in the new layer.
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If too much correction is added, the part we tried to describe will break, so please be careful.
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If this way the brightness gets corrected and then let's write five here, the vibrant body also has a function.
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You can click on this to adjust it, what is the difference, if any, between it and the vibrato?
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Live paper is a function that maintains the saturation of the color values inherent to a certain color.
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Tax out topic is a function that forces to raise the large price of the egg rat owned by the table.
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Therefore, if you increase the oboe, you will not move the value of these color artifacts.
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Increasing the saturation tends to gradually move towards this classification.
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So, the fact that we can't adjust these in detail, the
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If you write it back up, lowering this cheer by about 10 will naturally lower the saturation.
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This in turn raises the tax.
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This way, the low-saturation part is naturally preserved, while the high-saturation part is higher, the
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The colors can be slightly brighter, very subtle differences, but this is a feature that I use mainly for printing and stuff like that.
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Again, it's a good idea to adjust the transparency and check the degree if you're reopening in order to save.
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Doing this correction function can feel a bit busy compared to other processes.
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Because you have to keep looking at the picture from a distance and also look at the numbers and see the changes, there are a little more eyes than the other processes.
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Busy time than the black of the woman's heart, with the mouse to live with, so physical hands less.
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So, it would be hard to find any regrets easily if you check this remedial step during the homework where the eyes are blinded.
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So, if possible, the end of the detail phase or the material phase, which we performed last time, take a day off and
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Or, if you wind up a little bit and you start to see regrettable spots in the picture, you can try to correct those parts.
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If you've touched "Aitch Espey", now I'll fix the table for you, if you look at the bottom, choose the color that's the color of the league team.
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Click on this.
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This function compensates for certain sexy values in this image, such as our easy gross yellow clouds, etc., by shifting the color slightly.
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Similarly, the
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We may utilize our elite, but you are better off using a compensation layer, as the original image will be corrupted.
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Again, give me the cut, we're going to go with the blue tones and I'll adjust it to blue tones.
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If you don't know which part is calibrated
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First, we move the part that corresponds to black, first checking the area we calibrated.
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And if you want to add in the blue bucket, just give the complementary color yellow for the classification.
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If you want to add some color to the demo, you can also add some darker colors to make the color slightly greener.
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In my case, I pretty much kept the colors that were originally planned for
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Adding a small amount of blue tint to the trunk and the correction below to brighten up the image overall.
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Blend black in the blue area, now teach the frog as well.
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It's really subtle differences, but it's better to be sensitive to that aspect.
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This way we have an Aitch Ace V.
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Look at this picture again, no matter how fine we make it, just zoom in and see that
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leaves the feeling of blood, and some features will be added in order to eliminate those smoothness.
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I personally like some slightly textured materials like watercolors, so I apply this correction in Photoshop.
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First duplicate the original layer and reduce the saturation to the maximum.
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Then click Controlel and try to increase the contrast as much as possible, like some two-tone cartoonists have done.
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The part that can almost be recorded will re-form some kind of borderline compared to the bulb.
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So we can draw the boundary line in the dark, 1 degree rest, and move from the bright.
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If I want to do the contrast on the bright side, let the boundary axis go through the center.
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I use the most contrasting part of this through this center line
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I'd like to press the proposal of the big frame.
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That's copied, press the control child and invert it.
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Then give me a little cut and paste, where it will turn white like nothing happened if you change it to a straight line Dorcher.
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It won't change anything because it's now black plus white and sweetened.
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In this state, we zoom in on the black by one pixel so we can create the key that sells the hand.
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After most of the corrections that go in from now on are in, the difference between this layer and this layer will all appear as a sale hand.
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So if we turn this blurred CNBLUE down a little bit, the
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This naturally creates a sale rumor.
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Or at the bottom of the filter, you go back in
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By simply selecting Minimum Cub, you can force a partial shock in the picture that corresponds to the mixer.
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Make this choice.
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You can see that the outline is integral.
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Since the unwanted part here should be deleted, press control 2 to merge it.
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Put this white down a little bit.
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I'll remove those unnecessary parts.
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After editing in this state
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Reason for compositing with color shift.
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This naturally leads to another touch screen on the outer side.
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Of course, we didn't mean to shoot to this extent, so if you reduce the transparency to almost 10%, the
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very well.
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The painting really lit up, I'm going to blow it up to 28 times and then confirm it.
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Then, these dividing parts will naturally be emphasized a little bit, thus producing the effect of the painting becoming visible.
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Although it is such a subtle difference, the silver root is the focus of improving the readability of the painting, so we recommend that you take advantage of it.
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Subtitled by
online-courses.club
We compress knowledge for you!
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and
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We use a brush to emphasize the boundary lines that
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Brief me, use the brushes, and although we stopped the relationship, there are some areas that don't quite fall.
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Emphasize these parts with a final wash and also add the final finishing of the picture.
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Use a touch like this where there is space between the object and the object.
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more effectively than black, so that falling to white will separate more consistently that
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It's a comic expression, but am I a comic style drawing body? It's okay to go in there, right.
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No need to split the tax
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Or at the intersection of black and
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Raise the green a little bit the nebula of the beauty parlor.
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So, you just have to think that replacing the paint will vaguely add white.
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It's this part, now put the wash cover on
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When objects and objects are separated, they don't separate well
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Use black and white to add sharp points to social boundaries.
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Very weak cows are better.
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If it's too splashy, the picture will suddenly appear as a plane change, the
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In addition to that, the color is so blurred in the separated parts
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Or we correct when the color is broken, or close to clean up those parts that are left to touch.
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The person looking at the picture feels comfortable cleaning it and takes it all away.
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These parts, looking at them now, leave traces
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If you feel bad, touch the seeds with the rest of your stamina.
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Once you've uploaded these parts, you'll see the next day.
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Identify the points that you didn't check during the work and get all kinds of problems out
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With a soft brush head, with a soft brush
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will reduce the heterogeneity.
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Those parts that distinguish the blur are dynamically put into the format on top of the white lines.
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This part and this part
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The separated stuff is for cleaning.
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Especially me.
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It may be that these hands are somewhat physically weak, and the only description is a little weak, the
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touching once, checking for completion.
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which are immediately separated from each other in white and black.
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Making the replacement look a little bit worse.
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Especially these parts with the hair and stuff like that
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Finally sorted out the face part.
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And, just so there's no regrets, I checked it last.
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You just have to click on these patterns.
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This gives you some artificiality.
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Especially since these shallow parts are less clearly imagined at a distance than in Bursten, so touch them once at a time.
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Diagram of the corner of the eye
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Note again
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Tapes like this one
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Deliberately touched with white touch distortion because the color dropped a little bit subtly.
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Needs to be separated from the flake below.
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with more emphasis on this color.
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reducing the feeling of subsections.
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A light touch on one side.
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Finish slowly over the rest of the time.
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Turn it into this, shoot it out, drive the words with it, and finally make the three layers into a curve function.
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This moonwoo can adjust each value that
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In the red, I made a curve that
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Reaction then, if the central shake doesn't violate the soccer.
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Colors like this go back and forth, slowly twisting into a ball.
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These things are in the picture and in the classification, and also give companion relationships.
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So now the picture is whole, so there's no need to force me to move the classification that
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Raising and lowering the deep soccer
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Creating a prismatic effect with this color
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And also looking here in this state, there will be white masks.
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If you click on the control eye, all the effects are masked.
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Only at such light and dark borders, if you use white through something like an airbrush, the color of that part changes.
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You don't have to be too bold, but where the light is forming, or where the color is too monotonous
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Gently passing over once will vaguely create a fan effect, which can assist a little in the fineness of the painting, I think.
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The actual core is aided.
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I think this effect is too subtle, so I'll remove it in this drawing.
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And it will be corrected with the background for the business.
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Up to this point, we form a group, and then form three layers that
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because of the overall blue tones.
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Very low saturation and above medium brightness color, overall laid on.
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2.
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If you combine the colors into a homogeneous and even composite, the blue tones are added overall.
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In this state, reduce the transparency to add a blue tint to the image as a whole.
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On occasions like mine, the light tones are already dancing, so the blue zone will likewise be reconsidered slightly.
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Then finally make me three layers and lay the gray and other layers into a brightness of about 50.
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Also, here the filter is added, go to the noise ad, this is all 100% colorless color, so please add noise in black and white.
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In this state, please convert it to overlay and then reduce the transparency by 10%.
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This was added because this gradient effect, or when we release the color, leaves some artificiality - unique to digital.
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You can think of using these to slightly cover the noise and add some density and you're done.
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If this detail is difficult to convey, adjust the percentages appropriately and adjust the overcount along with it to leave only a subtle difference in the dusty legacy.
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After calibration is complete, the original layer is
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Need to add bytes to make a joint copy of A, leaving only the insurance company to make this layer a little clearer.
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But with a simple clear filter then all the matches will be restored, like Photoshop where the Sharp
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Then go to Smart Spread Pen, reduce the percentage to below 100%, and then clean off the High Sia Blur effect.
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This degree can adjust the value slightly, but not the kind that can be felt, so just touch the footpad also like.
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In this way, the painting is completed to some extent.
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And finally, how this image looks on other screens
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Save it, check it once on another device, tidy up the layers one last time, and then finish.
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and the layers that we've worked with.
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Organize each name again, check it later, and leave what you need cleanly.
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First, let's combine all the layers that we've worked on before, and we'll organize some of them first.
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Group the backgrounds and other situations for easier editing.
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Also, turn off the background for now, just like the layers we've worked on up to now, and be sure to look at the initial process from the beginning.
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Press Layer Preview while holding down the Alt key, and the layer will sort itself out as the screen is adjusted.
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Take this state to see the entire process.
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First, we started with the idea and simply debugged it, making one necessary adjustment to this work.
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This process was always checked as we went along.
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We stored these layers as a reference, and then based on this image, we cultivated it and sketched directly on it.
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Then the words were put on it, and this process was a simple sketching process that could not be started together in the first process.
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Then the base color was assigned, and for the first time the area was simply set according to the light direction, based on the shadow direction.
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and pre-checked the part that divides the border into tones and releases them.
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Overall, I pressed down a little bit.
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And then check the shading of the paths that
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Adjust the tones so that they no longer simply end and make the bright parts stand out again, thus increasing the contrast.
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The process up to here we are saved as a stepman.
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In the existing description, no additional tuners can be added to the part of the cut in the initial felling process.
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These teachers are weaker than the main teachers.
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Just think of it as a process of finding a sense of structure.
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It's a Japanese relationship, and after that, the description starts with large individuals, and the brush gets smaller and more detailed, and it moves to a smaller representation.
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At this point, it's easy to start describing from large individuals, rather than top to bottom, and pushing the detail details to the back of the now
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It's best to proceed as if it were a final collation.
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We finalized those details that need to be like the facial part
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The finish of the painting got a boost from the legal firm.
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So it seems that the process until 4 is only 60% of the whole process, which is the most time consuming.
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You should use the brushes most actively to focus on the respective sense of structure.
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Up to here it's called a step-in pitch.
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So when you go from the step circle to the step two step
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there's no picture darkening or brightening where the illustration is going to go according to our plan.
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When you organize the layers, check again to see if there are any problems with this process.
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After that, we can't add a detail to each one.
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Using the basic description below as a basis, the first thing to do is this color change, or darkening of the pattern.
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The first thing to do is to cut out some things that can go in flat like the b-white pattern, and then composite them out.
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Draw each detail drawing and detail without detail 3 times and use detail 4 book to organize it.
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And it's hard for us to identify these marks, so we can put them up like this and take them and not see them clearly.
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Also, we use the underground online layer to specify the areas that we can synthesize.
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Don't pay too much attention to the percentages and stuff that are written here, the functions here are mainly used
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Just confirm it again.
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Congratulate again on the details after that, and organize the long stuff that ends neatly upwards.
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After that it's now invisible, but please add these cutlery and stuff.
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And finally, we use the decorative layer property to add parts like metal.
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Finally, when the face-like part is done, you can't touch it again to pull the density to the end.
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And, when composing painted bodies about these things, I use a dark nose or use it in a short way to assist in the three-dimensionality.
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In the process, Marionet also put together six.
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Marionet also followed the fundamentals, and again, the islands are separated and we can't adjust them very well to
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This friend also thought of percentages to match those light protesting characters and would jump in.
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And the introductory scene also adds detail parts one by one to improve the finish, which is nice.
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Plus Jeju's performance, the guests
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The performance of the sanctions likewise fades in from the weakest, worst broad, gloomy light that
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The reflectivity of small light is drawn very clearly on high objects, so that it is gradually ordered.
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Based on the basic description of the laying and whether the bottom part can attract the eye from the complex interior.
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Lowering the bottom to twice.
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In this process, I again copied the elevated saturation and lowered it once.
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As with the shadows of this path, we can start by touching it from the shadow before we get to the light expression.
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And starting with a wide weak light, vaguely from inside the shadow, first with a weak contrast, weaker than the light source that comes from the main illumination resides?
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Joe can see the original work of the knight.
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Also, in this bright aspect, it can be weakly reflected like this blue light, and then do.
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Finally, it adds clear highlights to the overall high reflectivity.
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In addition, the painting gives great illumination to the entire blue hue.
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And, overall, the bottom is darkened again, making it reflect the background.
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Li Yong is also at the bottom in the same order, starting from the dark
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Added the brighter parts and, again, dared to use the blue tones to match the unity of the character.
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By the time we get here, all the descriptions are over, and we move to the echo and calibration phase that
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to describe the places where we can rest.
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Or, in the digital painting process, we end up making corrections, as it were, to compensate for weaknesses.
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The temporarily built layer is just underneath.
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The base ones are image combinations, and these parts are masked, the
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If we don't touch something, we just drag it and put it in the bin below, which is a little bit small, but it reduces the capacity.
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If you can use this kind of cover, then leave it.
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First the tone, then the saturation.
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Finally, the colors were corrected a little bit.
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I wanted to feed once the filter that emphasizes the end of the game, a bit of a caricature of the performance that
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The outer part is slightly dripping down with white or black adhered parts.
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Finally, we can add noise, and add overload.
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Please make the parts that don't need color bigger, the
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Remember to turn the details off and on again.
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Use it as a souvenir.
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And the background image
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If you look at the process in North Korea, you can see below the shades of blue that
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First of all, the red light that
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There is a light flash phenomenon.
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The dust.
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gradually spreads along the direction of these lines and gives the light around the wash to hide it, so the sense of speed becomes apparent.
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Also did the sledgehammer.
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This figure is done.
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And, just check around again for any missed spots.
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For example, when the contrast of the face is too weak, the
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Under this smoky, the tools, everybody and the sponge, represent some of the color correction tools that
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Because these friends are also a little detrimental to the description that
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Regular use is not good, but like in the case of the bundle, if you slightly reduce the intensity, after the rejection, that part will have the effect of thickening.
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Now, if you feel that your eyes are a little bit weak, you can tap you or the pupil with the gun.
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Lower the intensity of the nose and have a slightly more emphasized effect if you tap it once with the mouse.
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Always compare before and after to check if there is a significant change.
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So, let's start working on
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Over time, from conception to completion of the character design illustration together.
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I hope you will also be able to listen to this lecture while successfully working on your own character designs.
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When doing character illustration like this, in addition to the theories that you have learned, your personal preferences for depicting
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Because you can add to it, there are also a variety of concepts that come up, so I think there's a lot to learn from each drawing.
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So, if possible, I would recommend that you always finish a painting, if the painting is finished in the middle
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Because once you make compromises and these habits develop, it's hard to fight later.
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Traitors want to do business later, or better
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If you want to share with Esenes
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When you usually do it in person, I hope you learn how to put the drawings in order to the end.
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We made this file before and I added an example of what was shared together, playing the video with each process over and over again.
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I hope you will confirm this.
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So, at the next time I finish this lecture, I'll have something to say to all those who like to draw.
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The mindset of learning how to paint.
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or a freelancer like me.
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Let's take a moment and talk briefly about what to prepare and then organize what Golos has prepared.
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So it's been a long lecture to listen to, it's been a real struggle.
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My next really last meeting.
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