All language subtitles for 07. Understanding Core Color Theory

This is what she wrote.

This time, we will learn the basic theory about the world created by debt, which follows the last counted debt.

Books are the most basic element when it comes to vegetarianism, in fact, mapping.

Because it is using black and white colors, the colors are the familiar representation of the drawing that we cannot come up with when drawing.

In fact, before I studied light, the

I was very interested in color, and the reason for studying light theory started because I wanted to use color more freely.

Compared to light, color is subjective, so if it's easy it's easy, if it's hard it's hard color.

In this lecture, what should I know if I write in order to actively choose colors than just knowing beautiful colors?

Basic core theory is the foundation.

And the colors will always be emphasized and given to you for further clarification whenever there is something important in the design and coloring process later on.

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I hope this lecture will be easy to listen to as well.

Some of you also know that color is learned naturally in the study of painting.

Let me understand why it's important to learn color.

Unlike light color is a subjective sense of human sensation this should also be easy

Therefore, when depicting the target and light realistically in a picture, freedom can also be used to indicate subjective appreciation.

Thus, if rich colors are used subjectively, they become the most important factor in determining the atmosphere of the illustration.

From beautifully ornate colors to subdued dark colors, as long as they can be used in tandem

like Dufresne, can be very effective in shaping the personality of a character or illustration.

How to learn this color.

Before that, I'd like to think about whether it's just called "red and blue".

Pink, blue, these are called colors.

Simply distinguishing colors by name, written is difficult to enrich the habit of color.

The book has 3 representative 3 attributes, namely color degree and brightness, as well as the concept of hue and beryl.

First, be sure to fully understand these and practice adjusting them to the situation.

This technique is indispensable whether you are coloring realistically for light theory or finding the right color in the design field.

Learning first objective information about how the main properties of color are influenced by light.

It is better to try the perceptual part of color later.

So, just like any other painting learning, the process of starting with an objective depiction and gradually moving towards a subjective interpretation is there in color.

From that time on, the feeling known as the sense of color became the style of the writer that

I personally think that the colors produced through light theory can be applied to a richer and more varied color.

Then officially learn about color.

To use color correctly, instead of calling it by its name, you need to understand the main 3 properties of color.

The attributes that make up a color have color saturation brightness.

You can see that these

This is from Photoshop

Achiesbe is marked on the color window, so you can immediately confirm the color, saturation and brightness.

Next, I take my time to understand the concept of the indispensable hue and beryl in the world.

First of all, color is the name of the nature color used to distinguish colors.

If you type it into the game, you can think of it like the race you chose when you first made your character.

What is generally considered a rainbow of colorful things is usually the color of the color attribute porridge.

So, when choosing a color, the color is the first to be chosen that

Among the color attributes, it has a great influence on the perceptual part, so it has the most influence on the color matching.

Color appears like a ring in the digital, this is only labeled color is a ring or something like that, only the color is called the color wheel.

Where the color is the position of the color wheel.

That is, in this circle, each road is marked how many degrees

This color is related to the wavelength of the light itself.

Remember, as I learned earlier in the lecture, the wavelength of the light and the object determines the color of the color.

And saturation is color pure, so it's good to literally see how much color fills in.

The numbers indicate in percentages how much of the three colors are contained at which color.

How much the saturation changes in value compared to the other two attributes, the difference is more difficult.

So, when you say write rich tones, the regime becomes the most important attribute.

In addition, if you can't control the color saturation well in the color scheme, you shouldn't ignore this regime which is easily perplexing to design, right?

In light theory, saturation is related to the light map.

For example, when the wavelength of light (e.g. neon) tends to a specific value, the light will appear as a pure color.

This is considered to be a highly saturated color.

Conversely, the homogeneous light of the wavelengths of red, green and blue is white, without carrying any color

The wavelength value also becomes homogeneous if there is a low saturation of white and there is not enough light, or if it is darkened due to absorption of wavelengths from the object.

Again, it appears as a low saturation black.

Therefore, it is usually only necessary to be careful to write high saturation colors where the light extension is properly illuminated.

And brightness is mainly the degree of brightness and darkness of the color determined by the light.

In the figures, the brightness that can now be expressed in this color is expressed as a percentage.

Thus, light theory is related to illuminance.

The lower the illumination, the lower the brightness, and the higher the illumination, the higher the brightness.

The darker the color, the brighter is the most intuitive part of the color properties, and therefore easier to adjust and central in the criticism.

The 3 attributes of the color checked up to here can be confirmed visually on the color wheel.

The part of the color wheel that corresponds to the binary disk is on the color wheel.

The color corresponding to this disk is the color of the color, and the line from the triangle to the vertical axis is the bright hole

The saturation can be adjusted by moving horizontally and these colors can be adjusted by selecting the desired color.

This collection of saturation brightness that contains a specific color, if the hue is simple, has a customary name, called tonal.

Candle drawn by a square radish with three corners of lightness and saturation of 100% of the second line of color to colorless white and black.

You can simply identify it with an adjective, for example, in a book

The colors are the most vibrant, and now the more you move this way, the more you can adjust the saturation.

The more you move this way, the more you'll be able to adjust the brightness, splitting each color into different shades, right?

So, the name of a certain color, called pink, exactly, in the color red

Saying the color or light red words becomes accurate when stating a little more.

So, the phrase "rich in hue" in the painting shows how widely the triangle can be written in this way.

So, a painting that is drawn with only a specific range of colors from the triangle to a specific range of tones within a specific range is more or less monotonous in tone.

The book is straight, so it takes practice to write this triangle evenly.

The brightness of Light 2 is independent of the true color, and using this hue as widely as possible is the key to enhancing the color.

especially the avoidance of whole-degree colors is high, and surprisingly, whole-degree colors are easier to work with than primary colors.

While referring to the content of this free will lecture, it is also recommended that you practice writing the colors of your own diagram.

By the way, I can't swim even though I use the pseudonym Jamsil.

Occasionally some people will use color codes instead of color colors.

Both are functions to select colors, anyone who wants to know the difference?

For example, the color, I can write it like I'm using now, directly from the color wheel by selecting so

Call it the Regal Color Weed that comes out when you click on the color here.

Some use this, some use the color wheel.

I came to find out which of these is better for coloring.

In order to colorize, I have to freely adjust the living properties of the color, but the color wheel is here in the binary disk, choosing the shade I want

In the binary disk, I can choose the color I want and visually adjust the brightness and saturation values horizontally.

The most important thing is that this color is ringed and it is adjacent to itself.

The coloring is very easy to confirm the concept of purple.

Therefore, when explaining light, I also use the color wheel to visually show how the color changes.

the world with a new liquid of 100% lightness and saturation, and the color of objects with a saturation of 0 percent divided into white and black.

Drawing this as a triangle is best suited to color theory, and in the color speaker, each axis is drawn as a true rectangle.

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So, some may be more even than triangles. In this colored speaker, the

Looking down, if you move down here, the saturation will move like this, the further you move this way.

However, since Mindowu itself is the heroic color, a saturation of 100% and a saturation of 0 are the same color values.

So when you move with this coordinate, nothing color will change.

Numerically, the color is filled with 100%, but the brightness is equal to 0 black, I think.

Therefore, there are unnecessary coordinates in the process of selecting the color.

This is like spreading the globe into a plane.

So, if the color picker is wrong, that's not necessarily true.

The color speaker is actually the most intuitive way to view and select digital numbers of a particular color.

For example, it's easy to adjust the color here, but in the color picker, the egg nest grip that this color has is tightened.

The width is the most visual display of the brightness, saturation and luminance, as well as the color code.

Therefore, comparing colors or entering specific values is very important in either design or printing.

Therefore, we hue the luminance values according to color theory

Both the color pick curve and the color wheel can be adjusted and moved for better results.

The process of changing and adjusting colors is called toning, the

The correlation of different colors is a very important process in the painting that we do.

To summarize, when doing body color, it is best to master the way of adjusting with the color wheel.

And Photoshop was originally a tool dedicated to editing the Erlang complement, and it wasn't until six-six that the color wheel was officially supported.

For those who use it, please refer to it.

Finally, let me get to know the most important of the colors, Beluga.

There is no code value for Beluga that can be particularly directly identified digitally, so there are people who are hearing about it for the first time.

Bayliu is the final brightness of a particular color, determined by the color saturation brightness of the color.

In digital, the proportions are difficult to control directly, but the Bayliu of color lightness and darkness is the first and most important factor when using color.

There is a difference with the brightness that also says that the color is brighter or darker.

The brightness indicates the percentage of brightness of a color in a number.

Bellevue says the relative brightness of each color when the colors are different.

For example, the color of yellow, blue, and double lips are different from the color of the color, and the saturation and brightness are 100% in the figures.

For example, when we lower this color to this regime

these colors then become gray.

This occurs because the territories are the same.

So you'll see that there is no Beliu left at all, and that Mindu and Beliu refer to different things in the numbers.

But back to the original state, yellow looks much brighter than blue.

When you determine the brightness of the color, you can say that the yellow bell class is brighter.

Bells are one of the most difficult factors to understand for those who are starting to learn colors, because it is difficult to identify them visually in numbers.

There are two ways in which you can identify Beluga in Photoshop.

If you just remove the saturation of the color, the Bayliu does not look complete, so it is important to understand how to check the Bayliu individually.

First, create a new layer that will be black or white

Paint Esther Ritter, and blend the selection here

Just change to the column color.

This way you can check the value of the color, close the layer if needed, then open it and check the white flow immediately.

Confirmation method for the setting of the second parameter.

Next, in the "Abort" view, open the "Loop" "New".

Once in Customize, the best team will change the color preview here to "Esquire".

It doesn't matter if you don't touch anything else.

This way, I can confirm the value, immediately

The shortcut keys for this low-resolution print setting basically correspond to the controls.

This is a function we commonly use, so it is best to specify the shortcut keys separately.

To know how to confirm this value, in the middle of the color, we must double check that the value is separated enough.

So, to summarize the way to use the color well, is to keep the value and use the rich tones.

Compared to drawing, color should be controlled to match and contrast, this is the time not to be fooled by colorfulness, always put the value first.

So, if you only protect these three light and dark and apply value, then start with the dark colors

This way, the color will gradually brighten and a stable value will appear.

If the saturation adjustment is added.

The saturation of this intensity decreases when the light becomes stronger, for example

The closer you get to the light-dark race, the higher the saturation, the

And as the shadows pass, the

see the sky darken and the saturation drop.

So, we can adjust the saturation that

starting with yellow and brightening it.

The closer you get to the light-dark match, the more the object

The closer the original colored solid road gets, the shadows

Instead, it looks a little bit bluer and

When the system went down, the ground that was blackened

The colors will be a little bit richer.

However, the value of the world may be greatly altered by the color of the colors.

In particular, the higher the saturation, the greater the value tax generated by the color.

So, even with the same saturation brightness values, divided between yellow in the bright bell class and blue in the dark white

You can distinguish between light and dark colors, and you can also color with colors that differ in color and saturation, even if the values are almost the same.

When it comes to yellow, for example, you'll basically find it in a very high band when it comes to primary colors.

And, at the same price, the blue that appears by only moving the color will appear very dark to our eyes.

Therefore, we take the yellow from the blue

moving only the colors that

Differences in value are also possible

The closer to yellow, the

You can see the color of our eyes getting brighter and brighter.

That's it.

Suppose we take this

In terms of value, you can see this gradient appear.

So, if you understand this value and write rich tones, then the picture is much richer in color.

When you say apply these things, it's better to keep the inherent color of the object and use it on the value as an application technique.

The difference between skin and print color systems when applied in different colors or saturations is much worse than one might expect.

In general, I recommend that you actively use this value when you don't like individuals with medium overall.

For example, this company has five bands that I represent.

When doing this value, I use this to confirm

Make a new menu, then paint it black and composite it with the color

I'll make the values look better.

If we paint the color of this gray band next to it, he'll reduce the brightness when he's thirsty

A little high.

Or, if you go for low saturation and blue.

The memory is a little bit darker

Also using the green color system

If the saturation is high

It does get dark, so just a little bit of text is needed.

If you're moderately sick.

To this extent

Conversely, selecting yellow will brighten, so reduce the brightness or reduce the saturation.

Blood flow can be matched about the same.

Dark, if the saturation becomes higher here

The colors start to become similar, the

If it's used on yellow, it does get brighter, so lower the saturation, lower the salinity

Just find a color similar to the menu.

with a similar color to this one.

The yellow color is very bright, indeed.

Think a little darker, make almost the same menu, then tint this color.

So need to practice with color and saturation.

In this way, when I checked the value, I did a similar shellfish with different colors.

Fold this down, and the colors we can use are set like this, and using this, when I do more work here, the same colors as this.

So that means that the bright side corresponding part is writing the value asset here so that it doesn't go up as awkwardly as you might think, and we use this

The color of the different areas can be changed.

Or when the chroma of the shadows reaches this level

It means that there is no problem and the colors will match well.

Stop it.

The fact that I'm not actively using this use of value in the character illustrations in order to show the right colors that

In general, the part of the picture that looks group is often hidden in how much of the color difference is made using these subtleties.

This dark picture

When you enter these places, this means that you can blend in effortlessly.

With a little more color.

If the colors stay banded, you can confirm that the degrees of freedom do increase.

The skirt is just as bright

These two colors in a way mean that we can be flexible with

Living with the smear words, you can naturally put the color changes to rest.

Generally speaking, compared to the original color monogram

It is better to use this band to add some description where the color may become a little boring when finished as complete as white or gray.

And, it is best to pay a little attention when mixing colors in digital chess.

The colors and pigments of the five sisters alone are mixed at reduced yield.

The ink is printed with magenta yellow and becomes black.

Unlike light, the color will gradually darken.

Pick each color and select Lee Near Volume Line Clan on the brush settings.

If you paint it, you can immediately confirm that the color is getting darker.

I personally believe that the traditional color theory of red, blue and yellow uses the three primary colors.

But the digital coloring is an intermediate mix of choosing colors with a brush and making an average of the two colors.

In the three colors, this is called blending.

This intermediate blend has no problem between the brightness and saturation of the two colors, the

For example

Brightness from dark

Mixing brighter colors won't be a big deal.

In low saturation and low saturation

No major problems when manufacturing leads to high color.

Moderate shading will occur.

However, at this point, when the colors are different, especially for gems, and are about to saturate, such as when green and pink are mixed

This complements the color, and soon when the saturation is mixed, the saturation drops dramatically during the mixing process.

You can see the saturation going from high to significantly lower and then higher again.

The lack of saturation in the blend can be a very deadly problem in terms of light performance.

So, applying color as simply as you would with paint would not be as good.

Learning about light theory, considering the body of color that fits this theory, using color is really important for the whip.

For the sake of example, where the illumination is strong, I try to paint the red ball, and I put this high color

with a pink brightness, but a lower regime that

The opposite of dark, low saturation, painted dark with this color.

In this way, if both the roster and the shadows are not saturated enough, then both colors

When mixed like this, the

If you pull out the colors and mix them like this

The saturation of the light and dark races will drop.

Look here.

If you peck this column, the saturation goes right down, and when the intermediate colors become natural, of course the saturation goes down.

However, I didn't want to paint a pink ball, but I wanted to show the strong illumination of red troubles, so

The decrease in saturation in this case leads to a wrong regeneration.

Thus, to show the light we want, high saturation colors are sandwiched in between.

And when the blend goes in here, we'll color the lighting conditions we want.

So, looking at this color wheel, the color

After the light and dark race, after the solidity, the regime becomes lower again.

So, when we put the saturation

slightly in such a narrow region, with such a high saturation blend in the middle, the

Renders tones in a wider, richer, and more light-theoretic way.

If the color of the light is different, or if the ambient light intervenes

The color of the sick man will become disordered and

Conversely, problems arise if the shadows become multicolored (e.g., the shadows are dark blue).

How the colors of the light and dark mirrors are rendered in this case, and how the colors of the two colors are different

Because the brightness and saturation are different, the middle appears now very blurry and gray

Color appears.

In fact, this color is a bit of an unsightly shadow in nature.

This way the colors of the light and dark races become very muddy and look unnatural, and

At this point, again, you pass over the saturated areas at the light and dark borders.

So between this color and a different color

There should be this high color in the pink and Zeta family so that you have to be careful at this time.

If you apply such a desired color, you will have a problem because you confirm that the clay is not broken 106.

So, we come here, between this side and this side, the

Because it's going to be colored like this passing by, the color here is a little more natural than the color here.

If possible, when choosing a color, the

It would be better if the shifting of the tones also appeared natural.

That's it.

Naturally mixing these colors.

in the world, remixing the original colors, the

A more natural, richer tonal variation than just now.

Personally, even if I bother with some colors like this, the

When mixed in various ways will come up", always like to often pile up the color.

So we should write out the colors according to the theory based on light learning.

So light and color learning are closely related, so they must be parallel.

So, instead of following the order of "light" and "recolor"

When learning about light, you need to practice enriching the colors together, if possible.

Finally, we need to learn about white first.

Color matching is a process of creating a visual effect by placing two or more colors.

Mostly painting away the inherent color of the object.

To use various effects of color matching in the design of objects or characters that do not exist in reality.

Various atmospheres can be produced with the inherent nature of color and the contrast of color and color matching

In color theory, color matching is a particularly subjective area.

For the white content covered in this lecture, we'll start with color and use color as the primary focus to explore the most basic concepts of white.

White is also central in design, so we will apply more and more detailed examples to the images in the character design section.

The easiest thing to learn about color matching is the nature of the colors that are used sensually is the easiest.

First of all, before color matching, there is the representation of the well known gehan colors and the way I distinguish colors with colors.

A color and the color is seen from a natural object that feels the sense of temperature such as a flame or an ocean

The use of mental correlations on colors.

The flavor of the color sky when the degree of monochromatic blue-green to purple from red to yellow is called white.

The most intuitive use of the character concept.

Generally from monochromatic to high brightness giant system of colors show psychologically active and active atmosphere, known as marching colors

From a color to the overall degree, the opposite of the signature degree color, it is called the receding color because it feels calm and still.

Because color has room for subjective interpretation.

Although not an absolute standard, but generally in the design of a color and my color is so distinguished from the use of.

The department of green and purple is called neutral because of the different nature of white and difficult colors depending on the color scheme.

Therefore, it belongs to a color that is difficult to use simply.

Generally adjacent color is white or difficult color, the atmosphere will change a lot, so it is often used as a general secondary color.

There are three easiest ways to match colors.

First, two colors that are almost opposite in color are called naturals.

This contrast of purple is so obvious that the colors can emphasize each other and can be clearly distinguished by the color alone.

This one is called Bodegby.

Conversely, if you use the surrounding colors of a certain color, the colors will naturally connect, which is called adjacent color blending.

Even if there are multiple colors, the group ford has its own characteristics, and if a large number of associated colors are gathered, they are also called gradient colors.

Finally, like the three primary colors, the three primary colors that use distinguishable new colors or toners are called matching colors.

In color, usually between the primary colors, the

Triangles appear between the secondary colors, and the hue is upper white black, etc.

A color matching technique that uses 3 colors to clearly distinguish.

The distinction and clarity between the colors of this three-guts stick is very strong, except for the character design game illustrations

to the national flag of the country, is the color scheme used in various places.

In addition to this, there are multiple endings that use more than 3 colors, or a color scheme that emphasizes a specific color.

After these colorways, we'll graft them on during the formal character design process and take a closer look at them.

By this point, we've learned together the core book content we'll need to know in order to colorize in the future.

Because coloring is a very sensory part, it is difficult to confirm the strength compared to other painting studies.

The part that reflects personal preference as much as strengths and paintings

There are many people who feel the need to study badly.

But color, even if it's not character design, it's something that we can always observe around us.

If you could use these colors more freely and more actively

the number of things you can paint will increase massively, so don't find it too difficult, try to practice using a variety of colors.

Personally, I recommend it to you.

In the next few minutes, I'm going to practice a little bit of color with the theory of light and color that we learned

How to use it in illustrations, let's practice gray based on various lighting examples.

Listen to the long river of hard work. I'll see you next time.